davidanugraha/M4-RAG huggingface dataset:
Belbury Poly

Belbury Poly es la banda de estudio del cofundador de Ghost Box Records Jim Jupp. Jupp es el compositor principal y productor. También toca el sintetizador, los teclados y la guitarra. Los demás miembros son músicos de estudio, entre ellos: Christopher Budd, encargado del bajo y la guitarra principal, Jim Musgrave, baterista, James Allen, también baterista, David Sharp, responsable de la guitarra acústica, y Jon Brooks, pianista.
El mundo sonoro de Belbury Poly se caracteriza por una especie de rock progresivo optimista, electrónico y rústico. Sus señas de identidad se basan en la electrónica analógica y en una amplia gama de instrumentos poco usuales. Recientemente han incorporado músicos de sesión a cargo de la batería y las guitarras. Su rango de influencias va desde la antigua música de librería y las bandas sonoras de televisión hasta el rock progresivo de los 70s basado en los teclados, así como el folk y el Krautock.​​​
Jupp se ha referido a Belbury Poly y a los otros artistas de Ghost Box como al sonido de un pasado mal recordado de un mundo paralelo.​​​​ También ha reconocido su deuda con el autor Arthur Machen.​ El nombre del grupo hace referencia a una institución ficticia, creada por el autor británico C.S. Lewis​ en su novela That Hideous Strength.
Colección de arte

Una colección de arte es un conjunto de piezas artísticas recopiladas por una persona o una institución.
Tales colecciones se han hecho desde las primeras civilizaciones; quienes reunían objetos preciados en templos, tumbas, santuarios y palacios. El gusto del coleccionismo, por sí mismo, se desarrolló en Grecia entre los siglos IV y I a. C.
Las enormes colecciones de arte en el mundo se originaron a partir de colecciones privadas de personas de la realeza, la aristocracia y la gente adinerada. A finales del siglo XVIII, algunos coleccionistas comenzaron a donar sus pertenencias a organizaciones públicas para que se garantizase su conservación.
Acaudalados empresarios industriales de los Estados Unidos, como William Randolph Hearst, solucionaron la crisis cultural de un país rico pero sin apenas historia, adquiriendo en los siglos XIX y XX una cantidad sin precedentes de obras de arte que acabaron integrándose en los museos de la nación.​
Art & Architecture Thesaurus

Art & Architecture Thesaurus (Tesauro de Arte y Arquitectura, abreviado como AAT) es un vocabulario controlado que se utiliza para describir elementos y conceptos de arte, arquitectura, conservación, arqueología y cultura material desarrollado por el Instituto de investigación Getty.​ Cuenta con términos, descripciones, citas bibliográficas y otra información relacionada con las bellas artes, la arquitectura y las artes decorativas.​
El AAT es utilizado, entre otros, por museos, bibliotecas de arte, archivos, catalogadores e investigadores de historia del arte.​ Se compone de términos preferidos seleccionados y las relaciones de equivalencia, jerárquicas y asociativas.de esos términos.​ Cumple con las normas ISO y NISO, incluidas las normas ISO 2788, ISO 25964 y ANSI/NISO Z39.19.​
En marzo de 2023, contiene alrededor de 74 045 registros y 488 911 términos.​
Virgen de los claveles

La Virgen de los claveles (en italiano La Madonna dei garofani) es una pintura atribuida al artista renacentista italiano Rafael Sanzio, que data de 1506-1507. Es una pintura al óleo sobre madera de frutal con unas dimensiones de 28,8 centímetros de alto y 22,8 cm de ancho. Se conserva en la National Gallery de Londres, Reino Unido, donde se exhibe con el título de Madonna of the Pinks.
El tema y tamaño de la pintura, poco más grande que un Libro de Horas, sugiere que puede haber sido una ayuda portátil a la devoción privada. La identidad del comitente original es desconocida, aunque un inventario de los años 1850 sugiere que fue un encargo de Maddalena degli Oddi, miembro de una prominente familia de Perugia, después de haber recibido las órdenes sagradas.
En el siglo XIX fue propiedad del pintor Vincenzo Camuccini y luego pasó al Castillo de Alnwick en el Reino Unido.
La pintura representa a una joven Virgen María jugando con el Niño Jesús y dándole claveles. Estas flores, cuyo nombre botánico es dianthus , en griego «flor de Dios», son una premonición de la Pasión de Cristo -según la leyenda cristiana, la primera flor que apareció cuando la Virgen María lloró en el Calvario. El acontecimiento tiene lugar en una ambientación doméstica con iluminación apagada, influencia del arte neerlandés. La composición se basa muy de cerca en la Madona Benois de Leonardo da Vinci, aunque el esquema de color de azules y verdes que une a la Virgen con el paisaje es rafaelesca. Aunque la ventana con arcos es un paisaje con un edificio en ruinas, simbolizando la caída del mundo pagano con el nacimiento de Cristo.
Sólo en 1991 se identificó como un genuino rafael, por el erudito renacentista Nicholas Penny. Aunque los estudiosos de Rafael sabían de la existencia de la obra, que había colgado en el castillo de Alnwick desde 1853, consideraban que era meramente la mejor de varias copias de un original perdido. Después de un amplio llamamiento público, la Virgen de los claveles fue adquirida en 2004 al Duque de Northumberland por veintidós millones de libras esterlinas, con contribuciones del Heritage Lottery Fund y el National Art Collections Fund. Para justificar tal gasto marchó en una gira por todo el país, a Mánchester, Cardiff, Edinburgh y Barnard Castle.
En verano de 2006 una investigación publicada en línea alegó que la atribución de Nicholas Penny y la defensa asociada de ella publicada por la National Gallery se basan en un análisis incompleto, argumentos insostenibles e interpretaciones equivocadas.
Real Academia de Bellas Artes de San Fernando

The Real Academia de Bellas Artes de San Fernando (RABASF; transl. 'Royal Academy of Fine Arts of San Fernando'), located on the Calle de Alcalá in the centre of Madrid, currently functions as a museum and gallery. A public law corporation, it is integrated together with other Spanish royal academies in the Instituto de España [es].
The academy was established by royal decree in 1752. About twenty years later, the enlightened monarch Charles III purchased a palace in Madrid as the academy's new home. The building had been designed by José Benito de Churriguera for the Goyeneche family. The king commissioned Diego de Villanueva to convert the building for academic use, employing a neoclassical style in place of Churriguera's baroque design.
The academy is also the headquarters of the Madrid Academy of Art.
The first graduate of the academy was Bárbara María Hueva. Francisco Goya was once one of the academy's directors. Its alumni include Felip Pedrell, Pablo Picasso, Kiko Argüello, Remedios Varo, Salvador Dalí, Antonio López García, Juan Luna, Fernando Amorsolo, Oscar de la Renta, Francesc Daniel Molina i Casamajó, Ricardo Macarrón, Alicia Iturrioz, Fernando Botero., and Melecio Figueroa.
Doubling as a museum and gallery, today it houses a fine art collection of paintings from the 15th to 20th centuries: Hans Müelich, Arcimboldo, Giovanni Bellini, Juan de Juanes, Antonio Allegri da Correggio, Luis de Morales, Martin de Vos, Marinus van Reymerswaele, Otto Van Veen, Leandro Bassano, il Cavaliere d'Arpino, Guido Reni, Rubens, Domenichino, Jan Janssens, Giovanni Battista Beinaschi, Bartolomeo Cavarozzi, Daniel Seghers, José de Ribera, Andrea Vaccaro, Jacob Jordaens, Pieter Boel, Claudio Coello, Juan Van der Hamen y León, Van Dyck, Pieter Claesz, Antonio de Pereda, Diego Velázquez, Margherita Caffi, Carreño de Miranda, Paul de Vos, Alonso Cano, Zurbarán, Murillo, Francesco Battaglioli, Jean Ranc, Jacopo Amigoni, Agostino Masucci, Fragonard, Corrado Giaquinto, Domenico Tiepolo, Alessandro Magnasco, Pompeo Battoni, Antonio Joli, Luis Paret y Alcázar, Mengs, Goya, Giuseppe Pirovani (one rare Portrait of George Washington), Joaquín Sorolla, Ignacio Zuloaga, Juan Gris, Pablo Serrano, Fernando Zobel, Lorenzo Quiros, among others.
Museum of Romanticism (Madrid)

