, 1870-09-20

bracIug the Mar11t + Bartholomew Pantomime
Troupe; Eugene cTeste and Pierre 1e Due, the
French Wres;lcrs: ]. G. Fofde, the neurological
comedian; and Mous. D'AtaiIe and Mile. Angela,
two F4encn athletes. The audience was & very
lsfactien. The ian,omimc troupe Is well known
here, haying p!nreti very long and successful
cngasement at Mcvtcketa last summer. MaMt
rantomniss, anl inclr assis CTS IS iuy @ eqaa eq
which, iast evening, we're "Nicolslnns"
aRa FdsSes ua Mh:af !; a. en1f,,umsnp Tss TTs
IN himself, being one Of the best rlntomime
clowns ne have ever had here. The performance
opsnea YIN mNtcoe.ans Hatt taking the title
supported by Ronns rs CFustg. Sandfor1 Us Colin,
and Mile. Dcrtsse, graceful aud rather petit
young la'y. as a''ns.!s The pantomiine vas fo,
Le Due, two men OF very muscular mould, which
had very little interest as match, the one ele-
ment Of excitement being wanting, It was mere
anil lifting fca1s. showing great strength, wlton:
any struggle for victory. Mr. FoE,le, the come
dtan, followed in new snecies Of humorous ac-
humorous effects were made by mere tacia1 e1-
rressions anu cccentricisies OF gait. His success
Hts immediate, md was recoentzed hs a very
hearty e'lco'e, to which hc replied with q lecture
OIL the trials ot tiac satlor The real e:eat OF the
cyenin. was the feats OF strength PERFORMED by
D'Atalte and Mile Angela ssrhe forMt RS strength
III HIS 3RNp Ill LIS Eu5E HClll7 quite
as much service IS the same organ IN the har,is
of Samson: Lying horizontally III tie ar, sus-
pended with his feet IN the rings Of Z trapeza,
and hol6inE to rope with lis teeth, he bears the
U oarEel holdlEg forty gallons Of water By his
teeth, and holds It ut right angles to himself Win
= man astrde Of It, Snspenlin8 himself head
, noMnWast, ne hollis s8ing upon which two
70 rope WITH his teeth AMI being hauled up to
tne dome, carrying little child with
him. Nile. Angela ia a. woman Of I'M
wcInen, quite attractive In face and person. Her
tents are principally those Of main strength, the
NEST remarkable Of winch is carrying DAtallc
a.rhss her shoulders, aud t@o heavy Weights In
ral'tomi.ne OF Robert Muca,rc." The entertain
Eent Is a thoroughly nnobIectionablc one, and
vtry Interesting TO such as arc amused with pan
tor I'M" or care 10 Witness fcats Of strength. The
vr roo,, .o,aIta;laa::; My1sKEMs THEATRE; ,3 TIE; -
engagement, last evening, with Ills ncrsouatiop OF
i5amiet which does not cali for any notice more
detailed than has already been made In these col
TINT the audience showeI4n falling OIL on fhnse OF
last week, many thcatEy-goefs undoubtedly re-
setvin. their visits until he shall appear i'll SONG
thing less hackneyed.
pEARHoR.t THEATRE ...... .
The Dearborn Theatre hail its usual crowded
house last evening. and commenced the week
With very attractive bill, embracing Hogan aud
hughes Specially. ~ Really Shall Expire" which
stoes hot ret lose particle ia It's attractyeness
hut On te Other hand seems to Ea!n n proEong
s4Hal." q miranlv sung BY Dertram: 4 burcsque
fancy dance !.y Rogers: the latishab!e "pathctic
2na.ts.te,r By Colt:n, Hart, Manning aud
rnornns sketch "Turn him Out" auti an eScr,l-
ctatng h1rlcsque upon Hamlet" ia ryhicl, tie
melancholy Prince Il subjected TO prosecutions
features in It 1s the graveyard scene, Ia which
Cotton as the grayc-tliggcr nueartas al astonish-
Ing collection of old hats hools, hoolsklrts, &c,
aaet Is hs e nnyo ne an
let .prononnces d touching cuogy. The whole
hurlesque Is funny to the last degree.
production Of - Little Emily at the Museum
some time ago, has induced Mr.. Aiken to give It
tnry: the house was quite full Inst evening.
