davidanugraha/M4-RAG huggingface dataset:
ঘর নেংটি ইঁদুর

ঘর নেংটি ইঁদুর (দ্বিপদ নাম:Mus musculus) (ইংরেজি: house mouse) হচ্ছে মুরিডি পরিবারের মুরিনি উপপরিবারের এক প্রজাতির ইঁদুর। বাংলাদেশের ২০১২ সালের বন্যপ্রাণী (সংরক্ষণ ও নিরাপত্তা) আইনের রক্ষিত বন্যপ্রাণীর তালিকার তফসিল ৩ অনুযায়ী এ প্রজাতিটি সংরক্ষিত।
এগুলোর দৈর্ঘ্য হয় ৭.৫–১০ সেমি (৩.০–৩.৯ ইঞ্চি) এবং লেজের দৈর্ঘ্য হয় ৫–১০ সেমি (২.০–৩.৯ ইঞ্চি)। ওজন হয় সাধারণত ৪০–৪৫ গ্রাম (১.৪–১.৬ আউন্স)। বনে এদের শরীরের রং হয় সাদা থেকে কালো বা বাদামির মধ্যে, কিন্তু পরীক্ষাগারে এদের বিভিন্ন রং হয় যেমন সাদা শ্যাম্পেন থেকে কালো। এদের লোম ছোট হয় কিন্তু সব প্রজাতিরই সাদা পেট থাকে না। কান এবং লেজে খুব অল্প চুল থাকে। Apodemus ইদুরের চেয়ে এদের পেছনের পা ছোট হয়, মাত্র ১৫–১৯ মিমি (০.৫৯–০.৭৫ ইঞ্চি); সাধারণ চলন ঢং হল দৌড়ানোর মত যা প্রায় ৪.৫ সেমি (১.৮ ইঞ্চি), যদিও তারা উর্ধ্বদিকে ঝাপ দিতে পারে প্রায় ৪৫ সেমি (১৮ ইঞ্চি). গলার স্বর খানিকটা চিঁ চিঁ করার মত। এরা বিভিন্ন পরিবেশে বাচতে পারে এবং ঘর, খোলা মাঠ, চাষাবাদের জায়গা ও ব্যবসায়িক পরিবেশে এদের দেখতে পাওয়া যায়।
বাচ্চাদের লিঙ্গ নির্ধারন করা যায় anogenital distance নির্ণয় করে যেহেতু পুরুষদের ক্ষেত্রে তা প্রায় দ্বিগুন হয়। ১০ দিনের মত বয়স হলে স্ত্রী ইদুরগুলোর পাঁচ জোড়া mammary glands এবং স্তন তৈরী হয়; পুরুষদের কোন স্তন থাকে না। পূর্ণবয়স্ক প্রজননক্ষম হলে পুরুষদের শরীরে testicle থাকে। এই টেস্টিকল শরীরের তুলনায় বড় এবং তা আবার শরীরের ভেতর গুটিয়ে নেয়া যায়।
কখনো ইঁদুর ছিলো

একসময় একটি ইঁদুর হল ১৯৬১ সালের একটি শিশুদের ছবির বই, যা মার্সিয়া ব্রাউন দ্বারা রচিত। এটি Scribner Press দ্বারা প্রকাশিত হয়েছিল এবং ১৯৬২ সালে ক্যালডেকট মেডেল পুরস্কার লাভ করে, যা ব্রাউনকে দ্বিতীয়বারের মতো এই সম্মান প্রদান করে।
একসময় একটি ইঁদুর একটি যাদুকরী ভারতীয় উপকথা, যা একটি ছোট ইঁদুর এবং এক তপস্বীর গল্প বর্ণনা করে, যে জানে কীভাবে প্রাণীদের কিছু অন্য প্রাণীতে পরিণত করা যায়। একদিন তপস্বী একটি গাছের তলায় বসে থাকাকালে হঠাৎ সে একটি ছোট, অসহায় ইঁদুর দেখে, যা একটি বিড়াল দ্বারা খাওয়া হবে। তপস্বী সিদ্ধান্ত নেয় ইঁদুরটিকে বিড়ালে পরিণত করার। পরে তপস্বী দেখতে পায় যে, বিড়ালটি এক কুকুরের দ্বারা ভয় পেয়ে গেছে এবং বিড়ালটিকে কুকুরে পরিণত করে। পরের দিন, তপস্বী একটি বাঘ দেখতে পায়, যা কুকুরটিকে খাওয়ার চেষ্টা করছে এবং কুকুরটিকে একটি মহিমাময় বাঘে পরিণত করে। সময়ের সাথে সাথে, সেই মহিমান্বিত বাঘ মনে করতে থাকে যে সে এই স্থানটির রাজা এবং সমস্ত প্রাণীদের তাকে শ্রদ্ধা জানাতে হবে, এর মধ্যে তপস্বীও আছে। একদিন তপস্বী বাঘটিকে মনে করিয়ে দেয় যে সে আসলে একটি ইঁদুর এবং তাকে এমনভাবে আচরণ করা উচিত নয়। বাঘটি এতটাই রেগে যায় যে সে তপস্বীকে খাওয়ার সিদ্ধান্ত নেয়, কিন্তু তাকে জানা নেই যে তপস্বী ভাবনা পড়তে পারে। শেষে তপস্বী বাঘটিকে আবার একটি ইঁদুরে পরিণত করে এবং তাকে শেখায় কিভাবে নিজের যত্ন নিতে হয়।
টেমপ্লেট:ক্যালডেকট মেডেল
বড় ইঁদুর

