The New York herald., 1866-05-08
NJ yusfral.
Musfr0i.
ORGAN CONCERT AT IRVING

instrument two fantasies by Strausky and Franchommc
with expression and power Mr. George W. Moran gave
tho Tannhauscr March in style which deservedly
brought forth He then played tho Toll Over
ture and again encored. The insatiate audience
content with letting him or tho third time with his
fantasia on "Homo sweet home" or the vocal pieces,
the best and telling was a descriptive piece by
Meycrbecr, called the Monk" We have never heard
Mr. Jules Lumbards voice to such advantage as in
this fine bass solo Tho many conf citing passions that
convulsed the brain Of the knccing Cstorcan vo,ary
portrayed by him with dramatic effect and power
II he would study articulation and dsnctness more no
would remove the only Objectionable feature in bis
singing. Tho song from Ell well rendered By
Mr. Castle. The grand trio by Rossin sung before In
this hall by the same artists (Mcssrs Castle Campbell
and Lumbard). concluded the concert. The nth will
take place Sunday next, aud will contain some
{ aiures in the vocal and instrumental parts
DEBUT AN AMERICAN Artistic AND OTTER NEW
SINGERS AT THR ROYAL ITALIAN OPERA.
fFroin the London Times April 0l
In Baiio IN Aa-chera followed in duo succession
by n Troratore and La 7rdriata signor Verdi had
therefore whole week to himself; and II must be al
lowed that the week far from dun one. The OPEN
ing nights in fact, have been both more cheerful aud
more promising than last seaspn. Mile Morcnsi, who
made her dcst Thursday In tho part OF the Gypsy Is
Amer by brth aud has the inetmablc advantage
OF youth In her favor II by means finished art ~
she Possesses voice Of better than average capabity
and large fund Of dramatic energy That she exagsc-
rates at times and Is at times apt to force her voice w. a
deract from naturally nc quality IL true but her
general conception OF Azucena Is good. and her earnest
springs from anxiety to do we'll which deserves
and obtains recognition. There were some striking
points In her reading OF tho descriptive scea1
Tampa while the duet with Manrco, which follows,
good from first 10 last.
Happily signor Mario was moro like sgnor Mario on
this occasion than that OF which had recently to
speak, aud his acting alone In this dret would have IN
cited TO emulation even experienced partner than
Mile Morcnsi 1t worth sitting the whole Tro
ra,ose II only 70 listen TO hs perfect delivery Of All ~
pss pendent, Di queiia pird which was as full of dra
natl lro as the other ttnder expression signor
GvHziani THE Cone d Luna greater favore than
with the pubic-such Is the potent influence lnva.
riably exercised by a beautiful voice-gave ~ tdtn
del suo sorrtso with more than his wonted for
vor This and the N,serere (Act W. for Mile.
Frcci and signor Mario we're tho pieces which
the audience insisted upon hearing twice. Every
connoisscur Ia struck with the improvement exhibited
by Mile Fricc her essu visit Milan. Her
Leonora has ripened into performance OF genuine
ceIlence She has never given the snowy carat,no,
Tacea la mite. SO well as the other night; never
thrown such feeling into the broken CALCULATIONS u Leo
nora hearing the voice Of her lover from within the
prison walls an che Ia mmt); never displayed such
real encrpy-rea because spontaneousin the spirited
duet with Di Luna which comprises the incident Of the
swallowing of the poison and leads the final
trophc In the last and finest scene Of the opera
prsing the duct VIII ch terminates with the death OF Leo
nora the inpassioned progress OF which Is arrested by
the accents OF the sleeping Azueena ito which Mile
Morensi gave admirable pont Mile Friccl Was equally
10 be prMsed-sighor Mario o.yond ptaSc Alose'h.t,
indeed th. performance OF IL Trord"e was one 10 oo
agreea6iy rememoered. -. ,s, ,, ,.
