davidanugraha/M4-RAG huggingface dataset:
Sega pecel

Sega pecel iku masakan saka Jawa wujud sega kanthi lawuh pecel. Janganan kang dianggo lumrahé dumadi saka kangkung utawa bayem, kacang lanjaran, godhong téla, godhong katès, lan ing Jawa Tengah lan Jawa Wétan kadhangkala ditambahi kembang turi lan wiji lamtara (mlandhing). Sega pecel biyasa ditambahi lawuh tèmpé gorèng utawa krupuk. Sing misuwur lan umum ditemoni iku sega pecel versi Pecel Madhiun, nanging akèh uga versi liyané kang sumebar ing tlatah Indonésia kaya ta ing Blora, Kudus, Banyumas, Tegal, Tulungagung, Kadhiri lsp.
Ing kutha Semarang, yaiku ing saubengé Simpang Lima, ana bakul sega pecel 'mBok Sadhor' kang dodolané mung ing wayah soré. Sega pecelé ditambahi pilihan lawuh antarané kéyong (escargot), martabak, lan lawuh kang umum liyané kaya tèmpé gorèng utawa krupuk. Ing tlatah Ngayogyakarta panganan sega pecel iki misuwur kanthi jeneng cekakan 'SGPC' kang tegesé ya 'sega pecel'.
Pecel lélé

Pecel lélé utawa Pecek lélé ya iku jeneng panganan saka Indonesia sing digawé saka iwak lélé. Biasane sing dikarepaké ya iku iwak lélé sing digorèng garing nganggo minyak terus dicepkné nganggo sambel tomat lan lalapan. Lalapan racaké soko kemangi, kubis, timun, lan kacang panjang.
Pecel Madhiun

Pecel Madiun iku isiné molah-malih manut wektu. Yèn ésuk, isiné racaké paling sethithik. Lha yèn pecel bengi, isiné luwih pepak. Pecel madiun béda karo pecel peceng ing kutha liya. pecel madiun duwé ciri khas ya iku sak liyané srundeng, ana kering tempe ugi.
Biasane, pecel isiné sayur sing digodhog: bayem, capar, kacang lanjar, lamtoro, kemangi, kembang turi. Bumbune bumbu kacang (ana sing pedhes, ana sing ora). Sok-sok ditambahi srundeng. Sing mesti ditambahi peyek kacang, utawa peyek teri, utawa lempeng (krupuk puli).
Pecel bengi isiné kaya mau nanging ditambah empal utawa bisa (usus) goreng.
Jeruk purut

Jeruk purut, jeruk sambel, utawa jeruk pecel (Citrus × hystrix DC.) iku tetuwuhan perdhu kang dimanfaataké mligi woh lan godhong é minangka bumbu panyedhep rasa masakan.
Jeruk purut padatane di anggo masak kaya déné sambel tumpang, pecel, soto lan sapanunggalane. Woh iki duwe rasa kecut kang semu getir ananging ambune wangi. Wit jeruk iki duweni eri kang akeh lan landhep.
Sajeroning donya boga Asia Kidul-wétan, jeruk purut akèh dianggo minangka penetral ambu amis kanggo nyegah rasa enek, kaya déné ing panganan siomay. Kethokan godhong jeruk purut dicampuraké ing bumbu pecel supaya wangi. Semono uga kanggo gawé rempèyèk, kethokan godhong jeruk purut dicampuraké ing adonan glepung banjur digorèng.
Ing dedagangan internasional, jeruk purut iki dikenal minangka kaffir lime.
Cithakan:Bumbon crakèn
Pachadi

Pachadi ( Telugu , Kannada Tamil , Malayalam ) nuduhake acar segar tradisional India Selatan sing disedhiyakake sajian sajian. Diterjemahake kanthi wiyar, nuduhake panganan sing wis ditumbuk. Ing Andhra Pradesh, Telangana, Karnataka, Kerala lan Tamil Nadu, pachadi minangka kari lauk sing padha karo raita India Utara, lan digawe nganggo sayuran, yoghurt, klapa, jahe lan godhong kari lan dibumboni mustar. Pachadi umume minangka klapa sing panas utawa entheng, lombok ijo, lombok abang lan sajian adhedhasar yogurt sing digawe sayuran utawa woh-wohan mangsan. Iki digawe saka sayuran seger lan disajikake kanggo ngiringi nasi lan kanggo cemilan kaya idli, dosa, lan pesarattu. Akeh jinis sayuran sing kalebu. Kadhangkala kulit sayur digunakake, kayata kulit labu, sing diarani beerapottu pachadi ing basa Telugu.
Gỏi cuốn

Gỏi cuốn, Gulungan musim semi Vietnam, gulungan musim semi seger, gulung musim semi, utawa gulungan kertas beras, yaiku panganan Vietnam tradisional kanthi isèn daging babi, urang, sayuran, bún ( beras vermicelli ), lan bahan-bahan liyané sing dibungkus ing Vietnam bánh tráng (umume dikenal minangka kertas beras utawa gulung adhem). Kaya pasugatan gulungan musim semi liyané, dhèwèké dipercaya duwe asal-usul ing China lan dikenalaké menyang Vietnam dening imigran China sanajan gỏi cu modifiedn wis diowahi kanggo cocog karo rasa lokal.
Gỏi cuốn disuguhaké kanthi seger, nalika liyané disuguhaké gorèng, kaya Vietnam chả giò . Dikawani ing suhu ruangan (utawa digawé adhem) lan ora digorèng jero utawa mateng ing njaba. Gulung kasebut dianggep minangka pembuka roti sing misuwur banget karo para wong tuku ing restoran Vietnam.
Bánh tráng ( kertas beras ) dicelupaké ing banyu, banjur dilebokaké ing piring kanthi jumlah bahan sing dikepengini. Gỏi cuốn seger banjur digulung banjur siap dipangan. Gỏi cuốn bisa disajikan karo tương xào (uga dikenal saos hoisin ), sing kasusun saka lemah tương ( tương đen utawa tương xay ) lan banyu klapa sing dicampur (utawa duduh kaldu), sakdurué digorèng karo bawang lan sawétara gula banjur disiram nganggo bubuk cili lan kacang tanah. Utawa, gỏi cuốn bisa disuguhaké karo saus kacang utawa saos Vietnam sing dicelup, kaya ta nước chấm, adhem sing adus saka saos iwak.
Ing Vietnam lan ing macem-macem bagean ing Asia Kidul-Wétan, Vietnam bisa ndeleng bánh tráng sing digawé tangan (kertas beras) lan nempataké ing pring segiawang ing sisih omah. Cara tradisional, gỏi cuốn dipangan karo klompok gedhe ing papan omah.
Isi kasebut bisa beda-beda saka irisan daging babi standar, irisan daging babi ( chả ), lan udang; iwak, panganan laut sing digorèng (kaya ta cumi-cumi), daging sapi disemprotaké ing duduh kaldu serai, tahu (kanggo wong vegetarian), sosis, daging babi sing digorèng, lan endhog kalebu sawétara variasi gulung musim semi sing populer.
Bubur pedhes

