davidanugraha/M4-RAG huggingface dataset:
Tempe gembus

Tempe gembus adalah salah satu makanan tradisional yang merupakan hasil fermentasi ampas tahu oleh kapang tempe Rhizopus spp. Tempe gembus belum dikenal orang sebelum terjadinya Perang Dunia II, dan baru mulai dimakan penduduk di Pulau Jawa sekitar tahun 1943 ketika persediaan makanan di perdesaan mulai menipis.
Ampas tahu, yakni sisa bahan padat dari proses pengolahan kedelai menjadi tahu, umumnya dimanfaatkan sebagai pakan ternak, pakan ikan, atau untuk membersihkan lantai rumah. Di Banyumas, tempe ini juga dikenal dengan nama tèmpé gajês; sedangkan di Surabaya dan sekitarnya, sebutannya adalah tèmpé mènjés.
Bahan pembuatan tempe gembus biasanya adalah ampas tahu yang telah dimasak dan didinginkan, meskipun ada pula yang menggunakan bahan-bahan yang lain. Kapang yang digunakan dalam fermentasi terutama adalah kapang atau ragi tempe Rhizopus oligosporus dan Rh. arrhizus.
Ampas tahu yang telah dikurangi kadar airnya dan dicampuri dengan kapang tempe itu kemudian difermentasikan. Tempe gembus dihasilkan lebih kurang 20 jam setelah inokulasi dilakukan; dan paling baik untuk dikonsumsi hingga umur 28 jam. Setelah 44 jam hingga 48 jam, tempe mulai berbau tengik amoniak, tanda bahwa telah terjadi penguraian protein.
Meskipun berasal dari sisa pembuatan makanan, tempe gembus masih mengandung cukup kadar gizi. Namun demikian, dibandingkan dengan tempe kedelai, tempe gembus memiliki kadar protein dan lemak yang lebih rendah, kandungan energi yang hanya sekitar setengahnya, tetapi dengan kadar serat makanan yang lebih tinggi.
Tempe gembus juga memiliki kandungan jenis-jenis asam amino yang sama dengan tempe kedelai, namun dengan kadar yang jauh lebih kecil. Di samping itu tempe gembus mengandung asam-asam lemak esensial, di antaranya asam linoleat (21,51%), asam lemak tak jenuh oleat (16.72%) dan linolenat (1.82%). Tempe gembus juga mempunyai kandungan senyawa isoflavon berupa daidzein dan genistein. Kadar daidzein dan genistein tertinggi didapati pada tempe gembus hasil fermentasi hari ke-3, yaitu berturut-turut sebesar 9,868 µg/g dan 3,480 µg/g.
Proses fermentasi tempe ini boleh dikatakan tidak mengubah nilai gizi yang dikandung ampas tahu, akan tetapi proses ini telah mengubah tampilan dan rasa ampas tahu yang semula tidak menarik dan tidak enak dimakan.
Tempe gembus digemari sebagian penduduk Jawa Tengah dan Jawa Timur karena rasanya yang cukup enak. Serupa dengan tempe kedelai umumnya, tempe gembus biasa digoreng atau dimasak dengan sayuran dan cabai. Di Jawa Timur, tempe ini juga dikenal sebagai tempe menjes.
Orek tempe

Orek tempe merupakan makanan khas Indonesia, tepatnya hidangan tanah Jawa yang terbuat dari tempe yang dipotong baik dadu maupun diiris batang dan dimasak dengan bumbu khas yakni gula jawa dan asam jawa.
Orek tempe umummnya terbagi menjadi dua variasi, yaitu orek tempe kering dan orek tempe basah. Gula jawa pada orek tempe kering dimasak hingga menyusut dan terkaramelisasi secara merata, sehingga potongan-potongan tempe tersalut oleh lapisan gula jawa dan bumbu dan menciptakan kesan kering dan agak keras. Berbeda dengan orek tempe basah, gula jawa tidak terkaramelisasi secara merata, sehingga gula jawa yang belum terkaramelisasi menjadi kuah orek tempe sehingga menciptakan tekstur orek tempe yang lembut dan lebih cocok dimakan saat panas.
Kini, orek tempe adalah lauk yang umum dan kerap ditemui di warung makan di Indonesia.
Tiempo perdido (película)

Destinos es una película colombiana de 2015 dirigida y escrita por Alexánder Giraldo y protagonizada por Angélica Blandón, Alejandro Aguilar, Manuel sarmiento y Andrés Felipe Torres.​​​
¿A dónde va el tiempo que se pierde? ¿Se hace o se sigue el destino? Cinco historias se entrelazan en la búsqueda de los sueños, la nostalgia del pasado y la vida que pasa frente a nuestros ojos.
Un boxeador quiere algo más que un triunfo. Un ex presidiario necesita retomar el rumbo tras 30 años. Un barrendero que tiene un único sueño. Un ayudante de construcción dedicado a otros. Una mujer que renuncia a la música por culpa del dolor.
Estas cinco personas se darán cuenta que a veces, mirar al futuro es la única forma de recuperar el pasado.
En directo (álbum de Inti-Illimani)

En directo es el primer álbum en directo oficial de la banda chilena Inti-Illimani, lanzado originalmente como un LP en 1980.​
Este álbum fue grabado en una gira en Italia y lanzado en el mismo país, donde vivieron los integrantes de la banda durante años, luego de su exilio de Chile producto del Golpe de Estado de 1973.
El álbum habla acerca del darse cuenta de que su exilio en Europa podría ser más que sólo pasajero. La carátula del álbum contiene la siguiente dedicación:
Umpalá (Piedecuesta)

Umpalá, cuyo nombre significa "lugar a donde solo llegan los dioses", es un centro poblado del municipio de Piedecuesta, Santander, Colombia, se halla a una altitud de: 1200 a 1400 msnm. Cuenta con una temperatura que oscila entre los 20 (noche) y 30 grados centígrados (día). Con un clima predominantemente seco y soleado, con muy bajas precipitaciones, solamente 732mm de agua por año. Tiene varias fuentes hídricas como: El Río Manco, El Río Umpalá, el Río Pescadero y el Río Chicamocha, que finalmente se encuentra con el Río Suárez para formar así el Río Sogamoso que desemboca en La Represa de Topocoro (Hidrosogamoso).​
Monumento a los enamorados (Córdoba)

