davidanugraha/M4-RAG huggingface dataset:
Vytynanky (Wycinanki)

Vytynanky (Витина́нки) in Ukraine or Wycinanki ([vɨt͡ɕiˈnaŋkʲi]) in Poland or Vycinanki (Выцінанкі) in Belarus, is a Slavic version of the art form of papercutting, popular in Belarus, Poland, and Ukraine.
Vycinanka is also known as vyrazanka or vystryhanka. Viačaslaŭ Dubinka was key in reviving in Belarus the folk art of paper cutting images with scissors. Repeatedly the winner of international competitions, he left behind thousands of images with this technique. His works have adorned calendars, business cards, notepads, postcards and other items.
Polish wycinanki became a popular folk craft in the mid-1800s.
Wycinanki originated with shepherds cutting designs out of tree bark and leather during inclement weather. Colorful wycinanki were pasted on furniture or roof beams as decoration, hung in windows, and given as gifts.
Wycinanki vary by region. For example, wycinanki created in the Kurpie region are typically all one color, while wycinanki from the Łowicz region are multicolored. Techniques include cutting, clipping, punching, tearing, and carving of paper, as well as nalepianki in which multiple layers are glued together.
Subject matter includes peacocks, roosters, and other birds; circular or star-shaped medallions (gwiazdy); flowers; and annual holidays such as Easter and Christmas. In some towns and villages competitions evolved to create the most beautiful wycinanki. Traditionally done for relaxation in rural Poland, the techniques were passed down through generations, with new themes and ideas developing as the papercuttings became more detailed and intricate.
The Polish Pavilion at the 2010 World Expo in Shanghai is based on a wycinanki design.
Historical evidence suggests that vytynanky began to be made in Ukraine at the end of the fifteenth to early sixteenth century, but it took quite some time before they became an integral part of the decorative arts practiced at the grass roots level. During the nineteenth century decorative paper cutouts spread all across the Ukrainian countryside.
The word itself, vytynanky, gained currency in the early twentieth century, but there were many other, regional words that were used too — stryhuntsi, khrestyky or kvity to mention but a few. The vytynanky shapes were of many kinds and represented stylized figures of people, animals and plants. Ethnographers and art historians began to study the art of vytynanky, and artists began to seek inspiration for their art in vytynanky. Articles and essays were published, vytynanky began to be collected. Vytynanky were displayed at exhibitions of the Ukrainian decorative and applied arts alongside traditional pottery, embroidery, rugs and other items.
Vytynanky that were made for the occasions of religious feasts and holidays were more decorative than the ones used for everyday decoration. Christmas and Easter called for vytynanky in the shapes of angels, churches or even whole evangelical scenes to be pasted prominently on the walls. Marriages saw vytynanky in the shapes of doves, flowers, or the ones that formed “trees of life.”
Countryside La Vie

Countryside La Vie Magazine is a British regional bi-monthly magazine, distributed throughout Leicestershire and Rutland.
Countryside La Vie was launched in 1993 as a property and lifestyle magazine. The magazine was the brainchild of a small family group wanting to concentrate on promoting local charitable organisations in and around Leicestershire.
Over the last 20 years the magazine has evolved and encompasses every aspect of Leicestershire life, whilst including world and celebrity news.
Thien Hau Temple (Cholon)

The Thien Hau Temple (Vietnamese: Miếu Thiên Hậu), officially the Tue Thanh Guildhall (Hội quán Tuệ Thành), is a Chinese-style temple of the Chinese Goddess of Sea, Mazu on Nguyễn Trãi Street in the Cholon ("Chinatown") of District 5 in Ho Chi Minh City, Vietnam.
Thiên Hậu is the Vietnamese transcription of the Chinese name Tianhou ("Empress of Heaven"), an epithet of the Chinese Goddess of Sea, Mazu, the deified form of Lin Moniang, a medieval Fujianese girl credited with saving one or some of her family members from harm during a typhoon through her spiritual power. Although officially unrecognized by both the governments of Mainland China and Taiwan, the faith is popular in the maritime southern provinces of China and, especially, on Taiwan and among the Chinese diaspora. In Vietnam, she is also sometimes known as the "Lady of the Sea" (Tuc Goi La Ba). Mazuism is frequently syncretized with Taoism and Chinese Buddhism. For example, at the Quan Am Pagoda nearby, the two main altars are dedicated to Thien Hau and Quan Am, the Vietnamese form of Guanyin, the Chinese form of the bodhisattva Avalokiteshvara.
The temple was first erected c. 1760 by the Cantonese community in the city. It saw major repairs or expansions in 1800, 1842 (and possibly also 1847), 1882, 1890, and 1916.
LE temple is located right on busy Nguyen Trai Street. It can be accessed by entering through an iron gate and crossing a small courtyard. The roof is decorated with small delicately fashioned porcelain figurines expressing themes from Chinese religion and legends. Lanterns and wooden models of Chinese theaters hang over the entrance.
The interior of the temple is actually a partially covered courtyard, at the end of which is the altar to Mazu. The exposed portions of the courtyard contain incense burners, and open the view to the remarkable porcelain dioramas that decorate the roof. The dioramas show scenes from a 19th-century Chinese city, and include such colorful figures as actors, demons, animals, and Persian and European sailors and traders. In one scene, actors depict a duel on horseback battle between the revered halberd-wielding general Guan Yu of the novel Three Kingdoms and another fighter. Another scene depicts the three Taoist Immortal Sages representing longevity, fecundity and prosperity.
The altar to Mazu is dominated by the three statues of the Goddess. The faces are bronze in color, and the clothes and crowns are multi-colored. Incense burners are all about.
On the 23rd day of the third month of the Vietnamese lunar calendar which is Mazu's Birthday, the main statue of Mazu will be invite out from the altar and paraded through District 5's Chinatown. The temple's large bronze bell dates to 1830 and is rung when large donations are made to the temple.
Campeonato Ecuatoriano de Fútbol 1982

El Campeonato Ecuatoriano de Fútbol 1982, conocido oficialmente como «Campeonato Nacional de Fútbol 1982», fue la 24.ª edición del Campeonato nacional de fútbol profesional de la Serie A en Ecuador. El torneo fue organizado por la Federación Ecuatoriana de Fútbol. Por primera vez no hubo descensos. Por su condición, careció de descensos.
El Nacional se coronó campeón por sexta vez en su historia.
18 partidos disputó cada uno de los 10 equipos de la Serie A, en el torneo de 1982, en la primera etapa; a diferencia de lo ocurrido en años anteriores, no hubo descensos ni el riesgo de descender al final de esta; más bien se esperó el ascenso de los 2 primeros equipos de la Serie B, con el fin de completar 12 clubes. Los 3 equipos ganadores de la etapa clasificaron al cuadrangular con la bonificación respectiva.
En cambio, la segunda etapa se disputó con partidos de ida y vuelta entre los 12 equipos, completando 22 encuentros; al final de estos, descendió en equipo que menos puntos sumó en la tabla acumulada de las 2 etapas. Los 3 ganadores puntuaron para el cuadrangular final.
La disputaron entre El Nacional y Barcelona, ganando el equipo militar.
Campeonato Ecuatoriano de Fútbol 1961

