New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1860-09-03
ACADEMIES OF MUSIC.
NETWORK AND BROOKLYN.

The Academy has had good long musical rest
The dec1escendo movement Of the public toward the
ciose of the last season-even the Japanese thrown
into the bargain failing to Gil the house-had the effect
of leading to this persistent act Of epose. Pale yions
burly horns muscular trombones have all had their
chance to refresh fingers andange Gar as the Irving
street abode of the is concerned and now, to-
night they take up their wondrous tale of musical pas
sion sonorously deaizng the passing vanity of van.
ties the old story Of hopes and disapponmens, loves
and hates, or the super or sub-mundans circles OF
poetry, prophecy, mysticism and eterny-the LUCAS,
Amina, Roberts or Freischutzs.
In the course Of the season, notable novelty-the
tenor Tamberlk-One Of the few superior artiss who
have rot been heard in this city, according to the adver-
tisement will appear Tamberlk has an extra note or
two 10 bis voice: the indomitable pusssnt high of
tie chest-an impossible note to the orator and only
comprehensive by tenor, very rarely-is one of his
distinctions This will enable him to play Arnold in
IIiViam Te-the opera being singularly deficient in
the vocal interest Of the principal characters the tenor
excepted demands that such artist as Tamberik
should appear in it in order that it may be heard to
adequate advantage. Miss Patti, who doubtless has
pushed forward her studies during the recess will sing
to.night and give the public especially the moving
thousands en- route taste of her quality. Brgnol,
though many tenors have come has not been dispos-
sessed from his elevated position and Amodo, in the
tone of his voice, has not yet found rival here.
While tie Academy of Music in NewYork has been
standing STILL that of Brooklyn has been going up.
Brooklyn City of Churches and of one church in par
tcuar with musical theater, indicates more people,
pure tastes, and change Of the mode Of regarding
those earthly piles. We shall now have rival discus
sons as to scenes auditorium, and technics in the two
house, Who knows that perchance some ebulition OF
local pride, from come MacaDas on the Heights, may
not make the Brooklyn Temple the shining light OF
Parpassus may not tilt against the lyrical incer
tudes of Irving Place Let the directors there avoid
some of the mistakes of the NewYork theater One
s not to cheaper the value of tickets by grauitous
distribution Unfortunately; another is to abide by
every promise, even the least made TO the public.
This will cause Plymouth Church to pay for its tickets,
and to believe in oil the promises made plymouth
Church, where Moses has already been performed by
the operate troupe, AS is expected to be prime
dilletanti when sopranos MARBLE and bassos gro vi
in the new abode of the muses The clergy of Brook
lyn too like of those Of Newfork, are expected
TO 20 to the opera boxes to their fair psrshoners
instead Of taking tea with them nowi and all the
society of the place requested to adopt the European
plan of fequenting such cynosures of grace lowell
ness, and full evening costume to the extension OF the
fine arts, the extenusdon Of provincial speaking
through tie nose, of which Italian vocazaon is the
sworn enemy to the love of the manifold beautiful as
define ated in the magic of the scenery and the romance
of the life Of all epochs from Semirsms to Figaro
the fe.h.eolor of air and waers-prites ncuded and
likewise to the dimnutiOn of the sss of Ferry Tickets
and the consequent independence to that extent Of
New-York.