The Museum of Romanticism (Spanish: Museo del Romanticismo) is an art museum in Madrid, Spain, devoted to Romanticism. It was inaugurated in 1924 as Museo Romántico. It is one of the National Museums of Spain and it is attached to the Ministry of Culture.
The museum is housed at Calle de San Mateo 13. It was linked since its inception to the patronage of the Marquis of Vega-Inclán. The museum opened on 1 June 1924. The building was purchased by the Spanish State three years after the inauguration of the museum, in 1927. The overseeing institution and the entire collection of the Marquis was bequeathed to the Spanish State after the death of the former in 1942.
The building, dating from the late 18th-century, consists of two stories plus an attic floor, which is not open to the public.
Both the collection and the building were protected as historical-artistic monument in 1962.
The museum's exhibits are presented in the context of a historic house with a dining room, billiard room etc. They include items related to the romantic writer Mariano José de Larra.
In November 2009, the Council of Ministers determined the renaming of the museum to Museo Nacional del Romanticismo.
Some of the landmark items exhibited at the museum include painting works by Francisco de Goya (San Gregorio Magno), Leonardo Alenza (Satira del suicidio romántico, Sátira del suicidio por amor and El dios grande), Valeriano Domínguez Bécquer (El conspirador carlista), Antonio Carnicero (Retrato de Godoy), José Aparicio (Desembarco de Fernando VII), Joaquín Espalter (La familia Flaquer), Vicente López Portaña (Retrato del Marqués de Remisa), Antonio María Esquivel (El general Prim a caballo and Retrato de Alfredito Romea), Eugenio Lucas Velázquez (Cueva de bandidos), Charles Porion (Isabel II pasando revista a las tropas), Federico de Madrazo y Kuntz (Retrato del Duque de Rivas, Retrato de la Duquesa de Rivas, and Retrato de Julián Romea), José de Madrazo (Retrato de Fernando VII a caballo), Jenaro Pérez Villaamil (Puerta de Serranos en Valencia), Joaquín Sorolla (Retrato del Marqués de la Vega-Inclán), Manuel Cabral Bejarano (La copla), José Gutiérrez de la Vega (Retrato de Isabel II and Retrato de Larra) and Francisco de Zurbarán (San Francisco).
Naval Museum of Madrid

The Naval Museum (Spanish: Museo Naval) is a naval museum in Madrid, Spain, devoted to the history of the Spanish Navy since the Catholic Monarchs, in the 15th century, up to the present. It is one of the National Museums of Spain and it is attached to the Ministry of Defence.
The displays set naval history in a wide context with information about the history of the Spanish Empire. The collections include navigation instruments, weapons, maps and paintings.
Its origins date back to a royal decree issued on 28 September 1792, yet it was not until 1843 when the Museum was inaugurated in Madrid by Ramon de Romay y Jimenez-Cisneros, initially housed in the Palacio de los Consejos. It was soon moved to the Casa del Platero and then to the Palacio de los Ministerios, where it remained until 1932.
The Ministry of the Navy (there used to be a standalone ministerial department for the Navy, fused with those for the Army and the Air Forces in 1977) was provided with a new headquarters in the 1920s, and the museum moved there in 1932. The architects were José Espelius [es] and Francisco Javier de Luque [es].
Visitors enter the museum through a modernist facade on the Paseo del Prado, and pass to the first floor where former courtyards (now exhibition halls of the Naval Museum) are covered by spectacular stained-glass roofs with naval and decorative motifs made by Maumejean (a family glass-making business which had a branch in Spain). At weekends a doorway onto the grand staircase of Navy Headquarters is opened to allow visitors to appreciate the architecture.
The map of Juan de la Cosa, the earliest preserved map of the Americas, is on permanent display in this museum.
Since 2007, the museum has hosted a specimen of Moon rock. One of two such samples given to Spain, it was collected on the 1972 Apollo 17 mission. The rock, which weighs one gram, was put on display in 2009, to mark the 40th anniversary of the first Moon landing. The museum also displays a collection of Ming ceramics rescued from the shipwreck of the San Diego.
Concatedral de la Natividad de la Santísima Virgen María (Juneau)

La Catedral de la Natividad de la Santísima Virgen María (en inglés: Cathedral of the Nativity of the Blessed Virgin Mary) es la catedral de la Diócesis de Juneau. Está localizada en 416 Fifth Street en Juneau, Alaska, y se la considera como una de las más pequeñas en Norte América.​ Pertenece a la arquidiócesis de Anchorage-Juneau.
En 1885, la parroquia fue creada por la comunidad minera creciente de la Cuenca Silverbow. Una iglesia fue construida en 1886 en la misma cuadra de la Quinta Calle, donde actualmente se encuentra la catedral.​ Esta iglesia fue reemplazada en 1910 con la construcción de la catedral actual. La iglesia fue consagrada a catedral en 1951, cuando la Diócesis de Juneau fue creada.​
Río Methow