Bubur pedas ( Jawi : بوبور ڤدس ) minangka salah sawijining￼￼ panganan bubur tradisional kanggo wong Melayu ing Sambas, Kalimantan Barat ( Indonesia ) uga Sarawak ( Malaysia ). Biasane dileksanakake sajrone Ramadhan sawise umat Islam mungkasi siyam ing wektu buka puasa .
Sop patriotik

Sup Patriotik ( simplified Chinese , Teochew : hu gog chai ) minangka sup sayuran sing asale saka wong Teochew . Iki dikembangake sajrone taun pungkasan dinasti Song China minangka panganan improvisasi. Sup dadi bagean saka masakan Teochew, lan resepe saya suwe saya suwe. Sanajan wong Tionghoa wiwit dinasti Ming umume nggunakake godhong ubi jalar, macem-macem liyane kalebu amaranth, bayem, ipomoea aquatica lan sayuran ijo liyane; lan duduh kaldu alternatif kayata daging sapi utawa pitik. Bahan-bahan liyane asring ditambahake kayata endhog sing dipukul, ham sing wis diobati garing, tahu, mi cellophane, lsp. Restoran Provinsi Guangdong rutin dekorasi sup ing diagram taijitu . Nanging, versi sup sing paling asli yaiku biasane krasan lan mung disiyapake mung nggunakake sayuran godhong, jamur sing bisa dipangan, lan duduh kaldu sayuran.
Hot dog leléwa Chicago

Asu panas gaya Chicago, Dog Dog, utawa Chicago Red Hot minangka frankfurter daging sapi kabeh ing roti wiji poppy asale saka kutha Chicago, Illinois . Ing asu panas paling ndhuwur karo kuning sawi, disigar putih bawang, padhang ijo manis pickle relish, a dill pickle tumbak, tomat irisan-irisan utawa wedges, pickled mrico olahraga lan lumayu saka uyah celery . Déwan lengkap asu panas ing Chicago diarani "diseret liwat kebon" amarga akeh topping. Cara masak asu panas dhewe beda-beda gumantung karo pilihan vendor. Paling asring dikukus, direndhem banyu, utawa ora asring dipanggang nganggo areng (ing endi diarani "asu-asu").
Resep kanonik ora kalebu saus tomat, lan ana panemu sing umume dienggo bareng karo akeh wong-wong Chicago lan aficionado yen saus tomat ora bisa ditampa. Sawetara vendor asu panas Chicago ora nyedhiyakake saos tomat minangka bumbu.
Asu panas gaya Chicago dimasak ing banyu panas utawa dikukus sadurunge ditambahake topping. Gaya sing kurang umum dimasak ing panggangan areng lan diarani "anjing asu". Asu-asu gampang dingerteni amarga ujung-ujung segawon mau diiris nganggo gaya crisscross sadurunge masak, ngasilake bentuk cervelat - gaya "keriting-x" khas minangka koki asu. Sawetara segawon asu panas, kayata Wieners Circle, mung nyedhiyakake segawon asu.
Asu panas daging sapi biasane bobote 1/8 pon utawa 2 ounces (57 g) lan jinis sing paling tradisional nduweni casing alami, nyedhiyakake "sworo seru" nalika digigit.
Buns minangka macem-macem gluten kanggo nggawe pemanasan uap, biasane merek S. Rosen Mary Ann saka Alpha Baking Company.
Puto seco

Puto seco, uga dikenal minangka puto masa, yaiku cookie Filipina sing digawe saka beras ketan, tepung jagung, gula, uyah, mentega, lan endhog. Dheweke putih khas lan bentuk dadi disk kandel. Dheweke duwe tekstur bubuk garing.
Jeneng kasebut asale saka puto Filipina (kue beras kukus tradisional Filipina) lan seco Spanyol ("garing"), amarga teksturine. Uga dieja minangka " puto seko ".
Puto seco tradisional digawe saka galapong, pari pulut sing direndhem ing banyu sewengi. Nanging, versi modern luwih umum digawe nganggo glepung beras utawa tepung gandum . Iki dicampur karo pati jagung, mentega, endhog, uyah, lan gula. Susu uga bisa ditambah. Dipanggang nganti garing lan rapuh. Sawetara versi modern saka puto seco kasedhiya ing rasa liyane kayata ube ( ubi ungu ), klapa, lan buko pandan .
Versi puto seco kaya permen warna-warni asring dikenal kanthi jeneng puto masa (lit " puto adonan jagung "). Varian iki umum ditemokake ing provinsi Laguna lan Batangas .
Daging babi katutup soklat

