, 1881-01-13
ADJUSTMENTS.

ADJUSTMENTS.
SARA II nERN1IAte1,T,1 PAINTER AND
SCULPTOR.
II Is not MI tMfrcuiienl c0ccl'rrcl1cc To tcet
tyI0l members Of Tho dramatic profession
wl,n nre largcly blessed with talent for the
kindred arts. .toe jefferson. wllDso 1lal.,u IL
lu,llssolubly connected with that genial
5capcgrace talp taal jylniie, tas Acl,leych
quito a reputation for many ri lis
oil paintings. Iior,nanns, tic t;crtnan
basso Of two decades ago, was
wont during tic operate vacation
tn indulge In n ml.i passiosl for tortraIt-
pntnting, artl It wns his cacyerness III couM-
turfeftlng tho l!un,a', face that. enabled li,n
to prusent such n wonderful "make-np" in
his welt-re,neilberetl role 0f 1fcphfatopMclcs.
Charles II. 'r'Iorlle, tic leading mai, of tho
pnion Sqnare Company, has Il happy
faculty for reproducing with pencil Or
prll and Ink tic comic events
which ho encounters wl,fie saunter.ng
hrouad thu great tllorougl,fares Of cur Iaree
klties. 1'oor Hurry Murdoch, who WIS one
OF tho lnost promising ut American aetors at
the ttnu liz was Moderated 1T the brooklyn
holocaust, would l,aye made famous tenor
lcGur, had he directed his studies that way.
lie, too, lind tho gift for ualntl'lg, a1d many
or his little sketches and garicnture portraits,
now carefully preserved rs souvenirs,
give evidence of latent ability Tint, had 'Ie
lived needed only study antl ptayticu to
achieve positive results Of value.
H., ltls ofvtoro lloI ' f''raealons lnlerrsa- ,
Mile, Sarah Bgrn1nrdt in ler triple ,olu Ut
},r uknfr 1,,H }1r II hf.
r,ii,. j., an,, +,,nt T., iii t,,roa ,n,,,r+.
'ons ~ 6"s "mt III ~ ,,. nse "eptr
distinction. This Is II climax that few artists
rnocn. r. I " md tbns" % vim % lnvn % s,tcrsrd"t In In
.tann,, n, @ ar,'o;o, ,aats ~ fso,to,,,,"ra,,s
standing .ho crucial sests o. eo''cI''pereous
eiants In the different branches ot art, can bv
Tnodit,. ,,,,ml,.rotl NJ, o,,n,s ftr,,urs.
tst Wna;or',"v '.u at,ar,nm ~ "' ~ t,,i,r,s ooov
,o,,s sleIas a'tV1oo, n,, ~ D.E.S tt'|. % soss
the press and q lnrge number Of lnyI,cl
t ,,t sa;", e;.I t. wa. ~, as
billion fifteen oll-palntings, 1,early nit figure
% Sketches % Of t,o ] Jnore .lru,nntic Incidents in
tic dramas ~ vi viii Which, sr name Il cor. H.
nectcd III hrr Amerlcan tour, n,ld
six nlrcey Of SCULPTURE, two Ut them In
bronze, tic remainder In marble, InNcusuni
oxamlnatioi of tt,o pai,itI.gs--l laoking at
.IIscoysr @ s tst ii. arttst las natnraf icuins
for color, 4nl!, what j. niora promising, SIC
thosG OF tl,o uyinr man or wul1l.
all. =, and tho draperIes nre recognizable
hit tiieere il o,,u element wn.!tiag, nmi tint
Is tho lclicatu manipulation, tjie' result Ut
nrtlupus stttJy mid iour practtyp. which
directs tho brush xn Us to' givc t,1u absolute
grnn,iation or texture OF tic article sought
in u lnnjorlty Of cuses presenting Il
sk1tchy ni,pcaTnucr, 10. l}ryo,tl tic sketch.
Tiab1.i outljtIes inYc peel, tiletl in. bit tiio
suntl, IiscrIml,latnn' tic f,,e Shading mid
ilIco jnisll WITH Which Sic rounds o1tt AID
Wni,timr. ThEs abs"nrs il ,nado f},a iu1rs, nj.
narusit u by tho % 1aal,y % Iefects '9,ld crutitits
whini, f1rcIhlv uhtyy,lis fIctnsnfges In tln
drawinx T,St t'{ Of ia"o liz '' l,umnn ilnure. It'd re-.
ns IS Snry nl9rent IT, sse se1ou 9 rot
uru.@";Y ] uulse HirI md Deatl,,';Dtho tru,,- t