, 1866-12-02


eome conception of Rachel In passages of
this sort. A lioncss robbed of her whelps
might answer the same purpose, Ristori
docs not rise to the grandeur CT such awful
passion.
Aoo,n Rocha,.x .,;oht ...
A.as"t e14sa' uSu1e was Tue PIC
turc OF classic beauty. Though not q beau
.1o e4ooa ~, et.tns - n..N,.S, W
tne u, staee, lor statue OF Juno py fraxitcles.
Tho spirit Of ancient Greece aoated IN her
= s'. 1"o "a ~. o''t'Is' t~o
thousand years rose from the grave and sa-
luted the audience when she stood before
them as fAetlre. Ristori, on the other hand,
Is large, wcll-rounaed woman, incltnins to
eo,aoepoi"t: She can never bceomc unsrare-
iul. hnt she eau never become statue OF
Diana. Her face, however, as seen from th.
afess clfcie' 10 qnito charming. WhefhcF IN
dclineating Jealousy. or fear, or hate, 1t Is
still the face of v vo,nan-rot of a Fnrr.
There arc fe" salient points in the play
Of .Nayy tSfuart which bring out the Qualities
Of 1uc actress. Ono l. the scene between
Mary and Elizabeth, where the latter, TAX
inr advantage of her rivals helnlessness
,.s...s 49,. l., ~ a.. aa1 10, 49, s'esss' . .,
forer en,a,a - az ~ '1s ti,o na 'ng
~ 80 ~ '.,..',,,.. 80. sI "
tnc gary u na.n'i'tS' WHICH eue hao con
w. a.. auu apuu nef
.otnaensoF ~ luz ''n''c pen1'ap Inauguration ol
her soul The traaslation Of the passage Is
10 ft,r ce {csn,>,nnao ,e,,a r, nj, y, nouca,,
-ns;t, 2a * nn p,r, w XIX @a1Gy ,,,
ane noastea @ 1es,ufs On xh;sa no morta. eyG eSa!d
tase ~ satit aus tao osIut5 ~ nhtcn u
tn,n,,st ~ G1 h.,, a1 @ :Se
b. ihns celcbtated a. The % rejsuinT oeauty Of the
m f. II oeen
MAnf, Al " :o1 much lS ,.,,
~ m sMe z or, H. SS' S; 10Y
t,ou thuu ha., trn.n .a.G wv -" w"
"SH ManTs mr. fuiA dicniaed pYids.> They wero
annsh nv e.r,c"nr A. .1iod M f,ra nnu1h{
as T., d'.,x Nv suii.t,ux u,iI,. 6as
ever sllsdaIed tbc base a7iif1ccs of vie iTicucfs
Ihe WoFst eseF ga - known. ans may ooast -
lice ttnu ns;,rnsnf 1xnosrt n ffener tsou le,,est
,al1 the xl!e1n mantle Lspeath which thou con~
Geae, .a,ne ~ own @ shaers ansoats a, uhoa; tne
inc! The chsste sirire. that brought tiline
adcl;eroas ra.thcr to 'he block, arc kaown to Az
Mary. tEine en,inrsnccy i, tbIs thy humility.
VA Many. EndnaGect hase en'lnred az thst
a,;re. II t siS % nssenee et We rom
ny lesst! And thou. ny lons psn'. u1 iud!..
i,It III Tho s@y ~ nI r. IT. aoHT
pon ei.oas fi1ne*! ,
Transport. vhict jhou hast tlysrif rsoyokri.
tEn-:brfa. mute FROM Eugf, darts f4sio.s g'aa-
hT,y ~ e. ~y<o,<.t otf,o,;,r or, ~us.ororI,,
% .,t;,ct E;t-95tA ia Eikdsa,el ucar 10: ths
Fa,1n::r II = distracted wou.anI Lcsvs th!s IL
sastard! Tno I,,i;sb nation Is daped hs = vic
p,vse,Ass! Did Lu. riyht p:essil, tboa woaldss
rur no.. &c Sross.t'1 u my 'eet-1os us "ho so'
{Eii:eltfH ia s,ity Tx.lrr,, 1qloot end Ldc.s.,y
tI,ihtr htr;a ,,,
nrntnr wth ~ and XIX ibe ri, ~ Tn,ts
At hcnst. Anna bow happy anal tTAro,t;aa
a., ,r Gs7Tx g. q, .snd d.e'* n;f6, have 4e;sadsi
.er ion. se,rs of hail ana coutnmr,r. hare a A.
!es.t ujoy, d orr honr Of Triumph anil revenge ::
In this eccae Rachel WAS like a destroyfn::
angel. She stabbed her prosecutor viii.
poisoned daggers. She trampsed upon her,
and s'natcd over her with savage joy. we'll
remember how the whole AUDIENCE, from pi.
