Barney Wilen

Bernard "Barney" Jean Wilen (4 March 1937 – 25 May 1996) was a French jazz tenor and soprano saxophonist and composer.
Wilen was born in Nice, France; his father was an American dentist turned inventor, and his mother was French. His father's American citizenship allowed the family to take refuge in the United States during World War II, where Wilen started learning the saxophone. After the family's return to France, he began performing in clubs in Nice after being encouraged by Blaise Cendrars, who was a friend of his mother. After moving to Paris in 1953, Wilen regularly appeared at the club Le Tabou together with musicians such as Jimmy Gourley, Bobby Jaspar and Henri Renaud, as well as American jazzmen passing through. In 1955 he made his first recordings, accompanying Jay Cameron and Roy Haynes.
Wilen's career was boosted in 1957, when he worked with Miles Davis on the soundtrack for the Louis Malle film Ascenseur pour l'échafaud. The same year, he released Tilt, his first album as leader. In 1959, Wilen wrote the soundtrack for Édouard Molinaro's film Un témoin dans la ville and recorded the studio album Jazz sur Seine with Kenny Clarke, Milt Jackson and Percy Heath. He wrote the soundtrack for Roger Vadim's film Les liaisons dangereuses two years later, working with Thelonious Monk. Wilen would return to composing for French films in the 1980s and 1990s.
In the mid-to-late 1960s, Wilen moved away from his bebop roots and towards rock and free jazz, performing with European free jazz musicians such as François Tusques, Jean-François Jenny-Clark, Joachim Kühn and Karl Berger, and recording with Swiss pianist Irène Schweizer and German trumpeter Manfred Schoof. In 1968 he released Auto Jazz, an album paying homage to Italian racing driver Lorenzo Bandini, and Dear Prof. Leary, dedicated to Timothy Leary, with an outfit called the Amazing Free Rock Band. The latter album has been mentioned as defining the principles for jazz fusion.
In 1969, Wilen left Europe for Africa with a group of travelers including Caroline de Bendern, his partner at the time, with the goal of going to Zanzibar. The journey lasted two years, with the majority of the travelers gradually dropping out or, allegedly, becoming marabouts. It would serve as the inspiration for Wilen's 1972 album Moshi, combining elements of jazz with traditional African music. As Moshi was a commercial failure, Wilen withdrew from recording for the remainder of the 1970's and relocated to Nice, where he worked as a producer and organizer of local jazz events. He also worked with punk rockers before returning to jazz in the late 1980's. He toured in Japan for the first time in 1990. In the 1990's he collaborated musically with his partner at the time, the singer and visual artist Marie Möör, and played with modern jazz musicians until his death from cancer in Paris in 1996, at the age of 59.
Wilen is mentioned in the 235th of the 480 memories collected in the book Je me souviens (1978; I Remember) by French writer Georges Perec: "I remember the saxophonist Barney Wilen."
In 1987, French comic book artist Jacques de Loustal and author Philippe Paringaux paid homage to Wilen in their "bande dessinée" Barney et la note bleue ("Barney and the blue note").
With Art Blakey and The Jazz Messengers
With Miles Davis
With Bud Powell
With others