New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1852-11-20
WIN HENRY FRY's LECTURES On MI

w NJ HENh1 Eh1 Lev bhI-o un vi y
w SIC.-Ihis couT-s OF TEN LECTU RES Will b. CIV
en- on success We uEsDAf EVENINGS, sneins on
1UEsDAf, The S9ta INST Sta, az IRAN HAIL
Tho am Of these Lectures val be % pr sr N aconss1
lut clear form A. illustrated history % t use, pr r - an
present state If oil departments Of insrueal nd vocal
music; whether secEea, dramatic, symphonic, CARS 20
mantle NATIONAL or Of those VARIOUS Kinds ich " "ol
bedihcult = ciss specifically Inc manner IN VIC. -
the Of VARIOUS musical copos ms 20 rn more
correct opncs OF the performance Of voeeI ana
I'll at St. and 10 coupre end clearly the proper ter rs
OF musical criticism In short the effort Of the Lecturer WI
be giye INFINITELY and thoroughly az such course Of
musical ctuYes cun OF the hterltHre, al analysis Of
the phosophy ara explanation o. the technc tles 81
muse bob os science and art esld nee OF several
wears in Fuope has enabled the Lecturer collect large
of materials for the practical ILLUSTRATION Of the
historical aid eTi nc, x r---rp ATOMS
ofttese Lectures form vi aer principal estl io1
al VIII be 50 cOpOus and particular . leave NJ lis
cal OF Critical passasc OF the text Dy Any
who distin sh tire ii erence De'. varying ol
TIE present t0 well IS tie Ogln .nd proErss Oi tIe
OPERA, THE ORATOItIO, AND TIE BALLAD
viii he illustrated by the perform nee 10y 1r's y c'4
ton an ample horus and grand Orchestral Of the nost pop
uiar and chsIact risi.c Sas n tne wot.s OF os
THE GREATEST MODERN COMPOSERS
whose Overtures Solos Concerted Pieces and Cno1iss
VIII al b. made contribute TO the eucdaon Vt the Lee
tD1ers text And as canensed History Of the Ar from
tie reofesf ages and al Countries Will be given, and every
statement sustained and explained by the performance Of
nusioa coposltion the style remarked upon, coPoas
Curious ASD RARE MUSIC OF ALL AGES AND
COUNTRIES
e n Libraries OF Europe, and has Obtained an unoroS "
quence If musical Competitions commencing al psrod more
hGn housond yeaTs distant and whch olihs colP
exponent Of the Development OF the III nom tne s u
CHARLEMA6sE. ,.
Paintings antique and barbaEc Instruments and copies
Of the luunged Muse BoOks Of the carry ages o. me -
thohc Church, will be exhibited Ia the core OF tie ec
turestlcre viii be anay SIS Of Greek poetry IA is muse
reafiOrt likewise an extended view oi the appnaoI o
ENGLISH roetrv tomasc indicating the reouces OF the IAN
guage and the reforms required Among me curious nus
to h. uerorue ed are - he Chinese Hymn sung IN pres
n no AZ Annual an sup
Iosed % be Oldest piece OF music IN estece alou
Ietoral hi 81 ne, a. Of the peOple The caie
religious and secular airs Of the East Indiana eanDnS
Their early Efforts in the production Of melody; Bgypan
music collected during NAPoLEoNs Expedition into tnh
country; Two Ancient Greek Hymns rendered INTO modern
notation after MEIBOwIUs and BURErTE Ode OF Bose oi
the 9th century; soma of the battle OF Fonane OF same
eIs SougOf Enc, Duke OF Froul Complaint On te Deil
Of CHARLgMACNE: U gneGa Ldrtste origin OF tue mod
ern system Of soleggrom the original Chorus sung AZ
Doee with the Adrafic Song BLoSDEL the trOubadour
who accompanied RICHARD Ceur de Lion; Song OF the
French Ares in the year l4O0: Chants of the Sante-
Char ellie 18th century Extracts from HUGBALD on har
mony of the OH century the earliest writer known on nc
En- land seleeops from the Muse BOOK used by
Queen ELIZABETH: PALEsTRINNs Original NJ u.s. GLUckS
OrIhels aud IHydtce Extracts from the WORKS o. the
Founders and Subsequent Masters OF the Chief Schools OF
Europe A. A.,
thus far the number Of solos, Ducts Tros, Qnarettes
Choruses Ovetues and other vocal and instrumental pieces
from the works OF the grt attest
MODERN ITALIAN, FRENCH, AND GERMAN COMPOSERS,
which will b. given entirely too numerous for particular
mention in general advertisement. Among them. how
ever will be extracts from LIZ SEURs opera In CrrcrR
SPoSTINIs Vesiqie FELIciEN DAvID's Chrispter C1iH
bus ard MEYERBEER's Prorhefe And It may be remarked
that some Of the Lectures will embrace
GRAND CONCERTS
of CLASSICAL and Dramatic Music with Explanatory and His
orcs Comments and thai for the proper Of tds
Object the Musical Illustrations will b. given by
TWO HUNDRED PERFORMERS
Including CORPS OF PRINCIPAL OPERATc AND CONCERT
SINGERS Of the first grade, an ORCHESTRA OF
EIGHTY and a
CHORUS OF ONE HUNDREDi
Of hafp
but wider scope and elaborate IN detail tan any
which have been presented 70 the public OF either Eu-
rope o America. -,
Prospectus for grautous distribution, may be had az all
the Music Stores setting forth the plan OF each Lecture
which cannot be embraced within the limits OF an adVer-
usemeat - -, a..
SINGLE TICKET FOR THE COURSE........'.....S)
Payment be made delivery Of the Tickets at w NJ
HALL& SONS, No. &j9 Broadway, on Monday, Nov q
Upwerd Of One thousand Subscribers have already sgn-
ed the lists which may be with the prospectus at the
Music Stores generally. ~ - -
To nonsubscrbes the price Of Tickets viii be One Dol
Iorfnr