Mobile register and journal., 1845-01-13

THKATRE.--The new play ol Mary Tndor," ransls ed from the French ofViclor Hugo, was pro- ducsd on Thursday niga To good house, and met with the most triumphant success. From the i.ing of rho curtain he end of ihe piece. the interest once Jagged, nad the very hearty and general applause bestowed upon il, showed how deeply ihe attention of the audience had be en riveucd
 The plot oi Ile piece IS briefly this: Queen Mary, inc betrohed bride of Phillip lsi, of Spain, is deep ly enamoured ofa NeapolItan Count, F.biano Fabi- ani, on whnm she showers such iavors as 10 excite tle jealousy and hatred of her court and people, his power euables him to resist and overcome the a,- tempus made to ruin him with the Queen, until the latter informed of the Counts reachery in affairs of love. An arllcss gl, (EmiIy Talbot, who proves to bs he hercss of Lord Taibo) bctrothed 10 r'an of Inc people, (Gilbert Walbeck, the mcchan,c,) , falls prey 10 the wicked designs of the Itaan.-- The fact is made known to Mary by the outraged arr tsan, who seek, for vengeance the offender She al once resolves the desh ucton of him whom she loved dearly, "not wisely, but too we'll" She accuses him of high treason an attempted rcgcide against her pciso and the injured Walbcck Id em- ployed to sustain the charge. Fablani s condemned and imprisoned. Love, whose violation has led to this, returns again to the breast ol Mary, and brings regret; she determines that he, whose evidence has ruscd her fayorite, shall share his fate. She arllul. y draws hi,n into situation, where he stands victod 10 all eyes of an attempt upon her life. Each is bound by oath, that the truth be reveal ed by either party. The tavorltc and the mechanic are both in person under sentence of death. The Queen determines on the escape ol the Nsopolitan. but tho conviction made ou proof, in opon court, the release only be accomplished by cor- rup.lon and intrigue. Her agents are employed and instructed, and the escape of Fabian sesns certain
 Tho simple Emily approaches the laughi, Queen and implre. pardon Tor Ter Letrolhed,
 This is tho finest acting in the piece. Tho asonising suspense of both lovers, Ihem ffenssd words and distracted actions, showing the ihtensn and universal power uf tho passion tla, 'ruies he court, the camp, the grove," found re.ponse lhe heart of every auditor. The fatal moment ut length arri,es-lhe solemn procession, with deaih-hke tramp, proceeds in silence and in darkness to tie place of execution; the tower bell procalms that the headsman's axe has done it's workout which of the condemned, these fenzied women dare not con. lecture. The doors Gy open-lhe released mechanic rushes to the embrace of Ihe Countess of Talbot i; Iho lesnle announces the execution of the sentence on Fablaui, and the bloody Mary sinks to earth overcome with the weight of grief, and guilt. We have not space 10 enter minutely into tho description of the piece, nor to give to the actors, divdualIy, the pra.e iheir efforts meritsd Suffice to SAY thnt the anQuag ge and idents Of the are truly dramatie-lhe scenery appropriate and magnificent; and that the actors, and al did full justice b the parts assigned them.