The daily crescent. [volume] ([New Orleans, La.]) 1848-1851, 1850-10-15
ToLUME III. NUMBER 1872.



The Fine Arts In the South
From the Republican we take the following IA.
scupton Of the dining. room Of a private residencs
in Savannah. That city is distinguished for its
many beautiful residences The one Of which the
Republican describes but one roon is the property
OF young Boston merchant We suppose L
"on'a not be safe for any Yankee to invest his
money 10 south Carolina. The non intercourse
PRINCIPLE and the illberal feeling which prompts
It, will deter the peshlsnt Yankees from insultng
the chivalry by the erection Of palaces Mr. Locke.
the editor OF the Republican, is one Of the most
accomplished scholars of the day A graduate Of
West Point for several years IN the Artillery ser
vice-tben civil engineer, and for ten ysars the
eaitor of the Republican. He is a man of ane
taste in matters of art, which he has improyed by
an extensive tour in Europe, Asia and Africa His
opinion, therefore, may be relied upon. Would
not some Of merchants find it worth their
while to send for this Italian artist, and employ
him to embeish their residences
FREsCo PAINTING TIE Fine -5rts in sauaRnaA-I In
lbs cy snd % IN IN most ouihen @ ees and We nay ed u
eyer been paid 70 certain kind OF decoraeu for the IN eior
generally been IN the condition on they have besn
turned By the pasierer Ofen II ts walls
color. which relieves the dazzling surface Of sh which
deeotops which are supposed to belong 10 an adva cad
stage Of The arts aud 10 Indicate the possession OF seasi,
country. he fr specimen Of tbs description q ornament
@ 5e sen 10 h's g 90 far as we know e q be found N !he
mouse o. Jo-. = faY. Eco IL il the work Of Italian
AIst, ftaHeiseo Cora, who has been months
We wish rot to be misunderstood in So ang Of rescs
Painhg lhst. popery q cal Cd i where the painter fol
The coors are laid upoe rhv paster surface as
the artist can cover while the Diast is damp Tren the
pa=erer add an1thersma pa ner overs il and
The eolora tas Incorporates with the substance
face which often challenges the assaults of and
painting executed req nires The hilhesi or 81 eees
wih OF conLe b id q, ehesiye and dextsrous
BkaG ing 10 aid that il was the oay Ill for great
pantes Inc tTnih % OF ha remark may ee spprecaied
on his coors with the apity uhont being able
be %hen tie val Al @ : persey dy e surface ps ANTE IN d
reseo, viewed multi ndr Of deaeaie lines
ard rapH touch he must first Indicate oy delete srayes N
and form, drapers architecture in short all her subiecs
Introduced Into picture, reservng, at the same Tine tbs9
-urface t1ot than eighteen inches or two et
TOO this sind Of painting only The strong mineral
can re usd, Others would he BY the line while
d aGo S aSm6 esis'os $ = gs Sy he
% a apcu wa sc Bs ar & q d Il me % Il S Gass M
by lliet much more racticed IN onr tim@ Ihan the n
commonly confined 10 great public edifees and iaee-.
EsD hs decorations & Of s Pns room OF which we hss
he oa g .s a bs u aF II is ,1 ~. q
ported after the arabesgHe yl Ia ie four are bon
| quets of flowers composed eff Fur
her towards he middeIs garland formed blue ribbon
etgrd with g,d, winch eneirc alter siely flowers and
leaves Within this several fancitai divisions
win various kinds of animals, represented The wall
"a owe the waincoting) are painted dtTemper Thel
divided into large panels auh mita elbow marble o
SIENNA mu used in Italy. These panels eb AT ed b
| border OF psrd aatfqHe mosaic
IL m3y not he OF place remark that in = dSteap
painting the colnrs, instead OF being mixed with oil
treated after peculiar with the white o. eggs
some oi POusslns pleasing landscapes painted aite
this " hen this SIND OF painting dome most kind
Of col be used, the lime being dried and the suffao
4slng properly pepare It has no longer power 70 IIure
Tn culo he on too, deliberately, in arIaF
painting The wauseHt i zone IN oils. ard im'afes th
daTNyelned aThe OF which the mHuts OF the
| made. A of uniformity the uoOrs vii b.
the fact that The clustered having originally he
intended be painted tons for
had been omitted. The doors the painted
nj the lemon wood OF Africa, with mouldnss anoths
| character
We hope TINT Others Of our cizsns will be induced
nameni portions d The interior of their houses % slpa
manner ThUse wishing give orders 10 Dlf CTra or w
m wcud hm, leave their -tructions at tsoiee
j o. w. Holmes, in his nsw~poem, g Astraa,
if thus introJdcsS 7ail0f listening to the churc
!, b-as oAJSunday morning. The name of his earl
Glove" marked in India ink upon his arm, is
e touch OF uncommon beauty
Ocean roug child. whom many shore has known
ETe homeEafd eezes swept him to his own,
staTs at The echo, as it circles round,
! thousand memories kidding with the sound
The ear iavoTites unforgotten charms,
| Bh0Se blue initials 81 MS fdDBN arms
| HIS first aFew H. he Tapping canvas spread,
| The -elWari stredmefs cracking o 'er his head
| His kind pa mother, not ash med weep
| Her irst rms bridal with the h ggard deep,
| While the brave father stood with teaEles, eve,
Smiling and choking with his last good bye"