, 1870-02-11
The Artists Reception at the
Opera House Last
Evening,
A Grand Rush, Crush, and
Push Of the FASH
ionaDles.
The Ladies': Their Fa~
ces, Dresses, Flowers
and Cologne.
The Pictures: Art on the
Basis Of Heels.
Studios: What Was In Them and
What Eas Ont Of Them.
The Ball and Supper.

,orid .ose!5 xu7,aa eSn DC, tne1 NC oaacloG Aua
s,irc,
!. s,.z,t ~, feel rrrcry >" Gays Ar1ulnta to
.,s,.+,r
61te II e ;,..r,oric cy e,.,,.on
~ Co. "ssrs 'hat ms75 'o' ~ ~ e4ee
,.stS seat.
AZ .,...., M er1t..!sy1. Tha.'s appreciation |
so"'ta so.cren. far the nonr |
,s,,. N ;se su lIo- ho sll looked taeI ptetuest,
nd n,c r1ed ra taett lstle deEs sato Charming
,,m,: ot rt.css. Toc heels hsTeft.
E,a,..,s,y ya4 there, OF cb.fs:, With Me-. |
r-.,.,.o,. and me isSt Miss SJneoodJ who fs
49, rnw s,ppp,pg with Mrs. Eoso1J. It
,,.n, hr Sc. ec5r as 8 crush, slcce loco
~, mt ..rtr.,nsiY :tncc.s, AID appreciation
,.s.1., - s.,u,n I.a,aers. 0ne hei gazing re- !
e.-,., Il. ..aas,satly ou h.s nl1i that he was
rs.nr nnot, :,.,p OF wss IN sorebodyB focus-
: rn..,,Se retes when tt. orchestra led uG
80 ,,e,.o,tn,n for the dance. aua etuptted the
- ~ ,be ar;.coaaoi,searA There were
errast Of n,e;ty wpufu there. AMI miles o.
snn. RI t;es-:Ls. IN fac:. i Eat ths ocet dressed
oc-atioL ever tEo*n in ch'ct9o. "pn balo en-
Ms.cherA +" std Ufsrbfcn forEtsned tne mos!cal
n..:,J+s tcF Tie Art-y1eHirE tn the essly patt Q!
the esra,D. ny traall ofehss,ta aaosf .,ssS Ssa
srd looted, and eye.Jth!nE vent a merry a.
MIR sce he'll. THE exercise for the hea.ls WAS
e,..t int :ae sa8s IN ihe
,,. ~, ,tr1,ytr Be,s,auts cEaracle.stlcs 10
Es5rseerS AEfnmp, sra we're ehu1r!n1 Dt1eu- |
ttss:. ~n;nr IN achenh8cA,a Caunsqan tldp'k
tacns eo", .siat.a ~ Enen II caue u ihs rssoon.,
laAs ~ -! =, .nr.tars s.d tre Cernar. Then
w.. ssoaen IN an unmIsiatai1e Naa1e., that
LEY spl M - ~ fh- matter or rteentIoa a9d
~ .tae r,,.; cn mo ionruey up-ss.,rs bit hAytpE
49,. n me-, :Es nTrl,r,natie1 OF coarse the
Ma"s.r, .a.s.cT ~, r,.', .hs
1t1le 11aA 'eu 1" ~
Tbr xrue{oa.
Gn:e cf them here thsa IN tne EA!ely' Aefe yoa
nsd their Characteristics, IN the hEetcaes which
ntrr r,non the walls snd the haI-aoBned
#orSA epaa saer ease., ~ . - ,s..,..o .,s
thcir manner Of EorEt and tne 3iaSHfntof9 PIC
tu,es tel Iou ol ,hclr nanuer Of hsnoitne. 1tis
criticize. nolo neecrss .! eons'asuls.so @ va
VI Th.t 4 b. 81. sn.n Do x,ta The morey. Il you nsve
III. <,,,y,s Of these studios Ii wo.kirE d11s here
,ssns1e M you wll learn more Of AZ: iran yrn eau
q e E.1 r. ,ee es1 q +. e.
