New-York tribune. [volume] (New York [N.Y.]) 1866-1924, 1866-06-11
account Of the greatness Of our love- the days ever 0p

account Of the greatness Of our love- the days ever a
pesred 10 Us 10 be few"
The worthy Bishop seems to ss sure, to have been
mainly delighted With what indeed, Paris Is sun Ilch IN
Tie Libraries and schools the last objects Of interest 70
mos American travellers who rather studlons OF man
neTsand customs, taking Lessons WIN gieal -
Mabile and other per1atcc schools anu eiS " bs
Gins We ljcta on French society nom ehfe"u ousei'
vatons of what they see in the Bouleyads ana nDera
translation of the msapprehended remarks oil mousse ol'
and restaurant walters. - ... . - $500,
worthy Of mention is to be got up by inc care OF
the Central Union of the Fine Ars Applied 10 IN
dustfy." The plan of II Is to give compromising
bitOu Of the characteristic works OF the various VI
rd.strv Encouragement is 70 he Chronological, uegin
ming with the tools in bone and stone OF the
period Of Gal, showing next Inc 'oos anu .enSs ~
bronze stone and coarscst earthen ware then CONS arms
and finer pottery and on, through the Improving ases
and ornamental utensils and elegant furnltHTes, I'D al
Gustaye Dore the irepresble Is to have me ART e1
hibOn all of his produotion-some'hng Tess than
an acre of his painted canvas lie has recently poue
and converted into an immense studio pulGns III VIZ
Avenue Montague formerly used as gymnasium teIe
he sports his brush at WILL FLASHING over the spaces IN an
altogether wonderful sad manner Dore Is m great dah
ger with all his really great talent OF SINKING il.o mere
phenomenon-more wonderful than admirable lie Is
threatened with the fate of Alexander Dumas hecTop not
ouitiyaes with astonishing and amentable rapldlty
the unsolicited, unfrued growth OF IanKy IuA lux
uriant Imagination. | can't help 1t. beg ms and
his admirers (of whom l was an early one, "heh
his Radicals promised so much and was SO
much pardOn, but he prOVOkes 0Glous comparison WIN
Geo Francis Train There two large pictures OF his
in the Salon this representing Spanish ges III
landscape the other Savoy landscape without hgnres
quedieren from each other boh effective especially the
Spanish subject and very cever-either sufficient II
we're the early work OF young artist, to INSPIRE great
hopes of his in Dore case more
than what we knew of him beforethe singular excessive
versatility and ceveTness, and facility OF the aIts ii he
only could control his nature and concentrate us powers
on score two of wood cuts, on few square yards Oh
canvas, for their years work But leu us NC 'hana
n aud generously
tered aims TO our pleasure, rather than qnaIei
with them for not founding great perpetual endoWhe,s
News has just got TO print IN PANS OF inc saie 70 le
Aston Club in Boston Of Courbets La CHree now
il, by-theway that narrow, purltancal PoVcla
Boston has much more pronounced ana lndepenueht
taste in art than LIBERAL metropolitan NeWi oIk touIDe
has two pictures in the Salon this year. moro remarked
on and on the WHOLE approved than the paintings
of any other master on exhibition. One IS OF the land
scaDe order the other nude figure. ray OF the landscape
order rather than landscape, with intention IL repre-
sents nook in dell rocks, overhsnging trees, stream
and three deer utterly safe and at nome tlee III
is as large BCrsadts Rocky Mountains Tor all that-
being true far goes TO large nature and there
fore UNNECESSARILY larger than panorama done Oh miles
Of canvas. The nude figure is true to nature though
not so agreeable Ii is not Venus Eve or Other
classical person whom one has ever seem but i've,
modern lying Outstretshed on diyan, with the
modernes of female raiment lying around her nndressed
person. Both pictures are great success ths year,
especially the landscape and COuTbet has suddenly come
into vogue IL is Of the amusing cases that occurs
every few years 20 confirm orr respect io the dcta oi
critics in art whether wrng-crtics working artists.
Not one in ten Of either class had anything but
hard words TO say Of Courbet a few yeas ago when
bis La Curee vas exhibited; lie was coarse gross,
false etc.. etc. But he had begun TO be appreciated
even then. Now he is at the top Of the
heap and could to-day sell his cure here, which he sold
in the time for 900 francs at high figure nearly it
brought in Boston. HIS landscapes have gone up forty
per cent since the opening of the Salon. Mlet offers
another Of these modern instances Of the nXedness oil he
standard Of art and Of the permanent possession OF that
standard by authoritative critics and the inihbe the
artists themselves. Fifteen years ago there was only here
and there mGn-Babcock and VIM Hunt were the hIst
Americans-who could find much else than matter for
mockery in Millets work. To-day he il b,gh.pnzei
painter with half the public and third Of his fellow az,
lists The Salon might bear taking about but mail
time is up