বড় ইঁদুর (বৈজ্ঞানিক নাম:Bandicota indica) (ইংরেজি: Greater bandicoot rat) হচ্ছে Muridae পরিবারের এক প্রজাতির ইঁদুর। বাংলাদেশের ২০১২ সালের বন্যপ্রাণী (সংরক্ষণ ও নিরাপত্তা) আইনের রক্ষিত বন্যপ্রাণীর তালিকার তফসিল ৩ অনুযায়ী এ প্রজাতিটি সংরক্ষিত। এরা বাংলাদেশের সবচেয় বড় আকারের ইঁদুর। একে কখনও কখনও বড় ইঁদুর বা বড় ধাড়ি ইঁদুর নামেও অভিহিত করা হয়। এটি বিবরবাসী, নিশাচর জীব। জনপদের কাছাকাছি থাকতে ভালবাসে।
বড় ইঁদুরের কান মাঝারি আকারের, আকৃতি গোলাকার। এর লেজের দৈর্ঘ্য মস্তকসহ দেহের সমান। গায়ের লোম রুক্ষ, কিছু অংশকণ্টকাকীর্ণ। পৃষ্ঠদেশের মধ্যবর্তী স্থানে দীর্ঘ কালো রঙয়ের চুল থাকে যে জন্য কালচে বাদামী দেখায়। দেহের পাশ্র্ব ধূসরাভ, দেহতল ধূসরাভ বাদামী বর্ণের হয়ে থাকে। মস্তকসহ দেহের দৈর্ঘ্য ২১ থেকে ৩৪ সেন্টিমিটার পর্যন্ত হয়ে থাকে। এঁদের লেজের দৈঘ্র্য ১৬ থেকে ৩৪ সেন্টিমিটার পর্যন্ত দেখা গেছে।
গ্রামে এবং শহরাঞ্চলে এদের প্রচুর দেখা যায়, দেখা যায় আবাদি জমি এবং অগভীর জঙ্গলে। সুন্দরবন বাদে বাংলাদেশের সর্বত্র পাওয়া যায়। এছাড়া ভারত, চীন, মিয়ানমার, ইন্দোনেশিয়া, ভিয়েতনাম, লাওস, মালযয়শিয়া, নেপাল, শ্রীলঙ্কা, তাইওয়ান ও থাইল্যাণ্ডে এই ইঁদুর প্রচুর দেখা যায। মরুভূমি ও পার্বত্য অঞ্চলে লভ্য নয়। এর মানব জনপদের কাছাকাছি থাকতে পছন্দ করে। বাগান, আস্তাবল, পোষা প্রাণীর খোঁয়ার, রান্না ঘর, ভাাঁড়ার ইত্যাদি স্থানে এদের ঘোরাফেরা।
বড় ইঁদুর নানা অমেরুদণ্ডী প্রাণী যেমন পোকামাকড়, কাঁকড়া খেয়ে থাকে। তবে ধাড়ি ইঁদুর সর্বভূক বলে খ্যাত: যা পায় সবই খায়৤ শাক-সব্জি, ঘাস, শেকড়-বাকড়, গৃহের পরিত্যক্ত খাদ্য বস্তু, মাটির নিচের আলু, গাজর, মূলা, ধান-চাল, শামুক ইত্যদি সবই এরা সাগ্যহে গলধকরণ করে।
বড় ইঁদুরের প্রজনন মৌসুম সারা বছর ধরে ব্যাপ্ত। প্রতিবারে একটি মাদি ইঁদুর ১ থেকে ১৯ পর্যন্ত বাচ্চা প্রসব করে৤ গুদামের বাৎসরিক হিসাব থেকে দেখা যায় যে একটি মাদি ইঁদুর বৎসরে গড়ে প্রায় ৭০টি বাচ্চা প্রসব করে৤
Yaanai Mugathaan

Yaanai Mugathaan (transl. Elephant-faced God) is a 2023 Indian Tamil-language fantasy comedy written and directed by Rejishh Midhila. The film stars Yogi Babu and Ramesh Thilak with Urvashi, Karunakaran, Uday Chandra and Naaga Vishaal in supporting roles. The film is a remake of the director's Innu Muthal.
The film is about an auto driver who is a devotee of Lord Ganesha. The film was released on 21 April 2023.
The film revolves around an ardent Lord Ganesha devotee Ganesan who is also a lazy wastrel, who survives lying and cheating people. He has only two souls to support, one is his friend Michael who is also a wastrel. The other person is Malli Akka who supports him and his friend with finance and home. One day Lord Ganesha comes before Ganesan and questions his way of life. How Ganesan mends his way and realises life forms rest of the movie.
This is the Tamil debut of Malayalam film director Rejishh Midhila. The director, Rejishh Midhila, produced the film with Lijo James. The cinematography was by cinematographer Karthik S Nair. The film's editing was handled by Syalo Sathyan.
The music for the film was composed by Bharath Sankar. This is a second collaboration between the music composer and actor Yogi Babu after the film Mandela. All songs were penned by C. M. Lokesh.
The film was released on 21 April 2023.
Logesh Balachandran of The Times of India rated the film three out of five stars and wrote, "Although Yaanai Mugathaan reminds us of other films such as Arai En 305-il Kadavul and Vinodhaya Sitham, it successfully manages to keep us engrossed in the world it has created." Jayabhuvaneshwari B of Cinema Express gave the film a rating of two out of five stars and wrote that "While the message is a well-intentioned one, the aimless writing makes the denouement unsatisfying."
P Sangeetha of OTTplay rated the film two out of five stars and wrote that "This Yogi Babu and Ramesh Thilak fantasy comedy, which has its heart in the right place, is marred by a vague storyline that hardly evinces any interest or empathy for the characters." A critic from Dinamalar gave the film a rating of two out of five stars and opined that the story the director chose was interesting, but the screenplay is not interesting enough.
Peromyscus

Peromyscus is a genus of rodents. They are commonly referred to as deer mice or deermice, not to be confused with the chevrotain or "mouse deer". They are New World mice only distantly related to the common house and laboratory mouse, Mus musculus. From this distant relative, Peromyscus species are distinguished by relatively larger eyes, and also often two-tone coloring, with darker colors over the dorsum (back), and white abdominal and limb hair-coloring. In reference to the coloring, the word Peromyscus comes from Greek words meaning "booted mouse". They are also accomplished jumpers and runners by comparison to house mice, and their common name of "deermouse" (coined in 1833) is in reference to both this agility as well as their two-toned coloring.
The most common species of deer mice in the continental United States are two closely related species, P. maniculatus and P. leucopus. In the United States, Peromyscus is the most populous mammalian genus overall, and has become notorious in the western United States as a carrier of hantaviruses.
The deer mouse came to the attention of the public when it was discovered to be the primary reservoir species for Sin Nombre hantavirus.
A recent study in British Columbia of 218 deer mice showed 30% (66) were seropositive for Borrelia burgdorferi, the agent of Lyme disease.
Ehrlichiosis and babesiosis are also carried by the deer mouse.
While wild populations are sometimes studied, Peromyscus species are also easy to breed and keep in captivity, although they are more energetic and difficult to handle than the relatively more tame M. musculus. For certain studies, they are also favored over the laboratory mouse (M. musculus) and the laboratory rat (Rattus norvegicus). Apart from their importance in studying infectious diseases, Peromyscus species are useful for studying phylogeography, speciation, chromosomes, genetics, ecology, population genetics, conservation and evolution in general. They are also useful for researching repetitive-movement disorders. Their use in aging research is because Peromyscus spp., despite being of similar size to the standard laboratory mouse, have maximum lifespans of 5–7 years, compared to the 3-year maximum lifespan of ad libitum-fed laboratory strains or wild-caught M. musculus.
The Peromyscus Genetic Stock Center at the University of South Carolina was established by Professor Wallace Dawson in 1985 to raise animals of the peromyscine species for research and educational use. This institute maintains populations of several different species (including Peromyscus californicus, Peromyscus maniculatus, Peromyscus melanophrys, Peromyscus eremicus, and Peromyscus aztecus). A variety of mutations affecting their behavior, biochemistry, and the color of their coats is exhibited in these genetic lines.
To a Mouse