El Campeonato Ecuatoriano de Fútbol 1961, conocido oficialmente como «Campeonato Nacional de Fútbol 1961», fue la 3.ª edición del Campeonato nacional de fútbol profesional en Ecuador. El torneo fue organizado por la Federación Deportiva Nacional del Ecuador (luego Asociación Ecuatoriana de Fútbol, hoy Federación Ecuatoriana de Fútbol) y por segunda vez consecutiva contó con la participación de los 4 mejores equipos ubicados del Campeonato Profesional de Guayaquil y los 4 del Campeonato Profesional Interandino (Quito y Ambato).
Emelec se coronó campeón por segunda vez en su historia. Una cuestionada y sospechosa decisión de la Federación Deportiva Nacional del Ecuador (luego Asociación Ecuatoriana de Fútbol, hoy Federación Ecuatoriana de Fútbol) lo declaró campeón. Esta se tomó después del primer partido de desempate jugado en Quito entre Emelec y Deportivo Quito que habían igualado en 10 puntos y debían jugar partidos de ida y vuelta para definir al campeón. Cuando se esperaba el partido de revancha en Guayaquil salió una resolución pendiente sobre el Deportivo Quito de la Ecuafútbol por un reclamo del Patria. Aquella resolución consistía en que el Deportivo Quito hizo actuar un jugador inhabilitado, por lo que la dirigencia resolvió quitarle los puntos al Deportivo Quito y cederlos al Patria. Como ya se había jugado el primer cotejo por la definición del título entre Emelec y Deportivo Quito, la Federación decidió declarar nulo este compromiso y dar como campeón a Emelec.
La competencia de 1961 se inició con la intervención de los mismos equipos y un sistema similar al año anterior. Barcelona, Emelec, Everest, Patria, Deportivo Quito, Liga Deportiva Universitaria, España y Macará jugaron partidos de ida y vuelta, sin enfrentarse entre equipos de las mismas asociaciones. En total son 4 equipos de la Costa y 4 equipos de la Sierra.
También sucedió lo mismo con los resultados: el dominio de las escuadras guayaquileñas que alcanzaron los 3 primeros lugares. Liga Deportiva Universitaria fue cuarta, al igualar en puntaje a Everest y Deportivo Quito, pero con un número superior de goles anotados.
Lo único diferente fue el campeón, el título pasó del Barcelona al Emelec, que conquistó su segunda corona.
La Voz (programa de televisión ecuatoriano)

La Voz Ecuador fue un reality show ecuatoriano que se estrenó en Teleamazonas en 2015. Basada en el concurso de canto de realidad The Voice de Holanda, la serie fue creada por el productor de televisión holandés John de Mol. La serie ecuatoriana es presentada por Carlos Luís Andrade y con Constanza Báez sirviendo como corresponsal de backstage y redes sociales
La serie forma parte de la franquicia The Voice y se basa en un formato de competición similar en los Países Bajos titulado The Voice of Holland ganado por Ben Saunders. La serie ecuatoriana es presentada por Carlos Luis Andrade con Constanza Báez sirviendo como corresponsal de backstage y redes sociales. El ganador recibirá un contrato discográfico con Universal Republic.
La serie consta de tres fases: una audición a ciegas, una fase de batalla y espectáculos en vivo. Cuatro jueces/coaches, todos artistas notables, eligen equipos de concursantes a través de un proceso de audición a ciegas. Cada juez tiene la duración de la actuación del audicionador (alrededor de un minuto) para decidir si él o ella quiere a ese cantante en su equipo; si dos o más jueces quieren el mismo cantante (como sucede con frecuencia), el cantante tiene la elección final del entrenador.
Cada equipo de cantantes es mentor y desarrollado por su respectivo entrenador. En la segunda etapa, llamada fase de batalla, los entrenadores tienen dos de los miembros de su equipo luchando entre sí directamente cantando la misma canción juntos, con el entrenador eligiendo qué miembro del equipo para avanzar de cada una de las "batallas" individuales a la primera ronda en vivo. Dentro de esa primera ronda en vivo, los cuatro actos supervivientes de cada equipo vuelven a competir cara a cara, con los votos públicos determinando uno de los dos actos de cada equipo que avanzarán a los ocho últimos, mientras que el entrenador elige cuál de los tres actos restantes comprende al otro jugador restante en el equipo.
En la fase final, los concursantes restantes compiten entre sí en transmisiones en vivo. La audiencia televisiva y los entrenadores tienen igual 50/50 en la decisión de quién pasa a la fase final 4. Con un miembro del equipo restante para cada entrenador, los (finales 4) concursantes compiten entre sí en la final con el resultado decidido únicamente por votación pública.
Moño montuvio

El moño montuvio es un género musical típico de Ecuador. Está relacionado con los fandangos que se bailaban en el campo del litoral ecuatoriano, específicamente en la provincia de Manabí. Por esta razón muchas veces se le llama "moño manaba". Su popularidad creció en el siglo XVIII y XIX con la influencia de la música de salón europea en este país.​
Este género musical se caracteriza por tener un ritmo similar a la contradanza europea y a la milonga argentina. Con esta última comparte el hecho de que ambos géneros se relacionan al campesino tradicional. Teóricamente el ritmo se expresa con una corchea con punto, una semicorchea y dos corcheas.​
Uno de los "moños montuvios" mas conocidos es el que compuso Manuel de Jesús Álvarez, importante folclorista que rescató la cultura montuvia en el siglo XX. La canción se llama "Celos":​
El moño montuvio está influenciado por la música afrocubana y la contradanza. Esta última es un baile de salón y el moño asimismo fue concebido. Esto fue muy popular en Manabí: “Los bailes manabitas son de ascendencia europea, probablemente originarios de la península ibérica, ya que fue, precisamente, la colonia europea la que influenció con los bailes, música y canciones de la época”. Al momento de danzar este baile de salón si bien se imitaba muchas veces la moda en la vestimenta europea, se añadía eso sí los utensilios locales que dientifican al montuvio como el machete, el sombrero de paja toquilla, pañuelos que identificaban al color de la bandera de la provincia.​​
Gran Premio Carlos Pellegrini

