New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1879-10-03

acted it for the first ume-and OF course,
he ha- made himself very firm In It'll
not very distinct-Aud has wrought out it,
details a certain degree Of hnisE He amounts 10
much more IN 10 than he formerly Gd-boine
dccl.er ~ feeling. b CHER m spirit and inner
In ncchsrl-m -hut now. n then. his ideal Il
seen e. p, deficient Of what may be called
tia Helni-f quality. The perso ation shows DO unge
81 flr avn. .lnurnulncss 90 great soul that all
things aud taaf overwhelmed with the dread burden
of tse and the vast mystery ~ death nor does
Sc -ho~ fhc icast mental alteration The ma
tu~c D.. irH.y Die: the mldnoss IS wholly arouse d
Sire sr'rt almos- entirely dominates Us own
-rir.tud ~u--orndir-~ FAR thinkinr
can reveal Hqmir' to Nr. Bmimmn. Rfnff has been
revealed; lnl has been seized aul portrayed but
tie last ~ ,'yss Oh. THIS character must be- reached
tlrougl something higher than tninaus-musf be-
r-l-pcf hr the iutuifirus 90 me soul The
drifting. pathetic. 5e-o'ate. solitary melancholy ~
flt. shattered vtui yef sD ovahlc-was not
app.rcrt SIR Blu'mar'- ideal. and. without TINS.
Han.l,f Is .,a.ceiy Uaml.f az al Nr DanGnan 90 our
Judgment. is comedian. Ills 81 ylrct for example.
i--or was-.is p-sf performing. a-d. a.so Do
was fhe h.st performance 81 tAat part that
hal lecr sc0r on osr -ti-. i0r many 5s-r hs heph
fpf~ss hs f1go ana fc comedy parts of hi- Aerc-se
-thru-l tte latter are cnlrf nf @ feeble t,At
ARE. likewise admirable; and their evide nce
point. the same way. Mr. Bandmann could
no- fill to Doe excellent in ioris ~ en-
E4ic-f EreGrr. ANA n0 actor ever interpreted octer
f.r grin, humor of 10 Moor. 90 The Robbers" TAe.e
REMARKS ..le Oh, quality OF his uuf-ness FOR Hamlet
IT, tn.s rar despite all that passionate canesness
a.d trained ur can 10. the iron CHARACTER
0l his VIII and the rc-eiu'e quality oi
lis temperament thst are obviously con-
sr.crorls m I'D ms worl-dtfraf Dol. purpose 30 rs
very hear. sacs. 40 any rate is tle impress
aon he conveyed 20 Ms lst night; aud, as
u- 7 hn-on sasaciousiy remarked Judgment is
lot GsDeui,ato the Will Mr.. Baldmai's HGDllC is
'ul of -uaY ana ingenuity, and 10 Is adorned all along
une vith striking touches OF mechanical treatment
ono also 90 fa of the sirrrost license and the most
i.-acr,cablc features. Instead OF spiritual de-
ectlon 10 presents physical lcthar-y. This per
sades the whole first act with sotn. and
tis dcniert is emphasz ed with iud.stiucuess and
Viii painfully -ilI.lur enumeration. Tee aspect too
here k- tlat o. an ideal undertakcr-pack. % The
very tips 90 che fingers A. Che ghost scene there IL
otalv foreign quality OF comic bitterness Emotion
san~s tlls actor such coatoruons Of the counte-
ainre ~ cltler ara frigutful funny. The voice.
kew par,ase- oftLis disorder. ana passes fiom
follow bray ro shrfI scream. In the beautiful. pa
Aeuc scene ritl 0pa-iia-not done rs mad scene az
al hu, VITA intention for the secroied King
the sounds produced by Sir. Bandaan. and
he w.d and caprc.ous antics performed by
AN. were truly dreadful. Tie treatment 0f The
play sccne-tle rrnvelIng upon the door with manu-
crirf of the utrrpulate ncs.was Noe only unauthor
zef bat coarse anf common. TIE falling upon the
omo. 10 the -raveyarl scene. and afterVard
hs eaDiu- upon %. completed this total
tsrrfr- ~ thr -1irv snd the poetry OF
.he clnrlcfer. TIN. SORT of innovation may
please those who think ta1t originality consists in Tie
asie-s rejection of a custom. bu- 10 vii please no
others. lni u 81. NOT redeemed ov refining process of
delivery OF tlc AnerA which consists chiefly I'D
,al-e. ana NJ tae roN ntous prsteuce 90 s-nih-
.anc- of meaning which results nothing that
VS. not srowr-lnl even hackney I-'orE ago. Mr.
Bandmanu restored divers acs not usually spoken. or'