davidanugraha/M4-RAG huggingface dataset:
Ranked list of Hungarian counties

The following article is a ranked list of Hungarian counties.
The following table presents a listing of Hungarian 19 counties ranked in order of their surface area.
The following table presents a listing of Hungarian 19 counties ranked in order of their total population (based on 2011 census). The data is taken from the Hungarian Central Statistical Office (KSH) censuses results, as well as from the Gazetteer of Hungary.
Bold: record number of the population
The following table presents a listing of Hungarian 19 counties ranked in order of their population density (based on 2011 census).
Hungarian counties by their urban and rural population as of 2015.
Hungarian counties by life expectancy at birth, by sex, in 2017.
Source: "6.1.7. Születéskor várható átlagos élettartam (2001–)," National Statistics Office.
Hungarian counties by median age at birth, by sex, in 2018.
Source: "6.1.7. Átlagéletkor (2001–)," National Statistics Office.
Hungarian counties by number of hospital beds, in 2017.
Source: "6.2.3.3. Kórházi ellátás (2000–)*," National Statistics Office.
Source: Knoema
Hungarian counties by fruitage, by tonnes, in 2016.
Source: "6.4.1.18. Gyümölcstermelés (2000–)," National Statistics Office.
Hungarian counties by their population living in urban counties (megyei jogú városok), towns (városok), large villages (nagyközségek) and villages (falvak), according to the 2017 Gazetteer of Hungary.
Largest cities within a county, according to the 2017 Gazetteer of Hungary (according to the number of inhabitants). In all counties, the largest city is also the county seat, except Pest county where the county seat is Budapest, which does not belong any county but has a unique status (capital city).
Bold: Cities with county rights
Jasmine lactone

Jasmine lactone is a lactone and aroma compound with a powerful fatty-fruity peach and apricot flavor. Its chemical formula is C10H16O2. It occurs naturally in jasmine oil, tuberose, gardenia, mimosa, honeysuckle, lily, tea, peach, and ginger. It is used as a food spice and is mainly used for the preparation of apricot, peach, dairy products, and as a tropical fruit flavor.
Plum tomato

A plum tomato, also known in the USA as a processing tomato or paste tomato, is a type of tomato bred for sauce and packing purposes. It is generally oval or cylindrical in shape, with significantly fewer locules (seed compartments, usually only two) than standard round tomatoes and a generally higher solid content, making them more suitable for processing into paste. Plum tomatoes are also sometimes favored by cooks for use during the tomato off-season, as they are generally considered more amenable to handling and are therefore available in a state closer to ripe than other supermarket tomatoes.
Varieties commonly available in United States markets include Roma VF and San Marzano (semi-determinate; a signature tomato of Italian cuisine), though there are many other varieties, such as the short-season Ropreco Paste and the larger Amish Paste and Big Mama. Five hybrid cultivars grown in California constitute over 60% of total production of processing tomatoes.
Small plum tomatoes (similar in size to cherry tomatoes) are known as grape tomatoes.
Flacourtia inermis

Flacourtia inermis, known commonly as lovi-lovi, or batoko plum, is a species of flowering plant native to the Philippines and Indonesia, but which has naturalized around the edges of tropical Asia and Africa. Common names in Indonesia include tome-tome (Ternate, North Maluku), lovi-lovi, and lobi-lobi.
It is a medium-sized spineless tree that may grow up to 15 metres (49 feet). The mature leaves are oblong and elliptic in shape and glossy on the upper side, with a toothed margin. They are about 8 to 20 centimetres (3 to 8 inches) long and 3 to 15 cm (1 to 6 in) wide. The young leaves are bright orange to reddish in color, turning green as they mature.
The fruits are produced in bunches and resemble cherries. The fruit is round and shiny, turning from light green to a deep red colour upon ripening. Each fruit measures 1 to 3 cm (1⁄2 to 1+1⁄4 in) in diameter. The flesh is crunchy but sour and acidic in taste. Its fruit is rich in an antimicrobial agent-2,3-Dihydroxybenzoic acid.
The family Salicaceae includes well-known species such as kei apple (Dovyalis caffra), paniala (F. jangomas), and rukam (F. rukam).
The fruits are edible raw or cooked but usually not eaten fresh, instead being used in jams, preserves, and syrups.
Prunus pumila

Prunus pumila, commonly called sand cherry, is a North American species of cherry in the rose family. It is widespread in eastern and central Canada from New Brunswick west to Saskatchewan and the northern United States from Maine to Montana, south as far as Colorado, Kansas, Indiana, and Virginia, with a few isolated populations in Tennessee and Utah. It grows in sandy locations such as shorelines and dunes.
Prunus pumila is a deciduous shrub that grows to 0.61–1.83 metres (2–6 feet) tall depending on the variety. It forms dense clonal colonies by sprouts from the root system. The leaves are leathery, 4–7 centimetres (1+5⁄8–2+3⁄4 inches) long, with a serrated margin. The flowers are 15–25 millimetres (9⁄16–1 in) in diameter with five white petals and 25–30 stamens. They are produced in small clusters of two to four. The fruit is a small cherry 13–15 mm (1⁄2–9⁄16 in) in diameter, ripening to dark purple in early summer.
Enterizo

Un enterizo o mono​ es una prenda completa de una sola pieza, por lo general, dejando sin cubrir pies, manos y cabeza. El enterizo original es la prenda de una pieza funcional utilizada por los paracaidistas.
Los trajes enterizos originales de los paracaidistas eran prendas simples diseñadas para aislar el cuerpo del frío de las alturas elevadas y minimizar el riesgo de cubrir manijas y agarres importantes. Hoy, sin embargo, la prenda ha encontrado otros usos.
Los enterizos de vestir son generalmente considerados como una prenda de conveniencia, ya que son más fáciles de lavar, poner y quitar que un traje de conjunto. Sin embargo, a menos que el enterizo tenga una abertura trasera, es necesario retirarlo completamente para usar el baño.
Los aviadores y los astronautas a veces usan trajes enterizos ignífugos o trajes de vuelo donde otros tipos de ropa pueden flotar o aletear potencialmente en gravedad cero o durante maniobras de fuerza g.
Los conductores de las carreras automovilísticas visten trajes enterizos contra el fuego y (en el caso de los corredores de motocicletas) trajes de cuero contra la abrasión.​
En las prisiones, especialmente las estadounidenses, los prisioneros deben usar monos de manga corta para identificar fácilmente a los reclusos de los funcionarios de prisiones. Aunque todavía son comunes los de color naranja brillante, su popularidad debido a las series de televisión y streaming ha hecho que algunos penales optaran por otros colores o códigos de ellos que distinguen a los presos indicando su nivel de custodia, posibles riesgos de seguridad, historial delictivo, la gravedad de sus cargos actuales y condenas previas, etc.​ Algunas instituciones incluso volvieron a los antiguos uniformes a rayas para evitar que los reclusos fugados puedan ser confundidos con trabajadores de saneamiento, servicios públicos o carreteras.​
Uniforme de la selección de fútbol de Guatemala

