Join, or Die

Join, or Die. is a political cartoon showing the disunity in the American colonies, originally in the context of the French and Indian War in 1754. Attributed to Benjamin Franklin, the original publication by The Pennsylvania Gazette on May 9, 1754, is the earliest known pictorial representation of colonial union produced by an American colonist in Colonial America. It was based on a superstition that if a snake was cut in pieces and the pieces were put together before sunset, the snake would return to life.
The cartoon is a woodcut showing a snake cut into eighths, with each segment labeled with the initials of one of the American colonies or regions. New England was represented as one segment, rather than the four colonies it was at that time. Delaware was not listed separately as it was part of Pennsylvania. Georgia, however, was omitted completely. As a result, it has eight segments of a snake rather than the traditional 13 colonies. The poster focused solely on the colonies that claimed shared identities as Americans. The cartoon appeared along with Franklin's editorial about the "disunited state" of the colonies and helped make his point about the importance of colonial unity. It later became a symbol of colonial freedom during the American Revolutionary War.
The French and Indian War was a part of the Seven Years' War which pitted Great Britain alongside the Thirteen Colonies and their native allies against the French, New France and their native allies. Many American colonists wished to gain control over the lands west of the Appalachian Mountains and settle there (or make profits from speculating on new settlements). During the outbreak of the war, the American colonists were divided on whether or not to take the risk of actually fighting the French for control of the lands west of the Appalachian Mountains. The poster quickly became a symbol for the need of organized action against the threat posed by the French and their native allies during the conflict, as while many Americans were unwilling to participate in combat against the French, many more recognized that if the French colonies were not captured they would always pose a risk to the well-being and security of the Thirteen Colonies. Writer Philip Davidson stated that Franklin was a propagandist influential in seeing the potential in political cartoons to stir up public opinion in favor of a certain way of thinking. Franklin had proposed the Albany Plan and his cartoon suggested that such a union was necessary to avoid each colony being captured individually by the French. As Franklin wrote:
Franklin's political cartoon took on a different meaning during the lead up to the American Revolution, especially around 1765–1766, during the Stamp Act Congress. American colonists protesting against the rule of the Crown used the cartoon in The Constitutional Courant to help persuade their fellow colonists to rise up. However, the Patriots, who associated the image with eternity, vigilance, and prudence, were not the only ones who saw a new interpretation of the cartoon. The Loyalists saw the cartoon with more biblical traditions, such as those of guile, deceit, and treachery. Franklin himself opposed the use of his cartoon at this time, but instead advocated a moderate political policy; in 1766, he published a new cartoon MAGNA Britannia: her Colonies REDUCED, where he warned against the danger of Britain losing her American colonies by means of the image of a female figure (Britannia) with her limbs cut off. Because of Franklin's initial cartoon, however, the Courant was thought of in England as one of the most radical publications.
The difference between the use of Join or Die in 1754 and 1765 is that Franklin had designed it to unite the colonies for 'management of Indian relations' and defense against France, but in 1765 American colonists used it to urge colonial unity in favor of resisting laws and edicts that were imposed upon them. Also during this time the phrase "join, or die" changed to "unite, or die," in some states such as New York and Pennsylvania.
Soon after the publication of the cartoon during the Stamp Act Congress, variations were printed in New York, Massachusetts, and a couple of months later in Virginia and South Carolina. In New York and Pennsylvania, the cartoon continued to be published week after week for over a year. On July 7, 1774 Paul Revere altered the cartoon to fit the masthead of the Massachusetts Spy.
The cartoon has been reprinted and redrawn widely throughout American history. Variants of the cartoon have different texts, and differently labeled segments, depending on the political bodies being appealed to. During the American Revolutionary War, the image became a potent symbol of the unity displayed by the American colonists and resistance to Parliament and The Crown. In the 19th century, it was redrawn and used by both the Union and Confederacy during the American Civil War.
Comedian Craig Ferguson had the cartoon tattooed on his right forearm in 2009, after becoming a United States citizen.
President Donald Trump's Secretary of Defense, Pete Hegseth has the cartoon tattooed on his right forearm.