The Gran Premio Carlos Pellegrini is the most prestigious horse race in Argentina. It is run in December at the Hipódromo de San Isidro, near Buenos Aires. The race was tied for the 93rd highest rated Group/Grade 1 Race for three-year-olds and upwards in the 2020 Longines World Rankings, with a rating of 115.75.
The Gran Premio Carlos Pellegrini is the fourth race in the Argentinian Quadruple Crown, and is part of the Breeders' Cup Challenge Series, with the winner gaining an automatic berth in the Breeders' Cup Turf.
The Gran Premio Carlos Pellegrini was first run in 1887, under the name of the Gran Premio Internacional. It was renamed the Gran Premio Carlos Pellegrini in 1941, with the name then changing between the two until 1979, when it was run as the Gran Premio República Argentina. Since 1980, the race has been run as the Gran Premio Carlos Pellegrini or Gran Premio Carlos Pellegrini Internacional. The location has also varied over time, being first run at the Hipódromo Nacional from 1887 to 1895, and then the Hipódromo Argentino from 1896 to 1940 and 1971 to 1978, and the Hipódromo de San Isidro from 1941 to 1970 and from 1979 to today.
The Gran Premio Carlos Pellegrini has been run over a variety of distances:
In 1910, the Gran Premio Carlos Pellegrini had a notably large purse, being worth m$n10,000 to the, winner equivalent to US$50,000 at the time. By 1920, the purse had increased to m$n50,000, attracting 134 entries.
Former American president Theodore Roosevelt attended the 1913 Gran Premio Carlos Pellegrini, won by Enérgica.
There has twice been a dead heat: in 1915 between Dijital and Ocurrencia and in 1923 between Don Padilla and Movedizo.
In the 1952 edition, contested by Branding, Sideral, and Yatasto, was attended by 102,600 spectators, over the stated capacity of 100,000.
The only year the race was not run was in 1976, although the 1985 edition was run in February 1986 due to an equine influenza epidemic.
The 1999 edition of the Gran Premio Carlos Pellegrini was anticipated to be the race of the decade. The field included 11 Group 1 winners, including Litigado, Crystal House, Refinado Tom, Ixal, Coalsack, and eventual winner Asidero. The final time of 2:21.98 set an Argentine record for the distance.
Due to the COVID-19 pandemic, the 2020 edition was run without foreign horses and almost entirely without spectator attendance.
Speed Record:
Most wins:
Largest winning margin (since 1988):
Most wins by a jockey:
Most wins by a trainer:
Most wins by an owner:
Most wins by a breeder:
ƒ Designates a filly or mare
ƒ Indicates a filly or mare
*Won by the disqualification of Baratieri
Ronald Zabala-Goetschel

Ronald Zabala-Goetschel (born 26 September 1966 in Quito) is an Ecuadorian equestrian. At the 2012 Summer Olympics he competed in the Individual eventing.
He also competed at the 2015 Pan American Games.
In 2024, he and Forever Young Wundermaske were selected to ride for Ecuador at the 2024 Summer Olympics in Paris. Forever Young Wundermaske would make his Olympic debut at 21 years old, becoming the oldest horse to compete at an Olympic Games.
After scoring 37.70 penalties in their dressage test, Zabala-Goetschel fell in the water jump on cross country and was eliminated from the competition.
Bésame tonto

Bésame Tonto ("Kiss Me, Fool") is a 2003 Spanish language television soap opera as a joint Peruvian, Ecuadorian and Venezuelan production that received high ratings in Latin American countries as well as Russia, Germany and the Philippines and was filmed in Peru. It first aired on February 10, 2003 and starred Peruvian actress Gianella Neyra and Argentinian actor Segundo Cernadas who were dating in real life at the time. In 2004, Univision aired the soap opera in the United States.
Besame Tonto is the story of a young woman who does not know that she grew up in a Mafia family and that she is adopted. Her adoptive father is an Italian mafioso who lives and operates a criminal syndicate in Peru. He is an older man who wants to make his businesses legitimate, and he eventually acquires a newspaper, which he in turn will use to attack his most powerful enemy.
"Julieta Rossini", the young woman, is married to a man against her own wishes. But her real love is "Romulo", who takes her away from Lima and across northern Peru.
Romulo has characteristics that are somewhat atypical of the love heroes of these types of television shows: he wears glasses, greases his hair and chooses to use overalls or plaid shirts. Rossini, however, becomes attracted to his personality and his intelligence, and she does not want to return to a husband she never loved in the first place. But her father sees her leaving as a kidnapping by Romulo, and soon, the police are after Romulo and Julieta.
Julieta's father, despite knowing that she is not his real daughter, loves her dearly and felt he would hurt her by revealing information to her about his businesses and about her being adopted. For this reason, he keeps those two facts as a secret from her. Her adoptive mother, however, is a woman who is only interested in her husband's money, and she tries to instill that desire for money in Juliana's personality.
Upon learning, by his own daughter's admission to him, that Julieta had fallen in love with Romulo, Mr. Rossini forgives Romulo and actually begins to like him. He eventually gives him non-criminal jobs, such as finding out what his mafia enemies are up to, keeping his finances up to date, etc., etc. When Mr. Rossini becomes injured in an attack, he decides to hide and leaves Lima to live in Peru's interior, from where he contacts Romulo to find out how things are going back at home.
Complicating Romulo's family life are a sick father who is in his 60s, a stepmother who becomes pregnant, then loses her baby during another attack by Rossini's rival gang, and a brother who is more interested in money than anything else.
Tangor Tapak

Tangor Tapak bụ onye ndọrọ ndọrọ ọchịchị India nke jikọtara ya na pati BJP na Arunachal Pradesh .
Tapak bụ dibịa nwere usoro ahụike steeti. Na nhoputa ndi ochichi nke 1999 maka omebe iwu nke Arunachal Pradesh o meriri Yadag Apang, nwunye nke Chief Minister Gegong Apang. Ọ rụrụ ọrụ dịka onye minista ahụike steeti.[1] Ọ tụfuru ntuli aka 2004 maka oche Pasighat West nye Omak Apang, [2] nwa Gegong na Yadag Apang, mana zọpụrụ oche ọzọ na ntuli aka 2009 [1] wee merie.[3] N'ọnwa Nọvemba afọ 2009 ọ ghọrọ onye ndị omekome a na-amaghị gbagburu ya nke mebiri ụgbọ ala ya nke ukwuu mana o nweghị mmerụ ahụ.[4] Ọ lara ezumike nká na ọkwa ya dị ka onye isi ala nke BJP na 11 February 2014 [5] wee tufuo oche ya na ọgbakọ omebe iwu na ntuli aka May 2014.
Abimbola Jayeola

