davidanugraha/M4-RAG huggingface dataset:
Chaca (fish)

Chaca is the only genus in the catfish family Chacidae. These fish are commonly known as squarehead catfishes, frogmouth catfishes, or angler catfishes. These unusual fish have a sedentary lifestyle and spend much of their time motionless.
The name Chaca is because, when removed from the water, they will rapidly repeat the sound "chaca". Only C. chaca makes these sounds; the other species do not.
The four currently recognized species in this genus are:
Chaca species are found in fresh water from eastern India to Borneo.
C. chaca is found in rivers, canals, and ponds of grassland, scrubland, deciduous forest, and rainforest habitats. On the other hand, C. bankanensis is only found in the rainforest, where it inhabits peat.
Chaca catfish have elongated, broad, and flattened heads. The mouths are terminal and very wide. Three or four pairs of barbels are found, though if the nasal barbels are present, they are minute. These fish grow to a length of about 20 cm (7.9 in).
The dorsal fin is short and possesses strong, serrated, fin spines, which are strong enough to inflict wounds.
These fish live in soft substrates where they bury themselves as camouflage, both for protection and to feed. These fish are ambush predators. They feed on prey such as small fish, including cyprinids and pupfishes. They lie in wait, well camouflaged, in preparation for prey to swim by. Sometimes, they use their maxillary barbels (attached to the upper jaw) to lure prey fish closer to their mouths, similar to a worm jerking in the water, although this behavior is contested by some aquarists, who do not observe this behavior. When the catfish is ready to strike, the Chaca will open its large mouth rapidly, creating a vacuum that pulls in water and its prey, which may be up to half the fish's own length. These fish are also able to use this large mouths as a means of propulsion; when frightened, they will gulp a large amount of water and expel it through their gills.
Chaca species are occasionally available as aquarium fish. They are nocturnal and are usually inactive. A bizarre phenomenon is shown in that Chaca species appear to lower the pH of the water, so maintenance of water chemistry is necessary. These fish have been bred in captivity.
Phalacronotus bleekeri

Phalacronotus bleekeri, commonly known as Bleeker's sheatfish, is a species of catfish of the genus Phalacronotus. This species grows to a length of 60 centimetres (24 in) SL.
This fish is found in mainland Southeast Asia.
In Peninsular Malaysia, Cambodia, Laos, Vietnam and Thailand it is valued as food in the local cuisine for its delicate flesh. In Thailand it is one of the catfish species known in the markets as Pla Nuea On (ปลาเนื้ออ่อน, "sheatfish"). This fish is also often used for making fish balls.
Бели Осъм (село)

Бели Осъм е село в Северна България. То се намира в община Троян, област Ловеч.
Село Бели Осъм се намира на 7 км югозападно от град Троян, в северното подножие на Стара планина, в подножието на Троянския проход. Селото е разположено по поречието на река Бели Осъм от сливането на реките Зеленика и Ръждавец. То е изходен пункт за комплекс „Беклемето“, за паметника „Арка на свободата“ и за природния резерват „Козя стена“ – находище на защитения еделвайс.
Табелата за край на село Бели Осъм служи и за табела за началото на село Чифлик.
Историята на селото е свързана със съдбата на последните оцелели Ботеви четници, които, търсейки подслон на север от билото на Балкана, попадат по тези места. Това са Сава Пенев от Търново, Никола Обретенов от Русе (касиер на четата), Димитър Тодоров от Габрово и Стоян Господинов от с. Българене, Ловешко, познат като Стоян Българенчето, самоубил се, за да не попадне в ръцете на турците (на негово име е кръстена главната улица на селото).
В тяхна чест е изграден паметник и всяка година се прави възстановка на събитията.
Историческа забележителност е и църквата „Св. Димитър Солунски“, строена през 1910 г. от майстори от тревненската школа. Тя е изцяло от камък, с 8 стенни кубета и камбанария, двукорабен купол, повдигнати вътрешни колони и подкорнизно декориране с орнаменти наречени „каменен вълчи зъб“ и стъпаловидни резалии.
Белиосъмци в началото на XX век са горяни, дребни земеделци и скотовъди. Селото е известно като един от грънчарските центрове на прочутата троянска керамика през 30-те години на XX век. През времето на социализма основният поминък на местните е свързан с планинското земеделие, овощарството и животновъдството.
През 2019 – 2020 г църквата е основно ремонтирана, възстановен и ограден е и църковният двор, в който се намира и най-старото дърво в с. Бели Осъм – вековен горски дъб.
Според данни от последното преброяване в селото постоянно живеят 542 човека.
Численост и дял на етническите групи според преброяването на населението през 2011 г.:
Пита

Пита (също питка) е подквасено с мая кръгло хлебче от брашно. Популярно е най-вече по Средиземноморието и Близкия Изток.
Думата пита вероятно произлиза от старогръцкото πίττα или πίσσα – „смола“. Думата е наследена в средногръцкия като πίτα – „хляб“, а по-късно е приета в турския като pide. От турския е заимствана от балканските езици: български – пита или питка, сърбохърватски – pita, румънски – pită, албански – pite.
Повечето пити се изпичат на висока температура (230 – 250 °C), което превръща водата в тестото на пара, което от своя страна кара питата да се надуе и да образува джоб. Когато се махне от фурната, слоевете на изпеченото тесто остават разделени в спихналата пита, което позволява хлябът да бъде отворен под формата на джоб. Въпреки това, питите понякога се изпичат без джобове. Независимо дали се прави у дома или в пекарна, питата се оставя да втаса за много кратко време, обикновено около 15 минути.
Днешните хлебни пити се приготвят на автоматични поточни линии. Тези линии имат висок производствен капацитет, обработвайки 45 000 kg брашно едновременно и произвеждайки хиляди пити на час. Фурните, използвани за комерсиално изпичане, са много по-горещи от традиционните глинени фурни (425 – 480 °C), така че всяка пита се пече в продължение само на минута. След това питите преминават през въздушно охлаждане за 20 минути на конвейер, преди да се транспортират веднага или да се съхранят в комерсиални фризери на температура от −12 °C.
Питите могат да се използват за топене в сосове като хумус или за обвиване на кебап, гирос, фалафели под формата на сандвичи. Може да бъде нарязана и препечена до постигане на хрупкавост. В турската кухня думата пита може да се отнася за три различни вида хляб: плоско хлебче, подобно на тези в Гърция и арабските страни, ястие, подобно на пица, при което плънката се поставя в тестото преди изпичане, и Рамазанска пита. Първият вид се използва за обхващане на различни видове кебап, докато вторият вид се поръсва със сирене, кайма и/или зеленчуци. Регионалните вариации по форма, техника на печене и гарниране създават отличителни стилове за всеки регион. В гръцката кухня под пита по принцип се разбира всякакви сладкарски изделия или печива.
Тексим

