davidanugraha/M4-RAG huggingface dataset:
Catedral de Río de Janeiro

La Catedral Metropolitana de Río de Janeiro, oficialmente Catedral de San Sebastián de Río de Janeiro, (en portugués: Catedral Metropolitana do Rio de Janeiro, Catedral de São Sebastião do Rio de Janeiro) es una catedral católica brasileña ubicada en Río de Janeiro y sede de la arquidiócesis de la ciudad. Dedicada a San Sebastián, patrono de Río de Janeiro, fue construida entre 1964 y 1979​ para reemplazar a una serie de viejas iglesias que habían servido como catedrales desde la creación de la Arquidiócesis en 1676.​ Se encuentra en el centro de un amplio parque ubicado en el barrio Centro de la Zona Central de la ciudad.
Es un edificio modernista diseñado por Edgar de Oliveira da Fonseca en el centro de la ciudad, sobre la avenida República de Chile. Tiene una forma cónica con 96 metros de diámetro interno y una altura total de 75 metros. Está inspirada en las pirámides de Centroamérica​ y combina en su diseño una planta circular con un techo en el que destaca una cruz griega​
Posee cuatro vitrales que proyectan la cruz griega desde el techo hasta el suelo. Cada uno se refieren a uno de los atributos de la Iglesia: Una, Santa, Católica y Apostólica.​ Cuenta también con una cruz monumental de madera, sostenida por cables que apuntan alos cuatro puntos cardinales.​ Algunas de sus esculturas son del paulista Humberto Cozzo.
Iglesia de San Martín de Tours (Quillota)

La Iglesia de San Martín de Tours es una iglesia parroquial católica ubicada en la ciudad chilena de Quillota, en la fachada poniente de su Plaza de Armas. Erigida hacia mediados del siglo XVII, es una de las más antiguas sedes que se han mantenido desde la época colonial en el país.
La presencia formal de la Iglesia nace en 1558, cuando es erigida una doctrina de indios en la zona.​
De acuerdo a los archivos parroquiales de bautismo, la parroquia data de por lo menos 1642, registrándose varios bautizos a indígenas de encomiendas de la zona,​ figurando como párroco Vicente Carrión y Montecinos.​ Delatando mucha presencia indígena en la zona,​ la parroquia seguía en funcionamiento para 1717, cuando la ciudad fue fundada como tal por el gobernador José de Santiago Concha. Según el acta de fundación, fue trazada definitivamente la iglesia parroquial en la fachada poniente de la Plaza de Armas de la ciudad.
La iglesia que se encontraba erigida durante el siglo XX debió ser desmantelada y demolida en 1965, fruto del terremoto de aquel año.​ El nuevo templo, que existe en la actualidad, es de arquitectura más modernista, en comparación a la planta de salón del antiguo templo. Ésta fue restaurada en la década de 2000 por el párroco Kepa Bilbao.
Iglesia Evangélica Luterana La Trinidad (Santiago de Chile)

La Iglesia Evangélica Luterana La Trinidad es un templo religioso de culto luterano de habla hispana, ubicado en la comuna chilena de Ñuñoa, en Santiago. Es la sede de la Congregación La Trinidad, la cual pertenece a la Iglesia Evangélica Luterana en Chile (IELCH), una de las dos iglesias del luteranismo en el país. Su actual pastora es la Rvda. Sandra Rozenberga-Saavedra.
El origen del templo se remonta a la edificación de la Christuskirche (Iglesia de Cristo en alemán), obra financiada por la comunidad luterana de habla alemana de Santiago y diseñada por el arquitecto Otto Balze. El templo fue inaugurado el 19 de abril de 1959 y contó con el apoyo del Pastor Helmuth Schünemann para ello, como una iglesia dependiente de la Iglesia El Redentor (Erlöserkirche).​
Ya a comienzos de los años 1960 se comenzaron a organizar los primeros luteranos residentes en Ñuñoa, Macul, La Reina y alrededores, para tener una congregación independiente. La iglesia se constituyó oficialmente en 1969 como congregación luterana, mientras que tres años después obtuvo la personalidad jurídica de derecho privado, bajo el principio de libertad de culto que rige en Chile como Estado laico. Durante ese año, la comunidad de habla alemana de la Iglesia Evangélica Luterana en Chile (IELCH) entrega el edificio a la Congregación a modo de donación, emplazado a una cuadra de la Plaza Ñuñoa.​ El primer organista titular del templo fue el músico Gastón Lafourcade, quien provenía de desempeñar el mismo cargo en la Basílica de la Merced, de la Iglesia católica.​
Durante el cisma de la Iglesia Luterana en Chile producido oficialmente en 1975, la Congregación de La Trinidad decidió permanecer en la Iglesia Evangélica Luterana en Chile.
En 2013, la Congregación inauguró una placa conmemorativa en el parque de Villa Grimaldi, en Peñalolén, a la memoria del pastor luterano Helmut Frenz, por su labor en el Comité Pro Paz contra las violaciones de los derechos humanos de la dictadura militar.​ Asimismo, el Salón Comunitario de la iglesia lleva el nombre del Pastor Frenz en su honor.
La iglesia posee un órgano construido en 1958 por la compañía alemana G. F. Steinmeyer & Co., traído desde Oettingen.​
La comunidad religiosa es regida a nivel local a través de un Consejo Congregacional, con un presidente y cinco directores.
El trabajo comunitario con los feligreses se divide en cuatro pastorales:​
Barrio Consistorial de Peñalolén

El Barrio Consistorial de Peñalolén es el más importante políticamente para la comuna. Aquí se encuentra la Ilustre Municipalidad de Peñalolén, el Centro Cultural Chimkowe, el Estadio Municipal de Peñalolén, la 43º Comisaría de Peñalolén, el SAR Carol Urzúa y la 8va Compañía de Bomberos del Cuerpo de Bomberos de Ñuñoa, "Bomba Peñalolén". Además tiene un centro comercial, el segundo más importante después de Ictinos.
El barrio se encuentra dentro de las Avenida Grecia, Avenida el Acueducto, Avenida Antupirén y Punta Blanca. Además es atravesado por la Avenida Consistorial, la que le da nombre al importante barrio de Peñalolén.
Peñalolén

