Rock and Roll Hall of Fame

TheRock and Roll Hall of Fame(RRHOF), also simply referred to as theRock Hall, is amuseumandhall of famelocated indowntown Cleveland, Ohio, United States, on the shore ofLake Erie. The museum documents the history ofrock musicand the artists, producers, engineers, and other notable figures and personnel who have influenced its development.
The Rock and Roll Hall of Fame Foundation was established on April 20, 1983, byAhmet Ertegun, founder and chairman ofAtlantic Records. After a long search for the right city, Cleveland was chosen in 1986 as the Hall of Fame's permanent home. ArchitectI. M. Peidesigned the new museum, and it was dedicated on September 1, 1995.
The RRHOF Foundation was established in 1983 by Ahmet Ertegun,who assembled a team that included publisher ofRolling StonemagazineJann S. Wenner; record executivesSeymour Stein,Bob Krasnow, and Noreen Woods; and attorneysAllen Grubmanand Suzan Evans. The Foundation began inducting artists in 1986, but the Hall of Fame still had no home. The search committee considered several cities, including Philadelphia (home of rock pioneerBill HaleyandAmerican Bandstand), Memphis (home ofSun StudiosandStax Records), Detroit (home ofMotown Records), Cincinnati (home ofKing Records), New York City, and Cleveland.
Cleveland lobbied for the museum, with civic leaders in Cleveland pledging $65 million in public money to fund the construction, and citing thatWJWdisc jockeyAlan Freedboth coined the term "rock and roll" and heavily promoted the new genre, and that Cleveland was the location of Freed'sMoondog Coronation Ball, which is often credited as the first major rock and roll concert. Freed was also a member of the hall of fame's inaugural class of inductees in 1986.In addition, Cleveland cited radio stationWMMS, which played a key role in breaking several major acts in the U.S. during the 1970s and 1980s, includingDavid Bowie, who began his first U.S. tour in the city,Bruce Springsteen,Roxy Music, andRush, among many others.
During early discussions on where to build the Hall of Fame and Museum, the Foundation's board considered a site along the Cuyahoga River in downtown Cleveland. Ultimately, the chosen location was along East Ninth Street in downtown by Lake Erie, east ofCleveland Stadium. At one point in the planning phase, when a financing gap existed, planners proposed locating the Rock Hall in the then-vacant May Company Building but finally decided to commission architect I. M. Pei to design a new building. Initial CEOLarry R. Thompsonfacilitated I. M. Pei in designs for the site. Pei came up with the idea of a tower with a glass pyramid protruding from it. Pei initially planned the tower to be 200 feet (61 m) high, but was forced to reduce it to 162 feet (49 m) due to the structure's proximity toBurke Lakefront Airport. The building's base is approximately 150,000 square feet (14,000 m).
Thegroundbreakingceremony for the building took place on June 7, 1993, withPete Townshend,Chuck Berry, andBilly Joelin attendance.
The museum was dedicated on September 1, 1995, with the ribbon being cut by an ensemble that includedYoko OnoandLittle Richard, before a crowd of more than 10,000 people. The following night, an all-star concert was held at Cleveland Stadiumand featured Chuck Berry,Bob Dylan,Al Green,Jerry Lee Lewis,Aretha Franklin,Bruce Springsteen,Iggy Pop,John Fogerty,John Mellencamp, and many others.
In addition to the Hall of Fame inductees, the museum documents the entire history of rock and roll, regardless of induction status. Hall of Fame inductees are honored in a special exhibit located in a wing that juts out over Lake Erie.The exhibit space and inaugural exhibits were designed byBruce Burdick's San Francisco design firm The Burdick Group.
Since 1986, the Rock and Roll Hall of Fame has selected new inductees. The formal induction ceremony has been held in New York City 28 times (1986–92, 1994–96, 1998–2008, 2010–11, 2014, 2016, 2017, 2019, and 2023); three times in Los Angeles (1993, 2013 and 2022); and six times in the hall of fame's home in Cleveland (1997, 2009, 2012, 2015, 2018, and 2021). As of 2018, the induction ceremonies alternate each year between New York and Cleveland.
The 2009 and 2012 induction weeks were made possible by apublic–private partnershipbetween the City of Cleveland; the State ofOhio; the Rock and Roll Hall of Fame; and local foundations, corporations, civic organizations, and individuals. Collectively, these entities invested $5.8 million in 2009 and $7.9 million in 2012 to produce a week of events, including free concerts, a gospel celebration, exhibition openings, free admission to the museum, and induction ceremonies at Public Hall.
