The New York herald. [volume] (New York [N.Y.]) 1840-1920, 1879-02-17

and the way the little girl and the birds she is feed
ing indicated are noticeable points. AT first
view the girl and birds are more daos OK color BET
III few minutes the story Is told and never Forgotten
II Mr.. Chase willed It, Messrs. Brennan and Blum
would find in him follower of Fortuny. dangerous
to their regulations such. There Is more real
resemblance III this work TO the little drawing by the
master in the West Room than in all their clever
work grouped around it.
Walter Shirlaw is exceedingly well represented in
his by the Wayside" us7), with its unconyen-
tional and picturesque arrangement. f. Hopkinson
Smiths 'By the Lake QJ7) is a good example OF
his sLful drawing and pure color. +. II. Harring-
tons "Moonlght. Delaware Bay" 1o5l, is quiet in
effect, not particularly striking. but well drawn. We
wish Walter Browns deacon had been ont instead of
"At Home" Thomas Moran's 1.-THE Teton Range"
way in which he has kept the foreground. with its
great detail, quiet and subordinate to the distant
view. Charles Parsons Negro shanties at Hot
"cedars at Deal, n 81 t503), is strong piece of
work. Henry Muhrmans apple Girl" (2O4) is one
of his best contributions being simple in treatment
and showing how much there is OF material about
Leaving the corridor for future article.
more take up the consideration of the West Room
Near the of entry from the CORRIDORS one of the
truest studies III the. eAhibition-Charles 5. Rein
hart's Kitchen Door" CID. There is something
pleasing, though the color is gaudy, i'll Frank g.
Jones' Breton child stories-"The Unwilling Task"
(219) and "Ihe Young Artist" t239 Though there is
very skiful work in Gabrinis "Breakng the Rules
t2lIl, there is half vulgar made mp and unartistic
air about it. We don't know whether }. M. Faconer
intended his impression as joke or u conundrum
but we give it up. Very good in effect, excellent in
drawing and very false in color are GiGnoux's
Italian landscapes (226 and 24O; Detaflle's
French Hussar and Horse" (233 is
not remarkable but careful example. whose
faults are due chiefly to the unpicturesque
costume of the cavaryman. Hard, classical and we'll
drawn figures are found in Charles Booths Autumn"
l243) and summer" (2i9l. John Iafarge's "Moon-
light Over Snow is admirable in many ways but
though in this case 1t is charnngly decorative,
shall always hold that the of zach prismatic
colors are found the sky is affectaton. j. A.
McDougalls rug Making C245) is a clever. neat
little work.
There is well told story in that admirable.
though in no way sympathetic work by q. Simon
"The Jester (246). How far down the artistic scale
it is found to be when you turn to the little study
by Fortuny hung near 1t, Carnival at Venice esq.,
Kruseman Van Elten's River View in Connecticut
(25s) pleasing "The Tease" 262) amusing little
story by barley. What prune box label and chrome
possibilities lie in the of Is. Glrya, who is
presented by misapplied skin in "a Billiard Party
t263)! 'Sugar Naples (l67) and young Birches'
(272) interesting and skiful studies, by +. Hop
kinson Smith. Walter Satterlees .'Such Difficult
Passage 275Iis excellent idea admirably treated
regards the accessories. Walter Paris "Bit OF
Easthampton" t270) is careful and good study. His
"Windmill (3op is very skfnl. delicate and pleas
ing little drawing. William Magrath's "Long Island
Shore (2S1) and "Iioad Scene at Easthampton'
l293) excellent little studies. and. finally, J. c.
Nicoil is again pleasantly recognized in 'Outlet Of
Lake Oscawana" $3.50.