davidanugraha/M4-RAG huggingface dataset:
Demon

În mitologie, demonul (greaca veche Δαίμων, transliterat Daimon) era numele colectiv al unor ființe supranaturale, semizei sau spirite care ocupau o stare intermediară între oameni și zei.
Un demon este o ființă supranaturală, de multe ori răuvoitoare, care apare în diverse religii, ocultism, literatură și folclor. Inițial, cuvântul original grecesc Daimon nu avea conotație negativă.
Demonii au scopul de a împinge oamenii în a face lucruri rele, care ulterior s-au transformat în păcate. Se spune că Șarpele din Geneza ar fi reprezentarea acestei entități.
În Noul Testament, demonii sunt menționți ca ,,Spirite necurate'' , care sunt vinovate de bolile ce se dezvoltă la nivel mental. Datorită tehnologiei, s-a constatat că aceste boli sunt naturale și genetice. Totuși, anticii consideră că demoni sunt responsabili. Oamenii credeau că Isus îi poate scăpa de prezența lor. De obicei, demonii atacau oameni slabi de înger.
Exorcismul este o vindecare prin credință. Exorcistul este omul care este chemat pentru a-l scăpa pe cel posedat de spritele rele care îl controlează și pentru a-i restabili pacea sufletească. De obicei, indiferent de locul unde se realizează acest fenomen, oamenii rămân mereu aceiași. Cel posedat, exorcistul și oamenii de spijin. Soarta celor posedați poate să fie tragică.
Pentru a înțelege exorcismul și posesiunea trebuie să învățăm principiile acestora. Miturile religioase spun că sufletul și corpul celui posedat reprezintă pentru spirit o locuință, unde acesta îl poate controla cum dorește de cuviință.
Epistola lui Iuda

Epistola lui Iuda (sau Epistola catolică a lui Iuda), de obicei, denumită simplu Iuda, este penultima carte a Noului Testament și este atribuită în mod tradițional lui Iuda Tadeul, fratele lui Iacov cel Drept (Iuda Tadeul este uneori identificat cu fratele lui Iisus). Opinia critică majoritară este că a fost scrisă sub nume fals.
Scrisoarea lui Iuda a fost unul dintre cărțile contestate de canonul biblic. Deși statutul său canonic a fost atacat, autenticitatea acestei lucrări nu a fost niciodată pusă la îndoială de către Biserica timpurie. Asemănările dintre Epistola lui Iuda și 2 Petru, utilizarea de către ea a cărților apocrife și concizia ei au creat îngrijorare.
Opinia critică majoritară o consideră o lucrare pseudonimă scrisă între sfârșitul secolului I și primul sfert al secolului al II-lea, bazându-se pe referirile la apostoli, tradiție, stăpânirea bună a limbii grecești și opoziția față de gnosticism, dar cercetătorii conservatori o datează între anii 66 și 90.
Epistola lui Iuda face parte din „Antilegomena lui Luther”, împreună cu Evrei, Iacob și Apocalipsa lui Ioan.
Joulupukki

Joulupukki (Finnish: [ˈjou̯luˌpukːi]) is a Finnish Christmas figure. The name joulupukki literally means 'Christmas goat' or 'Yule goat' in Finnish; the word pukki comes from the Old Swedish word bukker, a cognate of English "buck", meaning 'billy-goat'. An old Nordic folk tradition, the figure is now often conflated with Santa Claus.
The Finnish Father Christmas Joulupukki (literally "Christmas goat") appears connected with the Scandinavian julebukk, not the "Yule goat" as such, but rather the ritual theatrics of men dressed up in costume rowdily going around villages (see Julebukking). Thus an older dictionary glosses Finnish joulu-ukku (lit. "Yule's old man") as Swedish julebock.
Today, in some parts of Finland, the folk custom persists of persons performing in goat costume in return for leftover Christmas food. The performer traditionally is an older man, who is called a "nuuttipukki [fi]".
In Finland in its modern incarnation, inspired by the international Santa Claus figure, he usually wears warm red robbers, but with a broad band of blue near the fur, uses a walking stick, and travels in a sleigh pulled by a number of reindeer (which do not fly, unlike Santa Claus' team). In Lapland, he rides in a pulkka, rather than a sleigh. The popular holiday song "Rudolph the Red-Nosed Reindeer", in its Finnish translation, Petteri Punakuono, has led to Rudolph's general acceptance in Finland as Joulupukki's lead reindeer. Joulupukki is often mentioned as having a wife, Joulumuori (lit. 'Old Lady Christmas'), but tradition says little of her.
Popular radio programs from the year 1927 onwards probably had great influence in reformatting the concept with the Santa-like costume, reindeer and Korvatunturi as his dwelling place. Because there really are reindeer in Finland, and Finns live up North, the popular American story took root in Finland very quickly.
Finland's Joulupukki receives over 500,000 letters from over 200 countries every year. Most letters come from Poland, Italy, China, Taiwan, Hong Kong, and Macau.
Joulupukki is a prominent character in Rare Exports, a film based on the award-winning shorts by Jalmari Helander.
Sorcova

Sorcova is a Romanian popular custom, practiced on the morning of 1 January. This custom is very old and is spread throughout the country, being practiced mainly by children. Sorcova is also used to describe the object that characterizes this custom. It consists of a stick or twig decorated with artificial flowers of different colors, wherewith children tap their parents or acquaintances on the back in the morning of New Year, wishing them, in special verses, health and luck. When they begin to say the verses, sorcova is inclined in the direction of the person to whom they address all wishes, sorcova playing the role of a magic wand, endowed with the ability to transmit health, youth and fertility to the vised one; verses are very suggestive in this regard. The text of sorcova, reminiscent of a spell, merely reinforces the movement of sorcova.
This custom varies depending on the ethnographic region. In northern Transylvania, children go with sorcova from house to house, wishing health in exchange for local delicacies (cozonac, colac, apples, nuts). In urban areas, it is common for children to receive cash, candies or oranges.
An interesting form of custom can be found in the west of the country (village of Bucium, Bihor County). Children have a fir tree branch decorated with tinsel, candies and țingălău (bell). Whoever does not have a fir tree can go with a stick wrapped in tinsel, on which are held three or four țingălăi. When they enter the house, those with fir tree sing and those with the stick hit rhythmically the floor after melody. Commonly, every child has his sorcova. While reciting, sorcova is moved in the rhythm of versification, sometimes marked by the sound of the bell.
The term of sorcova comes from the Bulgarian word surov (tender green), allusion to the budded twig, broken from a tree, especially a fir tree. Some etymologists consider that sorcova derives from the Slavic word sorokŭ (forty): the recitative of sorcova consists of 40 syllabic groups corresponding to the 40 touches of sorcova.
The following pages are in Romanian:
Portal:Romania
Zvončari