El uniforme de la selección de fútbol de Guatemala se ha caracterizado por llevar los colores azul y blanco, teniendo una franja horizontal de derecha a izquierda.​​
Guatemala usó su primera indumentaria para los Juegos Atléticos del Centenario de la Independencia de Centroamérica, donde jugó con las selecciones vecinas de Costa Rica, Honduras y El Salvador. Este uniforme fue totalmente blanco, contando con rayas negras en las medias.​
La primera vez que Guatemala utilizó una franja horizontal, fue en los Juegos Centroamericanos y del Caribe de Barranquilla 1946, donde tuvo una pésima presentación y culminó en penúltimo lugar. Esta franja fue de izquierda a derecha, pero después cambió de derecha a izquierda y se mantiene tradicionalmente hasta la actualidad, aunque unos años se quitó este diseño y fue variando otros estilos.​
Hurto famélico

El hurto famélico es la sustracción de productos de primera necesidad por un individuo sin emplear los medios de violencia física o moral, para satisfacer sus necesidades personales o familiares del momento.​ En el derecho penal puede actuar como causa de justificación, dentro del estado de necesidad.​​​ No todas las legislaciones contemplan esta figura como un estado de necesidad.
Su origen se remonta a la figura de furtum famelicus existente en el derecho romano,​ sustentándose en el proverbio latino Necessitas non habet legem​ (la necesidad no tiene ley).
En el derecho germánico es receptado en la Constitutio Criminalis Carolina, en el artículo 166.​ Se sustentaba en el principio de solidaridad del pueblo germano y en que la necesidad no tiene ley. Las mujeres embarazadas podían sustraer alimentos justificandose en que se haría peor daño no suministrándoselos.​
En la Edad Media, con el derecho canónico toma especial relevancia, creándose la doctrina raptor fame cogente.​​​ y ampliándose a la vestimenta, por quien no tiene con qué cubrirse.​
Llegado a nuestros días por la tradición del derecho continental, es receptado en algunos países, como en el Código penal español de 1822, en el artículo 755​ como una atenuante de la pena cuando el robo era necesario.​ En el Código penal español vigente, se recepta en el artículo 20 del capítulo II, como una de las causas que eximen de la responsabilidad criminal.​
Los elementos de este tipo penal son:
El objeto material debe ser un mueble. En algunas legislaciones deberá ser alimento, aunque no en todas, algunas no especifican que sea para alimentación pero casi siempre es para satisfacer las pequeñas necesidades de esa persona.​​
Aun cuando no exista penalidad, procesalmente deberá de existir la denuncia para que se establezca un antecedente, de tal forma que en una segunda ocasión, no pueda tipificarse el delito como hurto famélico y pase a ser hurto.
Código de Defensa Social del Estado Libre y Soberano de Puebla; Código Penal Federal (México); García Ramírez, Sergio; Derecho Penal; 1990.
Impuzamugambi

El Impuzamugambi​ (kinyarwanda: [imhûːzɑmuɡɑmbi], "aquellos con el mismo objetivo")​ fue una milicia hutu en Ruanda formada en 1992. Junto con la milicia Interahamwe, que se formó antes y tenía más miembros, la Impuzamugambi fue responsable de muchas de las muertes de tutsis y hutus moderados durante el genocidio contra los tutsis de 1994.
Mientras que el Interahamwe estaba dirigida por figuras destacadas del partido gobernante Movimiento Nacional Republicano para la Democracia y el Desarrollo, Impuzamugambi estaba controlada por la dirección de la Coalición para la Defensa de la República y reclutó a sus miembros del ala juvenil de ese partido. El Impuzamugambi, que era un grupo pequeño, estaba menos organizado que el Interahamwe, pero fue responsable de una gran parte de las muertes por genocidio.
Al igual que el Interahamwe, el Impuzamugambi fue entrenado y equipado por las fuerzas del gobierno ruandés y la Guardia Presidencial. Cuando comenzó el genocidio en abril de 1994, ambos grupos actuaron en estrecha colaboración y fusionaron en gran medida sus estructuras y actividades, aunque todavía era evidente cierta distinción en las diferencias en su vestimenta. Algunos genocidas participaron con ambas milicias en las matanzas de tutsis y hutus moderados. Después del principal período de genocidio, miembros de ambas milicias, así como gran parte de la población hutu, huyeron de Ruanda hacia el este de la República Democrática del Congo.
Del liderazgo de la CDR, Hassan Ngeze y Jean-Bosco Barayagwiza fueron los grandes responsables de dirigir el Impuzamugambi. Ambos fueron declarados culpables en 2003 por el Tribunal Penal Internacional para Ruanda de planificar y dirigir el genocidio, la incitación al genocidio y los crímenes de lesa humanidad. Ambos fueron condenados a cadena perpetua. La sentencia contra Barayagwiza luego fue reducida a 35 años debido a una violación parcial del debido proceso. Después de deducir el tiempo ya cumplido, habría permanecido en prisión durante al menos 27 años, pero luego murió.
A donde fue el amor

Where Love Has Gone, conocida en español como A donde fue el amor, es una película de drama estadounidense de 1964, dirigida por Edward Dmytryk y protagonizada por Susan Hayward y Bette Davis.
La película comienza con titulares que afirman que Danielle Miller ha asesinado a Rick Lazich, quien fue el último amante de su madre Valerie Hayden. El padre de Dani, Luke Miller, describe los eventos que llevaron a la tragedia.
Cerca del final de la Segunda Guerra Mundial, el héroe de las Fuerzas Aéreas del Ejército Miller está en San Francisco para un desfile en su honor y conoce a Valerie Hayden en una exposición de arte donde se exhibe una de sus obras. Es invitado a cenar por la madre de Valerie, la Sra. Gerald Hayden, quien le ofrece un trabajo y una dote como incentivo para que se case con Valerie. Él sale furioso de la casa, pero Valerie lo sigue, quien dice que no puede ir en contra de los deseos de su madre, pero que lo admira por haberla rechazado. Se desarrolla una relación y los dos se casan, aunque un antiguo traje, Sam Corwin, predice que el matrimonio fracasará.
A medida que pasa el tiempo, Luke Miller se convierte en un arquitecto exitoso y rechaza otra oferta de empleo de su suegra, sin embargo, la influyente y vengativa Sra. Hayden usa sus contactos en la industria bancaria para asegurarse de que a Miller se le nieguen los préstamos para ayudarlo a construir. su negocio. Él cede y acepta un puesto en la empresa de la Sra. Hayden. Nace su hija, Dani, pero la relación de la pareja comienza a deteriorarse con Miller cayendo en el alcoholismo y Valerie entregandose a un estilo de vida promiscuo. El matrimonio termina cuando Miller la encuentra teniendo sexo con otro chico y la Sra. Hayden insiste en divorciarse de él. Pasan los años y Dani finalmente se convierte en la rival de su madre por el mismo tío.
De vuelta al presente, Dani afirma que estaba defendiendo a Valerie de un ataque, y cuando el caso llega a los tribunales, se dicta un veredicto de homicidio justificable. Comienza una investigación sobre dónde ubicar a Dani, pero ni la investigadora Marian Spicer ni el psiquiatra Dr. Jennings pueden persuadir a Dani para que hable sobre sus sentimientos. Cuando la Sra. Hayden solicita la custodia de Dani y todavía se niega a revelarse, Valerie revela que Dani estaba tratando de matarla y que Rick solo fue asesinado cuando trató de defender a Valerie. Valerie regresa a casa y se suicida, y tras su muerte Luke Miller intenta ayudar a Dani a reconstruir su vida.
Aunque Robbins y el estudio se negaron a reconocer una conexión, algunas publicaciones como Newsweek señalaron las similitudes entre la película y el caso real de Cheryl Crane , la hija de la actriz Lana Turner , quien en 1958 apuñaló y mató al novio de su madre, Johnny . Stompanato , alegando que estaba defendiendo a Turner de un ataque. Newark escribió que el caso parecía haber influido en la "historia tonta" y la describió como "un pastiche típico de Harold Robbins de recortes de periódicos generosamente cubiertos de sentimiento y pegados con sexo".​
ABBA The Museum

