New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1852-09-15


ton Of tho XlIlth District.
~ MADAME ALBoNI's THIRD Cosey,, .
took place Ia,t evening To our great disappaasass
neither Mozart nor eDy OF the cd cOmpossn s.ns
we're to be found on the programme. Rossni and 4,
dl,eiples, Verdi DoDIzsid, &c, comprised he 81
Of fare. Verdi for Mozart Is q sorry exchange We
confess down at the 6rst fourier Of sisuor All
dhrs bow In rather suky frame OF mind. This va
however, partly dispeed by the fresh music Of esl
overture 10 the MUsae of the purest # Arbcf,l
compositions, and one which be suc,eededfa asn,I
Ing national and local character, which he seems b
have valnly sought 10 bis later works The ovsrlnr
was played 10 good time, and with hne efsct-an sss
don, In Truth, which our previous eaconlu % Of Sal
Ardih have almost rendered supeTfuous. Ma
When Sgnor Revere began the Al Idea al 9usl nesl,
we fsncIed that no was going to afford an o2go,s
nifty of recsn,lng our past censure, or, at all svsun
announcing the Signor's restoration TO jaeickvl
method, based on sound TASTE. We listened wlsh pleas
ure TO several deep hasa notes. and-whsa the oras
ira permitted us-iollowed the rich modulauons Of b.
really fine voice through the two or three lively move
menu which constitute the charm of this ps.sags foa
the Barbirs. We hoped that he would act less aod sn
more ges,lcuste with less fire, and vel On his nos
more softly forget for moment thai he vas bound b
make laugh at his Italian jokes, and Gtys 10 lop',
cur hearts with sounds which are common to eli lss
gusges When the al Idea ended, o fal. ds2ossd b
cry A cure A cure Alas for our too ssnsalse sE
pectatonsi The Eiisir dAmore was a sad onsp2oa
ment. Slgnor Royer0 decls med instead Of dada
and, shouting, waved hts arms, ard threw deep neli
Ing Into the muscles OF bis face while the patient psA
nc secretly Wondering what 1t all meant were rrj
pleased when the moment came a. which thoS cDall
purchase silence with a complimentary round II vi
plsuse.
Right glad arc We to bear different testimony arsa
slgnor sangovanDL lie has a, last made aha n,
theatrical parlance We safely say that no one EA0
has not heard him In Con s9ensa can pretend 70 sru
any estimate Of his poEers Il seemed 40 though be-
string OF his tongue was loosed and those pure "a
sweet tones which, tlll now, rose around him NE he
breath of delicate flower aud perfumed narrow sto
Of air. leaving the world outside Unconscious ognvz
ence, had at length rung loudly to tho distant glkJ
of the Metropolitan Hall. 1t was q happy thoastlb
choose tho sweetest gem In Don Pasqlat-lhs na
popular air, perhaps In Donlzstns works-sssi hs
experiment In bis new method; and still happier 90
II 10 cover the tenors retrea! with tho noisy sss-t
of the Italian chorus 'Ts In the final notes that ss
siovannis weakness Is mainly psrcep.lble 10 ~
pieee, between the chorus and the heavy bray izsr
msnu Of the orcheslIs, the defect was concslla ~
the passage delciOusly rendered
Not that the gentlemen of the Italian Chorus n
much enicien. service on their own account Ia Enat
they gave the grand chorus with fine effect and sea
three voices among tho number seemed wonkJts
donors Of 'Osoj but AFTER being warmly sppss1f
they did not again favor US with second ssufE
stage, once or twice.
We are inclined to think that Madame Alboni Ii
ess lasting impression her hearers at her laa 81
at any Of her previous concerts. Not that hu ~
eromms was selected with le,s care, her sonya's
ied with less science or her voice less pure, ln rh'
ling than usual. But the aim Of the popular f'S''
ought always to be to leave the greatest trlumAk~
lsst moment; TO lead the spectator gradually sFg
step, from delight to delight, and finally to dissSss
with the richest modest notes Of the artist fresh nts
In his ear. Thus, Ia our opinion, the Bris9M@S
All non GianSe ought TO have been the faAdm
Concert instead of the song from Belly, which ea$
lively and pleasant TO listen to- cannot reach oursa1
soul like the others
She began with III Piscer from GAIA Ladra slss
The exception OF a few of those Alboni nos -
tered here and there In the composition, reliscasz
INDUCING 10 original ornament Coming inmsfs1l
after sisnor Roveres noisy Figaro, tho how ~
hushed in an instant, to catch each
Sweet sound, like dropping honey. that Oh. SD
little Duet from Ernant which afforded sz -
scope than the last followed next, but was sdttr
ceived BY the audience. She smiled, and dNtf
ments breathing time returned with The II eSsSrI
tssr Jettcc In her hand 1t is impossible to dssssr
sensation which this song created. The sud!ea1PI
got the fatigue Of the songssress, perempsorily 80
The chorus, and kept up deafeniDg din unul ~,
bOni had compiled With their request for en-
We consider the BriRdist from LaerGia onee~
Albonrs greatest triumphs. She Sings 1t viii -
'pirit than the other opera aIs, and b not lei" ~
In her shakes, runs, ornaments, and notes soska~>
In the Non pin MESA. In London, the St5wN
her best song A
After this, oven tho Al non yedsd, which b~
Iyped ON the bill failed TO awaken the accustonsN
Of admiration. 1t wss encored, of course, and -
BY a yociferous clatter but the Brtndist had ex'
he sepsibuities Of the more refined diaiasa -
he spectators, and
Music that seemed TO rise
From some stil lake, so tquidiy 1t rosa,
could no longer probe tho innermosi recess
,eart Needless to add that Belly was not nH
innate. We must have the simple, majestic ans
tart, or the magic strains of soms other Of The
ers at the next concert As TO pretty tunes
well none Of them. f