davidanugraha/M4-RAG huggingface dataset:
Portrait of a Young Gentleman

Portrait of a Young Gentleman is a c. 1635 painting attributed to the Dutch painter Rembrandt. The painting has not yet been catalogued as by Rembrandt, but was sold as "circle of Rembrandt" by Christie's in London for GBP 137,000 (approximately $185,000).
The painting was discovered and purchased through an anonymous investor by Dutch art dealer Jan Six.
Jan Six lives in Amsterdam and showed the Christie's catalog entry to Ernst van de Wetering before booking a ticket to London to attend the sale. The image struck him as being very Rembrandt-like. His main clue was the tentative date in the sale catalog of "1633-1635" while it was attributed to "circle of Rembrandt". At that young age, Rembrandt didn't have a "circle" yet, so the painting was very possibly an original exemplar of "Rembrandt juvenalia", an area that has only in recent decades begun to be explored. After viewing the painting and noticing the careful lacework, Six rushed over to the National Gallery to look at their Portrait of Philips Lucasz, dating from the same period and showing similar lacework. The pendant portrait of that painting, Portrait of Petronella Buys, also contains lace and shows the same sort of background to both of the other paintings. It was sold by Christie's in the same saleroom for GBP 3,368,750 on 17 October 2017.
At the time he saw the painting in the catalog, Jan Six had another Rembrandt painting, Suffer little children to come unto me, undergoing restoration with Martin Bijl, in preparation for an exhibition in 2019, 'Rembrandt year'. The son of the restorer, Dutch art dealer Sander Bijl, had also noticed the Christie's catalog entry for Portrait of a gentleman, half-length, in a black velvet cloak and white lace collar and cuffs and had approached Six with a plan to buy the painting together. He ended up bidding against him, and only later found out that it was sold to Six when his father was again contracted for the restoration. A Dutch controversy ensued over the proper rights to the discovery. Currently, the painting is on view in Amsterdam.
The painting was sold from a private owner descended from Sir Richard Neave, 1st Baronet, who probably acquired it, and if not by him, then it was acquired by his son, Sir Thomas Neave, 2nd Bt. (1761-1848).
Grojogan Randhusari

Air Terjun Randusari inggih menika grojogan ingkang mapan wonten ing Jalan Randusari, Rejosari, Jatimulyo, Dlingo, Bantul, Daerah Istimewa Yogyakarta. Curug iki dhuwuré kurang luwih 15 mèter lan duwé kolam alami kang trep kanggo nglangi.
Diarani Grojogan Randhusari amarga ing sacedhake grojogan menika ana wit randhu ingkang ageng. Lan tembung sari nduweni teges utama ing basa Jawa. Miturut crita-crita lawas, grojogan iki digunakake warga desa kanggo nyuplai banyu resik. Nanging, suwene wektu, papan iki dianggep nduweni daya tarik sing dhuwur lan wis dadi obyek wisata.
Curug Randusari dhuwure kurang luwih 15 meter lan banyune cethek, mung 1-2 meter. Panggonan iki nyedhiyakake swasana alam sing nyenengake kanthi swara cipratan banyu sing nyegerake. Sampeyan bisa dolanan ing banyu lan nikmati kaendahan alam saka grojogan Randusari.
Saka parkiran mlaku kurang luwih 200 meter utawa kurang luwih 15 menit menyang Grojogan Randhusari. Regane mlebu mung Rp. 2000,- saben wong. Dene ragad parkir Rp. 2000,- kanggo motor lan Rp. 5000,- kanggo mobil.
Miss Indonesia

Miss Indonésia iku kontès ratu ayu ing Indonésia sing dianakaké déning MNC liwat Yayasan Miss Indonésia kanthi panyengkuyungé prusahaan kosmetik Sari Ayu. Ajang kontès ratu ayu iki diangkah kanggo nyiapaké figur wanita Indonésia sing bakal dadi dhuta ing babagan sosial, budaya, lan ékonomi ing forum-forum internasional.
Slogan Miss Indonésia ya iku "Semua Mata Tertuju Padamu".
Aspek sing dianggo mbiji kontès Miss Indonésia béda-béda saka taun siji lan sijiné.
Cithakan:Miss Indonésia
Walker Percy