Abimbola Jayeola bụ nwanyị mbụ na-anya ụgbọ elu helikopta Naịjiria na nwanyị Naijiria izizi gụsịrị akwụkwọ na Bristow Academy .
Abimbola bụ nke nnụkwu n'ime ụmụaka atọ ma bụrụ nwa amaala Ogun steeti, Abeokuta n'ihe okwu nkenke. Na 2014, ọ gụsịrị akwụkwọ na Bristow Academy na Florida, USA. O nwetara asambodo FAA ya na JAA yana asambodo na S-76.
Na Disemba 2014, Abimbola ghọrọ nwanyị mbụ na-anya ụgbọ elu helikopta nke Bristow Helicopters Nigeria na-efe ụgbọ elu Sikorsky S-76 .
Na February 2016, Abimbola dị ka onye isi ụgbọ elu Bristow helikopta banyere n'ime oke osimiri Atlantic, ihe mere zọpụta ndụ ndị njem iri na otu nọ n'ime ya.
Ọ gbakwara helikopta 5B BJQ Bristow nke si Port Harcourt na-aga Lagos mana mechaa tufuo ya iji gbanarị ndị mmadụ.
N'afọ 2017, e depụtara aha ya n'ime ụmụ nwanyị otu nari akacha ele gara anya na Naijiria Leading Ladies Africa (LLA).
Marianna Brummer

Marianna Brummer (amụrụ 24 Nọvemba 1949) bụ onye South Africa bụbu onye ọkpọ egwuregwu tennis .
Brummer, onye sitere na Pretoria, ruru agba nke atọ na Wimbledon ugboro abụọ, gụnyere na 1969 mgbe Billie Jean King kpochapụrụ ya.
Na 1970 French Open o mere agba nke abụọ nke ụmụ nwanyị abụọ (ya na Laura Rossouw ) wee tufuo na otu agba nke mbụ na Eva Lundqvist, mgbe ọ nwetasịrị marathon mbụ setịpụrụ 15–13, na-eme ka asọmpi ahụ daa n'azụ oge.
Brummer pụtara na Federation Cup maka South Africa na 1970, maka otu nkeji iri na ise nke World Group megide United States na Freiburg, bụ ebe Peaches Bartkowicz meriri ya na otu roba.
nwanyị abụọ (ya na Laura Rossouw ) wee tufuo na otu agba
Thomas Mardal

Thomas Mardal ( mmalite 16 1997) bụ onye na-atụba hama Norwegian.
Mgbe ọ na-aga Mahadum Florida ọ àmà onye mmeri NCAA na iheba ibu . [1] Ọ mebiri isi mba Norway na egoba ibu na February 2021, na-enweta anya nke 24.16 mita. [2] Ọ ghọkwara onye mmeri nke 2021 NCAA na hama tufuo . [3] N'afọ ahụ, ọ kwalitere ihe kacha mma ya na hama iji mee ka ndụ ya pụta mma na hama ruo 76.18m ka ọ na-ahọmpi na Kingston, Jamaica .
Ọ gbara na esemokwu egwuregwu mba ụwa nke 2022 na Eugene, Oregon n'ime hamma ndị nwoke
Ọ gbara na agba na egwuregwu egwuregwu ụwa nke 2023 na Budapest na hama tufuo.
O gbara n'asɔmpi European 2024 na Rome n'ọsọ hama. [8] [9] A ụnya ya maka mgba Olympic Paris 2024
Ọ bụ nwa onye bụbu ogologo jumper Ole Morten Mardal .
Africa Online

Africa Online Holding Ltd., mgbe ụfọdụ abbreviated ka AFOL, bụ nnukwu onye na-enye ọrụ ịntanetị (ISP) na Africa. Dabere na Nairobi, Kenya, ọ na-enye ohere ịntanetị ma na-arụ ọrụ na mba Africa iri, gụnyere Cote d'Ivoire, Ghana, Namibia, Eswatini, Tanzania, Uganda na Zimbabwe. Ọrụ Africa Online na-enye gụnyere ịnweta ịntanetị ịkpọ oku, ọrụ ahịrị mgbazinye, akaụntụ email, njikọ VSAT, DSL, WAN na VPN maka ndị ahịa onwe na ndị ahịa. Na 2007 ọ ghọrọ onye enyemaka nke Telkom South Africa.
Ọ bụ Ayisi Makatiani, Karanja Gakio na Amolo Ng'weno, ndị Kenya atọ zutere ibe ha mgbe ha bụ ụmụ akwụkwọ na Cambridge, Massachusetts, malitere ụlọ ọrụ ahụ na 1994. Makatiani na Gakio nọ na MIT mgbe Ng'weno nọ na Harvard. Echiche bụ isi maka ọrụ akụkọ n'ịntanetị maka ndị Kenya sitere na obodo dị n'ịnta na MIT nke a na-akpọ KenyaNet. KenyaNet bụ otu n'ime ọtụtụ obodo ịntanetị na-elekwasị anya n'Africa (ndị ọzọ bụ Okyeame na Ghana, Naijanet na Nigeria, na Salonet na Sierra Leone) nke ụmụ akwụkwọ MIT guzobere ma na-achịkwa ma na-akwado na sava MIT.
Site na mgbasa ozi ịntanetị, Africa Online wepụrụ uche ya n'inye ozi na ijikọ ndị Africa nọ na kọntinent ahụ na ịntanetị. Na 1995, International Wireless nke Boston zụtara ụlọ ọrụ ahụ, nke mechara bụrụ Prodigy. N'ime oge a, Africa Online malitere ịrụ ọrụ dị ka onye Kenya mbụ ISP, ma mesịa gbasaa na Cote d'Ivoire (1995) ruo Ghana, Tanzania, Uganda, Zambia, Zimbabwe na Swaziland, na ndị Kenya atọ ahụ gara n'ihu na-ejikwa ọrụ ahụ. Na usoro a, Africa Online nwetara ọtụtụ ISP, dị ka Pipex Internet Solution (Swaziland), Net2000 (Kenya), UUNET (Namibia) na Swift Global (Uganda).
Na 1998, Prodigy rere ụlọ ọrụ ahụ n'aka African Lakes Corporation. Edeberela ọdọ mmiri Africa na London Stock Exchange kemgbe 1877 ma na-apụ ugbu a site na ọdịnala ọdịnala ya na ọrụ ugbo na Ngwuputa. Ruo oge ụfọdụ, ụlọ ọrụ ahụ nwere mmasị na ndị na-etinye ego, na-edepụta na Nairobi Stock Exchange na 2001, mana ngwaahịa ya mechara tufuo ya ma wepụrụ ya na London na Nairobi na 2003. N'oge ahụ, ndị 3 malitere ahapụla Africa Online.
Africa Online bụ nke Telkom South Africa zụrụ n'afọ 2007.
Okooko osisi Halim