Zvončari ("bellmen") is the characteristic folk custom maintained in the region around Rijeka, Croatia. It was added to UNESCO's Representative List of the Intangible Cultural Heritage of Humanity in 2009.
The custom dates to Slavic pagan antiquity and remains typical for this region. The primary task of Zvončari is to scare away evil spirits of winter and to stir up a new spring-time cycle. During the Rijeka Carnival, Zvončari march from village to village throughout the region, following the same centuries-old route, making an extraordinary amount of noise, fueled in part by the wine provided by the locals' en route.
The standard Zvončar costume includes white trousers, striped shirt, and a sheepskin throw. In their hands they hold a "balta" or "bačuka" — a stylized mace, and around the waist one or more big brass bells. The costume varies from village to village; for example, Zvončari of Halubje and Grobnik (Dondolaši) wear special stylized masks representing fantastic animal heads, while Zvončari of Žejane (populated by Istro-Romanians) and Brgud [hr] wear "flower hats". Local legend claims that it was the Zvončari that scared away invading Tatars or Turks during the Ottoman conquest, with shepherds doning masks on their heads, along with belted-on bells, produced a deafening noise that scared the enemy away. From that time on, a mace became part of the standard equipment of Zvončari.
The Zvončari participate regularly in the international Rijeka Carnival.
Koha (custom)

Koha is a New Zealand Māori custom which can be translated as gift, present, offering, donation or contribution.
Koha is an example of the reciprocity which is a common feature of much Māori tradition, and often involves the giving of gifts by visitors (manuhiri) to a host marae. Traditionally this has often taken the form of food although taonga (treasured possessions) are also sometimes offered as koha, and in modern times money.
The koha reflects the mana of both the giver and the recipient, reflecting what the giver is able to give, and the esteem they hold of the person or group they are making the gift to – and hence plays an important part in cementing good relations, and is taken very seriously, with misunderstanding having the potential to give offence.
This traditional practice of koha remains active today in New Zealand in Māori contexts. At hui, any money given helps with the actual costs associated with the meeting, and for the benefit of non-Māori unfamiliar with the custom some marae may suggest a particular amount to be given as koha, but it remains a freely given gift rather than a charge for services or facilities.
In wider current New Zealand, society the term has a broader meaning more closely associated with the English term donation. Participants at an event may be asked for "koha", often in the form of a request for "a gold coin donation" (i.e., $1 or $2).
In New Zealand English, it is becoming more frequent to refer to the small gifts, or more commonly food such as biscuits, desserts or cakes, which are presented when visiting friends or family as koha. Such gifts are common custom among New Zealanders, especially in rural areas. This custom, if not rooted in Māori custom (tikanga), has been reinforced by it.
The Koha Open Source library system originated in New Zealand, and takes its name from this custom.
Koha Shed (noun), place of gifts, kindness, sharing and acceptance. Place of origin – Whanganui. Since 2012 a network of "Koha Sheds" have grown up to help alleviate the negative effects of poverty in local communities. The first was formed in Whanganui, New Zealand, by Sherron Sunnex and Megan Manuka. Koha Sheds make no charge for anything that is taken. Free kai (food) is always available for those in need.
From 1980 to 1989 there was a weekly television programme on Television New Zealand called Koha which showed many aspects of Māori culture and history to a wide audience of Māori and non-Māori (pākehā).
Children Playing with a Goat

Children Playing with a Goat is an 18th-century grisaille painting in the style of Jacob de Wit, known as a "witje". It is an oil painting on canvas depicting a relief of children playing with a goat after a relief by Francois Duquesnoy. It is in the collection of the Metropolitan Museum of Art.
Several paintings of this specific scene dating from the 17th century and 18th century have survived, and sometimes these were incorporated into other paintings. Though the paintings themselves have survived, the interpretation has not. In general, the popularity of putti in "witjes" as overdoors or room panels had to do with a trompe-l'œil effect when the viewer walks into a room. Stucco work as a decorative scheme was quite popular in the Netherlands from the late 17th century throughout the 18th century, but these imitation-stucco paintings were valued for their cleverness, their clarity even on a cloudy day without shadows, and of course the ease with which they could be moved and reinstalled, an aspect which has made them also difficult to trace. In fact, the genre itself existed well before De Wit was active and they were just called "grauwtjes" (little grays, or grisailles), and through De Wit's art they slowly became known as "witjes" (little whites). The shadows in the painting are supposed to be aligned with the light source, so in this case, the painting was probably an overdoor with a window on the left. The painter Jacob de Wit excelled at this "painting of putti in a bas-relief" style of grisaille, and though no original autograph version of this specific scene is known, the art historian Hessel Miedema discovered two "grauwtjes" by De Wit after reliefs by Duquesnoy in the estate sale of Lambert ten Kate. According to Walter Liedtke, a comparison of this painting with autograph "witjes", however, shows that it is not as masterful as an actual Jacob de Wit.
The reason this painting is important for the art historical record has therefore more to do with its subject than with its painterly qualities. Indeed, the subject is featured in another painting owned by the Metropolitan Museum of Art, namely their self-portrait by Gerard Dou. This painting came into the collection via the John Pierpont Morgan bequest, and the Dou was bequeathed by Benjamin Altman. In Dou's case, he painted this scene several times in the lower "balcony" part of his popular "niche paintings" and the art historian Hofstede de Groot would just refer to it as "well-known relief by Duquesnoy of children playing with a he-goat".
Known versions by Dou:
The popularity of "witjes" as a decorative element, but also as a collector's item, caused De Wit to have many followers, including Piat Sauvage, who also created a copy of the same Children Playing with a Goat theme. Two of Sauvage's trompe-l'œil bas-reliefs are also in the J.P. Morgan bequest, though it is unknown whether Morgan knew about Sauvage's copy of the other painting in his collection:
The subject remained popular through the 19th century, when it was used by the sculptor P.E. van den Bossche for a sculpted frieze above the doors of a building on the Prinsengracht in Amsterdam.
وجدى سليمان

وجدى سليمان فنان تشكيلى و رسام و راجل اعمال اتولد سنه 1948 بالقاهره و اتخرج من كليه التربيه الفنيه بجامعه حلوان سنه 1974 و اتعين مدرس بنفس الكليه.
اتنقل للندن بالمملكه المتحده و درس بجامعه لندن لدراسه تاريخ الفن فى عصر النهضه كمان دخل كليه الدراسات الشرقيه و الافريقيه بنفس الجامعه لدراسه فنون البربر بالواحات المصريه.
لوحاته مستمده من البيئه المصريه من الوان الصحراء والجبال فى أعمال وجدى سليمان كان متأثر بالألوان المصريه الدافئه. و المكانه اللى يحتلها نهر النيل فى نفسه, كمان زى فى لوحه لمجرى النهر من شرفه قهوة فندق كتراكت فى أسوان.
المركز الثقافى المصرى (فى حى ماى فير الراقى) فى لندن اشتغل فى سنة 2019 معرض فنى لأعمال وجدى سليمان – اللى أنجز معظمها فى مرسمه بجنوب فرنسا – وكمان مختارات من مقتنياته من أعمال عمالقه الفن الحديث المصريين زى حسن عبد الفتاح, مجدى عدوى, فرغلى عبدالحفيظ, زينب السجينى, حسينى على, عبد الرحمن النشار, مصطفى الرزاز, احمد مرسى, جمال لمعى, محمد ناجى, سالم صلاح, محفوظ صليب, صلاح طاهر, وسمير واصف.
هو دلوقتى بيدير واحده من شركات السياحه والسفر الناجحه فى العاصمه لندن, تتخصص فى العمل بين منطقه الشرق الوسطانى و أمريكا الجنوبيه .
الصفحه دى فيها تقاوى مقاله عن فنان. و انت ممكن تساعد ويكيپيديا مصرى علشان تكبرها.
لوكاندات مصر التاريخيه

