New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1856-06-13
MYSTICAL INTELLIGENCE.

!
| M,r.xE Ia GRANGl's CosctRr. The farewell
Ctrctr. OF ;hs grta; artist Wednesday evening,
vtTy much crowded, no understanding the extreme
best q tie days Just tribute 10 lady vae, by her
talent, Industry and faithful discharge OF her duties
! Prns Donna. bss gradually the Affections Of
the pubic, indeed that she Is shout tn !esye Us
VT fear Il VII be long ere we meet such srcther.
DUNG Der prolor ged stay TIN. city she never eece
| disappointed her suieBce-eveS at her poet wisse
lr Department 81 all times indicates the thorough
be : lay. Tbs Drogr contained many pieces q
interest. both vocal and instrument .-among them
t~o r.-tioDe IN Ips. written expressly tor
Msdsn~ Ia Grauge b, Ro-rni sai Donizett These
pieces p-.sos. vcv little meloy. but they serve 10
ext BIT IT, peculisres Of MADAME la G'snses voice.
| Tie slplsase during the evening WAS liberal. and
MADAM Is Grange saLg in five different languages
thing never before attempted By any artlst this
country thus 81 her eIraordiLsry vocal accomplish
m.tts adding hnguai ones also NJ. Go,tschsk lent
his valuable Assistance this occasion Tnis srtlst Is
one Of the greatest living piahsis. and ranks along
with the beet o,lebriiee of Eurpe-6re passion, bril-
lsncy and sodiiy irg his chief charsc'eristic- NJ
GotlscAalk has given during the past Winter scenes
fpjsrO forte sOiTees the success oi which without
parallel eId the d,,ip to bear han Is a great to-day
az il WIS months ago In addition 10 the pieces Ia the
piogrsnn-o. on beog encored he gave the Last
Hope" "aarche de Mutt" ana the ever popular
Banjo" Madame La Grange also gave Rode's Air,
with variations. We understand these artists will
make sprofes,onsl tour Of the Canadas and The West
Ac,ptNY OF Nr.IS-The Orchestra and Chorus
of the ltailaa Opera Z, the Academy. though MT 30
piom Mt before the public a. the solo singers, are
not the lees indispensable. let their benefit there.
fore, lie remembered Io-sIGRT, when Verbs Opera
Of ERsAsI will BE- gi,en-Madane De La Grange aud
other artsts assisting
NIBto's SALooS.-Sigpor Arrc.lio whose pure and
pow erful voice hss been Of the chief attractions
of the Academy will give a Concert to night assisted
by MADAME Pa,anIa, Messrs. Bnsnoh, Motelli and
! ohers.
| IT, ne Tdfso~ Of The y. i. Ty,b"ne
SIR. Ia YOUR number of Thursday, May %. appeared
an sItele upon little wcsk entitled: Manual Of HsnOu!"
&c lately issued BY IA Lese that have eoLfJundsd
neIt. bs.s seventh, would merely say In ropy
,hs .eb.ibls OF the di''inoou which most writer. upon
Ip NJ or care u e,.m many standard compo',pous
ret an i,.tsuce of , ninth eleventh thirteenth,
Which with equal Isnsot, BE- explained as an IN
Tcs arr geiat,aoi organ ~oie as the -e might
60 rot Isse to prot ny db;eyer toe existence
o. tho.r chords On he supoion N, that simplest o"es
A.. tia uid DO s~sy with al 'tesmsnt ct mn >
oho'ds IL tie wois n qo.'ton a, s s,sIs unen, a
81
tsrsed eer raker for IL seItion small treatise
rri al obsct lac the present wbe'e would andouot,dy
,c a. con tu,e the ma Of hich has probably
ben ,.o much already With what ess q % snu'ed
Itcslte ei'putsion on rov doubtful poSt iea0e 70
.N cow o. !, " be 4. clear sac positNe-
You that requisite "a Prepars the ,erentA
6n,0.f H. this ,cod ohectou lot me observe,
Iers',.'Iiy r,.'1t lie toirt J. c. d. PARKER
We give nom to Mr. farkI's communication.
tboueh W do bot perceive any force in his remarks
Tl,n,h tie re- are no o.ord- of the eleventh " THU
te ttt IA. re are nlths aud any attempt to do away
with tho III ofsrroys tire nath, matiea formula essential
! too yrfc,t VI d, rstardng " hl mo4y. Hence the
clrd Of the rev, nth on the second interval ei the
u,nor roae csnuot be scientifically confounded with
the ninth venting the fundamental bass, found on
the ee, nth OF tie ma scale And the pupil does
tcmak distinction he will not un terstaLd one of the
tcert points in harmony, and involving che rfetragah'e
ebno, Of the descent Of fifth 10 the resolution Of dis
! ,onauces. without which we hold there car be no
.ntce of hsrrucry bud 10 simplicity Of teaching il.
Test, al d emarosm may guide otter, but the math-
euntcsl law will be wanting ia ruch cs~s, if th- be
not Il llow,d Tie Argument hat the intervai OF the
ninth. f,ruing the chord OF the ninth, can be con-
iounotd with an sppoggia,ura, along With the mere
s.oeehturss of tn. eleyeLAl aud thirteenth, IL un.
-urd There u nothing in common with the ninth
md an uIpogeietua In the first place, 1. Il. par eS-
e,V,c, clnacteIic note at the distance OF In.h;
IL tie -.coid place VIXEN the unth t. regularly Re-
.oX ~ il 80. noing 81 interval Lew chord taken
OIL new besc lu, tie appoegiatura sictly speaking,
l. a. tie interval OF second and the base does no'
chtrC. o. ne r. gular resolution A. for the nintl
ohorc being a suspension. it cannot be when 1t may DO
struck ~ulout suspension, or fVr uansendrntd
eftcts IN Eed ,as res. without preparation. As for -
ing oil on note tie may DO sad OF any inter-
walls added to base OF the third and ut OF the
generic common cord Ia specialty and ntrcacy tue
chord e tie ninth must be acknowledged To make up
sys.,r ard render harmony scientifically clear and
radical Ar for the wy sser matter Of the pr9para-
ton Of tie seventh o0uinsnt, We hold 10 cur h@t
I