El monumento a los Enamorados o monumento a los Amantes es un monumento situado en Córdoba (España), inaugurado en 1971 en memoria del amor entre el poeta Ibn Zaydun y la poeta y princesa Wallada.​ Vivieron, aproximadamente, en la misma época de los Infantes de Lara, pero son conocidos principalmente por su poesía amorosa. El monumento es un templete formado por cuatro columnas sin basa, tejadillo y un pedestal con dos manos.
La poesía, en esta época, estaba escrita en árabe clásico y mantenía temas primitivos. Pero en al-Ándalus, concretamente en el área de Córdoba, tuvo lugar una innovación poética. Aquí surgieron dos formas métricas nuevas que, aunque estén relacionadas, son distintas: el zéjel y la moaxaja. Las moaxajas más antiguas que se conservan son del siglo XI y los tratadistas árabes nos dicen que fueron inventadas en el 900 por un poeta de Cabra, identificado como Ben Mocadem.
Ibn Zaydun murió en Sevilla exiliado a causa de sus pasiones, enamorado de la princesa y poetisa Wallada, arrastró su amor apasionado por los jardines de Córdoba, que se llenaron de sus besos y sus poemas. Cuando Wallada lo abandonó, eligiendo en su lugar a otro, Zaydun, desesperado, le escribió una carta al preferido como si se la escribiera a la princesa. Wallada, indignada, insultó al poeta, lo llamó degenerado, adúltero, ladrón… Ibn Zaydun no tuvo más remedio que irse de Córdoba.
El monumento forma parte del centro histórico de Córdoba que fue declarado Patrimonio de la Humanidad por la Unesco en 1994.​
Como recuerdo de este amor perdido, pueden leerse en el mármol del monumento dos poemas de cada poeta, cuyos versos aparecen en castellano y árabe:
El inicio del poema: Dante y Virgilio

El inicio del poema: Dante y Virgilio es una pintura al fresco del pintor austríaco del romanticismo Joseph Anton Koch. Elaborada entre los años 1827 y 1829, la pintura al fresco fue desarrollada por los pintores germanos del siglo XIX.​
Esta en concreto forma parte de una serie de frescos que el marqués y aristócrata romano Carlo Massimo encargó a Philipp Veit en el Casino de su Villa Massimi, situada en el barrio romano de Letrán y que este no completó. Koch recibió el encargo de terminar las decoraciones y completó los frescos relacionados con las dos primeras partes de la obra magna de Dante, el infierno y el purgatorio de la Divina Comedia.​
De esta obra, decía el mismo Koch: «Dejé en Roma un monumento de mi imaginación». Estos frescos, en los que se perciben la influencia de Poussin y Claudio de Lorena,​ han sido restaurados y se pueden visitar.
En este fresco, Koch utiliza una técnica muy al gusto de los nazareos (grupo artístico minoritario del siglo XIX que se inspiró en la pintura italiana inmediatamente previa al Renacimiento), que es la de usar la representación simultánea, es decir, en una misma escena se representan varios capítulos o momentos sucesivos.
En este caso, gracias a la lectura del fresco de derecha a izquierda, se puede ver a Dante mientras duerme y sueña con el viaje descrito en el proemio de la Divina Comedia. A continuación se le ve cuando es atacado por tres fieras, un leopardo, un león y una loba. El que se convertirá en su guía por el resto del viaje al infierno, el poeta romano Virgilio, acude en ayuda de Dante, conduciéndole hacia la puerta del infierno, una puerta real, perfectamente integrada en el fresco.
List of barefooters

This is a list of notable barefooters, real and fictional; notable people who are known for going barefoot as a part of their public image, and whose barefoot appearance was consistently reported by media or other reliable sources, or depicted in works of fiction dedicated to them.
A barefoot appearance can be a notable characteristic for an individual, as it has been associated with various cultural contexts throughout human history. In Ancient Greece, philosophers like Socrates and Diogenes adopted a barefoot lifestyle, and since the Middle Ages, it was seen as a sign of religious ascetism. In particular, discalceation, the practice of going constantly barefoot or clad only in sandals, is a common feature of Christian mendicant orders, practiced by the Discalced Carmelites (1568), the Feuillant Cistercians (1575), the Trinitarians (1594), the Mercedarians (1604), the Passionists, the Poor Clares and Colettine Poor Clares, and the Descalzas Reales. This is undertaken as part of vows of poverty and humility, as well as a remembrance of Moses on Mount Sinai. Hindu gurus go barefoot to allow their followers to demonstrate their love and respect by pranam, the ceremonial touching of a bare foot. It is also customary in Judaism and some Christian denominations to go barefoot while mourning.
The early 20th century saw the emergence of the barefoot dance movement, pioneered by Isadora Duncan, that anticipated women's liberation movement and challenged the then prevalent perception of bare foot as obscene. In the latter half of the 20th century, many singers, primarily women, have performed barefoot, a trend that continues in the early 21st century.
Since the 1960s, barefooting has also been associated with counterculture, in particular with the hippie and New Age movements. A July 1967 Time magazine study on hippie philosophy credited the foundation of the hippie movement with historical precedent dating back to the aforementioned religious and spiritual figures of the ancient times, including Diogenes and the sadhu of India.
Nowadays people who have a preference for not wearing shoes in public are striving for the recognition of barefoot lifestyle, against the social stigma associated with barefooting, and for the abolition of laws and regulations that prohibit going barefoot in certain places. In particular, in the 2020s, it became a trend among celebrities to appear barefoot in public, a tendency reinforced by TikTok.
Bare feet are a consistent element in the depiction of some fictional characters.
Desiderata