Daging babi sing ditutupi coklat iku panganan Amerika sing kasusun saka daging masak kanthi lapisan coklat susu utawa coklat peteng . Bisa ditambah karo uyah laut, pistachios sing hancur, kenari, utawa potongan almond. Referensi ing internet diwiwiti paling ora nganti taun 2005. Variasi disebutake ing episode The Simpsons taun 2003 kanthi irah-irahan "Sembahyang Apa wae". Homer njaluk Gusti Allah nggawe cemilan anyar sadurunge tanker sing kebak fudge panas lan truk sing kebak tabrakan "Johnny Bench's Pre-Cooked Bacon", mula ngirim daging babi sing ditutupi udara liwat udara lan menyang kaca depan Homer. Dheweke langsung mangan makhluk kasebut lan ujar, "Pindhah endhog. Bacon nembe entuk kanca paling anyar. . . Fudge ”. Popularitas sajian wis nyebar lan sajian kasebut ditampilake ing acara televisi babagan panganan. Varian wis disedhiyakake ing pameran negara, ing endi daging babi disajekake karo saos coklat kanggo dicelupake, lan sajian kasebut digawe dadi bar panganan gourmet.
Panganan sing padha, diarani " salo ing coklat" diwiwiti ing Albania. Pabrik permen Pabrik permen nggawe versi Dina Fool saka perawatan saka karamel lan sawetara lemak daging babi, menehi permen kanthi rasa asin sing padha karo salo ing coklat.
Daging sing ditutupi coklat didol minangka panganan khusus ing Amerika Serikat . Iki tampil ing Pameran Negara Minnesota kanthi jeneng "Babi Lickers"; didol ing Santa Cruz Boardwalk ing California lan kanthi jeneng "Babi Permen" dening pabrikan coklat ing New York City .
Bacon sing gagah digunakake kanggo nggawe daging babi sing ditutupi coklat. Kaping pisanan dimasak, banjur dicelupake ing coklat sing wis ilang; topping (yen ana) ditambahake, lan sajian diideni supaya adhem. Variasi yaiku mencelupake daging babi ing coklat sing wis ilang kanggo nutupi sebagean, mula sawetara daging babi ditampilake. Variasi Inggris yaiku mbungkus kotak coklat ing daging sing durung dimasak, lan masak bungkus daging babi ing oven kaya biasane. Asil kasebut yaiku paket daging babi panas, kanthi pusat coklat lebur sing manis.
Popularitas anyar ing Amerika Serikat saka daging babi digabungake karo úa manis, disababaké déning cepet (lan kadhangkala virus ) nyebar saka resep-resep ing media nasional lan ing Internet, wis mimpin kanggo panemuan kuliner dikarepke, kayata persagi daging babi candied, sing didhasarake resep kanggo "daging babi Candied with whipped cream" sing dicithak ing The New York Times, lan potongan daging babi sing dipanggang nganggo gula coklat sing digunakake kanggo hiasan martini.
Pecel ayam

Pecel ayam (Javanese: pecel pitik) is a traditional chicken dish of the Kemiren Banyuwangi Osing tribe of East Java, Indonesia.
Pecel ayam is made with chicken and coconut sauce cooked in salted tamarind water. The sauce requires grain coconut, garlic, onions, peanuts, cutchery, kaffir lime leaves, fried nutmeg, a sachet of shrimp paste and optionally for added spice, cayenne or chili. Basil leaf and lime juice may also be added. Sugar, salt, and MSG are also added.
The ingredients for pecel ayam must be prepared beforehand. The chicken is rubbed in tamarind water, salt, and spices, and baked until cooked and browned. Then, the chicken is drained and shred. After that, the grated coconut is cooked. Added spices include fried nutmeg, salt, chili, and peanuts that have been roasted. The seasoning is mixed with chicken that has been cut in several pieces. Optionally, lime juice is added. Finally, pecel ayam is ready to serve.
Radio Zorrilla de San Martín

La radio Zorrilla de San Martín es una emisora de amplitud modulada (A.M.) ubicada en el departamento de Tacuarembó en la República Oriental del Uruguay, Sudamérica, en los 1400 kHz del dial.
Se fundó el 16 de septiembre de 1939 por el químico farmacéutico Luis Santos Dini Boggia. Se convirtió así en la primera emisora de AM del departamento; condición que mantuvo durante 27 años, hasta 1966, cuando Celiar Rovira y Ariel Pandolfi inauguraron Radio Tacuarembó en el mismo departamento.
Debe su nombre al llamado "Poeta de la Patria", Juan Zorrilla de San Martín. El fundador de la emisora, Luis Santos Dini, sentía gran admiración por este poeta desde su época liceal, cuando pudo verlo recitar una de sus más importantes obras "La Leyenda Patria" en la ciudad de Florida.
Se encuentra ubicada en la ciudad de Tacuarembó, Uruguay, a 400 km al norte de la ciudad capital del país, Montevideo.
Debido a su ubicación y potencia, cumple una función muy importante en la comunicación entre la ciudad capital del departamento y poblados cercanos como Caraguatá, Villa Ansina, Tambores, Curtina, así como con toda las zonas rurales del departamento.
Cubre además gran parte de la zona norte del país, llegando a departamentos vecinos como Salto, Paysandú y Rivera.
Ha sido creadora de talentos radiales que luego supieron triunfar en los medios de comunicación más importantes del Uruguay. Caso por ejemplo de Daniel Castro (Canal Estatal y Monte Carlo TV), Vicente Dumas Sottolani (Radio Monte Carlo), Jorge Saavedra (Radio Monte Carlo), Juan Carlos Otormín (Radio Oriental y Canal 12), Rubén Walter Vázquez (Radio Carve), José Da Rosa (Radio Sarandí) y Ramón Eduardo Alonzo (SODRE).
Es dirigida por los hijos del fundador, y cuenta con programación en deportes, noticias, música, actualidad y salud; con programas de varias décadas de trayectoria y otros de reciente creación.
Alejandro Zorrilla de San Martín

Alejandro Zorrilla de San Martín Villegas (Montevideo, 1909- Roma, 1987), político uruguayo, perteneciente al Partido Nacional.
Fue nieto del poeta Juan Zorrilla de San Martín y sobrino del escultor José Luis Zorrilla de San Martín, en su juventud trabajó como empleado bancario. Casado con María Lamas Vásquez, tuvieron 7 hijos, entre otros, Alejandro Zorrilla de San Martín Lamas, quien tuvo actuación política.
En 1954 fue elegido diputado por el departamento de San José, escaño que asumió en febrero de 1955. Reelegido en 1958 con la victoria del Partido Nacional, fue presidente de la Cámara de Diputados entre 1960 y 1961.
En 1963 fue nombrado Ministro de Relaciones Exteriores del segundo colegiado blanco,​ ocupando el cargo hasta que ingresó al Consejo Nacional de Gobierno en febrero de 1965, en sustitución del fallecido Luis Giannattasio. En 1966 y 1971 fue elegido senador, ocupando el escaño hasta la disolución del Parlamento por el Golpe de Estado del 27 de junio de 1973.
Muy vinculado a la religión católica, y habiendo participado de la clausura del Concilio Vaticano II en 1965, tras el retorno de la democracia en 1985 fue designado embajador ante la Santa Sede. Gestionó la primera visita del Papa Juan Pablo II al Uruguay, que se produjo finalmente en marzo-abril de 1987. Sin embargo, falleció en Roma el 14 de febrero de ese año, antes de que se concretara la visita.
La leyenda patria

