The New York herald. [volume] (New York [N.Y.]) 1840-1920, 1873-04-15

ford. Hudson, New Haven, Tottenville, st aten
Island, New Rochelle, Port Jarvis, Perth Am boy,
Newark Valley and Poughkeepsle.
No one attends a reception at the Academy OF
Design for the purpose OF criticism. An amiabe
babble sets In and the brook OF fashion purls
We believe that the only dead artist represented
Is the late Mr. Kensett, who. having died since the
last annual exhibition, selection Of his works APP
propriately finds place here. These range from
No. 124 to No. l29 nclusive and consist OF "Mount
sunn9 se0der asy
and "Bass Rocks Newport, after southwest
Gale" Mr.. T. Addison Richards speaks for him
self in No. 141. "Warwick Castle" Nos 1888 and I'll,
"Fruitn and No. I'll, Lake Winnepisseogee,' re-
markably beautiful in It's effect Of light shining
We have space to specify only those pictures
which, on cnrsory view. appeared l the more
Autumn, Paranus valley" no ioI, By N. Joseph
l Bridsman; ''Th he Monk" !So. iOs,. By William
Magrath; portrait Of Mr.. Brevoort CNo: ilo,, by
]. 0. Eaton: "Eyening, near Tongue Mountain,
q Pharaohs Bed PhiIae, Nabia" lNo lls), BY Frank
Waller; portrait Of Willie Osborn by D H. Hunt
Water satseriee 81; Drawing Her own Conca-
sions'i NO. 1891, by A. 4. Anderson; sun
a H Ma9s sc @S Ss p e. w09 So pesT
BY Constant Mayer; september (No. 1871, BY
Charles F. dubois; 'ssNswport il sum summer" SS;
Winnepisseogee" mo. i7l), by 4. A. Richards
''The Balhn mo. 1897 by d. NJ Carter portrait OF
youth NO. 1881, by LIE Clear; ''rhe Woodland
Bath" mo. 1871 by Eastman Johnson; ''Sheep"
mo. 1861, by Shattuck; 'Restoring the Milo" NO.
14D, by VIM. Mayer; Summer Afternoon on Con-
necticut shore" mo. l4ol, by Vincent Colyer;
"Castle Rock, Entrance to the Cascade Noun
t the same artist; Sunset on the French I
Coast'' mos. 1852 and 26o), by J. @. Thorn
"Rheinstein" mo. 256l, by s. R. Clifford; "The
Savans' (No 253), by Howard Helmick; ''Woods
in summer' (No 24i), by A. H. Wyan .'Sea. from
Shore" NE. 24O), by Jarvis McEntee; "Dev0uring
the Profits" NO. 1917, by d. Il. Knight; Golden
Horn, Constantnople" NO. 1851, by S. H. Clifford !;
"Avery Mill, England" (NO. 232) by J. +. CrOpsey
"Little Nell and Her Grandfather (No. 227l, by
Eugene Meeks; "Racauette Lake" mo. 22O, by A.
f. TAFT; "Narragansett Coast" mo. 224), by J. +.
Hicks; Emusic Hath Charms" mo. 2ls by J. 7.
2ls), the largest picture in the exhibition by Her.
mann Bruecke, worth $4,000; ''Too FAMILIAR
mo. 2l6), by Abbott II, Thayer; "Home Again
on the Return from Paris'' mo. 2l3, by Henry Ba-
con; market Day at Tangiers" mo. 20s), by
Tiffany; "Old Beau mo. 2O6), by d. X. knight
"Deserted House" mo. 2O4), by T. L. Smith; an
the WOods'' mo. 1897, by VIM. Whittredge; pOr-
trait OF Mr.. VIM. Page NO. 1885, by himself, and
not calculated to create quite as much sensation
as his heads of Christ and Shakespeare; A Danger
Gus Path" tNo 1851. by a. f. Emslie; The First OF
Brought for Your mo 2sO), by L. +. wilmarth
"The Jungfrau" (No. 1917, by J. W. CASTELAR, +;
afternoon on New York Bay" mo. 2o1), by Ed.
Moran; " Sunset in the swamp" mo. 29s), by Sonn-
tag, and "Scene on the Upper Hudson, above
Schuylervllle" mo. 302), by David Johnson