"Desiderata"(Latin: "things desired") is a 1927 prose poem by the American writer Max Ehrmann. The text was widely distributed in poster form in the 1960s and 1970s.
Max Ehrmann of Terre Haute, Indiana started writing the work in 1921, but he did not assign it a title. He registered for his U.S. copyright in 1927 using the poem's first phrase as its title. The April 5, 1933 issue of Michigan Tradesman magazine published the full, original text on its cover, crediting Ehrmann as its author. In 1933, he distributed the poem in the form of a Christmas card, now officially titled "Desiderata."
Psychiatrist Merrill Moore distributed more than 1,000 unattributed copies to his patients and soldiers during World War II. After Ehrmann died in 1945, his widow published the work in 1948 in The Poems of Max Ehrmann. The 1948 version was in the form of one long prose paragraph, so earlier and later versions were presumably also in that form.
The reverend Frederick Kates distributed about 200 unattributed copies as devotional materials for his congregation at Old Saint Paul's Church, Baltimore during 1959 or 1960. The papers mentioned the church's foundation date of 1692, which has caused many to falsely assume that the date is that of the poem's origination.
The text was widely distributed in poster form in the 1960s and 1970s, often with the incorrect date of 1692. It was first partitioned into a few subparagraphs separated by "distinctive spacing figures" in 1970 by Pro Arts and Crescendo Publishers. Later, it was divided into four or more subparagraphs separated by new lines in DePauw University's Mirage for 1978 and in the July/August 1999 issue of The Saturday Evening Post. In some versions, almost all instances of "and" are replaced by ampersands. Other versions change "the noise and the haste" to "the noise and haste" and change "be cheerful" to "be careful," notably in the 1971 spoken-word recording by Les Crane.
Ehrmann's widow renewed the copyright in 1954. In 1967, Robert L. Bell acquired the publishing rights from Bruce Humphries Publishing Company, and then bought the copyright from Richard Wright, nephew and heir to the Ehrmann work.
In August 1971, the poem was published in Success Unlimited magazine without permission from Bell. In a 1975 lawsuit against the magazine's publisher Combined Registry Co., the court ruled that copyright had been forfeited because the poem had been authorized for publication without a copyright notice in 1933 and 1942, meaning that the poem was therefore in the public domain. The ruling was upheld by the Seventh Circuit Court of Appeals but was denied consideration by the Supreme Court. However, Bell refused to recognize the ruling. As the decision was only valid in the appeals court's jurisdiction of Indiana, Illinois, and Wisconsin, Bell continued to litigate in other jurisdictions, seeking removal of the poem from offending publications or payment of royalties.
The poem is now officially in the public domain throughout the U.S., as written works registered before 1928 entered the public domain in 2023.
Media related to Desiderata at Wikimedia Commons
The Happiest I've Been

"The Happiest I've Been" is a work of short fiction by John Updike, first appearing in The New Yorker on January 3, 1959. The story was collected in The Same Door (1959) published by Alfred A. Knopf.
The narrator, John Nordholm, a 19-year-old college sophomore, has returned to his childhood home in Olinger (a fictional rural town in Pennsylvania) for Christmas vacation. John and his former high school classmate Neil Hovey arrange to drive to Chicago to visit girlfriends for New Year's Eve. John bids farewell to his parents. Rather than proceeding directly on their journey, the youths decide to first attend a local party that evening in Olinger that involves a measure of alcohol consumption, dancing and carousing.
The lively gathering of John's high school friends continues late into the night and the boys pair off with two of the local girls, Margaret Lento and a girlfriend (unnamed). In the wee hours of the morning the boys deliver the girls to Margaret's home in a nearby town. Margaret invites the group in to have coffee. Neil and Margaret's friend neck in the darkened house. John and Margaret chat, sharing experiences they've had with the people they've grown up with. After a tender kiss, she falls asleep in his arms.
At sunrise the youths depart together for Chicago, taking turns sleeping and driving on the anticipated 17-hour trip. John is filled with a tremendous sense of optimism, anticipation and pride as he embarks upon his adulthood.
The “bittersweet” events Updike describes in “The Happiest I’ve Been” concern the final hours of his boyhood and his first awareness of himself as an adult. Biographer Adam Begley notes the author's willingness “to indulge liberally in nostalgia, to replay the past, frame by frame, and wring every last drop out of reminiscence—a technique Updike had mastered as early as 1958 in “The Happiest I’ve Been.”
Detweiler identifies those moments that comprise the happiest of the narrator's life in the expressions of trust he has elicited from others: “There was knowing that twice since midnight a person had trusted me enough to fall asleep beside me.” Detwieler writes:
Literary critic William H. Pritchard considers the final passages from “The Happiest I’ve Been” among “the best pieces of writing to be found anywhere in Updike.” Pritchard quotes Updike's own appraisal of the story: “I had a sensation of breaking through, as if through a thin sheet of restraining glass, to material, to truth, previously locked up.”
Literary critic Robert M. Luscher the moment of narrator's transition to adulthood:
San Sebastián del Pastelillo Fort

The Fort San Sebastián del Pastelillo (Spanish: Fuerte de San Sebastián del Pastelillo) is a military fortress built in colonial times in Cartagena de Indias, Colombia.
The Viceroy Sebastián de Eslava ordered the construction of this fort. The construction of the fort began in 1741 and was completed in 1744 under the leadership of the military engineer Juan Bautista Mac-Evan and the collaboration of the engineer Carlos Desnaux. The fort is named "San Sebastián" after Viceroy Sebastían de Eslava, and "Pastelillo" because the structure of the fort resembles a cake. The fort was designed to protect the city from attacks by pirate ships as well as to prevent smuggling of goods. In 1943, President Eduardo Santos Montejo transferred ownership of the fort to the Cartagena Fishing Club. In 1972, the fort was renovated by architect Juan Manuel Zapatero. In 2021, the Ministry of Culture ordered the Cartagena Fishing Club to make repairs to the fort. When the Cartagena Fishing Club painted the façade of the fort in August 2021, it caused quite a stir among social media users. The Office of the Inspector General of Colombia asked the mayor of Cartagena, William Dau, to prevent the damage to the fortress.
The fort has 3 alignments. In the second alignment it contains 8 cannons originally used to defend the access to Manga Island and in the third alignment it has 7 cannons originally used to defend other lands of Manga Island and the road to San Lazaro Hill. The fort also contained a gunpowder store as well as a dock for landing artillery.
My Hometown

