, 1870-11-23

enough to ses up pyroseohuto rAcexy. Bos the
loycsn OF real nature, especially OF nstnrn "
kepoeo. VII r. % James !fzrt.t pctu e and o naa
pasc. oat Of Sa:nEca hook which they nave often
"The Golden II Ip,7 1h h:ch. VIC oeucFc, " AuAm
IAti cs,uAl4etS hl6 L A-t<rplccs.. u PA!ouhx
y nich viii undoubtedly p'ovoSc ctuelsu- Thcre
n no Iouht that II II an exquisite oampo inon
s 1uas. ~ IN ion. to9, 81 ws'cs. :e,aas
Rroap OF II e. when could not hare oeen chosen
y ne .s on * ,,'e o. t1s T. ~ 9s o.
gruund Is ospoE- through vi icns and duwn the |
iosd, tne co.s aie cunning homo Tbs distance |
ss,ls: Al luis drapsI win dtsanay y asas, III" Tne
1t !: attraction OF tic p.iatsog Is tho son. golden
.lkh& which t.iis uu> Tie rlkat cenlzu tosa-
uees Il The left T.s CONTRAST i iLila,tASle aud i
the 1lsnt u e1qutsite.y ruansgel. We vcrJ much
aoas:: hoWsre,, m. tasr .hesc Il aaytn!ng "a
foliage but a painful fussinss,. aud Tnetser,
nittf AZ It would not be : Ratu 1t NJ. Hat1 should
1ose some Of his dainty sof'neas Aoa snootauess
and secure In Ii. IT stead mole boldness, freedom
and cash y ith his u.uah. The Is no eccentrtcily
Ct untuth IN his l!.ht 1t Ii a nasteliy piece Of
rea.y all Of lis a.c pictures, sce.as 70 ,'e acquIl
ness Rhic1 maj be degenerate d l1Io mRQueltsm
as IA rabiy bAai As Sunntar<.
ADDISON RICHARDS ..
Sends small la"uscupc which . good 10 codpo-
si1Ior, Int wsak tn effect \ ttver. with boats,
SCI agsine1 IN sudistinct sack9rnnud of fatiaSe,
con Prise p.cturc which Is principally remark
able for weakness and tnatclsian, and, BY no
neans, fair sample o. tn,s afslsas work:
conEtsutts large painting called tsFrutt
Ne1dess,T wh.ch ID as suong as tpa past picture
L Wsak. Is p4inted wih 81, At freedom acd
res. little dttall The Distance. which Is ia
rtue N chsracler, IL very commonplace The best
r ns ~ he piSs9e sr e. hs oguss at III tra
tttndts- Notwithstanding the freedom Of the
handling. which prulAbiJ would be appreciated
Gnly y a. artist there Is ye l!tie interest IN
att1Acuyeunr- The artist tunss haye been siDgu-
la11y ulfotlnnate in subjects to have hit aPou
susa @ an Que rs this. A.otaer smaller picture.
ing, AID Is better chosen ID Anbject
UEADE,
as usual Is repfs senird " different styles OF sut
! lects. firu, We have = large maslne vlew. which
ia been lalnt-d as study Of loH water elect
Re ~ ~, tus this puFpede, has selected TsEJ
Wias oSa. n. Wi;n hs4sy sust ia 1as distanss II
Lftr R1c&t nt>1aDce In Wildly Increasing ClrcitA
1hs ~ t'e Is u The twilight end the b..ad aTeep
| Of light IS Lue OF the 1ici.ess ELECTS Hcade has
efcI n ouctd. and Is greatly hsishtened 81 tIs
| II atked G. IuRst with the darkness which has
sgttiet do \ a Epon tue distant water. The Dgurea
OFT maj: AMI 10: walEi.g down tae b:aco are
In.rahte keeyIua WITH th+ t1ertal tone VI the pic
7ute- As WHOLE Il Is une nf the mast po wetful
of the many ptctules which NJ Heaas has exhlo-
The ether two pictures by ta:s artist aie ,sncn
et Eishonssse 1osss, ~. T. n;ss q The .1as,,
resting upon table by the tide Of several ard..
cies Of t1ouitsit; anil . pair Of delicate, tiny
hummtug birds. on q spray; which ahow Ms nne
Of bis O1nsll, IS al three VI tssse works differ
H1eAa1J in style
Tie Philadelphsa artist NC must confeas. Is puz
zie to MS One Of mis- landscapes, " Sandy Klvei
| Valley" Is averJ large And pteten.lous work
s!s beauty oi composi1son. the co,oSs, hoseSet
are raradu1,cal an.iIh lteht Is not ouly m aesed
| in :the mcst startling manner, but comes feo1
Ct 81 se9s c.ne g has Shadow. gs nspt a.;
wsy, and another in just the opposite feat whict
| Nature, Notwithstanding her many freafs ant
! lhtrotlenal tasiarnss. saaea No, usaa!y perform
nutursl srs while his third picture, large ma
| .ensatlrn4l. n seems u have mixed every po.
| *thlt color anh epr. ad them on his canyns with
| cut abT grarati.I, and making them meet With
~ t!azss with every possl6ie i.st The se
| levels IN MI The cOlnfs Of the ratnhow. S1ne o
| Mf. tatiMau'e Atnalle- pictures, which have be q
~ ssss ~ s.e f ~ qnnes H. 1na na'E Mau aaci.
