The Panola weekly star. (Sardis, Miss.) 1882-18??, 1884-08-30


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Or rather a "t0n mof.nnf' ~ Ton
ialtate a "tmldu ~ ibH tiamut N
rnlor and fibn Nmtllthis ia dpns
shall va be- able ~ ~ usi o. a. The mar
vel0ua number NJ bloi that molefn
manufacturer have placed foadY 81 our
hands We shall hayo Nuig aud semi
tlnts ranged In order aaiOnes and semi
tones In mnsir We shall delight In
the composition NJ ]cadenee8, ~ gym
phonies. and comprehend the value NJ
Intervals and the lntficacles ~ m0dula.
ton
Tho theory ~ color Il NJ yet m.
known, aud We are bat On the lhfeah.
old " n delightful science, Though
there ara many 10 whom the study
would offer no attractions, yet these
would scarcely outnumbor those who
have mo ear for music, and who, not
withstanding that fact, attend con-
ccrts, are taught 10 ''play the piano
and are even given instructions In sing
ing until tho tortured oars Of the teach
er and Of the martyrlled household lead
10 their own release from pain But 10
those gifted with the capacity 10 will
be an immense boon 10 have the science
Of color recognized ns such, and laid
open TO the willing student The char
actcrization Of colors has yet TO be
studied. A French writer says; "foll
may laugh in u sky.blue bonnet. but
you must not weep in n %rosc-colored
one" In the same way no one would
Willingly put on n yellow gown II she
felt dull or in n pecyish mood. There
IL n cheerful g~ood-naturc about the col
or, rs seen in pansies, in laburnum. OF
N buttorcups, that insults II for darker
moods. Violet Is sentimental, but the
palor mauve laughs with good nature
aud n light hest. There is something
solemn about the splendor Of the more
brilliant tints OF red and much Of pre-
|tentlousness in the decided shades o.
blue. Musicians re ognihe similar quail
tiles in the various keys in which they
write. Some are chosen for interpret
ing a q%uerulous ditty, and others loI
words OF a melancholy DRIFT. All thes'
possibilities arc TO DO found in c0lors a
III bOUuus, III llnlS uS III bont1' hhh.
of us now seize these harmonies by
sort Of intuition, but our Interpretation
OF them must be as lame and made
quate MS was Jubal's harp to render th,
music Of the spheres, perhaps NOR
audible 10 mortals in those early day
Of the worlds youth. VIII no n &C
complish for sight what musicians hay
done for soundp We have not eve
words wherewith to write Of c%olors, bu
have to borrow from the language {
music. Should any hereafter make tn
rough places smooth and the crookc
ways straight, it will 10 n matter {
gratitude, not only to tho possessor {
artistic perceptions, but to the world I
large. since the science OF dress mu'
thereby become greatly slmplitied, an
an iufinite variety be rendered possibI
without further resources than those "
now possess. London NGwS.