New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1884-11-09

the closet scene she displays dramatic power. we
learn from the Ghosts exhortations that hef gn .
relations with her second hu-ban began auI'ne 'no
lifetime OF her first ONE ourt ana 'i osons flourish OF
trnmpets he is toying smorously with MS at'rac,Ve
wife thrs indicating that IT was ms passion o nel
pa, her than his ambition to occupy the throne winch
,nade him n murderer. CidRdtHs cafesScs GdW"h
as they sit side by side on the THRONE anu lh,oI III
the orchard" where the play scene Is ennc'eNo =
their passion is the handspring 0l the trdkeuN. ~
,rord nf ia0qlcgs outpourng against the guilty PAIR
is omitted, nor is any portion Oh the u"oSr" SPo'o"
cut. , .,o,,,,hrrsts If
applanse with which she summoned before me
curtain. Never was the saxon type Oh peau,y n"ir
complcteiy realized. The long golden mar iioWlhg
in orthodox straghtness over tasteini PINK ~ ~;
which was exchanged for one of white lnd,ah1
muslin in the "mad sccne-made her an 'ue"
rose of MAY" while her sweet smile ana PURE o'.
ceution of the character OF Shakespeares most sp'
less portrait of glrlhood won tue ahcotIon VI ,n
audience Miss Eastakes 0Pheia - gpil.o, "aD "J
est MAIDEN whose patience. humility, dignity "l'
tender devotion TO her unhappy lord AT once com
mand the homage oil our hearts:
Her purity doth hedge her
Rornl with so delicate DIS unity that men,
stained 10 the soul with money bag anu i'"Eo''
Bend to the goddess manifest again. 49, -,
She was at her best in the mad scenes me snu
dcr1ybicG .he cave when she found herself sanuin5
on thev very spot where Hamlet had once haiS"'' 'N'
"ei' ala. hal are you honest y
;,, ii,,,,t In the arras which she clutches
IN ,hircf terror was suggestive ana seilt uIita,i
I'..'',L ,lo enectators. There WAS an nhNuh''"
ch,,,n in the pracefulness OF every motion anu lN
turc The tender pathos oil her us.i - 49,
,;th ,bc aowers surprised us. and one Incirenl w's
,smcc;,lIv noteworthy At the words, ii'rc
daisy" She looks round for her lover 10 give MN MN
t% inv Aowcr she half offers II IN turn To tie hJs
ueen and Ldertcs, hut shrinks back rom '''C - @
rSerrrivr, her mistake. then IN despair Oh INNING
UowIei She utters sad hysterlc lauen anu tliu" d
,Lo d.isv hig into rhe air so that II iaIiS non ~
h.r ont of her SIGHT. Probably some people VIII a
hlame Miss tastlnkc for introducing Nrlso W o t
az tne ,ouns which il usually omitted, pht 10 V'IS
present writer that Earring verse sung " a 'p'' ~
Unnatural gayety which shows the ulsuac'ou ''"''
al Ike .vec. bells tangled. ont OF tune and harsh
!. the most touching part OF the performance -.
poIoyiis and iGeI'itS are father ana son VI Icd,E
as vol as m She play, the parts being taken ny VII.
rl,tiord Cooper and hIs SON Frank noih Oh whom
have played these parts tn MI lrNln9 ~ .lo
ccnn RsrRcrdRts and Guild Hst0n al" also nrothV
in real Ic. There is a striking facial resemblance
In which one critic has found deep mcaningl Ne
tween IrcrRgs MR. williamson. the villain OF me
MAY WITHIN the plav aud the priest AT cphcid n
crave MIR ClearNl, both of whom are promising
actors The Gh,st Mr.. Dcwhursil aud the fUS
j1,ycr MIR W. Speakmani are HdntcN OF no iii'tn
repute. the one IN the colonies ana thH o,I n n
land. Ii reminds Of the paimy days or ur'ity
Lane TO lind an actor of Mr.. Speakmans a"lliy
willing 10 exchange the Important role OF igdsit'
the farmer in iaudian, for the colnpafatlNvN
small part of the PidyCr htHg IN Hamlet vi ,nV
comedians of the piece. Mr.. George Jarrett lAr
Wilson Harrett's bro her and a valuable supporter
i'm his prncrSs's Veutures makes the p~st gray
dcg,r we have sccu while Mr. Neville Doonc makes
a lar TOO modern Osric Miss Dickens, grand-
daughter of the great novelist, puts muCh ieelUng
MO The lines allotted to che fidyer Queen. IL VIII
thus be seen that the new Ham'T is well supported