New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1884-04-12
ryE I,NEsS ExHTBI7T0N.
NOTABLE COLLECTION or PAINTINGS
,aK NIAGARA, Mt. WASHINGTON, RFcrNr AND
rARrIER LANDSCAPES.

M to know Of Mr. George lnness argues
.s .s q heuirho Phsstiae ~ rcgarys our native ART
spa vet We fancy that the hrtad renge Of the ARTIST
powers Illustrated in the rcmnfkHho eAhihl'h ~ '"'
Areriean SO Gacry viii surprise t1c CONFIDENCE even
of hs frisuds Mr Inness has mp and down amon-
a., far over generation urou working ont H. snl
Walton IN DIS own wav and the successive phases OF DDS
dsyei,pment with rs ripe maturity are eNcmpnh'" h
a.. collection Hi- ava Zee 81 connecting hnA between
an ,r,s.rf ilysai,n ~ Frrnch ami Munich Influences
and the days OF witch cole and purand we've On" n"~t
hriins,i iuf.uuries We readily fansy Nr inn'@'
even s. a. youth BEGINNING - Nsrute with the elders
whom W. .1n Imagine as very much 90 earnest ln 'D'
tIHur off tl,ir narrow aeds inclined o cfd'ir '-'"
sons ef rIrh ,rf snd fnnoreuI1 rci'"nF n th' ''''
sonflati hats snd .alnens ci'ass once a'd Ihe ''
ef ffrr,frr. t. ,,e co. art what changed world N
iu witch 'fr iunesss p'etnres are ctH''i'' ''"'''
Nra b.. 5000. among be cautrmpp.'f.. f'd'f p'.N..'
Who alr distinguished Zoe thr e'rrnnre o in' h''' ''
and r.s hsariur. which cruwd fhrr studios iIf tho
,, .f ,,.r Gee ui4ue fsr zoe .f.e. of tbcir posses
IN tho eas col. llt wHc the novur I'.h., ONCE e'ntd
urvd OBJ. 1ahse Of tae artist. have 1'rH nnr' t' 'h'
seductive bang" Nr iannss uh' fh" I''c ''"i-'
Talicr snd .c others Df the odrr brethren hl.
proved .lo..f rclay CD receive tnn stimulus T"'n ln
iat en- gem. have brought into orr srt h' Ode 'ie'-
,,. Individuality Witch mada him herctio as r"sifl'
t,e trncts of the uudsau River school lrl hn % b"
teaW the snn iaiss ~ "a 80 aieI fHsrs Rna h' mas
sis.va rstosfnod him.rIf We fancy somo of these
,ouns Gentlemen fresh from trumphs - ehF Aiiine
sisu tbs Gallery AMI loosing at NJ nucsss pictures
yer, much s te Fox looked 81 grape. hop'.et') oi OF
rourh
Dor t e last three 'our years, Mr. nne-. has done
~.ft which we tuA nas boz csr.ete yod ne great arr
with Que o tons thc-e laor pictures haveneFr
Neep cshibfei outside ~ the ariiss sf1dio NATURALLY
the Ntaeara has been given IN" place "f honor
snd dcicato grsysb hne tones aud inde'o'ni FHF"
heat thru-h .iring clouds ~ mist are hrsi prosecutor
% c visitor We Tar from grateful or tho ne" guy
frame ul Che hanging. 1ut the picture could 'e "l
SHARED fr.u thi. collection although % j. best seen b
n.ef hsve spoken oi the Niarata 20 other u''-'
hud our aauiruon Of the grandeur aud beauty oi 'l'
frtrr Is increased rather than les-oud by -"ins
again Ou the east val hangs TIC Nj Washington nom
Protplrf fI" canvas ten foot hy SIX giving 'F" 90
brown f5.rhil. aud the entire outline - Size white
capped mountain with purpe shadows passing across
~ Slopes the foreground Is green nea area 10y
cattle aud tiec, Thoroughly pictorial i- this large
e,tanosl.ia ard noteworthy NOT ONLY ior te charm 'i
treatment b 1t the .k ~ the art iu making every
part ofh. cluvas tel. without leaving au impression
81 wasted Space There e. richer fool ho"tver n The
gruupuf sunset cr.cta ON tr norm de "f thr -'..'l
hans. Ipc Clos of sansct" Tee water i1 ihe i"i
e-..-.l ffn r..s.e. the 4ui I"n .AI -IH-'i .t ID
mellow .r.rlrI.r Lovers o. JaraHe.c Hrt may $50.
