The New York herald. [volume] (New York [N.Y.]) 1840-1920, 1859-10-11

FIRST APPEARANCE
On S Pi;ff shs sissi psks
inc great lyric lsils' sIssok suf k'ssfFsaan sfsEf and
on enore from me principal iaa opera houses
- MAlDEMoIsEIl.E pHILIPINA CREsciMANO.
MADEMoIsEiIE ADEIINA sPEsASzA.
GRAND GALA MATINEE.
CARD TO THE PUBLIC
cen, inheritance to words the puoic, who
be season now about 10 commence presents many
features Involving general change the directors
That induced heS and Ss
1hs present season may be epomized
finsr-lhc union between b. Ullman and Maurice SRA
kosch
kindly given them by of the
IhiRp.-1he system pursued IN the engagement OF new
FOURTH The production of a operas the
revival of others that have been heretofore popular with
lhe union between Messrs Ullman srakosch a step
a sha WI csnsoidss the stability Of the Opera in America
House IN Havana they have had the sole control Of Opera
most friendly feelings other yet OF the
existence OF %S different comPsnes the same
inieriereo with their well with that Of
has already enabled unite ali the
pany organize the orchestra and chorus
voting their combined attention TO common object they have
White the pubic win be gathers eSery respect
ne of the greatest dicu.s heretofore experienced ny
preparatory expenses Of The season for the engagement Of
new artists their travelling expenses ana he customary sd
that be them prior TO their depart
Thanks the beray Of certain stockholders and other high
Uiman which has rendered the opening u the present
comparatively free from all those OBSTACLES which IA spite
The sum nus obtained has not only ssased he managers
furnish NEW a and such has snS
few European Opera houses but has great raised
artists had on
sole respo sbiy of single individual acting without any
shown by In granting to the the free
10 money proporlonae TO the Importance Of the theatre,
THE NEW ENGAGEMENTS.
The directors nov approach subject great Importance
viz the sye they have adopted IN the M Of the
@ nss he p w nS no % as r @
So TAR has this idea obtained of them that has been
borne by artistic merit and justified by what the artist
and by what he she was" In several instances the
artist whose pame certainly filled the Opera or
he IN The directors
only audc oherso Mr. fomes whodrew on open
500 besides occasonng loss hundred dollars
Whenever he put up the attraction So well do artists
london or reputation that many sing for years in Lon
don sr G se hs @ oa 1sF %sn service an
leaves them circumstances. They actually make
their fortunes when their voices are gone and when they could
The directors believe that The american public are
aalring the endorsement of London Paris. Facts
= with s @ mes repao achieved sre
which took their most ardent American admirers by
o N New o @ osd sSss
position in huope TO this lis, will assured, be added Br
cneemsns which are offered to him To rely simply upon
To pay m e ia prices ss I
gers ultimately tend TO the ruiz Of the Opera in Ame
and the American From letters IN the posses
sion of the directors can bs proved that Me fcc9omn
ley was willing TO come America onelh salary
they obliged to last for her services yet they
in America, having only sung in Italy.
G ss b
the the directors have 70 deva,e from the old
in which Inc ieadon and Paris theirs tof
s Mr. S %hss % n ssG% "
rect Italy and after bearing great number Of artists be
competition from European managers which, however
esa @ & s wsSn M a be es a
tate 70 recommend 70 public favor are some who still
pntaons that have stood the test Of the
principal Italian Opera houses whs The others are classed
the probable to those who will soon be com
which they have long and honorably occupied
The following is the artssseectcd end engaged
SaBEsSis S,DEHSIsEE fFAA APsSA sSEEAHzh SsEs3Hsso
.nyishLIE rssa ZEN MSsfh esf,At1sG oeGvrlla
- rsiMI rEsoRi
s .sIGSoE TESLA.
sIGNoE 0AETANo fERRI
sreSos sTSo stsnSr. stssG
The , s Of last HpaM has sssn
sreson sMoSi6, saSH2t ShisSSl55 siSNoR JrscA.
sreson S sas{IfSs
number viii be increAsed TaE Il O. CHORES
will comprise IS singers. For the new Operas will be in
IN ADDITION ssvsRAf. y Ins ;p0fe PopuLAR ARTISTS
now Mi sIgy VII Fl fsysrsI spEsSE
Mr. srakoschs most difficult task the engagement ofa
ss sh9 s'Sd M The & IS e
gbe Though hardly she % @ as Of the
three the stage and yet has met with an
hgurc and face great she joins fresh
soprano voice for Its @ than for s
natural facility Of adapting herself different characters
modesy which the more charming is rarity on The
Me 5 a e m ana w IN
fully li developed Mile spcranza viii appear TravisaS
laH and sDEsDisEE xsTas 1ss SrtEFa SascaaSo
The other soprano is Nile CREscxANo who possesses nau
and Sa. Se
ore''man' has ps
ly celebrated sister her beauty
with whom she has successfully appeared in London Italy and
consequent withdrawal from public life MI. sra
Mile Cruye possessing of the finest
heard in this country and doubt
she will fully sustain the great name she bears
Amongst the male artists signor Fcrr, sgnor Bcaucarde
signor ssel occupy positions high and well de-
served as any shSoR IN this country
sgnor FrRRI holds at present Italy the rank Ron
conf he made England his residence
whom possesses the advantage Of commanding figure and
Ss asS @ sai s%
.Don Giovanni and Cheyreuse, in Maria di Rohan"
SIGNOR BEAUCARDE.
In Sgnor BrAUcARDE the public will find Of the style
Mario and salv He unquesonably of the first
day and has had the honor of being the original Trova
tore Verdi having composed that celebrated opera expressly
for him The fact that when M rovatore" brought out
1856 Paris SSnor Bcaucarde engaged preference
fraschn and Nitrate greatly enhanced his European
taion which that tme has steadily increasing lie
the husband OF Madame Albern the greatest Italian
prime donne, and the of "Beaucarde and Aberni
Italy the prestige the OF MARIO and
ris in London Madame Albertini was prevented from
companyng her husband from private but the drec
have TO hope that she will arrive in this country
neat year.