davidanugraha/M4-RAG huggingface dataset:
جيهان السادات

چيهان السادات (Jehan Sadat) (29 اغسطس 1933 - 9 يوليه 2021) ارملة محمد انور السادات رئيس مصر الراحل و سيدة مصر الاولى من سنة 1970 لسنة 1981 ، اسمها الحقيقى چيهان صفوت رؤوف .
اتولدت چيهان السادات يوم 29 اغسطس 1933 فى القاهره عاصمة مصر ، ابوها مصرى و امها انجليزيه .
چيهان السادات اتجوزت محمد انور السادات سنة 1949 بعدما انفصل عن مراته الاولانيه السيدة اقبال ماضى ، وخلفت منه تلات بنات وولد هما : لبنى و نهى و جمال و چيهان .
كان ليها نشاط اجتماعى و وطنى مهم ايام حكم الرئيس السادات ، وخصوصا فى مجال تعلية شأن المرأه والاسره بشكل سنة . و هيا بتحاضر دلوقتى فى جامعات امريكيه .
چيهان السادات اتوفت يوم الجمعة 9 يوليه سنة 2021 بعد معاناه مع المرض و نعتها رئاسة جمهورية مصر.
[1]نسخة محفوظة 2018-06-10 على موقع واي باك مشين. [2]
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محمد أنور عصمت السادات

محمد أنور عصمت السادات سياسى وبرلمانى مصرى ، وهو ابن عصمت السادات اخو محمد انور السادات رئيس مصر الراحل ، وأخو المحامى والسياسى الراحل طلعت السادات .
اتولد محمد أنور عصمت السادات فى قرية ميت ابو الكوم فى مركز تلا فى محافظة المنوفية فى مصر ، وكان من اوائل الدفعة التجارية (قبطان أعالى البحار) .
محمد أنور عصمت السادات سياسى مخضرم ، وتم انتخابه لعضوية مجلس الشعب سنة 2005 كعضو مستقل وكان وقتها عضو فى لجنة العلاقات الخارجية واللجنة الاقتصادية بالمجلس . وفى الفترة دى قدم مشاريع قوانين واستجوابات كتيرة احرجت قيادات الحزب الوطنى الديمقراطى الحاكم وقتها ، كان اشهرها طلبه للتحقيق مع زكريا عزمى رئيس الديوان الجمهورى وقتها فى حادثة عبارة السلام 98
بعد قيام ثورة 25 يناير وتحديدا فى شهر سبتمبر 2011 أسس محمد أنور عصمت السادات حزب الإصلاح والتنميه مصرنا وتم انتخابه بصفته رئيس للحزب لعضوية مجلس الشعب سنة 2012 ولعضوية مجلس النواب سنة 2015 .
محمد أنور عصمت السادات عضو نشط فى المجلس المصرى للشئون الخارجية (ECFA) وشارك فى عدد من المنظمات الدولية السياسية والاقتصادية والاجتماعية والمؤتمرات وحلقات العمل فى مصر و العالم العربى و اوروبا ونشر مقالات مختلفة عن قضايا التنمية فى مصر . وهو مؤسس ورئيس (منظمة السادات للتنمية والرعاية الاجتماعية) اللى بتهدف لتعزيز التنمية والتخفيف من حدة الفقر فى دايرته مركز تلا بمحافظة المنوفية .
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طلعت السادات

طلعت عصمت السادات (26 فبراير 1954 - 20 نوفمبر 2011) محامى وسياسى مصرى ، و هو ابن عصمت السادات اخو محمد انور السادات رئيس مصر الراحل و أخو محمد أنور عصمت السادات عضو مجلس النواب
اتولد طلعت السادات يوم 26 فبراير 1954 فى قرية ميت ابو الكوم فى مركز تلا فى محافظة المنوفيه فى مصر ، اتخرج من كلية الحقوق واشتغل فى المحاماة و كانت اشهر قضية اترافع فيها قضية مدبحة بنى مزار اللى حصلت فى محافظة المنيا سنة 2005 واللى اتحكم فيها ببراءة المتهم .
طلعت السادات كان عضو مستقل فى مجلس الشعب سنة 2005 ، و كان بينافس على زعامة حزب الأحرار الاشتراكيين المصرى .
اتقدم طلعت السادات للمحاكمة العسكرية سنة 2006 بتهمة ازدراء و إهانة الجيش المصرى بعدما نشر تصريحات اتهم فيها قادة الجيش المصرى اللى كانو فى مناصبهم وقت حادثة المنصه بالتهاون فى الدفاع عن عمه محمد انور السادات رئيس مصر وقتها ، واتحكم عليه بالسجن لمدة سنة قضاها بالكامل وبعدها خرج من السجن يوم 5 اغسطس 2007 .
اترشح طلعت السادات لرئاسة الحزب الوطنى الديمقراطى يوم 13 ابريل 2011 بعد خلع محمد حسنى مبارك رئيس مصر السابق من منصب رئيس مصر ومنصب رئيس الحزب الوطنى الديمقراطى بعد ثورة 25 يناير ، وبعدها على طول غير اسمه ل(الحزب الوطنى الجديد) . لكن فى يوم 16 ابريل 2011 تم حل الحزب بالكامل بناء على حكم قضائى نهائى .
بعد الحكم القضائى الصادر بحل الحزب الوطنى الديمقراطى اسس طلعت السادات حزب مصر القومى برئاسته وعضوية الدكتور روفائيل بولس و اللوا اسماعيل مكى و توفيق عكاشة
فى يوم 20 نوفمبر 2011 مات طلعت السادات بعد اصابته بأزمة قلبية .
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رقيه السادات

رقيه محمد انور السادات (1941 -) هى كبرى بنات محمد انور السادات رئيس مصر الراحل من مراته الاولانية السيدة اقبال ماضى .
اتولدت رقية السادات سنة 1941 فى قرية ميت ابو الكوم فى مركز تلا فى محافظة المنوفيه فى مصر ، ولما وصلت لسن 16 سنة اتجوزت دكتور التحاليل (أمين عفيفى) وخلفت منه محمد و أشرف و سهى ، لحد ان محمد ابنها الكبير كان شارك مع خاله جمال السادات فى دفن جده محمد انور السادات بعد وفاته فى حادثة المنصه
رقيه السادات هى دايما هى اللى بتتصدى لكل الحملات اللى بتستهدف تشويه تاريخ ابوها الراحل محمد انور السادات زى القضية اللى رفعتها على هدى عبد الناصر بنت جمال عبد الناصر رئيس مصر الراحل وكمان القضية اللى رفعتها ضد الفيلم الايرانى اعدام فرعون
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Iron Guard of Egypt

The Iron Guard of Egypt was a secret pro-Axis society and royalist political movement formed in Egypt in the early 1930s and used by King Farouk for personal and political vendettas. The guard was involved in attacks on Farouk's declared enemies, operating with a license to kill, and is believed to have taken orders from Farouk personally. Its other functions included protecting Farouk, serving as a special operations force, and gathering military intelligence.
Thought to have been formed during the 1930s by Aribert Heim (this claim is backed by the appearance of the Iron Guard of Palestine and the Iron Guard of Romania in the same time period), It was made up mostly of army officers and was connected to the Free Officers, a secret military group. The Iron Guard ceased operations in 1952.
Yusuf Rashad was the chief organizer of the Iron Guard in 1944 or 1945, and recruited Anwar Sadat. Another leader was Captain Mustafa Kamil Sidqi. Members included Muhammad Ibrahim Kamel, Nahed Rashad, and General Hussein Sirry Amer.
The Iron Guard's acts of political violence in Egypt included the assassinations of Amin Osman, a former finance minister, in 1944; of Rafik al-Tarzi in 1945; and of the Muslim Brotherhood leader Hassan al-Banna in 1949. They also attempted twice, in 1945 and 1948, to assassinate Mustafa el-Nahhas.
Twelve members of the Iron Guard were court-martialed in Cairo on October 2, 1952, on charges of instigating and carrying out assassinations. They included General Amer, who was charged with the murder of an army maintenance corps lieutenant, hashish smuggling, and desertion. Five of the members were charged with murdering al-Banna.
Wonho Chung

