davidanugraha/M4-RAG huggingface dataset:
Velatorio

Un velatorio, una velación o un velorio​ es una reunión o celebración tradicional de los allegados y amigos de un difunto en las horas que siguen a su muerte y antes de la inhumación o cremación del cadáver.​​
Por tradición, el velatorio se desarrolla con el difunto "de cuerpo presente", en la misma habitación o en una anexa cuando se realiza en su domicilio; si bien, en el Occidente masificado, el progreso y las leyes han provocado que el velatorio desde finales del siglo XX se realice habitualmente en el tanatorio o la funeraria que disponen de salas preparadas para estos casos, o en el sanatorio, hospital o institución de acogida correspondiente. En función de la confesión religiosa del difunto y su familia se realizan los correspondientes rezos y ceremonias. Aunque la tendencia al laicismo ha hecho que este tipo de manifestaciones, en un tiempo dramáticas y ocasionalmente suntuosas, se haya reducido de forma considerable a una reunión de luto para la "última despedida" a la persona fallecida.​​
Cuando el difunto ha sido una personalidad o muy popular, se celebran velatorios públicos o se expone el cuerpo en una capilla ardiente, como en los funerales de estado.
Aunque la tendencia occidental de finales del siglo XX y principios del siglo XXI ha sido llevar los velatorios de los domicilios a los tanatorios, en los últimos años, y especialmente después de la pandemia de Covid-19, están creciendo mucho los "funerales directos", ya sean "inhumación directa" o "cremación directa", es decir, servicios funerarios sin velatorio ni ceremonia. Este auge se explica por la tendencia a abaratar los servicios funerarios, el progresivo laicismo de las sociedades occidentales, así como la experiencia que han vivido muchas familias durante la pandemia al tener que realizar un servicio funerario sin velatorio ni acto social alguno. Según el Barómetro Funos del Sector Funerario y Asegurador 2023,​ los servicios funerarios directos están en pleno crecimiento, tanto en España, como en otros países. Por ejemplo, el 41% de las cremaciones fueron cremaciones directas en Estados Unidos en 2021 (según «Cremation and burial report 2023». NFDA.​), o el 18% de todos los servicios funerarios en Reino Unido fueron cremaciones directas en 2022 (según el estudio «Sunlife: The Cost of Dying 2023». Sunlife.​).
En algunas regiones, como en el Caribe colombiano, se llama velorio a los nueve días ininterrumpidos desde la muerte de la persona; en las que los vecinos acompañan a los familiares del fallecido, mientras se encuentra el difunto presente y en los días y noches siguientes se realizan rezos, cantos, se ríe, come, bebe y juega, etc., durante la noche y hasta amanecer, ​ según sus costumbres y tradiciones.​​
Maipú, Chile

Maipú is a commune of Chile located in Santiago Province, Santiago Metropolitan Region, integrated into the Greater Santiago conurbation. It was founded on 16 February 1821 and it is the place of the Battle of Maipú (5 April 1818), where Chile's independence was consolidated. Inhabitants are mostly part of a middle class.
According to the 2017 census, Maipú was the second largest commune in Chile, behind Puente Alto.
According to the 2002 census of the National Statistics Institute, Maipú spans an area of 133 km (51 sq mi) and has 479,911 inhabitants (233,000 men and 247,000 women). Of these, 476,552 (99.3%) lived in urban areas and 3,359 (0.7%) in rural areas. The population grew by 82.6% (211,840 persons) between the 1992 and 2002 census.
As a commune, Maipú is a third-level administrative division of Chile administered by a municipal council, headed by an alcalde who is directly elected every four years. The 2016-2020 alcalde was Cathy Barriga Guerra (UDI). The communal council had the following members:
Within the electoral divisions of Chile, Maipú is represented in the Chamber of Deputies by Pepe Auth (PPD) and Mónica Zalaquett (UDI) as part of the 20th electoral district, which consists entirely of the Santiago commune. The commune is represented in the Senate by Guido Girardi Lavín (PPD) and Jovino Novoa Vásquez (UDI) as part of the 7th senatorial constituency (Santiago-West).
The alcalde for the 2021-2025 period is Tomás Vodanovic (RD)
Angelica Pozo

Angélica Pozo is a clay artist from Cleveland. She is also an author, teacher, and exhibit curator.
Pozo is from New York City. She was born to Cuban and Puerto Rican parents. She earned her BFA from SUNY College of Ceramics, and her Masters of Fine Arts at the University of Michigan.
She then moved to Cleveland in 1984, and resides in Tremont, Cleveland. She is self-employed.
Pozo's art includes tile and sculptural studio work. She has also taught art for over 30 years. For her work, she was awarded an Individual Artist Fellowship by the Ohio Arts Council.
Pozo is known for the following public art commissions:
Pozo's work is available in the following collections:
She has been involved with the following exhibitions:
Dapitan Heritage Zone

The Dapitan Heritage Zone or Dapitan Historic Center is a declared historic district in Dapitan, Philippines. Because of its prehistoric origins, collection of heritage structures and role in the exile of local patriot Dr. Jose Rizal, the National Historical Commission of the Philippines declared a specific portion of the city, along with its heritage structures, as a Heritage Zone or Historic Center in 2011. The declaration was made in coordination with the 150th birth anniversary of Dr. Rizal in June 2011.
The NHCP board resolution cites several reasons for the declaration of certain areas in downtown Dapitan as Heritage Zone/Historic Center:
Dutch Chileans

Dutch Chileans (Spanish: Chileno-neerlandeses; Dutch: Nederlandse Chilenen) are Chilean people of Dutch descent.
In 1600, the Chilean city of Valdivia was conquered by Dutch pirate Sebastian de Cordes. He left the city after a few months. Four decades later, in 1642, the VOC and the WIC sent a fleet of ships to Chile to take control of Valdivia and its Spanish gold mines. The expedition was conducted by Hendrik Brouwer, a Dutch general. In 1643 Brouwer conquered the Chiloé Archipelago and Valdivia. After Brouwer died on 7 August 1643, vice-general Elias Herckmans took control. (The New Flanders Colony).
The second emigration from the Netherlands to Chile occurred in 1895. A dozen Dutch families settled in Chile between 1895 and 1897, particularly in Mechaico, Huillinco and Chacao. Egbert Hageman arrived in Chile with his family, on 14 April 1896, settling in Rio Gato, near Puerto Montt. The Wennekool family inaugurated the Dutch colonization of Villarrica.
In the early twentieth century, a large group of Dutch people arrived in Chile from South Africa. These migrants, after a long stay in African camps, were presented with the opportunity to emigrate to Chile with the help of the Chilean government.
On 4 May 1903, a group of over 200 Dutch sailed on the steamship "Oropesa" owned by the shipping company "Pacific Steam Navigation Company", from La Rochelle (La Pallice) in France. The majority had been born in the Netherlands (35% from North Holland and South Holland, 13% from North Brabant, 9% from Zeeland and an equal number of Gelderland). Only a dozen children had been born in South Africa. On June 5, they arrived by train to the city of Pitrufquén.
Another group of Dutchmen arrived shortly after to Talcahuano, in the "Oravi" and the "Orissa". The Netherlands colony in Donguil was christened "New Transvaal Colony". More than 500 Dutch families moved there. The last group of Boers arrived between 7 February 1907 and February 18, 1909.
Some 50,000 descendants remain, mostly located in Malleco, Gorbea, Pitrufquén, Faja Maisan and around Temuco.
Shrine of the Most Blessed Sacrament