اتعرفت اللوكاندات فى مصر فى العصور الوسطى و كانت تسمى فنادق و كانت اماكن ينزل بها المسافرين. و من اشهر اللوكاندات دار التفاح ، و فندق بلال ، و فندق الصالح فى القاهره. فى القرن 19 اللوكاندات كانت تعرف باسم بيوت الضيافه.
الاسكندريه كان بها لوكاندات كتيره اشهرها لوكاندة " أويافى " فى ميدان محمد على و لوكاندة " ابان " اللى كانت بتطل على ميدان ابراهيم و كانت لوكانده بينزل فيها الفرنسيين والانجليز و كانت بتملك عربيات تقوم بتوصيل النزلاء من ركاب السكه الحديد.
ومن اللوكاندات التانيه كانت لوكاند فى حارة الشيخ محمود نمره 77 ، و لوكانده فرنساويه برضه فى حارة الشيخ محمود نمره 58 و كان فيها 43 أوده و الاقامه فيها كانت بالأكل 6 فرنكات فى اليوم ، و فى نفس الحاره كانت فيه لوكانده مشهوره بحسن المعامله و الخدمه و كان تمن الأوده فيها 7 و نص فرنكات فى اليوم شامل الوجبات.
لوكاندات مصر سنة 1922
متحف اسوان

متحف اسوان او متحف جزيره الفنتين هوا اول متاحف اسوان و افتتح سنة 1917 بالجزء الشرقى لجزيرة الفنتين فى مدينة اسوان, مصر.
موقع المتحف كان استراحه على جزيرة الفنتين سنه 1898 لمهندس الرى الانجليزى السير ويليام ويلكوكس مصمم قناطر اسيوط و خزان اسوان و بعد الانتهاء من المشروع سنة 1912 م تم تحويل المبنى لمتحف و تم افتتاحه رسميا بعد 5 سنين عشان كده المتحف من اقدم المتاحف الاقليميه فى مصر.
بيضم المتحف كتير من تماثيل الملوك و الافراد و المومياوات للكبش رمز الاله "خنوم" و انواع مختلفه من الفخار و عناصر معماريه و زخرفيه و عدد من التوابيت و ادوات الحياه اليوميه و اللوحات الجنائزيه.
لم يتم العثور على روابط لمواقع التواصل الاجتماعي.
غرب اسوان

غرب اسوان هى اكبر قريه فى محافظة اسوان بجمهورية مصر العربيه، وعدد سكانها حوالى 5000 انسان. وفى سنة 2007 خدت جايزة اجمل قريه بجمهورية مصر العربيه.
الصفحه دى تقاوى مقاله عن مكان فى مصر. و انت ممكن تساعد ويكيبيديا مصرى علشان تكبرها.
الخطاره (اسوان)

الخطاره (اسوان) قريه فى محافظة اسوان فى مصر
الصفحه دى فيها تقاوى مقاله عن مقاله عن قريه. و انت ممكن تساعد ويكيپيديا مصرى علشان تكبرها.
القاهره القبطيه

القاهره القبطيه منطقه سكنيه فيها معالم قبطيه كتيره موجوده قرب جامع عمرو بن العاص فى حى مصر القديمه فى القاهره . من أهم معالم المنطقه حصن بابليون ، و المتحف القبطى ، و الكنيسه المعلقه
بيعتقد أن العائله المقدسه زارت القاهره القبطيه و بيتو فى المكان اللى فيه دلوقتى كنيسة القديسين سرجيوس وباخوس المشهوره بإسم كنيسة ابو سرجه .
القاهره القبطيه كانت مركز مسيحى فى مصر لحد العصر الإسلامى لكن معظم مبانى الكنايس القبطيه الموجوده دلوقتى إتبنت بعد دخول المسلمين مصر .
احياء القاهره القديمه واصل اسمائها
تقويم قبطى

النهارده:
التقويم القبطى او تقويم الشهداء هوه تقويم معتمد أساسا على التقويم المصرى القديم و هو تقويم شمسى وضعه قدماء المصريين لتقسيم السنه الى 13 شهر، ويعتمد على دورة الشمس. ويعتبر التقويم المصرى من أوائل التقاويم اللى عرفتها البشرية. كمان أنه ادق تقويم الايام دى من ظروف المناخ و الزراعة فى السنه؛ فيعتمد عليه المزارع المصرى فى مواسم الزراعة و المحاصيل اللى بيقوم بزراعتها ، من آلاف السنين ولغاية دلوقتى.
فى ايام دقلديانوس حصلت اضطهادات قاسية على الديانة المسيحية سنهة وبالخصوص الأقباط ، ابتدت الاضطهادات فى الدولة الرومانية على المسيحية ابتداء من نيرون لكن بتتضاءل قدام قساوة ووحشية سلسلة الاضطهادات اللى ابتداها "دقلديانوس" وكملها أعوانه.
فاصدر دقلديانوس بالاتفاق مع معاونيه فى 23 فبراير سنه 303م منشور يقضى بهدم الكنائس وحرق الكتب المقدسة وطرد كل اصحاب المناصب الرفيعة من المسيحيين وحرمانهم من الحقوق المدنية، وحرمان العبيد من الحرية ان أصروا على الاعتراف بالمسيحية.
كما نص المنشور على معاقبة من يخالف ذلك دون تحديد العقوبة.
كمان أصدر دقلديانوس منشورين متلاحقين فى مارس سنه 303م يقضى اولهما بسجن كل رؤساء الكنائس، ويقضى ثانيهما بتعذيبهم بقصد قسرهم على جحد الايمان.
فاستشهد من الأقباط مئات الالاف من جراء الاضطهادات، ورغم أن دقلديانوس لم يبتدى اضطهاده للمسيحيين الا سنه 303م الا أنه لفظاعة ده الاضطهاد اتخذت الكنيسة القبطية بداية حكم ده الطاغية وهى سنه 284م- بداية لتقويمها المعروف باسم تاريخ الشهداء.
ويسير تقويم الشهداء على نظام التقويم المصرى القديم اللى بيتخذ نجم سبدت Spdt (الشعرى اليمانية) اساسا لبناء وعدد ايام السنه ويوم الكبير، اى أن كل اربع سنين يكون تلاته منها طول الواحدة 365 يوم بس وسنه واحدة يكون طولها 366 يوما ويضاف النهارده الزائد الى الشهر الصغير اى الى ايام النسئ الخمسة فتصبح ستة ايام فى تلك السنه.
توت, بابه, هاتور, كياك (كيهك), طوبه, امشير , بارمهات, بارموده , بشنس, بؤونه, ابيب, مسرا , نسئ
ايام الاسبوع باللغه القبطيه - ni ehoou nte pi ansas - نى ايهوؤ انتى بى ان شاشف :
فنادق اكسل

