The New York herald. [volume] (New York [N.Y.]) 1840-1920, 1850-09-01

Bsne diets lovely ballad Scenes Of my Youth, CGip-
sy's Narnng,'D which was nicely rendered by Miss
Andrews young soprans, destined to accom-
pany Mdle. Lind to America-the queen Of the even
piseers,n from Fl Tsrco II Italia, with sisnor Bel
lst displayed all the treasures Of her Aord art and
all the genuine humor Of her comedy, which away
from the stage cannot be concealed. At the end Of
the andanfe Mde. Lind introduced CADENCE which
almost baroque in its originality; but dashed of with
ter in her hands Il pleased as much it surprised ths
connoisseurs. The foriftre and ornaments in the
tho
the duet throughout the whole Of which sgnor Bel
letti seconded the efforts ofMde Lind with musician
We cannot enter into minute details about the
whole Of Mdlle Lind's performances, which mere
by the snoores. Every one knows with what perfso-
ton she sings the pathetic cavatna In dat with the
"Wednesday from Der Freischuta;" and equally
"Zsuberhotte," "Non paventare" which, having been
expressly composed for endowed with unusual
dern singers. In both OF these Mdlle Lind created
furore and was unanimously recalled The last, an
upToar Of 81 SerstsS v was hs
audience that they became selhshly exactng and
gardless of the inevitable fatigue Of the singer would
hear Of no denial That Mde Lind after some hest
tstion consented and repeated the last Of
the aria with augmented power, taking the extreme
and with the utmost point and certainty VIII easily
be credited by those who have had proofs of her
1nQOmit2ble
We must not pass over another encore, and one not
SO arduous to comply with which Mademoisee Lind
obtained We mean very beautiful ballad by Mr..
benedict, Take this Lutte" composed purposely for
the accomplished soDgsress. and sung by her with i'm
mepse appreciation 1t the London concerts. Mdlle
Lnds pronunciation of the English tongue exceed
iDgly pure and articuate with just of accent
as gives special and fascin atng quaintness In the
1slsa styie-whch can be said OF very few dramatic
and brarura school. There is q combination Of sim
plioty and earnestness in her that has Pc
apt aharv IN. h.. H..
she only to give increased sentiment
and character to the melody Herein the secret Of
~ey devoted go sys Of o ~ho are ar s1ea
study and profit. Nothing could be more hearty and
spontaneous than the awarded to this ballad
which was accompanied on the psnoferte BY Mr..
The last effort Of Mdle. Jenny Lind, and, because
those delicious Swedish melodies which, from the lips
o. the Nightingale" may vie in characteristic beauty
immortalzed In history and poetry The song Of the
shepherds in which, by 4 singular melodic interval
q sharp ith-fiom to sharp) frequently repeated
brought together is fecitously initiated gives Mdle
Lind scope for INDUCING In certain caprices execu
than usual vocal difculty The exquisite alton
with which the quaint interval alluded to was inyar
ably taken and the rich expression Of humor and arch
ness that gave meaning TO the words In spite Of their
Hyperboresn origin, and let every into the
OF the story. thoroughly encbant.d the audience Ma
csmoissile Lind accompanied herself and quitting
the piano, the uproar absolutely deafsung Twice
did the gifted songstress reappear but the applause
sill continuing, she more came back and trip
ping lightly platform reseaed herself at the
piano The silence was now as universal as the noise
had been Just previously Every breath was held,
lest single drop OF the rain of melody should be
lost This time ollie Lind sang pastoral love song
70 full OF wild that Il turned the torrent Of
ness; but when huthed with triumph she to take
her leave every tongue loosened in cheers every
Of the gifted and admirable artist who had Afforded
such intense Qualification to all present 1t really