M ns5s esa q ot
Psop sa es4 u IKE ,se esa o
the treasure. thev hare acsuInlatea - us,r tusiE
summer d!Eat, coptehteu taet e. n t1eiI ,naI
con1. Taey are noo., hui ronss.; po,1 a car:
tentt Of potktthooSS, unt Hcn u tns EeaiIh q o.
mountaits, eiouds, nsefs, snnss1s, ueek. otnN
aud doteB, They ~ noi sk'4en aoassssepsIa
and yet they nave ses ur tneu Iou.es ~1ha eolns
1rpsld . order. The noo.s have been s~ep
clean Of me aecunoanoas 9. ne psss seAE; M ~
iesded for The pm ,le gs1e ate aaove, into ~ !,
coal closet tbe esses a1ae osen ~ s,sppea ~ tle.
cu4omay chaos o. osese5!s t1e 70 ,ha 1n ~, a
t1fped over n2kt side op; soIus Q! tne moIe 10y
tbs 1ssa onea have actaally gone 70 shs e1nens
q s e e. as1 as, Il esa
soxeII a TI - "
~ tro.oo1; ;,..,o.t, ~. -.
as 81 syss,ns for tas 1eason IL
nearly iii tho aIllass hsre met wita . sssesk {
~ liz Isl IN a. ihe7 e5nIo us;oi tasm. Ths hss con
peiIed tne.n 10 paint expressly for the exhibitor
and, for fnIs reason, their work nss been hurr1et
AIthonch n tave been led 10 believe that she fel
eon IL hsrd oce. ia unasctal point Of FieT. ii
nrti.n hare no: found It ao Nearly all OF thet
havs loand resd, 1als ~ taeis wofts: ana sona %
itlss TecuIts,1tT oi ,he demand ios pictarea, tna
prrrbaset1 ttpt iArRe ones. Ii ii ~ thlnR to d
Ges 1r .15,e1 ~ tse aSa raat Coo
DO s1dtcane' lie does cot Leave the deta.lS
eize to the sftisf, but without re9aI
10 er9rrt nrher1 4 picture nvG te
by four or orner1tae. II the c1se nay be- &c na
aee.tain amo1ut Of nlank wall to cover. lie nel
Il ttcps 10 th.rk that the suau picture IL II
same Fpace vii give ro.e yar.esJ and LOOK bets.
than ors large one, which ha1I1ootze1 with not
icr ard t:lfe ii, effect Of cntnr. lie Is rAse Rsil
VIC can handle large canvas.
THHLJFs' sTCDio
lsso located that It rntt Of necessity attract 4
ten..on n1ss. 1tis amau Tor hs purposes, and
good iiaht Tney nsse lo 81 oear us s;1ris tes:
ciofe Inspection, ~ Joa cannot get more tt,
Iss ,sSv as ss M, ~
ihe ns1lerY. Where theF n,e seen 10 better advn
ssees Pniilps ia 81 ii thu. be eau do, N
~ ~, ho " = ne,.,. s0os many "As' p5ctua, @
Hsb rtnntasly correct In d1.vias. and -. j.
o1,1 no:sS{ n5rs s very i!s,1e e ses saen rorf on
cacyates, but good deal OF actual nesh- Tut
rpsGdan1 lin II The % nterI iruu fsee # tne n,
eo ISas a na s,ad &c It
En- remarkably fpeHstos ittensss: q ny ~: .,
and very graphic likeness; the two children
louis Il ii, Ese lost hid IN on the canrp, NH
ss;e roy as1 9, pdcnsy II Teeogszrg Geefgs
isoren, Esq aud .DE. Nlcnnis, which arc ',
falthfr: NkeDe7se& IN anosner place We d
Il ~ + Is ses e.: sos
rno sie stpre.en.ea ta..e:
sor ire e1h,htt1cr, owing 70 eereFe!!llreas IA
txunt]y. lie has several larSc pictures under r
s1d bon,r lis'lc eoa.t acenee: which are a,K
coveyet, we're ra'ntei upnn COMMISSIONS,
20. With vie~ 10 The exhibition.
~ f0sn's 0,a,. ,s1g s1g1,o. 70 .,n .
