Space Jam

Space Jamis a 1996 Americanlive-action/animatedsports comedyfilm directed byJoe Pytkaand written byLeo Benvenuti, Steve Rudnick,Timothy Harris, andHerschel Weingrod. The film starsbasketballplayerMichael Jordanas himself; the live-action cast also includesWayne KnightandTheresa Randle, as well as cameos byBill Murrayand severalNBAplayers, whileBilly West,Dee Bradley Baker,Kath SoucieandDanny DeVitoheadline the voice cast. The film follows Jordan as he is brought out of retirement by theLooney Tunescharacters to help them win a basketball match against invading aliens intent on enslaving them as amusement park attractions.
Space Jamwas the first film to be produced byWarner Bros. Feature Animationand was released theatrically in the United States on November 15, 1996, byWarner Bros.under itsFamily Entertainmentlabel.Critics were divided over its premise of combining Jordan and his profession with theLooney Tunescharacters, while praising the technical achievements of its intertwining of live-action and animation.It was a commercial success, grossing over $250 million worldwide to become thehighest-grossing basketball filmof all time until 2022, as well thetenth-highest-grossing film of 1996.
A standalone sequel,Space Jam: A New Legacy, was released in 2021, withLeBron Jamesin the lead role. The sequel failed to match the commercial success of the first film and received generally negative reviews.
In 1973, a youngMichael Jordantells his father,James, about his dreams of playing in theNBA. Twenty years later, following James’ death, Jordan retires from basketball to pursue a career in baseball.
In outer space, amusement park Moron Mountain is in decline. Its proprietor, Mr. Swackhammer, learns of theLooney Tunesfrom the Nerdlucks, his quintet of alien minions, and orders them to abduct the Tunes to serve as attractions. The Nerdlucks enter the Tunes' universe hidden in the center of the Earth through a parking lot of aPiggly Wigglyand hold them hostage beforeBugs Bunnyconvinces them to allow the Tunes to defend themselves. Tunes challenge the Nerdlucks to a basketball game, noting the latter's small stature. After seeing a documentary about basketball, the Nerdlucks infiltrate various NBA games, stealing the talents ofCharles Barkley,Shawn Bradley,Patrick Ewing,Larry Johnson, andMuggsy Bogues. They use these talents to transform into gigantic, muscular versions of themselves known as the "Monstars".
Realizing they need help, the Looney Tunes pull Jordan into their universe as he golfs withBill Murray,Larry Bird, and Jordan's assistant, Stan Podolak, where Bugs explains their situation to Jordan. However, Jordan is initially reluctant to help, but later agrees after a confrontation with the Monstars, and forms the "Tune Squad” with the Tunes; they are joined byLola Bunny, with whom Bugs is enamored. Jordan is initially unprepared, so he sends Bugs andDaffy Duckto his house in the live-action world to obtain his basketball gear. Jordan's children aid them and agree to keep the game a secret, while Stan, searching for Jordan, notices Bugs and Daffy, follows them to their world, and joins the team. Meanwhile, the incapacity of the five players results in a nationwide panic that culminates in the season's suspension. The players try to restore their skills through various methods, with no success.
The game between the Tune Squad and the Monstars commences, with Swackhammer arriving to observe. The Monstars dominate the first half, lowering the Tune Squad's morale. During halftime, Stan surreptitiously learns how the Monstars obtained their talent and informs the Tune Squad. Disguising a bottle of water as "secret stuff", Bugs and Jordan motivate the Tune Squad, who improve in the second half using their cartoon physics. During atime-out, Jordan raises the stakes with Swackhammer: if the Tune Squad wins, the Monstars must relinquish their stolen talent, and if the Monstars win, Jordan will spend the rest of his life being Moron Mountain's newest attraction. On Swackhammer's orders, the Monstars become increasingly violent, injuring most of the Tune Squad.
