The Kimball graphic. (Kimball, Brule County, Dakota [S.D.]) 1883-1905, 1884-02-01
LA ~FARANDOLE

Acto rs. sssEsS|
PANS. Special Correspondence, Doc H.
In these days of far-fetchedta and overwrouKh1
plots-whsen distortion, under the populne
name OF Isenlism, invades even the ideal
realm Of III We ballet, and gn1vanisrn,s Steam
| and electricit " are made IL w6rk E,oswonds1g
which former Nv belonged to elfs, gnomes,I
| fairies and gian fs--tie story GfsLa TarandoiG
comes upon us IKE u Will 81 country air
,sster a long dwell ing in The t3stn's poisonous
vapers. La FaranS fole5is . ballet by DUBOIS,
recently produced a + the Grand 0rera house.
TT IL in three acts. and three episodeg--
Lore, danger, Mnrrit No -ha each q Wllcie
act nj which to Nknlay tlleir varied.
phases. The scene Is laid ut Arcs.
IN tho reign M Leafs XIV. 9Fivette
il the belle Of the faubcsrg in which she
onells; md the youths vie In their efforts To-
gasn her approval; hat she rsiAShave none u
the lovers her fs,tlev offers ler, end persists
in tSr love of Olivier the hnnds0flGst youth
of the villaee-bati alaH, the poorest Sur
prisesl bysorue ffte ntts in the aets of tkissing
Eivet1e, Oliyfar.a eiahosA edges hietove fo1 tho
heiress, and sAows sshs ring she hsus 81 Elm
as pledge of her fdeaHy. Here occurs an
amusing bitof pantosrd1Ma played seIerfer-
ton by the dan One of therA rustlea
to a show bench and seizes the cloak
and hat of Mamtas, the fntl.sr of
alvettc. Envelopinss her form In
the ample folds oFithst former and crush
ing the latter rpo,slier liretty peasants cap,
she signs to ones OF nor asrnpanfons To toue
forward and shew oHyiep.sha proper VIZ in
which to ask the heiresss hand. Anything
more delicious than this Little scene itwsnld
be difficult to imagine. While olivier ard
Nivette are billing sntff oseing. behind the
scenes, an old nlendicaait nsakea his appeDI4 4
ance, and because Oft bail costumes he has
told SO many OF the vEiagers liz set;uIion and
cruelty snaltreated-A H6aiinsets i1dise. che
lovers rush to his rescsxe, and, raising
Kim upon his feet, take fup d rsllecl
tiep for his benefits Nswt Esaaria aAakcsa
s aaf apRsaiIa ofisie an dri e y sslsE ts aisS ss s5s
t&npt, while poor Vivette sis eTslered to- the
house. The old meudacaHt,s however, has
seen their harsh treatment, and offers to PRO
cure wealth for Olivier II bis dUvteiS suffcfxut
to merit it. He tells Of ths.treasdrss buried,
in the amphithenter of Aries; how 1T mid
night These treasures may fbAt rot nv the
FAITHFUL lover who has trfusnphedt@yer stt6F
put also warns him that shonaa'he prove m
faithful, he will be doonnsitto nrficni With tII4
soul to whose charm he has yisia6daA
H GHosTLY
,Fhe second act transportsh sft1 s4ia yhbstty
arena. Aboutthe scene, pnintGdAgdBa y skill
remarkable even in this andsoesnftis decor-4s
ators. spirits fit in Dreamy motion Tho
stars above tremDle. with 6Isa astBAfahihgs
reailsm, and one almost questionable pre-
ence In the gay capita, SO psrfeseb q the. L
picture OF this beautiful scensscf the OH
P~roscncal town. Olivier and the niensiicanbS
appear, and when the old man asSlettshiIm
so well known In the third act on RotJertl0
Ifable. Notwithstanding the e~nticemSaxa of
The hours, he remains faithful to97Vavettc till
Cigalis, the queen Of the spirits, unseixss heS!
n iNaas nf fakiney pay,c,a 1HrS61 ILL., E-..LA 49,
peasant maiden; then, indeed, fy ftilB. and
Yields 20 his supposed BRIDE tho trottial
ring. On the instantfa Vivid Starssfkahes en-
the n hena e every spirit saaal NE whels
anee. This is q new feature Ia haiiat..s
md Is due to a recent discovery In eiecfeiGityes
by which each dancer is able to contrDl the
1 rsa1i, i nas asesaa e 1 nsr sro ~ ,. The csns ss w
spectral lights running in IN ndlessAAEeasn
frcM t0pfnost tier to arena pi0in.
An the third act we are led to Mn o.
t dssn stream n ~ p oss Y Y 9 PIE q king ana, o!isaer, Y. y
riverside to his grief til shfHds. J 1HBDIda
mentticant prevents, him. And { aasprea
him all is not lost. YiyettfE con-.
semblanoe that her M lover IN lad sSs.iasa
MS, ring, readily fpEgiyes; and tssanha toss
last hronghbround aud }6fdafn tIeaSa=ed6xatxR
to take place at ences Friends anes MN.
Aveneis i6s way toward the cathsdraA2S When
alas, Gigalia starts from tile ouaAinsssad
SHOWING the Ting, claims the gToorsrsa s het
cant. Selling a farandol& Tor e~anels4leadfads
trurn) from one of the lnusicisnaa sioeQdli1 q
q beat the time Of the phantom dance Inserf5Sffs
bly, drawn by the sound, soagalial foAowssthe
beesgar to the cliff, where, crowu "a hi gt1sHiA
tlde by q last act of devotion, lie clasps the
spiBit queen In his arms and win
himselff from the height 95ss5Y 4fs 4s I
THE MUSIC
Bhe scene Is Proyencal, the tale I2uwe
zeal. the characters are aPTosencad; aifdtyeti
Il oss all this Monsieur dubois tho. ctssnpotsr.
hns embroidered 9 partition essentially
northern. Utterly without saiisnast adhable
te%ristics, the music is equally xioyoiSEDegniea4
odS; and while our taste ia never i4rre3hWe
have some difficulty In criticfstag soregafva
o production Thorough master oh IL
orchestra you feel the tps
. is not The music ~ good, btiks he Al
pos SO because the Writer seessit ttfses
through q grey medium &C. hiss ppn:
means of vision; but becnuse half ItONos nne
tbs. fashion, The music of the keenssdlsRc
leaves the best tmpressiOn,s HsDauees;t6p
ghostly in the play brings the ibsNtto toftA4
|. musician; whereas the first thik6f 1e4A
30 come TO them You feel tlaAnocxEaptIE6
:. can be taken to the music, were HI dn1t ~
i place; and had the scene beentlaidi nptkAa4jR
; ct Hans Christian Andersen, ~ severel& thA
found it charming; hut il. Is w-iasnsaad
f!sunny land of the troubndogrYit iarEss
Mile. Mauri, the premiered alissnses v8lhsas
Us entrusted the part of Observation-Disclosures
all praise in her Interpretation ofgthe& haxG b
8 ter. Though not so remarkable Ii cancer a.
Cornalba at the Eden tteatAr, sshaF FAr Enr+
t. passes the latter in charm. lIepUsseksGet "a
q a certain extent, that i~ndefinnble attraptfipn
Y fifteen or twenty years ss4naAs Tssreataatst
. speaking with Al Well-knossIl bullet master