New-York daily tribune. [volume] (New-York [N.Y.]) 1842-1866, 1848-01-15
y0L. WI. No. $40.

obeo1-it- Of tii, outrageous ard lautastica style
ol writny II would not be- diifc az 70 ma'ipy were
D. either necessary or desirable. q nave qloted
sufficient u ilstifg even harsher terms ot csnsgre
fb.n We have chosen t. deal ia sufficient = warn
oar readers y h0 msy BE- Induced. from tne favorable
,.,otsti.ls We have made. and shall continue o.
make . turn 20 tte works O this author thai 10 -
uot Ell gold they viii hnd there. that lhs sun does
not always shine upon ris page, that great pro.
portion II his writings may be little suited % tneir
taste.
That which forms the great and inexlinguishable
charm of those writings Is the hnc moral temper
they die play. the noble ard0r the high ethical tone
they every where mani.est and sustain. and cspe
csy that lofty independence Of his intellect, tns.
freedom Of his reason which tie man who aspres
after true cultivation should watch over and pre-
serve with The utmost jealousy. Addressing the
Divinity students OF Cambridge L. 5 he says
LET me sdm1nsh you, fisto ALL TO % alone - sei1ss
the good r0de those mot s-cIed in ~ msfnl-
ton II men, and dare 10 love God without o.
vor emulation Wes ev1 end Obsrrs saints ard prophets
Ta.nk God ior these od REQ, hui say aso am man
tff- csorol 10 above models The iul taor doons
q, fcualee. med oc~tv The inventor Old 10 be-
cause D. was n4frlal 20 h and s0 Dol Lim % ri- lIal
Ia .b ,ifeor son ehisg .se j. nature. and he tefeages
hirsel u bis beauty. 20 come short q another mans
m % T., s~b A. love il virtne thst glifters for the
conan, of society, and ourselves pierce the deep
m m ~, saosrd % -oodness IN socety sooiefy's praise
can b. chsapiv secured and almost al men are conert
| 49, .a.g f1srits but The instant effect Of cOuvers.
80 .f cd ,lil h. to put them evsv There are cub
lice merits; persons who are not actors not peakers but
ioueuces. persons great Tor fame Tor display VINO
ditdsin e,oqucnce ~ whom al We call art sHd aust
eera,ou OF Unite and selfish snd loss Of the universal
Tie the poets the commanders enc ach on rs
only fair women do, by our allowance ana homa2e-
srh the By oreOccg patton o. niudfe ht them, = YOU
well afford 70 d. BY nigh and universal ans and tn7l
Instantly feel that you hs'e night and that D. IL no lower
places that they shine They also feel your flsht
of they. with you, open 10 the uuz OF me -Hho"
ng srt which sDuihates before ITS b. osd noon the d.
ne shades ard zIsds'i1ns Of intelligence 10 The cOmPo-
tons we call wiser aud wisest
n such gh communion let study the sfard stTokes
Of rcc'tudei bod DeneNoiencr eng iiuofe, ~
enda that The urirsi wishes ~ those wnY love %
shall impair orr freedom pa. We sle iss.'.' Io'
SAKE. Chg ifeest How ~ si1nness ana Hpp1,i ~
Tar in advance ADl wha. D. tnr Chest form ~ ~hle
know this beautiful element CERTAIN solo4t, y.
merit that h-s nothing - 90 WIN grinl' n aIu W. p
esssnay and mani'esy virtue that 1t Is eAen Tor siaul-
that the right The brave the ge1eious sep be Nsn
by if and nobody thinks Of comnlendnS iot ~'uil
compliment coxcornb doins good sot bat you would
praise angel The siience that accepts ine rs tn
most uaurni thing n the word, ls t' t"es aPp'aV1
Nothing but the necessity TO husband cur space
prevents US from quoting other passages Of the
same noble strain.
There IS az Essay on Lore which has highly
plcssed Us aud from which We wish 20 make some
extracts To a man Of genius the old subjects are
always new. The romance aud enthusiasm OF the
passion is here quite freshly and wildly portrayed
while the greet moral end OF that charming exag-
geration which every lover makes OF the beauty
and excellence II his mistress, i aely pointed cut
There is both poetry aud philosophy in the essay
as our readers shall Judge for themselves from the
following extracts We do not always mark the
omissions We make for the sake OF economy Of
space nor always cite the passages 10 the order
they appear IN the essay.
What fsfens attention 10 the intercourse Of life IKE
any passage betreying affection between t~O paites -
Perhaps We never saw them before, ena never sa meet
them agsil. tut see them exchange glance 81 o.
tray deep emotion. snd we are no longer sfaneefs We
understand them and take the warmes IN me oe-
velopment Jf the romance. ~ WdnfiHi '0tt q t"'
The Of compa 'ency and blindness
are Natures winning pictures IL l. ne dawn Of e.
