Memphis daily appeal. [volume] (Memphis, Tenn.) 1847-1886, 1882-11-02
MARY and Her WAYS.

i
| CHICAGO, November 1.-Mary Anderson
slood in the fret o. p. entrance at McVickeri
| one evening during her recent engagement
| here, enyelOped in ma4e OF white Spanish
| lace, holding small hand-gl ass in one white
washed hand and vigorously pinching hei
| frizzes with the other. The frightened
garcou had lust stepped back TO get a far
away look at the long, limp train which he
had arranged like the tail of Tyre bird, and
Bariel, that most intelligent of dres. ing
maids, brandished a fluffy powder puff on
the slim, ma ked neck of her tragic mistress.
"Romeop WIS sitting on the bureau OF his
lady-love, trying to make his mark with the
end of a blunt lead pencil for one of the
little autograph fends who stood shivering
before him, with the hem of her dress pinned
round her neck. Two OF three of the
ballet were scampering round. running
their cold fugers down the necks OF one
another, producing melodramatic yells
and affordIng immense fun for the scene
shifters. All OF these ambitious little
rogues had their dresses rolled up and the
exhibits we're varied. a girl with blue
striped stockings wore pair of golden
bronzed shoes, neither OF which had more
than three buttons on. Another bad lost her
stocking strap, and her lamentations were
pitiful. The beauty of the flock was making
desperate efforts 10 suppress her scarlet liver
pad, which, like Sam Weller's emotions,
would not down. The stage manager snapped
his fingers, the curtain flew up, Mary Ander-
son tossed her mirror in the corner and went
out 10 wed the ''god of her idolatry." Just
then Mary's step-papa, who was seated in
the left box with his wife, caught sight of
The report. and he was in direct communal
csiion before the vagrant had time'to say
n re ! lay me.o
'sOh. thou ubiquitous wretch!" gasped the
-D.@el -wodld not that Miss Anderson
see you here for 1000 acres OF bull frogs. 1
cannot begin TO tell you how completely your
presence would upset her. Now, Just get
behind me.Y And the reporter slowly got,
trying tq RECALL the auth9r OF that indirect
quotation.
"No, my boy, she would not show you her
dresses, and she has no stockings"
''No, she don't wear jewels nor corsets, nor
anything of that kind"
"Oh, she has very little spare time; in
fact, she has no leisure, and receives fewer
calls than she makes"
''Well, she gets up at about z O'Clock,
takes cup of coffee and a bun, and takes
walk
ayes, she studies until about 10 O'Clock
and takes a walk"
"Breakfast; oh, she has breakfast at 8
o'clock, and then che takes a walk"
"After dinner she takes nap. then she |
takes a walk"
'''After supper she fakes a wa, no, she |
comes here; stand right still, me boy! ]
would not have her see you for seventeen |
gross of fish hooks
The reporter balanced himself on one of |
his New York points, craned his neck over |
The caves Of the doctors new hat and TOOK |
her in with telesoopic accuracy. II might |
interest the ladies who find it difficult TO re-
tain stable equilibrium on the terminus of |
heir two story heels TO know that the divine /
can stand on her head easier /
than on the --LATEST heels her Crispin can
erect. she Is of medium hight, with a pas
,able complexion, good teeth and 4 most |
head Of light brown hair. The
braid-used in Juliet,
shows it of with excellent effect. Her figure |
IS fat, low chest, collar bone that stands out |
ike the small boulder OF DeviEs Lake, and
very broad, we'll balanced shoulders. Her
Ups are immense, and on the stage she wears
oE eorsets Boraered vita immense
APP bands of rep that rtMInds
,ne OF a military mans belt. Great hooks
Ire placed around the waist TO prevent the
kirts from running mp 10 her arm-holes.
She goes we'll, but the loot would never do |
or the glass slipper. Her limbs are beauti-
ully modelled, bat no Dusseldorf artis. would
saste paint on her arms, which are built, &C.
.ording 10 the diagram, for a small kanga-
90. The upper arm is all right, bicsp, and
Ill, but oh, such fofesrmi Leonard Swett's
ire nowhere.
The effects OF the 81 ason's work tell heavily
N her, and when she gets back 10 Long
Branch all efforts are devoted 10 recupera-
ion. She spends three-fourths of her time