Halim Flowers bụ onye omenkà na onye edemede America. Ọ malitere eserese mgbe ọ nọsịrị ihe karịrị afọ iri abụọ n'ụlọ mkpọrọ maka igbu ọchụ dị oke njọ nke a mara ya ikpe mgbe ọ dị afọ iri na ụma. A tọhapụrụ ya n'ụlọ mkpọrọ dịka Iwu Mbelata Mbelata Incarceration, bụ nke nyere ndị dara iwu na-eto eto ebere, ma na-ebipụta ugbu a ma gosipụta ihe osise ya gburugburu ụwa.
A mụrụ okooko osisi na Washington, DC, na Septemba 1, 1980, ma tolite n'etiti ọrịa na-efe efe . Mgbe ọ dị afọ 16, e boro Flowers ebubo igbu ọchụ nke igbu ọchụ mgbe onye na-eso ya gburu otu nwoke n'oge mwakpo ụlọ. A mara ya ikpe ịga ogologo ndụ abụọ. N'oge a tụrụ ya mkpọrọ, Okooko osisi pụtara na Emmy -award-emeri akwụkwọ akụkọ America Undercover : Thug Life in DC .
Mgbe ọ jesịrị ozi ihe karịrị afọ iri abụọ, a tọhapụrụ Flowers n'ụlọ mkpọrọ dabere na mgbanwe iwu kwadoro maka ndị omempụ natara ntaramahụhụ ndụ maka mpụ emere dị ka ndị na-eto eto. N'oge na-adịghị anya ka ahapụchara ya, ọ natara onyinye mkpakọrịta site na Halcyon Arts Lab na Echoing Green iji nyochaa iji nka iji gbanwee akụkọ gbasara njide ọtụtụ mmadụ. Ọ haziri akara ngosi maka mkpokọta Phillips na Washington, DC, n'ememe nke narị afọ nke ụlọ ngosi nka, wee mee atụmatụ na ọ rerela ihe nka ọnụ ahịa $1 nde na 2021 naanị. N'ime afọ ise nke a tọhapụrụ ya n'ụlọ mkpọrọ, e gosipụtara ihe osise ya na veranda gburugburu ụwa, gụnyere Paris, France, Washington, DC, Houston, Palm Beach, Dubai, na MoMA PS1 na Queens, New York, yana ebe obibi na Barcelona na Los Angeles.
Okooko osisi na-ele ihe osise ya anya dị ka ụzọ isi na-agbanwe akụkọ gbasara ntọhapụ ọtụtụ mmadụ. Ọtụtụ n'ime ọrụ Flowers na-agba gburugburu isiokwu nke "onye isi", nke bụ otú e si akpọ Flowers n'oge ọ nọ n'azụ ụlọ mmanya. Ọ bụ ezie na a kụziiri onwe ya nke ukwuu, a kọwawo ọrụ ya dị ka Jean-Michel Basquiat na-emetụta ya, "na-emetụ aka nke okwu na-adịghị ahụkebe gụnyere maka ihe dị mma." Okooko osisi akọwawo ụdị nke ya dị ka "mmezi ngwa anya."
Nkárí asụsụ China nke óménàlà

Nkárí Asụsụ China nke óménàlà bu ihe nkárí ndi China hé jị é dé ihe nke hé kèrè na mgbé búrú nkárí China hé kèrè na afọr 1946. Ọ nè kwú nkárí hé tìrì na ákwúkwó nke ndi Taiwan, Hong Kong, mà ȯ nwèríkí bụ njikota akwukwo ómárí nke Kangxi. Ọ tù ahú nkárí ndi China dị bịdọrọ na édémédé ndi Ọchíchí nke umunna Han, na ọ dị chạ òtu áhü rúrú ichie 5. Áhà "Asụsụ China nke óménàlà" dị Í zi nà ọ dị íchie na Nkárí asụsụ China nke ǹkịtị, nke ndi Ọchíchì ndi Ohanézè China nke nkịtị na àlà úkwú nke China wéfutàrà na afọr ńdí 1950s.
Há nè jí Nkárí Asụsụ China nke óménàlà nà Taiwan (Ohaneze nke China), Hong Kong na Macau. Ha nè jí yá nà àlà úkwú nke China mgbe Ọchíchìíwú China nke ndi Madu mèrè ya kọ di òferè na afọr ndi 1950s an 1960s. Na ndi obodo nọr na ngáfè mmíri nke China, nke ábúghị Singapore na Malaysia, nkárí oménàlà bu ihe há ne jí ede ihe, mànà onúgọgụgụ akwúkwó ákíkó ohürü nke ndi China nọr na Ostraliya, USA na Kanada nè tó na nkárí ofere, nke ndi biárabiá nke China nor na obodo nke ndi áhù. Onúgọgụgụ akwúkwó ákíkó ohürü nor na intanet bu nke China nor na ngáfè mmírí mèrè ka mádu kpàtá nkárí ne ȯ chọrọ. Na ne ozor, madu ne jí nkárí China nke ofere na àlà úkwú nke China, na Singaport na Malaysia ka ihe fútárá di mkpà. Nlụlịta okwu màkà nkárí nke abụọ tèrè mgbe ȯ nọr na ȯgbà ndi China.
National Rural and Indigenous Women's Association

Otu ndị inyom ime obodo na ụmụ amaala (Asociación Nacional de Mujeres Rurales e Indígenas, ANAMURI) bụ ụlọ ọrụ obodo Chile na-abaghị uru ma nwee onwe ya, nke bụ naanị ụmụ nwanyị. E hiwere nzukọ ahụ n'afọ 1998 na Buin, Chile. Ọrụ ya bụ ịhazi ma kwalite mmepe nke ụmụ nwanyị ime obodo na ụmụ amaala Chile site n'ịkpalite ma wusie nzukọ ha ike.
ANAMURI bụ akụkụ nke Onye nhazi mpaghara mpaghara Latin America na International Via Campesina (Coordinadora Latinoamericana de Organizaciones del Campo y la Vía Campesina Internacional). N'afọ 2016, ANAMURI nwere ihe dịka ndị mmekọ puku isii na narị asatọ.
E hiwere Òtù Mba Ndị Na-ahụ Maka Ime Ime Obodo na ụmụ amaala n'ọnwa June ụbọchị iri na ato, n'afọ 1998 na Buin. Ka ọ na-erule afọ 2018, ANAMURI nọ na mpaghara Chile sitere na Arica (Arica na Parinacota) ruo Coyhaique (Aysén), gụnyere ụmụ amaala Aymara, Colla, Diaguita na Mapuche si mba niile. Isi ụlọ ọrụ ya dị n'obodo Santiago.
Ozi nke ANAMURI bụ ịhazi ma kwalite mmepe nke ụmụ nwanyị ime obodo na ụmụ amaala Chile bídó na Arica ruo Coyhaique, na-atụle ọdịbendị, ọrụ, mmekọrịta mmadụ na ibe ya, na akụ na ụba ha, na ebumnuche nke ịkwalite ma wusie nzukọ ha ike. Ọrụ nke ANAMURI dabeere na iwulite mmekọrịta nhata, na-akpọkọta ma na-ahazi ihe ndị inyom ime obodo chọrọ na ọdịmma ha na ọkwa obodo. Ụmụ nwanyị nke ANAMURI na-alụ ọgụ iji nweta ikike nri nke ndị mmadụ, na-aghọta ọrụ dị mkpa ụmụ nwanyị rụrụ na mmepụta ọrụ ugbo kemgbe oge nna ochie.
Miriam Talavera (Onye isi oche ANAMURI); Millaray Painemal Morales (Onye na-eso onye isi); María Vargas G (Secretary General); Mónica Hormazabal Baeza (Onye na-echekwa ego); Francisca Rodríguez Huerta (Òtù Odeakwụkwọ); Jacqueline Arriagada Villegas (Ndị na-emepụta ihe n'ihu); Viviana Catrileo Epul (Nkwukọrịta n'ihu); Rosario Gómez Inostroza (Ihu ụmụ amaala); Hilda Morales Morales (Onye nnọchi anya omenala); Carla Nuñez Díaz (International Front); Ana María Fuentes Cáceres (Wage Front); Josefina Ovando Godoy (Natural Resources); Mafalda Galdames Castro (Training manager); Evelyn Cabezas Villarroel (Environment) Lirayen Reyes Galves (Youth Front).
NneNne Iwuji-Eme