The Shrine of the Most Blessed Sacrament of Our Lady of the Angels Monastery, informally known as OLAM Shrine, is a prominent Catholic shrine located in Hanceville, Alabama, United States, in the Diocese of Birmingham. Adjacent is the cloistered Monastery of the Poor Clare Nuns of Perpetual Adoration, situated on a 400-acre (160 ha) site and a religious center affiliated with the Eternal Word Television Network.
The shrine is notable for its gilt interior, solemn atmosphere, and 7.5-foot (2.3 m) monstrance. The shrine is named in honor of the Blessed Sacrament, while the building surroundings are dedicated to the Divino Niño, a title of the Child Jesus found prominently displayed all over the area. Its foundress, Mother Mary Angelica of the Annunciation, resided at the cloistered monastery with her nuns until her death in 2016.
In 1995, while travelling to Colombia to seek assistance for EWTN's Spanish-language programs, Mother Angelica attended Mass at the Sanctuary of the Divine Child Jesus in Bogotá and was inspired to build a shrine honoring the real presence of Christ in the Eucharist. Five anonymous benefactors contributed to the purchase of a 400-acre (160 ha) former soybean farm located in Hanceville, Alabama, and to construction costs and materials. The monastery was consecrated in December 1999.
The exterior is characteristic Romanesque, but incorporates pointed arches and other Gothic elements. Mother Angelica sought to model the Shrine on 13th century Italian architecture, with its piazza or plaza square, colonnade, esplanade and various cosmatesque designs. She also wanted the building to reflect materials from all over the world. The ceramic tile came from South America. The bronze doors depicting the Seven Joys and Seven Sorrows of Mary were designed and crafted in Spain. The floors, columns, and pillars are made of marble. The rare red Jasper marble is from Turkey. The wood for the pews, doors, and confessionals is cedar imported from Paraguay. Spanish workers came to build the doors. The stained glass windows were imported from Munich, Germany. The stations of the Cross inside are hand-carved.
The shrine consists of a cloistered monastery, upper and lower church, near life sized nativity scene, Lourdes grotto, castle which houses the gift shop and conference rooms, and John Paul II Eucharistic Center.
During construction, a storm struck the area, causing the church cross to be damaged. Initially, Mother Angelica wanted to repair it. Later on, Mother Angelica associated the cross with the Tau cross. The damaged remains of the top part of the cross are on display in the St. Joseph Courtyard. Another notable statue in the shrine depicts a scourged Jesus Christ, symbolic of his pain and suffering at the cross.
Franciscan Missionaries of the Eternal Word

The Franciscan Missionaries of the Eternal Word (MFVA; Latin: Missionarii Franciscani Verbi Aeterni) is a public clerical association of the faithful, located in the Roman Catholic Diocese of Birmingham in Alabama. They were founded in 1987 by Mother Angelica, who also founded the Eternal Word Television Network (EWTN) and the Shrine of the Most Blessed Sacrament in Hanceville, Alabama.
The primary residence of the Friars is in Irondale, Alabama, and is next door to EWTN. They also have a residence in Hanceville, AL, near the Shrine of the Most Blessed Sacrament.
The Friars' apostolate is to communicate the Catholic faith by word and example. It involves using the media: television, radio and the Internet, as well as publishing and conducting retreats. Currently, they focus their attention on the television and radio ministry, in addition to providing for the spiritual needs of the Poor Clares of Perpetual Adoration, the EWTN employees, and the visitors who come to EWTN and the Shrine.
In contrast to Franciscan communities that focus on the corporal works of mercy, the Franciscan Missionaries of the Eternal Word devote themselves to the spiritual works of mercy. Therefore, they study to gain a deep knowledge of the Catholic faith and practice communicating it effectively.
Adapting to the needs of the time, they have developed into an active religious institute, but still maintain elements of the contemplative life. In addition to praying the Liturgy of the Hours, the Friars devote an hour each day to Eucharistic Adoration and pray the daily Rosary.
The community is composed of priests and seminarians, as well as consecrated brothers.
రవీంద్రభారతి

రవీంద్ర భారతి (ఆంగ్లం: Ravindra Bharati) ఒక సాంసృతిక కళా భవనము. హైదరాబాదులో సైఫాబాద్ ప్రాంతంలో నిత్యమూ ఏదో ఒక సాంస్కృతిక కార్యక్రమము జరుగుతూ రద్దీగా ఉంటుంది. దీనిని తెలంగాణ రాష్ట్ర భాషా సాంస్కృతిక శాఖ నిర్వహిస్తున్నది. శాఖ సంచాలకులు మామిడి హరికృష్ణ రవీంద్రభారతిని పర్యవేక్షిస్తున్నారు.
రవీంద్రనాథ్ ఠాగూర్ శతాబ్ది ఉత్సవాల్లో భాగంగా హైదరాబాద్ నగరంలో 1960, మార్చి 23వ తేదీన రవీంద్రభారతికి శంకుస్థాపన చేశారు. సర్వేపల్లి రాధాకృష్ణ చేతుల మీదుగా రవీంద్రభారతి 1961, మే 11న ప్రారంభించబడింది. మంచి ప్లానింగ్, పార్కింగ్ సదుపాయాలు, చుట్టూ ప్రహరీలతో కట్టబడిన ఈ భవనము చూపులకు కనువిందు చేస్తూ ఉంటుంది. మొదట్లో ప్రభుత్వమే రవీంద్రభారతి నిర్వహణను చూసుకునేది. 1963లో స్వయంప్రతిపత్తి హోదా కల్పించడంతో 1989 వరకు మేనేజ్‌మెంట్ కమిటీ ఆధ్వర్యంలో దీని నిర్వహణ కొనసాగింది. 1989 నుంచి రాష్ట్ర భాషా సాంస్కృతిక శాఖకు అప్పగించడంతో, ఆ శాఖ సంచాలకులే దీని నిర్వహణ బాధ్యతలను చూసుకుంటున్నారు.
రవీంద్రభారతికి అనుసంధానిస్తూ వెనుకగా కళాభవన్ అనే భవనము నిర్మించారు. దీనిలో చిత్ర ప్రదర్శనలు, ఎగ్జిబిషన్స్, వస్త్ర ప్రదర్శనలు, ఇతర కళా ప్రదర్శనలు జరుగుతూ ఉంటాయి.
త్యాగరాయ గానసభ
వరంగల్ ఆర్ట్స్ అండ్ సైన్స్ కాలేజ్

