Litchfield enquirer., 1881-04-28

FRoM LAYMAN's STANDPoINT. --A couple of interest d i0, ktrs nn tccupyiIig tie tack sea s-fI file cauft room at lie Smith liai re- gently. were vew,,g the matter from strict ly laynyn's Standpoint. The case had ..iest. e.i" o,i both sides and ihe pleas of ile iawyers were,F ,F,f course. tiittscxt iH or.ler. F E
 Fl SAY, Jae. " said lle ytHlilger and less ex-l whei, fl,,.s res, ' D. they like astiay yuf 7, that's all. They don't put no more witnesses up but begin to argy I'll tell ye how 'tis. This lawSer he's agip tiie priseper and heF gets up aud says sosapso al sot as tallss', as SO an'-so." -~t
 .Oh, that's it. is it ?'
 '.Yes, an that lawyer oyer there he gifts up an says that so.an' so ar so.au' so an snan' SD that this other lawyer said isn't so; but il B so an so aliss', an' sn5lf sraif so.f's FE 1.
 ''OI,. thars whas tlieSasiD. isSit .'' ~4
 "Yes, an then the judge, that's the old feler up behind the desk, he tells the jury 10. sand up an he says if SD an'so an so an % they'll briuxirfa verdict s,,sne esos salI' sil also apssn -s.S but iI the so, an 50 an'55st,{an- SD ais o-ssl.so that the otlier lawyer said is so, then they'll bring in verdict so-an' .so an so- an sb an so-an' so"
 By darn but itsm mixed up mess, ain't it ?"
 ..You're right 'tls And the jury goes ont and the judge an lawyers wait an wait till they gel tired then ihe judge leg away an inakcs the jury wait a,'"Nait Jill he gets ready to let ',m oul"
 fWeH.y IA, rTigAtyy glad there wnz some one llI' ihe- wals RhoWe,i aIialnnil it aud fhe two sllan.hlrd ont the walk and felt deep il. their packets but the siafr of tlrir finances Was only so an 50. -New Hou 9 Register.
 AMpASINf A. Ml.ile stil a,lad.ehe served ii, Garil,adi's Army of Liberation. and was wounded in iile face -duriug l,a'ls.. From the Heroic to theelracical WAS but step. Lrav ing the alll,y. he was saplreiHicrd to d black smith, and the hard work al ihr forge develop ed that robust health which 10 day enalnes him fn bid defiance, in his chos"n pr'frss n to hnarseness and "vrr.' xeitin. Afler me siAd. d two years of service with d traA,l ling op sra company. hr i,sadp his telnli as Faust at La Scala. and ihr, e yeats atlrrw ard came ,n Anrfca with Slrakosch in ihe Nils Son co lIanv. During Hat tngagpn ent he appeared in Ihe title role of LOhPngrfn. with Nilsson as Elsa On ihs II eirorab.e rca son there was an nlihurst of enthusiasm t,, the part of the public unparalleled except in ,he case of Parera. since the days of Jenny Lind, and equalIcd only by the success of Ger ster in after years.
 Nature endowed Campanini with strong even. and sympathetic ic voice and arl has ena bled him io greatly .increasr it's compass while impariing fs xikiliiy and lrilliancy lhrough- out it's range. An ardent, painstakng stu dent. he is to day living proof that good vo calisn is worth all ilie lime and ahnr 1t takes t., acquire, for without ii no voice could have horne the strain io wlich his l as been subject efi 1nnne srasn he sang in opera i:undred times, took part in nnmhrrlrss rrhrarsals he. sides singing in the Stnl0t Wnttr seven tin fs. and assisting at a nun Der of cnceris in Bos- ton, New York and Cincinnati His acting IS nearly as good as his singing. and the pear- est singer in ,l,r cast. feels IS agnt,ic ibtin ence. But not only as an artist is he envia- ble: his genial. n anly clla, acter has won him hosts of friends. who t0vtd ilrn an as much as they admire tI.' singer FREDERICK MAST, in Harper's Magasine for May.