davidanugraha/M4-RAG huggingface dataset:
Réginald Garrigou-Lagrange

Réginald Marie Garrigou-Lagrange, Gontran Marie war marilh ar boblañs, oa un teologour dominikan gall.
Ganet eo bet en Auch d'an 21 a viz C'hwevrer 1877. Aet eo da Anaon e Roma d'ar 15 a viz C'hwevrer 1964.
Kelenner eo bet en Angelicum e Roma etre 1909 ha 1960. Unan eus renevezerien prederouriezh Tomaz Akwino eo bet.
Pape‘ete

Pape‘ete (distaget: [papeˈʔete]; skrivet alies Papeete e galleg) eo kêr-benn Polinezia Frañs. Kêr vrasañ Enez-Tahiti ha Polinezia c'hall eo. E tolead kêr e oa 178 173 a dud e 2007.
Dominique Fernandez

Dominique Fernandez zo ur skrivagner hag un akademiad gall, ganet e Neuilly-sur-Seine d'ar 25 a viz Eost 1929.
Mab eo da Ramon Fernandez, skridvarnour a genlabouras gant an Nazied da vare an Eil Brezel-bed.
Ur skolveuriadur a dapas war an italianeg e 1955 hag un doktorelezh e 1968. Kelenner eo bet e Napoli hag e Skol-veur Breizh-Uhel e Roazhon.
Skrivañ a ra romantoù hag esaeoù, awenet alies-mat gant Italia hag an arz barok. Meur a briz lennegel zo aet gantañ, en o zouez ar priz Goncourt e 1982 gant Dans la main de l'ange.
E 2007 eo deuet da vezañ ezel an Académie française hag en em ginnig e-unan evel an akademiad kentañ a ziskouez e heñvelrevelezh.
Iliz ar C'hinivelezh

Iliz-rouanez ar C'hinivelezh pe bazilikenn ar C'hinivelezh (arabeg: كنيسة المهد) e Betleem zo unan eus an ilizioù koshañ a gaver er bed a-bezh. Enni emañ mougev ginivelezh Jezuz-Krist.
Ar c'hrav a oa un tachad kleuz er roc'h. An testeni koshañ diwar-benn al lec'h a zo eus war-dro 150. Er bloavezh 326 e krogas an impalaer Kustentin Veur ha santez Helena da sevel war ar vougev un iliz-rouanez (bazilikenn), hag al labour a voe kaset da benn er bloavezh 333. Ar peder renkennad a golonennoù gant an nev eus ar mare-se a zo c'hoazh en o sav.
An iliz-se a c'houzañvas kalz e 529 diwar goust ravolt ar Samaritaned hag e rankas an impalaer Justinian hec’h adsevel etre 531 ha 565. Sevel a reas tri amestez (adreñv-keur), unan en daou benn d'ar groazell hag egile e penn ar c'heur ; adimplij a reas ar c'holonennoù en ur lakaat anezho war ur vogerig, hag e rankas uhellaat al leurenn, ar pezh a guzhas marelligoù (mozaikoù) kaer an iliz kentañ (a weler hiziv a lec'h da lec'h dre doulloù graet el leur-iliz).
Ar Bersed, e 614, a lezas an iliz en he sav, o vezañ m'o doa anavezet o hendadoù er vajed skeudennet en ur varellig ha gwisket evel tud o bro.
Pa zeuas ar Vuzulmaned er vro, ar re-mañ a rentas enor da "Issa Ben Maryam" (Jezuz, mab Mari), hag al levrioù muzulman a veulas kaerder iliz ar c'hinivelezh.
Ar Groazidi a gemeras Betleem e 1099 hag an iliz a zeuas da vezañ iliz sakrerez rouaned Jeruzalem. Int-i eo a roas d'ar savadur e stumm a lec'h-kreñv. En o amzer ec'h en em unanas Gresianed ha Latined da gaerraat mogerioù ha kolonennoù gant marelligoù ha livadurioù a ziskouez ar senedoù-meur ekumenikel kentañ ha sent euz Ilizoù ar sav-heol hag ar c'huz-heol : a-gleiz ar sent Maker, Anton, Eutim, Leonard, Katald (Iwerzonad) ; a-zehou Teodoz, Stefan, Kanut roue an Danmark, Olaf roue Norvegia, Visant diagon... Er c'heur hag er groazell e weler senennoù euz an Testamant Nevez : a-zehou an treuzfurmadur hag ar bleunioù, a-gleiz Jezuz oc'h en em ziskouez da Domaz.
A-gleiz hag a zehou d'ar c'heur ez eus ur skalier da ziskenn da vougev ar c'hinivelezh. Ur steredenn arc’hant a verk al lec'h. E latin eo skrivet : "hic de Virgine Maria Jesus Christus natus est" (amañ gant ar Werc’hez Vari eo bet ganet Jezuz Krist). E-kichen emañ mougev chapel ar c'hraou, lec'h ma voe lakaet Jezuz en ul laouer, ha chapel-dindan-douar an Inosanted santel.
War tu kleiz an iliz-rouanez e weler iliz santez Katell, ar c'hloastr ha chapel sant Jerom ; hemañ a lakeas eno, etre 386 ha 420, ar bibl e latin (ar Vulgat).
An nor da antreal en iliz-rouanez a zo evel un diverrañ eus istor an iliz. En nec'h moulladurioù bizantat ; izelloc'h gwareg-torr ar grennamzer ; hag erfin an nor vihan hag izel bet renket evel-se da viret ouzh ar sarrazined da antreal en iliz war o c'hezeg.
Last Supper (Castagno)

The Last Supper (1445–1450) is a fresco by the Italian Renaissance artist Andrea del Castagno, located in the refectory of the convent of Sant'Apollonia, now the Museo di Cenacolo di Sant'Apollonia, and accessed through a door on Via Ventisette Aprile at the corner with Santa Reparata, in Florence, region of Tuscany. The painting depicts Jesus and the Apostles during the Last Supper, with Judas, unlike all the other apostles, sitting separately on the near side of the table, as is common in depictions of the Last Supper in Christian art.
Sant'Apollonia was a Benedictine convent of cloistered nuns, and Castagno's fresco was not publicly known until the convent was suppressed in 1866: Vasari, for example, seems not to have known of the painting. Thus its exclusively female audience should be considered in analyzing the work. Castagno painted a large chamber with life-sized figures that confronted the nuns at every meal. The fresco would have served as a didactic image and an inspiration to meditation on their relationship with Jesus. Painted with a careful attention to naturalistic detail—a sense of real space and light, seemingly tangible details of the setting, and lifelike figures—the work must have spoken forcefully of the continued significance of the Eucharistic meal in their own world.
Although the Last Supper is described in all four Gospels, Castagno's fresco seems most closely aligned with the account in the Gospel of John, in which eleven of the apostles are confused and the devil "enters" Judas when Jesus announces one of his followers will betray him. Saint John's posture of innocent slumber neatly contrasts with Judas's tense, upright pose and exaggeratedly pointed facial features. Except for Judas, Christ and his apostles, including the recumbent St John, all have a translucent disc of a halo above their heads.
The fresco is notable for its detail and naturalism. The colors of the apostles' robes and their postures contribute to the balance of the piece. The highly detailed marble walls hearken back to Roman "First Style" wall paintings, and the pillars and griffon statues recall Classical sculpture and trompe-l'œil painting. The halos are depicted in perspective.
The Last Supper was a major work by Andrea del Castagno and his studio. The quality of figures and details is uneven; the right hand of St Peter appears to be replaced by a left hand. Some figures have a remote detachment from emotion, typical of early High Renaissance style, and exemplified by the style of Piero della Francesca. This work, located in the refectory of a convent of cloistered nuns, may have been seen by Leonardo da Vinci before he painted his own far more emotional Last Supper.
The fresco is in an excellent state of conservation, in part because it remained behind a plaster wall for more than a century. The contemporary fresco by Castagno on the top register, not protected, shows more degradation, and depicts the Crucifixion, flanked by the Resurrection and Burial of Christ.
43°46′43″N 11°15′24″E﻿ / ﻿43.778669°N 11.256569°E﻿ / 43.778669; 11.256569
Last Supper (Rubens)