Millions viewed the television broadcast of the Cleveland inductions, and tens of thousands traveled to Ohio during induction week to participate in the events. The economic impact of the 2009 induction week activities was more than $13 million, and it provided an additional $20 million in media exposure for the region. The 2012 induction week yielded similar results.
In 2020, the Rock Hall announced plans to renovate and expand its footprint by a third. The architecture firm PAU, founded by Vishaan Chakrabarti, will lead the project.
The building contains seven levels. On the lower level is the Ahmet M. Ertegun Exhibition Hall, the museum's main gallery, which includes exhibits on the roots of rock and roll (gospel,blues,rhythm & bluesandfolk,country, andbluegrass). It also features exhibits on cities that have had a major impact on rock and roll:Memphis,Detroit,London,Liverpool,San Francisco,Los Angeles,New York, andSeattle. There are exhibits aboutsoul music, the Fifties,Sun Records,hip hop music, Cleveland's rock and roll legacy, the music of the Midwest, rock and roll radio and dee-jays, and the many protests against rock and roll. This gallery also has exhibits that focus on individual artists, includingthe Beatles,the Rolling Stones,Jimi Hendrix, and others. Finally, the Ahmet M. Ertegun Exhibition Hall includes a theatre that features films on various subjects such asAmerican Bandstand.
The first floor of the museum is the entrance level. It includes a café, a stage that the museum uses for various special performances and events throughout the year, and a section called "Backstage Stories". The second floor includes several interactive kiosks that feature programs onone-hit wondersand the Songs That Shaped Rock and Roll. This level also includes a gallery with artifact-filled exhibits aboutLes Paul, Alan Freed,Sam Phillips, and the evolution of audio technology.
Visitors enter the Hall of Fame section of the museum on the third floor. This section includes "The Power of Rock Experience", which includes one ofJonathan Demme's final works, a film shown in the Connor Theater. The film includes musical highlights from some of the Hall's induction ceremonies.Visitors exit the Hall of Fame section on the fourth floor. That level features the Foster Theater, a state-of-the-art 3-D theater that is used for special events and programs.
Finally, the top two levels of the Rock and Roll Hall of Fame feature large, temporary exhibits. Over the years, numerous exhibits have been installed on these two levels, including exhibits aboutElvis Presley,hip-hop,the Supremes,the Who,U2,John Lennon,the Clash, theGrateful Dead, Bruce Springsteen,Women Who Rock, and theRolling Stones.
Designed byI. M. Peiand structurally engineered byLeslie E. RobertsonAssociates, the building rises above the shores ofLake Erie. It is a combination of geometric forms and cantilevered spaces that are anchored by a 162-foot tower. The tower supports a dual-triangular-shaped glass "tent" that extends (at its base) onto a 65,000-square-foot plaza that provides a main entry facade.
The building houses more than 55,000 square feet of exhibition space, as well as administrative offices, a store, and a café.
"In designing this building," Pei said, "it was my intention to echo the energy of rock and roll. I have consciously used an architectural vocabulary that is bold and new, and I hope the building will become a dramatic landmark for the city ofClevelandand for fans ofrock and rollaround the world."
In 2006, the RRHOF partnered with three entertainment production companies to create a branch museum in New York City.On November 18, 2008, theRock and Roll Hall of Fame Annex NYCopened inManhattan'sSoHodistrict.Located at 76Mercer Streetjust west ofBroadway, the Annex occupied an underground space of 25,000 square feet (2,300 m).The branch museum operated in much the same way as its Cleveland parent, featuring archetypal display pieces likePrince's coat fromPurple Rain,David Byrne's "big suit" fromStop Making Sense, andElvis Presley's motorcycle jacket and Bible.But from its start, the Annex also had a distinctNew York areafocus that made plenty of space for big items like the phone booth fromCBGB, layered thick with band stickers over the decades; Bruce Springsteen's own1957 Chevrolet; a special gallery reserved for the city's musicians; and an intricate 26-foot (7.9 m) scale model of Manhattan highlighting sites of rock history.
