, 1865-08-10
MUSIC.
rptt,uueptat,cu asd vsesllsn--Ieudehey 81
Modern Prae1lce.
CIV. Morgan's Cen:ert Last Evening
> r.nr srctfpt idea OF Eustc, thzt It

| AzlkAQ 04V1 "a ~ t4E SElE3s ]
a In the prest Mt Cay TOO otteu Ignored The most
| bsrb.sit combitaticn OF soutds erer emitted in |
honor Of Psgtn rod tn srdent tines, OF the |
uoderu gong besttpgs Of Chlatse Knrahippess,
w,ll compare fsSorahlT With so.ne OF that musc-
eo-ca1lee-wbiea e1ctes to fashionable rapture. I
u our drawing rooms apd pnbhc cnterestnm MS. 4
matte trtmblines Of he modern Innseal echoo:
afe arn6c1sf IN the extreme, ard ike the use
II m neea =! 1'Ee Ws IKE so bsm
is t1r ply cultivation o toe dngers md ,he he =,
The as'henc Influences Of the science being dz-
II mutt not be understood thst we decry Tho
ptetrssion or displsy Of "e1tcnnye ao9tts.
he eoul OF Uutic; It II then most welcome
Fin. But We do enphshetny pratett seaiast It
nhen itls ,he sole Eeeonuendadon Of pr.
p,pctetr.tueEtietbs OF our modern "musac'' 1
which Il composed for tue sole purpose Of pander.
hst tono7ed Il feirs eons'snsd to Tie dlmes,
nne execution is 10 mnt'c, whst felicity IN ths
use Of toIors L. to The psmter@very good thing
in iteeIf, but perfectly n:eleeB In artistic potnt
OF view, unlGs. tnperpoecd on ali which must in-
eyttably pscad II In the conpondon Of pant
.ss Msn1a sna psda, !, 1s1tsf d. now eals
the possibilities oi nechatica, comb nrt1on. ID
N s1ye1t1senent Of ZONE machicc for plsytns t
teftstn pieces a. the aQit0F ays IL which will
ensee the ta5enis performer b3 tie stmpls tun,
n,er. ~ r. f.w .etnn5s fess t1rs tb.n csttehsi
Of Weh1t 1t would immortal re the inventor, OF,
public sense Il 'aeif Ter naepi1 a1e 70 eops
successfully With tnschtn.ry. lead rncn to study
tho sentiment Of muse IN IT. EXPRESSION What |
~ onr yonIc mi.ses Who nov rrosn nrer 1se II,
ano N the vain attempt to avoid the implied
Ihns - .bem.siTes nm, snrr ,ppschiuss
| be brt urht out! ltwoult beat type setting an4
sewing By macn,re.J, ~ hollow, md would BE-
Whten nv .ted ,ha .Grent If ite is41sr 1 noi1
shns of tsc ystt anocnt Of iabor il would ave.
=. Esr.5 f,o,n a. Sn.p snd NE ni.es ~ ani'.
svsS ~ n,1snts N H. NV mn., M ns5 uda a.
,.lessoEsM a Ard tas5 @ VI: W9st suPer1oE pu.ie!
a. n IA case Of he sunr.nr Of 4 ct et,ek II aone
rtW oi pin 3. IN Ter C. sens ubst'aed for IL
TEula. bnt ~ "'low & ,p tsp 4 d ne n;s Ho;nsspseseEs
hno fnf poo1 e ~ 1es ~ H"mc Musa sewe e IN, =,
Ntlch s1e o.ssa s1diy wo1n ont rneer the caufse
OF noeean aa.,nns. ~ : e-a:t r,. ., .ho T., .h
range M II sppi,saeilit5 q bis teseh.nss 81 K.
Pesn Ess p.opSoy nexes s,ouoieq sn M ":sn -. tne
oftai leset - ~ Sna ttn 20 nas not ieH
TIE citet>e .ea Etlia1rous posoltg1cs1 innovation
mace eince his M, $40 10 therefore 10 he
pe1ss ai h. ee vii sppy e1aey the aac
s1saos Il yeIs: i yoa!d i've easpdsd '! hia
'ow t.sr plano 70 ep.!nterr, 70 very tstlers, to
l HFS ~ $Ehk all nj fNkf
mos. p.rt. ara OBLIGED 10 express their adnira-
tlcE, lot ttat they uEe II but because is rome
nIseleeIess vhien IN sh.ketpeare's dine might
IL " have nv rot 20 IL il onr asy hut the grand
Gu. III aoe cbntca:-, where il ihes pe into
tuctd 'hty Rre 20 choled up with vo'uEtaI,tsRud
vss,atlont tast !ae composer hin:ea Tia rot
. | Whist II it in The drawing roomt Much wore. II
s iostrs caste to et1v c1e OF those simple melo-
msv f.ncy rtfembsnc. 10 QUE o{t5eIT loved airs,
- anu looking It the bouk viii f1d tnsr soneoody
- h.a been cudgtll Ds hie brains for weeSe to IN.
