New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1851-06-23
EUROPE
Artistic. Literary, Personal and Scientific Items
by the Niagara.


We notice very high praise Of the sing
ing Of CArHARINE HAYES IN llandelS Messiah. The
T,nes says of brilliant concert Of ERNsrs. the Vi
olnlst
rom the vocal performers We must SINGLE out
Miss Catharuc Hayes, who has never sung So well
as latCly-pcrhapS 10 make the public regret he more
her approaching departure for America. she gave
the am of FidcS tOm the Pr0ptcte c' An mon hls'o
Wlihtouchmg pathos, employing the lower notes OF
her voice With charming hect and the r01t' hRtt
from Lo S0andnbuIG. in which she eYlnced Surpl-
sing command of the hrWUr0, with great taste and
facility IN the choice and execution Of her ornaments
and f0rlttre. Both The performances of Miss Hayes
were received with the highest favor
1.-THE same concert Ernst achieved ,he hlshcs
success BorrESlNi and PATTI played duet iroma.r>
IN PtTitaas. and created fT0rr. 1t WaSa friendly
rivalry between the two greatest living Players on
their respective instruments, and both came out a>
NctorS" Also
Madame Bl>caccltuti who had already sung a
beautiful AR from one of HandCl'S operas. with a
great deal of expression. was persuaded 10 fll up
one of the intervals caused by the non-drriNal OF
Herr FormcSl 10 give the Socld from Lrls act 81.
which She accomplished 10 the CIV dcni satisfaction of
the audience
MIR. SrERNpALE BENNETT. the eminent Pianist
had brought forward two of ms pupils al Royal
Academy Concert with great success.
The new Prlma Donna. CRuvELLl, hat been
very successful IA Norma, but haSnot quite delhrou,d
Gn>l The critics praise her extremely. bu they all
find little mechanism of acting rather apparent.
which was not evident in her LeonoH Oar friend
ytian. as usual has a sensible and smart word upo4
tho subject. which We quote.
The hyperboe> which di>tend the language oi
cruci>m ln the morning papers make amy SOBER aD-
PROBATION seem hhe uuseucrou> GOODNESS. Pasta.
Nahbrtu, Gr>I, \iardot. not 10 hc mentioned Ia
The same breath with CruyCl-'t some critics 20
tt Wit'tV-hHchtl = noi inner actress. Aoom
not more perfect singer All which taAe 10 u-
about as near me mark - the American enthusiasm
for ParOdl, In the FIRST place I cannot accept Cruz
vein ~ &c hr-ratC singer she has ~ uoolc voice. of
astonishing compass. and fnsS 1t forth with % tthe-
u.eUce which Is often startling but she screams az
tunes. Snd Ter execution Is Tar nom irrepro4chao.e
hc hor,un beng more remarkable log dash than Ion
ol>tEcinC>>, ana her shake imperfect In her exc
CUtlOn of The music | noticed several novelties. a-
>hsWng THAT she l. 40 mechanical SINGER following
traditions. But although she seems Co mv woman
OF seniu>. >sN without hesitation tina, she Aa> au
immense ccNi YET Ia learn before SIC grows INTO au
afll>t worthy 90 take ler place beside Pasta Nal-
oi"a Irlsl. NartOt, on Albonl. A. nrc>cI. tntrc IS
more l.'A Than ar, Do her singing. ln hes acting.
"-"h' >cc The saline ault. She las tire lnrc. lgtuct
oAl no grace. 40 harmonious blending oi details
>he WORKS Aud bCi You see her working The
intention is more obvious Shan the result Won see
The strings NhcA pun the puppets instead o. alb
mnuc the statue. you are thinking of the >,-lnr7r.
Cri>! IS Norma tgutclh acts L.
In Tins eXtrac, We make two points That Aner.-
c.n enthusiasm for Parod a fable for she sang to
bat one crowded house when she Was rhc sole ;r-
traction IN Newly ork and that M ms resume he has
shown Why. an f.st. CRvvELLi'> PRESERVATION Of
Norma Is better than Crisis
-OoN GIOVANNI, the only opera which l. SUE %
crowd the Opera House, and send hundreds AWAY
unable 70 enter. afforded TAvBuRixI occasion to
make his mrs, bow for The season But the triumph
was tANi OF Tamberilk the new Tenor who
"'N'eNe0 fabulous success. aDt surpassed all Dla
otiarics hitherto known The unanimous crr,e.,n Of
TIE Morning Press Is summed uu tv V...sss ii, -tts
wise
90 Noi by hrf-nt ncthy Mario. vas taai taclsiroe