El río Methow (en inglés: Methow River]) es un corto río de Estados Unidos, un afluente del Columbia que discurre por el norte de estado de Washington.​ Drena una cuenca de 4 900 km² y abastece un núcleo de 5 000 habitantes entre las localidades que cruza.​ La cuenca de Methow se caracteriza por su hábitat relativamente prístino al igual que otros ríos que nacen en bosques u otros entornos naturales.
Algunos afluentes bañan parte del área salvaje Pasayten. En el presente las aguas del río son utilizadas para el regadío como parte de los ingresos de la agricultura.
El origen etimológico procede de la tribu nativoamericana de mismo nombre (actualmente: parte de la Reserva Amerindia Confederada de Tribus de Colville) y del idioma okanogan /mətxʷú/ cuyo significado es "(semilla de) girasol".​ Anteriormente tenía el nombre de Buttlemuleemauch (Rápidos del Salmón).​ En 1841 la expedición Wilkes rebautizó el río como "Barrera". Alexander Ross en cambió se refirió al mismo como Buttle-mule-emauch.
En 1811 David Thompson observó a la comunidad amerindia mientras navegaba por el río y se refirió a él como Smeetheowe.
En 1853 otro explorador, George Gibbs rebautizó el río como Methow.​
El río Methow, junto con sus afluentes el río Twisp y los arroyos Cedar y Early Winters, se origina en un grupo de altas montañas en la cordillera de las Cascadas, entre otras Golden Horn, la montaña Tower, pico Cutthroat, Snagtooth Ridge, Kangaroo Ridge, Early Winters Spires y la montaña Liberty Bell. Varios pasos de montaña están asociados con el río Methow y sus afluentes, como el Methow Pass y el Twisp Pass. La ruta estatal 20 utiliza los pasos Washington y Rainy, también en las áreas generales de los arroyos de cabecera.
El Pacific Crest Trail sigue el tramo superior del río Methow, hasta que el río gira hacia el este y fluye en el valle del Methow cerca de Mazama. En el camino, recoge las corrientes tributarias del arroyo Robinson y del río Lost. En el valle del Methow, entre Mazama y Winthrop, al Methow se le unen los arroyos Early Winters, Cedar, Goat y Wolf. El río Chewuch desagua en Winthrop. Uno de los afluentes mayores del Methow, el río Chewuch, y sus numerosos afluentes, drenan gran parte del área salvaje Pasayten hacia el norte. Una de sus corrientes de cabecera, el arroyo Cathedral, llega casi a Columbia Británica, Canadá.
El valle del Methow continúa agua abajo de Winthrop hasta Twisp, donde el río Methow recibe otro tributario importante, el río Twisp. Llegando desde el oeste, el Twisp drena las montañas al sur del Washington Pass, así como las laderas orientales de la Sawtooth Ridge, una cadena montañosa importante con algunos de los picos más altos del estado de Washington (como Star Peak y Mt Bigelow).
Aguas abajo desde el Twisp, el río Methow pasa por las comunidades de Carlton y Methow, recibiendo varios afluentes menores, antes de unirse al río Columbia en Pateros,. Esta parte del Columbia está embalsada por la presa de Wells Dam, un embalse conocido como lago Pateros.
Province of Cuenca

Cuenca (Spanish: [ˈkweŋka] ) is one of the five provinces of the autonomous community of Castilla-La Mancha. It is located in the eastern part of this autonomous community and covers 17,141 square km. It has a population of 203,841 inhabitants – the least populated of the five provinces. Its capital city is also called Cuenca.
The province is bordered by the provinces of Valencia (including its exclave Rincón de Ademuz), Albacete, Ciudad Real, Toledo, Madrid, Guadalajara, and Teruel. The northeastern side of the province is in the mountainous Sistema Ibérico area.
211,375 people (2007) live in the province. Its capital is Cuenca, where nearly a quarter of the population live, some 52,980 people. There are 238 municipalities in Cuenca.
Other populous towns and municipalities include Tarancón, San Clemente, Quintanar del Rey, Huete, Villanueva de la Jara, Motilla del Palancar, Mota del Cuervo, La Almarcha, and Las Pedroñeras.
In 1851, Cuenca lost Requena-Utiel to the neighbouring Valencia Province, with which it was developing commercial ties. Nevertheless, Requena-Utiel remained Spanish-speaking (rather than Catalan), while the loss of its most dynamic region left the province of Cuenca relatively underdeveloped economically.
The historical population is given in the following chart:
San Miguel, Mota del Cuervo

St. Michael's Church (Spanish: Iglesia de San Miguel or Iglesia de San Miguel Arcángel) is a Catholic parish church in the Diocese of Cuenca, situated on Ramón y Cajal Baja Street in Mota del Cuervo, province of Cuenca, Spain. It was declared a Bien de Interés Cultural in 1990.
Construction of the church began in the late 15th century and would continue through the 16th and 17th centuries. The visit of the Order of Santiago in 1494, which collaborated in the construction, is very illustrative to look at the state in which the church was at the end of the 15th century.
It consists of a hall with three naves, each with three aisles, an apse with two chapels, one on each side, a choir, and a bell tower at one end. The interior walls are simply whitewashed. The reredos behind the altar includes a statue depicting the Archangel Michael and the Devil placed in the centre. There was a golden altarpiece occupying the rear of the main altar during the 16th century, with blue background, statues in their niches and a tabernacle, which was lost without knowing how and why.
The exterior is made of ashlar masonry, framing rectangular windows in the central body and circular windows in the chevet. The bays of the naves are covered with ribbed, sail and groined vaults.
The choir is elevated forming a portico with three arches. The central elliptical arch is wider than the others, whose intrados is decorated with a rope-like helical motif that denotes a clear influence of the 15th-century Levantine Gothic. The alfarje ceiling is particularly of interest.
The church has several chapels, among which are the Chapel of Baptism, with a lowered vault; the Chapel of the Most Blessed Sacrament, of a polygonal plan with ashlar masonry; the Chapel of Solitude with a lunette dome; the Chapel of Jesus the Nazarene and the Chapel of the Christ at the Column.
The north portal is constructed in the Plateresque style and supported by two large buttresses. It has a semicircular arch flanked by paired Corinthian columns on plinths, an entablature topped by a large scallop shell with pinnacle decoration on both sides. Above the door, two symbols of the Order of Santiago are carved in circles, indicating the Order's collaboration in the construction of the church and in the repopulation of the area. The south portal is much simpler in structure, built in Doric style with pediment and typical Herrerian spheres as decorative applications.
List of historical markers of the Philippines in Calabarzon

This list of historical markers installed by the National Historical Commission of the Philippines (NHCP) in Calabarzon (Region IV-A) is an annotated list of people, places, or events in the region that have been commemorated by cast-iron plaques issued by the said commission. The plaques themselves are permanent signs installed in publicly visible locations on buildings, monuments, or in special locations.
While many Cultural Properties have historical markers installed, not all places marked with historical markers are designated into one of the particular categories of Cultural Properties.
In 2004, the NHCP approved a marker for the Alberto House, Biñan for its historicity in relation to Teodora Alonso, José Rizal, and the city. However, the marker did not push through because the owner refused to follow preservation requests.
On March 18, 2015, a marker pertaining to the Jabidah massacre was installed in Corregidor, Cavite City. Despite referring to the said event, the marker was entitled "Mindanao Garden of Peace, Corregidor Island" and did not contain the name "Jabidah."
A marker, commemorating National Artist Vicente Manansala was moved from his house in Binangonan to Holy Angel University, Angeles City.
This article lists two hundred eighty-three (283) markers from the CALABARZON Region, including two (2) that are part of the Philippine Nationhood Trail markers series.
This article lists forty-five (45) markers from the Province of Batangas.
This article lists one hundred three (103) markers from the Province of Cavite.
This article lists sixty-six (67) markers from the Province of Laguna.
This article lists three (40) markers from the Province of Quezon.
This article lists thirty (30) markers from the Province of Rizal.
Juan León Mera

