New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1853-11-26

seNt tiui noiW HNssHd Ns tht lit Ws'iN'WN "a '"'f'
"a wA,,e wu.b, lels,'eAei With o,v,s pu,ta,a N'|N
.ud ra..t,N IL ps,so Alehe with Nvgaa AZ chan 81, ha'
,he .sa,va,, ~ a,eue,tue wh,h he,e eeee dewa,eN
Ia WeN,vAeN t,su,S aNa have heN ,yrl,A eed adopted
ate stsias hes Ast o. dNlnlN aud uNii, 40 hesos
t,vs,le. che a,v 81 . roa e,s wmlh aeA ,he ,sl8lee
With ssNc e bhth b gVee tee,v, nag best aislevs
even tAe a,sh, w,tliNg at Ne hol, 1T NWoyes unyA
Save wAch tt,Nls chat vf the Venus st NH, deei O,
has ve ~ imitation at hc past aVd e0 he sli,l ST ,hs
ssV h evw Wyi,es 80 ra'rtalica whvh Nsm s. OHM
pea and res,s IA tho hcssm vt tho telhe, 1T Al
~ t~> the ,ielle nvhee vt the VcveA, 10 dead wih
w. The acAntAus has No moNelnN Tho V,e', rsNrNien
p,a lSeN 4 Ne nNe ~ Meeua rfe IL s'ee AMI ~ ~
tup svyA ss,,vd Inspirations lee the Change @s laden
esf .Abt,cs ~ ,he house 1t wN,ahp equally alka eel
eay rre ,,heasv e,wNaeeNi IN svehea Che o'ocl'cn'
.iuses vNe N,v uiNDu sVch assassination ~ The pant
The Ol~sa howvNvN though ~ have hV' The mo'N Of
a.. Gs,>ssn N,sal ,,ama u,oa hs,aasc has rpsN.aed
WHOM che t,Aer vt UAac, revived What he oensee,vj
sas tsssSlaa drama In rNvnce by bringing cN' the e,a'
crete he simply tA mNs, sscd ,hes anil seasl'cd
Il "a 10 sl.sr and hAs deeflshed ~ true eNlrsNn
lsausp de,s not scT,uey ape he past hui ailers an
srssc oats,aklpg Of lsssNn and emotion 'hass which,
csa nrNer aie wlle she human heart beats
The ssa,, q tho Orc5a Nom the time when The elder
CslO tNA IN hand uP 80 the rNscu moment ia one OF
,Ac uN,ss svnerous and suggestive themes
rsa,sl .saly grand The ChaNh first learned by that
dc cNrgv~ss,ns VI Aa human heart such thu musical
t,pxve r,ssrs without fogualy, pousy acceptable
tiAslou icok the Place Of hong drawn plat'udcs Tho
,,nrs II m,loiy tr,amphcd hard inconseqaoniid
trras and music became divinity worthy of worship The
singing vcicc tNo,hat last ray OF celestial sound-was
housh under discipline through the Opera and Pcrpora
tauShis HAYDN how 70 sivg musical instruments The
iy &c an having been transmitted fOm the original insrn
ru the voicc 70 instruments of mans fabrication great
was The clash of rival ngenuiics make perfect forms
Tie Crsmona The StrSduarius volns-hsd already been
sincd as cornersone and the last hundred years
Asve shown Us the vast increase OF orchestral from
lie perfection Of the carione 10 the saStuba and out Of
the orchestra to tho gland piano forte.
