davidanugraha/M4-RAG huggingface dataset:
Los Angeles

Los Angeles (/lɔːs ˈændʒələs/ ( dangukeun); basa Spanyol: Los Ángeles; basa Spanyol pikeun "Malaikat"), sacara resmi disebut Kota Los Angeles jeung biasana kawéntar ku singkatan L.A., nyaéta kota nu boga pangeusi panglobana di California; kota nu boga pangeusi kadua panglobana di Amérika Sarikat, saanggeus Kota New York; jeung kota nu boga pangeusi katilu panglobana di Amérika Kalér, saanggeus Kota Méksiko jeung Kota New York. Los Angeles mangrupa puseur budaya, finansial, jeung komérsial California Kidul nu miboga pangeusi kurang leuwih hampir opat juta jelema. Ieu kota kawéntar ku iklim Méditérania, karagaman étnis, Hollywood, industri hiburan, jeung kota metropolis nu nyebar.
Umum
Arsitéktur jeung téori urban
Kaitan jeung ras
Lingkungan
Seni jeung literatur
Adrianne Palicki

Adrianne Palicki (gumelar di Ohio, Amérika Sarikat, 6 Méi 1983; umur 41 taun) nyaéta saurang aktris asal Amérika Sarikat. Palicki dipikawanoh pisanna sanggeus merankeun Tyra Collette dina sérial tipi Friday Night Lights (2006–2011). Palicki ngajalanan mangsa rumajana di Ohio. Palicki kacatet minangka lulusan Whitmer Hight School di Tolédo taun 2011. Palicki mangrupa anak ti papasangan Nancy (née French) jeung Jeffrey Palicki. Palicki boga lanceuk ngaranna Eric, saurang panulis buku komik.
Osaka

Kota Osaka (大阪市, Ōsaka-shi) listen (pitulung·info) nyaéta hiji kota di Jepang, aya di muara Walungan Yodo di Basisir Osaka, Wewengkon Kansai di Pulo Utama Honshū.
Kota ieu mangrupa ibukota Préféktur Osaka. Disebut kota nomer dua Jepang, Osaka sacara sajarah mangrupa ibukota dagang Jepang, tur kiwari nomer dua panggedéna di Jepang, wewengkon metropolitan Osaka-Kobe-Kyoto nomer salapan di dunya, nu populasina is 19,220,000.
Nu narik ti Kota Osaka nyaéta tempat nomer hiji keur beurang ka peuting babandingan populasina nyaéta 141%, nu ngayankinkeun yén Osaka pusat ekonomi jeung dagang. Mangsa peuting populasi nomer tilu di Jepang nyaéta 2.6 juta, sedengkeun beurang ampit 3.7 juta, nomer dua sanggeus Tokyo.
Sacara tradisional, Osaka dianggap "dapur nasional" (天下の台所, tenka no daidokoro) atawa kota pusat kadaharan Jepang.
Bandara Internasional Kansai nyaéta bandara utama: bentuk pulo buatan kotan di basisir Osaka tur ngalayanan Osaka jeung kota-kota sabudeureunna saperti Nara, Kobe, jeung Kyoto. Kansai nyaéta watesan géografi keur wewengkon kulon Honshū sabudeureun Osaka. Bandara dihubungkeun ku bus jeung train ka pusat kota jeung sub urban utama.
Bandara Internasional Osaka, aya di water kota Itami jeung Toyonaka, masih dipaké keur penerbangan domestik ka sababaraha wewengkon metropolitan.
Sistem Osaka Municipal Subway nyaetéa bagéan tina sistim transportasi umum di Osaka. Sistim ieu, nomer 8 di dunya dumasar kana jumlah penumpangna, kurang leuwih 912 juta sataun. Salian ti eta, aya jaringan séjén boh JR atawa jalur swasta nu ngahubungkeun ka daerah sub urban jeung Osaka sabudeureunna. Jalur Keihan jeung Hankyu ngahubungkeun ka Kyoto, Jalur Hanshin jeung Hankyu ngahubungkeun ka Kobe, jalur Kintetsu ka Nara jeung Nagoya, sarta jalur Nankai ka Wakayama. 10 juta jiwa di Gréater Osaka ngagunakeun kareta keur transportasi utama sapopoena, nomer dua sanggeus Gréater Tokyo, sarta leuwih ti United States.
Méksiko

Nagara Méksiko Ngahiji (Basa Spanyol: Estados Unidos Mexicanos (pitulung·info)), atawa basajanna mah Méksiko (IPA: /mɛks.ɪ.koʊ/) (Basa Spanyol: México (pitulung·info)), nyaeeta hiji nagara nu perenahna di Amérika Kalér, wawatesan di béh kaler jeung Amérika Sarikat; di kidul jeung kulon jeung Samudra Pasifik Kalér; di wetan kidul jeung Guatemala, Belize, sarta Sagara Karibia; jeung di béh wetanna ku Teluk Méksiko. Nagara Méksiko Ngahiji ngawengku féderasi tilu puluh hiji nagara bagean républik konstitusional sarta hiji distrik féderal, Mexico City, salah sahiji kota pangpadetna di dunya.
Ku kaayaannana nu ngawengku ampir 2 yuta kilométer pasagi, Meksiko mangrupa nagara panglegana kalima di Amérika dumasar kana aréa totalna sarta ka-14 panglegana di dunya. Kalayan populasi ampir 109 yuta, Meksiko ogé mangrupa nagara pangpadetna ka-11 sarta nagara nu pamake Basa Spanyolna pangpadetna di dunya.
Aljazair

Koordinat: 29°34′24″N 2°22′23″E﻿ / ﻿29.5734571°N 2.3730469°E﻿ / 29.5734571; 2.3730469
Aljazair (Basa Arab: الجزائر‎, al-Jazā'ir; Berber jeung basa Arab Aljazair: Dzayer or Ldzayer), resmina Républik Démokratik Rahayat Aljazair (Al Jumhuriyah al Jazairiyah ad Dimuqratiyah ash Shabiyah), mangrupa hiji nagara di wewengkon Magribi di Afrika kalér-kulon kalawan Aljir salaku ibu kotana.
Aljazair mangrupa anggota Uni Afrika, Liga Arab, OPEC, jeung Pasarikatan Bangsa-Bangsa. Nagara ieu ogé mangrupa nagara pawangun Uni Arab Magribi.
Ngaran nagara ieu (Aljazair/Algéria) diturunan ti kota Aljir (Algiers). Étimologi nu pangumumna ngubungkeun ngaran kota éta ka al-Jazā'ir (الجزائر, "Pulo-Pulo"), bentuk nu kapotong ti ngaran kota nu heubeul Jazā'ir Banī Mazghanna (جزائر بني مزغنة, "Pulo Séké Mazghanna"), dipaké ku gégografer éra patengahan misalna al-Idrisi. Aya ogé pamikiran nu ngubungkeunnana ka Ldzayer, Basa Arab Magribi jeung Basa Berber pikeun "Aljazair" ("Algéria") meureunan kahubung jeung Dinasti Zirid Raja Ziri ibn-Manad jeung nu ngawangun kota Aljazair
Aljazair dibagi kana 48 propinsi (wilaya), 553 distrik (daïra), jeung 1.541 kotamadya (baladiyah). Saban propinsi, distrik, jeung kotamadya dibéré ngaran dumsar kana ibu kotana, nu biasana kota panggedéna.
Majelis Propinsi Rahayat mangrupa éntitas pulitis nu maréntah hiji propinsi, nu miboga hiji "présidén", anu dipilih ku anggota majelis. Anggota dipilh dina hak pilih universal saban lima taun.
Citakan:Union for the Mediterranean
Dinasti Joseon

