New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1884-05-18

IN spirit and manner than the original. MISS
Anderson makes her FIRST appearance on canN" VIZ
Mr. Halle to introduce her. The picture mas SUI,
ness of suggestion in its full outline anu an az
shrinking from publicity neither ol wrlcn Z" q"''o
true to nature 1t Is Miss Anderson seen 'iuoush "
mist or through an atmosphere OF poetic lueailZa-
tion The sa,ae lady has served as model TO COUNT
Glechen for n terra-cOtta bust, OF winch tnc Po'o
has a naturalism and lfe-lkencs5 IINa4leu w
nothing | can think of outside OF the coieC''on va
Madame Tussoud One of the rising portrait pant
ers of the day. Mr. John Collier sends al leaS. o'''
work which an older hand might be glad TO sigh
Mrs George Peck The face is obviously Ro"o
likeness firmly painted without fear of strong color
or failure in modelling. while the white brocad'
AGAINST n background of gTay-blue silk shows
singular feeling for textures which 1T were 10 DC
wished Mr. Collier would show also for character
MFR Whistler sends portrait OF Lady Archie camp
bell in his well-known manner. MI ['"N
Moscheles's "POrtrait OF an Artist Is Il sPe"N'nE
and excellent likeness of the painter
0f nictures more imaginative IN aim the eros
vcnor has no lack, yet leaving out Mr. Bnrnc Jones,
no artist is here TO be seen at his best III eoi'S VI
This kind. Mr. Albert Moores q" Red Berries Wonh'
delight Us all more il none OF MS had ever seen oc
fore now Mr. Albert MoOre'S long lmbed aho.
thinly.drapcd madcns in attitudes OF Iorgcli"i
languor The study OF nude bust by VT. ""''S
a half-leDgth of a young ana graceluliy NAV"
woman seen through haze-is pure IN ieeIihg ant.
deficient in the mere power of painting. as critics OF
Mr. Watts have had to say before now mr.
Caldcrons mucii-praiscd "Aphrodite" is violently
foreshortcned. nude extremely plump female hg-
nre floating lazily on Il sea of exceeding DIuehess'
and exceedingly well adapted for immediate repro
0nction in omo-lithograph " The Farmer 5
Daughter" bv Mr. Orchardson, belongs II MISTAKE
NOT 70 an earlier period of his art but beiongs 10
that branch of pastoral and domestic art beloved OF
the Brlton m quest of decoration Ior MS uilihe-
room. If is not probably the dining-room OF any
Briton which will be the ultimate destination Oh
Mrs John Golfers "By the tdeless dolorouS mid
land sea- This very clever work represents qulte
naked woman of stalwart proportions reclining nan
Oh her side face to the spectator OH 0each oy the
sea and is distinctly remarkable for the graoaliohs
of tone, hesh-coor against almost hesh-eoior'u
sand. the hue of the sand blending not less curl
onslv with that of the water nd foam and air-an
evtraordihary picture to have been painted by so
young an artist and woman.
Mr. Watts Rain paSseth away on a canvas 700
large for its subject belongs to the class OF pictures
appcaling to some poetic instinct i'll the spectator
while Mr.. Keeley IIalswelle's Bed of waerl hes
which most people Will like better, is simply GIT
rernr pOrtrait of a bit of water rife with vegeta-
ton. Not the least remarkable picture OF the ex-
bibition IS Miss Dorothy Tenants Naad when
n French critic would be likely to attnonte 10
Henner, and which IIenner ight accept as his own
I cannot think OF a third artist VINO WORKS III lhls
method OF who could set so skIiulIy III surround
inrs of wood and water the wholly undraped ana
very fully deyeloped woman who IS the Naiad in
ouestion. The light ON the flesh and the shadows
about this rccumbent figure are painted with equal
deIicacy and breadth of effect. Other landscapes
there are which ought not to be left rnnoticed but
must be- and other pictures of various styles when
I leave the American visitor the pleasure OF dis
covering for himself u W. D