New Orleans Republican. [volume] (New Orleans, La) 1867-1878, 1868-05-24
uRsuLrNE CONVENT

URsuLME CONVENT,
M. WIN. McCAAudoN, AlbanS, N. Y:
Kind sr-With sentiments Of respect and yrsti-
tude, address you few lines to announce the safe
arrival Of Che Pianos and also my great satisfaction
am much pleased with the sweet tones Of the
Pianos as well e. with the Workmanship, and feel
myself greatly obliged to You Or your charitable and
generous Offering. present you my sincere thanks
for the great reduction you have made in the price
Of the Pianos. Permit me to give you place among
the number of our kind benefaotors, for whom our
daily prayers ascend to obtain all neCessaTss spin.
tuAl and temporal
Yours. very respectfully,
SISTER 81. z DE- CEANTA14
Superoross,
The following. out Of numerous hGtterinR testi
moniAls that have been received BY the manufae.
turera, Boardman Gray's Piano Fortes
Jenny Lind, that " Queen Of Song" Whites as fol.
| lows:
Gentlemen-it gives me much pleasure q speak in
favsr Of ysur Piano FOrtes which have bee used by
me at different times during my stay in this county
have every reason to be sstiAsd With their quality
and excellence Of tone, and hope they will COZ tinuo
to receive the patronage Of the public they so well
deserve. l remain, gentlemen. yours, truly obliged
New York JENNY LIND.
THAIBERss CONCERT N ALBAsY - Thalbera
used this occasion. and also the next evening ct
| Troy, one of the new Grand Pianos Of BoArdmAn
Gray Co., and repeatedly exprussed himself Is de.
| lighted with il, both in tone and touch At the
close of each concert. he found the instrument in
complete tune without even an imperfec, urison.-
New York Musical Review.
Rev. j. B. Hague, Principal Of the Hudson Female
Academy and author of the beautiful CantatA, THE
Return Of Spring. 80 favorAbly noticed IN the New
York Musical World. writes;
hive had in daily use. for several years, in the
Hudson Female Academy. the Piano Fortes Of
BoArdman, Gray %. With the most abundant Cd
psEtunities ior thoroughly testing them in sverg
respect. can speak with unqualified appreciation in
their praise. For durability utfangth standing in
tune and for those qualities ennually 30 desirable in
Piano Fortss subjected ts severe and consant ussee
consider them unSzOslIsd by any which have been
brought to my notioa ! most uardiADy recommend
them TO all. and particularly b those who may be in
ssrestsd in pFoeurings for Schools and academies
instruments Of superior eharactsy.
apl0e7ly JOHN B. HAGUE
THAIHEAe N ArDASx.-Ths New York Musiea
World speaks As folloWs;
The Piano used on this osssuion vas Grand, from
the Wareroons Of AsssrA Boaraman, Gray 4 o.. Of
that city. Mr.. Thaberg secured the instrument Alse
foE his concert in Troy. the following evening II
was the same one 80 highly plaissd By GottsohAL
and strAkossh, when thsy gave their concerts in
Albany.
GrAhAmS Illustrated Nasaains in an article on tbs
"Orgin. history and manufaeture Of the piano
| Forte" pays the following oomplimsut:
most gratifying proof q TIE superiority 81
Mssars- Boardman. GEag q Gas Piano Fortsa I
founn the fact that beth their elegant Squares anG
magnificent Grands have bssn sought for and pat
hey used not only b. the basto American pianistI
Put also b nesrly al the Ercas artists who hav'
! visited this country. Thalhsrs GotssehAk. william
Mason, strakoseh. Jenny Lind. OathArns Hayes AMI
many others hA boREs public testimony 70 thsi
great ans acknowledged mort in he most HAttsrini
termA