davidanugraha/M4-RAG huggingface dataset:
Cabal (sistema de medios de pago)

Cabal es un sistema de medios de pago nacido en Argentina el 20 de noviembre de 1980, con alcance en todo el Mercosur.
La tarjeta de crédito Cabal se originó en Argentina en noviembre de 1980, impulsada por el Instituto Movilizador de Fondos Cooperativos, una entidad federativa que representa a diversas cooperativas asociadas. Su creación fue una respuesta a la creciente presencia de marcas internacionales como Mastercard y Visa en el mercado argentino a finales de los años 1970 y principios de los años 1980.
Operando bajo un Sistema Abierto, Cabal ha logrado expandir su alcance significativamente dentro del sistema financiero argentino. Actualmente, cuenta con aproximadamente cincuenta entidades emisoras, incluyendo bancos nacionales, cooperativos, provinciales y municipales, así como cajas de crédito, compañías financieras, cooperativas y mutuales. Además, más de 100.000 establecimientos comerciales de diversos sectores aceptan la tarjeta Cabal, y alrededor de 700.000 personas la utilizan (datos de 2007).
Desde 2001, la cooperativa Cabal también gestiona la tarjeta de débito Cabal Débito en Argentina.
Constituida como una entidad cooperativa autónoma en 1992, Cabal orientó su accionar hacia el continente sudamericano como parte de una estrategia regional vinculada a la creación de un mercado común en el sur del continente (Mercosur).
En Uruguay, Cabal está asociada con BBVA Uruguay y el Banco de Desarrollo Económico y Social de Venezuela (Bandes). En este país, Cabal cuenta con su propia administradora de tarjetas de crédito, una red de cajeros automáticos, y emite tanto tarjetas de crédito como de débito.​
En Paraguay, Cabal ha establecido la Cooperativa Binacional Cabal Paraguay, que actúa como administradora y procesadora de la tarjeta en colaboración con la Cooperativa Universitaria.
En Cuba, Cabal mantiene un acuerdo con Fincimex que permite el uso de la tarjeta en comercios y en la red local de cajeros automáticos.
A comienzos del año 2000, Cabal constituyó Cabal Brasil,​ fruto de una asociación con el Banco Cooperativo do Brasil, que actúa como emisor de la tarjeta.
Lumines

Lumines: Puzzle Fusion es un videojuego creado por el diseñador Tetsuya Mizuguchi, Desarrollado por Q Entertainment y publicado por Bandai en Japón y Ubisoft en Norteamérica. Fue lanzado el 12 de diciembre del 2004 para la PlayStation Portable. El juego combina elementos de lógica y ritmo en que el objetivo del jugador es ordenar bloques de colores de 2×2 para formar la mayor cantidad posible de bloques en que sus cuatro partes sean del mismo color, esto mientras una línea vertical que avanza al ritmo de la música elimina los bloques uniformes ya formados.
Tras el anuncio de la PlayStation Portable, Mizuguchi conceptualizó la idea de un juego que combinara una jugabilidad similar a la de Tetris con el énfasis en la música de su anterior trabajo Rez. Sin embargo, debido a problemas para conseguir la licencia de Tetris, decidió diseñar lo que sería Lumines.​
La presencia de un jack de audífonos en la consola y las alusiones a que la PlayStation Portable sería "el Walkman del siglo XXI" influenció el diseño del juego como una experiencia centrada en la música.​
El juego fue lanzado como un título de lanzamiento para la consola en Japón en diciembre de 2004, mientras que en Norteamérica y Europa apareció en marzo y septiembre de 2005 respectivamente.
A fines de junio de 2007, se creó un downgrader para la versión 3.50 del sistema PSP, en el que era indispensable para su funcionamiento el uso de la primera versión del Lumines. Como consecuencia de esto, sus ventas aumentaron en todo el mundo. Sin embargo, Sony pidió a los principales comercios distribuidores de videojuegos que retirasen Lumines de la venta, por lo que el juego está actualmente descatalogado.
Más adelante, se editaron ports para dispositivos móviles, Microsoft Windows y la PlayStation 2.
El 26 de junio del 2018 se publicó para PlayStation 4, Nintendo Switch, Xbox One, Windows y Amazon Luna una edición remasterizada del juego.
El 11 de octubre de 2005 se confirmó que Lumines había vendido sobre medio millón de unidades desde su lanzamiento original e Japón en diciembre de 2004. Europa ha contribuido con 180 000 unidades desde su lanzamiento en septiembre de 2005, y Norteamérica ha vendido alrededor de 300 000 desde marzo. En Japón Lumines ha vendido alrededor de 70 000 unidades.
El año 2006 se lanzó la secuela Lumines II, juego que agregó canciones de artistas tales como Beck, Madonna y The Chemical Brothers, entre otros.
Ratchet & Clank: En busca del tesoro

Ratchet & Clank: En busca del tesoro (conocido como Ratchet & Clank Future: Quest for Booty en la mayoría de regiones) es un videojuego de plataformas y acción-aventura desarrollado por Insomniac Games y distribuido por Sony Computer Entertainment para PlayStation 3. El videojuego fue lanzado mediante descarga digital en PlayStation Store a partir del 21 de agosto de 2008 en Europa, Estados Unidos, Japón y Australia.​ Posteriormente, se anunció su lanzamiento en formato Blu-Ray,​ el cual se produjo el 12 de septiembre de 2008 en Europa.​
Se trata de la secuela de Ratchet & Clank: Armados hasta los dientes, el primer videojuego de la serie Ratchet & Clank desarrollado para PlayStation 3. La historia continúa los sucesos vistos en la entrega precedente, mientras Ratchet busca a su compañero Clank, el cual se encuentra raptado, sufre un abordaje por parte de piratas espaciales, viéndose involucrado en la búsqueda de un tesoro escondido en la galaxia. El título es considerablemente más corto que las entregas anteriores, por este motivo se ha distribuido de forma digital y a un precio menor. Se mantiene el sistema de juego visto en los anteriores videojuegos, mezclando plataformas y momentos de acción y disparos, introduciendo pequeñas novedades como la presencia de zonas oscuras que el jugador deberá iluminar para evitar la emboscada de los enemigos presentes en ellas.​
Nissan 280 ZX