La leyenda patria es un poema escrito por el uruguayo Juan Zorrilla de San Martín en 1879.
Canta la gesta heroica de los Treinta y Tres Orientales. Se trata de una oda al estilo de las del ecuatoriano Olmedo, de 413 versos, que compuso en una semana y que le convirtió en el poeta nacional por excelencia.​
Fue declamada por su autor en ocasión de la inauguración del Monumento a la independencia Nacional, en la Villa de la Florida, el 18 de mayo de 1879.​ Originalmente había quedado fuera de concurso por ser demasiado larga. De todos modos, Zorrilla fue autorizado a declamarla. Tal fue la satisfacción del público con el poema, que otros poetas premiados como Aurelio Berro y Joaquín de Salterain se quitaron sus medallas y se las dieron al poeta.​
Se advirtió un nuevo acento que la crítica definió luego como resultado del genio lírico del poeta, pero también reconoció que en esta composición intervenían elementos líricos e idiomáticos no usados hasta entonces en las letras uruguayas que más tarde aparecieron más definidos en la epopeya de Tabaré.​
Tabaré Alonso (entrenador)

Tabaré Alonso (Uruguay, 4 de agosto de 1977) es un exfutbolista y entrenador uruguayo, que actualmente es el entrenador de la categoría sub-16 en el Club Nacional de Football.​ Como jugador, jugó en Segunda División y en Primera División de Uruguay.
Jugó en el fútbol juvenil de Liverpool de Montevideo y fue en ese mismo club que debutó profesionalmente en 1997. Dos años más tarde pasa a Bella Vista e integra el plantel para la Libertadores de 1999. En el 2000 juega en Brasil y retorna al año siguiente al Uruguay para incorporarse al Colón Fútbol Club. Antes de retirarse como futbolista en el 2004 se dedica a entrenar arqueros en las divisionales juveniles del colonense. En el 2005 ingresa a Nacional continuando como entrenador de arqueros en juveniles y desde el 2009 en mayores apoyando al director técnico. Hoy en día trabaja con el resto del plantel encabezado por Marcelo Daniel Gallardo entrenando a goleros como: Leonardo Burián o Rodrigo Muñoz. Actualmente se encuentra incursionando como director técnico en el Club Nacional de Futbol con la categoría Sub-16.
Macunaíma (poeta)

Atilio Duncan Pérez Da Cunha, conocido como Macunaíma (Montevideo, 16 de julio de 1951-b., 5 de junio de 2020),​ fue un poeta, periodista, publicitario, letrista de canciones y docente uruguayo. Su seudónimo como escritor es una referencia al protagonista de la novela Macunaíma: O herói sem nenhum caráter, escrita en 1928 por el brasileño Mário de Andrade.​​
En su actividad como periodista colaboró con los periódicos El Popular, Cinco Días, La Hora, Sincensura, El Dedo, El Pasquín, El Carlanco y Guambia. Trabajó también en calidad de corresponsal para la revista Pelo, El Expreso Imaginario y otras revistas de rock de Argentina. Además ha sido realizador de varios programas de radio, como El Faro​y Otro rollo, ambos en Emisora del Sur.​
En calidad de poeta, ha escrito cuatro libros de poemas y un disco que contiene poemas y canciones del autor.​
En 2008 publicó un libro llamado La publicidad es puro cuento que recoge relatos de publicitarios a raíz de un concurso del Círculo Uruguayo de la Publicidad.
Enfermo de cáncer, falleció el 5 de junio de 2020 a los sesenta y ocho años.​​
En el año 1998 participó como invitado en el film El chevrolé, junto a Jorge Esmoris, Tabaré Rivero, Hugo Fatoruso, Ruben Rada y Leo Masliah, entre otros.​
Roberto Ibáñez (poeta)

Roberto Ibáñez (Montevideo, 13 de enero de 1907​ - 28 de agosto de 1978​) fue un poeta, crítico literario, ensayista y docente uruguayo.​
Ejerció la docencia en la Facultad de Humanidades y Ciencias donde estuvo a cargo de la cátedra de Literatura Uruguaya.​ Fue director del Instituto Nacional de Investigaciones y Archivos Literarios de Montevideo,​ que fundó en 1947, y profesor de literatura en la enseñanza secundaria.​ Estuvo casado con la también poetisa Sara de Ibáñez.​
Roberto Ibáñez escribió los siguientes libros de poesía:​​
En cuanto a ensayo y a crítica, publicó las siguientes obras:​
Francisco Alejandro Lanza

Francisco Alejandro Lanza (Montevideo, 26 de febrero de 1894 - 29 de diciembre de 1960) fue un poeta uruguayo.
Nació el 26 de febrero de 1894 en Montevideo. Fue hijo de Francisco A. Lanza y Rosa Pasarelli.​ Contrajo matrimonio con María del Carmen Fernanda Muñoz. De ese matrimonio nacieron seis hijos, entre los que se encuentra el actor teatral, abogado y novelista uruguayo Francisco Joaquín Lanza Muñoz, quién obtuvo el segundo Premio Nacional de Literatura de Uruguay por su novela "Las mil y una hectáreas" (1991).​ Su nieto, el Ingeniero Joaquín Lanza Sclavo, también es escritor y obtuvo una mención en la 6.ª edición Premio Internacional de Relato Patricia Sánchez Cuevas por su relato "Liz".​
Francisco Alejandro Lanza publicó en 1918 su primer libro de poemas escritos durante su juventud, titulado "El cuento de Pedro Corazón", con prólogo de Daniel Martínez Vigil. El libro recibió notas elogiosas por parte del novelista, poeta y crítico literario español Andrés González-Blanco.​
Colaboró con las revistas literarias uruguayas Alfar (revista)​ y Alfa (revista).​ Fue registrado en antologías de poetas uruguayos, como ser: "Literatura uruguaya, 1807-1975" de Sarah Bollo​ y "Exposición de la poesía uruguaya" de Julio J. Casal, obra que recopila los poetas uruguayos, constituyéndose en una obra de referencia fundamental para la historia del género en Uruguay.​
Tradujo del alemán al español la poesía de Ludwig Uhland.​
Según Andrés González-Blanco:
La poeta, pedagoga y crítica literaria uruguaya Luisa Luisi dijo que sus versos eran
Por su parte la poeta Sarah Bollo, con una amplia producción de crítica literaria uruguaya, dijo sobre Lanza:
Luis Bravo (poeta)