The Last Supper (1630–1631) is an oil painting by Peter Paul Rubens. It was commissioned by Catherine Lescuyer as a commemorative piece for her father. Rubens created it as part of an altarpiece in the Church of St. Rombout (Rumbold) in Mechelen. The painting depicts Jesus and the Apostles during the Last Supper, with Judas dressed in blue turning back towards the viewer and away from the table. Other than Jesus, the most prominent figure is Judas. Judas holds his right hand to his mouth with his eyes avoiding direct contact with the other figures in the painting creating a nervous expression. Jesus is dressed in red and has a yellow halo surrounding his head with his face tilted upwards. Jesus is located centrally in the painting surrounded by his disciples with six on each side, and he holds a loaf of bread with a cup of wine in front of him. Out of all of the figures, he is the most in the light with the figures to the farthest left being the most in shadow. "The scene thus represents a perfect conflation of the theological significance of the Last Supper" meaning the conflation between the blessing of the bread and the wine while still being pivotal in the sense of revealing the betrayal.
As in many other Northern European depictions, a dog with a bone can be seen in the scene, probably a simple pet. It may represent faith, dogs are traditionally symbols of and are representing faith. According to J. Richard Judson the dog near Judas perhaps represents greed or evil, as the companion of Judas, as in John 13:27.
This painting followed the first unsuccessful attempt by Rubens to produce a Last Supper in 1611, when his patrons backed out the last minute, perhaps due to the high price of 4,000 Guilder asked by Rubens.
Leonardo da Vinci's Last Supper fresco was a significant influence on Rubens who created an etching after the Da Vinci Last Supper, which was one of Rubens' first attempts to express the full range of human emotion printed by Pieter Soutman. Rubens was also influenced by his humanist ideals from which he extracts biblical themes.
Rubens often made engravings following the completion of his works. Other artists used these engravings to serve as a basis of their own works. These copies were even collected. The engravings and copies helped to lead to the popularity of Rubens' works during his lifetime.
The Last Supper (Damaskinos)

The Last Supper is a tempera painting by Greek painter Michael Damaskinos. He painted in Heraklion, Sicily, Venice, and other parts of Italy. His painting of the Last Supper is considered the Greek Last Supper and is comparative to Leonardo da Vinci's masterpiece painted one hundred years prior. The two painters employed different painting styles but the subjects pose similarities. Damaskinos's painting features a feminine figure similar to that of Leonardo da Vinci's The Last Supper. The Damaskinos Last Supper is now in the Monastery of Agia Aikaterini in Heraklion, Crete. It is part of the collection of Saint Catherine's Monastery near Mount Sinai, Egypt.
The work is egg tempera on wood with dimensions of 109 cm x 84 cm x 2.8 cm (42.9 in x 33.1 in x 1.1 in). It was created towards the end of the 16th century. Jesus is at the center of the painting. Above Jesus are four angels holding a cross. A Greek inscription reading the Last Supper (Ο ΔΕΙΠΝΟ Ο ΜΥΣΤΚΟ) is below the angels. The twelve apostles are gathered at the table. Some figures clearly express their role. Saint Peter is at the right of Jesus symbolizing he is his right hand. Immediately to the left is Judas slumped over, expressing guilt about what he is about to do. Some Apostles are watching in shock. Clearly, the feminine figure is John the Apostle. He is the last figure on our left below the gold bag hanging above his head. The work was inspired by da Vinci's Last Supper, although the orientation of the Apostles is different in the Damaskinos.
The painting depicts in a courtyard rather than an interior. The walls to the left and right denote that they are two different buildings. The floor is elaborately tiled. The items on the table are reminiscent of Damaskinos's painting Wedding at Cana. The wine jugs, silverware, plates, chicken, and sandwiches are all similar to the Wedding at Cana. Jesus is holding a sandwich in his left hand. The meeting is reminiscent of an ancient Greek academic philosophical discussion. The courtyard is filled with clues of Ancient Greek society. Immediately behind Jesus, ancient Greek Doric columns adorn the space. To our left, there are also wall panels with statues and a column. There are also two animals under the table. There was also a dog painted under the table in the Wedding at Cana. Above the animals decorating the table cloth are Minoan symbols. A symbol of ancient Crete.
There were also two children serving the notable event. The figure peeking into our immediate right may have been Damaskinos himself. He wears a hat distinguishing himself from the individuals at the table. His attire also does not bear a resemblance to the clothing of the Apostles. The painter is serving his patrons. The Apostles are all wearing heavenly robes.
Jan Hus Memorial

The Jan Hus Memorial (Czech: Pomník mistra Jana Husa) stands at one end of Old Town Square, Prague in the Czech Republic. The huge monument depicts victorious Hussite warriors and Protestants who were forced into exile 200 years after Hus in the wake of the lost Battle of the White Mountain during the Thirty Years' War, and a young mother who symbolises national rebirth.
The monument was so large that the sculptor designed and built his own villa and studio where the work could be carried out. It was unveiled in 1915 to commemorate the 500th anniversary of Jan Hus' martyrdom. The memorial was designed by Ladislav Šaloun and paid for solely by public donations.
Born in 1369, Hus became an influential religious thinker, philosopher, and reformer in Prague. He was a key predecessor to the Protestant movement of the sixteenth century. In his works he criticized religious moral decay of the Catholic Church.
Accordingly, the Czech patriot Hus believed that mass should be given in the vernacular, or local language, rather than in Latin. He was inspired by the teachings of John Wycliffe. In the following century, Hus was followed by many other reformers - e.g. Martin Luther, John Calvin and Huldrych Zwingli. Hus was ultimately condemned by the Council of Constance and burned at the stake in 1415. This led to the Hussite Wars.
To the people of Bohemia and other regions around Prague, Jan Hus became a symbol of dissidence and a symbol of strength against oppressive regimes. His opposition to church control by the Vatican gave strength to those who opposed control of Czech lands by the Habsburgs in the 19th century, and Hus soon became a symbol of anti-Habsburg rule.
He is said to stand arrogantly in the square in defiance of the cathedral before him. In 1918, a Marian Column that had been erected in the square shortly after the Thirty Years' War was demolished in celebration of independence from the Habsburg monarchy.
When Czechoslovakia was under Communist rule, sitting at the feet of the Jan Hus memorial became a way of quietly expressing one's opinion and opposition against the Communist rule.
The memorial was restored in 2007.
Gustave Doré's illustrations for La Grande Bible de Tours

