New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1865-01-30
;ch.et class NJ muac had CROWN with its Growth ard

Of devoted amateurs hes arisen hole public until
now New York uoy take its stand among the most Luz
tGiousy critical cities If the world. We do nt propose
t. carry out this lite o: inquiry ut this time out ~
garng cys have ere, into it, organization which
need correction. We may follow 1t ont in the future
The under notice was tie third Of the twenty
third season. and was conducted ~ Mr.. Theodore Ei-
field As will h. seen. tie programme was unezcertion'
able in the classical level If its SELECTIONS:
! PART I-Synrbory No. l. N fiat, Up. %. r. Sehnnann
.,cherzo hioto Nivace; Allegro Animate Gr.ao.o Sou
smie rro. Fsn,sss the Piano. Or Isl; =. scLu
b-n; lo,ebs. ration :, rrr1 List AI liam Ss,on
SONG: Adelaide b. .ihovrn; Madame v,ran. Fsns.i.'
S,pr m u. w1, o. H. IN A. minor s.rpo,ss
The b. fa'. symphony BY Robert Schumsnn. IN bne
linen o his styl~. and is interesting rs brinr IN
lee from that abstruse vneueness whchm
forever striving after lab led effects 10y harmonic e"oo
iations placing art al Owe hature. ana science above
spontaneous ceuus. 1bisSyinphon! has more frerl' M
OF inspiration than ncst of Schumanhs works exhibit.
olthnugb in breadth grandeur Of effect he has him
se surpassed Il. Tie A 'ddnis MaSoso I'd A|ero "
race are repete with fncy. and contain passages of
rare sentiment ard teuliy While the ins,i umeniation
is SIR. u.nrly bright und spirited. This movement
VS. given with fine effect: there Was Swing "
the Grelosr". uDcer tie 'oltrCi of tho r"u'I'
WEIGH gave Ito REQUISITE lhlpcluo'I! """
Of srmc time none Of the finer points neglect
ed The Lar9hsno is n good sulject. first IL pa
~ the vous AID air ard sustained cy the yiolorccl
H. aud again Y &c horns. each time surrounded ny
counter subjects iur tie various instruments. frnciuy
and vel conceived in pirt Of vnriry OF cioiins nhn
presenting II charming ,oIe.pioiuie throughout The
subject neither rapd in lis sentiment nor 81 h'
t-p,e IN its cap SIS o. US Ind in Beethoven, Men
d,l.,hur or even Iu,dn bu. what there is Of these
REQUISITES has been admirably t-"aicd. Its erioi NJ
aEcc was nett or so refined ~ intelligent nor >"
well dc1ned cooiing. We tie accustomed 10 hear
VI der Mr. Eisfeli's direction.
A trof passage for the wind Instruments connects
the Lerphero with the Scher:o. which - spfite''
movenou IT, somewhat inno:u' and discuisive. Dat OH
the Whole clever and effective. The hnuie Is very
brilliant ,tGIting III vith fluent passage for tie 'o'
lihs. aii'rvGrd reIeu,d ith bid anu en'c'i'e
counterpart fer the bases ard amer varied treatment
ie.in'roduced by lassinc rnse fer hute and hof'
with highly increastG effect. liewhoie oil tins move
mont Ihei, I.n!et, anu vnsVeiy warmly apiauueu
Nine. Camilla Utso was ctiuialy welcomed by the
brilliant auGie cc present ana jusiiiclby her perform
apce tie ep,onurl. We have before passed upon her.
Her first p.ecr "Ss.Lycn.rs Gc Mozar." by Aard,
pleasant plert. vuy fLcy iisiruEr'icd WIS charm
incl, pa,cd Tie atst cx ibtug In its eouis 1oIca'
CIV of sentiment fyice OF expressio,. ard grace oi
sustained execution. TIE Fahresie Caprice, by
y!tuxirmas IN tie second lart h"wetei.
ao. Did n.ure SCOPE for the f cIhibt"n Of her pow
crs The composition Is mater piece full Of II.
poetic rrsceiul and passionate, and Is insiiUnened
18th sk. III Ito execution aHsi oil Tie fcs"Iicer
Of tie D!in called into pa the reolts'rs and tie
andcn,, requiring msfle1 eocuiinnnry phrasing an
sustained and Passionate e2Ires'ior. together Wit
ii
semi .rote-aue huey, which trenches Tie
narrow line which dniLes tie sutin.c from
the rid culous and 9 perfection e nanipuis-
ton IN all runnoes Of tie Instrument which
bui vc-y few nr,i,is .nvo mastered. We do pot .,
that ain.is urso icd rut tie i SURF of these Dc
maids for that wait Of masculine breadth Il style
which sc oanhoi look for 10 women. NUT for the
present at ras. Icnre something c.ing In l,r per
fprmance, but IN yIrts nuc bIish 81 'Ao u'o' ~ de,
icacy, Juriy sid paibos Of niohBton ana IA tender
ness Of errss H. her Jerfoi efi nothing io be-
desired she was o.iu.iy tie gI'ht ,ucc,ss Of 'he
evening. repetition ~ the performance VAS the
universal ish OF the npdien,s-a visa Which vas only
bot fulfilled beesuse of tie Lbi,lcd ine'f tie Sci.
ety. thai will ro' be permiiicd Tor Which ruiz
We thank the society. slih, ulh Should have been
pleased 10 hear eau lila [ Iso again.
Nr William Mason played Irsnz schnberts piano
Tata.in In e. ot. H. VIII urcbenI raj acc"npaimenb
by LIZ IT'S not lsrre hnt !, IN m agreeable work
Mr. sm Mason bui v"ry arrly piny' ofore the great
pub c. his specially chamber m'so srd OF tAAi De
pl.tueat he IL un allie exponent ca lis occasion b"
I'd hot do himself usdco. While he gave oui toe sub
ocs ith ne taste AID or?re.slon ais general eIecn'
H. WINS neither accurate no. cesn We well know tae
hish character Of his abIlt.rf. bb metis and
executive and sn only r,uaik la, ;hc art Of playing
In pubic is dependent uiou certain physical endow-
mehts without which tie un OF priectr'n "frehhque
/. almost yeiuelcts. tooness 81 iHteect. stree gh 81
nerve and perfect selsconh dcnce. arr tne imperative
necessities Tor IL sue eeesLl pihic pei"Imer; withoui
them the bet ard most intelligent eilOts viii isl TO
make On impression upon The publ c.
Madame varsn has Il chat iAiHg voice. and sings tie
ordinary cla,s 81 concertmus,c pieisingJ sfd with
effect. but Breihovcrs "AaelIida is beyond either
understand its northumberland expression lie
plofcu-d passion. Her performance Was exceedingly
tame ard iIeiret.'e.
Glpcks overture il O fnc licco 81 writing aud IL
interesting from ihat fact Un the antiquity Of lis
style Int there twenty i've OycituIes which would
have been more acceptable tie programme. Of eqrol
wo.tb composions and Letter illustrations II The
resources OF our modern OrcIesra.
BectlOyeL's mastery overture TO "Ep1nont" spirit
edly and effectively perioine- wound up the oolcot
which wns in its main iess.res, every way WORTHY Il
the reputation Of tie Socieiy
Prom THE nIsslssIPPI.
no sl,t. FL llve Gls..I