When the Saints Go Marching In

"When the Saints Go Marching In", often referred to as simply "The Saints", is a traditional black spiritual. It originated as a Christian hymn, but is often played by jazz bands. One of the most famous jazz recordings of "The Saints" was made on May 13, 1938, by Louis Armstrong and his orchestra.
The song is sometimes confused with a similarly titled 1896 composition: "When the Saints Are Marching In", by Katharine Purvis (lyrics) and James Milton Black (music).
The origins of this song are unclear. It apparently evolved in the early 1900s from a number of similarly titled gospel songs, including "When the Saints Are Marching In" (1896) and "When the Saints March In for Crowning" (1908). The first known recorded version was in 1923 by the Paramount Jubilee Singers on Paramount 12073. Although the title given on the label is "When All the Saints Come Marching In", the group sings the modern lyrics beginning with "When the saints go marching in". No author is shown on the label. Several other gospel versions were recorded in the 1920s, with slightly varying titles but using the same lyrics, including versions by The Four Harmony Kings (1924), Elkins-Payne Jubilee Singers (1924), Wheat Street Female Quartet (1925), Bo Weavil Jackson (1926), Deaconess Alexander (1926), Rev. E. D. Campbell (1927), Robert Hicks (AKA Barbecue Bob, 1927), Blind Willie Davis (1928), and the Pace Jubilee Singers (1928).
The earliest versions were slow and stately, but as time passed, the recordings became more rhythmic, including a distinctly up-tempo version by the Sanctified Singers on British Parlophone in 1931.
Even though the song had folk roots, a number of composers claimed copyright in it in later years, including Luther G. Presley and Virgil Oliver Stamps, R. E. Winsett. The tune is particularly associated with the city of New Orleans. A jazz standard, it has been recorded by many jazz and pop artists.
As with many numbers with long traditional folk use, there is no one "official" version of the song or its lyrics. This extends so far as confusion as to its name, with it often being mistakenly called "When the Saints Come Marching In". As for the lyrics themselves, their very simplicity makes it easy to generate new verses. Since the first and second lines of a verse are exactly the same, and the third and four are standard throughout, the creation of one suitable line in iambic tetrameter generates an entire verse.
It is impossible to list every version of the song, but a common standard version runs:
Often the first two words of the common third verse line ("Lord, how I want...") are sung as either "Oh how", "Oh, Lord" or even "Lord, Lord" as cue notes to the simple melody at each third line.
Arrangements vary considerably. The simplest is just an endless repetition of the chorus. Verses may be alternated with choruses, or put in the third of four repetitions to create an AABA form with the verse as the bridge.
Some traditional arrangements often have ensemble rather than individual vocals. It is also common as an audience sing-along number. Versions using call and response are often heard, e.g.:
The response verses can echo the same melody or form a counterpoint melody, often syncopated opposite the rhythm of the main verses, and a solo singer might sing another counterpoint melody (solo soprano or tenor) as a 3rd part in more complex arrangements.
The song is apocalyptic, taking much of its imagery from the Book of Revelation, but excluding its more alarming depictions of the Last Judgment. The verses about the sun and moon (often interpreted as solar and lunar eclipses) correlate to prophecy in the Book of Joel, which is also referenced by the Apostle Peter in Acts of the Apostles: ("The sun will be turned to darkness and the moon to blood before the coming of the great and glorious day of the Lord"). The trumpet is the way in which the Last Judgment is announced. As the hymn expresses the wish to go to Heaven, picturing the saints going in (through the Pearly Gates), it is sometimes played at funerals.
Bill Haley & His Comets recorded a rock and roll version of the song titled "The Saints Rock 'N' Roll". Bill Haley started the song, which he learned through his mother, with the line "Rocking and rolling all the way". The song was recorded on 23 September 1955, and released in March 1956 backed with "R-O-C-K" on Decca Records. It reached No. 18 on Billboard's Best Sellers chart, and No. 5 in the UK chart. A version of the song was included in the soundtrack of the 1956 film Rock, Pretty Baby.
"When the Saints Go Marching In" is frequently sung as football chants by fans during association football matches, as well as by Rugby Union (particularly fans of Northampton Saints) and Rugby League (particularly by fans of St Helens RLFC and Oldham RLFC saints replaced by "yeds") fans, often with the name or nickname of the team in place of the word "saints".
Examples include "When the Saints Go Marching In" (St Johnstone F.C., Southampton F.C., St Albans City F.C., and St Patrick's Athletic F.C.), "When the Reds Go Marching In (Liverpool FC)", "When the Posh Go Steaming In" (Peterborough United F.C.), "When the Greens Go Marching In" (Plymouth Argyle F.C.), "When the Spurs Go Marching In" or "When the Stripes Go Marching In" (Tottenham Hotspur), and "When the Blues Go Steaming In" (Chelsea FC and Bengaluru FC), “Oh when the beans come oot the tin”. Liverpool fans may have been introduced the chant when they used it for their star player Ian St John in the 1960s. However, Southampton fans claimed to have used it in the 1950s.
A version with edited lyrics is used as the club song for the St Kilda Football Club that compete in the Australian Football League.