New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1854-11-27

AS becomes tie representative bu,ch~--,
Christian nations Frequent reports m 49,.
Kindness and geLtleness, done By enemy 10 s.s
show that the goodness Of humau nature j. 80 *
lost, even in the he'll Of war now rAg,,, .l ~
vsstopol. After all, II the men had tbsi, vss %
they would not be killing each other. Ths i..,sG
French soldier in the hospital, who Wa. N
filling the pipe Of an armless Russian so,a;s, -,
not hold him as bis enemy. estimate. ros,. Is
that the deaths Of English, French. Tu,ti,rg,
Russian subjects in the Crimea will amos,, a ~
the end of the campaign to 50 900 strLipg ~
OF the superior condition of subjects 10 ~, "
citzens-snd consequently Of their uniitne.s - \.
citizens and govern themselves.
i quoted at the time the remarkable
tence in the Emperors letter Of condolen.s !.
MadSme St. Arnaud where he lauds the holS..'ws
Of Ter husband in pushing through the Cr;,ss.ss
exptd ,ion in spite OF tmid counsels Tia -
itous slur upon the Minister of wsr-cursa..
out OF place in letter of coincidence 10 me-
inc woman-so vexed Marshal Valiant ,h.t ~.
said, he purposes TO resign his post. TIE ~
longed resistance of Seyastopol, which wa A.,
tainly not anticipated by st. Arnsud, goes Gar 4.
ward justifying the timid counsels,n sos ma,
hsps salyes his wounded vanity as etB,etiva,r :.
words OF apology from his pettish master. Val
liant should not forget that the decree by whsh
the Emperor, then President Napoleon, confsrr,i
ul on him the grade Of Marshal, which properl,
was due tosthe Anti Bonapartist General Qua
not contained grosser slur upon the fair repata.
III, OF the latter.
Gossip reports that another Cabinet Minister
in difiiculty-the jew Banker Fould Minister Al
the Enpercr's Household. Within his Departmpu,
come theatrical matters, and under the recent a..
rangement by which the Grand opera is conducted
i ..t l...x.
ate director, NJ. Fould is, 10 some sort, operate
manager. | may say here, in passing, that this ar.
rang. meDt though recent is not NOVELETTE, conduct
OF tie Ctnseryatoire of Music and French Open
having teen under the immediate management Of
the Government more than half the time sines
institution Of Luis XIV. Now, gossip says TIA.
NJ. Fould who is not much OF a gentleman, atbest
behaved nearly at his worst toward Mile. Cruvek.
Her womsDly dignity then, rather than whin,
bide her leave the Opera and France. She took
written proofs of NJ. Fould's naughtiness with her.
Sic is Row returned. A semi official a1yertse.
mtLt says that she regrets the involuntary wnus
she Las Done to the interests Of the Opera, and hn
asked ard obtained leave to repair them by resur-
inc ler performances. Ii was all along OF ana
lucky Misunderstanding that the manager did na
receive notice from her of her sudden dcpartun
Notw tbs snding this advertisement, gossip PERSIA
in fa,nQ that Government was glad 10 get hef
back ana keep her silent, and to let the suit ier
damages be quashed; and in saying moreover, thA
the Emperor has set man TO write secre.
memoir upon his Minister, sitting out TIE
truth Of charges against his decency, etc, etc.i
and that PelsieDy, who, like other OF the old per
sousl friends vi the Emperor, has great dislike
to Iould hopes to see him ousted and 10 eome
into his place. And gossip circulates still Other
ruuois Oh the Fould. Cruyelli affair, riyaling %
variety, number and Inconsistency the dlspatchs,
OF European telegraphs. Meantime the grand
fixed tact is that the Grand Opera has recovered
liz triptd Gonna--a peIsonege OF which that inst.
tuition was ia crying need, for StOlts, too, Is lost
il was said, by FOuld's rudeness Of management
in her regald and Napoleon has recovered tia.
elem int of success in his rivalry with Nicolas. II
is understood that both Emperors are very DESTROYS
Of getting up a brilliant season IN their resPec
tive capitals Verdi's opera, words by Scribe
which. tut for the fight Of Cruvelli, would have
been air. ady in rehearsal is to be heard 90 il
fret tralrehtarsal to-day. Meyerbeer has lea
ralis for Berlin, where KNs said, he will remain
through the winter. There is another on dit tina.
lie will bring out his much talked.Of Afrea1 10
London Ii was to have been the illustratinn Of
the season here. Critics speak well, on the whole,
aid 10 warm commentator of parts of the music
OF the Nome Sangldate, by G0nard. The libreto
is ly Scribe and is rather bad for llbretto. lhe
stony is more than suggested in Lewis's Moah
There is high piling OF horrors dhd absurdIties
but the Elects, such as they are, are more tho
merit of the scene-painter and property man than
Of Scribe and his CO. worker Delavigne. Thus lar
the Grand Opera has been poor business tor the
Government Its director, Roquep an, Las Jcf
resigned his office.
mentioned the other day the strange suit which
Nj. L.gouse brought against Rachel, when 10
Claimed that she should play the part OF Aedea 10
his tragedy. IL was proved in court that Rachd
had promised to take that part and as the piece
Lad teen accepted at the theater. the tribunal de-
cit.d hat he sLOnid take il; should go right b
work rehearspg, and then from rehearsing b
acting, and for every days delay so to do, sheak
yay n. LegOuse 40 francs damage. CerhlrI
the noise and fun caused by this famous guard
between author and actress has damaged Mr.
LeeCuse's reputation to that amount. He has Dot
u literary reputation that can recover from serious
damages. But Rachel has appealed from theds-
cititn of the tribunal, and by the aid of adjourn
heDts, &c. it will be well toward the end Of Der
engage ment at the Francois before a 6nsl d.
cislon. Meantime so much ridicule will attach b
poor Legouse's tragedy, which is but "a
tr, gedy at best, that the public will b
like TO laugh over it should it ever h
brought out. Considering that there are for
lunoIed dramatic writer's in France you m
rather surprised at the small amount Of drsmsx
reading they furnish. OF the moral or liseng
quality Of their productions do not pretend here
to speak. The subject could be properly treated
only in volume. If the volume justified b tide
OF tie Cotemporary French Stage, it would be d
profound interest to students of the phlosophyd
French history. But French dramatist generally
think more Of hearers than of readers, and, beng
in Hurry for their fame as well as their
pay, prefer the applause Of the season to the
natur.d award Of later time. And they not only
keep the audience constantly in view, but thsJ
Keep certain actors in view. Instead Of creating
ptTssDaees in the image of their Independents