The New York herald., 1878-10-14

evitable catastrophe, aud must give the composss
every crsdi. for the ability and dsicacy wnsrsw,.h
every detail sublime. would iniali5ly be supremely
ridiculous IL Is enough, perhaps TO affirm that
Gounod has succeeded where ponizetti has failed
Tho cast for the nrst admirable the
who viii nnd his powers taxed 10 the utmost; % 10.
deed, IS rumored that M SELLER win be held IN
act n. Lassails viii play severe aud N. Anaues
Nearque. n. Borardi has been allotted the part
OF Felix and NJ Menu that Of AlIio; Pauline
could rdy hnd filter representatives, on the French
lyric stage than Mile. Krauss, while the second psri
th,t.of The con1dante stratonice VIII be played by
Nine. Calderon. Adj 10 this noble orchestra and
glcriousy effective chorus, with Nessrs Bosqnn and
Boudsresque principals, and there can be Iistis
thai opera will be rendered 10 the best pos
DIs.riOs,ioa- -pslysasss, ~ sasmon 60. NJ vss sss.,;
gsrsral AsIn. I Menus gn Centurion, NJ ss Gssoa.s:
%ssis sSs. .Siss gss Se%.s Ssssiaa
- Instrumental Prelude 1s'hs eh.mos . h Pauline,
second, P.uline's Dream tMle. Krauss ss-'Dsns un lieu
@ ;na morn.
u01''1'' s''''' ''' SECOND TApLSAu
Seems and auarlette-. .'ordre de supres do
psn,,.o Of ySss ss Ma,sS ni,h chals aa major
ACT H. FIRST TABLEAu.
Ch@ur do iete dans Ia couisse,-"Qus 10 ct ID
~ u aat l
Cavatns esevsrs, -Ah. auittons ls fe.tinp' sharp
Duet Taane and severc,-"Un pere. dites-vous. sbu.
Scene (roysuc.s and rque)-"L'heurs est venue.
~ l SECOND TABLEAu Es H. =
lie sS R,.ss wa aasu.
Persensgs pnEaah ~ ,h !. az
Religious March and Prayer Of the q Ghr..iaa,.rsrs
Fiassrhs s.essm q Polysnsss
i I3 ACT III FIRST TAnErAu. sTaa. il
Seen. r s'ff reg e.,s. nu
.s: % ss.::s ss
Due. S ''GS'si 'Goiyeuc.s xearqueoa psn.s.-voas .sr'
s;ss csssa. ana ...
SiIs.. lie pisa E fa" q 9, ,.Bellons;" q "vsna.:"
fna-Breaking Idols. peupls suspends ysnx."
a,s.S En-, ., % s, sss ,,,sor 4 l.,o.,ol
stannaslPolyencse, delicisuse en- lmsere 70
en- est temps
eHfSss Pasias roysue.s
Of fslir-"polysueso voiel rheurs do ton
suppiice"
ACT 4 rgsll mo. rAc1
:: .si;
..4N SECOND rARLKAuf-TAE cIRcus). 888 N
Last Scene -Chorus-"A la mort tTn-tPnune Poyeucto)
"c'est Disu qui ecisre appes cisux."
ssa Nat3hs sgs n DoxIzRTTI VERSION. ts1A 74fal
Donizsttts version OF the story was performed
several timer, with considerable effect the
Royal Italian Opera In 1852, ana with good
dea, OF scenic splendor - Signor Roncont
S6vero Madame Julienne Pauline. and Stguor
ramoeriik Polyeucte. Tho two latter screamed,
yelled, and shouted beyond all bounds In the
lively and commonplace unis on-duet IN the last
scene, 40 Santa melodia" Az TOR the sham
lions and tigers walking up and down In the back
ground waitng TIL those good people before tn foot
lights should have done their shouting, they wore
simply Imaginable How different Is M Councils treat
ana solemn: the husband and wife singing
. plain chant in unison, continually getting
higher and higher accompanied by grand and celestial
harp chords tho chorus breaking ually with
"Aux lionsi aux honsi" Ionce asksd Gouood n the
public TO tho wild beasts ~ in Donixsttis
s.MartirL" His reply oh haracte eristc:-sOhi non
On baisse le ioie on imagine ls restsl"