The New York herald., 1851-11-16

CoNCEkI o. mn JAfLL AT TRIPLE
s..-,.r A,r.x I'm ~. >S The cIAauruns.-Lsst
..--s :. r-,,,., U.,, - sienist from Vienna gave .
U-,..a s..,. W. ding his first appearance in the
60 -. principal members Of the italian
- a. a, in requisition together With Msss
o.. .iinst, aided by the orchestra Of the Astor
House-Msx Marstzsk being conductor. 1t
ace failure and trunph failure regards
-N -eezs-s triumph regards the usc, both vocal
md instrumental The house no. quarter full The
concert excellent. with the exception of
backs 1t would much better for instance to
have omitted Bertueos, Costn and Benedett from the
programme, and TO have given little Of Bettini
and stefanone. Tie latter, prma donna Of the TIA
Ian Opera, as she is, was made TO occupy but q
very small space in the concert; but far ss
room was given her, she made herself felt. She
surg rolllckiDg rondo composed by gottisini, in
spirited and splendid True 10 the music as
she always Is and artiscay correct her rich fu SYM
pathetic tones coming direct from chest carried the
audience away, who appaudea her vehementIy She
executed shake Of eat beauty and purity Of ntona
ton shs was called out for the applause Of the au-
dience The only other piece set down for her in the
programme was GGsti,,o from Mercadantes Giuramen
TO-" in which Pico sang with her very sweetly The
effec. Of the soprano and ecntralto, blended hsr-
moniously together beautiful. This was delight
ful duet ana not half much applauded as it de-
served. The clagaars did not get the cue from the
fugleman.
She quite hoarse, and her shake CULTURAL
most lugubrous. Her voice seems TO be complete.
~ cracksd-it s IS far gone Benedetti's. Yet,
strange 70 say she was lPlauded to the echo by the
claqueurs ard actually encored amidst few hisses
Her performar the second time better than
eloquers Of the audience ironically joined in
the pauds for the fun Of the thing Ching heartily
at TIE farce Batia and Costini together in du
in par;, Vbvt
such singers we're put together il is hard to say unless
to produce contrast at the expense Of poor 5ostin
who're weak, wiry thin, unmusical voice foil to
set OF the deep, sonorous bass Of Badia. 1t would
have been more udicious to give the part of the
would have been far better matched Badali and Cos
tini called out for applause. Benedict. sang ro
mama fTom Mercaaante and was applauded in advance
but his execution upon the upper notes harsh graf
rg and yet he not only applauded but acu
ally called out Many the audience laughed at the joke
Bettn cny sung twice while Badiah sang three times
The first time both sung in a duet from 60 Besa-
,io II was excellent asd they were applauded but net
"sprito Gentil from Favorita" !" in beaufu STYLE aud
was warmly aprsuded By the audience not by the cl
sang a romanza from Donizett with exc lent judg
ment 1t displayed 10 advantage the great volume Of
his voice. He was applauded in advance which pro-
voked some kissing, and he was also applauded most
perseveringy at the end. 1t was quite clear that
the oyster house critics had organized the applause
tor Badiali and others, at the expense Of Bettini
and st,fanone, the two best artists in the list.
We come TO the most interesting part OF the con
cert-the instrumental music Miska Hauser, who per-
formed with such eclat at the concerts of Catherine
Hayes executed grand fantsse, Lucrezia Borya,"ex
presy comp for the ssion SO brilliant the
peroImapc that the audience be in ecsacie
But The Bird on the Tree wsIblng the lesson taught
by his mistress, composed by Miski Hauser himself
was masterpiece Of art. So perfectly bird im
tated, that would almost imagine the notes came
from Of the winged tribe. This beautiful per-
formance and the audience enrA ptured with It,
MSka Hauser Is highly artistic and brilliant, but he
lacfs expression and force in which points he is oferor
to Burke. The greatest and rarest treat Of all the
exquisite music Of Alfred Jsell himself who eyieatly
took the audience by surprise lie is extremely
small, unpretendiDg pale faced man Such execution
upon pianeforte was never witnessed in this city
We did not believe that so much could be done with
that instrument. The performer did all bat make 1t
speak His first performance grand fantssie SON.
nsmbrls" by Thsberg. He put the audience in ecsta
ces. He spplsuded and encored by the whole audi
ence but performed something not the bill with still
greater brancy He plsyed the air with his left hand
while he executed the most exquisite shakes, and
other embellishments with his right. lie performed
raj airs with variations in the mos. mastery and
with tremendous applause eonclu ling with the Gipsy
Polka which encored. Instead Of repeating this,
he played the Gondoler," which nat in the pro
gramme and which received with universa al
enthusiastic shout Of applause was encored lie per-
formed again amidst uprcarous plsudit.. This little
gentleman produced quite tiVore with his fingers lie
completely successful In his concert except in draw
ing dollars.