Memphis daily appeal. [volume] (Memphis, Tenn.) 1847-1886, 1864-05-13


4 or silver liGn ging hut.0Bs. These should bs
plaesd up al fbs seams Of the back, front ant
siseves, and along ibs bottom Of The vssto. 81
yer buttons arc generally preferred 70 gold 20
children this style Of bAeqaine Is also much
used. Ribbons Of rare bsAntY zrs made fol
ssshes Plaid and with stamped velvet ribbons
ere much liksi Thersi small passsmento
RE, very prstty, used Tor e3giDg the wide sashel
when mads II the same material as the dress.
VS. can speak very decidedly fnEt tas short,
naif fitting palesot 20 uaieh The drass, or Of
black taffstSs trimmed with p4sssmenfaris oi
bic.
Large buttons are now worn d0Wu tbs wai5t-
coats, which are made of colOfsd cloth or silk,
the same shade as the skirt. The verisable
] giiet parFo; should be composed Of white lou-
I lard CT very ine quilting; the large hss buttons
matching the color Of the skirt II the waist
coat is velvet large stsal buttons may be used
Our list of dresses this month comprises both
/ visiting, ball and marriage toilettes. -
A dress Of scsbisuse tafssRs. the bottom Of
The skirt trimmed with three gauffared -founces
edged with lace, and between them fFo lows Of
| black velvet forming double vand7kes high
body, trimmed round the point with velvet; The
/ sleeves tight, with revere and cuffs of yeiYst.
a pOult de solo dress, of the color of dried
rose leaves The. skirt, sleeves and bcdy arc
edged round with silk fringe % match the dress.
A robs Of corded toile de soie, dove colorod
Round the Bottom OF the skirt 3 liggt fancy
fringe formed Of green silk above this, an s1s-
broidery Of stars in the game c9ior. The sleeves,
I long and ouen at the wrist, are trimmed TO
match; and all down the front Of the body and
skirts are cut moihaF Of pearl buttons, esch sur
rounded with passsmen.eTie resembling the
l fringe.
An Iedisn IoulArd, Of the shade Of violet,
called Duchess de Parme, with eight narrow
black tsdstss fussd d5uaces, edged with very
narrow lsce The body which is high, has Z
berthe pelsrine formed with similar fills, which
also trim round the top and bottom of the
sleeves. These are made coupe, open Al the
wrist.
A. black pouls dssoie dress. At the bottom
of thelskrs an insertion Of guipuTe, about i've
| inches and a half vide, of > rose color. High
body, with insertion pat on IN shs Figaro yssse
| style, and continued round the position bssqus.
| Insertions also round tas bottom and up the
seems Of the sleeves conds.
& dressof iron-gray satin, triIrmsd With thTes
bands Of emerald green velvet, ssch edged with
/ double roule of green satin. The top Of the
whole trimming does not reach higher ihaa the
knees. High body wiih velvet hands to match
| the skirt, only narrower, put on in bTsnde-
/ bourgs, and IS epaulettes and cuf5 to The
sleeves, which are sEsh but opened at the ell
/ bow.
| A black moiro dress The skirt set on in the
new iEshion--lhat is 10 say, with one wide plat
/ in the middle Of the 'front.' This plait is made
entirely of liehtish blue taffstas. A broad black
lace in deem points is placed at each edge Of the
( blue taffstas, and, nesting down the middle, is
/ Joined az each point under large silver button
A button also is placed on each blue space be-
I tween the points. The eoTselet is blue, covered
with black laeei but instead Of body, il has >
/ blue vest trimmed with black AstracAn.
| a dress Of violet taffstas. trimmed round the
skirt With wide band of pAsssmantsris, Abovo
which is narrow hounce, put on waved, and
carried uD the side 20 the waist. The body is
plsiD, but with Jockeys on the sleeves.
/ A robe of poult DO sois, of color scaDisuse
| tha skirt Trimmed with hEs rows Of black che
mile, pat on waved, and so as 70 form bows, fiu-
isbed 81 with tAsss!s. Upon khs body similar
/ pattern, forming brsndebOurgs. The sleeves =
coude, with chenille epEulette.
| An amber eoioTed Indian foulRrd; the bottom
of the skirt cut in fsstOons with hounce Of
black tafstas placed underneath. In each fes-
| toon is an ornament Of Spanish point and upon
the body similar ornaments IN Figaro veste
| fashion. Upon the sleeves row Of smaller or.
namelis, all up The seam at the back.