With only ten seconds left in the game, the Tune Squad is down by one point and one player, with only Jordan, Bugs, Lola, and Daffy still able to play. Murray unexpectedly arrives and joins the team. In the final seconds, Jordan gains the ball with Murray's assistance but is pulled back by the Monstars. On Bugs' advice, Jordan uses cartoon physics to extend his arm and achieve aslam dunk, winning the game with abuzzer beater. After Swackhammer scolds the Monstars for their failure, Jordan helps them realize that they only served him because they were once smaller. Having had enough of their boss's behavior towards them, the Monstars insert Swackhammer inside a missile that sends him to the moon. After relinquishing their stolen talent, the Nerdlucks decide to join the Tunes, while Jordan and Stan return to Earth and return the talent to the five players, whose remarks convince Jordan to return to the NBA.
Space Jam's cast includes Manner Washington, Eric Gordon, and Penny Bae Bridges as Jordan's children,Jeffrey,Marcus, and Jasmine, respectively.Brandon Hammondplays the ten-year-old Michael Jordan.Larry BirdandBill Murrayappear as themselves,andThom Barryportrays Jordan's father,James R. Jordan Sr.Several NBA players make cameo appearances inSpace Jam, includingDanny Ainge,Steve Kerr,Alonzo Mourning,Horace Grant,A.C. Green,Charles Oakley,Luc Longley,Cedric Ceballos,Derek Harper,Vlade Divac,Brian Shaw,Jeff Malone,Bill Wennington,Anthony Miller, andSharone Wright, as do coachesDel HarrisandPaul Westphal, and broadcastersAhmad RashadandJim Rome.Dan CastellanetaandPatricia Heatoncameo as fans at a game between theNew York KnicksandPhoenix Suns, as doesCharles Hallahanas the Baron's Team Owner.
The Nerdluck voices include Jocelyn Blue as their orange leader, Pound, Charity James as the dim-witted blue Blanko, June Melby as the neurotic green second-in-command Bang, Colleen Wainwright as the diminutive red Nawt, and producerIvan Reitman's daughter,Catherine, as the eccentric purple Bupkus. Their transformed "Monstar" versions are voiced by Darnell Suttles (Pound), Steve Kehela (Blanko),Joey Camen(Bang),Dorian Harewood(Bupkus), andT.K. Carter(Nawt). Wainwright also voicesSniffles, Kehela also voices Bertie's announcer voice, andFrank Welkervoices Jordan's bulldog, Charles.
In 1992 and 1993, twoSuper BowlNikeads, "Hare Jordan" and "Aerospace Jordan" respectively, aired on television and featuredMichael Jordanwith the characterBugs Bunny.Wieden+Kennedycreative directorJim Riswoldconceived the "Hare Jordan" campaign following the popularity of advertisements where Jordan played withMars Blackmon(played bySpike Lee), a character fromShe's Gotta Have It(1986); he chose Bugs Bunny for his next campaign because the character was his "childhood hero".Directed byJoe Pytka, "Hare Jordan" took six months and a $1 million budget to make.It was hindered by reluctance from Warner Bros. to allow Nike to modernize Bugs' character; however, the commercial success of both ads "was a nice bit of research for Warner Bros. to understand that the Bugs character still had relevance and to tie it in with Michael", explained Pytka.This led to the company green-lighting a film featuring Jordan and Bugs, which came out of a plane meeting between a Nike executive and producerIvan Reitman.Jordan was offered movie deals previously, but his manager,David Falk, turned them all down because he felt the basketball icon could only act as himself.
The project was closed when Jordan retired from basketball in 1993, only to be reopened in 1995 when Jordan returned as a basketball player.Falk pitched the idea to several major studios, without a story or script written.One of them was Warner Bros., which tried to create more "adult, sophisticated material" that deviated from the formula set byDisneyin the animated film market.After Warner Bros. initially rejected Falk's pitch, he called the consumer products division leader, Dan Romanelli, reacting in surprise the studio would turn down a project having potential of high-selling merchandise.
