, 1870-01-17
MONDAY, JANUARY II, 1870

nosAHtf' eezsnatoy with Daniel oefoe, bstu teE,
Aaa tndlcg Hl:h Nh. Inepba1d, to1u 173. Fhe
ua&raooas ~ sdmtzahse, &nd tns s.leetious Me
nAoe ~as y pRAent soaae contlass in,o,est: : sct
70 sre yoa Z etmea d The NM saa cf,rcu
atsss q The nfsphles. VII copy for you tho
eloenx r4s&Re3of Tho Mo Of Lsu1pneg sssruc:
Beoks1 q health, the huupnxt reured to Cox
a sna na9s ss1.. r. rss soned ,, as V1fe .oadaush
| est1s4se than, taes nasaed him With an adnt1a-
Visited Londeo to q sope1inteua it, oubftcs!oa b1s
als oonsattuxson wts utterly snatlered md n a.
s9e1 ofo1ee = td 11aoss1a 0ss ee9pca.s >tn enr5,
| ~ 1n1dou uoequ1iItaoces dtd not neglect nln,
n n 2: Mne.3 Ana II hsppenet that % tne 1sth
~ neal tS,p pt2 e'luf 1 Paes =
/ tnooginGE ng AnorE the guests wr,o GaFnck md
ir1nna hnne Tho PROPOSED to esaa loosnaxa 10
E,8geta1d, was not nele Of dId NOT case Is RlJa
tais messeraEE tue Latest NJ ~ bot pade htns 70
satered e. 1 o. re 1s, .ssdsn As md g. and
Nas e1piHtg. He stood bJ and H1ited to lce t4t
sno - nete0 how the vssted arm Vii sntsaen1y
mm Of Now II u come md Ene1 Ee saw rne
nams te1ax tn trash.
stsTaes detoc1s - mn, 1f1tan xfto me,s5irs1
pr;aos. ~ tutn e 1nactstays 'LsctCsea On no
aa Aas siss o ss .se1'
e. e.; ~: fs1sy nRe.1idS Tie or Esu1eace
ssfne:. he te9aiIes zone 1adidous criticism
tns ttssI y Iola jam aseaxe:t @ III IL t FseasS
IfznAssson ot teo Sentimental JsorreyLtoIqYd
ssass a99 c,ats,s,ns ;,s,s b ana 81 ssv NJ
Al.e psont b 81 Hal'Er Bcots'a no.ice Of seIn1
and Professor Aas.ons, III Als eesa11 on Bftrlzn |
ss.ea, nd f. ssstlaeesss f:ss esa'H 5sa,as5 81 "a
oonsnse lin ~, u tssr aatao4 borrowed, Il |
tnss s Sai saaor as9su, ana n,,n not fro
toas hts sslcasm - amazingly sob,,e and iggtn-
;oue1 tnas 10 ros sesses wonderful nsastety o1er
p. a kAAN f1h
shaes q csaiacts4 ihst ss = ~ Tesxe4 ss q0a gaea
most sentimental a'roceeat when blending ps.hod |
lon: and that .nougn wo mugt rentuosto lie man
Who ustsnNed IN lndoeencJ lite eat5r yet 10 l.
cannot 1elnso cur patuA admiration 70 tne ma
Une1e Toby N'N'' -~''1
Virus fors:on publish also some charming
novellettefr OF which shall give you some ac.
count little tiseat that arn preparing fer you
Of the novels Of the season. But tne latest publ
cation Of note Is the life Of Roxuni, b5 J.. sgtasr.
land EdFaEds published hy Ditson}.
The frenttfpece Of the volume is u portrait bY l.
GuasaF Dore, reprtdent1cg RossinI, 1s he lag ptl-
loved IN death, claspinR the c1ne1x aboyethe for.
gotten wreath, and seeming lost In quiet Bleep.
II n7t1ho1sht Ne might have wished ior ad.a1.
ing more expressive OF LIE; but In reading tho
boof, aud recurring from tho echoes Of senoEu, |
ard the routine OF career as thoroughly nuualeal
10 tnte picture Of silence, ne cannot fall to be
souched with the suggestive tenderness Of the |
snousa' 'aas mas secured all his music upon the
dead composers peaceful HE
eo .notoosuy nn6lea4 Il Rosstul's lie, that
e,. e,sA saese s.en1 Hoa1 personal and connoa- |
p!aso-uls p'- ousa' Matn1se, ana aeafa-oeloug to
.le nualcal word. HB father wAa rnsic1au, I
at4 mosnei nad s"eet voice; bis wife was /
h4oae3s ana nl4 oeetn. you KNOW, WIS World
y, mt1e Mssa' Roeslnl9 lHe," Aays EDWARDS IN
.a uis snapte1 upon hoas'nis reforms IN writing
tok sno soce' pfesen1 no dramatic interest,"
sasa nssees - ooea possess, belongs en:lrelJ
~ 49, .us ."mpoas, "ssat,c caiee1. ano eonalsa u
e'A1o N4a' A7 tn1oooeeo 1alo opesaee
r.. .n,,o ~
aoe *otaa1 o1s'oes n.s WORK into three parts:
e.,tes IN q. na aa, 4s W es,5 No.ts -ae
et'Iea IL IL thAptef upoo hosssM4 yooth his drss
appearance IN public IN 11G9. ''NothinR" 8aya
Madam GeorRt 4pRhetr, the original Jns,na il |
tho futnre corposcr's uD.,ber Of ssy,l,en
. eoalo oe imagined more tender. more touching |
than the voice and actlon Of this ex11ao,diusrv |
child Ia the beauutpl canon Of the tntrd ant =,
- smaa.' s<.s' IN 81 be'o istd"ee-" Tne Bologneae
o. 6nst stme oecased that he would sorne day be
one Of the greatest muslcltns known. The p3tn-
cpA disclosures Of part nr,t rn,ate tn Rnsstn,,e
rsforms Ia nc.n cnr1tc ana sa,,a1a ~ ..oss
eer. si..s..s. "''s auo sst wv opera; ano tne
.oas ms.oiNi opetas seles1eo 70 SHOW the
progress o. muEc to his time, IN the Development
OF opetato forms, are Per9oieses "Serya p
drona," Gtucka "orfeo," Ctmarosa's uMetr1-
mono segretto, u and Pa11telto,s "Barb1ere,r
Part II. u named "Rnssui at NAMES. y FINN
The time Of his debut In Nsp1es and the meeting n
Nile. Colorav {h,s nsst ulie) to the End Of Ros-
stnIs Italian Carees" tnclud.nr tha hiarnrv of
most important productions and all rhss NAV ~
sald to belong to 1sa,y.
Part Ill + Rcsa1nrs French c.reer.,, detail.