వరంగల్ ఆర్ట్స్ అండ్ సైన్స్ కాలేజ్, తెలంగాణ రాష్ట్రం వరంగల్లోని సుబేదారి ప్రాంతంలో ఉన్న పురాతన ఆర్ట్స్ అండ్ సైన్స్ కళాశాల. ఈ కళాశాలలో అండర్ గ్రాడ్యుయేట్, పోస్ట్ గ్రాడ్యుయేట్ కోర్సులు అందించబడుతున్నాయి. దీనిని కాకతీయ విశ్వవిద్యాలయపు రెండవ ప్రాంగణం అని కూడా పిలుస్తారు.
కాలేజియేట్ ఉన్నత పాఠశాలగా ప్రారంభించబడిన ఈ కళాశాల, 1927వ సంవత్సరంలో అభివృద్ధి చేయబడింది. దీనిని 1954లో హన్మకొండ నుండి ప్రస్తుతమున్న స్థానానికి మార్చారు. 1959లో ఉస్మానియా విశ్వవిద్యాలయం కళాశాలగా అప్‌గ్రేడ్ చేయబడింది. ఆర్ట్స్, సైన్స్, కామర్స్ ఫ్యాకల్టీలలో అండర్ గ్రాడ్యుయేట్ కోర్సులను అందిస్తోంది. కాకతీయ విశ్వవిద్యాలయం స్థాపించబడిన తరువాత ఉస్మానియా విశ్వవిద్యాలయం నుండి 1976, ఆగస్టు 19న కాకతీయ విశ్వవిద్యాలయానికి బదిలీ చేయబడింది. 1995లో పోస్ట్ గ్రాడ్యుయేట్ కోర్సులు కూడా చేర్చబడ్డాయి.
వరంగల్ లోని 163వ జాతీయ రహదారిలో ఈ కళాశాల ఉంది. ఇందులో ఆంగ్ల భాషా ప్రయోగశాల, లైబ్రరీ రీడింగ్ హాల్‌లు, ఇంటర్నెట్ సదుపాయం, ఎయిర్ కండిషన్డ్ సెమినార్ హాల్, కంప్యూటర్ ల్యాబ్‌లు, బయోటెక్నాలజీ, మైక్రోబయాలజీ లాబొరేటరీలతోపాటు ఫిజిక్స్, ఎలక్ట్రానిక్స్, కెమిస్ట్రీ, బోటనీ, జువాలజీ వంటి ల్యాబ్‌లు కూడా ఉన్నాయి. 70 సంవత్సరాల పూర్వం నిర్మించిన ఆడిటోరియం, యాంఫిథియేటర్, హెల్త్ సెంటర్, మల్టీ-జిమ్, ఆట స్థలం మొదలైన సదుపాయాలు ఇందులో ఉన్నాయి. కళాశాల ప్రాంగణం మొత్తంలో హై-స్పీడ్ ఇంటర్నెట్ సదుపాయం కూడా ఉంది.
ఈ కళాశాలలో బయోటెక్నాలజీ, బిజినెస్ మేనేజ్‌మెంట్, కామర్స్, కంప్యూటర్ అప్లికేషన్స్, కంప్యూటర్ సైన్స్, ఎలక్ట్రానిక్స్, హిందీ, హ్యూమన్ రిసోర్స్ మేనేజ్‌మెంట్, మైక్రోబయాలజీ, ఆర్గానిక్ కెమిస్ట్రీ, సోషల్ వర్క్, స్టాటిస్టిక్స్‌తోపాటు అండర్ గ్రాడ్యుయేట్, పోస్ట్ గ్రాడ్యుయేట్ వంటి 29 కోర్సులు, కోర్సు కాంబినేషన్లను ఉన్నాయి.
ఈ కళాశాలతో చదువుకున్న వారిలో కొందరు ప్రతిష్ఠాత్మకమైన పదవుల్లో ఉన్నారు. భారత మాజీ ప్రధాన మంత్రి పి.వి. నరసింహారావు, వైస్-ఛాన్సలర్లు, ఐఎఎస్/ఐపిఎస్ అధికారులు, హైకోర్టు ప్రధాన న్యాయమూర్తి, న్యాయమూర్తులు, వైద్యులు, ఇంజనీర్లు, జర్నలిస్టులు, కవులు, కళాకారులు, సామాజిక కార్యకర్తలు మొదలైనవారు ఉన్నారు.
Sniawbhalang Dhar

Sniawbhalang Dhar is an Indian Politician of National People's Party from Meghalaya who is serving as the 4th Deputy Chief Minister of Meghalaya since 2023 under NPP's Conrad Sangma. He has been elected in Meghalaya Legislative Assembly from Nartiang constituency since 2013.He was also Minister of Commerce & Industries, Community & Rural Development, Soil & Water Conservation, Transport in First Conrad Sangma ministry from 2018 to 2023.
አጋሮ

አጋሮ በኢትዮጵያ የኦሮሚያ ክልል ከተማ ሲሆን በጅማ ዞንና በጎማ ወረዳ ይገኛል። አጋሮ በቡና ምርቷ የምትታወቅ ሞቅ ደመቅ ያለች የውቦች እና የደጋጎች ሕዝቦች ድንቅ ከተማ ናት::
በ1960ዎቹ መጀመሪያ ከጂማ ቀጥሎ ሌሎች በምዕራብ ኢትዮጵያ ያሉ አብዛኞቹ ከተሞች የውስጥ ለውስጥ የአስፓልት መንገድ ሳይኖራቸው አጋሮ ግን ከንጉሡ ዘመን ጀምሮ በአስፓልት ያጌጡ የውስጥ ለውስጥ መንገዶች ነበሯት:: አጋሮ በአየሯ መልካነት እና ለኪነ-ጥበብ ባላት ፍቅር በዝነኛ አርቲስቶች ተመራጭ ነበረች :: ከ1960-70ዎቹ ከድምፃውያን ጥላሁን ገሠሠ, መሐሙድ አህመድ, ብዙነሽ በቀለ, መልካሙ ተበጀ, ነዋይ ደበበ, ሐማልማል አባተ, ሃጫሉ ሁንዴሳ, ጌትሽ ማሞ እንዲሁም ሌሎችም... የሚመርጡዋት ከተማ ነበረች ::
አጋሮ ከ1960-70ዎቹ መገባደጃ ከ3-4ሰው የሚይዙ ታክሲ(ላዳ) በመጠቀም ከትላልቅ ከተሞች ጎን ታሪክ ያላት ከተማ ናት አጋሮ.... በ1998 ማዕከላዊ የስታትስቲክስ ባለስልጣን እንደተመነው የ41,616 ሰው መኖሪያ ሲሆን ከነሱም 21,549 ወንዶችና 20,067 ሴቶች ይገኙበታል። እስከ 1878 ዓ.ም. ድረስ የጎማ መንግሥት ዋና ከተማ ነበረ።
በሌላ ገለልተኛ ትምና ደግሞ የ28,668 ሰው መኖሪያ ተደርጎ ተገምቷል። የከተማው አቀማመጥ በ7°5′ ሰሜን ኬክሮስ እና 36°39′ ምሥራቅ ኬንትሮስ ላይ ነው።
📝(Toni) agaro city.
Mahder Assefa