Pytka was informed about the project only months before the start of principal photography; in addition to being hired as director, he also revised the script, including writing a scene where Jordan hits a home run after he returns to Earth that was filmed, but ultimately never used.Spike Leewas also interested in helping Pytka with the screenplay, but Warner Bros. blocked him from the project out of dissatisfaction from how he fundedMalcolm X(1992).
According to Pytka, it was difficult to get most actors involved withSpace Jamdue to its odd premise: "I mean, they're going to work with an animated character and an athlete — are you serious? They just didn't want to do it."BeforeWayne Knightwas cast as Stan, his initial choices wereMichael J. FoxandChevy Chase, whom he had worked with onDoritoscommercials; Warner Bros. rejected both actors.Jason Alexanderalso turned down the role.The easiest actors to obtain were the NBA players, except forGheorghe Mureșan.Bill Murray's appearance was present in the script from the beginning, but the filmmakers were unable to book him until filming started; there are rumors that Jordan begged Murray to be in the film.
Reitman, serious about the voice actors for the establishedLooney Tunescharacters being far better than their original voice actor,Mel Blanc, and not just replications, was very involved in the voice casting.Joe Alaskey, one of Blanc's successors since the latter's death, was put by Reitman through a set of auditions, which lasted for months until Alaskey grew tired of auditioning and backed out from the project.Billy Westlearned ofSpace Jamthrough Reitman onThe Howard Stern Show, who was producing Stern's filmPrivate Parts(1997). Reitman was impressed by West's voice talent and asked him if he could audition forSpace Jam. West accepted, and after doing an audition, he landed the roles of Bugs Bunny and Elmer Fudd.The casting directors originally planned several voice cameos; however, that did not work out, andDanny DeVitoended up being the only celebrity voice actor in the film, which was for Mr. Swackhammer, who was originally planned to be played byJack Palance.Swackhammer was also planned to be a live-action character until the very final days of development, withDennis Hopperpossibly playing the role due to his friendship with Pytka.
The Classic Animation faction of Warner Bros., which animated the commercials and was located inSherman Oaks, Los Angeles, was originally planned to be the only company responsible forSpace Jam. However, after only a week, the animation work was so complicated that Warner Bros. contacted more studios, including reassigning the Feature Animation division inGlendalefrom working onQuest for Camelot(1998) toSpace Jam. Ten of Classic Animation's members, including the production's animation directorTony Cervone, were taken out of the faction to become involved all throughout production, and development artists were reassigned to animating jobs, including supervising animator Bruce Woodside, who had little faith in the project: "Like so many other animators, I adore the classic Warner Bros. characters, but I really had little hope that tying them to the massive anchor of an apparently doomed marketing scheme could actually give them a successful second life in features".
After Cervone was hired as animation director,Jerry ReescontactedBruce W. Smithabout being another animation director on the film; Rees was fired by the time Smith joined, and Pytka hired Smith to direct the animation sequences alongside Cervone.Before January 1996, when animation production was put into overdrive, none of the animators' drafts or concepts for how the film should look met with Reitman's approval;Bill Perkins joined that month as animation art director, and when first arriving at the Sherman Oaks division, "we only had around eight months to do about 52 minutes of animation" and "it was just kind of a little skeleton crew."Cervone highlighted Reitman's role as supervisor: "It started off as a string of gags with no structure, and he helped a lot with that."The drafting process involved the animators and artists using the original cartoons as references.Ultimately, they went withBob Clampett's style of animation due to being wilder thanChuck Jones' style.
Production ofSpace Jamtotaled around 19 months, with filming taking up ten of them;this was half the time of any other film of its kind according to Smith.The animation was done at a very
quick pace by more than 700 workers from 18 studios in London, Canada, California and Ohio,starting January 1996 by the recently joined producers Ron Tippe andAllison Abbate.In trying to track the huge amount work done at the 18 studios, Tippe hung stills of all the shots throughout the Feature Animation faction's hallways, with completed ones marked in red.
