New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1853-09-26

,s,.onsl observation, and do not care TO re
Soons opinons which can at once be tested
pss -. has in rebearsal some novelties and Whist
hs .,,tssed and increasing love Of music promises
..,,v brilliant season
Jullien's Concerts.
:, TANKS season at Castle Garden has now eeasea
:. ,;ght he begins second month OF Concerts az
asa 49, - Metropolitan Hall better location the fall
-,sbes considered
sound nothing to change Of first impression
,,l,en and bis company given at length on his first
srspoe The orchestra now plays better theh ever
,.us,sd to nightly performance, with almost day re-
-, laboriously minute and accurate they renaered on
s..,,sey night all styles OF music from the symphony
.,., With delcacy and clesrness Of outline that may
ne -.,ed 10 some e1quisiteIy fine cabinet painting
~. s,s,. beauty Of an orchestra consists in its power
afordine all the necessary lights end shades
s.t fault Of our orchestral playing, in ordinary Is the
"a ,bese Numbers are deficient and the contrasts Of
-, and shade accordingly do not appear julien ex
-. No. only piano passage but forte pre- "a not
lv badness but II IL great body Of sound balanced
I JARED in It's colossal resonance In an ordinary orches
:. ne loudness wants this quatyt noisy without be
-, an Then. too for the body Of the piano passages
-, ss Of srnged instruments required these to the
s,br Of about seventy julien has in bis immense or
befrs OF one hundred and two. Both the artistic iou
s,d soness Of an orchestra are dependent the pu
,.v of tone Of each performer and when remember
A. JuIens orchestra has several performers without
,ousb in the world on their respective Instruments some
bers who have SUPERIOR and the balance equal % he
average Of the players Of the Conservatory Concerts
n Paris we may judge Of its capacity to paint truly nna'
csl subjects
Tbis public. now under the baton of Julien should en-
Of
,.c They should remember that music has its rhetorc
:. compey az poetry or proseas epic or en- Grafton
Wbe dine admiration should be given to the exquisite pas
onse and heroic solo playing Of Konig on the eorne' TO
n. ms,ehIess tone Of Rechar the flute to the unap
roacbed execution Of Botesni he double bass 10 inc
o,derfully pure and brilliant tone Of Wue on the car
ont or in another way while fall applause should DC eN
tended TO the arrangement Of national airs when nave "
ysriabIy merit and generally excellence-Deng cohcen
trted Of feeling wherein the greatest composers
have found sources Of inspiration Or means OF elucda
ton-ye the composition Of music should be properly ooNeu
20 Of the same time Tie public should now pay at'ehtoh
40 combinations 10 hamones-to the e1ordium progress
development and peroraton of musical deas-to music a.
language Of passion and emotion and they shouo not
merely dwell on individual players and The maeriasc sug
gop of the imitation of the rampng Of mems or horses
feet and the common place introduction of Fourth oiuy
patonaIty-mere Yankee dOOdesms, which are not ma
onay in lyrical sense but far as they 60 the death OF
heb national art as they raise fase issue in the concert
room
We were much pleased that Mr.. Julien introduced on
Saturday night selections from his PerO Grdnde which
proves him to be brilliant operate composer HIS name
has been 40 much connected with quadres that people i'm
sgine he cannot write anything else equally well We
have little theory Of own about good quadrlie In
Nozars Haydens and Beetbovens time the quadrlle or
mnue, was seized upon by those great men and ncorpoa
led into their works and became classic but the CLASSIC
composers Of our times mere ourang outangs they
copy the dead mnuet and have genius while they rail at
innovation on the socalcd classic model The man oil &C.
Mus evates and renders classic all he touches and to the
poe Il makes no odds whether be litter of pigs or the
starry armament that inspires his music his business being
10 make silk purse out of sows and he cannot do
that he no poet being Of genius afford
10 write anything To the elephant it Indifferent whether
he picks up pin or losses a tiger
In the published programme of the forthcoming Concerts
at Metropolitan Hail. appears that several new soio'sis
will appear Duhem, Cornet solost to the King OF Bel
eium; NJ Stenebrogger, the French Horn A. Lutger
be yioloncelsi and Colinet the only artistic performer
on the Fageolet The vocal performance Will be as hereto
fore One evening in the week will be set aside for the com
positions Of Weber Mozart Beethoven, and otherinsrumen
ta composers Of similar rank