/ A violet poult de sUie up each seam in the
skirt cord of pHssemeBteTie is placed, which is
| put in st he waist, and finished of ct the bot
/ tom with = tssse. In the middle Of each
breadta is 8 very large aTabesqus with three
/ izssels. A small squars peleriDe and al sano-
niere Of passansRtsne c0mPleses this toilette
A bail dress of pink MORE, trimmed about IF
teen inches up tho skirt with bOuillCnnes Of
! tulle, covered with q flower Of rich blonde. A
drapery body, with berthe Of rich blonde. A
bouquet of white csmelias in the center.
a dress Of tulle the skirt almost covered
with puf1iugs of tall, over e skirt of poneeau
tafFesas. Rich hounces Of lace are mixed vita
ths bouiliOalesi and gersnIan flowers, with
bright gIesn foliage, are trained about the skirt
and body.
A white tulle dress trimmed with blonde and
bouillonss a tunie or white satin trim ned with
blonde, above which is q wreath OF white mATs-
bouts The skirt IS also trimmed with mara
bouts, a skirt Of white tule, very boGillonne,
and much trimmed with bloBdsi but instead Of
a tunigue, eRsaque-a veIitA5le casaqOe--
made in three pieces, low bodied. and trimmed
with drspaTy mixed with blonde. In front,
the form IS the Sans as the Empress robe
without plsit and not cut at the waist-and bs-
hind, there is plait, as It is q eAssqHe. It is
composed Of white tsifstAs, trimmed with
blonde, aud rouehe of spatsed tulls.
A marriage toilette robe Of Ehito p0ulk de
sole, with . train skirt, trimmed with three mar
" houncss edged with light cord Of passO-
menterie, and fringe Of whits beads falling
over the under hOuncs; the cord on the upper
aounes is arranged 50 as 10 form trimming up
20 the top Of it. Ths body is plain and high,
and has q ceinlure, with sum0niete and-p0sil
lion basque, entirely formed Of psassmsntsrie.
PassementsTie also forms epa1lettes and cuff
and cord is put up the seam OF the sleeve.
! Bonnets are worn closer than ever A. the aides
and less raised over the forehead. Soms houses
still preserve the Marie Stuart form, but it is
scarcsly likely shas it viii be much worn this
season.
Grape bcDnstB are The most worn jast now
but silk and tulle saun-sither plain or mixed
with Grape or tulle-erinoline and straw are
making thsif appearances.
One very elegant boanst Of pink craps was
trimmed round the front With'a dyapsEy OF ZaUzs
Tibben, from which fell light iriuge Of white
feathers. Curtains are to match the lront, and
small bouquet Of feathers at the side.
A eapote Of mauye Grape, the front drawn.
A wreath of plated ribbon round the Irout and
curtain. La the cap bow Of mauEe ribbons
aud one rose.
A white Grape bonnet was trimmed with CO.
qnilUs Of white blonde, from which fell two
green feathers, over bouqust of lilies of the
valley.
A bonnet Of green Grape, trimmed With bou-
quet Of lilies Of the valley falling Ike feather
on the left side. This bouquet IS fastened un-
der white rose, placed N a rosette Of tule. In
the cap, coquas Of tEEfsiaS, with white roso in
the middle. Ribbon strings.
An elegant bounst was made Of tulle and
pink satin. The front Of tulls had At the side |
pouf Of roses, surrounded with moss. The soft /
crown Of pink satin Has covered with fanehop (
Of Hhits lace, falling over the curtain. A tnit /
Of roses and Tuches Of iulle inside with strings I
Of pink satin Tibon.
A bonnet of msuVe silk, esvered with white. /
Grape. The curtsin to match. A fsnehon Of 4
blonde falling over tbs forehead, partly covers I
two bunches Of iiac falling on each side Strings /
Of white Grape, with marrow ones OF nsuvs rib. 1
bon falling over thsm.
For evening eoiaure, feathers, and aigrattes I
ana much worn. These Aigfetsss are made Of /
heath Or any light flowers, mixed with mother
Of pearl. The iashien Of green leaves with verv