The New York herald. [volume] (New York [N.Y.]) 1840-1920, 1850-10-22

! Scotch cambria, and jaconet muslin; they are of
small size some have brides of the same material
they of the small lappet form, and loose other
are of round shape, but without brides but all
trimmed more or less with lace and embroidery. 4
ht,le later in the day caps of plain or embroidere
,ulle will be adopted. They are for the most par
, ornsmented with ribbons of two cOors, as viole
and yellow, black and groseille. Some of thes,
are trimmed with lappets; others with long floating
| brides
A change is beginning to take place in the mate
mails TOR robes in the public promenade dress trans
parent and hall transparent materials laid aside;
taffetas and gros de Naples still preserve their
vogue both for robes and redingotes Plain CASH
mere has also been introduced, but as yet only for
robes, and not much There is great deal
OF variety IN the Trimmings OF redngotes, beth fer
public promenade and halldress Some have
eche Hes crossing in brandebourgs others revers,
| with a very slight degree OF fitness, and embrOid-
cred or else the garntsre is composed of profu-
zion of narrow velvet falling IN loops in the Italian
style must also notice one of the mos novel
gGrnitures, which ia think, also of the pref
est and cheapest; IL il silk arranged in lozenses,
boullions, and great variety of little fancy trim
| mings, which il is impossible to describe. The
lozenges are likely to be much in vogue for paroles
sus and childrens dresses they are also likely TO
be good deal in favor for chapeaux durng au-
tumn, the entire of the chapeau being composed Of
| them; they come in regular half Sc ason chapeaux
between velvet and Grape
! silk robes still for the most part trimmed
with ileunces. Open corsages are still .sredomi-
nant, but close ones begin to be more seen than
| n
OF those, quite high and closed in front, made
! with basques; some are very short, others longer,
| but none very long. In general they are cleft on
| the hips, and sit easily, but without much funess
| round them This style lis very advantageous to
| the shape. The fiounces are almost all festooned
/ IN round or sharp dents. Cashmere robes have
| the corsages quite high and close they are made
| with very deep points, and trimmed with revers
| forming very small perellnes over the back and
shoulders, butgradually decreasing they descend
nll th.y terminate IN point reaching nearly to
broidered or edged with narrow velvet ribbon and
the ilounces, never less than three more than
hive in number, correspond. There is as yet
alteration in the forms Of sleeves, but those Of q
three-quarer length are rapidly supersedng half
| length ones for the promenade the white under
sleeves are, as usual, very full trimmed with en-
| broidery or lace.
R.dingotes and robes are in equal favor in demi-
toilette Tafieta is preferred for the first pearl
grey, lilac, ecru. and new shade of green are the
favorite hues; The corsages, high at the back,
| open en- they are trimmed revers with lace
| OF the color OF the dress The revers is Of two
falls it terminates at the opening of the corsage
In chou OF lace; succession of these choux,
| with one of velvet between each, descends down
the remainder OF the corsage and the front of the
skirt very narrow velvet rouleau heads the lace
the corsage, and also the double fall of lace that
terminates the pagOda sleeve, raised i'll front OF the
| arm by a small lace chou
Although silks predominant for robes in deni-
toilette, haf-transparent materials are by no means
| quite laid aside Several barege and grenadine
dresses are intended 70 do duty in evening and
half dress; they are trimmed round the. skirt with
three founces, festooned IN sharp pointed dents.
The corssges are low and square, and very short
sleeves. a lace canezOu, or muslin one very
richly embroidered is adopted in evening dress.
A petit paletot Of Isfeta, thu same color as the
robe, rs worn with il in demtoilette; II is always
lined with white tafeta, and sometimes even
lightly wadded As these pahtots are not to be
worn with any otherrohe. they are always trimmed
with three narrow ilounces OF the material of the
robe. and fes,ooned TO correspond with the TRIM
| min OG of he he lPryeA der ~ DnD and
| always OF the psgoda form, are trimmed At the
bottom with three hounces 10 correspond; they are
always Hoped at the bend of the arm under knot
| Of ribbon, and similar knot attaches the corsage
| at the ceinture.
There is more variety in the materials and style
Of evening robes than is usual at this season OF the
| year. Tarlatane, India muslin, and slight summer
silks of light colors still predominant; in fact, that
simple style which we call neglige du soir is the
most seen. The robes Vatican are very hume.
rous, several Of white tarlaene. The corsages cut
very low, and deeply pointed, have recently ap-
! peared; they are embroidered ano fesooned with
| straw IN Moorish patterns. The corNge is boz
dered with double berthe, open in front, and the
sleeves are very short. The skirt ~ trimmed with
three very deep founces, embroideIed and fes-
TONED to correspond, and mounting almost to the
whist.
may cite also som. India muslin rebes with
very low corsages, trimmed with double revers;
tiey are narrow and long, fesooned and en-
broidered au point de plume. piece let in on the
bosom, between the two revers, IL Ornamented
with an ,chele If festoons. Three foupces, EN-
bfoidered and festooned in the same style, are
placed az some distance from each other on the
skirt All the festoons edged with narrow
| Valenciennes lace These robes, and the tarls-
| tame ONES which have just spoken OF, have been
! seen at the opera, and will be adopted till the
| winter dresses come in.
Tsfleta robes are Of a more shswy style; they
are rose COLOR veTt umlere, and blue Of a new aud
rather full shade, al glace de blanc; the cofsig.s
| all low and deeply pointed. Some are draped
from the shoulder so as to fern fan; others open
IN the heart form, is The centre OF the bosom; and
several are n Ia Louis Quinzc. Az are trimmed IN
different styles with lace; some with a single deep
tlounce round the border, surmounied 10y buIll-
Tonne Of tuile, through which u ribbon correspond
ing with the silk IS run, These have coTsages IA
| Louis Qunze, and pagoda sleeves, both very fall
! trimmed with lace, narrow bouIllonDe, and small
knots OF ribbon. COrsages opening EN- cmur are
| trimmed round the back aud down the sides win 4
fail Of lace, which Is continued IN tabler on the
! skirt. a narrow plating OF rbbo1 forms had
ing To the lace, and also 10 single fall OF lace
| which terminates the short sleeve. Some OF the
drrsses with corsages in Tie fan form have no
thinning on the skirt. bat are decorated with
btfthss oi novel SHAPE, descending IN short scarf
ends upon he skirt. The short sleeve Is entirely
fitness 20 gs 10 form the sleeve in the shape Of a
| hell
C-iiiures in evening dress are principally com
! losef OF flowers, sometimes intermixed With lace
| IN novel and tasteful style Winter dress is ex-
prcted 10 be very igmhcent. but 1t is yet too
| to spees OF the siks that to be brought for
ward. Those Tor autumn gros d'automae,
some new materials Of silk aud WOOL one of
which is reps composed OF both and Jopliu; this
last IS IN the hi CHEST vogue, particularly Irish pop
| lin. Light colofs keep their ground IN eveaing
dress and for chspesu1i but IN public Promenao-
and half dress guirt and dark hues are preferred;
light grey, lavender, pale aventurine and Pomona
| green are the favoriies
| Accents OF Mont Blanc.
| - ltrom osiignanis nesseng-r.l
| We have received the following from cores