The sun. [volume] (New York [N.Y.]) 1833-1916, 1875-11-16

was only block away. Ny vile bound I foot Wp
9Seor e ei an 9 h"u "G a al on ,hs toe se III he
found. We feared the mutation woui LAME him, hut
Thought OF IT, or Of the occurrence In twenty years.
Now. this lost toe, so strangely forgotten by
the father, was Of vital importance In the I'M
raveliing Of the mystery OF the plot. The villain
fempleton allowed "One-eyed Charley" to cut
of one Of his little toes..so as to aid him in per
sonatng the lost boy add so nheriting the old
mans money. But One eyed Charley" cut on
the toe Of the scheming william before he had
| found out whether 1t was the right or left little
toe which the lost heir.had lost in Milwaukee,
The shrewd detective had forgotten to ask Hut
Miss Turner makes this Templeton 81 deep dyed
a scouDdrel that no right-mnded reader can
pity him for his fiutloss amputation. A villain
40 black cannot possibly limp worse physically
than be does morally. We are glad to find that
he lost both his toe and his case.
The hero Of the story IL John Hardy. the de-
teciive. Miss Turner draws him with loving
hand. lie saves the heroine's life, gets smashed
In railroad collision, RECEIVERS, and wins the
lovely maid. The novel has a hotel fire, besides
the narrowing deaths and the railway disaster,
TO which We have referred, among Its thrilling
incidents. What sort Of girl is Maud-Mr.
hnssells stepdaughter, and the heroine Of "A
Woman in the Case"-the subiOined extract
which gives bit of her conversation when De-
tectve Hardy first calls on MIR. Russell at our
Clarendon Hotel, will help to show:
At the moment Of snc,ktng two lao,cs e,,,rct tle
room lie sid a va nm 81 ~ ri1,ns frir ,, 'e
,-, g,,, .,e ~ . ~ i,rN .' I, u's.
Sons n po vs wy fiir " s1 1,, ia .,
impress on cvery T5yit tr.. i''''ns '' s'l'h
"iaso .ea,e pieesc -ad ~ Rn.seii, 81 have much
d n@l ,c s 70 or i % nan,
deai All Maui G B M ' ii, ~ sn, ~ &
he bars Of her rs cage. she knows an noout a.
anu you say your elf she Is Just much inter stcd in
v.ld ABOUT him. Come. Nj. hariv You sii there near
NJ window. Papa can have the easy chair u sit on
mamma must tax" the piano stool So sle gesture.
I.,rc noN. who says I'm no, N lnaser?"
we're seated as Maui direcici aud JONI Hry rinciei
hin ,,9o 4' f a. nii S w3-A
The abrupt sentence at tho close Of tbi. OK.
tract is characteristic of Miss Turner's style.
Almost every page bristles with sentences just
~ eAp' lsNe' we VIII give "ic" OF them' partly
wr,,n~ nd nar,y W. s,rs,s -, ,e w. Me-
NTltihk' 'hu phlb 10 iurhish eNauples OF MISS
Turner when she passes from narrative or de-
scrptlon into philosophical cancellations
9e snd OF II AL Ms tna the father to re
cyos 96oai kSt domestic duties. Harry gepl .oge aii
upon hh oeS aau Horace went 10 sec MS love.
from that cate Jennie declined
iiotler Her slightest Wish wac tommanG. ''' ''-'
io9s men rent their stors. f2r gin m-
des ks 1r !G Soa Ss ri 81 S S aoi , the oo
' vcri en- osef tacn '''''0n ''" 'l''' " ~ are
LEI the Tombs an.Ner.
record.
Si rgrr sad he ' Wa s IRE 'G ,c WIZ G
vi H., il ,, ,s.,,n & and toto III, o,.t ,
be faut .es.
Robert DELANEY was asehsa'ionali' but not vulgar
| oh.s, .. . - . 49, $780,. 80 ,t.
J. is ncccs AIRY iat ihty uld be-. In ~, world %
hyrocry .nl ,a2m aos-t ya.cayer and eIns. ~ggs
apl s.,tyer e uoy,! 4. .,,a;a,lonal ...
Ne was popular because lie cared nothing Tor ropu.
As Miler entered the room. Mr. Delaney was singing
,,o Tea, ,r,oo.
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! n.or- coua man y, .lr r, SAY WIN "'"'
| 'ai M're ,.,,.,.,. ,.,., .,..,..,... 90.
sier DE-. lic.cHl. r',d 'orccasi & future.
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