Kitchen (novel)

Kitchen(キッチン) is a novel written by Japanese authorBanana Yoshimoto(吉本ばなな) in 1988 and translated into English in 1993 byMegan Backus.
Although one may notice a certain Western influence in Yoshimoto's style,Kitchenis still critically recognized as an example of contemporaryJapanese literature;The Independent,The Times, andThe New Yorkerhave all reviewed the novel favorably.
Most editions also include a novella entitledMoonlight Shadow, which is also a tragedy dealing with loss and love.
There have been two films made of the story, a Japanese movie in 1989 and a more widely released version produced in Hong Kong byYim Hoin 1997.
From Mikage's love of kitchens to her job as a culinary teacher's assistant to the multiple scenes in which food is merely present,Kitchenis a short window into the life of a young Japanese woman and her discoveries about food and love amongst a background of tragedy.
InKitchen, a young Japanese woman named Mikage Sakurai struggles to overcome the death of her grandmother. She gradually grows close to one of her grandmother's friends, Yuichi, from a flower shop and ends up staying with him and histransgendermother, Eriko. During her stay, she develops affection for Yuichi and Eriko, almost becoming part of their family. However, she moves out after six months as she finds a new job as a culinary teacher's assistant. When she finds that Eriko was murdered, she tries to support Yuichi through the difficult time, and realises that Yuichi is probably in love with her. Reluctant to face her own feelings for him, she goes away to Izu for a work assignment, while Yuichi stays in a guest-house. However, after going to a restaurant to eatkatsudon, she realises she wants to bring it to Yuichi. She goes to Yuichi’s guest-house and sneaks inside his room in the middle of the night to bring him katsudon. There Mikage tells him she doesn’t want to lose him and proposes to build a new life together.
InMoonlight Shadow, a woman named Satsuki loses her boyfriend Hitoshi in an accident and tells us: "The night he died my soul went away to some other place and I couldn't bring it back". She becomes friendly with his brother Hiiragi, whose girlfriend died in the same crash. On one insomniac night out walking she meets a strange woman called Urara who has also lost someone. Urara introduces her to the mystical experience of The Weaver Festival Phenomenon, which she hopes will cauterize their collective grief.
Kirkus Reviewslauded the novella's "Timeless emotions, elegantly evoked with impressive originality and strength."
Michiko Kakutani, writing forThe New York Times, stated that Yoshimoto demonstrated "wit", "clarity of observation", and "firm control of her story", specifically lauding her "wonderful tactile ability to convey a mood or a sensation through her descriptions of light and sound and touch, as well as an effortless ability to penetrate her characters' hearts." Furthermore, Kakutani said that "There is a pleasing directness to her writing, and while this sincerity can occasionally result in sentimentality, it more often than not seizes hold of the reader's sympathy and refuses to let go."
Regarding the inclusion ofMoonlight ShadowwithKitchen, however, Kakutani criticized the editorial decision: "Its noisy echoes of that other novella—the same themes, emotions and even motifs all appear here—feel repetitious and cloying, and they distract the reader from this generously gifted young writer's achievement."
Kitchen(English edition) by Banana Yoshimoto