All Saints' Church, Rome

All Saints' Church is an active English-speaking chaplaincy of the Church of England's Diocese in Europe - a part of the Anglican Communion - in Rome, Italy.
The church building is a Gothic revival red-brick construction, situated in the Via del Babuino, about 100 meters from the Spanish Steps. The architect was George Edmund Street (1824–1881). It has a regular weekly schedule of masses and prayer services and is also used for concerts. All Saints follows the high church tradition of Anglicanism, with a sung Eucharist being held weekly.
Anglican worship in Rome can trace its history back to the eighteenth century, when young British travellers took Grand Tours. Although some would bring Prayer Books, bibles and occasionally even chaplains, there remained demand for an English-language, Anglican service in Rome. Records exist of Anglican worship in the Palazzo Balestra as early as 1719, however, it was not until the nineteenth century that a permanent Anglican community was established.
In the area near the Spanish Steps known as the “English Ghetto”, worship began in 1816. On 29th December that year, the service raised funds that were distributed to the poor, commencing a tradition of charity that continues today. In 1825, an anonymous donation allows for the foundation of the Granary Chapel in the Porta del Popolo, which gained a permanent chaplain in 1828 and fell under the jurisdiction of the Diocese of Gibraltar in 1842. Despite local unrest and changes in location, the chapel continued to expand into the 1870s.
The 1870s marked a schism in the Anglican community at Rome. Those who considered the clergy at the Granary Chapel too ritualistic separated and established a new church, Holy Trinity, which saw various iterations of building and location. However, this church closed in 1937, and the building was demolished in 1948.
The remaining community commenced planning for a new building when the Municipality of Rome announced the need to demolish the Granary Chapel for street widening. Victorian Gothic Revival architect G. E. Street began preparing plans in 1876, with the foundation stone being laid in 1882. Despite delays and a lack of funds (the incumbent Canon Wasse had to cover remaining construction expenses), the church was considered completed by 1887.
Throughout the early twentieth century, various internal improvements were made and electricity was installed. In 1937, after an anonymous donation, the steeple which now pierces the Roman skyline was completed. The church closed during the Second World War, reopening on the 9th June 1944. During the latter half of that century, the church saw many distinguished visitors, including the Princesses Elizabeth and Margaret, and Archbishops of Canterbury Ramsey and Fisher. In February 2017, Pope Francis visited All Saints’, the first visit of its kind by a sitting pope.
The church is the last work of Victorian architect George Edmund Street, and follows his usual ‘High Victorian’ gothic style. Influenced by both Italian architecture and the prevailing gothic style in England at the time, the building features a polychromatic design of red brick, pale Italian marble and pink Arles stone. During excavations before construction of the current church, remains of an imperial domus senatoria were discovered.
The church has a typical design of a central nave flanked by two aisles, gothic pointed arches and flying buttresses, surmounted by a wooden roof. The steeple, famous for appearances on the Roman skyline and in many films, was not completed until 1937, about fifty years after the main church took shape.
Interior
In the central nave, the columns and pillars are polychromed with marbles from across Southern Europe: green Carrara, red Perugia, black Verona and Yellow Siena. There are mosaics roundels of evangelists and other scriptural themes designed by Edward Burne-Jones.
The stained glass was designed by Clayton and Bell of London. In the chancel are scenes of the life of Christ, in the Lady Chapel the arcangels, in the nave, various English and Italian saints. At the counter-façade the window depicts the ascenscin of Christ, and by the rear door, Saints Peter and Paul.
The Lady Chapel is in the north aisle and features an English use altar. It is also the location of the aumbry, signified by the sacrament lamp. Also in the chapel is a copy of a Benedetto da Maiano Madonna and child.
The sanctuary contains the high altar, behind which is the marble reredos. The apse was decorated with red damask, which was replaced in 2001. The church uses vestments and altar frontals following the liturgical colours outlined by Percy Dearmer.
The pulpit is in yellow Siena and black Verona marble with white Como highlights, dedicated to the memory of Canon Wasse. The chancel-screen follows a similar colour pattern. There is a baptismal font, also of marble, with iconography of Christ about it.
Granary Chapel
1828 - Richard Burgess 1837 - James Hutchinson 1850 - Francis Blake Woodward 1866 - John Crowder 1869 - Arthur Thomas Whitmore Shadwell 1873 - Joseph Brett Grant 1874 - Thomas Childe Barker 1875 - Henry Watson Wasse
All Saints' Church
1887 - Henry Watson Wasse 1891 - Frank Nutcombe Oxenham 1910 - John Gardner Brown 1916 - Gilbert Holme Sissons 1920 - Bernard Edgar Holmes 1924 - Lonsdale Ragg 1930 - William Thomas Farmiloe 1934 - Joshua Goodland 1935 - Hugh Aldersey Tudor 1936 - Ariel Law Harkness 1947 - Clifford Stickney Powers 1949 - John Findlow 1956 - Douglas James Noel Wanstall 1971 - David Davies 1974 - Edward Murfet 1977 - David Henry Palmer 1983 - Bevan Wardrobe 1992 - Peter Merchant 1994 - Geoffrey Evans 1999 - Jonathan Thomas Boardman 2019 - Robert James Warren