, 1877-05-12
FAMILIAR TALK.

4NDUsItAAL AtT.
In tue English section Of the Main Building
OF the Centennial Exposition, there were cxiiio.
lied several tesra-cotta baa.rcllcfs. dclincatIng
religious subjects, which attracted admtring at
tention. They weFo the work Of George Tin.
wurth, young Eng1lshman employed a. de-
sjcncr in tha studios Of the Doulton POTTERY:
Wor,farture /, Lambeth a .rhrrh ~ onIn.,
raa"u'aetu'o ~ >" .a''usu., euoe.p VI Aoaao't'
The talent OF thls skil'Iul moldeF oil plastic
clnys wns developed III tho Lambeth School OF
ATt,r and tho history OF his Interesting ENG
rorrr :. reIntcd nv Mr Elw,rd K,pc I, = ~
w.. ,a... ~. 49, r.''.., A>'"s ~ 4'o's'
aor ms 's'ts. ts.,'s ~ ~. ~, nys.ua r's.s".S sS'
and had no higher ambition for his son than to
bring him up to tic trade which he had worihlly
followed, Ths toy vas horn with 4 rcn,,,. for
carving and ycrv sarfy bctrarrd h. hsn, % h1 nv.
ting rude portraits in wood, Of such ctnncdt
percentages aa GLANCED to come under his OBJ
scryolion III his yauierInps about London. Hc
ar., .r,o, H.. :" =. ~, a,tt",.,, ~. M
no haa 10 pursue ala "osK ny stealth tcaVoht
the parental eve, which regarded with extreme
tIlspeusuro tIiesc evidences Of on artistic tasta
in the youthful ssion. The bits OF portraturc
"u'e" ueo's so uao ncen 'As'ennE a't LIE ePa1c
tlme upon, On several oecosiune camo In tho
fathers way, aul were su,nmarl'y thrust in tho
n'ti tun 10y a' aoa
uauou o'o' 1"1s aes'1uc''o'' W t1o ptonacts VI
ma lancy, ana Iof 1urthcr security conflneu his
labors Ia carving TO tho nlght-houEs, when ho
was supposed to DO innoccntly s1umbertug. 50
ionr ID i,is father ,ivr,1. yo,,nc TinwoIth m.
tsntly pur'snSa ID. the trade Ct TO which hc haa been
H.; ~, fe Wien u, ane ea.n o. so eaef
se1saaSu Hs't tton. tac saitahIes ~ n,iAi oueGt'
Tnso; w oi'su u, ente3eo tne o'cnlnRass o1 she
hananein T,.;t AL. A. senons e.,
,h s " IT, IT, 1esn oFeanMt1co M y !st los
whIeh Il j. oea,cs III tic % piineipes &C Of indussrl
~. ~ ino s!.e at.eE - iouhuat'ou, solne
Itlos ia. s,1In ~ h.y tay lH,or. ~ auu t9n! t.G
tua ,;, a"t Ane,nps A. aeeoIat'on' ' wefe m
uaeca , 10 eIer tne scs'ool: Inc NUM-
IT. ~. ~ stuuGnt1 i.i app.3.nE tot tne nstIac
"',, VIE" ite.t Hum n.I ~. - PsaEeIl
salae. kept at.SseasInKi aaG tna aiessrs. uotl-
10y, ~ aun.ous aanpvtn pteIs Rayo tne
sclooa !lltgtIaIt Steoasaeetnsnt oy introducing
~ thto tntf Mahnlketoies.
tne, a. ~. shis - 1., =. 'o .pptsu
ires't .pus ~ saas n.s.nosomehti sna t',9 neu!
9sua1. toss " .e hsc sas esr onrnea stauos IN taef
thc hahe9ln SenooI eoul1 usg tAcif sklt! 70 INC
ucsEn VI isGSl ~ !nl!!s snu styISt OF orlansnta'
l'oli lnr tno nuuiton ware. t!tY 0i thcse ART
ista ~ SaaY. ~ao aso aow ofog!uca n VIVID pleasant
sa.gloy.asnt is o. ssnune1au'e ps@es III saese
~ -" ts,hs,s IaS " ga.,t ,,-.,., ,x ,h. d.
~ tao aiethas ot Wofk pursued oT theae d.
aisltf6, Mf. hinG sASs; "ihey AZ not r..
Mleele anu ~ tae kuns uelow' ~ lho contfafy,
Il Is auderstoHd th.s they are artists, dependent
ls!Uetf upoh ~ enta!aohs o. tnelf tnlou !or tne
spatac.iS y T .ue.s psvh. Stt,s ana nos - 60
eontfo!1e1, AAey slo eINHe, tnoaGA, tdiase Ets!e
!au'tst 9nu tic} heeP she Eteht AlhA nl.e1 WIN
the prgaaets VI tnele pene'!e' paRinG niG1t ana
H. ~ theee ettHlos a[e foin ths lowcr elasscs.
Lucy Tc ~ l5puI kHe WkAQle elRA3+ ana are Cafls