59°19′30″N 18°5′47″E﻿ / ﻿59.32500°N 18.09639°E﻿ / 59.32500; 18.09639 ABBA The Museum is a Swedish interactive exhibition about the pop band ABBA that opened in Stockholm, Sweden in May 2013. ABBA's collected works are showcased in a contemporary, interactive setting at Djurgården, Stockholm.
Plans for a dedicated to an ABBA exhibition in Stockholm, inspired by the Beatles museum in Liverpool, England, were first announced by founders Ulf Westman and Ewa Wigenheim-Westman in 2006. The exhibition was expected to open in 2008. Organizers estimated it would draw half a million visitors annually. The exhibition was to be located in the former main customs building in Stockholm harbor. After several years of financial issues the project was abandoned in 2009, and the building was instead set to hold a new contemporary photography exhibition, called Fotografiska.
New plans for a permanent ABBA exhibition were announced on 3 October 2012. The exhibition in Stockholm, called "ABBA The Museum", is the permanent home for the traveling ABBAWORLD exhibit that toured Europe and Australia in 2009–2011, and houses stage costumes donated by the band members. There are also several interactive audio and video stations that allow visitors to perform the band's music. The exhibition is located in a building near the Gröna Lund theme park on the island of Djurgården.
Exhibits at the museum include:
Shortnin' Bread

"Shortnin' Bread" (also spelled "Shortenin' Bread", "Short'nin' Bread", or "Sho'tnin' Bread") is an American folk song dating back at least to 1900, when James Whitcomb Riley published it as a poem. While there is speculation that Riley may have based his poem on an earlier African-American plantation song, no definitive evidence of such an origin has yet been uncovered. A "collected" version of the song was published by E. C. Perrow in 1915. It is song number 4209 in the Roud Folk Song Index.
Shortening bread refers to a bread made of corn meal and/or flour and lard shortening.
The origin of "Shortnin' Bread" is obscure. Despite speculation of African-American roots, it is possible that it may have originated with Riley as a parody of a African-American plantation song, in the minstrel or coon song traditions popular at the time.
Riley titled the song "A Short'nin' Bread Song—Pieced Out", and wrote the first verse as:
The dialect rendered into common English would be:
The verse includes:
Another pair of verses may be later, and exist in several versions:
In some versions there are two children instead of three - and the "other" either "bump'd his head" or "was dead". The first doesn't quite scan. The children (or "chillun") were once referred to by one of several racist terms.
Other verses include:
Reese DuPree composed a version recorded in 1927.
Titled "Shortened Bread", E. C. Perrow published the first folk version of this song in 1915, which he collected from East Tennessee in 1912. The folk version of the song—as with Riley's—does not have any distinct theme, but consists of various floating lyrics, some relating to "shortnin' bread", some not. The traditional chorus associated with the folk song is:
"Shortenin' Bread" was recorded by the American rock band the Beach Boys numerous times. Only one version has seen official release, as the final track on their 1979 album L.A. (Light Album). The band's principal songwriter Brian Wilson was reportedly obsessed with the song, having recorded more than a dozen versions of the tune. Beach Boy Al Jardine speculated that Wilson's obsession with the song may have begun after co-writing the song "Ding Dang" with the Byrds' Roger McGuinn in the early 1970s. Numerous anecdotes have been reported about Wilson's obsession with the song:
A number of Wilson-produced "Shortenin' Bread" and "Ding Dang" variations remain unreleased. Titles include "Clangin'" (recorded with Nilsson), "Brian's Jam", and "Rolling Up to Heaven". A version that was developed from a 1973 session, featuring American Spring as guest vocalists, was completed for the unreleased album Adult/Child in 1977.
Telenn skosat

Hervez ur vojenn dastumet en inizi Bro-Skos e oa deuet an delenn da Vro-Hebridez dre ar mor. Ur paotr yaouank en defe kavet anezhi, ha debochet gant ar sonerezh kerdin fraoñv gant an avel, en defe klasket c'hoari en aner. Ma n'he doa e vamm da werzhañ he eneñv, moarvat n'en defe ket bet James ar c'hentañ telennour...kantvedoù bennak a-raok Ossian, barzh bras amzer kentañ kristeniezh. Ne lâr ket ar mojenn deus pelec'h e oa an delenn. Gouzout a reer bro-Skos ha bro Iwerzhon o doa ur sevenadur tost tre. Gwelout a reer an dra-se gant ar sonerezh, hag an delenn. Dre vras ar blanedenn a voe memes er div vro. E-barzh an dousenn delenn gozh miret er bed keltiek: Lamont Harp (XV vet kantved) ha Queen Mary Harp (XV/XVIvet kantved) zo skosad, diskouezet er Museum of Scotland (Edimbourg). An heñvelder eus an eil a ziskouez gant an delenn anvet Brian Boru, miret e Dulenn, zo ken fromus en em c'houlennont ispisialisourion ma n'o defe ket deuet an div delenn eus ar memes ti-labour. Ar c'hoshoc'h benvioù eus bro-Skos a voe c'hoariet e Lowlands hag e Highlands e lec'h m'o doa noblañsoù telennerien ganto. E diskar, diouzh an eil lodenn XVIIIvet kantved a voe dilerc'h an diankedenn reizhad klanik, kildornad fortun hag ar saoznekadur ar renk aristokrat. An arzh Clarsach a zalc'has e-pad an XIX vet kantved, hag a voe adinterested gant ur c'honkour krouet e 1892 dre Archibald Campbell, duk Argyll. Unan eus gouniderezed a oa Emily MacDonald a gemennas he donedigezh da Vreizh e-pad an hañv 1898. Mankout a rae kenstriverien pa echuas ar c'honkour e 1909, hag a adteuas e 1920. Ar pennvad eus ar c'honkour-mañ a voe kaoz krouidigezh a gevredigezh Communn na Clàrsaich.
Chapel Itron Varia ar Feunteun Wenn

