davidanugraha/M4-RAG huggingface dataset:
Operación de bandera falsa

Una operación de bandera falsa es una operación encubierta llevada a cabo por gobiernos, corporaciones y otras organizaciones, diseñada para aparecer como si fueran llevadas a cabo por otras entidades.
El nombre se deriva del concepto militar de izar colores falsos, esto es, la bandera de un país diferente al propio. Los ataques terroristas en algunas ocasiones son operaciones de bandera falsa, como la estrategia italiana de tensión (enmarcada dentro de la operación a nivel europeo Operación Gladio), en la cual varias explosiones de bombas en los años 1970 se atribuyeron a organizaciones de extrema izquierda, anarquistas y comunistas,​​​ y que fueron en realidad llevadas a cabo por organizaciones de extrema derecha en cooperación con los servicios secretos italianos para desacreditar a los movimientos sociales y justificar la represión hacia estos.
Las técnicas de bandera falsa son ampliamente usadas en espionaje para reclutar agentes para espionaje o robo de documentos sensibles, convenciéndolos de que trabajan para gobiernos amigos o el gobierno propio. Esta técnica también se usa para atrapar espías, mediante el uso de un agente que actúa como espía del otro lado.
En las guerras navales, esta práctica se considera aceptable, permitiendo arriar la bandera falsa e izar la bandera nacional adecuada antes del combate.
Los cruceros operaron de esta manera en ambas Guerras Mundiales. Los Q-boats británicos fueron notorios en este comportamiento, lo cual fue usado por Alemania para una guerra submarina sin límites. En el ejemplo más notable, el crucero alemán auxiliar Kormoran, que atacaba el comercio marítimo inglés, sorprendió y hundió al crucero auxiliar HMAS Sydney en 1941, causando la mayor pérdida de vidas registrada en un navío de guerra australiano.​
La guerra terrestre, según la opinión más difundida, se asimila a la guerra naval en cuanto a la validez del uso de bandera falsa.
El criterio de validez tuvo su primera concreción, dentro del derecho internacional, en la sentencia del juicio contra Otto Skorzeny ante el tribunal militar de Dachau, en 1947, tras la Segunda Guerra Mundial, concretamente por la Operación Greif.
Skorzeny había sido el planificador y comandante de la operación y ordenó a sus hombres, soldados alemanes, que se vistieran con uniformes estadounidenses. En la sentencia, la acusación fue rechazada. El tribunal no lo encontró culpable de delito alguno.
Abdón Porte

Abdón Porte (1893 – 5 March 1918) was a Uruguayan footballer who played as defensive midfielder. Nicknamed El Indio he won many titles with his club Nacional, and also a Copa América with the Uruguay national team. He committed suicide on 5 March 1918, by shooting himself in the center of the field at Estadio Gran Parque Central, an incident still remembered by the sport community of Uruguay.
Porte arrived in Montevideo in 1908, where he played for Colón, then moving to defunct club Libertad. He was later transferred to Nacional, debuting on 12 March 1911, v. Dublin F.C. Porte played as a right back.
Playing for Nacional, Porte gained notability being also team's captain. He was defined as a fierce midfielder and good at stopping rival players and heading the ball. He played a total of 207 games for Nacional, winning 19 titles with the club.
Porte was cited by writer Xosé de Enríquez in his book Hacia el Campo van los Albos:
Porte would play his last match v. Charley F.C. (Nacional won by 3–1) before committing suicide one day later.
Porte debuted for the national team in 1913, against Argentina, and scored his only goal for the national team in that occasion. He'd be capped in another two matches, against Chile in 1916, and against Brazil in 1917. He was a member of the Uruguay squad that won the 1917 South American Championship but did not play a game at the tournament.
Before starting the 1918 season, Nacional's committee decided to replace Porte by defender Alfredo Zibechi as starting player, sending Porte to the bench due to his poor performance during the last games played with the club. On 4 March, Nacional played Charley F.C., winning by 3–1 with Porte playing the entire match at a good level. That night, executives and players met at the club headquarters for a celebration as was usual. Porte left the club at 1:00 a.m. and took a tram to the Estadio Gran Parque Central, Nacional's venue.
Once Porte arrived at Parque Central, he went into the centre of the field and shot himself. His body and a suicide note were found the next morning. A dog found his body, drawing it to his master, Severino Castillo. Porte's body had two letters, one for the president of Nacional and the other to a relative.
The people of Uruguay were shocked by the news. Porte was buried at Cementerio de La Teja. Montevideo Wanderers offered Nacional to play a friendly match for the benefit of Porte's family while the rest of the Uruguayan clubs expressed their solidarity to Nacional.
Writer Horacio Quiroga was inspired on Porte's death to write his short story, "Juan Polti", published in 1918 in Atlántida magazine of Buenos Aires. Another Uruguayan writer, Eduardo Galeano, remembered Porte in a short chapter in his book El Fútbol a Sol y Sombra entitled "Muerte en la cancha" (Death on the pitch).
The club named "Abdón Porte" the western stand of Gran Parque Central. In March 2008 the Uruguayan Post Office printed a stamp honoring Porte. In August 2013, Nacional's supporters made a mosaic with the face of Abdón Porte.
Nacional
Uruguay
Empress of Uruguay

The Empress of Uruguay is the world's largest amethyst geode, standing at a height of 3.27 meters. It is open along its length and weighs 2.5 tons in its current state. It was discovered in 2007 in the Artigas department, Uruguay by the Uruguayan mining company Le Stage Minerals. Its estimated value is US $190,000, although it is not for sale.
The geode was found in a mine near the city of Artigas, known for its spectacular geodes and amethysts. It was extracted from the surrounding basalt in a complicated process that took three months. The top part was cut to allow for a view of the interior and the amethyst crystals that were on the top were sold. The decision was made to leave the majority of the geode intact for exhibition purposes. It is part of a travelling exhibition and has been on display at the American Museum of Natural History, among other places.
The piece is currently on public display at The Crystal Caves museum located in Atherton, a small town in the state of Queensland, Australia. In 2011, while it was on display at the Crystal Caves Museum, the geode was damaged when a tourist secretly removed a piece the size of a tennis ball.
Liliana Porter