eo-,-,r, tri. picture Oh tae Ola GOA lacquer work. aId
D. onc iu caro- to Icssf the srn.1ou charm of H-
vtv rpt harmonious cooriug Ina au Hi t'r1i corner N
sTns -rfIn.o I the Harvest -ru.' thr rt1' rnr "1
vith 10 .hoNerot uqud -ad through which comes '''
hauife 1..Ir. nf fb~ iHrlf,,.aut l.s'1 |d.a. rr.n
f-s. a I.. or to.. u thr "suusst in th' Woods the
urir..... .uonE the tree. Is dua1rd v..H 'u .'r"
.at.- hf white re opening tIt1 .t- l-i' '| .e
h,u.e 100 fe s- furnish the eru s. Hf r'r"l Infer
e. There . l certainty t. o. earct' n u'Hr pictures
which -u- .'. eIu In sc.tfe.''a' 0u ile lil '. 'r
pa.II.r
NJ rue.s state. da-an' uat" iu che r'''r
Shortcut .Aa.aru- station p..tuv brr-iH- ONT
as,r uf, r. . 1s Et..,b.y as 70 mountain breeze. The
srocr ~ OBJ. - auI ,earpe-s OF enc nip convey 1u t
a. irnr.t. ..,,rs which l- thoroughly INSPIRING Ih'
n-lret the u,1dnal'ns OF color 'ud Tight n Pho I'i-
sr~etr, re shadows beneath tho tr'- 'ni 'le -I'''
to.sII Aal t'n. al. "a 1nbo uedrnt II-.it'e
NJ ff. .r ..tr afnsrlbie tact IN composition To- TIC
o.nf-c 70 ,,e vest wau b. the roh1,t' panied ot
Radr4.. .. ..fstlutal and s,rh-htf'irf 1 .,, deep
brrr t.l.. tf can hardly ot.r'''- 30 +" 'h' lih
~ tho Morning SO the Meadov-,' aHd r. u''f
Tr,e ,r. pictures which p.aooi n or"'.t" corners
hatpfy czrnpIfr Nj tuurss's mystery OF -''i'' .
ssa~t. d. tH. H.,i we look ACROSS meadow WIN '1r
.un r,rs .lli r~ The eNha lf''g- tr'iu OBJ. m"i-i
gr,ln5 s~. .'...f'ru.i into d.Nc.te rrnr' ih' .
csu-e of vI. BE- ind ateo hy Dr. -.i.'' .'n-. "-.
a. u,.. .l., -rou .r They -i'it. il- Nr' H.'. '
rtrht fn iAc Ear} Winter OLE, rlr .ri.i-- -.t --r .
~, I1I ,.1,f pr.nlr prrI = OF tle sr Irt 1ir /
Inns.. oven h.. admirable york. Docs got r.'t hl'
osnl- " H Single TR.' t.,,a 81 ,l. -r.,i. IN
s. .- .,r,nfcstei In An IlyI: ~ceap 30 Dln-
ham =. o. poets view ~ I'tt" meadow ifI.c. "h .
m, ... 4. M -eif but charming noIu the -'Hru'nt
aino-,i, Nrr ;hi' Cad chal-, go tAe warmth .
and uxU oH- fragrance OF mItn' 'lhiit '.n E
fstnd, 2, u N4u,rc" 40 Is of tAo smaller landscape,
de ighffu tltu the former "I 20 'fil
Orchard although there arc Two "r 'hirr rHn- "'
forest ei.. which almost .i-K -" b.-+ I.l-i, 70
self-coutIuI It well worth while o. sla'o TIE ci.nt
symtsfl, 81 such artist wish subj. c- ~o .p y cI'- H.
Tie figure studio, a. wei 70. the Nlasara ar ne"
simply accents here hnd Two paiutn-- VI coI''
gueaee uieh he nglre play- tAr igAluR p1r one
by toll h. angular frame supported upon crItcAe, WINE
81 S h.' This Is the twilight u b.rcn-oue lifr. and
thepctit hardly needs the a'i of m u-'t pl TWO tccd
IN The har<ground for contrast. oR Of the
pnuting bcar slight resemblance To me lliiEinau.e
eooring ~ George Fuller. but thi. Is hardly worth
reggri- oppression this picture. but We must para
COMPANY with hm wnen we reach lr " ehd, I3ra ~
81. The figure OF the mother lacks iae touch when
would u.te-' 20 W ith genuine human ic.h4s Ana a.
bet -1 .ckneyed theme hardly worth Ar. lnufss
attention. Nor can we almlIt lhc "Ir-, W ~
sun risinr lake with the astonishing figures or
elaboration the little 60 SHORE scene: Nantucket;
wa painted. judge, simply that Tie artist Hi2ht
detsn however when W leave these recent pictures
and 20 hack those painted the -1tie or even ar
I,ea.eai.a painted in 1857 Then come hsf a dozen
~ no., autumn and suu!ner landscapes and
a vi uneven work There are traces OF iIna-
ara some which hold their well But the artists
struggle fo freedom of expression resulted sometimes
In reck'e-uc~- ,oiel imeN ODD d''drihS aoIi,c'n'o
with the hIvl painting OF detail aud The objective pres
entation- of his brethren. Ia the olive trees near
tho fore ground That strange composition, The Valley
"a. tl dyclouTueui of ms uer,strnt personals
t ca Nm ' o W. IN in ne direction ~ greater
al one picture the Oak trees IN Autumn" painted
judgr wears ago which, regards ii, hncncs'
of quality harmony and richness OF tones We think the
artist co1ld hardly Improve to-day
We have Dad no special exhibition more striking
works. Thot 1ne Of our artists sond produce % lh3cI
which thoroughly original seIl"ls and noble I
exhibition viii Dc OF eued 20 tie public Oh Al'uay me
catalogue cour' has unusual amount OF reading matter
relative 10 Mr lnness and hS work.
ggCTqN ATT CTTP 4 XHJETTYON.