Peñalolén (Mapudungun "fraternal meeting place") is a Chilean commune in Santiago Province, Santiago Metropolitan Region. It was founded on 15 November 1984.
The commune was founded on 15 November 1984. In 2019, Chilean police arrested a local family, accusing them of drug trafficking. The Peñalolén organization was reported to be one of the largest in the Santiago area, operating throughout the city.
According to the 2002 census of the National Statistics Institute, Peñalolén spans an area of 54.2 km (21 sq mi) and has 216,060 inhabitants (105,528 men and 110,532 women), and the commune is an entirely urban area. The population grew by 20.2% (36,279 persons) between the 1992 and 2002 censuses.
As a commune, Peñalolén is a third-level administrative division of Chile administered by a municipal council, headed by an alcalde (mayor) who is directly elected every four years. As of 2012, the alcalde is Carolina Leitao (PDC). The communal council has the following members:
Since 1984, Peñalolén has had five mayors:
Peñalolén is represented in the Chamber of Deputies by Jaime Pilowski (PDC) and José Antonio Kast (UDI) as part of the 24th electoral district (together with La Reina). The commune is represented in the Senate by Manuel José Ossandón (RN) and Carlos Montes (PS) as part of the 8th senatorial constituency (Santiago-East).
Benedictine Monastery of the Holy Trinity (Las Condes)

Benedictine Monastery of the Holy Trinity (Spanish: Monasterio Benedictino de la Santísima Trinidad de Las Condes) is a Benedictine monastery in Las Condes, Santiago Province, Chile noted for its modernist architecture.
The monastery was designed by Martín Correa Prieto and Gabriel Guarda in 1961 and constructed from 1962 to 1964. In designing the building, Prieto and Guarda focused on the manipulation of light.
The building was designated a National Monument of Chile in 1981.
St. Bartholomew Cathedral, Chillán

The St. Bartholomew Cathedral (Spanish: Catedral de San Bartolomé) Also Chillán Cathedral Is a temple of the Catholic Church, home of the Diocese of Chillán located in the center of the city of Chillán, Chile in front of the Plaza de Armas, in the corner of streets Arauco and Libertad. It is also a symbol and icon of the city, as a result of the city's progress after the Chillan earthquake of 1939. It was declared a National Monument in December 2014.
The first cathedral of the city of Chillán was established in what today is known as Old Chillán, but this one was destroyed after the earthquake that affected the zone in 1835. As a result, the city was devastated and was transferred and reconstructed in Its current location. The cathedral at that time was made of lime and brick.
After the Chillán earthquake of 1939, the cathedral was completely destroyed again, beginning that same year the reconstructions that culminated in 1950. In this new reconstruction, the architect Hernán Larraín Errázuriz was based on ideas of modernism. The figure of the 10 arches represent the prayer and the sign that is made with the hands at the moment of praying intercalando the fingers of the hands and closing them of oval form.
36°36′25″S 72°06′08″W﻿ / ﻿36.6069°S 72.1021°W﻿ / -36.6069; -72.1021
St. Augustine Cathedral, Talca

The St. Augustine Cathedral (Spanish: Catedral de San Agustín) Also Talca Cathedral is a cathedral of the Catholic church in Chile dedicated to St. Augustine. It is located in the Plaza de Armas de Talca, and is the seat of the bishop of the Diocese of Talca in Chile.
It was built by the architect Ramón Venegas and began in 1938 in the same place where the Mother Church was destroyed by the 1928 Talca earthquake. It was finally consecrated on September 30, 1954. The carillon was erected the following year thanks to a donation of the philanthropist Gabriel Pando.
The earthquake of 11 March 2010 left the temple with structural damage that included its walls of masonry and its arches of reinforced concrete, with risk of collapse. In 2012 the restoration work was completed, reinforcing the walls with reinforced concrete and replacing the wooden structure of the roof.
35°25′34″S 71°40′01″W﻿ / ﻿35.4261°S 71.6670°W﻿ / -35.4261; -71.6670
The Wonder Spot

The Wonder Spot was a tourist attraction located off US Route 12 in Lake Delton, Wisconsin from 1949 to 2006. A popular side trip for visitors to nearby Wisconsin Dells, the Wonder Spot was advertised as a place "where the laws of natural gravity seem to be repealed." Visitors walked down a ravine into a cabin, where seemingly no one could stand up straight, water flowed backwards, and chairs could be balanced on two legs. Guides attributed the effects to igneous rock formations, but in truth, the cabin was built perpendicular to a hillside, and the purported gravitational anomalies were merely optical illusions.
Louis Dauterman of Fond du Lac, Wisconsin opened the Wonder Spot in 1952, and Bill Carney purchased it in 1988. According to Carney, as many as 50,000 visitors came to the site each year during the mid-1990s. However, when more sophisticated theme parks and water parks in the area began threatening his business, Carney decided to sell the site to the village of Lake Delton in 2006 for $300,000. The village planned to build a road near the ravine. At the time of its closing, the Wonder Spot was the oldest permitted attraction in the Wisconsin Dells region. A few items from the Wonder Spot, such as a chair and a can used for pouring water, were donated to the Wisconsin Historical Society.
43°35′16″N 89°47′10″W﻿ / ﻿43.5878°N 89.7861°W﻿ / 43.5878; -89.7861
Val d'Orcia