Liliana Porter (born 1941) is an Argentine contemporary artist working in a wide variety of media, including photography, printmaking, painting, drawing, installation, video, theater, and public art.
Porter was born in Buenos Aires, Argentina in 1941, lives and works in New York. As a teenager, she attended the Universidad Iberoamericana in Mexico City, Mexico, where she studied under Guillermo Silva Santamaria and Mathias Goeritz. She returned to Argentina and completed her training at the Escuela Nacional de Bellas Artes in Buenos Aires. In 1964, she moved to New York City, where she co-founded the New York Graphic Workshop with fellow artists Luis Camnitzer and José Guillermo Castillo. In 1974 she was a co-founder and etching instructor at Studio Camnitzer, an artist's residence studio near Lucca, Italy that welcomes artists working in all media. After holding teaching positions at the Porter-Wiener Studio, the Printmaking Workshop, SUNY Purchase and State University of New York at Old Westbury, Porter became a professor at Queens College, City University of New York in 1991 and remained there until 2007.
Porter's work often focuses on themes of simulacrum, mass reproduction, entropy, and boundaries between image and reality. She cites Luis Felipe Noe, Giorgio Morandi, Roy Lichtenstein, the Arte Povera group, and the Guerrilla Girls as influences on her work. She has exhibited internationally, and currently lives and works in New York.
She has twice created work for the MTA of New York City's Arts for Transit and Urban Design program—a program dedicated to creating public art for New York City Subway stations. In 1994, Porter created the mosaic series Alice: The Way Out, featuring imagery inspired by Lewis Carroll's Alice in Wonderland for the 50th Street subway station. In 2012, she collaborated with Uruguayan artist Anna Tiscornia to create Untitled With Sky, a glass windscreen and glass mosaic seating for the Scarborough station. Porter and Tiscornia are continuing their collaboration and will exhibit their new work in January 2013 at the Galería del Paseo in Montevideo, Uruguay.
In 2018, the Pérez Art Museum Miami, presented a major solo project by Porter. The site specific installation El hombre con el hacha y otras situaciones breves (2014/2017) comprised nearly one hundred individual sculptural pieces and fragments relating the artist's signature language, themes, and characters including elements first presented in Liliana Porter's 2017 Venice Biennale project for the Argentina pavilion.
Porter's work has been featured in the collections of the Museum of Contemporary Art San Diego, Museum of Modern Art New York, TATE Modern (London), Whitney Museum of American Art, Museo Tamayo (Mexico), Museo Nacional de Bellas Artes (Buenos Aires), The Metropolitan Museum of Art (New York), Boston Museum of Fine Art, Smithsonian Institution (Washington D.C.), Pérez Art Museum Miami, Museo de Bellas Artes (Santiago, Chile), El Museo del Barrio (New York), Museo de Arte Moderno de Bogotá, (Bogotá, Colombia) and more.
प्याज कचोरी

प्याज कचोरी (राजस्थानी: कांदा कचोरी) एक तरह का राजस्थानी व्यंजन है | जो प्याज, आलू, हरीमिर्च और अन्य साबुत गरम मसालों के मिश्रण से तैयार की जाती है। यह राजस्थान में जोधपुर और आसपास के इलाके में प्रसिद्ध मसालेदार नाश्ते हेतु व्यंजनो में से एक है। उत्तर भारत के अन्य हिस्सों में भी इस प्याज की कचोरी को बहुत पसंद किया जाता है।
कचौरा गाँव, किरौली (आगरा)

निर्देशांक: 27°11′N 78°01′E﻿ / ﻿27.18°N 78.02°E﻿ / 27.18; 78.02
कचौरा किरौली, आगरा, उत्तर प्रदेश स्थित एक गाँव है।
भगवा रंग

भगवा रंग या केसरिया रंग, नारंगी या केसर के तन्तुओं के सिरे के रंग को कहते हैं। भारतीय धर्मों (हिन्दू, बौद्ध, जैन, सिख, एवं अन्य पन्थ) में इसका बहुत महत्व है।
हिंदुओं के लिए भगवा पवित्र रंग है और अनादि काल से हिंदू संत और साधु भगवा ध्वज की पूजा करते हैं। केसरिया साहस और वीरता का प्रतीक है। भगवा पहनकर, कई भारतीय युवाओं ने आक्रमणकारियों - मुगलों और अंग्रेजों से संघर्ष किया।
भारत के तिरंगे ध्वज के तीन रंगों में सबसे ऊपरी पट्टी का रंग भगवा ही होता है। मराठा साम्राज्य के ध्वज का रंग भी भगवा था।
हिंदू धर्म में भगवा
पदार्थ विज्ञान

पदार्थ विज्ञान एक बहुविषयक क्षेत्र है जिसमें पदार्थ के विभिन्न गुणों का अध्ययन, विज्ञान एवं तकनीकी के विभिन्न क्षेत्रों में इसके प्रयोग का अध्ययन किया जाता है। इसमें प्रायोगिक भौतिक विज्ञान और रसायनशास्त्र के साथ-साथ रासायनिक, वैद्युत, यांत्रिक और धातुकर्म अभियांत्रिकी जैसे विषयों का समावेश होता है। नैनोतकनीकी और नैनोसाइंस में उपयोजता के कारण, वर्तमान समय में विभिन्न विश्वविद्यालयों, प्रयोगशालाओं और संस्थानों में इसे काफी महत्व मिला है।
मानव सभ्यता के विकास के विभिन्न चरणों के नाम प्राय:उस युग विशेष में प्रमुखता से प्रयुक्त होने वाले पदार्थ के नाम पर रखे जाते हैं, उदाहरणार्थ :- पाषाण युग,कांस्य युग, लौह युग, सिलिकान युग इत्यादि। पदार्थ विज्ञान आभियांत्रिकी और प्रयुक्त विज्ञान की सबसे प्राचीन विधाओं में से एक है। आधुनिक पदार्थ विज्ञान का विकास धातु विज्ञान से हुआ है। 19वीं शताब्दी में पदार्थ के व्यवहार को समझने में एक बड़ी सफ़लता तब हासिल हुई जब विलर्ड गिब्स ने यह दिखाया कि पदार्थों के गुण उनके विभिन्न अवस्थाओं की आण्विक संरचना से सम्बन्धित ऊष्मागतिक गुणों पर निर्भर करते हैं। वर्तमान युग में पदार्थ विज्ञान के तीव्र विकास के पीछे अन्तरिक्ष स्पर्धा का योगदान है। अन्तरिक्ष यात्राओं को सफल बनाने में विभिन्न मिश्रधातुओं और दूसरे पदार्थों की खोज़ ने प्रमुख भुमिका निभायी। पदार्थ विज्ञान के विकास ने प्लास्टिक, अर्धचालक और जैवरासायनिक तकनीकों के विकास में और इन तकनीकों ने पदार्थ विज्ञान के विकास में योगदान दिया। साठ के दशक के पहले तक पदार्थ विज्ञान विभागों को धातुकर्म विभाग कहा जाता था, क्योंकि 19वीं सदी और 20वीं सदी के प्रारम्भिक दिनों में धात्विक पदार्थों के विकास पर ज्यादा जोर दिया जाता था। इस क्षेत्र के विकसित होने से इसके अंतर्गत दूसरे पदार्थों यथा : अर्धचालक, चुम्बकीय पदार्थ, सिरेमिक, जैव-पदार्थ, चिकित्सकीय पदार्थ इत्यादि का अध्ययन होने लगा।
पदार्थ विज्ञान में अव्यवस्थित ढंग से नये पदार्थों को खोजने और उपयोग करने के बजाय पदार्थ को मौलिक रूप से समझने का प्रयास किया जाता है। पदार्थ विज्ञान के सभी प्रभागों का मूलसिद्धान्त किसी पदार्थ के इच्छित गुणों को उसकी अवस्थाओं और आणविक संरचना में चरित्रगत अंतर्संबन्ध स्थापित करना होता है। किसी भी पदार्थ की संरचना (अतएव उसके गुण) उसके रासायनिक घटकों पर और प्रसंस्करण की विधि पर निर्भर करती है। रासायनिक संघटन, प्रसंस्करण और ऊष्मागतिकी के सिद्धान्त पदार्थ की सूक्ष्मसंरचना निर्धारित करते हैं। पदार्थ के गुण और उनकी सूक्ष्मसंरचना में सीधा सबन्ध होता है।
पदार्थ विज्ञान में एक उक्ति प्रचलित है,"पदार्थ लोगों की तरह होते हैं, उनकी कमियाँ ही उन्हें मज़ेदार बनाती हैं।" किसी भी पदार्थ के दोषरहित क्रिस्टल का निर्माण असंभव है। लिहाज़ा पदार्थविज्ञानी क्रिस्टल दोषों (रिक्ती, प्रक्षेप, विस्थापक अणु इत्यादि) को आवश्यकतानुसार नियंत्रित कर के मनचाहे पदार्थ बनाते हैं।
Sheikh al-mahshi

