The Texas Republican. [volume] (Marshall, Tex.) 1849-1869, 1852-03-13


But prose has been found inadequate to
the purpose, and poetry has been intro
duccd. Here is a piece which could have
been inspired by no ordinary theme It is
taken from the Delta.
10 cNrnARINr HAYES.
The lhrp of Tam. Who're golden chords,
" - tuned 10 Fem. glory
Who au;hrm, tod u rutiine words,
Df her chirfnin. famed in Story
THAI broken lst'' ilti hns ..rp' ,r long,
Through tfu'. darkest hours.
Crushed 'n~lth n. weight nt scrf1 and wrong,
AMI r,ihh,d ct %. browning t"N'n-
Vow wake. in Die and liehi again,
tnd .I.,at. swrc, Minstrel. through tly sinn
Child NJ lint f,i, hni stricken Isle,
Famed fYr IT. glad blue waigrs--
For N. slns. so hra,r aud tree from t.'r.
And II, hieh-suual. gsrrie.~ dnunldrfs
Minstrel of that bleeding .id
Il, dr-pois made prison.
Pour tiR tvfri s0irp fv praise 70 t'.sf,
For Freedom sfar has rrru;
And a time h coming when luu. nam
Shall shine l,fth proudly aud free from 'iAu'
Let rriu ,,nrmhtr the dnys ~ o'd,'
Anl lii, flifots who 'Iad fr t" o.
Ict ille lalr of her pf's'ui nnsn.h t1iI,
lie Hn l-jurui ql'airr orr her,
Bet the wal If her .Hhhug cullfru born"
On t,r breath ut rios tlrlllg numbers,
g.. a sIteil ~ awaken each ir.r Irtf' 81 st'iu,
Nhcrr the lose oi freedom .umirN
And with Enns honnr and LIiii' rn,s'.
Shall h. luk,l the name ot C,Iu,eNt llNYr@'
The above composition is signed leila,
from which j, would appear that even the
ladies have fallen in love with Miss Hayes.
We should like very much to hear her. so
would most of Our readers, we doubt not.
But such viii not be our good fortune,
unless kossuth should bring her along
when he visits Jefferson
LOLA MoNrrs.-I'Lc Washington Re.
public gives an approaching and dscrlmi'
mating notice of the first appearance OF this
celebrated lady There was n full house
Of fashionable people. After saying, "oi
Lola we scarcely know how to speak, the
editor continues
&" She makes no attempt to stand on the
toes OF single foot performs no marvel
Gus pirouttes achieves no prodlgious
bounds. On all these points she shows her
good sense by quietly couceding the palm
10 o'nefs' sue NAMES ~ "'''''f' " 10
posture '''as''''' VI u Pi'"'' =, Pu'"''"-
Tue spectators 'u'' ." ''o eo'''"', ~
pears DESTROYS OF winning favor by the
craceulness OF her step and attitudes, add.
ed to a thousand charms which n boanti.
ful and educated woman never fails to in
snirc She seems TO have concluded that,
the poetry OF dancing, Ike that of Ian.
gnase, music, oratory' IS no, maze up OF
Nio'e"' eio'a pu' comprises ~ Wv "'J' ha !"
~, Las ,h.r.r,,, heo, to d;.,inou;sb ev.
cry movement aud attitude by exquisite
good taste and appropriateness to the scene
''"c, ''"o' "'S WY Wa, 'eoo"."'
"nu ~ r,aoi,o ronan,oJ and nrnlo,and
outburs, Of cheering and eappinc of hands.
"Lolas personal charms. like those Of
her dancing are oil the concrete ORDER
"st a,e p i ~ wv" s'' 1 ,;an "n' ,J
liar owes strike Won a, once os the kew 10
her character and history. She s,oops con
siderably, and appears stronger in spirit than
IN BODY Remembering her fe'''"f"ao''
~ Jo,,h, ..a',, Inn MISREPRESENTATION or Soy
inc n Medusa or n Boreia-a frame and
pbysiopnomy widely daeren, from those Of
the sligh, and n,mos, youthful woman who
s,ood before them"
w! we would eau attention 10 the al
veriiscment Of Mr.. J. II. BooNr, Daguer.
reotynist, whose card will be found in the
nronor eo,,m, yhoao WISHING to have the
~. I..s. So -o,a,;na. o. Clad. s,oo,
,'"e"'''eA " '''''' " "'''''' 50" ~