New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1850-04-12

81 .i ttr' az Ire ''o1 -r 90. fri
r-. rh t-- tlat , erli-l carrot
hl -r-'.-e Gle al. tl -l-- Ami rc tcs
ga -r..- -.--- t -.-s II h-1r >o-.a- Is
--. -.-..-s =, . trr 1-. r-cess.-N
81, --....-. -..--- rs ..4 ro. 8 l.s Atm
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o.. Co. s.-ea,..-e at.ea,s- o. tie n'ns. P'r.s
h- -.t -.-...r q assembled BAGS
"a .-, .-s-s ~. s.- -s.s WHICH o-l
--- o --s r-t -s 1.lt'e concerts.
---.-.. --r r~ t.-s .-r-e -. 2 lew
t---s s-.- .- -...,--rr boxes = .e
rs.-- las r..---t.. o....-r g.. - slhcr'H-s.
----.. .---s ss. . s.l t.l. .Issr t-l.
20 ......t-. ..-.. ..,--.-. .vssat.-
-e. .ss. Mozart his ri.
....t.ts. r--. s.-..-a -..-a-~rrs req
... -.4 .--...-.. .-.. ...-.- b. IVY So.
81 -+-..f, Fn-1e
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---e me'- ,-ae,r - 1It- ,ae orchestra
h- ', .a. .e.air- % On '' 'ai
'rf -- .lrr s.a.cs t.- rs.s..aa.r.y c.,.--v
lis f...e l-. .n n. 'ltcn.f- TO BLOB
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rst- r l'es. .ve-.l- --rs 1-t wa..i.-
Sometimes t-..- rt,s co ro; mt ~ .'r-t
WIKI .l- --c .l. c POP fi.e hiHw.r '-r
Ar Or N-' H.-l $50 or
.-' r .- 90 H't t' nt 80 ''
Sr was c1 l.~f org aa.1 oy
- l' ..H- '' .t.'-p .-'i
a-ra a't ,.7ll -.' .e u.' VS. ~ N'ih
tr auea sae s-t..- Ted r. - a- y. t. li' ai-.s
tea. r'1 rN..ll 3D. -' g -tf ID l.c.ii sfs..e-
N' 0. l'ln- r-.u'ts 81 tE-.. .l iac "a it
t'-.. aIt '1 u-f~c f'rca I....sr I'D, JOB {. -
passion "..en sttrsH c' r.- Worlds 2.t
aa t'c 'st.taf a st1'.f oi ine
".-. a..I'- soc mas t---1 .u. '-.-n'r can
.f.'', a oo eliminates WIN aa' afo -a.Hlsl " BEN
.I .er -,'1' . cEec-lt t.- 'n i.e heavenly ia.
t-sts o' prayer s-'. 81, "-s valtit- h2Nc
re board AMI ore v1' csn sng ClNf Ifrf
. -iin- % -.rr,t' aai orc W Two
others can. l1 OH" 'lst.'ti rag'a't of i1e -rL
which, cc- ri.lg O. tradition, be- sung uerzs V.ce
/ cf tn' climax ar. ron. .ts u,if0s csH bee ger
I trel ~Hl'r-
Artistic .rf1uatos E-c dangerous. Bc'r'.i
entrance lat1 the touuHs seems ha lily IS pr.i.
oIe. They seldom succeed The RING INT Nno"
/ uat Joseph as '1ie aa q critical throne Many
u1 ht es tnat brnnnd Niin thf tcsfasi ao' iote
i..d a-e "t.e-.d % ids, taa'' tial s"uit aP
.l3-se ara 's.rl ~ rra-At rf yriin has '1otf.l
H-o Hpsr years ana s.lpd analysis hos ufarpe4
t.r place .t generous lts '.a'IOu. Al these things
t.t tst revived las O. brave and iue bold trgtts
OIL rno come for.h. Too, .u the artist face. figure
/ and voice. The Countess Bossi s q bod woman.
bold even m The honorable efocaton e.. nend.ne
uer husbands .'ltnnes- 61i happily she has
/ passed safely ;l-oa-h hrr .Ac' u ho' o-a'' -
certainly n-to.i h.r i'"e- Is m.',i ner ma.
nrr- the manners oi vs. .'cl woman IL .' S'u'!
/ has been vel p, .h AMI ,o.t 2! lercl.s 'm
/ c-'i l.d i'1t " .H n.i VOICE. W. Nai tnt wants y
lhs vast soul ou which arc musI be painted = come
/ .ar'h ia .mmoria. cl.-rs
Tho other pieces size sarS ws-' ni iiercutJ Sc
/ .,c-cI. Castl Blaze, tie most noted o.. FRENCH
/ m -'i al cr.r'' observes ''aI '"e V'.N' 'u"on
+ iac Opera Houses ID France seems 10 De maze
/ vtl ti'" Do crash musical genus -ilocess l'
i'' hien depaItn' OF CON poiiiioH IN tn' oh