Chung Wonho (Arabic: تشونغ ونهو, Korean: 정원호; born October 22, 1980) is a South Korean comedian and television personality, born in Jeddah, Saudi Arabia, and raised in Amman, Jordan, to a South Korean father and Vietnamese mother. Although raised in an East/Southeast Asian household, Wonho was given an Arab upbringing, acquiring proficiency in five languages, including native Arabic and fluent English.
He graduated from Jordan's Applied Science Private University in 2004. He currently lives and works in Dubai, UAE.
Chung's comedy career began in 2007 when he toured with the Axis of Evil comedy tour.
Chung covered the red carpet at the Dubai International Film Festival in 2008 where he interviewed the likes of Goldie Hawn and Danny Glover and in 2009 as well where he interviewed Indian film actor Amitabh Bachchan and numerous Arabic celebrities. In December 2010, Chung hosted the award ceremony and closing gala of the Dubai International Film Festival
In 2009, Chung covered the red carpet at the inaugural Doha Tribeca Film Festival in Qatar where he interviewed actors; Sir Ben Kingsley, Jeffrey Wright, Patricia Clarkson, Alexander Siddig and film director Mira Nair.
In April 2010, the Korea Tourism Organization appointed Wonho Chung as a Goodwill Ambassador for tourism Korea.
Wonho hosted the Middle East Gala ceremony for the World Travel Awards in 2010 and in 2011.
Chung hosted a show titled "Inside Asia" as part of the AFC Asian Cup coverage on Al-Kass Sports Channel which took place in the hosting nation, Qatar.
Chung also served as a judge on Sama Dubai TV's reality show "Al Fursa" in 2010-2011 which was an open platform talent show for various talents from different nationalities.
In June 2011, Chung went to South Korea to film a mini documentary titled Shouf Korea (see "visit" Korea) which was a joint collaboration between the Korean Tourism Organization and Dubai based channel Al Aan TV to be broadcast on the latter.
In 2014, Chung appeared on the popular Egyptian show El Bernameg ("The Program") hosted by the satirist Bassem Youssef.
Starting in 2015 and continuing into 2016, Wonho hosted the Arabic travel program "Wonho Around the World" on Al Araby TV, visiting his parents' homelands of South Korea and Vietnam, as well as Tokyo, Japan, Hong Kong and Macau, Shanghai and Beijing, China, Dubai, London, and Switzerland among others.
Mico-leão

Mico-leão é uma denominação comum a macacos do Novo Mundo, do gênero Leontopithecus, subfamília Callitrichinae. São endêmicos da Mata Atlântica brasileira, com distribuição geográfica nos estados da Bahia, Minas Gerais, São Paulo, Rio de Janeiro e Paraná.
Também chamados de micos, são animais de hábitos diurnos, arborícolas e gregários, vivendo em grupos familiares.
Caracterizam-se por possuir uma pelagem abundante e brilhante, principalmente ao redor da cabeça, formando uma espécie de "juba". A face é quase nua, e as mãos pés são compridos com dedos muito longos e com garras. São os maiores representantes dos Callitrichinae, chegando a pesar até 800 g e medir 76 cm de comprimento, contando com a cauda. Não apresentam dimorfismo sexual, apesar das fêmeas chegarem a pesar mais que os machos durante o período de gestação.
Os mico-leões são espécies endêmicas do Brasil, do bioma da Mata Atlântica, sendo originalmente encontrados do sul da Bahia até o litoral norte do Paraná e interior de São Paulo, ao sul do rio Tietê. Atualmente são encontrados apenas em algumas poucas unidades de conservação porque apresentam distribuição geográfica muito restrita. Habitam os estratos médios das copas das árvores, geralmente as florestas costeiras sempre úmidas, embora o mico-leão-preto ocorra a floresta estacional semidecidual.
Estudos moleculares corroboram a hipótese de que o gênero é monofilético, onde o gênero aparece como grupo irmão do clado formado por Callimico e os saguis pequenos (gêneros Callithrix, Cebuella e Mico). A maioria das filogenias com base em morfologia recupera Leontopithecus como grupo irmão do clado dos saguis (gêneros Callithrix, Cebuella e Mico). Alguns dados moleculares sugerem uma possível ancestralidade comum entre o gênero Callimico e Leontopithecus. A diversificação das espécies de mico-leões ocorreu provavelmente a partir dos refúgios do Quaternário, sendo que o mico-leão-preto e o mico-leão-dourado compartilham um ancestral comum exclusivo, que provavelmente possuía pelagem escura. Já o mico-leão-de-cara-dourada é considerada a primeira espécie a divergir no gênero.
O mico-leão-de-cara-preta, a última espécie a ser descrita, é morfologicamente mais aparentada ao mico-leão-preto, e também é válida como espécie propriamente dita, e não subespécie do mico-leão-preto, como já havia sido sugerido por Coimbra-Filho em 1990.
As espécies de mico-leão são facilmente distinguidas com base na coloração de sua pelagem:
Reserva biológica

Reserva biológica é um tipo de área protegida prevista pela legislação brasileira das unidades de conservação. O Brasil possui, atualmente, 60 reservas biológicas, sendo uma das categorias de unidades de conservação integral definidas na Lei do Sistema Nacional de Unidades de Conservação da Natureza, encaixadas na categoria Ia pela IUCN. Destas, 30 são reservas biológicas federais, 23 são estaduais e 7 são municipais. A categoria de reserva biológica foi definida pela Lei de Proteção dos Animais, de 1967. Desde 2007, as reservas federais são administrados pelo Instituto Chico Mendes de Conservação da Biodiversidade (ICMBio), uma autarquia vinculada ao Ministério do Meio Ambiente, enquanto as reservas estaduais são administradas pelos órgãos estaduais correspondentes. As reservas biológicas têm como objetivo a preservação integral da biota e demais atributos naturais existentes em seus limites, sem interferência humana direta ou modificações ambientais, excetuando-se as medidas de recuperação de seus ecossistemas alterados e as ações de manejo necessárias para recuperar e preservar o equilíbrio natural, a diversidade biológica e os processos ecológicos naturais.
A primeira reserva biológica federal, a de Poço das Antas no Rio de Janeiro, foi criada através do Decreto Nº 73.791, emitido em 11 de março de 1974 por Emílio Garrastazu Médici. Essa reserva foi criada com o intuito de proteger o mico-leão-dourado. A criação dessa reserva foi seguida pela do Atol das Rocas em 5 de junho de 1979, no Rio Grande do Norte, sendo a primeira unidade de conservação federal do bioma marinho, e pela do Jaru, em 11 de julho de 1979, em Rondônia. A menor reserva biológica federal brasileira, é a de Saltinho, na Zona da Mata Pernambucana, com pouco menos de 6 km², enquanto que a maior é a Reserva Biológica do Uatumã, às margens do Reservatório de Balbina no Amazonas, com mais de 9 mil km².
Nem todos os biomas brasileiros possuem reservas biológicas federais, e a maior parte delas se localiza na Amazônia e Mata Atlântica. E de todas as reservas biológicas federais, apenas aquelas localizadas na Amazônia possuem área considerável, sendo que nos outros biomas (Mata Atlântica, Caatinga e Cerrado) elas dificilmente ultrapassam 200 km² de área. Entretanto, as reservas localizadas na Mata Atlântica protegem importantes porções de floresta, seja por conta de serem os maiores fragmentos em determinada região, seja por serem centros de alta biodiversidade, como é o caso das reservas biológicas de Una, de Sooretama e de Pedra Talhada.
Pela lei, é proibida a visitação pública nas reservas biológicas, exceto aquela com objetivo educacional, de acordo com regulamento específico. Já a pesquisa científica depende de autorização prévia do órgão responsável pela administração da unidade e está sujeita às condições e restrições por este estabelecidas, bem como aquelas previstas em regulamento.
A seguinte lista foi baseada nos dados disponíveis on-line pelo ICMBio e o MMA.
Reserva Biológica Poço das Antas

