The morning comet. (Baton Rouge, La.) 1856-1856, 1856-11-18
T'Es Asl~aerte's Musical esitle.

man IL to Bis place and plays bis part
admirably Thus IN The morning Of
every new day, he Editors and he.
poftets put on theft hats, and 90 ont
into tho world to look for news as
crack hunters do for grouse, and al
night they are engaged ID still or fire
hunting. II il not TO be wondered at
If they all meet together occasionally,
and after having rare sport give The
public condensed reports aud glimpses
Of II, through The columns Of that en-
emplaty paper. Were we to make u
forced comparison we should say or
neighbor's concern ~ much like a
large steam mandatory. The work
men are divided into political, critical,
statistical and musical sounds with
runners to look after fittings About
Town" They go Mt large until 9
o'clock each day, when they come to-.
gethet in ''fye by nine ROOM where
their united discoveries 90 through
the head editorial land then on 10
the press in forms, when the engi
neer throws few chips ipto the furn-
ace the engine is charged with steam
and at half past two, The world has
multiplied Impressions adding daily
to the standard literature of the times.
Il seems that the musical critic Of Tie
concern was present on The night Of
the 18th instant. al "Gfand Con-
cert given al the Harvey House, by
IN me Siemehslti-Huist and Prima
Donna, from the Royal Musical Con.
Horvatories Of Munich and Berlin=-as-
sisted by several Artists Of Distin.
guiEhed merit" Here the Advocates
musical critic, met ours from The Comet
and The latter having bit his thumb at
the former In defiance, the former
comes out and says:
"The Executive Department Of the
State, The army and press wete repre-
sented pretty well, tho latter eonsple-
uously by our Cometary eontempora
ry, who applauded ii the wrong place
all through the programme
We take this as a slur direct poiit
ed Mt our critic, with view to stab
his reputation as SUCH before the com
munity. To maintain bis reputation,
we throw down the glove in defiance
of The whole steam factory.
The musical critic aforesaid, says
that Mad Siemeneai executed mum
Der Of brilliant little gems in the way
Of medleys on The hure.' We should
ike to know If an impartial and dis
eriminative community like THE is pre-.
pared to call "Hevymeyer's Variation
Brilliant" of fourteen pages. title
gem II would pleaee us for the mu.
ST. al critic of cur neighbor to give us
bis ideas Of length. breadth and depth
Of musical profundity. His musical
peroeptive faculties must be very oh
tuse to call such thing n medley"
The same writer says.
"Tbe ballad, Thou art among the
few like the other song was render
ed with great many dubious shakes
Of the head, u great many different ex-
rressions Of conntenance great many
intonations of the voice. on the part Of
the performer, az though the whole
business Of singing We're u cork-draw-
ing affair."
"Cork-drawing af1airl' That's n
very cbaste comparison ! Does not tho
critic know that it is impossible to
sing nowadays TO suit the taste of re-,
fined society without a certain amount
Of acting to supply the deficiency Of
the writer when he has pursued note
so far that the voice can 60 no far
Their? Does he not know that the
Cantab.ice must in such extremities
of the author, roll her eyes back