Feunteun Wenn a dalvez « Feunteun Sakr » en Henvrezhoneg ha lidoù relijius a zo bet dalc’het a-bell ‘zo el lec’h mañ. Un delwenn eus doue kelt ar frouezhusted a voe dizoloet war an dorgenn e lec’h m’emañ bremañ chapel ar Feunteun Wenn. Miret e vez atav an delwenn maen kersantit-mañ e Mirdi ar Sivi e bourk Plougastell.
Menec’h Abati Daoulaz a zeuas da gristenaat al lec’h, ha badezet e voe Roz Menec’h en XII vet kantved. Er XV vet kantvet e voe savet ur prioldi a oa graet Rosa Monachorum dioutañ e latin. Ur c’halvar bihan a voe savet d’ar memes koulz met diblaset e voe e 1951.
Kontet e vez e voe savet Chapel Itron Varia ar Feunteun Wenn goude ma voe kavet un delwenn eus ar Werc’hez en ur wezenn gistin. Kaset e oa bet d’an iliz parrez met distroet e vije bet he unan e kichen ar feunteun! Ret mat e oa sevel ur chapel da reiñ bod dezhi pa ne felle ket ar werc’hez bezañ kaset da lec’h all! Un tour gotek a sav a-us d’ar chapel. Diouzh tu ar c’hreisteiz emañ porched ar chapel, ur rozenn kizellet er maen a-us d’an nor vras.
Dour ar feunteun a oa dour burzhudus evel-just ha brud en doa da c’hallout pareañ ar vugale re dreut. E penn kentañ an Xxvet kantved e oa bet digoret un uzin er geriadenn evit ober koñfitur sivi ha kaotigell avaloù.
Nǚshū

An nushu (e sinaeg : 女書/女书 nǚshū, « skritur ar merc’hed ») a oa ur yezh implijet hepken gant ar merc’hed e kontelezh Jiangyong, er rannvro Hunan e Sina. Ar yezh-mañ a zo aet da get gant Yang Huanyi, plac’h diwezhañ a rae ganti, marvet d’an 20 a viz Gwengolo 2005.
Ar yezh nushu a zo anezhi ur yezh bet ijinet 400 bloaz zo gant ar merc’hed ha ne oa nemet ar merc’hed a rae ganti. N’he deus tra ebet da welet gant ar sinaeg. Pal ar yezh-mañ a oa kaozeal etre merc’hed eus o santimentoù, o sekredoù, kuit da vezañ komprenet gant ar baotred. Ne chom kazi skrid ebet skrivet e nushu. Pep dornskrid a veze devet pe douaret asambles gant he aozerez. Dielloù a gaver memestra er rannvro emrenn Guangxi, e su Sina. Skerboù, seier, avelerioù gant arouezennoù nushu brodet warno a zo bet kavet. Ur geriadur nushu 1800 arouezenn ennañ a zo bet embannet nevez zo koulskoude gant Zhou Shuoyi, paotr kentañ en deus desket un tamm nushu.
Tiegezh santel

An Tiegezh santel, pe ar familh santel eo an anv roet d'an tiegezh a oa ennañ Jezuz hag e dud, Mari ha Jozef. Roet eo da skouer d'an holl diegezhioù gant an Iliz katolik .
Kalzik a daolennoù zo bet savet d'an Tiegezh santel, a-wechoù gant sent all (Santez Anna, pe Yann ar Badezour da skouer), a-wechoù e-pad an Tec'h da Egipt, pe en e di e Nazaret, gant an arzourien-mañ paneveken:
Meur a iliz zo gouestlet d'an Tiegezh santel, met an hini brudetañ eo ar Sagrada Família e Barcelona, empentet gant Antoni Gaudí.
Sainte Jeanne d'Arc Church, Nice

The Church of Saint Joan of Arc (French: Sainte Jeanne d'Arc) is a Roman Catholic parish church located in Nice, France. Noticeable for its original architecture, the church is dedicated to Joan of Arc.
The style of this church is controversial among the inhabitants of Nice, judged ugly by some. The church is sometime nicknamed "the Meringue" for its white color.
In 1914, Father Quillery was appointed parish priest of the new parish of Saint Jérome. The first projects for a new church are proposed. French architect Louis Castel initiated in 1914 its construction and built a crypt. After World War I, another French architect Jacques Droz constructed in 1924 a second crypt. Both crypts are the support of the new building. In 1931 a concrete basement is laid over the two crypts. Between 1932 and 1934, the church was built using reinforced concrete. Droz employed the technique of the thin shell concrete for the domes that have a thickness of 45 centimetres (18 in) at the base but only 8 centimetres (3.1 in) at the top.
The use of reinforced concrete, a new material at that time, allowed an original construction in a style influenced by Art Deco. Eight ellipsoidal domes support three larger ovoid domes. In the interior, these three large domes are only supported by four pillars, which allows an astonishing interior volume with 25 metres (82 ft) high vaults. The angular form of the 64 metres (210 ft) steeple is in opposition with the strong curves of the domes.
The 95 m (1,020 sq ft) fresco paintings of the stations of the Cross were executed by Eugène Klementieff in 1934. The paintings are influenced by Russian Cubism, Italian Quattrocento and Byzantine Orthodox icons.
Media related to Église Sainte-Jeanne-d'Arc de Nice at Wikimedia Commons
Buon fresco

Buon fresco (Italian for 'true fresh') is a fresco painting technique in which alkaline-resistant pigments, ground in water, are applied to wet plaster.
It is distinguished from the fresco-secco (or a secco) and finto fresco techniques, in which paints are applied to dried plaster.
The buon fresco technique consists of painting with pigment ground in water on a thin layer of wet, fresh, lime mortar or plaster, for which the Italian word is intonaco. Because of the chemical makeup of the plaster, a binder is not required. However, some artists used lime as a binding medium for pigment to slow the drying process of the plaster and continue working for longer periods of time.
After a number of hours the plaster reacts with the air in a process called carbonatation. This chemical reaction fixes the pigment particles at the plaster's surface in a protective crystalline mesh known as the lime crust.
The advantage of buon fresco is its durability. In fresco-secco, by contrast, the color does not become part of the wall and tends to flake off over time. The chief disadvantage of buon fresco is that it must be done quickly without mistakes.
The painter plasters and paints only as much as can be completed in a day, which explains the Italian term for each of these sections, giornata, or a day's work. The size of a giornata varies according to the complexity of the painting within it. A face, for instance, might take an entire day, whereas large areas of sky can be painted quite rapidly. Buon Frescoes are usually done in sections because of the time limitations plaster provides.
Frescoes dating from the 17th century BC using this technique have been found in the excavations of Akrotiri on the island of Santorini in Greece, changing our beliefs about art in prehistoric times. One of the first painters in the post-classical period to use this technique was the Isaac Master in the Upper Basilica of Saint Francis in Assisi. In medieval and Renaissance Italy, a wall to be frescoed was first prepared with a rough, thick undercoat of plaster known as the arriccio. When this was dry, assistants copied the master painter's composition onto it with reddish-brown pigment or charcoal. The artist made any necessary adjustments. Artists that used the buon fresco technique include Raphael, Masaccio, and Michaelangelo. Many renaissance artists painted buon frescoes as backgrounds or under-paintings before they painted seccos on the dry plaster.It takes many days for the carbonization of intonaco so, days would have to elapse between painting the buon fresco and fresco-secco. Some ingredients used in secco were incompatible with the wet plaster and could result in incorrect pigmentation.
Major (onye egwu America)