Walker Percy (lair wonten ing kutha Birmingham, Alabama, 28 Mèi 1916.-surud surya 10 Mèi 1990) punika satunggaling panyerat saking Amérikah Sarékat Kidul. Panjénenganipun anak kaping kalih saking tiga sedhèrèk. Lampah gesangipun boten gampil amargi kathah pengalaman boten énak ing rikala alit. Nyariosaken Walker Percy berarti uga nyariosaken lampah lan bab panjenenganipun ingkang gadhah kathah masalah ing lampah gesangipun. Kathah fakta ingkang awujud kesusahan lan kasungkawan. Panjenenganipun miwiti karyanipun mawi nyerat novèl filosofis. Arah kritikipun inggih punika babagan madosi urip ingkang cèthèk. Pangamatanipun bab masalah urip punika jeru lan kadangkala panjenenganipun satir rikala nanggepi masalah-masalah ing kukuban. Panjenenganipun sédha amargi kanker ing tanggal 10 Mèi 1990.
Téh barlé

Cithakan:Infobox teaTeh barley minangka ombenan adhedhasar gandum-panggang sing digawe saka gandum sing dadi pokok ing wilayah Asia Wétan kayata China, Jepang, Korea, lan Taiwan . Iki nduweni rasa sing enak lan seger. Ing Korea, teh iki dikonsumsi panas utawa adhem, asring njupuk banyu ngombe ing pirang-pirang omah lan restoran. Ing Jepang, biasane disajikake kanthi adhem lan minangka panganan sing paling populer ing musim panas. Teh iki uga kasedhiya ing kanthong teh utawa ing botol ing Korea lan Jepang .
Ing China, teh gandum diarani dàmài-chá (大麦茶;大麥茶) utawa mài-chá (麦茶;麥茶), ing endi dàmài (大麦;大麥) utawa mài (麦;麥) tegese "gandum" lan chá (茶) tegese "teh".
Kombucha

Kombucha (uga jamur teh, tèh jamur, utawa jamur Manchuria ngarujuk menyang budaya ; jeneng Latin Medusomyces gisevii ) iku fermented, entheng effervescent, legi ireng utawa ijo teh ngombe umum migunakaken kanggo kesehatan keuntungan sawijining mestine. Kadhangkala omben-omben kasebut diarani teh kombucha kanggo mbedakake karo budaya bakteri lan ragi . Jus, rempah-rempah, woh-wohan utawa rasa liyane asring ditambahake kanggo nambah rasa wedang kasebut. Kombucha dianggep asale saka Manchuria utawa ing Ruslan lan bagean-bagean saka Eropa Wétan, ing endi omben-omben iki umume diminum. Kombucha saiki wis homebrew global, lan uga botol lan didol kanthi komersial dening macem-macem perusahaan.
Tèh susu leléwa Hong Kong

Teh susu gaya Hong Kong yaiku wedang teh sing digawe saka teh ireng lan susu (biasane susu nguap utawa susu kental ). Biasane kalebu bagean saka nedha awan ing budaya teh Hong Kong . Wong Hong Kong ngonsumsi udakara 900 yuta gelas / cangkir setaun. Sanajan asale saka Hong Kong, restoran kasebut ditemokake ing jaban rangkah ing restoran sing nyedhiyakake masakan Hong Kong lan masakan kulon gaya Hong Kong . Ing acara Top Eat 100 sing ditayangake tanggal 4 Februari 2012, teh susu gaya Hong Kong dadi nomer 4 ing masakan Hong Kong.Teknik nggawe teh sing unik dicantumake ing dhaptar wakil Warisan Budaya Intangible ing Hong Kong.
Milo dinosaurus

Uga dikenal kanthi sebutan "ta-chiu" dening sawetara warga Singapura, Minuman iki digawe kanthi nambah bubuk Milo sing durung larut menyang gelas es Milo . Jumlah bubuk sing ditambahake bisa uga gedhe banget utawa sethithik kaya sendok. Varian sing padha karo float es krim, sing diarani "Milo Godzilla", ngemot gelas utawa gelas dinosaurus milo ditambah karo sendok es krim es krim rasa vanila beku lan / utawa krim sing diolah kanthi alus karo gula titik emulsifikasi. Nanging, iki ora umume didol minangka varian umum amarga luwih diklasifikasikake minangka panganan cuci mulut tinimbang wedang.
Borhani

Borhani, (basa Banggala: বোরহানী ) minangka ombenan tradisional kaya yoghurt saka Bangladesh . Borhani digawe saka doi asem, ketumbar lan mint. Ana sing nganggep sawetara jinis lassi . Biasane umume dikonsumsi ing wilayah Dhaka lan Chittagong ing Bangladesh, sing tahap mabuk ing acara khusus kayata pesta pernikahan lan acara buka puasa ing Ramadhan . Biasane ngombe sawise panganan sing akeh banget kayata biryani lan polao supaya bisa mbantu pencernaan sanajan borhanis panganan pembuka pancen ana.
Asal jeneng jeneng omben kasebut durung dingerteni. Nanging, tembung paling kamungkinan duwe teka saka Arab tembung, Burhan ( Arab: برهان‎‎ ), tegese "bukti".
Another Earth