10 DOME rose to their feet by spontaneous
impulse, ut this unparalleled exhibition.
Elizabeth seemed 10 shrivel up before the
consuming wrath OF the ouecu OF Scots, Ris.
tori uttered the words. ssAh. this Is too
much" witt. low, leopard g7owl, that filled
the theatre witt, prcsentimcnt that some.
thin: terrible was coming. And It did
como, Il WAS the anger and iud,gna.
ton Of q 8omau tormcn.cd beroud
enlursnce-ro, the lighting Of olympu:
desceudipg upon the cruc, and crafty Eliza
! h.th. Nc,snr,nr thc excellence Of The two
representations by the emotions excited in
| tue breasts Of tho audience, which Is proha
blythe true test. Rachel was tho create,
| actress IN this scene.
| Not less impressive is tho closing scene o.
the play. where Mar1 takes leave of he,
faithful fi,cndsand IL led to execution. Il
,his nas,arc Rachel Was more heroic tban i,
:. T., tho netnrc az woman Ia he rndcr .nc1
r;rc,mst,nrca Madame Roland and Char
lot,o cor,1av- and thc VIII. Of Camille Des
,nor,,r. rcnt n ,hc cr;1lo,i,c with 1oYt,
cnu-,cr trsn,r.d nv Ior, nj France q.
1or, ~ tnc1r husb,nss w,r s,n.r
hsa M src1, co,so,stinr 13er hc.+ Inc. r.,
ho- 1oro nr 1;t, sho hnd M ,7e., II A., n,
shc wns , warm II mt a uar7,, bca sd
ro,,o, n ,xho,, +hc h,,ct, ,-n. ,o,oh an,
tha ,.r,rc co1J sbc ras ouccn eoongb m
80 hrcst doura IL H.. 1ae. tr,.I sna 1an,s
~aa,,.rs :" ta,,ar. 49, s.e are.ho. ar ~
1ro. Tn,,,n, ~ s.aatra ~ ~ a. ,t,o- "a
arths as,l 49,. e.. thaMar.ss sn,,sn. IT,
~ a~er ~. n,,ao,, .a5 ~ ...,e. ord ~
49, ho,;o.o 49, 49, 49, a-n, +n,,. ,o,r, =
49, ,ro.,, n,a.a .sI.,,,as+1,. ~ :: tt,s so.n
r;>.ss, ,1as .,.sa, ....a'Io.ta pas.a1 :
] na",,a, ~ J.. A W,a.a": sp" :. ~ 49, ~ 49,. :.
.... ,-,.N. ~. r.
80 7sss ..1.:"., aos.a. .h LuNs,u losI '.nas at'
le. saA'' - .oos u "A.s so.: ~.
ANA aee's III WE F@soettc snse.hess VIZ
which she uttercd tho words, ~ have bee
much hated-BC7 ALSO xrcu LOVED" mu.
| .-r.,, 80. -.-t. - ~ -.
oe anenaeeabte rom INC memories OF all ID
nave eve, oenein .nn teehe Is 9enoeFeu
soe maeenless Nan tnooso Peoaoo"se
ma iofe,sn 1aasoaEs 'osW ~ese lew ar
W. ~ ene n9uee' aao "aea .ne guy la.u 10
noos mo'eu ~. s.ue not.tass, ~ osep'
" 49,. 80 ,.rs. .sa.ts ~. sNssa.s.. NJ ~ s.' .
'ast oe,oig 'as IAtea..on na't eon.,'n' ~
Ioe.rn "a. ~, =. sse'' ,"'' snon ootn .. ..
s"a s,n - ~. 4.s as.,,an e1' 80 Lss 80, =. W :.
o.to.a a, " "s 80. s.~I . W., 'ossu n',.ss.; a.I
ua' ~ -. ~. n oseA s'eu t-4oe.' l''A
ta,a n~ ~ ea9u 49,. ~ae e,.1s.. '1s ~ .e
~ 49,. 1T. 10 .sras ...s -. ~ .s ..s.e
~. n.s e.",a aaa ts'taps ~ es'"se
~ .,"t ~ 80. ...as,s ss,,..a - ~ -.
Wemso su''s ~ go -1'n soo..1 .' 4e'.'e' tus ~ -
narl3 Ses,n s,,., t ~. III r,,N.nssu W. =.
~ ~. ' ~. .s.a.a". .st,se sass'.
n'u' nna W w.. a.' issss"use 4e'"'tou \,
ae'se1,, eon.'us1 nt'n ~ Nv Psessu' ~ u