Sheikh al-mahshi (شيخ المحشي Arabic pronunciation: [ʃeːx.al.maħʃi] 'the Chief of fillings'), sheikh el mahshi or shexmahshi (Kurdish) is a popular dish in the Middle East consisting of zucchini stuffed with minced lamb meat and nuts, bathed in a yogurt sauce (the original) or tomato sauce (derivative). Certain sources point to Syrian origin.
Due to its combination of flavors and laborious preparation, this is one of the most appreciated dishes in the Arab world. This esteem is reflected in its name: sheikh means 'chief', that is, it is considered a "sheikh's food". Unlike kusa mahshi, the filling completely dispenses with rice, and is instead filled with more luxurious ingredients: meat and pine nuts. This dish requires a lot of elaboration, which is why it is considered an honor for guests when it is served in a house.
Popular legend has it that this dish was found in Syria and the dish spread throughout the Middle East, the Arabs gradually replaced the vegetable filling with meat and onion. zucchini is more commonly used in Iraq, Syria, Palestine, Jordan, Egypt and the Gulf countries, while in Lebanon eggplants are preferred.
In general, small vegetables are used, since large ones are difficult to seed, and require a lot of stuffing. If only large ones are available, it is better to cut them in half. Although less well known, there are also recipes that use tomatoes.
The filling begins by lightly toasting the almonds or pine nuts. In addition, a chopped onion is cooked over low heat. Then the minced meat is added and seasoned with the spices to suit each home: cinnamon, black pepper, etc. and salt. Finally, the meat is mixed with the dried fruit.
In the Middle East there is a specific kitchen utensil for emptying vegetables, called in Arabic حفارات الكوسا (hafārat kūsā) o معورة كوسا (maʿwarat kūsā) and "sacacorazones" in Spanish. With another utensil there is a risk of breaking the skin of the vegetable and therefore making it unusable.
Once all the zucchini have been emptied, they are stuffed. Finally, the zucchini are lightly browned in samneh.
For the yogurt sauce, flour should be mixed with strained yogurt and water, and heated in the pot without stopping stirring, which is difficult. First-time cooks are advised to add egg or an egg-flour mixture to help stabilize the sauce and keep it from splitting. Starch can also be used to thicken it. Finally, the stuffed zucchini are placed in the yogurt sauce and cooked. The dish is commonly served with rice.
Sutarfeni

Sutarfeni (સુતરફેણી) is a Gujarati and Rajasthani sweet, made with shredded, all-purpose flour roasted in ghee (clarified butter), blended with melted sugar, and topped with finely chopped pistachios and almonds. The product is typically flavoured with powdered cardamom and/or rose petals. It may be white in color, scented with floral essences such as rose water or screwpine, or it may be colored and flavored with saffron.
Strand-like pheni were Phenakas mentioned in various Indian texts. Phenakas is a broad term which includes various dishes prepared by using layered fried dough. Vijayanagar records indicate that Pheni was another much relished sweet dish prepared from wheat flour and sugar, similar to phenaka of North India and had varieties like sugar pheni, milk pheni and vermicelli pheni.
Biserica de lemn din Țăgșoru

Biserica de lemn din Țăgșoru a fost adusă din localitatea apropiată Sărmășel, județul Mureș.
Biserica din satul Țăgșor apare în documente ca fiind construită încă din secolul XVI. Este una dintre bisericile de lemn „călătoare” ridicată inițial în satul Pogăceaua din actualul județ Mureș. De acolo a fost mutată în Sărmășel-sat. În anul 1958 a fost adusă ca donație din Sărmășel în Țăgșor. În Țăgșor a existat o veche biserică de lemn greco-catolică, care a fost dărâmată și a cărei masă de altar se poate vedea în fața intrării bisericii, actualul lăcaș de cult fiind așezat aproape pe vechiul amplasament.
În anul 1982 se finaliza pictarea pe interior a bisericii, dar și sfințirea oficială de către P.S. Iustinian Maramureșeanul. În perioada 1985-1996 slujba religioasă se oficia în regim de filie, periodic, de către preotul paroh al localității Țagu, Ioan Ciocin, de care aparținea. Parohia Ortodoxă Țăgșor a luat ființă odată cu numirea de către I.P.S. Bartolomeu Anania a preotului Simion Birou la 1 septembrie 1996.
În 1985 au avut lucrări de renovare; s-a păstrat parțial structura de lemn care a fost tencuită. A fost repictat iconostasul de lemn și apoi resfințit de către P.S. Vasile Someșanul (care se afla în acel moment la prima sa slujbă în calitate de episcop).
Studii regionale
Biserica de lemn din Buzaș

Biserica de lemn din Buzaș, județul Sălaj, se află în prezent în localitatea Săliște Nouă din județul Cluj unde a fost adusă după 1970 din satul Buzaș, Sălaj. Ea este datată din 1798 sau anterior acestui an. Biserica se află pe noua listă a monumentelor istorice sub codul LMI: cod LMI CJ-II-m-B-07749.
Satul românesc medieval

