, 1873-05-16

Another Excol1ct,t Hk1urt by n ClaicH-
20 Arttat-.NIr. II. q. Eortlsa AMorlCnn

no Arttat--TIr. II. q. Eortlsa American!
,Forust scene. -, +, as, ,.,,
Though littlo Individual mention Inns beon'
inntie Of Tho work Of ont Cioa,.o artissB rocort23
1hlhe coi"!1'''' o' 'ie "a.ly Papeso, lein ''o''
therefore, to DO ooncf.'dod tint They haSo neoa
doiug nothing for tho past ax months: FL
ltng' aroat pioturo Of "Hhaata Dulto" has
goho 10. tto h*Pos!tlon e. ',onna, ,s1 nnu 'lla.
o'ons was tho i'ae notleoa III 1no pn:
rcrs. Tho noxe Is tho compilation NY MI
II. u. Ford of q largo painting, showing the in
tor,or or MI American forcBt turioo lilo curly
eusu'',l NV nas .ouo ~ t,a.ap ~. ~ "1u
Hhall 1uatls olaracso!izo = put IT. tolls lts own
tale of n mild hazy afternoon in October IN
Western Now York or ponnBy1Yauih, character:
istiob BIT ot American foress soonsry. g!'s sub.
leos ls que wn,0ti, naa neo', A.tonp'oa " wy
many hrtiatB, both hero Ind .clhowhoro, nnd 90"
oasionalty With q oortain ,oasuro Of suocose.
Tho contrary, ho woyor, haa been generally tho
eaao' loi lno LII so n nn'o. as'
boon beyond tho arHata execution Tho group.
Ing nny be good, md tho coloriug either tamo OF
exaggerated, the details trivial and tho light 40
49,, ~ s,,tc aofocta nav In ohaorvc n roo,,y
any ohooi ta' :s.;sss oa - n"'!5
Or the painslnes OF tns Sno1eet ~ our Ioget
llmnora. 70 spohK goheLbhnS hs u III; EoTas m,
pantng' ne nan n masti1e bmt ~ Nv
ated tho gns enGss ~ wtSns st
oeihg eensntlanat' sno oItuauay ssauSu @
Wtnous a'y sIa19 H. ~ 4rhn saoo t1,a t,ia'
uistansg, stI r.. n,,j;t,o,a ,noijnt
turo unaor snc c1ia an .1na o"a ods
~ k.,ns4nh k,t mm,aG A'AA 'A1A
~ IT, ~ H. c,,v,a 7a,na jrcc, hna nvcn
H. ne .sa aai1o " io as aisa
H. ~ x tt,a aiiaats ~ ta fnro.
ero ns,an ~ tho ~ noirt " v;aon - mi Nnco
the dotails q tho objects arc mlnutely ana cure
hat H. ~ ~ s,,n " 1aq troa ro1,nd
nRHt upun Wy ustA vsnn;.ia ~ o-aao. ~ 1nnnaa
Mn1ol nv sSlnau snn etTEpot. r a. s'1 - 1ir1t
seaus onangGa ~ ssaa,os a4v .,r to ~ ,,,1t:
t"sen ~. ~ - ~ ~ h,1oing
~ ~ loJn aIn ~ t+ona ~ oa,,trsat W ;h tn SarR
toFerouto ln1o etionSoE W.. sno III IT,
prown % t1e nso; VII VIII III ,,o,, ~,
ra. ~ ~ t, u,nnoc ~A ~ En- .nn
Bsent B tux Jun, s s,;;si.a n"nt-ast - s sn1nhrc
Doaoh onofs c9nelass 70 so d.tru
.h1v ot II haari Ia s9vara tasnnrinr. nhteat to A.
.,si,t. .,,a haro 4 unann h heyo Ree,, f1ronnci
IN Iust vhepa Il was wa1,te1 tbe lunar nart Of tIe
t1;nnI hiddon bohtnI thu fsrrerI Itrae Ia front Of
T. Iho 5rsh gy o. lta PARK haa nGo9
T., ~, ~, at, -, ,rnoa.anlor .vhnaa s,nrro.
w 'ri nS iro o,eh H.
Hue S,t,en oyarhand hc49ry " o
ene!lIpafk variety ssaha a ,, y 'nJ n,s snom tom
ot the forest neyohd the nuoen' "nh1e otnos
trees =, nave heen Wofsod IN wlta con
ge!dora6ie e1{i i ekl1 10 the pacR.gronn9'
While tho interest OF the picture must ne;ossari-
y 20 concentrated upon thoao nearer 9ploGtb.
certain amount o. Ya'?ety 70 domandod ~ thom,
and hence the af"s' has chosen to place four
different vhrtotieI = denizons in cloao pro3fm-
Ivy. ThiB under other circumstances would l9ok
!lko poaAntry, hnt from tne nearnesa ot sno VIC"
tho fact is lost sight Of In the general harmony
grouping. which utterly negatives tho Huggostio9
Of 9 botanical exposition. Ihls, TOO, Is helped
by tho evident aim ot tho artist TO sustain 3n tne
iutoreat n othor points OF the picture. Wi4ow,
stands over the brook, aud t. the lighter ehadea q
its autumnal tinta blend wlth tho ruddieT ioayes
Of thol trees In perfect harmony. through
tho roofing OF foliage overhead, can pc seen nero
and 'thero occasional gilmpaos o. 5ne plu1 say