Major R. Johnson Finley (amuru Maachị 10, 1984), onye amara amara site na aha ogbo ya Major (nke a na-akpọ: MAJOR. ) bụ onye egwu America pop soul, onye na-abụ abụ, onye na-emepụta ihe na onye nchịkwa arụmọrụ. A maara ya maka otu 2016 ya "Ihe mere m ji hụ gị n'anya". Na 61st Kwa Afọ Grammy Awards, ọ natara nhọpụta maka Best Traditional R &amp; B Performance maka "Honest".
Amụrụ na Denton, Texas wee zụlite na Houston, Texas, n'ime ezinụlọ agwakọtara nke ụmụnne 10 (ngụkọta 13), MAJOR. malitere ịme egwu n'oge ọ bụ nwata ma mee n'ebe egwu egwu dị iche iche na obodo ya na mba ọzọ n'oge ọ bụ nwata. Ọ gụsịrị akwụkwọ na High School for Performing and Visual Arts, nwetara ọzụzụ oge gboo kpụ ọkụ n'ọnụ n'aka Prọfesọ Steve Smith nke Juilliard School na Houston Grand Opera High School Voice Studio. Ọ gara na Berklee College of Music, na-eje ozi dị ka onye isi oche ụmụ akwụkwọ, na mgbe ọ gụsịrị akwụkwọ, ọ kwagara Los Angeles ịchụso ọrụ ntụrụndụ.
Mgbe ya na Malibu nke Star Club Entertainment kewapụrụ ụzọ ebe o mere ihe ịga nke ọma site na YouTube , ISI. wee banye mmekọrịta mmepụta / ndekọ na BOE Music Group na mmekorita ya na onye na-emepụta UK Harmony Samuels na mmalite 2014. MAJOR. njirimara na-achọta ezigbo ụda ya na mmekorita egwu ya na Samuels.
ISI. a na-akwanyere ùgwù nke ukwuu maka ahụmịhe ngosi ndụ ya dị ike gụnyere ihe ngosi 2 rere ere na Troubadour (Santa Monica), World Arts (Culver City), Hotel Cafe (Hollywood), Barclays Center (Brooklyn).
ISI. ewepụtala EP ( m bụ MAJOR. ) nke na-egosipụta 2 singles na 2 music videos: "What I Love You" na "Nọgide Na-aga", na ihe karịrị nde 126 jikọtara ọnụ na YouTube . Stevie Wonder kọwara "Ihe mere m ji hụ gị n'anya" dịka "abụ agbamakwụkwọ nke afọ". Egwu a erutekwala Top 5 na chaatị ndị okenye R&B Billboard na Platinum kwadoro site na RIAA . Onye nta akụkọ nweere onwe ya, Billy Johnson Jr., kwadoro MAJOR. dị ka ịbụ "Olileanya-Dealer" nke isi egwu na Yahoo! Atụmatụ akụkọ egwu e bipụtara na 2015.
E wepụtara album mpụta mbụ nke Major, Even More, na Septemba 7, 2018.
Na 2019, Major nwere ọrụ ugboro ugboro na usoro ihe nkiri egwu Fox, Star . Na 2021, ọ pụtara dị ka Curtis Mayfield na akụkụ abụọ nke Genius: Aretha .
ọzọ n'oge ọ bụ nwata. Ọ gụsịrị akwụkwọ na High School for Performing and Visual Arts, nwetara ọzụzụ oge gboo kpụ ọkụ
Ufuoma Onobrakpeya

Ufuoma Isioro Onobrakpeya (amụrụ na Febụwarị 21, 1971 na Lagos, Nigeria) bụ onye Naijiria na-ese ihe, onye na-ebi akwụkwọ na onye nkuzi nka. Ufuoma bụ ọgbọ nke atọ na-ese ihe, onye nna nna ya bụ Obi Omonedo Onobrakpeya bụ onye na-ese ihe. Mgbe ọ na-etolite, ọ bụkwa onye na-amụ nka nye nna ya Bruce Onobrakpeya ruo afọ iri abụọ.
Ufuoma Onobrakpeya gụsịrị akwụkwọ na Mahadum nke Benin n'afọ 1995, ebe o nwetara nzere nkwanye ùgwù na nka nke eserese, Prọfesọ Irein Wangboje dị ka otu n'ime ndị isi ya mgbe ọ nọ na Benin. N'afọ 2002, ọ nwetara nzere masta na nka nke mmepụta ihe obibi site na Camberwell College of Arts, University of Arts London, England 2002, ebe onye ama ama na-ese ihe na Naijiria bụ Ben Osawe gakwara na afọ ndị 1960. Mgbe ọ na-amụ ma na-emepụta nka na London, Prọfesọ Paul Coldwell si otú a kọwaa ọrụ ya: "Ọrụ ya na-echetara ọrụ nke ndị na-ese Pop nke Britain bụ ndị so n'ihe ngosi Images of swinging London na 1960s" N'afọ 2005 mbipụta ya akpọrọ Health Care Immunization bụ otu n'ime ọrụ nka iri na abụọ ahọpụtara iji chọọ Guinness 2005 Corporate Calendar mma. Ufuoma Onobrakpeya dị ka onye ọrụ ibe ya Mike Omoighe abụwo onye na-esonyekarị na Harmattan Retreat a na-eme kwa afọ nke Bruce Onobrakpeya Foundation haziri, na Agbarha-Otor, Delta Steeti. Nigeria. Mgbe ọ nọ n'ebe ahụ, o meela ọtụtụ ọrụ ndụmọdụ, nke gụnyere ịbụ onye na-enyere aka na mbipụta. O sonyere n'ọtụtụ ihe ngosi otu n'ụlọ na mba ofesi. Ndị a gụnyere
Ufuoma na-ejegharịkwa ọtụtụ ebe ma lụọ di.
Ihe ngosi ọ mere naanị ya
Nchịkọta Ọha
2005 14 Stations of the Cross paintings All Saints Church Yaba, Lagos
Ihe nrite na nkwanye ugwu
Asụsụ Obolo