Satul (din latină fossatum = loc întărit cu șanț) era principala formă de așezare în epoca medievală.
Satul avea 15 - 20 case în Moldova și Țara Românească, iar în Transilvania erau 70. Satele erau libere sau dependente. Cele dependente erau pe domeniile domnești, boierești sau aparțineau unor mănăstiri și erau locuite de rumâni. Locuințele erau construite din lemn la deal și la munte și din chirpici la câmpie, exact ca pe timpul geto-dacilor.
Satele erau așezate în zonele care puteau asigura activitatea economică.(aveau pământ fertil,se aflau în apropierea unui curs de apă,etc.)
Până la începutul secolului XV au fost identificate în Transilvania 3364 localități, în Țara Românească 2100 sate, iar la sfârșitul secolului XV - 2800 localități.
Satul românesc a păstrat peste veacuri nealterate tradițiile și obiceiurile.
Radio România Antena Satelor

Radio România Antena Satelor (abreviat AAS) este al treilea post de radio al Societății Române de Radiodifuziune (SRR), fondat pe 25 decembrie 1991. Se adresează exclusiv mediului rural prin dezbaterea problemelor reale ale satului românesc. Este cunoscut ca fiind singurul post de radio din Europa de acest tip.
În anul 1930, la numai doi ani de la înființare, postul public de radio difuza săptămânal conferințele Societății Inginerilor Agronomi, apoi au apărut emisiunile „Săptămâna satului” și „Ora satului”.
La data de 25 decembrie 1991 se difuzează prima emisiune a postului independent Antena Satelor, cu 5 ore de emisie pe zi și acoperire doar în București, Argeș și Dâmbovița.
Pe data de 1 martie 2006 Antena Satelor devine post național, iar în octombrie 2009 a fost lansat primul stream online de muzică populară din România.
Unde lungi:
Unde medii:
Unde ultrascurte (FM):
DAB-T (radiodifuziune digitală terestră):
Ascultă direct pe telefon:
Papa Inocențiu al XII-lea

Papa Inocențiu al XII-lea (nume laic: Antonio Pignatelli; n. 13 martie 1615, Spinazzola, Apulia, Italia – d. 27 septembrie 1700, Roma, Statele Papale) a fost un nobil neapolitan și papă al Romei din 1691 până în 1700.
Fiind crescut la colegiul iezuiților din Roma, în 1635 papa Urban al VIII-lea l-a numit prolegat de Urbino. Apoi a ajuns trimis papal la Florența (sub Inocențiu al X-lea), trimis papal în Polonia (sub Alexandru al VII-lea) iar în sfârșit trimis papal la curtea imperială de la Viena (sub Clement al IX-lea).
În 1681 papa Inocențiu al XI-lea l-a făcut cardinal și arhiepiscop de Neapole. Atunci când predecesorul lui Alexandru al VIII-lea a murit, s-a ajuns la conclav la un conflict între partida franceză și cea favorabilă Spaniei, respectiv Imperiului. Pe 12 iulie 1691 Pignatelli a fost ales papă ca un candidat de compromis.
Noul papă și-a început pontificatul cu diverse reforme. Prin bula Romanum decet Pontificem a reformat Statul Bisericesc și a combătut nepotismul, reducând posibilitatea papei să-și înzestreze rudele cu funcții. Pedepsele aplicate la Roma au fost înăsprite.
De asemenea a intenționat să restabilească disciplina din mănăstiri, care pe atunci lăsa mult de dorit. Demersul lui a fost vehement criticat. Oficiile și tribunalele romane au fost centralizate prin crearea instituției Curia Innocentiana.
Poporul roman l-a iubit pe Inocențiu. Datorită poziției lui sociale (o parte din banii bisericii a fost folosită pentru scopuri de caritate) populația l-a numit și „tatăl săracilor”. Orașul Cervia a fost construit din nou într-un alt loc mai sănătos.
Pe regele Carol al II-lea al Spaniei l-a sfătuit să-l impună pe ducele de Anjou (nepotul lui Ludovic al XIV-lea) ca moștenitorul țării lui. Tocmai acest sfat a dus după decesul regelui la așa-zisul Război Spaniol de Succesiune.
Pontificatul lui s-a remarcat prin multe reforme decisive, dar și prin sfatul nechibzuit la adresa regelui spaniol.
Commons: Innocentius XII - album cu imagini, video-uri și baze de date audio
Allegan State Game Area

Allegan State Game Area is a 50,000-acre (200 km) forest attracting campers, hikers, bikers snowmobilers, cross-country skiers, horse trail riders and hunters. It is located in west-central Allegan County, Michigan, with one gateway just west of the city of Allegan. It is more commonly referred to as Allegan Forest.
It has two primitive campgrounds, one owned by the state of Michigan but operated by Allegan County. Ely Lake Campground is on Ely Lake, a small inland lake while the Silver Creek Campground is owned and operated by Allegan County. They both have picnic tables and fire pits at each campsite and vault toilets and water pump stations. Ely Lake, a non-motorized boat lake has a swimming beach and Silver Creek has a shallow spring-fed creek. They both welcome tent and hammock camping, as they are located in a heavily forested area. There are camping fees and reservations can be made. Silver Creek Campground also has a pavilion for day use with picnic tables and fire pits. Silver Creek Campground is in a good location for road biking as all the roads leading to Silver Creek are paved country roads, even though within the campground the roads are dirt.
The forest is a mixture, but largely hardwood. The Kalamazoo River flows through the northern portion. It is popular with canoeists and fisherman. Behind the Calkins Bridge Dam the Kalamazoo becomes the large, but shallow, Lake Allegan.
During hunting season, many come to hunt whitetail deer, Canada geese and wild turkeys.
Trails are laid out for hikers and horse riders in the summer and snowmobilers and cross-country skiers in the winter.
The forest is broken up by private ownership with sections of woods and sections of homes. The state occasionally buys private land to add to the forest and fill in the gaps.
Canoe-Picnic Point State Park

Canoe-Picnic Point State Park is a 70-acre (0.28 km) state park located on Grindstone Island in the St. Lawrence River. The park is within the bounds of the Town of Clayton in Jefferson County, New York.
The park was one of 80 New York State Parks that were in the path of totality for the 2024 solar eclipse, with the park experiencing 3 minutes and 20 seconds of totality.
Canoe-Picnic Point State Park was purchased by the New York State Fisheries, Game and Forest Commission in 1897. Along with Mary Island State Park, it was one of the first New York state parks established along the St. Lawrence River as part of the St. Lawrence Reservation, a recreation area within the Thousand Islands region authorized by New York State in 1896.
Canoe Point is named for the American Canoe Association, who formerly held their annual meetings at the point.
Canoe-Picnic Point State Park is accessible only by boat. The park offers a nature trail, picnic tables and pavilions, cabins, docks, fishing, hiking, and a campground with tent sites. The park's recreational facilities are open from late May to early September, although seasonal waterfowl hunting is also permitted within the park.
Wildwood State Park

