New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1852-11-29
WuLrAa HENRY FRYs COURSE Of

Tuesday Evenings commencing TUESDAY, 10Th inst, a.
METROPOLITAN HALL
The siga q hc1s Lectures viii be 20 presnt IN con
eertsd =. ee-f oi iusirotsd history OF The rse pro-
ress an Present stGts Of all departments Of instrumental
and vOcsi music whether sacred dramatic. symphouic
elslrc r1nnn q national or fth1se various kinds which
y ro1d b i-ult 70 class specihcaly The manner ~
VII d me stect VII be trea-ef will enable tie hearer 20
un5ert1n1 The structure Of varous musical compOsrlos
% form comet opinions Of the performance o vool
sni inEtrurert artists and 70 comprehend more clearly
he pccpcF -rs q musca criticism In short the eiort
Of the Lecturer vi Be % give miuu.ey and thoroughly
such Of musical Lectures can. New OF the lite
the commodities n music both science and
reosIoe Of sevcl yerTs Europe, has enabled the Lee
- arg ~ an y, s9d csi x. 20 ''''
THE ILLUSTRATIONS
of 'la0 ecturss all form If their pnncp pal lt-ac
tons VII be copious and particular 70 leave no
Historical o. t- al pss ze text s1ndcrsfoodby any
hesrsr o osrir zuh the ference between vary ng
s21a- IT'D, peseu state as wei IS the origin ana progress
OPERk. THE ORATORIO AND THE BALLAD
on sn ample Chorus and grand Orchestral OF the
popa and ohsractenstc passages IN the WORKS Of
TaE GREATEST MODERN COMPOSERS.
vbo-e Overture solos. Concerted Pieces and ChonHes
WI ~ be made n contribute % tle eucd'rOn of the Lee
Ife ext ard condensed History OF the Art from the
I'D 10 az countries will be gwen, and every
tse-e1t s-tz ed and explained by the performance Of
noacsl competition in the STYLE remarked uPoa, eoPious
but carefully r7ade selection Of
CURIOUS AND RARE MUSIC OF ALL AGES AND
COUNTRIES
Ni % f-0n.t0. me Lecturer Nts Ilft
fTas L5ar 81 Europe. ad has obtained an unnrosca a.
qlence C.. rusc-i compositions commencing az PERIOD
tesn thousand years distant and which forms COM
pa exponent Of the deveopm ,rt Of the Az rom me e
Psoane Of saque and barbara Instruments and 9pies
Csfhoc Ciorch win he exhibited. In the Of the
lecture there r be analysis Of Greek poetry IN ~ mn
sca reiaous likewise an extended view OF the application
% Ensh poetry 20 music indicating TIE resources of the
nguoge and the reforms required Among the curon mu
so 70 be performed, The Chinese Hymn" sung IN
presence OF the Emperor the Annual Thanksgiving. and
supposed to be he Oldest piece Of music in existence va
nou5 national and sentimental airs Of the same peoples the
chief rSious and secular airs OF the East Indians exb
ing hsIsarll Efforts in the production Of melody Egyp
nn n1sc collected dunng Napoeons expedition into that
country Two 1cent Greek hymn: rendered R INTO modem 5
ayLeii1u - ~ ~ - r.. 20 ~
srs; song Of Eric Duke OF Froul Complaint the Death
Of Chsr@sg1s Ut queant axsthe origin of the modern
system SoleEgifrOm the originals Chorus sung ancient
y ia Venice n the ceremony of the marriage OF the Doge
Who accompanied Richard Cqur de Lion; Song
OF fno French Armies IN the year LOO; Chants
Of tts Ssle Chspee, 18th century; extracts from Hue
tad "a hileony Of the 9Th century the earliest writer
known Ga 20 sVbject the most ancient piece Of music IN
Boo n5ed by Queen Elizabeth; Palernas Original Mass
03cE OrPheuJ and Eurydice extracts from the works of
h8 FOUNDER md subsequent Masters Of the chief Schools
The Illustrations having shown the progress Of the Art
thu f., ihe number Of Solos Duets Tros, Cigarettes
Chcrs OvcuIeA and Other vocal and instrumental pieces
from th3 works Of the greatest
GopEBE ITALIAN, FRENCH AND GERMAN
COMPOSERS,
Jar haadoa m & general advertisement. Among them
10 viii be extracts from Le Sueur's opera La Ca-
yeras' Sp0atni'o "Vestae" Felcien Davids Christie
ps-r coLalnSl," and M,eyyerb,essITs beers Prophetic
Lrcru7s Introduction 70 he general subject: Music
Nr1ci POUNDS; definition aud characteristics. Music
laasgssa. it' history; its universally Formation Of
20 lad9. Eyamp iifcGtions, vocal and Instrumental
LECTURE 2. Acoustics. Music science at different
period end among different nations Melody and Harmony.
