Dallas herald. [volume] (Dallas, Tex.) 1849-1873, 1873-01-11
Stage Items.

|
And think to wed IT,"
Ais Well that Ends Well, Act ], Scene
| AIMEE:
"What think you of this Duchess
| Henry VIII Act 2, Scene
CLARA LOUISE KELLOGG:
"A mellihuous voice."
Twelfth Night. Act2, Scene
THEODORE WAcHTEL: -
llark, do you hear the sed''
king Lear. Act 4, Scene
CHARLEY STANLEY
| 3" lie makes sweet music"
Two Gentlemen of Verona. Act 4,Scene
ADELINA PATTI:
"Titled Goddess"
--All's Well that Ends Well. Act4, Scene
CARLoTTI PATTI;
"'Tis Tatti, and Patti 'tis, It's true"
Hamlet. Act 2, Scene .
ROBERT SToEpEL:
"'Twas he that made the overture
king Lear. Act 3, Scene 7
LEVY:
"We shall know him by his horns
Merry Wives of Windsor. Act s, Scene 2
DAN BRYANT:
"That face of his do remember well
yet whom | saw it last 1t was be
smeared as black as Vulcan"
| Twelfth Night. Act g. Scene l
Charlotte Cushman, the famous
tragedienne, has with her q faithful
colored servant named Sally, who
has been in her service over thirty
years. The closcness with which
this woman follows the fortunes OF
her renowned mistress is shown in
the fact that she has crossed the
Atlantic with Miss Cushman no less
than fourteen times. Miss Cush.
man now regards Sally moro in the
light of q true and confidential
friend than in that of hired SER
want.
Madame Adelida Murio Call, a
prima donna, who was formerly an
attraction on the operatic.stage, has
returned to New York, and has be-
same has fallen to the lot of the
tenor, Lotti, and the prima donna,
Mrs. Clara Brinkerhoff. Thus the
stage is giving up its stars, to pre-
pare other luminaries for the ardu-
m nsicaI darkness which at present
onoom or", mnosSes the Irvino Place One.
.no uon,
Th;a ;s how tbo Rostor cour;or
so;d Good 'bre IN India Thomnson :.
And now ot last wa have to sav
fareweli to tbe blondes
n. .ua.;u. Tra;o,. ,,nrh;nu f,o
TO gentle Dubois srllsss grace,
To Zerbinis sweet tuneful voice,
To Lesie's step, so swift and choice,
To weatherbys enchanting air,
anu A"y 's, """' p"
Well, let the CALLED Jao" vince
our withers are unwrung az their
departure; but there be those' ana
we could if wo wouid-Dut we VIII
not abuse the confidence OF numer'
GUS callow youngsters VINO nave
opened their hearts to us with all
the unrescrve that belongs 10 sweet
ono-and. twenty,
Kate Bateman is to appear in New
York at the Globe, January 4th, IN
the now play Of" Charles which
she is now playing in London;
Dramatic criticism in the West
is remarkable for its breadth. This
is what the Omaha Republican
thinks about Shakespeare's Ham
let: Hamlet, a name signihcant
to all and attractive to all, because
the universal soul, from out whose
depths it came, possessed tho grand
power of playing upon the meager
mind and the full, with all grada-
tions, and yet have tho whole bar
mony. The newsboy, as well as
Ine 'h'c,aIItu"' ,ui "n,i y, Ills .,;I,n - AZ
leu hh',o oho 'ni'i' r WY
thought that man, IKE himseii, was
IIo au."o, VI I IL saos I'll ,ho
Aia'nio', va" III
outward anu Is as wen ei'e,,a'ueu
lie takes the ghost literally ana
gazes WIN ~cIeuui1ue ~ e1o' 0' '"o
ueau oouJ vi DPn'".
Mile Marilla, q young woman,
apparently about twenty years OF
age. is now performing at Liver
pool circus, where, suspended Dy
her legs from the trapeze, she holds
man nv her teeth. twisting him
around as if he were a joint on a
spit.
M lie Rita Sangalli, well known
danseuse of the Black Crook" is
electrifyino the Parisians with her
oovollo'l lilo grace
S III eoi,oss;nr ShoLsnar;on o,o.
- .I;aaSlo a. oo,ors oro
s" - ~ Erono;soo F;ror,.
Iroih thc can ii""''o00 l. 'S"'0'
EDWIN FORREST.
With unwrinkled brow, with mods, with
rolling eyes.-King John, Act Nv, Scene 2.
Irsrvp WALLACE
a: e:I -,