Wildwood State Park is a 767-acre (3.10 km) state park located in Suffolk County, New York. The park is in the Town of Riverhead on the north shore of Long Island. The park includes a beach on Long Island Sound.
The park offers a beach, a playground, picnic tables, hiking and biking, fishing, a campground with tent and trailer sites, cross-country skiing, recreation programs and a food concession.
List of National Geographic cover stories

National Geographic is an American magazine noted for its cover stories and accompanying photography. This is a list of National Geographic cover stories including writers and photographers starting in July 1959, when the magazine started featuring photos on the front cover.
National Geographic was first published in October of 1888 with the first photo to appear on the cover in July 1959, that of an American flag. Articles include stories about geography, history, nature and science.
In the December 1969 issue, astronauts Neil Armstrong, Buzz Aldrin and Michael Collins wrote the cover story titled "First Explorers on the Moon", writing in detail their account of the Apollo 11 mission and what it was like being the first humans on the Moon. The cover of the magazine featured a picture taken from space by Armstrong of Aldrin in a spacesuit on the surface of the Moon.
In the November 1971 issue, Samuel W. Mathews and photographer William R. Curtsinger spent months aboard the research vessel Hero in Antarctica. Photos taken by Curtsinger would be the first pictures of snow leopards in the wild and the first photos shot in Antarctica for the magazine.
In the June 1985 issue, Debra Denker's cover story "Along Afghanistan's War-torn Frontier" about the Soviet and Afghanistan war featured a cover photo depicting a green-eyed Afghanistan girl (Sharbat Gula), photographed by Steve McCurry. This cover image is National Geographic's most recognized photo.
In the August 1991 issue, Thomas Y. Canby wrote the cover story titled "The Persian Gulf: After the Storm", about the Kuwaiti oil fires after the Persian Gulf War. The photo on the magazine's cover featured oil fields on fire, photographed by Steve McCurry.
In the April 2007 issue, Fen Montaigne's cover story "Saving the Sea Bounty", about the dangers facing marine life, featured a cover image of a swordfish caught in a net photographed by Brian Skerry.
In the November 2016 issue, Joel Achenbach wrote the cover story titled "The Race to the Red Planet", about humanity's treks to Mars. The cover featured a photo of Mars captured by the Indian Space Research Organization (ISRO) Mars Orbiter Mission spacecraft.
Jaime Roos te hizo vivir

Jaime Roos te hizo vivir es un disco perteneciente al cantautor uruguayo Jaime Roos editado en el año 1997, el mismo es una selección de temas románticos editados bajo el sello EMI - Orfeo. Esta álbum contó con la colaboración cantantes y músicos invitados como: Laura Canoura (tema 5 y 6), Raúl Mayora (tema 15), Estela Magnone (tema 1) y Grupo Travesía (tema 4,5,7 y 13).
Sur (álbum de Jaime Roos)

Sur es un álbum perteneciente al cantautor uruguayo Jaime Roos editado en el año 1987 bajo el sello Orfeo.
Todas las canciones del disco tienen letra y música de Jaime Roos, excepto Tu vestido blanco(letra de Hugo Bonaldi), Las luces del estadio (letra de Raúl "Flaco" Castro) y Despedida del Gran Tuleque '87 (letra de Mauricio Rosencof).
La canción Sí sí sí ya había sido grabada por Roos en su segundo disco (Para espantar el sueño). En esta versión Jaime es acompañado por la banda Opa. Según él mismo cuenta:
Otras canciones que ya había sido grabadas por el músico (en estos casos en el disco Candombe del 31) son Tu vestido blanco (que aparecía con el nombre Que te había olvidado), Y es así y Carta a Poste restante. Según el mismo Jaime, las nuevas versiones obedecen al hecho que no le convencen las originales y a que la mayoría de la gente desconocía su primer disco.​
La canción Despedida del Gran Tuleque '87 formaba parte de la obra El regreso del Gran Tuleque, de Mauricio Rosencof. De ahí que en el disco aparezca el elenco del Teatro La Gaviota (entre quienes se destaca la figura de "Pinocho" Routin). También participan en la percusión los músicos Freddy "Zurdo" Bessio, Edú "Pitufo" Lombardo y Ronald Arismendi, además de Raúl "Flaco" Castro en el recitado final de la canción.
Aparecen como músicos invitados varios referentes de la música popular uruguaya, además de los ya mencionados : Estela Magnone, Mariana Ingold, Los Olimareños (en Y es así), Ruben Rada (en Candombe de Reyes),Guilherme de Alencar Pinto.
El disco fue reeditado (junto con 7 y 3) en 2000 en formato CD.
Dani Umpi grabó versiones de las canciones de este disco, en un álbum que llamó "North". Todas las canciones (a excepción de "Candombe de Reyes") aparecen con las letras traducidas al inglés.​
Amándote (canción de Jaime Roos)

«Amándote» es una canción perteneciente al cantautor de música popular uruguayo Jaime Roos. Es el sexto tema que forma parte de su álbum de estudio Sur, editado bajo el sello Orfeo en el año 1986. Esta canción se basa en rimas repetitivas con base en ritmos como la bossa nova, el candombe y la murga que el músico implementa en ese disco.
El cantante chileno Pedro Foncea (líder de la banda De Kiruza) hizo una versión de este tema, como canción central de la teleserie de Canal 13 Amándote, de 1998.​
La cantante argentina Zoe Gotusso hizo una versión de este tema, para su disco Mi Primer Día Triste, de 2020.
«Amándote» en YouTube.
El puente (álbum)

