, 1880-12-12

fnr otiects halance The Object With III "a fo,,aat
Is the only one within the radius Of vision whicf
"tmprcssionistGs - recognize. The object whicf
/ ia prominent tn the focal line is the keynote te
the picture, and this should be painted with alb
solute fidelity seen b.. the artist; Every sur
| and all Of them are moro or less indehnit IL
| form
Of the .:impressionistes.;' Mr. Htchcock hied It
Holland. where, at Scheven:necu, be entered tht
studio Of Mesdag, who stands IT the head OF rhe
| outdoor work Looking out from bis studio at &
small horel On the seacoast, he mnic delightful
breezy studies Ut sea and sky in theft myriad
the dead level plains behind the dunes-gnye
him TN opportunity IT making studies ot Dutch
the English with the "fmprtssoaisn Of the
French school, and the result, as seen in his
pictures, is broad. generous treatment, which
Is full OF nature His. sen studies are rctlo{ent
of salt water and cicar. crisp ntmosphere.
Where there nre 50 mnny xooi things It Is harJ
t. psrteaarI1s dcaL but re aEt-oysr viii fond!y
out to sea with a colnle of shIno-hnofs In the
half distance; The Sunsbursr af sen: dense
ground. with lshine hoaf stantinn a. o'f @ n hold
relicf orainst II. and bur.t If s,,nI1ht fhrnnrh
rift in the cloud. The most Of The nictures ure
on tne Hoand "a tho1E srs are
scenery. - A-e''"'' 'A&o A'' '''4' -" -
THE rAsx1vo co11Ec71ox.
nov On rrhIhit,nn a. 9Rrx. ~ pEtIses Is na,1at
Hon ~ wotar'oa ~ prasn ~ ls C, eo'tsc rs
Fannfne. an Amcrcan % dcsinr now resdsnt ~ ~
ecrtnn ia va"hta ~ S Tue G co. T.
contains many f1ne e1umnies % r. tha % E1vifs, ~ h.
French. snanish and itaiion ~ echools tSu, Tns
Vlnert. ninez gr,s;o+ Nax6ne @d4ens perefta
Rossi HsnaIato cafnrs ot.con1s .r,,eha.s
Rico Cprlsri. Gioia. Vndeearra sans Cebran
Fruntz. Ie Ba.' castano1 nei,i' ioris M;chett;'
Coleman, Campi, TaperIo. Santoro. Silnoni.
Simonettt. Costantini, David Roberts, c. Stun
heid, J. Faulkner, pruuamond: Cop!oy Fielding,
carp, q: Clare, ". Hough, Salmen+ A. Coz, W.
H. Lee, a. Hlckers, and Princess Alice, daughter
OF Queen Victoria
Iae collccnon. In addition to being of value
because OF the facilities afforded for comparing
the merits Of the different schools, and tho tndi-
yidual mannerisms OF the exponents possesses
the art for the past nfty years. BEGINNING with
stanheld, who hourlshcd during the first quarter
ree e pf h Seef & say steI ns the
the pictures we're not hung. but enough were
available TO give one an idea of the excellence Of
me collection: among thoso noticed we're The
Spanish Bullhghter, by Vlbert. brilliant speci
men of this artists wealth Of color: "a Frent b
Soldier" lead pencil drawing BY Horace Ver-
Of Flowers" BY Riyoirc; Meph!storhelcs, - by
lanacois: l" The Boudoir OF Nine: De Falliere.''
BY Gio5a; "The Parting Of Beatrice Cenci
with Her Stepmother Just Previous to Execu-
tton." By Guardabasst This is one Of the
gems OF the collection, aud is worth hours Of
study for Its perfection Of technique. "Study
Of Moor" by Fortuny. is Il broad. clean-cut
sketch OF q Moorish head. The painting by tho
Princess Alice Is portrait OF George ". when
Prince Of Wales, after miniature. Breaking
Cover couple Of pointers raising golden
pheasant, By De Peuue. is q mastery work. The
heads Of the dogs are full Of intelligence, and
the drawing Is all that could be desired, The
f5fHFrSf ftc
Friday, and Saturday afternoons.
MINOR SOrEs