Features about the film's production, including one from the official website, emphasized its state-of-the art computer technology when it came to itslive-action/animationhybrid; "this film could have not been made two years ago," claimed Cervone in 1996.Due to its mixture of various art mediums as well as the "broad sense of humor and entertainment" unique to theLooney Tunes, Smith consideredSpace Jaman important part of diversifying the animation industry.Space Jambroke the record for amount of composited shots in a featured film,"roughly 1,043" according to Tippe,as well as a record number of FX shots, with around 1,100 in a single 90-minute film;Independence Day(1996), released the same year, had 700 FX shots within two hours of screen time.Tippe claimed the film would have, at most, "multiple characters, multiple levels of effects and, in some cases, up to 70 elements" in one shot.
Space Jamwas one of the first-ever productions to be shot on avirtual studio.Jordan filmed in a 360-degreegreen screenroom withmotion trackers; around him were green-suited
NBA players and improv actors from the Groundlings Theatre and School serving as placement identifiers for the animated characters, with a CGI background replica of a real-life setting chroma-keyed in.Although Bill Murray initially came in only to work on the golf course scene, he then wanted to be in the climactic basketball game after Pytka showed him the process of how he directed the live-action/animation scenes.
Concept drawings and discussions between the animators and Pytka about how the animation would be incorporated into the live-action shots took place on set during shooting, and re-writes to the script would be done daily.As an experienced commercial and music video director working on a sports film, Pytka took on fast, unlimited camera movements andDutch angles;this made integrating the characters into the shots challenging for the animators.To connect the real and animated worlds together, blue-screen shots of miniatures byVision Crew Unlimitedwere used; these include aChristo-inspired interpretation ofThe Forumarena for exterior shots, city rooftops for a transition scene with a wide skyline view of Chicago serving as the chroma-keyed background,and space ship parts initially produced byBoss Film Studiosfor aPhilip Morrisadvertisement.
Thesoundtracksold enough albums to be certified as 6-times Platinum.The song "I Believe I Can Fly" by musical artistR. Kellyearned him three Grammy Awards.Other tracks included a cover ofSteve Miller Band's "Fly Like an Eagle" (bySeal), "Hit 'Em High (The Monstars' Anthem)" (byB-Real,Busta Rhymes,Coolio,LL Cool J, andMethod Man), "Basketball Jones" (byBarry White&Chris Rock), "Pump up the Jam" (byTechnotronic), "I Turn to You" (byAll-4-One) and "For You I Will" (byMonica). The film'stitle songwas performed by theQuad City DJ's.
There was also an original scoring soundtrack featuring most ofJames Newton Howard's score from the film, except the mainMerrie MelodiesTheme itself.
Coincidentally,Biz Markie, who was a guest vocalist onthe Spin Doctors's cover ofKC and the Sunshine Band's "That's the Way (I Like It)" on the soundtrack died from complications from type 2 diabetes on the release date of the sequel.
Space Jamwas one of the earliest animated productions to use digital technology. 2D animation and backgrounds were first done on paper with pencil at the Sherman Oaks studio before being scanned intoSilicon Graphics Imagefiles throughCambridge Animation Systems' software Animo and were then sent toCinesitevia aFile Transfer Protocol, for its team to touch upon, digitally color, and composite into shots inPhotoshopbefore being sent back to Sherman Oaks.Unlike previous projects that used theCineondigital film system, Cinesite used the quicker Inferno and Flame systems forSpace Jam.The film's Hollyrender farmconsisted of 16central processing units, fourgigabytesofshared memory, and took up one million dollars of the film's budget, "on top of which the deskside boxes had 256 megabytes of RAM to splurge on whatever scene you needed to create and render," explained Privett.
Cinesite had begun developingproprietary softwarefor motion tracking when working onUnder Siege 2: Dark Territory(1995), which involved most of its shots incorporating a digital background; this made the company prepared forSpace Jam, which consists of a bunch of moving camera shots with 3D backgrounds to be added.The CGI backgrounds moved around with the motion trackers via Cinesite'sproprietary softwareBall Buster, which identified the markers through algorithm.To avoid mistakes in the visuals as much as possible, Cinesite artists worked on the film by frame instead of viewing each shot as a whole; those, such as Jonathan Privett were dissatisfied with the method, primarily because it put them under much pressure: "We much preferred the good old fashioned run-at-24-fps, just-as-the-viewer-sees-it approach."
