New-York daily tribune., 1863-11-25

Csntaries Of Use.
r,,.,prpc OPINIONS or
'''N"' G6TrscHALK.
sTRAKOsCH,
ny. TRIBUNE; T. y. TIMES.
N. Y. HERALD
IN ,c authoritative article on xr,lC in Apple,O%s Amcri
can Cyclopgdi i. laid down law, that the value srd
beauty of the tone OF an instrument are IN tue ratio o At. re-
sembsuce 10 fods great musical work, the HUMAN VOICE.
the Report of the Crystal Palace COMMITTEE which gave IN
1883 the ard to Erards Paris Grand fisno. sn the same
learned body and professors who
decision in hi' country Equality q eve.e' o. tone through
casinos, OF keys under touch moi to fatigue the psyer
hamper h' epe'.on are all rsgusa oy % ns sn,
desnde il the per, aiding humanity of the tone so that in
default something than diamond and a. rare ., sens
"a nearly az abstract science artistic skill and mechanical In
aenuy devise with the Passion tho eoqueheo ana 'e
In 5 tb.re we're no Drugs Pianos to oter to
that Committee although the nyenor had ,he oeei many
wears making is invest CATIONS In l3r' however, se'
and ali the tent.ii mechanical abors which every
and every senbc will take into account as IN
dspensabe foT an instrument made on new @ pr Dig,
every form complex as the steam rnsine- TO WI.
present these grand and square piano. prec.en &C.
to al these novel patented aa m sopS in
them. The main ide. OF these nnp'ovinen's r. IA
The CKYxosA VIOLIN which. though hundreds Of years od
are p.i fo one of these precious little ,ioins Ihs bot
tom Of Of these ,ion' h, special curvature anu ~
Inn NxggIsS Il
and curved unlike all other piano ories which have heh ana
heavy pink bottoms -. =, ~.
and le6st sought for, aud no one except 'hr pa'en' ever
though, Of maxim, the imprhable beauties o me
Violin for The rgenss'ion of soud r the
p,no forte ~ the laws OF mathematics arc we i % ~.
the aplic Of this with subsidiary pncPes 70 we io
forte csnno, be e. a.ide by opinion o, 'sDn's n
cAn who know. the pisnofortc. including Ihsprrs and
Goit,chak has heretofore csr'ihed ara very &
l.sding journal, has apprchended and svc"ed pbc me
grandeur OF these inruments hey stand ior
wsri as AN ACCEPTED R.vEIAT on IN xD
nANrYAcTu.g IN THE MisisrEA,ios 10 MUSICAL AkI
A. In the quoted Of the following notice. oi ' - inos
hat from TUX Nsw YORK TRIBUNE OF Saturday, Nov ~
1863 the Editor Critic Of that Joniba grr' cof
.c d,.cp.iou the mechanical nd -cop''ic .u, "is
of these sno, il no, necessary 70 repeat ne d'a
except point; that the inventor insists 's t Sc IA
mo-. a. now msir will owing to their special eonsrrtsn
improve Cremonn Violin by age They nry be De
from sre SON legacy OF value and ocauty
nd that the ony repair which centuries require VIII be
the r co,.rng the h,raue Pcrhap' the OF
new action .irnga matter Of moderate eIPene ani
from The n. Y Daily Tribune Of Nor. 81, 1863
AAknIcAs PrhSos
chase Ansrcsn Pianos and thcy ere found ~ ao ey
ery well regnaica in"y " esr'any - .hs b,'@9 on
know Acoustic tine science of sounds er- matter
Of ni,ios Importance especially the Piano IL the most
,rp~ny. and a. now made III. p-rshablr. sricls OF
and luxury known. We ire aduty 10 ouf feshoIs ~"
M attention 10 Drgg. Pat-n, Piano.ore Of which have
tried-a grand instrument Of superb p,.sions,sy homsn
voice like the las qua'y constituting the "efn oi
un.ica instrument. and placing u. sounds above mere
this Grand Instrument Of course the principle sppies
equally to square instruments. And we beg leave q
~ musical Inowled.c. very few p~r.ons-peIhsp. no.
more in hundred who ihnk they can psy-know
how o. panoor,e They d. those things they ought
no. 10 DO and undons those things which they ought TO
DO The st thing done IA to pa, The foot on the loud pris
which a., establishes vbrfon Ia a the s'gs runs al the
notes and chords into hohe cscophony Ard the polka In oc
whsevcr played la. as much nn..e A. Gator" aas
ON June NIGHT b, drum thun ping =. 'haihs - show
To ,e NJ rirg. Ienos they must bo approached artist,
Ike: rowdy ped, must b. ct alone snd the player re-
'hs' h. hs. but inciion-to sing wi bis nnscr
and that no singer two no.- dcodanily into
one 90 no player who tool should Having said this
much se say ha, player " very Ai,e hngor de- ny can
,ronr. superb effects ,h. piano In question; he may a,
urn. delight the hcacr with ssocil bass baritone conao
sDpfsno airant viii. s'ouAo 10 Ia TIE .A!sr-i hAic
h,n Gi,~d for concert.