"To a Mouse, on Turning Her Up in Her Nest With the Plough, November, 1785" is a Scots-language poem written by Robert Burns in 1785. It was included in the Kilmarnock Edition and all of the poet's later editions, such as the Edinburgh Edition. According to legend, Burns was ploughing in the fields at his Mossgiel Farm and accidentally destroyed a mouse's nest, which it needed to survive the winter. Burns's brother, Gilbert, claimed that the poet composed the poem while still holding his plough.
The poem consists of eight stanzas in Burns stanza form, so called because he used it frequently. Each stanza is six lines in length and rhymes AAABAB, with iambic tetrameter A lines and iambic dimeter B lines, both with frequent hypercatalexis (an additional final unstressed syllable). Rhymes include masculine rhyme, feminine rhyme, and near rhyme.
John Steinbeck took the title of his 1937 novel Of Mice and Men from a line contained in the penultimate stanza. The 1997 novel The Best Laid Plans by Sidney Sheldon also draws its title from this line, and so do the novel of the same name by Canadian author Terry Fallis and the film series based on it.
The first stanza of the poem is read by Ian Anderson in the beginning of the 2007 remaster of "One Brown Mouse" by Jethro Tull. Anderson adds the line "But a mouse is a mouse, for all that" at the end of the stanza, which is a reference to another of Burns's songs, "Is There for Honest Poverty", commonly known as "A Man's a Man for A' That".
Sharon Olds's poem "Sleekit Cowrin'" also references this poem.
In Douglas Adams's Hitchhikers Guide to the Galaxy series, mice are hyperintelligent pan-dimensional beings who are trying to find the Question to the Ultimate Answer of Life, the Universe, and Everything. When their plans fail they lament that "the best laid plans of mice" don't always work out.
The Monty Python sketch 'Word Association' references the first line of the poem, and replaces the simple word "We" with "Wee sleekit cowerin' timorous beastie".
In book 2, chapters 9, 11, and 13 of The Once and Future King by T. H. White, several allusions to the poem are made. The most notable is on p. 291, where a drawbridge man says to the fleeing Sirs Grummore and Palomides, "Wee sleekit, cow'ring timorous Beastie... Oh, what panic's in thy breastie!"
The first line of the poem is frequently used by P. G. Wodehouse in his Jeeves stories and novels. Typically, a woman who has broken off her engagement uses it to describe her former lover, who has been ejected due to his cowardice. An example from The Cat-Nappers, Chapter 16 (Orlo Porter speaking): "Potty little lovers' quarrel my left eyeball. She called me a lily-livered poltroon. And a sleekit timorous cowering beastie."
The poem was alluded to in Ben Rector's song Living My Best Life.
Khusugtun

Khusugtun is a musical ensemble from Mongolia that plays music inspired by traditional Mongolian music. The group has released 2 albums and notably performed at the 2011 BBC Proms. In 2015, the group came in second place in the first season of Asia's Got Talent. The band is named after a type of cart, named a "khusug," that nomadic Mongolians would use to transport their yurts and other belongings.
If Only I Could Hibernate

If Only I Could Hibernate (Mongolian: Баавгай болохсон, romanized: Baavgai Bolohson, lit. 'Wish I could turn into a bear') is 2023 drama film written and directed by Zoljargal Purevdash.
It was the first Mongolian film to play in the Official Selection of the Cannes Film Festival, where it competed in the Un Certain Regard section at the 2023 edition. The film was selected as the Mongolian entry for the Best International Feature Film at the 97th Academy Awards.
Ulzii (Battsooj Uurtsaikh) is a teenager living with his family in a yurt on the outskirts of Ulaanbaatar in Mongolia. His father is dead and his mother resorts to drinking alcohol instead of finding a job, meaning that there is often not enough coal to heat the home in the cold of winter. Ulzii feels responsible for his three younger siblings and is desperate to earn money. He sells his trainers and helps his older neighbour deliver meat caracasses. Ulzii is successful at school and a teacher (Batzorig Sukhbaatar) encourages him to take part in a physics competition; if he does well, he can win a scholarship. When his mother returns to the countryside with one sibling, Ulzii is left to look after his brother and sister Tungaa (Nominjiguur Tsend) and Erkhemee (Tuguldur Batsaikhan). He has to skip school in order to earn money by illegally logging the forest, which jeopardises his plans to enter the physics competition.
If Only I Could Hibernate was written and directed by Zoljargal Purevdash with the Mongolian actor Battsooj Uurtsaikh as the lead actor in the role of Ulzii. It is Purevdash's first feature film; she herself grew up in the yurt district of Ulaanbaatar.
In 2023, If Only I Could Hibernate was the first Mongolian film to play in Official Selection at Cannes Film Festival, at the Un Certain Regard section. It is a co-production between Zoljargal Purevdash's Mongolian production house Amygdala Films and Paris-based Urban Factory, headed by producers Frédéric Corvez and Maeva Savinien.
If Only I Could Hibernate had its world premiere at the 2023 Cannes Film Festival on 21 May 2023, in the Un Certain Regard section and was also screened at the 28th Busan International Film Festival in the 'A Window on Asian Cinema' section in October 2023. It was released in UK and Irish cinemas on 19 April 2024, and the US release date is to be announced.
Reviewing the film at Cannes, Screen Daily said it was an "assured feature debut" by Purevdash and praised the "charismatic newcomer" Uurtsaikh. Sight and Sound called it "a beautifully crafted Mongolian drama".
Züünkharaa, Selenge

Züünkharaa (Mongolian: Зүүнхараа) is a city, the center of the Mandal sum (district) in the province of Selenge, located in northern Mongolia. This makes it part of the biggest district in the entire country. As of 2022, the population is estimated at 25,105 divided amongst 7,103 households. Züünkharaa is connected to the capital city of Ulaanbaatar and the northern city of Darkhan by the Trans-Mongolian Railway.
Züünkharaa contains 6 kindergartens, 1 elementary school, and 6 high schools.
Since 1943, Züünkharaa has been home to the Spirit Bal Buram factory, a vodka factory with a production capacity of 15 tonnes of vodka (approximately 140 barrels) every 24 hours.
In 1994, residents of Tünkhel and Züünkharaa voted in a plebiscite to unify their two districts. This vote was brought before the 36th State Great Khural, which combined the two areas making Züünkharaa the center of the Mandal district, and making Mandal the largest district in Mongolia.
Züünkharaa is located at the southern tip of Selenge, making it situated just north of the bordering province Töv. It is just northwest of the Khentii Mountains, with the range itself being just visible from the outskirts of the city. The Kharaa river runs through the southern half of city, and separates its center from Kherkh khoroolol. It's located 174 km away from Ulaanbaatar, and 201 km away from the provincial capital of [[Sükhbaatar (city) |Sükhbaatar]], making it closer to the national capital than its provincial one.
List of horse racing venues

