New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1860-11-27

dicious and liberal dppisy Of neither limbs. Almost
everything Of current notsrety luggcd in the ire
pressble niger the Aldermen, the irepressble mig
ger, the what is it, more niger Dundresy and tho
niger also the iepressbe Niger and the coored per-
con, andihe negro with Young Sam andthe repressbIe
Niger the niger In the fence the fence, over tho
fence under the fence, in the woodps and the ire
pressble niger the Niger who tolerated but not
laughed at; who is omnipresent, but not funny; On
hand, but not desirable who is bore and humbug.
and nuisance and who ought to be suppressed bot
isnt and drags on inevitable, irrepres.ibe, dreaJy,
dismal 10 the Last degree. One long sentimental
Is introduced between DAILY and Mrs. Allen but il has
no consanguinity with the piece, and leaves bew-
dered audience more obfnscsted than ever Lager
beer 4, profuse in the second act and almost ~ ire
pressbIe as the representative from Africa. grsnd
Zouave demonstration closes this act and then comes
act Number Three-spirit of Burlesque! only
imagine funny piece in three mortal immortal or os-
bolicaD actsl BY this time-lO D. m.-the bewilderod
spectator sees only Kaleidoscope Of Niger, legs dew
lis, niger fairies Niger, eoorea man, African daf-
key, Prince of Wales, darkey, negro boos-olScks'
blackes, and the irrepressbIe Niger. Time, space,
the unties plot scene dialogue action are all BLENDED
in one undstinguishable mass, and over al looms the
stalwar figure Of the Inevitable ngger-s nonrtrous,
exaggerated Fetch towering in the flies, sad supported
by hundred miscellaneous legs In eshcolOred tights
Sentiment in the wastcoat Of Mr.. DAILY, lodges In
here and there, but for what does not appear Dixie
sung second time the irrepressble Niger IL finally
bsnshed to the seeded kingdom Of Coney islandand.
having more niggsrs, the po,pourri eulmnstse In
grand transformation scene the Birth Of the Batter
fly in the Bower Of Ferns" Up to this point, the
scenery hadnot elected any special Appreciation b here
was decided triumph triumph which might safely
rest upon its own merits, without the ungenerous fling
of the management az the whole painting profess
sion of this country. Mr.. Roberss effort is true
genius and deserves most generous praise but Amy,
Thome Bengough, Sherwood, and their brothers, can
not be brushed out by fling Of the pen.
In such piece not much be said Of the acting;
but Mr. Burnett succeeded in keeping uneasy audi
ence from revolving at the nauseods dose Of Niger
solely by the capital manner in which he presented that
rrepressible nuisance. Mr.. Hough had chance 10 do
bit of Yankee gal in which she is very good Mis-
Marshal outstrpped the boldest Of the ballet, much TO
her dscredt: the men were well eDeugh for the little
thew had to do. Before the curtain, Tom Baker re-
called the audience with some delicious bits the asic
for which he is famous, and was propery spplasded
On the whole for burlesque-f such IS meant-ths
piece s bad; If for ballet il is bad if for an extays
ganza it is bad if for any recognized order Of play II
ia bad; but for an ineomprehensbe, amlsss, potiess
accidental melange, it has many good leg to stand
upon and if the rrepressible niger don't serve it 40
the Old Man of the Sea did Sindbad the Sailor, those
legs NAV give il smart chance Of a run.