El puente es un disco del compositor y cantante uruguayo Jaime Roos. Es una selección de temas grabados para el sello Orfeo entre 1983 y 1995, la mayoría de ellos en colaboración con otros artistas. Algunas de las canciones no habían sido editadas hasta ese momento, mientras que otras como Veces y Carbón y sal, habían sido publicadas con anterioridad.​ El disco fue lanzado en 1995 por el sello Orfeo,​ y reeditado en 2000 por EMI​ con cuatro temas agregados.​
Letra y música de Jaime Roos, a menos que se aclare lo contrario.
Temas extras (de la reedición de 2000)
Lo que no te di aparece originalmente en el disco 7 y 3. La versión que aparece en El puente comenzó a grabarse en Nashville, Estados Unidos en 1989, cuando Jaime Roos fue invitado por RCA de ese país. Se comenzó a grabar pero desacuerdos en el contrato hicieron que el proyecto se cancelara. Se conservó una mezcla de esta canción, que fue completada en 1995 para este disco.​
All you need is love y Amigo lindo del alma fueron grabadas el 1 de febrero de 1991 en el Estadio Luis Franzini, en el concierto Por siempre Lennon, realizado por Rubén Rada, Hugo Fattoruso y Jaime Roos.
Pa'l mercado y Al Pepe Sasía fueron editadas simultáneamente en el álbum Noches de Carnaval de Pablo Pinocho Routin.
Se va la murga fue grabada inicialmente en el disco Para espantar el sueño como Retirada. La versión que aparece en El puente es instrumental. El cambio de título se debe a la publicación en Alemania de una versión de Dino Saluzzi con este nombre, que agradó a Roos.
No te vayas niña mía fue inicialmente pensado para ser editado en el álbum Estamos rodeados. Al igual que Olvidando el adiós y Siestas de Mar de Fondo, apareció originalmente en el disco Vals prismático (1993), de Estela Magnone.
Tras tus ojos, Veces y Carbón y sal fueron editados anteriormente en el disco Mujer de sal junto a un hombre vuelto carbón, grabado a dúo por Jaime Roos y Estela Magnone en 1985.
Todo un país detrás (A las 10) pertenece en su versión original al disco Para espantar el sueño. La versión que aparece en El puente fue utilizada como publicidad para el diario El País en relación con la gira uruguaya Jaime Roos A las 10 (1993-1994), auspiciada por dicho periódico.
Mar de Fondo era un tema inédito de Eduardo Mateo que había sido conservado por Estela Magnone en una grabación de un ensayo de 1986 en el que lo cantaban juntos. Jaime Roos hizo los arreglos para esta versión que aparece en El puente.
Cielos es una improvisación a dos guitarras (sin acuerdo previo sobre forma o armonía) entre Eduardo Mateo y Jaime Roos. Al día siguiente Mateo le agregó un tambor y un chistido y la bautizó. Esto ocurrió en 1983.
La vida... es un ratico (en vivo)

La vida... es un ratico (en vivo) es el nombre del segundo álbum en directo del cantautor colombiano Juanes, Fue lanzado al mercado por Universal Music Latino el 18 de noviembre de 2008.​
El álbum contiene siete canciones en vivo registradas durante su gira La vida world tour por Europa y Estados Unidos, además de tres inéditas, "Falsas palabras", grabada hacía más de un año en Los Ángeles, California y coproducida por Gustavo Santaolalla y él mismo; "Odio por amor", que compuso hacía unos meses en España, siendo el primer sencillo del disco; y "Hoy me voy", con la cantante Colbie Caillat donde ella interpreta su parte en inglés.​
El lanzamiento está disponible en edición ordinaria y en versión de lujo con dos CD y dos DVD.
Lali en vivo

Lali en vivo fue la tercera gira de conciertos de la cantante argentina Lali. Con esta gira promocionó sus canciones del disco Soy y algunas nuevas de su nuevo álbum que sería lanzado en 2018. La gira inició el 3 de noviembre de 2017 en el Estadio Luna Park en Buenos Aires, Argentina y finalizó el 28 de julio de 2018 en Barcelona, España.
Lali Espósito confirmó luego del lanzamiento de la canción «Una Na» en julio de 2017, que integraría su nuevo disco, una nueva gira de conciertos que significarían un "puente" entre lo que fue su segundo disco y su tour, y lo que sería su tercer disco. Confirmó que es "un Soy Tour más renovado y con adelantos de mi nuevo disco". El mismo show contendría canciones y sonidos nuevos como una especie de adelanto del tercer disco.
Anunció que realizaría su primer show de su "Lali en vivo" el 3 de noviembre en el Estadio Luna Park de Buenos Aires. Finalmente terminaría agregando un segundo show en el Luna Park el 10 de noviembre debido a haberse agotado las entradas del primer show en apenas dos días. En agosto anunció que se presentaría con su nueva gira en las ciudades de Rosario y Córdoba.
La gira finalmente incluiría participaciones de la cantante en festivales de distintas partes de la Argentina incluyendo un "AcercArte" en la ciudad de Chascomús. Más tarde Lali confirmaría un cronograma de recitales en el exterior con su "Lali en vivo", incluyendo shows en Perú, Europa y realizando su tercer visita como cantante solista a Israel. También se presentaría en Miami para realizar su primer show en los Estados Unidos.
A solo dos días del anuncio del primer show en Estadio Luna Park estaban completamente agotadas y la artista anunció un segundo show que finalmente también terminaría con entradas agotadas al igual que los shows en Córdoba, Rosario, Miami e Israel.
Dídimo el Músico

Dídimo el Músico (en griego Didymos ho mousikos) fue un teórico de la música de Colofón de finales del siglo I a. C. o de principios del siglo I d. C. Su obra sobrevive en forma de fragmentos citados en las obras de Porfirio y Claudio Ptolomeo.​​
Anteriormente se creía que era la misma persona que el gramático y lexicógrafo alejandrino Didymus Chalcenterus, porque Claudio Ptolomeo y Porfirio se referían a él como "Didimus ho mousikos" (el músico).​​
Conforme al libro Perictione en Colophon de Roger Scruton, Dídimo desde pequeño fue a vivir con Perictione que era nieta de Platón. Ella fue a vivir a Colofón, donde encontró a Dídimo, lo cuidó en su casa como su hijo y le proporcionó educación musical. A la edad de 12 años viajó con Perictione de vuelta a la ciudad de Atenas y a los 20 años entró a estudiar en la academia de Platón, dónde Heráclides Póntico le educó y crio como si fuera su hijo.
Los eruditos clásicos relacionaban este nombre con un gramático y músico más joven de la época de Nerón, que fue autor de una obra citada por Clemente de Alejandría.​
Entre sus obras de teoría musical se encuentra Sobre la diferencia entre los Aristoxénicos y los Pitagóricos (Περὶ τῆς διαφορᾶς τῶν Ἀριστοξενείων τε καὶ Πυθαγορείων). Según Andrew Barker, su intención era recuperar y producir interpretaciones contemporáneas de la música de la antigüedad griega.​
Dídimo combinó elementos de los enfoques teóricos previos con una apreciación del aspecto de la interpretación. Fragmentos de su obra sobreviven a través de las obras de Porfirio y Claudio Ptolomeo, los cuales citan a Dídimo como una autoridad de primer orden.​​ En estas fuentes se encuentran ejemplos de sus tetracordos como longitudes de cuerda medidas a partir de las cuales se pueden calcular las siguientes proporciones:
Al igual que Arquitas de Tarento, usó una tercera mayor, pero parece haber sido el primero en usarla en la diatónica como la suma de los tonos enteros mayor (9:8) y menor (10:9) ya que de las proporciones (10:9 )•(9:8)= se obtiene 5:4. La diferencia de estos tonos enteros es la llamada coma sintónica, también conocida como «coma de Didymus», que es un intervalo de razón 81:80.​​​
Roos (surname)

