New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1850-09-18
NFW-YORk TRIBUNE.
nvTY ITEMS.
s.nny H.,ra,s Third Ooncerf-An''H'S az"
Ss""' Greater Yriamph'


"A ;rsnirsticn it wag the greatest ooncess'
-. srf .nvthipe mere had bcen needed 20 COS
tho ;nnrefsion which jenny Lind had pre-
1T, oo,de on az American pubic, and TO pac'
~. oon,jnued success beyond the possibility 81
3opbt last nights experience certainly suppheo" '
1,wae fofeseen yesterday morning that she at
tendance would DO greater even than on Bioey
r,sht. The American Museum and HAIRS Music
Store were besicged through the whole day ana
mn to tho very hour Of commencement. AZ the
farmer Mace the crowding for tickets was tfe'
mendous, the very sidewalk 10 front beng olooS
sded most of the time At seven O'CLOCK Wnen
wo took 40 the line of march Tor Caste 0aEoo~
both aides of Broadway were tbtongeo snu she
main avenue Of the Battery was hlea VIM
ateady stream Of perBons pressing in'o suo
Caatla gate. AS on the frat ngn1' q aouoie
Inc Of nolicemen had been lormeo' Wh'ch ei'
foo,,oliv prevented all djsorder. lew more
isrnns we're introduced into the Hail. render
WV its .asOect mach moro light and cheerful.
10 eioht o'clock the vast Hall was crowded to
o,,o,aowiug. scarcely foot of space was unoc'
eunied; from the very edge OF the ceiling TO the
orchestral platform in the center, around the I'M
oanse span Of the bQiidng, there was but one
.,an.a MAS Of heads. We should Of rough guess,
o.tiuata the number Of the auditory OF ssoen
,tepsaa1. A much large proportion than on former
,olts. were adies, and for the FIRST time Wa caught
.fnpses of the fashionable society from above
BIeecker Its worthy ofnote, that the first and sec
cnd Conce rts, immense SO they were,were composed
almost entirely Of the intelligent and appreoasye
middle class.
Some disturbance was created by q rush to OBJ
tain seats, made by those who had promenade
tickets for the balcony, the moment the orchestra
began to collect This proceeding, in violation OF
the specfed arrangements, was most disgraceiui
The U.hers did all they could TO prevent it, but in
spite OF all their eflortF, many persons who ar
rived before the hour Of commencement were de.
priyed of their seats. II would be good plan to
have few policemen in the balcony, on future &C.
casionB.
The orchestra commenced With NoEsinia Over
ture to William Tell, perhaps the finest piece
of Instrumental picture music since Haydn's Cres-
lion and the Pastoral Symphony Of Beethoven
Iss fresh and vivid coloripg, its atmospher-
ic ehanges it's smart Alpine vlgor and no
roo ensemble, were made as present and aS
real rs any sixty instruments could make
them. E1quisitely did those three viooncellos
sketch the first scene of soft, cool sunset on the
unruiHed lake the mellow Como Anglaise male
partner to the Oboe sweetly woke the iute.llke
mountain echoes; the low moan and whistle OF the
storm rose life-like in the crescendo OF the vlons
and asst died away the starting quick slap oil oery
leaped strong and simultaneous from such afNtt3 ~
we have hardly heard from any orchestra. We
can believe that Mr.. Benedict was quite sincere
in telling them he had not conducted better
orchestra in Europe. The other Overture to
MassanieNo, was also splendidly played, bat the
compositon is, TO our taste, too h&okIeyed to hl
ont the programme of a Jenny Lind before the
largest audience in the weld. The accompani
menta to the singing were usually given with sym'
pnihstic precision and sdodued ahadiog or igor
GUS eeconding as the case repaired. We chnnos
speak too well of M. Bonedicte control CT his
iorceF.
TIE second piece WAS the Viraupiso, {" AS
view now, ~ from La !Som1Gmbnia, delivered the
richest and most vibrating baritone that ne Amen
cans have heard, by Sig. BELLETTI Now thasWe
have heard him from nearer poBition, we have nov
doubt left of his superiority in voice, style, exc
cution to all our Italian favoritss o. the same regis
ser hitherto. He absolutely slorihed the oavahna
which rapidly grew commonplace with Brou3h'
and had but half recovered in the handS OF the
WORTHY Italian srtists who have since sung it on the
stsge Tor u.s. His crowning achievement last night
however, was the actual singing OF Iar6n|eAa' by
Rosaini-a kind ofmovement which we have ltner
to heard only from instruments whFling, spinning
deGrioua top like movement, in which the singer
seems galvanized and tyrannzed by ons TOO hap
py and all mastering idea in spite OF himself The
audience TOO, in spite Of themselves were sucked
into ts whirling ecstacy, and it wac lmperafVeiy
encored. In Mozars's Non pin Andrai, the chaSs'
er prototype of noasinis Largo al tdctofum MS
yocalizasion was elastic, spirited and elegant, on
the effect of such piece was necessarily lost upon
the outer circles Of SO vast an auditory
For other variety, there WAS a brilliant show
dustt on themes from La SOmnamba}a for piano
and violin by Messrs. BENEDICT and NoLLi ana
q solo on the pianotorte by that most promising
youpg artist, HOFFMAN. For this he chose De
Movers fantasy on Semiramide, decidedly OF the
modern monster school o. panoforse competition,
though quite vigorous, graceful and redeemins
specimen thereof.
And now for the Queen of Song,-or if 30
qualifying 1T win better suit the Italians, the North
ey7 Queen of Song.
She commenced with one Of the most tender and
grscefu, and heresbouts least hacknled airs of Bel
iini-,he QWla Vocc from Puritan Her iiquic
purity of voice and graceful gliding through it,
aowery labyrinthino passages was to ua not more
remarkable than the true Bur quiet fervor which
animated it. jenny Lind shows no feeling ADD
oxcites none draws no tears True Artsuppliel
the place of tears by touching the emotions which
are deeper and serensr, and not whit less human
But of this moro fully when We have room.
The splendid song from MOI arta "Magio Flute