IN s' Home, Sweet Home. or The "Last Rose Of
- suum.r" We nas bcas tse ssne thing IN o.
ess TIE latt named torto1n ons' saa pooF "Rosaa
s .sssiey a of ''1s sounes % through Ss.sh every
i EcE sud then . f:w 20 8 OF The ors.usl
g. 9ss9 s ps?ssd
the listener. Tie best variation Il that which te
9res 9,nes nne Te!s Moas,t ave now H. II asa I
T. fest % The plano. IN which he struck ksy N ihs
middle xh,e ons hand w.
potI s1e totally !usunleleat 70 seqa!se:, 4 4
a. wbn. e,,houeh sbie to My vel, IN tho prope
A. srnrs Of tse Eo,r. yes Msae hts reputs,lon III
hls EonfJ MANY Y els tasns a =, =, ~ ~
- stmsitsneuns Employment Of q cozen tan.s Q
y, he fnsf,nneot. -,
rs This fusote for the brsvu1a il the destruction
~ q ~ mns1et tsete EVEN amoIR 9 oni pe1t eompt
~ s1r.i errr11enrr fhr nrsr1:Hnr Eahit ,s nSten
lis nn.hns ri The n.ece Theu too our nerfurmerl
ID II heir love Ct eele1,y. dash on everything
G. ,e.t NJ ngt A. inte1isros,c sheir own riainou
n. crsfe Io,es 10 an np ihe ti1e, aud keep thei
tss
n ", y. ihev es,e he p,eev mrJ be a1epresenatio
sane.s ,stenssd Ss;1 e ss1sns s.a,9
Il, ;nex nste II in tbs pre Of ,be ped Ii or iii
ny cie or iegs musecltr exer,ton in 1hra.hlnz il
De ktye q 1he instrument N .omno,,on !. n,
8 Or toE1te tne e1een1 oS e1srn9 ~ on i eener.
es9 t. be 1sssdd sy tah,1s taS 151
nv t1de q n:s51s ase s,ssccfp,M ycrY sfc
md one pe1hsps ri On H. q H. fog u
tss; hc.5i spfFaE MsaE; H,4de = ao1 S Mesd
I'D ate sy ,nosi OF on Il. Ss
w. me nns I'M e ,her -, e,nai rendeip9 irto nus
.sstaea sDa aeae e & 'ss
! 1s M s@e, h3m.e1f th:tanet ms.,eT Of IL settnes
Il We e,1 - o'94 FIJI IN thto,V Ind praet c..
,,ts sss &c osa wen sEsss I'd n =
xt.e ~ .pnf1nint. vo!uptrous In sofs flowing meln
ol,ce tfectrE In e1.5 cred strains, and ful in
ainzs reto.psops md he mts: nnoeisas.1e Psaueae
,aEge Tbeif sEi il ttGwu IL The at1tty 10 employ
SD ss'y ~ ,er # oMeer Of he uoe..
a,.e Ss,nfee eto1ehc ufe, wbe1ce they cru draw
.s- pleasure - th IEt new kna oio: % 1ns smeH
=, me .na1ost, Sn,s As she v.n'd roycaent mi On
oa,a strinstiou II jdcse, are ii ,hrtz command,
60 they chosen tncict9oey % 1Gn reiasef tsst
!. At hs colo1t-a blue nere. etilisut patch oI
ihn T. sh. ntrer,ian white The sober background
s1 suen hire e.,d there not covered by the ri
d 4sif e sheh gives hs
,p99Eo Tncse ard ott eI gtea1 masrsrs cf human e
ron. lion held the key 70 the htart. and uulocfed
III: IL rov, interpreting mo o. i.aEaags Il ve,.
xton They did not 3nsl4t. but they extended and
and proved TEE tieskn1ee q ouI uus'Iu !R1E =:
foon ipr iis sy1clic aud protods'e rules 10 the ~
oper ing esr Of the world; They 1eeeE 1xe ~ e.
lined n1t hce sqaAs.5 ~. ~ H. ~ iii voSr
to II 9! eMnsc 5ot9auy. .nes -hr,se v uSIrh II
d the English lsngusge, indicates ssxn ons'n
T6s have spstad .bess ssess11es - oet1Ee (, n,
depot tnte e1aosmsn MY 5eeG g +ose o ~ 5o
Tense gsttnlst1on The sap't ennneianon. arc necfs
aht tertnia easef tut IL cthe1e they especla il
'1' p spfs tHe sehoo'boy ract, Too many such nc
neriormere, TOO numerous 1h cetcrtpuon OF
~, caijst.. Wand that thpy were e1euneed Il
~ he hcld ana made 70 St
'dant. nbe TO their nouthtDgs the quiet of tie 81
.amed more eEdurabe tbsn their tsnl :,
,mbet The o,gxn u ne .oaunmsn. o. st oness y!
zched a. =, ~ % ro,nnnsry eTrtntine. nerbsnz
inter cltte, not veIy Wldc 10 rs r1nRe: lts perm
With he continuation Of found ~ iul!nees Of to
pro md a,nss as3s. r. aoo neriosmcr
rest Be q .3preteioe escn isalvienil feeling iu