Juan León Mera Martínez (28 June 1832 – 13 December 1894) was an Ecuadorian essayist, novelist, politician and painter. His best-known works are the Ecuadorian National Hymn and the novel Cumandá (1879). Additionally, in his political career, he was a functionary of president Gabriel García Moreno.
He was born in Ambato on 28 June 1832 and died in the same city on 13 December 1894. His father, Pedro Antonio Mera Gómez was a businessman while his mother Josefa Martínez Vásconez, raised her only son alone due to the fact that he abandoned her during her pregnancy. His infancy was humble while during his first years of life he lived at the “Los Molinos” country property, located in Ambato. In order to support the family his maternal grandmother rented the property to her brother Pablo Vásconez, who was a political activist who fought against the politics of Juan José Flores. León Mera received his education at home, which in large part was carried out by great-uncle as well as his uncle Nicolás Martínez who was a doctor. At the age of twenty he traveled to Quito to study painting with the noted pictural artist Antonio Salas, where he learned how to paint oil and watercolor. At the age of 33, he and Antonio Neumane created the Ecuadorian National Hymn, "salve, Oh patria". Juan Leon Mera's son José Trajano Mera (1862 – 1919) became a poet, playwright and diplomat,
In the year 1854, he published his first verses of poetry in the newspaper La Democracia, with the help of writer Miguel Riofrío. He founded the Ecuadorian Academy of language in 1874 and was a member of the Real Academia Española.
He is considered one of the precursors of Ecuadorian literature for his famous national novel Cumandá which shows the complicated racial and social intricacies of Ecuador following independence. It was published in Quito in the year 1879 and later in Madrid in 1891. This novel was later utilized by Ecuadorian dramaturgists of the 20th century Luis H. Salgado (1903–1977), Pedro Pablo Traversari Salazar (1874–1956) and Sixto María Durán Cárdenas (1875–1947) to each write an opera.
In addition to being a writer and painter he was a political conservative and follower of Gabriel García Moreno. He was the governor of Cotopaxi, Secretary of the Council of State, Senator, President of the Senate and National Congress in 1886. His former residence, the museum "La quinta de Juan León Mera", in the city of Ambato, exhibits his possessions.
Three operas have been based on Juan León Mera's novel Cumandá:
부산항보안공사

부산항보안공사(釜山港保安公社, Busan Port Security Corporation, BPSC)는 부산항의 질서유지와 항만시설 안전을 위한 항만보안업무를 수행하고, 부두 이용업계의 이익증진과 부산항만 발전에 기여하고 동북아 물류 중심항에 맞는 항만보안 전문기관으로 발전을 위하여 출범한 해양수산부 산하의 기타공공기관이다. 소재지는 부산광역시 중구 충장대로 24 국제여객터미널 3층이다.
부산항만공사로부터 부산항보안업무 수행을 위하여 위탁받은 사업을 수행
태영버스

태영버스(泰榮―)는 부산광역시의 시내버스 운송 업체이자 태영운송그룹 계열 부산광역시 자회사이다. 본사는 부산광역시 강서구 화전동 강서공영차고지에 있으며, 경상남도 김해시 구산동에 영업소를 두고 있다. 같은 태영운송그룹의 계열 회사로는 부산광역시 자회사인 마을버스 업체 부경버스, 녹산교통, 성진버스, 태영교통, 김해공항리무진을 운영하는 태영공항리무진, 3급 정비공장인 현대블루핸즈 주례서부점, 직영 GS칼텍스 주유소 대리점인 탑에너지, 렌터카업체인 TBS렌터카, 광고·무역업과 기타 서비스업인 TGMC, 김해시 자회사인 김해시의 시내버스 회사 가야IBS, 김해비유에스, 동부교통, 천연가스 충전소인 가야에너지, 양산시 자회사인 양산BS, 경상북도 청도군 자회사로 타이어 제조 업체인 태영TRT 등이 있으며 58번, 58-1번, 58-2번, 520번은 구 태화교통, 나머지는 구 화진여객에서 운행했던 노선들이다. 모회사인 태영그룹은 태영건설, 태영인더스트리, SBS 등의 모회사로 경기도 광명시에 본사를 둔 태영그룹과 이름만 같을 뿐 아무 관련이 없다.
북항 재개발

북항 재개발은 부산광역시 원도심에 활력을 불어넣고 관광객을 유치하기 위해 벌이고 있는 부산항 북항의 항구 재개발 사업이다. 부산항만공사에서 개발을 주관한다. 국제여객터미널 신청사, 크루즈항만, 고급주거시설, 상업시설, 업무시설, 문화시설 등이 들어설 예정이다.
북항1단계는 센트럴베이고 북항2단계는 부산항시티다.
1994년부터 계획이 시작되었고 2007년에 사업이 시작되었다. 2015년 8월 31일에 부산항여객터미널을 개장했고 북항으로 이전했다.
2017년 센트럴베이에 협성 마리나 G7이 착공하였다. 2018년 D-2블록인 더 게이트 동원(지상 74층, 지하 4층)과 D-3블록인 한국투자증권(지상 72층, 지하 5층)의 계획이 있었다. 협성 마리나 G7이 2021년 완공되었고 롯데캐슬 드메르 등이 완공될 예정이고 2030년에 1단계 사업이 끝날 예정이다.
북항2단계인 부산항시티에는 아파트가 들어선다. 북항3단계 조감도가 2023년에 공개되었다.
부산항여객터미널(釜山港 旅客 - , 영어: Busan Port Passenger Terminal)은 부산항에 있는 여객 수송용 터미널로 부산항국제여객터미널과 부산항연안여객터미널을 함께 지칭하는 말이다.
부산 오페라 하우스는 부산 북항에 공사중인 건물이다. 2018년에 착공하여 2023년이나 2024년에 완공할 예정이다.
협성 마리나 G7(영어: Hypseong Marina G7)는 부산광역시 동구 초량동 부산항(북항)에 위치한 생활숙박시설 단지다. 총 2개동으로 구성되어 있고 높이는 199.85m이며 층수는 지상 61층, 지하 4층이다. (주)협성이 협성 마리나 G7을 개발하게 되며 사업명은 부산항(북항) D-1 블럭 신축공사다.
SKY.V 북항(영어: SKY.V Bukhang)은 대한민국 부산광역시 동구 초량동에 계획중인 마천루이다. 원래는 더 게이트 동원의 계획이 있었는데 SKY.V 북항이라는 건물의 계획이 있다.
롯데캐슬 드메르(영어: Bukhang Lotte Castle De MER)는 부산광역시 동구 초량동 부산항(북항)에 개발중인 생활숙박시설 단지다. 높이는 213m이며 층수는 지상 59층, 지하 5층이다.
오션브릿지는 부산광역시 동구 범일동에 건설된 고층 주상복합 아파트이다. 최고 48층 높이 건물 2개동으로 구성되었다.
두산위브더제니스 하버시티는 부산광역시 동구 범일동에 위치한 고층 주상복합 아파트이다. 최보 49층 높이의 주상복합 건물 7개동과, 오피스텔 건물 1개동으로 구성되어 있다.
부산광역시 동구 범일동에 건설중인 초고층 주상복합 아파트이다. 2023년 12월 공사가 시작되었고 최고 69층 높이로 2028년 11월 완공될 예정이다.
부산광역시 동구 범일동에 건설 예정인 고층 주상복합 아파트이다. 좌범통합2지구 재개발로 최고 60층 높이의 아파트로 건설될 예정이다.
부산일보는 부산 북항에 착공 예정이며 지상 20층으로 건설된다.
부산BBS는 부산 북항에 착공 예정이며 지상 40층으로 건설된다. 2020년 3월에 착공 이후 2022년 9월에 준공 예정이다.
부산MBC는 부산 북항에 착공 예정이며 지상 25층으로 건설된다.
부산 북항야구장은 부산광역시에 건설 추진중인 야구장이다. 북항에 야구장을 지을 계획이었으나 계획이 취소되었다.
부산 중구와 부산 동구의 경계에 들어서는 특성상 양 구가 서로 자기네 지역에 매립지를 많이 편입시켜달라고 요구하고 있다. 특히 오페라 하우스의 관할구역 부분을 놓고 서로 한치의 양보도 하지 않았다. 2021년 여름 영주고가도로를 기준으로 결정되었다. 그러나 영주고가 이남에 있는 기존 초량동 지번은 동구 관할로 유지되어 땅거스러미가 생겼다. 동구에선 취소 소송을 냈다.
2020년 북항 재개발 난개발 논란이 있다. D-3블록의 높이가 213m인데 지상 59층, 지하 5층으로 계획을 변경했다.
목포여객선터미널