The Val d'Orcia or Valdorcia (Italian: [ˌvalˈdortʃa]) is a region of Tuscany, central Italy, which extends from the hills south of Siena to Monte Amiata. Its gentle, cultivated hills are occasionally broken by gullies and by towns and villages such as Pienza (rebuilt as an "ideal town" in the 15th century under the patronage of Pope Pius II), Radicofani (home to the notorious brigand-hero Ghino di Tacco) and Montalcino (the Brunello di Montalcino is counted among the most prestigious of Italian wines). Its landscape has been depicted in works of art from Renaissance painting to modern photography.
The Val d'Orcia was added to the UNESCO list of World Heritage Sites in 2004.
Within the Val d'Orcia is a strip of land following the Orcia river between the DOCG zones of Brunello di Montalcino and Vino Nobile di Montepulciano. Here Sangiovese and Trebbiano-based wines are produced under the Orcia Denominazione di origine controllata (DOC) status.
The DOC red wine is composed of at least 60 per cent Sangiovese with other local varieties, such as Abrusco, permitted to fill in the remainder of the blend. The dry white wine and Vin Santo style DOC wines are composed of at least 50 per cent Trebbiano filled out with other local varieties. All grapes destined for DOC wine production are limited to a maximum harvest yield of 10 tonnes/hectare, with the finished wines required to have a minimum alcohol level of at least 12 per cent.
Val d'Orcia is crossed by a 19th-century railway, whose tracks, stations and tunnels are continually maintained in working order, the normal railway service provided by the state having been discontinued in 1994. The scenic line connects the small town of Asciano with Monte Antico using historic steam engines and carriages on selected dates throughout the year, to serve visitors to local festivals.
Val d'Orcia has been a location for many well-known films, including:
The book War in Val d'Orcia by Iris Origo (1902–1988) is a detailed, first-hand account of the World War II events of 1943–1944 in the region, written as a diary in English.
Quitandera

Quitandera (quitandeira en portugués) es una voz afrobrasileña utilizada en el norte de Uruguay, particularmente en Cerro Largo. Con este vocablo se designa una mujer que prepara y comercializa alimentos en una quitanda (un puesto ambulante de venta de comidas).​
Puntas de la Mina, Las Cañas y Cañitas son tres poblados que se formaron en Cerro Largo con población africana esclavizada que migró de Brasil en búsqueda de libertad. Quitanda y quitandera derivan del quimbundo, idioma hablado en Angola.​
En el glosario del libro Cuentos del pago (1893), el escritor Benjamín Fernández y Medina describió el término como «la mujer que va a las reuniones de carreras a cebar mate, vender tortas fritas y pasteles y hacer comidas».​ Eran mujeres que trabajaban de forma independiente, muy activas y que caminaban cientos de kilómetros en una semana. Iban donde las “señoras” no debían irː regentaban las ferias ganaderas, las yerras, los bailes de campaña, las pencas y otros eventos culturales de la época en el campo.​
Las comidas que elaboraban se llamaban «quitutes».​
En 1924, el escritor Enrique Amorim publicó el cuento Las quitanderas.​
Emoliente (bebida)

El emoliente es una bebida tradicional consumida principalmente en Perú.​ Es tradicional su consumo por las mañanas o por las noches. Se le atribuyen diferentes propiedades medicinales, ya sea para tratamiento del aparato digestivo, reproductor, respiratorio o circulatorio.​
El emoliente fue introducido en Perú durante la época colonial como bebida medicinal o tisana. En Lima se llegó a popularizar a tal punto que prácticamente había un puesto de emolientero en cada esquina.​​​​
El emoliente es una bebida que se prepara sobre la base de granos tostados de cebada, extractos de hierbas medicinales, azúcar y jugo de limón. Entre las hierbas más usadas se encuentran la cola de caballo, linaza, alfalfa, llantén y boldo.​
En años recientes, el emoliente —especialmente el que se expende en las calles en carretillas ambulantes— ha ido incorporando una serie de plantas medicinales, algunas de las cuales han sido elegidas debido a sus propiedades diuréticas.​ Entre estas plantas tenemos la uña de gato, maca, chancapiedra, sangre de Drago, muña y sábila.​ Algunos emolientes denominados «especiales» también pueden incluir polen, miel de abeja, algarrobina, «barbas» de choclo, especias (como canela), e infusiones hechas con frutas (membrillo o piña) o cáscara de papa.​
Bebidas espirituosas tradicionales de Alicante

Bebidas espirituosas tradicionales de Alicante es una Indicación geográfica protegida que protege e identifica cuatro licores tradicionales de la provincia de Alicante de la Comunidad Valenciana (España).
En la provincia de Alicante se han destilado de manera tradicional cuatro licores muy característicos. Estos son el Anís paloma, el Aperitivo café de Alcoy, el Cantueso y el Herbero.
Con el objetivo de proteger esa importante tradición cultural la Generalidad Valenciana creó el 3 de abril de 1990 la denominación específica Licores tradicionales de Alicante que fue modificada el 27 de julio de 1994, adoptando la denominación actual.
Stefan Cebara

Stefan Cebara (Zadar, Croacia, 12 de abril de 1991) es un futbolista croata nacionalizado canadiense. Juega de delantero en FK Utenis Utena.
Es hijo de padres croatas, su padre es de Zadar y su madre de Gospic. Tenía 4 años cuando su familia se trasladó a Belgrado Serbia, cuando tenía 10 años se trasladarían a Calgary Canadá; Una vez allí luego vivirían en Windsor. Comenzó a jugar a los 10 años en Windsor FC.
Estopín

Se llama estopín a un artificio de iniciación para las cargas de artillería. Este artificio que se enciende muy fácilmente y propaga el fuego con mucha celeridad sirve para cebar ventajosamente y dar fuego a las piezas de artillería.
Antiguamente, el estopín era un trozo de carrizo o de paja gruesa relleno de un mixto que se hacía con pólvora desleída en aguardiente o en otro líquido espiritoso o una mecha de algodón impregnada en el mismo mixto.​
Actualmente, se distinguen tres tipos de estopines por su forma de iniciación:
Thermos bomb

