The New Orleans crescent. [volume] (New Orleans, La.) 1866-1869, 1868-04-05


5 We had last night the favor Of being present q
the acknowledgement Of Hsmlet,n ~ opera,
~,;tte, oxnrssslv fo~ a. 5kh-< ,f Il Nfle,on Al
49, - ~ - 80 ''',,- - - .-'---<~-,-
the 0rano opera. We cerSamy 90 NOT class
Mile Nilsson smong the true and gifted artists,
INIT she has beautiful voice ana possespes many
I-.:.., 80. -.:- 81 \. : ~. - ~ fh.;,.
Pnysos' ''ons 10 ING foe " oP's''s', ''''As
siender, sad'looking b'onde) which make ner
attractive. II IL almost sscrilege to put such
immortal pares 10 music. To sac the 0ne and
49,. 49, 49,. =. -.
nesirfenuns phases vi ''o us"s oa' w. on'
might encure; but to have them thrown INTO
trumpet blasts, with shrill lfes, and cymbals and
drums Al, A, consnssd no;ss. according 10 the
r---s - - .1-%~--.....~ :. ar.-.~s
french scnooi OF INSTRUMENTATION ~ ousiase
upon the feelings Of any one who has read
/" Hamletr at his own ireside or seen It on the
~. rn.,ssh .tora
~ -Ae ~
Ampfos9 inoInss' -no cv y. M nss ua's ~
70 Nfne tnis epeiS, wIo'e ~ ~ We nsso a,,eeey
slhteo, Ior La Nnssun oynsequen~y' Oh ner
vocal powefs arc p,ousn' S n.o scaon Al nsr
weeAnsssss els n'uosn ~ nv nas e''-n tsn
OF oouos ahe saoness, peiole ner mauness, winch
Is e2ceeoinky pfety, ane WHEN sne sings Win
charming simpnei,y; anu tnsre Is the scene OF
maoness, wnetsm .ne ios. ninu, we oroksn nesr''
contrast toucningy WIN the careless gayey, sur
rounding her; The scenic elect OF the wsole
opera ~onoenul inero - : sno w-s.ol'n - uu ".
ing me scene Of Ht'"'eet WIN tne gnos. .. MS
ia.nef. ING spc", VI .hes {" nc, IoP.eson's ~
Is'is arc covers tne ground As wen as tnose ek-
posed 10 u, wni,e me Iesse ign.s IN me cls.eau
sh ne OUT pf,enuy, me spvt wnsfs HsIe..a ioses
so1 -, NJ ~ sp gu VI
Douseu IN ch ny ~ -. ,,s, a.J hon,s 49,
",s ' a. H.. LA =; 49, &c..
wares aoasing 'A on sns water milling To
49,. ~ az. hrIas ~. *. 80 .hin
r,,,s,,r saa rses,,sS aS :, ,ha
WIZ eae ~ :. s ny
ms WA ss sne s,nss ~ yo ,de np
anu h'' ,.os ~ as - ~ so,I
a. ~ no.o y. ,Se 70 -, W.s sIs'
u ,ne R'eee nS~esel ms iois y .nss VI ntsn'ss,
anu ne n a.; n.aae "a ~
ienes 3D., ~ 10 s'ae-e $500 go ~ ~
@ go sn' - '' az III ~ a.; -
wy neae " naMs. We sne.9 .,aoe a. wy US
1loe, ~ u, ,sot s q, VIC sausss
near. ~ sntu "a Ina sss DoIny r;I :, n'sh
sseI'shes 'nT ho',s lane "neh ne Soal - or v
ou,oensu, !ly trae ksss alss re re
@ .si 'se .n.es sieas a. o. ne
ssys 20 ir.ie, anu ~ VIC soe wy WHY VI .h
sn, ne ~ .noss my. sn' ssnsenoss ~ sns
s ga s ; ~ enu 's, uas
uioPPeu ~" my lt' f.ees siaI' e.e iouoa1'
rs m PeDoe .uao 'n, ~ u 10y re, 81.
,r.ss s, 81 T';1sS ~ n &c sson -
sIe,ses ~ g g Ia .ne ssconu
pnsss nc .ss niS "a nas " ase.ge
MN, mas Isnoupcvu nIs iose, anu s'auus ~ 'ne
paesshce OF vPnsna, VINO ehaessors 70 rscsn 70
MN 'he memory VI snelt psnsseu wv ne sa 2s
:, 70 menoue oe ces sy@oenas ese nso'.e. ins
tnna y slngle Cry 81 pam ~, the grave OF
Opneha, ihere !, little ma,erial, you e1ciain;
arc YET azure oasis tns whois me- MENTAL anu
OF RAINIER upon 'nat iit'e inere Is no musical ~
spnauon 10 De Ionnd 10 t1e opera AZ all, out u
mus, nave . cer,s'n run, II Only Ior us spienuio
scenery. 0ounoe mas lolo Us ,nst me piece, being
written Tor MISS NILSSON, would Oh course not De the
piece 70 see her 10 a. inc opera as s ner deiects
are aaroluy nioeen. Aprepos Oh Gounoa, we
make the acquaintance Of that charming and
gnted man. Inc french scnooi mas naa ne"