Obolo (ma ọ bụ Andoni) bụ Asụsụ Cross River nke Naịjirịa. Obolo bụ aha ụmụ amaala nke obodo dị n'ebe ọwụwa anyanwụ Delta nke Osimiri Niger, nke a maara nke ọma dị ka Andoni (mmalite nke aha ikpeazụ a ejighị n'aka). Obolo na-ezo aka na ndị mmadụ, asụsụ yana ala. Ọ bụ asụsụ aglutinative na asụsụ SVO.
E nwere ìgwè asụsụ isii dị mkpa n'asụsụ ahụ, ya bụ: (site n'ebe ọdịda anyanwụ gaa n'ebe ọwụwa anyanwụ): Ataba, Unyeada, Ngo, Okoroete, Iko na Ibot Obolo . Ngo bụ olumba a ma ama, ya mere ụdị edemede nke Obolo na-esite na ya.
A na-ede asụsụ Obolo na mkpụrụedemede Latin. Mkpụrụ akwụkwọ dị ka ndị a:
Obolo bụ asụsụ ụda. nwere ụda ise n'asụsụ ahụ: ụda dị ala, dị elu, dị n'etiti, na-ada ada na ụda na-arị elu. 'ide, ọ bụ naanị ụda dị ala na ụda na-ada ada ka a na-egosi. A na-eji akara ụdaolu na nkeji okwu mbụ nke ngwaa na ìgwè okwu. Maka ụdị okwu ndị ọzọ, akwụkwọ ọkọlọtọ ga-egosi ụzọ ị ga-esi gaa.
Obolo Language and Bible Translation Organization (OLBTO) na-achịkwa asụsụ Obolo, otu nyocha na mmepe nke obodo nwere nke na-eme nyocha na nyocha, na-elekọta mmepe na iwebata okwu ọhụrụ, na-ebipụta akwụkwọ n'asụsụ ahụ, wdg.
Obolo bụ aha ụmụ amaala nke obodo dị n'ebe ọwụwa anyanwụ Delta nke Osimiri Niger, nke a maara nke ọma dị ka Andoni (mmalite
Templeeti:Languages of NigeriaTempleeti:Cross River languages
Olawunmi Banjo

Olawunmi Banjo (a mụrụ ya na n'ụbọchị 31 Julaị 1985) bụ onye na-ese ihe na Naijiria. O bi ma na-arụ ọrụ ugbu a na Lagos, Nigeria.
A mụrụ ya na steeti Ogun. Olawumni Banjo gụrụ akwụkwọ na Mahadum Pan African .
O meela ka ihe ọmụma nka ya dị omimi na Aina Onabolu Modern Art n'afọ 2005, malite iji acrylic na mmanụ na-ese ihe n'afọ 2006.
Ọ na-arụ ọrụ ya na pensụl ma ọ bụ icheku ọkụ ma na-ese ihe na acrylic paint ma ọ bụ mmanụ na akwa. Nkà ya bụ nkọwa, ọrụ metalinguistic, na-ekwu maka onwe ya, ka ọha na eze wee nwee ike ịghọta ihe ọrụ ndị ahụ pụtara ma nwee ekele maka ya. Ọ bụ okike, ndị gbara ya gburugburu, ahụmahụ gara aga na nke ugbu a na ọrụ ndị ọzọ na-ese ihe, ọkachasị nke ndị nna ukwu Renaissance kpaliri ya. N'oge na-adịbeghị anya, ọrụ ya na-enwe mmetụta siri ike site na mmegharị nka surrealist.
Olawumni bụkwa onye otu African Artists' Foundation.
Chris Ihidero

Chris Ihidero (a mụrụ ya n'ụbọchị 19 Machị 1976) bụ onye Naijiria na-eme ihe nkiri. Ọ bụ onye isi edemede / onye nchịkọta akụkọ na ihe nkiri TV nke MNet bụ Hush .
Ihidero nwere akara ugo mmụta nke mbụ na nke abụọ na Literature-in-English na Lagos State University na University of Ibadan .
Ọ rụrụ ọrụ dị ka onye na-ese ihe nkiri, onye mgbasa ozi, onye na-ede akwụkwọ akụkọ, onye nchịkọta akụkọ magazin na onye nkuzi mahadum. Site n'afọ 2005, ọ kụziri na School of Part-time Studies nke Lagos State University .
N'afọ 2007, o sonyeere Amaka Igwe Studios, nke bụ ụlọ ọrụ na-emepụta ihe nkiri na Naịjirịa, dị ka onye nduzi ọzụzụ. Site n'ebe ahụ, ọ biliri wee bụrụ onye isi ọrụ n'afọ 2010. Ọ rụkwara ọrụ dị ka Director of Studies na Centre for Excellence in Film and Media Studies na Lagos, nke bụ ngalaba nyocha na ọzụzụ nke Amaka Igwe Studios.
N'ọnwa Septemba 2013, Ihidero ghọrọ onye isi ọrụ nke Q Entertainment Network.
Na Septemba 2014, ọ malitere PinPoint Media ụlọ ọrụ mgbasa ozi na mmepụta ihe 360. PinPoint Media bụ ụlọ ọrụ nne na Lagos Film Academy (LFA), ScreenKraft na TNS.
N'ọnwa Disemba afọ 2014, ọ malitere Ezi Akụkọ Nollywood (TNS), dị ka ikpo okwu maka akụkọ, echiche, nyocha, echiche na ozi n'ozuzu gburugburu ụlọ ọrụ ihe nkiri Naịjirịa.
N'afọ 2015, ọ bụ onye na-emepụta ihe na Shuga Series 4.
Ihidero etinyela aka n'ịzụ ndị Naịjirịa na nkà ịkọ akụkọ. Ọzụzụ ndị dị ka Akụkọ Akụkọ na TV Writing masterclass.
Ihidero bụ onye isi oche nke Editorial Board nke Nigerian Entertainment Today (NET) kemgbe afọ 2012.
Ọ bụ onye nchịkọta akụkọ nke MADE, magazin ndụ ụmụ nwoke. site n'afọ 2007 ruo afọ 2009.
Ọ rụkwara ọrụ dị ka onye na-ede akwụkwọ akụkọ, maka The Guardian, TheNET na TNS ihe karịrị afọ iri.
Ihidero eduziela ihe karịrị otu narị awa nke ihe nkiri TV. O meela obere ihe nkiri abụọ, gụnyere Big Daddy (2012), ihe nkiri banyere ndina n'ike, nke gosipụtara na Silverbird Cinemas na Lagos n'ọnwa Disemba 2011. N'ihe karịrị 500,000 nlele, ọ ghọwo obere ihe nkiri kachasị ele anya na Naịjirịa. Ihe nkiri a meriri "Special Jury Award" na "Best Editing Award" na 2012 In-Short International Film Festival nke weere ọnọdụ na Lagos n'ọnwa Ọktoba afọ 2012.
N'afọ 2015, Ihidero nyere aka duzie It Happened to Me, obere ihe nkiri nke Amaka Igwe dere. E gosipụtara ya na isi ụlọ ọrụ UNESCO na Paris na Nọvemba 2013, na Naịjirịa n'ọnwa Eprel 2015. E nyere ihe nkiri a ọrụ dị ka akụkụ nke United Nations Programme on HIV / AIDS (UNAIDS) nke ebumnuche ya bụ iji usoro ọdịbendị kwesịrị ekwesị iji mee ka ndị ntorobịa na-etinye aka na ọrụ mgbochi HIV / AIDS na Nigeria.
Shamira Wilson

