The evening telegraph. [volume] (Philadelphia [Pa.]) 1864-1918, 1866-01-10
ADJUSTMENTS.

AoADE OF MUSIC The magnificent opera Of
~ TroUdtOre seems FAMILIAR to the walls o. the Aca-
DENY II was IN this opera that the trio of artists
whose memories are en.hnned in the hearts OF all
opera-goers, CazziDiga, Bngno and Amodio, were
FIRST introduced to us We have had individually
hno artiss in each part but we have never had, until
now, three such grand ariiss together since the
original cast.
Signora Carrozzi Zucchi sang never so grandly
before Her penetrating, passionate volre, full Of
pathos, was admirably adapted to the grand dra-
matte music of "Leonora" Her first aria, "Facea
Ia nottd,n was test OF her style and finish as q
musician, independent # her dramatic power. The
excessive tenderness OF b solo in the trio Of the
second act was he very ideal of passion and joy.
The Amor sui ali rosie" was another admirable
morceau of the evening; then the energy of the
"VIvia" carried the audience with it. Her last
scene ot i was acted, well as sung, with the
higl est dramatic power. The expression of her tea
lures s.eakng before the sentiments were given
words to. SigEora Carroz2i's Is young, fresh,
and even-never hrill, never vel ed, never showing
symptoms OF fatigue. She is as fue an actress as
we have had and in the very bloom OF her talents
and her powers.
Mazzoini was seen to great advantage in the
heroic aud impassioned part of "Manrico" HIS
voice has full scope in the grand defamation of this
music. Sull he moduiates itNyith admirable sxill,
moulding 1t to decacy aud tenderness. He is fine
actor too, in tns inm 2asur bly, superior TO Brig.
noh his face is expressive his bearing grand. The
"Biserere" was encoIed, but the grand aria of "D
quella plsa with the andante that precedes, it was
the great artistic effort Of the evening.
Bellini, as tie Count diI Luna" was as grand as
he was in "CarloIMdgno" lin Eynani). al baen"
was never more admirably sunR-so smooth, so ten.
der, SO impass oned, $50 earnest His voice Is rich
mellow tull of melody and richness. We have had
no bari one for many years admirable, for
Belni is an accomplished artist, fine actor and
possesses q very handsome person.
The shadow to all this brightness was the con-
Iralto, Mime de Rossi Her voice has neither
quality nor power Several times she was out Of
tune. and the well known lduet in the last act that
every young lady in the house could have prompted,
she sang ncorr ectly. Her voice has very httle ex-
tent with chest notes, so elective in contralto,
and reaching the ia and sol only with shrek.
In no way did Madame de Rossi obtain the.sym-
pathies of the audience. All regretted Miss Ada
laide Philips mad not chosen to complete the
artistic quartette. The house was crowded and the
enthusiasm of o d times came over every one. The
artists were cheered, appauded and called out seve
raj times in succession. II TroUdtore is most fell
ctous revival, andwould bear repetition should there
be time. This evening II Africane will be given for
the third time, with all the additional chorus of the
German Opera and an increased orchestra.
This will be favorable opportunity for those who
have not seen L'Africaine and for those who have
1t will with all this extra care and extra numbers,
be nearer the manner iu which 1t was originally pro.
duced in Paris.
THIS afternoon the German favorites Habelmann
Nine Rotter, and Hermanns will again appear
before La Dame Blanche was one of the gems
Of the German season, ana Habelmann's George
Brown" with Robin Adair-one of the finest, if not
the very finest thing he sings.