, 1865-11-15
ITALIAN OPERA-LA TRAyIATA.

t'a'iata. tn' 1'oE. NV ~ n y: ~. ~ t-.- "H'
iounaeo opon .ne s.os, , ., ~ .Se .n "e s nsaa.
be musis, WIS brought ou. ,ast evening 10 lsree
syno,sis % ha. been current mon ,he boards for
many Yeas, and ,he moral and phy.lcal tuneriuss
ofthe heroine have been Illustrated With CONSULT
mate power by Matilda Heron and Miss Davenport,
50 1nat ~ .osess o. 'ne ~ as N ~ - a., W
familiar With INC ieaa OF NE sto5 and Iae nis o.
Camille Who Eoes on n eiow Oh si.E"s aos aha =
However, has been Eisen 6nt opce here, when
Go!son; e.' nero % ana ,,1of ~ - Eth, nv rcs
faag, leos. oton en,1sh inr 4, 1en,s..nt,tiM1
lhc strained ana aftcaA M me.a ~, - ny aPe9gy
f1r the sharaeferot NJ ~ a moss e eoni<,s ~ tae
poyk.A ~ ~ nss ~ 81 s1so,ot.sv m1s,,;e 1he,r
out nne conege1 ~ " n IL ESl1 - .n,a n
ena t1G3t az aiaa ~, LIE ahn III ;,s1f - ~ ~
eas .ft q % IL = nuse ser: sspss
ois eessTss ss 9@s M.. ou. effective md rs
rooNs ns g! yioleIs. pssshs, 1nsdo anastasi
onday parts being tssea p "a "a r9se T,,i noas ana
tins she mana9ed tne ea,laeaes u all .ts :a1ytnx
phases, Win e3qalze s.sse, anu tsmpps" .h..}. y
,nofs psniui rassM e assommens Enasms ,vSons wnsh
heetie au.hcs hassinE coughs. md eSnsn,s,ss
Hratn.nS NJ n1,Gc ay " e,ta3 studen,s' and no duub
eians epo 5ouns n sstss1 =. s-n1. % rs.1 ,-hr
ney regard ~ 1psrse e a. a tbsa ~no
most iaitnIolt1 ano r. pnesaa 'ueo.s
are nr' saiisned III; ..tbe Lost OpeS should
Ms a. 7ntmto-,.hiv wiihout any ex1crnal
o. .a sf nh: - ia hciter liz she ntrb
i 80 rs,sd tbe nrrsence ar fhn loctor I'M
Has Hred IA Mren Old &c. it's dpe to Doscheitis
,rrsn1nrsenisfjnn rs1r Of the CHARACTER 10 state that
~ MpFsSennii Esu,isire :" fe,inres entered into her
no sspolsne H. ,aa.a ,nv sT1I.,r ,s,;n. ,hst
were te}inciy mshe a. IN ihs uiii:ai cniminat,on
e,trt nsr Nm 1n he intervening retattye NEls
ssxT't XXI .hr shsnrs Wss ms1kel both wiin
| ,,nire md action in IN admirable manner
Spa a1a{ea ETC., seemed 70 LIZ pase. ID sassn
NV ~ ,afs hnt fs,s M norE Inn atnnsd for by
hes be- M iasteiu md Artistic 1endens, especially In ii
redlat1yes s Ee1s % otl sgbied md s5nesi@ss n.5e
almost inaudlble, but Inc atas were Invariably
voice. The IN ii Je;ise md lie pSo vi ind p1r:a,
eeTn. were socai gems, snug with great
isle and feeling. Ii the Oh! mic
III. c,ec,nt fn,ms,inn. Tie drau1at,c renderinr.
poxtIeI. 1 Easr rery coid. Ii Was TOO mnch nke i
tleN1e15 os =. pieces IN concert room -zeeonpa.
devoid of poss1o5, especially OF the Intense passion
!. ghieh attaches 10 iii role.
- ~ !. WIZ n1rht III sti9i nsde yery acssptabje
Gc,mont, and sang with Nceiiqr, but al times toc
se1nunstra1iyeIy f9r he cabre OF the voices abou
l him
d:oj,ettl eanr cxccrer1,ly we'll as he always does
Thr rhons shotrs Improvement md though some
tcs tortinc .,ni5ormlty. sanr what little they had
~ a9 a. peii' - '''s' ''-'>
~ ts,,, x,1, ,nnsar tonight at Kalamazoo I,
. 1 III rr.nsip e,ecfed by the cttfzens oi tha
% s... ss ~, ~ TX M Il & csTsble ~ rtatiDe
psss.a. a. n,,ri ts-snns md il ea1nstrnc,ei In
saGhteen nanasn asit H. su,,,r " f.h,esrn D
st3!e Mnicn Wona 1o G.vs.niea mSEe. her ,je,st
u - faSomta, x4H ,a.,a; ~ s
b'oe7spng W! Pc g. H., ot noh1, n.nputs !,
Aeaane einlf ta,en %en ~ piedmnnt Reyerss
o. torture eompenea IL s,d - Gsxin~ a,snjaSed Il
mutiea caHsanun, tn u .h1. @or.i rrDnnirs
Mes' Hena - 'ntaaS' -. n1aGess;onal d1am IN he
s;e 1En tsxn SnH sn Ne Te.i. astined tie anticps
tia q hose Waa nsa " e. nfH ains in,a
attenuon oI me ualsS.o.s " - Isa u and ~ tha to,
tbeatfes was a! once u1aHn - net. a. % 1 e. ~ Eie, a.
mlnanon q me yeaI sae "4s ,,n .,"si Msg,me -,
enSe, n NE same H3eps M.sn w. ,,1o.,d rs,,rIs
1on tnsn al h ne aG1En' sthoa o. he and fne dta
hdn: Ine aa@1tap.o ss.,1s nsSrueo tsa+gonts srer
matt nieNt o. sS 0S ,;,1a s1 es..on ~ ses.on Sc
ooee IecosnEus NV ~ 9nrasss rntf, she ,S,s sns
popularity continued 70 nase, nnIu ~ w. se ~
10 the receipt Of nanoeome anG".ue; t.s, ~
loving ~ a,sxaa y f1ossaS siaR en,o.s y III
ber tne 0oHaanso't*e - oFs..s 80, .c.JI ~ ~