"My Hometown" is a single by Bruce Springsteen from his Born in the U.S.A. album as its closing track, that was the then-record-tying seventh and last top 10 single to come from it, peaking at #7 on the Cash Box Top 100 and #6 on the Billboard Hot 100 singles chart. It also topped the U.S. adult contemporary chart, making the song Springsteen's only #1 song on this chart to date. The song is a synthesizer-based, low-tempo number that features Springsteen on vocals.
The song's lyrics begin with the speaker's memories of his father instilling pride in the family's hometown. While it first appears that the song will be a nostalgic look at the speaker's childhood, the song then goes on to describe the racial violence and economic depression that the speaker witnessed as an adolescent and a young adult. The song concludes with the speaker's reluctant proclamation that he plans to move his family out of the town, but not without first taking his own son on a drive and expressing the same community pride that was instilled in him by his father.
Some of the song's images reference the recent history of Springsteen's hometown Freehold Borough, New Jersey, in particular the racial strife in 1960s New Jersey and economic tensions from the same times (such as the "textile mill being closed" was the A & M Karagheusian Rug Mill at Center and Jackson Streets of Freehold).
Cash Box called it a "tender and somber look at the real American hometown" that is "evocative in rare way." Billboard called it a "contemplative, insightful single."
The music video for "My Hometown" was a straightforward video filming of a performance of the song at a Springsteen and E Street Band concert late in the Born in the U.S.A. Tour, eschewing fast-paced cutting for slower montages of Springsteen and various band members. Despite its lack of visual excitement, it still managed substantial MTV airplay in late 1985 and early 1986.
The B-side of the single, "Santa Claus Is Comin' to Town", was a semi-comical live recording of the Christmas favorite from a Springsteen and E Street Band concert on December 12, 1975, at C. W. Post College on Long Island, New York. Long familiar to Springsteen fans from its distribution years earlier to rock radio stations, it had previously been released on the fairly unknown 1981 children's album In Harmony 2; now in time for the Christmas season it was being issued again. Always a radio favorite, "Santa Claus" would benefit from the all-holiday-music-all-the-time formats of the 2000s, and during the 2005 holiday season "Santa Claus" would appear on the Billboard Top 40 Adult Recurrents and Hot Digital Songs charts.
According to authors Philippe Margotin and Jean-Michel Guesdon, and the album's liner notes:
The E Street Band
Additional performer
Sunset in My Hometown

Sunset in My Hometown (Korean: 변산; RR: Byeonsan) is a 2018 South Korean drama film and the thirteenth feature film directed by Lee Joon-ik, starring Park Jeong-min and Kim Go-eun. It follows struggling underground rapper Hak-soo as he returns to his hometown Byeonsan (Buan County) after a fateful phone call, reuniting with childhood friends like Sun-mi and experiencing a journey filled with laughter and heartfelt moments. The film was theatrically released on July 4, 2018.
Juggling valet parking and convenience store shifts, Hak-soo, an aspiring rapper known as Simbbuk, endures a tough and unrelenting youth. Despite six consecutive years of competing in Show Me the Money, he remains unknown. Then, at the lowest point of his life after yet another failed audition, he receives an unexpected call that drags him back to the hometown he desperately wanted to forget: Byeonsan.
Lured back by a sneaky trick from his old crush Sun-mi, Hak-soo is reluctantly forced to return home. As he reconnects with persistent childhood friends, embarrassing memories he wanted to erase start resurfacing one by one. Desperate to escape, he finds himself caught in unpredictable events, pushing him into the biggest crisis of his life.
Production began in Seoul on September 11, 2017. Filming wrapped in Chuncheon, Gangwon Province on November 18, 2017.
Sunset in My Hometown opened in local theaters on July 4, 2018.
Yoon Min-sik of The Korea Herald praised the characters and dialogue for being charming and natural; as well as the chemistry between lead actors Park and Kim. Shim Sun-ah of Yonhap News Agency praised the film for being heartwarming, inspiring and humorous.
Half of My Hometown

"Half of My Hometown" (stylized in all lowercase letters) is a song recorded by American country music artists Kelsea Ballerini and Kenny Chesney. It was released to country music radio on April 19, 2021, as the fourth single from Ballerini's third studio album Kelsea. Ballerini co-wrote the song with Ross Copperman, Nicolle Galyon, Shane McAnally, and Jimmy Robbins. An alternate recording of the song is also included on Ballerini's first remix album, Ballerini.
The song won both Musical Event of the Year and Video of the Year at the 55th Annual Country Music Association Awards and was nominated for Single of the Year at the 56th CMA Awards.
"Half of My Hometown" describes the conflicting emotions of a person who feels conflict between staying in their hometown, or leaving it in favor of an improvement. Ballerini recorded vocals for this song immediately after writing it and some demo vocals were retained in the final edit. The song makes references to Knoxville, Tennessee - the hometown of both artists - inspiring the decision to enlist Chesney to feature on the track. Chesney says he "couldn't say 'yes' fast enough" after hearing the song.
In a review for Kelsea on AllMusic, Stephen Thomas Erlewine wrote that Chesney's inclusion on the song "seems designed to reinforce [Ballerini's] country roots." Jonathan Bernstein of Rolling Stone labelled the song a "heartwarming acoustic anthem," in his review of Kelsea. Cillea Houghton of Sounds Like Nashville wrote that "the starlet takes on a more serious tone with the observational "half of my hometown"," and called the song "a standout moment" on the album. An unnamed reviewer for Off the Record UK wrote that "the addition of Chesney's distinctive vocal is the masterstroke here to make it the standout track on the record," and adds that "it is both catchy and full of nostalgia."
The video was directed by Patrick Tracy. It features Kelsea picturing an alternate life where she stayed in Knoxville, Tennessee instead of pursuing her dream as a country star interspersed with clips of her performance of the song with Chesney at the ACM Awards.
Ballerini and Chesney performed the song together at the 56th Academy of Country Music Awards on April 18, 2021, one day before releasing the song to radio. The performance served as the single's live debut. Ballerini performed during the live finale part 2 of The Voice season 20, Kenzie Wheeler performed Chesney's vocals of the song.
More Than My Hometown