This is a list of currently active horse racing venues, both Thoroughbred racing and harness racing, sorted by country. In most English-speaking countries they are called "racecourses". The United States and some parts of Canada use the term "racetracks" and some parts of Canada also use "raceway". In many non-English speaking countries a term cognate with hippodrome (e.g., Estonian: hipodroom, German: Hippodrom, Italian: ippodromo, etc.).
There are over 360 registered racecourses in Australia where Thoroughbred racing takes place during about 3,050 race meetings. There are also a number of separate harness racing tracks.
Other racetracks exist in Recife (PE), Pelotas (RS), Goiânia, (GO), Sao Vicente (SP), and Campos dos Goytacazes (RJ).
Half of European horse racing venues are in France (with more than 250 current operating hippodromes).
The United Kingdom does not have a country-wide organising body for horseracing. The remit of the British Horseracing Authority does not extend to the island of Ireland; as a result, the two tracks in Northern Ireland are under the jurisdiction of Horse Racing Ireland.
Horse racing in Ireland is organised on an All-Ireland basis by Horse Racing Ireland.
In the Republic of Ireland:
In Northern Ireland:
Virginia
Stefanie Preissner

Is í Stefanie Preissner (a rugadh ar 21 Aibreán 1988 i München) ná scríbhneoir, is aisteoir Éireannach. Chruthaigh sí an clár teilifíse Can't Cope, Won't Cope.
Rugadh i München, Chónaíodh Preissner i Maigh Eala, contae Chorcaí lena mháthar Bernie, as BÁC. Bheir sí chéim i spáineach is dramaoíocht Coláiste na hOllscoile, Corcaigh, agus théadh sé ar an scoil aistreoireacht Gaiety i BÁC i 2008.
Schríobh Preissner an dráma Solpadeine is my Boyfriend, is ghlac sí an phríomhpháirt ann. Rinne RTÉ Raidió 1 leagan raidió de.
A céad leabhair Why can't everything just stay the same? : and other things I shout when I can't cope ná meaisc dáin is scéail. Tháinig an leabhar amach i 2017.
Chruthaigh Preissner Can't Cope Won't Cope do RTÉ2 i 2016. Ghlac Seána Kerslake an phairt 'Aisling'. Bhí an céad sraith ar BBC Three i 2017 is Netflix sna Stáit Aontaithe is an Bhreatain i 2018. Tagann an dara sraith i 2018. Glacann Nika McGuigan is Amy Huberman pháirteanna ann freisin.
Caifé

Siopa nó beár is ea caifé (siopa caife, beár caifé nó Café) ina ndíoltar agus a n-óltar caife, tae, deochanna eile agus de ghnáth na laethanta seo bia.
Go minic bíonn caife agus tae ar díol i mboscaí nó málaí le tabhairt abhaile, an caife ina bpónairí go fóill nó meilte. Ó am go ham bíonn deochanna níos láidre ná caife le fáil freisin.
Bíonn ceangail leis an Idirlíon le fáil go minic, agus tá a leithéid agus caifé idirlín ann le ríomhairí.
Club (soft drink)

Club is the brand name for a series of Irish carbonated soft drinks produced in Ireland by Carlsberg Britvic and previously by Britvic Ireland and Cantrell & Cochrane (C&C). It is bottled by the Britvic plant in Dublin. The series includes Club Orange, Club Lemon, Club Rock Shandy (a mixture of the orange and lemon flavours) and Club Apple soft drinks.
In the case of Club Orange, the ingredients are carbonated water, sugar, orange juice, citric acid, the preservative (sodium benzoate), the colours beta carotene and apocarotenal, and vitamin C (ascorbic acid). Club Orange includes fragments of fruit flesh (juice vesicles), referred to in marketing material as "bits", that remain in the glass after the drink has been consumed.
The previous advertising slogan of Club was "the bits inside make it come alive" although it was rarely seen on Club bottles and commercials. From 2009, the products slogan is "Some bits are crucial", making reference to its orange vesicles. Since 2011, the slogan has been "The Best Bits in the World".
Club Orange, an orange flavoured carbonated drink, was the first orange fruit juice to appear on the Irish market. It was launched in the late 1930s, with the formula refined since then to its present state. The name Club derives from the Kildare Street Club in Dublin, which commissioned C&C to make an orange-flavoured drink. In 1960, Club Lemon was introduced as a sister product, and in the 2000s several other flavours were added to the range.
In 2004 C&C relaunched Club Lemon, which now also contains vesicles. Over the years a number of drinks have appeared under the Club label, including Club Orange and Cranberry, Club Berry, and Club Apple. Diet and sugar free versions were also produced.
In 2003 Club Energise was launched. Club Energise is an isotonic drink, marketed for sports recovery and rehydration. It was developed together with sports physiologist Liam Hennessy.
Alcoholic Beverage Federation of Ireland

The Alcoholic Beverage Federation of Ireland is an Irish trade association group based in Dublin. It is a member of Ibec.
It includes:
It extends to Northern Ireland and lobbies the British government.
It lobbies on behalf of the drink industry. In October 2018 it complained that cancer warnings on alcohol labels would have a “devastating” impact on visitor centres, after the passing of the Public Health (Alcohol) Bill through the Dáil and that the Minister for Health Simon Harris had failed to engage with the drinks industry.
It says that a 'no deal' Brexit would be disastrous for the drinks industry.
Turkeg

