, 1869-10-27
AN Mu$EMEHT&.
TIE DFXRl.

AktEIA VI uu1 yt4AA. Lac A$A<A4Ar A4C!E4& I
BorE1a,' 1ros a.ore and other Of the old ssan.-
ard Hp1ks. 4! has associations clustering about Il
~hich none Of US wou!d Ike 10 lose. The ac9rc
uf It's heroine, -1pinar We hare heard scn1 by A.
the great att.ts. ald though each one Of Us maj |
haze 3 tfss iose' ~ho1, ~ Ne n5stvs % ~ Others
rustic lnnDcent, and Que sho canuos be
ca4s toRn IRON her Pedestal bg a1y
co., n s' os are ,,,,1 s,"1:s
resi, e. Old inesRont=, aud p45tly Dec4uss VIZ all
ike to RaAe comparisons. Tbs one viii tenen-
this III H. and 10 On, but u! .. atani ready
70 ~elcoue the newcomer Us xe d.! the little
uesstr last etenlng. And II i be tEte thu: tut
oper:s Ill alw3sx BE- little pet w!'h ppesa- -soesB,
II Is eqp:.lly true that one Of IT'S araA the Al
gimnef, w.ll .qual, faror71e among all al.as.
s lhis ore, ana cr5 s'br q tor taai onr, aut
tie old inc s'eadl'y hols II, place, AMI, when We
| tire Of tLe new, We return Hnh new pleasure To
AID. Sonrambu!a" also reia,ns lss nol,l upan
| the popuaas Affection Tor estheEc 'eason2 Tht
xa;raps =, II tie nes1 of spgasrnt su. bJ ssa,
tanbniic accident, and her suh<e1Atnt triumphant
ytndicattap, appeal to thc sympathy Of the uu1.
sason in tue tale never 1s IL ei.ci. Interest lis
| y hotuely story. There II 10 thrilling Passion In
il. no g1eat ci:me, 20 depth os despa:f. no ccca-
| sion fur the c6nynI.tSns and t1I.tUttions Of Tie
Italian tneo- dramatic scbool, for the IS lad
IN a peaceful village, not II the great city. The
| whole, therefore, pa1takea o! = pastoral beauty
| elxnoratilu. The conposer also has Put the story
| Ii exquisite musical setting. he has scored hid
il Anu l.na nane II 1Eatnatlc enough 70 give ke5
to the DotlTe, even without tue 1e1t, lie has
ulled the work NTH the sseeicst Of mela1ea an,l.
| bS IN "Sptra.f has n11de h:5 churua.s 70 Gufrc-
tpond win the rptnt of the etory-that H. ctptes-
awe, dramatic, and descriptive. He has iniuKn
Of nn.,c, and the seo1e and the nore- 10 ase has
D'fn Theie IS no iight soprano who could with for
10 hI&tf
| man Sotnanbuia." The opera Of Itself IL long
step towards ra,n1nZ pao.tc taraE: hut thete il
10 accoptt fos the err han.isome grretlnx ans H.
[ csts ed. = hIch grew into ~alm favor the even.
lr9 wore away, aud tor ne equally handsome suc-
In the t,st place, Mlsst1crsee Is new. and that Is
great deal II Is absolutely refreshing to ~itne.4
sans to learn oi -tasc busncss. aus wno nas soe
IT. ny e es ae sse sst X aas H. sis as a
audiences atd 10 the conventional coi1nesa
walen Is ant 70 regard strangers wnn a caftaln
dis'sust. SsEstsaetsss, aeE ,oain anl FRESHNESS
nackneyed Old s,aeeTs at any time. We do hsTe
them ans time, nno sometimes mich too efteu,
; We know 1utt where 10 tnd them. We know
Just hen the, Will ehtug thstr shoulders, Ann ea.
tend their ats atd turn 'ne.r e5es ur 10 Heaven
wherr the Euaf1oc t'sfs'1-a III collie IN; anl we
1t TIE set p.aee, anu give the ~,lh n.oavs
onoos regularity At The xe!'-aoIa slorples
| PLACE. N0fCIt! Ala staEt lRuQE8ECe are
not fault. Il they leaa into new pa:hs
1ldted are hessings IN disguite. Thty arc too
| apt 10 relaesc :nto mere fm!tauo: and stereo-
| t.ptd ac.l0n, AID 10 XII the faculty u c1eAtson
ih,s nav interfere lot thr present with pvrtec
| fF+eton' Of action in Atss !lersee. ANIL nut R1Et
tutnc,en. pa.u.slness III 1stl- tribes which, neTes
. | fheleas, 70 10 Lake rp the f5nmesr! Ut TIT
whole but yet it Is no fault IN her, for she has th
g7ounuworS 40 s1oncty ta'a that the 1nsalnx ant
e 10 nls sTeai de e. 1sas es,o
| Eer "a her a1t-Ie.
In pesopai aprea.aaMoe = TIC o.l.ss ars aa1 IN hs
. tloTlnG pto1ustoa Ut pretty Kohi h+u
!. = vtry c1p1eA:'sc e,et and manner whlc
,ss ssn e. sqa a i. Ehpet 1el4 eaa ~ sss
dcpor1nent. and less Of that cnear meretslciou
operate souh1et1es- llef oRn simplicity VAS TT
- tic thiaae raa,tsu- Her voct = = ser. our
coid pre1en;ed ttc aud,ence ftom hearing It to Ii
= ncs: 41sah9.Ge- II i ro: Of extra Eatn.rs eou
{ rass appareaiJ. but It - very flexible, an
!, eTe15 iflIl s6d run was cleat.cut IN
e aec1latelt maize For light Soprano she has +.
