, 1869-12-09

afd voice II u Ae imnno,..n.,+ ~ ..,-...-
nef soaoe. AM1y1 natural, and unsooalesf ~ Ike
temneesa ans o. the muate tesehers, nas boen reii
petal We bare 10 Jodee her by her ssnrtr! ~ of
| ne esentng. which was Tho L2ce di qufst' onims
t,a coen 1@ia tnso 70 tie R,s,? ssd the watz
st-a1hc Laughing SonR'9 From thsse run,.
hen It not dime1s % set down III thas i ia ner
ms her physical iLnrmity; nssSia1 III .a9
,eeoqkn re,1 Eooa society AT Her nstnfN gins sse
,hem 'iiaanns; Iii osn;s s,sa ossEpoxsrnS, ead Win
siou She h.s vooe Vhca mum Be- tei T faIt = =
~ ss1 y tange and perfect in quality thsoncaonf
tne stnS;sa II n p hfthsns. di1zlag a. easy II
Cat1oita rstu sooNa vhsl csa Be- done ,zt eqts ~
haan T@se better than any artist Ko hiyo ever
ralpy da5a Portions Of her L<hn;o,. Az - .h, nsf
tG.e!! mar1clloo' and her staee1ti reac1 thn yar,
NJ hSe xr o. ssndac.t, earring them - shc does 10
connfs1ens,fie aG 19tes se xe ra facility almost IN
ment; but u ,horc soul In ii: she ass mast..r,
you sh ht6scx he So, 9f ": sae
pnllanet, AID ycu Eli lost ia wonder 1t iac sng,
lrG OF tins crest caEin.lce, but is not the chsrn
gone when Jou r,se 70 haye the hall? Do 1ou
1 1ot 1ae .eaaIy .oa wy Sut,,.nev sls gea; Is
ns,;a, sseSn' o, Is.t i, for instance 81 Inc 4mpie
io:e feeling ard expsessSa Ia ,bs ase szn 9oa not
eolors kith which she clothed it: Thts 4 s scems
r,,,1 ~ Vs. ine ons tning LACKING. Her voice il
h'' neilouA natchHas instrument, tuned tenn
devcr5 .hrfe g roth1ng lacIng-notsIu. IL
range, no hing IN ornamels II FOUL had bccn
hn n ps5 % ~
before. Thus We miss Truth, passion, sentiment
s5mpa.hy, and tie appeal 10 the heaIt she msSes
her clain only on The senses AID powerful one
With an eAsc which Is provok!5s,snd ahlcn sinost
Eakfs yon wish i y ere more ditucnlt for aef 10
rrodnce them. In The nor1d, ahowy music Of tue
s Ct tAF ~ A+1a
We can readily SEQ Il would be unwise for her to
depaft iou ihia schooL She has no competitors
uel nsztstapts hare been judictouLy selected.
AeTo.anus ia = cus1os!ty IN tue conceft-room ia
erGy pasaiennI: IN Person: In u1snner. and tn
zlbbnf M q ra,hes ~ in n e,tss1o dsc!snalona
sco1ds him an opportunity to show The prra.
aeptn o. his voice, atd III overpoKenng force:
soo me a MaSner anne 10 waica ns can ges dowu to hs
ais high voice l.. something asioni.htne. lie was
Iasor1te WITH the audience, md came in for the
saee ne vas hsss 6eiofa 6et ssnnR Su1
1hs DOT developed muca IN voice. ne sISes al.
ness entirely IN his throat and lead, but
,i ,pa NJ Il, VOICE ,bn,, ~ very poEe and sxss1
p1ume y N admirable yioin player, Vno has coaf.
.Ge enough cot 10 play his own compositions e1. [
iona oi oibels Ia s1p<fb styie. B1iii1.ncI nd
learners atr his Prominent qualities, and il The
eeAnique q the siol4n school he il cer1ainly eI.
-*"NNH- AN 1HUA1k YEA RGlu 4llu HDf1f12l3uf.
tlthouGh his manner ot oslpR his Whole BODY i \
sot altoReiher pleasant at times. II ri.tic1tos |
Ind pa1tplAJ ing, We Gnu hardly remember his |
aual =, Ana tnas hs p1aJs With re@srkaele Feeling
;ong. with the yiolin mu,ed. Have We ever hada /
here to surpass Ritter: We doubt It. His !
~ ar1Anc gem set into the ahowy WORK Of he |
.Ssning: Hh touch Ia cEilh clear, and |
I'd !oxer feJ-ooard. evenly and beautifully |
,alanced. lie EOS mhste7ed that rAfo I
'fsno the most muslcless Of sll instruments whJco
.spire TO any dignity. undef nls lingering and |
,edM Eork It s1ngt, not with tho short phrases !
shch Got':caalk nted to produce 10 well Win his
ler 1eet, bet with long vibrations, which run |
htpuRh The harmony from his fingers Ike . sus- l
atned I'LL through concerted vocal piece. EVER
one be produces Is as pure aud perfect as crysta
Mr. Ritter also developed IN admirable baritone
lualtty Of voice, In the quartette from "Luc1''
Ehich closed the programme.
The second concert takcs places this evening.
TIE THEATRES
lad fair houses l6et evening. The same pro-
,rantnea were performed as those which cog.
nenctd the week. There will be no change to-
eight