Shamira Wilson bụ onye na-ese ihe na-ahụ anya nke dabere na Indianapolis, Indiana . E gosipụtara ọrụ Wilson na ihe ngosi na nrụnye na Newfields Indianapolis Museum of Art, Indiana State Museum, na Ụlọ ihe ngosi nka ụmụaka nke Indianapolis .
A mụrụ Wilson na Kentucky wee kwaga Indianapolis na 1987. Na 2004, Wilson gụsịrị akwụkwọ na Mahadum Johns Hopkins na nzere bachelọ nke Art na Psychology. Mgbe ọ laghachiri na Indianapolis Wilson gara ụlọ akwụkwọ Herron nke Art na Kere iji mụọ ihe eji arịa ụlọ.
Wilson na-arụ ọrụ nke ọma na agba, textiles, na osisi. Dị ka onye na-ese ihe, Wilson nwere mmasị na "ethnobotany, herbalism, na geology" na-emepụta ọrụ nke gburugburu ebe obibi na-eji ụdị geometric.
akwụkwọ na Mahadum Johns Hopkins na nzere bachelọ nke Art na Psychology. Mgbe ọ laghachiri na Indianapolis Wilson gara ụlọ akwụkwọ Herron
Ndị Agha Na-ahụ Maka Ọnọdụ Ihu igwe na Pacific

Pacific Climate Warriors, ma ọ bụ 350 Pacific, bụ òtù na-ahụ maka ikpe ziri ezi ihu igwe site na steeti agwaetiti Pacific, nke bụ akụkụ nke nzukọ gburugburu ebe obibi ụwa 350.org kemgbe 2011.
Ndị agha ihu igwe nke Pacific na-agwa ndị na-eme mkpebi okwu ma na-achọ ka mmetọ na ikuku na-ekpo ọkụ gafee ka e belata. Ha na-agba mbọ ichebe agwaetiti Pacific na ọdịbendị ha, ala na ebe obibi mmiri site na mgbanwe ihu igwe. Ha na-emegide ụlọ ọrụ mmanụ ala. Ozi ha bụ isi bụ: "Anyị anaghị anọ n'ime mmiri. Anyị na-alụ ọgụ". Ha na-ekere òkè na mkparịta ụka ihu igwe nke United Nations.
Site na ọrụ agụmakwụkwọ na mba iri na ise dị na mpaghara ahụ, ndị agha ihu igwe nke Pacific na-anwa ịkọwara ndị na-eto eto ihe mgbanwe ihu igwe na-esi na ya apụta na agwaetiti ahụ. N'ime nke a, ha chọrọ ịkpali ọtụtụ ndị mmadụ ịrụ ọrụ maka nchebe nke agwaetiti ahụ.
Otu n'ime ihe ndị a ma ama ha mere bụ mkpọsa na Australia site na 8 ruo 25 Ọktoba 2014, isi ihe bụ nnupụisi obodo na 17 Ọktobe 2014 na Newcastle, ebe ọdụ ụgbọ mmiri coal kachasị ukwuu n'ụwa dị. N'ebe ahụ, ìgwè ahụ ji ụgbọ mmiri ọdịnala na kayak na enyemaka nke ọtụtụ narị ndị obodo Australia iji gbochie ụgbọ mmiri coal ịbanye ma pụọ n'ọdụ ụgbọ mmiri ahụ. Dị ka otu ahụ si kwuo, ọ bụ naanị anọ n'ime ụgbọ mmiri iri na abụọ ga-agafe n'ọdụ ụgbọ mmiri n'ụbọchị ahụ nwere ike ime nke a, ebe ndị ọzọ niile nwere ihe ịga nke ọma n'aka otu ahụ. E wuru ụgbọ mmiri ndị e ji mee ihe n'oge mgbochi ahụ n'àgwàetiti Pacific site na iji usoro ọdịnala ma jiri ụgbọ mmiri na-ebu ibu weta ha na Australia maka ọrụ ahụ.
N'ime mkpọsa ahụ, ha chọrọ ka ụlọ ọrụ ndị na-arụ ọrụ na mmanụ ala na mba ndị nwere nnukwu ikuku na-ekpo ọkụ na-aza ajụjụ maka omume ha na-emebi ihu igwe. Site n'ịkọ akụkọ banyere mmetụta nke mgbanwe ihu igwe na agwaetiti Pacific na akụkọ mgbasa ozi, ha chọrọ ịkwalite mmata banyere mkpa ọ dị ibelata gas na-ekpo ọkụ.
N'oge mkpọsa ahụ, ndị otu 30 sitere na mba 12 dị iche iche nke Pacific (gụnyere Fiji, Kiribati, Papua New Guinea, Republic of the Marshall Islands, Tokelau, Tonga, Tuvalu na Vanuatu) gara Australia.
Ndị agha ihu igwe nke Pacific nọchitere anya na ngagharị iwe na London tupu mkparịta ụka ihu igwe nke COP26.
Our Stories Films

Our Stories Films is an American film studio founded on July 13, 2006, by Robert L. Johnson to produce "comedic, family-friendly feature films for African American and urban audiences". It began as a joint venture between RLJ Companies and The Weinstein Company. It is based in Los Angeles with offices in New York City. On August 31, 2006, it was announced that Tracey Edmonds was named president and chief operating officer of Our Stories Films, making her the first African American to head a film studio.
The studio's first film, Who's Your Caddy?, was released on July 28, 2007.
On May 6, 2011, Our Stories Films released Jumping the Broom through TriStar Pictures and opened to mixed reviews, but had a highly successful opening weekend box office number. Kevin Thomas of the Los Angeles Times gave Jumping the Broom a positive review, however, and called it: "An exuberant comedy. Fun, smart, and heart tugging with a sparkling ensemble cast." Jumping the Broom was released on DVD and Blu-ray on August 9, 2011.
Procynosuchus

Procynosuchus (Greek: "Before dog crocodile") is an extinct genus of cynodonts from the Late Permian. It is considered to be one of the earliest and most basal cynodonts. It was 60 cm (2 ft) long.
Remains of Procynosuchus have been found in Russia, Germany, Zambia and South Africa.
As one of the earliest cynodonts, Procynosuchus has many primitive features, but it also has features that distinguish it from all other early therapsids. Some of these features were interpreted by Kemp (1980) as adaptations for a semi-aquatic lifestyle. For example, the wide zygapophyses of the vertebrae allow for a high degree of lateral flexibility, and Procynosuchus may have used anguilliform locomotion, or eel-like undulation, to swim through the water. The tail of Procynosuchus is also unusually long for a cynodont. The long haemal arches would have given the tail a large lateral surface area for greater propulsion through the water. Relatively flat foot bones may also have been an adaptation toward swimming, as the feet may have been used like paddles. Ridges on the femur are an indication of strong flexor muscles that could have stabilized the leg during limb-driven swimming. When the thigh is pulled back in the water, the lower leg tends to bend forward. Strong flexor muscles would have pulled the lower leg back with the femur, providing the powerful backward thrust that is needed to swim.
Procynosuchus was named by South African paleontologist Robert Broom in 1937. Broom also named the cynodont Cyrbasiodon in 1931. Another genus, Parathrinaxodon, was named by Parrington in 1936. These genera are now regarded as synonyms of Procynosuchus, as they represent the same animal. Under the International Code of Zoological Nomenclature (ICZN), these two names take precedence over Procynosuchus because they were erected earlier. The names Cyrbasiodon and Parathrinaxodon were rarely used after their erection, while the name Procynosuchus has since become widespread in scientific literature. In a case brought to the ICZN in 2009, some scientists proposed that Procynosuchus should be a nomen conservandum, or conserved name, making Cyrbasiodon and Parathrinaxodon nomina rejecta, or rejected names. In 2010, the ICZN formally made Procynosuchus a nomen conservandum.
Moving floor

