New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1882-10-22

that he too NAV catch glimpse Of the newborn King
Each holds vase or jar of delicate w9rkmanslhp cor
tanning the gold rankucense and myrrh which hey are
described bearing The gorgeous spleh9or vi 'i I
Oriental robes makes the lowly rament Oh Josepn "a, e
Mary seem mean indeed Joseph stands at one slue
neglected spectator of the scene. III,
| hetwclfth window will perhaps be n favorite with
visitors, because while experts say there Is greater
beauty Of drawing and color IN other windows ns PIC
norirays The fight into Egypt. The central figure II
Mary seated upon an ass her cnild IN her arms. ie
along The forcshortening lure is very fine
the ass seems to be really walking toward one.
Mary holds the bride loosely in one haud ana lOoks
iutenty into the uptuned face OF the child whose tiny
features have peculiarly sweet expression. dosgp'
walks the left in The hood and mantle OF Pilgrim
carrying staff and holding lantern, the light from
eyes fastened not upon the road but upon ne
holy child, and the angel upon ne right, VINO conp'S s,
lne group also gazcs upon me niue one; l and
are The three arcnangcls ST. Michael 81 "aollel anu
ST. Raphael, who to be watching the wee sweet
face on Marys breast as well as guarding inc hius'
flight.
The thirteenth window represents the Murder Of the
lnhOcents All about are irdhuc women uyils Vno
their little from the fury of The malIclad Roman
soldiers One cndeayors ward OF with her own Douy
me dagger raised 10 sIIhc the emu III ~ :. mon
AuUtner whose c.ld Is already dead has ald IL upon
the one t"ucn of cof0r in he terrible albeit fascnat
ing picture, beautiful angel calm am restiul as
the httle souls thus udely thrust OUT Oh ne. -
prOpdet jeremiah is seen in The upper part OF tne VIII
dow, and he prophecy Ia, In Rama was there VOICE
heard. lanentauOn ANA weeping ana great uouIinS,
The fourteenth and last OF ths wonderful series VI PHI
lures the to Nazareth This Is Thought Dy good
judges be the finest al Oh account OF the exquisite
grace OF the drawing Mary Is seated upon an aIS.
holding the child III ner The child Is nOticeaol
older than in the preceding pictures holamg f
while all about the mother ana CHILD and leading Tue
way before them hover angelic ngurcs OF mtt,JiOu'
glace beauty. The prophet Hosea appears above,
aud the prophecy is Out OF Egypt have caueu NY
This completes the windows on the ground floor Of the
building except those in the chaDcel d bapisTy The
cere story windows contain figures much larger htn
those below, aud r,presenc angelic ngures OF praise
some playing upon instruments of music, others chlnt
| ing rom scrolls The bapisry contains two windows
each beng divided INTO iour parts Two ABOVE anu tMo
below arcned partition Of wood In the upper paris
OF the window Will be the figures OF ST. Joan inc
Bapusi and 81 Phlp, ana underneath theI tno pm N
cipl baptisma scenes IN winch each OF these sHpus
took pat-namely. The baptism of Christ and The baptism
OF the eunuch In the second WINDOW Noan VIII ~
ABOVE the building of the ark, and Moses over INC
The central window in the chance is The Good shep-
herd and is considered by the manufacturers TO be
grv AT window Kings Chapel was tue work OF elgIt
years The beauty the figure lies III the l1veluess OF
inc nee for the ropes duh olive color aud seem
in.y coarse over his shoulders lies "a amO Whch ne
re- ps III pace with LIS LEFT hand while uis right mods
II sad ana sweet yet ul Oi nope ana
strength On either side OF this window are SIX others,
containing the figure oi an Apostle Al the lsn "a
the Good shepherd is john youthful nPrc, holding
q cha which arises serpent This refers 10 the
JSend mat Herod ordered his death by poison but b.
