, 1870-12-04
the WORLD or Amusement.
The spectators and the Connsis-
EGuf&,


Indeed, 1t seemed 10 Oa th2t theEe VII more |
tt Walking shout tho galleries On thebe oocA-
lions thau there vas hanging On the walls-
Human nature IL AlKtya on the rampage in
! hoEso car but IN an at ga1lety human f.
ure Ii uaually under difficulties. I,
The reaults ate funny.
HunAn nature never gets In such = tight
corner as rhen It ia conpe1led TO e1pross opin-
ions upon subjects Of which It ia sublimels ig-
norant to be compelled to look wise whau> it
feels excessively stupid.
Which was tho case now and thon 1t Those
receptions
Standing in my corner and looking 1t tl1e
crowd pass and repass must confess that
wss more amused than IN looking as the pic
lures, These could take 1t my leisure;
thoEeI canrot have every da5.
know they are Ill dear, kind souAs 1t home.
and know great deal atout the grocery buai-
nass, real estate, Positions aud dinners, but
they cannot talk about such things here.
When they get into the art atmosphere, Of
course they must talk art.
And that's who're the gaelic comes IN.
The gatherings at al art reception arc a.
Ways tie Eama in character.
l. The old gentlemen who ars renewing
their youth. That rare old artist, Tire, has |
wn.sae . 49, su ,.aa ns sas en,1az 9a's ooau
hnes On .he 1eee Ana cutfea u.e9e asufes
som9; x;, bnt the5 neEel g, were % 90 Houng - no9.
fererco OF ten thousand dollara be,ween them |
on wheat, and they Bcowl At each other vhen |
they meet On Change aud hsve even
-" ..-h et1'.- h,,t =, ~ 49, piGae-as 11as suuke
utou common level, smile biaudly upon
each other. shake handa, pronounce it ali de- |
lightful. look te1tnedly ut the Alhsmbra |
Nnen 5fo"n cqnaGenaany anlorns smith wa
rMnea oy Mash1nelon irving F!ne
th,ps, ssss snnh. Yes, SIT remarkable
naalaings, eAss btosn, and then they cay
| koon evening 70 eA'n otnel, poiateiS, xno go
CT snf1s VIZ sIlnnR .1 niahaiy Ana oooblgg
soou' nele sao snete, .nsn W4Ae tGpe slsa9ie
osef tae. c1o~a nAe aAtlo9 N c19set ue4o,
auo ao"n n nss an neods ~ OF aeaHs htoWn u
.tn11pg a q ,o a =, p;ea i1o saying oao tn'nss
aoeu, r sm'1n y; ~ 70 aaaa9 mnseh. n,,a;, u.
z. Ihete Inc Tould-be connolssenr' ne
cotceLt Lt1ates himaelf upon particular pint
ing, and s4usnders his energieA upoa it 40
loe "a Ut II In d Talent lGhtn- Insn he trans
forms his hat into glass; and looks At 1t.
oe 100 mueh interested IN II ~ psst: Then
he returns TO it and goes Though tho Same
i prog &mmc Again. ~ Ibis tifne he has gath
erca little eosesla about 4im- Sctog8lnh u
Known a. cohnoisseur- It u well. therefore,
to get ~ opinion: nseaass sou S.s, san expseas
/
sour, opinion has got scfoSgana stamp
On 1t. ana ~ lhs1 AtaoenA ven
tufes to ssk Serog81ns y mat
u good picture. Wnefeopon scfoggns
stnkea an 1ttltnae ano places tna! eloqoent
forefir ger q h,s upon his nose: ana laoncnea
ara hanoncs, aho nea8nt ol touet ana aIaN-
Ing and hnish, &C., AND, When ne closea, Ats-
osAe u aoite 9noee1aeq me. ~ nes ooat nst'e ue
MIND Tnetnes IL y oao picture Or Go9d
| IEG COuNQ&S&HUr. bQWAYef. h6H &ttAE-
| l4sheo fepusa'ton' aoo PASSES On 10 lie next
Iictnte.
SUB rosa, however, and between you and
c me, he cont Know an. thing abont it.. Unon
who uses The word char osc1iFo At all.