Thermos bomb was the informal name for the AR-4, an air dropped anti-personnel mine used by the Italian Air Force during World War II. Large numbers were used against Malta and in the Middle East. It was named for its superficial appearance to a Thermos bottle, a popular brand of vacuum flask. The bomb was a cylinder 31 centimetres (12 in) long and weighing 3.68 kilograms (8.1 lb). It could be fitted with a very sensitive motion-sensitive fuze that would detonate if any attempt was made to move it. It could be lethal in the open to approximately 35 metres (115 ft). Because of this, unexploded Thermos bombs were normally destroyed where they fell, either by attaching a long piece of string to them and giving it a jerk, or detonating a small explosive charge near them.
A later variant of the fuze introduced a long time delay, which triggered between 60 and 80 hours after the fuze had armed.
Long black

A long black is a style of coffee commonly found in Australia and New Zealand, made by pouring a single shot (or double shot) of espresso into hot water. It is similar to an americano, in which hot water is poured into one shot of espresso.
Typically about 100–120 millilitres (3.5–4 ounces) of water is used but the measurement is considered to be flexible to individual taste. The smaller volume of water compared to an Americano is responsible for its stronger taste. Both retain the crema when brewed properly, though in the long black the crema will be more pronounced.
The Girl with the Louding Voice

The Girl with the Louding Voice is a 2020 coming of age novel and the debut novel of Nigerian writer Abi Daré. It tells the story of a teenage Nigerian girl called Adunni who becomes a maid and struggles with many things growing up, including her limited education, poverty and her inability to speak up for herself. The book was published by Sceptre, an imprint of Hodder.
Abi Dare stated that she first had the idea for the novel when she read a news article about a 13 year house help who had hot water poured on her by her Madam. Daré also stated that the book was partly inspired by her daughters and her years living in rural Nigeria. It was written over a period of 3 years with her using non-standard English, and some borrowed words from Pidgin English, in the novel. Dare's reason for using non-standard English was that she believes that standard English is not a measure of intelligence.
Adunni is a 14-year-old girl from a poor home who lives in a small town near the city of Lagos. She wishes to get an education but she cannot due to lack of funds. When things start getting sour, her father, Papa marries her off, against her wishes, to Morufu as his third wife in order to use her bride price for the family's upkeep. Her husband rapes her repeatedly. Later, she runs to Lagos where she is employed by Big Madam who exploits and enslaves her and abuses her many times, but Adunni is determined to face all these problems when she makes up her mind that education is the only way to be free from her oppressions.
The Girl with the Louding Voice deals with women's voice, the ability to speak up and the drive toward pushing to get to one's dream as showcased by the main character Adunni. The novel has also been noted for its realistic depiction of sexism, poverty in Nigeria, child labor and child marriage in Nigeria, issues that the main character battles with in order to get education.
The book received several positive reviews. It was a New York Times Bestseller, a February 2020 'Read with Jenna' choice and a BBC Radio 4 Book at Bedtime pick. On Book Marks, based on 6 critic reviews: 5 "positive" and 1 "mixed". In Books in the Media, the book received 3.89 out of 5 stars, based on 3 critic reviews.
The book was shortlisted for the Desmond Elliott Prize for first time novelists. It was recommended by several Media outlets including The New York Times, Vogue and Essence. A starred review by Kirkus Reviews called it "Heartbreaking and inspiring."
Employed to Serve

Employed to Serve is a British metalcore band from Woking, England.
Employed to Serve was formed in 2011 by current members Justine Jones and Sammy Urwin. In July 2020, several members of Employed to Serve and Renounced released an EP as the side project Glorious.
Their album Conquering was elected by Loudwire as the 41st best rock/metal album of 2021. The track "Exist" was elected by the same publication as the 6th best metal song of the same year.
On January 22, 2025, the band released Atonement, the first single from the group's upcoming album, Fallen Star. The track featured guest vocalist Will Ramos.
The group's sound has been described as a mixture of metalcore, mathcore, hardcore punk, post-hardcore and death metal, among other genres. The band cited Machine Head, Testament and Exodus as influences on Conquering, their fourth full-length release.
Taswira katika fasihi

Taswira katika fasihi ni maneno ambayo hujenga hali au picha fulani kwenye akili ya hadhira.
Taswira hutokana na matumizi ya lugha anayotumia msanii wa kazi ya fasihi. Matumizi hayo ni kama vile, methali, nahau na tamathali mbalimbali za semi. Wasanii wa fasihi hutumia taswira kama njia mojawapo ya kuficha kile kinachozungumzwa kwa hadhira, yaani hadhira itahitaji kutumia akili ili kuweza kubaini nini msanii huyo amekisema. Lengo kuu la msanii kufanya hivyo ni kuficha maneno ambayo yanaweza kuwa matusi kwa hadhira au kuepusha mgogoro na tabaka analolijadili, hasa akiwa analisema kwa ubaya. Na wakati mwingine taswira hutumika ili kupamba kazi hiyo.
Kwa mfano Said Mohamed katika kitabu Kivuli Kinaishi, jina la kitabu hicho ni taswira tosha inayoonesha jinsi uongozi mbaya unavyoendelea katika nchi za Afrika. Mwandishi amemtumia mhusika Bi Kilembwe kama kiongozi anayeendesha nchi yake kwa kutumia mabavu bila kusikiliza anaowaongoza. Waandishi wengine kama Mohammed Seif Khatib wa kitabu Wasakatonge ametumia taswira mbalimbali katika kazi yake ili kufikisha ujumbe wake kwa hadhira. Taswira hizo ni kama vile, Jiwe si mchi, Wasakatonge na kadhalika.
Taswira zinaweza kugawanyika katika aina mbalimbali. Aina hizo ni:
Hii ni taswira ambayo huhusika na hisi ya ndani. Taswira hii huweza kumfanya msomaji au msikilizaji awe na wasiwasi, aone woga, apandwe na hasira au asikie kinyaa. Taswira hii huwa na nguvu kubwa ya kuganda akilini.
Kwa mfano: Akaniambia, “siwezi kula chakula hicho rojorojo mfano wa kohozi lenye sumu”.
Angazia taswira hizi: taswira muonjo na taswira mguso.
Ni taswira inayotokana na mawazo. Mawazo hayo ni yale yanayohusu mambo yasiyoweza kuthibitika. Mambo hayo ni kama vile:
Kwa mfano: Kifo! Kifo! Umetufanya nini sasa, mpaka unaamua kutuchukulia ndugu yetu?
Hii ni taswira ambayo hujengwa kwa kutumia vielezo tunavyovijua au vile vinavofahamika katika maisha ya kila siku.
Kwa mfano: “Haikupita dakika mijusi miwili ilipita mbele yetu. Midomo yao ilikuwa myekundu, ghafla walikutana na nyoka aliyeonekana mnene tumboni. Hapana shaka alikuwa amekula mnyama”.
Afro Wayahudi

