The New York herald., 1850-11-14

fison with our new favorits. She blends 90 many
graess that they all sink before her and Il IL
only for the sake Of declaring her merit fully
that We condssosnd to place her In juxtap position
with the grsstest living vocaliss In fast We prefer
nsysrto make eenyarsSns They are .l.ays
not create IT. yet have so far struck at our own
OF the proprstiss OF criticism because are
liant singer S Europe WS. Is. lack. ss nHss Is
that naughty confidence In herself that belongs
.sas .Ss Is Ss
only Of character, music expression and every other
requisite but OF her audience, also This is difhcult
Lucrezia'' is her own. 1t can never be surpassed
In the whole Of the with the Duke Gennaro
hangs upon her ip:Iupsn every tonewhile ''tfe the
linesmen. Of her face light the way to It's meaning
and purpose How beautifully do her subdued accents
tell the story of ber Eishhow aristcay are her
smiles and light tomas directed to the charming OF the
remorseless Duke. and how wonderful does she make
whole scene wrought out by her extraordinary
sptness Of expression. Any one read the meaning
than in the mobility of her features true as they are
to reveal every emotion
The triumph of each scens last night was complete
but " we may select from the great whole which
SIM uary and msjesticay unique any thing more
startling than the other effects which we have not
space to notice We would mention the fearful vitality
Of vocazstion in the finale From her entrauc ce in
that scene-where, ss the London critics have de-
scribed it, she breaks upon the jewellers like the an
marbable earnestness of manner 1t Is not acting.
pantemme that produces the result 1t 10 the voice
and the skin with which II Is managed From the
lowest note of her three octaves tho highest she
pours out her soul with purity of intonaon almost
beyond belief and stsrtles by the remarksbe force
energy, and tkill, with which she accom- pshes her
work But we cannot do justice TO her vocal efforts
They are portion Of the power Of that voice. at once
so delicious mtlodous, and SO little known even in
Europe
OF Parndi's acting have not particularly spoken
Unskied persons might attribute her wonderful 90 wer
the heart rather to er dramatic genius than to
her musical accomplishments. IL seems very clear,
however that the two arts blended in so harmo-
NOUS manner that they cannot be fairly separated
when the judgmt mt veuld make an estimate of Pa
rod's Freatkess She is not greater a vocalist than
che IL sctress-or the reverse. She Is the first
tragic singer Of the day. and this will be the decision
Of the public, assured BY the triumph last
night which confirmed and sire gthened all eur first
ppressions At the end Of every she called
for and at the close Of the opera she brought
two three times before the curtain Lorini,
in spite of his cold. sang well Tenderness rather
than force, would suit his silver voice Amals
Patti improved her first represe ntation and exhi-
bited some skill in legerdemaiu by gracefully catch.
ing with her left hand bouquet that was thrown to
her In this she sincere and earnest; and il she
would always be in this humor should have warm
hopes of her advancement She should never trife
with the scenes in which she appears The brindisi
made quite agreeable by her, after she received
ecuted the music allotted to the Duke with great cor
recness and merited applause than hs received
The next representation at the Opera will bring toge-
tber another brilliant house. to welcome the great
Parod who has taken her place in spite Of
and opposition. at the head Of the art.