The sun. [volume] (New York [N.Y.]) 1833-1916, 1882-07-30

exceedingly sympathetic. The snb,ectss " opa
found at home aud everywhere speak OF
healthy but serious activity. industry anj
energy. There nre many picturcs i'm the col.
lection which We're well worthy OF drsprintion.
numerous among tho Dutch. and hive ' ecnt
some very good work. Henrictte Ronncr. n
ton by her Voyage Round the World" IL
r rGprSsafn,s y tTo El@hs chasing each other
TAME among pies ol learning.
The innocent smile that lighted Tborwold.
sen So a an ni tb 0d ac sl beams from Danish
people before us; " this their pori,y,,ts ',ia
ample proof In some respects the Dsn,sI, S sro
bition The Danes catch The chniact M,,%I eNili-
mont OF EXPRESSION, and every nor,rnii 10 n
ch9raeGr T4Gy n@ys ong stage Of
trcmcnt; tho ladies' appear In simpYnst INN
the hair dressed with unstudied pininness; w,
toned TO work and To think the children ara
truly children. In illustration We may men.
"nd fS Srra' Of dGS by by 22 s M"sA
Lady at n Desk" by Hermann Segumieldt..
Portrait of the Danish Philologst j. y. Mad.
While the best German genre pictures repre-.
sent scenes OF tavern life. the Danes delight in
scenes OF home, and there is an utter lack OF
conventtonaity in thCir subjects. The pretu-
est and most roguish scenes in which charming
girls ever took part are remarkable for the ab-
scnce of coquettshnCss: these girls can quite
forget themselves IN the enjoyment of Joke.
:, Tho Disturbed Afternoons Sleep" by julius
ing the discontinue of u thoroughly drowsy
peasant lad. whose sleep they are disturbing by
tickling his face with Il feather Girl Heading
in the Doorway, by The same artist represents
a l5-ycar-old girl. late IN the afternoon leaning
W against the wall. in the most comfortable at
titule. luXuriatng in n book. Christian Duls-
CARDS l Wonder whether He will Come -
rcpressents girl looking from tho door sill at
knitting needle to her mouth. and every line
mot Sd her h and her fear The leading
pretty a bit of landscape ms one could wish to
see. On garden bench. the Intelligent rigor-
og 6t ssdy S S Is T4 ,h de-
beside him his little pupil whose attitude shows
the suppleness Of childhood. is leisprely learn
boy who loves rather than fears his master.
The abbot has laid reward of fruit for his IA
The nautical landscapes OF the Danes arc SUI
tWill the ship PISS the Point p by Michael
Ancher, must make every seanan's heart leap.
and indeed We noticed several marine officers
linger with delight before this picture. During
high gale dozen OF the most unadulternted,
weather-beaton tars. every one OF whom must
have first seen the light OF day on the briny sea-
are standing on the beach, among anchors and
don see the ship. but we see Its every motion
reflected fec IL the sailors, faces; ~, o,,o,
their artistic education in the Academy Of Art
in Copenhagen. and although they often travel.
The Swedish and Norwegian artists, on the
contrary. study principally in foreign .coun-
ITleS, anu OIltn Sptnu In0lT lives ABROAD,
though they frequently visit their own country
on sketohing tours. and almost invariably
choose Scandinavian subjects. Thus We find
the best Norwegian painters in Dusseldorf and
Carlsruhe. Notwithstanding their exposure to
foreign influence, they preserve in Its purity
their original Scand inavian character.
1t is q rest from the round OF the variouG
schools to enter the Swedish and Norwegian
height of artistic excellence. and ali is beauti-
full. lovely. true. warm and sympathetic. and.
above all 50 simple there is nowhere the strain
Iah tn In md thnr
greater variety Of subjects Car, Gustav Hcll-
OF the most important historical pictures in tho
entire eXhibiuon: Tho Ransoming Of tho
Kg wMiSy s asGs the e ene
1861, The conquorng Danish King had three
great barrels placed on the market a,t place. and
gold and silver within three hours: We
see the Danish King seated on one side on
in iul! armor. and the. people of every age
and and degree, and Of both sexes, bringing
ne oodo to ' S orrI hSrG Gs Slg
there young boy of noble birth is carrying9
jewel caskct, there hnrries rchly-robed
by the rude guard; in the centre flnely-built
king us he leads his fair wife. holding one child
on her arm and and another by the hand away
tribute, The colorins, is very original the out
lines clean cut, and tho drapery graceful;
There sagreat yarlGEy ofeXnres;si4,,n in face and
tn" hammered gold and silverware none would
make the fame Of great artist; an 9d copper
vessel, the admirable treatment OF the cobbe
stones and the sortngss of some nottGl How
Grs force our gdmtrati2n. The picture is true
in color and Light rich but subducd. and in
llcluuist has also u small bit of Spring
h ,.E which i dslishtf9bI in color;
artist can treat the homelicst SUBJECT in a
mHqnor to make ones heart lear rorhnnss
by August Jenbcrg it's a still life, ana not
still death. like most pictures of this Sort
where the artists pile together in a hetcroge-
tics in execution FOR the purpose of surpris-
ing by their ,vIriuoshy. 1t represeGtS q kitchen
well stocked with AL kinds of lIsh, flesh and
fowl. vegetables and fruits and Kitchen ut"n-
sils We imagine W" see the dainty cook the
next moment entering the apartment and with
skiliu hand assert the tempting vanls and
prepare "a Savoy meal. Count GeorEp Rosen
is q manly face and figure, and expresses
character accustomed 10 square, plain dealing.
and foreign to Intrigue, Ferdinqnd FasorIin
Young sailor sitting "a his room. a. evening re.
pairing his ovcraI!s, hi, solitude descrrnt"d by
door August narbnr: residing in iariI. has
q French but not Frcnchy subject. " The
French Water Carrier young girl OF grace
jug on her head i: going for water. I'll" beau
tlul treatment Of the clear atmosphere pre-
s sen, the il;grn in Charming rrllai. Ih.1 pic
selves in France 10 an artist of simple and un-
perverted taste.
The NQrwegians are prominently Landscape
lists, and chiefly favor marines, or mountain
scenes with water. They seem still to retain
the spirit Of lhc psychological age, when nature
WAS personiiled. They are in close intimacy
with nature. and soCm to commune with her.
In Otto Sindng's Burial in Lofotcn.' which
isAi0volg mountain snow landscape we fcelth0t
the mourncrs truly connda the beloved body to
gentle mother earth. Nature and the figures
introduced are always in sympathy. Zach
landscape tells a different talO and Lwakrn5
powerful emotions. Hans Fredr,k Guides
Solitary Fisher in the storm" ,AdoIst'n Nor.
Morten's. :, Norwe gian Mountain Sea-" Hans
Dahls " Feminine Attraction" each intro
ducCs us to new moods of nature and Of ma
turG's dCni2cns.
1t IL TO he hoped that some OF the best Of
those works may lind their way to America this
tall, and that the American taste for the pos
session OF treasures in art will learn to S""k
is graft cation ia the austrian capital rs web
az in Paris and Munich. &. c. N.
One OF the Sea serpents Killed.
From tie Arlpror ChroRicte.
il Is but few'ycurS since Mr. Robert Young.