Jann Wenner served as chairman of the board of the Annex.At its opening night gala, he inadvertently created a controversy after he told a reporter, "One of the small sad things is we didn't do it in New York in the first place."He later expressed regret for his remark, which he said had been misconstrued and clarified that "I am absolutely delighted that the Rock and Roll Hall of Fame and Museum is in Cleveland."
The Annex closed on January 3, 2010, its quick demise reportedly due to the globalfinancial crisis of 2007–2008and a subsequent downturn in the city's tourism.The museum's final major exhibition was aboutJohn Lennonand his years in New York City.
Since 1997, the Rock and Roll Hall of Fame has featured numerous temporary exhibits that range in size from major exhibits that fill the top two floors of the museum to smaller exhibits that are often installed in the main exhibition hall on the lower level.
The museum's first major exhibit opened on May 10, 1997. It was calledI Want to Take You Higher: The Psychedelic Era, 1965–1969and included memorabilia from numerous artists includingJohn Lennon,Eric Clapton,John Sebastian,Jefferson Airplane, andJanis Joplin, as well as items related to the 1967Monterey Pop Festivaland 1969'sWoodstock.
That exhibit was followed byElvis Is in the Building, which ran from August 8, 1998, to September 5, 1999. This year-long tribute was the first exhibit devoted to a single artist: Elvis Presley, the "King of Rock and Roll" and the first inductee into the RRHOF in 1986.Gracelandsupplied a significant selection of representative artifacts for this special tribute that spanned Elvis' life and legendary career.Next, the museum curatedRoots, Rhymes and Rage: The Hip-Hop Story,which was the first major museum exhibit to focus on hip-hop. It ran from November 11, 1999, to August 6, 2000. It was followed byRock Style, an exhibit that focused on both rock and roll and fashion. It featured clothing fromBuddy HollytoAlice Cooper,Ray CharlestoDavid Bowie, andSmokey RobinsontoSly Stone. After it closed in Cleveland,Rock Styletraveled to other museums in the U.S.
Other temporary exhibits have includedLennon: His Life and Work, which ran from October 20, 2000, to January 1, 2003, followed byIn the Name of Love: Two Decades ofU2andReflections: TheMary WilsonSupreme Legacy Collection. A major exhibition titledLouder than Words: Rock, Power, Politicswas on display during the2016 Republican National Conventionin Cleveland.
Other large temporary exhibits have focused onthe Clash(Revolution Rock: The Story of the Clash),the Doors(Break on Through: The Lasting Legacy of the Doors),the Who'sTommy(Tommy: The Amazing Journey), andBruce Springsteen(From Asbury Park to the Promised Land: The Life and Music of Bruce Springsteen). Another thematic temporary exhibit focused on the role of women in rock and roll (Women Who Rock: Vision, Passion, Power). Many of these exhibits travel to other museums after closing in Cleveland. A major temporary exhibit in 2017 told the story and impact ofRolling Stonemagazine.
The Rock and Roll Hall of Fame also curates many smaller temporary exhibits. Over the years, these exhibits have focused on such topics as theVans Warped Tour,the Concert for Bangladesh, Woodstock's 40th and 50th anniversaries,Austin City Limits, theMonterey International Pop Festival,Roy Orbison, Motown's 50th anniversary,Tom Petty and the Heartbreakers,Marty Stuart,Paul Simon,Graham Nash,John Mellencamp, andGeddy Lee's basses.
The museum also devotes exhibits to photography and artwork related to rock and roll. Among the photographers whose work has been featured at the Hall of Fame areGeorge Kalinsky,Alfred Wertheimer, Tommy Edwards, Kevin Mazur, Janet Macoska,Lynn Goldsmith,Linda McCartney,Mike McCartney, Robert Alford,and George Shuba. The museum also featured the artwork of Philip Burke in one of its temporary exhibits, and a later exhibit featured Herb Ritts.
The Rock and Roll Hall of Fame and Museum produces numerous public programs, including concerts, interviews, lectures, film screenings, and other events that help tell the story of rock and roll.
Every February, the museum celebratesBlack History Monthby hosting concerts, film screenings, and lectures that illustrate the important role African-Americans have played in the history of rock and roll.Since the program began in 1996, such artists asRobert Lockwood, Jr.,the Temptations,Charles Brown,Ruth Brown,the Ohio Players,Lloyd Price,Little Anthony and the Imperials, andAl Greenhave appeared at the museum during Black History Month.