Karajaan Joseon ( Hangul : ; Hanja : ) ogé katelah " Nagara Joseon Agung " nyaéta karajaan anu diadegkeun ku Taejo anu lumangsung salila lima abad, ti bulan Juli 1392 nepi ka Oktober 1897. Dina Oktober 1897 sacara resmi digentos namina Kakaisaran Korea Raya . Diadegkeun saatos runtagna dinasti Goryeo, anu puseur dayeuhna di Kaesong. Sanggeus ngadegkeun dinasti anyar, Yi Seong-gye ngalihkeun puseur dayeuh karajaan aslina di Kaesong, nyaéta dialihkeun rada kidul ka wewengkon Hanseong, ayeuna katelah minangka Seoul . Wates kalér karajaan ieu diperpanjang ka wates alam Walungan Yalu jeung Tumen ngaliwatan panaklukan ti suku Jurchen. Joseon mangrupa dinasti pamungkas Korea ogé mangrupa dinasti Konghucu kalawan pangpanjangna umurna.
Dina mangsa pamaréntahanana, Joseon ngarojong cita-cita jeung doktrin Konghucu Cina di masarakat Koréa. Neo-Konfusianisme digunakeun minangka idéologi nagara dinasti anyar. Ageman Budha dihinakeun sarta kadang-kadang nyanghareupan kasusah (diskriminasi) ti dinasti Joseon. Joseon ogé ngalaksanakeun aturan anu éféktip pikeun wilayah Koréa sareng nyaksian ngaronjatna budaya klasik Koréa, padagangan, élmu pangaweruh, sastra, sareng téknologi. Sanajan kitu, dinasti ieu kacida lemahna salila ahir abad ka-16 jeung awal abad ka-17, nalika Invasi Jepang Koréa (1592-1598) jeung tarajangan Manchu kahiji jeung kadua dina 1636 ampir narajang Semenanjung Korea, anu ngarah kana kawijakan isolationis anu mingkin pageuh anu nyebabkeun nagarana katelah minangka "Karajaan Patapa". Sabada tarajangan ti Manchuria réngsé, Joseon ngalaman periode daméy ampir 200 taun salajengna.
Nanging naon waé kakuatan anu ngabalikeun karajaan nalika ngasingkeunana (isolasi), ngirangan dina abad ka-18 sareng nyanghareupan pasalingsingan internal, perebutan kakawasaan, tekanan internasional sareng pemberontakan (bahula), dinasti Joseon lungsur sacara drastis dina ahir abad ka-19.
Mangsa Joseon kapungkur ninggalkeun titingal hébat pikeun Korea modern; seueur Kabudayan Korea modern, étika, norma, jeung laku lampah masarakat kana perkara-perkara kiwari, sarta Basa Koréa modern jeung dialek na anu asalna tina budaya jeung tradisi Joseon.
Valéncia

Valéncia (Basa Spanyol: [baˈlenθja]), atawa Valéncia (basa Valénsia: [vaˈlensia]), nyaéta puseur dayeuh komunitas otonom Valencia sarta mangrupa dayeuh katilu panggedéna di Spanyol sanggeus Madrid jeung Barcelona, kalayan sakitar 800,000 pangeusi di puseur administratifna. Wewengkon urbanna mekar kaluar tina wates dayeuh administratif kalayan populasi kurang leuwih 1.5 juta urang. Valéncia téh mangrupa wewengkon métropolitan panggedéna katilu di Spanyol, kalayan populasi ti 1.7 tepi ka 2.5 yuta. Ieu dayeuh boga status kota global. Palabuan Valéncia mangrupa palabuan peti kemas pangriweuhna ka-5 di Éropah sarta busiest palabuan peti kemas pangriweuhna di Laut Tengah.
Valéncia diadegkeun minangka jajahan Romawi dina taun 138 SM. Ieu dayeuh aya dina sisi walungan Turia, di béh wétanna basisir Bojong Iberia, nyanghareupan Teluk Valéncia di Laut Tengah. Puseur historisna mangrupa salah sahiji nu panggedéna di Spanyol, legana kurang leuwih 169 héktar; warisan monumén-monumén kuna, pemandangan katut pintonan budaya nyababkeun Valéncia jadi tujuan pelesir pangkasohorna di Spanyol. Monumén utama di antarana Katedral Valéncial, Torres de Serranos, Torres de Quart, Llotja de la Seda (diaku minangka Loka Warisan Dunya ku UNESCO dina taun 1996), sarta Ciutat de les Arts i les Ciéncies (Dayeuh Seni katut Élmu Pangaweruh), hiji komplék budaya jeung arsitéktur nu dumasar kana hiburan nu dirancang ku Santiago Calatrava jeung Félix Candela. Museu de Belles Arts de Valéncia nyimpen loba koléksi lukisan ti abad ka-14 tepi ka 18, kaasup karya Velázquez, El Greco, jeung Goya, kaasup ogé séri penting ukiran Piranesi. Institut Valencià d'Art Modern (Institut Seni Modéren Valéncia) nyimpen koléksi permanén katut paméran seni jeung potografi kontémporér sementara.
Danowati

