New-York tribune., 1880-03-07

..,. ,. f.nr.ei,ie g. ldsm. tl--cclt .ifly ef'''n
80, ii.,o Goethe or -chicr. But both Ma"au.' 'n
Mer.,ac are meu 10 whom IN p'op1i non '@ % "' i he
sodnopifrs, We tasc on our hats and WIN U,t
y, rr.ii. 10 cross swords With theu-ll i"m W. '"
published
CRrrK LonE N ENGLANp.-We have no
Ch4Ife 1I Archaeology 0ut uuiy' 'fslucs lthgn-
Vro6.be that tncy NAV looked for before loue' 20
lsi@r ,n.irneou whatever in this wide and liu inl
ned of .tudr other than mat which is picked mp D..
sruneuf. Df art 20 i'm tate The antique ciiH i'"
castso or froT he ofirinas IN tho British Museum In
ms respect We are cft Tar behind by Germany wu,le
every small umvcr. pIo.,"',. ',.a"c,.re c,rrn,iiv
trained. and where We must must - lr.a ,ot in Franc@
standard books 90 The sunl'GS c inject are wider
spread than with Both Germany ana IIen.e nav
vear rrinai tsearch archaeology IN Eneand, on
the Other hand tl quite lately great and fruitful "a, vas
tory H was ne exception 20 hnd ANYTHING bu gross g-
uoranCo. among scholars oil emiuchce anu M
Nv ou the subject Of Greek ant ana anqaine%-i i'e
Spectator.
WEAK PO1NT IN TIE "DATA OF ETmCs."-
one ~ weak points Of Mr. sp ncrI'H treatment Oh
hi- subject seems 10 us to be his statement oil 9he HD
trnos OF those from whom no differs. F"ItuI'
sistcu,ent of his own case Hs account OF the rtui-
uonnl theory of morals is almost caricatu'e' %' % t
prominence which he gives Go what he seems I" mn"
l. au c-srnnal clement Of the teaching o. That &c o'l
taat mora iutuitions are, somehow or ON, az lnel
gwen ~ this means " dly new tl' J]u III III +fci,,
sensras every Thest uods That all tnr human Iaet'S
ar, 0iyneY given, II ls merely Au lccuoh L" i'7u ~
ger,r,ii 10 II means n,is .u,o,G ~ E,'gn, ~ ~ ,eily
luoesiuE h.in down. There are, no doubt, eNcelent
~ nlv mo- t,.rt OF the IN n,ui'ioual theory of
cli. cNc.pt 300 80 ,r auy Thci.t may l.ok upon The
ity, t.c hec.f CD within tn. ui." Mr spenecr Is.
iudec1. certain -ense. an luiWuonst hl;s,i n'usl
CIV To- he me aner o. Grow m cf elhicai conceptions
that hr rarely pause 20 cNamine '1ei' nature WAC" "
tualy deyci7ycd-lrhe Spectator
PLors "1x THE Am"-It is curious to
lsis er. to hit. wtGo1, exposing themselves 10
auv nasonaOe charge Of GTeHt 0',rc rnI "r r
ncni INVOLVING a similarity of situations, incidents
eer a1teTy aecompsnili ly l5Ic OF less Of
murder committed Dy u colden-haifcd lauy WIN
asv d. face inst Oi udH S@ f'S be aI @ to gen
er-lize rom one or two almost coIlGnin"ri't0u' ,
cast., ir i~ he low OF soue very superior "oni% - ; d.
si Laucasran factory by choice Tor woman VINO IS
son.cgscniiy fnd 6ims,f competing as rvtl with As
euipiuNcr or with some member oi Als empt'l.l
la TIE same direction j. by no MEANS easy; snrl'L-"
itcknd j. nearly always observed on the occasion oi
S.twa. in tie ar Pan laE GDzc,tc.
Miss HAppYs "FRlrND ANp LOVER. Moist
lad ol} are Miss Har y'. ,ocatoui with oe haIa se
loved them; the Other "sAc reaches tor ''-apd small
blame 4er for it TO cate, Jae f"'c.m cn5 nSG
a. q wedding; not so Mss Haiuf, Who'e i'-5-
~. rc, ,s,cd but one rr6nc equipage-a h,arse md
flrl. morning coaches Dr. they crcPf s0Vy up Che
o. DO ea, % funeral; u rhey dashed mady roand the
t.u.hy1id corner, It was Wedding Pace was tne sole
Huf .nti.,t tcff: yet lor these lu,tcs ds ioI t~.
TART. readers. cdc5 OF dtap crepe and Iuheia Nah'd
meat must mar the olau-e blossoms, ana i.' nHp,1
morn cl.umC- somewhat sadly through iAe olhr5t
BLACK irrucd windows-li1e Aeade "Y.
IIr Personal POvT-APEoP0s OF "NIoLET
FANf '-Iue lads s always i'obuk no h.;te-l, ilHh-l-
n h,rsr T. weeping over herself, laughing a ID" sell,
sogIl OF her appetite Or her an ct0 0us. We oput
even GOO good Oyo poems; Tie pOctrs- F ir goo fuch
AhsoIb.j il herself O. give us any hfu+ 'i lhf sort
ll LHE. aud i" are, n.'"i, prrpciutIl 't."b le"-
role. fo- fher but % would ue safe io sN that
auy I.yt" occjN1Ds very subordinate pace in tie
aly't tA.urif-. aud Would nc promptly sen aDJl HlS
dtrr.nn~ have been gwen 81 po. rY before no w II
tafunf- .phorsm may De- adopted ''l Toilet Fthc must
be- tr srf 10 have occupied hundred PAGES ni print
m trD rttempt % prove ~ P0sc oest moi. Ainaory
nbhC GrlCs n Language every line of ~ ca is ii
pr It3 "ith tfe emotions ar passion. bti irsc se-i
rgtrlu- i pulses a., no moto passion il- t. record
,bcn iu uum-trCL lines IS poetry.-llE' LONDON
siaua,ri
LAyD0R THE LITERARY JACOUIN.'-There
are foW ul.u who Nayc more coltlctty allowed thrir
Reputation g. bo ruined 0J The utrmues % their DIS
position than tho author of the Imaginary CHn'ei
lions" The style or laudor Is pure ana nervous Ae
nbonuds wealth of u.tra on his pactry, though il
f.rOr prose, s. marx "a by inc true inspiration az
genius. though acrd. crca. aud always couhttlVe,
b. ls never duh The lct s. lhat te mau never loses
temooy. splene,ic ccOtsuc L1ndor; ic irrat's us.
End quit us pages for those oi hs iciioF' WIN
lHierary JacObn--ruuning amuck at all "pnous' al
hitting urit,f tq1t nor lpcrOr aiming "a ~ ohoi-
bly Of a sense, VIII ana Wisd 1m, ana hating Whatever
ZEN u or of his fayorr theories. lie loved o take tte
unpopular side and 90 uphold what was co3den-td ne
grslss ~ bat was dislScd.-l W. stmiustar Review