Mahder Assefa (born 5 October 1987) is an Ethiopian actress. She has performed leading roles in Seberta, Yalteneka Amalayu, Ye Bet Lij, Shefu, FBI 2, Made In China and the Triangle trilogy. Mahder also garnered a public attention in 2011 late night television drama series Sew le sew, starring as Medhanit.
Mahder was born on 5 October 1987 in Addis Ababa, Ethiopia around Shero Meda to Rebeka Feyessa and Assefa Demelash. She lived there until she was 5, at which point she moved to the neighbouring district of Kera. She attended elementary school at Atse Zeray Yacob and then subsequently attended secondary school at Shemeles Habte School, graduating in 2011. She completed her college education at Admas College, studying Secretarial Science. While attending college, she worked as a salesperson. Mahder showed an interest in dancing from a young age. Despite her parents' desire for her to focus on her education, she continued dancing until high school and formed a dance group with her friends, entitled "UNIQUE GIRLS". The group was successful and led to Mahder and her co-performers being invited to be background dancers with a range of Ethiopian musicians, including Dawit Melesse and Tibebu Workiye. Coverage on television led to her mother discovering her dancing hobby, and the group disbanded to allow Mahder to focus on education.
Upon leaving college, she gained employment with Bole International Airport, working in a duty-free shop as a salesperson for around four years. During this time, she started her work in the film industry and applied for a role in Tasralech. Despite her reservations about her lack of acting experience, she gained the part. She was subsequently persuaded by a friend to join a production company. Following her first film, Mahder starred in several others such as Seberta, Yalteneka, Amalayu, Ye Bet Lij, Shefu, FBI 2, Made In China, Triangle, Amran, 45 Ken, Linega Sil, Tsinu Kal, Body Guard, Hiwot ena Sak, Ayrak, Anelakekem. In 2011, Mahder also starred in the popular television drama series Sew le sew, rolling as Medi. Her appearance in the show raised her profile, and soon she also had work in billboards, magazines and TV commercials. In connection with her filmography, she has been interviewed on several television shows, including ETV Lewtatoch and Enechewawet on EBS TV.
Mahder is married to Saudi-born businessman Sheikh Mohammad Hussein Al Amoudi as Newspaper tabloids reported.
In 2012, Amran was selected as best film of year in Sheger 102.1 Leza Radio Show. Mahder Assefa is selected as a Winner Best Actress of The Year 2013. The selection is based on audience choices and her renowned film.
In 2012, one of Mahder's works, Amran, was selected as film of the year by FM 102.1. In 2013, she was selected as Best Actress of The Year.
Catedral Metropolitana de Oaxaca

La Catedral de Nuestra Señora de la Asunción de la ciudad de Oaxaca de Juárez, Oaxaca, México, es la sede de la Arquidiócesis de Antequera. Su construcción fue iniciada en 1535, siendo consagrado el templo el 12 de julio de 1733. Está dedicada a Nuestra Señora de la Asunción.
El edificio se comenzó a levantar hacia 1535, el cual constaba de tres naves, con techumbre de paja, y esta construcción era muy austera. Durante la construcción del templo las funciones catedralicias las asumió el templo de San Juan de Dios.
La catedral empezó a actuar como tal en 1640. A finales del siglo XVII se agregan las capillas laterales, así como las bóvedas de las naves. En 1724, Miguel de Sanabria, a quien se le encomiendan las obras inició la construcción de otro edificio que fue terminado en 1733, ya que el anterior fue afectado por los temblores, tan comunes en la zona. Motivo por el cual el edificio, al igual que otros templos en la ciudad es de pesadas dimensiones.
Finalmente, en 1740 se inició la última construcción; se le pusieron canceles traídos de Europa y candiles florentinos. Doce años después la portada principal fue concluida.
En el siglo XIX no se realizaron remodelaciones o construcciones importantes, salvo la sustitución del remate de la fachada principal por una torre con campanario, por el año de 1890.
El escultórico del presbiterio tiene acabados de mármol griego, y presenta una imagen pulida de bronce fundido de la Virgen de la Asunción, obra del artista italiano Todolini.
La fachada está compuesta por tres cuerpos de estilo barroco. Primero están tres puertas con arcos de medio punto, mientras que a los lados de la puerta central se encuentran sendas esculturas representando a San Pedro y San Pablo. En el segundo cuerpo se encuentra una imagen de piedra tallada de Nuestra Señora de la Asunción sobre nubes y querubines; a un lado están San Marcial y San José, y al otro San Cristóbal y San Pedro Mártir. En el centro del tercer cuerpo se encuentra un panel que representa el sacramento de la Eucaristía mediante un cáliz, y a su alrededor, un manto sostenido por ángeles entre nubes. Sobre la portada está el Espíritu Santo como una paloma vista de frente, con sus alas extendidas emanando luz, y un barandal de hierro forjado.
Las torres del templo no son las originales, pues estas fueron derribadas en 1931 por un terremoto. En la parte sur hay un reloj donado a Oaxaca por el rey Fernando VII. El Señor del Rayo se encuentra en la última capilla a la izquierda, mientras que la segunda de la derecha contiene los restos de la Cruz de Huatulco.
En la entrada de la catedral se encuentra una representación de la Virgen del Perdón. La portada sur tiene en el centro a Santa Rosa de Lima, una ventana con un emplomado que representa a la Virgen María, protegido por una reja de hierro forjado.
Congreso del Estado de Oaxaca