8. There is the young fellow who has ar.
Q | IASed himself, quite unlike the lilies Of The
/ field, for This spe:iI occasion, and when
look upon Fitz ue1teft it Il always = profound
. mysteiy to me how be geta into thoao clothes
is AID then dnd myee1f wondering how he Ii
.s going TO get out Of them when Ae goes home
Fitz Herbert don't know anything about PFC
u tu1es. He don't want to know anything abou
- me To-, )" whether /. be one ot Colemau's land
10 scapes. or the last attoc1ous daub Of IN
n Innea. TIA iii cnpiar to him, F. q. r:,as -
la | the: rest, and iat,ors under ths de,ns;o,
that The rest have come to eos l,in," He IL
h holtte1;nc. tai,orinr. md bsrba,;no' And p
!s,, o d. lin H. iusss to s.s that 10 !: ely
t.;aei Al +na % !. ocrr,;ies - ,nss ~ ~
'ne grana no. eiss, u;s, an9 no y miserable 93
m1sa aAsa sna' encus. '"tee VIII Inc s4ue 1a1.
1t Mnen tne es.Mng has " Wo!n away ana q
of .9"u 81 ms su1s: 5oa LII w.. mes'S ~ no9 ny
tels.eo ~ o1sA1 eoln1t o. e9un,o WIN -
~ ~ ed pos,iliop. mich 10 he mvstiscstion NJ % u.
t1 o y f. S no@o a. ~ ~
ut nu;at5s ont ana % josl he dos door, VII l'' "s VI
-, 4. Tbeo there is Bis Counterpart, Cele,tinl
'a4 vhn has srr1yed berself coyxeously becau,
SO she know that jenkins aiIf BE- there to pr,
" sp.a,ei. ~ aud becsuss sbe knogs that she v
SO Is an object Of interest. She may moi kno
lot Jenkins, hut she will find him and ha will fl
nd l.er, They hare IN affinity for each othe
mo There is always \ mutual friend to place the
us en- rapport with each other, although ahe Y
he Isv.F come down from her social pos,si
IA tome mysterious way, however. Jenkins =
'o' leaIn every detail connected with bar toll
q, and in some equally m5s1etioas Eay Jenki
ny .;n, ssha ia 1,,nnr fcr the oi;ieet ~ har i
10. las been accomplished. He Ia happy, Tor
it has got his remuneration. Sometin
a Celestila has travelled, ! fact which Celesti
- tits everyone know, somewhat ~ follow
'os "Oh! ma, didn't we see thAt picture 1t Rome
e1- or "MiI What heck,ng pictures these :
nc The Low-er has quite Epoilt my taate
-. these common things" And to Ado1phu
Oh! GER, that 10 very good, but ron aho'
Is hsvc seons hat sWeet p!c;ure We saw in BetlI
and Perhaps the most touching episode In her ev
III ines experience is when she meets anosl
on dear creature Of about equal calibte. They b
'ate pause, sscelestinA fixes her gaze upon the ne
po | tet picture, while iha other deliberately &C
mences TO take IN inventory. Her chigu
her earrings, her necklaces, her {
eacn. her waist, her poatflli
her houncea nm tr1mr,'--
OF Ler sl;pptra alf p,ss under rer7aw sE:.1a..
the never winces.. she il bonnd m in tba NJ
The before her, She don't kroT tb,t tbaa a@1r r
H. whsu the nrn,,ar time h.. ntsaasg e.,
nrv. ~, rr.:t-tt" 800 49,, psea+ -" mel
Is4 So *@ee up1u :ue plctute
'oos n;tt ~ sass, huu Setssna1 soes ta1o,
ner ~ -" @ fr.hoa .ho Xxi. =, .ai oIa -. -.
, re- snbt;rna1r irncr,nt ~ vb.t hss hsan ~ A.
F.c1 TGv.s > itfie iii, and TIA s3;chtsat ~
"14o tha r. - =; Iha WcTid .s mnch o. ~ s.r
mot cn.es I'm In sni roaren m ~ renest
liz" process ad snnnnu,n, b!ese ahe4r innoe
ara nresented hv mr,tnsf fnend' fh.y NJ
ete- s.x earh o,hef hefora. and bernn1e ~
Eays friends in forty-fya ecconds. nrnyidaa Il
49,. ii,mnnds .re Of eonal yaiun' and. fwn i
af.er. cut exch othef.
'ers; 1sxcentrsl rnie vnuldn't adxf.a @o1
eiye nut uuch crtdeuce in their at o1iticis
~. If,ey .ro Ant to Cet ,n.r1nes paiuied by m
w. Hart Rud landrcapes painted by D. Ha.s
uele admire the perspective Of foreground.
nav on the genrr Of = middle distance, and
49," char Obscure on the face Of portrait r
:. rrren cloud in = 7ei1oT sfy: red oraks {
Riue foreground &pp1a bioseoma On m
neo. ard pink Ester undet black cloua.
you have the etraw which tick1es The infau
n.