pate rar.d trrrnyeueni IN bis work, a5i
Ia,s,I libtrnted hf1nseI from hia manne1tsus
Mesas.s"h ai.p:sss seIs dsi..sfe tesllor.
has dra.n ont I IL. perspective Horsay
neaAe- The principal pictures 10 bus s.ud'o Il
Fss = Sei.: Il .spst s's xsiss sa =!
of ihe VILE nii,s." 10 which soms aa,ann ~
sse y 1he uiadie a!.,.oce El.sa eeau1nc pa
HcsdoEs;" AID ) moon:isat piece. Tne q s
81 Soae1er, M aDd oi : EoaSie ins,s1se >! lis =
vhlcb harRr the gallery VIC ehxu speab
aoo:seF p'.e o,.,o soxxrns, s,rcr
Otto Scnucrs. IL the Icxt s,u1r. hss dut.
ur = r:cfEre,:vi;h "Ihe Iian,sned Ptrt,~ I
~ ins :Ga sonssHn peta: 1r r!ospc.a ~ IN
h.se,rr. o..c.. ~ .hc ron,nnst;tnin n has n mi,
ssEars IT Tas re VIZ s,1 =
vi, h !, inhsdded IL roWers aid vines "
,t"n1 e:esn.:nv Etth n.srr Id teTrts -
w. ,,:T' sna int PsT Tt:s l,trr,v., e
innr4ro ia uron re hfs1
ts,,en ~ fra< nowerI and h:sds. ma ~
SIsctr r. Of ! ca.Iir, ca.cade fa.hse anon3
I1rcs 1rd tte vr,e t,p,ned ID trast.ucect ].
Fte uos.y Steps upon which shets s:aon,aE
So.n'se3s Ss ,a nso nosnfspr tsora. s; srss,
vii Lar tuosa rauzf Wlrg@ nrd bru.so tnat
cate nc4jv ~ae has enr laliy ,Etnfd fro1
I'll !, " $, ths br:x aise.s s,,niu, il looking
rih her .s+t <istrul gsze- 4. composition
Itr.nrt v fals Of tca'.:} n1a p1e:rg- Ia thc
lipu,A.:en o: the tortee ana flowers, tue dfs'
of Tie Csure, epd the stIpIG cAbIfAst pcrt
lie l,ippiI Is 1,,atn sna tle su1sls tve Il
III cttGss without, Mr. 6onu era has been
hsrpy. Ii is pa.pesle ia.: there I
Lave Keen sy fa-e d,t1rnIty
hating t.e rvlor tranait,nns an nrra~r
he hstrLOty or 1he tdrfnr~ frn-1 ,r.ntr -
fsp.d std sir:.at entc:s. II il. p,cture :; :
tlcsr nm Eres. cyeatt- III. s,,ns s,~ra a4sn +,
his strdto r:s rc;uEe ct ~aamsnn = mn n r.
rcisn1 III poxtr, ard ,nsrc or fop, isudscspe
81 Nl.rh tQcer ~ frcSf1'tF "a tae Tesi n,c1 ~ =
HE1Epa urAn1KR2-
HA.Y6 IL ncc3rrtr RE asue s:nao 9TH
1pc5e attruus N III prsclce be IA ret.pa: e;!ca,l,
fronnnac. lie hak en- Ut ,alca: Ia vpifa.i !
f,ui u palu1R IA ctstrac:ing1y disaopet
For ;uBtapc-. he Ea4 hsforE, bts!d picture o
Iseeoe In nts s'nds, Portraits ci Mt. HAltard