The New York herald. [volume] (New York [N.Y.]) 1840-1920, 1866-09-11
MUSICAL.


second Grnnd sunday Concert -Issina Hait.
There some features about this concert which
make tho most in. orestag anil important 81 oil the
sacred concerts gieen previously IA ifping Hall The
introduction OF Mr. Thscore ficfass' oxcclicat cscEcs
ira and the songs CT ALaas,eas caGposer, wicn vii
certainly i,ecome this nscesaary aud attractive
part OF every vocal psogaa.me. were the principal
pois,s OF iateresl schdsy evening The Immense
audiosce that almost cvercsswdsd the hall seenssd 10
tn fsyorab. OF tss, Goo. far tho artists oil received
perfect osAtca. word regarding tLoae scngs and
The composer Mr. R.seet co.dseck One Of sdem, 'The
September Fails On Castle Walls" Tsnsyssns Dueo song.
dedicated to aud sung by NJ. Csrapbct Is rare in
OF dramatic treatmen; II poem. Too many -
songs consist Of pretty melodies applied 10 word.
with which they have tho sxhtes relation Ia pcut
Of sympathy or ever moaning No Gc'dboca vivid'r
illustrates ae sentp,cs Of this CHARACTERISTIC, weird .tlic
poem Of ronnyson Tae frequent osnges al time in It.
thirty three la uuaoer although al frst sight they nigh,
appear cubrous and unnecessary, add wonderfully to
The effect Tho echo rst,rl. .sf.cw Bugc, Blow, Is
very effective This seefAd soaC, gysa Ia response 10
eacve, a national anthem. composed by Mr.
Goldsecs on SUNDAY ,aorn'.g = O. thn sane s.ass
and although Mr. Campbstl sans u IL Che fine, broad
rich, style thai rhsfaeteg,e LIS Voice and exc
cutlon SIN II rogaros f1i chorus aud orchestra 10 40
II justsce. hr Go,dbecs who accompanied hr. Caop
bell in both songs, explained .,o circumstances can
r3cied with the cemposticE Of hs national anthem 10
address audience re rosi oi the ceros %
his songs OF equal nert TO these. he 'a.ereis tho
inesursious display o. mere sttnsss NJ orchestral
works pes;aAs Of the eame character Messrs Castle
Csuple,l sang bseatduI duct by Gioafsi. Il es
Gator. II. which they ssrpassei eycn ,air celebrated
Bccy duet. Mt. Cs.apbsi, "a The national anthem
| rcsorrsd 81 above. reached q, rot FOR bari
| tone voice, and rete which moro property tcanes
10 teno II was no week forced OF lncs.iact note
clhor ban ~ round sna fall rs could be ioa,red M
Taste murh better hen al the Previous
/ The tantes.a ON tho Midsummer Nights Dream, Two
movements itia lie sscn nd syunouy Ia ~ and The IN
PRODUCTION and chorus Niinfa Gel we're pelsrrm a NJ
GF. Thomss adnrnhi0 orchestra ~ toannef sneh a
| Nigh, be expected fron such artists Iac oradat
with variations "a scptec trota the ors' ar1u'ssfol
| BY Mozarl, one a. is marked textures We
have attended concor that successful N
musical point o.. vie;s sac' beginning arglrs woi.
for the future Of ,hosc Sunday evening oonser,s, and
stamps theii ~ e-isl'aents worthy O the present
con, ell n, which nv Iaouss orrhesirr VII sgsiu
asst viii aie pace o. saatAy nes, NJ Co.as ac's -
pnnsss
~ IccgStcst wa3 eivsn a. the trenoL thcstce lsst
night ~ Mr. nrrpet's company. Madame Bosche,u
made charming i,eoaofa, aud although u ,cald &c
absurd 70 compare her viii, do.en obes Ir,yss ssas
whom have heard in ii'e rife, ali she d,sp.syed
mach dramatic rover aud careful s'rds. her csecrioa
Of Goria passage o. fe,,'sse and o,hs rapid
brllIsn, eni distinct Oh osnroi bcd Tor any
.nsll Of amc witscui ilsAgreesoc hard toue hcag
perccpo.- 10 hcr VOC iarnafo lar better Msl-
rico ,ian 10 ara other sols We heyc secg him H.
Judging froiu MAta and the Barber Of seville d.d
not expect that he would male evea olsr,ie Tsoaba
tosr bat lac cane aocro hsi standard fLo chorus was
Nantes aFm d csht oad lie Count, cops o. less
made but poo thoS n singing ar fabian Tie prison
scene was unlike ssythsas tasi Verdi ever aas.ned
The isissges. taken fast aud tho '.syt whole
dcs,italc % coicfng aud effect. Tho opera
vii he gwen on Wednesday hight. sil "a incroascd
undor the direction OF Sixrof It1Sa, excellent!
The conductor deserves be hsleS prac foi hg efsre
| aud saccess With such resr material.
| Grand Conservatory Concert Irvins Hall.
N. Edward Nolianhaas at tho oreulDs concert or Ls
HAT La.
some very attractive VEGA, and nsumsr,sl r,oces 10
| his audience. Tho Grs piccs quo FOR VIOLA and
violsncolo by y. A. Hummer, the celebrated vloon.
cellsi, vas played with taste and power By tho tgo
brothers AosubsueE II u Swiss air, with variations
in which each instrument hos individually u des
which dis,uguishs, tho composition from racre primo
and secundo affair lac arpesso passage. Of tbs Violin
| 10 The nrs variation particularly beautiful MI
| Boecselmsrn was announced az the pianist the
OCCASION but fyon unsccosa'asle within he refused
| TO play, and thereby dissppoiu,ed the audience
| When 40 mtst win make an engagement 70
| play in concer end suffer himself 90
be advertised Cor g. and then c.prccusiy withdraw he
deliberately insult. the public There IN sxcscn,
subst,u,e. however found fer tile ,nfs'os psnst IN
Mesers fsca land wallens,ein. The former played
Llsys tanscrp ,ion Of thu celebrated qravetie rom
Ryoetto We Doubt very much II there u pianist who
lu,crpre, ,h oemarkssc snd extraordinary piece in
sny kind % Ineligible manner bu' the composer him.
sell, mere are s1rue lasshk ~
H. bat, IN the hands Of ang but Iis1'l rea, many
very ridiculous ones Nr. I~csi played y much better
than expected He gavs tho chrouns'ic passage IN
major thirls-,n extremely aincnh feat, requiring
species OF CITATION III tcesnqe-wuh the' ciesr
ness and sfroothness that fen artists are capable OF bring
Ing out There was want ~ crspness anu We might
bs alowod N use the expression, ns-1tancsurue In his
touch which marred tho execution " the fse pas gcs "
which sorre cs poyphcnic chords Of Isy' cccu
but ths ar.cefuI w1eaih ~ ctrumn'cs surrounding tic
theme was rendered by him In on artistic manner
| Madame Proderioi sang R1Sr. ~ qrc JchaAn she
| has 4 yoi~e Of conkidersbie power end thrilling
sweetness, hut fof style thinning % execution, We
hays bss,d hundred a. amateurs superior 10 her No
e,yl In the public schools Of this city wctd sing 'hs Oh