Another program is the Hall of Fame Series. This series began in April 1996 and features interviews with Hall of Fame inductees in rare and intimate settings, most often in the Museum's Foster Theater. The interviews are usually followed by a question-and-answer session with the audience and, often, a performance by the inductee. Among the inductees who have taken part in this series areDarryl "DMC" McDanielsofRun-D.M.C.,Lloyd Price,Martha Reeves,Marky Ramone,Seymour Stein,Ray Manzarekofthe Doors,Mary Wilsonofthe Supremes,Ronnie Spector,Bootsy Collins,AnnandNancy WilsonofHeart,Dennis Edwardsofthe Temptations, andJorma Kaukonenof theJefferson Airplane.
A similar program is the Legends Series, whose only real difference from the Hall of Fame Series program is that it features artists who have not yet been inducted into the Hall of Fame.Peter HookofJoy Division,SpinderellaofSalt n Pepa,Tommy James, andthe Chi-Litesare among the artists who have participated in the Legends Series.
The Rock and Roll Hall of Fame and Museum's most acclaimed programis the annual American Music Masters series. Each year, the museum celebrates one of the Hall's inductees with a week-long series of programs that includes interviews, film screenings, and, often, a special exhibit. The celebration ends with an all-star concert held at a Cleveland theater. The concerts include a diverse mix of artists—from Hall of Fame inductees to contemporary musicians.
The American Music Masters series began in 1996 withHard Travelin': The Life and Legacy of Pete Seeger. Since then, the programs have honored the following inductees:Jimmie Rodgers(1997),Robert Johnson(1998),Louis Jordan(1999),Muddy Waters(2000),Bessie Smith(2001),Hank Williams(2002),Buddy Holly(2003),Lead Belly(2004),Sam Cooke(2005),Roy Orbison(2006),Jerry Lee Lewis(2007),Les Paul(2008),Janis Joplin(2009),Fats DominoandDave Bartholomew(2010),Aretha Franklin(2011),Chuck Berry(2012),The Everly Brothers(2014), andJohnny Cash(2017).In 2019, the concert series's format was retooled, and the event was renamed the Rock Hall Honors, in which the honored performer is joined in concert by guests of their choice.The first Rock Hall Honors concert, featuringMavis Staples, was performed in Cleveland in September 2019.
The Rock and Roll Hall of Fame won the2020 Webby People's Voice Award for Cultural Institutionin the category Web.
Hall of Fame museum curator James Henke, along with "the museum's curatorial staff and numerous rock critics and music experts", created an unordered list of "500 Songs That Shaped Rock and Roll".The list is part of a permanent exhibit at the museum, and was envisioned as part of the museum from its opening in 1995.It contains songs recorded from the1920sthrough the 1990s. The oldest song on the list is "Wabash Cannonball" (in particularRoy Acuff's 1936 version), writtenc.1882and credited to J. A. Roff.Since then, however, an additional 160 songs have been added, and the list is now simply referred to as "The Songs That Shaped Rock and Roll". The most recent songs on the list areGnarls Barkley's "Crazy" andMy Chemical Romance's "Welcome to the Black Parade", which were both released in 2006. The Beatles and the Rolling Stones are the most represented on the 660-song list, with eight songs each.
The Rock and Roll Hall of Fame celebrated its 25th anniversary with a concert series over two days on October 29 and 30, 2009, atMadison Square Gardenin New York. The celebration included performances byJerry Lee Lewis,U2,Patti Smith,Bruce Springsteenandthe E Street Band,Simon & Garfunkel,Dion DiMucci,Metallica,James Taylor,Bonnie Raitt,Fergie,Mick Jagger,Lou Reed,Ray Davies,Ozzy Osbourne,Paul Simon,Jeff Beck,Buddy Guy,Aretha Franklin,Stevie Wonder,Sting,Little Anthony & the Imperials, andCrosby, Stills and Nash. The first night ran almost six hours, with Bruce Springsteen and the E Street Band closing the concert with special guestsJohn Fogerty,Darlene Love,Tom Morello,Sam Moore,Jackson Browne,Peter Wolf, andBilly Joel.