„Тексим“ е българско държавно предприятие, съществувало през 1960 – 1969 година.
Създадено е през 1960 година въз основа на съществуващия от 1952 година Инженерен отдел в Министерството на външната търговия, който е тясно свързан с Държавна сигурност и отговаря за вноса и износа на оръжие, редки метали и радиоактивни материали и свързаното с тях оборудване. Основна за дейността на „Тексим“ е регистрираната в Лихтенщайн фирма „Имекстраком“, чиято първоначална цел е прането на пари от контрабандата на българско оръжие за нуждите на Фронта за национално освобождение в Алжир, водещ по това време гражданска война срещу френската колониална администрация. След края на Алжирската война „Имекстраком“ продължава да извършва подобни сделки, част от т.нар. „скрит транзит“, натрупвайки значителни средства.
Мениджмънтът на „Тексим“, начело с офицера от разузнаването Георги Найденов, получава изключителна за плановата икономика свобода на действие, както и различни данъчни, кредитни и митнически привилегии. „Тексим“ използва натрупваните в „Имекстраком“ средства от износ на оръжие за инвестиции в различни проекти в страната, сред които оранжерии в Карабунар, самолети, кораби, вагони, камиони, лифт на Витоша, финансови и застрахователни предприятия, фабрики за безалкохолни напитки, боракс и фармацевтични продукти и други. През 1965 година получава статут на държавно стопанско обединение към Министерството на вътрешната търговия.
През 1965 година представители на „Тексим“ влизат в контакт с „Кока-Кола“ и с личното съгласие на диктатора Тодор Живков сключват договор за сътрудничество. Така България става първата страна, произвеждаща „Кока-Кола“ в Източния блок, където пропагандата често сочи напитката като символ на „американския империализъм“. Според някои интерпретации този ход е опит на Живков да търси неформални контакти със среди с влияние върху американското правителство.
През 1968 година става ядрото на Икономическа групировка „Български търговски флот“, в която са включени и други предприятия като „Балкантурист“. През следващата година предприятието е закрито, след като Найденов предизвиква съмнения за лоялността си в правителството. Част от ръководителите на „Тексим“ са съдени, а Найденов лежи няколко години в затвора.
Bendera Bintang Fajar

Bendera Bintang Fajar atau Bendera Bintang Kejora digunakan sebagai bendera tanah bagi wilayah Nugini Belanda dari 1 Desember 1961 hingga 1 Oktober 1962 ketika wilayah ini berada di bawah pemerintahan Otoritas Eksekutif Sementara Perserikatan Bangsa-Bangsa (UNTEA).
Kini, bendera ini biasanya digunakan oleh pendukung Organisasi Papua Merdeka dan militan pro-kemerdekaan lain di Papua. Berdasarkan UU Otonomi Khusus Papua yang diratifikasi pada tahun 2002, bendera bintang fajar (atau disebut juga bintang kejora) dapat dikibarkan di Papua selama bendera Indonesia juga dikibarkan dan lebih tinggi dari bendera Bintang Kejora. Bendera ini terdiri dari sebuah pita vertikal merah di sepanjang sisi tiang, dengan bintang putih berujung lima di tengahnya. Di kanannya terdapat tujuh garis biru, yang melambangkan tujuh wilayah adat di Papua. Sedangkan tiga warna bendera berasal dari warna bendera Belanda. Pemerintah Belanda tidak mengakui bendera sebagai bendera negara sedangkan hanya sebagai bendera tanah atau budaya (Landsvlag). Sedangkan lagu Hai Tanahku Papua sebagai lagu rakyat (Volkslied). Keduanya merupakan keputusan Gubernur (Gouverneur Besluit) dan bukan lambang negara.
Bendera di Asia

Ini adalah galeri bendera internasional dan bendera nasional yang digunakan di Asia.
Daftar lengkap bendera yang mewakili organisasi internasional dan supranasional intra-Asia, yang menghilangkan organisasi antarbenua seperti Perserikatan Bangsa-Bangsa:
Artikel utama: Daftar bendera Georgia
Artikel utama: Daftar bendera Korea
Artikel utama: Daftar bendera Filipina
Artikel utama: Bendera subjek federal Rusia dan Daftar bendera Rusia
Artikel utama: Daftar bendera kota di Asia
Bendera kota dengan lebih dari 1 juta penduduk.
The Legend of the Condor Heroes: The Gallants