Danowati, Danuwati atawa Danumati nyaéta tokoh dina Mahabharata, anu mangrupa ratu kaopat ti Dréstajumena. Indonesian folklor ngajelaskeun Dhanumati, sarta ngaganti ngaran karakter ieu jadi "Danowati". "Danumati" kapanggih dina carita India Selatann nu ngagambarkeun manehna muterkeun tari Gujarati kalawan Drestadyumna. Manéhna téh adina Déwi Banowati jeung Déwi Sudisinawati, putri ti Prabu Salya jeung Déwi Pujawati.
Saméméhna, dina carita rahayat India, manéhna téh putri Bhagadatta, tapi dina carita ieu, Sunda jeung Jawa jeung Indonesia, némbongkeun Danowati salaku putri Prabu Salya. Banowati téh lanceukna. Manéhna kawin paksa jeung Prabu Duryudana, sarta nikah ka Putri Trilokapura ngaranna Déwi Mayuriwati, anu ogé dipintonkeun salaku putri Prabu Salya. Saswati, adina ti marga Pandawa nyaéta kaponakan awewe Salya. Hanjakal, carita rahayat Jawa jeung Indonésia nyebutkeun Duryudana hayang pamajikan sejen, nu bisa jadi ratu katilu. Anjeunna nyuhunkeun Madrim sareng kaponakan awewe Pandhu pikeun nikah ka anjeunna, nyaéta Saswati tapi anjeunna nolak sareng ditolak. Anjeunna, teras nyobian nyulik Shashirekha, adina Prabu Jarasandha, ogé katelah Wrehadrataputri. Danowati sadar nyulik adina sarta nikah jeung Duryudana sarta ogé kalawan putri sejen, manehna nulis kalawan cimata dina panon na. Dréstajumena ngahontal karajaan Salya (padumukan) sarta nyulik putrina.
Dina dongéng Tamil Mahabharata, caritana tetep sarua jeung moal robah tapi dina Mahabarata Tamil, manéhna mucunghul tilu kali dina epik jeung complexion nya, pedaran nya, sadaya Abdi disebutkeun tilu kali. Mahabarata Tamil nyebutkeun Banowati jeung Danowati (dua sadulur kembar ti Mahabharata) anu digambarkeun ku hiji pot di leungeun maranéhna sarta néangan cai. Sabot keur omong-omong, ujug-ujug datang dina Perang Kurukshetra nu Duryodana terpesona ku kageulisanana duanana. Éta sababna Danowati nolak Duryodhana pikeun nikah ka putri sejen (Mayuriwati) jeung adi kembar kolotna (Banowati), tanpa alesan. Manéhna digambarkeun maén garbha jeung dandiya Dréstajumena.
Prasasti Kedukan Bukit

Prasasti Kedukan Bukit kapanggih ku M. Batenburg dina tanggal 29 Nopémber 1920 di Kampung Kedukan Bukit, Kelurahan 35 Ilir, Kota Palémbang, Sumatra Selatan, di sisi walungan Tatang anu ngalir ka walungan Musi. Prasasti ieu wangunna watu leutik ukuran 45 × 80 cm, ditulis dina aksara Pallawa, ngagunakeun Basa Melayu Kuna. Prasasti ieu kiwari disimpen di Museum Nasional Indonésia kalawan nomor D.146.
Dina baris ka-8 aya unsur pananggalan. Tapi dina bagéan ahir unsur pananggalan dina prasasti ieu geus leungit. Kuduna bagéan ieu dieusi ku ngaran bulan. Dumasar data ti fragmen D.161 anu kapanggih di Prasasti Telaga Batu, Johannes Gijsbertus de Casparis (1956:11-15) jeung Boechari (1993: A1-1-4) ngeusina kalawan ngaran bulan Āsāda. ku kituna, lengkep pananggalan prasasti éta, nyaéta poé kalima paro-terang bulan Āsāda anu kabeneran tanggal 16 Juni 682 Masehi.
Nurutkeun George Cœdés, siddhayatra artina sarupa "ramuan suci" potion magique. Ngan kecap ieu bisa ditarjamahkeun lain, nyaéta nurutkeun kamus Jawa Kuna Zoetmulder (1995): “sukses dina lalampahan". kalawan ieu kalimah di luhur ieu bisa dirobah: "Sri Baginda naék parahu keur ngalakukeun serangan, sukses dina lalampahan."
Ti prasasti Kedukan Bukit, kapanggih data-data saperti kieu:
Salajengna kecap Minanga anu aya dina prasasti ieu masih jadi padungdengan ahli sajarah. Aya anu nyawang yén Dapunta Hyang angkat ti Minanga jeung naklukeun kawasan tempat kapanggihna prasasti ieu. Aya ogé nu nyawang Minanga teu sarua jeung Malayu, dua kawasan éta ditaklukeun ku Dapunta Hyang, Panaklukan Malayu kajadian sateuacan naklukeun Minanga kalawan nganggap eusi prasasti ieu nyaritakeun panaklukan Minanga. Salajenngna aya ogé nu nyawang Minanga ngarobah jadi Binanga, hiiji kawasan anu aya di hilir Sungai Barumun (Provinsi Sumatera Utara kiwari).
1964: Eyes of the Storm

1964: Eyes of the Storm is a book of photographs taken by the English musician Paul McCartney, with an introduction by Jill Lepore. McCartney discovered the photographs in 2020 and approached the National Portrait Gallery in London about hosting an exhibition.
Most of the photos featured in the book were taken during the Beatles' 1964 North American tour, the height of Beatlemania. The book also includes photos taken in Liverpool, which was the Beatles' home city, and Paris.
Argadennoù war Oblast Belgorod e 2023

D'an 22 a viz Mae 2023, unvezioù stourm o tont eus Ukraina o devoa treuzet an hrazoù etre Rusia hag Ukraina ha taget Oblast Belgorod. Hervezo, daou strollad rebeled rusian armet disheñvel o deus bet kemeret perzh en argadenn. Ar re-se diazezet en Ukraina: Lejion Dieubidigezh Rusia (LDR) ha Korfadoù Youlek Rusian (KYR)— o defe argadet hag aloubet meur a gêriadenn vihan nepell diouzh an harzoù ha betek 20 kilometr e Rusia. Ouzhpenn-se e vefe bet stourmoù lies gant nerzhioù difennerezh Rusia. Evit gouarnamant Rusia, an tagadennoù zo bet sevenet gant "strolladoù moc'hata ukrainat". Abaoe penn-kentañ an aloubadeg d'ar 24 a viz Ebrel 2022 eo ar wech kentañ ma vefe bet un dagadenn dre zouar en tu all da harzoù Ukraina. D'ar 1añ a viz Even 2023 e voe un eil tagadenn nepell diouzh kêr Shebekino ; ar C'HYR en doa embannet e oa "eil pazenn" ar stourm o kregiñ.
Hervez un degemenner eus Lejion Dieubidigezh Rusia, palioù an argadennoù a zo tennañ soudarded Rusia eus talbennoù all ar brezel hag ouzhpenn-se reiñ c'hoant da boblañs Rusia d'en em sevel a-enep ar gouarnamant.
Kevezadeg bed ar Formulenn 1 e 2023

