, 1869-10-31

Review OF tho Week.
-........-. CHICAGO, Oct 50
II taz Editor u 1As CA&ea9s 1tia1n<:
II il ny purpose to divert these leliera now and
then !rotn their regular, Or irregular, chaunel III
The case tnAJ Re: 10 sepd MlRnon and celete, Old
Blobbs, Aureiia, and the Wonderful Baby, Oh into
the country; to lei eoe,ety "go lt1 own gait" as
Sargent sa5s In "The Touan Who Dared, !" and
tax to 3oa u.s,e II lha critical yeia.
What better topic can I md than ono which Is
tn every ones nonth7 l acknowledge It II lasse
nouttfnl, but you mult concede tass It u good to
sAke- -
/ An also fstt 10 confess to you that don't care
fos much Of anything but tins opera jult-now.
haven't gwen ! thought to the Ecuuenicat Coun.
ctl and anould b utterly Indifferent even II the
Holy Faihrr turned = bouersanit tn the rApai
char, or let loose Whole drove Of butis from tho
Vatican. don1 care the Buap ol my lt.'e rngeT
bow 'hc cause Of foreign mlssions 4 progressing
ID SetoR&patan, aud take no interest In the gen.
tie savage who ate frieAsecd mIGsionxrJ for break
fast, and 1t dinner tuna mat with i chapge OF
htAr1, and took tbs direct road for KtpTdom Cpun,
lturpoae shall fall Ia do my duty 10 ny country
If do not exhibit N interest Ia pol.'ca no4st tho
old nag and take tho Standardization Of municipal
affairs tnso my own hAuda; tut must oonfcAa that
have neau tlytnK Tor . month 70 ond out Hhethef
Am C,tssu :" or DarDscle." have been
reading both sdes very saalanou*'y. and It ID MI
,puddJe. Tho more / resd. tho deeper net luto Il
10 tnre r,7pen from absolute ann1httAHop. harn
hsd IA raj out Of tns st7esm. and staud on tbs
nants and look On. hut between ypu ana nc, 1t
seetls 10 ma n II ttets Hefs 4 rood toapy ciu-
tcnp on top. 1ne I,arnaclcs, you know, Always
.ie On tho sA.p's bottom. - near tho mud n they
can uot: sno, whcn tacY fasteo thcmsclvos 70 .
pier, Invariably choo.o tho rosteness psit Of 1t.
| Tut u1ast sAJ thAt an GlwaJB 0pcn 10 conrlc.
don, M, applicants vii, do wsil 70 heod tho an.
tlenl saw, that the longest polc lun*ks down Tho
| ,fnlnmona. Corner lols on Nnouola xsreo.
viii tc rrfuscd. - do not Wall 10 tnovo out o!
tho kszIu. Neither DO care particularly for tae
Hrahish lltyojutlun, Which u uudtllug laa qulls
- much N tho city po)1ticA nor for Tho LAX levy
wh.o.. ! coolly th1oH ovrr ny shout1of, knowlDa
that Tho lIord provides tor tho shoru lambs; moi
Financial uestIonA, Which never disturb thr ctopt)
Rerep.ty of = collapsed poke book; n1f The KfuA
.tutsllops Ut tho hout which sgitatu people wnt
trIops 10 societies, sectp. md Ichls1ut, Aad n,
ct,,tinuatly kalt,Ig the world into trouble by do
,nx sousthluE.
Out of DOOR have iht1 hrautifol 1ndal
Summer weather, which Is 10 me teas
Ing md ! benediction 1t once. In N
GH!ly Maik1, DO / not own al the beau
l tIul things seer las brown Aoy more interes
In Ills beautiful garden than II Docs not tho Lax
each Day spread out panorama Of cxqu.xt
beauty Tor met Ani can any painter hkcteh NOR
leiehtial pictures than thoio which the 200
Mother Nature trteadA with such lavish hant
zach day snd uiFht, On her blue sk5.cAaras:
To crown Mi theso dtitRnts, It only needs nuss
Chateau. AarRnux. aud farta3aA ara un1 ans'
lnte!y cs:entsa'. hat they Ut Ia nieey round Il
! | cdEef'
Thiss Joe secs ietene3 me 70 'ne aut9ec. upa
d!acna*aop,-tEe largo moo1n1ol VI WHICH apok
namely:
MAd. Eupttts}ne 1atepGDnaA, OF whom, nt1
, few woEds.
4 laIep&B voice IA pure sop1sno ut toleo
taycs IN rnnge, from g to.0. Tho mere inntter
! three octtvcs, perhaps, By ttsctf, IL not = oh
noGnchon; but when the ToaCa u pufe IRON o.