Ur yezh altaek eus skourr ar yezhoù turkek rik eo an turkeg (türkçe), komzet gant tro-dro da 75 milion a dud en holl o kontañ ar re a ra gantañ evel eil yezh (60 milion evel yezh kentañ) den e Turkia (46.278.000 a dud e 1987 pe 90% eus ar boblañs), Kiprenez (177.000 den e 1995 pe 20% eus ar boblañs), Bulgaria (845.550 den e 1986 pe 9% eus ar boblañs), Makedonia (250.000 den e 1982), Moldova, Iran, Gres (128.380 den e 1976), Irak, Siria, Azerbaidjan, Roumania (150.000 den e 1993), Ouzbekistan, Aostria (183.445 e 2001) den hag Alamagn (~2 vilion a dud).
E Bulgaria emañ ar bulgareg o kemer plas an turkeg tamm-ha-tamm.
Tost a-walc'h eo an turkeg d'ar yezhoù turkek all, dreist-holl an azeri pe an turkmeneg hag aezet eo evit an dud a ra gant unan eus ar yezhoù-se kompren dud all a gomz unan eus ar yezhoù all.
Dres evel an holl yezhoù altaek pe c'hoazh evel ar yezhoù finnek-ougrek evel an estoneg pe an hungareg, an turkeg a zo anezhañ ur yezh daspegel hep jener ebet hag ivez gant kensonerezh vogalennek.
E turkeg e vez implijet meur a lostger met n'he deus ar yezh rakger ebet, nemet e vije bet amprestet diwar ur yezh all.
Talvezout a ra al lostgerioù da sevel-gerioù (gwelet pelloc'h Morfologiezh), ha talvezout a reont ivez pa vezont implijet gant an anvioù-kadarn evit diskwel an droad yezhadurel pe c'hoazh roll ur ger er frazenn o verkañ ar perc'henn, da skouer :
Displeget e vez ar verboù e turkeg o verkañ ar gour, ar mod, an amzer hag ar stumm-nac'h, da skouer :
Reizh eo hogozik an holl verboù e turkeg.
Urzh diazez ar frazenn a zo: rener-renadenn dra-verb (SOV) evel e japaneg ha latin.
Er frazenn amañ da heul, tennet eus ur gelaouenn embannet e turkeg, emañ implijet pep troad war-bouez ar genitivel.
Daou vloc'had rannyezhoù pennañ ez eus:
Dont a ra a-benn an turkeg da sevel gerioù nevez en un doare aezet-tre dre implijout lostgerioù:
Diwar anvioù-kadarn:
Diwar verboù:
Peurliesañ e vez lakaet an taol-mouezh war ar silabenn diwezhañ, nemet gant un nebeud lostgerioù zo pe gerioù amreizh evel masa ['masa].
Skrivet e vez gant al lizherenneg latin abaoe 1928 pa oa bet lakaet da ofisiel e Turkia gant Kemal Atatürk a glaske modernaat ar yezh hag ar vro dre o zostaat diouzh ar C'hornôg. Betek neuze e veze implijet al lizherenneg arabek.
Mellad 1: Bütün insanlar hür, haysiyet ve haklar bakımından eşit doğarlar. Akıl ve vicdana sahiptirler ve birbirlerine karşı kardeşlik zihniyeti ile hareket etmelidirler.
Tost a-walc'h eo stumm ar gerioù a orin turkek rik implijet gant an eil yezh turkek hag eben alies, da skouer:
Anv-bihan

Graet e vez anv-bihan (liester : anvioù-bihan ; gerioù all : kentanv ha raganv) eus un anv a dalvez da anavezadenniñ un hinienn ha dreist-holl evit gallout e ziforc'hañ diouzh izili all e familh, gante an hevelep anv-familh.
Disheñvel eo an anvioù-bihan diouzh an anvioù-familh dre ma vezont dibabet ha roet a-ratozh da bep hini kentoc'h evit o c'haout da hêrezh.
Peurliesañ e vez implijet an anvioù-bihan e degouezhioù anfurmel p'en em anavezer mat pa vez implijet an anvioù-familh kentoc'h e degouezhioù furmeloc'h. Ledan eo implij an anvioù-bihan er c'humuniezhioù klos evel kêriadennoù, kêrioù bihan, metoù micherel, kumuniezhoù tud a-youl-vat ha tud yaouank. Ledanoc'h e vez implij an anvioù-bihan e broioù 'zo evel SUA p'o deus kroget an dud da vont e darempred dre hanterouriezh un den all, da skouer.
Un implij ledanoc'h en deus an termen "anv-bihan" evit an termen strishoc'h e ster "anv-badez" liammet ouzh ar gristeniezh.
Hervez hengoun an darn vrasañ eus sevenadurioù Kornôg Europa e vez lakaet an anv-bihan dirak an anv-familh hag abalamour da se e reer gant "kentanv" pe "raganv" aliesik ivez. Hervez boazioù sevenadurioù ha broioù all avat, en o zouez Hungaria en Europa hag an darn vrasañ eus broioù Azia, e lakaer an anv-familh dirak an anv-bihan, evel e Japan, e Sina, e Korea hag e Viet-Nam da skouer.
Kentanv a vez graet ivez eus an anv skiantel kentañ a roer d'un takson p'er krouer. Da skouer, Picus mixtus a voe ar c'hentanv roet, e 1783, gant an evnoniour izelvroat Pieter Boddaert (1733-1795) d'ar spesad evned a anavezer evel Veniliornis mixtus hiziv an deiz.
Macé (anv)

Macé zo un anv-tiegezh gallek. Un anv-bihan e oa gwechall, roet stank a-walc'h betek ar XVII kantved. Kavet e vez dreist-holl e Breizh-Uhel hag e kornaoueg Bro-C'hall (etre Pariz ha Breizh). Evel an anv brezhonek Mazhe(v) eo deveret, war a seblant, eus Mattheus/Matthaeus, anv an abostol meneget er Bibl. Ur furm venel, Macée, zo ivez.
Un anv-lec'h eo ivez, evit kumunioù e kreisteiz Normandi :
Alison (given name)

Alison is a unisex given name, primarily a feminine name in English-speaking countries. It was originally a medieval French nickname for Alis / Alys, an old form of Alice derived with the suffix -on or -son sometimes used in the former French nicknames. The Middle English form was Alisoun.
The variant spelling Allison is the most common form in the United States. Other variations include Allisan, Alisson, Allisson, Allyson, Allysson, Alyson, Alysson, Alicen and Alycen, with nicknames Allie, Alley, Alie, Ali, Ally, Aly, Al, Aley and Alli.
Allison also has separate, disputed roots as a family name.
Alison, variant form Alizon, is also a French surname.
The name is first recorded in Scotland in the 12th century. It was popular until the early 19th century and, spelled Allison, was the 45th most common name given to baby girls in the United States in 2005 (Allyson was #253; Alison, #259; Alyson, #468; Allie, #256; Ally, #656; and Alice, #414). In 1990 in the United States, Allison was the 228th most popular name for women of all ages; Alison was #347, Allyson, #775; Alyson, #981; Allie, #764; Ali, #2434; and Alice, #51. Alison in any spelling did not enter the top 100 baby names in 2005 in England and Wales.
Allison last entered the top 1000 baby names for males in the United States in 1946, when it ranked #968. In the 1910s it ranked from 667 to 981 with an average of #835, and in the first decade of the 20th century, it ranked as high as #927.
In Lusophone countries like Brazil and Portugal, Alison and variant forms are also used as masculine given names.
Julie (given name)