Afro Wayahudi (kutoka maneno Afro na Wayahudi) ni aina ya msokoto wa nywele ya Wayahudi wa ukoo wa Ashkenazi.
Jina lina mizizi yake katika miaka ya 1960 na 1970 wakati watu maarufu wengi walisifiwa kucheza na hiyo staili ya nywele. Los Angeles Times ilimwitwa nyota wa kandanda katika chuo kikuu, Scott Marcus, mtoto ua aliye na "nywele dhahabu kahawia ... na zingo kuzunguka kichwa chake kwa kile yeye huita staili ya afro ya Wayahudi".
Katika makala juu ya timu ya mpira wa kikapu ya Harvard,mpira wa kikapu ya Harvard, mwaka 1971, Gazeti la "The New York Times" iliandika kuwa Kapteni Brian Newmark, "hajawahi kuinyoa nywele yake tangu Mei iliyopita na marafiki zake walipendekeza kuwa mchano wake wa nywele ni binamu wa kwanza wa Afro .. . kwa kesi ya Myahudi Mdogo kutoka Brooklyn, ingawa, nywele zake nyingi zilizo nyeusi mithili ya giza na kukusanyika juu kwa kichwa chake inaitwa Isro. " Mwandishi Judith Rossner alielezewa katika umbo la Chicago Tribune kama "mwana mwujiza ambaye ni mzima na ana uso wazi, duara dufu iliyo na fremu ya Afro Wayahudi."
Baadhi ya mitindo ya nywele mara nyingine hufikiriwa kuwa Afro ya Myahudi lakini imo na asili "legevu" na "vunja chini". Aina za nywele ambazo ni karibu na / au hufanana na msokoto wa nywele zinaweza kuvaliwa kama Afro Wayahudi. Staili ya nywele ya Adrian Grenier ni mfano wa nini ni nini, baadhi ya watu hughairi kama jewfro.
Tarigia ya Heeb, mapitio ya Wayahudi yasiyokuwa na hadhi, ilichapisha picha ya kuenea kuhusu "Afro Wayahudi" katika suala yake ya kwanza na ilitoa Aluś na Maciej Fijak kama waanzilishi wa mtindo. Mifano mingine ya watu ambao wamekuwa na mtindo wa nywele wa Afro Wayahudi ni Nick Yona, Adrian Grenier, Sanaa Garfunkel, Evgeny Kissin, Brad Delson, Andy Samberg, Dustin Diamond, Larry Fine, Richard Simmons, Mt Stone, Simon Amstell, Adamu Lamberg, Bob Dylan, Colin Baker, Tom Baker, Seth Rogen, Mt Mfalme, Ben Lee, Yona Hill, Alex Yakobo, Gene Shalit, Phil Spector na Marouane Fellaini.
Sukulenti

Sukulenti (lat. sucus = utomvu; ing. succulents) au Mimea yenye utomvu mwingi ni mimea iliyojitohoa kwa maisha katika mazingira yabisi.
Mimea hii ya familia na jenasi tofauti ina uwezo wa kutunza maji ndani ya majani au mashina yao. Kwa hiyo mara nyingi ama majani au shina ni nono kutokana na uwingi wa utomvu ndani yao.
Kwa hiyo "sukulenti" si jina la spishi au familia maalumu ya mimea lakini neno hili linataja tu umbo la mimea ya aina mbalimbali iliyo imekuwa tofauti kutokana na mazingira yake. Jenasi moja ya mimea inaweza kutia ndani aina zenye majani nono yenye utomvu mwingi na pia aina nyingine zenye majani ya kawaida zinazomea katika mazingira tofauti.
Pia kuna tofauti kati ya watalaamu eti ni nini inayostahili kuitwa sukulenti. Wengi wanaangalia majani na mashina pekee lakini kuna wengine wanaoingiza mle pia mizizi inayotunza maji lakini wengine hawakubali.
Mifano ya sukulenti iliyokubalika na pande zote ni mbuyu, mkonge, mshubirimani na aina za mpungate.
Toyota Type 73 medium truck