A Reserva Biológica de Poço das Antas, localizada nos municípios de Silva Jardim e Casimiro de Abreu, a cerca de 120 quilômetros do Rio de Janeiro, no Brasil, é a área em que possui a maior população de mico-leão-dourado, com pouco mais de 560 indivíduos.
Os trabalhos realizados pelo primatólogo Adelmar Coimbra Filho junto com o ambientalista Alceo Magnanini, foram importantes participações nos esforços para salvar uma espécie símbolo da mata atlântica, o mico-leão-dourado, quando o animal estava no limiar de desaparecer na natureza; em 1974 o trabalho deles levou à criação da Reserva Biológica Poço das Antas, considerada a primeira Unidade de Conservação (UC) desse tipo no Brasil.
A entrada principal da reserva está situada na BR-101, próxima ao acesso do distrito de Aldeia Velha (Quartéis), em Silva Jardim. A reserva biológica está aberta à visitação pública educacional (como parte de atividades de formação de instituições de ensino regulares) e à pesquisa científica. Não é permitida a visitação turística (Lei 9982/2000).
A situação fundiária da reserva é regularizada, com 100% de suas terras agora pertencentes ao governo federal.
A reserva biológica se encontra em área de floresta ombrófila densa de terras baixas, entretanto, grande parte dessa vegetação constituem-se de formações secundárias, cercadas por campos antrópicos. Cerca de metade da área da reserva está coberta por Floresta de Baixada (floresta ombrófila densa de terras baixas), mas apenas 25% encontra-se em bom estado de conservação. Foram registradas 365 espécies de plantas, sendo que 3% são de espécies "vulneráveis" e 1% de espécies "em perigo".
É a fauna típica da Mata Atlântica, com uma riqueza considerável de espécies de aves (275 espécies). Das espécies de aves, até 41% são de espécies relacionadas unicamente as florestas de terras baixas da Mata Atlântica. A mastofauna chama atenção pela presença de 18 espécies de média a grande porte, e principalmente pela presença do mico-leão-dourado e a preguiça-de-coleira.
Víbora-cornuda

A víbora-cornuda (Vipera latastei) é uma espécie de víbora venenosa endémica da Península Ibérica e do noroeste da África. São actualmente reconhecidas duas sub-espécies incluindo a sub-espécie nominal aqui descrita.
O epíteto específico, latastei, honra um colega francês de Boscà', o herpetólogo Fernand Lataste, quem um ano mais tarde lhe retribuíria a honra dando o nome de Boscà a uma sua descoberta, o tritão-ibérico (Lissotriton boscai ).
V. latastei atinge um comprimento total (corpo + cauda) máximo de aproximadamente 72 cm, mas é, em regra, menor. snub-nosed adder. A sua cor é cinzento-azulado, cabeça triangular, e um "corno" na ponta do nariz, possuindo no dorso uma mancha mais escura, em zig-zag, ao longo de todo o corpo. A ponta da cauda é amarela.
Pode ser observada tanto de dia como de noite, mas de um modo geral esconde-se debaixo de pedras. A ponta da cauda amarela é possivelmente usada para atrair as presas. É um animal difícil de encontrar, a não ser por mero acaso, pelo que, quando isso acontece, o registo visual é muito próximo, o que torna a situação pouco agradável.
Pode ser encontrada na Península Ibérica (Portugal e Espanha) no noroeste da África (a zona mediterrânica de Marrocos, Argélia e Tunísia).
A localidade-tipo indicada é "Ciudad Real", emendada para "Valencia, Spanien" (Valência, Espanha) por Mertens e L. Müller (1928).
Esta espécie é encontrada geralmente em áreas rochosas húmidas, em matagais e bosques secos, sebes e por vezes em dunas costeiras.
As fêmeas dão à luz de 2 a 13 crias, em média, uma vez cada três anos.
Esta espécie foi classificada como Quase Ameaçada (NT) segundo a Lista Vermelha de Espécies Ameaçadas da IUCN (v3.1, 2001), desde 2008 é classificada como Vulnerável (VU). É assim considerada porque provavelmente encontra-se em declínio significativo (mas provavelmente a uma taxa menor que 30% em 10 anos) devido a perda generalizada de habitat e perseguição em grande parte da região que habita, o que torna esta espécie muito próxima de qualificar como Vulnerável. Espera-se que a população continue a diminuir, mas esta diminuição não deverá exceder os 30% nos próximos 10 anos, mas são possíveis extinções locais em partes da sua zona de distribuição (p.e., Tunísia). Ano de avaliação: 2005.
Encontra-se também incluída na lista de espécies estritamente protegidas (Apêndice II) da Convenção de Berna.
Esta espécie, que em Portugal pode ser encontrada em várias zonas, habita de preferência nas serranias. Consta da área do Parque Natural de Montesinho, Serra de Montemuro e Serra da Estrela, Serra do Espinhal (Penela), com lugar de destaque entre os répteis que aqui se podem encontrar. No Nordeste Trasmontano está presente também na toponímia, com a aldeia de Campo de Víboras.
O seu veneno é proteolítico, podendo ser perigoso, sobretudo para crianças e idosos.
Kama Sutra

Kamasutra (Sânscrito: कामसूत्र), geralmente conhecido no mundo ocidental como Kama Sutra, foi um antigo texto indiano publicado em algum período da segunda metade do século III d.C e retrata sobre o comportamento sexual humano, e durante a antiguidade foi amplamente considerado o trabalho definitivo sobre amor na literatura sânscrita. O texto foi escrito por Vatsyayana, como um breve resumo dos vários trabalhos anteriores que pertencia a uma tradição conhecida genericamente como Kama Shastra.
“Ao contrário do que muitos pensavam na época, o Kama Sutra não foi um manual de sexo, nem um trabalho sagrado ou religioso e também não foi um texto tântrico. Na abertura de um debate sobre os três objectivos da antiga vida hindu - Darma, Artha e Kamadeva - a finalidade do Vatsyayana foi estabelecer kama, ou gozo dos sentidos, no contexto. Assim, Darma (ou vida virtuosa) era o maior objetivo, Artha, o acúmulo de riqueza era a próxima, e Kama era o menor dos três.” — Indra Sinha.
Kama foi considerado a literatura do desejo. Já o Sutra foi o discurso de uma série de aforismos. Sutra era um termo padrão para um texto técnico, assim como o Yôga Sútra de Pátañjali. O texto foi escrito originalmente como Vatsyayana Kamasutram (ou "Aforismos sobre o amor, de Vatsyayana"). A tradição dizia que o autor foi um estudante celibatário que viveu em Pataliputra, um importante centro de aprendizagem. As origens do autor não são muito claras, alguns historiadores acreditam que ele tenha vivido entre o século I e VI d.C por citar que Satakarni, um rei de Kuntala , matou Malayevati, sua esposa, com um instrumento chamado Katari, golpeando-a na paixão do amor. Acredita-se que este rei de Kuntala tenha vivido e reinado durante o século I a.C e consequentemente Vatsyayana deve ter vivido depois dele.
Categorias de áreas protegidas da UICN

As categorias de áreas protegidas da UICN é uma classificação internacional de categorias para a gestão das áreas protegidas, a referência usada em todo mundo, que tem sido desenvolvida e definida pela Comissão Mundial de Áreas Protegidas («World Commission on Protected Areas», WCPA ), uma das seis comissões científicas dependente da União Internacional para a Conservação da Natureza (UICN).
Em 1978 a UICN estabeleceu as seguintes categorias para a gestão das áreas protegidas:
Angwantibo

Angwantibos are two species of strepsirrhine primates classified in the genus Arctocebus of the family Lorisidae. They are also known as golden pottos because of their yellow or golden coloration.
Angwantibos live in tropical Africa and their range includes Nigeria, Cameroon north of the Democratic Republic of Congo.
Angwantibos grow to a size of 22 to 30 cm, and have almost no tail at all. They only weigh up to 0.5 kg. Their fur is yellow brown to golden in color. Their snout is more pointed than that of the other lorids and this, along with their round ears, gives it the bear-like appearance that lends them their name in German: Bärenmaki, "bear lemur".
Solitary, nocturnal and arboreal, they prefer the underbrush and the lower layers of the forests. They spend the day hidden in the leaves. Like all lorisids they are characterized by slow movements.
The diet of angwantibos consists predominantly of insects (mostly caterpillars), and occasionally fruits. Owing to their careful movements and their good sense of smell, they can quietly stalk and close-in on their prey and catch it with a lightning-quick movement.
The males mate with all available females whose territory overlaps with theirs. Copulation takes place hanging onto a branch. Gestation lasts 130 days and births are of a single offspring. The juvenile clasps itself first to the belly of the mother and later she may park her offspring on a branch while she goes searching for food. Within three to four months the young are weaned, at about six months it leaves its mother, and at an age of eight to ten months it becomes fully mature. The life expectancy of angwantibos is at most 13 years.
A subplot in Gerald Durrell's first book The Overloaded Ark centres on his attempts to secure an angwantibo for zoological study.
Golden angwantibo