The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours.
La Grande Bible de Tours, issued in 1866, was a large folio ("grand in folio") edition published in two volumes simultaneously by Mame in Tours, France and by Cassell & Company in the United Kingdom. The French translation known as the Bible de Tours had originally been published in 1843 and was done by Jean Jacques Bourassé (1813–1872) and Pierre Désiré Janvier (1817–1888).
The illustrations were immensely successful and have been reproduced countless times worldwide, influencing the visual arts and popular culture in ways difficult to measure. The series comprises 139 plates depicting scenes from the Old Testament, including the deuterocanonical books, and 81 from the New Testament.
Doré's artistic reasons for undertaking the Bible project are outlined by his biographer, Joanna Richardson:
美少女戦士セーラームーン (テレビドラマ)

『美少女戦士セーラームーン』（びしょうじょせんしセーラームーン）は、2003年10月4日から2004年9月25日までTBS系列で放送された特撮テレビドラマ。CBC製作、本編全49話。
1990年代にテレビアニメ化されて大ブームとなった武内直子の漫画『美少女戦士セーラームーン』を原作に、CBC・電通・東映が製作した日本のテレビドラマ。スタッフの殆どが前年度放送の『仮面ライダー龍騎』と共通し、シリーズ構成の小林靖子が初めて脚本を全話執筆した作品でもある。
舞台は放送期間に合わせて20世紀から21世紀に変更され、登場人物の性格設定を現実風にアレンジ。アニメチックなカラフルな髪とピアスはファンタジー世界の住人に限定され、殆どの登場人物がウィッグなしの黒い髪で登場し、変身前と変身後で主人公たちの髪色が変わる演出が入った。原作漫画の第1期ダーク・キングダム編に基づいているが、前世への考え方で登場人物に対立が生まれたり、衛と四天王の関係の掘り下げなどの独自のストーリー展開が行われた。セーラールナや黒木ミオ、ダークマーキュリーなどのオリジナルキャラクターが登場し、キャラクターデザインの一部は、オーディション審査員も務めた原作者の武内直子が担当した。
セーラー戦士役のオーディション審査には全国1100人以上の希望者からスターダストプロモーションに所属の沢井美優、浜千咲（後の泉里香）、北川景子、安座間美優、小松彩夏が選ばれた。本作品で女優デビューした北川景子は「演技の基本を学んだ大切な作品」と語っている。
白倉伸一郎によると、既にミュージカルが成功していたことから、映画監督の那須博之がモーニング娘。主演で実写映画化を企画したが諸事情で実現しなかった。しかし、この案が関係者の脳裏に焼き付いたためにテレビドラマ化が企画され、企画を横取りしてしまったお詫びにと那須は実写映画『デビルマン』の監督に選出されたという。
2003年12月21日には、CBCラジオでラジオ特番「DJムーン」を放送したことがある。また放送終了後、特別編ビデオ（オリジナルビデオ。東映 / バンダイビジュアル製作）として、最終回から4年後、うさぎと衛の結婚前夜を描いた「Special Act.」と、愛野美奈子がセーラーVとして覚醒するセーラームーン前史「Act.ZERO」が発売された。
テレビアニメ版とミュージカル版のタイトルの英語表記はPretty Soldier Sailor Moonだが、テレビ実写版ではPretty Guardian Sailor Moonに変更されており、原作も新装版コミックスからこの英語表記に変更されている。
TBS系で東映特撮作品が放送されるのは、MBS製作の『仮面ライダーBLACK RX』以来15年ぶり。また、女児向けの特撮テレビドラマとしては『有言実行三姉妹シュシュトリアン』以来10年ぶりとなる。『燃えろ!!ロボコン』以来となる、シリーズ物に属さない単発の東映特撮作品で、『非公認戦隊アキバレンジャー』までは単発の東映特撮テレビ作品は放送されなかった。
メインセーラー戦士を演じた5人は放送終了から10年以上経過した後も、定期的に「戦士会」と呼ばれる女子会を開いており、ブログやXなどのSNSに、5人揃った写真を定期的にアップしている。
2023年12月25日には本作の主要キャスト5人が再集結して作品に関するトークを繰り広げた「セーラー戦士 20年目の同窓会」がCBCテレビで放送され、のちにインターネットテレビの無料配信サービス・TVerでも12月26日から2024年1月9日まで無料配信、さらに2024年1月13日から1年間の予定で有料配信サービスのU-NEXTで、テレビ放送では編集でカットされた箇所を含めた「ディレクターズカット」を配信する。
アニメ版とは異なり、本作品にはエンディングが存在しない。後にこの枠で放送された『ウルトラマンマックス』やその後継作品『ウルトラマンメビウス』も同様である。
※各話サブタイトルの出典は『美少女戦士セーラームーン 完全版メモリアルブック』のパーフェクト・エピソードガイドより。
講談社のテレビ絵本「美少女戦士セーラームーン」(全5巻+別巻2巻)
小学館のテレビ絵本「美少女戦士セーラームーン」(全6巻)
2003年12月17日に『美少女戦士セーラームーン オリジナル・サウンドトラック』が発売予定であったが、発売中止となった。規格品番COCX-32472。全15曲収録予定であった。
この実写版では、原作を連載していた講談社のライバル会社である小学館も出版権を獲得し、小学館から幼児向け雑誌での連載や、上記のメモリアルブックが発売されていた。講談社側は幼児向け雑誌で原作本の宣伝や読者プレゼントページとは別に連載ページでプレゼントをするなどしていた。
次番組である『知っとこ!』のクロスプログラムでは、うさぎら6人の掛け合いで瞬間移動してから、司会の松嶋尚美の「知っとこ!」のコールが鳴って番組がスタートする構成となっている。なお、クロスプログラムは次の通りである。
なお、『モンスターファーム』開始以来続いてきたクロスプログラムは本番組が最後となっている為、次番組以降は出演者を置けず、松嶋の単独によるクロスプログラムが放送されるようになっている。
トータル・メディア・エージェンシー