Artists are inducted into the Rock and Roll Hall of Fame at an annual induction ceremony. Over the years, the majority of the ceremonies have been held at theWaldorf-Astoria Hotelin New York City. However, on January 12, 1993, the ceremony was held in Los Angeles and was held there again in 2013. On May 6, 1997, about a year and a half after the opening of the Rock and Roll Hall of Fame and Museum, the ceremony was held in Cleveland. It returned to Cleveland in 2009 and again in 2012. Current plans call for the ceremony to be in Cleveland every three years.
Generally, the number of inductees each year ranges from about a half-dozen to a dozen. Virtually all living inductees have attended the ceremonies, and they are usually presented with their Hall of Fame award by an artist who was influenced by that inductee's music. Both the presenter and the inductee speak at the ceremonies, which also include numerous musical performances by both the inductees and the presenters. As of February 2021, there were 338 inductees.
The first group of inductees, inducted on January 23, 1986, includedElvis Presley,James Brown,Little Richard,Fats Domino,Ray Charles,Chuck Berry,Sam Cooke, theEverly Brothers,Buddy Holly, andJerry Lee Lewis.Robert Johnson,Jimmie Rodgers, andJimmy Yanceywere inducted as Early Influences;John Hammondreceived the Lifetime Achievement Award; andAlan FreedandSam Phillipswere inducted as Non-Performers.
A nominating committee composed of rock and roll historians selects names for the "Performers" category (singers, vocal groups, bands, and instrumentalists of all kinds), which are then voted on by roughly 500 experts across the world. Those selected to vote include academics, journalists, producers, and others with music industry experience. Artists become eligible for induction 25 years after the release of their first record. Criteria include the influence and significance of the artists' contributions to the development and perpetuation of rock and roll.Block approval votingis used, with those nominees who receive the most votes being inducted, subject to a minimum of 50% approval. Around five to seven performers are inducted each year.
In 2012, six additional groups—the Miracles,the Famous Flames,the Comets,the Blue Caps,the Midnighters, andthe Crickets—were inducted as performers by a special committee due to the controversial exclusions when their lead singer was inducted. "There was a lot of discussion about this," said Terry Stewart, a member of the nominating committee. "There had always been conversations about why the groups weren't included when the lead singers were inducted. Very honestly, nobody could really answer that question – it was so long ago ... We decided we'd sit down as an organization and look at that. This is the result."
Early Influences includes artists from earlier eras—primarilycountry,folk,jazz, andblues—whose music inspired and influenced rock and roll artists. Other notable artists that have been inducted as Early Influences includeBill Kenny&The Ink Spots, country musiciansJimmie RodgersandHank Williams, blues musicianHowlin' Wolf, and jazz musiciansJelly Roll MortonandLouis Armstrong. AfterNat King ColeandBillie Holidayin 2000, no one was inducted in this category until 2009, when rockabilly singerWanda Jacksonwas selected. Unlike earlier inductees in this category, Jackson's career almost entirely took place after the traditional 1955 start of the "rock era".
Formerly the "Non-Performers" award, this category encompasses those who primarily work behind the scenes in the music industry, including record label executives, songwriters, record producers, disc jockeys,concert promoters, andmusic journalists. Following the death of the Hall of Fame's co-founderAhmet Ertegun, this award was renamed in his honor in 2008.
Formerly the "Sidemen" award, this category was introduced in 2000 and honors veteransessionand concert players who are selected by a committee composed primarily of producers. The category was dormant from 2004 through 2007 and re-activated in 2008. This honor was renamed the "Award for Musical Excellence" in 2010. According to Joel Peresman, the president of the Rock and Roll Hall of Fame Foundation, "This award gives us flexibility to dive into some things and recognize some people who might not ordinarily get recognized."
The Rock and Roll Hall of Fame and Museum's Library and Archives is the world's most comprehensive repository of materials related to the history of rock and roll. The library and archives are located in a new building on the Metro Campus ofCuyahoga Community Collegein Cleveland'sCampus District.
The library and archives' mission is to collect, preserve, and provide access to these materials. The library and archives operates on two levels: people may come into the library to read books and magazines, listen to music and other recordings, and watch videos and films. More serious scholars, historians, and journalists may also make an appointment for access to the archival collections under the supervision of the staff archivists.
The library is composed of books, academic dissertations, and other references. It also includes popular magazines, scholarly journals, and trade publications; commercial audio and video recordings; and research databases.