Roos is a surname with multiple origins. In Dutch, Low German, Swiss German and Estonian “Roos” means “Rose” and the surname is often of toponymic origin (e.g. someone lived in a house named “the rose”). In 2007, 8600 people were named Roos and another 2880 “de Roos” in the Netherlands. In the UK, Roos may be of patronymic origin (“Andrews”) or indicating red hair (Old English “Rouse”). The name is also relatively common in Sweden (5,902 people in 2010), Finland (1219 in 2012) and Estonia (934 people in 2019). People with the name "Roos" or "de Roos" include:
Gramophone Classical Music Awards

The Gramophone Classical Music Awards, launched in 1977, are one of the most significant honours bestowed on recordings in the classical record industry. The British awards are often viewed as equivalent to or surpassing the American Grammy Awards, and referred to as the Oscars for classical music. They are widely regarded as the most influential and prestigious classical music awards in the world. According to Matthew Owen, national sales manager for Harmonia Mundi USA, "ultimately it is the classical award, especially worldwide."
The winners are selected annually by critics for the Gramophone magazine and various members of the industry, including retailers, broadcasters, arts administrators, and musicians. Awards are usually presented in September each year in London.
Hymn: Sarah Brightman In Concert

Hymn: Sarah Brightman In Concert is the sixth worldwide concert tour, and tenth tour altogether, by English soprano singer Sarah Brightman in support of her album Hymn (2018). The tour started on 24 November 2018, in São Paulo, Brazil, and will continue until 2021. The event is expected to include 125 shows in five different continents, thus becoming Brightman's largest tour of her career.
On 6 August 2018, Brightman announced her return to the South American continent after five years with her promotional tour Hymn: Sarah Brightman In Concert. The concert tour included dates in Brazil, Chile, and Argentina in the months of November and December. A second date was added in Buenos Aires due to overwhelming demand. On 13 September, it was announced that Brightman's show in Santiago would be cancelled due to programming and logistical issues.
On 17 September, along with the official announcement of the album Hymn, the North American leg of the tour was announced, along with extra dates in Latin America. It was revealed that the tour would consist of 125 shows across five continents, thus becoming the largest tour of Brightman's career.
In promotion of her world tour, Brightman partnered with Swarovski to create the elaborate costumes and tiaras for the show's wardrobe.
On 21 January, Brightman announced on her official Instagram account that she would bring the tour to the United Kingdom with an official date at the Royal Albert Hall in London on 11 November, her first performance in London since the Harem World Tour in 2004.
In an interview with Billboard, Brightman revealed that the show would be a larger production than the Dreamchaser World Tour, including a choir and live orchestra.
Act 1
Act 2
Encore
On 10 September, Brightman announced via Facebook that a special show would be performed and filmed in Bavaria, Germany. The concert took place on 21 September at the Musiktheater Füssen and included special guests such as Mario Frangoulis, Vincent Niclo, Narcis, and Yoshiki. The filmed concert was released in cinemas through fathom Events for a special one-night showing on 8 November, a day before the album's release.
The 90-minute TV and cinema event featured a slightly different set list and more elaborate staging than the live tour.
An abridged version of the concert was broadcast on PBS stations in the US from November 2018-January 2019. On 5 December, the edited version was released on DVD as both a pledge gift and for purchase through the official PBS online shop.
ACT I
ACT II
කොකිස්

කොකිස් සිංහල කැවිලි වර්ගයකි. උත්සව වල දී, විශේෂයෙන් සිංහල අලුත් අවුරුද්දේ දී වැදගත් වන කැවිලි වර්ගයකි.
කොකිස් යනු පෘතුගීසි හෝ ලන්දේසි යුගයේ ලංකාවට පැමිණි cookies යන්නේ බිදී අ වචනයකි.
බිත්තර, හාල් පිටි, කහ, ලුනු, පොල් කිරි මිශ්‍රණයේ අච්චුව දමා, එය තෙලේ බැද ගලවා ගැනේ.
ඇන්ටිගුවා සහ බාබියුඩා හි ආර්ථිකය

