, 1874-02-14
the world sbuse 1t, I shall still believe IN it's

another painter Of great reputo entered. He
went up to look at the picture, and regarded /!
with his head on one side, in rh7en- like msn' n,
ner, for soma time. II think, Mr. Graham" he
said At length, '*n you wsnt my real opinion, !
think theirs ia 4 good deal Of merit in yonr pic
ture: the expression is decidedly good-yes. do
cidedly good; but for the rest-you see
roc HAVE FuRnoT1EN
that the great object Of Art is to reproduce Na-
The artist rnurmured something humbiy about
ideahzing Nature.
"Idcalize By all means, my dear Mr. Graham, "
said the other, ideahza as much ~ you can, but
% not forget to preserve certain rerisimiitudc.
When We talk ot reproducing Nature, We mean
which We find in Nature. Nor among artificial
objects is drapety, my dear 3Ir. Graham, ,--ia
drapery. And let mo junt nsk you it YOU ever
atywhore saw anJ drsperies like those ?" This
question the painter asked NTH the air ct o man
whose most tender feelings have been hurt, and
went on, without waiting for an 1pewer: II do
not say It is easy to be Accurate but accuracy is
worth
4 GREAT DEAL Or TROUBLE.
Perhaps you will be SURPRISED to hear thai
spent three months in travelling to obtain proper
authority, indubltable authority, for the'centu-
rion's arncor in my last Roman picture. And
then 1t is 20 easy to throw in an object Of furni-
tuge what not that belongs to the time OF your
picture-a biblot na the French call there and
there. It gives local and antiquarian color,
dno. dlu ~ a., o. gr1a. 'A'ue-oa immense vaiu my
to the Acedeny: Yes? All! Good morning."
To this eminent painter succeeded an eminent
critic who WAS not d painter and from his
Juog17ens rec I1ou tne Iamnles ."nlcn
a sctna eApe11enee en- y. Ar my ps1ng WIN ~ the
preciation, after what he had already heard, he
could scarcely expect. This critic greeted the
artist with much condescension, and looked as
t9e p1csute 1Iolo esetJ po1ns u 7le". ae aook"
~ ~ q. :. o1huuns auu ~ .ooaeu ~ ~ AueaiAE
no Sens esose nP 20 y ana 1a a"ay 1ton u; ne
mAde eo!s ol ooup,e Siass win nls nanas aAa
: Honestly, lr: r. Gsahan, a. ' w <.9 .'
DON'T THINK qu1s 1a UP TO TOUR LAST rzAh'a
There's great deal too much realism TOR the
subject, which Is purely IDEA, 70 my rnnd- 9on
know, these cheruns are Just hke eyerY~uay;
80 tortn' AND thlnK there's an ootrnslve re-
ATTY about the ngofes tney 70 'aA zoo denned,
l can't help thtnklns theEe's something wrong.
With your ha1mon'es', Those green curtains
seem 70 me- OF 700 sonofons quhaty 10 accord
well With the hGht hn1ore q tne sanron robe;
aM the cnerups again a1e Ieated III TOO
seaccato manner; Inns cr1tlc WIS one
OF = seaool Hno chooso 20 employ
technleal mnnca Terms 70 COZ
- e-AA 7~ eA* A4e..o s~D~AS RtI@@@s<Aa. - s-o
aaopaon OF Rh1ch methoo tney
nIsPLA1 ABOUT 4s @ucH eEssE -.
as woula lawyer VINO saiked aoous falhng case
naFlpg sustained compicatea fracture WIN &C.
we're apraaa:lons. or musician VINO spoke OF tne
q ha crta sne nn
pless'ed with The bio Of Jour curtains, md the
sol. sensaous zones o. yona & e'onus' D4k ea1s
UNDERSTAND WY you nave hep' .aen u tnae suo-
auea KEY tanuen?u 1i an,so -, e
PilnclpA tnslIe VIII 1o!l 9lapo71H ~ sc4a,eE
u = Inc pHAeiopau. a;, tuasn1, : Gu aI. un-'
oe1stAno tAo "uo1u ouatnVa1 sou
aaouia ns'o oe61i1a 9on oln.an'' oas;a-
ing elyl9 Of as1 ;yeal, .NMcn oMy
wanted Lite more keenng II one Rey"nF
you shou1d naTe lets laaoscape anu taRen 70 loeal
lah9.
CERTAINLY c4SSor 1aAolSE-
and ne certainly con1a not.
Inc CRITIC was aneceeaeo ny anot1el pa!nseI,
palntee VINO oeHentea N oaa. Henu RleInles.
"nica we're ea11Mlons N tue hane f1lounoNolS
oL color tnfqashous. 20 "ouia % uaee t1ve1-
scenes "hlcu 1ooAea - sesu nnuuel eieea
ot ~ opaque Mnl'e elaass aau Tuuia "apeu ;at X
aense c1e'elnsss ~ pa'uuoSs ;naaesa1o aI uss "sa
ne1e ne Aae soAue snas"y no" ~ ao4u - H91au' 3
me auos1anee VI n'S 1eo'asAn "as' oeas
[el1o",
9ou 1E oof Iou auGn ;a, euAh. a.9;a.; .;.t
A1ter MN cane 1.a'y !usnn ~ isat1astc pa;n.es,
Eho vas aceus1oMeo W 4a5 ~ A!o patut ~ II 1ae
cans8s were pooI ntoIeu e.h1 'tne ~ nent ~
u Andt rs natI1A1 copssHoenue. = - ~ p.cs1tes
otten J., sn4eteu !lom sutaets. n5 So'1a 9.a~
PAN . ne s.aeu a. suon - a. 1 ~ "a 11" 10
:, d'an e1pecl lnls u yoa, W goy ! nesec
lnoufAt 5ott 6o ofe1 W su5 "S2Ieo t1, o.oHa