El Nissan 280 ZX, también conocido como Datsun 280 ZX, es un automóvil deportivo producido por el fabricante Nissan desde 1978 hasta 1983, fecha en la que Nissan dejó de producir coches bajo la marca Datsun. Era la evolución del Datsun 280Z de la generación S30. Se vendió desde finales de 1978, y que fue a su vez sustituido por el Nissan 300ZX en 1983, que era de concepción aerodinámica similar, pero más moderno.
El Datsun 280 ZX poseía un motor de seis cilindros en línea y 2800 cc que desarrollaba una potencia de 170 CV (125 kilovatios). El vehículo contaba con una inyección electrónica multipunto Bosch L-Jetronic, todo un avance para la época. Su sistema de inyección y catalizador tenían como objetivo cumplir con las restricciones de emisiones impuestas por Estados Unidos.
El vehículo contaba además con suspensión independiente, frenos de disco en las cuatro ruedas (delanteros ventilados) y embrague hidráulico. Algunos accesorios que incluía eran aire acondicionado, dirección asistida, elevalunas eléctricos (One Touch para el conductor), luneta térmica, equipo de audio Hitachi estéreo con cuatro altavoces y control de balance, relojes de presión y temperatura de aceite, voltímetro y amperímetro, entre otros.
El vehículo podía ser coupé o 2+2 (dos asientos delanteros y dos traseros), con o sin T-top (techo targa, rígido y desmontable parcialmente).
Además, en 1981 se presentó la versión Turbo, que desarrollaba 185 CV (136 kilovatios) y en 1983 se lanzó una versión con tablero digital.
El Datsun 280 ZX fue un vehículo muy utilizado en Argentina para competiciones de automovilismo de velocidad. Tal es así, que en la década del '80, este automóvil fue utilizado para competir en la Clase 8 del Turismo Nacional, siendo Ernesto Bessone (Campeón en 1985 de la Clase 2) uno de sus pilotos y abanderados en esta clase.
En 1981, surgió la idea de crear una categoría diferente en el país y esto tuvo respuesta al año siguiente con la creación del Club Argentino de Pilotos, la cual fue una categoría monomarca que se desarrolló entre las décadas del '80 y '90, con la presencia de pilotos destacados del ambiente nacional. El modelo elegido para crear el parque automotor de la categoría fue el Datsun 280 ZX, del cual fue importado al país un lote de aproximadamente 35 autos, los cuales llegaron por medio de una gestión realizada por el excampeón de Turismo Carretera, Carlos Pairetti.
Hasta el día de hoy es utilizado para competir en la categoría Turismo Internacional de Argentina, peleando con automóviles modernos, como los Renault Megane sedan Fase 2.
Josip Kuže

Josip Kuže (Vranje, 13 de noviembre de 1952-Zagreb, 16 de junio de 2013)​ fue un entrenador de fútbol y futbolista croata que jugaba en la demarcación de defensa.
Josip Kuže debutó como futbolista profesional en 1971 a los 19 años de edad con el Dinamo Zagreb, equipo en el que se retiró diez temporadas después tras conseguir una Copa de Yugoslavia y una Copa de los Balcanes. Además cosechó 14 goles en 384 partidos. Un año después de su retiro como futbolista se dedicó a la profesión de entrenador de fútbol. Entrenó al Sydney United FC, NK Marsonia, al Dinamo Zagreb juvenil, FK Borac Banja Luka, Dinamo Zagreb, FC Rot-Weiß Erfurt, 1. FSV Maguncia 05, Gamba Osaka, NK Zagreb, Chemnitzer FC, NK Inter Zaprešić, HNK Rijeka, NK Varteks Varaždin, JEF United Ichihara Chiba, Tianjin Teda. Además entrenó a dos selecciones, la de Ruanda y la de Albania.
Josip Kuže falleció el 16 de junio de 2013 a los 60 años de edad tras padecer leucemia.​
Matt Ross (soccer coach)

Matthew Barry Ross (born 11 April 1978) is an Australian soccer manager who is currently the head coach of the Nepal national team.
Ross was appointed as a youth manager of German women's side Eintracht Frankfurt in 2013 and was promoted to the club's manager in 2015. In 2018, he was appointed manager of Swedish women's side Vittsjö GIK before being appointed manager of the China women's national under-15 football team the same year.
One year later, he was appointed as an assistant manager of the South Korea women's national football team. Subsequently, he was appointed as a youth manager of Saudi Arabian side Al Qadsiah in 2023. The next year, he was appointed manager of Emirati side United. Following his stint there, he was appointed manager of the Nepal national team in 2025.
Ross was born on 11 April 1978 in Newcastle, Australia and is a native of Newcastle, Australia. Growing up, he attended Merewether High School in Australia and then the University of Newcastle in Australia, where he studied education. Eventually, he became married to South Korean Australian woman Kyung Soon Kim.
List of United States men's national soccer team head coaches

The role of the United States men's national soccer team coach was first established in 1916 with the appointment of Thomas Cahill. Forty-one men have occupied this position.
The following tables include various statistics for head coaches of the United States men's national soccer team (featuring matches, wins, losses, ties, goals for, goals against, and goal differential along with goals for average and goals-against average) from the team's inception in 1916 through the October 12, 2024, match against Panama.
The result percentage is based on the formula used by U.S. Soccer in their U.S. Soccer Media Guide, found on page 78.
All-Time Record: 340–167–268 (W–D–L) – 54.53% (counting draws as 0.5 wins and 0.5 losses)
Sources: USMNT All-Time Scores – SoccerOverThere.com. USA national football team United States men's national soccer team results
World Sports Competition

World Sports Competition is a sports video game developed by Make Software and published by Hudson Soft for the PC-Engine in 1992 and released on the TurboGrafx-16 in 1993. It has also been released on the PlayStation Network in Japan and North America and on the Virtual Console in Europe and North America. The game has a Summer Olympics theme and features several events, including archery, rowing, shooting, swimming, and track and field.
The game is known in Japan as Power Sports which was part of the Power Sports Series, a series of sports games released between 1988 and 1998.
UEFA competitions

