The New York herald., 1878-10-28
ADJUSTMENTS.

BOOTHS THEATRE-THE DE MURsKA CONCERT
Milo. de Murska again appeared in popular con-
cert last night to large audience. The programme
presented singular mixture, good, bad and ndifIer
ent in quality Mlle de Murska was at hcr best She
gave the "Una voce from Rossni's "il Barbiere" as
we have not heard 1t rendered in years. taking the
cadei "a al tho end of the first movement with faro
finish truences and touching tho high notes In
alt with crystal clcarnsss sno also sang Ab's "Em-
barrassment" for an encore with true appreciation
of its music, but her encore in the second part
ruined .The Last Rose OF Summer' by sustained
high notos, entirely out OF place In sentimental
ballad In hcr closing number. IA Quasi PoIca,"
composed Tor her by Sienor Moderate her perform
ance was much better than this imsy composition
deserved. Mr. Oh. Fritsch, whose voice is suggestive
o. Brignoli IN hi. younger days, sang an aria BY
Tho latter song superbly given, as WAS also
Matters "Non o YER" sung TOR tho encore Signor
Taglapietra sang "Il Baon" with the dcicacy of style
Characteristic Of his method and Tor his rst
gave Schubert's "Serenade with nicc appreciation
Of us spirit In F,1,es ma, nr'r. ss Rameaut Hrsas
tervor aud exquisite phrasng in which he is not
equailed by the composer himself. signor susini
Venezia1 - lays beyond his range, and he speedily
shipwrccked on tho high notes. He did better with
the "lnfclice" OF the same composer. Mile. Georgne
Meyroos made o6but here as pianotorte sooist
Her selections from Mendclssohn and Schubert were
out OF place such concert, but she played grace
fully and was kindly received. Mr.. Arthur Bent
showed how harsh and hard q tone can be produced
upon a cornet Fortunately his first number was very
brief. In the inevitable encore he introduced new
effect in the well worn .Carnival Of Venice" by
placing his right hand upon his hip and playing sns.
tained stop note with hts left hand but even this did
redeem the performance. Professor Hill played
violin obgato to OF Mme de Murska's songs arts
ticaly but tho panimcnt Of this Instrument did
not add TO the effect OF the song. There was much
enthusiasm during tho evening, especially over the
efforts OF Nine, de Murska and Sgnot Tngapietra.
Tho performance was, however, marred BY tedious
wait of twenty minutes at the beginning and by more
ThnRn 0hnnth ha m fer
management behn the scenes at these concerts
GRAND OPERA HoUsE-GILMoRE's BAND AND
CONCERT
The second In the series OF Sunday night concerts
by Gimore's Band was given evening the Grand
Opera House, and, like its predecessor, proved to be
success both as regards size of the audience
the quality OF the entertainment The first part Of the
performance consisted OF an overture by the band
from Weber's .Jubel" followed by piccolo solo by
Signor dc Carlo aria from Massaniello'"A co lui
sung by Mile. .Es.clle Buzzetti gems from "Faust'
by the band and a cornet solo by Mr.. J. Levy. Part
ln," Hartman Introducing the popular airs OF Ger
many), Gimore's Band: waltz for voice "Per Sem
pre- Gorga, Milo. Eselie uzzeti; scena from ''Rigo-
letto." introducing tho famous quartet, Gimore's
Band; cornet solo. variations on the "Csrni-
val do venise,'' Pagan,nL Mr. J. Levy; drum
solo, points Of War;" Mr. A. +. Darlington.
effect the movements Of troops preceding and during
a pattle. He Is iamiliarly known as .'tho drummer
boy Of Shiloh" The concert ended with repetition
by the band Of the familiar "Twenty'Second Itegi-
ment march," composed by Gilmore. A happy
knowledge OF the popular taste usually enables this
impresario 10 provide an instrumental and vocal
from the applause the present occasion was no ex-
ccption to the rule