The golden angwantibo (Arctocebus aureus) is a strepsirrhine primate of the family Lorisidae. It shares the genus Arctocebus with the Calabar angwantibo (Arctocebus calabarensis) and together they are commonly called the golden pottos. The golden angwantibo is found in Cameroon, the Republic of Congo, Equatorial Guinea and Gabon. Its usual habitat is rain forest, but it has also been known to live on farmland.
Like the Calabar angwantibo, the golden angwantibo weighs between 266 and 465 grams (9 and 16 oz) and has a stumpy tail, abbreviated index fingers, a specialised grooming claw on each foot and a white line on its face. It can be distinguished from its cousin largely by its colour. The fur on its back is red-gold, with a more muted red on its belly. Unlike the Calabar angwantibo, the golden angwantibo has no nictitating membrane.
The golden angwantibo is a nocturnal and arboreal species that is typically found on small branches 5–15 metres above ground. Its diet consists of around 85% insects (especially caterpillars) and 14% fruit. Its foraging, antipredator, social and reproductive behaviour are extremely similar to those of the Calabar angwantibo.
后母戊鼎

后母戊鼎，或稱司母戊鼎，是華夏商代後期（约公元前13世纪至公元前11世纪）王室祭祀用的青铜方鼎。因其鼎腹內壁著有銘文「后母戊」三字而得名。「母戊」是武丁妻妾婦妌的廟號。該鼎可能為祖庚或祖甲為祭祀母親而鑄造。現藏中國國家博物館，是中国国家一级文物。中国国家博物馆原释其铭文为“司母戊”，于2011年改为“后母戊”，但学界存在争议。
后母戊鼎器型高大厚重，故又称后母戊大方鼎，高133公分、口长110公分、宽79公分、重832.84公斤，足高46公分，壁厚6公分，口沿寬厚，輪廓方直，立耳、方腹、四足中空，是殷墟考古發掘以來出土的最大最重的青銅器。鼎身紋飾美觀莊重，工藝精致，除鼎身四面中央是無紋飾的長方形四面外，其余各處皆有紋飾。鼎身四周以細密的雲雷紋為底紋，其上鑄有盤龍紋和饕餮紋。盤龍紋細致精巧，饕餮紋生動威武，四面交接之處，則飾以扉棱，扉棱上為牛首，下為饕餮。鼎耳外廓紋有兩只猛虎，虎口相對，兩虎口含人頭，鼎耳側面飾以魚紋。鼎足之處三道弦紋之上各施以獸面。整個后母戊鼎的造型、紋飾、工藝均達到了極高的水準，是商代青銅器文化巔峰之作的典型代表。鼎腹長方形，上豎兩隻直耳（發現時僅剩一耳，另一耳是後來複製補上的），上有虎噬人图案，下有四根圓柱形鼎足，是中国目前已发现的最大、最重的青銅容器。该鼎是商王祖庚或祖甲为祭祀其母所铸。
1939年3月19日在河南省安陽縣（今安陽市殷都區北蒙街道）武官村吴培文家的農地中出土。后母戊鼎發現後被古董商萧寅卿欲以20萬大洋買下；但因鼎太重太大，移動困難，其便要求村民鋸斷大鼎然後運出，但僅鋸一耳便鋸不斷，惟有作罷，並重新埋下避免被其他人發現，其後該耳亦丟失。
另有说法，大鼎在出土时只有一只立耳，另一只丢失。挖出鼎的村民为了便于运输，决定用钢锯锯鼎，但最后收效甚微，只锯开一个小口，只得作罢。最后是用回填土的办法，用了3个晚上把大鼎挖出地面。大鼎刚出土恰逢闻讯而来的日本人索要，当地村民为了防止大鼎被日本人抢走，村民将大鼎重新掩埋起来。
1946年后母戊鼎被重新掘出，原物先存於縣政府處。同年十月底，為慶祝國民政府主席蔣中正60壽辰，汤恩伯、王仲廉的国民革命军第三十一集团军正在进攻豫北中共控制的冀鲁豫軍區，在当地用專車把它運抵南京作壽禮，蔣指示撥交中央博物院籌備處保存。张凤于1946年11月17日《中央日报》第十版发表《安阳武官村出土方鼎铭文考释》主张称之为“司母戊方鼎”，为中央博物院采用。
1948年5月29日，該鼎在南京首次公開展出，蔣介石總統親臨參觀並在鼎前留影。1949年國民政府离开大陆的时候将大批珍贵的文物运往台湾，由于战事紧急，而后母戊鼎太重需要起重机吊装，当时无法找来起重机，只得留下。中華人民共和國成立後該鼎存於南京博物院，1959年轉交中國歷史博物館至今。
后母戊鼎的合金成分与《周礼·考工记》中记载的相同。后母戊鼎除立耳是先铸成后嵌入鼎范，鼎身是一次浇铸而成，共用28块陶范。
2000年，南京博物院技术部申报「泥范铸作司母戊鼎工艺研究」课题，並在2006年7月用仿古代的泥范铸作工艺初步鑄成原大司母戊鼎。
為籌備殷墟申請聯合國「世遺」評估行動，中國歷史博物館曾在2005年9月下旬把在北京秘藏的原鼎運回安陽殷墟博物館一同展覽近四個月。殷墟在2006年7月13日正式成為「世界文化遺產名錄」後，當年把原鼎收藏免被日軍搜掠的42位村民之一的吳培文被增補為安陽市政協委員。
邵慎之于1946年在《申报》发表《安阳探古 殷代祭器出土记》，认为铭文是“后妻戊”，鼎受器人为戊太太，铸器人为丈夫（殷王之一）。1946年张凤在《中央日报》发表《安阳武官村出土方鼎铭文考释》，将铭文解读为“司母戊”，称鼎为“司母戊方鼎”。1949年後，時任中國科學院院長的郭沫若將銘文釋讀為「司母戊」，並將該鼎訂名為「司母戊鼎」。郭氏將「司」字解釋為「祭祀」之意，「戊」為墓主人的廟號。1962年，台灣大學教授、甲骨文學家金祥恒先生發表《釋「后」》一文，首次將鼎中銘文釋讀為「后母戊」，並指出商代字體较為自由，可正寫也可反寫。然而由於材料有限，當時並沒有受到很大的重視。1977年，歷史學者李學勤也提出銘文當隸定為「后」，並提出「司母戊」為動賓結構用的短語，在銘文中罕見。此次釋讀引起了学术界的广泛关注。李又称“后”依《礼记 · 曲礼》“天子之妃曰后”指“王后”，“周朝始称王妃为后”的说法是错的，因为《左传 · 哀公元年》记载夏王相的妻为“后缗”。考古学家孙机指出甲骨文中很多字可反写，“后”指君王；母戊被认为是商王武丁之配偶，而卜辞称商王配偶妇好为“后帚好”，有例可循；甲骨文中常用于作“祀”的字形与这里的“司”不同，释为“司”（“祀”）站不住脚。
2011年3月，修整后的中國國家博物館重新开馆。2011年3月6日中午12點，中央電視台新聞频道《新闻30分》播发了一条简单的文物新闻，主持人和记者将“司母戊鼎”念為“后母戊鼎”，從而使中國國家博物館“中国古代青铜艺术”专题陈设中将“司母戊鼎”改名为“后母戊鼎”更名的事情曝光，「司后之爭」正式白熱化。然而在该鼎出土地——殷墟以及中国唯一一个以文字为主题的国家级博物馆——中国文字博物馆，它的释名仍为司母戊鼎。
然而，支持維持「司母戊」的學者認為，「后」這個字用於指稱帝王配偶的用法是在春秋才出現。《白虎通》中记载“商以前皆曰妃，周始立后”。殷墟卜辭當中並沒有此用法，而是以「毓」字來指稱王后。有學者經考證後認為「司」字應當「祭祀」之意使用。周礼的四时祭祀分别名叫礿、祠、尝、烝，“祠”字金文省作“司”是合理的。另有学者裘锡圭先生认为同「㚸」，解作「女性」。
目前，关于司和后的学术争议仍在进行中。
大克鼎

