, 1865-08-07


iDd1csted hS nature, The RENTS 0f Ary other
plan viii cnly return TO ptscue tie tnEen or, aud
al thoee who have bkeu duped into allowing
those pleLs 10 be Actual xcd.
ART NOTES.
Dlehlss s'rrlal scenela Mnnnieto
lie rcnl pleasure, in this age OF dsubs, mis-.
called paintings, pleasure With ordinlrY Ian
euage is inadequate to express, 10 Look upon q
piece Of CANVAS wheIeon m artist; has been at
work, aEd on whith leven atail;s are not nI1aye
tucctestu]l he has attained The expression Of the
idsa which has burned in bis BRAN, and throbbed
with every pu1satiun hi. hear. pe1charce through
loEg serieh of years. l. Ia eqaalT rare as to sse
real diamond auoDg the thonssnds Of PASTE gilt
TIE which modern art has produced It IS thou
tand hEes more Interesting, becauea that much
II oeioe called one, i powerful @o1si sseneI
fer good, tnlEratfuz the dner feelings, and cle'
ynt'rR the thoughts In tbe direction Of that heaven
wtoee distinctive attribute Is the abscnee Of
irsbe ,csl pain.ing he virtue. = bsd ore is de-
eidedy sib, both In iiself and lis iof~e1cee.
atnosp IRE. The Taste Is ytiated aa much as are
Tie musical perceptions spoiled BY learning to
ina i Al defective mirror = 20 operates sn he
ree ft1seht. md he contemplation Of nature in
the neatal vitton. Piscrc.lly u vel ss morsIy.
he tan5 te crime, e i eveg failure. Th's y
enbod ed IN the structure Of teelanfuace ITSELF
aearm) mears anot 10 ao'-a something not
etne. We all reeo9ntzs thing IS better not
dcre At all thsn done badly. especially in the
Of xysint'pg they shonld be perfection or
We Web not to be- ssre,stc, would not .sy
word Which *oulh tend 10 the zen1ession Of The
s1tte n cee,s.so ye. feel tmpelsd 70 ss1 th.t
make onzt ,ty ,het esdqulre'e, alternste'J eich.
H. r. IL S; sss ed.
tut little hAnoful OF ability, md even among
thst *.renpant that shall be ta!ed" from tho odi.
o. VET fas,s t 9Is hots saS mistake
talent lea Aore 10 the landscape aspiring to the
| tomplfctftd g1onp where nature has but blessed
s as sG Z s Risae, p6
hey arc moi lifted 10 s. saEtSinf bns eopyi.ta.
charity 10 The sreat crowd Of misnken oaes, IS
veil ss su act Of simple Justiee % the world. I,
pon down the hollow mask which, under the
ci71cn. s5upstty for stru9etpg gtslent, e., il a.
loved to conceal the pa1pible Ehau. II would do
coed to ths poof veins Of misplaced affection to
conEtl CO them that they Eesch afGer that which
will for eser ehnn their grasp. Bat TO convince
is The fificu y. In the osdlu7ry aFAir1 Of lfte
We End II much easier to deceive man thsn to
updecefye him. and It 10 even greater taak where
the whole mentality Of the individual is wrapped
up in the fond de.uson. Ills then part OF hla
Tsry nanse sna etnno, r. p,Itsd viii unssa by
the p.acetl N Rlect which follow. the absence Of
Ecr1t, that the world en- show Its appreciation OF
tIne ri.
The talk about ,nIespp1cciaton Of talent, with
which mere enthusiasts are 20 fond Of consolfng
btmselves Is n tue generality mere bokh, and IN
ne exceptional estss, ne lasf q perception is
cfttn called cn 10 spplsud .nediocre perform
acse, thst It eo1srtrts neefe large proof OF iudi-
.idra e1tt beloso it viii take III trouble 10 ex-
to honor my 1ectnmstc crtts on is bank, proyid.
erally throw tie b1faen ii psoor of eeaalueaets
IL net universally l1ue tbss artistic merit rceeis
wttht's due need Of re1ard. the assertion Will
he'd good IL fortJ Line cates on. Of fifty.
ellIed with the tett'ed ip civilization Socfettas
In courEe Of {ornatiou lend 1hel1 primal efforts
TO The securirg Of The neeess,Eiee Of existence,
are the conven,tuefes. 1t ususlly 1ou9 tiue
ere these sre rufleieuty attained TO enable con.
1ent of he purely ornsneutsL Heace that t6s eald.
Tatun Of painting and sculpture have been III re-
Gently confined a:mo.t c1tirety to the peoples Of
snp.ely ss they have become tcttjed, have inTa1i-
ably extended the fl1endly hsnd to the reprodu-
ceIe Of The b%suf1Inl, sid have done even more
oI Earope, .norg whom they hsys top 'efen oftea
been regarded ~ sitkly plants, unable 70
flourish unle,s IN the hothoufe Of 1oye1 patron
an unnatural growth. bec1ufe The arts never c1n
acnrtth amid The clanping ttaueuees Of dtspot-
Ism as with shas freedom st1sinanle under the
reign OF the Goddess Of Liberty. The hne arts
will bere nnd their natural coil; a soil not pre-
pared fer their reception 90 early az thst IN which
tney were nrsl planted. but one Into which once
arA h~Ar
golden tsuit, while eEAeu1iy will sppea1 among
them he indigenous prodnrs Of thus cllme, not
e1ottes. III American eshool Of at | i; sy as yst
rsther the otet:cs1 than prachca', but We already
aee eronRh 70 eanSince "a that at no distant day
the natives Of Europe will accept al worthy mas.
Il r. thpee who hsye studied tn onr schools, and
drawn Inspiration from our sceEea,
CbtcsEo presents an trstance o! one Of the
hence II was not 10 be wondered At Il abe had NOT
~ set done anything for the Development Of the
sstss 7hs woner T. ra'ne. TIT r. h.s dSns
we have here an sppreciattre people, and tome
p1oduct'eue Of The ptntu worthy Of iheir spprs-
from tDdden iI1ux OF artists smong us. sut
printer. wofthy of the name need not welt 1oug
10 be Fteocnized- o1r people have very few op-
NTH 1be truthfnliy beautiful On canvass Eithout
travelling therefor. Wretehed daubs by tho score
have hten protucsd amopc n aud imported.
u GtLerallr. boWeVeE- We havs met the insult to
cur good taste with that studied neglect which is
lta fett rceronre. We antwer q fool according
hs tS1 iett be be T5so n h Ss
81 No. lsa Dearborn street, The work Of Conrad
s;st 70 or cy
atrcso. Rh1th time has been soent in the study
q AIT, principally in Munich, Bavaria. Its "rhe
Of ihe idta. md The dtnicnl'y attending IT, &c
o. sns .pees pe.tfs5sa y nat great e1p3usat