The examiner., 1848-07-01

4. musical e'sB'0id1ry' and and, nna !
gossini, S'lh l.nositions 49, Of The great oeiniS'
sst f0gol',r annss the cham which has gwen !, ,.n
WAeno' no.Jeuted popularity to hosslnl anu s...' "ls
.usb unPreo'o'I, P, Mostly We apprehend nom
- Of il1 nv, HsIodies with which their music !
De S'''l' u a-n.mented :, as they are and IN .
aisrFO'en' - '-ai,,. long practice and great
alnn'I 1n,,r ,,,. ,bus giving prominence ioS,nsle
lll '0sA''@', '0s.1 knowing the chorus INTO 'heoa'N
csand s.,,.e voice Of pnma donna ao'
rsH'r1S rS sl.ee effect, will do much 10 en-
deiio s'- ,.,.t,on of an opera thus composed
hsl'' 'n' @ I'd whether the choruses are VIM
D. a-- ,or four parts, few eayailnaS upon
ieD D iFo go . -, closing with difficult Iouiaae
5e'aiii' -laoeed .-', high note and crash oi the
Of .'', eeyer duettO, for Soprano ana ''nO' no.
olshs''i'' ,,le room is allowed to display the
d ',',s me q each voice and the ""Dp''"H'
CPS, ,i..,c,s Of the opera is sure, -, -,
e. sa'''9 ..,,srs little IN what language the
Ths' " wTitten, every cayatina must have an
- .s,,eyel be the sentiments oi the words
aLegi' "l-,, Ia. iess The case with Nerdrs mnSie'
hs ,,-., ancr... as far as we are acquainted with
and n' =, ,nore characterized by application oi
aeh' az = Harmony and wish to inter
The PH-''r",, >, the MUSIC, than are any that
ave preceded them o.,,,,, 10. neresDti
Iii' s'I,, - the SACRED music OF the ltal-
81 So So. :, ne "Stabst Mater" Of Haydn, VI
ms saba, Mater Of ROssini; IN plae'
h'li =. ,.v,.ses" Of Mozart, the lighter comPo
o :, = some Italian OF French author are oil
c. W German opera has had lighter hold upoI
a,,uIsr mind, because II has less oour'e'
80 -, f.y,r Mozart, Beethoven, Weber an1
.l--t,hsye enuched II with The wealth q
.r.II oup splendid dlmaginatious' and It has 'ii"'
--.-..,ly stood upon its own merits. They have
I'D as much attention upon the compost
..,,of a chorus as on the structure OF aeaNaIl
T7s sing,r must have the eye as well a.
md voice trauei, in order to pehom suci
nus, correctly. ,,-....
n ,te orstaro The German school stands uh
--.I.4 ID, tins country, as well as IN Europe
,ts Messiah, the Creation, St. Paul and ELIJAH
..rsna. isilsd 70 give the deepest Satisfaction
r .---. .vrti1g too. the Gemans take pfc-eni
80 The csnzJnets, Of Haydn, are replet'
.-,t sssuty and pathos, aud give tie cieares
.,.,-,, uto the everyday workings Of tha' grea'
u.nt
,-l y.bsrs m the whole musical world car
sfosa -5ng OF deeper significance 10 the long
.7y loving heart, than me adelaide oi Beeiho
-.-i Tie eysr-recuning name Of the loyedone
h5rr hnLls the breast, awakening within d
seho5s Of a5sent voices!
Sstu5ers "Ave Mans" one Of the beautiful
collections Of Gems If German Song, lsa com
,5,-5a breathing the splnt Of the loftiest an'
,gre,, .eyotion. The songs which that compose
tss Ief Us are a legacy which the musical wori'
nsy vel pnze. We are glad to see growing
annexation u his music, and We hope the tlm,
sl -ou come, when the productions Of suci
.--es wi become as familiar as the songs o
Bas OF Lover Thus much for the music OF th'
Ia an and German schools--tO sum up, IN l
ga-.. what We have already said, the iomer de
I've. is chef beauty from It's wealth Of melody
lie auel from Its treasures Of deep harmony
TIE 5mlsIseems a typeOf the external, the LAT
s-5agss5s the intellect and heart as well as th