The New York herald., 1850-11-14
jenny Lind's Morning Concert In TripIer
Hall.


Yesterday, at one o'clock Mademoisells Jenny Lind
gave her first morning concert and her 9th concert
in this country at Trpler Hall. The building was
crowded o. much at any of the evening concerts
There was a considerable number OF children, and
many religious and feeble persons who could not
veniepy attend at night. But the great Of the
audience consisted of health and youth. How the
house is filed day after day at such prices and Pa
rodi singing at the Opera House and so many other
places of amusement well attended, is marvel and
mystery.
A morning concert always labors under dissdvan-
tsges, just theatrical performances does In day
light There is wanting the optical illusion and
scenic effect Of night, fumined by artificial lights
and the abandon with which people surrender them
selves to pleasure and enjoy in the evening Yet
1t was as successful concert as any previously given
In Tripler Hall The numbers, the enthusiasm, and
the psrformasces place 1t among the very best.
The nrst part consisted Of sacred music and
II the FIRST time that q New York audience
had the opportunity Of hearing Miss Lind in
sacred music, except on the night OF Handel's
Oratorie Of the messiah - 1t is in sacred music
the performance Of Jenny Lind most Delights and in
no description Of musical composition does she shine
with greater lustre. Her high moral and religious
chsracter-her ehssts and beautifully spiritual ex-
pressonher voice, so different from any ever heard
on earth-hs surprising sxeoution notes too
high for the pnons of other songsters to soar to
or, If reaching those heights, BY . great effort,
being quickly compelled to descend as II from .
gion too elevated for them-these circumstances all
combined to render her triumph certain and com
And 1t was so. Her nrst song, al know that my Re-
desmer lvcth, 4" from Hsndsis Messishn was exqui-
stsly beautiful, touching and tender, bsyend all de-
scrpton She aid not call into play much Of spark
ling embellish ment usually adorns her songs; but
the delescy truth, svsstness and power with which
she rendered this gem were appreciated alike BY those
vsrsed in the science of music and BY those whose ears
delighted with sweet and harmonious sounds With
out being able to tell the reason 1t wa, glorious
performance.
But higher fight was to follow II. The aria On
Mighty Pens" from Hsydn's orstorio Of =" The Cres
ton" dsEIled and electrified the audience In this
mater piece she exhibited of her peculiar and
wonderful powers than in the other song 30 just and
besutiful conception of the position; brilliant
and pure; such thrills aud caroling; 40 much asvo-
ton such expression and such grace, found
combined In woman. and never expect to witness
again. Her vocalization upon the t~o words, 4"
ing" and delightful were worth dozen of songs
from nssper artists We could not but feel how eS-
pressive were the words OF The song IN reference TO
bert,lf -" From every bush and grow. r.sound the
nightingale delightful notes No grief affected yet
b. breast a mournful tale w~r.tuned her soft
enchanting lays.n Soft and suting indeed we're
her lsys-morslike the strains of . seraph than Of
mortal voice That sin gle song would make charac-
ter Tor any artist The snthu issm OF the audience
most intense.
The manner In which the great sreds acquitted
herself yestsrdsy In sacred melody s an Irresistible
proof Of the extraordinary versatility of her genius
which feels equally 81 home in the gay
In the second part her performances consisted OF
the Flute the Biri.n and the Echo Songsn In
all, che wss enesred. and applaudea ~ith q rapture
and snthusiss m truly astonishing when consider
how often the has already sung them la New
York rlwould seem II people would never be sstsd
with these Melodies.
We with Mademos,lle Lind could be induced to give
tao or three operas before leaving this city and toat
she would perform the fret parts in Der freyschutE
Lucia al Lammermcor,n the "Uhd of the R-gi-
m, - . Soup pambuia'' and other operas. In which
she stood aud sons when she left the
stage. Wonderful and captivating as shs 10 In tue
oopcert in Witch she reigns without rival she
is there like shoru Of half ts beams ~ all Who
have aud hs ard lsr ib opera declare IL therefore,
th,fe IL bic objection let the nyale
by all appear In before her departure TO
the south. her acting being equal TO her singing
the veud produce new sad an ex xrsof dinsry sensa
ZION in New York