The new North-west. [volume] (Deer Lodge, Mont.) 1869-1897, 1880-07-30
STAGE DRESSES.
Some Noteworthy Costumes worn oy
Prominent Actresses OF the DAY.
From the London Queen. .

pr,,,inent Actresses OF the oay'
From the London Queen.
NJ blanche. who uird last week. was the
in.upurator Of appropriate stage nfesss
auo DECORATIONS. BEFORE his day ourck
ana K.an played Hamlet ar Macbeth 10
ku,. orrechss and silk stocking, pes
d-r-d wig aud qurne. The readers "
Fam, Kembl-'s [. Records Of Ny Sirl-
bo,d" may remember Dow thr young ac-
tresses gave some anx"us tb-ugnt 20 the
dr,ss s6e Vas 10 wear 10 P,rIit aud Juliet.
E,r Mr.. Pisucbs was influencing her father
70 bring out Snakesp-sre'S plays with Ir-
gard for courLenu tocaLe ~ costume aud
background. since tnosr days II careless
tbeatr,csI acc.ssuri.s there has be.u q rev.
olut,on in the " get.up" Of our actors and
OF the stage generally. Ellen Terry, In
her golden satin robe, walks the Lyceum
boards like figure stepped out OF picture
painted by Paul Veronese. The back
ground aud every scenic detail help iilu-
sion and bring Italy before Us, It's every
day life, its sunshine aud moonlight.
THREE ladies-Mile. Sara BerDhardt at
the Gaiety. Madame Moj-ska at the Court
Theatre, Miss G-nsvieve Ward At the
Prince Of Wales-appear In their various
roles In q variety Of modern dresses. all APP
propriate and beautiful. There Is nothing
STACEY IN those COST umes; they are simply
pleasant and tasteful garments to look NJ,
harmonious 10 color, perfect in hr, always
suitH bls for the occasions on which they
are represented t0 DO worn. Costly many
OF thess must be; but the becomingness OF
the style Of dress TO the wearer, within
the fashion and yet sufficiently individual
In It's make, and the harmony OF the tints
bought together In them, are not the rea-
son Of their costliness. Cheap stuffs are
% often as becoming as expensive materi-
ais; and II We advise those Of our readers
who have the opportunity OF seeing these
ladies' act to pay more attention TO thor
raimept, IL 10 because or the taste display
ed therein, not because Of their magniti-
cence. To those al our readers Who nave
not this opportunity. q brief description OF
these toileItes may be interesting. Let us
take Mile. Berubardt IN " FrOu- Frou.' In
the first act she Ia the upmaI ried Rirl
spendiug the summer In her fathers cha
tsau in the country. She dash.s upon the
stag 10 q close lifting gray frirze habit.
She disappears to dress for dinner, and re-
turus wearing q dainty pettic''at OF pale
yellow silk rucbed, puf-d, and short, ann
showing little b0ots VI the same shade;
over It 10 looped pompadour tunio OF yell
low and crimson; round tho neck there -
high ruche Of scru lace. and pinned close
ND 10 the throat arc roses of every shade,
running ir,m cream 70 deep red. The get
up is sunny and delicate in Effect. In tho
secoud act FrOu-FrOu Ia married. 6hc
10 at ONE en- ptgligs. Her gown ID COM
Is,ssd Of ino1uiatious Of white ecru under
skirt covered With coffee cOlOred lace and
long dead W bite sleeveless overdress; high
rucbe aud pale yellow rOses near the throat.
At the end Of the act she appears Tor mo-
mept dressed for dinner In crimson satin,
the bodice cut square and low, the skirt
looped up In front, showing an uuderskir'
OF cream. colorsd satin painted with pop
pies. In the third ACT she wears the same
loose gown that she wore at the beginning
of the second act, the long folds u which
drape the figure with classic effect In
the fourth act her dress 10 of gray cAshmr n
and silk, trimmed with fringe and b1gles
The cut and make OF this dress are singn-
larry graceful. TIE full high bodice u
gathered into point below the waist and
tho skirt hangs In clinging lines. Mile
Beruhardt's slender figure requires the ful
folds Of the bodice to enhance Its grace
The high ruchs IL peculiarly becoming u
the delicate oval Of her face. In the last
act she 10 clothed In black satin and black
ruche round her throat.
Nine. Mojoska, In the first act oi
"Hearts- Ease, wears purple satin dress
disclosing In frvnt IN amber satin under
dress, trimmed with garlauds Of hearts
ease. In the second not she 10 In Q cling
ing white crepe dc Chime gown. falling 10
flowing lines about her slight figure. Iu
the third act the scene 10 laid 10 6witzer'
land; she is dressed In pale gray cashmere.
trimmed with pink; white hohu round
her neck, fastened Ut the throat with pink
- tka 4
picturesque, with Its elbow sleeves and
pufiops or delioate rose colo.. In the
third act she has returned to PARIS, and ap
pears IN y wonderful ball dress OF white
silk, covered with painted wild roses, the
leaves and thorns Of which are wrought
with varied shading and finish. She weArt
diamonds 10 her hair, . lace mantle and
small white muf. In which bunch ol
roses 10 fastened.
Miss Geneviev. Wards three dresses II
aFor0et. Me-Not," are not less handsome
than those Of the two foreign ladies, who's
Continental taste rules their attire. Tit
frst 10 q dinner dress, designed" sh'
tolls US, "by WORTH" rich and sober ar
rangement In black and gold; black sati.
bodies and drnperies over yellow and b'acl
striped undarskirt, the black satin heavil,
trimmed with gold fringe; gold EARRING
Of classic pattern and small gold corons
In the hair The second 10 walking cos
tune OF sangde-b ,euf-colored cashmer
over silk OF the same shade; . bonnet an
feathers to match; pink roses fastened !
the bodice and In the bonnet. The thir
dress 10 an evening costume Of jopqnil CO
ored satin; train skirt open IN front, shos
ing gold brown satin undrrsk'rt; ira
Of roses, with russst and green leaves trim
ming the bodice ard train: rosrs IN th