, 1873-06-15

NiIun'a Amphitheatre will be merry with
the quips and jokes Of this eccentric hnmorist
e. HaveEl2, = weu-knogn and favoriee manager,
and the ma who Was the means OF introducing
Billy Arlington 10 = Chicago audience, is the
managsr Of the combination. The company has
been selected from tho best performers th tho
ooontA ana comprises many old and populas
dgst rate b. thaH different lines, fs1 may be-
par6cn1sxi8ad a. the strongest attractions Of the
troupe. Wagner and E. Ii. HAl are the end
men, and their names alone are sufficient guaran-
tee OF their exrel1enca. Halrs banio-perfoum-
snees, Canheld and Rockers aongs and dances
and Observation-Disclosures are al nsw, original,
and popular !. good vocal quarsette, Charley
HeyVood's prina donna soprano impersons-
hous, Ben Browns tig-dancing, and, indeed, .
host Of novelties and aingle-act Bpsc;alties rem
der the bill replete with sveT variety Of spicy
and attractive entertainment. Every effort has
been msde to render the programme worthy Of
the widespread popularity Of the troupe, and
the press, and public generally, have not failed
to reward them with creditable mention. Chi
cago amusement-seekers may depend upon every
exertion being made on the part Of the troupe
to represent + standard performance With
brilliant success.
MANNING AND monAN's m1xsTBE1s
As there is some prospect Of this minstrel
company remaining in Chicago permanently, .
upon him. By providing an amusing entertain
ment the troupe has secured the patronage OF
some Of our best and most refined citizens. 1t
may be CALLING to that gantleman's amour propre
to mention the fact that It is not his personal
Opera-House, but good BILL This may be news
to that rentleman. Judcinr from his behavior
at . Secent performance, the ANNOUNCE
ment will come to him as sudden
disappointment, but the sooner he realizes the
without being at al probable. that Phnsdelphia
1aiiiaa viii toierate tha praofce OF beinr talked
1t in vulgar language during minstrel perform
ance By Mr. MoFan. It is equally possible that
" dngged'' BY an impudent burnt-cork artist
while on the stage. But il MIR. Moran was not
taught the lesson = few evenings ago, ne must
publicly Impress upon him tho disagTeeable fact
thAt Chicago ladies will not tolerate it, and
ut such fsgrant impertinence will be equivalent
to the closing Of the theatre. The press has
given this company many good notices for it's
professional excellence. TnAt press will
rot be delinquent n warning those 70 %hon 4 it
may expect there. And A1r. Moran may rest
very well assured that the Chicago public will
not be insulted with impunity- Professional
popularity cannot condone the onense OF making
indecent remarks 70 ledy o. attempting to
and, finally, waiting a* the dooz Of the theatre,
and endeaVoI1ng to force hef attention by
gestures and braTado. Mr* Moran knows what
ne refer to.
AMATEUR THEATR1cAIs. ...
While amateur actors playing in public With
professionals. a. has recently been tho case in
this city present q spectacle too sorrowful for
contemplation, the1e ls no reason Why an ana c.,
tenI colnpany, nno nase moiAeu 1Gsetnes ;t Eaen
sshonIi not be succaagfui. As the Christian
Union Dramatic Class has studied through the
entire REASON u014f f64 CAREFUL 8up3IV18lOD OF
70 lesa capable teachers than n. A!s. Nj! Anna
thnre Humeu 'Ae aood 49, canse to eInact - ner,
formance considerably above the average ama~
teur efforts, and, we are tempted to add, more
palatab1e than some OF the more pretentlou8
proouctlons o. plolessional conPanes. lne
olass 4t9nos giving ."o pel!oa ~ ~ e'an
oafu dAa one W Ae osen1nB VI 'uy = 4o1