New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1852-09-11
MADAME ALpoNr.-Anothcr triumph to

MADAME ALBoNI.-Another triumph 10
sdd TO the lorg la Another soiEee OF exquisite
uusic, end rsp,urcus spplsase Madame hioonis tame
Is too well established In SewYork to require resa
proof. II her natural Advantage, her skill but we're
the pest entirely forgotten, single Concert would re-
store her 20 her rank among vocslists
LIST evenings gan With the overture
70 Aeom,no Sscoaio osfunet opera Of Rossns, whi;h
has been resusclaed Pal, under the te Of Ia Sese
es CortaAe, and subsequently, given In Londen a'
TAsstaio di CTHo There was very little In the Opera
10 warrant It's being thus exhumed; and though tns
music from H. siyen last hight, in many parts
orgiua lsnd striking, though contained one movement
which has become deservedly popular, We think liner
over,ures abound IN the TIA ian repertoire. We are
net partial to the clash and clapg of the Italian school
We prefer Rosilni when be appropriated to the Ger
Il an masters, or wrote for French audience.
What could be more delicious, for instance than the
overture to HIliGn TIL We could see the Alpine
sun rise hear the mountain echo, and the tnsng snep
herd bell ard feel around the fresh air of the peace
ful SWiss vallsy-resd the news OF a sudden eommo-
ton In tie sharp ring Of the trumpet Of the gathering
Of the dcgttd determination Of the peasants to conquer
their liberties All this 10 transparent through ths
music that the lea Of imaginative person muss have tet
t. euust do ~ Arcid the Justice to say, thai to HIN
faithful Interpreter Nor he less accurate OF bril-
Ian, in bio rendering of the grand march In the Pre-
pl the finest probably, that MeyeFbesr has written
The grand air will lnger for many day In the ssrs o.
all who then first hssIdlt.
Madsrre Aboni Is generous Of her favors; hsd no
less than ak pieces from her lsst evening from the
highest gems of German opera to the plain, sweet mel
ody Of an English romance Rossnl contributed the
terz,io, Al quail eolpo with the pretty allegro, Zii
i'm which was neatly and expressively rendered
From Douizetl she Borrowed a share In the duet In
Don Gioranrf Sgaortra, ~ taHtd Peiid, and though
severe Grille ehi complained OF her want OF anil
usion her Style good as usual, and her vooaii'
7a,icn peri e. Mozart furnished BaH batfl from ION
Gioreunt-so delicious In i,s touching simplicity and
soul si ring meody-so soft In is chords-so deep In
is mt al Ing. AZ Der voice gradually fell to whl'per
snc tie room hushed TO catch every syllable, lsws
impossible to drive out OF ones memory the hackned
lines:
Hers is the lay that lightly floats,
Ard hers are the murmrng, dying notes
That gently fall like snow in the sea,
And melt In the he as instantly
But soon those ninisbe con,rao notes shoot thrill
of different Kind through the bosom Of the hesrer,
and the Parquei hardly restrained from drowning the
finale in burst of applause To Mozart also, must be
credited the brilliant tarstloDS on al Alpine Air,
which bear Hummers name as their author; the re-
specve shares Of the msster and pupil not very
difficult - determine This piece was the conclusion of
the first part Of the Concerts aud 1t corsany lsfs the
rudience In transport Of delight Words cannot de.
scribe the exquisite finish the distinct harmony of her
yelled notes or the brilliant accuracy of her from
one distant limit of her register to another people 81,
eutrsnced gazing st he's who poured them this rain
Of melody.
In the second part the promised Eogllsh ballad
Street and iov cnd Of the sea- given. Mde
Aboni was accompanied by the author, piano
neaere instrument for 90 large room-snd contrvet
to render the air sTeey that though she bound
by her programme to sing four ssng' In less than an
hour the exac,lng public lmperou,y dem aided al en-
core. She sarg with more Effort than usual, but we
surprised By the depth Of feeling which she threw
Into the by loved one seeps.' Inc last piece was
An non gigasc, preceded by the aHddHe. OF this We
can only repeat what have said previously thai no
living siu ger has he voice 10 sing 1t as Mio Abon,
does-,hat Maibrsn alone Of past singers, we are la
formed reIembed her that no piece 10 which we
have heard her displays the extent OF her register the
pure round tones OF her and the branoy Of her
Torture admirably as Al non StHngs.
We fancied wa could detect an effort on tho part OF
Sig sonPloyannl to strain his organ 40 TO oil the
ROOM We need not sag that the attempt Ill judged
Better far 10 sing the tenor part In Al qR coLP0 or
Ro,snis FUytiga with the richness and dellcacy al
mired last evening" than ill the Metropolitan Hall with
breath.
slgnor Revere Is decidedly too staecSio In bis vocal
izng too 6ro In hls attitudes and gestures for Con
certsnger We spoke of before, ard the faux
even more percep,lble last evening He rendered Ne
zarts MadamG, il eatGiOsO questO though he did
not understand III The tone OF the music that aria
taken separately from the words Is rather touchingf
melancholy and even passionate than comicsl 1t
quires consummate acting, such Lsblsches TO pre-
vent mistakes the part of the audience We fear that
sgnor Revere left many of lis hearers under the I'm
preston that he cling love song with &C casona
burits Of the srotesque.