Ratatouille the Musical

Ratatouille the Musical(also known asRatatouille: The TikTok Musical,orRatatousical) is anInternet memeandcrowdsourcedmusical based on the 2007Disney/PixarfilmRatatouille.TikTokuser Emily Jacobsen created a short comedic song in tribute to Remy, a rat with a talent for cooking and the main character of the film, in August 2020. This led to another TikTok user, Daniel Mertzlufft, arranging Jacobsen's tribute as if it were a finale to aDisney musical. From there, additional TikTok users continued to add to Mertzlufft's video to envision a full musical, including a playbill, scenic design, choreography, and more songs. In December 2020, Seaview Productions announced a charity benefit concert presentation of the musical. The benefit concert was streamed for 72 hours beginning on January 1, 2021, followed by an encore presentation on January 10, 2021. In total, the production raised $2 million forThe Actors Fundand had 350,000 total viewers.
During theCOVID-19 pandemic, users of the social media appTikTokcollaborated onmusical numbersbased on unconventional subjects, such as agrocery store. Earlier in 2020, TikTok users shared cooking videos accompanied by "Le Festin", a song from the Disney/Pixar filmRatatouille. Eventually TikTok users created parodies, including videos of lackluster cooking accompanied by a parody of "Le Festin" with fake French words.In August 2020, Emily Jacobsen, an elementary school teacher, recorded an ode to Remy, the film's main character, among other TikTok video odes to fictional characters.The songwent viralafterBrittany Broski, a user with millions of followers, reused the music.Two months later, in October, another user, Daniel Mertzlufft, who had previously achieved fame for his "grocery store musical" composition, adapted and arranged the short song as a Disney musical finale. He composed the orchestration inLogic Pro Xusing software instruments he associated with Disney musicals—particularly the finale ofThe Hunchback of Notre Dame—includingtremolostrings,French horn, trumpet, brass,timpani, andtubular bells. This video received over a million views and spawned  thousands of subsequent TikTok videos in a collaboration between theater students and professionals expanding on the possibility of a Disney musical based on theRatatouillefilm.
Subsequent videos repurposed prior contributions, such as the "Ode to Remy" lyrics and orchestration, to add new elements, like set design, choreography, and aplaybilldesigned by artist Jess Siswick.Using the TikTok "Duet" feature, users added vocal tracks atop each other to develop musical numbers. One of the most popular songs is a duet between Colette and Linguini sung by between Blake Rouse and Acacia Pressley, composed by Rouse called 'Ratatouille Tango'. Others developed new numbers, such as "The Life of a Rat (Trash Is Our Treasure)" and "A Rat Is a Rat Is a Rat". One contributor, R.J. Christian, created songs for multiple characters in the style ofAlan Menken. American Broadway actorAndrew Barth FeldmanofDear Evan Hansenperformed a song. Users created a central hub for the collaboration with 200,000 followers by mid-November 2020.Disney ChannelandBroadwayactor,Kevin Chamberlin, even contributed a song titled "Anyone Can Cook" based on the catchphrase of the original film.
Disney responded to the fan activity with a video ofDisney ChannelactorMilo Manheimperforming a submission for the musical at the site ofaRatatouille-themed rideatWalt Disney World.
On December 9, 2020, it was announced that Seaview Productions would present a filmed concert version of the musical on January 1, 2021, with the event benefittingThe Actors Fund.The original creators of the TikTok videos, including Jacobsen, Mertzlufft, Christian, Rouse, Pressley and Chamberlin would all participate in the concert, withSixco-creator and co-directorLucy Mossdirecting. Michael Breslin and Patrick Foley adapted the film and TikToks into the musical's libretto, with Mertzlufft serving as music supervisor,Macy Schmidt as Orchestrator,Emily Marshall as music director,and Ellenore Scott choreographing. The concert was co-executive produced byJeremy O. Harris.Siswick's poster design was used for the production.Live entertainment marketing agency Marathon Digital handled the concert's marketing campaign.
