, 1877-08-05

Theme and Variations; Allegretto fat SYM
phony: symphony in minor: overture and Sc
Masonic funeral music; theme aud variations from
advertisement in d; triple conce1to; overture
Marriage Of Figaro; Turkish March. 10.
SlcO1Al.
Overture, Merry Wives Of Windsor. !.
NErsTkDT.
Gavotte '@Souvenir Maria Theresa. l.
NEsvApHA-
Paraphrase Loreley. l.
PIEFKE.
Doppler Schanzeu sturm March. 1.
PAINE.
Centennial Hymn. !:
TEASE.
Japanese Galop. i.
Overture and selections from William Tell; over
ture LIE Gazza Ladra: overture Semiramicc; over
ture Siege of Corinth; Cnju5 Amman for cornet. 5.
Lenore and In Wade symphonies; rhapsodie,
Evening ~; overture Dame kobold; march tem-
20 from Hungarian suite; Vor der Czarde. 6.
RUE1SsTE1E.
Triomphale overture; Ballet Music to Feramors.
Overture adventure Of Handel. l.
r.AMEAu.
Rigodou de Dardanus; Ounce mir 50 Romaacsca. :"
Q.
Overture dc Ballo. l.
scnAnwEEKA.
Polish National Dances. l.
scnUHERT-
Sercnade; overture A1phonsc and Estrel1a; Ave
Maria: German Dances; Entr'acte Rosamunde;
eymphon5 in major:
Wedding March. l.
brs ser; donpnaie % Suite op t. Mapehe
Heroique. 5.
scuUMASS.
Bilder ans 2esten; Symphony IN fat, No: ~
finale 4.
Coronation llh March Symphonic introduction to
sPoSr1S1.
Overture, yestalin. L
sPoHR-
Audantino q Cradle Song and Serenader: March
tempo, from symphony ''consecration Of Tones ~
TscHA1KowsKT.
Air de Ballet. l.
Overture and polonaise from Mignon. 9.
ELEu&TENrs.
Fantasia Caprice. J.
VERDI.
Rgosto SaOucc0 Adanno
oberon, Der Freischuetz, Jubilee, Abu Hassan
and EuEyauthc overtnres; Invitation to the Dance;
Selections from Prccio=a~ :.
Overture; March and Bacchanale from Tam
hauser; selections from Flying Dutchman; selcc-
der Walkucrcn; Vorspicl and selections from the
McfstersEngcr; Introduction an finale to Tristan
and Isolde; Sfeefried's death from Gotterd@m-
merung: Romance for violin; I1uidigungs, Kaiser,
and Centennial Inauguration Marches- Is.
DANCE MUSIC.
In addition to the above remarkable list of
selections, Mr. Thomas has brought out Of his
dance repertoire the following choice numbers:
STRAUSS {THE ELpEn.)
Coronation Mnrcn; Mephisto's Hoellcnrufc
waltz :.
JOSEF STRAUSS.
'tForcycr." :.
,ouAss STRAUSS.
Waltzes-VillaCc Swallows, Illustration, Wine,
Women. and Song, blue Danube, Autumn Roses,
New Vienna Wiener Frcsken, koenigs1ieder,
Beautiful May. Telegram, Publicstcn, Artists
Polkas-Dcvis' Darnng Needle, Jocus, Lob der
Frauen, Inter Douuer und Eitz, and P1zzcato,
Quadrille-Artists. 20.
Die Vorstaedtlcr md schoenhrunncr waltzcs, and
Laendler '*Hcimweh" ).
On the Beautiful Rhine waltz. l.
Champagne Gaop, l..
sculLTz-BESTHEx,
1ndianCorn Dance. l.
uydropa.hen WALTZ.
FAHLoW.
Anvil Polka. j.
Total NUMBERS o29.
The three closing concerts of the season we're
events long to be remembered. The immense
AUDITORIUM IN eacn OCCASION was hiled with Lie
must brilliant audiences ever seen in Chicago,
and tie enthusiasm with whrh they received
the great conductor was intensified BY the
proximity vi parting. It Was not altogether IN
expression OF inasieal delight. There WAS com-
hincd with 1t personal appreciation
and hearty recognition of tue pleas
ure he had conferred in the
past and the compliment extended in the an
nouncement Tor the future. Scarcely second to
1t was tile recognltion OF that ACCOMPLISHED
artist, Mime; kl'e-htns' who has made Chicago
,a ner nome: *o. Sne Appeared both E5ldAy and sat-
u:uay :esy eselss, .i p'asng Tue rirst concerto o.
M LlszL . ~ snG nlst esGnin9, anu Inc nrst move
men, o. nee.nosens 81, ln1fu concerto. with lem
i;ne ~ ~ 1 a"f sccou % esSnl:. Ain'e:
nv ,e'".o.. "a i;;.,. Us oue u
e, ~ e. 'S. .' plesess ~ L1s1t tcI
a1 a'as s " - mas "olIHs ol thc "ofk
rrand. Hor anorcr;,tion ~ tba to,nre W ~
given by Mr. Thomas, was in exact accord, and
the fcrvor and brilliancy OF style aud c1earness
an pes.estton ~ o. tccnhaue Win Wtch she per
~. w. ~ W. s;ni. oe "lsne9s ~ " tuoso u.ali.
s.e5 oo1,',I;aa4a, -. III -, .d - nlole u44cult
"Hu Eo'lplls~1Leo lish than the interpretation
0! thlS concerto coud hardIy DC assigned to a
player Ho" she succeeded Us best told BY the
applause Of the orchestra and the enthusiasm