株式会社トータル・メディア・エージェンシー(Total Media Agency、TMA)は、日本のアダルトビデオメーカー。
傘下レーベルに青空ソフト、品番別に数種類を使用し作品内容を分けている。通常の女優作品の他、コスプレ、女装、男性オナニー作品もリリースしている。また、アダルトグッズ部門としてタマトイズ(後述)がある。
日本ビデオ倫理協会（ビデ倫）加盟メーカーではあるが、セル専門メーカーとして発足、レンタル向けへの参入は2002年と比較的遅かった。コンピュータソフトウェア倫理機構（ソフ倫）にも加盟しており、作品により審査団体を使い分けている。現在はIPPA、VSICとなっている。
マルクス兄弟のセルDVDはビデ倫脱退（2003年）までTMAが販売元であった。
2006年12月22日、AV業界で初めてブルーレイディスクを発売。2009年8月7日、また業界初のmicroSDによる作品を発売。
パロディ系作品では原作再現のためのドラマシーンに尺が割かれているものも多く、アダルトビデオメーカーでは珍しく、絡みシーンを廃したドラマシーンのみのコスプレ総集編作品（全年齢対応コンシューマ版）もリリースされた。
ライターでコスプレイヤーの椎名蜜は「パロディに異常な情熱を注ぐ」「AVメーカーとしてあるまじきバランス」と批評している。
2019年6月19日には、世界初の「バーチャルYouTuber（VTuber）公式コスプレAV」である『DeepWeb Underground 西田カリナ』を発売。これを皮切りに、VTuberについては、パロディではなく本人から公式に許可を得た作品を取り扱うようになる。
国内外のアダルト展示会への出展や自社イベントの開催も積極的に行っており、代表的な自社イベントとしては"AV女優と逢えるアニソン＆J-POPイベント"という触れ込みで開催している「アニクラTMA」が存在する。 コロナ禍の影響で開催を休止していた時期もあったが、2023年9月29日には約4年ぶりに「第12回アニクラTMA AV女優と逢えるアニソン＆J-POPイベント4年ぶりの返り咲き『復活響宴』」が新宿ロフトで開催された。
2011年から展開している、同社のアダルトグッズ販売ブランド。 アダルトビデオ作品と同様、二次元コンテンツ寄りの商品展開を特徴とし、人気イラストレーター・アダルトゲーム・VTuberとのコラボレーション商品も多数発売している。 また、自社においても広報担当キャラクターの「すーぱーたま娘(にゃん)」を始めとするVTuber事業を行っており、2021年4月にはVTuberサークル「たまぷろじぇくと」を設立。 TMAからは所属VTuberの実写AV化、タマトイズからは自社商品パッケージイラストのVTuber化や所属VTuberのグッズ化といった相互展開を行っている。
※カッコ内は元ネタの作品名（ストーリー仕立てになっていない作品もある）。ブルーレイディスク版ではタイトルに「HD」が付記される。
美少女戦士セーラームーンSuperS セーラー9戦士集結!ブラック・ドリーム・ホールの奇跡

『美少女戦士セーラームーンSuperS セーラー9戦士集結!ブラック・ドリーム・ホールの奇跡』（びしょうじょせんしセーラームーンスーパーズ セーラー9せんししゅうけつ ブラック・ドリーム・ホールのきせき）は、テレビアニメ『美少女戦士セーラームーンSuperS』をもとにしたアニメ映画作品。
同時上映は『スペシャルプレゼント 亜美ちゃんの初恋 美少女戦士セーラームーンSuperS 外伝』と『あずきちゃん ホワイト・バレンタイン 恋のチャンスがやってきた!!』。
全国280館の東映邦画系劇場の公開ながら、最終的には6億円を超える配給収入を上げている。
入場者特典は「クリスタル・リング」。
オープニングでは、幼少期の内部太陽系戦士の姿が見られる。
本作の後、『劇場版 美少女戦士セーラームーンEternal』が上映されるまでの約25年間、映画シリーズは制作されなかった。
1995年4月下旬に製作決定し、製作側がストーリーを考案。初期段階では当時シリーズディレクターだった幾原邦彦が監督する予定で、セーラーウラヌスとセーラーネプチューンを主人公にしたストーリーが構想されていたが、プロデューサーの交代で幾原も降板し、使われなかった構想は幾原原案・監督の『少女革命ウテナ』の草案になった。
脚本を担当する榎戸洋司が「ハメルンの笛吹き」や「トルテ城の笛吹き」のサブタイトルをベースにしたプロットを提出。6月に有迫俊彦、山本豪、芝田浩樹、武内直子がアイディアを出し合い、お菓子をモチーフにすることやセーラー戦士9人登場が決定。7月上旬に第4シナリオ決定稿が完成。
ペガサス/エリオスを登場させる案もあったが、エリオスとペルルを一緒に登場させることに武内が難色を示したために見送られた。
月野うさぎたちは木野まことの家でチョコチップクッキーを作っていた。ちびうさは完成したクッキーを地場衛にあげようとするが、洋菓子店の前で不思議な少年のペルルに出会う。
同じ頃、世界中で子供達の失踪事件が続発。ちびうさも姿を消してしまう。その裏では妖精の笛の音で子供たちをさらい、「ブラック・ドリーム・ホール」で世界を包もうとする異世界の魔女バディヤーヌが暗躍していた。バディヤーヌの手下の妖精は子供たちを永遠にお菓子の夢の中に閉じ込めようとしていたが、ペルルだけがそれに異を唱えて兄弟達に追われていたのだった。
ペルルとセーラー戦士たちはさらわれたちびうさと子供たちを取り戻すべく、ブラック・ドリーム・ホールの本拠地マジパンヌ・キャッスルに向かう。
1995年12月10日、本作の公開を記念して「セーラームーン・エクスプレスII号」というイベント電車が走行（西武新宿駅発西武遊園地駅着）。ちびムーンを含めた着ぐるみの内部太陽系戦士6人と、5万人の応募者から抽選で選ばれた1500人の女児が乗車。同日には西武遊園地でイベントが開催。審査を勝ち抜いた8人の女児による「歌ってアイドル セーラームーンコンテスト」、プリティキャストによるミニコンサート、着ぐるみセーラー戦士によるキャラクターショーといった構成。
公開前日の12月22日には、丸の内東映で特別試写会「ファンタスティックナイト」が開催。内部太陽系戦士5人のショー、三石をはじめとした内部太陽系戦士5人の声優陣によるトークショー、プレゼント抽選会という構成。
セーラームーンの映画すべてを収録した「美少女戦士セーラームーン THE MOVIE DVD-BOX」が2002年3月21日、単巻が2005年8月5日にそれぞれ発売。
List of Sailor Moon video games

The Sailor Moon video game series is based on Naoko Takeuchi's manga and anime series of the same name. The series was released in Japan during the height of the media franchise's popularity. By 1995, there were ten game releases, each with sales figures of about 200,000 to 300,000. By 1998, twenty games were released.
Despite the worldwide popularity of the anime, the vast majority of video games based on the series have never officially been released outside of Asia, outside of a few Europe-exclusive video games.
යමුනාරි පොකුණ

යමුනාරි පොකුණ යනු ශ්‍රී ලංකාවේ යාපනය නල්ලූර් ප්‍රාදේශීය ලේකම් කොට්ඨාශයේ පිහිටි පුරාවිද්‍යාත්මක වටිනාකමක් සහිත පැරණි පොකුණක් වේ.
පොකුණ ගොඩනැංවූ සමය පිළිබඳ තොරතුරු අපහැදිලි වේ. පොදු පිළිගැනීම අනූව මෙම පොකුණ 15වන සියවසේ යාපනය රාජ්‍ය විචාල පරරාජශේකරම් සමයේ කරවන ලදැයි විශ්වාස කෙරේ.
මෙම පොකුණෙහි නාම සම්භවය පිළිබඳ ජනප්‍රවාදයක් පවතී. ඊට අනූව හින්දු ජනයා ආගමික වශයෙන් ශුද්ධ ක්‍රියාවක් සේ සළකණු ලබන කාවඩි සඳහා, ඉන්දියාවේ යමුනා ගංගාවේ සිට ජලය මෙහි ගෙනවුත් දැමූ බව පැවසෙයි.
දිගින් අඩි 70ක් හා පළලින් අඩි 65ක් පමණ වන මෙම පොකුණෙහි ගැඹුර අඩි 15ක් පමණ වේ. පොකුණෙහි මධ්‍ය කොටස (වේදිකාව) දිගින් අඩි 55ක් හා පළලින් අඩි 30ක් පමණ වේ. පොකුණට බැසීම සඳහා වූ පියගැට පෙළ දකුණු අන්තය දෙසින් නිමවා ඇත.
Panguni Uthiram