A moving floor is a hydraulically-driven moving-floor conveyance system for moving bulk material or palletized products, which can be used in a warehouse, loading dock or semi-trailer. It automates and facilitates loading and unloading of palletized goods by eliminating the need for a forklift to enter the trailer. In a truck-based application, the system can quickly unload loose material without having to tip the trailer or tilt the floor as with other dumping systems. In a bulk material application such as a waste facility, these systems can reduce double handling by allowing any vehicle to deliver material to the conveying floor and move heavy bulk materials to subsequent stages of a process. For bagged waste, the system can also be combined with bag openers.
The moving floor is divided into three sets of narrow floor slats, with every third slat connected together, hydraulically powered to move forward and backward either in unison, or alternately. When all three sets move in unison, the load is moved upon them in the direction the operator wishes. Slat retraction (during which the load does not move) is accomplished by moving only one set of slats at a time. (The friction of the load on the two stationary sets of slats keeps the load from moving while a single set of slats alternately slides past.)
Optionally, the semi-trailer may include a movable front wall with a rubber flap at the bottom extending onto the floor, or simply a movable flap or tarp at the front of the trailer bed on which the material is loaded. During unloading of loose material, either of these will ensure that nothing is left behind, almost or eliminating having to sweep the floor.
It takes about 5 to 15 minutes to unload a full 13.6-metre (45-foot) trailer, taking less manpower, equipment and time than without the system. The operator can enter a narrow low gate and dump the load inside a building. With a conventional tipper (or dump truck) as well as a dump trailer, that is often not possible. It is also possible to handle a full-width or full-length pallets, without opening the sides of the trailer.
A similar system is designed specifically for moving pallets. It uses only two (rather than three) sets of slats; where one set raises the load just enough for the second set to retract. After the load-raiser lowers and retracts, then both sets move together to actually move the load. Load capacity is 30 short tons (26.8 long tons; 27.2 t) and floor speed is up to 12 feet per minute (3.66 m/min).
Media related to Moving floors at Wikimedia Commons
Scrubber (brush)

A scrubber (German: Schrubber), is a type of wide brush with a long shaft used for cleaning hard floors or surfaces. Unlike a broom, which has soft bristles to sweep dirt away, a scrubber has hard bristles for brushing. It may therefore be used wet, with water or cleaning fluids. Around the head of the brush there may also be a removable floorcloth or mop, either soaked in water for cleaning or dry for wiping dry. However, these days other cleaning implements tend to be used for such purposes.
In North Germany and in sailor's language, a scrubber is also called a Leuwagen, hence in large firms or offices a cleaning party is sometimes jokingly called a Leuwagenballett ("scrubber ballet").
鑊

炒鍋，粤语及客家話称为镬，闽南语称为[鼎] 错误：{{Lang}}：语言标签：zh-min-nan 无法识别（帮助），又稱中華鍋、中式炒鍋，是源自中國一種烹飪工具，為鍋的一種，特徵是頂部開口大以及圓底。英語中的「wok」源自粵語「[鑊] 错误：{{Lang}}：语言标签：zh-yue 无法识别（帮助）」專指這種中式廚具。
中國北方食物（魯菜為代表）多以炒菜為主，故炒鍋設計成有手抦以方便拋炒，多稱其為山東鍋或北平鍋，也叫炒勺。而南方鍋（廣東為代表）多鉚以雙手提環，稱之為雙耳鍋。炒鍋主要用作煎或炒食物，但也可以用作蒸、炖、炸等其他不同的烹飪方法。炒鍋是大中華地區及東南亞的主要煮食工具。
也有的小型的炒鍋被設計用作盛載食物，或在其下放置热源，使食物保温，如湘菜中的干锅，而在粤语地区稱為镬仔。
红色警戒系列角色列表

该条目讲述的是《命令与征服：红色警戒》系列游戏中的角色。
男，苏军陆军元帅，负责化学武器研究。在苏联战役中被纳迪娅毒杀。
男，德國人，德國陸軍將軍及盟軍最高指揮官。
男，希腊人，在盟军结局中将斯大林杀害。
ONE PIECE動畫集數列表

ONE PIECE動畫集數列表是列出電視動畫《ONE PIECE》中播放的系列劇集標題和工作人員主要清單。
劇集特別篇指的是在電視動畫中插播特別篇、與另外播出特別節目不同。
電視特別篇指的是另外播出特別節目、與在電視動畫中插播特別篇不同。
劉以豪

劉以豪（1986年8月12日—），台灣男演員，素有「台灣最萌男友」之稱。2008年，參加伊林超級男模大賽，獲得第3名後進入演藝圈。在電視劇《我可能不會愛你》中飾演趙美男嶄露頭角。後來為「Lativ」所拍平面廣告而使劉以豪的詢問度大增。靠著招牌花椰菜頭和燦爛笑容，令人印象深刻。他被稱是花椰菜村的「村長」，粉絲是「村民」。他的表哥是台灣藝人謝承均。2015年主演的電視劇《他看她的第2眼》是年度最高收視率的偶像劇。2018年因主演電影 《比悲傷更悲傷的故事》 亞洲票房大賣，大受歡迎，引起關注，2019年因電視劇《我們不能是朋友》裡張力十足的演技多次上微博熱搜，“褚克桓”成為代表角色之一。2019年4月底與伊林娛樂合約到期，正式結束10年經紀關係。2019年6月宣佈開設個人工作室，經紀約由彭于晏經紀人打理，同年8月份，宣佈加盟何樂音樂。事業重心轉往中國大陸發展。2020年6月與韓國演員李昇基共同出演Netflix製作的綜藝節目《Twogether》全球上線，節目收視成績亮眼，擠進超過8個地區的節目排行首十名。
2016 櫻桃小丸子：來自義大利的少年 安德烈
2013 第48屆金鐘獎:戲劇也瘋狂
偶然遇見的你

《偶然遇見的你》（朝鮮語：어쩌다 마주친, 그대，英語：My Perfect Stranger），為韓國KBS2於2023年5月1日起播出的月火連續劇，由編劇白素妍（朝鲜语：백소연）執筆和姜秀妍（朝鲜语：강수연 (연출가)）導演執導，這是他們在2019年《朝鮮浪漫喜劇–綠豆傳》之後再次合作的作品。劇情講述生活在2021年偶得時光機，為拯救自己在未來時空免於被殺，進行時空旅行尋找過去連環殺人真相的男人和一個想要阻止父母結婚拯救媽媽的女人，因偶然相遇受困於1987年，相互意識到彼此目標之間關連的故事。
香港、新加坡、泰國、印尼、中東、南非及菲律宾由Viu作為Viu Original原創劇集于5月1日起与韓國獨家同步播出。臺灣由friDay影音購入Viu版權自5月1日起每週一、二晚間10點獨家上架。