UEFA competitions (French: compétitions de l'UEFA), referred improperly by the mass media as European football, are the set of tournaments organised by the Union of European Football Associations (UEFA), generally in professional and amateur association football and futsal. The term was established in 1971 by the confederation to differentiate the men's football competitions under its administration, the first in history being held at a pan-European stage, from other international competitions carried out in the continent between 1960s and 1990s, such as the Inter-Cities Fairs Cup, International Football Cup and Karl Rappan Cup, Cup of the Alps, Balkans Cup and the restructured Mitropa Cup (as well as some which had already been discontinued by late 1950s such as the Latin Cup). All these tournaments were organised by private bodies and/or at least two national associations and concerning one of more regional areas of Europe, not being recognised by UEFA for historic-statistical purposes.
After being recognised by FIFA in 1961 and defined its functions as governing body, UEFA laid down principles for the authorisation of other international club competitions, becoming the only organization with legal authority over international football in the continent. For that reason, it considers only results in its own competitions, in general terms and by single tournament, as the only valid for calculating and communicating confederation-level official records and statistics as long as setting combined values in inter-club football.
Until the first UEFA Europa Conference League final in 2022, the only team to have won every men's professional club competition was Juventus of Italy, while France is the sole national side to have won the European/South American Nations Cup, the Nations League and the men's European Championship. The governing body of the latter, French Football Federation (FFF), alongside its Czechoslovak, German, Italian, Soviet and Spanish counterparts in men's football; as well as German Football Association (DFB) in women's variant, is also the only association affilied to UEFA which representative teams have won, at least once, the senior Euro and the continental tournament in all age categories (under 17, under 19 and under 21).
FC Barcelona of Spain became the first women's club to follow its men's team of winning the Champions League, by winning the 2021 Women's Champions League Final. The club's men's team won their first title in 1992. The beaten finalists Chelsea of England was also seeking to break that record as well, as its men's team won their maiden in 2012. They were already the first club ever to see its men's and women's teams reach the Champions League final in the same season, having qualified for the Champions League Final as well. Barcelona is also the only club in the UEFA zone that has won men's and women's Champions League, the Youth League and the Futsal Champions League among these with active sections which can compete in all these tournaments.
اڈیشا کی قحط سالی، 1866ء

اڈیشا کی قحط سالی، 1866ء نے ہندوستان کے مشرقی ساحل کو مدراس سے شمال کی طرف متاثر کیا، یہ علاقہ 180,000 میل پر محیط تھا اور اس کی آبادی 47,500,000 تھی؛ تاہم، قحط کا اثر اڑیسہ میں سب سے زیادہ تھا، جو اب اڈیشا ہے، جو اس وقت ہندوستان کے باقی حصوں سے بالکل الگ تھلگ تھا۔ اڈیشا میں، ایک تہائی آبادی قحط کی وجہ سے مر گئی۔
19ویں صدی کے تمام ہندوستانی قحط کی طرح، اڑیسہ کا قحط خشک سالی سے پہلے تھا: اس علاقے کی آبادی اپنے رزق کے لیے سردیوں کے موسم میں چاول کی فصل پر انحصار کرتی تھی۔ تاہم، 1865 کا مانسون بہت کم تھا اور وقت سے پہلے رک گیا۔ اس کے علاوہ، بنگال بورڈ آف ریونیو نے ان لوگوں کی تعداد کے بارے میں غلط تخمینہ لگایا جنہیں مدد کی ضرورت ہوگی اور فرضی قیمتوں کی فہرستوں سے گمراہ کیا گیا۔ نتیجتاً، جیسے جیسے خوراک کے ذخائر کم ہونے لگے، مئی 1866ء کے آخر تک صورت حال کی سنگینی پر قابو نہ پایا جا سکا اور اس وقت تک مون سون کا آغاز ہو چکا تھا۔
خوراک کو الگ تھلگ صوبے میں بھیجنے کی کوششوں میں خراب موسم کی وجہ سے رکاوٹ پیدا ہوئی اور جب کچھ کھیپ اوڈیشا کے ساحل پر پہنچی تو انھیں اندرون ریاست منتقل نہیں کیا جا سکا۔ برطانوی ہندوستانی حکومت نے تقریباً 10,000 ٹن چاول درآمد کیے، جو صرف ستمبر میں متاثرہ آبادی تک پہنچے۔ اگرچہ بہت سے لوگ بھوک سے مر گئے، زیادہ لوگ مون سون سے پہلے ہیضے اور اس کے بعد ملیریا سے ہلاک ہوئے۔ اکیلے اوڈیشا میں، کم از کم 10 لاکھ افراد، آبادی کا ایک تہائی، 1866ء میں مر گئے اور مجموعی طور پر خطے میں تقریباً 4 سے 5 ملین افراد دو سال کے عرصے میں مر گئے۔
1866ء کی شدید بارشوں سے سیلاب بھی آیا جس نے نشیبی علاقوں میں چاول کی فصل کو تباہ کر دیا۔ اس کے مطابق، اگلے سال میں، ایک اور کمی متوقع تھی اور برطانوی ہندوستان کی حکومت نے تقریباً 40,000 ٹن چاول معمول کی قیمت سے چار گنا زیادہ درآمد کیے۔ تاہم، اس بار انھوں نے ضرورت کا زیادہ اندازہ لگایا اور 1867ء کے موسم گرما کے مانسون کے بعد، 1868ء میں قحط ختم ہونے کے بعد صرف آدھے چاول استعمال کیے گئے۔ قحط کے دو سالوں میں، برطانوی ہندوستان کی حکومت نے تقریباً 9,500,000 روپے قحط سے نجات پر 35 ملین یونٹس (یعنی فی دن ایک شخص) کے لیے خرچ کیے؛ تاہم لاگت کا ایک بڑا حصہ درآمد شدہ اناج کی اونچی قیمت تھی۔
برطانوی حکمرانوں کی طرف سے اس قحط سے سیکھے گئے اسباق میں "مواصلات کے مناسب نیٹ ورک کی ترقی کی اہمیت" اور "تباہی کا اندازہ لگانے کی ضرورت" شامل تھے۔ بھارتی قحط کے ضابطوں کو آہستہ آہستہ تیار کیا گیا تھا جو "مانسون کی ناکامی یا دیگر وارننگ سگنل، ممکنہ قلت کا اشارہ دیتے ہی اسے نافذ کرنے کے لیے ڈیزائن کیے گئے تھے"۔ اس نئے نقطہ نظر کی ایک ابتدائی کامیابی بہار کے 1873-74ء کے قحط میں دیکھی گئی جب سر رچرڈ ٹیمپل کے تحت قحط سے نجات کے نتیجے میں تقریباً تمام اموات سے بچا گیا۔
قحط نے پڑھے لکھے ہندوستانیوں کو اس بات کے بارے میں بیدار کرنے کا کام بھی کیا کہ ہندوستان پر برطانوی راج کا کیا اثر تھا۔ حقیقت یہ ہے کہ اڑیسہ کے قحط کے دوران ہندوستان نے 200 ملین پاؤنڈ سے زیادہ چاول برطانیہ کو برآمد کیے جب کہ 10 لاکھ سے زیادہ لوگ قحط کی وجہ سے ہلاک ہو گئے، ہندوستانی قوم پرست مشتعل ہوئے۔ دادا بھائی نوروجی نے اسے ڈرین تھیوری کو تیار کرنے کے لیے ثبوت کے طور پر استعمال کیا، یہ خیال کہ برطانیہ "sucking the lifeblood out of India" ("ہندوستان سے جان کا خون چوس کر") خود کو مالا مال کر رہا ہے۔
آبگوشت