大克鼎，又名克鼎或膳夫克鼎，中国西周晚期著名青铜鼎，现藏于上海博物馆。该鼎与大盂鼎（现藏于中国国家博物馆）和毛公鼎（现藏于台北國立故宫博物院）并称为“海内青铜器三宝”。
大克鼎于清光绪十六年（1890年）出土于陕西扶风县法门镇任村的一处窖藏，窖藏中有1200多件青铜器，一同出土还有一套七件小克鼎、一套六枚编钟（克钟），另有盨二件、鎛一件。
该鼎出土后被天津金石收藏家柯劭忞购得，后转送予潘祖荫。潘死后，其家将大克鼎连同其他宝物如大盂鼎等南迁苏州。其后，潘家先后拒绝了端方、国民政府和日军的索取，设法将大克鼎等保存在苏州家中。1951年，潘氏后裔潘达于女士将包括大克鼎、大盂鼎在内的400余件文物全部捐献给中华人民共和国政府。大克鼎此后收藏于上海博物馆至今。
大克鼎通高93.1厘米，口径75.6厘米，腹径74.9厘米，腹深43厘米，重201.5公斤。鼎口有大型双立耳，口沿微敛，方唇宽沿，腹略鼓而垂，称敛口侈腹，是典型的周鼎器形之一。鼎足着地点比上端略宽大，重心略向外偏，是商代柱足演变为周代之蹄足的重要例证。
该鼎颈部饰有三组对称的变形饕餮纹，相接处有突出的棱脊，凡六出；腹部饰一条两方连续的大窃曲纹（即波曲纹），环绕全器一周。鼎足上部另饰有突出的饕餮形象三组。鼎耳饰有相对的龙纹。
鼎腹内壁上有金文28行，基本上每行10字，仅一行11字，另有合文2字，重文7字，共计290字。根据铭文记载，该鼎由一位名为“克”的西周贵族铸造于周孝王时。铭文内容分为两段：首段记载了克对其祖父师华父的赞誉，因其功绩，周王任命其孙克担任膳夫，负责出传王命；次段记载了周天子对克官职的册命和赏赐，克接受任命和赏赐，于是铸造此鼎歌颂周天子的美德，同时祭祀祖父的在天之灵。该鼎铭文笔画圆润，布局完整，代表着金文文字发展的新阶段。
周雨彤

周雨彤（1994年9月21日—），安徽省淮南市人，中國女演員，上海視覺藝術學院表演系2012級學生。2013年以《巴啦啦小魔仙大電影》配角秋雨首度出現在螢光幕前，2019年演出《大宋少年志》中趙簡一角知名度大幅提升，2021年以《我在他鄉挺好的》獲得第32屆華鼎獎中國當代題材最佳女演員。
妇好鸮尊

妇好鴞尊，商代后期的青铜器，1976年出土于河南省安阳市殷墟妇好墓，共两件，分别藏于中国国家博物馆和河南博物院。妇好为商王武丁的配偶。
鸮在古代被视为战神，而妇好曾多次出征；在中国古代青铜器中，鸮纹形象仅见于商代后期，西周青铜器还未发现鸮纹。
器口内有铭文“妇好”二字。
小盂鼎

小盂鼎，也称廿五祀盂鼎，是中国西周时期的青铜鼎，现已佚失，仅存铭文拓本。小盂鼎与大盂鼎一同在清道光初年发现于陕西岐山县礼村，即现称之周原遗址所在地。
小盂鼎发现时容十二石，而大盂鼎仅有八石。小盂鼎的器型及纹饰不详，仅有铭文传世。铭文长达390字左右，从现存拓本上看，残缺字数较多。
小盂鼎的铭文记述了“二十五年”，大臣“盂”率领军队大败鬼方，献俘于王，也告捷于宗庙，王廷的大小官员都参与仪式，盂得到周康王嘉奖的事情。铭文中的“二十五年”，传统上认为是指周康王二十五年，即公元前996年，也有认为是周昭王二十五年的。
传统上认为小盂鼎是周康王时期的器物，但后来也有学者认为是周昭王时期的。还有说法认为是周穆王时代的。
小盂鼎铭文的内容记载了西周时期献俘仪式及相关礼制的细节，可与如《逸周书·世俘》、《周礼》等传世文献的记载相互印证，也为西周职官制度、门朝制度等典章制度的研究提供了重要的线索。也是西周时期历史的重要史料。
小盂鼎出土后，与大盂鼎一同为当地人宋金鉴所收藏。其后宋金鉴之侄宋世男将其贿送陕西巡抚以捐官出任山东东阿县令，其后下落不明。关于该鼎的去向，一说该鼎毁于太平天国战争之际。又一说项城袁氏（可能指袁保恒）得到后重埋入土。
簋

簋是中国商周時代的青铜食器兼礼器，用来盛放谷物饭食。器身横截面为圆形，器腹较深，有圈足。簋的形制多样，无盖或有盖，无耳、两耳或四耳，圈足下或有方座或附足。簋自商代就已经出现，一直流行到战国，是中国青铜时代数量最多、延续时间最长、最重要的粢盛器。
青铜簋在铭文上通常自称（隶定为“𣪕”）。宋朝金石学家吕大临在金石学著作《考古图》中，将金文错误地释读为“敦”，将（“盨”）误释为“簋”，因而错误地称青铜簋为“敦”，称青铜盨为“簋”。清人钱玷指出“𣪕”是“簋”的异体字，为簋正名，但簋、盨仍不分。黄绍箕在《说𣪕》中论证自名为𣪕的青铜器即古文献中记载的簋，并指出青铜盨不属于青铜簋。这一观点被容庚进一步证实，𣪕与簋的关系遂成定论。
“簋”的本字在甲骨文中写作（隶定为“皀”/“㿝”），象装着食物的器物的形状。（“即”/“卽”）象人面向食器就食；（“既”/“旣”）象在食器面前的人，吃饱饭后转过头；（“鄉”/“鄕”）象两个人对着食器进食。商晚期和周代，转而通行由“㿝”和“殳”会意而成的“𣪕”字。之后又通行在“皀”上下分别加“竹”和“皿”的“簋”字。
根据儒家典籍，簋的用途是盛放黍稷等谷物饭食。但考古发掘的一些铜簋装有兽骨，或从残留物中检测出动物蛋白。据推测，簋在早期盛放食物较为多样，有肉食、粮食、羹等，西周中期之后才单一化，专门盛放谷物饭食。
周人建立起了与殷商文化不同的、以炊食器为中心的器用制度，尤其是以鼎和簋为核心的列器制度。鼎和簋都用来盛放主要食物，鼎盛肉食，簋盛粮食，常常配合使用。鼎簋相配有一定的礼数要求，鼎的数量通常为奇数，簋的数量通常为偶数。一组形制、大小、纹饰相同的簋称为“列簋”。西周早期，列簋的数量不多，之后逐渐发展，到两周之际，已经占到出土铜簋的90%。
俞伟超根据《三礼》进行考订，认为“对正鼎而言，九鼎配八簋、七鼎配六簋、五鼎配四簋、三鼎配二簋、一鼎无簋，是周代常制”。但儒家典籍反应的主要是两周之际的理想规定，不能代表西周古礼或实际运用的情形，考古发掘中经常有不与此对应的情况。
簋的数量繁多，形制相当多样。其器形的共同点是圆口、圆腹、有圈足，而差异主要集中在足、腹、耳的形制变化。足可以分成三类：纯圈足，圈足下接方座，圈足下附三足。腹可以分成四类：碗钵形，束颈、下腹鼓起、腹壁有起伏；盂盆形，腹壁基本平直；罐形，腹部鼓起、口沿内收、通常有盖；豆形，腹部相对较浅、圈足较高。耳主要可以分为无耳、半环耳、附耳、兽首衔环耳，此外还有贯耳、小环耳、龙耳等。通常为双耳，也可能有四耳。簋早期大多无盖，西周中期后多有盖，进食时可以从簋中取出食物放在仰置的盖上食用。
青铜簋最常见的形制是碗钵形半环耳圈足簋（下图一）和罐形半环耳附足簋（下图二），盂盆形无耳圈足簋（下图三）与碗钵形半环耳方座簋（下图四）次之。
距今七千多年前的新石器时代，黄河和长江流域就已经在使用敞口、深腹、圈足的陶制盛食器。一些考古报告将这些陶器称为陶碗、陶盆，另一些报告则参考后世青铜簋的形制，称其为陶簋。这种盛食器就是青铜簋的前身。
青铜簋大致出现于商代中期至殷墟二期。西周早期是簋发展的黄金时期，数量众多，以碗钵形环耳圈足簋为主流，且出现了大量不具实用性的装饰性部件，如方座、四耳、鸟兽造型环耳、铜铃等。西周中期，簋经历小幅衰落，数量减少，风格简约质朴。进入西周晚期，簋又迎来一个发展的高峰期。由于列簋制度的出现，簋的数量大大增加，罐形环耳附足簋成为主流。到春秋战国时期，簋在中原地区已经衰微，但在周边区域仍有所保留，还出现了一些具有地方特色的形制。
在青铜粢盛器中，簋占据主导地位，出现得最早，流传时间最久，传世数量最多，在青铜礼器史上的地位也最为突出，对其他粢盛器形制的产生有深远影响。青铜簠、盨、盆、敦的器形都直接或间接由簋演化而来。
子龙鼎