"More Than My Hometown" is a song co-written and recorded by American country music singer Morgan Wallen. It was released on May 27, 2020, as the lead-off single from his second studio album Dangerous: The Double Album.
Wallen co-wrote "More Than My Hometown" with Michael Hardy, Ernest Keith Smith, and Ryan Vojtesak, and it was produced by Joey Moi. Lyrically, the song talks about small town love and finds the narrator drawing the line at moving away from his hometown to follow his girlfriend's big city dreams ("This might be the last time I get to lay you down, 'cause I can't love you more than my hometown").
The music video was directed by Justin Clough and premiered on August 24, 2020. The video was filmed in Ashland City, Tennessee. Starring in the video is Morgan Wallen and a female from the bachelor.
The photograph used as the cover image for the single was taken looking southbound on Tennessee Highway 70 just north of Kyles Ford, Tennessee. One of the towns listed on the highway sign in the photo, Sneedville, is the actual native hometown of Morgan Wallen.
Copa Suat 2014

La Copa Suat (por motivos de patrocinio)​ es un torneo de verano de fútbol de carácter amistoso que se disputó en el Estadio Luis Franzini en Montevideo, Uruguay en el 2014.​ En su tercera edición, se disputó en su totalidad en el Estadio Luis Franzini de Montevideo, Uruguay, en los días 15 y 17 de enero.
En esta edición participaron los siguientes equipos:
Copa Suat 2012

La Copa Suat (por motivos de patrocinio)​ es un torneo de verano de fútbol de carácter amistoso que se disputó en el Estadio Luis Franzini en Montevideo, Uruguay en el 2012.​ En su segunda edición, se jugó en su totalidad en el Estadio Luis Franzini de Montevideo, Uruguay, en los días 20 y 22 de enero de 2012.
En esta edición participaron los siguientes equipos:
Copa Suat 2015

La Copa Suat (por motivos de patrocinio) es un torneo de verano de fútbol de carácter amistoso que se disputó en el Estadio Luis Franzini en Montevideo, Uruguay. En su cuarta edición, se disputó en su totalidad en el Estadio Luis Franzini de Montevideo, Uruguay, en los días 10 y 13 de enero del 2015.​
En esta edición participaron los siguientes equipos:
Copa Suat

La Copa Suat es un torneo internacional de fútbol de carácter no oficial, que se disputa en Uruguay. El torneo es organizado por la empresa Tenfield, y cuenta con el patrocinio de la empresa Suat Emergencia Médica. Participan dos clubes uruguayos y dos internacionales. Se han realizado cinco ediciones de este torneo (2008, 2012, 2014, 2015, 2016).
El sistema de competición es el de eliminatorias directas a un partido, que se juegan en dos fechas
La Copa Suat 2008 fue la primera edición de esta copa, y se disputó en su totalidad en el Estadio Centenario de Montevideo, Uruguay, en los días 2 y 4 de febrero de 2008. Los clubes participantes fueron Nacional, Peñarol (equipos que disputan el Superclásico del fútbol uruguayo), Universidad San Martín (campeón 2007 de Perú), y Tacuary de Paraguay.
Clubes participantes:​
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La Copa Suat 2012 fue la segunda edición de esta copa, y se disputó en su totalidad en el Estadio Luis Franzini de Montevideo, Uruguay, en los días 20 y 22 de enero de 2012. Los clubes participantes fueron Defensor Sporting, Danubio (equipos que disputan un Clásico moderno uruguayo), Tacuary de Paraguay y Unión de Argentina.
Clubes participantes:
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La Copa Suat 2014 fue la tercera edición de esta copa. Para ésta, los cuatro clubes participantes fueron campeones en sus países durante el año anterior, por lo que se lo conoció como el "cuadrangular de campeones". Participaron Danubio (campeón del torneo apertura uruguayo 2013), Defensor Sporting (Campeón del torneo clausura uruguayo 2013), Vélez Sarsfield (campeón de Argentina 2012/13) y Emelec (campeón de Ecuador 2013). Se disputó en su totalidad en el Estadio Luis Franzini de Montevideo entre el 17 y 19 de enero.
Clubes participantes:
Liga 1 2024 (Perú)

La Liga 1 de Fútbol Profesional 2024, conocida como Liga 1 2024 y por razones de patrocinio como Liga 1 Te Apuesto 2024, fue la edición número 108° de la Primera División del Perú, la quincuagésima novena desde que se descentraliza en 1966, la sexta bajo la denominación de Liga 1 y la primera bajo el patrocinio de Te Apuesto.
Fue administrada por una comisión transitoria de la que participarán siete clubes, bajo la supervisión de la Federación Peruana de Fútbol.​​
El torneo inició el 26 de enero de 2024 y finalizó el 3 de noviembre de 2024, contó con la participación de 18 equipos.
El club Universitario de Deportes término por consagrarse «bicampeón nacional» al conquistar la estrella número 28 en el año de su Centenario, tras ganar el Torneo Apertura como también el Torneo Clausura.​
Como en temporadas anteriores, consta de un grupo único integrado por 18 clubes. Siguiendo un sistema de liga, los 18 equipos se enfrentan todos contra todos en dos ocasiones, una en campo propio y otra en campo contrario, sumando un total de 34 jornadas.
La clasificación final se establecerá teniendo en cuenta los puntos obtenidos en cada enfrentamiento, a razón de tres por partido ganado, uno por empate y ninguno en caso de derrota. Si al finalizar el campeonato dos equipos igualan a puntos, los mecanismos para desempatar la clasificación son los siguientes:
La Conmebol otorga 8 cupos a Perú para los torneos internacionales que se distribuyen de la siguiente manera:
Los equipos que ocupen los puestos 16°, 17° y 18° de la tabla acumulada, descenderán de categoría y disputarán la Liga 2 2025.​
En el 2023 hubo 3 descensos (3 últimos puestos) y 2 ascensos (el campeón de la Liga 2 y el ganador del Play-offs de Ascenso). Siendo un total de 18 equipos en la presente temporada.​
Perú está dividido en 25 regiones, de las cuales 10 estarán representados en el campeonato. Las regiones de Cusco y Lima cuentan con la mayor cantidad de representantes (3 equipos). Fue la primera vez en la historia que un equipo de Apurímac participó en Primera División.
Equipos participantes de la temporada 2024.
(*) Indica la posición del equipo con un partido pendiente.
Los play-offs hubieran sido la última etapa del campeonato. Según el reglamento en esta etapa participarían los ganadores de los dos torneos y los dos primeros en la Tabla Acumulada, en eliminatorias de ida y vuelta, si 1 ganador de los torneos cortos también estaba entre los 2 primeros del Acumulado, pasaba directamente a la Final y si ambos ganadores eran los 2 primeros del Acumulado se jugaba directamente la Final entre ellos. Sin embargo, Universitario al ganar los 2 torneos cortos y ser el primer lugar del Acumulado se proclamó campeón automáticamente.
Nota:
Campeonato Nacional de fútbol (Cuba)

