The New York herald. [volume] (New York [N.Y.]) 1840-1920, 1846-10-21

CAMILLE SvoRI-This great artist gives his fourth
and last Friday evening" at tine Tabernacle
After that, he goes to Boston. There is no longer
any doubt to the greatness Of his genius. His
playing at his last concert, in greater degree
than former occasions, established his fame as the
greatest of Paganini He has criticism
defiance by the wchery of his genius and has elected
from vast audiences the most rapturous applause When
such effects produced the sort Of spell exercised
his auditory by sivor there must be something
more than mere talent The voice of the entire press Of
the city is loud in admiration of his wonderful playing
and such being the effect he has already produced he
NAV look to an unusually brilliant career this
country.
Mn. BuRxE.-This distinguished master of the violin
gives concert tomorrow evening at the Tabernacle
Mr.. Burke has engaged Leopold &c Meyer, the lion
pianist Madame Pico, Miss Northal and Mr.. p.
Mayer for the occasion. The entertainment will
therefore, be abundantly rich and varied. Mr.
Burke will perform, grand concerto by De Be-
Ernst De Meyer will perform his grand fantasia and
variations on Semramis, and duo from William Tell
We have reason to believe that this will be one of the
most successful concerts of the season.
LEOPOLD DE MEYER.-We find the following notice
of the lion pianist in the Boston Advertiser of the 10Th
inst -
When De Meyer was last in Boston, ten months ago,
he interrupted in his professional pursuits by
jury his hand, which threatened to incapactate him
from further developing his charming art In the
Of Thursday evening however, the frmness of his play
ing proved that he had regained all the requisite
mand, to present his music tsappropriae forms II
has been supposed by many that the pecuares Of De
Mey ers performances found in bold rapid and vgo-
rous passages that take the attention by storm and hold
it captive by surprise. But any who listened to his
first performance, the Introduction and Grand Fantasia
Semiramis," must have felt the injustice of this The
Introduction" was quiet gentle upobtrusve bit Of
playing where the notes fell upon the with liquid
grace truly delightful. He command the thunder.
ings Of his instrument, but he also command its
most delicate whispengs The truth is, both styles OF
play ing completely within his powers and he often
INDUCES in the bold and passionate, apology
be found the preference shown that class s passa
ges by the popular demonstration of applause That en-
cellent Introduction" was permitted pass away quiz
ety. and the applause was all reserved for the bold and
ford eSaggeratons which at his command when
ever the taste OF his audience require them
Having named what we felt TO be excellent point of
the evenings performances will another very
different in character but showing the perfection of his
execution. In the Grand Andante Religioso," there
long passage where double shake contained.
while at the time the melody prominent in
series OF marked notes. Ii De Meyer had perform
ed but that difficult passage. 1t would have entitled
HIM to distinction as pianist He will give another
concert this ng, at the Melodeon. He Is TO be
sisted by Miss Garcia Miss Stone Mr. Barker, Mr. Bless
ner, and Mr.. LANCE.