, 1877-07-18
ADJUSTMENTS.
THE MOZART NIGHT.

ADJUSTMENTS.
THE MOZART NIGHT.
In tho composers nights, chronologicai1y speak.
Ing, NC have gonc backwards. Commencing With
MendoI.aohn. VIC glanced at the Scandinavian com-
poseEs, some Of them lis imitators, then back to
beethoven anu now still further back to that most
astonishing prodigy tho world Of music has over
produced, .Wolfgaag Amadeus 1fozast.F Mozart Of.
fors hewfEdcring afray uf tnusc for an orchestral
programme. e.-oYortnres, matchds. sympl9ntes,
without number. but Mr. Thnmas, wifi. hla nsnal
good taste and discrimination. was equal to tho
ssn1s:snfss!on @ ! t.sn y H. sTetssMshs
% 4 n. s' hi. 0's,es: ap:;ss s.sse
piece; quaint litto Turkish march. done over for
orsAestsa BY Frensh land.: hls ronle. .'ay-l,ea
hesrd is.t alFSt fef 70 i.st iias i IL. soastiy
The " Fua Hs oso;"ts oss not ' ned spe:
elal reference; The opera md ~ overture arc
Ell do Sn 5 tho p4eaio "
nssIs ' fhs GasoaS'o aS fsneral III music .se
the " asxs. afse yfa
i7s9. md w,oto great ,ssl ILL., q mnt'c for its fcs.
the oeeason * ths e dsath e q @ bsoth
S the h1'' Il q snor sasso ba.s asS
i eseeealn:ly beautiful @ a9d ehaiastsrls5io:
hhp, he las written noth!n; which hotter shows his
power Of coa,bln'ns technical treatment and pure
which may ,e found in ,hc march Of Tim priests in
tee Masc Fla.s,n pToa@ng @ the e EFc"s b1.a ara:
e n So te{ n its IL
Letter. Which le wroto 10 Ills father In 1881: ''As
death fwhan elose!y constdcsed) Is tho true goal
gualnted with this good and faithful friend OF man
that not only hna IL" innyc no ongsr anything
III anii son.oiatofy; and thank ny Heavenly
Fathet that he has- vouchsalul to grant uao this
hspns ana hs1 yen G tr ,hs to
dlrye giycn osacs pbI1o.ophIcal and psychologist
d Illustration of tho 4onsiu'ant Of this extract
funeral music and tho concerto. atnsart wrote
s s'ss sa sn ioa evs e. %
charaeteratfc instance ii 1a ability and versatility
~ treating shome Than tns, which t. f. scored f9t
ap WIZ VIII s'is ihsA woasiia. .s,1, sa besnty tsat
characte.!zrtfNo eren IN bis 1mprompt"s md
hs e"acso for tbrss piano. aud orchestra,
va. X @ u"usaa au S intsres % M gsno.a 1 1scna"s Il
has nr,rr bcsn played - this country before, and.
essa'f i . r. 4 tiy Sny Ps ssasstto
Rcesei n' pssss IT, IT, da.e IN fee,uasy i77S. nj
ts Con. In y" thai yess rsse ha m wrote m s,l several
about 2 .tatt urea another coneeit ,oRs, b. soa:
va written g. iho Connteas Ladroa snd her swu
datHats hlot'a anu !Iseppa p % who wese fsta. a.
eompo.Itto' With Mozart h.msait - ne w,tte. h!s
Il i as sst :; & IL II @ at
p'easa the three yeaas p,syar. who petiormed e
last evening 70 know that slo thsao Player, at
| ~ n ifuI NNHft Hf1fN
ss':Ssi ssss s psao %l1s: @sse: 3 ,:af,ssassis !s
Mozart's wifeI ,ecpnd p!ano; and Mis-. Lesras!us,
ss !. osy :! sAs Viii, = ,!o.s!s: italy
l,aeh Though + aos. no. display the ss;!et eo1:
sssi sy as ss II n
ucn! degree. al.o has tnr sense Tor tons.eoot and
combination: n tGs nr.t anosument' thn sn!oe
treatment: In the second: tho third piano receives
iess attention; ~hlte In lhe third 4. work saount1
character OF ns work ~ livsy AND 1oyons, and as
times even hnmo.nt!s; ILa Stclsstsstton IL indo.
only IN ts comb!nation with tie pianos iocs the
whole APPEAR " Q wat laEt. iahu sAye: ''Tho
main tfeaimcns y 1f taa rsno pa's ia attictly mo.
q thc eaoiIlsne .ud elsaraess and nsatnsss
IN the establishment, which. owing. To- the
days wtre used moro ffeaurntiy than IN shd
1stst scN'olt Of p!aau playing. What tho con'roacs
IL shown In THU eonce1lo. Tho three payeFs last
e!sutng Mata Ar. WEsItsm Dyhfenfarth tdFs!
piuHu}, Miss Marie btlpp 4Eec0n1 NlhuU}. nnt
Mlas tAddiH Cram third pian~l, pnpi1s .of Dr.,
| Fuchs, who, by the why. rpfturcd the work from
manuscript Ia Germany. Tho three young play.
ars, theu.h only stulanA, act,AtteL thrnaselscs
sfsa IL e@
ing been tie 6sst 70 piay thsa beautiful work tr
America.
~ an pfchpetrs1 work representing Mozart In the
NV Pa e ssts ~ e a. PHI + sboMn aen Y, "
thu fnct that hc wrota TIT. yyupEuny l6p ons In
na& u we'll - the one in 4 Or. ''Juptter" within