El Honorable Congreso del Estado Libre y Soberano de Oaxaca es el órgano depositario del Poder Legislativo del estado de Oaxaca, en México. Se compone de 42 escaños: 25 diputados elegidos de acuerdo al principio de mayoría relativa y 17 diputados elegidos por representación proporcional. La cámara se renueva cada tres años.
Se ubica en el municipio de San Raymundo Jalpan, en la zona metropolitana de la Ciudad de Oaxaca de Juárez
Al Congreso le corresponde la discusión y aprobación de las leyes estatales, aunque legalmente las iniciativas pueden ser presentadas no solo por las y los diputados, sino también por el gobernador, el Tribunal Superior de Justicia, los órganos autónomos del Estado, los ayuntamientos, las y los ciudadanos del Estado y los pueblos y comunidades indígenas y afromexicanos. ​
Las atribuciones y funcionamiento del Congreso del Estado se rigen por el título cuarto, capítulo segundo de la Constitución Política del Estado de Oaxaca (artículos del 31 al 65).
Históricamente, el Congreso de Oaxaca tiene el coto de ser el más antiguo de los Estados de la República mexicana al ser fundado el 1 de julio de 1823, por lo que cuenta con 200 años en funcionamiento.
Centro Cerámica Triana

El Centro Cerámica Triana es un museo creado en el año 2014 por el Ayuntamiento de Sevilla,​ con la colaboración de la Junta de Andalucía, para conservar y promocionar la tradición cerámica de la ciudad.
En 1870 el industrial del barro Antonio Gómez compró unos alfares de García-Montalván, para la producción cerámica en el barrio de Triana. El negocio pasó luego a su viuda, conociéndose como fábrica de la Viuda de Gómez. En 1906 tomó el nombre de su nuevo dueño, Manuel Corbato. En 1920 la fábrica pasó a su cuñado, Manuel Montero Asquith. A partir de 1939 dirigieron la fábrica los hermanos Rodríguez Díaz con el nombre de Cerámica Santa Ana​ por ser santa Ana la patrona de Triana.
El conjunto de la fábrica incluía un edificio, con siete hornos en activo hasta finales del siglo xx, así como las instalaciones de la fábrica, los almacenes, pozos y depósitos de pigmentos.​ El proyecto de conversión en centro-museo se planteó 2009, y tras un 'concurso de ideas' convocado por el Ayuntamiento de Sevilla resultó ganadora la propuesta titulada “Paisaje Alfar”.​
Los hornos fueron restaurados y puestos en valor y se conservaron los recorridos y las relaciones de las distintas profesiones que se aunaban en la misma localización. La remodelación estuvo dirigida por los arquitectos Francisco José Domínguez Saborido, Ángel González Aguilar, Miguel Hernández Valencia, Esther López Martín y Juliane Potter. La nueva instalación quedó inaugurada el 29 de julio de 2014.
El centro desarrolla una doble función, expositiva y de taller cultural, e incluye la digitalización de los fondos municipales que puso en marcha la ciudad de Sevilla en el año 2013 y que fue titulado "Patrimonium Hispalense".​
Valles Centrales

Valles Centrales —llamados simplemente Los Valles por los propios oaxaqueños— son una región geográfica y cultural del centro del estado de Oaxaca, en el sur de México. Se trata de un conjunto de tres valles fluviales localizados entre el Nudo Mixteco, la Sierra Juárez y la Sierra Madre del Sur. Estos tres valles conforman una especie de "Y", cada uno de cuyos brazos posee un nombre específico: al noroeste se encuentra el valle de Etla; al oriente, el valle de Tlacolula; y al sur, el valle de Zimatlán-Ocotlán o valle Grande. En algunas ocasiones, la región recibe el nombre de valle de Oaxaca, debido a que en ella se localiza la ciudad de Oaxaca.
Los Valles Centrales fueron el ámbito geográfico donde se desarrolló la cultura zapoteca, que tuvo como su principal centro urbano a Monte Albán. Tras el abandono de esta ciudad por los zapotecos, una constelación de pequeñas ciudades-Estado que habían permanecido bajo el dominio de la metrópoli zapoteca tuvo su época de florecimiento. Hacia el final de la historia precolombina de Mesoamérica, Los Valles recibieron la influencia de la cultura mixteca y posteriormente cayeron bajo el dominio de los mexicas.
El valle de Oaxaca se ha distinguido siempre por su producción textil y alfarera, la que si bien en décadas pasadas era común en toda la región, hoy se ha convertido en una actividad especializada, propia de unos cuantos pueblos. La producción textil que procesaba el algodón y la lana se ha limitado en la actualidad a esta última fibra, con la cual se elaboran, en telares semimecánicos, cobijas, rebozos, ceñidores y blusas que se tiñen con anilina y en algunos lugares tradicionalistas con sustancias naturales, como en Teotitlán del Valle.
Dentro de la alfarería es famosa la cerámica de Atzompa la cual es vidriada de color verde y la Cerámica de barro negro de San Bartolo Coyotepec con sus característica piezas sin vidriar, con un sonido metálico, para cuya cocción se utilizan hornos antiguos. Además se producen canastos, huaraches y petates tejidos con carrizo o palma, entre otras artesanías.
De la lista de las localidades, algunas de ellas pertenecen a la Zona Metropolitana de Oaxaca,​ como lo son Oaxaca de Juárez, Santa Cruz Xoxocotlán, Santa Lucía del Camino, Santa María Atzompa y, junto con otras localidades de los 19 municipios centrales, la zona metropolitana alcanza una población de 593,522 habitantes.​
Algunos municipios de la región de los Valles centrales han formado conurbaciones sin cumplir aún (por cantidad insuficiente de habitantes) con los criterios que el INEGI considera para que sean Áreas metropolitanas, algunos ejemplos notables son:
Nota: La cifra representa la población total de dichos municipios conurbados.
Regiones de Oaxaca