El Campeonato Nacional de Fútbol de Cuba es la máxima categoría del fútbol de Cuba. Está regido y patrocinado por la Asociación de Fútbol de Cuba (AFC).
Fue en 1907 cuando comenzó a introducirse el futbol en la Mayor de las Antillas, y solo tres años después en 1910 se conformaba un organismo para amparar el nuevo juego en el país. Para la década del 20, ya era el deporte predilecto de los cubanos y la prensa se hacía eco de todas sus peripecias. El Rovers Athletic Club, compuesto en su mayoría por jugadores de origen británico, sería el club que se adueñaría del Primer Campeonato en 1912, seguido al año siguiente por el Euskeria Sporting Club que también lo ganaría en 1914 convirtiéndose en el primer equipo bicampeón en la Isla. También participaría en estos primeros torneos el Sport Club Hatuey donde predominaban jugadores criollos. Sin embargo, fueron los equipos fundados por la inmigración española, muy numerosa en aquel entonces los que dominaron el panorama por las siguientes décadas. El Club Dep. Centro Gallego, el Iberia FootBall Club, el Juventud Asturiana, el Club Dep. Hispano-América y el Fortuna FootBall Club eran los más destacados, dando lugar estos dos últimos al clásico del futbol cubano. Algunos incluso jugaban de ¨tú a tú¨ contra combinados europeos de máxima categoría. Equipos históricos como Real Madrid, el Atlético de Madrid, el Nacional de Montevideo y el RCD Espanyol de Barcelona, se dejaban caer por la Isla para jugar amistosos con sus pares cubanos.
Desde 1963 las 16 unidades territoriales de Cuba pueden participar (a través de selecciones regionales) en el torneo (hasta 1977 podían participar en el torneo usando un apodo).
Por diversos motivos (políticos, económicos, etc.), desde la temporada 2007/08 los equipos de Cuba no participan en el Campeonato de Clubes de la CFU ni en la Concacaf Liga Campeones.
1912 - 1961: Viejo campeonato
1963 - act.: Nuevo campeonato
1912 - act.: Todos los campeonato
Carlos María Franzini

Carlos María Franzini (Buenos Aires, 6 de septiembre de 1951-Mendoza, 8 de diciembre de 2017) fue un arzobispo católico y profesor de teología argentino.
Fue ordenado sacerdote el 13 de agosto de 1977 por el mons. Antonio María Aguirre en la Catedral de San Isidro Labrador y fue consagrado el 19 de junio de 2000 por el mons. Alcides Jorge Pedro Casaretto en la Catedral San Rafael de Rafaela.
Fue vicario cooperador de las parroquias Sagrado Corazón (Boulogne Sur Mer, 1978), Santa María Magdalena (Florida, 1979 a 1980) y de la catedral San Isidro Labrador (San Isidro, 1980 a 1983). También se desempeñó como capellán de la abadía Santa Escolástica (Victoria, 1983 a 1990), director espiritual del Seminario Mayor San Agustín (1985 a 1989) y profesor de Teología de esa casa desde 1983. Fue canciller de la curia eclesiástica de San Isidro de 1980 a 1990, y de 1989 a 1993, subsecretario ejecutivo de la Conferencia Episcopal Argentina. Desde 1994 dirigió la revista Pastores, y desde 1990 hasta 1997 ejerció el cargo de vicario general de la diócesis de San Isidro.
Fue proclamado obispo de Rafaela el 29 de abril de 2000 por el papa Juan Pablo II.
Promovido a arzobispo de Mendoza por Benedicto XVI el 10 de noviembre de 2012.
Fue presidente de la Comisión de Vida Consagrada en la Conferencia Episcopal Argentina. En el Sínodo de los Obispos para la Nueva Evangelización, realizado en la Ciudad del Vaticano en 2012, participó como uno de los cuatro obispos argentinos que estuvieron en él.
Falleció a los 66 años de edad debido a un paro cardíaco cuando se estaba recuperando de una operación por cáncer.​
Estadio Luis Franzini

The Estadio Luis Franzini (or Luis Franzini Stadium) is an outdoor football stadium located in Montevideo, Uruguay. The stadium's maximum capacity is 16,000 people, and it is the home ground of Defensor Sporting. The stadium was closed during the 1997 season for renovations. It reopened on 16 August 1998 with the name Nuevo Estadio Luis Franzini. Renovations included a seating capacity increase and leveling of the playing area. Previously, the land sloped to the west, toward the Rio de la Plata.
Situated on municipal land on the Parque Rodo at the intersection of Herrera y Reissig and Sarmiento Streets, the Luis Franzini Stadium is named for the former president of the Uruguayan Soccer Commission (Comisión de Fútbol) and Defensor Sporting, Luis Franzini, who led the club for thirty three years.
Sergio Silva (Uruguayan footballer)