The Legend of the Condor Heroes: The Gallants (Hanzi: 射雕英雄传：侠之大者, Pinyin: Shè Diāo Yīng Xióng Chuán: Xiá Zhī Dà Zhě) adalah film seni bela diri dari Tiongkok yang disutradarai dan ditulis oleh Tsui Hark, dibintangi oleh Xiao Zhan dan Zhuang Dafei. Film ini mengadaptasi bab 34 hingga bab 40 dari buku 1 Legenda Pendekar Pemanah Rajawali (射鵰英雄傳) dalam seri novel Trilogi Rajawali (射鵰三部曲) karya Jin Yong (金庸). Tahun 2025 juga menandai peringatan 40 tahun meninggalnya Barbara Yung (Wong Yung Forever) dari Legend of the Condor Heroes 1983.
Film ini bercerita tentang seorang pahlawan bernama Guo Jing, yang berjuang untuk negara dan rakyat, mengumpulkan kekuatan seni bela diri Dataran Tengah untuk melawan tentara Mongolia dan mempertahankan Xiangyang.
Film ini dirilis di daratan Tiongkok pada tanggal 29 Januari 2025 (hari pertama Tahun Baru Imlek) . Di Indonesia, film ini mulai ditayangkan pada 26 Februari 2025. Pada tanggal 28 Februari 2025, total box office global film ini mencapai $93,361 juta, menjadi juara box office film seni bela diri dalam sejarah film daratan Tiongkok .
Di bawah kepemimpinan Jenghis Khan, tentara Mongolia bergerak ke barat untuk menghancurkan Dinasti Jin, dan ingin pergi ke selatan untuk menghancurkan Dinasti Song. Para master dari berbagai sekolah seni bela diri di Dataran Tengah bertempur di antara mereka. Guo Jing (diperankan oleh Xiao Zhan) yang meninggalkan kampung halamannya di masa kecil dan perlahan-lahan menjadi pendekar yang memiliki kekuatan untuk mengubah keadaan dan nasib. Meskipun dihormati dan dipuji oleh para ahli, serta mewarisi ilmu bela diri legendaris "Kitab Sembilan Matahari" dan "18 Tapak Penakluk Naga", Guo Jing justru menjadi target iri hati banyak pihak. Dengan hati yang tulus, ia dan Huang Rong berjuang melawan berbagai rintangan dan melindungi perbatasan Dinasti Song Selatan dari serangan musuh. Dengan semangat tak kenal takut, ia menciptakan legenda di dunia persilatan.
Sebuah lagu dari "The Legend of the Condor Heroes" tahun 1983 digunakan dalam film tersebut.
Pada tanggal 17 Januari 2025, film tersebut terpilih ke dalam gelombang pertama daftar peringatan perlindungan hak cipta untuk karya-karya penting pada tahun 2025.
The Legend of the Condor Heroes di Weibo
The Legend of the Condor Heroes di Baidu
The Legend of the Condor Heroes di Douyin
The Legend of the Condor Heroes di Bilibili
Bendera nasional

Bendera nasional adalah bendera yang mewakili dan melambangkan sebuah negara. Bendera nasional dikibarkan oleh pemerintah suatu negara, tetapi biasanya dapat juga diterbangkan oleh warga negara. Bendera nasional ini memiliki warna dan simbol-simbol yang dirancang dengan makna tertentu. Warna-warna bendera nasional dapat dipakai oleh orang-orang dari bangsa tersebut untuk menunjukkan patriotisme mereka atau yang berhubungan dengan perlengkapan yang menunjukkan simbol-simbol atau warna bendera dapat digunakan untuk tujuan tersebut.
Rancangan bendera nasional dapat diubah setelah terjadinya peristiwa sejarah penting. Pembakaran atau perusakan bendera nasional adalah tindakan yang sangat simbolis.
Warna bendera nasional yang paling populer ialah merah, putih, hijau, biru tua, kuning, biru muda, dan hitam. Grafik di sebelah kanan menunjukkan proporsi warna permukaan di semua bendera nasional.
Jennifer Coppen

Jennifer Rochelle Coppen (lahir 20 Juli 2001) adalah pemeran, kreator konten, dan penyanyi Indonesia.
Jennifer Coppen merupakan putri dari penyanyi dangdut Belanda, Richardo Benito Eduwardo Coppen dan Hotimah Imaniar. Mereka bercerai dan meninggalkan Jennifer sendirian. Pada 4 November 2017, Hotimah meninggal dunia karena kanker serviks akut yang dideritanya.
Jennifer mengatakan bahwa kehidupan awalnya penuh dengan perjuangan karena ditelantarkan dan dirundung di sekolah. Ia bersekolah di SMA di Jakarta.
Pada 10 Oktober 2023, Jennifer menikah dengan Yitta Dali Wassink, ia berdarah Belanda dari ayahnya dan berdarah Thailand dari ibunya. Wassink lebih dikenal dengan panggilan akrab pasangan itu, Papa Dali. Hal ini membuat heboh jagat maya Indonesia karena Jennifer melahirkan lebih awal dan di luar nikah pada 28 Agustus 2023. Anak perempuannya diberi nama Kamari Sky Wassink.
Pada 18 Juli 2024, Papa Dali mengalami kecelakaan sepeda motor di Bali, dua hari sebelum ulang tahun Jennifer Coppen yang ke-23. Ia meninggal dunia karena luka-lukanya.
Jennifer memulai debutnya di dunia akting pada tahun 2016 sebagai aktris remaja. Peran pertamanya adalah sebagai Cheryl dalam sinetron Romeo dan Juminten. Jennifer mulai terkenal setelah perannya sebagai Caca di sinetron Rohaya & Anwar: Kecil-Kecil Mikir Jadi Manten pada tahun 2017.
Makmum 2

Makmum 2 adalah sebuah film horor Indonesia tahun 2021 produksi Blue Water Films dan Dee Company yang disutradarai oleh Guntur Soeharjanto. Film ini merupakan kelanjutan dari film Makmum di tahun 2019, dan diadaptasi dari film pendek karya Riza Pahlevi. Pemain utama di film ini adalah Titi Kamal, Samuel Rizal, Marcella Zalianty, dan Dea Panendra. Film ini berhasil meraup 1.762.847 penonton saat masa penayangannya di bioskop pada 30 Desember 2021.
Film ini ditayangkan di bioskop Indonesia pada 30 Desember 2021, dan juga ditayangkan di bioskop Malaysia, Singapura, dan Brunei Darussalam pada 13 Januari 2022.
Baru saja suaminya meninggal,Rini (diperankan oleh Titi Kamal) mendapat kabar bahwa bude Yanti yang merawatnya sejak kecil meninggal dunia. Bersama Hafiz (diperankan oleh Jason Doulez Beunaya Bangun), putranya, ia lantas pulang ke kampung halamannya, desa Suayan. Karena sesepuh desa yang biasa dipanggil pak ustadz (diperankan oleh Pritt Timothy) ingin agar warganya fokus beribadah, ia menolak segala bentuk kemajuan jaman. Alhasil, hingga sekarang desa tersebut sama sekali tidak terjamah oleh listrik.
Saat dimakamkan, terdengar gosip bahwa bude Yanti meninggal akibat nekat masuk ke hutan larangan yang angker. Rini pun berpesan agar Hafiz jangan sekali sekali masuk ke dalam hutan tersebut. Ketika tengah bermain petak umpet dengan anak anak di sana, Hafiz mengikuti seorang anak berkaki pincang (diperankan oleh Zayen Aqilah) masuk ke hutan larangan.
Ketiganya sempat menghilang, namun kemudian diketemukan di atas sebuah altar batu di tengah hutan dalam kondisi tak sadarkan diri. Satu demi satu kedua anak yang lain sembuh, tetapi tidak dengan Hafiz. Rini sendiri makin sering diganggu oleh khanzab, hantu yang hadir sebagai makmum ketika ia melaksanakan shalat.
Belakangan diketahui bahwa hantu tersebut adalah makhluk halus penunggu hutan larangan yang tidak terima ‘rumah’ mereka diusik dalam proses pembangunan masjid desa. Nyi Lawe, salah satu hantu penunggu, bahkan sempat merasuki Rini demi membalaskan dendamnya. Beruntung berkat kerjasama pak ustadz, pak Ajis (diperankan oleh Fuad Idris), Alif (diperankan oleh Samuel Rizal), dan mbah Zahar (diperankan oleh Otig Pakis), Nyi Lawe dapat diusir dari tubuh Rini.
Film Makmum 2 berhasil menembus total satu juta penonton, dengan penghargaan rekor MURDI dalam dua minggu penayangannya di bioskop dan dalam kondisi masa pandemi.
Yellow Jack (flag)

