New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1852-11-19
WIN. HENRY FRYs LECTURES On MU-

w SfC-T iscoI-He u TEN LFCTJ Rt.S ~ ,s siV-
en- on successiye TUESDAY EVENINGS, coD-e-cing n
MTTROPOLITAy RAIL.
The aim Of tess es.ures VII b. % ~ s-n', n acouisnse
but eesrfor A., lsfrs;ed history The rs prizrss End
preeent state Of all deTsrents o. a. ead No.si
nsutie or national or o. to-e vious Eads vicht would
be difcult specifically. Ire manner ~ ~ncl ne
subject vii b D. atsd VIII enshe tko hesrer Erdstla1
Do sreure Of vsrs r1uscal compositions form
correct opinions Of toe performance % vocal ana
tai oitsts sr 20 comprehend clearly aspoper terms
of rnsissl ertsa In short the effort u the crIsr vii
be give mnutsly End thoroughly - such o0f.e o.
usca leoures can, vo9r 81 the HseIst'Le an eiy OF
the phiosory and explcna;oD Of tho eennc1hes o.
music both r. . science AMI Az. refd nee OF several
years IN Europe hss enabled lie Lecturer 70 collect 40
of materials for the practical nsaon OF tle
'''''i' Il -'o CT THE ILLUSTRATIONS
ofthese Lectures VIII form one OF their prncr1 81 o
and viii be corious and particular o. 70 leave NJ Hs'o
cal Crc7l PASSAGE Of the text sunderspo ~ any t
who dsneu ~ the difference between AIRY ng -Dndf
Tie PgesenfstIe ss Wei 20 ne oilsn an ~ ~
OPERA, TIE ORATORlO, AND TIE BALLAD
ioa a. ample and grand Ochestsl or he most PIP
uar - 5, zee a V1F n ;i cc99FTahssFRs
whose OverareE Solos Concerted Pieces nd Cno-ua'
will an BE- made 10 contribute 20 the eluodaon Of the Lee
turers And condensed History o. the Ar ifon
the rerotsf ogs AID all o2ua'res well 0e ven ard every
statement sustained and explained b. the performance OF
musical Composition in the style remarked upon egpioas
C CT sItyIJ AND RARE Music OF ALL AGES AND
COUNTRIES
will be produced The Lecturer has made researches m TIE
se,t rsref Of Europc and has obtained nBbrofsa
9uence Of musical compositions commencing sa PERIOD H'fe
than thousaad pears distant and which forms colnpe
exponent Of tbs development OF the art rom me time OF
Of antique and bsrbare nstcrts and copies
Of he Illuminated Music Books Of the early o. the CT
tholc Church. viii be exhibited In the co1re OF the lee,
lures there will be an analysis Of Greek Poetry III ia 1e4
reaiors likewise extended view OF the sppn OF
English poetry 10 music indicating the resources OF the lar
guage and tie reforms required Among the curious muse
ence Of tine Emperor at the Annual THANKSGIVING, and
posed be the oldest OF music IN eSstence Naous
national and sentimental airs OF the same peopei Inc cei
religious and secular airs of the East Indiana exhibiting
their early efforts the production OF melody; Egyptian
conptry Two Ancient Greek Hymns rendered into modern
notation after MEBoMIUs and BvRETTg; Ode of Boece OF
era: Song Enc Duke OF Froul: Complaint on the Death
of CHARL u qReaHt Ldristhe origin oil the mod
ern system OF soegefrom the original Chorus sung an
GENTLY in Venice the ceremony OF the marriage OF the
Doge with the AdIatic Song OF BLONpEL the uOnOafonr
who accompanied RICHARD Coeur dc Lion: Song OF the
French Armies In the year liVo Cans oil the sainte-
Chatele 18th century Extracts from HUGBaLO on Har-
OF tie 9Th century the earliest winter @no"n on the
subject; tie most encif nj pece oil muslc IN pans had
down England Selections from the Music Book used by
Queen ELIZABETH: PALEsTRIFAs Original Mlss: GLUcK's
OrTheus and EUydgce: Extracts from the Works Of the
Founders and Subsequent Masters Of the Chief Schools OF
Europe.
thus far the number of Solos Duets Trios Qusrtees
Choruses Overure aud other vocal andnsrumenta pieces
from the works Of the greatest
MoDERN ITALIAN FRENCH, AND GERMAN COMPOSERS,
which will be entirely too numerous for particular
mention in general advertisement. Among them, how
ever viii be extracts from LIE SrURs opera La Cle-r,
sPosTINIs Tosiale FELicES DAyIDs Crissopier Coqi-
bus and MEYERBEERs Prophetic And IL may be remarked
that some of the Lectures viii embrace
GRAND CONCERTS
Of Classical and Dramatic Music with Explanatory and His
torca Comnenis and that for the proper OF tins
object The Musical Illustrations viii b. gwen by
TWO HUNDRED PERFORMERS.
Including CORPS or PRINCIPAL OPERkTrc AS9 CONCEPT
SINGERS Of the first gredo, an ORCHESTRA OF
EIGHTY and
CHORUS OF ONE HUNDRED;
The design of these Lectures being not only different iro
but wider in scope and elaborate IN ssta than any
ich have BE- presented the public Of either Ea-
rope or America.
Prospe ctus for gratuitors distribution, may b. "a AZ all
the Nusic Stores setting forth the plan OF each Lecture,
which cannot be embraced within the limits Of advcr
tsemest - - .,, ,.o,-r,, -
HALL q SONS, No. 30 Broadway on Monday Nov y.
Tuward of One Thousand Subscribers have already sign
cd the lists which may he with the prospc ts NJ the
To nonsubscrbers The price of Tickets will be One Ds
lar 10 each Lecture.