Orangeburg times. [volume] (Orangeburg, S.C.) 1872-1875, 1873-01-02

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the celebrated oneyat straabdfg, ,yas,rf fferii
its descriptipu, much moro cGmplicated.i
1--WE ser in edglasaa case; "a three story. J.
steepls shaped cleck, k,;fs fur p;c lcet vide at tho
first story and nine feet high. The move
mcpf IS placed III tie first st6FFyy;, Fy;a on % four
delicate columns, within Which, s&insst tic
pendulnns Tho second story icqnsistseo eof
Five EtpwyerIikeRsPieees,,o qnathos doerss seG;
1~hicl. !hlefe aEe I've pictures that repre-
fseht Ib2e9,yhood apI earls manhood. a
tower crowns, as as third story. the ingenious
st,udure eoek, Is GAS symbol ofi 81 asatt Ia tstii 4.
fuiaess, Stands fodahs tor,d diFectlytovsr
the portnh Whom the ci;clock marks the,
first quarter, the doorof thetieft piece of
the sccennd story opens, and q child issues
from the background, comes forward to a
little bell, gives it one blow, and then
disappears lAt 'thSS second quarter a,
youth Iappcars, stsikesstho bell twice,
and disappearf; at the eithird there. comes
la man in his prime at tho fourth we, haye
a lettering, old man, leaning; ON a staff
| who strikes tho bell four times. Each
time the door closes of itself. When the
hours are full. tho door of the right pie.e
of tho second storylopcns, and Death, as
skeletonsscythe in ,handsappcarshnnd
marks the hour by striking bell. But
!. ! il is at the twelfth hour that we have the
grand spectacle in tho representation Of
the day ofjudgment. Then when Death
has struck threoIblows en- the littlo bell,
tile cock on sthetep ofthe tower suddenly
flaps his wings, and crows in, q shrill
tone; and, after Death hath marked the
/ twelfth hour With his hammer, no \" crows
[, again twice. 'H9 asiF htiFa q hIA'f
. Immediately threcangcls. WHO stind as
iasuarlians in a cdntral position, raisetheis
trnmpets with their right hand (im the
Il II they hold swordsl and. ! o,ya a blast
toward each of the four quarters of the
earth. At the last hast the door Of tho
I'tower opens, and the rcsurrcctcd children
|'of Garth appear, while the DESTROYING
angel sinks ouo ofsight.i Then, Suddenly,
Christ adeseends, surrounded by angels
On lis left there is:an angel who holds
rtths scales Of justice; on his right another
carries the Book Of Life, which opons to
show. the alpha and omcga-the begin
ming and ;tineeud.a Christ waves hishahd,
'and instantly 1thcgood famong the rcsuF-
rcctcd are separated from the wiekcd, ,the
former going to the right tho, latter to
the left. The Archangel Michael sa1utes
the good, while on the other side stands
I the devil, radiant With fientaish delight:
'he nhardla wait for the final sentence
| ofthose who fall to him, but, inobcdienc
to the command Of the.central figure, he
withdgaws. The figure Of Christ raises
its hand again, with a threatening mcip,
and the accurscdA sink down to the re-
alma of his satanic majesty. Then Christ
blesscs' the chosen few, who draw near to
him. Finally we hear cheerful chime
of bells, during which Christ rises, sur
rounded by his angels, until he disap.
pears and the portal closes. - - '''S''''
A complete drama Is here represented
without the aid ofa human Hand. Tho
movements are steady scalm and moisci
less, with the exception of the threaten
ing gestures OF Lucifqr who darts across
the scene with lightning rapidity. Of
course, the peculiar action Of these two
/ figures is intentionaionf the part Of tho
artist, and adds greatly to tho effect 4
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