Luis Bravo (Montevideo, 5 de julio de 1957) es un poeta, crítico literario, performer y profesor uruguayo,​ integrante de la generación del 80.
Nació en Montevideo en 1957 donde cursó sus estudios y egresó del Instituto de Profesores Artigas como profesor de literatura. A principios de los años 1980, formó junto a otros jóvenes poetas, «Grupo Uno»,​ conjunto que alineaba lo más vanguardista de la poesía local, a través de performances influenciadas por la contracultura de los años 70 y el concretismo brasileño.
Hacia 1985, al final de la dictadura cívico-militar en Uruguay, organizó el Festival de Poesía, donde se expusieron las manifestaciones más juveniles del país. En esa oportunidad realizó su primera performance pública en el Teatro del Anglo.
En 1990 obtuvo una beca para estudiar en España, donde residió por varios meses. Para ese entonces ya había publicado varios poemarios. En la década del 2000 comenzó a trabajar en el Instituto de Profesores Artigas y en la Universidad de Montevideo, como docente de Literatura Universal e Iberoamericana.
Fue invitado a festivales internacionales de poesía y participó en programas de radio y en la prensa escrita. Ganó varias becas sobre trabajos de investigación que recorren a diversos autores, épocas y estilos.
En 1993 y 2006 cogestionó el Festival Internacional de Poesía en Uruguay.
Ejerce la crítica literaria desde 1980 en diversos medios nacionales: Brecha — fue coeditor de los libros de ese semanario entre 1995-98—, Cuadernos de Marcha, Graffiti, El País Cultural, La República, Hermes Criollo, entre otros.
Sus poemas han sido publicados en antologías y revistas internacionales y han sido traducidos al portugués, francés, inglés, sueco, alemán, estonio y farsi. Artículos suyos han sido publicados en libros colectivos y en revistas especializadas de España, Portugal, Canadá, Estados Unidos, México, Colombia, Perú, Chile, Brasil y Argentina.
Saúl Ibargoyen

Saúl Ibargoyen Islas (Montevideo, 26 de marzo de 1930-México, 9 de enero de 2019) fue un poeta, narrador, crítico, traductor y ensayista uruguayo, nacionalizado mexicano.​
Integrante de la llamada «Generación de la crisis», bautizada así por el crítico uruguayo Ángel Rama. Esta generación estaba formada por escritores uruguayos que publicaron sus principales obras en los años cincuenta y sesenta del siglo xx.​
En 1976 se trasladó a vivir a México, donde permaneció hasta su fallecimiento. En septiembre de 2001 recibió la nacionalidad mexicana por naturalización.​
Trabajó como docente en la Escuela de Escritores de la Sociedad General de Escritores de México (SOGEM). Era miembro de la Academia de las Letras de Uruguay desde 2008.​
Fue jefe de redacción y subdirector de la revista Plural y editor de la Revista de Literatura Mexicana Contemporánea.​
Publicó más de cuarenta y cinco libros, entre los que destacan: Soñar la muerte, La sangre interminable y Toda la tierra extranjera.
Su producción poética (1956-2000) fue publicada por la Universidad Autónoma de Ciudad Juárez y el Instituto de Estudios Chicanos con el título El poeta y yo. Esta recopilación de poemas recoge sus principales poemarios El pájaro en el pantano (1954), Palabra por palabra (1969), Exilios (1978), Basura y más poemas (1991), El escriba de pie (2002).​
Sus obras han sido traducidas a varios idiomas: inglés, francés, portugués, alemán, ruso, sueco, esloveno y árabe.
Tabaré Rivero

Tabaré J. Rivero Russo (Montevideo, 15 de enero de 1957) es un cantante, compositor, poeta, actor y director de teatro uruguayo.
Hijo del escritor y actor pionero del radioteatro uruguayo: Mario Rivero y de Yolanda Russo. Tabaré J. Rivero, nacido en Montevideo - Uruguay, en 1957, es reconocido por haber sido parte de los pioneros del rock uruguayo post dictadura y continuar ininterrumpidamente en actividad. Forma a comienzos de 1985 La Tabaré Riverock Banda (más tarde renombrada como La Tabaré Banda), con la que se presenta habitualmente en los escenarios de Uruguay, así como de Argentina y esporadicamente España y Brasil. Con dicha banda lleva editados en total catorce trabajos discográficos y llevó a la escena seis obras teatrales (operetas) de su autoría. Es autor además de tres libros.
Con la compañía teatral de su padre recorrió todo el país, desde su primera infancia hasta 1979, actuando en los 19 departamentos, en todas las capitales, pueblos y parajes. Luego con su banda siguió recorriendo todos los puntos del país lo que lo hace autodenominarse un "bicho de carretera".
Se casó dos veces. Con la actriz Mariana Cardozo, con quien tuvo a su hijo Matías y con Lourdes Ferrari (con quien comparte su vida desde 1996), profesora de Filosofía y Psicóloga, quien además participó en varias actuaciones, videos, operetas y grabaciones de La Tabaré Banda. Con ella tuvo a su hijo Camilo.
Cursó la escuela y los dos primeros años de liceo en la educación pública y de tercero a sexto en el Liceo Secco Illa, en Colonia Nicolich (Canelones).
Fue criado y alentado en el plano artístico, así como en lo humano y espiritual, por su tía Ana "Chiquita" Russo.
Siempre vivió en los barrios Cordón Sur, Sur y Palermo, en Montevideo.
Ha sido nominado y premiado tanto por su música, como así también por sus participaciones en teatro a lo largo de su trayectoria.
SIENDO AUTOR EN TEXTOS, MÚSICAS Y POEMAS, DE LA MAYORÍA DE LAS CANCIONES)
Tabaré Regules

Tabaré Regules Molins (Montevideo, 27 de diciembre de 1889 - Montevideo. 20 de noviembre de 1962) fue un médico cirujano y escritor uruguayo.
Sus padres fueron el también médico y escritor tradicionalista Elías Regules y Statira Molins Acosta y Lara.
Sus estudios superiores los llevó a cabo en la Facultad de Medicina de Montevideo,​ graduándose como médico cirujano en el año 1915. Fue uno de los discípulos del médico y profesor Francisco Soca.
Ese mismo año ocupa el cargo de profesor de zoología en el liceo Linares de la ciudad de Progreso (Canelones).
El 29 de octubre de 1926 fue designado Director y médico de Sala y de Asistencia Domiciliaria de la Sala de Auxilios de Sayago y Peñarol.​
El 14 de febrero de 1951 fue designado Jefe de la División asistencia del Ministerio de Salud Pública.
Además de su carrera como médico, tuvo un importante rol en el movimiento tradicionalista, que fundara su padre en 1894 desde la Sociedad Criolla. Fue en dicha sociedad, que actualmente tiene el nombre "Sociedad Criolla Elías Regules", que Tabaré cumplió gran parte de su vida labores como director, ocupando la presidencia durante muchos años, terminando como Presidente Honorario. Actualmente una de las calles interiores de la sede de la sociedad ubicada en Carrasco lleva su nombre.
En 1920 integra la Comisión de Sayago, Peñarol y Colón de la Sociedad Filantrópica Cristóbal Colón como secretario, pasando en 1929 a ocupar el cargo de Presidente hasta 1943, cuando renuncia por ausentarse del lugar.
Cultivando al igual que su padre el estilo tradicionalista publicó dos libros de poesías, “Margaritas Rojas” en 1936 y “Mate Amargo” en 1956. Amalia de la Vega popularizó su obra, musicalizando varios de sus poemas, los cuales aparecieron en muchos de sus álbumes.
El 25 de agosto de 1946, se funda en la ciudad de Trinidad, la Sociedad Criolla del departamento de Flores, con el nombre de “Dr. Tabaré Regules” en homenaje a su obra tradicionalista.
​
Riano (poeta)