목포여객선터미널(木浦旅客船터미널)은 전라남도 목포시 목포항에 있는 여객터미널으로 전라남도 수많은 서남권 도서와 다도해해상국립공원등 연결하는 목포연안여객선터미널과 제주, 해외등 운항하는 목포항국제여객터미널로 분리, 운영하고 있다.
목포연안여객선터미널은 원래 1980년 지어져 운영돼 왔으나 시설 낙후 제점이 지적되면서 2003년부터 공사를 시작해 2005년까지 총사업비 250억원을 토입해 연면적 12,900m으로 완공하였으며, 디자인은 쾌속선이 바다를 향해가는 모습을 형상화했다. 그러나 건축 당시 임시 청사를 가건물로 지어 운행하면서 선착장별로 행선지에 따라 구분해 관광객과 섬주민의 불편이 끊이지 않아 많은 비판을 받기도 했다. 목포 국제여객터미널의 경우 2002년, 2006년에 목포 와 중국상하이를 연결하였으나 2007년을 이후로 운휴중이다.
초쾌속선
차도선
부산역

부산역(Busan station, 釜山驛)은 부산광역시 동구 초량동에 있는 경부선과 경부고속선의 철도역이자 종점이다. 한국철도공사 부산경남본부 관리역으로, 역 구내에 한국철도공사 부산경남본부가 있다. 대한민국에서 서울역, 동대구역 다음으로 세 번째로 이용객이 많다. 서울 방향 KTX, ITX-새마을, 무궁화호와 수서 방향 SRT를 이용할 수 있으며, 광장에 부산 도시철도 1호선 부산역 출입구가 있다. 승차안내방송 시간말이 좀 달랐다. 2025년 상반기에 서울역과 똑같은 시간말이 나온다.
1층에는 각종 상가와 KTX 특송, 국군수송사령부 예하의 TMO가 있으며, 매표소와 코레일 멤버십 라운지는 2층에 있다.
부산역 배선도는 다음과 같다.
현재의 역사는 대화재 이후 1969년 6월 10일에 완공되었다. 이후 경부고속철도 개통을 앞두고 대대적인 리모델링 공사를 시행하였으며 2003년 4월 확장 부지인 역사 서쪽(광장 기준)이 우선 신축 완공되었다. 서쪽 역사의 신축 공사가 완료되면서 기존 역사는 폐쇄되었고 기존 역사가 있었던 확장 역사 중앙과 동쪽은 입구 부분만을 리모델링 하여 2004년 4월 1일 완공하였다. 때문에 앞부분은 신축 역사의 모습이나, 내부 부대 시설과 역사 뒷편, 승강장 통로 등은 1969년 6월 10일 완공 당시 건물 형태가 그대로 유지되어 있다.
2010년 11월 1일 경부고속철도 동대구 ~ 부산 간 개통과 함께 2009년 3월부터 2010년 11월 1일까지 실시한 2차 증축 공사가 완료되었다. 공사와 함께 2층 맞이방은 확장되었으며, KTX 타는 곳이라는 이름의 개찰구가 새로 설치되었다. 1층에는 회의실이 새로 들어섰으며, 이와 함께 지붕이 덮여 있지 않은 철도 종단점 방향의 승강장에 새로 지붕을 덮는 공사도 이루어졌다. 뿐만 아니라 부산역 뒷쪽(부산항 방향)으로 새로운 출구를 만들어 이용객의 편의를 도모하고 있다. 또한, 7번 출구를 공사해, 기존 출구와는 달라진 모습이다.
이 역은 열차 별로 전용 승강장이 있는데, 1, 3번 승강장은 ITX-새마을 · 남도해양열차 · 무궁화호, 4~11번 승강장은 KTX와 SRT를 취급한다. 심야에 ITX-새마을이 3편성이, 무궁화호가 7편성이 주박 한다.
한동안 부산에서 서울로 가는 노선이 하행선이었다. 당시에는 일본 제국의 도쿄에서 식민지 경성으로 가는 길이었다.
한국선급

사단법인 한국선급(韓國船級, Korean Register, KR)은 해상에서의 인명과 재산의 안전을 도모하고 조선 해운 및 해양에 관한 기술을 진흥시키기 위하여 설립된 대한민국 유일의 국제 선박 검사 기관이다. 직원 866여명(본부 523명, 지부 343명), 6본부 49개 지부(국내 14개, 국외 35개) 등으로 구성되어 있으며 대전광역시 유성구 가정북로 90(장동)에 위치하고 있었으나, 2012년 부산광역시 강서구 명지오션시티9로 36 (명지동)으로 이전하였다.
2005년 2월 25일 한국선급은 총회를 열어 대전에 있는 한국선급 본사의 부산 이전을 승인하였다. 본사 이전과 관련하여 한국선급 고위층은 "본사 중 일부와 연수소가 내려가고 부산광역시청과의 계약 조건을 충족하기 위해 주소지만 옮길 뿐"이라고 말했다.
2005년 7월 7일 오전 한국선급 노동조합은 부산 이전과 관련 한국컨테이너운영공사가 부산에서 광양으로 이전하자 부산 지역 민심을 달래기 위해 오거돈 해양수산부 장관이 이갑숙 한국선급 회장을 만나 한국선급의 부산 이전을 요청 한 것으로 파이낸셜뉴스(2월 25일자)에 보도됐다며 한국선급의 부산 이전의 부당성을 지적했다. 이에 대해 오 장관은 임기택 해양수산부 공보관을 통해 "전혀 사실과 다르다. 어떻게 그런 기사가 나갔는지 모르겠다"고 밝혔다.
2005년 9월 22일 홍문표 한나라당 의원은 해양수산부 국정감사에서 "오거돈 장관은 2005년 2월 24일 이갑숙 회장을 만나 한국선급의 부산 이전을 부탁했고 다음날인 25일 노조와 협의없이 이 회장 전권으로 한국선급의 부산 이전이 전격 결정됐다"며 "이는 차기 부산시장 당선을 위해 장관 재임 시절 무리하게 한국선급의 이전을 추진한 것으로 보인다"고 말했다. 이에 대해 한국선급 관계자는 "한국선급의 국내업무 중 77%가 울산, 부산, 거제 등 영남권에서 이루어지고 있어 검사원들의 접근이 용이한 이점이 있어 부산 이전을 추진하고 있는 것"일 뿐이라며 관련 의혹을 부인했다.
2009년 8월 27일 경찰청 특수수사과는 "한국선급 오공균 회장이 직원 취업을 대가로 2500만원을 수수하고 부산사옥 신축공사 사업 관리자 선정관련 입찰 정보를 사전 유출한 혐의도 받고 있다"라고 밝혔다. 이 과정에서 연세대학교 건축공학과 백 교수가 특정업체를 신축사옥 설계 업체로 선정해주며 2억1282만원을 받은 혐의 등으로 구속되었다. 백 교수의 아내 명의로 설립한 (주)B사가 담합에 의한 부정한 방법으로 부산사옥 신축 사업관리자로 선정되도록 한 것으로 한국선급의 사업관리자 선정 입찰을 방해한 혐의를 받고 있다. 수사가 진행되면서 부산사옥 신축은 사실상 중단되었다.
2010년 1월 8일 부산광역시청과 한국선급(KR)은 동월 11일 한국선급 본사사옥이 들어설 부산 강서구 명지주거단지에서 현장설명회를 개최한다고 밝혔다.
2010년 3월 12일 한국선급(회장 오공균)의 부산사옥 신축공사 기공식이 부산광역시 강서구 명지동의 부산사옥 신축공사 예정부지에서 열렸다. 한국선급은 부산광역시 강서구 명지동 3229-22외 3필지에 연면적 약 9200평, 지하2층, 지상 18층 규모의 최첨단 신사옥을 건축하여 2012년 4월경에 본사 이전을 완료할 예정으로 공사비 581억 원이 투입되어 310여명의 직원이 상주하게 된다.
Busan Modern History Museum

