New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1884-11-11

.,esaut An audience rs tho city can pro
end The regal little person who has held uho's
euce, 80 for nearly n quarter Of century, Is V'u i'
pueS or ten thousandth time that her s"'9'o's
sne more determined than ever I"
-, with their necks peho"'" -,
.,s,v little feet The opera goers In all tue
now how ALI this is and so those whom we reaon
I'll know at all that might be sd ap''' n,sht
go at the Academy Of Music iaS' -
L. one thing, perhaps. when .,
,d not imagine Is that the n,,
Al Nine PATHS reception was chilled py 'no shn was
meut occasoned by all the singers Win "nU comic
associated In the representation Oh I'D NJ least
masterwork There were flowers III picn'!. ann,ause
a or,hurs. ~ tempe suously enthusiasm on .. 90
Que o"'oui'' u . o1come rs the lyric queen IL Nv
Customed to. ..,,,r significance. 1t
xas the opening of the season wi'h' WIN" pa,,i,s en-
,venty.ffth anniversary Oh "n'' rontvs re
trance on the operate s."so % ys,o
-. 400 wanting two weeks, on November 81 800
years "so' In like child who had been wont to
, % he'd nj night deck herself with bits Oh sauu'
d 90 through the scenes she had seen her iather
- neither in an hour before at the theatre stoo"
an audience at the Academy OF Mus'o' Nh"
IN. amazement OF relatives iich"e
,,cers alike essaying the role OF Lucia III Dohi~o
nnera II was easy to fancy last nigh, "hen sno
ha,aterchief across her eyes before ana ai'er ',"e
~ "uome Sweet Home" In the ies
i'm
20 .oo,e that memory OF the "a,
sa. had flashed into her mind "hetnor UNI.
20 tho case or not we cannot tell, but we can Say "
r. s.ny the fayorite ballad with pathos 'ha' no" WV
na,oncs which hitherto had been chary OF us pauus
I, VAS given after o recall won by q oe"i"o,'e'
tful and finished performance OF 'ho ih''' p'
from The sican vespers' - q. .
III. Mime PATHS custom to signalize hcr return " "
ho.,ra nv performance Of the BARBER ana 'ho"e.
se m, kept IT up for years have YET TO near MIND
Pi compla,c reaecfions about Beethoven anu liz
Thrce STYLES" TO say On DIT Ros,na P,,,e ands and
end the world has accepted J Hosa" we think Patti but
,o whcn we say patti we think osna the sanoy e
u coquctsh inS whose fa nsn t scatter her vocal
Mar,. before iigneous tenors who DO , n"s
merit the pr ,hs . ri rare opera
nrance II is an Old that IL constructor
double say G entity 4 'nS PROV pretty
t ,Ss .SS.S. ike Sponsors want TO- "aosn ros into
our Dutch os shs Sonopolsc the larger share The double
Sniry plan solves the difficulty She appears II, hS Ga
Glssprears Ai,uarira sings his amorons dlt,y
knd Rosinas voice gives back IN ocnH nna, cham" Of
The s,arc furniture aud out trips the saucy adc tung
sare old heads with her piquan action ana puru'mns
Tho air with the glit'oring ornnmont OF ,o nn
M" All this Ia the most fascinating oi t,ntohaloh,
ending In rich reward May Mime. Patti i've 10 rcn,n. "
season after season hero ~ Wen ~ csow s o
utterly INV worthy Of her aud tho Academy ZIG. N'cinl
ssnnot make anything but mlk-op oi hu""',o, no'
an" h" sng the music aud the new baritone. De ihs-
Smaiis il "nwicdy In song M well action lie has
The peculiar italian knack OF rapid enuno'non ~ p',
do, but there Is absolutely no hgn,"ss OF ,,"r IN
,he, nrs hui their performances were not rcnhihhpe
bno factor alone reminded Ms OF the ola crioinanGios
~ the hand was prompt and elastic and the instruments
gave out u full and rloh boiy Oh 'oho'