Las regiones de Oaxaca son una subdivisión de esta entidad federativa de México. Dentro de ellos se agrupan los 30 distritos que conforman a la entidad, los cuales se dividen en 570 municipios. En el estado conviven 15 pueblos indígenas y un pueblo afromexicano, cada uno está formado por comunidades con tradiciones y costumbres propias y en muchas ocasiones rebasa y va más allá de la forma en que se ha regionalizado a Oaxaca.​
Esta división territorial fue promovida por el gobierno federal, durante la década de 1950, cuyo fin sería el desarrollo y estabilización de Oaxaca, y pretendía la preservación de la identidad cultural de estos grupos.
Es la región de menor tamaño en el estado. Tiene una superficie de 4398.61 km y una población aproximada de 200 140 habitantes. Se subdivide en 45 municipios agrupados en 2 distritos:
La región abarca una superficie de 11 605.06 km² y tiene una población aproximada de 534 010 habitantes. Se subdivide en 50 municipios agrupados en tres distritos:
La región abarca una superficie de 20 755.26 km² y tiene una población aproximada de 595 433 habitantes. Se subdivide en 41 municipios agrupados en dos distritos:
La región abarca una superficie de 15 671.08 km² y tiene una población aproximada de 465 991 habitantes. Se subdivide 155 municipios agrupados en siete distritos:
La región abarca una superficie de 8496.79 km² y tiene una población aproximada de 465 192 habitantes. Se subdivide en 20 municipios agrupados en dos distritos:
El distrito de Tuxtepec tiene 4 municipios con presencia del pueblo afromexicano cuyos miembros se reconocen como jarochos o afrojarochos (Cosolapa, Acatlán de Pérez Figueroa, San Juan Bautista Tuxtepec y Loma Bonita. Los pueblos indígenas ocupan mayoritariamente el resto de los municipios , sin embargo en los últimos cinco años las colonias de Tuxtepec tienen alta presencia indígena.
La región abarca una superficie de 8 972.39 km² y tiene una población aproximada de 176 489 habitantes. Se subdivide en 68 municipios agrupados en tres distritos:
La región abarca una superficie de 14 753.26 km² y tiene una población aproximada de 330 823 habitantes. Se subdivide en 70 municipios agrupados en cuatro distritos:
La región abarca una superficie de 9480.00 km² y tiene una población aproximada de 1 033 884 habitantes. Se subdivide en 121 municipios agrupados en siete distritos:
Existe en el estado de Oaxaca una gran pluralidad cultural, étnica y lingüística.
Oaxaca se encuentra dividido en ocho regiones: Sierra de Flores Magón, Costa, Istmo, Mixteca, Región Cuenca del Papaloapan, Sierra Sur, Sierra Norte y los Valles Centrales.
Cada región es rica en diversidad cultural, pero a lo largo de los años se han ido construyendo estereotipos que pretenden la representación única. Para ello, la Secretaría de Turismo invita a ciertos grupos folclóricos a La Guelaguetza,y en esta fiesta se presentan bellos bailables ensayados de antemano para el consumo espectacular. Su danza, su música, sus vestimentas y sus diversos productos regionales (artesanías y productos típicos) son previamente seleccionados para causar una buena impresión ante el mundo.
Jardín Etnobotánico de Oaxaca

El Jardín Etnobotánico de Oaxaca es un jardín botánico de 2.3 hectáreas de extensión, en Oaxaca de Juárez, México. Está administrado por el Gobierno del Estado de Oaxaca, adscrito a la Secretaría de Cultura. Su código de identificación internacional como institución botánica afiliada al BGCI, así como las siglas de su herbario es STDOM.
El Jardín Etnobotánico de Oaxaca fue propuesto en 1993 por iniciativa de Francisco Toledo y de la asociación civil PRO-Oaxaca (Patronato para la Defensa y Conservación del Patrimonio Cultural y Natural de Oaxaca, A.C.)​
El 10 de noviembre de 1994 se publicó en el Diario Oficial de la Federación un acuerdo para retirar del servicio de la Secretaría de la Defensa Nacional el antiguo convento de Santo Domingo en la ciudad de Oaxaca de Juárez, destinando a favor del Gobierno del Estado un espacio de 2.3 hectáreas para crear un jardín botánico.
Por las mismas fechas se constituyó el Fideicomiso del Jardín Etnobotánico con la participación del Gobierno del Estado, Fomento Social Banamex (Banco Nacional de México), y el PRO-OAX. El Fideicomiso recibió apoyo adicional del Gobierno Federal a través del Consejo Nacional para la Cultura y las Artes y el Instituto Nacional de Antropología e Historia.
El Fideicomiso se canceló en febrero de 2006, y la administración del Jardín pasó al Gobierno del Estado; en octubre de 2009, el Jardín fue adscrito a la Secretaría de Cultura. Este Jardín botánico es miembro del BGCI
El Jardín Etnobotánico muestra en vivo cientos de especies de plantas, todas ellas originarias de Oaxaca. Las plantas provienen de diferentes regiones del Estado, tanto de climas áridos como húmedos, de las zonas tropicales bajas y de las áreas montañosas templadas y frías. El Jardín representa así la gran diversidad de climas, formaciones geológicas y tipos de vegetación que caracterizan a Oaxaca.
El Jardín forma parte del Centro Cultural Santo Domingo, que ocupa el antiguo convento que fue construido en los siglos XVI y XVII para los frailes dominicos. El terreno del Jardín fue parte de la antigua huerta del convento. Este espacio sirvió como cuartel de mediados del siglo XIX hasta 1994 y estuvo ocupado por dormitorios, estacionamientos, canchas deportivas y otras instalaciones militares
El jardín etnobotánico de Oaxaca alberga unas 7330 accesiones de plantas custodiadas (semillas, germoplasma), y unas 1300 especies cultivadas, pertenecientes a unos 474 géneros, 140 familias botánicas.​
La Costa (Oaxaca)

La Costa es la región sur del estado de Oaxaca litoral del océano Pacífico. Es una importante región turística a nivel nacional; en ella se hallan las playas de Puerto Escondido, Puerto Ángel y Huatulco, además de Santa Catarina Juquila, que es el tercer mayor centro religioso de México.
Se encuentra formada por tres distritos: Jamiltepec, Juquila y Pochutla, que comprenden un total de 50 municipios. Posee una superficie de total 11605.06 km² además de una extensión de 12, 502 km², colindando al norte con la Región Sierra Sur, al este con la Región Istmo de Tehuantepec, al oeste con el Estado de Guerrero y al sur con el Océano Pacífico.
La población se dedica principalmente al turismo, agricultura y pesca. En el distrito de Pochutla se cultiva uno de los mejores cafés del mundo, el de Pluma Hidalgo. En otras partes de la región se explota el limón para hacer y exportar el aceite esencial de limón, que es materia prima para hacer perfumes y medicinas; y también la madera de pino y encino para hacer triplay. La ganadería extensiva es una fuente importante de ingresos. Se realiza a poca escala la explotación de hierro, cobre, magnesio y titanio.
El mayor potencial es el turismo, dado que ahí se encuentran las Bahías de Huatulco y Puerto Escondido esta razón las comunicaciones han tenido un fuerte impulso, destacándose la construcción de aeropuertos, puertos turísticos e importantes carreteras.
La siguiente lista ordena los municipios de la región Costa del Estado de Oaxaca, de acuerdo a su nivel de desarrollo humano, según el Informe sobre Desarrollo Humano Municipal en México del PNUD con datos del 2015.​ Adicionalmente se puede observar su población según el censo de 2015 realizado por el INEGI.​
La población que actualmente habita la costa es mestiza, afromestiza, indígenas mixtecos, amuzgos, chatinos, zapotecos, así como extranjeros.
En esta región, en San Juan Cacahuatepec, nació el más célebre trovador oaxaqueño: Álvaro Carrillo.
Museo Rufino Tamayo, Oaxaca