The Busan Modern History Museum (Korean: 부산근대역사관; Hanja: 釜山近代歷史館) is a museum in Busan, South Korea.
The building was originally constructed during the Japanese occupation of Korea for the Oriental Development Company an organisation used to support Japanese colonization of Korea. Following the liberation of Korea in 1945 it was later used as the United States Information Service and was the site of the Busan American Cultural Service building arson during student protests in 1982.
35°06′10″N 129°01′52″E﻿ / ﻿35.102689°N 129.031176°E﻿ / 35.102689; 129.031176
Pusan American Cultural Service building arson

35°06′10″N 129°01′52″E﻿ / ﻿35.102689°N 129.031176°E﻿ / 35.102689; 129.031176
The 1982 Pusan arson attack or Pusan American Council Fire Accidents (부산 미국문화원 방화사건; 釜山美國文化院放火事件) was an anti-American attack against the United States Information Service building in Pusan on 18 March 1982. The attack resulted in the death of a Dong-a University student who was studying in the building; three others were injured.
In June 1982, 16 people were put on trial in Busan for involvement in the attack. Theology student Moon Pu-shik (23) admitted the arson charge, saying the fire was a protest against US support for the Chun Doo-hwan dictatorship, particularly the suppression of the Gwangju Uprising. The other defendants included journalist Kim Hyong-jang (32) and Reverend Choi Ki-shik (39) head of the Catholic education center in Wonju, who was accused of sheltering the attackers. In August 1982 Kim Hyong-jang and Moon Pu-shik were sentenced to death for the arson, while Moon's wife Kim Un-suk (24) and Lee Mi-ok (21), were sentenced to life imprisonment. Following pleas for mercy from the US and protests by Catholic and Protestant groups, Kim and Moon's death sentences were commuted to life imprisonment in March 1983. Their sentences were reduced to 20 years in 1988. Moon Pu-shik was released from prison in 1988 after having served six years and nine months in prison.
The former USIS building now houses the Busan Modern History Museum.
Seo-myeon, Busan

Seo-myeon (Korean: 서면; Hanja: 西面; lit. west side) is a major commercial center and transportation hub in Bujeon-dong, Busanjin District, Busan, South Korea.
The area grew from a small village in the Joseon period to a major industrial hub in the mid-20th century. It hosted numerous factories and businesses, including predecessors to the modern companies Samsung and LG. By the late 20th century, many of the factories moved away, and the area became the preeminent shopping and culture area of the city.
The official administrative name for this area is not "Seo-myeon"; it is actually "Bujeon-dong". "Seo-myeon" was the name of an old settlement in the area that has remained in use.
Seo-myeon is a transportation hub for public transportation in Busan. Seo-myeon Station is near the Seo-myeon road junction and is one of the busiest subway stations in Korea; it is the transfer station between Busan Subway Line 1 and Line 2. Bujeon Station near Bujeon Market is a train station on the Donghae Nambu Line and Bujeon Line.
A bus transfer center also lies in front of the Busan main store of the Lotte Department Store.
The area was once a village to the west of the fortress Dongnaeeupseong. During the 1910–1945 Japanese colonial period, a tram was built from Yeongdo through the Dongnae Hot Springs [ko] area, which passed through Seo-myeon. After the 1945 liberation of Korea, factories were built around the area. In the 1950s, a number of factories were built in the area, including Cheil Jedang (a predecessor to the modern Samsung) and Lakhee Chemical (a predecessor to the modern LG).
The area's iconic 5-way intersection was built in 1957. Busan Tower was built in 1963. Trams passed under the tower until the tram closed in 1968. Industry in the area continued to flourish; this was due to the area's access to rail and proximity to the port of Busan. The area became especially busy in the 1970s, as workers commuted in large numbers to the area. It also became popular as an area for culture, and had theaters and shopping streets. It attracted both local workers and college students.
Beginning in the 1980s, factories were gradually moved to the outskirts of the city. The opening of shopping malls in the area during this decade cemented the area's status as a commercial hub. Banks and finance companies opened in the area, and government offices were located nearby. Hagwons increased in density in the 1990s.
The district flag of Busanjin-gu symbolizes the 5-way intersection of Seo-myeon. It represents the center of Busan as a hub of globalization, finance, commerce, distribution, and information. The district tree is the gingko, which can be seen throughout the area and is said to symbolize stability due to the resistant nature that protects it against disease and insects. The district flower is the chrysanthemum, another plant known to endure harsh conditions. The district bird is the magpie, known for building nests in the branches of very high trees.
Media related to Seomyeon, Busan at Wikimedia Commons
Gyeongbu

The name Gyeongbu refers to the Seoul–Busan corridor in South Korea. It is used as the name of the Gyeongbu railway line and Gyeongbu Expressway, both of which connect Seoul—the South Korean capital and largest city—to Busan—the largest port and second-largest city. The name "Gyeongbu" is formed from the first characters in the names "Gyeongseong" 경성 (京城) and "Busan" 부산 (釜山).
Busan Bank