Kevezadeg bed ar Formulenn 1 e 2023 eo 74vet abadenn kevezadeg bed blenierien ar Formulenn 1. Kendelc'her a ra ar reolennoù nevez bet degaset e 2022, gant un nebeud cheñchamantoù. Max Verstappen ha Red Bull Racing a zifenn o zitloù.
Setu roll an holl vlenierien, skipailhoù hag oberourien keflusker a zo da redek e 2023.
Days Gone

Days Gone zo ur c'hoari video dreistbevañ-spont sevenet gant SIE Bend Studio hag embannet gant Sony Interactive Entertainment war PlayStation 4. Ar c'hoari a implij al lusker video Unreal Engine 4.
Ar c'hoari video Days Gone a zo bet awenet gant un toullad oberennoù evel ar stirad skinwel hag ar C'homics The Walking Dead dre ma 'z eo aloubet ar bed gant zombied hag eo ret klask dreistbevañ anezho. Ar stirad skinwel Sons of Anarchy pe ar Frañchiz Mad Max a zo bet ivez un awen evit al lodenn feulster war an hentoù hag evit an aergelc'h feuls didruez hollek a vez gant ar c'hoari. A benn ar fin evit al lodenn tolpadoù zombied ramzel ez eo muioc'h un awen gant ar film World War Z .
Pascal Lamour

Pascal Lamour e zou ur soner med iwez libesbeñvegour : electro-shaman e vé greit anehou. Sonnereh hengounel ha sonnereh neùé ar un dro e zou getou, heijet ged musik electronik. Ema e klah arleh ur bed neué, diazéet ar grouhiad er vro : é vro, ha bro pep unan. A benn et fin, chetu azé ur heijaj étré er Vro Goh hag er Bed Neùé. Pascal Lamour a zo marteze unan euz iskisañ sonerien e Breizh, etre binio kozh hag ardivinkoù elektronek, evit mont e unan ha kas ar re all beteg a treant.
Rémi Gaillard

Rémi Gaillard, ganet ar 7 a viz Genver 1975 e Montpellier (Hérault), a zo ur farser gall.
Anavezet eo bet en ur lakaat e videoioù war internet. Awenet eo gant Buster Keaton ha Charles Chaplin, arbenikaet eo en touellerezh hag ar videoioù farsus.
Skol-Uhel ar Vro

Skol-Uhel ar vro (berraet e SUAV, e galleg Institut Culturel de Bretagne) a zo ur gevredigezh krouet e 1982 diwar Karta Sevenadur Breizh, diazezet e Gwened hiziv hon deiz. Kenurzhiañ, harpañ ha kas a ra war-raok sevenadur ar vro e Breizh a-bezh. Reiñ a ra bep bloaz Kolier an Erminig d'un toullad tud en deus graet un dra bennak evit Breizh en o buhez.
Ar senadour Georges Lombard a oa he frezidant kentañ, ha Yvonig Gicquel eus 1998 da 2008. Bernez an Nail ha Bernez Jestin a zo bet e rener. Hiriv eo Patrick Malrieu he frezidant.
Izili : Thérèse Desbordes, Gérard Gautier, Pierre Loquet, Martial Ménard, Annaig Renault, Jean Kerhervé, Angèle Jacq, Lena Louarn, René Vautier hag all. Un 600 bennak a izili zo e-barzh SUAV.
Eil Levr ar Rouaned

Eil Levr ar Rouaned a zo unan eus levrioù istorel ar Bibl katolik. Er Bibl hebraek n'eus nemet ul levr eus Kentañ Levr ar Rouaned hag an eil.
Teir lodenn a zo el levrioù-se : ren Salomon (1 R 1-11) ; istor rouantelezhioù Yehouda hag Israel adalek marv Salomon betek dalc'herezh Israel (1R 12 betek 2R 17) fin rouantelezh Yehouda ha danevell gwallreuz 587 kent JK evit echuiñ (2R 18-25). Un doare relijiel da welout an istor a gaver el levrioù-mañ: difealded hollek ar bobl daoust d'un nebeud roueed deol ha Profeded (Eli, Elize) a gas da zisrann ar rouantelezh, steuziadur Israel ha diskar Youda hag an harlu.
Yehouda

Yehouda , pe Juda, a oa hervez ar Bibl pevare mab Jakob ha Lea. Gwelet e vez evel an hini a glask renkañ an traoù etre izili ar familh (Jozef hag e vreudeur) (s.o. Gn 37,25-27 ha Gn 44,18-34).
Brasañ meuriad Israel e oa meuriad Yehouda. Ober a reas e Su Palestina gant Sion evel kêr-benn pa oa meuriad Efraim (pe "tiad Josef") hini an pouezusañ en Norzh. Jezuz "Mab David" a zo eus lignez Yehouda (He 7,14). Div lodenn a voe e Palestina, unanet da vareoù zo, disrannet alies. Goude marv Salomon e voe div rouantelezh Rouantelezh Israel en norzh, aloubet gant an Asirianed e 721 kent JK ha Rouantelezh Yehouda er su.
Keltia musique

Keltia musique a zo ul label pladennoù, produour ha dasparzher arbennikaet war ar sonerezh keltiek, krouet e 1978 e Kemper gant unan eus ar re gentañ eus ar "sonerezh breizhat ha keltiek", ar soner Hervé Le Meur.
E 2005 ez eo Alain Le Meur, mab Hervé Le Meur, hag a zo PPR Keltia Musique.
Charles Bretagne Marie de La Trémoille, 9th Duke of Thouars

Charles Bretagne Marie de La Trémoille, 9th Duke of Thouars (24 March 1764 – 10 November 1839), 9th Duke of Thouars, 7th Duke of La Trémoïlle, 10th prince de Tarente, 14th prince of Talmond and 14th Count of Laval, was a French aristocrat and soldier; he was the son of Jean Bretagne Charles de La Trémoille and his wife Princess Marie Maximilienne of Salm-Kyrburg.
La Trémoille married Louise-Emmanuelle de Châtillon in 1781. She was a granddaughter of Louis César de La Baume Le Blanc, the famous writer. The couple had one daughter:
At the outbreak of the French Revolution, he sided with King Louis XVI, as did the rest of his family. In 1789, La Trémoille and his parents emigrated from France, and he joined the émigré army under the Prince of Condé. Two of La Trémoille's brothers perished in the Reign of Terror. His wife was imprisoned in the prison de l'Abbaye until 1792, when she was permitted to join him in England. She became a writer and left England in company of her brother-in-law Marie François Emmanuel de Crussol for the court of Russia around March 1797, where she was a maid of honour of Empress Maria Feodorovna.
After the Revolution, La Trémoille returned to France. Following Louise Emmanuelle's death, he remarried in 1817 to Marie Virginie de Saint-Didier. They had two daughters:
Following her death, La Trémoille married for a third time in 1830 to Valentine Eugénie Joséphine Walsh de Serrant (7 March 1810 – 10 September 1887). They had two children:
La Trémoille died shortly after his son's birth, in 1839.
Albin de la Simone