Panguni Uthiram (Tamil: பங்குனி உத்திரம், romanized: Paṅkuṉi Uttiram) is a Tamil Hindu festival. It is marked on the purnima (full moon) of the month of Panguni (14 March - 13 April). It falls on the day the moon transits the nakshatram (asterism) of Uttiram (Uttara Phalguni) in the twelfth month Panguni of the Tamil calendar. This coincides with the Hindu calendar month of Phalguna/Chaitra. Panguni is also the last month of the Solar Tamil Calendar year after which the next New Tamil Year begins.
Panguni Uthiram commemorates the weddings of Shiva and Parvati, Rama and Sita, Murugan (Kartikeya) and Devasena, and Ranganatha (Vishnu) and Andal. It is also marks the manifestation of Ayyappan.
Lakshmi is said to have emerged from the Ocean of Milk during the legend of the Samudra Manthana on this occasion, celebrated as Mahalakshmi Jayanti.
The day is intended to underline the glory of grahasta dharma (the married life of a householder).
Devotees of Murugan carry a kavadi for the fulfillment of vows, marked in Murugan temples.
The Brahmanda Purana indicates that on Panguni Uthiram, millions of devas bathe in the Tumburu Tirtha, one of seven sacred tanks in the Venkateshvara Temple of Tirupati. Bathing in the temple tank during this occasion is said to release one from the cycle of rebirth.
The day is of special significance to the worship of the prithvi lingam, the lingam the earth element, of the Ekambareswarar Temple at Kanchipuram, Tamil Nadu, where festivities last for 13 days.
According to regional tradition, Parvati in the form of Gauri married Shiva in Kanchipuram. Hence, this day is also celebrated as Gauri Kalyanam.
Nagarathar Kavadi

Nagarathar Kavadi is a special pilgrimage of its type, where Nagarathar people will hold kavadi on their shoulders and walk to see darshan of Lord Murugan in Pazhani. People across 76 towns in the Chettinad area (Sivaganga/Pudukottai district) will participate on the occasion of Thaipoosam. There are two different groups of Nagarathar kavadi that would travel towards Pazhani and be joined a few kilometres before Pazhani. They are named Melavattagai Kavadi and Keelvattagai Kavadi.
People from across Chettinad towns in Sivaganga and Pudukottai district start from their respective towns and reach Kundrakudi on the 8th day night before Thaipoosam. Once the kavadi from across the towns are gathered in Kundrakudi, next morning all the kavadi will start with Vel leading all the kavadis and pachai kavadi at the end.
In early days the information is unclear. Based on the written pattayam, a person should bathe before lifting and placing the kavadi on his shoulder. Once he started walking with kavadi on his shoulder he should not drink water or urinate. If he needs to do that, he needs to bathe again before having the kavadi placed on his shoulder. The person carrying the kavadi should wear a white dhoti, and he should stay in the same dhoti until the kavadi is offered to Lord Murugan in Pazhani.
Throughout the yathra, all the kavadi will be guided by Aranmanai Pongal Ayya and Samiyadi Ayya. This history dates back to past years, where Aranmanai Pongal Ayya will prepare and serve food for all persons walking with kavadi and later will do all poojas to kavadi. Melavattagai Kavadi will be guided by Nerkuppai Ayya.
Throughout the journey, until the kavadis are offered to Lord Murugan in Pazhani, pooja will be done to kavadi. It is believed that Lord Murugan/Pazhani Andavan is in each and every kavadi. The pooja happens in these places after starting from Kundrakudi.
जयनंदन

जयनंदन (जन्म 26 फरवरी 1956) हिन्दी लेखक है।
न्म-
२६ फरवरी, १९५६ नवादा (बिहार) के मिलकी गाँव में।
शिक्षा-
एम ए (हिन्दी)
प्रकाशित कृतियाँ-
उपन्यास- 'श्रम एव जयते`, 'ऐसी नगरिया में केहि विधि रहना`, 'सल्तनत को सुनो गाँववालो।
कहानी संग्रह- 'सन्नाटा भंग`,'विश्व बाजार का ऊँट`,'एक अकेले गान्ही जी`, 'कस्तूरी पहचानो वत्स`,'दाल नहीं गलेगी अब`, 'घर फूंक तमाशा`, 'सूखते स्रोत`, 'गुहार` गाँव की सिसकियाँ, भितरघात, मेरी प्रिय कथाएँ, मेरी प्रिय कहानियाँ, सेराज बैंड बाजा।
नाटक- नेपथ्य का मदारी, हमला तथा हुक्मउदूली।
वैचारिक लेखों का संग्रह- मंथन के चौराहे
जीवनी- राष्ट्र निर्माण के तीन टाटा सपूत
देश की प्राय: सभी श्रेष्ठ और चर्चित पत्रिकाओं में लगभग सौ कहानियाँ प्रकाशित। कुछ कहानियाँ का फ्रेंच, स्पैनिश, अंग्रेजी, जर्मन, तेलुगु, मलयालम, गुजराती, उर्दू, नेपाली आदि भाषाओं में अनुवाद। कुछ कहानियों के टीवी रूपांतरण टेलीविजन के विभिन्न चैनलों पर प्रसारित। नाटकों का आकाशवाणी से प्रसारण और विभिन्न संस्थाओं द्वारा विभिन्न शहरों में मंचन।
पुरस्कार एवं सम्मान-
१९८४ में डॉ शिवकुमार नारायण स्मृति पुरस्कार।
१९९० में बिहार सरकार राजभाषा विभाग द्वारा नवलेखन पुरस्कार।
१९९१ में भारतीय ज्ञानपीठ द्वारा युवा पीढ़ी प्रकाशन योजना के तहत सर्वश्रेष्ठ चयन के आधार पर उपन्यास ‘श्रम एव जयते’ का चयन और प्रकाशन।
कृष्ण प्रताप स्मृति कहानी प्रतियोगिता (वर्तमान साहित्य), कथा भाषा प्रतियोगिता तथा कादम्बिनी अ. भा. कहानी प्रतियोगिता में कई बार कई कहानियाँ पुरस्कृत।
१९९३ में सिंहभूम जिला हिन्दी साहित्य सम्मेलन सम्मान।
१९९५ में जगतबंधु सेवा सदन पुस्तकालय सम्मान।
२००१ में पूर्णिया पाठक मंच सम्मान।
२००२ में २१वां राधाकृष्ण पुरस्कार। (रांची एक्सप्रेस द्वारा)।
२००५ का विजय वर्मा कथा सम्मान (मुंबई)।
२००९ में बनारसी प्रसाद भोजपुरी सम्मान (आरा)
२०१० में झारखंड साहित्य सेवी सम्मान (झारखंड सरकार, राँची)
२०१० स्वदेश स्मृति सम्मान (तुलसी भवन, जमशेदपुर)
२०१३ आनंद सागर स्मृति कथाक्रम सम्मान (लखनऊ)
कार्य-
टाटा स्टील की गृह पत्रिकाओं 'खास बात`, 'तालमेल` एवं 'टाटा स्टील समाचार` का संपादन।
सम्प्रति -
टाटा स्टील से सेवानिवृत्त होने के पश्चात जमशेदपुर में निवास करते हुए अपनी साहित्यिक गतिविधियों के माध्यम से हिंदी साहित्य संपदा के भंडार को समृद्ध करने में संलग्न हैं।
चौदहवीं लोकसभा