The archival collections include music-business records from record executives, artist managers, labels, historic venues, recording studios, specialists in stage design and lighting, and long-running concert tours. The collections also contain important individual items, such as personal letters penned byAretha FranklinandMadonna, handwritten working lyrics byJimi HendrixandLL Cool J, papers from music journalists such asSue Cassidy Clark, and rare concert recordings fromCBGBin the 1970s.
One of the most common criticisms of the hall of fame is that the nomination process is controlled by a small number of individuals who are not themselves musicians, such as founders Jann Wenner and Suzan Evans, and writerDave Marsh, reflecting their personal tastes rather than public opinion as a whole. A former member of the nominations board once commented that "at one point Suzan Evans lamented the choices being made because there weren't enough big names that would sell tickets to the dinner. That was quickly remedied by dropping one of thedoo-wopgroups being considered in favor of a 'name' artist ... I saw how certain pioneering artists of the '50s and early '60s were shunned because there needed to be more name power on the list, resulting in '70s superstars getting in before the people who made it possible for them. Some of those pioneers still aren't in today."Sister Rosetta Tharpeis often regarded asthe godmother of rock and roll, but was not chosen for induction until 2017.Velvet UndergrounddrummerMaureen Tuckerhas dismissed the hall of fame as the "Hall of Lame" despite the band being inducted a few years prior to the remark.
There was also criticism of the opacity in the selection process. Janet Morrissey ofThe New York Timeswrote:
The chairman of the nominating committee,Jon Landau, confirmed: "We've done a good job of keeping the proceedings nontransparent. It all dies in the room."
According toFox News, petitions with tens of thousands of signatures have also been ignored, and some groups that were signed with certain labels or companies or were affiliated with various committee members have even been put up for nomination with no discussion at all.The committee has also been accused of largely ignoring certain genres.According to authorBrett Milanoin 2007, "entire genres get passed over, particularlyprogressive rock, '60sTop 40, New Orleansfunkand a whole lot ofblack music".At the time of Milano's comment,Pink Floydwere the only progressive rock band in the hall, although bands such asGenesis,Rush,Yes, andthe Moody Blueshave since been inducted. In 2022,Steven Hyden, a music critic forUproxxand a hall voter, wrote that he believed the hall had been ignoringalternative rockandindie rockartists.Hyden said that none of the 13 influential American bands from the 1980s profiled inMichael Azerrad's 2001 bookOur Band Could Be Your Lifehad been inducted, and wrote "How in the hell can you tell the story of rock 'n' roll without including a single one of them?"
Some critics have pointed out a bias in favor of American and British acts, whileCanadian rockbands, such asthe Guess Who, are often ignored, withNeil Young,Joni Mitchell,Leonard Cohen, Rush, andthe Bandbeing the only Canadian acts in the hall.Mexican journalist Miguel Gálvez noted that no artist that performed exclusively in Spanish had ever been inducted into the hall, and advocated for the induction of artists from Latin America, including the Argentine rock bandSoda Stereo.
Another criticism is that too many artists are inducted. In one fifteen-year span, ninety-seven artists were inducted, averaging between six and seven inductees per year.A minimum of 50% of the vote is needed to be inducted, although the final percentages are not announced and a certain number of inductees (five in 2011) is set before the ballots are shipped.The committee usually nominates a small number of artists (twelve in 2010) from an increasing number of different genres. Several voters, includingJoel Selvin, himself a former member of the nominating committee, did not submit their ballots in 2007 because they did not feel that any of the candidates were truly worthy.
Members of the Britishpunk rockband theSex Pistols, inducted in 2006, refused to attend the ceremony, calling the museum "a piss stain" and "urine in wine".In 2018, when British rock bandDire Straitswere inducted, bandleaderMark Knopflerdid not attend the ceremony and offered no official explanation, leaving bassistJohn Illsleyto say: "He just didn't feel like coming, it's as simple as that. It just didn't appeal to him, and I appealed to him on several occasions."In response toOasis' nomination for the Class of 2024,Liam Gallagherdisparaged the hall onX, declaring that "there's something very fishy about those awards", "it's all a load of bollox  [sic]", and referring to its members as "bumbaclarts".
