Memphis daily appeal. [volume] (Memphis, Tenn.) 1847-1886, 1876-03-01

Come in -COmCiu,
My merrymen-Wel form ring,
The newborn labor Christening.
And ..lnnclrl y ~. will NM ,,


And Concord We will name herr
iSchitieT's Lay y The Ben.
Scene Cild Cha aces. 5cullle-'s beautiful
song, the Lay OF the Bell" is Illustrated.
PuTe-s Inning as a star oil cold - fI,. hell mas
Oeen release from it, TOGlt and concord +"
ttnsellDeu upon II. The master, surrounded
Oy MS men, Is eImlrl n Inc work o. his art.
The twentieth tab,aGu IS p scene fhsE
sets before the eye the very sairi. OF
SchiiieT's Lay Of the Bel" Work
men vi b their spproplizte tools have
just raised the vas bell from "the DILL
clay" into which the metqI had been
pou e.. fle sc5Ie pres 5ats K at the
moment il his become clear If the
mould IN which il took form, AID the
grand structure, u assive and gigantic,
rises from the earth puEG-shiniDg as a
star OF golo." TCere, on ne platform, is
ths bell Itself. " il lL5 proper person.
me bright alloy, &C uDsuiiied by the
Oxydising air, iJCks glorious in It's uuTe
metallic SClsEdCg ls IL Crpauentsf
with those gr3y9 sud fsntas.ic forms
and cross and shields the ssrry
makers OF bells So dearly loved. AO9vg
II the master Artist, GeS3- eusmOred,
gszss upon his york, proud Of what he
has accomplished, snd autieinating the
Time when the deep and sCBCFCu8 tones
Oh the be shall q ilver on the air, and
aW aze tue echoes Of the mountains
when ii shall proclaim abyol lis story
OF Joy, its buEden o. grief, end give forth
It's Wild and music shout Of patriotism
on the day "Cur Wonderland" is once
more victorious over h,r enemies. The
motto upon the su.f=Cc OF its immense
btlt-COncOTdi0-te'ia, however, Of hap
pier times, of tua days 20 come, when,
as the poet sings:
"FeaCe W tina her COTTAGE G--aIrs
Listening 10 the sabbath hallS.1
TABLEAU ZI-REPENTANCE
AaGUIENT.
All, rich IN sorrow, thou
StoOp thy maternal brow.
And mark with pity Hg eve my miseryI
Help. death and Shame are near!
Mother or sOrIoas, nov
stop thy maternal bow.
And 10 thy Suppilaur tuIu a graciousgar.
q etHe's FttUIt. Z,gigyer.
Scene and Characters. y Gothic chanel ON
the altar, a aeFotoEnl im1ge OF Jus Mater
DOlorOsa. Marguerite. rep-ulas;1 ana over
cJms by grief, Dezetcles LAs Mother OF -Or-
rows for support, and 'vgrfEliy deposits vGtiv-
offerings OF HJWer-. Faust, IA q -SD4ir seeks
10 reach Gretchen, but Is restrained by Me-
phlstOphOles
TIE subject cf the twenty first tsb,eau
is Repentance" ana il.ulFates thst
touching portion Of Faust ia which (he
s1rrOEirg victim Cf betrayed love is
ESGaltR SOI4tft HON Ine ualLal nl1LE-
er. TIE architectural effect in this tab
lean 10 peculiar BuJ sinking. l. ia a
portion OF c5Urc-, " lis EOItd
gothic srcbes and = window Of stained
glass, sum ulted by a pinnacle that is
outlined with foljs toCg. Within 3 re-
cess, lighted up with cspdsiZbla. is an
ALTA dedicated 10 the virgin, whose pc
ture, with her divine blUs in her arms.
appe SI5 behind It. Beneath g cross that
surGIoun's The sTCh over tho altar hangs
q large gOiteG lamp. y gfls e st the foot
Of the altar is H.ied with foliage and
flowers. The gTsdatiOns # the altsra-e
covered with Tich tapestry, frCn whose
edges hsny ? magnificent fringe. AT
the foot Of the sitter kneels the hapless
Margaret. Loying-gs ieyiuE-t the tears
streaming down her f1ce-she strikes
her tOrtu. ed breast and cries out to
heaven her sHGuish-stTicken wall Of
Me0 cUpG. Faust, beneath neigh
BORN & arch, is gazing upon her with
despaIH1g, hopeless heart. He wishes
to rush toward her, to throw himre!f at
her feet, 10 give hTmse.itO Ter and VIZ
tue forever. Bus his evil goulu7, Me
phistOpheles, ssizes MIN AID holds him
bsCk-b8ck from virtue, back flo hCpS,
back from heaven. IJ is q touching
scene, beautifully portrayed, and finely
renders the spirit Of one Ct GOe he's
most mastery incidents.