New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1875-06-14

the GROWING summit OF his lahorlous skin and the
ana soha Ia the anu ,ne s,aaSss
Of English effort IN yalshp with the best masters 81
Mo snnsns Ssy EsSa @ss Knew what
ship was aud lovei III knew what rocks anu waves
WERE ana wrought ont their strength and sway WIN
OF Imagination, and incapable 81 color WAS Mt least
practtced draughtsmar IN hs own feld OF architectural
decoration ioyed his Dugos seville cathedral fronis
woman loves lace and drew the details OF Egyptian
hut Keep witness OF the antiquity he had the wisdom
to reverence; WHILE no, hundred Yards from ihe Acae
porco in the of the old watercolor Lewis was
dong work which surpassed in execution. everything
exiant since Carpaoco; and Coey Fielding Robson toA
slrongth dong true things with loving minds.
the like ~ these astnained IiNn, III simplicity
With di"SIV@d ncurh often ns,roSj s does not, 50
Ear rs can see now exist In the lank OF ari-abofeis
aud even OF men doing heir absolute hes. according to
their knowledge, it wond b. diiieult 10 hnd many
among the most renowned exhibitors OF lhni"n ana
Paris; while here. fa the line, with hG'est Aca-
d,nic name, and hailed by explosive applause from tue
whole nitoli here isl cannot strength of woids
enough 20 tell you IL is unlcss you VIII irsf aseer-
tain for yourselves what II is not
Get what good You can of it, or anything else In
1 Toa Toc con 10 COME o 10 Sc Xcny 70 rs for
la an hour in the National Gallery, and look closely and
crimson plume in Joha Benrs Peter Martyr; at the
horserdle the large. namcless Venetian picture OF
the Madonna AMI baeelng hniSut III me n,lpage III
the foreground 81 MaHtegnas hadonua; AMI at Itaus
cOlumbmes and Vine in tic Bdcchus ana Altdhe.
All Ties, arc examples of trne painters Wcrk III MINOR
dc all lbc, but not by patience and ul0sy,
nimtable. There was oucc a day when The pointer o.
this (sodisant landscape PROMISED TO do WORK a. Soon
II, coming straight from that TO this, you lse t1s best
be properly thankful or tic blessings Of modern science
and art and for all the good guidance OF kcnsinS-
ton and Me.srs. Agaew. iut II you think that The
four-pealcd sprinkle of hips looking like Ill
drawn heather, the sindal looking Ike an il.'irawh
fountain the dirty brci.ree, and tie rest whatever ~
likely to cfaee in the eyes future generations the fame
OF Veace and Eirura You have always fhe heroic con
ISOLATION given in the exclamation 0f me Sfect0f
80" II we must choose between Titan and Lancashire
cotton MILL give ms the cotton mill
ll. Ig-. ltx4y sf.nr mil
it, slecia, Art-protuce. Here yol nave, WAT was
the bone aud slnew of great painter srounl ana
ear,.cd down into hlachpOddrd hroOn-!Wics. Inaf Il
what mas come 70 pass upon him. THAT hS ~ on ni'
ground Of Manchester and Stafford Tnrasheo uuder
The uammon lall into threads aud dust aud siloddy-
fodder Tor fools making manifest yet. with what rag
gid remnant OF painters lie ia IN him. tAe results NJ
aecIanei English LABOR on English land Not here inc
here tie GARDEN OF The deserted Village overgrowu with
uLga.hcrcd balm no: Lerr the noble secrecy Ot virgin
country wEerc falcon floats and the Wild goat play
but Lere the withclng PLEASING of fallen race who
have sold their hcarts Tor money and their glory Tor
mOrscl OF bread
OF Miss Tholnsous sketch of Quatrcbras, he
writes:
prejudice aea it than dill Miss rhomson's; partly
because have always said that no woman could pant
secondly because tnOleht what the public lidt
such a fuss about must be good for nothing.
ad the frst fine 1',"T c.ahaees picture Of battle We
have had profoundly irtcrcsting and showing AL mar
that need oe said Of il, this de, mast Lave been said
twenty times over in the journals and il remains ony
for me make my tary genuhecdon on the trlmnlci
corn. before tins Paids of Pal Mall; and T.
| murInur rv poor words OF warning TO her, thai
she remember in her day OF triumph how II came 10 pass
| that Alabama stayed, aud Camilla slain.
Cama-lke the work is-chieiy in lis refinement, u
quality bad in tn. least expected, for the cevrcsi
women almost always show their weakness III en-
deavors 10 be d.,shing. But actually here, what
suppose few people would think III look
ing at, the Say, is the most tendclly
PAINTED and with the trucst outlines OF cloud az all III
the exhibition and the terrific piece of gallant wr
and ruin on the extreme right where the cirasser i
catching round tn. nech "a his OIee is ic illS ana me
canvulscd fallen horse just seen through the snok" ~
low IL wrought through all the truth OF its frantic pas
sion with gi;iatios ~ color and sUac which have not
the like of since Turner's death.
Thomson perhaps not in the least know hers
for the school But the entire power ~ her picture
mind. depends Brt h'r rcsouitpn To pant
things thy really were and not as they might D.
| poSficalY 'aIc. ed ~ he.