Z na1kshy brilliant executive poTers and SOM {
seene-1ere see raae s puEely as sneif counserps1;
i tn the orchestra, on The aute p:auat'ca,ly she
.na T.. % = L. Id
sen,tonllltes. which she wilt easily ptck 0p 4
{ soon as nct s11Ge catFcr E1rea ncr more exp
VS. - s,eadd; asGuas asslns1 the uncertainties Z
i bad cold, she neseHneltss made ha1d<0u
Il success, and oae DOES NOT need the mouth
b r7pFhecs to angur that soe wln be decided taF
] f1te IN all her fpAA
Il The reu alnthg feminine ro.s, that Of 1i31 v:
:. ncel crelitsbl, bJ Mss s'ock.on. although et
It vas cot A1Eaya true in her si1R.ur aud her 10 a
=, tores werr very bad-eEldsnry The result Of
d cold also n she rang with an easily apparent d1
le CSa:,e Is q tru1up, The term Is not tnugicl
.. bit Il Is true ueyer,ne!gsa We have rarely see
Id :epo1 IN The rrt< o1 EitiAo kho Eab uos nam',
-, w. lfHEF Yf1 a h.
r s.nF.ng. na. Castle WAS thoroughly tnauy a,
aonetmes inpaasloued. Ills smrttn, s1cn 70!
II Lad before. AID which IS tae cullen prosulae
great successes ID the future, II he Is careful l
At i certainly doing better wuri than he eseE d
heiote, aud !. making htS ns1k IN serJ spsEt1
nlanpe1. In al the '11o* with the soprano. ~aic
~ Ge bye, *esr u'Ae SENS os AnStns, he ss'
/ bisnd'rg wn,ca va ver5 rcanuiaL NJ l.
sr trDce, alto, te1T acceptable IA tae T"'s o.
" dalth. Ills voice L. yer3 pleasant bat h,a u1eth
IT, al1 the time, Hhtch makes his delivery 1uont
81 oueus. The only remaining caaIsSfet Of fmrt
ssa nc oax p. II iasea n ST. '
IN verJ excellent Actor, but nne who males the u
he tAle OF many other excellent astoEs IN sOnst'ss
er log Glow p,shne>s for mfsh. Aaessso VAS 50
ea headsd, tnpozspuase, ,guoraoi sorez. hut no,
as clown. maline ez.mAee* and 9sseA<T'< TOT
qtzGo 70 q s & and
G ~ ~ m y "stk pees ssE sIn'
o. tat the chcrusea Of sonnan nealA = mare ne'
he teeu to1e 70 veil here b-to7e. The Phants
rel chorus VA ven ntsh perfect, II re xsEr 70
at. taSe trcn btt.ez TO haze commenced Il
oa i-kttad oi 1ac-:~f.1t H ach won@1 basc S4Eel
lee Eorc eseeuse shaking, pe1asps, ~ The soddsn
Inc eseE4shsoe Nss done 70 eueeEhls we hhve no {
su- POSITION 10 !oot a:ter lt.'1e laws
80 Tnsa ess.!rS p na,tex ais ere5s .Ias rar!ss
AsiSkxh'. 4s9ex1ax,
In Epi:e Of the refg ubu.uh attractions Ole
e'teH here, Actlc1ers Theatre ost lazge no
pcrxoEas!ou Ct "Aary Stasrt.'' Since IBIS L
bas tctn here ihis 'a*t f!tne Sic has exhibited
nk s tcsie de LII - eqcs,ed. nos TIL tssseens Cd
her splendid reputation au over the cnan
"Atry Stuart has met With representation Il
~. hands ot some Of nc ses.t ss9a,e caafaGteF
.trJ neree most thea:re goers were prepared 10
be1 ron citing very nne. There could have been II
'.l.- IN, nowe1s Tars Stuart Is peculiarly her o
~ She has something Lew u develop ID thl. a
sno has IL all ltr l3ressonAaionA The PAT isscl
&c ~ Rs:tSt spd jknaaschek. FAn!kners s.
Stua1t Is cirested Of much or the catnnef- o
o. ness CT that Of Schiller \ Ahtle lie 11An o!es
: Q! iHpprts ont .snt, in the prrseu1 Instance.
dets BeFrrs Lad The benefit of = very eaeeasent
'ote tou,e,n:pe hat Is Eot al*aJs Y DC l1osSd Se
tne XcCuuom Is EDt<rf n,u5aA. Joseph Mhee
1LeS II Eclend t;reaf. Nh Cowel - xNs<" EAza
Mss. Jordan ~ Lasu hru.7las, Ma b *ers ne
tic public we're given tzea, they canEo:
Il ihe nzs. txo acsa there t. bat htt,e 70
my forth the areat power which Nh Boxefs
,It ee,fes sItI IN these tacrc ts nose ox less to
| tbs1 she Is Enkter Of her Faft When the q
''P' tes nom ,ts coupSa eone to de@aod be. 40.
aouk ton. she tboEs ~ ~ psoaa - tnpv!1oasne;
cltJ tae chief eharacsel.stes Of the house OF St