The Museo Rufino Tamayo is an art museum in the city of Oaxaca, Oaxaca, in southern Mexico.
The museum contains collections of pre-Columbian art once owned by artist Rufino Tamayo. It is housed in a colonial-style building. The displays are arranged according to aesthetic themes.
One of the chief purposes of Tamayo and the museum was to collect the historic pieces, and to protect them from entering the illegal artifact traders market. Tamayo left the museum to his native state of Oaxaca, for his fellow Mexicans awareness of their rich cultural heritage.
17°03′49″N 96°43′37″W﻿ / ﻿17.0635°N 96.7270°W﻿ / 17.0635; -96.7270
Josefina Aguilar

Josefina Aguilar (born 1945) is a Mexican folk artist from Ocotlán de Morelos, Oaxaca. A member of the Aguilar family, she is best known for her small clay figurines called muñecas (dolls), an artform she learned from her mother. Aguilar uses red clay to create depictions of everyday village activities, religious and folkloric scenes, famous figures, and special Day of the Dead statues. Collectors of her work include Nelson Rockefeller, who discovered her work on a trip to Oaxaca in 1975, as well as repeat visitors to Oaxaca who come to see her latest work. Aguilar says each figurine she makes is unique. She became blind in 2014 and now uses touch to create her art. One of her major collectors quoted her as saying "It's not the eyes. It's the hand and the brain."
Josefina Aguilar was mentored by her mother Isaura Alcantara Díaz and her grandmother. She began learning her craft from them when she was six years old. Aguilar's mother died in 1968, at the age of 43. Her father died in 1976. In teaching her daughters, Aguilar's mother had hoped to pass on a craft and expertise that would provide for them. In her early twenties, Aguilar began to receive international press on her work. Aguilar's sisters Guillermina, Irene, and Concepcion also became accomplished sculptors, each with their own specialties. By the beginning of the 21st century, Josefina Aguilar was the matriarch of a family with nine members working in clay, including her sons Demetrio and Jose Juan Garcia. Other family members focus on painting or other tasks.
Aguilar's family dig the clay they use from a pit in a field outside of Ocotlán de Morelos. To get the quality clay required they have to dig down 10 or 12 feet. They soak the clay, lay a palm mat over it, and walk on it to press out the bubbles. While sculpting, Aguilar sits on her heels on a flat stone. Finished figures have to dry indoors for a week (direct sunlight would cause them to crack) before the family fires them in a rustic wooden kiln for nine hours. Many figures are lost to breakage. Those that survive the firing process have to cool overnight before they can be painted. The Aguilars sell their artwork on trestle tables set up in the open courtyard of their five-family complex. Aguilar and her husband purchased the land where the clay for her work is sourced. Previously, the family paid weekly for the clay they used from this land.
Josefina Aguilar's work is displayed in the Museum of International Folk Art in Santa Fe, the Mexic-Arte Museum in Austin, TX, the San Antonio Museum of Art, and the Mexican Museum in San Francisco.
Heard Museum in Phoenix, AZ
Children's book author Jeanette Winter has written and illustrated a counting book inspired by Aguilar's life and work.
Mixteca Region

The Mixteca Region is a region in the state of Oaxaca, Mexico, part of the broader La Mixteca area which covers parts of the states of Puebla, Guerrero and Oaxaca. The region includes the districts of Juxtlahuaca, Silacayoapam, Huajuapan, Coixtlahuaca, Teposcolula, Tlaxiaco and Nochixtlán. The largest cities are Huajuapan and Tlaxiaco. According to the 1990 census the region had 556,256 people over the age of five, of which 227,680 spoke Mixteco.
The Mixteca produce diverse handicrafts including cups, masks, cotton and wool textiles such as towels, blankets, blouses, bags, belts, petticoats, embroidered shirts, cotton and wool shawls, reed baskets, furniture, candles, ceramics of different clays for different purposes, saddlery, rockets, knives, iron, grinding stones, brooms and fine palm hats. Women make the textiles and pottery in their free time. Men are involved in blacksmithing, carpentry, cutlery and harness making, working at home. Children begin to learn craft work about six years. Because of its importance in the regional economy, the craftsmanship of palm products deserves a special reference. Palms are used to make hats, mats, purses, toys, brooms, handbags and so on.
The Mixtec family is basically nuclear and patrilineal, although migration has influenced the family structure as men often spend long periods away from home. Municipal authorities serve for one year only. Judicial offices are held by the trustees and mayors, who serve as prosecutors and judges. Farmlands are organized into ejidos and municipal properties, and smallholders have autonomy within these properties. The Council of Elders is important in some villages, although in others it has practically disappeared.
Achiutla Pre-Columbian spiritual and cultural center.
Abati ar Groaz Santel e Kemperle

Abati ar Groaz Santel a oa un abati e Kemperle a voe savet war-dro 1050 en ul lec'h anvet Anawrot, a zo kavell kêr Gemperle. Hervez ar vrud e oa Anawrot anv an abati savet war-dro ar VI kantved gant sant Guntiern.
Kemperle Kumuniezh

Kemperle Kumuniezh (Quimperlé Communauté e galleg) a zo anezhi ur gumuniezh tolpad-kêrioù savet d'ar 1añ a viz Genver 2016 etre kumunioù eus Frañs, e departamant Penn-ar-Bed, e Breizh.
Krouet e voe ar gumuniezh diwar dreuzfurmadur Kumuniezh kumunioù Bro Kemperle.
D'ar 1añ a viz Genver 2016 ez ae 16 kumun d'ober ar gumuniezh tolpad-kêrioù:
Maurice Denis

Maurice Denis, bet ganet e Granville (Manche) d'ar 25 a viz Du 1870 hag aet d'an Anaon e Pariz d'an 13 a viz Du 1943, a oa ul livour Nabi, un engravour, un damkannour hag un istorour eus an arz gall. Bevet en doa e Breizh ha bet e oa o chom e Perroz-Gireg.
Man Ray