Albin de la Simone (born in Amiens, Picardy, France on 14 December 1970) is a French singer-songwriter.
He has released five albums since 2003, being nominated to the 2018 Victoires de la Musique in the Best Song Album (Meilleur album de chansons) category and in 2014 in the Best Live Newcomers (Révélation scène) category.
He has been working in music since the mid-1990s as a keyboardist, bassist, arranger, and director for a large number of artists, including Miossec, Vanessa Paradis, Keren Ann, Arthur H, Alain Souchon, Raphaël Haroche, Mathieu Boogaerts, Jean-Louis Aubert, and Salif Keita, among others (complete discography below).
As an artist, his musical works are exhibited at Les Francofolies de La Rochelle, Philharmonie de Paris, and many other galleries and festivals.
He is also associated with the Théâtre National de Bretagne.
After studying art at the Institut Saint-Luc in Tournai (Belgium) and arrangement and orchestration at the Centre d'informations musicales [fr] (CIM) in Paris, Albin L'Eleu de la Simone started his career as composer and jazz pianist (his father being a New Orleans Jazz clarinetist) as a member of the band "The Barbecues."
In 1995, he and his quintet were finalists in La_Défense_Jazz_Festival.
Between 1995 and 2000, he toured in Africa with Salif Keita and Angélique Kidjo, and he began to feature on other French singers' tracks.
Parallelly, de la Simone met the new singers of his generation (Mathieu Boogaerts, Matthieu Chedid, Arthur H, Nina Morato...) and found his calling. He wrote his first songs towards the end of the 1990s.
In 2003, de la Simone performed his first concerts as singer in Japan, opening for Mathieu Boogaerts.
In September, he released Albin de la Simone, his first album, on the label Virgin Records, co-directed with Renaud Letang. Of the album, "Elle aime", sung as a duet with Feist, and "Patricia," with Alain Souchon, became hits.
He composed in part the soundtrack of the film Tiresia, directed by Bertrand Bonello.
Charles Armand René de La Trémoille

Charles Armand René de La Trémoille, 7th Duke of Thouars (14 January 1708 – 23 May 1741), 7th Duke of Thouars, was the son of Charles Louis Bretagne de La Trémoille and his wife, Marie Madeleine Motier de la Fayette.
La Trémoille joined the military and became a colonel of a regiment in his name. He later became colonel of the Champagne regiment, which he led in the Italian campaigns from 1733 to 1734. He distinguished himself in the attack on Colorno.
He also distinguished himself in the battle of Guastalla, in Italy, and was named shortly thereafter sergeant of the armies of the king.
La Trémoille was the author of some works and was elected a member of the Académie française on 13 February 1738.
In 1741, he became governor of Île-de-France, but died that same year.
On 29 January 1725 he married his cousin Marie Hortense de La Tour d'Auvergne, the daughter of Marie Armande Victoire de la Trémoïlle (1677–1717) and Emmanuel-Théodose de La Tour d'Auvergne, duc de Bouillon (1668–1730).
Marie Hortense, like her husband was a grandchild of Charles Belgique Hollande de La Trémoille. From this union was born a son: Jean Bretagne Charles de La Trémoille and a daughter who died in infancy.
Carín León

Óscar Armando Díaz de León Huez, known professionally as Carín León, (born 26 July 1989) is a Mexican singer-songwriter who specializes in regional Mexican music.
León began playing the guitar at the age of 15. His first band was Los Reales, before founding Grupo Arranke with four friends in 2010. The group gained traction with their song "A Través del Vaso". He was a member of Grupo Arranke for seven years, until starting a solo career in 2018. His career took off with his solo version of "A Través del Vaso". His other songs "Me La Avente" and "Tú", a cover of the 1999 song by Noelia, both charted on Billboard's Hot Latin Songs, Latin Airplay, and Regional Mexican Airplay charts. In 2021, he also released a cover of "More Than Words" by Extreme and later a version of "Moscas en la Casa" by Shakira, which was part of his album Pistiembre Todo El Año.
During the global shutdown of major venues and concert halls due to the COVID-19 pandemic, León pivoted into podcasts, alternative radio and emerging platforms for greater distribution. This was also in large part thanks to the dramatic overall increase in interest in regional Mexican music globally, as noted by Spotify. León appeared on NPR's 'Tiny Desk' on September 19, 2022.
León won the Latin Grammy Award for Best Regional Mexican Song in 2022 for the song "Como lo Hice Yo" alongside Édgar Barrera and Matisse. In 2022, he was the third most streamed Mexican artist on Spotify.
His single "Que Vuelvas" with Grupo Frontera was number one for six weeks on the Regional Mexican Airplay chart in 2023.
León won his second Latin Grammy in 2023; this time for the Best Norteño Album with his third studio album, Colmillo de Leche.
On February 23, 2024, León made his debut performance in one of country music's most prestigious venues, the Grand Ole Opry in Nashville, Tennessee.
On April 14, 2024, León debuted at the Coachella Valley Music and Arts Festival in California during its first weekend. Six days later, he was presented with the key to the City of Coachella by the city council. The next day, León again performed at the Coachella Festival during its second weekend. On April 26, León debuted at Coachella's country music-themed sister festival, Stagecoach.
On October 4, 2024, León made his debut at the Austin City Limits Music Festival in Zilker Park. The following day, he debuted on Austin City Limits at the Moody Center.
León received his third Latin Grammy in 2024; this time for the Best Contemporary Mexican Music Album with his fourth studio album, Boca Chueca, Vol. 1. Said album also won the Grammy Award for Best Música Mexicana Album in 2025.
On February 26, 2025, León debuted at the Viña del Mar Festival in Chile, where he received the Silver and Golden Gaviota awards.
On March 9, 2025, León made his debut at Rodeo Houston, where he performed in front of 70,603 fans.
León was born in Hermosillo, Sonora, to Óscar Díaz de León and Carmen Julia Huez. He has a girlfriend and two children.
Stereotypes of French people