آبگوشت (فارسی: آبگوشت‎ آب گوشت، ادبی "گوشت رس") ایک فارسی اور میسوپوٹامیائی دھیمانچہ (گوشت، مچھلی یا کسی اور شے کا نرم آنچ کا پکوان)ہے۔ اور اسے دیزی (فارسی: دیزی‎) بھی کہا جاتا ہے، رواتی طور پر پتھر کے برتن میں پیش کیا جاتا ہے۔ بعض دفعہ اسے "زیادہ مقدار میں گاڑھی مٹن کی یخنی مع چنوں کے پیش کی جاتا ہے۔ " آبگوشت عام طور پر بھیڑ، چنا، سفید لوبیا، پیاز، آلو اور ٹماٹر، ہلدی اور خشک لیموں۔ دیگر مختلف ترکیبوں میں لوبیا کی مختلف اقسام استعمال ہوتی ہیں، جیسا کہ سرخ لوبیا اور سفید لوبیا۔
شمال مغربی ایران کے اشوری، خاص طور پر ارد گرد کے ارومیہ، روایتی طور پر وہ گائے کے گوشت سے آبگوشت بناتے، لیموں، لال لوبیہ اور چنے، لیموں کے پتلے شوربے ساتھ پیش کیا جاتا ہے، آلو اور پیاز کے ساتھ کھایا جاتا ہے اور لاویش پر رکھ کر۔ اشوری عام طور پر اسے سردیوں میں بناتے۔ علاقائی تلفظ ہے "آبگوش"، بغیر 'ت' کے (ܐܒܓܘܫ)۔
آرمینیا میں بھی اسی طرح کا پکوان ہے،وہاں بھی اسے آبگوشت کہا جاتا ہے، لیکن دونوں کے درمیان فرق آرمینیا میں وہ برہ کی بجائے گائے کا گوشت استعمال کیا جاتا ہے۔
سانچہ:Iran-cuisine-stub
بلرام پورم

بلرام پورم ان پنچایتوں میں سے ایک ہے جو بھارت کے کیرالہ کے دار الحکومت ترواننت پورم شہر کی تشکیل کرتی ہے۔ یہ ترواننت پورم میں سب سے زیادہ شہری پنچایت ہے۔ بالارام پورم کیرالہ میں عصری انداز میں پہنی جانے والی روایتی قسم کے ہینڈلوم کی پیداوار کا مرکز ہے۔ بلرام پورم کپڑے، گروسری، فرنیچر، الیکٹرونکس، دھاتیں وغیرہ کا ایک بڑا تجارتی مرکز ہے۔ بلرام پورم مٹن، چکن، سیپ اور مچھلی کے پکوان کے لیے بھی جانا جاتا ہے۔ بالارام پورم میں متعدد مذہبی گروہ ہیں جن میں ایک عیسائی چرچ، سینٹ سیبسٹین چرچ بھی شامل ہے۔ مہاراجا بلرام (1798ء-1810ء) ہینڈلوم کی بنائی سب سے پہلے بلرام پورم میں متعارف کرائی گئی تھی اور پنچایت کا نام ان کے اعزاز میں رکھا گیا ہے۔ مہاراجا اور اس کے ڈیلاوا (وزیر اعلیٰ)، امینی تھمپی نے مشترکہ طور پر بلرام پورم اور آس پاس کے علاقے کی صنعت کو مختلف روایتی صنعتوں جیسے دھان اور ناریل کی کاشت ، ماہی گیری، بُنائی اور تیل نکال کر ایک زرعی بنیاد پر صنعتی پٹی میں تبدیل کرنے کا فیصلہ کیا۔
Roti (wrap)

A roti is a wrap style sandwich filled with either curried or sometimes stewed meats or vegetables wrapped inside a dhalpuri, paratha, or dosti roti. It is popular in the Caribbean and the Trinidadian diaspora.
The roti sandwich is named after the chapati bread (also known as roti) in which it is wrapped. Indian indenture workers came to Trinidad in great numbers after the slavery system ended in 1838. They brought recipes for various roti variations with them that today still are a staple in Trinidadian cuisine as a side dish.
In 1937, South Trinidadian businessman ran a snack bar in San Fernando. To address takeaway customers he turned the roti, by then used as a side dish, into a wrapping and filled it with curry dishes.
The "invention" spread over Trinidad and subsequently over Guyana, Suriname, and Jamaica. As Trinidadians immigrated to other countries, especially in North America and the United Kingdom, they brought with them the roti and opened roti shops to sell it.
Large rotis are baked on tava-style slabs. The filling usually contains a concentrated curry based on any kind of meat or seafood, the most established one being chicken. Additional regular ingredients are potato and/or chickpeas.
Due to a high share of hindus (at least 18 % as of 2011) and a high share of Indo-Trinidadians among the population (at least 35 %) vegetarian dishes are popular in Trinidad and Tobago. As a consequence, meatless roti fillings are also common.
What Difference Does It Make?