भारत में चौदहवीं लोकसभा का गठन अप्रैल-मई 2004 में होनेवाले आमचुनावोंके बाद हुआ था।
३०. देवाससज्जन सिंह वर्माकांग्रेस ३१. टीकमगढ़डॉ वीरेंद्र कुमारभाजपा
2024 भारतीय आम चुनाव में राष्ट्रीय जनतांत्रिक गठबंधन के उम्मीदवारों की सूची

यह 2024 के भारतीय आम चुनाव में राष्ट्रीय जनतांत्रिक गठबंधन के उम्मीदवारों की एक सूची है।
Tharun Bhascker

Tharun Bhascker Dhaassyam (born 5 November 1988) is an Indian film director, actor and screenwriter who works in Telugu cinema. He directed the romantic comedy Pelli Choopulu (2016), which won him the National Film Award for Best Feature Film in Telugu and Best Screenplay – Dialogues. He later directed Ee Nagaraniki Emaindhi (2018), and made his acting debut in a lead role with Meeku Maathrame Cheptha (2019).
Tharun Bhascker was born on 5 November 1988 in Madras (now Chennai) and was raised in Hyderabad. His father hailed from Warangal, Telangana, while his mother is from Tirupati, Andhra Pradesh. Bhasckar studied at Hyderabad Public School, and Swami Vivekananda Institute of Technology. He later graduated from New York Film Academy.
His father, Uday Bhaskar, died in 2015. His mother, Geetha Bhaskar, made her acting debut in Sekhar Kammula's Fidaa (2017).
Bhascker started his career directing short films such as Anukokunda, and Sainma. Anukokunda was screened at the Cannes Film Festival.
His first full length directorial feature film was Pelli Choopulu (2016). The film received National Film Award for Best Feature Film in Telugu, and Bhasckar won Best Screenplay for Dialogues. The film was remade in Hindi as Mitron (2018), in Malayalam as Vijay Superum Pournamiyum (2019), and in Tamil as Oh Manapenne.
In 2018, Bhasckar made his acting debut with the role of Singeetham Srinivasa Rao in the biopic Mahanati. His second directorial is the buddy comedy film Ee Nagaraniki Emaindhi (2018). Later in the year, he wrote the screenplay for the ZEE5 web series, B. Tech.
In 2019, Bhaskar played the lead role in Meeku Maathrame Cheptha.
Keedaa Cola, directed by Tharun Bhascker, was released on 3 November 2023.
Bhasckar is married to Latha Naidu. She is a production and costume designer for films and advertisements. She worked for films such as Pelli Choopulu, Ee Nagaraniki Emaindi and U Turn.
Señorío de Palos

El señorío de Palos fue un señorío jurisdiccional español concedido por Juan I de Castilla en 1379 a Álvar Pérez de Guzmán, II Señor de Gibraleón. Su nombre se refiere al municipio andaluz de Palos de la Frontera, en la provincia de Huelva.
Con tan sólo catorce años, Álvar Pérez de Guzmán recibió de manos del rey las villas de Palos y Villalba, como compensación por haberle arrebatado las localidades de Huelva y Gibraleón para cederlas a la casa de Medinaceli.
El primer señor de Palos fue el refundador y el repoblador de la villa, consiguiendo del monarca el privilegio de eximir de cualquier impuesto real a las 50 primeras familias que se instalasen en ella.​ Asimismo estableció el ordenamiento jurídico municipal y dedicó las escasas y poco fértiles tierras del término palermo al cultivo del olivo y la producción de aceite. Tras su prematura muerte, su viuda, Doña Elvira de Ayala, hija del Canciller de Castilla, prosiguió su labor hasta que murió en 1434.
Las hijas del matrimonio, Isabel y Juana, heredaron cada una la mitad de la villa que, por sus respectivos matrimonios, pasaron a ser señoríos del Conde de Miranda la una y del Conde de Cifuentes​ la otra.
Los de Miranda enajenaron en 1480 la sexta parte de su señorío en favor de D. Enrique Pérez de Guzmán y Meneses, II Duque de Medina Sidonia, con lo que la Casa de Medina Sidonia fue poseedora del dozavo del señorío. Por su parte, los Cifuentes vendieron su mitad de la villa a los Reyes Católicos en junio de 1492, cuando se preparaba la partida de la expedición colombina, por lo que esa mitad volvió a ser realenga.​​ Posteriormente, Carlos I vendió esa mitad de Palos (6/12) al conde de Miranda, reuniendo los 11/12 del señorío, mientras que el dozavo restante siguió en manos del duque de Medina Sidonia.​
Seises (juego de cartas)

Los seises es un juego de naipes que se juega con una baraja española de cuarenta cartas. Pueden jugar entre tres y ocho jugadores, aunque es poco habitual que jueguen más de cinco jugadores. Otros juegos muy similares son el cinquillo y el reihe.
El objetivo del juego es ser el primer jugador en quedarse sin cartas.
Para jugar a los seises se reparten todas las cartas. El primero en jugar es el jugador que tiene el seis de oros, quien lo colocará boca arriba sobre la mesa. A continuación juega el jugador de su izquierda. Éste debe colocar junto al seis el siete o el cinco de oros, o bien colocar otro seis boca arriba. Los jugadores van completando los palos desde el seis colocando las cartas hacia arriba y hacia abajo. Cuando un jugador no puede colocar ninguna carta pasa turno y juega el siguiente.
Las mejores cartas son los seises, que pueden colocarse siempre. Un jugador que tenga un seis en la mano no tendrá que pasar, ya que siempre podrá colocar ese seis si no tiene ninguna otra jugada.
Otras cartas buenas son las más cercanas a los seises, es decir, los cincos y los sietes. Estas cartas son buenas ya que se colocan rápidamente. Como regla general, siempre es mejor una carta cercana al seis que una lejana. Así, una sota es mejor que un caballo, que a su vez es mejor que un rey. De todas maneras esta regla tiene sus excepciones. Así, si un jugador tuviera en su mano todas las cartas que faltan por colocar hasta uno de los extremos del palo (el rey o el as) tiene asegurado que no se verá obligado a pasar por tantos turnos como cartas tiene. Por ejemplo, si está colocado el cinco de oros como carta más baja y un jugador tiene en su mano el cuatro, el tres, el dos y el as de oros, no se verá obligado a pasar en cuatro turnos.
Se pueden desarrollar diferentes estrategias para ganar el juego:
Cuando se juega con dinero, se suele poner una contribución inicial por cada partida (por ejemplo, veinte céntimos) y otra cantidad cada vez que se pasa (generalmente, la mitad de la contribución inicial, en nuestro ejemplo, diez céntimos). De esta manera, al jugar con dinero, es conveniente hacer que los demás pasen el mayor número de veces para conseguir más dinero.
Doctrina de las dos espadas