The design of the stadium was heavily dictated by that of the film's many characters, and it was such a long process that it went through 94 revisions, explained Cinesite digital effects supervisor Carlos Arguello: "Tasmanian Devil was brown so we couldn't have a wooden brown upper level, and there were so many colorful characters, and Michael Jordan and everybody had to look good in all the scenes."
For scenes that take place in the stadium, shortcuts were made. Forcrane shotsof the crowd of 15,000 people in the final basketball sequence, it was created with live-action extras, cloned animated crowd members, and a few computer-generated characters walking around the aisles in the stadium.When these shots involved camera movements, a few 2D extras were animated to reflect the angle of the camera, but much lighting was added to distract from the crowd, thus minimizing this work.The reflections of the floor on the gym were also "fake[d]" asraytracingwould've meant rendering it for four days per a few frames.
Abbate suggested the hurried workflow of the animators bled into the character animation, resulting in a quick-witted style theLooney Tunescartoons are most known for.
Although the animators had to work with almost 100 characters, they were the most focused on Bugs and Daffy not only because they were principal characters, but also because they were the most recognizable Warner Bros. characters to general audiences.Sculptingwas incorporated the most on Bugs and Lola, including in "beauty shots" or sequences where Bugs and Lola are together.Perkins conceived the idea of the villains being secondary colors, as the main Looney Tunes were either primary colors, black, or brown.
There was also a lot of experimentation withmotion blurwith the 2D characters, especially Tweety; as Simon Eves explained, "The workflow was that an artist would track some specific points on the sequence of 2D character-on-black that came from the animation house, and I think it was able to take a basic roto shape as well, and then it would generate an interpolated motion vector field which could be applied as a variable directional blur. The field would deform based on the relative motion of the tracking points on the camera, to produce more accurate blur as the character deformed."
Warner Bros.releasedSpace Jamthrough itsFamily Entertainmentdivision on November 15, 1996.
Warner Home Videoreleased the film onVHS,DVD, andLaserDiscon March 11, 1997.The VHS tape was reprinted and re-released through Warner Home Video's catalog promotions:The Warner Bros. 75th Anniversary Celebration(1998),Century Collection(1999),Century 2000(2000) andWarner Spotlight(2001). The film was re-released on DVD on July 25, 2000. On October 28, 2003, the film was once again re-released as a 2-disc, special-edition DVD including newly made extras such as a commentary track, a featurette, production notes, and an hour of previously releasedLooney Tunesshorts and a TV special.
On November 6, 2007,Space Jamwas featured as one of four films in Warner Home Video's 4-Film Favorites: Family Comedies collection DVD (the other three beingLooney Tunes: Back in Action—which was released seven years afterSpace Jam—Osmosis JonesandFunky Monkey). On February 8, 2011, the first disc of the previous 2-disc edition was released by itself in a film-only edition DVD and on October 4, the film was released for the first time in widescreen HD onBlu-raywhich, save for theLooney Tunesshorts, ported over all the extras from the 2003 2-disc edition DVD.
A double DVD release, paired withLooney Tunes: Back in Action, was released on June 7, 2016.On November 15, 2016, Warner Bros. released anotherSpace JamBlu-ray to commemorate the film's 20th anniversary.
On July 6, 2021, the film arrived onUltra HD Blu-rayto celebrate the 25th anniversary and the release ofSpace Jam: A New Legacy.
Space Jamlater expanded into amedia franchisewhich includes comics, video games and merchandise. TheSpace Jamfranchise is estimated to have generated$6 billionin total revenue. This includes a wide variety of merchandise, such asAir Jordans,Bugs Bunnyshirts,Happy Meals,Mugsy Boguesjerseys, andTweetygowns.
