, 1875-10-31

eggs decked OFT WILL Dla4iuk tuahu4nEeuco lato
fantastic shape; with musical clocks and hun
dreds OF other toys, collected 1T untold expense.
I neycr saw diamonds until snw them in these
same green yaulss. Thsy seemed as plentiful az
The pebbles III the atfeets, Thare ia = bronze
room. and an ivory room. and = mosaic room,
and gold and silver room, aud room Of prec-
inns stouee, aud re8hlia room, each thronged
with various ornaments hod objects worth null
ions. but as useless most OF them as children q
pasthings. There 81 are caracat9res @ formed 81 o.
Court Of the Grand Mogul, Areug Zeb, consisting
Of the monarch himself on golden throne. sur
ronnded tv his guards and courtiers-a1togethe
l32 tieures-in gold aud enamel Theze is precious
br1c-a-brac enough to stock dozen palaces to
replet;on. I gearied OF it utterly before I had
passed fourth Of the distance through the
rooms The larger share of this uselesn mag
nidcence was gathered through the e1tortion Of
thie nrotiigate Augustus. But even be managed
to do worthy and useful thing. Tile formation
OF The Dresden Gallery OF pictures Is largely
rerty say the formation, at least the great e1-
tons;on Of it is his work. In this gallery are
collected 2 400 pictures, many OF them tho finest
masterpieces. And now description fails. It is
s,eht alone which can disclose the richness and
the wonder OF this gallery. OF course the crown
sisti. T had been often iucredulous
before when I had heard people break
INTO such rapture about this picture.
But am one Of the Awe-stricken ones hence
H. onrr ~ ira 1,ictnre that hayo aver seen
a.d arsvho1g has seen multitudos-eyen an
nroaches Il. There are 3 power aud q beauty
md E;nd OF divine shining in it which no COPY
ist has ever captured. Tbs picture sEands, as ia
most fitting. separated from every other in
49, an oftan snoken Of the involuntary hush
t.h;ct, socrs to fall oo people as they enter and
lift tneir ewes toward it. 4 spell oyercomes.
Tha trand eoftena. The voice subsidies to vhis-
nora or tbara is no speech. In sacred silence
b1 t,b;c,, rou rfare not break. you guze unon that
= -, = iiftie you Iind Yourself looking tllrough
a mist Of tears.
OF the other pictures will not try to write
Every one OF them la IN shadow atser the Madon-
na d. san olsn. anu "! "nat leselat4Qna ~
osauy anu pS1 thsre that ma in which Ha IL tan.
resented in the breaking Of the bread. You feel
the falling Of tue agony as you look upon it.
There is also the exquisite st. Cecella' by the
same atelse :t; iuo .iIar<7 No,i';ser co. aad
~ ,,,;a,, ~ haanty and nenitanca nortrarad in
it. Here also is Correggio'e Holy Virgin, where
the light breaks altogether from the Child Jesua
70 a. aoout sAcep' 70 @ .ne
n4.aef' hena .nd 2I' A = ;a ~ n ihn }irht from
Him that her beauty IS QlaC06GN4 1t Ii 3 tTuEf
pjcture than many OF these Romish ones, where
the Virgin is supreme and the Lord Jesus % 1ut
hccessoIy nosu ~ sI9 ~. P,,5,;, u5 a1
oo W.. somaThera ii,at everywhere unfar the shad-
ow OF the Christs he paints you can fnd the
pictures Of bis own little children plhyiDg with
their dogs and toys. I remembered Mr. Rus
kiua beautiful rendaring OF the popularity.
How it might seem at first irroverent to paint
he SAvior thus, but how, on deeper thought, ti1s
labit really set forth very precious doctrine; !;
hat yon could bring everything. even things 30
,ight az chl1d's toys, and tind them blessed aud
,anctifed In the Lords presencs.
:: j.:
Rosst AS "oTalLLo.
Lucy Hooper writaa from Paris to the Phila-
|e1ohin Tel,1raph:
posu; ~ oraat 1ta,;an t,.eadi., b,a civ.
N t"o performances as tns 1tanan opefa-housa
Turing the past week. playing Nhelso on both
occasions, Having the recollection Of Salyini
raan j., nv mind could scarcelv imapina tbat
ao.,ia 49,. 80 ..--.,..t. tl,a
~ otaet aclof eoo'o e'e' ~ pefsoua1o 'n'
haracter rs to give me the slightest pleasure
ut ere the play Was half over, I WAS forced to |
escind nv decision. It was a ereat perform !
,an ,,o,,darf,,1- r,aarf,, ,,,hat;, .na orio;. /
uo'' "onuo'14' po"s'1o.' pn]uoe' .uu oAAe
~ In no one respect ola hoss1 im1easo ms
rilliant countryman, md he proved |
imself to be fully his compeer in |
oint ~ can;n. Ha ia mt ~ handsome ,
-S-.1,:. e.1 sI-s:
'an' tnousn u equa"y po"esAu pnSenaue
nd noble presence, aud his features are Won
erfully mobile and expressive. He represents
,tbeLfo mt as \ dus,zy. crimn-bairad ne1r,. IA
n a,,x,;n; h,,t az noor viii, connar.tinsad
-, ~, nja,,on md atra;cht 1oc1a In tba f3rst Dwn
49, 1;1.sa ~. iass ethso IA 1,a -roat r;s.1
~ 10 laas eot1. 1ass d.1,fad r,ora ~ tha sol-
~ . ~ 1sss ~ ~ nrona nd state]v nr;enta]
nd s4u ahara siI ~ ha IL 80 -, lorar Shs1 ever
;seat ~ ~ roaoti9s 9 ~ fto 1aooa ~ rrnns aa
a,s;ri -araarad -. Tho iov too areat ~ nttars
nca ,he ova To deen for wo6ls the 1,roEen
~ ~ ,nG +oa ~ a
= snaacI's Pnt in tha third md fourfh scts
ossi rises to equal tragic heights. The scream
fury with which he clutched Idgo was thr1ll-
lg N tue extreme. ne dtd NOT pronounce tne
m ;f%saa a@ ;nto II W." = "a 'n rs,b.r ~ ~ ssnn
1t the vail Of = hroken hnart. STRANGE to nay
is version om,ts the scene where 0tlaelfo asis
esde'nonG for the handkerchief, though ia
.her tespocts = ls tae Closer 70 5ne o1ig'naltn
st ss 49, sne a .s .,,am;t?esnt Yhan ,,tar the
,velation Of Emilia, be rushed to the bod.
Lught the dead Desdenaona In his arms. and
roked back her disheraled hair, lamentiug
.er EN- hlS saa.n loye IN hecehts 70 OF sue sucn unuE