, 1869-04-08

A fair audience III point OF numbers, but au CT
ceedtnSlI enc one In point OF appearance aud evi-
dent intellectually, Was In attendance At Mcy}ck-
ers Theatre last evening 10 witness the persona
ton Of "Leth, the ForsaReu,'' with May Glad-
stone IN the little rpl- The plaJ Is familiar one
to Chicago audiences, IT barring been brought out
frequently With strong cast In the leading patt4.
Mn Gladstonee L<nA, therefore, comes into CON.
rastson with the rendition OF other artists who
have sustained the charactcr. She wa8 not espe-
Callr strong rs regarded dramatic f1re and foroe
Her reading IN tho rnaln was good, although, In
ne ne %9ss In,ense he Say ssylc q nd
parent In the grand climax Of the text WHERE
Leah meets Hermann tSagie) In the chutch door
aad sho*cIs upon hin her terHole curse MS
lines were spoken with voice slE1c1c1tly powerful,
with tones a-ttsticalty modui1ted. and with appro
fort seemed purely ply sic a. ana SO lack11g IN
thas tragic magnetism which should accompany,
tas ono Of .hs ost intense 2s nasgss et slsspess
one could sec tircd actress hat not thrilled
!, audience At tie close So ial:be scene whera the
outcast learns from The child that she Is
. which lnc.le Western ru:us 70 sTlendtd account,
-Nr'ne4ng seaIs from the most stassaecastomcd
the situation. She was hacgard and deashllke tn
face, her sotce Vas broken, a1l The elements of
Iar from What We have Breu L. il would seem
that the Etz1cty emotional sty1e Of acting IA not
.Ara Glads,ane's srpng polnt, for her assumption
considerably nort acceptable tnan that OF last
might She may have, and probably did, expert
,tcnec so1ne aanoyanee from the inadequate suqpot
Ar Book ttathrn> being the only one IN the cast
who had his Enea !ehrnrd tss*sahly well In this
in:provrds1ls evening, when "Lcah, he For
s2Aen, viii 6e again presented.
pKARBoEk tHEiTHk
The French sensation "knaveA OF the Pack
S still running II the Dearborn fhAs large class
of the community which enjoys SENSATIONS must
ens esss 'nS2 "a'en o Sen'aa0n e'c' among 'sn''
The thorpneh e1eeIlcnce ot the cast In the
.,nces which nightly crowd the Museum. The old
'atcrtte scru1a TO have taten new lease Of life.
and ia Just as fresh nd attractive Is ever.
"fumpts Dumpty continues to oil the Opera
sian-e With each new FrpEe :entasion, md those
.'.aurh who have uever laughed before, aad those
*Lo have, nov laugh the moTr
THE QCAi-IETTE CLCH coNCEnT.
The qua-tettc <'fstt given at the roons Q! the
.rhe ,leasantcst eyeutz Of the scason. The Aad+
ncc, icing present On Invitations purely, wAs not
Il q miscellaneous character, but Was composed
HEtlJ Of musical amateurs Aad eonno!ssenfs and
scoF!e Of t1str and culture. 50 fhAt the club se-
uzcd thosc lest Of NIL qualities In an audiences
.lese n;:sntlon aud IS closs appreciation: AZ = TIE he
't.aT ne seen i, ne folio~tlg number: li.Idn+
'icsrrt,; ~ Of vsi;a; su,a;e,.e op. =: Bec,aoycnS
utte,tc, CE. &C; one Of Acn1essohn's Song.
GS s5o Tsr a,s N sni , en0Rn R09as: s a. oP 5
III Hcs!t Ever Fa,htul sung b5 aisa Kuntf.
-, violin: +. scsse1; seeonl violin; ): ": DOM
1ola- md IhotnAs Mazston. eeloEearies Ohm
ieuos, @ u Re Il believe, upwards Of &c ,ear IA aad d Ia
!ayed hitherto e1e:nsi.ey I II pt.va;e Dstng u
Al AM " rhr rNfr rrs}1,
laIEc degree Of ne1sousoess manifested
nd the harmony was not As perfect a
epeeta;ly s IN the antant, where lie theme i .
t.7tccus and hAa17lJ marked But as the con
,,rrt pso1eased his ners1usoess wors a.ay ans
iyen c1prcsttvci* and With more pss1eet mssl
,sot harmony. One Of ths mos: $ stsEastiye at fes
rnhractnr one Of Mendelssehnis Little Sons
;lthout Words and the Chopin Folonafse. i
ii the easiest 1n4,tet In TIE world 70 lntetprs
's1' LII ia,e,liscnt manner The 1rl meaning Of h
,orts. Mr.. Fa1t, both BY his technical sk11 ~
1ce eoneepton Of tue o9x lase'nsans, 41{ls, &c. =
smp!,shed 10Th, and made the Polonaise not su
j i thoH. piece, 8 do mosi psantstA bas cna n;
I'd q certain rs;Ionl 1avor. lie xas hearth
"yaauded, and we're II not that the andle0e
liCc musical one, was not N encaHn9 one i
:untz I'd sNe adn1fa1ls aitssLonc tfon = =
Aa.7taSr Of Figure, = md the other, my nea
Tey Faithful " by Bach, every bar OF which Vas
,udy Q: itself, md EsnE them, VI
ir customary fulness ana EcnHc
the Btsle Of technical singing Glzsa. II III
'aEtz ould ouly ampat ZONE warmth OF 1nfn
me vt,ality With her singing she would hare e
l,,s She has I'll the naturpi resources bat 1t
.oly OF sound without so1L
At The close Of The p1eA4ant concert the raadn
IONS and library Of the society weEe thrown op
the audience, many Of whom araned theEnsev
the p1tsleee, md supplemented ne even1
,th eociai interronfse AeH1s1 Saas "M nok
4 K Isl Of this style Of concc1tA Tne oppottu