The Yellow Jack ("Quebec") signal flag, is a plain yellow banner that was historically used to signify a vessel was, or might be, harboring a dangerous disease and needed to be quarantined (the flag represents the letter “Q”).
A ship flying two Quebecs ("QQ"), or "Double Quebec", is signaling: "I require health clearance." In both cases, if and when free pratique is granted, the vessel may lower the Quebec(s), raise the national ensign of the port, and do business there. In the event that, for health reasons, the vessel is not granted free pratique, it continues to fly the Quebec, in effect indicating that it is in quarantine until such time as any health concern is resolved.
In international maritime signal flags, plain yellow, green, and black flags have been used to symbolize disease in ships and ports. The color yellow has a longer history. It was used to mark houses of infection prior to its maritime use.
Yellow jack also became a name for yellow fever. Cholera-infected ships also used a yellow flag.
The plain yellow flag ("Q" or "Quebec" in international maritime signal flags), may derive its letter symbol from its initial use in "quarantine".
In some Indonesian cities such as Jakarta, plain yellow flags are commonly used to mark a recent death, regardless of cause. They are placed in intersections leading to the home of the recently deceased as direction markers for mourners, and to mark the funeral convoy, so that it is given the right of way.
The Yellow Jack was also used to signify the time of execution of 2 Royal Navy Sailors condemned by a Court Martial. On the 7 Aug 1800 Portsmouth, at nine o'clock, a gun was fired on board the Royal William, at Spithead, and the yellow flag hoisted as a signal for executing J. Watson and J. Allen, who were condemned by a Court Martial as being concerned in the mutiny on board the Hermione. The signal being repeated, the yellow flag was hoisted on board the Puissant at Spithead, and the Braakel in the harbour, on board which ships they were executed, boats from all the ships at Spithead, manned and armed with marines, attended the Puissant as those in the Harbour did the Braakel.
Murder in Minnesota law

Murder in Minnesota law constitutes the killing, under circumstances defined by law, of people within or under the jurisdiction of the U.S. state of Minnesota.
The United States Centers for Disease Control and Prevention reported that in the year 2021, the state had a murder rate somewhat below the median for the entire country.
Minnesota law specifies five levels of homicide in total, with first-degree murder being the most serious form of homicide. First-degree murder constitutes the killing of an individual under one of the following circumstances.
The factors in bold are factors that warrant a sentence of life imprisonment without parole. Without one of the circumstances in bold, the standard sentence for first-degree murder is life-with-parole after 30 years. The only exception for life-without-parole sentences are for first-degree murders where the perpetrator was under the age of 18, as Minnesota abolished juvenile life-without-parole sentences in May 2023.
Second-degree murder in Minnesota is split into two types: intentional and unintentional. Intentional second-degree murder constitutes the intentional murder of a person without premeditation. Unintentional second-degree murder is defined as a murder in which the prosecution is not required to prove intent, but only that the defendant committed a felony causing another person's death. Unintentional second-degree murder is Minnesota's felony murder rule; unlike most other states that have the felony murder rule, Minnesota punishes felony murder as second-degree murder rather than first-degree. Minnesota's rule is unique in the sense that it does not require an independent felony from the elements of murder, so a felony such as assault causing someone's death can result in a defendant being charged with second-degree murder.
The maximum sentence for second-degree murder is 40 years in prison, and the recommended sentencing guidelines suggest 12+1⁄2 years for a first-time offender. There is no mandatory minimum, so hypothetically someone could serve no prison time for second-degree murder.
Derek Chauvin, a white police officer who murdered George Floyd, an unarmed black man, was convicted of second-degree murder under the state's felony murder rule in a highly publicized trial in 2021, with the underlying felony being assault. Chauvin received a sentence of 22+1⁄2 years in prison.
Third-degree murder in Minnesota is defined as when a perpetrator engages in an act eminently dangerous to others and evincing a depraved mind, without regard for human life, or engaging in a drug deal resulting in someone's death. The recommended sentencing guidelines for third-degree murder is 10 to 15 years in prison for a first-time offender, and the maximum is 25 years in prison. There is no minimum, so a defendant could hypothetically serve no prison time.
The sentences for homicide offenses in Minnesota are listed below.
Línea D4 (Montevideo)

La línea D4 fue una línea de transporte diferencial de Montevideo, unía el Hospital de Clínicas con el puente de La Paz, límite departamental de los departamentos de Montevideo y Canelones.
Fue creada en 1992 como una extensión de la línea 68, aunque posteriormente y para diferenciarse, pasó a tener la denominación de línea D4 hasta su culminación. En sus inicios la misma llegaba hasta la Plaza de La Paz, pero una decisión del Ministerio de Transporte impidió que la misma acceda a la ciudad, quedando como destino el límite departamental de Montevideo y Canelones, entre La Paz y el pueblo Abayubá. Finalmente la misma sería disuelta y se volvería a convertir en un ramal de la línea 68, en la actualidad convertida en la línea G.​
Línea 468 (Montevideo)