Doctrina de las dos espadas o de ambas espadas (en latín utrumque gladium)​ es el nombre con el que se conoce la teoría de la supremacía del poder espiritual (el Papa) sobre el temporal (el emperador -bizantino o germánico-). El sistema que viene a exponer se denomina hierocratismo o dualismo gelasiano.​
Utilizada con profusión, aparece explicitada en San Bernardo (De Consideratione), que la funda en dos pasajes evangélicos (uno inmediatamente posterior a la Santa Cena​ y otro durante el prendimiento de Jesús​), aunque parece que también fue usada en la misma época (primera mitad del siglo XII, el contexto histórico subsiguiente a la reforma gregoriana -Dictatus Papae-) por Godofredo de Vendôme y Juan de Salisbury.​
Como doctrina puede remontarse a finales del siglo V, momento en que la relación entre los dos poderes aparece definida de esa forma por el papa Gelasio I en su carta al emperador de Oriente Anastasio I.​
Los Papas de Roma, debido a la lejanía del poder imperial (radicado en Constantinopla desde las reformas de Constantino -siglo IV- y que incluso buscó la ubicación de Rávena -en Italia, pero distanciada de Roma- en determinados periodos en que se constituía el Imperio de Occidente) empezaron a perfilar la doctrina de la delimitación de dos poderes, no autónomos, sino coordinados: el espiritual para el Papa y el temporal -subordinado- para el Emperador. Gelasio advierte a Anastasio de que Roma (es decir, el Papa como cabeza de la Iglesia) puede juzgar a los obispos y patriarcas, sin necesidad de que ningún concilio lo autorice; y de que sus sentencias son inapelables. Aunque reconoce que ambas potestades son las encargadas de regir al pueblo de Dios, argumenta que la carga que pesa sobre los sacerdotes es mayor en cuanto que ellos deben responder también en el juicio de Dios por las almas de los reyes. De esta forma se pusieron los cimientos de una doctrina que, en Occidente, justificaba genéricamente la pretensión pontificia de disputar al emperador el dominium mundi entre ambos poderes universales, además de utilizarse en conflictos puntuales como la querella de las investiduras; mientras que en Oriente la mayor presencia política de la figura imperial otorgó un mayor espacio al cesaropapismo que a la teocracia, aunque tampoco exento de graves conflictos (querella iconoclasta).
Antonio Bastos Ansart

Antonio Bastos Ansart (Zaragoza, 2 de noviembre de 1892 - Guadalajara julio de 1936), fue un militar español.
Hijo de Atilano Bastos Dueñas y Luisa Ansart. Fue un militar español que participó durante la Guerra Civil Española siendo batido "heroicamente" (según palabras del General José Millán-Astray) en la Sublevación de Guadalajara en el año 1936.​
Fruto de la unión con su esposa María de los Dolores Noreña tuvo 8 hijos: Antonio, Juan, Eduardo, María, Alfredo, José María, Santiago y Carlos.
Fue hermano del renombrado médico español Manuel Bastos Ansart.
AS-III

La AS-III, también conocida como Autovía del Acero o Autovía Avilés-Langreo, es una futura vía de comunicación que pertenecerá a la Red Regional de Carreteras del Principado de Asturias, como alternativa oeste a la "Y" asturiana, junto a la AS-II (alternativa este). Tendrá una longitud aproximada de 38 km y unirá las localidades de Avilés y Langreo, atravesando los concejos asturianos de Avilés, Corvera, Llanera, Siero y Langreo; circunvalando la zona norte-noreste del área urbana de Gijón.
Está planificada como el desdoblamiento de la carretera AS-17 y desde mayo de 2007 se encuentra en funcionamiento el tramo que une Posada de Llanera con Bobes.​ El tramo entre Avilés y Llanera (de unos 15 km) se encuentra paralizado por falta de presupuesto, así como el enlace de San Miguel de la Barreda. El tramo Bobes - San Miguel de la Barreda se tiene previsto que finalicen las obras en 2025.
Gobernación de As-Suwayda

La gobernación de As-Suwayda (en árabe: مُحافظة السويداء) es una de las 14 provincias que conforman la organización político-administrativa de la República Árabe Siria.
Con una superficie de 5 550 km² y longitud máxima de norte a sur de 120 km y de este a oeste de 66 km, la Gobernación de As-Suwayda está situada en la parte suroeste del país y se localiza al sureste de Damasco. Limita al norte y nordeste con la gobernación del Rif de Damasco, al oeste con la gobernación de Daraa y al este con las regiones sirias del desierto de Sham y los cerros de Tulul al-Safá; mientras que al sur su frontera es con el Reino Hachemita de Jordania.
La capital de esta muhafazah (gobernación) es la ciudad homónima As-Suwayda. Otras ciudades son Shahba y Salkhad.
La población de esta gobernación es de unos 375 000 habitantes (censo de 2011) y su densidad poblacional es de 66,67 habitantes por cada kilómetro cuadrado, y la mayor parte vive en las partes occidentales de la gobernación, especialmente en las laderas occidentales de Jabal al-Druze. Las tribus beduinas viven en la árida región de Harrat Ash Shamah.
Es la única gobernación de Siria con mayoría drusa,​ y que cuenta también con una gran minoría de seguidores de la Iglesia Ortodoxa Oriental así como una pequeña comunidad de refugiados musulmanes principalmente de la gobernación de Daraa, así como de otras partes de Siria.​ Según el censo de 1980, los drusos constituían el 87,6 por ciento de la población, los cristianos (en su mayoría de la Iglesia ortodoxa de Grecia) el 11 por ciento y los musulmanes sunníes constituían el 2 por ciento.​
Aš

Aš (en alemán: Asch) es una localidad del distrito de Cheb en la región de Karlovy Vary, República Checa, con una población estimada a principio del año 2018 de 13 245 habitantes.
Se encuentra ubicada al oeste de la región, cerca de la orilla del río Ohře —un afluente izquierdo del río Elba— y de la frontera con Alemania.​
As Brasileiras

As Brasileiras (en español: Las brasileñas) es una serie de televisión brasileña coproducida por TV Globo y Lereby Produções. Es un spin-off de As Cariocas.​
La serie cuenta con 22 episodios, cada episodio es protagonizado por una actriz y cuenta una historia aparte, todos ubicados en diferentes ciudades brasileñas de norte a sur del país.​
Chiribito

Chirivito (también llamado póker sintético) es una versión del juego del póker, relativamente popular en España. En un comienzo se introdujo un tipo de poker tapado de cinco cartas, con la particularidad de que se empleaba la baraja española de 52 naipes. Más tarde, y también con oros, copas, espadas y bastos, pero reducidos a 28 cartas, se comenzó a jugar a un tipo de poker abierto llamado “chiribito”.
El chirivito es una versión de póker muy parecida al Texas Hold'em. Cada jugador puede formar su mano con dos cartas privadas y hasta cinco cartas comunes. Las principales diferencias con el Hold'em son:
List of card games by number of cards