Witty and grace In the coarse and rustic Inc rude w
LACE boy girls about the school house door, but
to-day he running into the entry, ana meets one
chd arranging her satche he holds er Dooksto hrp
her and Instantly him as il shs removed her
self from him infinitely, and was sacred precinct Among
the throng Of srs he rudey enough but one alone
distances him and these two little neghbora. that were
just have learned to respect each others per
sonsty.'
As is ever the case when men describe what IL,
or might be an exquisite happiness, there steals
melancholy over the description and our author
makes it primary condition.,
that we must leave to close and lingering adher
ence the actual to facts, and study The sentiment y
apreaYed in hope and not In htory Let any man 20 Dsck
70 those delicious Citations which make the beauty Of hs
life which have given him sinceret instruction ana nouf-
ishment he will shrink and shrink. Alas know not
hv bu, Infinite compunctors imber Ia mature life ell
the emembrauces Of budding sent men and cover every
heiov,d name Everything IL beautiful from the
zen from experience II is strange how painful 1.-THE
mai ord-the painful kingdom OF time and space There
dwell care canksr and fe With thought with the dea,
IL immortal hilarity the rose OF JOY. Round all the
interests Of day AID yesterday is sriet
&" But be experience IN PARTICULARS what " may no
forgot the ysitatous otthat power 70 ms ana
brain which Gre ated all hingsnew which va, the dawn
ia him Of music poetry and art which made the lace o
Nature IA liant with purple light, the morning and the
night varied enchantmenta; when single tone OF one
voice could make the heart beat and the most trivial cir
associated with one FORM s put IN the amber
Of memory; hen became all eys 'rien one ' present.
and all mcniorv chen one 'aa gone "ueh 'nS yo1 u
comes watcher OF windows, aud studious OF glove.
veil rbbcn the wheels OF carriages when 10 place
is too solitary, and none TO silent for him who has neher
company and sweeer Conversation N his new thoughts
than any old friends though best and pnres can give NM
when all business seemed an iinpeiuneuce ana an hs
men and women running TO md fro IN The streets mere
though the celestial rapture falling Of heaven,
szes only upon those of tender and although beau
~ overpOwering all analysis or comparison ana pnns
quite beside ourselves we can seldom see si'e any
wears yet the remembrance Of these visions outHt al
other lemembrances and i wreath o lowers on tho Old
est br0ws
And on this matter OF beauty how ingenious and
full of feeling are the following reflections
Wonderful is lis charm II seems sufficient 10 itself
The lover cannot paint his maiden TO his fancy poor and
solitary. Like tree ia flower 80 mlch son buadlns n-
farming oveinsss society for itself aud s teacats as
eve i beauty painted si L0res and 6rac's az
tending ksr steps Her existence makes The word rieh-
Though she eErudes s other persons from ms attention
a. h,p aud p,go,thy vet she iDoemnihes him by carry
Ing out her being into somewhat imp sons 50 mat
things and viraes For that ire ouer sees Hstr
frsnal ressta5 hmress 10 hef sndred o. 70 On
sr LIE friends 6nd In her keness 10 her mother OF her
sisters or 20 person. not Of her blood ne iote sees 40
resembaace crce 70 Sanssr eucRinss aud diamond morn"
90 e. 70 roirbesrs and the sosg Of ttTos
Beauty that divine thing the Ancients esteemed
It L. L. they said the Towering OF virtue mo can an
Awe the nsineess charm which ElaDces tion one ana
another face and form We touched with emotions OF
tenderness ADD plassncy but we cannot hud whee
this sny emotion, this wandering CLEAN points Il -
fer the BY attempt TO refer u
10 orfanizaon Nor does % point % any relations o
f.u8ship or love thar society knows or has bot IS
seems TO me 20 quite other and sinsoie sph' re- 20
at on 0t trsnss- udeut eccscy and sweetness true
f-ra land 10 what ruses and yi0e-s hint aud oIc-hlw
". cannot sera beauty. It's nature Is Ike opAne DIVES
rst lu,tres boverr- ana eyancsceni. Herein u iesen
h the moot excellent thinss, which az have thl rainbow
character defsins al attempts a. appropriation and Use
~ hat else Paul Richter SIGNIFY when ne sai ID
,nusir kwavi away thou sreasest d me OF thinss
which ~ an my endless lie have found not and 'ha a.
faS The saue fact may he ohserscl "a every Work o
the plastic arts The statue i then beautiful when II De
gins ~ be incomprehensbie, when ~ Is passing ovt -
criticism aud can lor.s be iehncd ~ compass a'c
ncasurg wand. but demands s-tNe iniss u-tlo. 20
w with IL and SAY What 10 10 the act Of doing ths
"a OF hero Of the sculptor is always regfcsened "a
transition from that which u repescnahle % the senses
q. fhat which Is not. Then frs 70 ceases 10 BE- stone
:, nnst it he with personal beauty which love wcT
tr Then first =. II charming ard itself when % dssa
f.ps with any end, when u besomess story without
81 when X suggest CLEANS aud visions. aud not earth