The New York herald. [volume] (New York [N.Y.]) 1840-1920, 1866-03-04
Musical.
GRAND CONCERT or the NEW roaK CONSERVATORY
OF MUSIC.

last ght gave incontostlbe proof of Tia eiloiepc<
and superior training or all Beethoven's subliuas
works Tor the piano, here Is mono that appeals more
powerfully to the soul than his Sonata Pathstquc,
opres IL Mr.. hoenhauer selected u as an opening
pieee Now, submitting 70 the merces Of sixty-four
hands, where OF course, neither proper phrasng nor
ythmical expression could expected struck ms asia
Dissertation Of this noble temple OF music and led Us 10
expect puerty instead Of subImty In the rendition Of
IT, As test Of the powers OF execution and precision
touch ths part iof the fair pinlsts tho fragment Of
the sonata which they played a success The sixteen
Weber pianos spoke one and tho most critical ear
could not detect single discord or an incorrect
note In tho primo senndo parts. Tho same may DO
aid o. hozars overture to Titus. portion
pupils Or course there was prcdominancs Of
tho most formidable kind OF forte throughout; but
srs r.. = least Complete unsn%y and 40 uneven
startling array than six hundred and forsv delicate
Ossrs and a. sixty four spssns eye. would 10 moro
Paris Conservatory the programme is varied by d.,
". t,os saaIrts.s A. and more pleasing test sssn
fanisis entitled III the Tisht Of he us warrior"
and 70 explain Which This psSo n pss sss Or "A m sne
soio paIfsrn whoIs but u Contains beautiful
ideas If II Is intended musical translation Of the
aforesaid verses, 10 Is very mesgre one II u
grand, IDEAS which may hsr. r rssscneo to 10
Csmanche warrior" Mr.. Molienhauor also played Pa
ganius celebrated duet for violin, which, however
IL may seem like bull IL genuine two part piece. His
tone and execution those Of artist who stands
higes. In his profession Ihs trio for two vions and
violoncelo well rendered by Me~sr. MoIcnhaner.
Alexander and Bernhard; but the piece L. very
meaning airhir. or the vocal part of the programme
failure by splendid voice Of sgnor Anlonucc who
sang cavane from verdi's Auta and brlndlsi from
Martin In truly LabIache style We shall chariaby
ascrbc tho sad fate which Mccadantes Guramcnso met
with at the hands Of the soprano TO There
wsrc. however some painful but abortIvc attempts to
uaat iliurf ite
drowning person catching a, straws The tenor Is
remarkable only for piercing shrillncss in the upper
the lower His voice Ia OF tho alarming
kind az u comes out at irregular intervals.
IN style which made nervous old lady near US scream.
Itscemed as r the voice In its from tho chest
had but very narrow outlet in the throat like Of
OF its dimensions When II went above II in n
cut through The mir like knife and attended
with grating tone which set the teeth edge with
the exception Of these Unavoidable drawbacks tho
cert sigma triumph for the Conservatory OF Music
All hail 10 institution which will give American
artists and enable US to dispense with the services OF
wandering Ministries from the other side OF the Alfntic
For which eousummston oil true ioverlof music viii
deyouty pray
GRAND ORGAN CONCERT AT THE CHURCH OF ST.
THE BAPTIST.
This church, situated at the corner Of Thlrty.nfth
street and lexington avenue crowded to
Thursday night occasion Of concert given by tho
distinguished organist, Mr.. George w. Morgan assisted
| by Miss Zelda HARRISON con,ralto, and " GIorgio
only necessary mention OF Bachs organ fusues
| TN minor snd the nnalo 10 Bee,hovcn's immortal
| symphony In O minor, both played In Mr. Morgans
mosi brilliant STYLE 10 give idea Of their superior
character. Tho symphony q ssvers tcst for tho
| organ, rather deicateiy voiced isstrumenf, and
sbundnntiy exempiiaed tho nccessiiy Of tho
| pnetmalc composition knobs spoke Of some
days sinca The inssanianeous effects producsd By
| those rsmarkabIs improvements arc absolutely
velons colosgs Of Beethoven and his grsa, preeces
sor There IL perhaps no organls In America with tho
exception Of Mr. Morgan, who can present thu mno,
imagningr, account Of the hitherto clumsy method
o. cssc.ing combinations and changes when CHS Ievo
new opera ho1ss then shall The physical appetite Of the
s.s ssr .s Sss 81 r.