Stereotypes of French people include real or imagined characteristics of the French people used by people who see the French people as a single and homogeneous group. French stereotypes are common beliefs among those expressing anti-French sentiment.
There exist stereotypes of French people amongst themselves depending on the region.
Stereotypes of the French by the British people, especially the English people, have existed for centuries. This is in part due to the many Anglo-French Wars (1193–1815).
Americans view the French as effeminate and cowardly. Francophobia and xenophobic sentiments towards the French have been an established part of the culture of the United States. The French have a reputation for tipping poorly.
French cuisine is a major part of French culture, and French food is often regarded as among the best in the world, with The Guardian stating "a really fine French dish represents one of the undisputed pinnacles of human cultural achievement."
The French are commonly regarded to enjoy eating cheese, snails, frog legs, and plenty of bread, particularly baguettes and croissants. The French are also known for their fondness for wine.
France, particularly Paris, has been perceived for being a high fashion place where designer clothes and cosmetics are made.
The French are perceived as having poor hygiene, originating from American soldiers during World War II.
The perception that French workers are prone to strikes and take a lot of time off has established a stereotype of the French being workshy.
A common stereotypical image of French people, especially in British media, was of a man on a bicycle wearing a striped jumper and beret with a string of onions around his neck. This derives from the "Onion Johnny," a nickname for Breton itinerant onion-sellers who cycled around England and Wales in the 20th century; for many British people, this would be their only contact with French people.
Despite being one of the world's leading powers from the mid 17th century to the early 19th century, the French Army has sometimes had a reputation for cowardice as a result of their rapid defeat in the Battle of France.
French people are perceived as being very romantic.
French waiters have been perceived as rude and disrespectful, especially to foreigners who speak little to no French.
Smoking in France is a common trope when associated with France, especially the local Gauloises brand.
Senegalese kaftan

A Senegalese kaftan is a pullover men's robe with long bell sleeves. In the Wolof language, this robe is called a mbubb or xaftaan and in French it is called a boubou. The Senegalese caftan is an ankle length garment. It is worn with matching drawstring pants called tubay in Wolof. Normally made of cotton brocade, lace, or synthetic fabrics, these robes are common throughout West Africa. A kaftan and matching pants is called a kaftan suit. The kaftan suit can be worn with a kufi cap. Senegalese kaftans are formal wear in all West African countries. In the United States, some merchants sell this robe as a Senegalese style dashiki pant set or a full length dashiki pant set. Men who are members of the Hausa tribe, wear these kaftans to formal events like naming ceremonies and weddings. In the United States, a kaftan is one of three formal suits, equivalent to the tuxedo, that African-American grooms select for their weddings. The other styles being the dashiki pant set, and the grand boubou, pronounced gran boo-boo. There are various other formal robes that are worn throughout West Africa, and with the exception of the Yoruba Gbarie robe, pronounced barry, most of these are a form of Islamic dress, see sartorial hijab. The kaftan is worn by Christians, African Jews, Muslims, and followers of African traditional religion. Furthermore, Senegalese kaftans are common among men of African descent in the African diaspora. The Senegalese kaftan is men's attire. In West Africa, and the United States, this robe is not worn by women. The women's robe is called a kaftan.
A white kaftan is worn for weddings. The bride's attire is a buba and wrapper set or a woman's kaftan that is the same color as the groom's Senegalese.
Another robe that is occasionally seen in West Africa is the short-sleeved Moroccan kaftan, also called a thobe, dishdasha, or jalabiyyah. These kaftans are used as pajamas or lounge wear. In the home, they are worn on top of underwear. Some men wear the Moroccan kaftan outside the home. When worn outside, it is customary to wear the Moroccan kaftan over a long or short sleeve t-shirt or turtleneck and a pair of pants, jeans, or shorts. The Moroccan kaftan can be worn with a knitted or crown style kufi cap. In Morocco, this robe is called a gandora. Although widely worn, Moroccan kaftans are not formal attire in any West African country. Recently, some tribes have started to wear the Tanzanian kanzu for informal occasions, including church services, or Friday prayers at the mosque.
Güveç

Güveç es el nombre en turco de varios platos de la cocina turca, como el karides güveç.​​ El güveç más común y popular en Turquía es türlü güveç, un plato de verduras con o sin carne. Las verduras en este plato pueden variar según la estación, o disponibilidad, y el gusto de cada familia: Generalmente, lleva berenjenas, patatas, pimientos verde y rojo y judías verdes, como mínimo. Muchas veces se le agrega calabacín y ocra también. La comida tiene como base un sofrito de cebollas con tomate (o salça, una pasta de tomate al estilo turco) y ajo.
El güveç turco se cocina en Grecia como giouvetsi,​ ‘olla de barro’. El nombre del plato eslavo đuveč tiene el mismo origen, pero la receta es bastante diferente del giouvetsi.​
Güveç, como término del idioma turco, denomina también una serie de variantes de ollas, potes, pailas, cazos y cazuelas de barro.​
Cantón Chone

El cantón Chone es una entidad territorial subnacional ecuatoriana de la provincia de Manabí, administrada por un municipio en sus instancias jurisdiccionales. Su sede y capital es Chone, donde residen todas sus principales instituciones públicas y privadas. El cantón Chone se extiende a lo largo de toda la zona norte y septentrional de la provincia de Manabí, ocupando la mayor proporción territorial de dicha jurisdicción, ubicándose en la zona noroccidental de la región Costa ecuatoriana y en plena línea ecuatorial. Está dividida a nivel hemisférico por dicha principal línea paralela que la sobrevuela encima de un subsuelo productivo, húmedo y tórrido. Oficialmente consta dividida en 9 parroquias: 2 urbanas y 7 rurales.
El burgomaestre o alcalde de San Cayetano de Chone, cuando asume sus funciones, se lo considera además heredero del jefe indio que dominó las zonas actuales de Chone en tiempos precolombinos, por lo que se contempla que el alcalde, en su despacho, ocupa el Sillón del Chuno y Sillón del Colibrí. Históricamente, a mediados del siglo XX, los alcaldes de Chone fueron denominados Presidentes del Consejo Cantonal. De acuerdo con la actual vigente legislación ecuatoriana, el alcalde o alcaldesa de Chone, ipso iure, también adquiere la calidad de miembro en el consejo de su provincia asignada, es decir que se convierte jurídicamente en Consejero Provincial de Manabí.
El cantón destaca especialmente en el sector agropecuario. La producción de lácteos es uno de sus pilares económicos más importantes, con una amplia red de ganaderos y pequeñas industrias dedicadas a la elaboración de queso, yogur y otros derivados. La fertilidad de sus tierras y el clima favorable permiten una producción constante de leche, que no solo abastece el mercado local, sino que también se distribuye a nivel regional.​ Esta actividad ha impulsado el desarrollo económico de la zona, generando empleo y fortaleciendo la identidad productiva de Chone.​
El queso chonero goza de fama nacional y existen iniciativas para obtener la denominación de origen para el producto.​
Roberto Quiroz

