The New York herald. [volume] (New York [N.Y.]) 1840-1920, 1865-05-01

Fiaelio; -. -. Perfect in plot and language. pos
Length = listen ,hS,
All mas amoraea It's author an opportunity 70 dispy
est nobest ideas which have been entrusted 70
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master times excite the ivees mpaihies Of A
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Whose every touch harmony would Ss,sow
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operate orr marks sn err IL the history Of Chi
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up more genuine s and issima.e Standard
say with %etaphysies-of Beeshossss
has prepared them the equally sublime vocal Of
a The co%menwsaIlS Boston. Noy Y. 1851
cess No opera 50 sure Of drawinsa full house
this great Of None @ % m. ws
Of those WHO @ S5sss
ali The superficial admirers Of the lighter operas well
the lovers Of the more noble school music whom l. ar.y:
new beauties that each new hearing discl los
rasle sss 9 the m..,sr nv:
an :" n %Is s hs s
Woven different overuTes 70 this great compost,
The oDsss last night apprGprias rather BY the
character Of opera although its
crcsccndo from light tragic fur to conform
4 tn the
duces The lover Of cctoycns Sand what
however isi dsapponimeni when ne Key Of wa:
nS ss felicity ssse nr n Inn
G opera was hasa INTO oase Us Inc
.Leonor Overture thus giving Of sss iesns
y s"Wn I'M Steadily The
80 ""s''''i daily Chronicle, Washington, d. CT
Growers theatre opinion far sulpasses
a has sss o Ss the % %
close IN the most EXQUISITE gems and Offers inc held Tor
accumulated artists who performed the prncps roles
aaeen pees Of harmony ws have ever aud we
doubt whether has ever been more acSepiaby sung than
~ tDwghrs Boston Journal Oct 29l
@ 1s srs W. sfs1:
the musical history Of Boston, when we can truly
that rs and only the spring It Was not for
nothing that Boston ears have been made familiar for tSsn
does the statue OF mighty there in
Music Hall Beethoven somehow speaks the earnest
sou! OF this people almost other artis
whether other and his Fldeio suits the
of these times II all appeals TO the noblest the
purest the heroic sentiments II sings OF captivity
and patient hope and glorious delverancc through
a wife's heroic and sublime devotion. It's keynots
Il Freheif-univcrsal ibertythe aspiration for which
and the godlike struggle with opposing fates IL
felt throughout all Becthovcns music. And
illustrates the end celebrates, In great hymn 0f
praise. excellence OF womanl such sincere.
passion and every feeling from the endeest to
nobest refreshing IL engrossing minds
long accustomed only Italian OPERA and hearing ths
Italian called peculiarly the language Of feeling and Of
passion Talk OF these German works only
hclassicnr cold, scientific aud elaborate FidcO
has taught you what feeling what grand passion h.
And seek longer apart the great instrumental
scan only the realm of abstract music, but
Of the human Does the orchestra all
through Fdcio nightly throb and h.ave perfect vital
sympathy voice and actionf How spell bound You lsl
tened heart and soul TO that great overture eonore No b.
which, being thus after the prison from
which it, motives the first time understood
by hundreds who had often heard II In concerto.
Was the drama again, still more dyinely
dealzed reflected In its esscncey Was overture
applauded American theatre bef0ref
And had you night revelation OF what great
the orchestra bea such
Meyerbcer and Gounod have only built around the
side developed with gerninal creative power from
within, song and lcaping whole Minerva
| like, Of inspiration OF the brain OF genius.
hut have said about this before mors
fully than we have need or