The film was adapted into agraphic novelpublished byDC Comicsthrough their imprint "Warner Bros. Family Entertainment Reading" that published the "Looney Tunes", "Tiny Toon Adventures", "Animaniacs" and "Pinky & The Brain" monthly comic books. The special issue was written by David Cody Weiss and drawn by Leonardo Batic.
Alicensed pinball gamebySega, avideo gamefor thePlayStation,Sega SaturnandMS-DOSbyAcclaim, and a handheldLCDgame byTiger Electronicswere released based on the film.
Space Jamgrossed $90.5 million in the United States, and$159.7 millionin other territories, for a worldwide total of $250.2 million.
Domestically, it debuted to $27.5 million from 2,650 theaters, topping the box office. The film then made $16.2 million in its sophomore weekend but it dropped to second place behindStar Trek: First Contactand $13.6 million in its third place behindStar Trek: First Contactand101 Dalmatians.
In China, the film was released in 1997 and grossedCN¥24.1 million.
On review aggregatorRotten Tomatoes,Space Jamholds an approval rating of 44% based on 87 reviews, with an average rating of 5.4/10. The website's critics consensus reads, "While it's no slam dunk,Space Jam's silly, Looney Toons-laden slapstick and vivid animation will leave younger viewers satisfied – though accompanying adults may be more annoyed than entertained."Metacriticassigned the film a weighted average score of 59 out of 100 based on 22 critics, indicating "mixed or average reviews".Audiences polled byCinemaScoregave the film an average grade of "A−" on an A+ to F scale.
Roger EbertandGene Siskelof theChicago Sun-TimesandChicago Tribuneboth gaveSpace Jama thumbs up,although Siskel's praise was more reserved.In his review, Ebert gave the film three-and a-half stars and noted, "Space Jamis a happy marriage of good ideas—three films for the price of one, giving us a comic treatment of the career adventures of Michael Jordan, crossed with a Looney Tunes cartoon and some showbiz warfare. ... the result is delightful, a family movie in the best sense (which means the adults will enjoy it, too)."Siskel focused much of his praise on Jordan's performance, saying, "He wisely accepted as a first movie a script that builds nicely on his genial personality in an assortment of TV ads. The sound bites are just a little longer."Leonard Maltinalso gave the film a positive review (three stars), stating that "Jordan is very engaging, the vintage characters perform admirably ... and the computer-generated special effects are a collective knockout."Todd McCarthyofVarietypraised the film for its humor as well as the Looney Tunes' antics and Jordan's acting.
AlthoughJanet MaslinofThe New York Timescriticized the film's animation, she later went on to say that the film is a "fond tribute to [the Looney Tunes characters'] past."Michael Wilmington of theChicago Tribunecomplained about some aspects of the movie, stating, "...we don't get the co-stars' best stuff. Michael doesn't soar enough. The Looney Tunes don't pulverize us the way they did whenChuck Jones,Friz FrelengorBob Clampettwere in charge." Yet overall, he also liked the film, giving it 3 stars and saying: "Is it cute? Yes. Is it a crowd-pleaser? Yup. Is it classic? Nope. (Though it could have been.)"TV Guidegave the movie only two stars, calling it a "cynical attempt to cash in on the popularity of Warner Bros. cartoon characters and basketball player Michael Jordan, inspired by a Nike commercial." Margaret A. McGurk ofThe Cincinnati Enquirergave the film2+1⁄2stars out of four writing, "Technical spectacle amounts to nothing without a good story."
VeteranLooney TunesdirectorChuck Joneswas critical of the film and its premise, opining that Bugs Bunny would not have enlisted help from others in resolving a conflict.