The man Of genius a composer avais himself OF ali
,hcse rev instruments and may suggest additions and
nrroyerers The author in hand does eminently lie
snever satisfied with Whist has been done in orchestra
He knows TIA, Haydn did much more than any other mani
% advance Instrumentation that Mozart did 50 too SO
Rossni so oihers less known fame but not less bold
bu, that only inspires him work out fresh problems of in
strmensal combnaonsoach Of his great works, Robert
L Dalk ks Hagucaofs and Le Prol16e proving this as
sertion
In rard to the style of the music in connection with the
performance las, night few words may be added though
We repeat that we cannot describe sounds with words
There 10 overture but as substitute is very short pre-
ud, with waving trpets the violin and time marking on
some Of the wind Instruments After twenty bars Of
this in toe key Of led to the first piece where the
curtain is UP an Andante Pasierale in G. The symphony
TO this are some sbepherdk traits claronet with an
echo Then commence the volincello in dygurdysh
fals-G D. the triangle and pccolo put in their quaint
srkes and the chorus commences We give the French
words as our readers are familiar with that
than with Italian These words then In brse est mt
se L our est serein Dtehos 6ohO sgpne Ia cocte de
,os gas froupooux This work is writt with mosac.Se
care but does not include striking melody
Tie whole effect of this introduction tranquil; the
peasants dresses picturesque but the eject OF the
scene was sadly wanting in numbers and in the attention
to the grouping and ssgebusness generally which in 50
pungent degree indviduae the mode putting operas ON
the French sace-Next follows recitave preceded by
asvurhouv This is between Bertha and Fides the latter
entering at the time After this sonbre music in the
orchestra between the horns with pstons and the basoon
introduces the three Anabaps leaders sobery Clad who
begin TO sing from neighborng hill their politcotheo
logical watchwords Id ad salHarem ueda9', Heram
reDfe zfseyi ad nos These gentlemen in blackwho by
the vav were made up charmaer their unison MINOR
definition Of their position down to the peas
ants who believing in their divine mission lend willing
Zscbs-e Mrini their chief spokesman breaches to the
crowd his sermon set TO music and ingeniously accom-
renied The discourse is in minor and has the merit
Of brevity 1t suits admirably his heavy bass tones
He is assisted by his two friends who throw in Their
M yos md soforez as above In this orthodox sermon
The neosaptg are informed Of their low social status and
the necessity Of their dividing the spos with their hereditary
nsers In tie Italian version whose performance we are
noticing here IRE pnges cut, which paint musico-
dramatically in On admirable manner the nascent and rising
dess Of he crowd On the in erestng subject-his however
Is q necessity Of abbreyation, az We have stated
beforehand in q general way Having jumped INTO nedias
y We lave the Anabapts hymn roared in unison while
surerior pedal note on the vions, and varied base,
rurray the agitation Of tie crowd they group round
Tie fooaghts Having armed themselves, the anabapss
frl and the people aerw-d with them in an allegro mo
derate movement in major dcclaim an enthusiastic hymn
which wascomJeten;y Ilauded The Introduction OF old
fashioned fat seycnhs Is here good touch Of the compo
ters acuIen also the Of the side drum The move
melt II quick ened warke cry coming from the multi
tude Sore bold brief rncduatons here which cannot be
described in words notably good In the midst OF Inc
Revolutionary row. Count Frederic Obertba followed by
several SOLDIER appeared through porcus and the NOISY
crowd op sort on major while the orchestra modulnes
70 and rcctaye follows The Count cannot awe the trio
ofAuabsp,ii who let Us lavea snatch other old cance
70 new words not conpn entary to him. who thereupon
drives them away Our nobemhn perceiyng Bertha finds
her hotter game han our murkey friends She along with
PYdes reouu;s in du how Jean had saved her life and
ee il a fu,ua requcst the Count that he viii permit
her Lis vsel 10 mary Tie ead jean When tins duet
With We do not consid'r Inspiration though e1qutby
nstrUsnegfed and W nicely played On The wooden Wiha ~
ruue,s with the exception Of the accompaniment 10 inc
fro ,sdepzss dune the Count blunty refuses % lot
20 mud innocence end beauty quit hS donn ana OF thl'
The elorus with an appropriate change Of key 1y out lhof
slarra and then 4gter anong themselves ther mag
he CuEt .sifia On bs denomination ~ M Ihiah h'
mildly and he PEASANTS cgest fallen wiibdnw d'"Iy
Il r.. Il. lln r.