New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1853-09-16

tutIican Art.

Corre'rorasree 4 The ;. Triiure.
Paris Monday Aug. -. 1853
4 word through your columns if You please. for
American AT Ii has been repeated again and again
l., Fmu,fn critics that because excel in the IN
y.utin # practical machinery, that that Is therefore
el foi6 and that Any attempts toward perfection IN
tie ue ante NUT OF necess! be- as they have thus Tar
hon niscIahle ailures l. Ills true, or is il not
4 late run Der OF he Pays journal ID fEmpirc, ot
thi, civ IN q lenltl review of the Newl York Expos
ion h ere OF It's editors NJ Dupan holds the follow
il larauice:
surori1res their rowor, but their organization lacks
9, main faculis A for example they manufacture n
The UIt,d State an enormous quantity OF pianos ye Il
pleos ior all that thar one docs nor encounter there
m5Ty great mus'ieu They cannot cite me name 81
single American composer The Germans and the negroes
YET he fidem nid refouroe Of The music 81 ne I'M
4, State; arc % at is what TIE lankces ought 10 ac
lnov io6ae Tlty htve mede nevertheless serious oiJs
a. IiCd sGcred music and appears thni the Handel
ard yam Society o. Boston has obtained Ver.tabie
ne American. have some sculp,ors and painters.
vl,m fles surround with great deal 81 admiration.
Tic, tttac tll dives Utmost arrived 40 the era 81 art
.fr d"e'Iwent That b. only We believe an Illusion 81
IN, American painters .ueoeed in landscaPes but they
.re for rd De artistic end acada nic schools II Eur0pe
1i,ir s,uli toys fad themselves 10 similar situation II
II o., iiff ID do not o'cupy itenselfes with bic tuie
fo tto.ls- lie AT u0u SOciet, OF New York
vlii r,f ies hy the Of subscription considerable
rstsrr. sIeoufnCfs The fine ans by the acquisition 0f
.,rf iru or a. works That .ustaus the artists wh0 It
f q f 10
% o. III turofe Co. iorin arii't lacks the museums
lie collector. IT greet wor the living traditions Of the
GERM. cort,csri,d By ihe admiration OF ceufure-.
"Ilrtol or, s should not awake susficOus of par
f,lfg % our rar Every one know. with whai eager
r.- We have encouraged the project % the Exposition
pIthl J.,t issn opened thty know our sym2athics
toy % j. rov,rfgi American nailon. called 10 play grand
in he shadow oi eeee ara of labor ana IN the prov
idr;tl tcyt.DI ne q - The human race etc. eic.
l. true ist possess not the faculty for painting
end for fcurt1e and that have produced no works
Wild c,rtisdict the Gsferton'
Tie tet Il 90 We tfuct 70 many pianos, that We
aftsu u ia write 80 much poetry. tia are fond
II ut.r ard c,Icefts generally. that We buy aud put
Into ,ut ioufe. ~ ueu.e nun her Of pctures wheth
er god nr bad ratfe or foreign, that ike our
t,skt i!ed With crfTasnRs, buy enormously If pict0
rial ser Tat cur steam beats. churches and public
l,u,es e .o elegantly decorated proves az eaf, that
nela,e tie Taste Tor tie Gue sT,s That the palaces
al fuitIe fi,u.d he converted into vast museums 0i
ant IL I proves tat kncs have plenty Of money, and
not u o. tley Io,sess more taste or more genius than
We DO
Bur the French writer shows bis utter gnorance IN
sf.rc fat here ere ~ musical composers ID The Cui-
tsl s,sf,s We state that. considering that French
ur.ic a.. only been called into being BY royal grants
and r.isi',les By patented opera houses, by con
s.ivatsri.s professors ari Singers, al paid cut
oi H. public treasury ani taxes wrung on, Of
Tie sweat 81 The prov nces, vi bile 10 America, every
I'm 10 musical c,nfcsiiirR has been done
=, srsle nl.d u1a.ieC, sweating, sor0viEg, private
,r-,1rfise Auerioa c.n chow as much, para
titeh pa France We VII take sacred music or IN
sritr sUftl usc sLd CIeTatlc nu-ic. and show
e,ur,fers Il native AueIican birth who have pro-
! tutlf vCiis firf are written according % 8li the
C.rsrs a. erffc q aua tie requirements q Hcb AT
ii fsr a. re- lr,w 81 tiefe productions in France,
90 2 rtl he VCse lcr France. but foreign opinion
ut 1tt ti.It ne l-lce 81 Istirc ability cad m
tiS-ff.t.rt.r 'lIc.e .rf mtse fr rrtc u.s D.
t.l.. tl. ..iUi o. to iif T.. ID. k-Icll -Bd h.af