, 1881-01-09
George B.. Carpenter and His Bella
:tions to Music,
Mr.. Alfred PeaseB Piat1o Recital
and: His Playing
Emil Liebling's Public Concert and a
y: :. =. = New Work of Rubinstein's.
Rapid Progress. of Michael Ban-
= :: ner, the Boy Violinist.
The Mapleson Opera: :season-The New
Violin Virtuoso Deugremont.


+ =. r, 7,
me sad 1ntelIlgence u Lug uo W 90.
Carpenter Will cause 1eellus " 4noto .,,s.
binary pain ana reetet ~ ". n,naasntieaG 1850:
with which he tad become 19l.1.nu1e'y l..;,-a
during the past few years. AIS nnso ~ ts'aiiAo
that be has gone and that MS tace w'i ~ msso
be seeu In the beautiful Ccntral -hus1e 41n'.' ;ne
ontgrowth OF bis enthusiasul, n's pae'eue.. A's
perseverance, ano nss iapos. az pu So. ~ . ~
his life unto that hasl II rcneoeeu W ~.
alone his labor, but MS own gooo tae ~ .ss ~
so constant IN 1is attena1''ce .Icle' ~ - =.
come to ioyelt anu aain'fe u httusc!1r .n.~ ~
seemed to be part or IT, a"u ~ ~ - euuo
betittlng that IN It's oeauIh"i' '4ou' ..ar
where but n little week ago tne ma'
present, full OF hope, and couraec',ano yuurnlu'
anticipation. tho last tender ana solenu tl'ou.s .
should be paid 70 MS memory IN ~o,e' a'a
prayer, and song ana tnat 1noee tot "notu ~ ~
his busy llte he has done SO nucn enoo1o sS''Ao
there to say aoaen 70 nm o1,,,,-;
Among the many otner seneues "ntcn ~ -.
pied his nervous -1mpulslVe, .eoe'keue .e'
music. as we nave reason 10 n"o"' oesup.ss 80 -
prominent place, anu tnas not atoue l1on suo
profit which ho iegtttmateiy nopeo 10 uee'se
from 1t as q manager, but because ne lo'eo
rnuefc for t,,lsc'a sake In this direction he
..,,s a,,,os+ an enthnaiast as his personal friends
and many OF tne arslsta "ho nave oesn a.su
toned to meet him in the now darkened and dcs-
olate home will remember. He was good, dis
o-1r,;fn.ttntr : critic and the only manager
M A .-~.,ss. 49,, .t++t,,e, +hro,o1, Mo o,vn
Wbom We FemeHpeF as o'l1*A4s W. 80 =, :.
concerts to enjoy the music tna 1,., s,me y.
che7noa for th., f,,t,,r in connection with Theo-
A ~, -, s,:s.o1 tho ,rritar
during the last socthl visit he ever made. only
week ago to-day. He was ut that time full OF
,tfo nnd hnne .annarentlv In perfect hea}th, mud
IN e3ceien1 spt'ts- anu was ee4, oaAs a1uI
his brightest antiopaaons would ne feaAzea-
These schemes, however. are now at an end
Tha h,,sv hrair has ceased. its work, The one
.t .,o ,,to, nc 7,a1-a,, 1,atxo colonization
elenaent, upon "o'en We nssei naeo ~, -.
In our forecasttngs OF me larare IN an ine.lnt
M. earnc,ter has left hebiud him q monu-
~. 49, ,tr.h+. 10 -~ord d-tha
Central Music- Rail The money of our wealthy
capitalists built IT, but 1t never would have been
hnftt had n nor peen FOR his indotnItable' 'perse-
rerance, his marvellous capac.ts TOT laoot, nis m
untlrlng pauehce. HOW nucn "otA .!..sxta ~ au W
he co,,nsrled and those who sy1npnthized with
s,to.,,.,aa 80 tne ~ which ,ynnl, haveanpo1Ied
m s,rdnarym9n. over and over again hn brought
bis 3ians to the very verge OF fGlillment
onty " Ia ~ hei sa,n S1nnn wnrk whie f3r nnces-
sp;1r =" 1,sf iarsoly aceumplish without help,
Foy n oora ff,an 1wo wears he :strurgIed along
| beaveiv boa % and II last sncceedod in intiuencng
/ snfTnieyt 5s,pifal moi alone to build ball but
9ha nast hs II rhe hand 3nmest hail and the most
convenient cor han 10 Ills country, :eseEy detail ot
whst rho result WAS the Central Music Hall
s1ennantiv 4e7is III stanis, and let us hope viii
stano aq many long a9 nfernr1se itwnn, he only
sr T ~ ssnt r. ta nrnctors sbunid
ahnnGe its na1ne "a A 70 asaociate lis own with
it SO long as It endures, e.. ,t,s,o,.,. :: - hor,a