فنادق اكسل (Axel Hotels) هوا فندق فى اسبانيا.
فنادق اكسل اتبنى سنه 2003 فى مدريد.
فنادق اكسل معرف جوجل لرسوم المعرفه (الإنجليزية)
الصفحه دى فيها تقاوى مقاله, و انت ممكن تساعد ويكيپيديا مصرى علشان تكبرها.
فنادق زليب

فنادق زليب (Zleep Hotels) هوا فندق فى دنمارك.
فنادق زليب اتبنى سنه 2003 فى Ishøj Municipality.
فنادق زليب معرف جوجل لرسوم المعرفه (الإنجليزية)
الصفحه دى فيها تقاوى مقاله, و انت ممكن تساعد ويكيپيديا مصرى علشان تكبرها.
مجموعه فنادق رويال كليف

مجموعه فنادق رويال كليف (Royal Cliff Hotels Group) هوا فندق فى تايلاندا.
مجموعه فنادق رويال كليف اتبنى سنه 1973 فى باتايا.
مجموعه فنادق رويال كليف – صور وتسجيلات صوتيه و مرئيه على ويكيميديا كومونز (الإنجليزية)
لم يتم العثور على روابط لمواقع التواصل الاجتماعي.
الصفحه دى فيها تقاوى مقاله, و انت ممكن تساعد ويكيپيديا مصرى علشان تكبرها.
فنادق فلاتوتيل

فنادق فلاتوتيل (Flatotel Hotels) هوا فندق فى امريكا.
فنادق فلاتوتيل اتبنى سنه 1991 فى نيو يورك.
المقال ده مالوش وصلات على ويكى بيانات حاليا
لم يتم العثور على روابط لمواقع التواصل الاجتماعي.
الصفحه دى فيها تقاوى مقاله, و انت ممكن تساعد ويكيپيديا مصرى علشان تكبرها.
جراند تشيناى من فنادق جى آر تى

جراند تشيناى من فنادق جى آر تى (Grand Chennai, By GRT Hotels) هوا فندق فى الهند.
جراند تشيناى من فنادق جى آر تى اتبنى سنه 1999 فى الهند و بيتكون من 9 دور.
جراند تشيناى من فنادق جى آر تى على موقع كيورا - Quora (الإنجليزية)
لم يتم العثور على روابط لمواقع التواصل الاجتماعي.
الصفحه دى فيها تقاوى مقاله, و انت ممكن تساعد ويكيپيديا مصرى علشان تكبرها.
لوكاندة كتراكت

لوكاندة كتراكت اسوان من اعرق الأوتيلات السياحيه فى العالم بناها ارتبط بتنفيذ كذا مشروع مهم فى اسوان زى مد خطوط السكه الحديد و بنا خزان اسوان. اللوكانده بنتها شركة توماس كوك سنة 1899 فى موقع جميل على النيل.
تشارلز بهلر

تشارلز بهلر (1868 - 1937) Charles Baehler رجل اعمال سويسرى الجنسيه ومؤسس وصاحب سلسة فنادق وعقارات فى مدينة القاهره صاحب أشهر ممر وعمارة وفندق، فى وسط البلد ارتبط اسمه بتاريخ القاهرة الحضارى.
فى وسط القاهرة يقف مبنى ضخم يتوسط ميدان طلعت حرب «سليمان باشا سابقا»، مبنى على طراز الآرت ديكو، هو من آخر إبداعات بهلر 1927-1929، و هو من تصميم المعمارى الفرنساوى ليو نافليان، ده المبنى الفاخر كان حل محل فندق «سافوي» وملحقاته.
كان فندق «سافوي» ولفترة طويلة واحد من أهم أماكن إدارة الأعمال آو الإقامة فى القاهرة، فالمكاتب التمثيلية للشركات البريطانية كانت بده المبنى، وحتى القيادة المركزية للجيش البريطانى خلال الحرب العالمية الأولى كانت موجودة به.
فى سنة 1924 قرر المالك الجديد لفندق سافوي، تشارلز بهلر، هدم الاوتيل وملحقاته ليمهد الطريق لمبنى ضخم يجسد المعنى الحقيقى للبناء العصري.
هو ممر تجارى مشهور بيوصل بين شارعى طلعت حرب (اللى كان اسمه شارع سليمان باشا) وقصر النيل يحمل آثار الفخامة القديمة والعز البائد, اتسمى الممر بالاسم ده نسبة لتشارلز بهلر اللى كان يمتلك فندق سافوى واللى كان بيطل على ميدان سليمان باشا( طلعت حرب) حاليا, فقرر هدمه ليقوم ببناء مبنى سكنى وتجارى عملاق واختار مهندس فرنساوى لتصميمه, احتوى المبنى الجديد على العشرات من الشقق السكنية الفاخرة والمحلات التجارية باريسية الطراز وضم كمان ممر تجارى سماه ممر بهلر به محلات راقية تقدم أحدث صيحات الموضة العالمية ومعارض فنية تعرض أعمال كبار الفنانين و كان الممر نسخة مصغرة من شارع( رو دى ريفولى) التجارى الشهير فى باريس, وبقى الممر حامل اسمه يردده الناس لكن أغلبهم لا يعرفو صاحبه.
المنامه

المنامة عاصمة البحرين و اكبر مدينه فيها و عدد سكانها 155,000.المنامه مدينه قديمه بيرجع تاريخه لسنة 1345 لما اتذكرت فى الادبيات الاسلاميه.احتلها البورتغاليين سنة 1521 و سيطر عليه الايرانيين سنة 1602 و من سنة 1783 و هى تحت حكم اسرة ال خليفه.سنة 1971 بقت المنامه عاصمة دولة البحرين المستقله بعد ما انسحبت بريطانيا من الخليج الفارسى.
انهارده المنامه مدينه عصريه مليانه فنادق حديثه و ابراج عاليه و شوارع مرصوفه و مكاتب لشركات و مطاعم عالميه و فيها مطار البحرين الدولى و جامعة البحرين اللى ا اتاسست سنة 1986.
المنامه فيها كزا متحف من اهمهم متحف البحرين الوطنى و متحف اللؤلؤ و قلعة اراد. الحرف التقليديه للسكان كانت الصيد و بناية المراكب و الغوص (صيد اللؤلؤ) و التجاره.
عمارة تيرنج