La línea 468 fue una línea urbana que unía las ciudades de Montevideo y La Paz. Dejó de funcionar como tal tras la apertura del Corredor Garzón en 2012.
Como antecedente a la línea 468, existió la línea 68 de la Administración Municipal de Transporte, la cual en 1975 comenzó a ser operada por la cooperativa COTSUR. Tras la disolución de dicha cooperativa, en los años noventa, la línea 68 poseía al momento dos ramales, negro y rojo, siendo ambos adquiridos por la cooperativa COETC, quien le otorgó la denominación de 468 al ramal negro, mientras que el ramal rojo se convirtió en una línea diferencial, la línea D4, la misma tendría muy poco éxito y dejaría de funcionar al muy poco tiempo.
En 2012 debido a la inauguración de la Terminal Colón y del Corredor Garzón y las modificaciones que devinieron posteriormente en diversas líneas de la zona, la línea 468, al igual que la línea 130 fueron renombradas ambas como línea G, en referencia al corredor homónimo. En el año 2020, la línea 130 retomó la operación con la denominación 130, quedando el recorrido de la entonces línea 468 como el único recorrido de la línea G.​
Circulaba por los barrios Carrasco Norte, Cruz de Carrasco, Malvín Norte, Malvín, Buceo, Pocitos, Cordón, Aguada, Arroyo Seco, Bella Vista, Prado, Paso Molino, Belvedere, Sayago y Colón de Montevideo, así como también por la localidad de Abayubá y la ciudad de La Paz en el departamento de Canelones.
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Línea G (Montevideo)

La línea G es una línea de ómnibus urbana del área metropolitana de Montevideo. Une la ciudad de La Paz en Canelones con la Terminal de Portones en Montevideo.
Cuenta con un recorrido de 35 kilómetros, siendo una de las líneas urbanas más largas de Montevideo. Es una línea troncal del Corredor Garzón.
Fue creada en diciembre de 2012, producto de la inauguración de la Terminal Colón y del Corredor Garzón. Con su creación fueron sustituidas la línea 468 de la Cooperativa de Obreros y Empleados del Transporte, y la línea 130 de la Compañía Uruguaya del Transporte Colectivo. Por tanto, la línea G era operada por ambas compañías y contaba con dos ramales distintos, hasta que en 2020 con la reactivación de los servicios de la línea 130, la línea G quedó únicamente operada por Coetc.​
En septiembre de 2021 fue extendido su recorrido, en el marco de la reforma y traslado de la Terminal de ómnibus La Paz, la cual pasó a ubicarse en la Plaza Maimónides, frente al cementerio de La Paz y al Cementerio Israelita, a 1,2 kilómetros del punto anterior, ubicado en el centro de la ciudad.​
Línea 456 (Montevideo)

La línea 456 de la red de transporte urbano de Montevideo une la Ciudad Vieja con la intersección de las avenidas Pedro de Mendoza y de las Instrucciones, destino ubicado en el barrio Boiso Lanza.​
En ambos recorridos circula por los barrios Ciudad Vieja, Centro, Aguada, Arroyo Seco, Reducto, Brazo Oriental, Atahualpa, Cerrito de la Victoria, Pérez Castellanos, Las Acacias, Piedras Blancas, Casavalle y Boiso Lanza.
En los servicios nocturnos el recorrido tiene una leve modificación, dejando de detenerse en la terminal Ciudadela, por lo que extiende su recorrido hacia la terminal Aduana, ubicada a pocas cuadras, desde donde parten todos servicios durante la noche circulando por las calles Juan Lindolfo Cuestas, Buenos Aires, Florida, San José, Andes y Mercedes para continuar con su recorrido habitual hacia el barrio Boiso Lanza. Los días sábados, domingos y feriados de 09:00 a 17:00 horas acorta recorrido a Palacio de la Luz.
Gran Central Metropolitana de San Pedro Sula

La "Gran Central Metropolitana" es la principal terminal de autobuses de la ciudad de San Pedro Sula en Honduras. Es la terminal de autobuses más grande y más concurrida de Centroamérica después de la Gran Terminal Nacional de Transporte en la Ciudad de Panamá. La estación es una pieza clave en la movilidad local y metropolitana para miles de trabajadores que viven en ciudades aledañas a San Pedro Sula y trabajan dentro de la ciudad. En 2021, la terminal tenía 50 empresas de autobuses ofreciendo 128 rutas a 36 destinos nacionales y 6 destinos internacionales a Costa Rica, El Salvador, Guatemala y Nicaragua.​​​
La terminal tiene una capacidad para más de 4.000 operaciones de autobuses al día en sus 105 andenes. Unos 150.000 a 180.000 viajeros al día pasan por la terminal. Durante las épocas de Navidad y Semana Santa, el número de viajeros aumenta a más de un millón.​
La Gran Central Metropolitana fue inaugurada el 27 de agosto de 2006. La terminal tiene un tamaño de 126.000 metros cuadrados y su construcción costó unos 320 millones de lempiras.​
La idea de la terminal surgió por la necesidad de descongestionar el centro de San Pedro Sula, en los barrios de Centro, Medina, Lempira y El Benque, donde hasta entonces congregaba todo el servicio de autobuses interurbanos. Esto causaba una gran congestión vial en el centro de la ciudad. El proyecto de la Gran Central Metropolitana fue liderado por la alcaldía de San Pedro Sula durante la administración de Roberto Larios Silva y continuado por los alcaldes Óscar Kilgore y Rodolfo Padilla. Aunque el proyecto fue abanderado por el gobierno municipal, la terminal fue construida y es gestionada actualmente por una empresa privada.​
Con la inauguración de la Gran Central Metropolitana en 2006, se prohibió por ordenanza municipal el acceso de autobuses interurbanos al centro de la ciudad. Esta ordenanza causó un malestar entre algunas empresas de transporte que se negaron durante algunos meses el traslado de sus operaciones desde el centro de la ciudad. Este malestar hizo que el gobierno municipal postergara unos seis meses el requisito de mudanza. Para finales de 2007 todas las empresas de autobuses ya habían trasladado sus operaciones a la nueva terminal.​
Antes de la pandemia de COVID-19, la terminal recibía entre 100.000 a 180.000 pasajeros al día. En octubre de 2020 se reportaba que el número se había reducido a 40.000 pasajeros al mes, pero que los flujos estaban recuperándose a medida que la actividad volvía a la normalidad previa a la pandemia.​​ Para Semana Santa de 2021 se reportaron 800.000 viajeros, cifra cercana al millón que recibía la terminal pre-covid.​
En 2015, se reportaba que la terminal recibía unos 150.000 viajeros al día de lunes a jueves y 180.000 viajeros al día de viernes a domingo. Durante las épocas de Navidad y Semana Santa, la terminal recibe más de un millón de viajeros.​
La terminal tiene una capacidad para 300.000 personas al día.​
La terminal tiene 50 empresas de autobuses que operan 128 rutas a 36 destinos nacionales y a 6 destinos internacionales en Centroamérica a Costa Rica, El Salvador, Guatemala y Nicaragua.​​
She (canción de Green Day)