ysied voice Of Mlss nsrrson gave the ara fo% Elah
as q. cI ,s.s q ~ ;sss
| on Thursday night M Koccko rsng schubcrs .aAve
Maria In very credtabIe manner.
h.sTHDAY coxcERT or LITTLE FLORENCE nxr'
xoLDs.
L very .-<s $500 i~fhdnv
concert OF TITS lifted child the Cooper Institute on
| Thursday evening she waz assisted by Madame Do
Lussap soprano; Frank Glider pianist; Master George
Enard soprano, aud other distinguished artists
truly wonderful what clear. beautifully moduiated and
highly trained voice ia Polite Florcnce poase'cs and
Il
AZ !, breaihss either psihos gayey patriotism or love
duet by Bishop, which she sung with Master Ellard,
,ham.sves renartshy we'll Tho Iast birthday concert
OF little floreuce Reynolds VIII be remomDerea WIN
| pleasure by alt those who attended IT,
| Mr. ROBERT ooLpsycxs sEcoSD CONCERT AT STEIN
WAYS ROOMS.
Mr. Goldbecx Is engaged in the very pralsewor'hy en-
torpr.s OF introducing complete cycle Of the thirty
Ave fonatas Of the great and immortal Bee hoven, and
he deserves deal OF praise and encouragement TOT
thus endeavorng refine the vated taste Of some OF
citizens. who endure " they actually take pleasure
in the onscourings OF the modern Italian and French
schools But this enterprise IL an ardaous one especially
as Mr. Godbcck aiso essays the compositions OF Joan
Sebastian Bach Bach Is undoubtedly the model from
which Joseph Haydn Albrcch,sbsrger and hcnd"lsohu
drew their IDEAS and yet Of those Tians Of muse
ever dared 10 meide with any Of his works We were
ssounded therefore TO that lr GoIdbec dared q
add secsna Piano obga'o to .S pre's, .s.. 40,
| All NJ SUCCESSORS derived their inspiration Al
though Mr. :. y. Mills played the 'oohgaio the rrsn'
was might have been s o,s,.I 49, =,
great father oi musc entirely lot M eodherk
version The PASTORAL sonata % Beethoven was YEA.
and uneven and showed very little OF tbe fnalc ans
hesbful tone aud colorng with which the great Ind
endowed II ~ nrsi representation WHISTLER y !
owing the performer the piano .e vii moi d,hna
decide bat there " a hardness and want 81 eissieii
sloat w. Goldsecks touch On ihe plsno ,h,t u real.
q Srnor Abciis assisted IN The concert Hr o~vsiln
nom Mercadantes DDnna Cars,ea and Tia>r PEI r. b
Iucaniorio given with an expression power ~
vim that far surpassed anything We lave heAra w
in The concert line Her medium Isg,er % VOC
= Ike an organ volume, sweetness and thrilling Pysei
/ | and her upper register, ertnding 20 y " IKE
trumpet In cearnen- aud ringing tone hr Rom J,
l the tenor this occasou possesrss an ameiea r.
g.slDg voice, By which could no, lndge very iain
y Or fsvorabiy Of Mr. Godbcck's songs when be sung
8 MR. ooLpxry's coscEnT AT cLrsros HALL.
: mis- gentleman was assisted By number Of slnsei
q and plauists who sang and played some OF The fai
. music OF the prcssnt day very fshy Mr. George o.
. | recl,ed RnansIrs "shlp on Fre'' IN melcdfstnat
y manner; bat could no, recoynixe hng'e fea'nrr
u this superb creation o. hussel In bis vernon ii
: magnificent accompaniment oniirciy igaofcd a.
The vocal part horribly maiasd The rrst of The ~
J. gramme was ~ lest CORRECTLY fendereh