The Arkansaw traveler., 1882-11-26

Ok. or ai ali events does not: and of the fem me da monde he IS utterly ignorant
 p the woman who lS essentially of oul time woman of high culture. of ar;ss;is tasic. of profound kaoMl le.ise cf men and manners. of deiica;e CSnl,lsiu. oi un- conscious cNttsS Sanec. who l> llwa, d.ns le megsen4ent. aluaN> ilfiic ult ;o interest. ottea a gittlc ,..i at heart when most su1rannde,. And most 6At.crrd cI thi> woman he has never had ever ,he talnte>, sFNag fultluB N; hs> he had ..RS e5,aer ei a lc>> .anpicfc 2, ,se. $ hf5 h. less u ana [ The woIt& s> Ncs h.eh arc.- and. bcr- -. l. n. sp.llc g he
 a;ies nt- '4e SleL auS. sne " pAsp4iAt- znz. e iaialaS. All - tyc V4TJots t,za1s }. s.:ussoa sfss#h .ss e.sit. st'e> >,a seefa.A 3e;,e ecss si. a sctetf t> aD.. afsh J8~ssrzs cAea ,-, e.G 'e " IAel 9euce ,s=z utlr et ihe ,'prss asa@sl y's " h 1ss4f,ct , Ii, iHatc 5, >tes> s, ? .1srcseuc .sfs-: HI.sora.ls ;hs. !; uac' Red 1c.tcf t..ic In,ierd t'se e;a. kfaw and .nt, e',e4h5c 3. -> mhRa th4f3es seaae 3ts a';cl sc.e .ei ezss have had ,,alae. ;h5ae = da WHga als t.si1se II ,thtaains .he as ec |. ...i.1, !, Esls | lIe adau.,c,!h de>eHsee lAc> da nes temzsu aa tte paai.z e.sJ ma dg li,.t ,.z5 fa~s., | |; tat Nefs siitt name. tnathrs aasr L. ibtl taf s z,i s.fts,e-,s! =pap4AaA Nheh=ahe attlt te hcfclu soIatnen; or tcsteis. I9 s,tahlhA = k found i the htlAg 1a4lie= keaec has etoNn tnte q, uea.s both hteeu. .sud iedltrnu> name. for his tf.st.as,ss> .ad= =Hat>l. u iz.s..d a.is wefds >l, h .,> Pall and :. aspe se express ihc hc.td ,ad ,lc hA ef; the a,, X ~ht, | amcn;tbi> ul>bgulc hi> text They atr iviTYS crr-rt-t -ss.4a.. Il. no dauh, hu, thcN s,9d -lnltA- Sauiln =cncs on>, tHtlN Tes IT. ,ttd .tge lafrIuE aud tite>atne. and i,,a often spoil hi> hneSi passages They showed naItcs is hts eSptc,sien ii \ N oman tiater to Slsnlh that t~e pcaz pie tuned their back> upon each oshei m l iii oi temper.
 In the language oi passion .,i>o hc k dche,en, No English writer c.cr seems ,o know Il except Mi SNInbutne ana Nit. Browning. The language and the feel .ng ei at also arc absent item these works into that enc chanicd land tharles kradc seems never to have wandered Humanity. and not the hiehts; humanity seems alone to have poaei "a .,tlI.lt; h. interest. l. may hc sand thai he t> the happic>t m animatcd movement. IL lhc Ie, ltal ot penlau> and heart =>;tittep m Cidcnt There \ a hefolt grandeur n his tfeatmen, oi these thcmc>. and one trels that he ought Ia have been ,, great and adventurous soldier. of slngcf of MAI. lie is also. when he chooses. I master oi pathis. and has. perhaps. not gwen ~ry often enough Ia his instincts ot tendcr- ness The sccnc in Never Iae lste ta Mend where the cNlIcS hstca to the English lark. IS unsuIpas able iu csqustie beauty. m simple ant nltaial iecIines beautiful, rendered. Ihls unlou II grace and iorce ts ,cN t.i. fn any Wf5,tt. tnd 1t is to my thinking. deeply tn bc f,- grcticd that these TtIe power. aic oiien maifcd hh the use ot IAfIlus ei su ! nn- he word. such ae l have .lllude. ja. s.,,!I4 oIc.tking the melody of h5s mellow tad manly h.asss!s>h--
 In rone lu>iun, l mtsst lament that rtIr ar,iele here refer io zoe oui II Ifs path to attack .' komola Now no aae ...n see the defect oi komola better lhan | .tn do. be, ause is sole dcic, l> thal II Is no, m the Ncry least italian. From the tiorcnunc oiuzen who Is made ,e lose mutton li meat ,tbhortcd by sll Iuss .rs io komola herself ~hn s a putclN north cfn haIa, tcf. and even flto vhu is ], Greek or an Italian lover would n. vc, haze troubled his head .buu, Ie,,A after | fortnight ui her. the whole book is purelN northern !, has not ;, breath of ltall.ia aif in T. BH,. se'uug this tpai, R"m"lt i> inc w"rk b, fcason ef i the intclle' tual power and h.uinonlou, . ,t'l,'-s..'Is el-aeteiAe- -cS,4c. i.itt ] buieS oi .entgc faoi and ,he dfagsIng 1' " kumplt into .tn css.U on { haIlcs Reade lS so pre- iaelA .i ele' men pi one nf the many tad,t al dcfr,fs oi In Ellsh riti. ism, that mus, be allowed ,o condemn II No rcn,h flt,c would se ! err as io dag into fcyiew of Aic.adl, Dnmts t ancerng ecH>ufe of work of , Octave ieuil'e' %n feneh efili, ~oald s,s IT writing ot ii,tnurn pardon tha he did nei resemble Emile t.abafian t. thu. afti le say harles Rcadc does nn resemble iu'hoiS Iroilope' Nhy shoulo he tescuhle lfollopc fl he bc | gfca author h. vii tesemlilc nu one oi hi. =te.tftespp.r.tr.e&- ihis. Indeed. iis. power and harm of the creator of hrs te tohnatonc" te h entirely and ,ie hghifully orginal fl he had not waiice those hi'cen years ef more between ben, ralled ,o the bar and allowing hs,usel, T write he might prhaps have been v more delightful and ye, more 1f8gina than he ls. Also, there can be m doab that he would have been A finer artist II hffton had he eonxidered and te.t, \. , his work as 4 work of ari alone. and m oFe:"eighted each with some soe,al ques ton as rumbersonc to incorporate 1s IS ephcmeral in Intcres,
 Bacon s Philo.ophy
 lIfa' fetten n speech is more than ele Iucncc.
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