عمارة «تيرنج» تقع بمنطقة العتبة بالقاهرة، وصممها المعمارى اليهودى النمساوى «اوسكار هورويتز» فى أوائل القرن العشرين، وتعود ملكيتها الى الثرى اليهودى «فيكتور تيرنج»، المولود فى اسطنبول، واللى كان يتمنى فى عمارته تقليد فنادق «سيزار ريتز» التجارية فى أوروبا، وقد وقع اختياره على منطقة العتبة الخضراء، كونها تربط بين القاهرة القديمة والجديدة لتصبح «تيرنج» بذلك من اكبر المتاجر متعددة الطوابق بالقاهرة فى ذلك الوقت. بيعتبر المبنى من طراز النيوباروك بنقوشه وقبته الجميله و اكتر اللى بيميزه هو الاربع ملايكه اللى شايلين الكرة الارضية.
سان ستيفانو جراند بلازا

سان ستيفانو جراند بلازا مجمع تجارى فندقى سكنى ضخم و برج شاهق على الشط فى حى سان ستيفانو فى مدينة الاسكندريه فى مصر و بيعتبر من اكبر و افخم فنادق الشرق الاوسط
قبل بنا المجمع الحالى كان فى نفس الموقع اكبر و اشهر فندق عرفته مدينة الاسكندريه فى اوئل القرن العشرين و هوا فندق و كازينو سان ستيفانو السابق.
اتقفل الفندق القديم ل سنين كتيره لحد انباع لشركه مصريه خاصه بالعقارات, و اتهدم و اتعمل محله المجمع الحالى «سان ستيفانو جراند بلازا».
لم يتم العثور على روابط لمواقع التواصل الاجتماعي.
سيوه

سيوة هى واحة مصرية موجودة ما بين منخفض القطارة و بحر الرمال المصرى فى الصحرا الغربية. بين سيوة و القاهرة 560 كم و بينها وبين الحدود الليبية حوالى 50 كم.السيويين(اهل سيوة) عددهم 23,000 ومعظمهم من البربر و بيتكلمو سيوى .
السيوى هى لغة من عيلة اللغات البربريه. السيوين حافظو على تميزهم الثقافى و اتمسكو بتقاليدهم اللى بترجع لاكتر من الف سنة و اللى ساعدهم على كدا هو بعدهم الجغرافى عن وادى النيل و قلة اختلاطهم بالناس اللى من بره الواحة بتاعتهم. من اشهر الحاجات الموجودة فى سيوة معبد امون و اللى بقاياه لسة موجودة لحد دلوقتى و بيعتبر من اهم الحاجات اللى بتجذب السواح ليها. الزراعة هى الشغلانة الاساسية لمعظم السيويين دلوقتى و هما بيزرعو الزتون و البلح و الملوخية اكتر حاجة. اخيرا السياحة ابتدت تنتعش فى سيوة و شوية شوية ابتدت تظهر على الخريطة السياحية بتاعة مصر و اتبنت هناك فنادق و منتجعات علشان تستقبل السواح دول اللى اكترهم من الغربيين.
سيوة من اكتر الاماكن فى مصر اللى تتميز عن غيرها و ليها خصائص غير موجودة فى اى مكان اخر, مثل:
السيويون يتميزون عن جيرانهم فى لغتهم و تقاليدهم و و ملابسهم و لحد فى ادوات الزراعة.
المجتمع السيوى مجتمع محافظ و يفصل تماما بين الستات و الرجال, الشوارع تخلو من الفتيات والستات، فهم يقضون أغلب أوقاتهم فى البيوت.
الاسم المصرى القديم لسيوة هو"سخت يام".سيوة من زمان قوى و هى بتتبع مصر و المعابد الفرعونية المبنية هناك و كمان المقابر من اكتر الادلة على مصرية سيوة. من اول العيلة الستة و عشرين و لحد العصر الرومانى كانت مقصد الحجاج من كل مكان علشان يزورو معبد امون المشهور. الاسكندر الاكبر سنة 331 (ق.ع.ح) عمل زيارة لسيوة و استشار كهنة المعبد قبل ما يكمل فتوحاته العسكرية فى قارة اسيا. و بعد كدا و لمدة الفين سنة اتنست سيوة ووقعت من الذاكرة و اتعرضت لهجمات قبايل البدو اللى طمعو فى محاصيلها .ضمت سيوة لحكم والى ليبيا فى عهد الخلافة العثمانية . محمد على هو اللى بعت جيش مصرى فى بداية سنة 1820 علشان يضم سيوة لملكه . فى سنة 1985 اتفتح اول طريق متسفلت بينها و بين مرسى مطروح و اللى قضى على عزلة الواحة عن . قرية اغورمى كان فيها معبد ف العصور الفرعونيه.
ورده الجزائريه

ورده (22 يوليه 1939 باريس فرنسا - 17 مايو 2012 القاهره مصر) مغنيه جزائريه حاصلة على الجنسية المصريه اسمها الحقيقى ورده فتوكى , أبوها جزائرى و أمها لبنانيه .
هى مطربة و ممثلة جزائرية، اتولدت يوم 22 يوليه من سنة 1939 فى الحى اللاتينى بباريس فى فرنسا لأب جزائرى و أم لبنانية. كان والدها يملك فندق فى باريس حيث اتعودت ورده أن تقدم اغانى لأم كلثوم و أسمهان و عبدالحليم حافظ.
قدمت لمصر بدعوة من المخرج و المنتج الراحل (حلمى رفله) اللى قدمها فى أول أفلامها السينمائية (ألمظ و عبده الحامولي) فى سنة 1962، و بعدها تم اختيارها ضمن المجموعة اللى غنت أوبريت (الوطن الاكبر). أشيع أنها على علاقة بالمشير (عبد الحكيم عامر) فى أوائل الستيناتو ده اتسبب فى صدور قرار بإبعادها بره البلاد و منعها من دخول مصر، ولم تعود إلا فى مطلع السبعينات خلال حكم الرئيس السادات.
اتجوزت فى الفتره دى من المناضل الجزائرى (جمال قصيري) و أنجبت و عندها(رياض، داوود)، لحد طلبها الرئيس (هوارى بومدين) كى تغنى فى عيد الاستقلال العاشر للجزائر، و هناك قابلت بالموسيقار (بليغ حمدى) اللى أقنعها بضرورة الرجوع لمصر.
انفصلت عن زوجها، واتجوزت من بليغ فى الفترة من سنة 1972 و لحد سنة 1979 و هيا الفترة اللى قدمت فيها وردة معظم اغانىها الناجحة لحد دلوقتى .
بعد انفصالها عن بليغ تعاونت مع الكتير من الملحنين اللى قدموا ليها ألوان مختلفة من المزيكا زى (محمد عبدالوهاب، سيد مكاوي، محمد الموجي، صلاح الشرنوبي) و غيرهم. قدمت وردة للسينما ستة أفلام، هي: (ألمظ وعبده الحامولي) 1962، (أميرة العرب) 1963، (حكايتى مع الزمان) 1973، (صوت الحب) 1973، (آه يا ليل يا زمن) 1977، و(ليه يا دنيا) 1994. كمان قدمت للتليفزيون مسلسلات: (أوراق الورد) 1979، و(آن الأوان) 2006. توفيت وردة فى بيتها بالقاهرة فى 17 مايومن سنة 2012 إثر ازمة قلبية مفاجئة، واتدفنها بمقابر أسرتها بالجزائر بناء على طلبها.
آن الأوان 2006 - مسلسل (حوريه)
ليه يا دنيا 1994 - فيلم (دنيا شمس الدين)
أوراق الورد 1979 - مسلسل (وفاء)
آه يا ليل يا زمن 1977 - فيلم (فاتن البلتاجوني)
الوادى الكبير 1974 - مسلسل
تمر حنة 1974 - مسرحية (تمر حنة)
حكايتى مع الزمان 1974 - فيلم (المطربة سهير)
صوت الحب 1973 - فيلم (الممرضه منى)
أميرة العرب 1963 - فيلم (الأميرة شالية)
ألمظ وعبده الحامولي 1962 - فيلم (سكينه / ألمظ)
دندش 0 - مسلسل - اذاعي
آن الأوان 2006 - مسلسل (غناء)
كفر نعمت 1978 - مسلسل - اذاعي (غناء)
آه يا ليل يا زمن 1977 - فيلم (غناء)
أفواه و أرانب 1976 - مسلسل - اذاعي (غناء)
صوت الحب 1973 - فيلم (غناء)
الجيل الصاعد 1961 - أوبرا (غناء) المزيد (1)
ستار أكاديمى 8 2011 - برنامج (ضيفة)
ده أنا 2011 - برنامج (ضيف)
تاراتاتا 2007 - برنامج (ضيف)
البيت بيتك 2004 - برنامج (ضيف)
ساعة صفا 1997 - برنامج (ضيف)
دردشة 0 - برنامج (ضيف)
• فترة وثائقية خاصة عن رحيل المطربة وردة الجزائريه الجزء الاول واذيع على اذاعة الاغانى فى 17 مايو 2015م تقديم ناهد شلقامى واعداد واخراج سيد عبد العزيز
• فترة وثائقية خاصة عن رحيل المطربة وردة الجزائريه الجزء التانى واذيع على اذاعة الاغانى فى 17 مايو 2015م تقديم ناهد شلقامى واعداد واخراج سيد عبد العزيز
James Mink

