New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1862-02-03
TIE ACADEMY OF MUSIC

The chorus is cut down; the orchestra Is reduced;
the prime donne are OF New-Yok msuuf ,cture-
plain names kellogg and Huxley. wthou, any for.
egn sound. Tee tenor is the Drignoli. This opera
we believe lie about a. good US the public will pay
t'r and enable the msuager t. grow rich in short
'ime' The public want some music, and they are
disposed take small favors. Bnt let call Things
10y their right names. Miss Kellogg was much liked
IN Marfha. The Trorotore with Miss Huxley was
not up TO tho mark. tArd why did Amodio, such
prime subject for fever rush into the jws Of ei
coaifo p Tue opera company 60 g abroad every
day TO Brookl,n and teu returns. at the risk OF it,
life. Brooklyn affects more of the opera wais'coat
and ie as we'll Us the more fatal feminine toilet,
ihau Eew-York. Gotham sport. rather the roulh.
Precise sweIls are not the rage. Beauties DO not
assissinate with their charms. The audiences are
eally good.
TIE PHILHARMONIC CONCERT.
Notwithstanding tie snow-storin, living Hall was
crowded Sunday might at the concertofthe Pull.
harmonic Society. The Irosramme was as follows:
PART
SYMPHONY, No T. in D unor Top. l2O)......p. schumann
innodacii %. al g h9as e. 'ce1,1o "a finSe
d,s.ohn B,ihody.
Sgsor R.doli.
Concerto No o mi@or top 3 fr fiano and Dorchester
'"''' ~ ''''''' Ai T.. i.ii, H..tasaa.
PART IL
Segensde no. in Top 10y. ilst time .......J Brahma
= s slsio moos..' T. o@s.i Minuetto.
-''''''' s. Rosdo, Allegro
i'ia fo@ Pufiiani {, per D.eDPrs'.
Po raise n T. for Pane 6r.t .neI.............F ut
Mr Lru.t HAnlnsDn,
La soiiude,' Nocu.ne for the French horn (6s::
ri-fe.d
Coupo.e5 for ava pel'o ned by Mn heny &C miz
Overtime, Ruler Of the sp1t.' IN D..C d. Won "eeer
When Scbumaun hoes 10. identify music With
nightmare he il well worth listening to. Oar Jea
o. music is the beautiful a rule. tie hldeous may
be used ~ nusiard ana cayenae. Symphony writing,
where of course the composer Is not Restrained by
verbs the breath of tie si1gcr or the ne,es ties OF
producing at every turn excellent popular ELECTS
oihgrwi.e tbe opera treasury-boX would be empy-
INT Icing urs free solnd and comparatively 70
c. 81 in IT, probation by the yard, Whereas opera
composing is bsset with troubles u. every siep-ss
phony vruz which an deal ia time, and eiernty
if Won 81 oose, ard rcyerie aud indcregdrrce, ought
not 10 be 70 un attractive as it generally IS There
ought to b. more wel-dsined, accented dramatic
melody, ten 10 one lhun here is aui Ia the public
would esteem symphonies at LilL'r rate, and,
moreover. the symphonies would deserve To be so
heid
In the air FROM "Eliiah" Ir. Eidoi made IN ex-
cocn. effect, and citsd before the judges sg'in
for hi. clegeruess Tie ARIA is aJou' I'd near LII.
cal melody as orltoro W,i,o can will CONS; lie
theory Of or.torso-compos,ion beiag fst-to take
rrr.s for wofos, though lyrical muse derunds
measured roe.rv ~ mach ~ Il i'm does water; IND
next. II Il wrll-delined nlcdy occus 70 tie COM
,o.er. 90 knoca in the head .DnieuiIiely IL ia re-
tnikbie that the Iiauo-.,rte Illustrators such as
fa.be,p Li-zi, and others, avoid Vr.rorios general
~. for themes, as th-y would saakss. But lie oan'
tam Of ths grani pi,uo-;oro school, Tha5ery's ar
r,uccu.e.t OF ans fon " blas-s," fad iit ecst-cy
.inte PRAYER" because RJs,.i had the bans 10
put di.tuct melody IN Tie ilyo mi Ia an opera
-4,-o glsen ofatoiio-"ie. Composers who ony
-ermou1e iha; Is, write orator. ~, might tak- bns
,,n. lie iius.roas MAESTRO AMI give u squire mel
o5es ei.,.t b.r d., i.ious. Il Tie tue % taeoe
en- Dc altered and 'hey be twisted iu,O qaad'Iles,
90 Gu,h tie teiier Tor the quadries
Nj. Ete.t Il lsluann "a new claimant for piano
.,rie louors. Is q nes yoaus reriOnu~r-doe' his
work yer, ci.4uly: his use OF TIE ped.s aiignt 10
.,e,sei ana us till improved. Use Concerto Of
Beethoven il "a very iiue .,ofa, me ciiuly IN one
n,,ycp.tt. There is uirOdy IN it-a irs' and second
.,Ine. Gear and hucIt. Not pissionato-ior Ius-
sious.e ant, defamation on toe pluo-ts highest
fnc,ou-is a t4ins OF Later daie, AMI came in with
piuo-ior,e oycra monographs. The PERFECTION ot
that school may be found, for example III bi'z,s
rendition If the Seeet irom Lacl0. Tue GA
.ctool fluent. logical and NOT ngutnaresh as It II,
.v.s.rs sarcoarged with tlme I'll. plus naVer-da-
t .p,e RAM, nj general tling al" utD,y luiness'
which maize u pale and tame 10 couI ris"n. The
a6,e of piano ulusitwuat takes OF rom ihe pose
tle KEYS deid woods drawn from h,yens
,,e.t instrument alongside Of when al others are
starved mockriies-ih lluaan Vo.-e Divine
MIR. l.. VI. Gcitsthall VIII make bis i.rst reap
9.,r,p,e II, New ora ou tueslay evening, Feb H.,
a Nibo's Saloon. lie Will be sappo ted by arists
.of tie lfal.n Opera from the Academy OF 1lusie.
lie. G.. Is tue most poetic Of linsis, and bas admir-
rs in ar portion.
Tn, Grst Of sles-rs. Mills & Molenhauer's Cas-
.ical Soir6es wni Je given tonight, Monday. at
Dodworih Saloon. opposite Eeyrnih street, broad
y,y. Outtet-Boebovcn; Solo piano Chopin,
u,llfl; Sooaia Gade, Solo Sio,oucviio, Rombefs;
GRAND Qunte', SchunanD. These arc among 80
most a. coml,islrd performers. M. Mills LOls
master Laad on the pieuo.
Mr. e. Jerome Hon aiis will give io-'gt! a con-
Ger 10 q reception .o,pis Of the Dfooh'!n 4 adrny
# su,lc, 80 is cd by iirs. w. Abbou. Nh iI"l-
inc is one OF our ambitions aud deserving Young
musicians. Not conteIt with Playing c w"res of
otleis ie honortby seeks to add 10 Tie stock OF
american music by contributing is own. The in-
u,iry lie displays must establish his Ieruie along
lib the development at lis ta'euts.
FoREIGS TnkATRIc ,Ls.-Mss Jane COMBS IL
MS handsomely noticed in The L"nd0n Tsae2
Lrr ag.rs,src- t. derlrly IN her ilvr her ase 'en;