The Type 73 medium truck is an all-terrain four-wheel-drive (4x4) truck of the Japan Ground Self-Defense Force known as the 1 1/2 ton truck.
This truck replaced various types of previous light and medium trucks in service with the Japan Ground Self-Defense Force. Among them was the 3/4 ton truck manufactured by Toyota and Nissan, which had been in service since the 1950s. One of the reasons the 3/4 ton truck became obsolete, was due to the high fuel consumption of the gasoline engine. Japanese truck manufacturers were instructed to develop a successor. After competitive bidding Toyota and Hino Motors were selected to develop and build the Type 73 medium truck.
The truck is not armored and thus not made for combat, but with the aim of mainly carrying personnel and transporting goods with a load capacity of 2,000 kg. It is used in various roles. The cab, which has space for the driver and one or two crew is normally fitted with a soft top and windshield which can be folded down in order to lower the silhouette . It is fitted with an all-steel cargo area, which can be covered by a heavy tarpaulin. It is equipped with two wooden personnel benches for transporting up to 16 troops. A step is integrated into the folding tailgate to assist personnel mounting the cargo area. The truck can be used to carry mortars and their crews. The infantry heavy mortar company uses it equipped with a M2 107 mm mortar. Additionally you will often find the vehicle with a box type design, such as for radio communications or as an ambulance.
The first generation, produced from around 1973 to the mid-1990s, is equipped with a five-speed manual transmission, lacks power steering and bears serial numbers 0001–39XX. The truck adopted components from the civilian Hino Ranger series: A ladder-type frame, a four-wheel rigid leaf suspension, a combination of chassis configurations and the part-time four-wheel drive. It has the following capabilities for off-road use:
The second generation, which replaced the first generation in the mid-1990s, is equipped with a four-speed automatic transmission, power steering and bears serial numbers 39XX ~ 5XXX. The following additional changes were made compared to the first generation: switch to the chassis of the Toyota high mobility vehicle. It has full-time four wheel drive with a center differential, and the cab is equipped with air conditioning and radio.
In comparison to the first generation, the front bumper shape was changed and the shape of the tail light as well as the style of the round front lights, to make the Toyota truck look similar to the high mobility vehicle. It uses the same wheels and tires as the high mobility vehicle. One of the identifying marks is the cutout for the back wheels. Compared to the high mobility vehicle the wheelbase has been shortened with good maneuverability for the cab-over shape. It does not feature four wheel steering. In addition, the radiator was lowered and the position and shape of the front radiator cover has been changed.
Albrecht mortar

Albrecht mortars or Albrecht Schwerer Minenwerfers ('heavy mortar launchers') were a series of wooden heavy mortars used by the Imperial German Army during the First World War.
Although the majority of combatants had heavy field artillery prior to the outbreak of the First World War, none had adequate numbers in service, nor had they foreseen the growing importance of heavy artillery once the Western Front stagnated and trench warfare set in.
Besides land mines, machine guns and trenches, barbed wire was a persistent threat to attacking infantry. Often barbed wire was used to channel attackers away from vulnerable areas of a defenders trenches and funnel attackers into predefined kill zones where overlapping fields of machine gun fire could be brought to bear. Rows of barbed wire could also be used to delay attackers allowing defenders time to man their trenches and to hold attackers at a safe distance to allow defenders to call in defensive artillery fire.
What was needed to overcome the deadlock and give attackers an advantage was light, portable, simple, and inexpensive heavy firepower. A way to provide this was by designing a series of heavy trench mortars which could be brought to forward area trenches to launch heavy, short ranged preparatory bombardments to clear obstacles and neutralize enemy defenses.
The Albrecht mortars came in a number of lengths and diameters 25–45 cm (10–18 in) each with their own projectiles. They consisted of a muzzle loaded smooth bore barrel built from wooden staves and wound with galvanized wire for reinforcement. The base of the mortar was a large wooden block and there was a crescent-shaped adjustable metal stand with a hand wheel to adjust elevation.
The propellant and projectiles were loaded separately and the projectile was a simple metal can with a reinforced wooden base and a wooden lid with handle. The projectile was filled with explosives and metal fragments. Range 50–600 m (55–656 yd) was controlled by a combination of varying elevation and amounts 50–700 g (2 oz – 1 lb 9 oz) of propellant.
Projectiles weighed from 23.5 kg (52 lb) for the 25 cm, to 100 kg (220 lb) for the 35 cm, and 200 kg (440 lb) for the 45 cm model. Accuracy, velocity, and range were all considered to be poor. The early projectiles also had poor aerodynamics, so later projectiles became more conical in shape. Due to poor aerodynamics, the projectiles sometimes fell on their side instead of their noses so timed fuses were used instead of impact fuses. The slow-moving projectiles were given the nickname of "coal buckets" by the French.
Petard

A petard is a small bomb used for blowing up gates and walls when breaching fortifications, originally invented in France in 1579. A typical petard was a conical or rectangular metal device containing 5–6 pounds (2–3 kg) of gunpowder, with a slow match for a fuse.
Pétard comes from the Middle French péter, to fart, from the root pet, expulsion of intestinal gas, derived from the Latin peditus, past participle of pedere, to break wind. In modern French, a pétard is a firecracker (and it is the basis for the word for firecracker in several other European languages).
Pétardiers were deployed during sieges of castles or fortified cities. The pétard, a rather primitive and exceedingly dangerous explosive device, comprised a brass or iron bell-shaped device filled with gunpowder and affixed to a wooden base called a madrier. This was attached to a wall or gate using hooks and rings, the fuse lit and, if successful, the resulting explosive force, concentrated at the target point, would blow a hole in the obstruction, allowing assault troops to enter.
Shakespeare's phrase "hoist with his own petard"—meaning that one could be lifted (blown) upward by one's own bomb, or in other words, be foiled by one's own plan—has become an idiom that means "to be harmed by one's own plan (to harm someone else)" or "to fall into one's own trap".
Petards were often placed either inside tunnels under walls or directly upon gates. The petard's shape allowed the concussive pressure of the blast to be applied entirely towards the destruction of the target structure. Depending on design, a petard could be secured by propping it against the wall or gate using beams, as illustrated, or nailing it in place on a madrier (a thick wooden board fixed in advance to the end of the petard).
In military use, a petard mortar was a spigot mortar (a weapon that fires explosive projectiles, known as [mortar] bombs, at low velocities, short ranges and parabolic ballistic trajectories) of a 230 mm (9.1 in) bore, known to its crews as the "flying dustbin" due to the characteristics of its projectile, an un-aerodynamic 20 kg (44 lb) charge that could be fired up to 100 m (110 yd). The weapon was carried by the Churchill AVRE tank and was sufficient to breach or demolish many bunkers and earthworks.
In Maltese English, home-made fireworks—a popular and widespread albeit highly dangerous hobby in Malta—are called petards (the word in Maltese, murtal, is related to "mortar"). These petards are detonated by the dozen during feasts dedicated to local patron saints. Maltese petards are made by common people without formal education in chemistry, as an exercise in traditional handiwork.
Tende (drum)

