Daily globe. [volume] (St. Paul, Minn.) 1878-1884, 1883-12-10
picture is chiefly remarkable for the &C.
curscy of its perspective.

British artists for the "Tayl lori art schol-
arship. He has devoted seven or eight
years to the study Of art under the best
masters in Paris and Atwerp. His works
have been accepted in the Paris salon
and conspicuously placed. The little
water color, cat Charenton, on the Name
(1664), was on the line in the salon of 1888,
when Of 1000 pictures sent from all
parts of the world only $500 to 1900 we're
accepted. We hope that with
such a record of European
success, Mr.. Vincent de German will re
ceIve every inducemeAt to remain among
US, by the speedy sale of his works.
Mr.. Weinard, an artist who has aban-
doned the more artistic medium, oil paint
Ing, for more money making fresco,
contributed come very good works. His
italian boy" 1920 is an academy study
done by him in the Brussell's academy of
arts, which won for him at the time, first
prize for painting. 1t is most artistic in
its style and coloring. slot Soup"
(1,632) Is very good copy from the pic
ture IL the Brussell gallery, by Jaques
Jordaens, pupil of Rubens. One of our
contemporaries said that it was an original
study done in Munich. This assertion
must have amused the artist. The same
artist painted the copy of "Ruben's Holy
Family from the Antwerp gallery, which
is on the stairs outside the "Hilr' room.
1t is very close imitation of the original.
Mr.. Herbert Conner exhibits portrait of
sweet little girl, daughter of Dr.. Hutch
| ms, of Minneapolis. Is is omitted from
the catalogue by some means. Those
who are acquainted with the child, testify
to its being striking likeness, and with
the exception of the hand beingexaggerat-
ed 1t is artistically treated.
His "Orphan Girl" 1913, though good is
less interesting. The head is too posed.
Mr. Graves shows an appreciation of char
acter that would DO credit to a German
caricaturist. Hans Hendschel in his OLD
German peasant, (1674) but, in spite of
the critic of The journal, We maintain
that his ''Mater Dolorosa" 165D is a copy,
though well executed, aud should be label
ed IS such. When We dispatch MIR. Wal
den's stage moonlight with scene-shifting
waves, ''~utward bouud on e bright night"
(iGl9(there is little more in the local srtists
room worm mentioning, the Iest appear
Ing 10 b chanIcsl representations of
ralure Fhich are scarcely worthy of q
piace omohg the productions Of artists.
THE HILL COLLECTION.
We will now just lake cursory glance at
the pictures in the collection loaned by
j. j. Hill, OF ST. Paul, which, for SO very
small collection, is perhaps one of the
richest we have seen com pressed, so to
speak, in nut ehel.
The EreniHg Journal says that the pic
lures are ali masterpieces Of the French
school. The critic of the Z. ]. is not quite
rightly informed.
The two best works in it are by Spanish
artists, though residents of Paris. The
critic of the Journal cannot have seen the
picture, ''Blindmau's Buff" or no would
not have said that il was by c. H. Ban
quiet. The name of Casanova, the great
Spanish French artist, is sufficiently we'll
known, and is legioIe enough under the
picture. The great artist has in this pic
ture erred very much against the proper
tions of the human figures Of the Spanish
ladies, but the drawing of the hands is
really beautiful and the painting
able for that sparkle and brilliancy for
which the Spanish school excels. He
paints the same models in all his pictures
the same monk ard the same women.
BE might almost be called a plagiarist,
although Of very agreeable kind. A
very much better artist Of the same Span
ish French schoo is Monsigneur Jiminez
de Amanda, to him has fallen the cloak Of
the great founder Of that school. Fortuny,
whose best wcrks are possessed by our
! rich country man Mr.. Stewart, in his gal
i iery, stu ated On the Seine, in Paris.
This is an excellent specimen of Jim
inez' ait, and figured, We believe, three
| years ago in the Paris salon. In drawing
| and expression this picture is faaltiess. II
| is titled "Ths Rehearsal" An old cardinal
| sits listening to the rehearsal of some
| grand mass surrounded by monks and re-
| ligious dignitaries of all kinds. The va
riety of expression On all the faces 10 sas-
tonishing, from the earnest attention of
the musicians to the anxious excitement of
the leader of the orchestra. One sees
the same heads of favorite
models repeated frequently-such
as the cardinal and the
( prelate sitting just behind hin, those same
features can be seen repeated through the
crowd frequently. This single modern
| picture possesses qualifications that make
it more valuable than all the Murillos that
can be purchased. II is tbs gem of the
| art loan collection.
I AL al GASS WIZ t1ollGIS 1lIOSp OCduLlAu4
effects of nature, chiefly Turkish and Moor
| ish scenes, without the same ninuteness OF
detail, or faultlessness of drawing is MIR.
| Benjamin Constant and who e pictures are
scarcely less valuable. His pictures are very
valued in Pans, where there are some
very fine specimens in the Luxembourg gal
lery. He is superior to his master Caba-
mel as an artist, and his works are much
more highly prize1. We may pride our
selves on having here very fine example
of his art, the Moo ish arch tee. ure being
beautifully rendered and the graceful
abandon OF the Turkish female figures
very we'll delineated. This style is remark
able for its ease and simplicity. There If
in this collection picture by
Marcus Simon, very popular
French artist, though net the most artistic
his works have been very much litho
graphed and photographed but his paint
ing wants the warmth and artistic quail
, ties that are visible in the great works be
side it. mr.. Parks sculpture Glove Tri
umphant'' is in this room. It is won
serful work, the marble seems SO flesh
like.
The Tauderilic Temple.
1t is matter of surprise to visitors il
this city from Chicago that Vaudevill