, 1879-07-25
MUSIC IN LONDON.

nuto"'' --
vrio1r TN rnNnnu
American Artists Abroaa-slr. candldu..
Nllsson, md ratti Ar.r Twenty Yenrs.
~. n9...ra 70 = x.S :, re,* :'' 1r,,s"f. e:
AoNuon, 'a,y -. ~. ~ NV nv NJ. .o.aou
papcrs III va'n for faiF accouus OF lte iifst 40"
poarancc ot 1cr,nan-American Loheaqr9s. who
won the other night at He! Male.:y's ;' Theatre
saosten.a u 40. scst susro's
some OF the ocst cfastes aecsh 10 na'e nfe'ectca
the performance altoRethcri ot1er writer's In
lle press dsrn!asod It with few wosda Of care
IT,, ~ ron,~,,.,to n,or,t. ard n Mr. yItll,,r
LOU q! scn'aEHAp'o "tc..st h'" H''' nN,"'n
Caholdus can 10 otheI th'''ss a. wen u NC aoeh
this, he IL mn arttst whom any manager ought
10 ba otod 10 secure. Thoae who remember lin
- In ,,.c1 ~ In In New York. with rtn,,inr
IN w ue1e ~ w :" .,, o.,s :. ,,,n,",. =. aa,.
voice anu ho st1!e' VIII ''t H. u'''euih ~ 'eaAo
how great change mas cotns over hl'n.
avmna,hetie. There Is pcrbaps no tenor
1nw m III ti,e atara in Lonllnn. cIcept Fan-
"c1lt tyhnsn tones nrs eO oyat and so puru,
Theq hive mono Of tho throattncsa charactcristtc
nnncars tn hayo formed his stylo in ,he true
italian rather than tho German school, lie
sang Loaeugru with only ono plano rehearsal,
ind the al!ght couBtFalnt otaervabto in hie act
lug was probably attributable IN pnrt to
irving one. lto cana forward, alu,ost unpra-
pured, In ono OF tlle most conspicuous ard OK
acting OF roles, side by si1o with ono OF LUG
most renowned Of Esas, before Vatt a'lu
brilliant AUDIENCE (whch incllaeu tic fflf,ce
nnl Princess nl WHlesh anu unuer rue eye OF
conductor who noioslously diaitkcs "!.ohen-
Erin,n nnd who. must say,-wtth all ueicrcnca
to alr Michael Costa's admitted abilities N
other rcspccsa,.:does not Know how to
III Mr. THDrIIfE
lators under, tho double ltsadYantago
Uor An Italian operas singer IN Lohd0n)
u hong m American aud being herman. INC
Drittsh metropolis does not believe in HERMAN
Erei to say, reaaras our haloved country with
liorrer. That sfr. Cnndluus should have suc-
cccdod In tho face Of 20 many unfayoraGle cir
cumstancce Is a sieEihl ptnnl OF mer!t. lie lore
intelligence and MI ohytt's's sense Of tue pct.sr-
csque; aud II his delivery OF the mueic was
1ess careful md poetic. In tile lopg ny! roman.
ctc., wherein Lohc7tq'iH siiscEoscs Ills tiame and
rank, Slr. CHin!tlus proditced III adInlraule ci-
feet by the elegance Of l!a pllraslnE and TIC
nurity l1.d steat!inoss OF hs eluacht!on liz
this stirring. passaro, but ilc makes o. it beat
tiful piece OF singing.
NILSSON.
rawaItcl the anpcarauro of Nilsson Ia tie role
fG tl,uf1, 1,ju1t rpCt11tpr
y .,,.. ts . haxi ,r." cei ~ aiv ohnn, H. oI.
lereI decay of Eur bowers, il m, to iudEe
Iv ,i sIn nro prass, NJ" 9aa anh.
She e'S bas st0 ost solsihing Sic hal lost ittc bc
tnfe ', se 'u.1 ,nGa o ',.,a trifo ,',u'.
.hnsF % !n . H. wS' ar her vteG 'u doip
@ HGc nui .ns ~ tnf1 ~, ua. = s ,n,,a;
la l,et VIZ u H. ou. nsas Jtsa ,',1s "tst
~ seoct 1on a,,n,noI Jo ,Sn YEA t,n
s1 o r ntr.o - t,ta
crsa', W u u,aon " liz H. saaa,,
MM ''s; ttee; H., -n va. e a. ''' a",ns.,
r",d, rIh, a i,sr n.I ,Mn nnr,",S. "Mn @ was ~
ro a''I mcans % @ eaaal w to 'I tilat wlhcn H. a.sir. H.
MnSao saya w., " V outs a,ia%.,, S ,anose fas,a e
sIasn a ~ FEY 1 os M tSnaS! s;a, nossa III tu
ns LIZ i,,a' - s1'tss M y, S.sss u,' W..
,v, nn l,r sor ~ te@",d @ & na,ces 't ~
% VIII ~ u ,,,,, - sti, y" n,r u Sra y
M.t, hst, a. h,,r,n,,a & .a
en uetsot ~ .uh p"t'Ssue fe suna.ss
n1v' ~ ., ~ ia 1u nnat. G IL tn aa ~,
m ,s' H"s, ~ -, tha u r ~ ~ ~ ai,,a
Mese N w VEN nn,e , tan, t,
son ssas1" ol ~ NV aos, ~ tr'"ason Tn Se. ~