The Monstars make a cameo in thePinky and the Brainepisode "Star Warners". Jordan, who was a spokesman forMCI Communicationsbefore the film was made, would appear with theLooney Tunescharacters (as his "Space Jambuddies") in several MCI commercials for several years after the film was released before MCI merged withWorldComand subsequentlyVerizon Communications.Bugs had previously appeared with Jordan as "Hare Jordan" in Nike ads for the Air Jordan VII and Air Jordan VIII.In the next theatrical Looney Tunes film,Looney Tunes: Back in Action, Jordan appears in archive footage from this film as one of the disguises of Mr. Chairman (Steve Martin). In 2013,Yahoo! Screenreleased a parody ofESPN's30 for 30about the game shown in the film. The short dates the game as taking place on November 17, 1995, although Jordan's real-life return to basketball when it occurred on March 18.In April 2019, the websiteSBNationran amockumentaryApril Fools Dayepisode of its popular Rewinder series on Jordan's climactic shot.The Nerdlucks appeared in theTeen Titans Go!original filmTeen Titans Go! See Space Jamwhich aired onCartoon Networkon June 20, 2021, and was released on digital on July 27, 2021.
The film's official website spacejam.com, created in 1996 alongside promotion of the film, remained unchanged but active for 25 years prior to the release of the film's sequel, an unusual aspect to film promotion websites. The site was one of the earliest film promotion websites, and included a number of unrefined web design facets, such as heavy use ofanimated GIFs. While the site's content had been moved under Warner Bros.'s site around 2003, the site's design gained a resurgence of interest around 2010 as an historical artifact of the early days of the web, and Warner Bros. returned the site to the spacejam.com address in response.Following the release ofSpace Jam: A New Legacy'sfirst trailer in April 2021, the website was updated for promotion of the new film, though the 1996 content remained available as a separate landing page.
A television filmcrossoverwithTeen Titans Go!,Teen Titans Go! See Space Jam, aired onCartoon Networkin June 2021. The film features theTeen Titansmeeting the Nerdlucks and providing humorous commentary over the original film. The movie's length is slightly abridged, omitting the opening credits and several scenes that do not feature the Looney Tunes, and the soundtrack is replaced by an original score.
A sequel toSpace Jamwas planned as early as 1996. As development began,Space Jam 2was going to involve a new basketball competition withMichael Jordanand the Looney Tunes against a new alien villain named Berserk-O!. ArtistBob Campwas tasked with designing Berserk-O! and his henchmen.Joe Pytkawould have returned to direct while Cervone and his creative partnerSpike Brandtsigned on to direct the animation sequences. However, Jordan did not agree to star in a sequel, and Warner Bros. eventually cancelled plans forSpace Jam 2.
Several potential sequels, includingSpy JamwithJackie Chanthat would end up becoming the basis forLooney Tunes: Back in Action,Race JamwithJeff Gordon,Golf JamwithTiger Woods,andSkate JamwithTony Hawkwere all discussed but never came to be.
In February 2014, Warner Bros. officially announced development of a sequel that will starLeBron James.In July 2015, James and his film studio,SpringHill Entertainment, signed a deal with Warner Bros. for television, film and digital content after receiving positive reviews for his role inTrainwreck.By 2016,Justin Linsigned onto the project as director, and co-screenwriter with Andrew Dodge and Alfredo Botello.By August 2018, Lin left the project, andTerence Nancewas hired to direct the film.In September 2018,Ryan Cooglerwas announced as a producer for the film.Filming would take place in Californiaand within a30-mile radiusofLos Angeles.Prior to production, the film received $21.8 million in tax credits as a result of a new tax incentive program from the state.
In February 2019, after releasing the official logo with a promotional poster,Space Jam 2was announced to be scheduled for release on July 16, 2021.Principal photography began on June 25, 2019.On March 4, 2021, it was confirmed that the sequel would also feature various characters in the Warner Bros. film and television archive.
Jordan was reportedly set to make a cameo inSpace Jam 2, as the makers teased the fans in June 2021 that "Jordan will appear in the film, but not in the way you would expect it." In fact, as shown in the film, he appeared in various pictures from his career and theSpace Jamfilm. In a scene,Sylvesterclaimed to have found Jordan, but he actually found actorMichael B. Jordan, who thus made the cameo expected to be made by the former Bulls star.
After the release ofSpace Jam 2, a third film was in talks by directorMalcolm D. LeewithDwayne Johnsoninvolved as the lead, transitioning on the sports genre from basketball toprofessional wrestling.