, 1870-05-11
ADJUSTMENTS.


Gut Heii, Ge7paoniai Rie Jeafs, Coneordiaf
@gps ass a1a .ea
occasion was me pef1ofmanes OF s1osows enafn- ~
sse ,aa, sas,ae Wasa uqoss .n
Ger Germans have tziumpned; again, il enoral aud
orchestral resources, they have challenged the
professional troupes, and once more have
made Us ssqusints with .as real - scope 9ps
and result Of opsraue REPRESENTATIONS as me
composers intended. Hnen the5 "fots toel1 wofks
cicty. then the Maafc Flute nbT their r1ya1s the
concnr,lfa Manuerchor. sntf nov IL il strade1la =
Tbs bright, lively. neiodious- little opera, has
been given here but once BEFORE and atnce thas
time new set Of opera gocrs have come Into the
,hos., da1s IN sssendancs however isst evening
s.Ia, ,.-,,.,. w. nr,d,err ,nf ,nev tayFe of
sta spslnHas. ae.ao.star M at xcv1csera 1Thearra
when Formes Gang Aalroao, aud Himmer
sane st1udena, and Haoelman sang Barsar9no, and
cazissa sang L<oao.a That wns So on ~. ne III OF Of
JanuaE5, 1861 good "aaa ago. nns NOT 20: ~
back as to preclude the .nsttauen es comparisons
,as..- xn-s ~; IN 1.ror ~ tt,e S1.,narrhnr TIM
!osta were aa n la'os @ q aasoa .as aeeno @ ~" ane
tainly wide enough for comparisons That
was given upon smau stage. this
pes Tas aye0 Wta handfi at si1reTs sad Ills
Nth ueariT hundred naaie aud female VuIces,
cafef1lljy tf7lned. aud spurred b. the enthusiasm
n shs SIsrenss nas yeTy u,a1esia one, because
Two entire acts and part Of another are purely
choral either u. the themes themselves
cnncartes passages Tnot Waa given
@,ts meacre oIchsstra Of dozen per1ormefs
wnon @ no1 gvEn dnE - anacnn conId anur t
e 1ortYage neees nainet, snd mau,nu,ated IN
1orF T,hst wss 4 representatfon ar aStratiella7
mutfIsted Aaa Gl<Jointed. This Vas u Stradeua"
entire. dance, nustc and ILL., 0'-'
The GerIonuja u,pde q wise selection In taking
aSradeIa7 because is MUSIC Is Just Of that cnaF-
acter which they Gu do well It Is Light lively,
and spirited, admitting of dramatic eetaf II whIeh
Of the masquerade, Of course, ind them In tne1r
native element There Is danger In
The % grand operas, but But no danger Ia i Istfadeua"
| and Kindred works, which are always popular,
| and Of which the repertoire is large and always
n Grsnafa.n and scores Of others, Yet remain ID
viung representation The music also Is
et that character which Is very popn-
popular Of III operas among Amencans, although
Eintostss ntner FoIt. astraieias onT fnee,ls
lev representations to MAKE il equally = favorre.
seot Ell for IL svenne wns as foows s
qsd Wa.S nas ns soi5
n.tna.s. iii he seen "a IN ffe 1an1s NJ verT
lev sineers, Wine lie numbers were sung well
thn- 80 stf,1 rrnre To- ,rnnroupr1ont ThS hns
49,. w. ~ se r;.51t ~ anH I.oorr 10 InVe
INN INN drst to sst It mnst be con
ttSse.7 ffas III, schnttze ia not q
1917 sHo, q. .a iova, He ia too nerrone ami tf,n
go0o s%1e ~ 1one .-,,coeS ~ ,t,, ~ Raiats ~
9e2nfe iis antire tne rs he onaht. 10 is Gaa,ao
ts nn.1 foo aftan TaFea inre n The a,1enre in,
s.a w =. ~ oa.11 Is ts vi phn rnansr th,n
sssI ~ IN ~ e Tr StTaJrz,a' tn oet feo1oTn On;
nnon ~, 4 ha1cnny Wn7ch thfFssens to bucFie
apparv 7ninrsa s13d then h, nm Tnnr ,ark nnnT
hor ~ einT 1nnT seTenaSe tn The ofi Drnt,emen
IN he @ orcSesira chai1s he Msidas In tao il1est
rircIe and t6e aois In he aaiieTT. Forret Ioul
endie,,oe % antIrefv Ynn haye nothing Is 10 viii
1n1. snt theg n, nnt fare + 1nffndv r ynr
ssrf srHo1fe ffen alto9ether. In doing Ills you Wi
~ .,er. fraaam ~ acton n, thts staoe snf nnnr
ges mos W s A. Y Iezas nc ,vnice s
a1,, rsrv rIaoaant ms ana Ve- sweet ons thrnnuI