"What Difference Does It Make?" is a song by the English rock band the Smiths, written by singer Morrissey and guitarist Johnny Marr. It was the band's third single and is featured on their debut album, The Smiths. A different version, recorded for the John Peel Show on BBC Radio 1, is included in the compilation album Hatful of Hollow.
The song was one of the band's first significant chart hits, peaking at No. 12 in the UK Singles Chart.
The character Ray Smith in the Jack Kerouac novel The Dharma Bums repeatedly says "What difference does it make?" as well as "Pretty girls make graves", the title of another track featured on The Smiths.
"What Difference Does It Make?" was released without an accompanying music video. Speaking to Tony Fletcher on The Tube in 1984, Morrissey remarked that he felt that the video market was something that was going to "die very quickly", and that he wanted to "herald the death" of it.
The single cover is a photograph of Terence Stamp, taken on the set of the film The Collector. Originally Stamp denied permission for the still to be used, and some pressings featured Morrissey in a re-enacted scene. In the re-enactment, Morrissey is holding a glass of milk, as opposed to a chloroform pad in the original. However, Stamp soon changed his mind, and the original cover was reinstated.
What Does the Fox Say? (webtoon)

What Does the Fox Say? (Korean: 여우는 뭐라고 하는가?) is a Korean girls' love manhwa series written by Gyeomji and illustrated by Gaji under the collective Team Gaji. The series follows Sungji as she joins a mobile game developer, Hello Studio, and begins a relationship with her team manager Sumin. The manhwa was serialized online via Lezhin Comics from April 2015 to December 2019 after winning Lezhin Comics first World Comic Contest. It was collected into six print volumes by Polar Fox on December 20, 2021.
As Ju Sungji starts working at a new game development company, Hello Studio, she quickly captures the attention of her coworkers as the newest recruit. However, only one person piques Sungji's interest, her direct and no-nonsense team leader Sung Sumin, who she meets her welcoming party. At the party Sungji finds out how little Sumin can handle her alcohol, and watches as she is brought home by the company president, Baek Seju. Soon an intense love triangle develops between the three women.
Written by Gyeomji and illustrated by Gaji under the collective Team Gaji, What Does the Fox Say?, was serialized online via Lezhin Comics from April 2015 to September 2017 after winning Lezhin Comics first World Comic Contest. It was announced in 2018 that the series would go on a hiatus due to dissatisfaction with Lezhin's alleged mistreatment of creators on its platform; only returning in 2019 with three extra side stories. The series was published into two print volumes on March 31, 2017, by Lezhin Comics, and as a six volume complete collection by Polar Fox on December 20, 2021.
The manhwa was published digitally in English by Lezhin Comics and Tappytoon, being part of the first batch of titles available when Lezhin launched in North America in 2016.
On October 29, 2015, Voice Story released a drama CD of What Does the Fox Say?. In July 2021, ACO began releasing their own audio drama of the series through their GLC++ label.
Kat Calamia, writing for Popverse, praised What Does the Fox Say? as a "well-paced story that isn't afraid to show a slow romance, as Sungji experiences what it means to be in love for the first time" further noting that "Team Gaji does a good job at creating interesting scenarios for the main couple to triumph over that rarely have to do with the fact that they’re two women in a relationship, which is a breath of fresh air."
Salvador Dalí

Salvador Felip Jacint Dalí i Domènech, marquès de Dalí de Púbol (11 a viz Mae 1904 e Figueres – 23 a viz Genver 1989 e Figueres) a oa ul livour hag ur skrivagner katalan, unan eus an daou gannad pennañ eus ar surrealouriezh.
Tremenn 1 500 a daolennoù ha tresadennoù a reas e-pad e vuhez. Ur skrivagner e voe ivez, pa skrivas pennadoù evit kelaouennoù, ha levrioù.
Mab da Salvador Dalí i Cusi (1872-1950), un noter alvokad, ha da Felipa Domenech i Ferrés (1874-1921) e oa Salvador Dalí.
Unnek miz kent e c'hanedigezh e oa marvet e vreur henañ, anvet Salvador ivez, diwar ur barrad pilhonfo d'an oad a zaou vloaz. Un c'hoar en devoe e 1949, Anna María, a skrivas e 1983 ul levr diwar-benn he breur.
Strizh ha dichek e oa an tad, ar pezh a voe kempouezet gant ar vamm, a galonekaas he mab en e strivoù arzel.
Emboltredoù a reas d'ar mare, ha bac'het e voe e-pad un nebeud mizvezhioù en abeg ma oa bet lakaet da zispac'her katalan. Skarzhet e voe eus skol-arzoù San Fernando e-pad ur bloavezh.
En hevelep bloavezh ez eas da weladenniñ Pariz, ma kejas ouzh Pablo Picasso en devoa klevet anv eus Salvador Dalí digant al livour Joan Miró ; da heul ar gejadenn-se, e 1926 bepred, e livas an daolenn anvet Maouez gourvezet, e doare Pablo Picasso. Meur a daolenn a voe livet gant Dalí e doare Picasso ha Miró kent kavout e zoare dezhañ, a voe anat adal ar bloavezh 1927.
E miz Eost 1929, pa 'z eas ar re Éluard da Gadaqués da weladenniñ Salvador Dalí, e c'hoarvezas taol-kurun ar garantez etre al livour katalan yaouank ha gwreg ar barzh gall, ar Rusianez Ielena Dmitrievna Delouvina Diakonova (1894-1982), anavezet dindan an anv Gala. Distreiñ da Baris a reas ar barzh, ha chom gant al livour a reas e wreg. Daoust d'an disparti e chomas liammoù start etre Gala ha Paul Éluard.
D'ar mare-se e tivizas al livour lezel e vourroù da greskiñ en ur stumm levezonet gant hini re al livour meur Diego Velázquez (1599-1660) ; hiziv an deiz ez eo trawalc'h gwelet stumm ar mourroù-se evit soñjal e Salvador Dalí.
Diskouezadegoù pouezus a voe aozet gant Gala, hag ez-ofisiel ez eas Dalí da ezel eus ar strollad surrealour, en devoa levezonet e labour e-pad an daou vloavezh kent. Broc'het e voe e dad hag e c'hoar outañ abalamour da gement-se, hag ivez en abeg d'e zarempred gant Gala, a oa dimezet c'hoazh.
E 1930 ivez e voe embannet levr kentañ al livour, La femme visible ("Ar vaouez hewelus"), e Paris.
Sculpture Park Engelbrecht

