Wheeling register. [volume] (Wheeling, W. Va.) 1878-1935, 1880-06-17

ca /" N'",'',is" - - ,,S,.c,II,.
our eyes on tUV n'"SV, " 10 N,S''
de, Orated with elegant hIQuetS ol lilies
at amidst farms and yrrSp!nr ivy, The
81 ~" "0' " -, ,,i,,; NJ,
,hn r,rinrmanre herins, and the follow
;n,, tr,,,ran,n,ni j. ,9r,srnt,l
US ''>'9 ~, mn
R,,s,,i,,
''"' WS,,, SI,rAcn,1n suI Roberts.
NJ, st, "a, >ons Without Wouis-MCndn.
o. FANTASIA asia, II. ~ "e'''
y,,1 The SST ~ r 80 ,iloycr.
Misses Moore aud Townsend
fano-S'N sa;y VARIATIONS n'"'n'N'"'
psn,-I, Rey%iI a" GIN. .Koulski.
Miss rdlic Moore. -,
Nocal Soi"-ihe AeeN4S -
G,v,t,c- I ouiS ~ Tor cght hands, ........Lee.
Misses Garter, Allison, Woods and Mitchell.
rAUv SECoNp.
Duo-BCliSario CORA,
Misses Nat anu NOON ,.,,,,,,.,,,,
Piano solo -- ~ iInUtiuS SHnE Myuici SSShW.
Miss Sallc Carter.
Piano S'lo-lS rr',,e .,ynWWny,i IS h'''e''
y,,sr -piSiS.,i Chimes .,jloyer.
Misses Woyt> Ncl>on aud '&nicT> -.
Piano solo " ,,,,Er,,, '',3,,.,S' + nan
Mis-, Nun,G RohyrIs.
SymphNdv- mtuoT op % ...., ....., Beethoven
,A'5 tor I's9 sI n"nI k, ~ n"''"''"
Misses S,y,htnson. or. KatE aud Ruiz
\,t ,sniriny tn the unruyiahle posi-
,ior nj musical critic | shall sneak but
Sr,,'Hy ~ thrmIyi1n,l nrriormers and
,h.ir nnri,rm.ur,s. Miss Stevenson is
,mnI,s, onl uu,Ssur.in, IN manner.
Usr hn,eriny il delicate. her execution
c.r.,,i snI correct hnt her playinr
wnnII bs morn highly apnreciated if II
- ,,I,,ra,,,ri,,l by morn f,rre and
mower Itls lacking in what. Tor want
rf nnr,. musical term would call
"spon"
Niss prr ,xarpted Snme dithcult ar.
,,,,,;r n,.ss-rs Win cnnsidprahl. bril.
E,,,1,,. Nj N,nr,hssosu Not vnira hnt
III mn, ,,;yc her anbirnr, the full hene.
G,,;;t SharnrlI ,yiInrtlv sing with
mora mower il She would Miss Fannie
CaLlw,ll surprised ms by her rendition
nj a vocal soln of Arhti's. Her trillng
Mas really good for AN amateur. She
responded Ia A hearty c.corf aud sang
beautiful Daisy" in charming man.
ner.
One oi the best performances OF the
evening Was the p,suo Duet low Misses
Ka,l and Moore. Ii Was not charac.
isrizad 81 much hy that passiyeness and
absence oi force that was percepuhle i'm
many al the other Performances.
The playing oi Miss MadSe Woods
showed very fine touch and
careful attention to the manner of
execution. Time will not permit me to
speak oi others. those l have spoken
OF | have taken almost AL random from
the programme, without intending 10
either praise or crltlciSe.
The sirumental music OF the evening
reflected much credit on the perseVer'
ance and careinIness 81 the instructors,
though tue lack el force ana passion IN
the playing was TOO evident 10 allow OIL
mdiSerlm'nate praise he want lei'
Nv the Su1'eh'e o' oI'''au" Sou,-
silrrlng performance was no. suppl'eu'
ran, y. WV 49, - 49, gu" go,
though none Fsr,' 't'Ii strons, none none
Sho"eu s,sns .. Va'e.". su'I''"', on tne
tacl U.s. washington hee's uis''ciSss
vocal lesShSr Van s"'usoou! come
over anu heiP us ---, -,
nave n"l uu,' W SpeaA W Vne s,'Su
soc'sI 'lu'e "n,y" We e"j"!eu s.'et 'le
concert was over "heh' !" quote noui
ihe Snsu"so "t 'ne " Iu'11 eu',nl "
the h't'''E'' sou St'S 'uVNeu 'o'e au"
loving eNes '1oNeu s''' Sf",', ulu' 'ue
Sind madam o'ue US eoo3 hls9t anu We
holsted our umbrella ana irudged iorth