The New Orleans bulletin. [volume] (New Orleans [La.]) 1874-1876, 1874-11-26
ADJUSTMENTS.

VARIETIES lHEATRE.-lI IS next TO lmpOSSl
bic to do justice to Mr.. McCullough's HanAe
as enacted last night. Thoroughly appre
ciating the difficult necessities OF the part
and realizing its extraordinary requirements
he more than sustained the reputation al
ready acquired here, and won for himself a
name difficult to be effaced The support
given him was better by far than was antici
pated, especially so when it is considered that
the Varieties company this week have been SC
severely taxed. One heavy tragedy after an.
other is no ordinary labor for a stock COM
pany to prepare for, and right nobly have Mr..
Owenss company done their work. We de-
fer more critical comments.
The OpERA.-The "Huguenots " will be
sung tonight at this house, and, from the
general desire to hear that magnificent work,
by those who did not attend the first perform
ance on Monday last, we anticipate crowded
and brilliant audience tonight.
| The great role of Valentine has found in
Mile. Anna Vercken the most powerful and
impressive interpreter we ever had the good
luck to see in America, and Feitlingers Marcel
is also very fine embodiment OF that difficult
part. NJ. Chelli was not so effective in RaOul
as he had proved himself to be in the role of
E}eazar. Of g La Juiye,' but we have some
reason to believe he was somewhat indisposed
on Monday last, and will do himself better
justice tonight.
Miles. de Jolly and LOGGER, as the Queen
and the Page, do excellently WELL and the
parts entrusted to Messrs. de Greet Dardig-
nae, Laurent, Pauliny Corriveau and others
are also very creditably illed-a matter of no
small importance in such a finished master
piece as Lies Huguenots," where every part
and every measure tells, and has an artistic
scope and meaning. The Bohemian"
| 4. IL: 4 Il I
feature in the revival of Meyerbeer's master
piece.
| Auber's delightful three act opera "Hay-
dee" will inaugurate the matinee season on
Saturday, with this welcome improvement
| that reserved seats can be secured In advance
at the box Office on Canal street.
| correspondent who writes under the nom
De p1,nne OF Hard Times" suggests that it
would be to the interest of Mr.. Canonge to
lower the price Of parquette seats to one dol
| lar, and calls upon us to advocate the change.
Manager Canonge is we believe, fully aware
| of the difficulties against which all theatrical
enterprises in New Orleans have to contend
| this winter, and will gladly, We feel no doubt
do every thing in his power to make the Opera
House as popular and accessible as this can
be done. We therefore submit the suggestion
of Hard Times to his favorable notice, and
doubt not it will be duly considered.
The ACADEMY OF MUs1c.-Just in Time, the
drama wherein Mr.. Sam Devere has denoted
himself fully up to the standard of the really
clever artist, was produced at the Academy
last night to an audience, not large it is true,
but one profuse in appreciation Of Mr.. De-
veres humorous specialties. He is deserving
generous patronage, for those who have had
the felicity of Witnessing his representations,
have reason for congratulation in that they
were afforded an entertainment pleasing in all
its parts.
The piece will be repeated tonight.
GEUSEwALD HALL.-The concert given by
the Germania Quartette for the benefit of the
German-American High School, drew together
a large and fashionable audience, composed
of the cream Of our German society, with a
large proportion of French and American
lovers of good music.
Miss Emma Fairex won new laurels in Don
izettis charming Aria, II Va Parter, giving,
in reply to the enthusiastic encores, the ex-
quisite Extacy Waltz, with its ripping bird
like trills. Lair DIES Bijoux, from Faust"
was warmly applauded.
Miss Lena Little sang the tenderly pathetic
romance, Ne Pleurez Pas, by Suppe; the rich
sympathetic tones Of her deep contralto voice
calling forth enthusiastic plaudits which could
scarcely be restrained until the conclusion of
the song, when she was vociferously recalled,
repeating the last verse as an encore. The
thrilling tones of Mr.. Victor Caulier's violin
Niger in the memory like the refrain of a
dream. The tours de. force, in the Carnival de
Parisf recalled the mastery execution of Ole
Bull
The GermanS Quartette acquitted them
seives>w1th their usual melodious precision,
twenty voices blsnding into one harmonious
whole, rising from the faintest, tar-distant
echo to the reverberati,n of storm wind.
We cannot too highly commend the sub
dued, sympathetic conpaniments of Mr..
Jules Cartier, which addei much to the effect
Of the singing, which is DO often drowned by
the noisy piano.