, 1875-09-12
How the Chicago Theatres Flour
ished Last Week---Future
Prospects.
Bartley Campbell's New Play
---P1agiaristic Photo" -
graphs.
Clara Morris and the Moxa---Dramatic
Notes.
MUSIC.
At HOME.

| place on Tuesday evening last. The audience
| Was quite large, and consisted chiefly Of nuslca
connoiaseurs, who universally expressed them
selves as delighted with the power. varsity, and
| beauty Of tone Of the instrument. Quite varied
| programme Of selections and improrisations was
presented, as follows:
0 Nr. u. Clarence EDDY.
ia. Andsnte and finale from odsrtortum In
ID. raena Con Var3azion,. Haydn
n. G. 4. Hautns:
5. Improvisation Displaying ~ .olo stops>'. '.-
ff'''' IT, ii. Clarence Eadv.
s. Second organ concerto. Handel
Nr. ". ). u. Matthews.
t. Improvisation IT. !. =: Tiaais1:
T. Theme and variation in .Thiela
LIT. Fl. Ciarenes Eddy.
The organ is 30 good that it deserves more
detailed examination than We are usually sble to
give new organs. The backbone OF an organ is
the diapason work. Both tho "great organ
diapasons Uhe 1G aud 81 are OF rare beauty OF
tono. They arc full. mellow, clear, even, and in
every way satisfactory. Mr. Eddy pronounced
them the best diapasons he had heard in the
Uu,ted Ssates and in th is opinion the other Of
eanists fully concu1red. The soft 8-foot stops.
(the gamba, doppel lote, and spitz aote) are ex-
tromely welt voiced and greatly Zurich the tone-
FABRIC OF the great organ. Tn this foundation IS
superimposed the usual oSerwo'k, the octave,
mPsts o i've ranks ana These ps sto
instead OF screaming aud snarling, rs is too
often the case blend beautifully with the
foundation work, and build up ono OF the most
delightful ensembles VIC hare ever heard. Add
to this aue-work the splendid 8-foot trumpet
and tho clarion C4-foot), and we have body Of
tone in the highest degree solid, telling and
satisfacsory,-neithez uusubstantixl for want OF
proper foundation, screany IN the treble, nor
elum and dumpy but, as said before, brilliant,
solid. clear. rich and musical. We are the more
particular here because this balauce OF tone is
In no sense m accident but purely the result OF
aku aud care Oh tho part OF the builder SIX i'll
and care here shown to be Of the first order Of
merit
The swell organ, Of course. we judge from =
different standpoint since It's particular Office il
to afford soft and delicate effects. Here we tu1n
first to the stops commonly used for solo pur-
poses, tho oboe. cornopnon, and yox humaoa.
all Of which are Of superior quality. The full
swell organ is extremely rich and powerful. The
solo stops, the geigen, principal, melodia flute
d'amour, picco}o. aud ciaronst. The latter is
especially prompt OF speech, bright and spark
ling in quality, AID not so impossioly loud as we
sometimes find organ cl1rionets. The full colo
organ is further enriched By very soft 16.foot
stop, which adds very much to the body of tone,
The dr&u-stop action is easy and quiet; tho
key-action even, RELIABLE and delicate to the
touch The pneumatic lever is applied to the
great organ and its couplings. and the mechnn-
'cai movements a1e uuanetoS Aoo eAsioloo45
convenient. ..
So that, test it as you will in the musical quail
itv, variety, and balance Of tone; in even and
abundant wind supply; in ingenuity aud smooth
working OF the mechanical movements, or even
h. h.ve e'os heSn to do with an organ OF
superior aud enduring excellence, most
complimentary certificate to the artistic
skill Of the builders, Messrs johnson d Son, OF
,a.tand mea.n1,u, th.t ~ H,vons has hee eno "o
.ad . nra.n;st .nd d;-actor ~ n.nac ~ +h;s
ehnrc1, Mrs Addin Hayang ia to be the sonrann
T'. Attn is from Ro.ton Tne tanor and tas.
11.o.re ~'o Holhraor and R,wan ara wa,.snovn ~
our local musical circles.
THE c1yswo1p aEcrrus.
rba .,obtb of Mr. creswn1d'e orc.n r,c,+,,a
.e $50 ~: .,os 80 1,'e 'e''
WILL Dc given tnls atteFnoon a. on1e5 lauren.
with the following programme:
l. Prelude and Fugue in fiat {st. Anns) .Bao
.-o.oawoa ~, H. a. ,h.In <, T.s''e01o yt,rd..,n
80 s11x Re,ni;nos5' 1A'A'''D''
j. Song" Peter, the Hermit .aounod
Mr. Thomas Goaduilt,e
1. Sonata in G minor No. .Msnde1asohn
~: 4. j.. Cres'soEd
D. saaass s q m;s stenins
c,,a..,rha Rail n;roarn M w.,,...
y 0'1'S Nr. THONGS Gooj.eii;it .'''''' "@n''0
- ~ r Cres,co,d1 AA"o004
4 Dua-.cr crudelI nercha y s'a' moz,-+
IT,. P.;n1;rosr SnJ 7:sa.r. S,,oJ.; IL:
a1t' A1no ~ - -" "." Al WIG
Vicinity VI 'i,'''s' W.. WI ~ w uanu 70
meet MS pup1ls NJ 'no oee'no'ea 1oooas oep1- II.
Mrs. Eugenle dc Hoode hace 10 at present visit
inp in CleraIaDd o. and will resrmo her 1esaona
~. .t,..,t ~ LOT -, oo.o,,a- 80
IN tnla 9Ay suohs sno 10 ~ ~ T. e'e1"
can BIO left tor net III care o1 Lyon d Heay-
nh. -..+ur .erv;re At st, pan1's 11n;var..1,s+
.!a ~ n,-e,,n ha1ina at 1.45 v;th 10 ~
Chnfch tnls esenns "ee..s .. ':a' M1eu tle 1oi-
lowing programme: 6lofsa IN E1cols1s. BY
Gunthar "Nights Tender ShadeB," BY Nun
ger: and "Within these Sacred Walls" (bass
sn1o,. hy Mozart
"0'o@ -
''Johnny Hand ms maze mp ms orchestra
for the party season upon the New York plan,
md ha now has ut his control first yip1iua g