, 1866-02-02
NEW PURLHcATx0Sx.

sA.A RIA4IlAtlDV linn fnOEf nj the DOu0MfOu
three volume worbs ,r,,1cl, .ro ,sxu,d IN,
"ne noF3s WHICH arc issueo itol
= Inc press would be, even II heir authors hf
boiled them doun 3r,o dymnns;ons uh;rl
vor,a eo"u 4n'o
"ouo 4oApt lncm tn the time ot readers oot
reviewers. Mr.. Jnrves has been llCalon:
afudan+ ~ - ....h - =. ...,-+ a :.
4t y! a!ii IAou-a NV w mimi. Ano =
IN art collector and critic he Is unsurpassed
80 tL-...s a.',.... ~ ~ F -. ~ =.
eau hinuleo euo!ects nc 11Va1s NnshIn an'
wins the admiration OF The most cultivated
and rr;t,cs, n,5r-o IN rr.o,o aud auc,3,o
aua 1tueal MHes III Eufol't Aio Anl:f1ca
Ine labor oil Lis hie has been Inc collection @
a Chronological serses of The old italian mae
tefs: representing Inc progress OF art during
the five centuries prior to Raphael Til
srrics co1lcct.d M cost or ovc, .,rt~ 49,
eoaee1ca ~ .o'' y. o'a .aAAtJ Lnou
SAND dotlart bea1dc Tue lime and lAbors o
mauy ycnrs epeuf in Florence and ot1,cr ,,e,t,
=, 49, ~ r.. ..s..,. "1e o'ast FaFa
York Historical Society, on cnptlittnns th,
They rn,.c ttrcntv FIR. +1,nr,.,a a-r," -.
which 10 relieve them from mortcnpe In
currpd In their co11acf,nn A. ~a7.s ~
Jar.ae ~ -. ~ "Hter' AE
the freedom with which hc comments m
1hnse features IF rh,,tt..,.. W. C,..:s,,s-
.,t ..,,ss,s nsa y, Lnflsuanty ana OF tnsiat'aa
beautiful his rcrc-.co ~ t,,.t ,rh,o,, t,oc<-..
witt IT. ....,,,'~. NSS, -. ~ ~
~" AAo eoue" Aai e!hss1caA Aaste pe'us 90
etron. as 70 eDnrp all that Is at war With his
ar4 sto,5,-a r.,,. =. o~.n,v,.. - ,,,,.
aaAe' A' eAnatPNn u Inls
tendency, the following comparison of Greek
nnd Christian M.
.,Y..,
s.,tt..' 1sI 70 Npse*eni pnysicA
huHtlsH?' AHte "clIEN4teu au5 02pa:iAft from The
E.f.GLt is9uts!u ana psessuiaole- Wh,neveca rs
,Ia .ne 1oooo' US eamoluon Q: Dolby pain BE-
xaa'e neccfsaS, Was 1naoc soboFt'o 1tc 70 rsihct-
@ ~ lasue. ~ tnis efoan. undergoing death o. the
uosI an-aisn ana horror, lhcrc T., In the fathers
s1sns an1 70 heaysn fos has IONS from an
directed TO him whose sin. ~ saus WISHED upon
IheI, = mural beau!y which or*Fpowcrs the ssuse
ot pnse!eat ssoay. w Percsse .3s awlui tate I'M.
1nd blood. 1hif the artist would mol give: lie
aoss not rsrn't aoIoon 70 CT aloud, thou:h one
ngs s m nr .n Snsi snes n e. our
ta Mnoa. oGinG M distarGed oy tenement ac-
r,s1rrd ~, H. r,shtnas rs m ,d aaa oeins
1nc Il, 1nncrn,,nn;e sI1rn," ~. Iau'Ha' ~
AVA. nm cS,,,,,,,,, s.sh;o, =,
appai 10 tbr sosIser symmstSe. r 81 ~ 10
Of phytcai suIca,ncs, eaac.stion. u H. sEens az
III ,r,,,' anu ~ % ~, - no iess 10 MI
th W. 'ue uiest .nan n ntecan aft bui While
n H. c,,nt.n5' soai,; ~ nan,any, enanany
,1t .nS ~ soI4a. y; uetssopant 9. spr4tuA
~ - tlsau- VI nesnl! psEance aoe souer1nc.