The tende (in northern areas, tindi) is a drum made out of a mortar, and the music associated with it, among the Tuareg people. It is constructed using a mortar (the kind typically used to crush grain) with a drumhead made from goatskin stretched over it, with tension applied to the drumhead by way of two long wooden pestles (ca. 1.25 meters long). On either end the skin is rolled around the two pestles, and then stretched over the mortar and fastened with a rope. Frequently the pestles are kept in place; they can serve to tighten the skin and thus tune the instrument. The skin needs to be moistened periodically; sometimes water is simply applied during the performance, but another method is to keep water in the mortar and moisten the skin from the inside by tilting the instrument.
Imzad music is held in higher esteem, but tende is played more frequently - during camel festivals, ceremonies, and certain types of dance. Its music is for ordinary people and requires no great skill or specialization to master, and is highly communal, involving singing, dancing, and clapping.
Tende as a musical instrument might be relatively new, dating to the beginning of the twentieth century; Francis Rodd described one in 1926, in the Aïr area. Laura Boulton likely recorded one in 1934 in Timbuktu.
25 cm Erdmörser

The 25 cm Erdmörser (Earth Mortar) was a simple, mostly wooden mortar used for trench warfare fighting by the Imperial German Army in World War I. It consisted of a 25 cm (9.8 in) diameter (according to French sources, German sources state 24 cm (9.4 in), 65 cm (26 in) long wooden tube reinforced with iron wire with a 2.4 m (7 ft 10 in) long wooden slide attached. When in use, the tube end was placed on the ground in the trench with the slide resting on the parapet, giving an approximately 45 degree firing angle. The mortar had a range between 40 to 300 m (130 to 980 ft). Makeshift ammunition was made of sheet metal mine casings (tin cans) filled with amonal and scraps of metal (gears, bolts, nails, etc. One was even found with half a set of dentures) and a wooden bottom. Propellant consisted of a charge between 60–300 g (2–11 oz) that ignited a fuze by using glow plugs. These mortars weren't standardized, being a field expedient, and were given nicknames such as "barrel cannon" or "jam jar". They were soon supplanted by the Albrecht mortar.
Toum

Salsat toum (Arabic for 'garlic sauce'), also known as toumiya (Arabic: ثوميه) or simply toum (ثوم 'garlic'), is a garlic sauce common to the Levant. It is similar to the Provençal aioli, but the proportion of garlic is much higher. There are many variations; a common one contains garlic, salt, olive oil or vegetable oil, and lemon juice, traditionally crushed together using a wooden mortar and pestle. There is also a popular variation in Lebanon where mint is added; it is called zeit wa toum ('oil and garlic').
Salsat toum is used as a dip, especially with french fries, chicken, and artichoke, and in Levantine sandwiches, especially those containing chicken. It is also commonly served with grilled chicken dishes, and can be served with almost any meat dish.
Breme

Breme es una localidad y comune italiana de la provincia de Pavía, región de Lombardía, con 881 habitantes.
Villa perteneciente al Ducado de Milán, los franceses la ocuparon en 1636 siendo recuperada por Diego Mexía Felípez de Guzmán en marzo de 1638,​ permaneciendo en poder del ducado español hasta su anexión a Saboya en 1707.
Cruz de San Jorge

La cruz de San Jorge es una cruz griega roja (o gules) sobre blanco (o plata).​ Se usa como bandera de Inglaterra​ desde el siglo XIII, cuyo santo patrón es san Jorge, en cuanto tal forma parte de la bandera británica (Union Jack)​ y de varias banderas de la Mancomunidad de Naciones. Se encuentra en el escudo de armas de Aragón, la bandera de Cerdeña​ y el escudo del estado alemán de Renania-Palatinado. Es parte, también, de los emblemas de las ciudades de Barcelona,​ Génova, Coblenza, Almería, Montreal, Friburgo de Brisgovia, Londres​ y Milán,​​ entre otras. Desde 2004, Georgia también ha adoptado una bandera con la cruz de San Jorge.
Una de sus primeras apariciones fue en junio de 1063 en la batalla de Cerami, después de que los normandos comenzaran la conquista de Sicilia (ocupada por los musulmanes durante dos siglos). En esta confrontación en el noreste de la isla, los cristianos obtuvieron una victoria rotunda: según el cronista Geoffroi Malaterra, fueron galvanizados por un misterioso jinete blanco armado con una lanza cuyo extremo llevaba un pendón blanco con una cruz.​
Fue una de las primeras banderas de Aragón (cruz de Alcoraz). Según la leyenda, la bandera blanca con una cruz roja se remonta a la victoria del ejército de Aragón sobre el ocupante árabe durante la batalla de Alcoraz en 1096.​
Durante la Primera cruzada (1097-1099), el emperador Alejo I Comneno cortó cruces rojas de su manto imperial y las distribuyó a los peregrinos para que pudieran cruzar el Imperio bizantino sin problemas.
Alrededor de 1120, el arzobispo Baudri de Dol escribió una historia de esta cruzada; En esta historia, cuenta cómo, durante el asedio de Antioquía, san Jorge (soldado mártir en el siglo IV) dio la victoria a los cristianos al aparecer en visión al frente de un ejército celestial montado en caballos blancos y con banderas blancas.
Durante la Tercera cruzada (1189-1192), el cronista Roger de Hoveden informó que los caballeros franceses tenían estandartes blancos con una cruz roja, los caballeros ingleses banderas rojas con una cruz blanca, los bretones llevaban el Kroaz du (Cruz negra en la parte inferior blanco) y los flamencos estandartes blancos con cruces verdes. Alrededor de 1275, el arzobispo de Génova, Santiago de la Vorágine, escribió La leyenda dorada y volvió a narrar la historia de la aparición en el asedio de Antioquía, y agregó que san Jorge llevaba un escudo blanco adornado con una cruz roja.​
El vexillum beati Georgii (bandera de san Jorge) se menciona por primera vez en los Anales Januenses de 1198 (Crónicas de Génova): es una bandera roja con la imagen de san Jorge montando un dragón y la bandera de la Comunidad, es decir, la cruz roja sobre fondo blanco, está atestiguada por primera vez el 28 de septiembre de 1218: llamada insignia cruxata comunis Janue ("el signo en la cruz de la Comunidad de Génova"). Ambas banderas también fueron utilizadas por la flota genovesa.​
Pablo Fonseca

