, 1875-07-01

,
| worth; atto.o v..-, .tn.. aaso nm .,,+,,
TIM. Ia. ha.n 'oA!s o,'oe' e'oo'o'u "o1ln'
,.r.o~.1 -, eeo. Eteana' onsnee OF IeeHh8' 4
removal OF prejudice, which tho stll further t,.
crease Of Art-commodttes the interchange Of
| products, tho influence of TIM n,a.. and .,+.
| education reoer.]1y. wi, W. ,...,. r t..
tivo n-.,,sI ...u, w.. 'os t"p1Ace ~ 10 &C.
.nd lii. ". pao,o spptee'@'loh and demand :
@pu neA'5. tnefe mas been taste ~ diacrtnt-
mating. refined, and splritunl - 10 s,erv d.v
exercise In reading our poets, who. luae.d' b.-.
I laid the spir,tuA1 foundstton yor .t,.r,.s..
| ~ ,ba he.r,it,t i, r..'-. ~ '"'lss 1o'e
~ s'' "1' ~ NA.u'o .no nts'
4ne speaker NOW referred to the prtsent con-
dttion and Influence Of art in this country,
AMERICAN ART,
hn asti. 1tka ali o,h.r ~ t.,,. H., .
ia he ao,,,,,o. 1.-e.,. s,., w. 'aotos ~
~ ~. 'A.s''t rum tne ren8'ous olenens
u 'ho' A'l1Eone Rfektaat paintings bad DIbso
acenoa and petsonages for their subjects, This
ID eosu 10 music "A wall T,,aro |. x..v ,.n..
lent fde. tt,.t m 5o,.-4o,.,.. san.s.t. 800 .'.
...,.. e"o1seseo' Aho
OF art lios only ih Ito Abusa. ln sha employment
Of It for pleasure merely. ar for 3ts avn .,t.
True ar. Ia A ,.ngu,ra .n .xn,s..,aa -.
N. iov,,d ,,f. .rsss. 49, a.es' s''oa ~
ing IN the art OF Thidlhs. His was \ relig.
lous work; and the ssme elemont Ia STAMPED
upon Qrcctap architecture. Again wc u.ad N
ln,r In, H.. 70 i, l.. ,. ;" T.. ea ~
-
sense neeessay. IN" Arte originate In neceasi-
Tics, and havo tho closest connection with the
spiritual and material intefest1 OF men. In
Grooce, Homa, and MaccJonia tho whoIo ,,t.,o-x
of the arta Ia mnut ,uthsnt,,,,s ,n,,;s..aa y T.,
~. $1o "ss 10 'noAs aatoeo'caAy indicated ny
.no COINS soo eome' First stamped and used
for economical means OF exchange, thoy sTtcs-
wards became works OF h,oh art and e1bibit ,ha
growth and decay NJ ,bo .rt. ,oga,hor .,,,, .to
" 'oo s4'o' 'oso.uor VIII tho
~, oAee ana oecloaee OF 1nhteF'al prosperity.
Tho history OF modern advertising plainly illus
trates tbs sa;no pr,nciplo.
1ux CONDITIONS ron Ant
in +h,s ,or,t,v ~, ,,,.,,-,,..a.I rr.
M..s ."o .o.us ".u u"'u'p pae"eu' 1ne 'aee OF
H"s"so u "a oeaatlti, grand. anu picturesque
i'll thls land ~ in any. Our pocts n poo.a OF
Nature, sud our painters also. DeautItul
scencrv ia ha1ow mr. I,era .,ora i. h., ,,,,,1, -
It. Thara !, ,,.in ro.tt,-a s.,s' y.
" ~ 90 "h4A"' Poe'''o oo"huu lof ast
III to'o county 10 Keep people from gong to
destruction, a. tho iuevltsble result Of the con-
Wo xro loo serious, 100 anxious. Eyan onr I'm.
olnvy has t,o Inntr c,oonui. f.rcn, ~ ~ ,-...
every per1e IN order a. Iasl to prlnE our na.utay ia
u,epiaseo 1ou!e " 11easeu q snaiihlag every A.
Ialement aela, a which be.ltehing easel or hddlo
spiritual heaven 70 our souls by RATIONALE on-
joy,. 4, ~ ne 20. tho dollKat Which ali th,urs
31Ently ueeu ean Five.
a.ot sua4aet"1tos at'i l"ftnet the haste OF
suo AHoltcaA ptuple. 10 kuuHu ESPECIALLY III their
architecture, Mr. l}urt cAllnd attention to the
fact that il " only through the Oreatosk pains
and most cheerful n.t,enca that ths srti.r No..
sttsip m cyccllrnco '1"' 'Ao a. NV sa1
~ r,,, ,'..o.,,. ,...
.,. aAE rAiiEscE oF TUE AH!isr.
III Tnl pant ~ you ought, HayB Rusktn,
aug stuuy - 5ou onkht, depend upon It tue
pub[lc Will take no notice Of yDu for lOuE
WiIfto. II you Atudv wrongly and trr to dfaw tile
attention ct tho nnbc l,ron rn,sfi,nn ~ III ,,nt
swift rew.rd t,ut tfa rsrorf doon ~, o,n,n -. 80
Inn II !. sc,,r,, .r;..,a H. t.; | 1o .aSs
is "noe oouh"' niro'J' II ~ kt"a's aelu
1out tot Htl'o "A'4e' tne SeAt foads OF
nearly al! help Or psalse. But tho WRONG fuA,ju
aro oey,-yUctfeI oIlH everywhere with nj kiuta
Of demand urou Won for art w,,,cb IA mt n-nner.
IL arr NJ iii IND IN rim ~ nr;ors c,n.t;n.. 81
~, i,t.,as,s ,a,a- =; -. - .'si Gake a.; W !nou-
IT," IT,. .4"ues - w ~ 'uaa' ~ oscfs "avs
W. ars ID 20 10 1oHoWed ony IN ono ~av. 1t
1oI!o"a, khcratoro, that any Thinning Tor art
ure. Illustrations OF ll1e were Riyen in the
New York S,chonI NJ Deaipn and ott,aru
Wa onvht IN t.acom. Inv, u.saa +.;tt' a.. <..
II, - ~ 80, -. $50. I'll" ~" ts4 tue 'so*
20. ua' tus.u ~ uuns W eonnecu'o tFAniH8 sof art
lhtd ~ t4i1 ouuHt.f. hmeslchr u IL ead. efccta
more Dullaln5b ta4n nAiI, II NOT more than tho |
rbole Of Europe, aud yet she has no Hrot-c!asa |