子龙鼎，或称商子龙鼎，中国古代青铜器，年代断定为商末周初，国家一级文物，现藏于中国国家博物馆。子龙鼎内壁近口缘处刻有铭文“子龙”二字，并因此而得名。该鼎被中国国家文物局收录到了2013年8月19日发布《第三批禁止出境展览文物目录》中，属于禁止出境展览文物。
该鼎出土信息不详，据说为20世纪20年代出土于河南辉县，极有可能出自辉县琉璃阁商代晚期的中字形大墓，出土后被日本古董商、专门从事中国文物国际贩卖的山中商会收购，并因此流入日本，在日本私人藏家之间秘密转让。2002年前后，子龙鼎照片通过多种渠道传至中国，被一些学者见到。2004年6月，上海博物馆青铜器研究专家马承源和陈佩芬应邀到日本收藏家千石唯司位于兵库的住所参观，曾在客厅门外发现该鼎。两天后，千石唯司在大阪美术俱乐部举办私人收藏品展览，该鼎首次公开面世，并引起广泛注意。
2005年初，正负责国家重点珍贵文物征集工作的谢小铨偶然获知了子龙鼎的存在，开始留心寻访。同年9月，谢小铨与同事在日本开展工作期间，得知子龙鼎藏家已经与中国私人买家谈判转让该鼎后与藏家取得联系，藏家表示愿意与中国官方谈判出售事宜。由于未见到实物且藏家索价太高，谢小铨没有马上表态。谢小铨回国汇报了相关情况，相关鉴定专家准备赴日时，却得知子龙鼎已被运出日本，下落不明。
2005年底，子龙鼎被证实已被香港收藏家购买。2005年12月和2006年1月，国家文物鉴定委员会委员赴香港对子龙鼎进行实物鉴定，后认定其为珍贵文物。由于一些藏家透露了竞价购买的意向，该鼎价格有被炒高的趋势，国家征集人员宣称放弃收购子龙鼎，并停止公开搜集子龙鼎信息，子龙鼎价格开始平稳。2006年4月，中国文物信息咨询中心出资4800万元人民币从香港藏家手中将子龙鼎购回，后入藏中国国家博物馆。
是现已发现商代青铜圆鼎中形体最大的一件，也是带有“龙”字铭文最早的青铜器。
子龍鼎方唇、寬沿、立耳，垂腹圜底，下置三足，已接近蹄足，鼎高103公分，口徑80公分，重230公斤。 該鼎厚立耳，微外撇，外側飾兩週凹弦紋，折沿寬緣，腹部橫向寬大，微下垂，下承三蹄足。器頸部以雲雷紋為地，周飾2類6組浮雕式獸面紋，足上端飾高浮雕式獸面紋，下襯三週凸弦紋。
子龙鼎的形制、纹饰与1990年殷墟郭家庄M160墓中所出土圆鼎的接近；轮廓、口沿下饕餮纹构造等与1956年殷墟后冈圆形祭祀坑所出土戍嗣子鼎相仿，北大历史系教授朱凤瀚等学者比较认可该鼎为商末器物，而上海博物馆研究员陈佩芬则著文指出该鼎为西周早期器物。
巴格達電池

巴格達電池是一種出現在兩河文明的人造工藝品，年代可以推溯到帕提亞時代，被認為是一種时代错误遗物。巴格達電池可能于1936年在靠近伊拉克巴格达的Khujut Rabu（英语：Khujut Rabu）被发现。当1938年伊拉克国家博物馆的德国经理Wilhelm König（英语：Wilhelm König）在博物馆的收藏中发现它之后，巴格达电池引起了广泛的注意。在1940年，König发表了一篇文章说那件馆藏是原电池，而且极有可能是用来给银器镀金的。这种解释直到现在仍然被认为是一个假设的可能性。如果它是正确的话，这件物品将比亚历山卓·伏打于1800年发明的电化电池早一千多年。
这件物品由约130毫米（约5英寸）高的陶瓦廣口瓶（有一个半英寸的开口）和一個用卷起来的铜片做成的铜柱组成，铜柱的裡面还有一条铁棒。在頂端，鐵棒和铜柱被用沥青做成的塞子分离开来，铁棒和铜柱在广口瓶的开口内被緊緊的安装好，广口瓶的外壁的中间部分向外突出。由于铜柱是卷成的，且不能将液体隔离开，因此，当广口瓶被装满含柠檬酸的液体之後，铁棒的周围也将充满这种液体。就算往这件物品中添加极其微量的电解质溶液，它也会被腐蚀。这令一些学者相信柠檬水，葡萄汁，或醋将會让鐵和铜启动电化学反应。
König认为这件物品可以追溯至帕提亚时期（公元前250年至公元224年）。然而，根据大英博物馆近东部门的St. John Simpson博士，他们的原始挖掘资料和记录都没有很好的记载下来（参看地层学），因此，得出这个时间跨度推断的证据非常不充分。此外，这个陶器的风格（参见类型（考古学））是萨珊王朝（公元224年-640年）的。
这件物品的大部分零组件事实上并非不能用科技考古学来检验。这个陶罐能够用热释光判断年代法来分析，但这件工作显然还没有做。不过，无论如何它也只能确定陶罐是什么时候烧制的，而这与这件物品是什么时候安装的并没有很大的联系。另一个可能性是利用离子扩散分析法，它能显示这件物品被埋藏了多长时间。
即使假如巴格達電池真的是種用電裝置，這亦不能提供任何電氣現象的真正知識。古希臘哲學家泰勒斯亦曾留意到琥珀摩擦羽毛產生的靜電學現象，但他並沒有任何理論去解釋這種現象。
與現代的裝置相比，巴格達電池所提供的電力是不具效率的。路易吉·伽伐尼於1780年代進行過相似的電氣化學實驗，二十年後，亞歷山卓·伏打發展出足夠理論，將伽伐尼的簡單實驗變為具效率的伏打電堆，產生出30伏打的直流電，這裝置比巴格達電池多。兩至三年後確漢弗里·戴維爵士透過伏打電堆產生出1,000伏打的電壓，足以令一盞弧光燈發亮。
巴格達電池已經至少兩次接受媒體測試考驗。分別是1980年英國電視台的Arthur C. Clarke's Mysterious World節目，與2005年3月23日播出的探索頻道的MythBusters節目。
死亡战士之结

死亡战士之结（德語：Valknut）是由三个互锁的三角形组成的符号，出现在古代日耳曼民族考古记录中的各种物品上。Valknut一词是现代新发展出的，未知历史上使用什么术语来指代该符号。
学者们对该符号提出了多种解释。它有时会和奥丁神联系在一起。有学者将这一符号在9世纪Snoldelev石刻（英语：Snoldelev Stone）上发现的三角符号进行了比较，并发现这两个符号可能相关。
外送

