Three Little Kittens

"Three Little Kittens" is a British language nursery rhyme, in all likelihood with roots in the British folk tradition. The rhyme as published today however is a sophisticated piece usually attributed to American poet Eliza Lee Cabot Follen (1787–1860). With the passage of time, the poem has been absorbed into the Mother Goose collection. The rhyme tells of 3 kittens who first lost, then find and soak, their mittens. When all is finally set to rights, the kittens receive their mother's approval and some pie. It has a Roud Folk Song Index number of 16140.
The poem was published in England in 1817 in a review by Willhelm Ewart Gladstone, writing as Bartholomew Jenkins, in The Zion Miscellany.
A version was later published in 1833 as an anonymous addition to a volume of Follen's verse and in the United States in 1843. Follen may have developed and refined an existing, rude version of the poem, and, in the process, made it her own. The poem is a sophisticated production that avoids the typical moralization of 19th century children's literature in favor of metamorphic fantasy, satirical nonsense, and word play.
From Gladstone, The Eton Miscellany (1827)
From Follen, New Nursery Songs for All Good Children (1843)
According to Janet Sinclair Gray, author of Race and Time, "Three Little Kittens" may have origins in the British folk tradition, but the poem as known today is a sophisticated production far removed from such origins. Gray supports her assertion by pointing out that the cats are not the barnyard felines of folk material but bourgeois domestic cats who eat pie and wear mittens. Gray observes that the mother cat's disciplinary measures and the kittens' need to report their movements to her are also indicators of a bourgeois status. "Three Little Kittens" is attributed to Bostonian Sunday school teacher and abolitionist, Eliza Lee Cabot Follen (1787–1860), a member of a prominent New England family and the author of the juvenile novel The Well-Spent Hour. Gray explains that "Kittens" is unlike any of Follen's typical poems, but also notes that Follen is just the sort of person who would write such a piece. It is unlikely Follen composed "Kittens" wholecloth, Gray believes, but rather far more likely that she developed and refined an existing but rude version of the piece. In doing so, she made the poem her own. Although Follen disclaimed authorship following the poem's first appearance in print, she continued to publish it under her name in succeeding years.
The poem was printed in 1827 in The Eton Miscellany. A later version was printed in 1833 in Britain in Follen's Little Songs for Little Boys and Girls. It was an addition to the volume and probably inserted by the publisher. In the introduction to a subsequent edition, Follen denied any hand in the poem's composition, but took it under her wing and claimed ownership as the poem passed through various reprints. The poem was first published in the United States in 1843 in Follen's New Nursery Songs for All Good Children. An 1856 American reprint was subtitled "A Cat's Tale, with Additions".
Cuthbert Bede (pen name of Edward Bradley) published a prose version in his Fairy Fables (1857). In 1858 R. M. Ballantyne published his prose version that elaborated Follen's poem in a volume of the Good Little Pig's Library. This version included a musical setting for Follen's poem.
"Three Little Kittens" was hugely popular and quickly absorbed into the Mother Goose collection. Unlike her female literary contemporaries who typically stressed moral edification in their children's pieces, Follen subordinated such edification in "Three Little Kittens" and emphasized fantasy involving anthropomorphic characters, verbal play, and satirical nonsense. The poem is considered a cornerstone in the shift from moral literature for children to romantic literature intended to amuse and entertain.