New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1856-04-19
go. x.r,oy.s sespssY or pEsfoN.


-. "a
-. n Tar a.-rais yeaag artist pants
49, -. III asgV shSty nc, ghmmor 4"
s -. !. s,.,ls,r>i IN tbs r,NHrc, which has
49,, :" ......,s,is,n than thai II Ne,ag 81 m
W ~"V' ss., "a ,,p. in It's acssils- IL lacks tone
a., =. ,,i,s sAsi az Indispensable
~ -, - tAe rcrsca vi mechanic att
-, !, . Lazy ~ U,ErrcRp-H.
NN -, -, \ A Mr.. Gray has fallen info DIS
49, -, a cANoasc its~ynSSSsy Of color,
49, -, sre ii his y>Ss~Sts jus, Is god IS
- N, Nave uevcr kpcwa - Nsrcr'ae'e an
-. ~aN =. hide variety in hs method ~ treating
~. ,,Ass,es NJ vi u sid 10 he q eccd PN'tfa''
~. - NIX eKcwS-GNeSet FritrR This
- .,-,as,v rAa,sl p'c;arc, aud an exceedingly
s..s.a ,AssuSs 81 tAs sHhle<t,
n. AZ S~Vs~,,Ns-A. ERNnSicN>.-ihcre Is
49,, s.sss, II rvk. IN this pc,arc, and the pceu'
So. ,Nsss tAsSa s that they have the appearance OF
>ssas s>Sssc2 wSiA velvet The smassi"'s 'A'''
1--we ~, svsssstly S,~niAras BY their o'~'H"'' s"'
AZ, s,V rather sccs~Ny to he e""p's'''A 'As"
us r~ssxsr>, st'e<Ss VA, -.
n \. s,,rt,-Hrxxl =, pARSI-Why the
a., - q naked woSaAn sitting On inc S"e "' ~"
49, ~ ,,sysS Sswscl perhaps the ar''s' eau eN
-, ~, ", csrpos. The hangers did well IN put
o. he v,sk ss eAose ~ against the ceiling " they
-, =. v,,-x,r- OF IAD-W. I. MA1SrwS-
>s.-,.yAs es,s vicsarc, AMI if it were hung where
= ccss Il se<u ~ should be able 10 pronounce az
sya-scA
~ nexrE,rr OF LIDY-CHsRLEs l. ELLIOT,
very striking hesd, in Nj. Eliot'
sAsrsrsrxs Manner; ;hehps are rather too positively
N tinted and the cheeks cause unpleasant sug
eSsSSss a roVee VIZ
y, a. Hyss PAX NoRrH CoywAr, Nh R W.
HMM Ale; Us thank the Hanging COMMITTEE
fvsN psiiioa foV this quiet and unootrusivePcture
-, "a hesu,ies can be seen II Is MT one OF the
s- Ind that attracts the eye of the careless spec
Mo BE-; Ssr repeated examinations OF II we are ais
r<eS 70 consider j: of the best landscapes IN the
e.Ahsioa The ost pslpable defect in 1t Is the hg-
.. tat they nav be easily bottei out by the ARTIST
.,S We would sdvise HIN TO do go. The foliage In
tbs psecs s scompaJsbly hne and the whole picture
Svlays tie most faithful study of nature and close
eh~eryspoe Of her mysteries. Mr.. Hubbard always
Siyss his Landscapes atmosphere, which s'me OF our
more eminent lAbdscspts seem TO think OF little am
rortsDce.
No Sc. VALIIx OF The ADlGE, TYRoL-E. w.
NIoRoLs.-A commonplace view painted In avery
ccnyentionsl and commonplaf manner.
No. SO. STUDY HEAD: ASKETcH.-GEo. A. BAKER,
\. Alike Mr. Bakers female heads generally tals
Il full Of sweetness and grace. He should make the
portraits Of pretty women his specially and refuse to
paint any other, and then all the women will be
anxious 10 sit TO him. and he make his selections
from them.
No. co The CARD PLAYERs-E. JoHSsoN.-Ths
name of NJ johnson is new to us and by referring 10
the index We find that he resides in the District Of Co.
hmb;a But. if unknown now he will soon be deterre,
n, Pune said OF johnson on reading his London. 1t is
one Of the most remarkable pictures in the exhibition,
and it can hardly fah to impress its images ON the
mind of every one who chances at it, The subject Is
low coarse vilanous and vulgar. Two ruffiany vaga
bonds are playing old sledge in schoekingy diapi-
dated apartment and yOungster and little shock
headed child are looking on. The elder player has
lust thrown down an ace Of hearts, and the exactng
look of knavish triumph with which he points at it
mig ht become doughfaced member Of Congress who
had Just betrayed his country to secure himself
place in the Custom House. But doughfaces are not
Ant TO have such look Of good hearty cOnceit OF them
eelyes as this old fellow with the rubcund visage.
The vgor and expression Of the figures which form the
group in this composition truly wonderiul the little
child with it's dirt and rags and beaming face, its ser
ousn IS and esh-and blood ness all the details OF the
apartment given with minueness and fidelity which
resemble photograph, and yet so suberdiuaed as to
rather hghten the general effect than to divide atten
ton with the card players, render it picture OF ex
tsordinary merit.
No. 81. ALL Talk AND No WGK-F. w. EDNoNDs,
N. A.-Ths is the nearest approach to Mounts style,
which Mr.. Edmonds seems TO aim at copying, that we
have seen. But it is Mounts manner without his
meaning The scene represented is the interior of
barn, and the figures are white man and negro.
Nothing more
No g. Hon WIN. L. MARcY-F. b. CARPENTER,
AA that the artist has aimed at in this portrait il
TO give truthful representation; and he has sue
ceeded But Mr. Marcy would impress one much
more avoraby than this portrait, and therefore it
cannot be called good one. good portrait will
never undervalue it's subject.
No. 90 RosE GLEN, MAR GENEVA, N. Y.-F. p.
sHrLL.-why this ragged piece of landscape should
be called Rose Glen puzzles as much as some of the
such glens as this.
No. 81. PORTRAIT OF GESTLrMAN-J. II.
WRIoHr.-Nothing in particular.
No 65. SPRISG-EDwARD BowERs.-A child with
Rowep.
No. &C. REMAINS OF FoRr FAMINE, STRAITS OF
MAoELLAS-WM. HriNE.-A very dismal picture of
very dismal scene. Though the sun is shining it is
very gloomy. As view of a part of the world where
artists have very rarely penetrated, has degree of
interest which many better paintings do not possess
No. 81. A MORNING IN DANAscUs-THoNAs Hicks,
N. Ali anything could show how cosmopolitan we
have become, and how our countrymen are running TO
and fro over the earth the accidental position of these
two pictures, this and No. &C., would No &C repre-
SCENTS scene taken from life in the Straits Of Magellan
and No. 81 is Morning in Damascus, with one of oar
cquantance sitting on the roof Of house, clad Ike