The New York herald. [volume] (New York [N.Y.]) 1840-1920, 1879-11-10
ADJUSTMENTS.
rrrrH AYENrE. THEArEE-corcEEr.

FIFrH AVENUE TEEATEE-coscERT.
The sundsyest kind OF sunday concert. one that
possessed all tie necessary elements Of with
sunday night saGieace-popular melodies. plenty
OF them. and prompt Temperatures recal!-was
given last night By Ir. GraG's Opera BonEe Com
pany at the Fifth AyeDae Theatre.
sunday concerts have greatly changed in character
since they were frat regularly instituted, few
years since. They professed to have a sort Of &C.
elesiastical complexion when they were first at
tempted, and IL the selections were not absolutely
religious in style they supposed to be taken IN
q sepulchral tempo that gave solemn Sunday
tone TO the affair. in the minds Of the
mighty imaginative. They "asSumed vir
tue II they mad il not" But "a the public
gradually became accustomed to the innovation the
sepulchral effects the general dampness. as 1t were.
disappeared AMI the growing warmth 80 altered
the character Of the selections that there
was really nothing left. at last, that was
particularly suggestive of the day. except the
reminder ut the head Of the programme that
1t was positively. sunday concert. The head line
remained severely religious; all below became az
severely secular. The thing that prevented
comparisons and remarks by the fastdious
was the fact that music is inseparably
allied to '.the good and the pure and the Deauthui,
and that SUNDAY concerts in taking on seeu u
dress have never become so pronounced IN lieIf
music TO give offence 10 the ~
simply light bright CHEEKY. ana tena 70 give 70
those who house or shop Donnd an Ine "s.e al
evening OF enjoy able usic 1.-THE day OF rest.
The concert OF last evening was particularly crisp
and pleasant, depending manly on Mic. fsoia-
Marie Mile. Angelo and NJ Cspoui VINO were assisted
by Miles. Raphael. Beaudet and ofeeo.ie, piss
Markstein and NM Juteau ana Poyard. The audi
euce was very large one and seemed to greatly en-
10y itself IL frequent applause ana many encores
are circuEnstsntial evidence.
The beet successes Of the evening were made by
Mile Marie IN LES Canards Tyroliens;" xile
sIkraa IJeeEu lJeEhOUs. Nj
Capoul In Lies Etoiles." The trio from "Fatin-
itza" was also very well done ana enthusiastic
caIy encored. Miss Markssein played well,
but not up to her usual standard. oc-
casionsly striking wrong notes and hur-
rying rather carelessly over rapid passages. NJ.
Juteau's aria from 'Tne Chimes of Normandy was
gracefully rendered aDe III fact, all those Interested
in this the final concert by the troupe. acquitted
themselves creditably as rule. Tho programme in
full was a. acknowledgements. ''On nentend
psrer que de malheurs." by M. Poyard;
''Alleluia d'Amour," by Mile. Raphael; air
from Lies Cloclies de Corneyille," by NJ. Jutcau
English song. Papa Says May" by Mile. Beandet;
LA Mandoiinata" BY Nile Gregoire; piano solo.
'Fantsise" i'Norns) ,. by Miss Henrietta Narks'ein
chApsoDette, "C'est dams PDez ca IN 'chatouie. by
Mile. Angelo; cavatina, from "hireiile by ID. Vac
tor Capoul Lies Canards Tyroliens," by Nile.
Psola- arie; air from Lies Noces dc Jeannette,
by Mile Gregoire; duo from Les Pres
cbapsonette, "Bras Dessus Bras Dessous," by Mile.
Angelo; piano solo. "Lurline" by Miss Henrietta
Markstein: song, "Les Etoiles" composed ez-
pressly for NJ Capoul by Dir. Charles Villa, by NJ.
Victor Cspoui trio from 'FstinitZa," by Miles.
Paola-Msrie. Raphael and M. Jntezu.
nue stage being occupied by Perdicaris drama. The
Picture"