The Forest (2016 American film)

The Forest is a 2016 American supernatural horror film directed by Jason Zada and written by Ben Ketai, Nick Antosca, and Sarah Cornwell. The film stars Natalie Dormer, Taylor Kinney, Yukiyoshi Ozawa, and Eoin Macken.
The Forest was released in the United States on January 8, 2016, by Gramercy Pictures. The film received negative reviews from critics, but was a box-office success, grossing $37.6 million against a reported budget of $10 million.
The majority of the story is set in Aokigahara, a forest at the northwest base of Mount Fuji in Japan known as a popular destination for those wanting to die by suicide. Sara Price receives a phone call from the Japanese police telling her that they believe her troubled twin sister, Jess, is dead after being seen entering the forest. Despite her fiancé Rob's concerns, Sara travels to Japan and arrives at the hotel where Jess was staying.
At the hotel, Sara meets a reporter named Aiden. They drink together, and Sara tells him of her parents' death. In reality, her father committed a murder–suicide, but she tells him they were killed by a drunk driver. Jess saw the bodies, but Sara did not. Aiden invites Sara to join him and a park guide, Michi, in searching for Jess in the forest. As they enter Aokigahara, Michi tells Sara that Jess has most likely killed herself, but Sara refuses to believe this, claiming that as a twin, she can "feel" that Jess is still alive.
In the forest, the group discovers a yellow tent that Sara recognizes as Jess's. With nightfall approaching, Michi suggests leaving a note for Jess and leaving, but Sara insists on staying. Aiden volunteers to stay with her. That night, Sara hears rustling in the bushes and believes it may be Jess. She runs after the sound and instead finds a Japanese girl, Hoshiko, who claims to know Jess. Hoshiko warns Sara not to trust Aiden and flees when she hears his voice. Sara attempts to follow but falls and loses her.
The next day, Aiden and Sara become lost. As they walk, Sara grows suspicious and demands Aiden's phone, where she finds a picture of Jess. Aiden denies any involvement with Jess, but Sara runs into the forest alone. She hears voices urging her to turn back and, upon turning around, sees a hanged body. She continues running but falls into a cave, where she wakes to find Hoshiko, who is revealed to be a yūrei and transforms into a demonic figure. Sara escapes the cave and finds a flip camera that reveals the night her parents died, showing her father's suicide. Aiden finds Sara and helps her out of the cave. After some convincing, they continue searching. Meanwhile, Rob arrives at the forest with a search party and Michi to look for the sisters.
Aiden takes Sara to an old ranger station he claims to have discovered while looking for her. Sara hears Jess's voice from a locked basement and finds a note suggesting Aiden is holding Jess captive. Convinced that he is a threat, Sara attacks and kills Aiden with a kitchen knife. As he dies, Sara realizes that Aiden was telling the truth and that the picture on his phone, the voice, and the note had all been hallucinations.
Still in the basement, Sara has a vision of the night her parents died. Her father's ghost appears and lunges at her, but she escapes by cutting his fingers off. Running into the forest, she sees Jess running toward the search party's lights. Sara calls out to her, but Jess cannot hear her. Sara then realizes her escape from the ranger station was another hallucination, and that she had cut herself while hallucinating her father's ghost and is now dying from blood loss in the basement. As she succumbs to her wounds, a group of yūrei pulls her beneath the forest floor. Jess, very much alive, is rescued by the search party and explains that the "feeling" of her sister is gone, and it is assumed that Jess knows Sara is dead. As the search party leaves, Michi spots a dark figure in the forest and realizes it is Sara, now a vengeful yūrei.
Goyer came up with the idea after reading a Wikipedia article on Aokigahara. Surprised that a horror film had not been made about it, he came up with a rough outline. After being pitched the idea, Zada instantly became attracted to it. He was most attracted because the "suicide forest" in Aokigahara was a real place, which he became "obsessed with", reading as much information as he could about the location, including watching an online Vice documentary. Prior to the shooting, Zada took a trip to Aokigahara, as he felt, "There's no way I felt that I could make a movie about a real place, and not go visit it." Zada had described the location as "...a very frightening place. It was not a place where I wanted to spend the night."
In October 2014, Natalie Dormer was reported as having joined the cast of the film. In April 2015, Taylor Kinney was reported to have joined the cast, as well.
Dormer cited the opportunity to play two characters in one film enticed her to accept the role. "That's like a life tick box as an actor, to be playing against yourself. It's certainly surreal," she said. "(But) it's hard to make choices as Sara when you don't quite know how you're going to play it as Jess yet. You haven't got the other actor to react against. You have to be a bit schizophrenic."
Kinney cited a confluence of reasons for accepting the role - the story and its location, the ability to tweak his character, and the attachment of Dormer. He stated he was looking for something "more cerebral than gory slasher films", in the vein of The Shining.