සංචාරක ව්‍යාපාරය ආර්ථිකයේ ආධිපත්‍යය දරන අතර, දළ දේශීය නිෂ්පාදිතයෙන් (GDP) අඩකට වඩා වැඩි ප්‍රමාණයක් දායක වේ. වඩාත්ම ධනවත් සංචාරකයින් සඳහා ගමනාන්තයක් ලෙස, ඇන්ටිගුවා තරු පහේ නිවාඩු නිකේතනවල පුළුල් එකතුවක් සඳහා ප්‍රසිද්ධය. කෙසේ වෙතත්, වසර 2000 ආරම්භයේ සිට පහළ සහ මධ්‍යම වෙළඳපල කොටස්වල සංචාරක ක්‍රියාකාරකම් දුර්වල වීම නිසා ආර්ථිකය මන්දගාමී වී රජය දැඩි මූල්‍ය කොනකට ඇද දමා ඇත. ඇන්ටිගුවා සහ බාබියුඩා 2019 දී 0% පුද්ගලික ආදායම් බදු අනුපාතයක් පැනවීම වැනි ඉහළ ශුද්ධ වටිනාකමකින් යුත් පුරවැසියන් සහ පදිංචිකරුවන් ආකර්ෂණය කර ගැනීම සඳහා ප්‍රතිපත්ති සම්පාදනය කර ඇත.
ආයෝජන බැංකු සහ මූල්‍ය සේවා සැපයීම ද ආර්ථිකයේ සැලකිය යුතු කොටසක් වේ. කැනඩාවේ රාජකීය බැංකුව (RBC) සහ ස්කොටියා බැංකුව වැනි ප්‍රධාන ජාත්‍යන්තර මූල්‍ය ආයතන දෙකම ඇන්ටිගුවා හි කාර්යාල පවත්වාගෙන යයි. ප්‍රයිස් වෝටර් හවුස් කූපර්ස්, පැනෙල් කර් ෆෝස්ටර්, සහ KPMG යනු ඇන්ටිගුවා හි කාර්යාල ඇති මූල්‍ය සේවා කර්මාන්තයේ අනෙකුත් සමාගම් වේ. එක්සත් ජනපද සුරැකුම්පත් හා විනිමය කොමිෂන් සභාව ටෙක්සාස් ප්‍රකෝටිපති ඇලන් ස්ටැන්ෆර්ඩ්ට අයත් ඇන්ටිගුවා හි පිහිටි ස්ටැන්ෆර්ඩ් ජාත්‍යන්තර බැංකුවට එරෙහිව ආයෝජකයින්ගෙන් ආසන්න වශයෙන් ඩොලර් බිලියන 8 ක් සොරකම් කිරීමට හේතු වූ දැවැන්ත වංචාවක් මෙහෙයවූ බවට චෝදනා එල්ල කර ඇත.
දූපත් දෙකකින් සමන්විත ජාතිය, තම කෘෂිකාර්මික නිෂ්පාදනයෙන් බහුතරයක් ජාතිය තුළ දක්නට ලැබෙන වෙළඳපොළ වෙත යොමු කරයි. මෙය සිදු කරනු ලබන්නේ සංචාරක ව්‍යාපාරයේ සහ ඉදිකිරීම් ක්ෂේත්‍රයේ ඉහළ වැටුප් ලබා දීමේ ප්‍රතිඵලයක් ලෙස ජාතියට සීමිත ජල සැපයුමක් සහ ශ්‍රමිකයන්ගේ හිඟයක් තිබියදීය. පෙළ විරහිත ආශ්‍රය සඳහා නමක් තිබිය යුතුය.
නිෂ්පාදනය දළ දේශීය නිෂ්පාදිතයෙන් 2% සමන්විත වන අතර අපනයනය සඳහා එන්ක්ලේව් ආකාරයේ එකලස් කිරීමකින් සමන්විත වේ, ප්‍රධාන නිෂ්පාදන වන්නේ ඇඳ ඇතිරිලි, හස්ත කර්මාන්ත සහ ඉලෙක්ට්‍රොනික උපාංග වේ. මධ්‍ය කාලීනව ආර්ථික වර්ධනය සඳහා අපේක්ෂාවන් කාර්මික ලෝකයේ, විශේෂයෙන්ම එක්සත් ජනපදයේ ආදායම් වර්ධනය මත රඳා පවතිනු ඇත, සංචාරකයින්ගෙන් තුනෙන් එකක සිට අඩක් පමණ පැමිණේ.
ජෛව ධාරිතාව සඳහා ප්‍රවේශය ලෝක සාමාන්‍යයට වඩා අඩුය. 2016 දී ඇන්ටිගුවා සහ බාබියුඩා, එහි භූමි ප්‍රදේශය තුළ එක් පුද්ගලයෙකුට ගෝලීය හෙක්ටයාර 0.8ක ජෛව ධාරිතාවක් ඇති අතර, එය එක් පුද්ගලයෙකුට ගෝලීය හෙක්ටයාර් 1.6ක ලෝක සාමාන්‍යයට වඩා බෙහෙවින් අඩුය. 2016 දී, ඇන්ටිගුවා සහ බාබියුඩා එක් පුද්ගලයෙකුට ගෝලීය හෙක්ටයාර 4.3 ක ජෛව ධාරිතාවක් භාවිතා කළහ - ඔවුන්ගේ පරිභෝජනයේ පාරිසරික අඩිපාර. මෙයින් අදහස් කරන්නේ ඔවුන් ඇන්ටිගුවා සහ බාබියුඩා අඩංගු වන ප්‍රමාණයට වඩා වැඩි ජෛව ධාරිතාවක් භාවිතා කරන බවයි. එහි ප්‍රතිඵලයක් වශයෙන්, ඇන්ටිගුවා සහ බාබියුඩා ජෛව ධාරිතා හිඟයක් පවත්වාගෙන යයි.
ආයෝජන ඒකකය (CIU) යනු නියෝජිත බලපත්‍ර සඳහා වන සියලුම අයදුම්පත් මෙන්ම අයදුම්කරුවන් සහ ඔවුන්ගේ පවුලේ සාමාජිකයන් විසින් කරන ලද ආයෝජන මගින් පුරවැසිභාවය සඳහා වන සියලුම අයදුම්පත් සැකසීම සඳහා වගකිව යුතු රජයේ අධිකාරිය වේ. මෙම ඒකකය අග්‍රාමාත්‍යවරයා විසින් ස්ථාපිත කරන ලද අතර එය ආයෝජන ඒකකයේ පුරවැසිභාවය ලෙස හැඳින්වේ.
Karthik discography

Karthik (born 7 November 1980) is an Indian playback singer. Karthik started his professional singing career as a backing vocalist and has since been working as a playback singer. He has sung in multiple languages including Tamil, Telugu, Malayalam, Kannada, Odia, Bengali, Hindi, Marathi, Tulu and Sanskrit.
This is only a partial list; it is noteworthy that Karthik has sung more than 8000 songs in Telugu, Kannada, Tamil, Malayalam and Hindi.
E Gaan Amar Bajimaat (2008)
O Soniyo Mun Heli Ti Diwana ACP Ranveer (2012)
Ganja Karuppu

Karuppu Raja, known for his stage name Ganja Karuppu (born 5 January 1976), is an Indian actor who has predominantly appeared in comedy roles in Tamil cinema. After making his debut in Bala's Pithamagan (2003), Ganja Karuppu experienced success in the late 2000s with his roles in Raam (2005), Sivakasi (2005), Paruthiveeran (2007), Subramaniyapuram (2008) and Naadodigal (2009).
Karuppu was introduced as an actor by director Bala in Pithamagan (2003) as a person who works in the ganja plantations. As a result of the role, he was thereafter credited in films as Ganja Karuppu. In the 2000s, he subsequently was regularly cast in rural films by directors, working on notable films including Ameer's Raam (2005) and Paruthiveeran (2007), Sasikumar's Subramaniapuram (2008), Samuthirakani's Naadodigal (2009) and Sargunam's Kalavani (2010). During the period, he was also cast in the second lead role in Chimbudevan's Arai En 305-il Kadavul (2008) alongside Santhanam, produced by S Pictures. The period of success meant that he was cast in the lead role of a film titled Mannar Valaikuda by Dhanasekaran. Despite making progress, the film about the plight of the fishermen community did not have a theatrical release.
In 2012, Karuppu was set to enter Bollywood with a role in the Hindi remake of Samuthirakani's Poraali (2011), but the film eventually did not materialise. He had revealed that he would change his name to "Ganja Khan" for his stint in the Hindi film industry. Karuppu chose to turn film producer with Velmurugan Borewells (2014) but the film went through production delays and had a low profile theatrical release, losing him a significant amount of money. Director Bala later criticised Karuppu for unnecessarily putting his acting career in jeopardy with the move. Following a period away from notable films, Karuppu made a comeback with significant roles in S. J. Surya's as Isai (2015) and Dharma Durai (2016).
In 2017, he participated in the first season of the Tamil reality television show Bigg Boss hosted by Kamal Haasan. After regularly clashing with fellow actor Bharani, he was evicted on day 14.
He married Sangeetha, a physiotherapist, in January 2010 in a ceremony held in his home town of Nattarasankottai. His first son was born in April 2011 in Madurai. In 2013, he chose to adopt the expenses of five mentally ill people in Trichy. Later in 2016, he announced his intentions of becoming a politician.