The Sculpture Park Erich Engelbrecht (French: Parc de sculptures Engelbrecht) is located at the Château des Fougis, 03220 Thionne, department of Allier, France, and displays steel sculptures of the German artist Erich Engelbrecht.
In 2001, Erich Engelbrecht bought the property with the intent of installing his Sculpture Park throughout the gardens and former farming and hunting fields of Château des Fougis.
On loan from a private collection, the artist and his wife also mounted a second exhibition in the main wing of the castle, presenting some previous works like large format tapestries, oil paintings, small steel figures and graphics.
At the turn of the 19th to the 20th centuries, the house was completely renovated and remodeled. The main courtyard received arcades on both wings, one of them with a glazed loggia. The north wing became an extra floor for the extended family and services. The interiors present a language typical for the period.
After acquiring the property, Erich Engelbrecht undertook a multitude of renovation and building works on the fields and buildings to adapt Les Fougis for these exhibitions.
Some of his family members settled in Fougis, where they presently live and work.
Erich Engelbrecht (Bielefeld, 27 October 1928-Vichy, France, 21 July 2011) was a German artist who left a number of works in the fields of painting, graphics, tapestry, sculpture, architecture, and poetry.
List of sculptures in the park with catalogue reference, original work and its date, date of arrival each sculpture in Fougis, dimensions (height, width, thickness & weight) and finishing
Two books on Erich Engelbrecht and the Sculpture Park have been published at Edition Axel Menges.
Cyclus (installation art)

Cyclus is a forty-meter long installation by Croatian artist Vasko Lipovac made for exhibition at Art Pavilion in Zagreb in 1995. It consists of 66 figures set at one meter high base depicting road bicycle race. Despite the strong stylization of the figures, each cyclist possesses individual features, facial expression and gestures in his preoccupation with the attempt to reach the finish line. The Olympic Museum in Lausanne acquired parts of original installation, “Two motorcyclists” and “Yellow Shirt”, in year 2000 and both have remained on permanent display there ever since. Cyclus was key inspiration behind wildly successful animated short Cyclists by Veljko Popovic.
Anything to Say?

Anything to Say? is a travelling bronze sculpture and public art installation by Italian artist Davide Dormino that was erected on May 1, 2015, on Berlin's Alexanderplatz. The full title of the work is Anything to Say? - A Monument to Courage. The whistleblowers Edward Snowden, Julian Assange, and Chelsea Manning are shown standing on three chairs in the installation, which also contains an empty fourth chair that will serve as a platform for public speaking. People are encouraged to "stand up instead of sit like the others" by the fourth empty chair. The installation was unveiled as part of a private art project supported by international crowdfunding. In 2016 Davide Dormino was awarded the Prix Éthique 2016 by Anticor for Anything to Say?
Davide Dormino's sculpture, Anything to say?, symbolizes the courage of whistleblowers and all those who fight to defend freedom of expression and information. It travels from city to city to remind the public about the massive invasions of privacy, the information control, and the disinformation to which they are subjected by governments and corporations, and about their democratic and legitimate right to know.
Julian Assange, Chelsea Manning, and Edward Snowden were chosen as examples of contemporary people who have put themselves in danger in order to reveal information and shed light on events that were hidden or misrepresented. The sculpture is supported by Reporters Without Borders (RSF), an NGO that defends media freedom.
The sculpture stopped in Geneva during the 30th session of the Human Rights Council, on the Place des Nations from September 14 to 18, 2015, in front of the United Nations building.
The Georges Pompidou Centre in Paris displayed the sculpture from September 23 to 29 2015 in the square in front of the centre, where the display was inaugurated on September 23 in the presence of Dormino, Reporters Without Borders secretary-general Christophe Deloire, UBS whistleblower Stéphanie Gibaud, Luc Hermann, an investigative journalist who is one of the directors of the Premières Lignes production company, and Marco Benagli, representing a civil society group that helped fund the project.
The French actress Catherine Deneuve also attended as the inauguration's sponsor. She sat in the sculpture's empty chair and read an address written for the occasion by Irène Frachon, the French specialist who exposed the dangers of the antidiabetic drug Mediator.
The sculpture was displayed in Strasbourg’s Place Kléber from November 16 to 21 2016 as part of the annual Strasbourg World Forum for Democracy. The display was inaugurated on November 17 in the presence of Dormino, Deloire and Luxleaks whistleblower Antoine Deltour.
The sculpture was displayed in Brussels, Place de la Monnaie, in 2020.
Aboriginal stone arrangement

Aboriginal stone arrangements are a form of rock art constructed by Aboriginal Australians. Typically, they consist of stones, each of which may be about 30 centimetres (12 in) in size, laid out in a pattern extending over several metres or tens of metres. Notable examples have been made by many different Australian Aboriginal cultures, and in many cases are thought to be associated with spiritual ceremonies.
Particularly fine examples are in Victoria, where the stones can be very large (up to 1 metre (3 ft 3 in) high). For example, the stone arrangement at Wurdi Youang consists of about 100 stones arranged in an egg-shaped oval about 50 metres (160 ft) across. Each stone is well-embedded into the soil, and many have "trigger-stones" to support them. The appearance of the site is very similar to that of the megalithic stone circles found throughout Britain (although the function and culture are presumably completely different). Although its association with Indigenous Australians is well-authenticated and beyond doubt, the purpose is unclear, although it may have a connection with initiation rites. It has also been suggested that the site may have been used for astronomical purposes (Morieson 2003). Other well-known examples in Victoria include the stone arrangements at Carisbrook and Lake Bolac.
Australia's largest collection of standing stones is said to be at Murujuga, also known as the Burrup Peninsula or the Dampier Archipelago, in Western Australia, which includes tall standing stones similar to the European menhirs, as well as circular stone arrangements.
A very different example is found near Yirrkala in Arnhem Land, where there are detailed images of the praus used by Macassan fisherman fishing for Trepang, several hundred years before European contact. Here the stones are small (typically 10 centimetres (3.9 in) to 20 centimetres (7.9 in)), sit on the surface of the ground, and can easily be moved by hand, which also implies that they can be easily damaged or altered by modern hands, so that caution is needed when interpreting such sites. Similar examples are found scattered throughout Australia, mainly in remote or inaccessible places, and it is likely that there were many more prior to European settlement of Australia.
In south-east Australia are the Bora rings, which consist of two circles of stones, one larger than the other, which were used in an initiation ceremony and rite of passage in which boys were transformed into men.
Some Aboriginal stone arrangements in south-east Australia are aligned to cardinal directions with an accuracy of a few degrees, while the Wurdi Youang stone arrangement, which indicates the direction of solstitial sunsets, appears to have been built around the east-west direction, again with an accuracy of a few degrees. This requirement for highly accurate direction is also indicated by the practice of orienting the graves of deceased Kamilaroi men to an accuracy of a few degrees.
Gary Goddard

