Ellsworth American. [volume] (Ellsworth, Me.) 1855-current, 1881-11-17

small recess at the further end the lower
panes of glass are slightly tinted, and the
| light. tempered by pale primrose silk blinds,
that fold into numerous soft cresSes as they
are raised or lowered; the walls Of this
charming room are painted deep-shade OF
primrose, without any pattern or traeery a
dado Of a very fine dark brown mating and
a moulding OF ebony at the cove of the cell
ing furnish the only relief to the soft, warm
tint. The draperies at the window fall IN
straight heavy folds. and are of bronze
plush. with a wide band, top and bottom, Of
deep metal blue.
The fireplace and mantel Of ebony is di
,ided into numerous little shelves that make
appropriate resting places for faNonte BITS
OF brlc-a-brac and old china. repeated IN the
bcveled mirror that forms the back. The
coal box is a marvel Of brass repousse work :;
sunfowers and their leaves are from an or
iginal drawing Of Mr.. Blacks. and the and
irons are made of the brass sea horses that
formed the prov Of a Venetian gondola.
These spols OF the Adratic are souvenirs of
a delightful holiday on the Riviera Two
ebony sofas in bronze and metal blue plush
stand on either side of the fireplace and al
right angles with il; grand piano at one
design and loaded with current magazines
of Engla land aud America. charts Of every
description and suited to every mind, while
On tall ebony cabinets. one With open shelves
the other with a little curtain Of Turkish
silk. containing some valuable specimens Of
falcucc. blue vase upon a high bracket
holds a sunhoWer. iwo silver Jar each hold
bunch Of pcacock's feathers; upon the
hell hangs an old maJolica pilgrim bottle.
such a. Chaucer sings Of IN his Canterbury
Pilgrims. in shape like the figure = with a
small lip on the upper circle.
Here, too, are manN beautiful emhroldcr-
ics from all parts Of the world. long mus
In cover uf the fourteenth century, Italian,
elaborated, worked. with the initial letter
Il" intertWined with trailing SPRAYS and
rrrcrcrs, once. perhaps. part of the marriage
corhcille of some dark-eycd FiorentInc a
table cloth 10 fine batiste. lclluW with age,
embroidered IN " bite. a. exquisite A. mfnia-
urr-paintIue a gorgeous bit Of eastern ap-
p.iQ.r thrown over the piano. where. upon
a dark hack : ground deep red roses. flushing
plcuulcs and proud dahlla> are represented IN
glowing sIiks 4 rare piece of Italian church
work j. on "a hite SILK. A design nf different
c1ior-d tulip, most dcIcatrly enwrnug hi,
while upon chars and tables are other gem,
of the needle. son IN fabric and hue. and pa
thctlc ia their mute tribute Ia the many
wear, Of womans patience and endurance
th-, had ~.tnc.,cd
~. III ,.,l -. -, 49,. I..t,.',,, 80.
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h., >,,.n r,c,. a Int of an sh>,pt Ionk 4,
those who II'e alone with nature :" oit'n
wear mere i 'ru'Re h'usH,"" "a II ~
Laurel cottage ~'h TIE famous AciFe','
"eIir4dr mt ia her 40" ohAIr' HHrf"""4-
'd Toy mover, ana training ''"r'. h'F h,"
drama held I''Ir>'it IN one hAnd' ana TIE
Hsh' "i expectancy 10 h.i rl,'' a. 'hr ~a!t'
Tor ihe N"Hnc N'"teh 'aiIu.
I"tf' : ne I"NeI ihAh'''' "A 4 h'A-
ham. Hlth q hit "i The enbanAmrht ana
hticAifIATs hTidSe IN me carry dawn ana
Macleod, wear, and dissatisfied leaning
upon the STONE paratet' ra'her 700 houefn
and dAndIhed hSure ior tht 'tAi" A. non
es', earnest son oil Lazy Dafe. mere !,
Macleod Return ny W u orcharusoh'
X A. "hth he meets ihr ht'ie hri'uhA'
Win hrr tIlt o' Nhi'e hea'her' ana liits h'r
ID M arms anu Kisses hrr, because oi the
hrN un' l''"'"'i .oNe III ms i'eA'' 'ia' y
nm tender Ih al thlngs and There Is '', AstIe
pare eI-E"H' WI" Inc great wave, uA,h-
hs IN Nh!te foam upon iis rocky bail.r-
mcni>, While the gloom! pie looks down
proudly anI sc"miuil! upon the impoteni
iHfN oi me Aiahuc' mere as" nahs ""
nan hI'''"'u >A'''"'' al poor r'eue'''
Walker : illustrating u scene IN
"a DAUGHTER % HfrH"
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men, i' "''''o' A'' 'D' VI
hu[h' ~ :
va V,,e % '''s 'a''"n ~. ss "
ola'A " "eus o'Hi - '.i' w.! r. - =. Ho'
rai'eu upon tie uSiN f oi'S u. M 'li'
posts auu "eau'iiu'lN Pa',,teu M iiI'i .'e
e'Ss oi '''s 'a'''. 1"o''''' ~
iof'n iof my inSPe''Io,' W. ,o'un ..MIhn nl
uscIipts 'ne. VIZ - @P
'iolet anu M.aII. 60 u =. ~"
tragedies oi "Ni'ani "'a'N 'oh.e P'io''
Inc volumes are oi tue Lsuai oI'aNo ~,
bound IN DARK iea'n1r' win 'No pla'i ,i'eta'
clasps the pentlahsh'P y "1'ueiiu' ~ " -
mihuteness' hfhii'e's anu 'ie"ile'si PaTe
alter page without an erasure u oio', a.
though they were ohlS .ne roush .pp!' s sna'
is the ideas ana Tenee'ioIs as .ne! NJ"
spontaneously from 'ie author li.nu II
baek never feeoPies nis sen'ini.n,, t'o'md nJ
themselves IN iofihs o' sPeee" ~ iea'il. anu
so correctly 'hat lie rarely a'he,u' " enai' '
any OF his work. lie 'aN1S ION. lons Ha'aa aa,E y
hllhseh o'ei t'i1 uo"H' ""N