, 1874-04-17

cnncna,inr 70 l,ja lreas. aid vhto noel-to bo-
meath tie Carainal's habit instead Of d!sEln,yinK
lis fantless got-up before mirror. mi.!a a, ~ ~
duo respect to- tho truly gfeas nc!El, f]n1,
in his linen which he cannot ontiroly oonnGnl.
lItgll-ars criticism will Immediately Totqrt o -
la triling with tho autlior'a 1donL II ID nGs.
Such an aotor docs not tritle llo 16 atlivins ~
onnublo 1t, md II Is funny to SEQ great nrn.la
ougagod IN 80 hopeless tRsk 1t ID true LIN
conception Ia not TINT Of tho author o. @ Me nayo
como to look at 1t III tho Rovoral itaeae"c"S ol
Tho modern stage. Bit what OF taatt .,,,,,t
Spartacus; thoro was d triilo loss freedom III tho
range Of fliB volco !; not quito The same Joyous
adeeity Of aetio s9m9tng }n ~ ri
accepting an inyitation to hop. whenever ah
opportunity for strong point waa given hln 10
tiale tt, not in vocal thuuler storm, but IL thc
full expression Of nnssion:. In tho eSrso aoomo,
Introductory ltnos woro quietly roau, with: l., Dy
tho wny, moro Of tho conventional action tlia'l
wo anticipated, but tho clear sky dropnod
thundorbott, and tho storm shook the audience,
Hero was q Legitimate dramatic offoct, oil tug
moro acceptable that It was truor rendering Of
tho limos. He will bo soyoro'y handlod for IT.
too boforo lc HooR Ban Francisco again, but We
stage h1ue-law Which we do not .app,ov Of
llia support WINS fair throughout, but aliaa
Lille wan not 4 vcry tender julio dc Mort,nter.
Her action, was occasionally spirited, but sllo
Locked the sincerity h' y the nay ~ hor
ance. sl,o wanted foeling in expression. Her
voice had tromor which would hayo carried a
littlo emotion . groat way: Il there is anything
especially marked it, hcr, it is tendency to over
Of acting In ropoBe, which ii q great and raro
| merit, Bccn to advantage III tho
star she supports. Mr. Popc. played
Do Mavprat faithfully. For boy, Mr. Web
Thore viii come time whom, Francois having
grown to manhood. TINT ornament will ho 4 cil-
| riosity OF magnitude. How littlo will an motor
who psofoBHoH to bo conscientious sacrifice for
his artl
JOHN MCCULLOUGH AZ "oTuE1Lo."
THO evidences Of dramatic power shadowod
forth by AFr. Mccullough in Riche|ic't and pro-
clntmcd in SpartacMs, raised hopes Of 4, massivo
rendering Of 0hlel!o lust evening: Ihoso VINO
anticipated Il forolblo mud Bpiritod presentation
11r. Mccullough has originated all 9hesto which
presents foatuFoa not altogether nnltko those OF
ot1or actors, but sufficiently distinct to rank ~
m independent creation. ll'a dressing is uil.
like my on tho stage for tho second act finds
him in q suit of complete mail, departure in
which ho is not altogether warranted. His
habit ID platn In subsequent acts, md more
becoming tho warrior than tho rich aud
| -
digniflod, With tho consciousness o. integrity.
Before tic Duke in tbs roadiug Of hla lineH, his
manner and notion aro in conformity with their
spirit. Those who critically viewed hla 5pd'fo'.
Gus can nnaorstana his auRptaolllty " tue pai1
Of Uthello, in tho Ingenious, oasy independence
o. ha nottoa LUG ooa & ~ na ., ~, n, ~
tao steps OF .to utn n T6
u simple, ptonon!seu, a'u ,,.;';noa ~ nx,;h;t
earlier acones OF inc pay arc ntSed 70 eAnio.
tue softer alao OF s an ~ ~
makes Tue hloss " su ~ IL ss,or, r."
the etrongth ann loIyor ~ nls lAsalo. s na
color hero prgns anu wn9oa9u 1t W." ~
pure, a1aM lss gapleas As' ~ snont v nv
oiEt&x H. ftnt na itin,ot;o ~, do Moor'a imnnt
gives tho nrse 'hta.aon ~ - 4t.io tuo .ona
1os sops,aeu, .a n'o au ~ o - s,1 anrs w;ch fo ao
tu.oagn e.s iaa u o' Hia rea1nr hero
iast ~ as Lno ploro 11 ;rta3f;oihla an lis
20 ooi,,t III; ;,tarv;ow viii DasIernoun
whlle tho latter pleads 1of Cassto, DESERVES
I warm commondation as 1ul! or FRANK ana p!easRu
| abandonment to Ills Bhort-liyed domestic hnppt-
| noaa- and M excolcut preparation for tho scent
=; ,v,,;nl +ha t;rat nn,tra nf ionlol1sy begin II
taor ~ "ntI H., s"n hia s;tmat;on il wroueht M with
tear n 1hsa ai.asU , nat = ar,o;ns,
admsraplo sl1ll 11o4 tl!e 4aas .t ~ nEn