Gary Goddard (born July 18, 1954) is an American producer and director who co-founded the Landmark Entertainment Group. In 2002, he left it to form Gary Goddard Entertainment (GGE), later known as the Goddard Group, an entertainment design firm based in North Hollywood, Los Angeles, California. The firm reorganized, changed ownership, and was rebranded Legacy Entertainment in 2018 after Goddard left the company following accusations of sexual assault.
Goddard has produced several shows on and off-Broadway, including the 2009 revival of Hair (Tony Award winner, Best Revival of a Musical), Neil LaBute's reasons to be pretty (Tony Award nominee, Best Play), Jekyll & Hyde, Jesus Christ Superstar (one-night concert event), The Wiz at Encores!, among others.
Goddard directed the 1987 movie Masters of the Universe.
Goddard had developed Broadway 4D, a proposed American musical film to be written and directed by Goddard with Bryan Singer. Produced by Nigel Wright and Bad Hat Harry Productions, the film was in 2014 expected to star Christina Aguilera, Hugh Jackman, Matthew Morrison, Harvey Fierstein, Lea Salonga, and George Katt. It was to be shot in Brooklyn, New York City with a budget of $60 million to $90 million.
Goddard has created several television shows, including Captain Power, Mega Babies, and Skeleton Warriors.
Goddard co-founded Landmark Entertainment Group in Los Angeles, California, in 1980. The firm designs theme parks, live entertainment and other visitor attractions, in the United States and other countries. In 2002, he left Landmark and formed the Goddard Group design firm, which was rebranded Legacy Entertainment after he left the company in 2018.
In April 2014, Goddard and frequent film collaborator Bryan Singer, along with several other filmmakers, were sued by actor Michael Egan III, who alleged that they had sexually assaulted him when he was a minor and had videotaped some of the assaults. Egan withdrew his lawsuit against Goddard in June 2014. By August of that year, he had dropped his lawsuits against the other defendants as well.
On November 10, 2017, actor Anthony Edwards wrote an essay on Medium in which he alleged Goddard molested him and raped his best friend "for years", starting when they were 12 years old. Goddard's publicist denied the allegations. Brian Claflin, an aspiring artist and fashion designer from Salt Lake City, accused Goddard of a 1999 sexual assault at his Beverly Hills residence; Claflin died by suicide in Berlin in 2014 after having shared his accusations with a law firm and his father.
Sisindiran

Sisindiran téh asalna tina kecap sindir, anu ngandung harti omongan atawa caritaan anu dibalibirkeun, henteu togmol. Luyu jeung éta, dina sastra Sunda anu disebut sisindiran téh nyaéta karya sastra nu ngagunakeun rakitan basa kalawan padana. Ku kituna, sisindiran téh kaasup kana wangun ugeran (puisi). Sisindiran téh wangunna mibanda cangkang jeung eusi. Upama dina tradisi Malayu mah disebutna pantun. Sisindiran téh dina Kamus Umum Basa Sunda nyaéta basa anu diréka, lolobana murwakanti sarta bisa dikawihkeun.
Upama ditilik tina wangun jeung cara ngébréhkeunana, sisindiran dibagi jadi tilu golongan nyaéta:
Ditilik tina eusina, rarakitan jeung paparikan bisa dipasing-pasing jadi tilu golongan, nyaéta: (1) Silih Asih; (2) piwuruk; jeung (3) sésébréd.
End of the Spear

End of the Spear (traducida en España como El final del espíritu y en Latinoamérica como A punta de lanza) es un docudrama estadounidense de 2006 que relata la historia de la Operación Auca, en la que cinco misioneros evangélicos intentaron evangelizar a las comunidades indígenas huaorani de las selvas tropicales del Oriente de Ecuador quienes los atacaron con lanzas de chonta. Tiempo después pero sus viudas y huérfanos lograron acercarse a la comunidad indígena hasta presentarles el evangelio. La película está basada en el libro homónimo​ y narrada desde la perspectiva de Steve Saint (hijo de Nate Saint, uno de los misioneros asesinados) y de Mincayani, uno de los indígenas que atacaron a los misioneros.​
El encargado de la dirección fue Jim Hanon, un cineasta que ya dirigió un documental sobre este caso, el premiado Más allá de las puertas del esplendor. Para el rodaje, se contó con el asesoramiento de los protagonistas reales de la historia y con miembros de dos tribus indígenas: los huaorani y los emberá.​​​​
Misioneros evangélicos viajan a la región oriental de Ecuador con la intención de evangelizar a estos pueblos no contactados. Su objetivo es acercarse a los huaorani, uno de los grupos más perseguidos de esa región. Luego de ofrecer varios artículos con regalos y recibir un loro vivo a cambio los cinco exploradores deciden aterrizar su avión nuevamente en una playa de río en donde los encuentran otro grupo de nativos que los atacan con lanzas de madera de corteza de palma. Sus familias, lejos de regresar a los Estados Unidos, deciden quedarse en Ecuador y continuar su misión con los huaorani, que luego de varios años tiene éxito. El joven Steve intentará comprender la muerte de su padre, pero la convivencia no es fácil en una tribu que está a punto de desaparecer a causa de una continua serie de ataques retaliatorios.
End of the Spear obtuvo críticas mixtas entre los críticos. Rotten Tomatoes le otorga una puntuación del 41%; 20 críticas positivas y 29 negativas.​ Por su parte, Box Office Mojo, le otorga la puntuación 'A' según dos tercios de los críticos​ La película ganó un Crystal Heart Award​ así como el Grand Prize for Best Dramatic Feature​ en el Heartland Film Festival de 2005.
Israel Viteri Gualinga

Israel Viteri Gualinga (Sarayacu, Pastaza, Ecuador, 1981-15 de febrero de 2020) fue un cazador de la selva amazónica ecuatoriana y el primer piloto indígena kichwa de Sarayacu.​
Israel Viteri Gualinga nació en Sarayacu, provincia de Pastaza, en la selva amazónica de Ecuador, fue un cazador de la selva y procede de las familias más influyentes del movimiento indígena ecuatoriano, los Viteri Gualinga y su hermano Franco Viteri es el líder histórico de ese pueblo, quien encabezó la lucha contra la Compañía Nacional de Combustibles.​​​ A la edad de 18 años realizó su primer vuelo como piloto de Sarayaku.​ Voló por más de 15 años por las pistas incipientes de la agresiva selva con más de 4000 horas de vuelo.​ Trasladó desde la pista de Shell a Sarayacu de ida y vuelta a personajes destacados de Puyo quienes reconocían que Israel Viteri era el mejor piloto de la amazonía ecuatoriana.​ Voló para la aerolínea AeroSarayaku.​
El 15 de febrero de 2020, mientras realizaba un vuelo con pasajeros para la aerolínea de la Compañía AéroKashurco en una avioneta Cessna 206, falleció junto cinco pasajeros luego de que ocurriera un accidente donde la avioneta cayera en el sector Kunkuc – San Ramón km 53 vía Puyo Macas, mientras que un niño de 3 años fue trasladado al Hospital Baca Ortiz de Quito en estado crítico y falleció el 17 de febrero.​​​​​​
Cantón Huamboya