Pablo Javier Fonseca Vaca (12 de noviembre de 1992-12 de junio de 2018), más conocido como Pablo "La Bala" Fonseca, fue un piloto de motociclismo ecuatoriano que ganó varios campeonatos en el motocross a nivel nacional e internacional.
Fonseca nació en noviembre de 1992, fue hijo de Pablo Fonseca López, quien le inculcó el amor al deporte. Cuando falleció, tenía una hija de 6 años.
La Bala presuntamente estuvo compitiendo en unas carreras de motos clandestinas en Babahoyo, cuando se accidentó el 10 de junio de 2018, impactando contra un niño de 17 años de edad quien falleció en el acto. Fue trasladado a una clínica privada de la ciudad donde permaneció en cuidados intensivos hasta el 12 de junio cuando falleció a la edad de 25 años.
Carlo Airoldi

Carlo Airoldi (21 September 1869 in Origgio – 18 June 1929 in Milan) was an Italian marathon runner, famous for walking to the 1896 Olympics.
Airoldi was born in Origgio near Saronno, to a farming family. He began to participate in sporting contests in the territory of Varese (the first documented occasion was at Gorla Minore) and later at national and international contests where he outdid his major rival of the time, Louis Ortègue of Marseilles. In 1892 he won in the Lecco-Milano; followed by a victory in the Milano-Torino. He became famous very quickly and was one of the foremost marathon runners of his time. His biggest success was the victory in the Milano-Barcelona (September 1895), a competition in 12 legs over a total of 1050 km. This victory brought him 2000 pesetas.
Airoldi sought to participate in the Athens Olympics of 1896 and he had a good chance of victory. He needed money, however, to get to the Greek capital. He sought money from the director of a well known magazine of the time - "La Bicicletta", and Airoldi proposed to travel cheaply. He would go on foot through Austria, Turkey and Greece - an adventurous journey that forced him to cover 70 km per day in order to arrive in Athens on time. The magazine was to document all the stages of his journey and help supply him with the necessary information.
The magazine accepted and his journey began. The stage from Milan to Split, passing through Trieste and Fiume, met with no problems. Airoldi had intended to pass along the Croatian coast then through Kotor and Corfu. Unfortunately, before arriving at Dubrovnik he fell and hurt his hand and was forced to spend two days in a tent. He was advised against crossing Albania on foot so he boarded an Austrian boat that took him to Patras from where he continued to Athens on foot following the railway lines as there were no roads.
After his 28-day journey Airoldi was unfortunately not able to compete in the marathon. He went to the royal palace to sign up for the games where he was questioned by the head of the Olympic Committee. He decided that the money received for winning the Milano-Barcelona competition meant that Airoldi was considered a professional athlete and thus not eligible to compete. Telegrams were sent from Italy but nothing worked: Airoldi was not allowed to participate. There was a strong feeling in Italy that the organizers were not allowing a strong competitor to take part in a race that the Greeks wanted to win. Airoldi never accepted the decision and issued a challenge to Spiridon Louis - the winner of the marathon - that was never taken up.
On his return home, Airoldi attempted many times to beat the record of Spiridon Louis without ever succeeding. He continued to race mainly in Lombardy and Switzerland, where he was married and worked (he worked in Berne and Zurich). Finally he moved to South America to seek his fortune.
Outline of Milan

The following outline is provided as an overview of and topical guide to Milan:
Milan – capital of Lombardy and the second most populous city in Italy after Rome. Milan is considered a leading Alpha Global City, with strengths in the arts, commerce, design, education, entertainment, fashion, finance, healthcare, media, services, research, and tourism. The city has long been named a fashion capital of the world and a world's design capital, thanks to several international events and fairs, including Milan Fashion Week and the Milan Furniture Fair, which are currently among the world's biggest in terms of revenue, visitors and growth. Milan is the destination of 8 million overseas visitors every year, attracted by its museums and art galleries that boast some of the most important collections in the world, including major works by Leonardo da Vinci.
Geography of Milan
Zones of Milan
The districts of Milan, by zone:
Museums and galleries in Milan
Piazzas in Milan
Villas and palaces in Milan
Demographics of Milan
Government and politics of Milan
History of Milan
Culture of Milan
Music of Milan
Theatre school in Milan
Religion in Milan
Catholicism in Milan
Sports in Milan
Economy of Milan
Transport in Milan Airports in Milan
Milan Metro
Suburban railway
Education in Milan
Hospitals in Milan
Wikimedia Atlas of Milan
Cañete, Cuenca

Cañete (Spanish: [kaˈɲete] ) is a municipality in the Cuenca Province, Castile-La Mancha, Spain.
It is home to a Moorish-origin castle, and of a line of walls with a gate from the same age.
It is the birthplace of Álvaro de Luna and the origin of the Sephardic Jewish family Canetti (the most famous member of which is Nobel Prize in Literature laureate Elias Canetti); Canetti is a transformation of Cañete, from a time when the family lived in Italy. It is also the birthplace of Manuel Polo y Peyrolón, an ultraconservative philosopher and scholar of clear anti-semitic penchant.
Valparaíso de Arriba

Valparaíso de Arriba is a town in the municipality of Campos del Paraíso (Paradise Fields), with a population of 47. It is located in the area called Mancha Alta y Sierra Media, in Cuenca Province, part of the community of Castilla-La Mancha in Spain.
The town is the birthplace of Juan de Saavedra, founder of Valparaíso in Chile. De Saavedra's remains are buried in the Santa Ana Chapel, inside the Church of Saint Michael the Archangel.
40°04′02″N 2°36′57″W﻿ / ﻿40.0673°N 2.6158°W﻿ / 40.0673; -2.6158