The Arkansaw traveler., 1883-02-24
Ssivfni's lieaa -ef Shakespeare aaa Ills
 ChataStcts.


 Character.
 ase4ts .ae,
 tt4c=oi s3.t .te8tti A5H4s - a4.,sfs asfsi .eh4s= =e,s4#. s=#e man gea4eHt.sf I4fs es#.se Azkca 4#sslsf f5fa fhe aiHst Hss asst tf5f Et Hssa newt FsHs fs.4asE4 .s teeHiAf .'szz se ii what te teeaHte..t.s tts.. 'eH.ae aH NHen efEz.a < f-gI saI fbs .5s.t .a tst. 4e.a a .sza4t. uls,c ttr uzts.. Eaaas tnA sett and baa Ha Wheihes iheY szii feash thc aaz d.euse. l have slttdIed iins Ao ,atet-.ij, ,i,a, ff} se+tv F .u144ile ta ihe aitei uess' ena t,i ihe l4ts.e=i tleAiie la the world. the 4ll,c4ma lttotc fu4snucic a; flafen,e li hoids .o.o pers"n>. IH ,he last a,t ot 'Mo,tc tl>,ic ruy stgh. are heard all uset the house The seriei ut my hehp ah!e ta throw my Noicr to [. great ,hsianec m suhdurd paasa.cs ts proper lnacs ton In Italy they an make oat the word even when ,nly sHs'4sna, t. ss Al the end oi Motte tttile the words arc 11hiI no,so. (,ese,I donat. xsae,ets 4Eo,i arc only half uttered. the sound remalns m my throat, yc, they arc distinctly heard- have complete con. ,ioi oi ny vooe am master nt my throat.
 T a,udicd The part oi eat conunued the actor. for hve years. but Am nut ga, .sted nst have 1 reaisrt my conception oi the character Some Jay may. The curse in the htsl aci should hc moro m posing slt secms to me nov hasiy and uadiEuihei ~ha, wc llslians ali tfffg- io.
 Inc edae attpn Lear gNes his thii- dfcn lA mol ihe one 4 klng thildIeb would fefc3Se. na~ Then the father vas alinosi 4 god Ihstis wha, strength ens ,hr plot | bttngs out ii gtea,ef fe Lei tho ngrs,audc oi kegan and oi G"u- cal. 4i4a cstfiAins l cau 4tplcnsr tp ut. dslis shakespeare sl~Aya 'eat hes the efifeEHr lIuat ei pasfiaf There are po pate f4nts ie fis paute4 IL. bar .f1egs ai s,the 9 a3ae eDeia .i.4 Le-H ate rlsil4e sluHf t h. aa4r,s of
 szri slaI'.. lifts raisit1
 4lst. 'a aef ,a eYeH sh4 fae s~4te ata@ lr4t > trus as t,l,ls t.sa4s tr q gc ta. ~at ss-9f aud. isos. es fa3l hei fcf- He tE sisefEc1 bet 8te Ee. Easf# her Hsa9e .hes fc feslfcs the tn. fa'ftas < t4s a'tcr sister. hls hesr goes ba to hef l. resus all sefy nAiut-d ,o ine.
 ur-s eyuose n fiihe.lp ls a saYase sen fl us'ste 0the!la is not d bad inau When he bufla iagn 'e fhe ground hls hni blood ,arpeA fifn away The principal idca ID Hamlet is, thiGk the struggle between feeble temperament. : ihu blood and d noble intellectually He ean thlHk. bui cannot act iic always ,fles 70 do .omething but never scfom- phshea anything Iesides Inc four Shakes- pearian pl4ys have appeared II here, ! played ilnon of Athens, ~lih Italian support, 70 Italian audiences never tried the par, of '1haksap~afe-F Cof,olA- nus. but there ls an Italian play of Inc same name 1 have played m #. do no, ike ,he play. 1, does no, deal ~iih pa4alons. such aa love. hatred and Jeal- oasy. common 10 all, but treats oi poII'i- al en;erpn.e and ambition
 "Mafbeth e1hausi1 me more than any chaT4g.sT have represented on the stage.
 ~ay ,each her q drafHatit ar, was the g,eA, af,or. Gus,svo nodena ir'3s iess1ns .. h.in f9I l~o year that F, pia9ee ,e .he same company and iasfened 'o his sagses3tof4- a' rehearsal He sas srfs se7ef~ Onee Al Milan l Aas play 4n. Das.d .n Alberi's sauL The fafI4' e4tee fsle before iiie lrtala seytfsl t.Hses b., shen4. .aa al asef 'o HsY diafaay se came fo rge aud ah.syered 'Ihoa has' played s3e q aos to-aisht
 "iha' ~as ln it44. sf3tecn ys4fl lz,er. !n Isfs,. SC met Al saples, aher, freedom gaa | fecerf arfiYal wi.h Carr bald and the red-shias. sh~tiera and his ~gfe came to due ~.th fne. During the dinncf ! asked hlHl to come and ses me play, that nigh, profit by hls sug gest.ons. He was silent for | meneat Then he sad I have seen thee play both in Hamlet and in Saul Saisin said that q; this he lel; as fl some one had poured a glass of ice-~ater down hil back, but At Las, he plueked up courag, 10 ask Modenna for his advice. Ham let" said the latter, thou alone cans