This list arranges card games by the number of cards used, part of the aim being to answer the question "what games can I play with these cards?"
Only games played with traditional European playing cards are listed. Those played with cards from other regions are not included, nor are proprietary card games since each game comes with a bespoke pack and the question is not relevant.
Where two or more packs are listed, games may be predominantly played with just one pack as indicated at the relevant article. The composition is indicated in brackets thus: (suits x cards) e.g. (4 x AKQJT) means 4 suits each containing the Ace, King, Queen, Jack and Ten. The key to suits is: F = French-suited cards, G = German-suited cards, I = Italian-suited cards, Sp = Spanish-suited cards and Sw = Swiss-suited cards.
French (4 x AQJT) packs:
French (4 x AKQJ + 2 Jokers):
French (4 x AKQJT) or German (4 x AKOUT) packs:
German packs (4 x AKOUT9):
French packs (4 x AKQJT97):
French (4 x AKQJT987) or German (4 x AKOUT987) packs:
German (William Tell or Double German) packs (4 x AKOUT987 plus Weli):
Games played with 36 cards may be of considerable antiquity as the standard German card pack reduced to 32 cards during the 19th century (see Dummett 1980). Several of these games are attempts to play the Tarot game of Grosstarock with standard French- or German-suited cards.
French (4 x AKQJT9876), German (4 x AKOUT9876) or Swiss (4x AKOUB9876) packs:
Italian (4 x RCF765432A), Spanish packs (4 x A3RCF76542) or shortened Tarock (Sküs XXI-IIII + I ♠♣ KQCJT ♥♦ KQCJA) packs:
Shortened Tarock pack (Skiz XXI-I ♣♠ KQCJT ♥♦ KQCJA):
French (AKQJ98765432) or Swiss (KOUB98765432) packs of 48 cards:
French or German pack (2 packs each of 4 x AKOUT7):
French-suited packs (4 x AKQJT98765432):
Shortened Tarot/Tarock packs (Sküs XXI-I ♣♠KQCVT987 ♥♦ KQCV1234):
French (Zwicker) packs (4 x AKQJT98765432 + 6 Jokers)
78-card Swiss 1JJ Tarot pack minus the 1-4 of Swords and Batons and 7-10 of Cups and Coins:
62-card Tarocco Bolognese pack
78-card French-suited tarot pack minus the 3 lowest cards of each suit:
Tarot/Tarock pack (Fool 21–1 ♣♠ KQCJT98765432A ♥♦ KQCJA23456789T):
Minchiate pack (40 trumps, Fool and 4 suits of 14 cards):
French packs (2 packs of 4 x AKQJT98765432):
French pack (Canasta): 2 packs of 52 cards and 4 Jokers:
French packs (2 packs of 4 x AKQJT98765432 + 6 Jokers):
(6 packs of 52 cards)
San Sebastián del Oeste

San Sebastián del Oeste (Spanish: [san seβasˈtjan del oˈeste] ) is a town and municipality, located on the western part of Jalisco state, Mexico, between 20°39’45’’ - 21°02’30’’ N and 104°35’00’’ - 104°51’00’’ W, at a height of 1,480 metres (4,856 ft).
The municipality of San Sebastián del Oeste borders the state of Nayarit to the north; to the south, the municipality of Mascota; to the east, the municipalities of Guachinango and Mascota; and to the west, Puerto Vallarta.
The city and municipality are served by an airfield.
San Sebastián was founded as a mining town in 1605, during the early Spanish colonial Viceroyalty of New Spain period. Gold, silver and lead were mined in the area. More than 25 mines and a number of foundries were established by 1785.
The town was formally established as a city in 1812.
At the start of the 21st century, San Sebastián town had a population of less than 1,000 people.
It reached a peak population of around 20,000 people by 1900. The prosperity of the town declined after the revolution of 1910.
San Sebastián del Oeste is a designated Pueblo Mágico, one of the towns maintaining their historical character and promoted by the federal government as tourism destinations. It also receives tourists visiting nearby Puerto Vallarta on the coast to the west. Recent road improvements reduced transit time from Puerto Vallarta to under 2 hours.
The town is known for its fiestas for religious holidays:
Its form of government is democratic and depends on the state and federal government; elections are held every three years, when the municipal president and her/his council are elected. The municipal president is Aurora Ponce Peña, from the Citizens' Movement party, who was elected in the elections on 6 June 2021.
20°45′40″N 104°51′08″W﻿ / ﻿20.76114°N 104.852273°W﻿ / 20.76114; -104.852273
Roque del Oeste

Roque del Oeste (pronounced [ˈroke ðel oˈeste]; Spanish for "rock of the west"), also referred to as Roque del Infierno (Spanish for "rock of the hell"), is an uninhabited islet located 0.6 km northeast of the island of Montaña Clara, in the northeasternmost part of the Canary Islands, the Chinijo Archipelago. The highest point of the island is 41 m above sea level. The island is part of the nature reserve Los Islotes, which is part of the natural park Chinijo Archipelago.
29°18′40″N 13°31′37″W﻿ / ﻿29.311°N 13.527°W﻿ / 29.311; -13.527
Swords (suit)

The suit of swords is one of the four card suits used in Latin-suited playing cards alongside coins, cups and batons. These suits are used in Spanish, Italian and some tarot card packs.
Symbol on Italian pattern cards: Symbol on Spanish pattern cards: Symbol on French Aluette Spanish pattern cards:
The suit of swords is believed to have derived from Chinese money-suited cards' Tens of Myriads of Strings of cash coins suit. When the cards came into contact with the Islamic world, the Muslims adopted and renamed the suit of tens as swords. This may have been due to the Chinese numeral character for "ten" (十) being seen with one of its strokes elongated.
In Spain, the suit of swords is known as espadas and the court cards are known as the rey (king), caballo (knight or cavalier) and sota (knave or valet). The Spanish play with packs of 40 or 48 cards. There are no tens and, in the shorter pack, the nines and eights are also dropped. Thus the suit of swords ranks: R C S (9 8) 7 6 5 4 3 2 1. In Italy the suit is known as spade and the corresponding court cards are the re, cavallo and fante. Either 40 or 52-card packs are used. In the shorter packs, the tens, nines and eights are removed. Card ranking is thus: R C F (10 9 8) 7 6 5 4 3 2 1.
The interpretation and arrangement of the pips helps to subdivide the Latin-suit systems:
Portuguese-suited playing cards were traded to Japan in the mid-16th century which influenced the development of Karuta where the 48-card Komatsufuda and 75-card Unsun Karuta decks still maintain this suit.
The gallery below shows a suit of swords from a Spanish-suited deck of 48 cards. The pack is of the Castilian pattern:
The gallery below shows a suit of swords from an Italian-suited deck of 52 cards. The pack is of the Bresciane pattern:
The image below shows a suit of swords from a Komatsufuda deck of 48 cards:
The image below shows a suit of swords from an Unsun karuta deck of 75 cards:
The suit of swords in some tarot packs is one of several suits used in cartomancy.