外卖（台湾称外送）主要是指飲食业提供的配送餐食到指定地点的服務，常見的外送食品有比萨饼、快餐、便當、飲料等。顾客通常通过电话、供应商的网站或移动应用程序，或通过第三方食品订购服务来下单。送达的物品可能包括主菜、小吃、饮料、甜点或杂货商品，通常用盒子或袋子包装。配送员通常会驾驶汽车，但在大城市中，由于住宅和餐馆相距较近，他们可能会使用自行车或电动滑板车。
不过，自从约2020年，在饿了么、美团外卖等平台，外送不仅仅是送餐，而是可以“买菜、送花、买药、跑腿⋯⋯”，即成为了比速递（所需约1天或更长）更快的速递（所需约30分钟或更长）。
最早的食品配送服务记录于1768年的朝鲜，为冷麵。到了19世纪，还有为两班（贵族阶层）提供的解酲汤（Haejang-guk）配送服务。1906年，食品配送和餐饮服务的广告也开始出现在报纸上。
1962年，爱丁堡的一家炸鱼薯条店开始用汽车在爱丁堡都市区内送餐，包括鱼晚餐、鸡肉和汉堡包。食物被放在不锈钢保温罐中以保持温度。
曾经大部分外送都是透過電話訂購，客戶待物品送達後直接支付現金。在互联网普及後，正有越來越多的商家提供网络购物方式，乃至网上订餐专享優惠。
零售的便當、飲料業者通常並不收取外送服務費，或者要求達一定數量始可外送。而披薩、速食店之類的連鎖業者則多為規定消費若未達一定金額，將加收外送費用。
另有外送平台，如Foodpanda、Uber Eats，提供網路訂餐。
在台灣，2019年雙十國慶連假期間，接連發生兩起外送員車禍身亡事件，引發社會關注。外送平台認定其與外送員只是承攬，而非雇傭關係，因此外送員沒有勞保，也無法領到職業災害給付。勞動部火速處理，公布勞檢結果，認定業者為「假承攬、真雇傭」，須替外送員加保，且限期給予職災補償。
2019年起，Foodpanda、Uber Eats、户户送陸續提供雜貨與生鮮購物服務，在手機軟體訂購商品即可如同食物外送服務一樣的網路購物體驗，也因速度僅需花20分鐘等待即可收到的效率，遠快於傳統網路購物等待6-8小時配送的倉對客宅配服務，目前已與量販店、百貨公司與商場合作。
2022年5月，位于阿拉伯联合酋长国迪拜的两家海湾合作委员会最大的食品配送服务提供商Deliveroo和Talabat的工人举行了大规模罢工。他们通过这一国家罕见的工业行动，要求获得更好的薪酬和工作条件。在第一次罢工中，Deliveroo的工人要求雇主提供更高的薪资；而在第二次罢工中，外籍工人通过拒绝在酋长国内配送，迫使Talabat暂停削减薪资的计划。海湾君主制禁止成立独立工会、此类工业行动以及公开抗议。据报道，Talabat在阿联酋的司机每月收入为3500迪拉姆（953美元），但未提及涉及的工作小时数；而Deliveroo的司机则按每次配送赚取2.79美元。扣除汽油费后，Talabat的司机抱怨，他们每月的总收入仅为2500迪拉姆，这是在每周工作七天、每天大约12到14小时的情况下。司机们警告说，如果他们的要求不被满足，抗议活动将继续。阿联酋当局对此未能立即作出回应。人权组织批评迪拜和其他海湾国家通过向移民工人支付低工资，犯下了劳工虐待的行为。
Tripod

A tripod is a portable three-legged frame or stand, used as a platform for supporting the weight and maintaining the stability of some other object. The three-legged (triangular stance) design provides good stability against gravitational loads as well as horizontal shear forces, and better leverage for resisting tipping over due to lateral forces can be achieved by spreading the legs away from the vertical centre. Variations with one, two, and four legs are termed monopod, bipod, and quadripod (similar to a table).
First attested in English in the early 17th century, the word tripod comes via Latin tripodis (GEN of tripus), which is the romanization of Greek τρίπους (tripous), "three-footed" (GEN τρίποδος, tripodos), ultimately from τρι- (tri-), "three times" (from τρία, tria, "three") + πούς (pous), "foot". The earliest attested form of the word is the Mycenaean Greek 𐀴𐀪𐀠, ti-ri-po, written in Linear B syllabic script.
Many cultures, including the ancient peoples of China and Greece, used tripods as ornaments, trophies, sacrificial altars, cooking vessels or cauldrons, and decorative ceramic pottery. Tripod pottery have been part of the archaeological assemblage in China since the earliest Neolithic cultures of Cishan and Peiligang in the 7th and 8th millennia BC. Sacrificial tripods were found in use in ancient China usually cast in bronze but sometimes appearing in ceramic form. They are often referred to as "dings" and usually have three legs, but in some usages have four legs.
The Chinese use sacrificial tripods symbolically in modern times, such as in 2005, when a "National Unity Tripod" made of bronze was presented by the central Chinese government to the government of northwest China's Xinjiang Uygur Autonomous Region to mark its fiftieth birthday. It was described as a traditional Chinese sacrificial vessel symbolizing unity.
In ancient Greece, tripods were frequently used to support lebes, or cauldrons, sometimes for cooking and other uses such as supporting vases.
Tripods are commonly used on machine guns to provide a stable mount for the weapon when firing.
Tripods are generally restricted to heavier weapons where the weight would be an encumbrance. For lighter weapons such as rifles, a bipod is more common. However, in recent times tripod saddles have become popular for precision rifle shooting sports, with the weapon placed in a vise-like rest which is mounted to a tripod head or with the weapon mounted directly to the tripod head.
The astronomical tripod is a sturdy three-leg stand used to support telescopes or binoculars, though they may also be used to support attached cameras or ancillary equipment. The astronomical tripod is normally fitted with an altazimuth or equatorial mount to assist in tracking celestial bodies.
Order of the Sacred Tripod

The Order of the Sacred Tripod (Chinese: 寶鼎勳章), also referred to as the Order of the Precious Tripod or Pao Ting, is a military award of the Republic of China. It was created on 15 May 1929 by Chiang Kai-shek for significant contributions to national security. The order is organized into nine grades. The central design of the order's insignia is an image of a tripod surrounded by golden rays. The symbolism of this is that as the tripod is considered a national treasure, so too is the recipient of the order.
The order is divided into nine grades, they are as follows:
Jieyang Tower

Jieyang Tower is a Han-style building located in Jieyang, Guangdong Province, China. It is constructed according to the theme of the lotus on the water and the waterside city of south of the Five Ridges. It was designed to show the history and the urban plan of Jieyang, so it has become a landmark of Jieyang and a tourist attraction.
The ancient Jieyang Tower was built in the Tang dynasty, located in Chaozhou city, Guangdong province. Poets like Han Yu and Mei Yaocheng wrote about it. However, as time went by, the ancient Jieyang Tower became ruins. In 2010, the government rebuilt it in Jieyang city. and an entrepreneur called Huang Changran (黄畅然) donated 15 million RMB to its reestablishment.
Jieyang Tower Square, also named Treasure Tripod Square or Prosperity Square, stands for the whole attraction. There is a liparite in the front of the square that weighs 136 tons and comes from Mount Tai. The square is surrounded by 12 polycarpa trees, nine cultural columns, and eight separate cultural walls. These trees provide shady places for visitors and make a contribution to the environment. All of these columns are 9.8 meters high, with a diameter of 1.6 meters. They are covered with embossment of sun, moon, water, fire and people. The arc-shaped arrangement of these columns implicates the theory that man is an integral part of nature. The cultural walls around the square are covered with embossment of the eight most famous attractions in Jieyang. The embossment on the columns and walls shows famous places, famous legends, or the creation of Jieyang. Also, it reflects the sculpture technique of Jieyang. A large painting of a lotus on the floor of the square embodies the theme of the lotus on the water.
A bronze tripod is in the back of the square but in front of the Gate Tower. It is 9.99 meters (32.8 ft) high and weights 58 tons. It is said that this bronze tripod is the biggest and heaviest one in the world. The figure 9.99 sounds like "permanent existence" in Chinese. This tripod embodies Jieyang's permanent existence and lasting political stability.
The Han style gate tower is in the east of the square. It is surrounded by a river called Hu Cheng He (护城河. The river separates the Gate Tower from the outside world, which is said to protect the Gate Tower. Also, this arrangement reflects the theme of the waterside city of south of the Five Ridges. The southwest of the Gate Tower is a stone tablet called Taihe (太和碑) on which is an article telling the basic information of Jieyang Tower, Jieyang city as well as the spirit of people in Jieyang. This Gate Tower was built in a Han style. It is 38 meters high and contains 5 storeys. Inside the Gate Tower are a series of museums showing the history of all the periods, architectural styles and folkways of Jieyang.
Mao Gong ding

