The New York herald., 1878-10-20

she pulsates through and through With the
emoton she cannot control the sxoeisnce o.
this transition and the unhincntng sustainmens
OF the growing agony until death comes Was
well worthy Of all that this artist has here
tofor- exhibited The play was otherwise respectaoiy
cast, but without any marked exceiisnce. De Sar
terys the injured husband. had his lines well read
and shambI,nggatsd ana made up like q
typical Enelishman his earnestness would merit moro
well dressed aud well acted NJ Brigard, the gay
father oil Frou-Frou, was mediocre in the nands Of
N. MT, Pierce The Louise OF Miss Maldener was
little stu and affected. By the by when all the goos
things DO said OF Modjesxa aud or exquisite
acting ano dressing the very poetry OF millinery have
oeeh recoruea may we not be permitted 10 remon.
strate with Mr.. Fiske Tor giving Us still anothes
variety Of national information. Moajesxa calling an
''arrangement' an 'orangement', we can, you know,
put up with, but when we have German infections
added TO Polish inhsct,ons IN French play that is
gwen IN English We begin TO think that Mr.. Fisxe's
dramatIc college" beating tho universe pupils.
sTEINw,Y HALL-rHE ALHAIzA MArrNEr.
The audience az steinway Hall yesterday afternoon
was small aud the applause which followed the per-
formances OF the respective artists who appeared In
the Alhaiza ma,iueo was limited. Much. how
ever, was deserved that found no express.
sion. Nine. Alnaiza has evidently passed
through a school the culture OF which
she admirably illustrates. Her voice may be sharp,
cutting ana unpleasant the critical ear, but
deny the iac. that she has beon hard ana con.
scientious student The aria "Ancor non giunse,"
from me drs, act OF .Lucia, gwen by her with
an exhibition OF admirao's technique and only
required rouuder tones TO elicit the utmost euthusi.
asm. In tho quartet IRON .'Martha," she appeared
10 greater advantage ana showed still more OF her no
artistc taste Tns defect ot Nine. Alhaizl Is OF
voice, not Of culture Franz Rummel, the pianist,
played Opus 54, by Mende issohn, and nocturns
and polonaIse by Chopn, all OF which were
warmly appanded. Tnis young artist evidently
VIII ~ris. 'tS power, D n,s expression. .as m.nas.
in which lie emphasizes and interprets the meaning
OF the masters whom he seeks TO represent are
worthy OF Ill praise, Tor tho piano undcr hts touch
takes iorce, and his ewn professional conireres
confess themselves astonis ished Sisnor Luberu. The
tenor, ne voice, ana added not little 10 the
success OF tho entertainment Sign0r Boniverd,
baritone, and Mile. lomasi likewise rendered their
respective parts most acceptable.
The programme vas as oIlows:-Air-'Favor
ite," Douizetii, Signor Boniverdi; Ia Serenata,
Braen. Matilda Tomasi; Variations seriousss.
Op. 81, Mendeissohn, Franz Rummei; Ar-"Nar.
tn. )" F,owiow. Si.nor Luberu; Ar-"Ancor non
giunse (nrs. act" Lucia'h DonIxett Alma Alfalfa;
air, "Perche mandar II giovineito' 'paul and vlr-
giu,a') Victor Masse. Signor Boniverdi; brindisi,
"Lucrccia BorRia !" Verdi, Matilda Tomasi nocturns,
+ sharp major. Op. Is, No. ?: and poonaiso. a aAt
major, Op. 30. Chopin, Franz Rummsl; grand quar-
tel, ..Martpa,n Flotow. Alma Alhaiza, Matilds
romasi, Signori Luberti and B0nvcrdL