New-York tribune., 1884-12-15
left OF bis writing noble statesman, pure.
nlln sed patriot and an incorruptibie man."
THE SALMAG UNDI EXHIBITION
lscconi Not!col
The snlinncnndi Exhibition wears well, and


ular advantage black and white work. but tho
intelligent interest shown In tho saimagundi
Exhibition grows with tho growth OF inc ma
terial which feeds H. Tho popular attraction OF
the black and whitc exhibition II that II contains
the original work OF artists through reproductions
TO the public This r. the day OF picture making There
arc few books aud fewer periodicals 30 poor as
to lack illustrations, whatever thoir quality may ne
This universal diffusion OF pictures brings artists before
larger audience than they have ever reached before
and Il IA natural that n general desire should spring up
for an acquaintance with the work Of tho artist, as It
left his hand before Interpretation by another or by
mechanical process This desire Is saishod hy the sal
maEind Exhibition. within certain mits. Tho readers
Of Hqypcs and The century magazines can see the orig
iual Sketches ~ artist. whose known TO them
possibly only I'm connection with these periodicals. were
these same artists to show entirely work We think
"a we have said before. that popular curiosity
would be concntcd anl the general interest
OF tho collection enhanced. Apart from the
general aspect of this exhibition " should represent
severe test Of skill and accuracy In simple figure
drawing But speaking generally such IA not the case
There ia little Of such straightforward work ~ Mr.
Charles A. Osborne has done IN hia nude figure Of " or
phcus" go iC2l There "a suspicious inclination 70
engage the spectator cute n'h fashion hiding precision
or IT., lack behind inky cloud Neither vagucn''S
which "a without meaning the misuse of mediums o
which We have ad,crcd before, characteristic OF
good workmanship.
studies of neurca attract moro attention than land'
scaros in black and white exhibition and this Tact In
itself should -tuuato drnushtsmcn aud painters to
moro careful execution Not oNon MI sm'u
lcy'A surcesi IN rendering certain typos of
character can disguise some .cocoutricitca
IN drawing particularly noticeable IN his "Mother
go. ll2i tn his Country Eoafive-" Mt Nmcdlej i
at hi, best Tor the surcs which e'o the tlc TO the
picture are OF typo which the artist drllneat"H WIN
peculiar apincss "Jcamcs" tipping the wink TO the
nerng maid he carries away the antique carpotnas
and hand-hoX, il aware only of the unfashionabla
clothes the load voice, and strange speech OF the elderly
visitors planted Ia tAc midst OF urban luxury some
what of the uiud Is the hostess. who de'cehs inc
stairway reluctantly sighiug What impossible people
But we hope better thing, Of the marveou-ly tall young
host who welcomes his boistcrousy ELUSIVE relatives
for we have already seen him in one picture !
fonlly greeting his mother at the old home
stead and I'm another sketch absorbed IN !
Chrtmas PrefeaI t for the M bs'y yr,s M a chc4s H. rrqs
meut ~ visitors hy his numerous sketches MS t!D.'
familiar with B0wery lodging houses and csst-on beer
kegs throughout the winter. ana the summer pahe oi
farmers. Here sa tramp realistic down 20 the Wl-p "i
around nj broken shoe who ha, sjealthly ciaWe
up behind shed, intent upon securing chantlce,T bHt
that wary bl escapes, leaving nunch OF calh'I' III
b rins Enr-gsvife m ftr b,cFaround viii speedily
administer rctrbuiiyc jvsticci Mr. Fro,rs rot |
Hunter " and Killed in the Water tell their own story
70 every true sportsman who believes in fair play Tor
game 81, well for II must have familiar sub
ect We wish that Mr. Frost had shown the original pen
and ink sketch for " The Great Game OF f9ker,
an Illustration in the November ColtIy There
j. little work of the kind On which each figure j 50
individual and effective and The ensemble 30 character
istc as this portraylof southern scene Messr & >
Remnant and " H. Ti'>on are rrptcs5htcn ~ 10 'nc
good work only recommend visitors 70 look
up themselves Mr Reilhari'- charming Engh land
German Diet" The last j. in the gallery with Mt.
