New-York tribune., 1884-11-30
. s....a,s st snsr 70 iiaht ss" e>''-
sr,as,ieirha i@,iret
Mt,sie
.s,ox,ys ralLlIAnaoNio soe'narN,s, M ,.a,,s.,. =.
hhnohe, ass,t ef the i,faokisn fhilhaf'

,e".e.,nA aoneert ~ the hi""e'," ny, ~, Ma
Ile s'. tsen last nishl W 'he Ae'as", ,,,a,y ot
saea's ,.,al attractions teessss -, lacked some
se e"' Az whole Wv s.ous,omed to reoog
wesss r'e''N Which weafe aoo"s'e". IN mar,
What Of the sSm"e'', m ,his was owing :" ''',
mac In Nit ihe"ss by the mi"fb'hae ,a
,o a substitution ''"i was to have piaSe' '"o
Mms Iiopes'A, ooncerto, and eonseqeh'n 70 wv
schuman" i"s~ eritlcisn Miss Mais",ea, a. ooncerto
fair sv place aud peio, ''. yc ,ud as
Nine .s. much better ,uv he expected to
Of iiszt was hnt she could hardy "o r.en,ont
rule In such ea'e' raised by the anho"hoo"D
meet the MA" would play In TINS ias'
that Nine nop~, ..., a such plenitude Oh Heii's
artists w., ,ower and taste, anu s"0" ,nn,v
hBe se"' that II is difficult "a'o' to,,sts
e'", at Ieast from inc '"""' - which
hei P Nis. Margulies, by choos'hs - came
Oh - her indubitable Accomplishment -, .ho would
enao'e' % making good the loss 'n'h sno 90
mach nearer " ,,o,r.ed TO play the concerto SC
have "'" -, uonekirk She commanded so'
cco" a,,,ration by her performance wv ,hor
o. h' hy her exhibition of techh''a 'A ,h,ch
-. ,h noetca insight into the oohp
- ,,osei Nevertheless how iar aonii''- .,or Int
y ~, ar 90 toward beautifying tniS -, os.cts
",,tnl concerto shown by tue ,,os ,oNos skuful
pca"''''.' o~od IN the call OF Miss Mafsu''o'
fingers. ,.,o..s os large proportions on
Ihe o'"e' ero Iohn X Paine's symphonic poo~
S,a,,s.reare's Tempest and Beetho'in .,Ir .be
- which compositions formed resp0O rp proee.
au,,c and concluding numbers.o .oi Tue ,or the
~ paue-s com position has been heAru believe
s,...,,on Of Mr. Thomas. 1t was wr".o" IL was
sIgbt or ten years ago. o"' ,rno like
,.y,sea by the co'nPoso' !. ,hourht tha,
aud modest musician that ne i'' hos al
''0 ,, ~, ionrovcd The subject Is one ''' a. as
:. 70, ,Iurue TO musicians "TeinleS' 'noeeded
~, :. ,be ,lay vet no seems yo' " ""'0 ,,oen
a. nrea.;ng either incidental muso -. drama
,,I ,ook a position alongside OF Sh"Aes Itch in.
.n,one Eeethoven's enigrnaticai say mss 90, vet dis
-. ,nai he wished the drama some way ,,,oe ~
a. be looked upon Us lhe Pi'e -.
~ 60 ~ his pianoforte soha'"'' sc,
al a, rerspcsta for London, but IL came ~ cr,si
a. ,.s ~ the efforts OF Sontag, I'@Diao"0 ~ ,,oot
,,ndei..ohn once contemplated an oPor" o 49, ,S,pa
-, .bpr sullivan's opus is incidental in"S' - paine
:, American composers, besides froieS9on -
~ u VI ~ ~ -, has conposed Tempest mu''0'
m = ~t,,ct lac performed last spring ~ Tue "' o.,
%. Itch he directed here Professor i"i'o ,tino
-, CO.,. ,,ovyned with success In hishl! e'"'.s ea,
.,,-. want to sl.etcing the feeling oi 0n""O go,
pcen IN a symphonic ue has
,o.,iue the regulation four hoNe"rn'' =, -
,h,sen a. the episodes TO be ilustfaleu' ~ ,,.;s,
-, aud harpv scene before IrosPe'o co', >,
''' - r,s,eros tale" the happy love oi fou,-
"if -. ,,,r,,,Io episode with Ccii6on' anu 'no 80
-, y, p,,sgero's potent art" II VIII oe 'ooi :,
a,nce tina; this choice OF material IS n"ppY sic 49, aud
80 ample occasion for pre'tily con'rasns ,,s,cal
a.. ro, s.vcrely wrench accepted canon ., ~.
80, J., ,,ct a vivid fancy might have iaa our ,",
-. tr number of instrumental works no' woe'',u
,,s f,,sls hy their composers. The conhec"nE u U g
,,. ,r,s A matter OF taste. Professor ,a'ne n , =
,S y m thr classical fotm ot conrosti9n, bn, onl
,5 Nnyort being his best believe Ell ieaenVtt' .i.
.el,n ., f,r he old masters appears IN WI, nu ,S
tb charms one by IT'S simplicity anu W ,s author
,.w,ir character. aud shows the Iisbed rnirs
l. be- st,ct adherence 10 the wentsianhsntu ,ns
~ o,e er,r- " agnef Lis1t sfhool ,,rso,
y, .,r,isirr therefore, that the, 'ee,.,,,,
h.vpan thr on ming movement HtscHpinh m U Wornsrs
" t ,.rei,di ti,iuir ~ similar scene IN ,n.u
ni,,rh,rs suid have been az srra a' w., M nrot
a., t,,,,,isg,sn M weakness n ue iotnei hu&l & a vi
y ~ tt. sifs nnteiuen,s the heeary any gia'r VIZ u,
-. H. t,ai ,yind Instruments ait nia't J." ,,,,h,
sF. .fhs.sritt AND the harry picture iha' vs. isstj,
= III 4n, i.t. Us.ir ~ ,hpsi show rye Stinih'N 'Ni
ulsatt ut,t u,,iiiif Ul Thought .,..- .,.t. .,,,
ihp wr,aan ~ ht fhilhqfhienig sG,N'Fo, o,tl.n ,gis
ANNE tb. ...,tiVhpf Bi iht mrsh ~ tht tltuhs, ui
L~s ha sgess ph agglspasNiineeer,,s atsNiee,s seisp hHs
J,s.fi FiGs bueBMAiN " 'hs ls'Wmt Mans s''nfka nfka
Nf4t a au1 Miss Miileg sA-h 'hN sNN 49,. AKA
.' W H.t,ts wgla sWne wllh esWe'ai NH,HH 3"h
tNit ol ,pae api pAmpssinN HhN WIN "NH 'a"
U NN