, 1869-09-05
THE CHICAGO TRIBUNE. SUNDAY. SEPTEMBER s. 1862

that thelf connection has been compnsrG In that
Of tho Rneiont philosopher rJthagpraa and bis
sabolarA Not a faw Of these Joupa pA;ntpts hAtp
arrAdy EnAdo thslf mark; Tescntntorf snd LeEeu-
maieF belong 10 his schooot, uni Thoodoeo Hchutx,
tho most original genius ut them nil hnt tisplAYed
grcal power.
We found f1lpfy buaJ upon bis sInca fauou8
picture, "Ths Hattie uf sbo WhIte Mountain. )"
the tHou1tht chosen being tho Art!YA Of lhs ue5.
srpkct from Christian OF Autalh, with tho tcpnrt
Of Tho fiAatsruus hHno Of tho conflict with which
TIM Thirty ytaFa' Wsr WA fairly tcr,n, The
contemplate Frederick. Tho W,u.er Klue, hay.
Ing lust Ilned with tho EBgIish Ambassador an,,
swarm Of tAd'ch Of the court. Will etns1s klyc eu
dlencs to tho messenger Tbs mixture Of scorn.
ful IcsIty and ltnbece terror pictured upot, hIs
fuuntensncu whom nnally rpnstpccd Of biz prr
Rnnkl danger ID one pf Tho wonderful tt[utnpla Of
ART. Tho following morning aaw him already Ia.
yond tho boundaries OF bohemia, thon7h he hs,t
furce Of seventeen tstRlIons tn i'rague. sixteen
thousand of lhU defeated army lay unttor Inn
wslls. ana Mansfield MAS In riisen With trtlyo
thourand mrn. t,uu tl!i not ncc&1 ren,tndrr nj
The hisioricai tar. to TO oun..p., s,,a, tho mar
t1loty painted noattt neser stand IRE. Tho whuIa
subject Ii treated With saa befyuus force. r,ant
trazcal pathoa. amt superb oolur,nv AlNata dtx.
t1nan!ahns Tho MASTER.
fl'oiJ II ka!l, rather angular In trraon. with a
hushy irAa ot hair. giving ono 4 r,n,faahc.f pu,nn
of an lnnt1ns1t tknosanrr uf ltas1, ar rotuh. ho
WORT snsxed aray s,!l that tnorntns, M. cxacty
saaaonaais. not exant!y o,i.ft, which nftectuaiY
drpF1srd hiu1 Of thAt tiust!ux stylp frequently
ehafaclerAt!o Of 0crMan aft,ala. Ih~,n II . 20.
cI|1Ar eehtIthtts OF manner ar,d gutcs p,sf.r,,s-
scsiion which wins greatly upon all those roru!nx
in contact with him.
~ tho many astlsta Who hare won lasting 5e1Al-
tat!onk daring tue past ntteta years In tho yAsAAs
departments OF their pr0fcaatou, f1loty "a hls,o.
rttaI painter il Of tho foremost IN Germany. OF
this particular class theso Ia no1htng, oll or new,
In the two galler.rs Of Munich cqualllng bis Won.
deEul pctnlo & The astfoioger Bcni by tho corpaS
OF Wallenstc!n. This subject was old, but he has
rendered 1t ~ neFsr before, and In lis rendition
gwen Us tho most Imposing instance Of the powc.
Of tho rrallArc EthooL II was ths picture which
secured r1lotJA appointment to u protessosship
tn the Munich Academy, tho poaluon being gwen
HIN by tho ktug upon the death Of bis brothcr.in-
Law, Carl Schorn. Born In 1926, the A1tts.
Il just IN his prime, vixen greater results than
tEese a'GecdJ achieved aEe to be anticipated. His
father Haa noter euErnver, who removed rom
AolnburK to Munich, stutsed At the academy, end
with &E,Ynes and Aandtch enGfavett3ec nness plc-
surca Of lhe great gallery. After studying unacs
Cs1i Schorn young PlotJ spent somc time IN Parls,
Brussels and London, the influence Of the new
schools Of tho two former places being plainly per.
ccplible In all his later works. Epon hts return he
IVES commissioned, though but II, his 25sh year, to
paint one OF the pictures Tor the E.0at Aax1n!lIAu-
cum Founded BY Elng Max l.: the entirr bulldlux
wus to be adorned with eertcs Of pictures repre-
seutnE important crenta In the history Of Bavaria.
P1loIy choss she occasion Of tho Eclemn oath Of
adherence TO the Catholic League made By the
Ecctor Nanmi1l.n l., 1909. The picture was
complete tln 1854, md displays al the ch6sacterts-
tics oi Puot5 > s1y1e and the treatment which con-
y!nce1 NJ Of tho profound caInestuess With which
be pnzsuedhls art. German critics deolnfe he
here bc:rays the ,nnoence Of the Belgian school,
especially Of Gauait, IN tho stJlo OF his ccsoring
for superb II Gone1las and Kaalbach arr In Iais
respect, ihec Ii = remarkable difference betreen
them and PIoIJ IN his careful effective bFilIancy
aud wonderful cAieru-oseurp. lie Is ~
profoundly couye1saul with history, as he
Ia successful ;n.!fs expression, eSefy wore Of BIS
hands astonishing hJ the evidence Of the subtle
lrudy Of lndiy.R2t character as well as OF the cra
which Developed his hefoea- Ideal representation
neyer, With h, IS In the case Of many historical
painters, a!teDpts to supply tho lacf Of 8ctn1
1nowJcdge Of tbs era he depicts.
His Seat was sollo1 ed by Ths Murder af FatkE-
.st,n, 1Ful1ns:rir. Riding to Eye1, .ytro Striking
0rer tht En1ns IT Rome, G1Itto in Prism, TAx
l.onresy u ms'ss. and by that plcturr most up.
panded and crit:Msed Of them Ill, Ihs Hurfer oyr
CxAo5. In all hts,tsaEc groups It "a the grandeur
Of The motive, ncbthe s,ctening horror Of tho not
carnmnied, which iDptcsses ali lockers on. He
could not conce47e such picture as Rubcns' Fall
tnJ AnssIs his sastheto senas Would revolt from
tha grotsness accompanying the hnrror; but for q.
grand realization Of sublime tr1SrGy ho has no
modern equal A