The New York herald. [volume] (New York [N.Y.]) 1840-1920, 1857-01-31

rnAIBnG.-Mr Thalberg passed through this city on
thursday his way TO Philadephis, amer . series OF
vssy successful concerts In Boston, Troy and Albany.
We subon notice OF the latter which appeared In the
Angus Of Thursday.
rnx ooroxxr-GorrscHArK THLBne-ru TouR-
q Association Hail. not only the great feature OF the
season but Was unparalleled In Absny-as = display OF
.rovssa spa .ppreo.sina suGisnoe sssndei IL
Thalberg's first piece vas the "semrsmis," beautiful
composition, with an allegro part that seemed oeyoni
The power piano 70 render but which Thaloerg
enve with all his wonderful command Of The ument
bringing out the air perfectly while giving the orchestral
prSycr-s more adapted the organ than the piano
What particularly disina uished the fantasia on "Don
pe S1 Sa ,sb sna r hsn
hrnmg Il two distinct ARA most difficult feat,
and In which rhalberg exhibited all the power OF four
hands. r. not q compliment 10 place him among the
e,adruusan1 but has he not boon compared 10 every
hps from siren 10 ~. Cecilia, from hummins bird 70
ne encore piece, "Home. Sweet Home" was sivcn
With exquisite tenderness. For the Tsrsnale he gave
ahe Fantasia from Muce de Porc with the Neapollsan
and with the March of the Fishermen He varied 10
nom the in which he played ~ the nrss CON
cers. The epoorc.o this wss the serensde from "Don
pssquah- which appears beautiful Zach time II Ia
played Instead OF the fantasia Of "Lucretia Borga. he
gave st tho close composition from kusr d
ADorc" which 10 indeed his GROWING piece, 90 fer -
naosme a. nsri commenced with Una roe POGO ia
sune With more Elaboration and exhibiting supe
riosity 10 difficulties has been shown by the
accomplished Of her predecessors, that we have
heard The piece was marked By her own style; and
v,s Ike al che did tue occasion, evidence Of
higher ART than The that she gave as 81 her
debrh
Her pupil and relative MdIle Ns,nilde D'Angri, Who
shows has been tsught by good master, and n
fYssh frc the lesson and whose method goof, ap
psascd the duet, which allowed admirably the
he costrsst OF the go voices.
The great piece of the evening the duet between
Gotsschslk and naberg on two pianos. II vas inde-
scrbable. II n one instrument had been endowed
With double power-or rather with manifold attributes.
IA was Impossible TO dlsnsu the two apart 70 say,
a. he air accompaniment nterchsnged by the
paaycrs whea they passed which was executed by
essber The unity of the PLAYING was complete; and
vas not encc, OF drill study but OF single nsplra
ton operating upon two distinct beings, 10 unite
them into one. The right hand AND the len do not
consciously aud yet perfectly obey the viii ~ did
these two aTts under the inspiration OF their
This concert Of perfect ympathy revealed the mastery
Of the two artsts There no rivalry between them
NO separaion Nor IL Necessary 20 mako criticisms
which provoke comparison that they did not challenge
No one could tell from the ear, hos 10 award the praise
between HEM except 10 give undivided TO both Bat
10 the eye Tnsbergs physique and long practice gave
MIN an ease and facility bic younger brother-whose
whole flame moved by the effort and the sentiment
OF TIE piece has not acquired. And yet Who while 40
hpowk dspG the nhnte talent OF Thalberg, could help
csvyine the youth aud the poe,cal and imaginative
character Of Gotschsk and their promise'