NneNne Iwuji-Eme Audio (help·info) bu British diplomat. Na ime onwa March na afor 2018, amara okwa na oya ga bu onye ohu High Commissioner of the United Kingdom to Mozambique: e kwuru na oga ebido oru na onwa July na afor 2018. Obu nwayi isi oji nke mbu ahoputara na okwa high commissioner site na aka ndi obodo United Kingdom.
Amuru Iwuji-Eme na ime obodo Truro, Cornwall, England. Nne na nna muru NneNne Iwuji-Eme na aru oru na United Nations. Oguru akwukwor na ulor akwukwor obibi Suffolk. Oguru economics na University nor na Manchester. Obanyere Department for the Environment, Food and Rural Affairs (DEFRA) na afor 1999 ka onye na enye ndumodu gbasara ego. Na afor 2002, ogara na ulo oru Foreign and Commonwealth Office (FCO) dika Onye Isi na Africa, Middle East na Transition Economies in its Economic Policy Department.
Emmanuel Alo

Emmanuel Babatunde Alo (amụrụ n'April 15, 1950) bụ onye Naijiria prọfesọ nke applied biology, ecosystems, entomology na parasitology. Emmanuel Babatunde Alo Biology Ecosystems Entomology Parasitology
A maara Alo maka ọrụ nyocha ya na usoro nnyefe nke nje HIV na ụdị ọbara ABO na Rhesus. HIV ABO Rhesus Ọrụ nyocha dị ukwuu nke Alo na ụdị Dennettia tripetala fọrọ nke nta ka ọ bụrụ nke na-adịghịzi adị bụ nke National Science and Technology Library nke Gọọmentị China, Institute for Scientific and Technical Information (INIST) nke French National Center for Scientific Research (CNRS) na United Kingdom's Department for Environment, Food and Rural Affairs. Dennettia tripetala Gọọmentị China National Science and Technology Library French National Center for Scientific Research Department for Environment, Food and Rural Affairs
N'afọ 1991, a họpụtara Alo dị ka Dean mbụ na onye guzobere School of Postgraduate Studies na Federal University of Technology Yola. Mahadum Teknụzụ Federal Yola Ọ gara n'ihu na-eje ozi dị ka osote onye isi mahadum site na 1996 ruo 2000, na dị ka onye isi oche na-anọchi anya na 2001. Ọ bụkwa onye isi oche nke Executive Leadership Board nke Rotary International District 9125. Rotary International
Lagos State Model College Badore

Lagos State Senior Model College Badore (nke bụbu Lagos State Model College Badores) bụ ụlọ akwụkwọ sekọndrị nke steeti dị n'obodo Badore, Eti-Osa Obodo gọọmentị nke Lagos Steeti. Ọ dị n'ime otu ogige ahụ dị ka ụlọ akwụkwọ dị ala. E hiwere ya n'afọ 1988, ya na kọleji anọ ndị ọzọ n'okpuru nchịkwa ndị agha nke Captain Okhai Mike Akhigbe, Gọvanọ ndị agha nke steeti Lagos n'oge ahụ. Kọleji nke e guzobere ya na mmadụ anọ ndị ọzọ malitere na Government College, Ketu, Epe. Kọleji anọ ndị ọzọ bụ Igbonla, Kankon, Meiran na Igbokuta. Site n'oge 1988 na 1992, e nyere kọleji ntọala dị mkpa ma lekwasị anya na ọrụ ha dị ka ndị na-aga n'ihu na agụmakwụkwọ na mbọ agụmakwụkwọ. Ụmụ akwụkwọ nọ na nwanne nwanyị Model College Igbonla meriri laurels na mmemme site na Directorate of Food Roads and Rural Infrastructure (DFRRI), All Nigeria Confederation of Principals of Secondary Schools (ANCOPSS) na ọtụtụ asọmpi ndị ọzọ. Dịka ọmụmaatụ, otu nwa akwụkwọ si na Igbonla College meriri ANCOPSS National Essay Competition n'afọ 1992. Onye isi ntọala maka Igbonla, James Akinola Paseda, ji okpukpu abụọ dị ka onye isi nhazi maka kọleji ise na mbido na Febụwarị afọ 1988. Onye isi ntọala maka Badore bụ Oriakụ Arinze ebe osote onye isi bụ B.O. Williams.
Lee Lagos State Junior Model College Badore#Akụkọ ihe mere eme
Ụlọ Ọrụ Na-enye Ọkụ Mambilla

