New Orleans Republican. [volume] (New Orleans, La) 1867-1878, 1873-11-09
ADJUSTMENTS.
Academy Of Music.

| htAuC"y "a AANoOs
! A crowded house at the matinee yester
day noon gave evidence of the popularity
| of Miss Lucille Western, as an actress. with
| the ladies OF New Orleans. EAST LYNNE
was the attraction, and the powerful acting
| of the star produced marked effect on the
audience. Last night the Child Stealer'
was repeated to good house. The samt
! bill is announced for tonight. On Monday
evening Miss Western will appear in hel
| perfect personation of GHberle in "Frou
| Frou," character admira bly, suited to hel
| peculiarities of acting. and closely resem
| bling the heroine of East Lynne" In fact
the light and frivolous Frou- Frou is blu,
another Lady Isabel. clipping from her hus
band, in a mad moment, suffering the pang;
| of desertion and disgrace, and wandering
back penitent and broken, with only ont
| wish, and that to see her child. The lights
| and shades of such characters are made
most vivid by this great actress.
| St. Charles Theatre.
Mr.. Oliver Doud Byron closed his not
| altogether successful engagement at this
| theatre last night, appearing in his sensa
| tlonal play of Donald Mckay" Mr.
! Byron is too good an actor for the class OF
| dramas in which he has become identified
as star, and we hope ere long to see him
| in legitimate characters worthy of his
genius. Tonight Miss Ada Gray, an ac-
! complshed young actress, will make her
| first appearance as Mercy .NeyYick. in THE
New Magdalen.'
Concert at st. JOseph's Church.
A grand sacred concert for the benefit of
ST. JOseph's new church viii be given this
evening at the church, on Common street,
by the members of the choir. assisted by a
number Of well known amateurs. whose
names will be found in the programme OF
the entertainment, which is as follows:
La Charlie, solo and chorus-Miss N.
Zangerle
Tu Rex Gloria, solo soprano-Mrs JACK.
son.
Trio, from Joseph In Egypt-Miss Fan
gerle, Mrs. Won Hote, Mir. Fiegenchue.
Ave Maria, SOLO. soprano and violin
Miss BorCemands, violin, Mr.. K. G. Gard
ner.
Trio, Creaton-Mrs. jackson. Messrs
Meteye and Butler.
O Cor Am0rls, solo and chorus-Solo
Mrs. jackson.
Trio Hope-Miss Zangerle. Mrs. B, Won
Hofe and Mr.. Buhier
Tenor Solo-Mr Metye.
Tautum Ergo, solo and chorus-Solo
Salve Maria-Miss Zangerle.
Trio from Jerusaism- Miss Borremans,
Messrs. Meteye and Borremans.
Gloria, Qui ToIlis-Mrs. B. Won Hofe and
Mr.. A.
Qnonim-Mrs. Rauch. Mrs. Won Hofe
Messrs. - and Buhler.
Opera House.
Last night lies Huguenots'' was re-
peated to medium sized audience. 1t must
have been the stringency of the money
market that has thinned the parterre and
dress circle, for under ordinary ciccum-
stances we would have confidently expected
a much larger assemblage.
In resuming our remarks upon!the present
troupe III general and the performance of
the ''HuguenOts' in particular, we must be-
gin with emphatic acknowledgement of the
excellence of the orchestra. NJ. Momas de-
serves well the high reputation that pre-
coded HIM hither We can not now note the
merits and dement's of all the performers.
but we have a word or two for NJ. Guev-
mard and Nine. Furch Nader NJ. Guey-
mard Is man apparently yet in the prime
of life. His fine tenor voice may not be as
torcible as it once was, but in the upper
notes, especially in pathetic or tender pas
sages. 1t can have lost none OF It's purity
and sweetness. His style is dignitied and
his characterization of Raoul, the Huguenot
was earnest and true. While he never suf-
fers himself to degrade his art by mere
to"'s de force Tor clap trap as we call in
bC iiuhSs tlt ulDSU VI dill db dlidDiH
points. His beautiful song of "J'ai Conf
ance,' and his glorious out5urst Of melody
that marks the conclusion of the fourth act
are instances IF this.
Nine. Furch Nader, the falcon of the
troupe, is, SO far, the favorite by long odds
with the young South hereabout. As
'ofenfne, her manner is coy and reserved,
never coquettish, but alwaysa true woman.
Her voice is that style of high soprano
known as falcon but she uses it with arts
tic Judgment Her confession of her love
tor Raoul, in the fourth act, was a fine
specimen OF lyric acting. Her solo at the
opening of the fourth act was deservedly
applauded.
Tonight we ara to have the theatrical
company in ARTICLE Forty-seven," Belot's
drama in five acts and six tableaux, sup
plemented by the vaudeville LA File Ter
rbie." Tomorrow night Donizettl's grand
opera "Lucie di Lammermoor," followed
by vaudeville