, 1877-05-20

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reason OF tnls summary o'sposa.. Ne1t "o1nns "
purse wou!o oe put IN Ills Aanos' 1ac an3oan' eA
ceeo'ng me value OF MS peanuts W naa oo1eu
times. 1nA anu oenee in"usehee9 a"'s Gto"n
!afs slnce tae oecae VI LUZ ~ ~ue
brokcrs. VINO no" nave 70 looR n11e1 Penules "ne'e
IN the war tafnes' taey eeotneo 10 save aouass'
6o1n2 nome IN cao' "n1en s'Rn'nes laat 'ne
party so t1sSenns mas met "'tn happy 'a1n ~
stocks, Is also among tae oeeas1onal' "nese was
Formerly among tue oa'ls' occurrences luz oto-
kers. waiting on tue se'oiutlon OF lot'anes
wheel 40 moi, ho"escf' lose tnel1 sFi1lls ~ lucy
90 their onsaness" 1ney "oa1on op)ec' ~ HULL
er CIVIL war, taongh-a saofs onc'
THE JAPANESE IN AIT.
Seminary last week was william E'not Gf''ns' VINO
has won cnsasoe o1s.1neton ior young
man through his WORK on the MlSa-
dos Empire the second eal1'oh OF WHICH
recently appeared since us retufn 1lona 'ne ean
land, Mt Gri's has, aside from his WORK as
In theology. carried Oh nus stuo1es ma researches
re1atlVe to the japanese oe4oung a''ehuon spec
taAy 10 theis ART ms a1t HIS oeco"e 'eat"le
In American parloFa TO an extent Unknown prior 10
ia
means to write bis second BOOK. In conversation
On tho snbjeet he gave me IN outline OF his
purpose This Is not TO enter INTO q c11ucism
OF J1paneae ART 1he nasahs done LUIS III ohe OF
Two Cases elapolate4y, No Iesalus aS Iae e'tof VI
those VINO nave t1eateo tue 'oP1c'. a. an5 tate'
they have covered that eFoana' anu II 1hel1 tlcat-
ncnt was NOT saus'actosy y was because Oh aac
utter tmpossioilafy OF making Japanese WORKS
amenaoie 70 any ruics OF art NJ we Aho" 1ne'a'
The one fe1turc OF Japanese art ~hlch can oe maoe
clear IL, In Mr. GFftha' opinion. its symbolism.
To show that the apparently meaningless drawings
nrc, on the contrary, full OF meaning; 10 fcnacf
that meaning as plain TO the oa scra OF 1ans and
as 1t was to the manufacturers OF tncse
nfttcles,-tAts la Ills oD1ect II VIC are 70 hafe
these symbols always oe1o1e our eyes, 'ct us oe
able to understand them. he would oe m aft-
eKpounder, not IN art-cFlttc.
FoHDSEss FOR PAIRS
two short papers which appear in the appendix Of
the second edition referred to, the one on .Asso-
ciated 1deas In Art and Poetry" the other On
''Legendary Art at the Centennial Exposition"
In the first he says: There are certain pairs Of
objects which form, the main stock of the Japanese
artists designs With many variations and COM
hinations, they apDe'r over anu over AGAIN IN piet
urcs, on vases. 'acqucs-"ate' etass' o'snes' em
oroiaeFs, oeon@e, nnu otues 41.e y. aa. an@
slr1u' anu 'o1" tne Ses % os"oos o.. s a.s..-
plosed oy Inc poe.. ihe p,ns. .,'a anu 'Io,Ar
emoiems oi 'onSes11s' NV ..e m,.s ~ ..;,,a..
presented 10 newly ooln in1anu. Ins ,"!,,s" "!no"
and swallow. anu pan'ooo unu spa4s." ,.sa. .not.
tive OF gent'cnesa' a.e seea ssxa1a
screens ians, anu "pslsnt ouIse1 " Aoae w. .1s..
adoFnment aAe youns nloun aio susA ,aa .ns v,a -
nyans ACROSS the crescent, 10 toeus ,;aass ~
aoslmasa' . fcno"neo atsus', VIZ ,sao s .aa. a.s5
oeast' na''ns tae aeaa ~ 4ue4s' ~ o' T,a
eia"s Q, u' uno las ~, ~ ..as ass o1to, ~
phenl1 olfu anu lns 49, .,s,'nso,a sa,,as
gethef as tw'n e~o!Tu,s a ~ .a w. -. enh,a4n -
rugs, ana eu.ta1ns' 1ne ~ c.:I - ,,e., e sa,st
feeIltuae. lne peou! "na ..t t,4 which ,,sv he
WHICH ne'ct nou - e"...s' .1' .".as .o,.,at
seen 1ampan. ~ ." ..up.s a ,aons,rors .rhe mi.