=" lIoo'a'a on s sa% ,n ,nas oS ~. ,.no, s,,,
es Femne may s,v n, once thai lis prciensioS.
nor Fah,enl, ". h may ,, .,y ~ No o a. @ s 49, @ r, p ,
~ a % M s, h. T ~, w no~cc u,s voc. though sn,.u h.
y, @ ,as,ng a"ail,vN What The I,ailans cali ,.nor,no
snta{ ha ~ 10 s.emin,lv lie rbje md onltc nnd.r The
lhaeeu-ou. ;. - eu,,"s.y ,rse, ais,, ~ ] n,
eonto Vi 10 % ~, ., n.,ranS ~ ~ a,sa.n !. ane
20 20 . % =. v r as, v.n h,s r,.oci
~ G 49, ' s,,s,sr geni,s os the nrst ori.r roud n,ake
."u ., o,y r. 49, ,aIisca,,on s,ron, E.nc M,
ha,dy prefer claim he is a, ease upop the hos
oan nn."'y P'''e' .'' 20 y, - ,S.sP P Pss | ,s,, :,
e", ~" ~ ,',I,1 ,S ,i,a oa,,. hn, ,h, adr.d
y, ns .,s,,,o, now.d.v. too ,arc of henc an Italian
p ana s ali thai can be said ai prcsent Al the same
time and not Il, Judge him hastily Signor Fanro gave
several pasaees An the opera well his performance
generally even that We have little doob be WIN
| prove extremely nseiu on emergencies ana DC more
than respectable member OF the company
In ie. orSent or We arc very much mistaken Mr. eye
has been lucky AZ YET without experience, having only
recently mae her debut lat the Royal Opera Bern) this
lad, exhibits precious auaI,tIcs She IN young has
graceful stage prcsence aonndnnce OF iechg ana an
mi-tasable Intelligence. Then N hrr e.peosiiy
the pure soprano t"ne "hch are ~ once cs i"soh'h'
asd swect-tbare freshness "ich ot irci " an M
dsnhable charm 10 her sustained hlsh notes ee~a'n
effect of lmpd'y, the term mas paw leaves Ah IN
preston on the ear pecuAriy grateful aud SATISFACTORY
w ths soVers instances msnt nave Dech poiht"h OUT va
we ."u',s ,a 10 o y,n ,ss oon",ns,n "s ~, '.. a",
IN ,,,.,,
Haa,o as so gs o', .ooS' Nm, na,,.n,
lie r"sf aei Nono si' s"ho Pa'"he'
in which the unhappy vioI t'a pantvey bcwaiia The
loss Of Afr-dos Affection and p1t- her trust elsewhere
srnduaicd irutn loud With aud purity
OF iniopa'ion not :" DC -.rl"ss'a ss"eo a. "ho"
die ofsehis eohsepuoh o' ,'o Heo'dn u nov Ap.o
u,ey orfhoior 10 tue one hssrs 70 s'tp ,he chieief
oi US iesst rnss.ihs sspect An"r' ion he ", eu'
makes ths unfortunate one appear fesetV"a ana nan "
penan' ihps 70. 80 .sn,i,s.,aa ~
"rain dash " wheh ,1' pup,io nss oesh .Dmu
aud ihns, ON satlroay thr ps' h'h"ia L''d" W NJ
'ei.e n which SUMO, fsnoe' Nas as ,a'ne ooai' .s
maginei, went ior nothng wa" lh ,he siloiny, IN
gTs ts', however 'hs' hiis ofksnh 1uahh'"n. Us
vocal - we're srt ipf,h !" ARG" ,n' shN' 'ne ,ioS
movement with true sentiment and The manner ~ which
she d"rt upon 'he ""f"a oe'e" "b n"'"" va '"o ""o'
Of the previous scsne;-
A queil' amor CHI raplto
Dell upiverso ibtero
Misterioso siiero, sc,
,,s .nr and deltea,. The only rsproach Ia
~, - ,,. . :. 49,, n .. Il, /. 10, .,,,,,s ,oo,,s
..ta mi u mall :
her ..piano ~ much thai In certain passases-'grsp