Julie is a Latin first name which originally comes from the Latin Julia, itself derived from the Latin Julius, which is believed to either stem from Ancient Greek: ἴουλος, romanized: íoulos, lit. 'downy-haired' or Latin: Iovilius, lit. 'devoted to Jove'. It can be a pet form of Julia, Yulie, or Juliette.
Julie has perpetually been one of the most popular female names used in the United States. According to the United States' Social Security Administration, Julie was consistently in the top one-hundred registered female names in the forty years between 1951 and 1991; peaking at No. 10 in 1971.
Julie has also been a popular given name in some European countries. The name was the fourth most popular female name in Belgium in 2005 and ninth most popular in Denmark in the first half of 2005. In France, the name was only mildly popular in the beginning of the 20th century and its usage nearly disappeared between 1940 and 1970. It then suddenly soared to previously unknown heights, reaching its peak in 1987 when 9,908 Julies were born. It was the 17th most popular name in 2006. Julie may be given to males as well, though mostly as a second or third given name. In 2006, 204 Frenchmen had Julie among their given names.
The first appearance of Julie in a popular non-French literary work occurred in Swedish playwright August Strindberg's 1888 tragedy Miss Julie, which became one of the most widely performed plays in the English-speaking world.
Bormioli Rocco

Bormioli Rocco (Italian pronunciation: [borˈmjɔːli ˈrɔkko]) (operating as Bormioli Luigi SpA) is an Italian manufacturer of household goods such as tableware, glassware, plastic containers for home use and pharmaceutical use. The comapny was founded in 1825 in Fidenza (Province of Parma, Italy).
Bormioli Rocco operates nine plants, two decorative ateliers, nine stores and one flagship store, with a presence in over 100 countries and with over 2,500 employees.
Source:
The Bormioli family was originally from Altare, in the hinterland of Savona, where the family name was already known in the art of glass-making since the Middle-Age. The family name "Bormioli di Altare" can be tracked back to AD 1300, in the archives of Savona, for the purchase of soda (sodium carbonate).
In 1825, Luigi Bormioli left Altare (Province of Savona) and moved to Borgo San Donnino (renamed Fidenza in 1927) in the province of Parma. Luigi started a glassware company with money he inherited from his father. After Luigi's death in 1832, his wife Petronilla led the company for the next 22 years, together with her three sons.
In 1854 the company purchased the Royal Factory of Ceramics and Glasses Strada Farnese in Parma, and immediately changed its name to Brothers Bormioli Glassware. Over the next several years, the company mechanized its production and moved into a larger facility near San Leonardo.
In 1880, the company name was changed to Bormioli Rocco Glass and Son. Upon Rocco's death in 1893, his son Luigi took over. During World War I for the next two decades, Bormioli Rocco remained a major company in the region. employing more than 1,600 people, and had a worldwide sales network.
In the 1980s, the company acquired other companies in Italy and abroad, and again renamed itself, this time, as the Bormioli Group. The new company made glass products for the household sector, and industrial packaging for pharmaceutical, perfume, cosmetics and food use.
A financial crisis in the 1990s forced the company to cede a majority stake to Banca Popolare di Lodi. In subsequent years, the company became part of Gruppo Banca Popolare (through its subsidiaries and participations Spa Efibanca Italian), and in 2011 it was sold to private equity firm Vision Capital, which had 53% ownership. Italian entrepreneur Giovanni Bellavite owns a 17% stake in the company (~ 90 million).
Brands within Bormioli Group:
Bonbon spoon

Bonbon spoons are specialized spoons designed for serving bonbons, nuts, and various other sweet treats. Bonbon spoons allow chocolate to be handled without touching it with the fingers. The majority of bonbon spoons feature a bowl with piercing and intricate designs. Certain ones were personalized with monograms, to be made as unique gifts.
Historically, bonbon spoons made of silver were more popular mostly because of its aesthetic appeal, malleability, and status as a precious metal. Silver bonbon spoons were especially used by middle class households. Other metals that were used for bonbon spoons in affluent households included brass, pewter, or gold for the most extravagant settings. In less affluent households, bonbon spoons could be made from materials such as wood, ceramic, or glass.
Bonbon spoons were used in dining settings to display wealth and sophistication. One of its primary uses was to serve sweets and confections to guests and they were designed to be passed around from person to person on the dinner table. During the late Victorian era, known American silversmiths like Tiffany & Co. and Gorham Manufacturing Company were involved in bonbon spoon production.
In contemporary times, bonbon spoons can be found in materials, including silver, stainless steel, and various food-safe plastics. There also exist an interest in collecting Victorian sterling silver bonbon spoons for their high auction value, especially valuable pieces from renowned silver companies.
Novelty item

A novelty item is an object which is specifically designed to serve no practical purpose, and is sold for its uniqueness, humor, or simply as something new (hence "novelty", or newness). The term also applies to practical items with fanciful or nonfunctional additions, such as novelty aprons, slippers, or toilet paper. The term is normally applied to small objects, and is generally not used to describe larger items such as roadside attractions. Items may have an advertising or promotional purpose, or be a souvenir.
This term covers a range of small manufactured goods, such as collectables, gadgets and executive toys. Novelty items are generally devices that do not primarily have a practical function. Toys for adults are often classed as novelties. Some products have a brief period as a novelty item when they are actually new, only to become an established, commonly used product, such as the Hula Hoop or the Frisbee.
Others may have an educational element, such as a Crookes radiometer, Newton's cradle, or drinking bird.
Sex toys are often described as novelty items (varying from this definition, as they do serve a practical purpose), and some products sold in sex shops may not have any practical sexual function, if operating primarily as a humorous gift, such as sex dice. Some food products may be considered novelty items, especially when first introduced, such as deep-fried Mars bars.
The French mathematician and astronomer Pierre Hérigone (1580–1643) describes a novelty item that was a camera obscura in the form of a goblet. Hérigone's device was constructed so that the user could spy on others while taking a drink. Its 45-degree mirror had a stylized opening for the lens and the lid bore a magnifying lens at the top.
Lenticular printing was developed in the 1940s, and is used extensively in the production of novelty items. Paper clothing, which has some practical purpose, was briefly novel in the United States in the 1960s.
One of the more popular novelty items in recent history was the singing Big Mouth Billy Bass, manufactured by Gemmy Industries. It is estimated that over 20 million original pieces were sold in 12 months during 2000 and 2001. According to The New York Times, Elizabeth II displayed a Big Mouth Billy Bass on the grand piano of Balmoral Castle.
Novelty items based on mathematical objects, such as Klein bottles and Penrose triangles, have been manufactured. Models of Möbius strips are sometimes made in place of regular bands, such as rings.
Canaanite and Aramaic inscriptions