Gibsou's landscape stuIics which have previously
ID tv san,sou,s q. oraudmofhcr AMI Grandchild"
both expressive sketches Albert Edelfeldts spirited
novas ytr ben sketch The contributions of ye,srs
fr- L.
Zogbaum and Brennan already received attention
and il is necessary only TO mention their presence As
spectral Wet Night on Broadway" Jean Bernud
Partisan streets but with Mr. Lunercn the NeT-York
anr - uyoycd however There is no particular
the sketch itself ior Identifying 1t with New
If Is Soneha1 Of surprise to find only sketch by
Nj Burns OF course this sketch represents breeze
comid r,o[e those ponderous skirts which are much
ft, ~ "a aDv rian.oiis winch We have noted In Mr.
Burn,s keclcs Mr. share hes acquitted hlmselI wen
in L study OF The Companion "A young lady, bright
and brisg rh look a. horsercn say good action
and good blood" out for nfer walk accompanied py
trislng dogs. trifc dangerous, considering the
medium j. Nj shares experiment in hurling the fore
most dog so violently the spectator In Representing
has taken pain. with The forcshorteninG as can
readily see but the result mars some" hat an
Of the young lady merits more than worl of recogni
In Ibp II I,J,,,, a NAM i'm fe l;r Ro.c Mr. Pencils Hew
Oreau. sketch. Mr.. Maynards " Bacchantc and contr
Insey Palmer and some Characteristic drawings by Mr.
sarOuy clever IN execution IN the orth galeFy an III
pictures Near hy l. an elaborate study OF hard work
Ing old woman struggling 20 make her mark, ny VII =
into h- work together with oppressive heayness II
pleasant 10 see such intimate aclain ahcg WIN SID %
1est of bis contrbutions Mr. C. 4. Walker continues
s s a n eoo Sd Id '5a ous 5hsi M bh B2s f2q p
cott and NJ Minor send examples which should he no
much ,honshtulncs.. and Mr Julian niz in his larger
work has done tho same win lg. -astaCtory results
charcoal .tech IS both synpahetic ani effective some
work I'm ihis mel ANN from Miss y -u.mnn sntie of
MI Niroli srris noisrrous lorc -cenc vel stud
io,bas Whr ST. Fgs .horlt ha,r s,,rt ao mnrh iah,r
ppop ihr En Tree l-ht bo,k gy cannot nag'ne
str',hs t Nrss-, Frr 5trr, NgrW caoF'nap. ,qi
Hr a.l Cl3'sr lrnr,'. p - nw'h thr no'r, W tt't
e''r- 'iks a.rsr' ehtA sNs''A iran" N, A. Nff' II
tf.sti at,iai .4..i i iGe lasl.ii, se.i,.tl sa.-
,e..l.~s y. te i,'pN'r ,rA,'et Nrwf hs irVt.t
,ef"e 300 at'ri.'A ! r,t u = f''ii ea7 sH.e tttN |
rsf'a ,Ares-h ure'uipu' - Ap n4aAs pl fa'e' A"A
Mau, oi Le etchu-s aud eussayues are 90 be aassea
a. puli her, wofA, "ud o9 Ite Whole We Hp Hot ,n"e
ur Paul Alden shows au "lttmit n lhr sculptor 20 ca
press childish nanr!,e' pt'LecI Hnsgns,'oasn.n,
psn,,nent These '"a, are over prominent~ Tor
Instance, the lace collar and egns-out w9te w5e
carrying out of the chief motive because the whey
opcne mouth aud ab,urdy long upper l to sal nom nom
almost absurd lack Of Judgment Ia composition Is
shown 10y the Introduction Of the rig line O the hoop
n Is clear that the artist has had some idea
Of picturesque effects. which more than can be said OF
much OF spcaed sculpture. W. thould add thar the
-alInagundi catalogue Is enyened BY an etching a.
10y numerous illustrations, and by several
Typographical errors
THE WISCONSIN POISONING CASE.
WHITEWATER, Wis, Dec. 14.-An inveStiga-
ton is making Of the mysterious death /