Stems 70 hare tuu colo1-uad-
! JA.rKR 4skwNAE
ia hE,I a. lat. 4 bea1 Tasttng down Snow
s,iI-Y:lle In 1ne woots w.:n hunter IN the es
| tIetnc distance, IS the sum nn1 substance OF
win l.ssct On his arm, and fu!Iowed ntdilK +
;wo r .1l,1 aIy7, il muru IN 're splr1tra, aua hs
torsite1afe acrlon, out n.tthes OF tne pieces n
yt1y c1t+isnD III ARTISTIC point OF TiaW, esthe
] 50 kut1Icct O.. hafUlt! z.
''~' Va ~ BRADFORD,
~ ~ IT, ~ .,.... -, njs tsrrer sr,,rs
az as ~ s..,,,;.. ;.nzs ~, -, , faa d
sG x,,tayc ~. ~ ,an.n 1.n,iscsoe ard H.. ineri
':f III, ,r,1s-- 80 ss.n hx 1nfe M il = reSnce
s ~ ~ ',,@,,s nrrtv ~, h,s Z nrs..r11ng i,
WmM -ars nj rrnunsa IN toe n1c:uEe. which
:t,,,;a.,y .lrswn II vsry .Ielca:ely nnesl, i,
. ias Inc tJtut,rsi toush and feeling 81 mIn!atu
.str't-r
COLEMAN
M soas 81 :. :; .s st pctazss a ss
,mr- t:i,uYs rh. rtT,,ns,,,uf tf~r1f IL aan,irai
H. & cverr ~ar storrn =. sFcrotHu m in he Il
taEcf, wnich dafkcle me river ;, funnins tnfoo1
rs Aaa gses 1et' !. .9us ,.ts e1ot Ety
1 Esass ana ousH s.7r - saar sa t5, ~ a.
, 1nE. uEA - go. @s1M a"as Htt aNst -aS - r
ngss aa,.s u sfana .1s "a snpeestnn r6e charm
l. WAo4e taoHsI4pc II q n4ks ssnanAs Eae SaAx =,
~ petuss oetoE " aaG rtsaass ~ S xsi
~ tEats auss " ..sn wS "" n ~ ,r ,s ~ ,tsnr1a4s
ssanns nt,, q .n asanUta fee,inr ~ q,
=, 1In. .n..m a1t, rT1,n Of chi # nnt ffen seeu
~ issdsespez The sane art,st has aiso 1T
~ m nrrrra whtrh ~ lttle ,nn,p Than q sEer
l!1M us,ntt, m1n ~ na.,,.1 " tr.n - ~
Z. xno 5et 1as s's1e ane m1us u ''e'a ~ IT.
n VI. 1aean ,|,it,,,o, ona "a, =,
L. the growing Taiiesy OF ms woIks, = VII be
he snIced with ecaEaf lat:9esI 1ne pict9sss
T. tsa l.n A. :n1n nm san [sHTs1Rs sf Rsre ~ ~
,SttE,, i,..rn III. trc.nt VIE n he How Is
n es1s &c &c M sheIs sn,ns euanx tsune near
~ eS 1oHn ;2 ~ M. 'ne Ihs a,t eatsb,So HI
Sh- Wlcu 1oNtI ~ auG, -. S.t ~ ,H go ~ ~
sc, light upon thci' copitas Enits atl INC isst 81
ag. lanaacape tnoontala ~ saass, tepust ~
: j ceI'llc snsgMM. "hsen n!ea.aes .ne sesy =
arc IFlt. MatN t1s 49, - - - ~ ~
on tItnE ceiaMEs. anu lhs e4slHststsiC ..a ssa ~
rec which Is part OF An E'stefn ia1dac
;oi~ the teeessoEtts a'e uniu'etesting. TIE cons
for raste oHef Of The q tist 4 snoxa ~ ttE pecu
MI ';y 81 Acht Anu tsneSial!t 10 me Ieeiidg ol
~ ~, ,ass n & ~, ti,,a ~
T Lton ~ ~ Eas,' sset 49, nassa e. 9,tne n, nAs
Ho~ ..na - ia tnn5 ,no coI,,,,,s ~ 80 =
~ ~ nrsm:r,s With strr n. S1ound III 1ss
ss sa Saxt,Gt. III ~ ,na rsrv otrnosrheTs Tt
NE ~ abe istsnl MI. and e,nmnpr4 n ihc nj
- frs,s,s ln ms .Ir the Tnwer ina rnyktt
te" at. we're tcyer hetter SHOWN than In Inis 3
ms, ,nnrrfrt,torx wufk. II ia pictQfe when
1.e 1nar e,n,. that, ron am T., 70 r.ood f,r Il
Gat suy on G IN, N'' 'A's1 Ava -
e1,s' u,e@ '"e "'t-D "''' GsY.
III ncstnp. m artist who has great reputati
-nr sne rssJ int WIN r,rrir exhfhts nutside o(
lie nm v hi crntesr the nhlu Wild James Ha
nId .up+ r.nr;tT in the 1srd-capea OF this colle
Bra liz subject ID coast scene in the vicinity
:tnI ls.srt, MASS, speciality fu which he 4
neH1 ! ,5ctlss Thr LETT of The p1crufe ik occupiel
:; M nttand. somc stuntrd trees growing q,
nc and as,,t l1pou r1xka very closely resernbiii
mi. red rTnu}ts formations on tho north she
eoip ss'i ~ n'n2 n9 f9em he trun cnterinT intt
MN snncett,on Tha mini wster Al Their
nsat ,Hsa sr.xrs ier n lrctor. Catching shadows
1sso~ a.. - r.rsnct in time At inc rirht tf tht +
SAG FAAE~- sAN*