The Canaanite and Aramaic inscriptions, also known as Northwest Semitic inscriptions, are the primary extra-Biblical source for understanding of the societies and histories of the ancient Phoenicians, Hebrews and Arameans. Semitic inscriptions may occur on stone slabs, pottery ostraca, ornaments, and range from simple names to full texts. The older inscriptions form a Canaanite–Aramaic dialect continuum, exemplified by writings which scholars have struggled to fit into either category, such as the Stele of Zakkur and the Deir Alla Inscription.
The Northwest Semitic languages are a language group that contains the Aramaic language, as well as the Canaanite languages including Phoenician and Hebrew.
The old Aramaic period (850 to 612 BC) saw the production and dispersal of inscriptions due to the rise of the Arameans as a major force in Ancient Near East. Their language was adopted as an international language of diplomacy, particularly during the late stages of the Neo-Assyrian Empire as well as the spread of Aramaic speakers from Egypt to Mesopotamia. The first known Aramaic inscription was the Carpentras Stela, found in southern France in 1704; it was considered to be Phoenician text at the time.
Only 10,000 inscriptions in Phoenician-Punic, a Canaanite language, are known, such that "Phoenician probably remains the worst transmitted and least known of all Semitic languages." The only other substantial source for Phoenician-Punic are the excerpts in Poenulus, a play written by the Roman writer Plautus (see Punic language § Example for an analysis). Within the corpus of inscriptions only 668 words have been attested, including 321 hapax legomena (words only attested a single time), per Wolfgang Röllig's analysis in 1983. This compares to the Bible's 7,000–8,000 words and 1,500 hapax legomena, in Biblical Hebrew. The first published Phoenician-Punic inscription was from the Cippi of Melqart, found in 1694 in Malta; the first published such inscription from the Phoenician "homeland" was the Sarcophagus of Eshmunazar II published in 1855.
Fewer than 2,000 inscriptions in Ancient Hebrew, another Canaanite language, are known, of which the vast majority comprise just a single letter or word. The first detailed Ancient Hebrew inscription published was the Royal Steward inscription, found in 1870.
The inscriptions written in ancient Northwest Semitic script (Canaanite and Aramaic) have been catalogued into multiple corpora (i.e., lists) over the last two centuries. The primary corpora to have been produced are as follows:
The inscriptions listed below include those which are mentioned in multiple editions of the corpora above (the numbers in the concordance column cross-refer to the works above), as well as newer inscriptions which have been published since the corpora above were published (references provided individually). They are ordered chronologically by date of their modern discovery, illustrating the development of the study of ancient Semitic epigraphy.
DNa inscription

The DNa inscription (abbreviation for Darius Naqsh-e Rostam inscription "a") is a famous Achaemenid royal inscription located in Naqsh-e Rostam, Iran. It dates to c. 490 BCE, the time of Darius the Great, and appears in the top-left corner of the façade of his tomb.
The inscription mentions the conquests of Darius the Great and his various achievements during his life. Its exact date is not known, but it can be assumed to be from the last decade of his reign.
Like several other inscriptions by Darius, the territories controlled by the Achaemenid Empire are clearly listed.
The nationalities mentioned in the DNa inscription are otherwise vividly illustrated through the large sculptural relief on the upper registers of all the tombs, including that of Darius I, at Naqsh-e Rostam. One of the best preserved is that of Xerxes I.
The inscription is written in the Old Persian cuneiform, a nearly alphabetical, simple form of the ancient cuneiform scripts (36 phonetic characters and 8 logograms), which was specially designed and used by the early Achaemenid rulers from the 6th century BCE.
The full inscriptions consists in two parts, the first one being related to a description of the lineage of Darius, as well as a list of the countries under his rule. The second part is more religious in nature and related to the cult of Ahuramazda.
The DNa inscription records the various territories under the rule of Darius I.
Picquot ware

Picquot ware is mid-century designed, collectible tableware made of a magnesium-aluminium alloy that they named 'Magnalium' in production in the same Northampton factory (Burrage & Boyde) from 1947 until 1980. The factory also made vacuum cleaners.
The handles of the teapots, coffee pots and kettles are made of the wood of sycamore trees. The pieces are mostly cast as a single piece, and the solid construction is efficient at retaining heat.
The dome style K3 kettle was designed in 1938. It was chosen for the “Britain Can Make It” exhibition in London, which ran at the V&A for 14 weeks in the autumn of 1946.
Francis 1st

Francis 1st was an American sterling silver tableware pattern, introduced in 1906 by the manufacturer, Reed & Barton, named after King Francis I of France. Production ended in 2019.
It was designed by Ernest Meyer, a French silversmith. His goal was to create a pattern that eclipsed the splendid Renaissance-Baroque metalwork of Benvenuto Cellini, court artist and sculptor in the court of King Francis I who ascended the French throne in 1515. It took him three years to design.
The pattern is unique, given that - unlike other flatware patterns - it has fifteen different fruit-and-flower clusters. Each handle bears one of these detailed designs.
It has been claimed that the design idea came from one of the many tableware patterns of the Italian silver manufacturer Cesa 1882.
Francis 1st flatware was produced by Reed & Barton Silversmiths. The original backstamp featured a lion, an eagle, and the letter “R”; Commonly called "Eagle-R-Lion". in about 1950 a new backstamp came into use which reads “Reed and Barton".
This flatware was made in the US and is warranted by its production company for 100 years.
Three American Presidents (Wilson, Truman, and Eisenhower) have owned the Francis 1st tableware pattern.
Birth name

The birth name is the name of the person given upon their birth. The term may be applied to the surname, the given name or to the entire name. Where births are required to be officially registered, the entire name entered onto a births register or birth certificate may by that fact alone become the person's legal name. The assumption in the Western world is often that the name from birth (or perhaps from baptism or brit milah) will persist to adulthood in the normal course of affairs—either throughout life or until marriage. Some possible changes concern middle names, diminutive forms, changes relating to parental status (due to one's parents' divorce or adoption by different parents), and changes related to gender transition. Matters are very different in some cultures in which a birth name is for childhood only, rather than for life.
The French and English-adopted terms née and né (/neɪ/; from French né[e] 'born') have been used to indicate maiden or married names.
The term née, having feminine grammatical gender, can be used to denote a woman's surname at birth that has been replaced or changed. In most English-speaking cultures, it is specifically applied to a woman's maiden name after her surname has changed due to marriage. The term né, having masculine grammatical gender, can be used to denote a man's surname at birth which has subsequently been replaced or changed. The diacritic marks (the acute accent) are considered significant to its spelling, and ultimately its meaning, but are sometimes omitted. According to Oxford University's Dictionary of Modern English Usage, the terms are typically placed after the current surname (e.g. 'Ann Smith, née Jones' or 'Adam Smith, né Jones'). Because they are terms adopted into English from French, they do not have to be italicized, but often are.
In Polish tradition, the term de domo (literally meaning "of house" in Latin) may be used, with rare exceptions meaning the same as née.
उद्योग आधार