Principal photography began on May 17, 2015, in Tokyo, Japan. As filming in the Aokigahara forest is not permitted by the government, the filmmakers chose a forest near the Tara Mountain in Serbia to double as the Japanese forest in which the film is set. Poor weather plagued the production in Serbia, and many scenes were shot in a former warehouse.
In May 2014, Focus Features acquired domestic distribution rights to the film. On May 20, 2015, Focus Features relaunched their Gramercy Pictures label for action, horror, and science-fiction movies, with the film being one of its releases. The film was released in the United States on January 8, 2016.
The Forest was released on DVD and Blu-ray on April 12, 2016.
The Forest grossed $26.6 million in the United States and Canada, and $12.2 million in other territories, for a worldwide total of $38.8 million, against a budget of $10 million.
The film was released on January 8, 2016, alongside the wide release of The Revenant, and in its opening weekend, was projected to gross $8–10 million from 2,451 theaters. The film made $515,000 from its early Thursday screenings and $5 million on its first day, including Thursday's gross. The film grossed $12.7 million during its opening weekend, finishing fourth at the box office, behind Star Wars: The Force Awakens ($41.6 million), The Revenant ($38 million), and Daddy's Home ($15 million).
On review aggregator website Rotten Tomatoes, the film has a rating of 10% based on 138 reviews with an average rating of 4.10/10. The site's critical consensus reads, "The Forest offers Natalie Dormer more than a few chances to showcase her range in a dual role, but they aren't enough to offset the fact that the movie's simply not all that scary." On Metacritic, the film has a score of 34 out of 100, based on 30 critics, indicating "generally unfavourable reviews". Audiences polled by CinemaScore gave the film an average grade of "C" on an A+ to F scale.
Brian Truitt of USA Today thought the movie was a "mostly scare-free zone," and gave it two out of four possible stars. He teased the premise of the movie, saying, "It's OK to go into these woods because there's not much to get spooked by in The Forest, unless you're creeped out by the occasional Japanese schoolgirl." Comparing the film to some of its peers, he wrote the movie is "definitely a step up from screaming teenagers and some guy running through trees with a chainsaw," but expressed disappointment that the "film never makes the most of its conceit."
Peter Keough of The Boston Globe zeroed in on the writing as a source of fault, while approving of the acting and directing, writing, "Zada gets credible performances from Dormer and Kinney, but their characters undergo such unlikely psychological contortions that these efforts are to no avail." He echoed the complaints of most critics, saying, "Had Zada strayed more from the generic path into such unknown territory, The Forest might have had genuine depth and darkness."
Alonso Duralde, writing for TheWrap, voiced these gripes, as well, faulting the writing in saying, "By the time screenwriters Ben Ketai, Sarah Cornwell, and Nick Antosca unpack the inevitable third-act reversals and twists, it's too little, too late, especially since those revelations rely upon an investment in the characters that the movie has expended too little effort in creating." He praised Dormer, as well ("Dormer, for her part, invests herself in the proceedings, and manages to build two characters out of a script that barely bothers to give her one"), while panning that Kinney was ("so wooden here, he could be playing the title role").
Neil Genzlinger, writing for The New York Times, also praised Dormer's performance, while finding enough within the rest of the film's aspects to give the movie a positive review: "a decently executed creeper built around a convincing performance by Natalie Dormer." Justin Chang of Variety also allotted the film a positive review, writing, "Dormer is sympathetic enough in her double scream-queen roles, and Zada shows an occasional aptitude for generating suspense through framing, music and sound design, even if the beats he hits are often tediously familiar."
Slate's David Ehrlich said that the film's release date was the most significant indicator of its lack of quality. "Every year, during the first proper weekend of January, the studios' niche labels trot out the horror movies they know have nothing to contribute to society and leave them for dead in your local multiplex," he wrote. "[A]nybody with access to a calendar already knows that The Forest is bad; at this point, that's less of a presumption than it is a tradition." Keeping with the film's setting and themes, he likened the practice of releasing such films at that time of year to the supposed ancient Japanese custom of ubasute, in which elderly people who could no longer take care of themselves were abandoned to their fate on a mountain.
The film attracted controversy for what some believed to be trivializing the issue of suicide in Japan, as well as disrespecting the people who have died in the real-life forest. Critic Kevin Maher wrote in his review, "The Forest is a dumb and dreary horror movie that's notable only for its racial insensitivities, lack of horror, and for making Natalie Dormer from Game of Thrones play identical twins distinguished only by hair colour."
The film's plot has been compared to the 2011 comic book The Suicide Forest, also taking place in the Aokigahara, written by El Torres and illustrated by Gabriel Hernández.