Roberto Quiroz Gómez (Latin American Spanish: [roˈβeɾto kiˈɾos]; born 23 February 1992) is an Ecuadorian professional tennis player. Quiroz is the nephew of Andrés Gómez and the cousin of Emilio Gómez and Nicolás Lapentti. He attended and played collegiate tennis at the University of Southern California.
In 2010 he won the finals stage of Boys' Doubles events on the French Open and US Open with Peruvian tennis player Duilio Beretta. They defeated Argentinian pair Facundo Argüello and Agustín Velotti 6–3, 6–2 in France and they won against Oliver Golding and Jiří Veselý 6–1, 7–5 in the United States.
Gonzalo Escobar

Gonzalo Escobar (Latin American Spanish: [ɡonˈsalo eskoˈβaɾ]; born 20 January 1989, in Manta) is an Ecuadorian tennis player. His career-high doubles ranking is World No. 38, achieved on 15 November 2021. He has won three ATP doubles titles with Uruguayan Ariel Behar and three with Kazakhstani Aleksandr Nedovyesov. Escobar also has a career high ATP singles ranking of No. 281 achieved on 15 June 2015.
Playing for Ecuador in Davis Cup, Escobar has a W/L record of 8–9.
Partnering with Uruguyan Ariel Behar, Escobar won two ATP titles at the 2021 Delray Beach Open and the 2021 Andalucía Open and reached three other finals on the ATP tour in 2021 after winning two ATP Challenger Tour titles together in 2020. He entered the top 50 following the final at the 2021 Serbia Open on 26 April 2021. He reached the third round of a Major for the first time at the 2021 Wimbledon Championships. Escobar finished the year 2021 ranked No. 38, a career-high doubles ranking.
In 2022, he reached a fourth final and won his third ATP 250 title with Behar at the 2022 Serbia Open defeating top seeds Mate Pavić and Nikola Mektić. The pair reached two Major third rounds at the 2022 Australian Open and the 2022 US Open (tennis). Escobar finished the year 2022 ranked No. 40, a second best career-high doubles ranking.
He reached the third round at the 2023 Australian Open with Tomislav Brkić.
He reached his ninth ATP final at the 2023 Libéma Open with Kazakhstani Aleksandr Nedovyesov, losing to Wesley Koolhof and Neal Skupski.
He won his fourth title at the 2023 Swedish Open with Nedovyesov. He won his fifth title at the 2023 Sofia Open with Nedovyesov.
Mell Reasco

Mell Elizabeth Reasco González (born 23 July 2002) is an Ecuadorian tennis player.
Reasco reached a career-high ITF juniors ranking of 20, achieved on 24 February 2020.
She has won two singles titles and two doubles titles on the ITF Women's World Tennis Tour. On 31 January 2022, she recorded her career-high singles ranking of world No. 461. On 1 August 2022, she peaked at No. 492 in the WTA doubles rankings.
Reasco made her Fed Cup debut for Ecuador in 2019.
Totopo

Totopo, in Mexican cuisine, is a flat, round, or triangular corn item similar to a tortilla, that has been toasted, fried or baked, but it may be prepared with nixtamalized corn masa. Totopos are best known as originating from Zapotec peoples of the isthmus of Tehuantepec region of the Mexican state of Oaxaca. There, the Zapotec women bake totopos in a clay oven known as a comixcal. Totopos resemble a round, baked tortilla chip or certain types of Scandinavian flat bread; however, unlike tortillas, salt is added to the masa and holes are made in the disk prior to baking.
Totopo may also refer to triangular fried tortillas (totopos de maíz), which are essentially tortilla chips. When the whole round tortilla is baked or fried it is generally known as a tostada.
An important feature of the baking and salting process is preservation. To prevent the decomposition of the corn and growth of mold, regular tortillas generally need to be eaten the same day as they are made (or stored cold) due to the moisture content, whereas totopos may be stored for future consumption, in the same manner as dry crackers.
In some cases, fried tortilla chips commercially made both in Mexico and the United States are labeled as or referred to as totopos, although they are not made in the manner of the Oaxacan totopo and are more akin to tortilla chips.
The name totopo comes from the Aztec (or Nahuatl) totopochtli, meaning 'toasted thing or thing that crunches when eaten', from the verb totopotza 'to crunch or to toast'. To differentiate the word from other toasted things, sometimes the compound tlaxcaltotopochtli was used, meaning 'toasted tortilla'. The combined word means, approximately, 'tortillas that are noisy to chew'.
2017 Brazil prison riots

The 2017 Brazil prison riots were a confrontation between two criminal organizations, the Primeiro Comando da Capital (PCC) and Comando Vermelho (CV), and their allies within prisons and peripheries of Brazilian cities. Its emergence is linked to the methods of the PCC to conquer new territories for drug trafficking, which involve the collection of insurance and economic centralization and whose rigid pseudo-state organization finds strong resistance from regional criminal organizations, with predominantly decentralized organization.
The confrontation has taken the form of prison rebellions culminating in massacres. At the end of 2016, the first rebellion took place in Roraima with dead detainees. On January 1, 2017, 56 prisoners were killed after a riot at the Anísio Jobim (Compaj) Penitentiary Complex in Manaus, Amazonas, in the northern region of the country. Members of two rival gangs of drug trafficking, the Primeiro Comando da Capital (PCC) and the Família do Norte (NDF) (allied to the Comando Vermelho (CV)) clashed in what was considered the most violent massacre in the history of the Brazilian prison system since the slaughter of Carandiru (1992).
The next day, four more inmates were killed at another prison in Manaus. Five days later, 33 prisoners were killed in the Agricultural Penitentiary of Monte Cristo riot, located in the rural area of Boa Vista, Roraima, also in the North. According to Folha de S.Paulo, the massacre in Roraima was a response of the PCC to the rebellion commanded by the FDN in the Amazon. Even more people were killed later on in the month.
Some of the most recent riots within Brazilian prisons happened in January 2018 in the state of Ceara. These fights broke out because of rivaling gang members, The Guardians of the State and First Capital Command of São Paulo, being in such close quarters in the facility. This riot was just one in a series that has been occurring for a year and a half. At least 10 inmates were killed and eight were injured. The state of Ceara holds the highest number of inmates without conviction or sentencing throughout all of Brazil: two of every three inmates await trial. Inmates are notoriously more agitated throughout the process of awaiting trial, which may explain the high prevalence of fights at the Ceara facility. Yet another riot that took place in January 2018 was in the state of Goias. Authorities claim nine prisoners were killed and 14 injured; one victim being decapitated. 106 prisoners escaped with authorities only recapturing 29 of them after regaining control of the facility. This riot was yet another cause of rivaling gang members being in too close of quarters. In this case, a gang entered the housing unit of a rivaling gang, setting their mattresses on fire and firing off weapons. The staff claims to have moved in quickly to get things under control, but not before 106 of the facilities’ inmates escaped.
Deadvlei