The Mao Gong ding (Chinese: 毛公鼎; pinyin: Máogōng dǐng; lit. 'Lord Mao's cauldron') is a bronze tripod ding vessel from the Western Zhou dynasty (c. 1045 – c. 771 BCE). After the retreat of the government of the Republic of China to Taiwan, it is currently located at the National Palace Museum in Taipei. The vessel has an inscription of 500 characters arranged in 32 lines, the longest inscription among the ancient Chinese bronze inscriptions. The ding dates from the reign of King Xuan of Zhou, and was presented to him by the Lord Yin of Mao.
The Mao Gong ding takes its name from the Lord (公 gōng) Yin of Mao, who gifted the ding to the King after being appointed to help run state affairs. The artifact is 53.8 cm high, 47.9 cm wide, and weighs a total of 34.7 kilograms.
The interior surface of the ding is covered in an inscription of 500 characters, the longest such inscription known today. The National Palace Museum summarizes its contents:
The Mao Gong ding was excavated in Qishan County, Shaanxi province in 1843, during the Daoguang Emperor's reign. The famous collector Chen Jieqi (1813–1884) acquired it in 1852. He and his studio made precise rubbings of the inscriptions. In the Xuantong era (1909–1911) Duanfang (1861–1911) bought it from the Chen family.
Ye Gongchuo (1881–1968) was presented with the ding by friends bought and presented the tripod to him from the Tianjin Dao Sheng Bank, which had it as a mortgage. During the Second Sino-Japanese War, the Ye family sold it to Chen Yon Ren, a millionaire in Shanghai. In April 1946, Chen Yon Ren donated the tripod to the Kuomintang Shanghai Government through a general in their army. In 1949, Chiang Kai-shek and the Kuomintang moved it to Taiwan, where it remains housed at the National Palace Museum.
ITEM club

The ITEM Club is an economic forecasting group based in the United Kingdom. ITEM stands for Independent Treasury Economic Model. It was founded in 1977 to produce quarterly economic UK forecasts, which are often mentioned in the UK news media. It has been sponsored by EY (Ernst & Young), a firm of business and financial advisers, and was officially named The EY ITEM Club in 2012. The ITEM Club is clear in all its materials that it is independent of any political, academic or commercial bias despite corporate sponsorship.
The UK model is used by HM Treasury for its policy analysis and biannual Industry Act forecasts for the Budget. This enables ITEM to explore the implications and unpublished assumptions behind Government forecasts and policy measures. ITEM can test whether Government claims are consistent and can assess which forecasts are credible and which are not.
Martin Beck has been the EY ITEM Club's Senior Economic Advisor since July 2021 replacing Dr Howard Archer who was in role since June 2017. Archer took over from Professor Peter Spencer, one of the UK's most distinguished economists who had held the position since 2001.
www.ey.com/uk/economics
TriPod

TriPod is a rock trio with no guitars or keyboards.
TriPod uses non-traditional instruments in the melodic line (bass, brass, theremin, and woodwinds). The band has been classified as jazz fusion, Canterbury, world music, progressive rock, alternative rock, Rock in Opposition, and avant-garde, but TriPod considers itself a rock band.
TriPod performs only original music and includes improvisation in stage performances and on albums. The band was discovered at CBGBs in New York City by Genya Ravan and tours internationally, performing in venues from clubs to international festivals: 2005 - Baja Prog Festival (Mexico); 2006 - Zappanale Festival (Germany), North West Rock Festival (Croatia), Burg Herzberg Festival (Germany); 2007 - European tour (Germany, Croatia, Serbia, Hungary, Slovenia, Bosnia, Netherlands, Belgium).
It is composed of three New York musicians: Clint Bahr (12-string bass guitar, Chapman Stick, Taurus pedals, Theremin, vocals), Keith Gurland (alto and tenor sax, flute, clarinet, panpipes, pedals, vocals) and Steve Romano (acoustic and electric drums and percussion).
Following in the tradition of King Crimson and Emerson, Lake & Palmer, TriPod creates symphonic rock music. At one point Pierre Moerlen from Gong was a band member.
TriPod's album was released by Moonjune Records, known for promoting artists such as Soft Machine and Elton Dean.
Tripod position

The tripod position or orthopneic position is a physical stance often assumed by people experiencing respiratory distress (such as chronic obstructive pulmonary disease) or who are simply out of breath (such as a person who has just run a sprint). In tripod position, one sits or stands leaning forward and supporting the upper body with hands on the knees or on another surface. Among medical professionals, a patient adopting the tripod position is considered an indication that the patient may be in respiratory distress. In the setting of chest pain without labored respirations, the tripod position may indicate acute pericarditis.
It has been thought that the tripod position optimizes the mechanics of respiration by taking advantage of the accessory muscles of the neck and upper chest to get more air into the lungs. With the position of the arms secure, contraction of the pectoralis results in elevation of the anterior wall of the chest.
Patients who are suffering from breathing difficulties may be placed in this position by nurses; the patient sits at the side of the bed with head resting on an over-bed table on top of several pillows.
Chalín Cámara

Carlos Renán Cámara Zavala (Chalín) (1905 - 1992), fue un trovador y compositor mexicano nacido en Mérida, Yucatán, México y fallecido en la Ciudad de México. Hijo de don Gonzalo Cámara Zavala. Guitarrista, compositor y cantante con tesitura de barítono, fue la segunda voz de Guty Cárdenas a quien acompañó en muchas de sus grabaciones. Había conocido al famoso cantautor yucateco desde sus años mozos, en la Escuela Modelo, donde ambos estudiaron.​
Aprendió el instrumento que dominaba ejemplarmente con Ricardo Palmerín, quien también dio clases de guitarra a sus hermanos Nidia y Fausto. Con este último formó un dueto de reconocida calidad artística que perduró todo la vida de los hermanos quienes hasta sus ochenta años de edad continuaron haciendo representaciones y veladas musicales en la Ciudad de México y en Mérida, Yucatán, México.​
Participó en la Sociedad Cultural Consuelo Zavala representando obras de teatro, zarzuelas y comedias en el Teatro Peón Contreras.
En 1928 se reunió con Guty Cárdenas en Nueva York para grabar discos para la marca Columbia que alcanzaron gran popularidad en los países de Hispanoamérica. Siguió después trabajando con Guty, particularmente en la radiodifusora XEW,hasta que sobrevino el asesinato de éste en 1932.
Integró varios duetos que se hicieron famosos después del que sostuvo con Guty Cárdenas: con el tenor yucateco, Ermilo Castilla, con Wello Rivas y en 1958 con el trovador juchiteco, Saúl Martínez (enlace roto disponible en Internet Archive; véase el historial, la primera versión y la última)., otro gran intérprete de las canciones de Guty Cárdenas.
Formó también un conjunto de música tropical que llamó La Cumbancha y participó en el cuarteto Flores-Mejía, dirigidos por otro grande de la música popular mexicana: Manuel Esperón.​
Entre sus canciones más conocidas figuran: Por ser bonita, Tú y la luna, Una lágrima en tus ojos, Rosa solitaria, Claro de luna, Silencio y No me olvides.
Tres libros contienen su obra poética:
Juan Eugenio Rostaing La Torre

Juan Eugenio Rostaing La Torre fue un futbolista peruano. Nació en la ciudad de Lima el 16 de mayo de 1903. Desde muy niño jugó reñidos partidos con pelota de trapo junto a su hermano Miguel en las calles de La Victoria hasta que en 1921 formaron parte del equipo de pueblo, como se le denomina al Alianza Lima. Sus padres fueron Miguel Rostaing y Victoria La Torre.
Jugó en el equipo blanquiazul entre 1922 y 1935, participando en 76 partidos y anotando 2 goles. Disputó el primer clásico y obtuvo cinco títulos en los años 1927, 1928, 1931, 1932 y 1933. Se acomodó en la defensa hasta convertirse en uno de los backs más recordados en la historia del club.
Jugaba en el puesto de zaguero central, era alto y robusto, infundía mucho respeto a los rivales, no había centro que no lo despejara con prontitud y hacia una pareja impasable junto al Dr. Soria. Se le conocía como el fantasma del área por su habilidad para quitarle la pelota a sus rivales. También fue apodado el gaucho o el fantasma de la ópera por su afición a los tangos y su vestimenta con chalina y sombrero.
Fue padre de Víctor Rostaing, destacado jugador aliancista de los años sesenta. Falleció en la tarde el 22 de abril de 1976 a los 72 años en el Hospital Guillermo Almenara del distrito limeño de La Victoria. Estuvo casado con Gertrudis Vernaza Oliva (1912-?) desde el 22 de octubre de 1957.