New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1853-01-21


the Fourth Lesson Of her Course History Ii. .,,'
ing.
Or. RrDrrKLp. the well known plys.osos,s -,
give lecture upon his Svorite theme tonieh, ~ =.
ais Broadway. His discourse and illustrations win !.
interesting, amusing. and richly worth the hearing
Al Nrsro's TO night, MSdSce son,pg will give 81.
creria Borris," Bsdah a. Alfonso" Po,tobr, !.
"Geunarro" Madame :. as "LucreIa." Ms.l.s,e Pc.
"a 90 rsins.~ sc This Is Madame ssa,as's er,, ~
pesrance in this Opera and will dOsb, s,.r.e. =.
other oversowing house. Msiane Pieo will be wsrr
ly welcomed.
A, the BKoapwAY. "Ls Fisiis Del Reggmes,o- VII
he rspeaiod for the benefit OF Signor Revere, xAc
per.oastion Of salpl1io has been much and - a,
.ervedly admired Madame Ai5onfs Mara q k,r
hes. character and las given universal dellsA. Ar,
the Opera. the ballet Company will give "ussFGsi
Cors,antinople" ala SonnSnbala last nisA dssv
an OVERLOOKING house, and was received With esha,,
ustic applause.
MBuNroS's tonight the syorite Drama Of pa,.l
Copperfeld." in which Burton VIII "tarn syr =
wilkins Mieswbcs," Johnston as q" UriAh Heeps %
merry rmble.- Sc. 20 conclude with "rur,ans.
rrohe.n There was IN overaowing house las, nish,,o
see Nicholas Nicslcby.'
nWuL.cH's Tonight we have the spnaslng hale
comedy Of "a Morning cSll.7 by Lester and Laan
Keene. Also, Bulwer's great play Of Money" Ia
which the whole company participate Last lish,
beng the occasion CT Miss Laura hecnes benefit evey
seat and standing place even ;othe outside Of the S
was occupied. 81
AtBAENUM's Tom Thumb stays short time ionsH
and appears in Lis popular performances TN
Forty Thieves" are still popular
Attic crxcrs fca,s Of Hogscm anship, aud variety
of performances.
A, woop's, Negro Melodies, Dances, &c, Sc
Al WxI1Es's. Necronsncy, Second slshtani Sindred
entertainments.
MBAxyAnp's the great Picture Of Scenery in Pses.
tine, sc.
Az RrsLxr's,a vivid por,rsture Of English scenery
along the River Thames
Al the STUDIO Cuuoso rare and interesting rehes d
former sgcs
Ia The weather yesterday was toleraAIy
warm. with a cloudy sky. and very little wind. The
evening was warm and the streets begin TO give ev
dences of mud. sleighns Is thing of the past
~ Madame ALBosI in the Sonaambsls
filed the Broadway Theatre last evening lsis one Of
the parts In which she produces the deepest effect
upon the audience. Dramatically suits her sdmirs
hly. For say what they may, she IL a remarkable
charming than the pleased bashfulness with which in
the first act she scceves the cviities of the Count
unsteady toe her Arnina has great attractions. Her
voice so rich so powerful so velyety, 80 delicious
will Away have world of sdmirers. How II flows
and revels In Is perfection and sclle beauty like
birl'sl How il bresthes the heart-broken melsa
ohoy love cnjustly repofied and dlstrusted Think
of the non credea he ron gisnSe abe sings them
No wonder that the hearers wild with delight Bat
is not the Amna Of the composer. IL Is not the
sic of Belni which she sings Immortal" as he u
called on the play bills. II has q suggestion Of that
music but Bellinl himself would refuse 10 recognize
it, To nice. the scope Of Albonis contralto voice Il
has been so ransposcd 10 lose It's original character
This think unjustidable liberty and that Il 10
often taken doesn't mend the matter. The dnecr
whose powers viii not allow Of giving music as Mt
written should leave Il alone. What would be sadd
the actor who should alter Macbeth or Hamlet TO suit
his particular aud eapsctyi And yet that would
be quite tolerable as making over an opera. The
thing should never be done AT Paris or London even
Alboni would not dare do It.
SoSrAG IN THE BARBER OF SEvILLE--Tho
Opera Of the Barber has duplicate Of an
excellent comedy, full Of spice, and not altogether
wanting In SATIRE these who keep In mind the French
society ct which the original play was levccd. ltisN
.Ood plot tina, more than one composer tried bic
bend on It, Among others the gentle and mslIhuous
Pssielo la the last century. His Barber had the a.
cendant In Italy. But one day eyoung man wrote 10
him saying that he desired the subject once more
TO music, and courtesy demanded such an apprisai
The and oondd at Pssello returned answer BY
ell means to proceed with the work. The young man
did proceed aud finished Ii. Brought out at Rome
the payLS, failed ha Ara MIA I.,t
quenty succeeded triumphantly. Our young friend
was Rossini, and the barber the one on hand. Disdn
guisded for being In the Italian schoorobbing whole
sale Moscas opera OF his best cccts-kecping up ~
stale cadence formuls yet Rossinis work Il individu
sted beyond all other operas that written for
sparkling, busting, lively. dazzling comedy From this
we except the overture which properly belongs to lis
Elizabetts, and h mot gay and Is out of place
The Piano PtaHtsstmo chorus = excellent pecs of
mystery. Tho Eeeo Ridents Is hardly
sssin On Pssieo's beautiful duet In the same place.
Tenors 20 frghtfnly scarce there not being first
rate oneMario not excepted-in Europe, that IL
smOst supcffuous TO criticize positively that voice.
Sgnor Pozzolini did not produce the effect that
for, and must attribute the want 10 sono
cold or indisposiiion For example, his singing In the
PHritSni Quintet produced at concert a marked
encore, and the difference Of the style of The music
between that and the Barber duly considered hardly
should make such contrast. Figaro Ia not Bsdsfs
beet character we should Judge We take it that biz
forte i, the grand serious declamatory style. Roccos
cid eyaricious was admirable The grand sna
semi parlsnte, which Lsblsche now ons he gave with
admirable effect The largest piece of competition In
tie Opera, La Casanid fell unheeded almost on the
audience, whose powers Of discrimination need I'M
proyement 1t IA one thing to attend Opera through
fashion. and another to go there fortified BY sblay
tDjudge Of Pusic.
Madame sontass Eosua was elegant lsdyhD
performance. Una roes seemed to be written for hsE
No. profound sentment-neither the sentimental nor
eiesiae, and hardly breath Of love- yet most stfss'
TIVE, fluent, symmetrical. gracious o. a eomposidop;
satle.s in s rhetoric, and 1T TO be sung without -
altered note.
The great feature Of the Barber Is cxaggerstion
uternost extension Of the foridity Of the Itaim
school. that 10 crowd Of notes TO few sysbss, anA