New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1875-09-18
MUSIC.
CENTRAL PARK GARDEN.

III.
gard Numbers of people came from neishbsrns towns
and cities At the beginning Of the Beethoven sym-
phony, and again at the end Of the programme the
demonstrations particularly impressive. and the
house finally broke up with considerable efuson Tho
following was the bill:
Suite in D. No Bach
l. Overture. 4. Bourree
Symphony in G, No Is, Breitkopf Hartel Chr't
J. observation-disclosures. 2 MEME Menastto'
Concerto for ute and harp first moyemcn Mozart
Mr.. wehner and Mr. Lockwood
Sonata appassionata, No, So minor ..... Beethoven
symphony No g. minor Beethoven
l. Allegro con brio. 3 scherzo
OF all the special programmes presented during tho
season this was the remarkable Last week in the
Berlioz List and Wagner concert, we had an fusra
ton the progress Of the modern school OF dramatic
and descriptive music, Of music which rests upon the
basis Of previous poetic inspiration. On Thursday
We the development Of the classical, symphonic
FORM from the orchestral suites OF Bach to tho
of Beethoven. The beautiful Suite In ID mas
been played here in full until this Summer though
rst three movements have been popular Win our
audiences for years The symphony OF Haydns
was novelty 1t belongs among his greater works. the
opening and closing movements being forcioie ana
majestic, the Largo sn exquisite and touching mel
ody, and the Mnuet happy specimen OF
Q style IN which Haydn was never Ct
fault II il in this that the symphony first takes
its complete shape The older suites simply chain
OF dance measures. having little connection with one
another except in the fact that they played together
ana all m the same key Haydn, establishing the
art o. modulston the modern symphony It's regu
lar structure aud OF his followers have made any
improvement upon his work. In his contemporary Mo-
O breadth
OF style, but this superiority more marked In
his overturee than IN his symphonies, and WAS appro
pirate that Of the greatest Of his overure should Do
chosen represent him in Thursdays programme Tho
superb Funeral Music which noticed recently on tho
of its first performance, illustrates certain
elevation OF spirit which he sometimes surpasses all
other instrumental composers except Beethoven In
Mozart first tendency toward the emancipa
ton OF the poetic impulse which Beethoven completed
The melodies OF Haydn beautiful in themselves with
out reference any emotion they may be supposed 70
eonvey The bright and tender thoughts OF Mozart have
often the independent character But sometimes
Mozart reaches towards higher things such ss must
have nllod the mind OF Beethoven when ne composer
his last seven symphonies and placed tho whole
Art OF music upon new basis. wagner Liszt'
and the rest Of their school, the logical outcome OF
Beethovens revolution The Interpretation OF the oth
symphony on Thursday was the great feature OF the
evening II wa OF the finest trumphs OF this me
orchestra, and during the performance the au-
dienoo hardly restrained its applause The
Sonata Appassonats, fifty placed beside this
sublime work. played by Mr. Liebling with laohty'
force and intelligence, though not with tho requisite
eloquence and feeling 1t only fair 70 say that tho
young artist quite ILL., and really not In acondiuon
TO play at all. He made brilliant success however
with his elegant execution Of difficult pece for An
The season Just finished at the Central Park Garden
has done for art than any IN Thomass past
career There has been . marked advance in the
af RI
portant new been produced as may be seen
from following record Of the Summer In which the
PIECES played the time distinguished by an
asterisk
SYMPHONIES, SUITES. &C
Bach suite No in gI:t time in full. 'ForiAn' and
No 7 in A. septstt op 20. XhesreuOirO NO g.
Beri,os-syinlhony, Harold in Italy;
HsSda~MiltsTy SYMPHONY in g. Andsnte from the Sur
BonaannIFTthiSi sy%phOny GGnsaran .Drs
in minor Scotch scherro from sns
xoarsJup TlSIH symphoSy %' No in mo Al
kog~IenoTe I'm Wade .s.afcnistta for wind instru
@sSn SRly f DTana3 R Fans,
Poem lie sone 0nPss1 SYMPHONY
0'""'' octet Theme Variations from the Quar-
scaumann"N 20 II in "hG ia. sosn c. NOan minor
s asSsr9 %c' / i a'e' Of Tones
H"Ssr- - Msasanieiio Fra DavOo Mssqus
BeetGo.,n~ Conservation of House Ruins Of Athens
aso Egnont GoTsnas King st.SSsa
Bnnea- woodnymph.
BerI.oz-Cansval Komaih
Observation-Disclosures Anacreon Lodo,ska
f fsssI lHsay 30. t stTaaeIlA
siSs sa.si5s t. i Tplass ai Auli'-
GOanod-Mireie.
H:j'"1na..s sshan.piel overtur.
F xssT.1ssmsisss id Grsn.d.
Issae- kc.witl.
Ionn the baptist S,ss,. Dream wedding Of
A''a'''''" calsa9SS RS5 Bias Ras%s Cave AtS.ns
xo,av.-Marie flute Giovanni Marriage Of Figaro
Psarc.'oyeruTe in D minor IN si,n,..
1oss;ns~wiilism Tell Ia Ladra Siege Of cOrintA
s.,s.s,.in ssiaRalTis
1890 E;: Sr Alfonso and E''rs-
spon.+n.-NS Sf'
sstI, u.hlt!S S.1iSSs ii Ballo.
SENDER sgqrd slemOe.
Fine Faa.. oysri1r rn SfnSs1n
.Wsikd tTsn''S'''-
wscsr~JubiIeo Ruler of Spirits Euryanthe. oberOn
coscsnros SOLOS. ETC.
H:st1S7iss2nasi id ap gi:0
Grieg-Pisno concerto Op lo
Ea.lI.Osn-PianO Concerto miaor. Duct for corneta
x.,cx oncsTtone Tor two violins oboe and viOlonceo
Concerto tof aut. and l harp
shvaann concerto I ~ annhau.cr Die walHr.
for violin