, 1876-02-03

GEVVlA HALhpc&n% H4tH ~ll ltNkiCA htkAH2-
elvonoss towards other musicians. ho
mover hceisatod in welding allegiance to
Beethoven. hnd has writton tho most profound
and Saarchiog analysts Of 1ia music that osn DO
"1n I}enthoven'a music tho world explains itsoit
A. definitely to every consciousnoss as tho most
profound philosophy could explhin 1t to thtuk.
er we'll ycrpod In ita most Ahatract conceptions"
form Of musical expression 10 tho Inst move-
inent OF the cboral synphony, and that his s!s-
tom ls based upon that eyrnphony,-h -howoves
difficult u may bo to tracn tho rotations bseHeon
The symplony md tho systen. The nnmpoIa
tono-pfcturing, tho Spinning Song from tho
"Flsing Dutus1man." which Ii as graphic In its
way ~ tl.e +" llltt der Wakueren'" aud tho sonor-
olls march from ''TaunhhuseE." as transcribed
~ I.tszs, which 50 many smaller p!anista hare
thnmpcd, pountlc1, aud thundorcd upon their
suffcripg Instruments. The former VIA boau-
tttut specimen Of llih oveuneBs OF technsQueneBB
OF touch, and tue lattor ho worked up to q su-
porh climax Of powos. ana ret without seoming to
oxort special power. Won Dnlov Is not piano
FOUNDER, and soma Of his most powerful otrccts
nro made with 80 much simplicity and such
apparent eaae Of exertiou, t4at hcy loao full
credit for their real roHor.
rupto, Including a Chaconno bf llandcl Sara
bando aud paasQriod by J. .. Bach, Gayotto
from dluok's billet Of "Don Juan" and d
Al anqst sa as% esss s,d0s y os't II a' o 81 v9s e es
Ehvthus. which wero performed with tho Same
genuine gracstuucss Of classic simplicity that
marks thoIr composition. These weso followed
by tllroe numbers from Franz Schubert tho
i; tho ~ "Ave Mar|s*' IS ~ tran;scrtbsi ~; bod
tor p!aoo by List, H. Witch the
theme was pronounced with wonderful
broitlory 1t runs sud trils with Which Lisst hau
ornamented Il; and a ''Valso Caprice" which
wns revelation OF grace and elegance. Tho latter
was plaTea With 10 much brilllancy and showed
20 much versatility after tho performance Of tho
stately 1our-danco rhy thms that 1,c received o
most enthusiastic encore 10 which ho replies
witt, Mentielssohn's "spring Song" which WAS
given In m exquisite cantablle style. Tho in
strumental foaiurcs Of tho programme closed with
BROOK" audtho twolfth Of tho Hungarian Rhap-
Bodles the ono dedicated to Joachim, every phraso
Of which. from the ponderoua opening chorda IN
tho thaa to tho fnnle, was produced with mas-
terry tintah. This Number, abound!pg In start
wcirdeat possible rhythms. displayed tho brill
fancy OF hlB technique moro clearly than any,
thing he had played before. 1t waa triumph
Of skill no nlarkod a. to occasion regret that
We cannot hear tho Whole flfteen rhapsoalea in.
tornroted BY tho sano 1nhBtcr hani.
Tho numbers assigned to Miss Crown were
nnnsualy intercs.lng. including tho familiar
"'oi Che sapetc." from "Thc Marriage Of f.
Maria" by gort.s'ani; and twoo nlrnbors' by
from "i1otsstasio." and "LAmanto i' i@'.
paziente," an aEietta bufIa from u
sysaa s S' ous oas T. sir nsrs s.nr ana tha viii aSs s
same fteshuess Of voice and oxcclleut mothod
that characterized her singing On the first oren-
Ing, and secntcd an oncoro for tho last.pamed
aEin. to which she replied With tho aria !" Mia
plccirel1a-" from Gomezs s'SslyAtor Rosa"
MiHH GFnnTu hnrHnlnAninft In all nf ICF