, 1877-09-02


-1nrrn~
n IL CHICAGO 'lfflbUNEs
-@---- -,
mainde. are distributed In the room deVoteQ 70
bric-a-bsac and Gallery +. Brlcher. VINO has
achieved an honorable position as IN artlst ~ IL
oils, Is. represented by si1 water-colors. si
Michael's Mount (so3) is bold mass o. fock s;
towering up out OF tue sea, Which peats on amu
ever at its base The huge stone masses
with their dark assures are treated
fairly, and tue breaking waves, cap
ped with foam. are reproduced with
| great fidelity. Sweet Summertime t4l9} IS tue
when the woods arc in their brightest green. a
lovely sward forms the immediate foreground,
on which recline bevy Of beautiful girls, VINO
are lu1uratingin the delicious zephyrs which art
waited through the trees. There are hve STUD
les by kruyelnan Van Eltcn. An Evening Near
Gloucester 500 is q portrayal Of nature IN IT'S
quiet mood, treated with grace anu 1eel-
Ing. At Leeds in the Catskills t34S) IS
bold In hanuling,-the gray tlnts beng uscu
+ to the bcst advantage. Paul Alaury, French
artist, contributes five works, oil ot which are
excellent. No.s3l1 is q view OF an ol1 street N
Rouen; cul-Ae-sac, at the end OF which stands
the Church of Saint Alaclan. The quaint
architecture OF the houses, with high gables.
projecting upper stories, and narrow windows
aad the picturesque adjournment OF the church.
III the costume OF Normandy peasants, traverse
the little street, and give the scene all
animation without which it would be
bare succession OF architectural ecccntr1cties
Gcrartlo Bianchi represents the Roman school
with tho Mountebanks (i2}), in Which an tin
Grant acrobat in the gaFb Of his profession
holds hoop through which couple of trained
dogs are performing some tricks. small
group Of adnlring children enjoy Tue perform ,oa
interior, by Hopkinson Smith GA, Is cminently
suggestive Of Bryant's lines:
In the dark1ins wood
Amid the cool and silence,
which the artist has used for title. The sub
iect is treated with much sentiment; it is full
of noetrv. and the technique is admirable. The
Olt{ Milf i361) bv the same artist tells It's story
of decay and desolation. The darkening shad-
ows are thrown we'll to the foreground, the sli-
n,il-pond is without ripple, and the spectator
awaits in eIpectancy the solemn hooting OF tic
owl. Two crayon studies, Bishops PISS {57)
aud In the Wild Woods (57S), are forcbe exam
pies Of what eau be achieved in black aud white.
i charming little bit of rural England. O way
side iun f;s55), exhibits the love which Bellows
has Tor uulct noolis Jules Noel, who received
a medal il, Paris III 1853 is reurcsented by i
Brittany boat scene (32S), clloicc little bit Of
coast, with hal1-tlozcn tislliEg-stnacks bcachcd
by Koppes, is a painful transcription of hard
times. i weary and wan mother, who has tray
e]ed over hill and dale for
MANY WEARY MILE,
has laid her little one to rest on O faded shawl,
spread upon tile grass. Near By stands the ues-
kcn,pt hair, Her eyes, turned hcayenward, i'm
plore the protection OF the Father for tile child.
Though the subject is d painful ont to con-
template yet there is nothing at all rcpulsve in
trtug sketch OF questionable taste. As the
basis Of comic illustration for a dash paper it
has commercial value. Brazilian Orchids (41)
by Mrs. H.A. Ocott, are drawn with great care,
and the handling of the color exhibits refined
taste
The English school is represented by D. Law,
who exhibits two views Of Scottish scenery
Ben Cruachan (344) antl kiichum Castle {3i3).
Both arc exceedingly strong iu treatment. The
atmospheric ELECTS are fulof nature, the dense,
mountain outlines in the distance gradually re-
ccue from view. ". T. Richards exhibits
forcible view of Narrng,ansctt Bay (s56). The
heavy masses OF rocks in the
% are r. tc j. WITH sts moss
but the gentle ripple of the waters. The hand
ling Of the browns and grays is very effective.
Madame Teresa Hcgs contributes bouquet Of
roses t5t;O) on which the morning dew still lill-
rcrs. Roses and wild carrots {55S), a rather u1-
poctical combination, is equally we'll treated.
Michis sends q clever, genre, the Acolytcs
f:Hr5> rcnrescntinr two Of these ac1.essories Of
fhr Church wrauulinn over A ran,e Of cards h,-
hind the altar. Ca1nni's Chess PLAYERS 19f;}
Is we'll drawn nnl nlcosinr in t.o1or 1
fame Co1 Fisherman f3ft;1 hr IVojIjn. is a ran
itai sketch Of an old salt wt;a knows nil nhont
the weather. The head is we'll modelled ami
strong in roIor treatment. BALDWIN il renrt.-
ssn1ei hv nesdcmona,s Honse ot Vcnirc AN
which is ijorid in rolor- weak in cornnosition'
and fa,,1,y in drawing Twelfth Nigl,r I:57e]. hy
Wallin' introduces rs to Sir Toby. Sir Sndr.w
AMI thr Clown thrce of the ch,rartera il,
S,aEsncore,s ,.omcdv The heads ara u,en
modelled. and each IS characteristic Of the role
his owner nlays. Bellows. whose love Of rural
III, is "a strongly exhibjled in a1l his
nantinps contributes very i1nnortant work
Sunday aftcrnoon IN New Fnr1and f3S{}l- Church
is inst over. the groups of wOrshipcrs are wend-
inc their way home. In tie distance are the
Struggling village residences. Rows Of elms
Inc oth sjnrs Of the roads. The nictnre hrcathrs
Er.Ier., ! Elst,,t.r - hr;lj;,nt in co1or ~.
rr,.t IN draw;nr md I'M of natnrr William
Morr,,h;s t,ro.hrt. .Wortcra f:eS71 is a t,cvnr
.r",r, IT 1wo cirls enoapc1 m
5s,,,,hroder. Tho ,ivmrcs ~. wcli
1rawn an,, tho n;c,nr,. fel1s it's nwn
sturv prnnishn;isoff - Rnssion art;s+ 10 rsnre-
sentel nv ssn;r;taI naint;nv oT :, MT ,nr,,n.
,Son ano;,jant ~ ~. irtnticr rf thu Emnire
'.nT1,in ~ hn1G su,t,rrjcrs have snccccded n
cTnss;nT Tho lino ,r;ti, a waron-]ooI of Contra
',,3 '+i,,Is Tv" ,nou,trd r,.v,uc o,,;rers orn
=; s,';+ rhn +h-on hr.oe st+.,haJ ~, 80
- ,,pt'a1s'.rs, ,.o"o, aro ,ntha ri ;nn HnnT
.it 80 ,n;nae ~ bic ~, h. ~, W
~ f11 - -. ,,sa ~ sa,ao e 49,, 49,
- aua4 ~ ae1Tt ~. h..s" ~ uss ~ ta pe
onp ana ;s n,,t ~ drar;nn in..,,, T,tha,i,ai