उद्योग आधार लघु, कुटीर एवं मध्यम उपक्रम मंत्रालय, छोटे और मध्यम उद्यमों के लिए भारत सरकार द्वारा प्रदान किया जाने वाला एक बारह अंकों की विशिष्ट पहचान संख्या है, जिसकी शुरुआत सितंबर 2015 में हुई थी।. इसे व्यापार के लिए आधार के रूप में भी जाना जाता है। जुलाई 2018 तक, भारत में 48 लाख से अधिक MSME उद्योग आधार के तहत पंजीकृत हैं।
आधार उद्योग ऋण के नाम से भी जाना जाता है। इस योजना के अतर्गत लघु उद्योगों से लेकर मध्यम उद्योगों का उद्योग आधार पंजीकरण करा कर के उद्यमी और व्यापारी वर्ग भारत सरकार की विभिन्न योजनाओं का लाभ लें सकते हैं।
उद्योग आधार ज्ञापन (UAM) एक ऐसी प्रक्रिया है, जिसके तहत आप केवल एक पृष्ठ के फॉर्म को भरकर अपना उद्योग पंजीकृत कर सकते हैं, जिसे भारत के MSME विभाग द्वारा चलाया जाता है। उद्योग आधार ऑनलाइन पंजीकरण निःशुल्क है।
उद्योग आधार योजना का एक मुख्य उद्देश्य छोटे और सूक्ष्म उद्योगों को कानूनी तरीके से आगे बढ़ाना है। पहले पंजीकरण की प्रक्रिया बहुत बड़ी और जटिल थी। इसीलिए हमारे देश के छोटे और मध्यम वर्ग के व्यापारी इस प्रक्रिया से दूर भागते थे। लेकिन अब आप आसानी से उद्योग आधार योजना के तहत अपना व्यवसाय पंजीकृत कर सकते हैं।
छोटे और सूक्ष्म उद्योगों को बढ़ावा देने से, लोग अपना स्वयं का व्यवसाय शुरू करने में अधिक रुचि दिखाएंगे, जिससे नए स्टार्टअप (नए व्यवसाय) प्राप्त करने की संभावना भी बढ़ जाएगी। यही नहीं, भारत में बेरोजगार कम होंगे और लोगों को नए अवसर मिलेंगे।
वर्तमान में भारत सरकार व्यापार को बढ़ावा देने पर तुली हुई है क्योंकि यह देश के लिए अच्छा हो सकता है। जितने अधिक उद्योग देश में हैं, उतने ही अधिक देश के आर्थिक रूप से मजबूत होने की संभावना बढ़ेगी। इसके साथ ही एक-दूसरे से आगे निकलने वाली कंपनियों के बीच की सोच का भी देश को फायदा होगा।
निम्नलिखित लाभ में शामिल हैं:
प्रत्येक प्रकार का व्यवसाय तत्त्व उद्योग आधार प्राप्त करने के लिए योग्य है:
समिति रजिस्ट्रीकरण अधिनियम, १८६०

समिति रजिस्ट्रीकरण अधिनियम, १८६० (Societies Registration Act, 1860) भारत का एक अधिनियम है जो उन संस्थाओं की रजिस्ट्री करता है जो प्रायः समाज के हित के लिए कार्य करतीं हैं, जैसे शिक्षा, स्वास्थ्य, रोजगार आदि के क्षेत्र में कार्यरत समितियाँ। सोसाइटीज रजिस्ट्रेशन एक्ट, 1860 एक केन्द्रीय अधिनियम है तथा इस एक्ट के अन्तर्गत विभिन्न प्रकार की चैरिटेबल एवं अव्यवसायिक संस्थाएं पंजीकृत की जाती हैं। यह एक्ट पूरे भारतवर्ष में समान रूप से लागू है तथा इसमें समय-समय पर राज्यों द्वारा अपनी आवश्यकतानुसार संशोधन आदि किया जाता है। प्रत्येक राज्य की नियमावली भी अलग-अलग है। इस अधिनियम के अन्तर्गत वैज्ञानिक शैक्षणिक, धर्मार्थ एवं कल्याणार्थ हेतु निर्मित समितियों के पंजीकरण एवं प्रत्येक पांच वर्ष बाद पंजीकृत समितियों के नवीनीकरण का कार्य किया जाता है। संस्थाओं की प्रबन्ध समिति की वार्षिक सूची के पंजीकरण तथा संस्थाओं द्वारा अपने पंजीकृत उद्देश्यों या पंजीकृत विधान में आवश्यकतानुसार परिवर्तन, नाम में परिवर्तन की कार्यवाही प्रस्तुत किये जाने पर सोसाइटी रजिस्ट्रेशन ऐक्ट के सुसंगत नियमों के अन्तर्गत पंजीकरण का कार्य किया जाता है। संस्थाओं के द्वारा वित्तीय अनियमितताओं की शिकायत प्राप्त होने पर संस्था के लेखों की जांच एवं संस्था के कार्यकलापों का निरीक्षण भी किया जाता है। अधिनियम की धारा 4 (1) के परन्तुक के अन्तर्गत यदि चुनावोपरान्त पिछली कमेटी के पदाधिकारी या कार्यकारिणी सदस्य आपत्ति प्रस्तुत करते हैं तो रजिस्ट्रार द्वारा आपत्तियां आमन्त्रित करके उस पर सो0रजि0ऐक्ट के सुसंगत नियमों के अन्तर्गत आदेश पारित किये जाते हैं।
यदि संस्था की प्रबन्ध समिति में चुनाव विवाद विद्यमान है तो अधिनियम की धारा-25(1) के अन्तर्गत प्रकरण विहित प्राधिकारी को सन्दर्भित किये जाने की व्यवस्था है। यदि विहित प्राधिकारी द्वारा संस्था के चुनावों को निरस्त किया जाता है अथवा रजिस्ट्रार को यह समाधान हो जाय कि किसी संस्था के चुनाव संस्था के पंजीकृत विधान के अनुसार समय से नहीं हुए है तथा प्रबन्ध समिति कालातीत हो चुकी है तो रजिस्ट्रार संस्था की प्रबन्ध समिति के चुनाव अपनी देख-रेख में सम्पन्न कराते है। संस्था द्वारा यदि पंजीकरण/नवीनीकरण प्रमाण-पत्र गलत तथ्यों को प्रस्तुत करके फर्जी प्रपत्रों के आधार पर प्राप्त किया जाता है, अथवा संस्था के क्रियाकलाप जन विरोधी है, तो ऐसी दशा में रजिस्ट्रार को अधिनियम की धारा 12 डी (1) के अन्तर्गत पंजीकरण/नवीनीकरण प्रमाण-पत्र के निरस्त किये जाने के आदेश संस्था को सुनवाई का पर्याप्त अवसर प्रदान करने के पश्चात पारित करने का अधिकार होता है।