The Arkansaw traveler., 1884-03-22

z tA l. 4 z#
 ! s=s.e at moze q l.s pae6.s Iit 5arte h,- ludea aaaei .ae as4I af Ms elaaeoas ,asess ee ea at tsese .t ieas, .n hc el,a s,e5 a7.l a word. Aspiring N3>S bs lane, and
 Fhe Ia.e et a n, 'he .4st 1T, irritation oi S4Nt ate ba;A de. oii e aamof and cisar n more senses than one. "naay at1en. Telemacha.
 etsas Men;af ard Hal an Hour before 9appcr gre s1-.e .ety verses clever
 ,aeiF vay. hGt no: ~or'hy lo be the ap4aion oi then authors sr age er.erls. .Airascer aisc seems ta me
 o' p'a ie o,e ted volume "A eeeas. Di | alosne oata5ns strong and icF-i;oas lsnes. b.: he peefu is hsr-l. an- grotesqae when I, shou.d bc ea-n-st- 7. and even fevefen,iy te'ti.
 oeyera. ei these poems . Fnas lass as poems ei ,he sea. "A Gya.pott
 ecend. enc C. those stofies o:ien heaid n iosn> ay tae sea. l. gloomy. a.mos, we.rd. o3t it. oi tenderness. and thn nj: tae ees. ot the ..roap. \ %empur,
 oinaa written n < su0dued. n- ,s3speeuve oce Wr h makes Il a poem - De feac ou ' oy ssnst-!se syia pathetic n..lres and Dy them n soig.lsie. = ate s dramlt anu amos; s.ern; while ne Sea E.ra tnd he lpo ohips a'e both t4hclia. auo 5ontain -nne ilnes. he latter De H5 me better O. the TWO randn.o;hee ieRdet dea. ;s | story ot nemely peop.e i4.l O; pa,hos. wei and ieellnsly ,el3
 m number oi these piece the poet appears as a sia4en: oi nature and animal life. The first The Moa1s.in Hearts l. sc. sno".ns tae ln54-n hlch iiosers often have upon the rough est of men. charm one by iis lnconss.oe4 grace. On Cone ot the Btg frees \ coniains pleas.ag iincies but 5 not = special mer, and The G.ri1iiy though HGely conce.ved .s marred b, the vague and inar;lsiic @iy ln ~htch IS thoughts @fe expressed Inc Coyo,e ~ill ..ve oy tofce at the exquisite picture ui 4 western iAnIs ape wnsch T, sSetehes n q ie@ lines. Al i.ree hoseveT. ase want ing n Ihas .a.ease- symp paths.ie love fer tse eate 1es 5e s.sa when s4ea poem. gre et ate .osta. l, men rcSts-fss .za-t- .e .soIr- ai life a,l ll thN if. aAre ses u taose 'o@ches n.rs o..en -Htsse sao& laAt 4ls 'i.e e14 2 aa .e= tae fer Ie -ae Ca}e.e. tFs} sa3.es oi. sl 1-.- 9lta t.er Letter bear e.;nes e f7 pair. asoa1, og pen 4a les a@ some o5 e-s ss ire q ia. er .sss se8sez. a.,srftf. whose q e ae ess4y - ree. se S.-aagc e4feg gs ae4-sk ee ea5 oa-e seen N.i. never De iorse..ea. 44. and aha0ss mediocre.
 have beer tod .a4t ~hc1 Caates Dickens d.e1 4aae2s Auer.-4n a-.aoF Mark .as.s. sad ;o q '.seuc tsr- ne; iel. ~aethe. | al.a be pfse q verse, bu; ! @z. sure ths; ;4e aae>. ,. b..ie to the dead V IL come i.-. ,4e pen ;. Bret Hare. Tr.s .setsnen; pfotee pro pne,ic. Tn the nexi lssse oi lae s9 k,nG .HosflL. appearec D!cAea- II Camp Taking tor foandAl on some inciden, Of his old lie in he mining camp, the poe; wove !, mo d poem ma;chless for Is simple vel tender expres- sion of the mingled feelings Of love, rev erence and sorrow. The garland Of the disciple for the grave of he mas.er. II IS and will long remain. the fines, tribute to the genius which created Paul Dom bey, an Oliver T~is; and Little Nell: Above the pines the moor as sio-ls dr |: sg.
 The riWr sang below.
 The dim Sierras, far beyond. upliftAg
 Their mtrarefs Of suoz