Busan Bank (Korean: 부산은행; Hanja: 釜山銀行) is a regional bank in South Korea. The company was established in 1967 to facilitate the regional economy. The bank is based and headquartered in the busy port city of Busan, South Korea, and offers a full range of retail banking services including foreign exchange at its Seomyeon main branch. The bank has 229 branches in Korea. Its main shareholders include Aberdeen Asset Management Asia Ltd., Lotte group, National Pension Service, Capital Research & Global Investors, Parkland, Templeton, etc.
Number of Branches and Sales Offices: 229
China - Qingdao Branch, Nanjing Branch
Vietnam - Ho Chi Minh Branch, Hanoi Office
Myanmar - Yangon Office
India - Mumbai Office
Busan Bank is a member of the BC Card Network.
In 2016, Busan Bank promoted a partnership with Lotte Card. A SUM bank affiliated Lotte Card (credit/check card) was released at the launch of SUM bank, and applications could only be applied through the SUM bank app, but all SUM bank affiliated Lotte Cards were discontinued on March 1, 2020. On February 24, 2020, SUM bank BC Master credit/check card was released, and unlike SUM bank Lotte Card, it is possible to apply for it through Busan Bank internet banking and the banking app, and it can be connected to the customer's Busan Bank account in addition to the SUM bank mobile bank book.
Lotte Group owns 13.6% of the BNK Financial Group's stake and is in partnership with Lotte PS Net. Customers can use Lotte ATMs installed nationwide at 7-Eleven, Lotte Mart, Lotte Department Stores by paying only Busan Bank's commission.
After BS Financial Group took over Kyongnam Bank in October 2014, Kyongnam Bank can also be used at Lotte ATMs located at South Gyeongsang Province and Ulsan Metropolitan City starting from January 18, 2016.
Busan Bank launched fintech mobile non-face-to-face financial service, SUM bank, a joint venture with Lotte Group. SUM bank mobile bank book can only be signed up using SUM bank app. SUM bank used to only provide affiliated Lotte Cards, but it added BC Cards in February 2020. The existing SUM bank Lotte Cards were discontinued on March 1, 2020. There is no issuance fee for the SUM bank affiliated BC Check Card.
In 2016, Busan Bank introduced a smart ATM.
Customers signed up for Busan Bank Internet Banking can exchange currencies listed below:
Currency exchange ATMs are also available at Busan Port Passenger Terminal branch (JPY) and Gimhae International Airport branch (USD/JPY) all year round, but limited to USD and JPY.
Haeundae Doosan We've the Zenith

Haeundae Doosan We've the Zenith is a complex of three residential towers in the Haeundae District of Busan, South Korea, which was completed in 2011. With 80 floors and a height of 301 m, as of 2022, Tower A is the 22nd-tallest residential building in the world, and is the seventh tallest building in South Korea.
The Haeundae Doosan We’ve the Zenith consists of three residential buildings, with 70, 75 and 80 stories respectively, comprising 1,788 households in total, and one office building on its 42,500 square metres (457,000 sq ft) site. The total construction work took 48 months from November 2007 to November 2011.
The curves from the waves of the Haeundae beach, and Mt. Jang contribute to the design of the complex, and it is inspired by the shape of flower petals as well. The curved shape of the exterior allows residents views of Haeundae beach, Nurimaru and Gwangan Bridge.
De Stefano & Partners, a specialist design firm in a field of high rise architecture, is credited for the architecture of Doosan We’ve the Zenith; Jerde Partnership International designed the commercial building; and the SWA Group, which conducted the landscaping of the U.S. Disney World, carried out landscaping work of Haeundae Doosan We’ve the Zenith.
A structural health monitoring (SHM) system equipped with sensors that check wind load and earthquake load to the building in real time has been applied to Haeundae Doosan We’ve the Zenith. The structural design was carried out by U.S. Thornton Tomasetti, a firm that also designed Taipei 101—a high-rise building in Taiwan.
The Haeundae Doosan We’ve the Zenith has a refuge area every three floors, which can be utilized as a resting area or a hanging garden under normal circumstances and is used as a refuge space in the event of emergency. To prevent spalling, which is the explosion that can occur when the concrete is exposed to high temperatures, the buildings were built with high strength concrete using a spalling failure prevention method. This technology was recognized with a New Construction Technology Certification from the Ministry of Land, Transport and Maritime Affairs in September 2008.
The complex houses a number of facilities for residents, including a wine club, soundproof music practice room, family cinema, hobby rooms and reading rooms. Also Haeundae Doosan We’ve the Zenith has its own condominium that can be used as a guest house for residents and a ballroom for parties, seminars and other events.
Notes
Bibliography
Busan–Geoje Bridge

The Busan–Geoje Fixed Link or Geoga Bridge (Korean: 거가대교) is an 8.2-kilometer (5.1-mi) bridge-tunnel fixed link that connects the South Korean city of Busan to Geoje Island. The route opened on December 13, 2010 and shortens the travelling distance between Geoje Island and Busan by about 60 kilometers (37 mi). The new road has two lanes in each direction and carries National Road 58.
The fixed link opens Geoje Island to tourist-related development and saves US$300 million in costs related to traffic delays from the longer route.
The bridge was built under a public-private partnership. GK Fixed Link Corp, a consortium of seven Korean contractors, has a 40-year contract to build, operate and transfer the fixed link. The project is planned to cost US$1.8 billion. The government has provided only one-fourth of the cost; the rest is financed by the consortium to be repaid by tolls during the life of the contract. The lead contractor in the consortium is Daewoo Engineering & Construction, Co.
Designers involved with the project include COWI A/S (Denmark), Halcrow Group (United Kingdom), Tunnel Engineering Consultants (Netherlands), Pihl and Son (Denmark), Arcadis US (USA), and Ben C. Gerwick (USA).
The route connects Busan, Korea's largest port city, to the shipbuilding industries and tourism destinations on Geoje Island. It replaces either a 210-minute journey by road or a 120-minute journey by ferry. The new route cuts travel time down to 40 minutes.
The fixed link starts on Geoje Island, crosses three islets (Jeo, Jungjuk and Daejuk) and ends on Gaduk Island. In addition to the tunnel between Daejuk and Gaduk islands, a bridge is used to cross each of the islets.
The 1.87 km (1.16 mi) bridge between Jungjuk and Jeo islands includes a cable-stayed bridge with a 475 m (1,558 ft) main span and 220 m (720 ft) side spans. This bridge provides 52 meters (171 ft) of navigational clearance and has two 156 m (512 ft) diamond-shaped pylons.
Between Geoje and Jeo islands, a 1.65 km (1.03 mi) bridge includes a three-pylon cable-stay bridge. This bridge has two mainspans of 230 meters (750 ft) with side spans of 106 meters (348 ft). The pylons are 102 meters (335 ft) tall and there is 36 meters (118 ft) of clearance underneath the bridge.
When it opened, the tunnel became the world's deepest immersed roadway tunnel (48 meters (157 ft) below mean water level) and the world's second-longest concrete immersed tunnel, at 3.2 kilometers (2.0 mi). It is Korea's first immersed tunnel. It became the second-deepest immersed vehicle tunnel after completion of the Marmaray (Bosphorus rail tunnel) in 2013.
The tunnel is made up of 180 m (590 ft) segments constructed in a dry dock in Anjeon. Each segment was towed 35 kilometers (22 mi) by barges and sunk into place.
(Since 2011)
2GO Masigla