«She» —en español: «Ella»— es una canción de la banda de estadounidense de punk rock Green Day, que figura como la octava pista de su álbum Dookie de 1994. Fue lanzada como el quinto y último sencillo del álbum en mayo de 1995.​
La canción trata sobre una chica que está buscando quién es en realidad. Ella quiere ser ella misma, pero sus padres y la sociedad se lo impiden. La inspiración para la canción fue un poema entregado a Billie Joe Armstrong por una exnovia. Ella y Billie Joe se vieron envueltos en una relación que duró un año y dos meses. Esta chica, cuyo nombre es Amanda, sufrió varios problemas emocionales. Armstrong escribió la canción basada en ese poema que la chica le dio, en el cual le mostraba sus inseguridades. Acerca de esto, Billie Joe, en su cuenta Twitter el 9 de febrero de 2011 aclaró que "She es una canción acerca de una chica llamada Amanda, la cual también es la inspiración de Whatsername". En 2012 en el tercer álbum de la trilogía (Tré) hay una canción titulada Amanda.
La revista en línea PopMatters posicionó a «She» como la octava mejor canción de Green Day en su listado de las 15 mejores canciones de la banda,​ citando que "Green Day toca magníficas canciones pop punk de amor", también "«She» es simplificada a una línea de bajo pulsante, un ritmo básico pero urgente de batería, y Armstrong suspirando al inicio antes de resucitar con todo al rasgueo de tres-acordes" e incluyendo que "«She» es sensible sin ser suave".​
National Museum of Visual Arts (Uruguay)

National Museum of Visual Arts (Uruguay) (Spanish: Museo Nacional de Artes Visuales) a museum in Parque Rodó, Montevideo, Uruguay. It was inaugurated on December 10, 1911.
This museum has the largest collection of Uruguayan artworks. Among them are works by Olga Piria, Rafael Barradas, Joaquín Torres García, José Cúneo, Carlos Federico Sáez, Pedro Figari, Juan Manuel Blanes and artist Pablo Serrano who lived in Montevideo for twenty years.
The museum also hosts temporary shows, in many cases foreign artists' itinerant exhibitions.
34°54′50″S 56°09′53″W﻿ / ﻿34.91389°S 56.16472°W﻿ / -34.91389; -56.16472
List of computer term etymologies

This is a list of the origins of computer-related terms or terms used in the computing world (i.e., a list of computer term etymologies). It relates to both computer hardware and computer software.
Names of many computer terms, especially computer applications, often relate to the function they perform, e.g., a compiler is an application that compiles (programming language source code into the computer's machine language). However, there are other terms with less obvious origins, which are of etymological interest. This article lists such terms.
Исмаилова, Гульфайрус Мансуровна

Гульфайрус Мансуровна Исмаи́лова (15 декабря 1929 года — 12 мая 2013 года) — советская и казахская художница и актриса. Заслуженный деятель искусств Казахской ССР (1965), народный художник Казахской ССР (1987).
Родилась в 1929 году в Алма-Ате. Настоящее имя — Конарбаева Кульпаш Тансыкбаевна. Гульфайрус в раннем детстве удочерил Мансур Исмаилов, она стала старшей из его пятерых детей.
В 1949 году окончила Алма-Атинское художественное училище, где занималась в мастерской народного художника Казахской ССР A. M. Черкасского, в 1956 году — Ленинградский институт живописи, скульптуры и архитектуры им. Репина по классу живописи М. П. Бобышова, где познакомилась со своим супругом Евгением Матвеевичем Сидоркиным.
В 1956—1957 годах преподавала в Алматинском художественном училище. В 1971—1974 годах работала главной художницей Казахского театра оперы и балета. Ею созданы эскизы к декорациям и костюмам опер: «Ер Тарғын» Е. Брусиловского (1967), «Жұмбак қыз» С. Мухамеджанова (1972), «Чио-Чио-Сан» Дж. Пуччини (1972), к балетам «Дорогой дружбы» Н. Тлендиева (1957) и «Камар cұлу» В. Великанова (1958), кинофильму «Кыз Жибек» (1969—1971).
С 1957 года — член Союза художников Казахстана.
В начале 1970-х стала главной художницей Казахского государственного театра оперы и балета им. Абая.
Умерла в 2013 году в Алмате.
Супруг — Евгений Матвеевич Сидоркин (1930—1982) — русский художник-график, заслуженный деятель искусств Казахской ССР (1965), лауреат Государственной премии Казахской ССР им. Чокана Валиханова (1979), народный художник Казахской ССР (1981).
Сын — Сидоркин Вадим Евгеньевич (1959—2021) — художник-реалист.
19 января

19 января — 19-й день года по григорианскому календарю. До конца года остаётся 346 дней (347 дней в високосные годы).
До 15 октября 1582 года — 19 января по юлианскому календарю, с 15 октября 1582 года — 19 января по григорианскому календарю.
В XX и XXI веках соответствует 6 января по юлианскому календарю.
В Древневосточных православных церквях:
Водокрещи. Праздник Светов. Крещение. Богоявление. Иордань.
19 ноября