hrt taI4, ~ IssIu ,i 70 aliusuale ~ :oohshts;
~, , =. aos ano onnS.ns 10 tae snteat 10 ts:ou-
%.,e s t"osola n4la.t oi man aAa uiscct liz haT-
@ G--e4 tQHa1n heaScn. u 1eed moi fur
We, ~ - sat ae.! i9.o goSs na'etlA!tln whose
clects On splrltnal edusauon were scar=rly less Is
at - = I..I u.an Me!e tn9S o pasan kensu1.lsm
,ncn ,shic ~ ,t1 a. se,1,os !nascsx .! hS; fos.
~ ~! ~ ons alon'u ui-he Nn!1sa1h heil, whose plng1
~ 1oat o1't,, ~ a., e'eaa%ane g. euvenom-
Me III. t"d sm anu man.pon shnos dn9a @ o. IT,
npl@tit.s, r.cainS III the s,ulrst Hicke1ness md
quivc'7sS with uumectlonable horrors, whose sole
oN[Abf0lVu WIS ~ EietQi4v. 1AC
flesh md ,uau.I,4l Innsrs TN ~ -, - sr ~
~ lin, nmnn,css ,+1.titsi sasosS nutAslr
n,orc lrot pl mac,ai hnTor I,n no ,hs ms11aet
1n,nn t,nsct,atjnn M h r , tait tne ma1Aest
aufinr,ir r. - s.t,r,.1nn ac,5i ~ s aaost .ne
Wns fnca,n"tcd III ctiI md M.,n t.n1 ~ sa.an,
made the riy. mud antagonist Of ;hs chss,ian's
tb,. nru nrt s,sch1 "a r.r,r1,, "spoa Ipd ~ WHICH
but, MA,je 80 base cs,acen,on ~. mud. mi.
~ Ie MI " W.. g ~ .nt Msusut a!latenents
and suprrxnsu.n. ,nsicr,t.Iic tm rs
gularis auhi::uou. and urnsi.inrs {,,h Ii li 1he
snlnrr 1,ii III -; s;,hs.to -. s.olss. ".usnt
pur1f5rd ~, rnn. enrnt r,r.n ~ n @ uas sot "
joymeu,s. aud .!,ca Over 10 ri rowa oT ~ e.
d,rmcr IN o~nin, unco1,for,.hj ae,.t ~ eaS I'll. II
mus1cai in1nu,nn,s rnonn:nnnns, eh..s' VIII
tln,,r- ..1,-1nnr. aronnJ inrnr. ru.d s;tIs aao
anI,na, au.t n,slC 'l o. ,as chateh, iAis VA the
nm. ri ti,,nnr hlis. H. ,,t ~ ~ ~ aau i.1ha
Of il !aac.a:e If symbolism. q. III. ,,i.s "
It above u, matsr,a 4lrncn1 WA i,,sIst ,o ~
will tr,v t.;,stinI 1snmtr NM ~, s..u th
suc ,sess nj 1he i, = ron,s u ~. anlns Win
e,,c = tse nses and Inposes or present exist
=. - nna i..ai sn,res n, ~ t means anu pleasnEcs
der lai th,Isn nj, 70 lou. as il coadnacS Sea ~.
H. a.. III, ,r thrrsr,s, ."S = tas oppo.te
Ir ;-,t .r.isi nrod.t ..,.;e: " alsek Ut
TX ~ m uis Cn1st
CT ula coTaras tnaicansn nh IL Sa s1G uns3sc
nj uolrc.x: .. seuse The motive. 10 rain Thai