Little Emily Is an aslarratton by Andrew Ha1ll-
.:ay from Dayiu Coppernela. and one Of the best
wright has sclzed upon the most romantic cr!-
sttaes Of the story, ant has succeeded in weaving
them into verg picturesque ant telling rnelo-
drama. The dialogue Is t1lscretly selected from
:hc text u Charles Dickens, and Is, therefore, cx-
teilcnt. The drama'is pefao.e are all familiar to
.gu ouF tmaednatlons- sdlo ntR,
s raay. s Wao docs ""' not Sd<fv snow aRa sSa; fem
and understand them, autl lore or hate them,
better than he eau his own brothers and sisters
III.
that 1t becomes very difficult task for an actor
to represent nny one OF them with acccptancc
l'ciore an audience, nlnetcnths OF which arc pre-
we will not quarrel seriously with the PLAYERS be-
cause they are Incompetent to represent the per-
sonnges whom ne all Know 50 intimately, but
i've manner in which the drama has been present
ed- The scenery IS well executed, and an audi.
ral elect Is given TO the midnight scene, in the
see 3nd act. by the singing Of the National Quar-
1cI{E lluu. WHOSE services have tNFr
the OCCASION Altogether. the play ls very inter
estnF: mosine, n!ctures1ne-Wosta going to see.
Iough. uncoush lgokine savage, who Is not Dan7
ItgyottH. Nj. Fawcett tuls after Mitu.rbtr, Us
some men are sail to toll after virtue tut he new
for Nicaebtr, and II he has any conception OF the
character he fails 10 give any evidence OF the fac,
ih!oneh his attempt 10 personate him. Mr. Faw-
..e u laugh. but he fails utterly to portray
.M;carttz- ME Jennings is more successful Il
t'f'ah Hep. In the outward manifestations ui
, M ne Itains a mh IT,
twisting. and the rubbing Of his clanmy palms
ETC donc '+by the card, and, on on the whole.
Aliens R~a Dartk is also good. So is Miss Clurc:
aa. thG, and 80 II Miss Mayhew's Emily, d rather
The most striking leltncatton Of the r1ay, how.
cscr, is That Of iAarid Copperdrsd, by Mr. j. VI
Blatsstell. We have hcrctnurt snDken a.lm!rinel,
of the manner in which Mr. Ulais1ell tupcr5Un
We arc h1rpy to say that, IN the long tuteryu
which has elapsed since he played 1t here he has
fsTn studying the part earnestly, atI has at 1as1
tfnnght 1t to point Of absolute perfection 1t /;
roit requiring great deal Of manual dextertty
David's rrAcpa! business Is to shake hands wilt
WIG somss on the sa an L y II
variety Ct shakes that It would be hard to classify
them, There Is the shake Of friendship for steer.
.'orth; the enthusiastic shake, 7or Ryao'fv. the
loving shake, for 4a1nfs; the formal shake, fol
general use; and The random shake, for who.
eyeE comes q 1 along. II each q these Mr
IlasstitH is perfect. Then there are the varying
! shades OF expression. Darid is the central 1gure
III the drama, md although he has nothing to say
or 10 {.,it ehakc), he Is the universal listener
svmrathlzer, and cordoleE: He aeqniesees II
everything that Is 10 do. When there Is scent
| OF voc In progress. he looks sad. When outraGcs
arc pe1net1atca. he looks Indignant When tht
| characters are Joyous, he laughs When anyone
ssss Come. letus go,. he meek1y oheys II.
Sometimes he holds hts hat In one hand ant
shakes with the other. Sometimes he wears It OF
hts head ansl shakes two hand5 at once. In al
| this Sir. Blaislcll exhibits profound skEll. As
piece OF rantomlme acting It is perhaps the bes
he has ever done In this city.
Little Emily" will be given every evening dur
| fuV Tho wftE