James Mink was a black man who became a respected businessman in Toronto, Ontario, Canada in the 1850s. He owned a hotel and livery on Adelaide Street near Toronto's St. Lawrence market, where many farmers would stay while in town selling their produce.
In Toronto, he operated the city’s largest livery stable and several coach lines. The hotel he operated was the Mansion House. James Mink, the son of Johan Herkimer's slave named Mink, became a millionaire, as did his brother, George. The Herkimers settled at the east end of Lake Ontario. He had a hotel, livery and coach service in Toronto, while his brother was located in Kingston, Ontario in the 1840s to 1860's. Both brothers started the first public transit system in their respective cities, James from the Town of [Yorkville, Toronto|Yorkville] to the St. Lawrence market in downtown Toronto. Furthermore, they dominated the postal transport of prisoners between Kingston Penitentiary and the Toronto jail. Mink was first living near the corner of Richmond and York Streets and then moved to 21 Adelaide Street East, by the head of Toronto Street. He married a white Irish immigrant, Elizabeth. James and Elizabeth had a daughter, Mary, and possibly some other children. It was customary to offer a dowry for a daughter, and so James Mink offered a large dowry for his daughter's hand and there's evidence of his advertisements. It is believed that a businessman named William Johnson accepted the dowry, married the daughter, and took her on a honeymoon to the United States. There was a myth that Mary Mink married a white Yorkshire cabman who sold her to slavery. However, this fictional story was created by a Scottish novelist who published his article in Blackwoods Magazine in 1860, which was reprinted many times. Instead, she married a well-respected Black man, William Johnson. They moved to Niagara Falls, New York because he worked at the Cataract Hotel, then later to Milwaukee, Wisconsin. In the fictional movie, Mink pretended to be his wife's slave, traveled to the American South and successfully rescued Mary and several other slaves, but that is not true. Archives reveal that it is more likely that he got the British government officials to buy her back and return her home, where the census reveals lived at his home on the Don and Danforth Road between Pape and Carlaw Streets.
Mink's story was told in the movie Captive Heart: The James Mink Story, starring Lou Gossett, Jr. as James Mink and Kate Nelligan as his wife.
"THE BLACKS IN CANADA - A HISTORY" by Robin W. Winks, 2nd Edition, McGill-Queen's University Press, 1997
LANDMARKS OF TORONTO Volume 1, - by John Ross Robertson Reprint Series No. 70, page 50, Mika Publishing Company, Belleville Ontario, 1976.
"SLAVERY, THE LOYALISTS, AND ENGLISH CANADA". QUEEN'S UNIVERSITY ARCHIVES
"THE FREEDOM SEEKERS – BLACKS IN EARLY CANADA (1981) " by Dan Hill.
"THE MYTH OF MARKY MINK: REPRESENTATION OF BLACK WOMEN IN TORONTO IN THE NINETEENTH CENTURY, by Guylaine Petrin. Ontario Historical Society Vol. CVII No. 1, Spring 2016
Aswan Governorate

Aswān Governorate (Arabic: محافظة أسوان) is one of the governorates of Egypt. The southernmost governorate in Upper Egypt, covering most of Lake Nasser. The Governorate's capital is Aswan.
The Aswan Governorate borders Qena Governorate to the north, Red Sea Governorate to the east, New Valley Governorate to the west, and Sudan's Northern state to the south. It has a population of 1,394,687 inhabitants (2014), and occupies an area of 62,726 square kilometres (24,219 sq mi).
The rate of poverty is more than 60% in this governorate but recently some social safety networks have been provided in the form of financial assistance and job opportunities. The funding has been coordinated by the country's Ministry of Finance and with assistance from international organizations.
The governorate is divided into the following municipal divisions for administrative purposes with a total estimated population as of January 2024 of 1,685,743. In some instances there is a markaz and a kism with the same name.
According to population estimates from 2024 the majority of residents in the governorate live in rural areas, with an urbanization rate of only 42.3%. Out of an estimated 1,685,743 people residing in the governorate, 972,674 people live in rural areas as opposed to only 713,069 in urban areas.
The following are in Aswan Governorate.
According to the Egyptian Governing Authority for Investment and Free Zones (GAFI) the following industrial zones are located in Aswan:
DoubleTree by Hilton Hotel Billings

The DoubleTree by Hilton, formerly known as The Crowne Plaza and before that, the Sheraton Billings Hotel, is a high-rise located in the Downtown Business District of Billings, Montana, United States. It is the second-tallest building in the northern Rocky Mountain region and was the tallest from 1980 - 1985 until the completion of the First Interstate Center, also in Billings. Construction started on the building in 1979 and was completed in 1980; it rises 245 feet (75 m) in height. It is used primarily for hotel space, and is the tallest hotel building in Montana.
The DoubleTree is unusual among high-rises in that it is built almost entirely of bricks in an applied masonry facade; the structure contains 2,372,982 red clay bricks that were formed in an 1869 kiln. Upon its completion in 1980, the building was declared the tallest load-bearing brick structure in the world by the Brick Institute of America. The building has twenty two above ground floors with a fine dining restaurant on the twentieth floor. It is connected to a seven level city parking garage and the historic grand building via sky bridges. In 2016, the name changed from ″Crowne Plaza″ to ″DoubleTree by Hilton.″
Hotel Kinston