At the end of December, the cast was announced, includingWayne Bradyas Django,Tituss Burgessas Remy,Kevin Chamberlinas Gusteau,Andrew Barth Feldmanas Linguini,Adam Lambertas Emile,Priscilla Lopezas Mabelle,Ashley Parkas Colette,André De Shieldsas Anton Ego, Owen Tabaka as Young Anton Ego, andMary Testaas Skinner. Ensemble members includedAdrianna Hicks, Cori Jaskier, Raymond J. Lee, John Michael Lyles, Courtney Mack, Mallory Maedke,JJ Niemann,Samantha Pauly, Talia Suskauer,Anna Uzele, Nikisha Williams, and Joy Woods. The 20-piece all-female, majority women-of-color Broadway Sinfonietta orchestra performed the music.The concert featured cameo appearances fromABC Newsreporter Sandy Kenyon as the TV news anchor who announces Gusteau's death andA Strange Loop'sLarry Owensas a news reporter. Breslin and Foley also cameo as reporters.
A sneak peek performance of one of the new songs written for Remy in the concert, "Remember My Name", was released on December 30, 2020.The preview was performed by Mertzlufft, who adapted the song with Kate Leonard from Jacobsen's original "Ode to Remy" and is the"I Want" songof the concert.A virtual red carpet pre-show was held on the day of the performance, hosted by Kristolyn Lloyd (Dear Evan Hansen) and Luka Kain (South Pacific,Saturday Church).Tickets to the performance was sold on a "contribute what you can" basis, ranging from US$5 to US$100 each.On January 9, 2021, it was announced that an encore presentation of the musical would be streamed for free on TikTok, with donations to the Actors Fund encouraged, on January 10, 2021.The performances raised over $2 million for The Actors Fund and featured a 350,000 total viewers.
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Ashley Lee of theLos Angeles Timesinitially braced for a lower-budget presentation, but her skepticism waned after the end of the overture and first number. Highlighting the performances of Brady, Park, and Burgess, Lee added, "Without any slick sets, naturalistic props or costars who are even in the same room, their playful performances were still so inventive and full of story — theater, at its core." As for the songs, she felt they "genuinely celebrate the compositional conventions of musical theater and animated Disney movies, and feel as if they’re written by those who truly love them". Lee also applauded Daniel Mertzlufft's work on giving the different songs a cohesive arrangement despite being written by different people. Lee concluded that she hoped the benefit concert would encourage theater creators and fans to "seek out and embrace its undiscovered voices".Viewers particularly praised Brady for his commitment to the concert and role.
Kim Lyons ofThe Vergesaid "It did not have all the glitz and glamour of a high-end Broadway production, but the caliber of the performances given from their homes by the actors, musicians, and dancers (yes, even a kick line!) are top-notch."The New York Timestheater critic Jesse Green gave it a mostly positive review, praising the songs, but criticizing the book, mainly its reliance on Remy's narration. He also thought that the haste that the show was created in has kept it shallow. He concluded by saying, "There may be too many chefs, but they offer, as one character puts it, 'just the right amount of cheese.'"Bob Verini gave the production four star in his review forNew York Stage Review. He praised the cast, particularly feeling De Shields was "an ideal replacement forPeter O'Toole’s silky food critic Anton Ego", but criticized Park's French accent. Verini also noted those unfamiliar with the film could lose key elements of the plot, such as why and how Remy hides inside Linguini'stoqueand did not like that Burgess had to rely on cue cards, but added that was understandable given the time constraints. He hoped the production had a future as a full production, stating "Visually and emotionally, the material has a lot more to offer than many another previously adapted animated epic."
The creation of the musical has inspired singer-songwriterAbigail Barlowand composerEmily Bearto write songs fora theorized musical adaptationof theNetflixseriesBridgerton.
In 2021Webby Awards, the musical won the People's Voice award in the Social Video category for Television & Film.