The New York herald. [volume] (New York [N.Y.]) 1840-1920, 1855-08-22
u AuirL AND I'M IoNpos isass.-ArEAL 10

DAs1irL AND TN LONDON fr,il.S.-AffEAL 10
IN tho American people
PoaI divisions esnsei interfere In matters 81
eclcnce aud the beautiful and sublime mus. te rs-ss
ni0d A. such hy every people whatever dneencs tbs"
may b. IN their institutions or 10 'b.ir op.nio~ on
other snhects u IL fa these reasons that ;te setting
Attention Of Il. Ansricsn PUZZLE 70 D. fsosias r. va
~ VII be sesa that Male. E.elsls Ssala. z % ee
ehi.r, employed in giving IL 70 The nobs ssa -ym.
nellie sod Rssine Animated W her divine Gre, The
suptufsi Gsures II The French classic drama vii BE-
eams human bin, though mo,isG In "A s,gosphsrs 81
poetry aD speaking Artificial language. no statues
vii te endowed With as ihs lassl VII 10 r,all,ss sud
beneath EXTERNAL form. Il o,slae.s ssenlns train -i
Le ,sry inesrn.ion a The Yrrseh classic SrsmA, tho
only actress in existence who thoroughly vtAIs ~
o.: s .ss..d ssss n efs ns 4.
this ronderfui ARTIST. xrssest triumph, ihossb ~
.a@r, admit hsr e,ssIleass 10 shs mssrn lss@. aaf
she has, therefore made wise selection ~ ctsrsr
Ter. ,s .as be, .s srsvel e1ssss.r. s'eI,ss: be-
Ia senersl fe'sr Of ih1 chsrssisfs smbo.isd ~
Rachel, The hsiy se~s make. the iolo-sns rsIsArss
a5ps 81 her psriormsnss- however. which s. 10 ~.
isly ~gi ,,ef " rspe.,s g too remarkable 20 r. ps.
81 ever We slade 10 hsf slngins a The 'MAs-lialv'
hit tod gsee during Ne ho' fever .. he revsiaen =
s1eted Ra,hs drove then sisncs, " n4dna., " her
singing q the great olu,lsnsry ode Ehe oses 70
~hite sisas's dis.a, bound roana as The ~sS. ~lsh
ti.efso scarf fbs rAgsd silently The au1,ncr ~
sh.ssd irs a. s, esp,..iss 4 hsa.la !. "a,
Of vilhsring corn. tasaFny the f-es i np vb To
iospifai.on q pens~ios. -fsl Glowing ire q =.
vense burped 6sfosy In her dsrk eye-. From sA.e,
che had sprung up 10 ID. condition. n fury Gaty
u 10 iAsh vrrcbs 10 cssis a vsnse~ncs. he
mad setny Those .ho heard her reee this wec4sr,s,
ID, tell that nohns sosB e,ees Tho ,oschns cts,ve
passion With hand pisssaS 70 sis q, eAs4s>s
he arg s@.iy and sofnJ NE ot~niy words y vSo
s.ia,s .s.m.1 30 .rss 49, s,sn. % al .sh ,.ss :.
he sliss.sa the Imaginary 'ysss,s louaiy All eens-
beatty "a The voras-
yont eann fscevor e1F tris,'
asis rssbsi stu higher ssyrr~s n tgntssnss s- he
o. sss, bs,h Ia .osd. sna bs,ls Wills ,hs ss.Aas.
am n ,hs asasne. tes FNis~a y IL assn~s hh,
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tfbs t<rtfs1Dcs lat afsf 80 ptNh@nir ~ p-N4',
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.akS.t,. ..t. no.sd All s<e,fnsf ~ turDs. rts 10
g,..,Ieu - 4 tod hom To b~0aninG - tb ed,
80 |, ..,. aais~s 4 eN psss<Sss .A~~s sbs srrSaes
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sbst .hs4s esssnsn q femAsksAs Criticism
M rsrr&ilv~ a iuAxts~d hoxtor wtich s-Ay ~
compared tiss a Jsi-s vbsn sbyas " tsSs IA ps>n
tssekss u. Gsrnss n fhs sjsSsisUgs fsssoes, vsao
pns1rs sts 1own her knps t-<os .lS A16-y psssnt
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f<s ssss sps t.ss % rort~ns $500 tsn.
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sles IL ktr,u" lDs Lsp,