Riano o Riano de Creta (en griego Ῥιανὸς ὁ Κρής) fue un poeta y gramático griego nacido en Creta, amigo y contemporáneo de Eratóstenes (275 a .C. - 195 a. C.).
La Suda dice que primero fue esclavo y capataz de una palestra, pero que más tarde recibió educación y se dedicó a los estudios de gramática, probablemente en Alejandría.​ Preparó una nueva edición comentada de la Iliada y la Odisea; los escoliastas suelen recoger sus atétesis. Escribió epigramas, once de los cuales se conservan en la Antología griega y Ateneo. Pero se le conoció sobre todo por escribir poemas épicos (mitológicos y etnográficos), el más celebrado de los cuales fue Meseniaca en seis libros. En ella narraba la segunda guerra mesenia y las hazañas de su figura central Aristómenes; Pausanias lo usó como una fuente autorizada para escribir el libro cuarto de su obra. Otros poemas similares fueron Acaica, Elíaca y Tesálica. La Heraclea era un poema mitológico largo, probablemente una imitación del poema del mismo nombre escrito por Paniasis, en catorce libros.
Riano escribió también algunos poemas homoeróticos, como el fragmento 2D:
El poeta fue mencionado en un poema del poeta Constantino Kavafis titulado «Jóvenes de Sidón (A.D. 400)».
Tabaré (poem)

Tabaré is an epic poem written by Uruguayan poet Juan Zorrilla de San Martín.
Written in 1886, it was published for the first time in 1888. The poem comprises 4736 verses divided into 10 cantos. The love story between the aboriginal Tabaré and the Spaniard Blanca is a metaphor of the fate of the Charrúa people, who originally inhabited the Banda Oriental.
Juan Antonio Quintana

Juan Antonio Quintana (1939 – 15 February 2022) was a Spanish actor.
He was born in Zaragoza in 1939. The only son of Juan, a bank clerk, and Felisa, a housewife, he was fond of cinema and theater from an early age. He studied Philosophy and Letters at the University of Zaragoza and the University of Madrid.
He made his theatrical debut at the age of seventeen, at the University of Zaragoza, with the play The Lesson by Eugène Ionesco. He finished this eight-year stage as a university actor, participating in the staging of Fuenteovejuna, by Lope de Vega, directed by Alberto Castilla at the Teatro Nacional Universitario in Madrid, which won the Grand Prix du Festival Mondial de Théâtre de Nancy (France). In 1966 he staged his first production of The Maidens' Consent, by Leandro Fernández de Moratín.
Knowing Valladolid since he was a child, due to the visits he made in the 40's and 50's to his maternal uncles in the summer, in 1968 he decided to move to this city to become an actor and has lived there ever since.
He rented a room in the city and that same year he met, in a rehearsal at the Colegio de La Salle, the woman who would become his wife and work partner, the painter and set designer Meri Maroto. They married in 1972 in the parish of San Mateo del Paseo de Zorrilla and the result of this marriage was the birth of their only daughter, Lucia, also an actress. In 1970 he created his first theater company, the Corral de Comedias de Valladolid.
He later obtained a teaching post in Secondary Education, beginning his career as a teacher in the Pajarillos neighborhood and later at the Polytechnic Institute of La Merced in Valladolid. Since his retirement, he has dedicated himself exclusively to cinema, theater and television.
He promoted theater courses in the city, and in the 1976-77 academic year he created the Aula de Teatro de la Universidad de Valladolid, through which actors such as Diego Martín, Eva Hache, Lucía Quintana, Eva Martín or Carlos Domingo passed.
The Aula de Teatro is a place of study and rehearsal closely linked to his second company, the Teatro Estable de Valladolid, which would later be renamed Compañía Juan Antonio Quintana. With this company, he has produced a total of more than forty productions.
In 1984 he received the Gold Medal for best actor, and in 1998 the prestigious Mayte de Teatro award for his performance in Yepeto. In 1997 he made his film debut in the movie Mamá es boba, and in 1999 he made his television debut with a role in the series Manos a la obra.
In 2000 a tribute was paid to him at the Teatro Calderón for his contribution to the theater and later a seat was dedicated to him with his name in the remodeled Teatro Zorrilla.
He played the character of Nicolás in the series Ana y los 7, in the 2002 to 2005 seasons.
In 2011 he played Basilio, the grandfather, in the series Amar en tiempos revueltos.
He died in Valladolid on 15 February 2022.
James D. Morrow