Examples 5 curious Musc.-the ancient and the rude.
Inc earliest Tntten cb0uses PenoInance OF some re-
nsfkabs ones by the grand chorus Simple and scientific
music s popdaE and the true meaning OF these eptet
LECTURE J. Tie Voice Intonaion in speaking aud sing
ing disug uled The different qualities and capacities OF
the masculine sno feminine voice EXemplhcations by the
principal 7ocaiFl and the chorus Method and style
I,rcTuKEl 4 me Baiad-sentmeuts and descri ptve mu
SIC. IL yisdcnl among different nations Na'ona songs
their Distinctive features poecal and musical Nocall Illus
trsti0ns with aud without Accomplishments
LEcTUaT s. The Orchestra All the instruments
planned heir pe5; and present treatment By composers
practically dem0ntrated by the great orchestra SHionia
snd overture Military Music Illustrations by the Mill
ErcrURE c. Church Oratorio and Chamber Music. Sub
sc meanings and aims of the several species The organ
pa4o. bsrp and guitar. styles Of different composer
Psrofmlacs Of elections from rare curious and great
Lgcrukr Nature and Progress of Musical Ideas. Sim
.aie4 ~ ne ode uhraseOOgv of different cOmpOsers
how sr rssrbe TO the nature ofthe art improvements
crcie Hon. END the general scope OF Music. Exposition
Of the frsat schools Of Music exeupfed IN the COM
position Of Old and modern matters. Paestrna, yome,
Purcell Cfrek, Handel, Pecini Haydn Mozart Beetho-
n. 5iSersacs between formal and inspired music.
Lecture g. The Lyrical Drama. Origih Of the Opera
10 progress Gn1 pecuaritles Oh the Italian, German
French cld Eng &c. Defects and merits Of the Opera
10 general exponent Of dramatic character, passion
.ld action Selections Om various operas Illustrative Of
LUcrURf Q The Lyrical Drama continued. Considerations
OF te foss7 OF the English language for dramatic Music
FS,mDhications in recitatives aTas The Ballet its
oazactsTsics; orchestral illustrations of them General
coni0iOnB Of the properties of the lyrical stage It's
trsdiout reqliute reforms capabilities and Influences
LECTUsE TO- The connection between literature and ora
tory ard uaGc: Music part OF collegiate edncaSn
Tbs national defects Of inonatlon and pronunciation le
correction between music and It's public diffusion win the
nsoG1 tste IN other Its connection with health ana
morales, lie family cycle and society. The digutes and
hsoes Of az The efuei relation Of the artist 10 private
cd pablo lte. His nights under American insiituons
l,u3l y isD. American Music. The Artistic Future
Bach L.ciuis 10 the foregoing syllabus VIII embrace m
A GRAND VOCAL and instrumental CONCERT.
prcces Of arranging the ana the illustrations
ioyd regulate interest and dust each Lecture
20 rtgosbe time in the delivery il may be necessary "
usss medication in the proposed plan. but none
ch feet ito conpIehensyeness or the variety pitts
IRE oUorrs distinguished vOcaiss have been already
k'.5tne ROSE DE vRIEs.
r;'os. PICO YIETTI,
sisyor VIETTI
S'saor COLLETTI,
Signor POZZOLINL
SignoT ROCCO and
Senor BADIALJ
(By kind permission of Nine. sonfsgl
so.-ss LIS pending with other artists Of emnence
'ileh T-fil D. duly announced
rHE CHORUS will number at least One Hundred efh-
a