Sergio Silva (died 26 August 2000) was a Uruguayan footballer who played professionally in Mexico, United States and Uruguay.
Silva began playing football as a central forward in the Uruguayan Primera División. He played for C.A. Cerro and participated in the United Soccer Association with his Cerro teammates under the New York Skyliners franchise in 1967.
In 1970, Silva moved to Mexico, where he would spend the remainder of his playing career. He initially signed with Mexican Primera División side Deportivo Toluca, but joined Torreón in 1972. He moved to San Luis for the 1976–77 season and played for Tampico the next season after Tampico acquired San Luis' franchise.
Silva appeared in two 1970 FIFA World Cup qualifying matches for the Uruguay national football team during 1969.
Silva's sons, Marcelo Silva Rigau and Sergio Silva Rigau, are a football manager and a professional football referee.
Lucas Agazzi

Lucas Agazzi Galeano (born 2 May 2005) is a Uruguayan professional footballer who plays as a right winger or right-back for Uruguayan Primera División club Defensor Sporting.
Agazzi played baby fútbol for Carrasco Polo Club before joining Defensor Sporting. He made his professional debut for Defensor on 7 February 2023 in a 1–3 defeat to Fénix.
Agazzi was part of the Uruguay under-20 team which won the 2024 COTIF. During the group stage of the tournament, he scored a goal in a 1–0 win against Sevilla. In January 2025, he was named in Uruguay's 23-man squad for the 2025 South American U-20 Championship.
In March 2025, Agazzi received his first call-up to the Uruguay national team.
Defensor Sporting
Primera Nacional

Primera Nacional (usually called simply Nacional B, (English "National B Division"), and known as Primera B Nacional until the 2019–20 season) is the second division of the Argentine football league system. The competition is made up of 38 teams.
It is played by teams from all over the country. Clubs from Buenos Aires surroundings, as well as some from Santa Fe Province, are promoted from or relegated to the Primera B Metropolitana ("Metropolitan B Division") while for teams from the other provinces the Torneo Federal A ("Federal A Tournament") is the next level down. In Argentine football, Primera Nacional is the second-highest league, and from it, the three best teams are automatically promoted to Primera División.
Primera B Nacional games are often transmitted to Argentina and abroad on television by TyC Sports.
It was created in 1986 to integrate unaffiliated clubs into the Argentine football structure, which until then had only participated in Nacional championships of Argentina's First Division tournament. It brought together teams from the old Primera B (until then, the second division) and regional leagues from several Argentine provinces.
After the 1985–86 season, the Primera B Nacional became the second hierarchical league in Argentina's professional football, after the Primera División, and it is above the Torneo Federal A and the Primera B Metropolitana, the last one started to act as a third division for the teams directly affiliated to AFA.
Beginning in the 2019–20 season, the name was changed dropping the B to simply be known as Primera Nacional.
Thirty-seven teams play each other once for a total of thirty-six rounds. The top-placed team will be the champion and will also earn promotion to the Primera División. The teams placed from 2nd to 13th place will compete in the "Torneo Reducido" for the second promotion berth after the regular season ends, with the team placed 2nd entering in the third round, the team placed 3rd entering in the second round and the teams placed 4th to 13th entering in the first round.
Since the first season held in 1986–87, the following teams have crowned champions of the division: In case of championships defined by final, they are indicated.
C.A. Nacional Potosí

Club Atlético Nacional Potosí is a Bolivian football team from Potosí. The football team currently plays in the Bolivian Primera División. Founded on 8 April 1942, it plays its home games at Estadio Víctor Agustín Ugarte.
Nacional has a basketball team as well.
Nacional Potosí is one of Bolivia's oldest football clubs, being founded on 8 April 1942. The team has mainly played in the second tier of Bolivian football. In 2004 it came under the ownership of Emilio Alave and the team started to mount a serious promotion challenge, coming close in 2007 when they lost to Aurora in the relegation play-off. Nacional bounced back the following year and won the Copa Simon Bolívar, gaining promotion to the first division. In 2009 Nacional made its debut in the Liga de Fútbol Profesional Boliviano, but the club couldn't survive its first season and was relegated. In 2010, Wilfredo Condori took over as chairman and the side won both the Copa Simon Bolívar and promotion back to the first division. The club played its first ever Copa Sudamericana in 2014. They lost 1-3 on aggregate to Club Libertad of Paraguay in the first round. Celebrating its diamond anniversary in 2017, the side was playing in the first division and the Copa Sudamericana for just the second time in their history.
The club debuted in the Copa Libertadores in 2023 and was eliminated in the 1st stage.
The club plays its home games at Estadio Víctor Agustín Ugarte in Potosí. It has a capacity for 32,000 people.
The stadium was originally called Estadio San Clemente, but was renamed Mario Mercado Vaca Guzmán after some modifications on the structure, including new illumination towers, were made. Newer modifications led ultimately to its actual name.
Located 4,090 metres above sea level, the stadium is one of the highest in the world. It has raised numerous controversies in footballing circles, as its significant altitude affects the absorption of oxygen in the human body, offering considerable advantage to the home team who are more accustomed to such conditions.
Note: Flags indicate national team as defined under FIFA eligibility rules; some limited exceptions apply. Players may hold more than one non-FIFA nationality.
The club has a rivalry with the only other first division club in the Potosí Department, Real Potosí. They share the same stadium, and matches between them usually draw lots of attention.
The first match played between the two clubs was in the 2009 Copa Aerosur on 18 January 2009. Real Potosi won 2-1. The first league match between the two clubs was on 19 April 2009, which finished in a 1-1 draw.
Although both clubs were founded in the 20th century, the reason why it took so long for both clubs to meet was because Nacional Potosi had been playing in the lower divisions until 2009. Nacional Potosí have won 18 times, while Real Potosí have only done it 15 times, there were 11 draws.
ටින්ගා ටින්ගා ටේල්ස්

