The New York herald., 1870-08-14

L8QT0DR9 was the OriXIOuI V0y0TJnH IN tho seNOrt
Star" (" In which she nal great success
ON her second visit to New York Lagrange ala
Mr. G. w. Morgan, the organist.
| PicCuLOMlNI.
This artiste, whose great reputation in Italian Op
era was In some measure caused by the FACE OF he
being The niece OF cardinal, and also by skilful adj
veriisng came 10 tins city tile fan OF 1885, under
Ulmann's management, ana sang III concert and op
era through the States. She made succes d'estnse
most of waich was owing To Uilmann's extraordinari
tactics sone OF his siratagems to keep up rhs
! IIccolomn Juror threw the Fecjee mermaid ana the
| wooliey horse enfey in the shade.
In 1859 three p'inte douiie, consisting OF Gaz-
Assdey OF bad us,s cs"a s"a sars
bankruptcy and ruin stared The management IN the
lace, until hep came III the person aud voice OF q
the and restored smiles and happiness 10 the
mana seral lace and BOSOM Her subsequent career
Operatic pubic where she appears, and the grand
prize III the operate lottery which managers draw
from each season. she TeVlslts lne Unlled STATES
CLARA LOUISE KELIoGG.
Colson Brigno and other artisis formed comb
nation Immediately De.Ore the war III the south, ana
went into tile management OF the Academy OF Music
under the title OF Associated Artists Union.
Under their regime a young aSpirant for lyric
h0nOrs, Clara Louise Kellogg, maze her debut as
Gllda IN 'kigoietio" Tne fresh, Young voice, high
CULTIVATION and earnesI, sympathetic style, stamped
her at once with the broad seal OF public approDa.
ton Her yisiG ~ Europe couDe Oh seasons ago
gave her the endorsement of the critical London
pre Rink SHE the salvation OF that ili-starred
enterprise. she Is now about 20 try her powers at
ofalono, III when liiere Is no reason 10 doubt she
viii be as successful as sue has ever been IN opera
ana concert.
MEDORI-zUCCuI.
While the war was raging III me South ana Shcr
man and Grant were at "the beginning Of the endn
Medor! IL splendid lyric artist. won decisive VIC
tory o,er the pubic AT the Academy OF Music. Her
Norma and Lazy Macbeth were superb ana she IN
troduced IOne' 10 the New York public for the first
tine To her succeeded Iucchi, another line artist,
but inferior to her predecessor.
PARffA ROSA
came here under Eateman's management, and sang
Tor a couple OF seasons III concert Sne Afterwards
essayeo Italian opera and last season betook her
sell To English opera
CoLs0N,
who s properly speaking the predecessor of the last
three ar uisls was iavOrte TravItta, ana also won
nigh hOnOrs In the 'Sican Vespers.n In this latter
opera SHE was accidentally wounded IN the arm by
CARLOTTA PATTI.
Had 1t not been for the unhappy lamness. which
Is an nsupcrable bar TO acting Carotta PATTI would
have been bright star on the lyric stage. AS u rs
she Is queen or The concert room, where her facility
for nging on vocal fireworks vii! leave her always
a subject Ol wonder and admiration. Her career In
me United states last season was sngularly sue
cessful.
CLARA PERL.
This artist was born aJ Vienna, in the year 1S49,
ana at SIX years o. age sne commcnce1 to study
music under the direction OF the ceeDrated maestro
SAW. she inclined at lrst towards the piano and
was sent at ten years OF age To the COnserratore at
Cologne. Three years later she made u successful
w bhb Ut COuCcIi III lIul gave O
becoming nist class pianist. but the director O
the C0n,ervatOlre Ferdinand Hitler, discovering hei
Ia posse OF contraltO voice power ana
exquisite tanttje resolved To prepare her for the
lyric stage. AT seventeen years OF age she made
her debut AZ the Grand Opera House OF thl
Duke OF Darmstalt, at Frankfort She selected
Tor her debut the extremely dicult ro,e OF Fides In
"Le Prophete,h and made a HIT Il. once. She SAM
afterwards before the Emperor Alexander OF Russia
! and Was SigDallY successful. she came here as
sea son, and her phenomenal voice caused much eX
| element in musical circles.
PAULINE CANISSA,
| pyinld donna VINO sang last season with Carlott'
| Patti ia the Magic Flute" and gave an excellen
rendering OF Marguerite, in GOunOdS ''Fausi, lis
p1pn Of Tie imperial COnservatOire at Vienna. Sht
| studied under Madame Marches1 and received
! thorough musical training for the opera stage. Sh
made her debat when ntteel al the Theatre Lyrique
Paris III 'Lcs Dragons de Nillars' Rose trlquet
She next visited this country, and after short
son returned TO Europe. she sang during the carnl
| val season with great success In Venice and Othe
| cues IN Italy. she has good, well trained, sympa
! thelic voice and complete mastery over some OF tn
| most difficult roles In opera.
| THE COMING STAR.
We have already spoken Of the Swedish Nightin
gale, who Is To be the next attraction III The Orego
ing avary OF we trust that the successful bird
catcher, Srrakosch, Will give tls great cantalrice
| opportunity To appear III "MignOnn and ''lamet,
operas which she has made successful by her grel
| talents. We may not look for the same eXcltenen
| when her couutrywoman and prototype, Jenn
| Lind, came here-fOr humbug no longer dares Il
soil art win its foul tOnch--Dut we can assure her
hearty, deep-Iet welcome more TO be priced Ina
all the bought up enthusiasm OF thousand Joyce
| HetLs.