, 1874-12-29
noon at q o'clock, tho report Of tho Special
Committees OF Salaries aud Supplies to bo tho
sueotpl ordor.


ABa'nhE oh"''"o ''.u ~ .o' ~ - ,,.,' 49,
csesahees' es"nst tae a'o.4l'ntsouo w. -. ~
slAeoe' VIC ao so4un1n'y' 40 -. Wv ' ~ 49, nro
psotebs' out ho 1ooe ~ 'no so'''a =. .."., w. 'e
runs 70 th's Bioaoos ~ 'no o'1'y wv "o"s
genius, 30 long ,tuot tni' e'"en " p'a h, f., ~
attTeo',one "haon Ea'os so1''as.soAa .s ,sa - .a,
p",aon"nlo o'sloo' "aa ~ lug q on,rrati.
no ,,on ,oro,cn anS 'rso ~ 3omaaio, be- tho woa1s
md vnshy drama Of tho hackueyed autbor mover
~ v,rtno,,H and 1nora, in tono. lut "Camtllo'
80, ~ ';,.,a ..t.".. ~, ss.,,, Ttu orrnrtrr;.
!,ooaa ''t'u l''ons.o4 sr,,.. o~a fo,,;,i.r
tics for acng as vol aa ita detects, afo 1ami'ar
to everybody, attestod BY long llno OF groat
irritation who hnyc nolootcl tho ro.o In which to
.~,,,,tt IN ri, r,ooauro of tho,r rowor. Tho
.,,,a sIs ~ -, ot,ot ~ n,o,;onn, nct;np which
fow roles III tho range OF tho modern drama
Afford and thls Is tho standing npol-
Tn,a ,,,o. In oo1i,v an,1vzo;1 mn a moro ,yor),
coala pay 10 oo.a'y auaisEou 10 no, w..
of art with itB drift mud toach'ngs u1ahooaoa ano
forgotten, this threndbare story OF guilty lovo
md solf-sacrlEoo would ieaYo littlo for unfavor
ablo criticism and horoin lies tho rorY laugor
Wy ~ .,,"., T. .,,t u ,na,di5alv RAIN xcu lint
OF tho nlay' IN 'nas ~ ''o'y t,as
| protective law OF soc1oty "'1aout WHICH, 7"c'o'y
would coaao TO exist.
| hut 1t will hold Tho etaEo for the rcnson NO
,,oro ,ivor II ra1tod mi tost cvcn,nu at thu
t'"Su e1son' ,,s. .~oa oes a,a ;aas -, ,,s,'v ~
Academy OF 1lus'o VI 4"a.oueo " uu"ou"''S
| critical acrmon ono tnaseo 70 p@tfohlzo tho
small-fry Of tho stage, md probably aH hostile
to tho spirit OF "Camillo" rs could bo found.
.a,..h,o that t,,,t nuaion,o 1oft TIN thootrc
1t!s P1oo"n'o ,'s,a. w." ~ 49, ,,toao to. Ma
with now Impressions OF tho Pleco' 10. Mlss
h1orrls' representation OF tho principal
character was 80 novel, 80 vivid and atart-
ling. rs to giyo 1t now light and life.
lIor conception of the character is so
| far remnved from tho hnohnoycd Camille OF tho
stage TINT we pauao to compare 1t with TUG Bl.f-
rounalnga, and iud tho divorce bctween tho llo-
roism Of tho woman and the incidents of tho
drama 40 complete that their coming together is
shock, from which repetition does not talio the
edge. Tho poetic sido Of tho character Ia 90
studiousIy developed TINT 1sa contact WITH lta
surroundings becomes moro dstrehBiug Such
moro disgusting ns it Is moro artistic, mud it ia
aupromoly both. ,,,.
it is ono Of tho pecnliarities Of Miss Morris tc
roduce character aown to IN. Inc mnsoss pat,ec ice;
ton Of detail and to losvo tnS Mhipos'ant or1 nnt
Imitation 81 eyory.aay nlo, fesofvfng tne ta ia!
strength OF tho passion for porioaa. IN no case
therefore, can aho strain pefeoneslon 1eyoho
the bounds OF proneolnsy. AL her &C., ereanon' a
Whom to this is added mafvGlons iosco o. pah
aion which sweeps the sympatlles OF ny nna,onc'
before IT. there IL =; et 'e'tSHs s"' e'
personal nowe1 ov ,ee u ea n an IN tic aJh ts
and fourth acts Tho climaxcs aro startling ooyont
anything upon the modern stage. anu a6aolntei.
ovorpoworing: Iho play q passion ana fosoll,
ton Ia little short o. WonaosIul: anu 5me Ill., apGl
upon lno anulehce - uot hut ~, ~ -.
ACT OF tho drama 10 III lts WY Fl'1d inlta1!o'
Of dissolution out.b bolnG ntasivo Only posseasc
but secondary aegree ot maoi!t; ~ ~ ~ tn
third and toirtn hcLb that MISS toFia u ~ ~
Efcatest height. every act "ns sleosea w w
ionnds Of applause, followed by declued cay
for tho actross, which were. of COURSE foSpohoe
to-. -- ....-
Had anything been wantnR to seoufo 3 fe
nlarkablo. performance Of .tainitio tnat w,
whH supplied BY the Amd"d Or Alf. Mufaoca
H1a mort afueht aalAltots coul,I hc"lce41 ant