Th,,o p.no constructed % entirely new pin, ~
W. . mad WIN r.rec,y straight bridge tIs9rtoai
which sconp.hed by m-iinr -four tiers f,nr different
l.n.ih - s.rng ,ha, simply impossible with ,h cid harp
han. . or any other form OF crooked bridge Tho straight
lie rings wh-r. they attached 10 the bifrs
which aluA,ed with the increasing length Of string fo
non tn e.r~, of tho sounl hpri where 'her u mos yht
ton aud ncce.sisl, give mosc equality Of vibration
than th ordinary OF rurins ne DHdsrs ana 'sr io
one roinuou, curve om ie Il the ns'funelt g. Tue
other. . T.,
.J- Of N. case and ccnfrm. o the shape u the cc %
iron frame work IL compete oi tell and n-iins ihe'trr
carried m the prop o.i he by of upNd
projections from the base frame oi wood These os
u ccd on top cud OF each 81 ihesc props ard to plate
Of ron rc. the sli,s wholly An son bolt rr)viied with
he nlie tie ss. and each % te pops
e. ,t. bottom which totally relieves the ea', o procure os
,.,rseui the sr.,inng power suspended ifJ tle vb l
ING portion and 30 P'rsoi, oai'd o.. 'r'iy ti - tie
mo the .oun1ng boas ard md us-sre except
,hror IN the sounding board T. !, the tone unsr
G i ,,f ,,orn sorr iins hos,l ike fie tl,s 70 'he
violin giving these n',ruinenis 'ors -ars CT
i ,hics rl,rA bottom I'd and t,A acss II tef
n,ide which the Ton ao Ia screwed -nd becomes az
Th, lns, are kep, in rerfrc line size whole length by Nr
Dnggss patent 'sru. CLAMP which relieves Tie soAud o..
soa.l Of strain o. pressure, u " .-', - M .. ., .
b, Msilun rni' improve, lA' .' N.D.. "".
point (which do pre- nj o. jnds Z iia ie o ~,
.ua4oe woud alone 5c thc ios. ilg9s.i economy
Mr ph,s. ~. made tie ruatl .o ne-AAa.A a. ss III
con.ructius paro ior he .1dJ y 'i ih' 40 Low
challenge ,it-niion ani cri'f 10 s wos1 &c Is 'i eo'
pe,ej. - . .. ., , -..
The blocks baainrs sirins end count .rins that if'cd
the unhappy frame OF the Piano Io'i -'' At' comp
vibration bioh ossrl.ih io "a -e'h Cd. t." 20
rrnoyc thee .nrrdiin ni' To hi.'.4' ~ MN '-t
Drggs hrst efoft. Twelve yeirt were expended H rio
and fra.i l. e,orei w have ho" or m 'ul ..n
equal. All that Wa nHToie h'a l'N non ". -
with 1aa strain 9TH string is brought 70 oaf OF e ron
ram. Only md tho sound board ~ toae ~ ihef a. q,
noiins hate to Interfere i,h i.s oh'e spe rs u,s
nay seem. It Mofh. r enF, cp " az" soi
producing principle Of Lhcl orie ]. c.u, 'hr 'i'u
ucn int the class oi The violin r most rct t',iN' '"'
i,nsi rom, ye mt A i tc o IL stsi nf Ase'
Nh, y,cs effect oi Alr DIi'gta t t.0a i'r l u c1 s
y T. smooth deo,cy pe. ci, tfiraf sns otlel
iur.m.t, Tho etn u power if equally IcusiAAur, s
ordnnry player o1t,ns. vi, f.sf1n Che lunes ~
er.nd ftu5 Forte Ire tlinsoGniri Iuntihf eA winch
IN t. nr. con iiu,t,a s a.4..tr Ina, 81 uus
We rr .ucc,y elD tle old aols based tic
latter l., OF unsceuthC u,. .cHiA.
E,ofl ~ ..... 0ri H'GiL
vup NV piAvo fORrr-l,rf.su0n is ID quality which
b n,ye, i..u cIst..a lor tlr riaHoforte Ilr inos
,es,, ,f ,r,s OF thc no. saill maAcrs have stA II
e ,b,e T. be done 10 tn, 'te Instrument to the she.
ftfing = l
E, ~ OF me human voice. tne violin ha, breu
a.. b,i. rcned The most ucie, nasicI instrument To
thr 81. forte rs uHci ns i's 'i' to te Nrn 10
co.trction is su e., dsut hing woIlhy oi tc utmost
,n,,. Of scientific lltor to a'cnHli iNs d i ruil
seems now e. have teor achieved ~ fuc iHyeauon o tn n'"
n,t,.iaI b., hr H. Ddt aud f4cNn aa ne pi,ss
4 '.'" ub. tuf.fi.r "A he irstflWrlt lC