, 1879-03-18
AMUSEMENT
nAvERLY,s THEATRE,

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nAyEn1,y,s ,rur.rpr
John McCullough,s critics have of,cn to,1
him lint ,1oc1o,nntf,, ,.Itia,. s,a.,..s ,u.o NV
n''' ,'a' ue.aa''o" "'thout eiocut!on Is lko
u sa''a ",."oat sat- or literature With
OUT logic; llfat elegance Is as worthy as eo-
tat erace suavty nn as ana
,naa,sa,",o ''"'"t' a"a LsnaeFhes5 h'e qute rs
1o ..-" ~ 'o'noo,u"'' u'e' par"'ei-
'sms, his dead levels. Ills unwarrant-
nblo loudness without intensity, his
tutcpslty without rrajatfnn. md h,a
groJnt,;'n ,v,,homt o,,oS hana ~ ,,os ".'a ms
~. ., ~, ""s e''n1@' na'e WI pesh po'n'ea
out' a,' SUI sona prefers 10 carve us eharae-
diamond. But there ls nobility about Ills
cr,u1ttv wh,r1 IN t1r cvca ~ ,,o.t nior-t,or,
sro',5.r n,a s,,os,ae,,o ns s, D' s'. ,s aae
saouasu n..,ss't 4's s'lo1seoun'ss auo gwen hlm
BY. His performance ot oticllo u last evening,
thcln,ta. Of abrjcf engagement nt uaycr1y,, VA
,u ~'at % l'Ent naso oeen expected from him. It
"ueu @as TIC noEra uas os ,omn Ut mt '9, , ee
cls!op aul force, hut IL lacked t)at rle,,ncss n,
co,nr cnnsoont @ NH, I'm .u,. uess ., ~
n,ax oSara".as -, t'a w. I1is a''a so'l',
p,e1 ~ s!sashe.or u use MOOT his action and
but nut with tho feeling which asouscs
n sympn.betIc eeho IN t},o boar,s ~ hIs
o,,,tanna 1,,,. 49, IT,. ,ao w .e'' y. u'e
-"s eAi 'eseo. " eou"eeua"eo auF'nE
tatnca. Ills Olfe'io gives little EVIDENCE of the
gathering borrow. This growth OF distress Is
not portrayed With n,inutencRB, and It Ia oufy
BY MI appreciation Of these telicate nuaucGs
OF 0the|io's 1.aturo can bs ac-
clratcly interpreted. The character
IL continuous struggle between lore u,M
hatred, tenderness md resentment, JEALOUSY
nan a ,o ~ Thts at 1st are blsue In TINT
petuous but majestic, tint sweeps Othe'|o to
hts fate. 1nstcud Of paIuting tho character with
thrac many coiors, John Mccullough en-
nloys but q few, md hcnre We have
tlle- portrait incosnplese. Hut. although tbs
pcrsonnt!on adds nothing to the reputation Of
this urtlat, there nrc sone points wosfhliy l,ntle
anu sonIo speeches beautifully spoken. That
before the scnate, for instance. received impas-
stoned md yet. to q ccrtuin cxtent. delicate At
tcntiou. II was delivered with ,l.c outet dig
nity OF tho soldier, tho warmth OF 1ie
hero rs he spike Of tue dun
Eers he ha.l passed, md with n
tale Of love, at,a told OF s1i.c spells nnl wttcl-
craft l1a Ind usod.' The speech In lho Third art
gone my Likewise be cited as ', spec[n,un uf
sssGS Gssssa eue% @ ennesso a d s9S .!oa II 5 W.
wns cxceilently tunr. Tho convulByo n,oyc-
n,cnts of uncoutrollable ngony wcre effectively
depleted; still there was not tint delicate ll,lt,i-
iattUn Of varied feelings Oh the SURFACE arIsug
from the impulses Of Imagination or tie nalt.
ciotls suggestions Of Iago.
1t ts HI r,lre NOWADAYS to find two or three
members Ut travelling cot,l,nny who uu,]er-
stalul Sha|sspcarclal. actlug reasonably we'll hut
ono Is tempted to layIsh upon then, more tint,
,llcis need uf pra'su. Tlis organization wns
fortunutv In q most elective Iaao, osactc,, W Gy
Mr.. Charles Barron, M ex-mcinScr Of ilIc l}os.
ton Museum. TlIu distinguishing excplicncy Uf
Ills act,ug Is a clear coucautiGn Of charayter
alnl natural expression Ut it. viii,
bolduess cu,lnIcd hy his Judgment hu d,scarIa
altogether tlle conventional Idea OF fawuiI@
crait anI scryile humility which has been so
feuture OF this wonderful cIaractcr, a,ui With
could but Aaye Itsgustel u.ld never could liayc
lnposcd upon suril man as 0sieVu. Hvforu is
nirasani, If yn{rn. mil nvre.ui,In IN fac"f
sure ' wllcn, with no companion hut l,s ow,,
tilourhts, lie iiits fur 4 ,,1ocnt the veil Of Tia
yilIaiuy. "TIus fcl,uw's of .xrrcdn. ,,on.aty;'
thruil:Inus iii lis purpose Is served a,I to iaa
Juuu wtth honesty t,r rus,d md ul Ii,s nrtfnmrs
nrtit,,1a mi VII. m En,,1 In i,",, Svhiin ,