American Republican and Baltimore daily clipper. [volume] (Baltimore, Md.) 1844-1846, 1846-12-03
ADJUSTMENTS.

hands Of blood cuchmg Pognards devoted to Ven
,geance.
STARTLING TRANSFORMATION Of the OF,
Man or The MOunt1lUs-A .mesh, tae cherished ub
| GCiot the ltgds Of ihtueIs avUws her passion 70
WILD AND VIZ NDROUS ILLUSION. The
surprise of the Prince Of Idr"nium IN tho WGod 81
CHARACTERIZATION &C the Odatsqucs who suildrrl,
| iSste from every Tree ami Shtub-'rhc Prince sleI-
drd from the ZOdsvis' 0aggers by the devotion of The
noble hearted AIme ah--1he Assassins are covered
with shame and dtspar--The departure Of he ROYAL
Crusader IN the Golden Gallery, Tor the city OF Tyre
| TERMINATING TABLEAU.
! THE SECOND PART WILL OPEN WITH
Ql3-THE GANP IN THE WILDERNESS! Time,
Break OF Day. Preparation TO continue the march,
Glce and Chorus of Crusaders, 'The Life of a Sol
dier is free from care"-Gf1nd Trumpet Chase
Opening and Memorable Dissolution Of the League
Ia full COu.o il-UverwhclmiI despair aud anger of
The valiant but enraget moEaIch, Occur dc Leon
His violent threat and his memorable rebuke-Tbe
Princes Of the Crusade resolve on their return to Gu
rope-The Suldan's Ambassador arrives-Richard
departs with his Knights, to meet the Victor of
VictOrs,
SCENE SECOND.
The Noble liady's Kitchens and Provision Room.
The hazard of locking up young maiden; meeting
OF TWO Cousins Midnight visit Of n Mser for his
scene THIRD.
Sand Bank near the Moorish Encompmrnt. P5o.
ccSson OF me knights and Page; Richards reptovaI
of De- VauX; Manocuvr'S Of the Saraccn Cavalry,
SCENE FOURTH.
THE UlhMONN or lie DESERT, or Grove
OF Palms, IN the vicinity Of the b nd sea; Splendid
advance Of Arab an Hulsc men. GroreiaH and Cir
CassaU Tra0ls slaves, Banner Rea,er-, Trophies If
the Golden prgoon, Moorish Musicians Re SC
The ""idan E"l&"in caters sunOu4atd by Ollie rs OF
the army and H"Us' hold; Meeting of tie ipvu Mon
archs kichard's Challenge for the pose s. ion nt
Jerusalem; the So!dans refusal Of Single Combat;
dispatches @niye from England, r.vea ling he
Trt'chtry OF John, who usnrps the throne, The
II
Richard Occur de Leon compelled TO rrnruish his
hearts first wish. TABLEBU OFADIEu. KINGS
MUST Die.
SCENE FIFTH
View near Emmaus. Cogo's cortrInrt Of Hard
WOrs; Saractn CURIOSITY more than satisfied.
SCENE SIXTH.
Gorgeous Tent of BUremond on the Mountains
Night Arrival OF the Count of Toulouse and his
Baughter, with forces to join the Sacred Cause; Al.
tempt of ZOdavi of the Mountain to Assassinate the
newly elected King, but its complete defeat by The
resol1tc devotion of AmCah; the Fatal Mistake; the
Saracen Maiden doomed 10 Death; Ismael's Re.
mofst; the Confession; the Threat; the Prophecy;
the Welcome News HE first sight of the Holy CITY.
The immense Curtains of The vast tent ascend, dis
covering ) lendd Panorama of he CIiy of Jerusa-
lem. Animation Of the Crusaders, which turns into
Triumphal Chorus. Departure of Knights and Sol
diery, the Tents are struck and troops discover
ed vending their way from below. The Rival Maid
ems, on Richly CaparsOned Horses, depart with b.
hemond. March, counter March, and General
Equestrian and Military Movement, and Animated
Tabieau.
PART THIRD.
THE BRIDAL AND TIE SEiGE, Illuminated
Gallery in the Palace Of the Kings of Jrrusslem; the
ZOagvis arrive attired as Pilgrims. Pamer'4 appeaI
in Song, "Lady, hear the Pigrims' paint - Elk
IRENE terror of lseut on discovering the Old Man
of the Mountain. Meeting of the Lovers, despair
of The French Maiden and remOrsG of the King,
the TaunP Kings never respect their Oaths.
SCENE SECOND.
PROSPECT NEAR PALESTINE, Misery Age
purchasing beauty; Purvryor about 10 be- dovnured
himself ! he Gay NUuna's opinion Of Youth and
Age.
SCENE THIRD.
SQUARE IN THE OUTER WALLS OF JERU-
SALEM. The unexpected Bridal,-The Mountain
Kings schemes frustrated, and he falls by the hands
OF the Knights Of Palestine; Almeah renounccs her
heart on the steps Of the Convent chosen for her
refuge.
SCENE FOURTH.
EXTERIOR OF CHATEAU. The Love Strata
gem; the match makers schemes defeated, and the
Countess with the losg mime, III terrible Storm of
passion.
G13-THE GATES AND FORTIFIED WALLS OF
JERUSALEM Terrible and desperate Conflict he
tween the Crusaders and the Saracens Horse and
Foot ascend the broken walls, dashng their OppO-
nents headOng into the TaVnes beneath; The Gates
and Walls are beaten down, and a scene of fiehfu
carnage ensues; the Cross riumphs and its banners
is elevated on the topnost Eei4hts the lnfdeIs SUE
for mercy and as in this the whole of this vast
stage will he thrown open, ard great extent and
length of premises have been added 10 the rear of the
Theatre; the closing effect Of hi vast afray will he
immensely increased, forming a Triumphat Tableau
of War, Soldier, and all The fearful lilies Of Bat
tie, in style which can NO WHERE ELSE BE
AChIf WE'D. [RJ dl