Huamboya una ciudad Fundada en medio de la Selva Amazónica Ecuatoriana el 6 de mayo de 1970, por los señores: Carlos Aurelio Quezada Narváez, Rogelio Patiño, Deifilio Narváez y su hijo Washington Narváez, con el respaldo del CREA y voluntarios del Cuerpo de Paz (Peace Corps). Fue reconocido como parroquia de Palora en 1982 y fue inscrito en el Registro Oficial como nuevo Cantón de la provincia de Morona Santiago en Ecuador el 2 de enero de 1991, tiene una población de 8.466 habitantes.​ Su cabecera cantonal es la ciudad de Huamboya. El centro cantonal se halla a una altitud de 1047msnm. Como parte de la amazonía ecuatoriana tiene un clima tropical y lluvioso casi todo el año, por lo que favorece el desarrollo de la agricultura y ganadería como principal fuente de ingresos económicos para sus habitantes.
El cantón Huamboya tiene una extensión de 653km2.​ Sus límites son:
Huamboya se divide en dos parroquias: Parroquia Urbana
Parroquias Rurales
Waorani language

The Waorani (Huaorani) language, commonly known as Sabela (also Wao, Huao, Auishiri, Aushiri, Ssabela ; autonym: Wao Terero; pejorative: Auka, Auca) is a vulnerable language isolate spoken by the Waorani people, an indigenous group living in the Amazon rainforest between the Napo and Curaray Rivers in Ecuador. A small number of speakers with so-called uncontacted groups may live in Peru.
Sabela is not known to be related to any other language. However, it forms part of Terrence Kaufman's Yawan proposal.
Jolkesky (2016) also notes that there are lexical similarities with Yaruro.
Waorani is primarily spoken in Waorani Ethnic Reserve, which is the largest indigenous reserve in Ecuador. Other areas where it is spoken include Pastaza and Napo provinces (including the towns of Puyo and Coca), Yasuní National Park, and the Taromenani Tagaeri Intangible Zone. Waorani is considered endangered due to growing bilingualism in Quechua and Spanish and diminishing Waorani usage among youth.
Waorani has three dialects: Tiguacuna (Tiwakuna), Tuei (Tiwi Tuei, Tiwi), and Shiripuno.
Waorani distinguishes nasal vowels from oral ones. Syllable structure is (C)V, with frequent vowel clusters. The allophones of /o/ range from [ɵ, o, ʊ, ɤ] and the allophones of /õ/ have a similar range, [ɵ̃, õ, ʊ̃, ɤ̃], and allophones of /e, ẽ/ can be heard as [ɪ, ɪ̃]. The alveolar tap [ɾ] is an allophone of /d/ and the palatal glide [j] is an allophone of /ɟ/.
Loukotka (1968) lists the following basic vocabulary items for Sabela and Tiwituey.
Through Gates of Splendor

Through Gates of Splendor is a 1957 best selling book written by Elisabeth Elliot. The book tells the story of Operation Auca, an attempt by five American missionaries – Jim Elliot (the author's husband), Pete Flemming, Ed McCully, Nate Saint, and Roger Youderian – to reach the Huaorani tribe of eastern Ecuador. All five of the men were killed by the tribe. The book is Elliot's first book, and arguably her most well-known work.
The title of the book is derived from the fourth stanza of the hymn "We Rest on Thee". This hymn was famously sung by the missionaries before the men left for Waodaoni territory in September 1955. The lines read:
Elliot wrote the book while still a missionary in Ecuador. She wrote the book at the request and with cooperation from the families of the five men. She was given copies of letters, and other writings which were extensively quoted from in the book. The original edition of the book was published in 1957, one year before the first peaceful contact with the Huaorani was made. In subsequent publications of the book, epilogues have been added to tell about what has happened to the Huaorani tribe since Operation Auca, and what has happened to the missionaries' families.
In 1967, a documentary film of the same name was produced which included much of the film footage shot by Nate Saint at "Palm Beach". Elisabeth Elliot narrated the film. It was based on Through Gates of Splendor as well as her later book, The Savage My Kinsman.
In 2005 a docudrama was produced, End of the Spear. The film recounts the story of Through Gates of Splendor, but from the perspective of Steve Saint (the son of Nate Saint, one of the missionaries killed in the encounter) as well as from Mincavani, one of the tribesmen who took part in the attack. The two eventually form a bond that continues to this day.
Leon Liebgold

Leon Liebgold (July 31, 1910, Kraków – September 3, 1993, New Hope, Pennsylvania) was an actor in the Yiddish theatre and in Yiddish language films, both in his native Poland and later in the United States, to which he emigrated. Liebgold is best known for his roles in The Dybbuk (1937), made in Poland, and Tevya (1939), a U.S. production. He was also featured in the highly successful 1936 film Yidl Mit'n Fidl with Molly Picon.
Liebman began his career as a vaudeville performer and actor on stages in Poland. He married his frequent co-star, Lili Liliana [de] (1913-1989), also rendered in English as "Lily" or "Lilly," in 1935. After completing The Dybbuk, Liebgold and Liliana left Poland with their troupe, "Di Yidishe Bande," for a world tour, appearing in Lithuania, Latvia, Belgium, and France. In 1939, when World War II broke out, they were in the United States, thus fortuitously escaping the Holocaust.
Liebgold served in the United States Army as a sergeant during World War II, and then performed as a stage actor in Yiddish theaters in America for decades, including the Folksbiene Theater. He and Liliana also toured South America in the 1950s. In the late 1970s, he served as president of the Hebrew Actors' Union in Manhattan, New York.
Liebgold possessed both a resonant and fine melodic, cantorial-type voice which embellished both his speaking and singing on stage.
Liebgold died in 1993 at age 83. He and Liliana, married nearly 60 years until she predeceased him in 1989, are buried together at Mount Hebron Cemetery, in Queens, New York.