ටින්ගා ටින්ගා ටේල්ස් (ඉංග්‍රීසි: Tinga Tinga Tales) බ්‍රිතාන්‍ය ෆ්ලෑෂ් සජීවිකරණ ළමා රූපවාහිනී කතා මාලාවක් අප්‍රිකානු ජන කතා මත පදනම් වූ අතර එය අවුරුදු 4 සිට 6 දක්වා ළමුන් ඉලක්ක කර ඇත.
ජිරාෆ්ට දිගු බෙල්ලක් ඇත්තේ ඇයි, දිවියාට ලප ඇති වන්නේ කෙසේද සහ සීබ්‍රාට ඉරි ඇත්තේ මන්දැයි කතන්දර ඇත.... සමහර සතුන් කම්මුල් වන අතර තවත් සමහරු වඩාත් සංයමයෙන් සිටින්නේ මන්දැයි කථා තිබේ.... අප්‍රිකාවේ විවිධ සත්ව ප්‍රජාව බොහෝ ආකාරවලින් ජීවත් වන අතර සමෘද්ධිමත් වන අතර ගණන් කළ නොහැකි වසර ගණනාවක් එය කර ඇත.
කොමන් සෙන්ස් මාධ්ය මත, මාලාවට තරු 5න් 4ක් ලබා දෙයි, සහ වියාචනය: "අප්‍රිකානු ජන කතා දරුවන්ගේ කුතුහලය පෝෂණය කරයි, හොඳ පාඩම් උගන්වයි."
ඉන්දියානු මොනරා

ඉන්දියානු මොනරා හෙවත් නිල් මොනරා (Pavo cristatus) යනුවෙන් හැඳින්වෙන්නේ දකුණු ආසියාවට ස්වදේශීය වූ විශාල සහ දීප්තිමත් වර්ණ සහිත මොනර විශේෂයකි. නමුත් පසුකාලීනව ලෝකයේ බොහෝ ප්‍රදේශවලට හඳුන්වා දී ඇත.
පාවෝ (ගණය)

Pavo යනු සැවුල් කුලයට අයත් විශේෂ දෙකකින් සමන්විත ගණයකි. එම විශේෂ දෙක සමග කොංගෝ මොනරා ද ඇතුළත්ව පොදුවේ මොනරා ලෙස හැඳින්වේ.
ප්ලියෝසීන යුගයේ බෝල්කන් අර්ධද්වීපය තුළ මොනරුන් (බ්‍රැවර්ඩ්ගේ මොනරා) ptarmigan සමග පැවතී ඇත (Lagopus) ප්ලියෝසීන යුගයේ අවසානය තෙක් මොනරුන් බෝල්කන් අර්ධද්වීපය සහ ගිනිකොණදිග යුරෝපයේ බහුලව ව්‍යාප්ත වී පැවතිණි.
List of endemic birds of Sri Lanka

Sri Lanka is home to 34 endemic bird species. The number of bird species recorded in the island is 492 of which 219 are breeding residents. BirdLife International recognize Sri Lanka as one of the world's Endemic Bird Areas (EBAs). The number of endemic species has changed over the years. This is largely due to "close taxonomic revisions". The number of endemic species has fluctuated from 20 to 47. Since 1977 the number has settled at around 21. The figure was increased to 23 in 1990. Many authorities have accepted this figure since then. Wijesinghe published A Checklist of the Birds of Sri Lanka in 1994 which considered the addition of three more species, but this move did not receive widespread recognition because its rationale was not in keeping with rigorous taxonomic practice. Subsequent publications on the avifauna of Sri Lanka and the South Asia region have not listed these three as endemics. However, within some Sri Lankan circles considered the endemics proposed by Wijesinghe as acceptable. This may be due to an over-enthusiasm in increasing endemic numbers to create a better ornithological image and increase the demand for commercial birdwatching.
In 2004, Deepal Warakagoda and Pamela C. Rasmussen described a new bird species, the Serendib scops-owl (Otus thilohofmanni). This is the first new bird species discovered in Sri Lanka since 1868, when the Sri Lanka whistling-thrush (Myophonus blighi) was described. There are some proposals for species level taxonomic revisions, and therefore endemic status in Sri Lanka. The country prefix "Sri Lanka" in common names is normally restricted to endemic species. However Sarath Kotagama et al. (2006) disagree with Sibley and Monroe (1990) on the use of "Ceylon" in common species' names, suggesting instead that they should reflect the change of the official English name of the island from Ceylon to name Sri Lanka. Sibley and Monroe's rationale was "Ceylon" is the geographical unit and "Sri Lanka" is the country which occupies the island. The geographical name is normally used for animal ranges, for example Madagascar is used rather than its nation, the Malagasy Republic."
Source: Kotagama et al., 2013
The number has since increased to 27 with the Sri Lanka shama (Copsychus leggei) being split from white-rumped shama (Copsychus malabaricus) in 2022.
Isoko Rusange muri Afurika y'Iburasirazuba n'Amajyepfo

Isoko Rusange rya Afurika y'Iburasirazuba n'Amajyepfo ( Common Market for Eastern and Southern Africa, COMESA ) ni umuryango w'ubukungu bwo mu karere k' Afurika ufite ibihugu makumyabiri na kimwe bigize uyu muryango kuva muri Tuniziya kugera Eswatini . COMESA yashinzwe mu Kuboza 1994, isimbuza Agace k'ubucuruzi kariho kuva muri 1981. Icyenda mu bihugu bigize uyu muryango byashyizeho akarere k’ubucuruzi bwisanzuye muri 2000 ( Djibouti, Misiri, Kenya, Madagasikari, Malawi, Moritiyusi, Sudani, Zambiya na Zimbabwe ), Rwanda n’Uburundi byinjira muri FTA muri 2004, Comorosi na Libiya mu 2006, Seychelles muri 2009 na Tuniziya na Somaliya muri 2018.
COMESA ni imwe mu nkingi z'umuryango w’ubukungu ny'afurika .
Mu mwaka wa 2008, COMESA yemeye kwagura akarere k’ubucuruzi bwisanzuye bw’ubucuruzi harimo n’abanyamuryango yandi mashyirahamwe abiri y’ubucuruzi muri Afurika, Umuryango w’Afurika y’iburasirazuba (EAC) n’umuryango w’iterambere ry’Afurika yepfo ( SADC ). COMESA irasuzuma kandi gahunda rusange ya viza yo kuzamura ubukerarugendo.
Dukurikije amasezerano, inzego zikurikira zifite imbaraga zo gufata ibyemezo :
Ibindi bigo bya COMESA byashyizweho kugirango biteze imbere iterambere ni :
Inyandikorugero:African Economic Community