19 ноября — 323-й день года (324-й в високосные годы) по григорианскому календарю. До конца года остаётся 42 дня.
До 15 октября 1582 года — 19 ноября по юлианскому календарю, с 15 октября 1582 года — 19 ноября по григорианскому календарю.
В XX и XXI веках соответствует 6 ноября по юлианскому календарю.
Павел и Варлаам, Павел Исповедник и Варлаам Хутынский. Ледостав.
Marshal of Nobility (Russia)

Marshal of Nobility (Russian: предводитель дворянства) was an elected position in Russian local self-government prior to the Russian Revolution of 1917.
The nobility of each governorate formed a corporation, the Noble Society (ru:Дворянское общество), governed by the Assembly of Nobility with an elected Marshal of Nobility at its head. Each subdivision of a governorate (uyezd) also had its elected Marshal of Nobility.
Besides the Assembly of Nobility, Marshals of Nobility also chaired several local boards including the council of Justices of the peace, local education boards, boards that administered drafting of the men into the army, etc.
After creation of all-estate Zemstvo local self-government system, Marshals of Nobility presided over Zemstvo assemblies.
Assembly of the Nobility

Assembly of the Nobility (Russian: дворянское собрание, благородное собрание) was a self-governing body of the sosloviye (estate) of the Russian nobility in Imperial Russia from 1766 to 1917. Their official status was defined by the Charter to the Gentry in 1785. The Nobility Assemblies were at the guberniya and uyezd levels. Sometimes it is also translated as Gentry Assembly.
The chair of an Assembly of Nobility was called Gubernia (Uyezd) Marshal of Nobility. These Assemblies governed both the dvoryanstvo itself and took part in the governing of local affairs of the whole society, such as the election of the persons to the posts in local administration and police. After the Emancipation reform of 1861 in Russia and subsequent reforms, their purpose became mostly affairs of the nobility.
This institution ceased to exist in Russia after the October Revolution. After the dissolution of the Soviet Union, in 1990 the descendants of Russian nobility founded the Russian Assembly of Nobility, a public non-political organization.
Assemblies of nobility typically had clubhouses also called "Assembly of Nobility", colloquially referred to as "the Assembly" (собрание) among the peers. The most famous one was that of the Moscow Assembly of the Nobility; the building is now known as the House of the Unions.
Olga Dihovichnaya

Olga Yuryevna Dykhovichnaya, born Golyak (Russian: О́льга Ю́рьевна Дыхови́чная; born 4 September 1980) is a Belarusian and Russian actress, producer and director.
Graduated in 1997 from Belarusian State University Olga worked on Belarusian television as a host of the program “Morning Cocktail” (Russian: Утренний коктейль). Then she moved to Moscow and worked in the TV company VID while doing her studies in the workshop of Aleksei Yuryevich German (1938–2013) and Svetlana Igorevna Karmalita (1940–2017). Olga became a famous actress, producer and director. In the early 2000s, she worked in the studio Volya, where she directed a number of documentary films. In 2010 she became producer of International Independent Film Festival 2morrow and also a producer of 2morrowFilms film company. As an actress, she is best known for a lead role in a controversial film Twilight Portrait (Портрет в сумерках) (2011), where she also took a part as a co-writer and co-producer. Twilight Portrait premiered at Venice Film Festival, and among numerous awards at film festivals worldwide received a Nomination Discovery of the Year by European Film Academy.
Raspoutine (2011 film)

Raspoutine (Russian: Распутин, romanized: Rasputin) is a 2011 Franco-Russian historical drama television film directed by Josée Dayan and starring Gérard Depardieu, Fanny Ardant, Vladimir Mashkov and Anna Mikhalkova. It centers on the last year in the life of the Russian historical figure Grigori Rasputin.
Exhausted by the First World War and shaken by internal social and political instability, the Russian Empire slowly and inexorably moves toward its collapse. Some of the well-born aristocrats and members of royal family decide that the only way to save the country is to expel the famous seer and healer Grigori Rasputin from St. Petersburg. This is a simple Russian man without any formal titles, but Rasputin is very friendly with the Emperor and his wife and has a huge influence on them.
Princess Zinaida Yusupova tries to explain to Empress Alexandra Feodorovna the harmfulness of her friendship with Rasputin, trying to prove that Rasputin terribly discredits not only the entire royal power, but also the Empress personally. Rasputin, however, regularly cures the only son of the Empress from attacks of haemophilia, and therefore Alexandra never drives out "the holy elder". Seeing that her entreaties are useless, Princess Yusupova decides to act alone. She persuades her son Felix to organize a plot to murder Rasputin.
The main shooting for the film took place in Russia, particularly in Saint Petersburg (Smolny Convent and Moika Palace), Pushkin (Catherine Palace and the Alexander Palace. Some scenes of the film were shot in Marseille.
According to Gérard Depardieu, some changes to the film's script were made personally by Vladimir Putin.
The Mysteries of Harris Burdick

The Mysteries of Harris Burdick is a 1984 picture book written by the American author Chris Van Allsburg. It consists of a series of images, ostensibly created by Harris Burdick, a man who has mysteriously disappeared. Each image is accompanied by a title and a single line of text, which encourage readers to create their own stories. Many famous writers have tried to put their own twists on the pictures.
The book is available in a Portfolio Edition which includes another image/caption pair from the story "Missing in Venice".
In 2011 a book titled The Chronicles of Harris Burdick: Fourteen Amazing Authors Tell the Tales was published, composed of stories inspired by the book’s illustrations by noted writers, including Tabitha King and Louis Sachar.
In an encounter between a children's book editor named Peter Wenders and an author and illustrator named Harris Burdick – who says he has 14 stories that he has written – Burdick brings one picture from each story with a caption. He leaves with a promise to deliver the complete manuscripts if the editor chooses to buy the books. The next day, Burdick did not show up. Burdick had mysteriously disappeared. Over the years, Wenders tried to find out who Harris Burdick was, but he never found out. Burdick was never seen again, and the samples are all that remain of his supposed books. Readers are challenged to imagine their own stories based on the images for the books.
In 1984, Chris Van Allsburg visited Wenders' office, and Wenders showed him Burdick's drawings. Van Allsburg decided that if he were to publish the drawings, they might find out who Harris Burdick was.
Both Wenders and Van Allsburg were sure that someone would come forward with information about Burdick. Then, in 1993, a dealer in antique books told them that he had purchased an entire library that had previously belonged to a recently deceased woman, including an antique mirror with portraits of characters from Through the Looking-Glass. The mirror fell from the wall and cracked open. Neatly concealed between the wooden frame and the mirror was an image similar to Burdick's other works; its caption identified it as being from the Burdick story "Missing in Venice".
As stated on the Burdick website, Peter Wenders died in 2000 at the age of 91. However, given that Fritz can be seen in one of the pictures, it is implied that neither Burdick nor Wenders even existed in real life.
The short story "The House on Maple Street" which appears in Stephen King's Nightmares & Dreamscapes is inspired by the last image/caption in The Mysteries of Harris Burdick.
Walt Disney Pictures and 20th Century Fox announced in July 2019 that they have acquired the film rights to "The Mysteries of Harris Burdick" with Rafe Judkins as screenwriter and Mike Weber, Bill Teitler, Ted Field, Shawn Levy and Dan Cohen producing. This announcement came after Disney and Fox acquired the film rights to another Van Allsburg book, The Garden of Abdul Gasazi, but unlike that adaptation, Van Allsburg is not an executive producer for this film.
Dream Count

