New-York tribune., 1867-08-06
MUSIC

Mr.. l.. +. Harrison of Irving Hall has COM
pleted his arrangements for the coming musical season
will give the series OF Sunday Evening Concerts
Thursday Popular Concerts; also series OH Srh
O1atorios. Mr. Harrison has secured the services OF
Madame ParepaRosa for the entire season IAis Is al
extremely gratifying to musical New-fork
Gounod's "Romco e Giuliettan has been
very successful at the Royal Italian opera London with
Adelina Patti and signor Mario. The Times says: "he
PATHS Gulieta is perhaps the remarkable OF her
many remarkable impersOnations. Consistent ana true
to nature like al she does, il il wrought out with care
every one i'm advance had visions of an ideal Juliet, as
soon as became public that the character would pe IN
trusted 10 this gifted lady, Is notorious But Me. I9t ~
las surpassed expectatiOn Even the waltz assigned 70
juliet before the first sight of Romeo mas opened tne
door of her heart melody which, pretty as u may
be considered, ls at variance with our precQn-
ceved notions Of the character, Is invested, by
MI = Patti amid all her brilliant YOcdllZatlOn, WIN
cc ln iudefnable something which makes MS believe
th the real feelings Of Juliet not therein expressed
but hose of Juliet under the influence OF strange ana
abnormal flow of spirits, the fOrernner OF some catas
trophe at hand An ordinary actress would make US
strain but Mile. Patti Is not an ordinary actress Ino
balcony scene SgnOr Mario could but be persuaded 10
omit the ungTateful sohoquy' Whlch,ln tne nlst ple
does suit his means, and III the peXt appears 70 h
with considerable difficulty into his Aead, WOuld no
fauess Nothing more impassiOned nothing more glasq
ful has been witnessed; ana te4ueIuE ~ t Ppeain
cular phrase is reiterated II might De LstCheu 20 "H
and again. thus delivered without palhg on thc t
The uumberess touches subtle and refined which marx
the performance Of these consumnale attiS III ~ tc %
Il
sneak for themselves. SlgnOr MaTOs voice III lne IS
mentary music OF NJ. GOunOd Il more than once fcpel.
lOus but so romantic and impressive IS MS acting lnaI
we are compelled TO forget, and therefore not catu o
70 forgive SO eXqusely pOetca and true on he Olher
hand is the acting of Mile. Patti that We only remember
when the curtain falls how cXqusltey she mas peen sns
ing all the time. -. 1., -. IT -
Moesty's Theaer in London with new scenery, aud
snTerb cast Madame Titien3 the Donna Anna Mile.
Sinico the ZeTliRq Gasser tho D0n Mr. Nantley the
LfDOrellO and SiguOr Gardoni the Ohhri9 Lsi I Io'
least" saws The Times, there Is new Donna ENiIh,
whose cO1peratiOn would alone give seGll lhINt W
fbc nerfornauce We have seen many EiNha- Dul Ilol
one who endowed the part with an indVdnaS az once
fb ~ - Seu az a.. nj iStfsss Is
revealed by Mile Christine Nilsson, evoke a'HnlLou
sympathy The audience, attracted by so engaging
sufferer delight in being admitted 90 her confidence, a'p
rather wish that Elvira had more grievances To tel IN
order that she might 60 telling them in song. strict
cOnnOisseurs may object that she imparts too great
variety Of cOoring to the fine appendix air,
Mi trad ouch alma ingmta and its splendid
recitatiyc, In quail cccess Numi:' that she
drags the time Of certain phrases dwes az too much
length certain notes, and introduces too many con
of loud and soft but admitting all this and we at
NIT it, the general effect charms by tho earncsness
of purpose chat shines through every part The voice OF
Nile. Nilsson, were she far less accomplished singer
than she is would alone exercise irresistible fascina
tone short in every note OF IFS range from the lowest
TO the highest and as we have already stated, It's range
beyond the even Of more than usually capable
sopranos In the other parts of the opera Mile Nilsson
beyond criticism IL is not surprising therefore, that
Don Giovanni as represented at Her Majesty =
tons the season." Fidelo is in the list OF operas
announced.