New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1877-06-06
PRICE FOUR CENTS.

been quoting says in the leading journal OF En-
gland: Leave Wagner TO himself; take wagner
for what he u.s. and enough remains emitting hun "a
be regarded az a man of wonderful intellectual
power-a man who, having a great deal to tell US
tells il in such a way az to enforce seriOns considers
tionD England being about the last country where
revoutionists of any kind welcomed, this SCENE
a toleraby successful effort to receive him Win
cordiality.
Madame Adelina PATHS temperance at Covens
Garden, and the great applause winch greeted her.
settled all at once much debated question. Tho
English public with that faith in decorous shams
which is sometimes its foible resolved that IL knew
nothing and cared nothing about Madame Patti "a
IA individual. To the public she is 10 be an artist
AMI an artist only, and they have nothing to do with
her matrimonial troubles, or even with the relation
supposed to exist between her and SIgnor Nicoini.
That is sensible enough; but is society in its private
capacity to take the same vewi A. Coyent Garden
she la, been applauied more vchemently than ever.
Whether all Tie houses where she has heretofore
been welcome guest will open their doors
to her remains 10 be seen. Nor can the
public, with all is good Will quite free Itself from
the difficulties growing ont of the supposed rels-
tions lelWtc1 "a % and Nicolini. read in a French
paper ti,at peti vas to have sung IN La Traviati
with Capoul lu t,iat Sighor Nicoin has forbIddef
il, and will not permit Madame Paul 10 appes
either with Ga ,ui or NaureL He ismore exachns
with less rgit 81 DE, than the marquis tie Caux
It would appear that Nicolin, las keen sense %
the opportunities Of tcnoH on the stage. But IT u
likely enough there is no truth at all in the story
At any rate, Patti and Capoul are still advertised u
appear together in L'Etoile du NoId IA At week.
Madame PATHS two rivals, Madame Aibani snt
Madame Christine Nilsson, are both singing IN Lon
Il. tI.x
new opera house on the old site in the lIaymarket
which goes by the name of Her Maiesty's. 1t is thu
general verdict that Abani has gained much sinc'
last year. Perhaps her extraordinary success ~
Paris has something to do with her increased FAINT
in London. Her unaided talent, and charm su Heed
TO draw away the musical public of the French
capital (the capital of tine world, Hugo has IL
from the new Grand Opera House will all its spleen
doris. Perhaps also, the unpopnlarity of Patti Ii
Paris disposed the Parisians TO recognize Alhanr
merits with unwonted heartneSs. BE that as
may. London finds her this year in possession
more perfectly strained gifts. both as singer ana
actress, than ever before. and she fairly divide
the honors of the season with Patti Nilsson
trumphs at the rival house less brilliant, ana
/ suppose Titiens's attractions continue unaDated
Nothing more is heard of Mrs Knox. 1t is under
stood she is not to DO allowed chance to redeem
her want of n opera so ll-snted to her I"
La Fav0rta Her friends consider that she has beef
unjustly treated, but all efforts to move Mr.. Gy
from his purpose thrown away. Tie Is by Tar th'
greatest autccrat now living. am told that Mrs
Knox was summoned by telegram from Malta before
the expiration OF her cement and that In order
to meet Mr.. eyes sudden wishes. she relinquished
both her benefit at Malta and an engagement at San
Carlo. Naples o. arriving London she found herself
called upon to sing almost without rehearsal, and
with artists wholly new TO her. The opera was moi
one in which she wished to sing, andno one to WHICH
her voice was best adapted. Mrs Knox seems
in fact to have yielded from excess OF good nature
and sacrificed her career at Covent Garden To ths
l. ean,ice ef A manager who shows himself III return
| ANYTHING but generous or considerate. q. w's'