New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1864-12-16
vmB INHIBITION OF TUR kHF'
rsTe, FUND SOCIETY,"

measure GL tue hdlnB lultf ~ l"'N+t-r 49,
with these pictures.
One does not expect 10 meet at this exhibition WIN
She best work of our artists rs rule
full force for the wells Of the Acsdomy almost the Only
man who has contributed picture Of importance, so ai
., labor and study can make such work, is Farlcr Of
She Others we shah doubtless have ample aud saisae
Tory report when the Spring exhibition opens in 'heHew
galleries OF the Academy. Meanwhile, We would LIKE
20 make suggestion 20 the artists which acted upon
wead result it seems TO Us, in introducing into TINS
Astnnol Feast Of First Fruits Of the artists Summer
work. new and interesting feature. Lei 1t be mainly
q gathering OF the sketches, finished studies and even
xhe partly finished pictures which have been produced
sipoo tho last Academy Exhibition closed the results OF
IRE artists labor from May say, TO November Anhe1
with these there might be, now contributions nom
foreign artists but the chief interest world eertafy
rather about these memoranda OF the Summers NoIk
In tho woods ard fields Let the sketches and studies
OF each nriit lie hung together, SO net we could learn
bis methods OF work his habits OF observation and grow
ey this pleasant informal chat. IL were, with him,
into better understanding Of his completed pictures
To many people. 10 most people 70 oh, IN TACT
who love nature, Gad study her. Such coileo'
Ton could not fail 20 ho delightful; anl iol
n minor consideration although We suppose
no artist would consent sell his studies, they being
fay too precious 10 him for that, yet We are convinced
that many moro commissions would be given Tor tie
carrying out Of sketches that might hit Che iancy q
people in this rough Sateroreh bu. full o. Tie heat in
which they were sluck out or unfinished, hut Win
She noble record in them Of the deepseacd enthusiasm
which made the labor that frightens and discourage
other wesprine OF delight to him to whom lis egt IS
all IN all Everybody knows how pleasant 1t Is to be
allowed 70 turn tie portfolio OF good ariist u Is
silent talk with his spirit be walks over hc.os, OF
rests In the woods; point after point emphasized az
by a good readers voice tie finest passages Of the
speech or poem; cur attention is fixed hundred times
upon forms or coors, incident that would have es'
sopcd Us in nnture or III The finished picture. Il the
sketches are by masterhand they have fought Us to
observe they have helped Us 70 enjoy many things.
This notion Of an exhibition ofstudios jo.tnSs memo
yanda Is II favorte one Of ouTs we heartily Wish u
could be carried cnt. What delightful room het is At
Kensneton where Mr.. Ruskn has collected dad framed
some three hundred OF Turner'S sketches, studies and
Enished drawings and from which, the more one suiics
Gle more deeply Impressed be musr"go out with TIE
genus OF tho great artist with his supcrlunan indus
u5, his wonderful powers Of expTesson;--a ine-a
touch stroke up down apparently most c1relcss but
seen when understood bypstient study 10 be most
thOugbtfn-dong al that Shakespeare does with words
and IN the wav. that II yCU Try 70 substitute
another word for The poets another dot " Lire for
:be artists the chain fed, and no AIT can restore It.
let bot the reader however, or any one who
hcmbles with glad anticipation at Tire thought
Of one day seeing Tu,ICr-where alone
be can be seen truly--in EDgaDd-look with
tie forebodings os disappointment ot Ne. IS on
these walls which purports to be specimen Of Turner.
Turner ever painted It at all which We doubt lie is
~ not 4, 10 d0ad bv &c vpf.ftv Ia he
wished that such work should not be shown to public
that has no opportunity TO judge how poor is by
Fsrson With even tolerahiy good work Of the MASTER
Mr. veddsT has two clever little pictures which show
Oh s1naH scale his quaint luinor and strongly udivi
dualized method Of work They are much more care
faIly finished ;hsn anything We have soen from biz
band, but Rh-le think we appreciate thom at heh
fll value We il wait expeltiUt !Or The time when he
shall give Us pictures WITH thought IN slcD and moi
PIT rs of with hi, sly fan, end bis yeddersh way o.
fres.ing nature. With this las. have DO intention
of quarreng; by al means let him sing his song il
his own voice .S God has given him, and lot tTy q
twist his bass in.o trCLei twin end IN nothing be
klsetto. All We ak is. that he shel Lis uRques
honable ability greatly and not ttiyisLyi We aeeep
these little pciuree as piey; a. The play the reader
chooses OF one who will sfhe win et distant dal
write himself MASTER bat the ,i'l5 will never CONF
Sfom play. That nome is goD by tie poet wAeibel
with pen OF pencil. who tales a Doble thence wild,
range that, from "HsDiet' 20 Burns's "DGisJ"-enL
pats his warmest heert his highest thought into TIC
song lives in i, With all his lie; loves, pays doubts
lghts and eoDqueTs and Jles,es ell Hat be is il TIC
words or tho lines.
NI. Hennessey has two three interesting picures
No. 90 cover tic Hits" hiss a GOOD deal Of feeling
which iu., msses Of its full effect by little pcion
al eXsggerstion. The girl TO hsve really more
force Of character, and more sympsihy with the nature
about her thar 4 quite consistent wiz that very formed
sih wreath Of black setbe1rcs that she carries in
Der hand No e. a Sea SIDE ldyll IL natural end
veIy ptctty-the Situation. however il impos mic.
which soGnevhst maIs TIE effect. Sitting o. these gri.
on the high chG even & il IS not vcT, high say
bank o: thrco four feet The undersae OF tie wave
put breaking the sand could never have been seen o.
We have IL here. We ;aso 81 iCI EIauso II s eaat r
breaking w0v'. bur Fe know. 6s well a. tho srtist
hat il docs hot look like one However, as this r the
one ding no man living can psjnt--eyen Tuner ccpi
bot do IL thoroughly gcl-wc accept Six Heauesey's
conventional symbol. ood ogo coatout 90 praise his
ladies, WHO, though 10 l.s graceful can the curing
crest Of the wave about 70 break. yill III s 10 10
painted
NJ Benson IS represented here by thee pictures one
OF whicn No. 20 Is paiDted With unusual care ard
Irish The detail y extremely vel dooe, tie pain nc
VI tls pa.,el-wogh. lie te5c. DE sep.a-d.awiag
lrsued in pas e.psftOBt The val. tho osasmoa,s On
che sntei oil show great improvement; he & obseTv.
Ing more closely. wcfkiag nCn Ia earnest NJ. las
"By the Sad Ses-Wsyos," is q more Interesting sch.
ts BIT more careless and tie water Bad b..
The perspective IS al wrong the beach eoros up 10
the horizon. AS we said above. man cen paint Q
breslng waves sis lot Labor h ~ IT, lgt with care
and patience snd hal6 siod! asy paint tho wstes
after Ms wave Lss broifu running ~ In resr.eiged