fore drank of tue cup tie poison arose IfOn III e
form Il Next comes James, an dgcu man. IN
the dress OF pilgrim sian hama. a shell fastening
the mantle III Jon one shoulder. Beg oud hold
ing the win wnc1 ne Is supposed TO nave byeh
slain Next comes Inadleus arrayed III robe vi cIlh
velvet ana holding Il snip Ill ms hAhd-
a very aged nan with flowing white oearl
and dOwncast tnOugntl ar. james thc LeSS, VINO
follows, is youthful gurc of great beauty AIS hllr
curls away from noble brow, AMI he stands erect win
head thrown back as If deylng the wOrdth e mesa aud
devil he holds fulIers cub The last OF tHe WIN
dows on TIE rlsh SHOVE Matthias lance IN manu- l.eula
ing To the ceI" again. one mus on ne ie ol nc "g
Shepherd Peter III gorgeous robe OF whlte richly en-
brOdered VITA SOa, ho.duS the s!mOOhc heyr, Next
to him CONES Andrew bouy saint with flowing
beard Of snowy whe, and race SCARED ana scanned III
hands the cross known by his rame which here made
wood bark upon II, ANA tied INFO shape with
in which the crOsspiecc is very small, giving the
Scubance Of a sian his robe is very rcI and studded
with stars. After him comes Bartholomew holding he
o manly fglre i'm Moving robes Of rchcs ruby velvet
holding the spear and the carpenters square. lie
has questioning loon, "a troubled, doubling air III
striking contrast with the serene aud exalted ex-
preston IN the faces about MN. The sixth aud
Last ugurc on the left Is Matthew, the fubhc, tdA-boX
in nand; aged man. rOuSh-fcaturcd and clad III gor-
geOus robes OF many cOlors. The coorng throughout
tuese thirteen windows sremarEaby brilliant and vivid
The robes worn by the apostles nave transverse Strips
interviewer with god threads. ana the profuse embrold
cries usual among INC men laDilc5 oI ne lis a Wei
known Now lolh arst IChaIA'u iltol d .no uu-u "a
animation OF the work OF Messrs Clayton and Bell that
he could not ina one false Iold OF dIapery VI one u
graceful unnatural position.
In the Mausoleum underneath the chancel there are
fifteen Windows. The glass lure ID made Dy Aessrs
Heatore, Butler Bayne, of London, ana Is very
beautiful Tne figures in the groups are larger Than
the decacy of expression IN the latter can scarcely be
exceeded. there Is power and strength IN the
Nlusoeum pictures which is fOund above stairs
cep the chance All Of the windows represent scenes
connected VITA the Resurrection The central one is
III the background, moving away, ana in
the foreground is the empty tomb, the great stone
rolled side, and the Roman soldier seated asleep,
his heneted mead resting On his knees Next Onthe lett
appear the before the tomb Of the saviour
OAc is kneeng the door of the scpuchle, The O is
standing bessie her nth thrilling expression OF grief
ana amazement. An angel STANDS bes"e TIC l0mb with
upicd hand. The tltic 0f the picture Is, lie Is moi
here" This is among the finest OF the group. The
next cure represents Mary Magdhtnt Leeln%
her Lord i'll the garden. enc mas fallen upon
iAc grGnHG via ana bo We o1 onc m GU no upon l
is followed by " Peace be unto you, the scene where
the Disciples gathered together III the upper room
ana ChlIst appears alonS cl nc hpo7 ~, 3 ca 10
have shrunk back III alarm, bu the beautiful race OF The
risen Lord calm, thcir terror The next window repre-
the two Disciples on the way TO nmaus wlth me
Jour The Two men gaze nj MN luteny win
rapt yet bewdcred expression, whe the lace OF Chl0t
is serene and ben guant Thc sentence under
meath window is DID not our hearts burn witIn
lis while talked with by the way = Next IN order
is the scene in upper where the Disciples
otbered Tor urayer and the Iori's supper ana Christ
appears and di penses the elements of the FEAST The
in e,kin.I nj bread The ast wndow on this side is
lust al the left entrance the MadsOeum, and repre-
ING al the feet OF Ore ike unto the son of Man"
The scene The right centre IL called lie saw
and believed and represents one Of those doubling ones
could not credit the risen Lord He leans forward
examining the wound IN the side, and the saviour LOOKS
com passOnately upon him. The next picture Is very
came by night and stole Him" priest OF me temple
bribng the soldiers to lie concerning the ResHrrectOn
deep cunning he hands the bag OF god TO Drawny
Roman. The rough men, halclad, with mqscu
What is expected Of tdcm IN return Tor
money, ana the CralilntHs OF the priest IL
reflected in their faces they eagerly
for bag This followed by window called "Ihey
wOrshIpped Him. wherein two women having met their
Lord have fallen at HIS feet in ration, Whine His hand
is appraised blessing. The doubling Thomas is por-
IRA Ell scene, which is called lie not filth
less but believing" The Saviour extends Bis hands in
which are cruel nlprnts; His feet also
the same marks. Thomas leans eagerly forward scam
ming Tie scars If he would fam believe, bu, Is not
fully convinced. at is the Lord" the
title OF the next picture, III which several
Of the Disciples meeting Christ start back IN mingled
alright and Joy The last tho right Is Christ
commissioning Peter TO Feed my Lambs" Peter has
look of d. ep humility Christ placed ia his hands this
world wide trust. The characteristic quail OF tire glass
In this portion the building is beauty Of expression.
DECLARED SINE BY JUSTICE BARRETT