, 1879-06-24

has been playing during TIC past two ssaaons
Ia these 100 programmes, averaging eight nun
bers to the programme, he has not repeated
NUMBER aud every programme has appropriate
ly contained one work OF old John Sebastian
Not"f thatanling the excessive heat, Hersbe
Hall mas crowded TO Overlooking, partly on &C
count Of the unusual character Of the otrasio,
and partly bccau6c OF the nature OF tho pro
grammc, which was maiply COMPOSED Of tn,3,l
cxpr ossly written for It,. THO organ was fc.
tooned and bora the psmo Of "Bach,n aid th,
figures 100" on It's pipes fashioned Of flowers,
These were fanked by the names Of luck uni
Haupt, Mr. EddY's teachers, and around tht
walls ncrc shields hung With s,nttax and bear.
Ing tho names Of tic com posers represented On
the programme. As seveu Of the numbcrs were
original and the other two are non here, NC give
moro thai the usun space to an analysia oi
them.
Mr. Glcaeon's "Oyerture Tr'omphalc ~ opcus
10 the key OF B fat, Ia heroic mnnncr, viii,
full chords IN March tempo, and the first forty
| measures form m imposing introduction to The
Allegro" which Inns for it's principal motive a
! Joyous theme, written In the "soug-fosu., :,
This is developed somewhat In the manner re-.
.quirod for Bonata. The leadLng notes OF tho
second theme arc the initial ln.tcrs Of Mr. Ed
oi g.
Mr., Gleason has troated tbla characteristic
theme In peculiarly happv manner. utvno II
l,v rncana ri coun+or..,'i,sa. "."a. f,.. e' -,
tcrna 's st. -. oau.s suolec'' great beauty OF
!osm' ., Attef anost development, the first
continued. aftor q short period, IN tho key Of G
ycYy strong fs,tc @ ~ 49, M s,;a :, .evsa,s @ soe
f''! S''ons 1''en'a'c "osk' wAleA IL given pr1a-
nfnH11 ft> I'm -. 49,
plavcl by the podals R1onc. 1oa,la hoc1, IL, TIN
original kew and tii, flrst fhemn !. nnatn ~ .s .o
tluce1, md from hero Ia the cjo,c ,hs warh IN.
cTcascs in interest. Tic trn,s Which, wa VA nsrd
dUtqro tcmpo, accompanied hy enrTas nf r. ~. ="
narkae]y bsi}tamt MD lcfJeetiye tTiits IN IL
pedals, and tie work ends in triun ntsnt j,,rst
Of harmony. - - " ' V''3A' '''''
ful thc1no to te eonra With |. i,ntats} ;,I - H.
tc tenor. and tinaiIy 1csa ~ = ~
presented, answered thIs Tina IN ICON eontrary Akate saa
by d short f,,gao Ia i mjnor by T. IL Ros"r" RUssa =
fornur p,p!l Of slr, Eddy, nov In paris. Fl Thc
theme Is con,posod Of ;lls letters Il. e. H. H.
lcncthcned By coda ii is oaboratctl viii, ii,
chor A. there mas boe Dach ' nun'her m.a tnn t,y
this-tho Concesto IL No. SS Wn ill., noa one ooo 90
OF the greatest, It was very nIcaslnc md fresh
tlcsp!to tts age, aud well represented tho mas
ter's peculiar STYLE
LISTS " prophetop y fantasia and fnr,,,a IL
ono Of tho most colossal works over written far
the organ. It's proportions sre mnieettc. nnd i
Is Of enormous tiitIIculty. Fur the uost nart il
tswell trcased for liz o5rau though % an % oeca
sional passage OF Ilsttprtiyo nianoforta chor.
ter shuws Tic luastrrss rrcatcr foni.iar. a
ity With piano tllnn ornan tcchnnmr.
II IA founded upon the chorsi s.hI
nos, I'D sautarem undam," II from %n Me,crbaee's L. ~
"Prophctc.T Its form Il three.nnrt: nncn,no
with tl,e theme In full linrmonius In The ker u
against Will a sncet Is nsa
tIls bass a kindred idea IN glyen by tfo trnmn, ~
cts atnl treatesi III, extvsspn ending in hnrn
chord masses which niyn plart, To arnegHtn "6,I
passngc work accompanying thc tI.eusc, fins.
" conceived recitation fishers in invsiv
ously 7kca torebcr' nil! f, n deen no.s,. oarI
1nsnIrotfun. 4 ehort MD somcwf,nt wpr1tLs
]" Allegro deciso u leads to tts third djvtstnn n
the work, i 1uout upon The choral s1inhtiy
Tho ffret cxposition Of thn thrnn in cn.;,
yotco is pcrfccty strict. aftcr yhir 1t.,t ;sn.
free tcopo to lii fancy and ,f,r snhccs th1",th
trcuted fracuentarily' docs not nyait, ! annts1
CON plote, Tic furuc In turn riycs ntnce tp ~,
NAllcgro con brio'h unI tl,u work ends viii
erent chorri massa,. AdaTJo i In thu sn,-t ~
tle CHORAL, ..-. 9 "e'''' "a
8, DO Lange's Bonata In n oncnx with ., In.
PRODUCTION nnu Allerro Il, tbc reT,,lar. sona1, M
form, treated with ereat schoisr.hi,, md nTnfn.s
in ornainentation s'd contsnst T. tilIS tuaos
[y n furr,t; nentn nssni ~ nt,Iastn ce,.tcns
ton and cnnfnfnimrr rn1,t ~. ,"int ~ th ss"sast
tlcscrintion. The iast ,norrmsnt Il ' MesI tt'a,a
1"Srsr.snnncicsi n.nneri1i s,,t usris,,o,. @c,ao
tlfuiiy harn1t,niyed md % ,1en sss.,nn ueaa
by rfacefll srnerrio.. in tI,e secnnS rat.,i',,
II IL trcntea Ettf, trjn1cts IND IN Ihe thr.1 ~.
subect IL in aior wSr ~ IN nr.ruog liz snt% ~
ininor. In liza < Finals tl,s snhtsr s,a -
n hi, tn,v1 h,,nnnI.. .r.tns, u Ssa,. svea
tcn nedni uart Of t,Iraf i11amcy , in11n r. VIZ ,
,,e,hcr rrana ni,t ,,.asinr rli,oS ~
wnrE s'"'''s "Aa '1up''''4' ''''aA1 10 t'e
and ,no.t ,"u.tc,, i.In"s In, a. .no In o oess
nan n .n. III, nna Ious ao o!a
su'ooti, an., nwin. mn, MI - = ,ne. He!y
Which IA wr)i unhsEs i =" T. ,rnnstt ut a
tha,.c r r." H.. s 49,, ~ s.souEMoas; seeonu
to tt.o M nrrvajIIu. oo aSiff ~ ,i,s m.s enaaSs
numher cIoscs VIII rat,rn ~ a. liz r.t ahi. VII .,,e
srkcs Fan,a.i, r. n,inr ~ ri !. as .s .ao3 est
as wMtl ~. axr-t i tra r In vct.rsn IVY "ot
".ui c,m,"scr +, hcrus ,m;ti,, @ 49," ="
Ia nteres 10 hs erS .howI" u'1 h
averv nsts, tn snn st,anti,1 ~, IT, n"a 70
III. I,u,a 1a,,,om. u sao ~ a. nas aao
nMd cnns, ,n,'.tinss '9i T, Z amIorts :" aos1i
rnn, rhTta1 h. I,nnn,,,s, r";..t :. ~ IN q
~ -, st5 - A'tt.u"Io. ~ ' iasess1 Ma1 worthy