Ebe a na-ahụ maka ọkụ eletrik Mambilla bụ ọrụ ọkụ eletrik 3,050MW na-arụ ọrụ na Naijiria. Mgbe emechara ya, ọ ga-abụ nrụnye ọkụ kachasị ukwuu na mba ahụ, yana otu n'ime ọdụ ọkụ eletrik kacha ukwuu na Africa.
. Ọdụ ọkụ a dị na obodo Kakara, na Taraba State, Nigeria. Nke a dị nso n'obodo Gembu, nke dị nso n'ókè ya na Cameroon . Ọdụ ọkụ ahụ na-ọdụ n'ofe sere Donga, ma m dams anọ na ụlọ ọkụ dị n'okpuru ala. [1] Gembu dị ihe dịka 413 kilometers (257 mi), n'okporo ụzọ, ndị na-eme egwuregwu nke Wukari, nnukwu obodo kacha nso, niile na steeti Taraba.
. Ewubere na 1982, nnukwu mmiri mmiri Mambilla bụ nnukwu dam kọmpat na mmiri mmiri na 1,300 meters (4,300 ft) n'elu oke osimiri. Saịtị na dam a, a na- መሪ mmiri n'ụdị ebe ọzụzụ nke ala dị n'ebe na ọwara hydraulic anọ na-agbakọta 33 kilometers (21 mi), ndị mmiri mmiri anọ dị nta chiri: Nya, Sum Sum, Nghu na Api Weir
. N'ofe mmiri mmiri ndị a, ọwara mmiri na-eduga na 1,000 mita (3,300 ft) dobe okporo osisi gbadara site na nkume ruo nnukwu ụdọ ọkụ dị n'okpuru ala nke nwere ike 3,050 megawatts (4,090,000 hp). N'ịbụ ndị na-agafe n'obere mmiri mmiri, mmiri ahụ wee pụta na mgbada ala dị wee banye n'osimiri na-ahọ asɔ nke na-abanye n'osimiri Donga nke dị n'okpuru ala dịịrị.
. Na 30 August 2017, Federal Executive Council (FEC) nna nna nke mere ihe owuwu na otu ndị otu Gezhouba Group, Sinohydro, na CGCOC Group
A na-eme atụmatụ Project Plant Plant Mambilla ruo ihe karịrị afọ iri anọ. A na-atụ anya na ọ ga-ejikọta na dams anọ n'ofe osimiri Donga. A kọrọ na Moto Columbus mere ọmụmụ izizi izizi izizi maka osisi Mambilla Hydropower na 1972 mana mbọ iji wuo ọdụ ọkụ ruo ugbu a enwebeghị nke ọma.
. A na-agbakọ ọnụ ahịa ọrụ na ego US$5.8. akụ Exim nke China ịgba egwu egwu 85 (ijeri US $ 4.93) maka owuwu ahụ. A ga- paying ego ahụ ụlọ na ụlọ ọrụ ihe owuwu na tranches, ka ọrụ ahụ na-aga n'ihu. Gọọmenti etiti Naijiria ekwela n'ịtụnye echiche nke iri na ise (US$870 nde) nke ego a na-eji arụ ụlọ
N'ọnwa Nọvemba afọ 2017, e nwere mbọ iji malite ịrụ ọdụ ọkụ a. Otú ọ dị, n'ihi ihe mgbochi dị iche iche, gụnyere nbibi ala, na akwụkwọ ikpe na Ụlọikpe Na-ahụ Maka Mkpebi Mba, ọrụ ahụ kwụsịrị ọzọ. Na February 2020, na-eso mkpebi ikpe ahụ, enwere mbọ ọhụrụ ịmaliteghachi ihe owuwu ahụ.
A na-atụ anya na owuwu ga-ewe ma ọ dịkarịa ala afọ asaa site na mmalite ruo n'isi, n'ihi mgbagwoju anya nke ọrụ a. Ụbọchị mmecha kachasị mma bụ 2030.
A na-atụ anya ịrụ ọdụ ọkụ a ga-ewepụta ọrụ 50,000 nwa oge na nke na-adịgide adịgide. A ga-eresị ụlọ ọrụ na-ebunye ọkụ eletrik nke Nigeria, nke ga-ebunye ya ebe abụọ, ebe a ga-etinye ya na ọkụ eletrik Nigeria; Otu eriri nnyefe dị elu nke 330kV ga-ejikọta na Jalingo na abụọ na Makurdi . Sistemụ nnyefe voltaji dị elu a na-atụ anya ihe karịrị 700 kilometres (435 mi) .
Mgbukpọ osisi na ime obodo na Naịjirịa

Mgbukpọ osisi na-arụ ọrụ dị mkpa n'ihe gbasara mgbukpọ osisi n'ime obodo na Naịjirịa. Naịjirịa, dị ka ọtụtụ mba ndị ọzọ, enweela oke mgbukpọ ọhịa n'ihi ihe dị iche iche, gụnyere mmepe obodo na mmepe akụrụngwa. Ka obodo ukwu na-agbasa, a na-egbakarị ọhịa iji mee ka ụlọ, okporo ụzọ, na ụdị mmepe ndị ọzọ nwee ohere. Mgbukpọ a nwere mmetụta na-adịghị mma na gburugburu ebe obibi na mmekọrịta mmadụ na ibe ya.
Mweghachi n'oké ọhịa gụnyere ịkpachara anya kụọ osisi na iweghachi mpaghara ọhịa nke mebiela ma ọ bụ bibie. O bu n'obi igbanwe mmetụta nke igbutu osisi ma kwalite njikwa akụ na ụba ọhịa. N'ihe gbasara ime obodo n'obodo Nigeria, atumatu mkpoghari osisi dị mkpa maka ọtụtụ ihe kpatara ya:
Mgbalị ime ka ọhịa dịghachi na Naịjirịa nwee ike ịgụnye atụmatụ dị iche iche, dị ka ime ka ọhịa bụrụ ọhịa (ịkụ osisi n'ebe ndị na-enweghị ọhịa), ime ka osisi dịghachi ọhụrụ (iweghachi ebe ndị dị n'oké ọhịa), na ọrụ ime ka ọhịa laghachi (ime ka ọhịa mebiri emebi). Omume ndị a na-agụnyekarị mmekorita n'etiti ụlọ ọrụ gọọmentị, obodo, òtù ndị na-abụghị gọọmentị na ndị ọzọ metụtara.
Gyotaku

