New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1883-02-10
MUSICAL AND DRAMATIC NOTES.

MUSICAL AND DRAMATIC NOIES.
On Monday, February 10, the Boston Ideal
Opera Company viii succeed the ITALIA Company at the
tifth Avenue Theatre.
Miss Thursby leaves town on Monday for a
brief tour under Mr.. srakoschs direction. With her
go the Liebe Hemlicher trO who during short stay in
town have proved themselves artists or sound merit
They return to give a concert Oh March
The Sunday evening concert at the Casino
will be very interesting Mile Jueh and Nine. Teresa
Carreno will again appear, with Mr. W. T. Carleton and
Mr. j. Levy, tine well-known cornet yirtuOso will make
his first appearance since his return from Europe Inc
orchestra is TO be increased
MIR. Remenyi, il now appears, has missed his
steamer from Mexico, and cannot be here TO play
nt the saafeld concert Saturday evening, az an
bounced The pro gramme has therefore been hurncdy
tearrsnged Mr. Neupert will be the soloist and Hiss
Belle cole. Mrs Dexter Mrs. Ellison and Henor Lber
Drake.
Mr.. s. B. Mills will give a concert at Stein
way Hail. Saturday evening February "a, assisted by
pne OF his pupils Thrresc Heilner and by Mcssrs
Bergrer Remmertz and Frederick Guild. Mr. Mills Will
play two new studies Of his own and works u Chopin
bchumann Taussig Brandeis, etc; besdes Eubitseln
sonata with Mr. Bcrgner ana SAINT sacloS va lali2us
Heiiner -
"The Countess Dubarry," thrceact opera,
BY Carl Moecker. libreto by Tell and Gcnee), will be
produced the first time ia America on Monday even
Ing at the Fifth Avenue Theatre by the ITALIA Theatre
Opera Company The principal roles ar; allotted to
Fsulens Raberg, jules aud Heeht, ana Messrs Adolf
pud Klein, artists well known IN The Merry war"
Mr. Conried will direct the representations which viii
ldsi for bur one week.
The rehearsal for the fourth Philharmonic
concert the Academy yesterday, attended by the
customary great audience The playing Of the Schu-
mann symphony lin fat WIS beyond praise. Mr.. John
F. Rhodes the solo-t, playing the Bruch violin con-
certo in which he lately heard at a Brooklyn Phil
harmonic concert. II may fairly be said that lac re-
peated his Brooklyn success for though tho concerto
tecned less effective than before the audience was most
enthusiastic and Mr.. RhOdcs's playing OF the Bscn
thacOnne with which he finally answered the unceasing
hpplause, was strikingly good The concert is tAs
evening
The new Brahms trio in c major (Op. 50,
Which has recently been played for the first time In Lon
DON "a in NewYork, receives but moderate praise from
the English critics. The AeadeDy says; 1.-THE preva-
lence OF the subjective element throughout the compost
hOn especially IN the first three movements, Is weak
ness that be excused for Brahms, by taking
much thought scarcely alter his style; but 1t Will
pataray Interfere with the popularity Of the trio The
AMendBl thinks 1t is somewhat unequal WORK" re-
Feaing "nO new phase OF us composers genius
though worthy OF his reputation and not so IdD1red
and obscure as some OF his larger @0tks ING sling
nuinette Top $751; however usl introduced in London,
and yet unheard here, seems to have compelled uhVer
Tie rehearsal and concert Of the New York
Chorus Society appointed for February 10 and H. which
were include the scenes from Parsifal, have been
postponed the dates in March, the change being
Necessary by reason OF delay IN sending the Parsfa
of IL I'm the Custom House here Pending ITS arrival
The schumann Faust music has been put in rehearsal
programmes OF the forthcoming concerts nave
been accordingly rearranged that al the concert OF
March II programme III he Bacls sacred Cantata,
hMy Spirit Heaviness," and Schunanns scenes
tron Clothes Faust" while the last concert ION April
i3J Will be entirely from worSso Of Richard Wagner
Mozart's heroic drama, "King Thamos," was
performed complete, for the fret time in England
January 90 by the Borough OF Hackney Choral Assoc
ktou with Mr. Ebsnezer Prout conductor. The music
faI uenf and CHI
FUSES The latter having been subsequently adapted to
Latin words became famous the three great motees.
but very few know that the "splendente te Deus
bDeus tibi laus ct honor" and "Ne puyis ct cims,
we're originally composed as hymns to tho sum-
h an Egyptian drama Each ertr ace Ii connected with
be last scene OF the preceding act and many supscrp
Hons explain the character and meaning OF the music;
amounting a distinct foreshadowlng OF tne system VI
LenOtir In the second number Mozart indicates tne
phrases which represent the nobility OF IhdHlos ana
fhe hypocrisy of PherOn. Elsewhere coming mono
logue h illustrated series Of detached phrases eAeh
beaded with few words from the text OF the Drama
sc The revival of the the occasion VI great
In nnuD tho