Hotel Kinston is an historic hotel building located at Kinston, Lenoir County, North Carolina. It was built in 1927–1928, and is an 11-story, steel frame Art Deco-style building. It is sheathed in red brick with cast stone Moorish stylistic details at the main entrance and top floors. It was operated as a hotel until the 1960s. It houses senior citizen apartments.
It was listed on the National Register of Historic Places in 1989.
6th Avenue Hotel-Windsor Hotel

The 6th Avenue Hotel - Windsor Hotel, now known as the New Windsor Hotel, is the only 19th century hotel which is still in use in the Phoenix, Arizona, original town-site. It is listed in the National Register of Historic Places.
In 1881, Phoenix was incorporated as a city. One of the first of several important events which revolutionized the economy of Phoenix was the establishment of a railroad system in the 1880s. Phoenix thus became the most important trade center in Arizona. In 1888, the city offices were moved into a new City Hall, at Washington Street and Central Avenue and in 1889, the territorial capital was moved from the town of Prescott to Phoenix. When the territorial capital was moved from Prescott to Phoenix in 1889 the temporary territorial offices were also located in City Hall.
The need for the establishment of hotels and living quarters was apparent. In 1893, Phoenix pioneer and businessman A.D. Walsh had a hotel erected on the corner of what is now known as 6th Avenue and Adams Street and named it the 6th Avenue Hotel. The proper address of the building, which originally was a two-story brick Victorian styled structure, is 546 W. Adams Street.
In 1925, the hotel was renamed the Windsor Hotel. In the 1930s the Windsor went through a remodeling process in which a third story was added. The third story brick structure has a stucco facade on the south and west walls. A front brick addition with casement windows mixed the Victorian architecture with a modern facade. In the 1950s, it was finally renamed the "New" Windsor Hotel.
No longer used as a hotel, it is now a low cost haven for the elderly poor in downtown Phoenix.
The Windsor Hotel was added to National Register of Historic Places on September 4, 1985, and its reference number is 85002041. It is listed as the "6th Avenue Hotel-Windsor Hotel" also known as "47-9' According to the NRHP, the period of significance was 1875–1899.
Other historic Phoenix structures in Phoenix
Cataract House

The Cataract House was a hotel in the neighborhood of Buffalo Avenue in Niagara Falls, New York. The hotel was established in 1825 but destroyed by fire in 1945. It was a major stop on the Underground Railroad and it was the largest hotel in Niagara Falls. The hotel's name refers to the large and powerful waterfall next to property.
The Cataract House Hotel was built on the Niagara River bank in 1825 by owner David Chapman. The land for the hotel near what is now Old Main Street and Buffalo Avenue between Red Coach Inn and Niagara Falls State Park was originally owned by Judge Samuel DeVeaux. In 1831, Parkhurst Whitney purchased the hotel and ran it for several years. Whitney later leased the hotel to a corporation run by his son, Solon Whitney (who owned the Whitney Mansion in Niagara Falls), and sons-in-law, James Fullerton Trott and Dexter Ray Jerauld.
After Whitney's death in 1862, his son Solon owned the Hotel until 1891 when it was sold to Peter A. Porter (who served as a U.S. Representative from 1907 to 1909). Porter was the son of Peter Augustus Porter, who was the only son of Gen. Peter Buell Porter of War of 1812 fame. The Porter family sold the hotel to John McDonald in 1909, who owned it until 1945.
Cataract House, which became "the most elegant and popular hotel on the American side," was host to Abraham Lincoln, Jenny Lind, Horace Greeley, William Seward, Franklin D. Roosevelt, King Edward VII (when he was the Prince of Wales), and King George V in 1939.
The hotel, which by then had occupied an entire city block was across the street from Red Coach Inn, was destroyed by fire in 1945.
The site today is Heritage Park located between Buffalo Avenue and Riverway with roadway providing access to the Niagara Reservation – Niagara Falls State Park.
The Cataract House employed an entirely African-American wait staff, who helped many enslaved people to freedom in Canada. White families would bring enslaved African Americans with them on their vacations to view the Natural Wonder of Niagara Falls. Black hotel staff would privately engage the enslaved people and offer to take them to freedom in Canada, if they could be ready quickly. Those who chose the daring escape would be given the route from a side door, along just a few city blocks, to a steep, slippery staircase down to the gorge below of the falls. There they met the rowboat that would ferry them across the treacherous gorge to safety on the Canadian side. This system, supported by all the Black staff and enabled by the white management, operated from 1825 until 1865.
In 2018, a model of the hotel was constructed at the Niagara Falls Underground Railroad Heritage Center to highlight its history and importance to the Underground Railroad and the history of Niagara Falls.
Lista de campeões do futebol da Bahia

A lista de campeões do futebol da Bahia abrange os clubes de futebol brasileiros que venceram competições futebolísticas promovidas pela Federação Bahiana de Futebol (FBF), órgão dirigente do futebol baiano.
Em formato de tabela, as competições incluídas nesta lista são os campeonatos baianos de futebol das três divisões masculinas adultas (primeira, segunda e terceira) e das divisões únicas dos masculinos de base (juniores, juvenil e infantil) e do feminino adulto, das copas Governador do Estado da Bahia, da Bahia, 2 de Julho de Futebol, Metropolitana e Salvador Cup, dos torneios Início da Bahia e Quadrangular de Salvador e da Taça Estado da Bahia.
Os dados desta tabela foram atualizados em 18 de novembro de 2024.
Lista de municípios da Bahia por população (2024)

Esta lista de municípios da Bahia por população está baseada na estimativa de 2024 do IBGE. A Bahia é uma das 27 unidades federativas do Brasil e é dividida em 417 municípios. O território baiano equivale a 6,64% do brasileiro e com 14 850 513 de habitantes (6,99% da população brasileira), o estado possui a quinta maior área territorial e o quarto maior contingente populacional dentre os estados do Brasil.
A cidade mais populosa da Bahia é Salvador, a capital estadual, com 2,5 milhões de habitantes. Em seguida, vêm Feira de Santana com aproximadamente 657 mil, Vitória da Conquista com mais de 394 mil, Camaçari com 319 mil e Juazeiro com mais de 254 mil pessoas. No final da lista aparecem Catolândia e Lajedinho com 3,5 mil e 3,6 mil habitantes, respectivamente.
Em comparação com o censo de 2022, a população do estado aumentou em 714 096 habitantes (crescimento de 5,05%). 415 municípios (99,52%) tiveram ganho populacional, enquanto apenas dois (0,48%) perderam população.
Estão listados todos os municípios do estado da Bahia, por ordem decrescente a partir da mais habitada. As variações brutas e percentuais referem-se a comparação com o censo de 2022, visto que não houve divulgação por parte do IBGE acerca das estimativas populacionais para o ano de 2023.
IBahia

iBahia é um portal de conteúdos brasileiro pertencente à Rede Bahia, conglomerado empresarial com sede em Salvador. Seu conteúdo inclui jornalismo, entretenimento e serviços, dando visibilidade às produções e eventos das outras mídias do grupo empresarial, mas não reúne todo o conteúdo dos veículos do grupo, já que o jornal Correio dispõe de um endereço próprio (o Correio 24 Horas) e há ainda as versões baianas dos sítios eletrônicos G1 e GE.Globo.
O portal representou o começo da participação de uma empresa da mídia tradicional (a Rede Bahia) no meio digital. Ele é caracterizado como um portal de conteúdo aberto e um portal regional, dedicado à população do estado brasileiro da Bahia, mas também às pessoas baianas situadas fora do estado.
O portal entrou no ar em 7 de outubro de 2000. No início, a produção original de conteúdo jornalístico ficou a cargo do canal "Plantão i", já que o então Correio da Bahia (hoje Correio) havia firmado contrato com o portal Terra de utilização exclusiva do conteúdo do jornal até março de 2004. Além disso, a linha editorial do Correio da Bahia e identidade política associada (o carlismo) motivaram a busca de uma identidade própria para o portal. Seu primeiro slogan foi "O portal da Bahia" até ser mudado para "O portal da Rede Bahia", no segundo semestre de 2003. Em julho de 2003, a audiência registrada foi de 3 790 645 acessos.
Em 24 de maio de 2011, foi feita uma reformulação no leiaute, com vistas à concorrência com o portal NE10 (do Sistema Jornal do Commercio de Comunicação) pela liderança na audiência nas regiões Norte e Nordeste do país. Na reformulação, foi alterado também o slogan do portal, que passou a ser "Inovador. Interativo. Imediato". Em 2012, uma campanha publicitária sobre o relançamento do portal conquistou a categoria "Reconhecimento de Marca em outras Plataformas" do prêmio Internacional Newsmedia Marketing Association (INMA) e a terceira posição no Best in Show.
Em 2017, o portal passou a produzir o programa Conexão Fala Bahia (numa parceria com o jornalista Emmerson José, especialmente sobre jornalismo político), transmitido pelas redes sociais do portal. Em 2019, venceu a categoria "Sites e Serviços Mobile" do Prêmio EVEX 2019, dedicado à setor de eventos na Bahia, numa disputa com o Pida! e a Agenda Cultural da Bahia. Em setembro do mesmo ano, o conteúdo da agenda cultural do portal foi transferido para o Vibes, uma plataforma situada em um endereço distinto (vibes.vc). Em março de 2020, firmou parceria com a empresa de marketing de influência Spark, resultando no iBahia Spark.
Territórios de identidade da Bahia

Territórios de identidade da Bahia (TI) são a regionalização mais atual do estado brasileiro da Bahia. Desenvolvido através de análises culturais, geoambientais, político-institucionais e econômicas. O principal motivador da criação dessa divisão foi o Ministério de Desenvolvimento Agrário que por meio da Secretaria de Desenvolvimento Territorial deu início ao Programa Nacional de Desenvolvimento Sustentável dos Territórios Rurais (PRONAT). A denominação vem da busca por atrelar às regiões a ideia de pertencimento das populações. Essa divisão territorial foi legitimada em 2007 pela Superintendência de Estudos Econômicos e Sociais da Bahia (SEI), após estudos entre 2003 e 2006, no mandato do Governador Jacques Wagner.
Esta é uma lista de todos os 27 territórios de identidade do Estado da Bahia com a respectiva quantidade de municípios que os compõe, segundo a SEI.
Birthplace of Cesar Zama

The Birthplace of Cesar Zama (Portuguese: Casa natal de Cesar Zama) is a historic residence in Caetité, Bahia, Brazil. It was listed as a state heritage site by the Institute of Artistic and Cultural Heritage of Bahia in 2008. It is one of the contributing properties to the Historic Center of Caetité, and is noted as the birthplace of César Zama (1837-1906), a Brazilian physician and author. The house covers 412 square metres (4,430 sq ft) and has an upper and lower level with a small attic built on a slope, a model that resembles other houses in Bahia of the same period.
The Birthplace of Cesar Zama is located within the Historic Center of Caetité. It is one of many historic houses surrounding the Praça da Catedral, a broad public square opposite the Cathedral of Sant'Ana.
The Birthplace of Cesar Zama initially belonged to the Fagundes Cotrin family. They subsequently sold it to Senhor Soriano, the husband of Rita de Souza Spínola. Spínola remarried in 1837, to Cesar Zama de Faenza, an Italian doctor. Aristides César Spínola Zama was born on November 19, 1837, in Caetité. Zama spent part of his childhood in the residence in Caetité, but moved to Salvador to study at Colégio Baiano of the Baron of Macaúbas. Zama later ended the Faculty of Medicine of Bahia, the oldest in Brazil, and graduated in 1858 in medical and surgical sciences.
Zama enlisted as a voluntary physician in the Health Corps in 1865 after the beginning of the Paraguayan War. Beyond his work as a physician and politician, he authored three major works: Libelo republicano--comentários sobre a Campanha de Canudos, Os grandes oradores da Antiguidade, and Os grandes capitães da Antiguidade. Zama died in Salvador on October 20, 1906, at the age of 69. He was married to Hermínia Luísa Rocha Zama and had no children.
The house was renovated in 1929.
The Birthplace of Cesar Zama is built on a slope with a ground floor with a veranda at the rear, a lower floor below, and a small attic. It covers 412 square metres (4,430 sq ft), and resembles other homes in Bahia built in the same period. The roughly square plan is arranged with the halls in front and a single corridor that leads from the entrance to the veranda. A kitchen is located on the lower floor farthest from the main house. The ground floor is additionally accessed by a small service door.
The façade is simple, with a portal and seven windows; two are to the left of the portal, and five to the right. Additionally, the upper and lower floors have numerous windows that open to the rear of the house. All the external and interior doors are framed in wood. The roof is covered in telha-vã, or hollow roof tile, and the laced fascia that spans the front of the house is an addition from the 1920s.
The Birthplace of Cesar Zama was listed as a state heritage site by the Institute of Artistic and Cultural Heritage of Bahia in 2008.
The house is not open to the public and may not be visited.
Ituaçu

Ituaçu (alternately spelled Ituassú, Ituassu or Ituacu) is a city in the Chapada Diamantina region of Bahia, Brazil. The city is 530 km from Salvador, the capital city of Bahia. It is the birthplace of singer Moraes Moreira, while another singer Gilberto Gil lived there from 2 months old. The climate is temperate, falling to 12 °C during the winter. Its estimated population in 2020 is 19,030.