Gyotaku (魚拓, from gyo "fish" + taku "stone impression", fish print(ing)) is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing, where ink is applied to a fish which is then pressed onto paper, was used by fishermen to record their catches, but has also become an art form of its own.
The gyotaku method of printmaking uses fish, sea creatures, or similar subjects as its "printing plates". Prints are made using sumi ink and washi paper. It is rumored that samurai would settle fishing competitions using gyotaku prints. This original form of gyotaku, as a recording method for fishermen, is still utilized today, and can be seen hanging in tackle shops in Japan.
Gyotaku eventually evolved into an art form with three different approaches:
At times, direct prints are left in the black and white state they are printed in, with the eyes painted in afterwards, in gray-scale. This most closely approximates the original form of gyotaku, the record of the fisherman's catch. Color is usually added to the artistic version of these creations, either by using colored inks directly on the fish, or by adding color to the piece afterwards, with transparent washes of inks or color mediums. Finished works can be mounted on scrolls, wet-mounted to canvas, or mounted to background washi paper, then matted and framed. Frequently, the work includes a red seal (chop) and/or some kanji calligraphy indicating the artist's name and information, or important subject matter.
Similarly, nature prints evolved in the western world beginning as a functional process and later becoming an art form. In the earliest nature prints, inks or pigments were applied directly to the relief surface of leaves and/or other relatively flat natural subjects in order to capture images of their sizes, shapes, surface textures, and delicate vein or scale patterns. Typically both sides of a leaf were coated with ink, and the leaf was then placed inside a folded sheet or between two sheets of paper. When rubbed by hand or run through a printing press, a mirror image was produced of the topside and underside of the same leaf. Often the prints were done in black ink, and the flowers later painted or drawn in by the artist. In other cases a flattened, dried leaf or plant was coated once with black ink and then repeatedly printed in a printing press. The initial dark print was used as a work copy or proof print. The subsequent prints, with fainter traces of ink, were hand colored to more closely resemble the appearance of the real subjects. This methodology is generally applicable to making a print from a fish. They also used wood and carved images into that.
The direct method is currently used throughout the world to record images of a wide diversity of subjects. Many fish printers utilize the direct method but apply colored inks to more closely replicate the natural colors of their subjects. Duplicate images can be created with the direct method to produce unique, one-of-a-kind prints, so can be editioned like other forms of relief printing.
(Our Love) Don't Throw It All Away

"(Our Love) Don't Throw It All Away" is a song penned by Barry Gibb and Blue Weaver and recorded by the Bee Gees in 1977 on the Saturday Night Fever sessions but was not released until Bee Gees Greatest (1979). A different version was released in September 1978 by RSO Records as the third single by Andy Gibb from his second studio album Shadow Dancing. His version was produced by Gibb-Galuten-Richardson.
The song was Andy Gibb's fifth single to reach the US Top 10; the single reached No. 9 on the Billboard Hot 100 chart and No. 2 on the Adult Contemporary chart. When Andy Gibb was going to record it, Barry reworked on the song adding the middle eight that was not on the original Bee Gees' version, as Blue Weaver recalls, "When Andy actually went to record it, Barry listened to it [the original version] again and thought, 'Oh, it's not finished', so Barry wrote the whole of the middle-eight.
Allmusic's Amy Hanson described this version of "(Our Love) Don't Throw It All Away" as a "tender ballad" that suited Andy's voice. Cash Box said it has "gentle keyboards, strings, an easy beat and harmonies." It appears on Andy's three greatest-hits albums.
The Bee Gees version of the song, the first one created, was recorded in 1977 during the sessions for Saturday Night Fever but was not released until the compilation Bee Gees Greatest in 1979. Barry and Maurice Gibb are the only members of the Bee Gees to appear on the recording.
Barry wrote the lyrics while Weaver composed the melody. Weaver said of this song, "That was me playing around again; It wasn't done for [Saturday Night Fever], it was just something that we did". The stereo mix of an early state of the song exists but was unreleased until now. Samantha Sang, who was visiting France where this version was recorded, asked Barry for a song; not long afterwards, Barry sent Sang "Don't Throw it All Away", but Sang never recorded or released it, choosing instead the new song "Emotion".
During the Bee Gees' One Night Only tour, they performed the song with Andy's vocal mixed in during the second stanza, chorus, bridge and the coda of the song years after Andy died.
Pie and mash

Un pie and mash shop (en inglés: ‘tienda de empanadas y puré de patatas’) es un restaurante tradicional en el sur de Londres que vende comida a la clase trabajadora de los alrededores. Los restaurantes de ese tipo existen en Londres desde el siglo XVIII y hoy en día pueden encontrarse todavía en el sur y el este de Londres.
Se suelen encontrar en estos establecimientos platos típicos londinenses como los jellied eels (anguilas en gelatina), aunque el principal plato que se vende es pie and mash (una empanada de carne picada de ternera y puré de papas). Es común que con el puré de patatas se añada salsa de perejil o liquor (se denomina así en la jerga del pie and mash aunque no tiene alcohol) a un lado del plato. La mayoría de los pie and mash shops ofrecen gravy (una salsa a base de extractos de carne) como alternativa.
World Pasty Championships

The World Pasty Championships were an annual event held in Cornwall to celebrate the Cornish Pasty and its variants, with entrants from around the world including Australia and the Americas. Awards were given to amateurs, professionals, juniors and companies. Entries in the Cornish pasty category must be made in Cornwall with traditional ingredients and techniques, but far more freedom was allowed in the "open savoury" category.
This ended in 2023 after the Eden Project and the Cornish Pasty Association had decided that the championships have "run their course".
The pasty originated in the 14th century as a food that miners could take underground. There is some dispute over whether the first pasties were from Devon, crimped on top, or from Cornwall, crimped on the side. Since 2011 a pasty must be made in Cornwall to carry the label "Cornish Pasty". Pasties have been carried to many other parts of the world by Cornish immigrants, some of whom have developed unusual variants. The World Pasty Championships are an annual event sponsored by the Cornish Pasty Association and held at the Eden Project. As of 2016 there were categories for Cornish Pastry and for Open Savory broken into Professional, Amateur, Junior (15 and under) and Company sub-categories.
The first World Pasty Championships were held on 3 March 2012 at the Eden Project, a park near St Austell, Cornwall. Entrants came from the UK, US and Australia. The 102 pasties that were entered were evaluated by a panel of 21 judges based on taste, texture, appearance, crimp and technical expertise. The open savoury amateur winner was a pasty with wild rabbit poached in cider-soaked leeks, with peas and lemon zest.
In 2015 the 88-year-old mother of John Lethbridge, a Cornish sea shanty singer with the Fisherman's Friends, won the Cornish Pasty Amateur title. She had been making pasties since she helped her mother as a child. Mrs. Lethbridge uses the traditional potatoes, swede and onion, sliced thinly and placed in layers. She always uses beef skirt for the meat. At the 2015 event an empanada submitted by the miner Jorge Pereira from Chile won the open savoury category. The traditional Chilean pasty had beef, onion, hard-boiled eggs, olives and sultanas. Entrants also came from Canada and the US. The Open Savoury Professional category was won by a smoked haddock, white wine and mustard pasty. The 70 centimetres (28 in) diameter globe was the work of the head chef of the Eden Project.
At the 5th annual championship, held on St Piran's Day 2016, a baker from Canada, won the Pasty Ambassador prize. Matt Grant originated in England, where his mother taught him how to make a pasty. He now runs a pasty company in Arnprior, Ontario. Other entries included an eclectic range of fillings, including a haggis, neeps and tatties pasty, a pulled pork, sweet potato, shallots and cheddar pasty, and a Mumbai pasty with onion, sweet potato, green peas, cauliflower and undisclosed spices. Altogether there were more than 200 entries. The event included comedy and music performances.