The Colfax chronicle. [volume] (Colfax, Grant Parish, La.) 1877-1981, 1884-05-10

~ - ~ q IA
The very earliest printers were proba-
bly, their own type founders, and posi-
bly, at times their own wood cutters too;
but this cannot very long have been the
case A man setting up printing
press for the first time usually started
with font of type which he had bought
from some already established printer.
Thus, Jacob Bellaert, at HARLEM,
bought type from Gerard Leu, at
Gouda; Hugo Janszoen, at Leyden. be-
gan printing with type and cuts which
had already been almost worn out by
BelIaert at HARLEM. Many other
instances of like kind might be noted
where type changed hands, passing
froma printer in one town to . less
prosperous workman in another. So
soon as the new printer had made a fair
start he generally bought or made for
himself an entirely new font of type,
which became the characteristic of his
press. 1895 s.
The early types, as we know, were.
nothing but copies of the careful writing
of the day thus they..varied exceedingly,
and it is possible, without much diff
Guilty, to get to know almost every font
by sight. 1t is then found possible to
group together certain fonts as possess
ing general characteristics in common,
and these will usually be seen to belong
to certain district or period. The
varieties in each group may have arisen
from various causes. Some are due to
the necessity of having typeso of different
sizes, some to alterations found advisa-
BILE to avoid unnecessary wear and tear;
some were, no doubt, made with view
to greater distinctness in the printing.
One very common kind is one of the
most difficult TO detect. A font q type,
we will imagine, had been used till it
began to wear out. To save trouble in
moulding the dies for new set, the
printer chose out an alphabet from the
old ones, and with knife trimmed the
letters to make them sharp and dis
tinct, cutting off detail here and there,
and generally making the outline some
what thinner. From these he cast dies,
which were used to strike off fresh
set. The font thus manufactured
would closely resemble its predecessors,
differing from it alone in details not
readily perceived. The relations ex-
isting between wood cutters and print
ers are not SO easy to discover. The
French wood cutters had from the very
first adopted style completely differ
emit from that either of the Germans
or Dutch. Their blocks were always
much more uniformly filed with even
masses of careful shade; there were no
large spaces left unoccupied and white
| on the paper. They were far ahead of
their contemporaries in neatness and
dexterity, but there was little life in
their work. As q result, nothing great
ever came from them; but all their early
productions are pleasing. and contrast
agreeably with the rude work of their
foreign contemporaries. Very few Of
| their blocks ever passed into Holland.
| In his later years Gerard Leu CON-
stantly uses a set of cuts and borders
which present . marked difference from
| anything he had ever used before.
They were clearly Intended for pray
| er-book, and the complete series is
found in one, but not until after Leeu's
death. Each page of the book was sur
rounded by . grscefully designed bor-
der, within which either the text or the
| GUS COulu Dc pIluttu. 1uc GUS WcKe
used separately on many occasions. but
the series was never divided, and after
Leeu's death it came complete into the
hands of Leisveldt. These were the
first French cuts which ever passed
into Holland. They seem to have
started quite q rage, and . brisk de-
mand arose for them.
From origins so barbaric. from essays
SO simple and imperfect, there have
arisen the magnificent industries We
know. The printer and the engraver
have come to be in some sort the good
genii of the world of art. Theirs It il
to popularize what the artist has pro
duced-to bring within reach of the
many that which is primarily achieved
for the declaration and endowment o.
the few. Developed and perfected, thu
rude craft of the nameless masters who
worked for Leu and his fellow trad
ers has become q necessary of the in
tellectual and emotional life of civilized
hmm nifty - Mn00z ssac of Art