The New York herald. [volume] (New York [N.Y.]) 1840-1920, 1866-11-16
ADJUSTMENTS.

broadway ThenerO-Charlos Dft10oss Oehou1o.
Broadway theatre was moderately attended. though
not nlisd last evening on tho occasion Of Mr. Charles
Dlon's temperance a. 0theo The fact that the
TO DO ably supporssd-Ar Iansrgan assuming the
part Of IAgo and Mr. Maggie that Of Cassdoubsss had
It's influence in bringing out an attendance proporionAtsy
rger than that At most Of the other places Of
mem brave the incIemency Of the night Mr. Diloa
seemed aremarkable degree have imbbed tho true
idea OF this great creation and the greatest praise that
could be " him that In his representation Of
= rough yst Mule warrior, deeply loving yet rack
or Jealous torture arriving the truth Of his decepton
and wruna With rsnosss when Il is too late he was 80
shrOSsSou. that tho Esssnr and The spectator hardly
once able 70 detect ANYTHING that unnatural In
bis reading he was generally careful In several in.
stances, asr he had ceased sceakns he threw much
81 ssus n a. sads sss S:r
BY the most hearty piaadS Mr. IAnergsn u his rem.
dit,cn Of the scnsmng crafty Iago was or ias most
passages there was much worthy Of counnndstiou. Mr.
Magic Is peculiarly adapted 70 the pars Or Cassio He
not exactly adapted % the part Il Dssdssss and Mis-
Grey . but On ordinary Emilio. save when she rsbukes
n'as q Ss hs.. M
Ne beth. supported bv NJ J. T. Magic . Hsodu9 I W.
With these artists full chorus has also been engaged
for the occasion All tho original music viii DO gwen
and there Is 1tts doubt that crowded and critical
yet friendly Audience will compliment ar Dillon on the
OCCASION. III fa4
Theatre FraHcais Tampa.
The promised attractions OF q romantic opera almost
approaching the grand, and tbs debut Of tenor
ned tho French theatre last evening despite ths threat
ening appearances Of the weather Il many years since
Tampa was given In this city, although the music Ia
familiar TO every The plot and Incidents are molo-
dramatic in the extreme, introducing the honorod
corsair with folded arms and naughty brow, and the
usu laughing devil in his sneer his Intended victim
charming young lady, OF course, couple
OF comic characters, and tgic in tho shape
OF statue, ghost or communicable female, dressed
white who comes In at intervals him OF his
wis ana Illustrate his Ihe0dranlAtc vlany. Camille,
the intended VICTIM has lover. who paragon or |
goodness and nobility and who Is very badly used by the
Aforesaid corsair, The hbreto winds up with the sud-
his marble br de and tho usual tableu OF virtue triumph
ant and villnny frustrated But this ncongruous
and highly coored plot Herod has thrown n royal /
mantle Of the most delicious music that even /
tho prolific French school can furnish The
overture 10 q programme OF the opera itself for
In II are conccntra cd tho principal musical gems The
various choruses OF tho corsairs and the villagers
grand and spirited and the coupats Of Camille Tampa
and Aphonse OF heavier calibre than generally
meets with IN French opera. Each OF the principal /
characters including even the corsairs mate and Dan
senatives. NJ Armsnd, tho debutant appeared as the
corsair. II would be unfair 10 judge OF him definitely
rom IRON, q nrst appearance but no showed very |
singer or an actor or the other characters Nile Lau
rents was tho most successful In the musical line l
Mile Nadde acted charmingly. but the music was |
more detailed criticism the second representation OF
the opera next week. Aubcrs Crown Diamonds will he
given at tho Brooklyn Academy OF Musio this evening.
We may remark here that In this opera Mess Juignet
~ DrivotB company have been the successful
have rendered the dc,ghtful MUSIC n siyie worthy Of
Auber- = et efl