, 1875-12-05
How He Was Welcomed Here
"Charity" at tho Adelphi.
Miss May Howard at McVicker's-
Green-Ruom Gossip.
Death sf Pauline Pirginie Dejazet-con-
ditieR Of London Theatritals.
Tbs Barnabee Concerts---The Beethoven
socie, y--Von Bulow.
Prott's Berlin Reception.--Musf-
cal Notes.
TIE, DRAMA.

Cal N0IeSs
TIE. DRAMA.
IN CHICAGO.
me- BARRY SULLIVAN.
Tho Eastezn Lewspapers not long ago ropoct'
Mr. Sullivan ~ haEiDg said that be kaeU
stood Ut tho head Of hls profession. He nol
never have eaid 60, but the speech seems pc
fectly characteristic Mr.. Sullivan has couyeye
tho Impression everywhere, duz1ng his prese,
tour in America, Of sclf-consciousness and se1
satisfacton- He has many traits OF characte
not mike those of the great Riche!1eu whom b
attempts go uasuccessfully to portray. He ta
inotdina.e ambition. uufaifiDG confidence i
hlmself. and no great capacity for feeling. Th
qualities with shich he IS endowed are Of big
nsder, but taer srs not sufficient in themselye
70 coml lete his artistio ox1stGncs- An acto
without emotional temperament Is msde, no
born Z; and such NO conceive to be the cas-
with Mr. Sullivan. Az IN &rtst Le is th
product Of ha:d ntudy and some physical quail
fcatlons for the profession. Eech OF the I'M
persouasions which he gavs in this city las
week wa1 deficient in feeling; and it Was fol
this reason. no dou1t, that tie Liche.ieu aud
Richard were go much more satisfactory than
the Bererty and Hamlet. Tho former two parts
require less feehng than the others. Ar. Suili-
van is what Is technically termed an intellectual
actor. He knorrs his part through aud through,
the lines the meaning Of EACH separate word,
the character II 4 whole- II his conception is
not a,vass correct, at least It has soma color OF
.. 80 ...,.,,.,a. ;+.a,T :, ...o,t.r,o. x>
4e.sou' ~ .0-@o ls'e.. .a' ~ 1902 w
so@e e1ounoe' even tnoueu .ueS 10 'n7uine'an''
But Mr. Sullivan rarely teela bis part ao does
IT.. e.
ne. This een. mi criticism might be sop!,ed 10
80 49,. ~ H. sru ,,nts o,n.,.on,4;o,u -
1900 wv ~ 49, ',,.:,. 49,. s -
2ota'' II II "eee "o''a tno "n'lo' oa' LUG 1oea
docs not sequl7' PARTICULAR appucaton.
RICHARD H.
ms ono at the eariies. and most magnificent
a...o.. -, 49, .,.oo p.e;.-.., - t..os
F.AeDo y. ~ ~ oo'o', AAS oAnneo
oi'n 1o1 n's psi"' Ane u1ap'S.''7.s aoo ac1ofe
who owed hum sumo gratitude for his early fayoss
drew hszn, for the amusement, DOT the instruc-
tim of nankind IN tba bIartest co1orr Fla
ham m.do tba ossenc, of h,sen-.s ~. ~ -
DooA 49, 40 W.. 'e oee"sse' eus .'po
inezaf'art'e' tins pc'sonlhcauon OF noFder AID
III nonstxous c1,mss. We had Thought it I'M
possible tor any new artist to paint Richard |
h,.cker than 1,e h.s hen rortra1oi for cen+nr;as
,,st hit, NJ srlv., saa,oz ~ .aaor,aI:'s
sTsn @ ,h,a @ HI. Rienara nth in The e.r,s a1a .ct. ~
the play. vaa a lcesing satyr--a grinnng
embodiment Of all that Is horrible in man.
Later on, The character wa4 enuohad IN |
slight derre e. by the addition of brute conrarc-
- analiIy vi Ich ,hare had no, nroy,ous1r haan
epportuu,ty to, dispiay Nr. SuILyans concan.
hon Of th4s pa,:t Is MT like his Richetieu sLrik-
'nRly oE1Bnal. 1t 10 merely an naturalization of
ns MA nss oetu eMen oe'ole. L. carefully
Tins tha darE dae5 ot thu eh.rsc.ar AZ. ,n.da+a
etand mt in at ronc reilef. Tha imner.on.to,
is highly saai.t sctory. 1t fails Of perfection,
whero Mr.. saE.san need not fail, in the express
mon Of an 'nhHf1e ya1iesy Of feeling by o1re:ent
snton.ooas; as,. an a. te1,a no. 1asr7euus IS
dsn lad TRANSITIONS The resson ,9s Is, sh
level delivery adm,ts OF a douula oIn1.ne. =,
lion. It seon 70 him to express the cb,s.cIer e
Al Ptchnrd co,ractlv mo1eoreT A. SnI1'
T. 5lss nnt -s1,ts ...,t ~. anl,an
sanse be- hannt It TO fenre.ent h .c,s Riah ne
md - Riea,d was GENERALLY .ctpe m oart nrtGarn ;
sen @l. ou4ns.a. " ~ eomo messufe succeeds IN
er It Ii when Richard IL stirred beyond bounds | P
kud foFgeta h3Inseff thAt Mr. Sullivan aurcaud. r