InBBC Radio 6 Music's AnnualJohn PeelLecture in 2013, singerCharlotte Churchaccused the museum ofgender bias, stating, "Out of 295 acts and artists in the Rock n' Roll Hall of Fame, 259 are entirely male, meaning thatTina Weymouth's part inTalking Headsmakes them one of the 36 female acts."In 2014, the percentage of female inductees was 8.5%.Courtney Lovemade similar criticisms of the hall in 2023, highlighting the length of time it had taken to induct artists such asKate Bush,Nina Simone,Carole King,Linda Ronstadt, and "most egregiously",Tina Turneras a solo artist, as well as the failure to inductChaka Khandespite seven nominations.FollowingDonna Summer's death in 2012,Elton Johnhad criticized the hall for failing to induct her during her lifetime, calling it "a total disgrace, especially when I see the second-rate talent that has been inducted."
Steve Miller, a 2016 inductee, directed a litany of complaints at the hall, both during his induction speech and especially in interviews after it. His criticisms included that there is a general lack of female inductees, there is not enough support by the hall for music education, and inductees are treated poorly at the award ceremony.At the same ceremony,Cheap TrickguitaristRick Nielsencommented on the hall's ticket policy for inductees and their families as unnecessarily expensive, a sentiment echoed by Miller.
In 2018,Bruce DickinsonofIron Maidencalled the hall "an utter and complete load of bollocks ... run by a bunch of sanctimonious bloody Americans who wouldn't know rock 'n' roll if it hit them in the face".Dickinson has also expressed an overall distaste for the hall's entity, arguing that "if you put [music] in a museum, then it's dead". Iron Maiden had been eligible for induction since 2004.Hard rock and heavy metal websiteBlabbermouth.netobserved how it had taken 15 years forKissto be inducted (eligible since 1999; inducted in 2014) and 23 years forDeep Purple(eligible since 1993; inducted in 2016). Regarding his band's non-induction into the hall,Judas PriestbassistIan Hillstated in a 2019 interview, "I don't think they like heavy metal music in general."
Fans of theDave Matthews Bandcriticized the 2020 inductions because the band was not part of the class, despite them topping the fan vote.The band was inducted in 2024.
On March 14, 2007, two days after that year's induction ceremony, Roger Friedman ofFox Newspublished an article that claimedthe Dave Clark Fiveshould have been the fifth inductee, as they had more votes than inducteeGrandmaster Flash and the Furious Five. The article went on to say that Jann Wenner availed himself of a technicality on the day votes were due in. In reality, the Dave Clark Five received six more votes than Grandmaster Flash, but Wenner thought "we couldn't go another year without a rap act".
The Rock and Roll Hall of Fame Foundation responded: "There is a format and rules and procedure. There is a specific time when the votes have to be in, and then they are counted. The bands with the top five votes got in."The Dave Clark Five were subsequently nominated again and then inducted the following year.
In aFacebookpost, Monkees memberMichael Nesmithstated that he did not know if the Monkees belonged in the Hall of Fame because he could see the impact of the Monkees only from the inside and went on to say: "I can see the HOF (Hall of Fame) is a private enterprise. It seems to operate as a business, and the inductees are there by some action of the owners of the Enterprise. The inductees appear to be chosen at the owner's pleasure. This seems proper to me. It is their business in any case. It does not seem to me that the HOF carries a public mandate, nor should it be compelled to conform to one."
Some magazines and news outlets—such asTime,NPRradio,The Christian Science Monitor,Goldminemagazine,Yahoo! Music,andMSNBC—have argued that the Monkees belong in the Rock and Roll Hall of Fame.
Country singer-songwriterDolly Partonwas announced as a nominee for the 2022 hall of fame ballot in February 2022.Parton requested to be removed from the ballot in March 2022, after the ballots had been sent to voters. In a statement, Parton wrote: "Even though I am extremely flattered and grateful to be nominated for the Rock & Roll Hall of Fame, I don't feel that I have earned that right. I really do not want votes to be split because of me, so I must respectfully bow out."The hall replied days later that she would remain on the ballot, in part because the ballots for the 2022 class had already been sent to voters.
Although Parton had asked to be removed from the ballot because she did not think of herself as a rock artist, the hall responded that "From its inception, rock and roll has had deep roots in rhythm & blues and country music. It is not defined by any one genre, rather a sound that moves youth culture. Dolly Parton's music impacted a generation of young fans and influenced countless artists that followed. Her nomination to be considered for induction into the Rock and Roll Hall of Fame followed the same process as all other artists who have been considered."In April 2022, Parton toldMorning Editionthat she would accept her induction if she were selected.Parton was announced as a 2022 inductee on May 4.