New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1860-11-08
NETWORK DAILY TRIBUNE THURSDAY NOVEMBER 1890


uon possumus Plus X, who doubt extremely
whether he is saving II Tor Oh Te'eiS "p''"'"N
heir IA q permanently.
The political clerical party here continue their
ante logical, but thoroughly practical bungls Oh
hostility 10 the Emperor; one OF the latest results VI
which il the suppression, by the Imperial power, oi
their ablest provincial Journal the Gazette de Lyon
II requires moral effort on the part OF rational
friend Of the liberty Of the press to feel sorry ior
this their grave misfortune. The Gazeffe de Lyon,
like all other of the ultra clerical journals was from
1871 ND TO the outbreak of the italian war, urgently
favorable 10 the inqutous law on the press, ana 70
all measures for the suppression of liberty OF thought
Its only complaint of them was that they were hot
thorough enough. .
By the way, or out of the way, it is queerish,
what Napoleons purpose is with that enlarged
French Roman garrison. The article ALREADY 30
frequently referred to- condemns in strong terms, the
system Of French garrisons in Italy. The French
force az lately increased is far greater than s pos
sbly needful for defense Of Rome. Some folks,
casting about for explanations in the case, have
fallen upon this that these numerous troops are
sent there to be ready for the possible outbreak Of
the Austro- Italian war They would not fight on
the Austrian side.
Herr Hubner, who used to be Austrian Embas-
sadoI at Paris before the italian campaign, came
on here two weeks ago. and thereupon London
correspondent of Paris journal wrote that MS mis-,
sion was TO find out whether or not l.. N. Is. would
make common cause with V. E., in case j. +.
crossed the Minco, and that he had not succeeded
in obtaining a satisfactorily clear answer. Where
upon the unauthorized hand-organs of offlclous
journalism declared with their soemnest cries that
th,u had no reason to believe that NJ. HHbner came
TO Paris for any such thing. Hereupon pretty
much everybody came to think that he did come
for lust that thing; and have since righty or
wrongly made an intimate CONNECTION between thc
answer be didn't get and the consequent granting
by T. Joseph ofnational constitutions to the nations
composing the Austrian Empire, which, on con-
dition that +. J. was in earnest in granting them,
and that the nations are persuaded that he IL IN
earnest nav help to take the wind out of the sails
of revolution in those nations, always excepting
Venetia.
A new play by Octave Feuillet, was lately brought
ont Mt the Vaudeville Theater. Its title Is " Re
dempton." The title of this successful dramatEts
la.t piece was "TentatiOn." Like it and MS
"Jeane Homme Pauyre, this is an elegantly writ
ten. very theatrical fashionable, morbid, false,
drama. or sentimental comedy. With It's effective
situations snd its gentemanly (siDkiDg often enough
TO the pitiiul gentee) literary style, and admirable
acting il is destined to great success. Like ms
other pieces, il s worked up from previously puo.
lsbed dramatic story. The object Of the first act
is to show the public that John and Maurice TWO
was not scoundre The object of the second actis
TO show that Madeleine, courtesan and theatrical
star at Vienna is not happy, and that her only way
to become go, pointed out by holy priest, IL to
really fall in real love with some one. The object
Of the remaining three acts Is to show that II
common courtesan does get disguised with mere
animal enjoyment, and then tries to poison herself,
she ia q quite unexceptOnabe companion for a .lne
Young man. who has proved himself to be not scoun-
drel. and that, being accepted by this nice young
man (who knows and mas branded as it deserves all
the nfamy Of her previous life), she ia redeemed;
that is the easy Redemption OF the improper
female hight Madeleine; whose latterday virtue is
10 have the same brilliant success with the same
intelligent public, who, for a hundred nights to-
getler, have appauded, in front OF the same stage
the equally STACY virtues of the Poor Young Man,
and Of the heroine of the "Tentation" (whO was
| really virtuOus woman, by happy Academy, and
| the punishment of the unvirtuous Dahla.
They do say again that Mayerbcer's 4fricanus
| is TO be brought at this season, alter Wagner s
| Taurhauser at the Grand Opera The piece this
| time il 10 be called TascO de Cana, the African
woman being its principal character, and improper
ly related in love with that celebrated navigator,
Y. dc g., in the course Of his voyage having met
with other loves the colored female interyenes
| sort OF female Othelo. The music is laid ont to
meet her Jealous passions. This opera was Ongi
uallv composed before the ProphGte. Like the
Prophetic and particularly like Mayerbeer, all of his
operas is to BE- brought out with the carefulest
attention to aux iaIy scenic effects. There is to
be-, for instance, rarey-applauded tabeau, rep
resentipg vertical section OF v. de G.'s ship; on
deck is a picturesqUey- arranged musical row; in
the cabin an enhancing tenor and soprano love
scene: in the hold, Illuminated by the foot lights,
and played up to by the orchestra, finely measured
Iayng distracted outburst of black African
jealousy.