Dream Count is a novel written by Nigerian writer Chimamanda Ngozi Adichie. The novel features four women whose stories are told in turn: Chiamaka, a Nigerian travel writer stranded in America during the pandemic, her friend Zikora who is a successful lawyer, her cousin Omelogor who works in finance before coming to study in the US, and Chiamaka's housekeeper, Kadiatou.
According to Book Marks, the book received a "positive" consensus, based on twelve critics: seven "rave", two "positive", one "mixed", and two "pan".
In a review for the Associated Press, Helen Wieffering acknowledged Dream Count's "vibrant energy" and said it "succeeds because every page is suffused with empathy, and because Adichie’s voice is as forthright and clarifying as ever".
볶음밥 (한국 음식)

볶음밥(문화어: 기름밥)은 쌀밥에 채소나 고기 등을 잘게 썰어 넣고 기름에 볶아 만든 음식이다. 주재료에 따라 김치볶음밥, 계란볶음밥, 야채볶음밥, 황금볶음밥 등으로 부를 수 있다. 닭갈비나 낙지볶음 등을 먹은 뒤, 김치와 김가루, 쌀밥을 넣어 후식으로 볶아 먹기도 한다. 한국의 중국집 볶음밥은 중국식 차오판의 영향을 받아 만들어졌으나 짜장 소스와 짬뽕 국물을 곁들이는 등 독특하게 발전했다.
나시 고렝

나시 고렝(말레이어·인도네시아어: nasi goreng)은 인도네시아, 말레이시아, 브루나이, 싱가포르 등 말레이어 사용 동남아시아 지역의 볶음밥이다. 인도네시아의 국민 음식 가운데 하나로 여겨지며, CNN에서 진행한 인기 투표에서 세계에서 가장 맛있는 음식 2위로 선정된 바 있다. 덥고 습한 기후 특성상 밥이 일찍 쉬는 것을 막기 위한 보존식으로 등장하였으며, 미리 음식을 한 상 차려놓는 식문화를 반영하여 만들어졌다.
말레이어 "나시(nasi)"는 "밥"을, "고렝(goreng)"은 "기름에 볶다, 튀기다"를 뜻한다.
인디카쌀로 지은 쌀밥을 다른 재료와 기름에 볶아 만든다. 양념으로는 흔히 고추, 파, 강황, 야자당, 붐부, 케찹 마니스, 새우장, 후추, 어장 등이 쓰이며, 조리된 나시 고렝에는 오이, 토마토, 달걀 프라이, 삼발, 바왕 고렝, 크루푹, 아차르 등을 곁들인다.
Chinese cabbage

Chinese cabbage (Brassica rapa, subspecies pekinensis and chinensis) is either of two cultivar groups of leaf vegetables often used in Chinese cuisine: the Pekinensis Group (napa cabbage) and the Chinensis Group (bok choy).
These vegetables are both variant cultivars or subspecies of B. rapa and belong to the same genus as such Western staples as cabbage, broccoli, and cauliflower. Both have many variations in name, spelling, and scientific classification, especially bok choy cultivars.
The Chinese cabbage was principally grown in the Yangtze River Delta region, but the Ming dynasty naturalist Li Shizhen popularized it by bringing attention to its medicinal qualities. The variant cultivated in Zhejiang around the 14th century was brought north, and the northern harvest of napa cabbage soon exceeded the southern one. These were then exported back south along the Grand Canal to Hangzhou and traded by sea as far south as Guangdong.
Napa cabbage became a staple in Northeastern Chinese cuisine for making suan cai, Chinese sauerkraut. In Korea, napa cabbage became baek-kimchi, which developed into kimchi. Chinese cabbage is now commonly found in markets throughout the world, catering both to the Chinese diaspora and to northern markets that appreciate its resistance to cold.
In 2017, aboard the International Space Station, a crop of Chinese cabbage from a plant growth device included an allotment for crew consumption, while the rest was saved for scientific study.
There are two distinct groups of Brassica rapa used as leaf vegetables in China, and a wide range of cultivars within these two groups. The binomial name B. campestris is also used.
This group is the more common of the two, especially outside Asia; names such as napa cabbage, dà báicài (Chinese: 大白菜, "large white vegetable"); Baguio petsay or petsay wombok (Tagalog); Chinese white cabbage; "wong a pak" (Hokkien, Fujianese); baechu (Korean: 배추), wongbok; hakusai (Japanese: 白菜 or ハクサイ) and "suann-tang-pe̍h-á" (Taiwanese) usually refer to members of this group. Pekinensis Group cabbages have broad green leaves with white petioles, tightly wrapped in a cylindrical formation and usually forming a compact head. As the group name indicates, this is particularly popular in northern China around Beijing (Peking).
Chinensis Group cultivars do not form heads; instead, they have smooth, dark green leaf blades forming a cluster reminiscent of mustard or celery. These cultivars are popular in southern China and Southeast Asia. Being winter-hardy, they are increasingly grown in Northern Europe. This group was originally classified as its own species under the name B. chinensis by Linnaeus.