, 1877-07-11
ADJUSTMENTS,


AM uSENI EN- IS.
THE BEETHOVEN NIGHT.
The beethovcn nights givcn by the Thomas or
chestta are memorable events in our musical Ills.
tory. They arc worth 4 retrospect. Tho atsl Of
thssc delightful occasions WAS On Nov Ia, 1870,
II Farxeii ffatI, At which wefc g!.en the Elxlh
symphony. tbs Lc0note overture, Nm. 8. the Sep.
tcttc. op 20. and tho Choral FantAsie; ths srcpnd
At ktnzabnFy nati 0ct 10, 1879, II which he gave
the Eighth symphony and Ill four Of the Lconora
ovcrsures tho third Eept. 80, 1874 the programme
including thu ballet nusic to ''Psomciheu n; thu
61t movement of tho violin concerto, op. III.
played by Ar. 1scotaohn; the 1.eonora overture
No. 3. ard tho ErocA Symphony. The prosramme
last night was In some Eespecu superior to tho
thrrc We hhve enumerated. II fnc!udcd the
leonoFn orerturcs. Eos. 2 and = thu F1delto over.
tuFe, No. 4, the Choral Fanssse. The sepiette, op
60. and Tho slways freth and enjoyable seventh
Deethoren night, The audisnce ~as IN iI,renscc
ana brilliant one, including ~ IT, numbers ntar1T
az .hc nns'canH and musical connot~cars Of tic
rublic, showing the deep hold which Beethoven
has taken upon the people. No other composer
Of ill., largest ever as4embed in iii eisy. e>'' o'e
tturc.. No: : il Q ma}ai md So. j. ai.o 10 ma
genius. ssa closed vim the Fldeiio et No. i. tn i
sna3nt: aaefo w. peculiar constituency in ihls
f. d. Ss' 80 % sns the. sa'as .'ierrs n
H. ~. entf,rir f...h ~ ~ th., "a n'"ot "en
work.. Tho No. ., which il nav known to hsrr
1een :,e The Ant Lronora overtare Wa comp sed In
1eaf III" "a nm.s rnt,x,. rc.nuScisH saa ns ,n
plass APPEARED thc 'nperb ~. in
~ fYor..to os srnc,rs zane mems am, sn,
il II worked up Wits nlore con.am.natu
sr,tn - nsw n"' nt.s+a 49, ~ ~; 7n onue1'ooh ~
nnnu,,ad asm ~, :" nn opera wnien sI
III inatssd Of .sLconora and =, drst souch, ~
.s ue N = nav os tnox nns ;f. re-, Yssta ill., sna
tusn Ia raj ntrs af L. ar.,tus,. msx S ssf
W :, n,.1.e 1su.. n.a.s tonS'; Le"noFas
n,eio1 14es;. rn.o,l ~, ~ ms3. W: ,M ~
es'eG' aas 2 IA, S t,n n - e dsit; " ~ perform.
ssst 81 IT, oul I m y. nnos .sbn. afea Ts nsea nos
tbo u 81 Il psf e .a5
arlshea. ~
o,ehe.ra bst noLe t1tste s 'ta f o1ar sno az
a.. ,hS1 orchestral nosrmtoi; aad suceeeded !u
IT, u ss e.: 81 IT, .sss 1es.
,rsssS e se sh9Fs ths thoe benS s.ken BY
Rt.tsa, 4 10 q ,sas5. snl s.:.e. I'd thsn e
hr,sf sea y shs Gnero eegra' pts.o etosinf w,th
M G,'et TN aaa; .rdar H. st rortu'u,sd st Nisnn.
.ae'aoFs9ls f ~ saord!aE Bes'hoTsa ap oopo.tuaty
o-tas 10 sso oe4sia.ey g. .tapasy al Il shs ] aisass
es5tala rhrass wrSns every Tins b vent o,ett..
~ dh"a; w. nst ttcnesa y ~
hsImoaioo': ~ pssae P.ft dc. 70. vsns sif: vS
tn0sG o. btl1sns :.v.i 2 %ss = Il w.ats
bss . ,ea n +. see:. q
s:;; i. xss' ess =,
an{ work q short notice ana do 'tseif credit.
tt ns1e w. Tho 'op''"'' who ~sr' moi up h
,,., ~ ~, immoral ~ seventh symphony n major;
tp ptp. y. t, ~ INC acKt nunbct It hAa oeen played
:hat !, sesas almost nsello,. % thing .0oas
.,xas ~ sos Geaaaai peiofmsnes ot =, oas the,s
awa5. sh ~ to ssy somesh!ns about r
PAs enssns nes ~ mo Ay1tefJ thst llfesLs u
h us,oly E ao1 ~. 'po or
Try Of .hs Third o. .'ESoiea," d" w. know tle ma.
.,,f1t neetnofen has !ett " pFoksammo
what dSes nc seventh mean. ths b!i-ht.
esroua e sa hsx u.' s1iusa % h.,s oem aisetnd ~ on
' i. Arnbtos % az. % aeseHbcs @ asfeG red1ioa sSoe'
4.tE sal: i picture q HoSfi.h talssises1.
uutfh!sa M ssl!. M =, n,a.xs1 ~, I'll sshnn inter
lxhta Of susuMa siter T. '.tac summer days sss
sono." sehn;tt calls u picture ot merry DAYS
o3pu1teatN ~ NtthAA' ~ tas ttsttls natuft q.
pialns u n manner thAt sti! commend aLef 70
most hesteh. " ea'.sM y tho spo!nco4t: q sho
aaneo-tas IDEAL smooolnsnt ~ tone OF oodil!
nosemsnn: nc i9 soPpof! or 'als .neofy; ere oot
tas 9otasss OF NJ Efst taltu, ana souttn move"
u'eate tao 1Ital o. ins oshee 70 ~ ~ saiatlohn
rum stafe{ M'nust 70 bacchanailan, Wild eoun-
dstniaed sna rhse.tnl. stytny oui ths Inv.
fui chasariex uf Tho whU!e wot4; tho
nsat movement N,saeei. ending sn grand eses.
esn"o; Ine sfen',a 'seerfttn'' onT uI tas most
M.ttb~ - ~ ~ ~. ~ t..H. - .%-Htns ~"