James D. Morrow (born April 12, 1957) is the A.F.K. Organski Collegiate Professor of World Politics at the University of Michigan and a member of the American Academy of Arts and Sciences, best known for his pioneering work in noncooperative game theory and selectorate theory.
Morrow has been a professor of political science at the University of Michigan since 2000. He graduated from the California Institute of Technology with a Bachelor of Science in Mathematics in 1978 and from the University of Rochester with a Ph.D. in Political Science in 1982.
He has had appointments at the Graduate Institute of International Studies in Geneva (as a visiting professor from 2006–2007), at the Hoover Institution (as a visiting fellow from 2001–2004 and as a senior research fellow from 1989–2000), at Stanford University (as a professor from 1996–2000), and at the University of Rochester (as a visiting associate professor from 1992–1993).
Morrow's research focus on international norms, crisis bargaining, the causes of war, military alliances, power transition theory, links between international trade and conflict, and the role of international institutions in the creation of international law.
In 2014, Morrow was elected to the American Academy of Arts and Sciences. In 1994, he received the Karl Deutsch Award from the International Studies Association. He is a member of the editorial boards of American Political Science Review, International Organization, the Journal of Conflict Resolution, the Journal of Politics, and International Studies Quarterly. He served on the National Science Foundation Advisory Panel for Political Science from 1995-1997.
Morrow has published dozens of articles and essays in peer-reviewed academic journals and edited volumes, and has authored three books.
Morrow is the author of three books and is a contributor to the International Studies Encyclopedia.
In 1994 he wrote "Game Theory for Political Scientists," published by Princeton University Press which is frequently used as an introductory text for graduate level study of game theory. The book discusses classical utility theory, repeated games and games with incomplete information, focusing specifically on noncooperative game theory and its application in political science.
In 2003 he received the Best Book Award for 2002-2003 from Conflict Processes Section of the American Political Science Association for The Logic of Political Survival co-authored with Bruce Bueno de Mesquita, Alastair Smith, and Randolph M. Siverson. This book was also selected as a CHOICE Outstanding Academic Title for 2004.
Morrow's most recent book, Order within Anarchy: The Laws of War as an International Institution, was published by Cambridge University Press in 2014.
Delmira Agustini

Delmira Agustini (October 24, 1886 – July 6, 1914) was a Uruguayan poet of the early 20th century.
Born in Montevideo, Uruguay, she began writing when she was ten and had her first book of poems published when she was still a teenager.
She wrote for the magazine La Alborada (The Dawn). She formed part of the Generation of 1900, along with Julio Herrera y Reissig, Leopoldo Lugones and Horacio Quiroga.
Rubén Darío, a Nicaraguan poet, was an important influence for her. She looked up to him as a teacher. Darío compared Agustini to Teresa of Ávila, stating that Agustini was the only woman writer since the saint to express herself as a woman.
She specialized in the topic of female sexuality during a time when the literary world was dominated by men. Agustini's writing style is best classified in the first phase of modernism, with themes based on fantasy and exotic subjects.
Eros, god of love, symbolizes eroticism and is the inspiration to Agustini's poems about carnal pleasures. Eros is the protagonist in many of Agustini's literary works. She even dedicated her third book to him titled Los Cálices Vacíos (Empty Chalices) in 1913, which was acclaimed as her entrance into a new literary movement, "La Vanguardia" (The Vanguard).
She married Enrique Job Reyes on August 14, 1913. Their divorce was finalized on June 5, 1914. A month after that, Reyes fatally shot Agustini twice in the head and afterwards committed suicide. She died in her house in Montevideo, Uruguay. She is buried in the Central Cemetery of Montevideo.
Valerie Martínez has translated many of Agustini's poems into English. Some of Agustini's poems are translated into Nepali by Suman Pokhrel, and collected in an anthology titled Manpareka Kehi Kavita.
Cristina Rodríguez Cabral

Cristina Rodríguez Cabral (born 26 May 1959) is an Uruguayan poet, researcher, and Afro-Uruguayan activist.
Rodríguez has a degree in sociology and nursing, a profession that she practiced for some time in Uruguay. She continued her academic training at the University of Missouri, where she obtained her PhD. She currently resides in the United States of America, where she works as a researcher and university professor.
Rodríguez took an interest in literature at 11 years of age. Her first publications were published by the organization Mundo Afro, which campaigned for the equal rights of African diaspora in Uruguayan. In 1986, her work Bahía, mágica Bahía won the Casa de las Américas Prize. Currently, Rodríguez Cabral is an international reference in Afro-Uruguayan literature, and one of the few living afro-descendant writers to whom academic studies have been dedicated.
In general, Rodríguez's work deals with marginalization and oppression on the grounds of race and gender. There is, in her works, "a need to remember and reaffirm the inherited values of both our family and Africa." Her initial works are focused on her feelings and intimate experiences from the perspective of a black Hispanic-American woman. In her post-1995 works, she introduces themes related to social militancy, racism and cultural identity.
1001 Children's Books You Must Read Before You Grow Up

1001 Children's Books You Must Read Before You Grow Up is a literary reference book compiled by Julia Eccleshare, children's book editor at Britain's Guardian newspaper. It was published in 2009 by Universe/Rizzoli International.
Noted for listing a variety of international works, 1001 Children's Books You Must Read Before You Grow Up features stories originally written in a multitude of languages, which includes Japanese, Slovak, Italian, Chinese, Swedish, Russian and Dutch. Among the commentaries, there are reviews from notable figures such as Wayne Mills and Lorraine Orman, as well as some by famous authors, such as Michael Morpurgo, Judy Blume, Lois Lowry, Jamila Gavin, Philip Pullman and 25 others. These appear in a different style from the other reviews by contributors. Along with the reviews, there are short excerpts from some of the books themselves, which appear in bold alongside the review. 1001 Children's Books You Must Read Before You Grow Up is separated by reading level, and each title includes summaries with information on the author as well; each picture book title is accompanied by colourful illustrations. Some of the genres included are fantasy, adventure, history, contemporary life, and others. It appears in hardcover, with 960 pages and weighs roughly 2.2 pounds (1.00 kg). The preface for 1001 Children's Books You Must Read Before You Grow Up is by children's illustrator and author Quentin Blake and introduction by Julia Eccleshare. There is an index of titles, arranged alphabetically, and an index by author/illustrator, arranged alphabetically too, but by author/illustrator, not by title of book. It is organized by age groups, such as 0–3, 3+, 5+, 8+ and 12+.
Julie Just of The New York Times said of 1001 Children's Books You Must Read Before You Grow Up that the reader will "be grateful to discover or revisit and many more that have been all but forgotten." Similarly, Meghan Cox Gurdon of The Wall Street Journal said that "and, happily, what the Internet taketh, by tempting children away from reading, it giveth back to parents, by making it easy for them to locate obscure books that might be otherwise be impossible to find." Roger Ebert tweeted about it, saying "with bright pictures and easy prose, this could be the first."
Alejandro Zorrilla de San Martín

Alejandro Zorrilla de San Martín (1909–1987) was a Uruguayan political figure.
He was a prominent member of the Uruguayan National (Blanco) Party. His grandfather was the poet and political figure Juan Zorrilla de San Martín.
He was elected a Deputy in 1954 and served as President of the Chamber of Deputies of Uruguay from March 1, 1960, to March 1, 1961. From 1963 to 1965 he was Foreign Affairs Minister of Uruguay; thereafter he served as member of the National Council of Government (Uruguay).
From 1966 to 1973 he served as a Senator.
He died in 1987, shortly after being designated Ambassador to the Vatican, but before he was able to take up his post.
Домакинство