Emmanuel Rudzitsky, lesanvet Man Ray a zo bet ganet d’ar 27 a viz Eost 1890 e Philadelphia ha marv d’an 18 a viz Du 1976 e Pariz. Ul livour, luc’hskeudenner ha filmaozer filmoù dada ha dreistrealour eo.
Kregiñ a reas gant e vicher e New York gant e vignon Marcel Duchamp. An daou anezho a savas rann amerikan dada. Ul levr a lakaas embann diwar-benn luskad dada New York e 1920 met ne reas ket berzh : « Ne c’hell ket dada bevañ e New York » a lavaras. Tilestrañ a reas en Harv-Nevez(Havre) hag e tapas an tren da vont da Bariz, eno e voe degemeret gant Marcel Duchamp. Er memes devezh e kejas Man ray ar strollad dreistrealour : Louis Aragon, André Breton, Paul Éluard ha Gala, Théodore Fraenkel, Jacques Rigaut ha Philippe Soupault. En em staliañ a reas e karter Montparnasse, kejañ a reas ouzh ar ganerez Kiki de Montparnasse hag e kouezhas e karantez ganti. Kejañ a reas ivez ouzh ar gwrier Paul Poiret. Meur a luc’hskeudenn tapet gantañ a voe embannet e kelaouennoù krouiñ dilhad, hag a-drugarez dezho e teuas da vezañ brudet. Gwech ebet ne zeuas a-benn da dennañ poltred Poiret. Pa varvas Poiret e kasas Man Ray poltred mezeg ar gwrier d’ar c’hazetennoù ha e lakaas ar gazetennerien da grediñ e oa poltred Poiret. Embannet e voe ar poltred. Asambles gant Jean Arp, Max Ernst, André Masson, Joan Miró ha Pablo Picasso e kinnigas e oberennopù e-kerzh an dikouezadeg dreistrealoutr kentañ e diskouezva Pierre e Pariz e 1925. A-drugarez d’e vignoniezh gant Marie-Laure de Noailles, ec’h aozas e film kentañ, Les Mystères du Château des Dés » e ditl, e 1928 (filmet e kenkiz ar familh de Noailles e Hyeres).
E-pad tregont vloaz e tennas poltred ur bern tud vrudet evel James Joyce, Gertrude Stein pe c’hoazh Jean Cocteau. Lakaat a reas ivez an arzourien dreistrelaour hag he skorerez Berenice Abbott da anavezout oberenn Eugène Atget. E 1934 e tennas skeudennoù Meret Oppenheim, hag ar rummad noazhennoù-se a zeuas da vezañ e rummad brudetañ.
E 1940 e teuas a-benn Man Ray da vont betek Lisboa ha da lestrañ war-du ar Stadoù-Unanet, asambles gant Salvador Dalí, Gala hag ar filmaozour René Clair. Goude un nebeud deizioù e New York ez eas betek aod kornôg ar Stadoù-Unanet gant ar pal mont betek Tahiti. Met pa voe degouezhet e Hollywood e voe kinniget dezhañ diskouez e oberennoù hag e krogas da livañ en-dro. Degemeret e voe evel Satrap er Skolaj Patafizik e 1963. Mervel a reas d’an 18 a viz Du 1976 ha douaret e voe e bered Montparnasse (7vet rann). War e vez e c’haller lenn : Unconcerned, but not indifferent.
Patrick Le Besco

Patrick Le Besco (Padrig ar Besko e brezhoneg), ganet e 1950, zo ur yezhour eus Pariz, a orin breizhat ha vietnamat, hag en deus savet meur a levr diwar-benn ar brezhoneg hag ar yezhoù keltiek, embannet gant Emgleo Breiz pe L'Harmattan e Pariz.
Dimezet eo bet da Catherine Belkhodja, tri bugel o deus bet : Maïwenn Le Besco, Jowan Le Besco hag Isild Le Besco.
Marvnad

Ur marvnad zo ur c'han pe ur varzhoneg savet evit enoriñ un den a zo aet da Anaon.
Kemm a vez graet peurvuiañ etre marvnad ha klemmgan. En Henc'hres e veze graet θρῆνος / thrếnos (diwar θρέομαι / thréomai, "garmiñ") eus klemmvanoù kanet da vare an obidoù. Ur c'hlemmgan a zispleg klemmoù ar barzh e n'eus forzh peseurt degouezh. Ur skouer splann eo Marienbader Elegie, gant Goethe, diwar-benn e dristidigezh goude kaout ur c'habestr gant ur briñsez.
Y Gododdin' zo ur marvnad skrivet gant ar barzh Aneirin war-dro ar bloaz 600. Marvnadoù a veze savet e Kembre ar Grennamzer gant Barzhed ar Briñsed etre 1100 ha 1290, gant Barzhed an Uhelidi etre 1290 ha 1500.
Unan eus kefridioù ar varzhed vrezhon e oa kanañ marvnad un den a renk uhel. Ur marvnad zo bet embannet e Barzhaz Breizh dindan an anvioù Élégie de monsieur de Névet, Maronad ann aotrou Nevet. Amañ e kavor ar pozioù a zo en embannadur 1846.
En Henc'hres e oa kaoz eus ἐλεγεία / elegeía, "kan ar marv". Gwelit ar pennad Klemmgan. En Henroma e voe krouet ar marvnad roman gant Caius Valerius Catullus. Brudet eo ivez klemmganoù Albius Tibullus. Er varzhoniezh c'hallek e vez kaoz alies eus marv bugale, evel e pezhioù Victor Hugo diwar-benn e verc'h Léopoldine.
Arondisamant Kemperle

Arondisamant Kemperle a zo un arondisamant kozh e departamant Penn-ar-Bed, krouet d'ar 17 a viz C'hwevrer 1800 ha dilamet d'an 10 a viz Gwengolo 1926. Lakaet e voe e gantonioù en Arondisamant Kemper.
Rónán

Rónán, anglicised as Ronan, is an Irish and Breton male given name and surname derived from rón, the Irish word for 'seal'. The given name dates back to Primitive Irish in the form ᚏᚑᚅᚐᚅᚅ [ᚋᚐᚊ ᚉᚑᚋᚑᚌᚐᚅᚅ] (RONANN [MAQ COMOGANN]), found as an ogham inscription which translates as 'Rónán, son of Comgán'.
In Irish Mythology, the name is derived from a legend, which tells the story of a mother seal who is warned never to stray too closely to the land. When the seal is swept ashore by a huge wave, she becomes trapped in a human form, known as a "selkie" or "seal maiden". Although she lives as the wife of a fisherman and bears him children, known as "ronans" or "little seals", she never quite loses her "sea-longing". Eventually she finds the "seal-skin" which the fisherman has hidden and slips back into the ocean. However, she cannot forget her husband and children and can be seen swimming close to the shore, keeping a watchful and loving eye on them.
The use of Ronan as a surname originates from the anglicisation of the Irish surnames including Ó Rónáin (literally 'Descendant of Rónán'), Ó Ruanáin (literally ‘Descendant of Ruanán') and Ó Ruanadháin (literally Descendant of Ruanadháin).
There are twelve Irish saints bearing the name of Ronan commemorated in the Martyrology of Donegal, many of which may also have been named Ruadhán. These include: