, 1870-12-02

holding he kie1e-cven ia the pose OF the feet
ssdness and fatigue, Joined with reflections Of no
& ar nee ~ vins ise o.
these rfecuoua She must rise BY the eary morn
.sg light, thtnly clad, and toll IN the Eutsers no
nere Il her eleoV. @ ~ il another s1raJed II solzesas
costume, fevelllng alt night and having every lux
ury the desires. and {et no mora beantifal-no
than ahe! And she pauses from her work, sets
down her bag OF rags snd AraAda In t1e BuoH
thinking. How many times has tho story been
in the cloae PORTRAYAL Of sentiment aad Ia the gen
e1al harmony Of the wosk, 4 u admirable. lisa
iyr!e poem, as touching and as tender a sons
Of Munich, German landscape anIsI Of no ordi-
view of .'Tae Bayaiisa Alps" one of the Gsand-
est, broadest aud finest pieces Of nature Ee hare
seen upon canT1:. The 1snness WITH Wh!so he
out Of their seas OF pnes. the precision and 90.
ce.1ty with which re his treated tue foreRrouud
T9aeE S Sr5 ans s.
mouon OF the water. and the emonnsainoch teefnHt
ihas feeling Of elsyauoo, Of distance, and of cold
sna NOBILITY q sentiment + i ,Rlcsas. Which
viii pear Etndy, and ono which Will RroF upon
70 ond what Il real asd what M uae. There could
he no 6terner rehuEe 10 the fAntastlcAl color
freaks OF some Of our American artists than TO
hang such picture 81 this BY the side Of some Of
tae II panoramic wolkL
A-H- WYANr,
Of New York. wns never 70 well represented IN I
1hrt, remembering the works be used to send |
hers Gye or gx yea1B ago, and looking Upon those
NON upon the walls q the gallery, he Y tap1dly
scaee I e artists. iii WORKS emnisca litde forest
interior. evidently psinted for the e1sc! Of Light:
cottage Il the head OF the HiAck valley. neae
ta4s Al ia base, and upon the crown OF smother |
de cllEitJ aloplrg down to rocky foreground;
and ts
ceoyte ta1onn into SHADOW a. tta hesd, the rocks
sk1stipg the right bank, giving It delicious gray
so1er agd on s1e
which Is Z range Of mountains in var}1n9 Light
sid shade. with bsoad shadow in the centre
s,ssxr tone on nn,ti It reaches he foresrousd N W
gentle fall and dissppeafs tn the cool green Rrsss
Iueer. - We haye Aaid. A,e much the best pictures
Of bload effects Of light or shadow, In thn Ga1ldly
and supe!b gray Of rocks, In tho conscientious and
patrst1ttnE manner II which he worrn up monn-
ard indla!tnct suggestions OF form, In at-
meaphere and i1 close study Of nature, be hts
aeDs
ctunu1 have combined 10 much freedom with 10
4 swAxz ozHsoRD.
OF New York, seuds two pictures OF western
la1.cscspca. Desert Scene nesf cornne, Utah."
Is fresh from hts easel Il ts nota subject most
Mites for color and distance. The scene Is u
very deso'sAecne. A p1alp, covered With patcnes
o. a.an!ed Etass STRETCHES away !nso toe blue d.
" tIdtrate1. In the foreground ta an Indian wig
van, with two dEures st the op:nlog and otas
ogufes back et It; 1a he extreme & dlssncs: @ CO..
from the E1gwam IN feout to the figures IN the
middle distance, and from these ID tam to tbs
columns Of SMOKE, a once Indicate nc distsuee
forMh on the horizon. Without these polnts
indeed the picture would be too somble and desc
la1e TO be pleasant They auord az agreeable lc-
lief TO the eye and are IN some sort key TO the
freedom Of the ars,st, who Las naa5led TITS un;
grateful suh,ess Yin geas porsf. Tue seroad
funb1a River. OREGON, ID some tespecss sves3
remarkable picture Tha simplicity with which
| he has secured unusual freedom and power Is not
distinct sel.es 81 tones, and ne p!esure nasuraMJ
di!1dea Itself into four distinct parts sepafatedbJ
@a1Sn ,,ef ne' he fe!9Ts; 4s, gSs s
! blulih-gSeen a1J: the middle distance between
light of the picture IL one broad sweep; the blue
river running along IKE ethbon; and the almost
| neutral itbeacn in the foreground, With cotRmns OF
fouf tones of color aFe eoaaected by tas sesessor @
| les OF q tent figures here and there, 4 IRE aud \
boat on the edge OF the river. without which. tue
picture, Ike the 1t1t one, would lose very mater
m ayuSt wonld adafre 1t for the handling OF col
sr n broad, free effect. and scientific man for
4. CART EM1Eu, ---.o-.
Msx x5 eass s1s " s e.
ecast," which are pleasing In composition, bnt
nard and blurred In color. especially Is applied To
I OF New FORK, contributes Rtnan but very pleas
tng lands Landscape Of : Heenlt'tty pastoral nature.
bronx md or1dge, md @ patlent nsaef1nsn, % % I'D IL
| gently rising hillside, covered vita nowetE. &c.
cessortes which give home feeling 70 any land
are rather nard ana dat, tie picture Is good QUE
although by no means the beat sample Of TIL.
Also OF New Yort, contributes "Mt Lafayette II
October," !" very smAY antumn eject, the land,
scape p!esenttrg nothing verJ stirling. aud W
aaa sns
efotts Ia tie Academy Of Design. We are met
more naea.ed With E4scs.colof oy the eAme ar
landscape, which IL IoyeIy one OF itself, ~ jad
Uttab>y handled, and with much truer and Lette
effect shan the one u oil The excellence Of tnl
colort u the gallery. which are among the noea
e1nio,on pa.sy Wnieh Wos,a SlSs ee pe9eir aa
Al admirable salog IN ne WY Of ssud5.
@Mooisn Waich 1s Fter or fne ss1 Paw as q
sometimes called. and The Alhambra." the Ia,
te: Of which wa. one Of the American pictures i
the Paris EXPOSITION which attracted verI 9enera
, attention. The former picture Is very 1tnHn
one. 1n The dtstance is Moorish city, reun
under The lowering hills. In the right fotrstuun
| 5nd huge size and terminating In :nass1ve pyra
uittal spur Of great height, upon tho top Of wnic
sea T. snus inc aRe 4E. "a es .s
ss,ea DE, E6iss 4 alaTsled " etas
asnse .1a ~ danger L spp,zens Ia the 81
'use, for ! force or spanls7da Il, pouring dow
, The neat hilIdde, overlooking tho town, and som
: fccsy denles. 70 oe met BY ths Moots, Who :ha
, Aoors arc holding iheir ground, aid ot6etx a.
Wstca f1es. soiitsiy maie,eer, wi1n m hia M pss
on his back, and staupede Of cattle, aEe the on
as 0 IL sesaa n,nste Ss1APs e Ss ofs sss
III ssfrs II th.a e. Contrast a'tSss Seszeeu
!, she veird solemn dssrance be;opd b. ion f6e soTS
T ready datkened With the frtnges Of = storm
a l which the smoking beacons add addtdonal weIs
> It hand atd tnoee 1t . distance, In me peculi
i which nnttf on u she heavy air ike some ere
J! 'ocsp. vhich are taken right out af nature, Il
;" Alhamhra,r realizes IrTtngs description. n
y a,y 4 heavy and solid arrhed bridge, ovef Wh.c
at down tne rocky ntllssde to the foregroan
marches M festival procession. gsy n eolora ..
| gayly captrisoned steeda- B.htnd It rises, feo
m | its rocky foundations, the AlhRnbrs, win 1
Tassve A1Gsn ,s1 = 5oWs ,s t .ne esy
painting both II the feeling which invests II, an
:, for The careful manner. IN which ererJ arch
y tectursi detail Of drawing aud perapectve .
I, wrought out The solitiry and pernnauente
g these naanye, square to~ers arc admirably e
q pre1seo. md y no pats OF the Immense anon
Fl 10 HznRs .l1xA a.
v tne1e ttem to be SOY relaxing OF The brush. II
.o fo:sh Is harmonious acd careful throughout q
i itwIesllJ great American wo1ka q IN , epic cha
ol ecter.
10 CAsILIAR
u ftsetms 20 be tho fate OF Casilesr to b rem,
terted here BY Old and smau plctuies, which
e not show rim At his best IN the present inGiau
e be exhibits aunset and landAcape, mostly
ht apd broader and not 10 dncsl u some 6f hiso;t
20 ! kmsh works which hAve been on exhibition ht
2 DOES moi commence sending be'tef pictures III
= ne two Tbtch represent him In the academy I
7. NoRlN,:
le Of Ph!1adelpha, ts rcpresenfeh BY IN old pietu
+ PARTED Ia 1851, called Tue Ruips.r 1 co
z. Io*llou based upon Shel1eyA welt known lines
aat y ss sas z e. asds vi e 4ssss
!. The picture IL principally noticeable for its d
=: colcr ana dsaW1uF, bat otherwise Il not =
.s cuAn1rs so4xr1. +!
Pc Of New Yo.k, brother Of 0,&7 sommer, who a.
~ to hayeA ktud,o here, contributes = study oi
" 1anaseape on board An unpleasant green
tone pefEades the picture. but the drawing Il 20
and the cleud. aork and trees arc very effective
!: Of New York. VINO L. s1sSra nsSe4 eeep rrpre.eu
Il ] ere before contributes Bereral pictures, 9ole
~ sttua. "Eutung," "a Hot 0t5," ABx .Cn
r. y, Lcuutetn,n "view On CATerack Creek, II i
~ ~ and ''sunset at Mt Desert" Hn work IS pr,f
~ pslty remarkable for tts 1del.t3 to na1ute
~ ~ a:pdiea we're evidently made very carefally
n cotot In the open aif, aud then worked W ia
" c3oee detail tn the studio. he also possesses ,
laEc Izcult5 among l1nd8c4pc arttEts, Of being 4
ree Tnrf do1shie atfrv n te1 d. NM MaS -
ri, | BuupeI has sonc -idea Of remaining mere,
,aG nope tntt he Will decide to do 80 We cannot h
~ too many a1tsa here who study nature out Of r
lte | EtudinA
Ia In. WNls,
Of New Tork. seud4 tro 4mAu pictures, ",Up
4 - n ufaa nlr 1JtS1n =.