2GO Masigla is a passenger ferry and flagship of the Philippine shipping company 2GO Travel that went into service in 1999 as Orange 8.
She is the sister ship of MV Regel VII, (ex-Orange 7) of the Ventouris Ferries.
She started life as Orange 8 (Japanese: おれんじ8) of the Shikoku Orange Ferry Ltd. of Japan. She was later acquired by MS Ferry – a ferry operator based in South Korea that served the route between Busan to Jeju, South Korea, where she was named New Star. In 2023, when the company ceased operations, she was made available for purchase and was acquired by 2GO. On April 26, 2024, Liza Araneta Marcos led the inauguration of 163-meter (534 ft 9 in) 2GO Masigla, at Pier 4 station. Attending the ceremony were Chairman Frederic C. DyBuncio, Will Howell, Teresita Sy-Coson, Philippine Coast Guard, Commodore Arnaldo Lim and Jabeth Dacanay.
on June 7, 2010, Orange 8, heading east toward Osaka Nanko, collided with the fishing boat Toseimaru, heading south, about 1.3 nautical miles southeast of Shodoshima . As a result of the collision, Orange 8 sustained scratches in the center of the port side, while Toseimaru's captain sustained minor injuries and the bow was crushed. The captain of Toseimaru noticed Orange 8's approach 10 minutes before the collision, but was at the stern at the time of the collision cleaning mud from fishing nets, and did not notice the approach and increased speed to do so. Orange 8 saw Toseimaru 5 minutes before the collision, but thought it could pass by with a certain distance in mind based on its movements. 30 seconds before the collision, Orange 8 noticed Toseimaru's increased speed and shone its searchlight to warn of the danger, but did not use its whistle, so Toseimaru did not notice and the two vessels collided bow-first. The causes of the accident were determined to be failure to keep a watchful eye on the Toyosemaru and insufficient watch on the Orange 8.
ゴールデン洋画劇場

『ゴールデン洋画劇場』（ゴールデンようがげきじょう）は、1971年4月2日から2003年9月27日まで、フジテレビ系列で放映されていた映画の単発特別番組枠。
本項では、2001年10月6日放送分からの『ゴールデンシアター』についても記述する。
民放の映画番組枠の一つで、そのタイトルから放送される映画は原則として洋画というスタンスだった。そのため、邦画を放送するときには「特別企画」という言葉が付け加えられていた。2000年11月25日に放送された「中国からの贈りもの 若者たち 私たちの留学生活 - 日本での日々〜」など、不定期にドキュメンタリー番組が放送されたこともあった。
映画が超大作やノーカット作品の場合は20:00に放送を開始し、終了時間を延長する場合もあった。但しクロスネットの放送局の一部では完全放送が出来ず後日放送となり、穴埋め放送を行うこともあった。
開始から1981年3月27日までは金曜日21:00から放送されており、1981年4月4日からは放送曜日が土曜日に移動した。ただし、1981年4月 - 1995年9月の間は21:00 - 21:02に予告番組「映画情報」を放送し、本編は21:02開始となった。映画情報は1995年10月 - 1996年9月の間、20:59から開始となり事実上のフライングスタートとなった。
タイトルロゴは「ベン・ハー」「エル・シド」「聖衣」など当初ローマ史劇映画が多く放送されていたことに合わせ、古代ギリシャ・ローマのデザイン様式を彷彿とさせる格調高いイメージでデザインされた。
当番組は、1979年8月10日放送の「キタキツネ物語」から、2か国語放送を始めている。
後述する高島の降板後、2001年10月からはタイトルを『ゴールデンシアター』に変更し、スペシャルドラマも放送するようになった。2003年10月からはバラエティ番組も放送する総合単発枠の『プレミアムステージ → 土曜プレミアム』へと転換した。
当初は、前田武彦が映画解説者として起用されたが、1973年6月に同じく前田が司会を務めていた『夜のヒットスタジオ』放送内でいわゆる「共産党バンザイ」事件を起こした責任を取り、止むなく同月22日放送分をもって降板、その後暫くは毎回ゲストが交替で解説を担当。同年10月5日放送分より高島忠夫が2代目の解説者として起用され、約25年間にわたり同番組の顔として登場していた。
高島は1998年夏に重度のうつ病を冒し、療養に専念するため同年7月25日放送分をもって番組を一時降板、この間は解説不在で放送を進めていた。その後、ホンジャマカのメンバーである恵俊彰を起用し、高島の復帰まで担当。高島は1999年7月に解説に復帰したが、2001年9月にうつ病が再発し正式に降板となった。なお、この間もタレントがゲスト解説を担当している（後述）。
本番組はプロデューサーの山形淳二による「ベテラン声優や固定した配役は安心して観られるが、それでは進歩がない」「新しい刺激がほしかった」との理由でタレント（芸能人）による吹き替えを名物としていた。一定数以上の好評を博し、成功した例としてはブルース・ウィリスの出演作の吹き替えを担当した村野武範や、『トップガン』のトム・クルーズの吹き替えを担当した渡辺裕之などがある。一方で極端な賛否両論を呼んだとされる『バック・トゥ・ザ・フューチャー』や、物議を醸し、「評判は決して良くなかった」とされる『タイタニック』のような例もあった。
高島忠夫が病気療養のため降板していた時期の主な解説者（※ゴールデンシアター期を含む）
※系列は現在の系列。
※遅れネットの放送局に於いては前解説が高島忠夫、後解説が前田武彦という珍事も一部にみられた。
野田サトル

野田 サトル（のだ サトル、本名：野田 智）は、日本の漫画家。北海道北広島市出身。札幌稲西高校出身。左利き。既婚。
2003年、読切『恭子さんの凶という今日』でデビュー。2006年、読切『ゴーリーは前しか向かない』で第54回ちばてつや賞ヤング部門大賞を受賞。
2011年から2012年まで『週刊ヤングジャンプ』にてアイスホッケー漫画『スピナマラダ!』を連載し、2014年から2022年まで同じく『週刊ヤングジャンプ』にて『ゴールデンカムイ』を連載していた。
『ゴールデンカムイ』は2016年にマンガ大賞、2018年に第22回手塚治虫文化賞マンガ大賞、2022年に第51回日本漫画家協会賞コミック部門大賞を受賞するなど高い評価を得、アニメ化も行われる人気作となった。
『ゴールデンカムイ』の主人公・杉元佐一の名前は、屯田兵で日露戦争にも従軍した作者の曽祖父の名前からとられている。『スピナマラダ!』の連載が終わり次作を構想中に担当編集者から「次は猟師の話を描かないか」と提案され、開拓期の北海道の猟師を描いた熊谷達也の小説『銀狼王』を渡されたが、その主人公が「二瓶」という名前で偶然『スピナマラダ!』にも登場するキャラクターと同じ名前だったことから運命を感じ、日露戦争帰りの曽祖父の話を融合させ『ゴールデンカムイ』の作品のテーマが生まれたという。
「作品と作者は切り離して考えるべき」という方針から、写真や詳しい経歴などは非公表としている。ヤングジャンプの担当編集者によると「寡黙だけれど、とても意志の強い人」だという。なお、自身のエピソードなどを漫画で紹介する場合は、『ゴールデンカムイ』の登場人物である辺見和雄を本人の代理キャラクターとして描いている。
2023年7月からはヤングジャンプにおいて『ドッグスレッド』の連載を開始。
ゴールデンスピン

ゴールデンスピン（英語: Golden Spin of Zagreb, クロアチア語: Zlatna pirueta Zagreba）は、クロアチアのザグレブで開かれるフィギュアスケートの国際大会。クロアチアスケート連盟の主催により、国際スケート連盟規定に基づき開催される。
ユーゴスラビア時代の1967年から主に11月上旬にザグレブで開催されている大会で、シニアの男女シングルとペア、アイスダンスで争われる。オリンピックシーズンは、前シーズンの世界選手権の結果などによりオリンピック出場枠を持たない国と地域に対する予選会として開催されることがあり、2001年大会はソルトレイクシティオリンピックの予選会に指定された。
2014年、国際スケート連盟が主催するISUチャレンジャーシリーズに組み込まれた。