4 extreme TO the other; when there arc no ron
I edges, no weak spot In xny OF the registers; M
= | each tone II roundea AND well dennen. theo y
= certainly exstsordtaafJ. Dla you ever nonce n
there no lumber. no feea!ness IL nes VOC
0 no1h!ng Of the metallic ring which Jou often be
n n othef slh!ss' Tolees7 II taa pure qua.
inst E1Ses 70 II ua dA1inctneaA anu " peaeuat'
" power. In the Jnhlee concerts sin2tnx aSau
70 background OF enc tnoosana 1usuunen
f. ten ahoutand Voices, anu ae3s1 organ,
Il building Which OF Nseu offered every Obstacle
the human Foce, sue sueeeeaeot IN mAe'nR
To1ee eudlnle N tue teIotea' corner ~ so"t w
D. Adelaide Phiu'ps, "aose vAes = M!9s VI
L. and heAv1, could only oisnnct5 III Aooat y
a. thirds Of the building, and you could not pick
sntholFnaa AhSe1. e'en auonS tAosa po"ei'
~ deep-breehted, ana sstong-lao2ed soptant OF
OF Handel and Haydn Society," II u toapaHt5 M
Ill tells, more -tnan nero loadness OF NOSE u
ia, power u not s8ns qua nan Ii music and
Tarepa has the power when she chooses to
n1blt IT, ~ Jon will observe soueumes ID c
IT, cetted nnalef, aud a. you would very quickly
le. | eefye Il there shou1d be dangerous weak spo
-, Performance The Rauae peculiarly OF the ct
30 Of purity Is noticeable IN Instruments. An E
'rs lth CT German ytoitD, In email room, viii m
n- vastly more no!.e than Cremons, but tbs
a1l ment you enlarge the Fpaee, the Cremora Il be
~ where the others cannot be- There n1e rlcnt1
" [ sinkeIn WHO can 1osfe Morc noise than PaIepa
a small room, but there Is scarcely one, who, II
,mmeuse auditorium, has 1.-THE Of her iis,l
les pe.a, Guinea hens, c1owk, and screech-o Kis
~. ali loud, hut no, remarkably pure a!uvess.
=. II seems aluoat supe1naoas to 50
'fe Of the quality of her rpire.
Tor mink 1 have heard q very rev voices which '
Ho sFceter ,nap ners: but her voice has That dell
n, ful uuallty which neye1 sar.es and alwaya goe
-, | tho heaT3. 1t has brightness, freshness aud
Us ptd purity IL #. Its q rolcc which Jpu cau c
The away with 3ou, for there IL distinctive chara
i'm nf tone In IT. y hich you eau sesza upon n.d d
.,., your ,uemo1y, You nj, KNOW, also, III ne11b
it ts eauAl 10 any emergency Of Torture. v
oA" nLturc constructed her thrcsr, she put rted
ing which would ipttfncaFelI respond 70 taaaca
US! l!tlon, and more titan put asonndsne ooa1d
his nAs. Which Eonld reflect ana give 1oftn e
tole and shade Of tone precisely As I. should
Expressaou IL the soui Of music II there
oes warmth Of tone. mns1c - 1ne1e mat1es o.
IS, cBaticN aotuacilon. For Esthace, Jou q
ec- can get resi- music out OF plano, fof there
80, soI' IN the BOZ ~ taese y onaeE INC sss'nSee
- v1olin- Where every Key IL cooll5 ana oe4s''e3
NY, calculated 10 eise eeftala 1o1es 5oa An e
uld catacJt psfc4ion, bFllisncs. and execution
,ays only ievele tosn Of e1rsess1eo- Expsc
''1s must cone from the soul the singer must q
'ose ciate tho sentiment must feel in his or her
my the meaning Of nc music. no genuine S, masl
ong come out ot cotas uncoocefned, tnpfssit
,ich nature euch natures may give : &C
..a form Of expression 70 thtH nns!e, bat doe
= touch Jour heart You insanca'veiy lee' ms
ote counterfeit and purely ucrctf1cfo1s, and as q
: " ~, r.,n,sr m.~ n.,n, nc,n,,1n3ty v;Ih,
'f"' soul Il u even poas,elc TIM. a SCULPTOR
ons rhisel without II; bnt !. Is useless for toR
eass nfg witnoat n Son' tA1epa ~ eusuaa.
D'' w., u .,-,nss s.s ~, s,s !. .ransn =, on,ct
feel1pgr. Her heart Il nearly as big as her
fIcs intelligence ID keen aud aprreciaElve, IL
"o1 readily appEehenda and feels sent'mcae Au'
'tun uat1fanf, toetc1o1e, E'e e1e5s's''o ~ t1S'
;, ri INV. ahou, the adantat,on OF all thesc oua
y o1 ~; ssss ~ ~. ~ ,sao.,,. :, n"ras y w.
OWE u, he Narttaua stamp. Tue masac u l4ga
got nn.,s.,.,.,., s,tnnnnn vrr1 .xret. Il
We broad, ftrong colonnE, dramatic rasafon
any uasc e,s n.,ea ae ws,..e - o .os p.aasIc,
1in2 nave ,ou scen 1lersee. TINT 1lt,le canary
the nHe ~ ~sA 60. w~n.. .o-e
.-o, ~. :. ..s - Its ~ ,nr.tona-i.-vr, b
sN.e, 80 =, .ha s.,ns iin,e ~scfuI. i n
that / 9e4Q1nQIt AuQ ~ lGe @Al10 Atsi% kA~%@0A