Deadvlei is a white clay pan located near the more famous salt pan of Sossusvlei, in a valley between the dunes in the Namib-Naukluft Park in Namibia. Also written DeadVlei or Dead Vlei, its name means "dead marsh" (from English dead, and Afrikaans vlei, meaning lake or marsh). The pan also is referred to as "Dooie Vlei" which is the Afrikaans name. There are many references to the site on the Internet, its name often being translated erroneously in terms such as "dead valley"; a vlei is not a valley (which in Afrikaans is "vallei"). Nor is the site a valley; the pan is a desiccated vlei.
Dead Vlei has been claimed to be surrounded by the highest sand dunes in the world, the highest reaching 300–400 meters (350m on average), named "Big Daddy" or "Crazy Dune", resting on a sandstone terrace.
The clay pan was formed after rainfall, when the Tsauchab river flooded, creating temporary shallow pools where the abundance of water allowed camel thorn trees to grow. When the climate changed, drought hit the area, and sand dunes encroached on the pan, which blocked the river from the area.
The trees died as there was no longer enough water to survive. However, some species of plants remain, such as salsola and clumps of nara, adapted to surviving off the morning mist and very rare rainfall. The remaining skeletons of the trees, which are believed to have died 600–700 years ago (ca. 1340-1430), are now black and scorched by the intense heat. Though not petrified, the wood has not decomposed because the area is so dry.
Films partly shot there include The Cell, The Fall, Ghajini and Ayan.
24°45′35″S 15°17′31″E﻿ / ﻿24.75972°S 15.29194°E﻿ / -24.75972; 15.29194
Disclosure (álbum de The Gathering)

Disclosure es el décimo álbum de estudio de la banda neerlandesa de rock alternativo The Gathering, y el segundo con la vocalista noruega Silje Wergeland, luego de "The West Pole" (2009).
Sus fechas oficiales de salida fueron el 12 de septiembre de 2012 en Europa y el 25 de septiembre de 2012 en Estados Unidos, y una vez más fue editado bajo el propio sello discográfico de la banda, Psychonaut Records.
Paralelo a este disco se lanzó al mercado el EP especial "Afterlights", trabajo que solo estará disponible en vinilo y que contiene versiones alternativas de algunos temas de "Disclosure".
El álbum presenta el sonido y estilo distintivos en The Gathering. Sin embargo según el tecladista Frank Boeijen, "Disclosure es el paisaje sonoro más personal que la banda haya hecho nunca, tanto lírica como musicalmente (...)"."El álbum es un gran matrimonio entre sonidos electrónicos y orgánicos, y tiene una amplia gama de temas coloridos. Con canciones largas y épicas, nos quedamos cerca de nosotros mismos. Estamos muy orgullosos de este álbum que es un reflejo de lo que mejor sabemos hacer, y nuestro afán de experimentación. Cada banda dice lo mismo acerca de su nuevo álbum, pero creemos que hemos hecho nuestro mejor álbum".​ En esencia, posee un matiz melancólico y oscuro, con una notable mezcla de elementos de metal gótico, música electrónica y rock progresivo.
El 16 de mayo de 2011, la banda publicó su sencillo y vídeo "Heroes For Ghosts" (balada de más de diez minutos de duración e incluida en este álbum) en su página en Bandcamp.com , como parte de la promoción de su tour por Suramérica realizada ese mismo año.​
El arte gráfico de la portada (bastante peculiar y simbólico) fue creado a mano por el artista chileno Carlos Vergara Rivera y, según Frank Boeijen, está inspirado en dicha canción.
El segundo sencillo fue "Meltdown", lanzado el 29 de mayo de 2012, el cual apareció en el sitio web de la banda.
A Gathering of the Tribes

A Gathering of the Tribes fue un festival musical y cultural organizado por Ian Astbury, (vocalista y fundador de la banda inglesa The Cult) y el promotor Bill Graham, en California, en octubre de 1990. Este festival fue considerado como el precursor del popular Lollapalooza, una opinión compartida por el propio Astbury.​ El festival se llevó a cabo en el Shoreline Amphitheatre en Mountain View, California, Estados Unidos, el 6 de octubre, y en el Pacific Amphitheatre en Costa Mesa, California, el 7 de octubre.​ El evento estaba destinado para recaudar dinero para ayudar a los nativos norteamericanos.
Yalchin Adigozalov

Yalchin Adigozalov (en azerí: Yalçın Adıgözəlov) es prominente director de orquesta y profesor de música de Azerbaiyán.
Yalchin Adigozalov nació el 4 de noviembre de 1959 en Bakú.​ Él comenzó a estudiar música bajo la dirección de su padre – Vasif Adigozalov, el famoso compositor de Azerbaiyán.
En 1982 se graduó en la facultad de piano de la Academia de Música de Bakú. En 1984-1989 estudió en el Conservatorio de San Petersburgo con el profesor Iliá Musin.
En 1989 fue el director de orquesta de la Orquesta Sinfónica Estatal de Azerbaiyán. En 1990-1992 también continuó sus estudios en la Universidad de Música y Arte Dramático de Viena.​ En 1991-1998 trabajó como el director artístico y titular de la Orquesta Sinfónica Estatal de Azerbaiyán. Desde 1996 enseña en la Academia de Música de Bakú.
En 2000 se convirtió en director de orquesta en el Teatro de Ópera y Ballet Académico Estatal de Azerbaiyán. Él dirigió La flauta mágica, La finta giardiniera, Tosca, Madama Butterfly, Gianni Schicchi, Cavalleria rusticana, Pagliacci, Carmen, Sansón y Dalila, Aleko, La dama de picas, El príncipe Ígor, Eugenio Oneguin, Romeo y Julieta y El murciélago.
Yalchin Adigozalov ha actuado con muchas de las mejores orquestas de Estados Unidos, México, Brasil, China, España, Austria, Italia, Bélgica, Alemania, Luxemburgo, Rumania, Turquía, Hungría, Inglaterra (Orquesta Filarmónica de Londres), Rusia (Orquesta Nacional de Rusia), etc.​​​​​​
También ha grabado 8 CD con la Orquesta Sinfónica Chaikovski de la Radio de Moscú y la Orquesta Sinfónica Estatal de Azerbaiyán.
Yalchin Adigozalov se ha nombrado el Artista del pueblo de la República de Azerbaiyán en 2012.