Nashville union and American. [volume] (Nashville, Tenn.) 1868-1875, 1872-12-04
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Last night another large and appreciatiVe
audience greeted the second appearance OF
the Strskosch troupe a. NJ asonic Hall. Fhe
Instrumental duet for piano aud violin
andante and varia ions from Tine kreuter
Sonata" of Beethoven, was rendeFed
ceedingly well by Nh Caren0 and Mons w
Emile Sauret, both Of whom display ~
scientific attaiaments Of the first order.
Signor Egasio Scolara appeared most
agreeably' In the aria of Manda-
nina from MGzlrt's Don Giovanni.
Too much caunot be said 10 praise CT This
gentlemsn's Efforts which far surpassed the
effect Of his singing the night previous HIS
full voice, strong powerful, and withal most
correct in its measure and penetrating in
tone rendered it most effective. Never have
we been more surprised, and at the same
time delighted than when his full round
voice, eyer even aud powerful gave its grand
stratus. His versatile accebtuation is ex-
cellent and all who hear must join US in
awarding that praise be so richly merits,
AnOther marked improvement on his sing
ing the previous evening was the spirit, the
feIvor, manifested so grandly aud winning
50 completely the audience, whose appre-
citation was attested in the prolonged sp-
pause. Signor Evasio Scolara is destined
to assume, for already does he deserve, that
prominence on the lyric stage which others
of his profession have attained.
The gem of The evening was q vocal duo
from Verdis TrOvatore, by Miss Annie
Louise Gary and S G. Mario. Certainly We
have never listened to melody more exquisite
and beard nothing of more capturing ten
derness, than this duo. Both of the song
steTs seemed to create, as if by the very
intent of genius melodies almost divine,
whose echoes so gentle, fingered long after
each voice had ceased its must al wSrblings.
The rich mellow strains Of Mario mingling
with those soft, pure tones Of Miss Cary,
were as penetrating as touching in their
beautiful grace as the whsperings of loves
own dream, calmiDg almost TO serenity the
very soul.
Carlotta Patti in Balero, from Verdi's
Los Vespres Siciliennes, never was greeted
with more sppreeiative appreciation than
evinced by the audience which was more
than delighted by the exhibition, and that,
too, so gracefully of her splendid vocaliza-
ton, exquisite meditation and metallic
brilliancy, showing that her voice is one not
merely of art and experience and culture,
but gift of nature Lie that of the wild
grove bird, arousing with its foe, sensitive
power all the purer and better sentiments.
She was vocifeTously eucored and was
compelled 10 resppaar, as was also the case
when she sang so admirably the second
time. Upon ber temperance She sang
with much ease and sweetness the Amo-
reux of Allary, unique composition be-
ginning
Gallons aux pres, ma belle refine,
AllOns aux pres toujouTs heuris"
The laughing song in which she CON-
bines so much of natural simplicity with
tie music of art was re feet in It's rendition
aud SO warmly received that she was forced
10 repeat it.
Tben came Mario in Spirit0 Gentil, the
same beautifully melancholy p,ec2 in which
the regal tenor'S VOICE has 50 often assumed
its majestic power, slilliug the thousands to
silence and gemmng beauty's cheek, and
mauhood's 100. ai-h tears. All! twas il
the SpiritO Geltu, Mar O, thy v0ics found
It's pures5 iuspra lou; breathe its lordliesL
grace aud excl cised its graz DIST enehanJ-
inenj; and is il now 10 DC thy sweet, sad
farewell 20 glory? Not YET, for while the
wild flights are now beyond thy voice,
reached only by the echoes soft and en-
yet its ancient charm mol s
good, aad il Is a welcome. Only the saw
ag4 strength Of natures youth is waiting;
is delicious sweetness, with Lo uumabl,
ua;lJy, no nervous delicscg, is all lhiue ye,,
TO Ere al; IS with tie Thrilling numbers CT
the Hugueno,s, tor the oder porllOa Of the
audience may have receue,. regreflily as
Remembering happier things thy glorious
msio lies, auQ the new received when list, u
Ing TO tie romantic tones, particularly in
he middle register, som idea OF what was
Mario in lis prime. Mile CsrrenO's LIE
PrluJemps, solo walz, vas hr
mes sue essfu rendition ana the scientific
mastery she had oyer lhJ piiuO, won sdGi-
LiJDai admirers for this beautiful aud &C
yOuDg pianist. While euiisJIng
sy mpathy by her tue personality, her as
,ouishll z execution, vigOF Of touch, aud
artistic touch Yet modua,ion Of manner
more admirable effect.
u. S4uret showed remarkable ability
both in Erust's Fantasy on Hungarian airs
md the ReFerie solo from VieuXtemps.
While ne has rot that continuous Cellcacy
+ some older viOliuis.S, nor their lingering
iisiuctness, yet lie possesses althe origin
.lIyy, the bOldness CT stroke aid admirable
. limuesS.
Hiss Cary and Signor Scolsra IN a vocal
illO received energetic applause, and The
Jrmer Teappeariug favOrel her enrapured
audience UIh Kathleen MdrOHesa, which
vas glgen wi h such swee n SIS, punt and
20 ~ F that all ackD0wle d.e her queen Of
melody. Miss Cary is young lady of win.
iome grace in her personality, ard if she sp-
,rccates the Italian pr2Verh Bella femind
lie ride, UuOl dire bOrSd che pidHge, she
,el laiEly has no cause so believe the saU-e
Idage is applicable 10 the fssc-
la,ions Of her voice, whicl could
induce the expenditure Of wealth itself by
hose who appreciate what is touching, pure
nd heavenly in Song. We are requested
y Manager S,r2kosch to return thanks 10
he agent for the use Of the Weber piano,
which bas met the requirements Of The &C.