Домакинство е обособена клетка на обществото, най-малката жилищна единица, с която са свързани потреблението, производството, наследството, осигуряването на подслон и отглеждането на деца. Домакинството може да е синоним на семейство, но невинаги. Определението за домакинство зависи от конкретните социално-икономически условия, а също така и от страната.
В икономиката под домакинство се разбира човек или група от хора, които живеят под един покрив, т.е. в едно и също жилище..
Първа професионална футболна лига 2018/19

Сезон 2018/19 е 95-то издание на най-горната дивизия в българския шампионат по футбол, организирана от Българския футболен съюз и Професионалната футболна лига.
През този сезон отборите са 14. Новите отбори от Втора лига е Ботев Враца
Цветовеː Зелено – победа като домакин; Жълто – равенство; Червено – загуба като домакин
Втората фаза в Първа професионална футболна лига 2022/23 ще се играе от 30 март 2019 до 3 май 2019 година. В тази фаза отборите се разделят на три плейофни групи на база класирането след края на редовния сезон (след 26-я кръг в шампионата):
В първата група участват отборите класирани от 1 до 6 място в редвния сезон. В тази група отборите играят на принципа размено домакинство.
Във втората група играя отборите, които са завършили съответно на 7,10,11 и 14 място в редовния сезон. В тази група отборите играят на принципа размено домакинство.
В третата група играя отборите, които са завършили съответно на 8, 9 , 12 и 13 място в редовния сезон. В тази група отборите играят на принципа размено домакинство.
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Българско участие в Лига Европа

Тази статия описва представянето на българските клубни отбори в турнирите за Купа на панаирните градове, Купа на УЕФА и Лига Европа. От сезон 2024-2025 г. формата на турнира се променя и вместо групова фаза с отделни групи се съставя една обща група с 36 отбора, като отборите заели 1-8 място продължават към 1/16 финал, отборите заели 9-16 място продължават като поставени към предварителния елиминационен кръг, а от 17-24 място като непоставени в предварителния елиминационен кръг. Изиграват се 8 мача от всеки отбор в групата, като 4 са домакинства, 4 са гостувания.
Теодора Пейкова

Теодора Стефанова Пейкова е българска редакторка, общественичка и писателка. Заедно със своя съпруг Стефан Пейков издава и редактира женското списание „Икономия и домакинство“.
Завършва гимназия в София, а след това следва „Пиано“ в консерваториите на Виена и Брюксел. Посещава курсове по литература в Ecole Superieur и домакински курсове Beau mond в Брюксел.
Владее няколко чужди езика, превежда на български език „Заветът на умиращата“ от Емил Зола, „Ангелът на смъртта“ от Дмитрий Мережковски, „Престъпно желание“ от Херман Зудерман, „Между пет и седем“ от германската писателка Лизбет Дил (Liesbet Dill) и др.Като приложение на сп. „Икономия и домакинство“ издава автобиографията на Райна Княгиня (която превежда от руски език) през 1935 г.
Авторка е на разкази и статии за български вестници и списания – „Илюстрована седмица“, „Български войн“, „Народна отбрана“. Пише по социални проблеми, за изобретения от жени, исторически събития, предлага рецепти, медицински съвети и диети за отслабване, съвети за семейството и отглеждане на деца, мода, прически, гимнастика, бродерии, ръкоделие, публикува обзори на периодичния печат, реклами и др.
Всеки брой на „Икономия и домакинство“ включва като приложения готварски книги, романи, кройки. През 1930-те години Пейкова започва да пише готварски книги, които са търсени и днес.
Съпругът ѝ Стефан Пейков е юрист по образование, собственик на печатница „Книпиграф-София“ и апартаментна сграда на ул. „Цар Освободител“ 10. Имат син лекар.
Камбуз

Камбуз (от руски: камбуз, заето от холандски: kombuis) – корабна кухня.
Понятието е формирано през 15 век. Терминът камбуз е дошъл в българския език от руски, употребявал се е масово до края на 90-те години на миналия век, предимно на военните кораби от българските ВМС. Днес се употребява рядко, помещението за приготвяне на храна на съвременните търговските кораби се нарича или кухня или гали (от англ.: galley).
За разлика от кухненските помещения на сушата, камбузът е оборудван за работа в условия на клатене. Силното бордово клатене затруднява работата на корабния готвач (кок) и може да създаде някои опасности. Съществуват печки и съдове за варене на карданно окачване, поставят се ограждения на котлоните с цел съдовете за готвене да не паднат от тях.
Кастрон

Кастронът е голяма и дълбока кухненска купа - съд с форма приблизителна на полусфера с плоско дъно, без капак и без уши за хващане. Използва се за подготвяне на продукти за готвене или за съхранение и поднасяне на супа, течни храни или обемни зелени салати. Кастронът е направен от порцелан или фаянс. Въпреки общото си предназначение като съд, с добре оформената полусферична форма, с наличието на симетрично разположени релефни профили на стената или оцветяване, шарки и различни цветни елементи, е по-изискан съд за сервиране на храна в сравнение с глинена паница с подобно предназначение.
Терминът идва от френски (на френски: casserole – тенджера) . Във френския език това означава дълбока тенджера от алуминий или мед с уши или дръжка подобна на тези използвани при тиганите. Кастронът, като наименование на порцеланов кухненски съд с такава форма, е разпространен предимно в Северозападна България.
Холера (група)

Холера e легендарна българска пънк група основана в София през 1987 г. Текстовете на песните са им хумористични и нецензурни, издали са 13 парчета в един албум, който излиза през 1995 г. (1) Архив на оригинала от 2007-09-26 в Wayback Machine.. Първият и единствен албум на групата се казва „Уплаши детенце“ и излиза на българския пазар в кофичка от кисело мляко (надписана като „Вкиснато мляко“), в която е поставена компактна касета. За времето си групата достигна за кратко нивата на групи като Контрол и Хиподил, но по неясни причини слезе от българската сцена, въпреки хилядите си фенове. Членове на групата участват по-късно в също така култови групи. Басистът на Холера Калоян Рамоданов участва в групата „Руски синдром“, а Чочо във „Виолетов Генерал“.
Николай Добрев(Мъни)-китара
Владимир Георгиев (Владо попа)-барабани
Алексей Пеиков (Льошко)-бас
Уплаши детенце (1995)