Another Earth nggih punika sesirah filem sandhiwara fiksi ilmiyah saking Amérikah Sarékat taun 2011. Filem punika kaarahaken déning Mike Cahill. Piyambakipun ugi ngrangkep minangka panganggit skénario sesarengan Brit Marling. Wondéné ingkang ngayahi jejibahan minangka juru damel nggih punika Hunter Gray, Mike Cahill, Brit Marling, lan Nicholas Shumaker. Juru musik kalampahi déning Fal On Your Sword, tanggel jawab sinematografi lan juru besut kapasrahaken dhumateng Mike Cahill. Juru paraga ingkang kadhapuk sami maragani filem punika antawisipun Brit Marling, William Mapother, lan Robin Lord Taylor. Another Earth kagiyaraken kaping pisanipun nalika adicara 27th Sundance Film Festival sulan Januari 2011 lan dipundum déning Fox Searchlight Pictures.
Another Earth pikantuk pangalembana saking para juru kritik, lan mlebet kalih nominasi wonten pasanggiri Saturn Awards miyos Brit Marling sarta Cahill dan Marling awit saking skénario ingkang kaserat.
Musik lan skor kagem filem punika pakaryanipun Fall on Your Sword.
Candhi Arjuna

Candhi Arjuna inggih punika satah satunggal kompléks candhi Hindhu tilas saking abad ke-7-8 ingkang manggén wonten Dataran dhuwur Dieng, Kabupatèn Banjarnegara, Jawa Tengah, Indonésia. Dipunbangun taun 809, Candhi Arjuna punika salah satunggal saking wolung candhi ingkang wonten ing dataran dhuwur diéng. Pitung candhi sanèsipun inggih punika Candhi Semar, Candhi Gatotkaca, Candhi Puntadéwa, Candhi Srikandi, Candhi Sembadra, Candhi Bima lan Candhi Dwarawati. Kelompok Candhi Arjuna punika kasusun saking gangsal candhi ingkang dados kalih dérét. Dérét pisanan wonten ing sisih wétan ingkang kasusun saking sekawan candhi ingkang sadaya madep ngilèn. candhi ingkang sisih wétan wonten Candhi Arjuna, Candhi Srikandi, Candhi Puntadewa lan Candhi Sembadra. Candhi-candhi ingkang wonten kompleks Candhi Arjuna ngadhahi ciri piyambak-piyambank lan dipunyasa boten sesarengan. Candhi-candhi punika dipunyasa kanggé meditasi utawa tapa. Wonten ing candhi-candhi punika dipungambaraken déwa-déwa pendamping utama Siwa. Candhi Arjuna awujud candhi ingkang alasipun pasagi kanthi amba ukuran watawis 6 m². Payon candhi punika bersusun, sansaya dhuwur sansaya alit. Kompleks candhi punika ingkang pisanan pinanggih déning bala Inggris Van Kinsbergen nalika taun 1814. Wonten ing témbok njawi sisih lèr, kidul lan kilèn wonten watu ingkang menjorok medal dinding, ndamel bingkai relung panggén arca. Pérangan ngajeng bingkai relung dipunhiasi nganggé pahatan polanipun kertas témpél. Pérangan ngandhap bingkai dipunhiasi kaliyan sepasang ndas naga. Wonten ing pérangan nginggil bingkai wonten rerenggan kalamakara tanpa rahang ngandhap. Bagean témbok sisih kiwa lan tengen lawang yasan sisih lèr wonten relung panggènan arca. Témbok candhi sisih kidul, lèr lan kilén wonten relung kanggé panggènan arca. Tengahan pérangan témbok ngandhap relung wonten jaladwara (saluran air).
Kabupatèn Banjarnegara

Kabupatèn Banjarnegara (Carakan: ꦑꦧꦸꦥꦠꦺꦤ꧀ꦨꦚ꧀ꦗꦂꦤꦼꦒꦫ, Pegon: كَبُڤَتَينْ بَنْجَرْنٚݢَرَ), iku kabupatèn ing Provinsi Jawa Tengah, Indonésia, pernahé ing wewengkon Tengah, kutha Banjarnegara iku kutha krajan kabupatèné, kutha-kutha liyané: Khuta Mandiraja, Purwanagara, Wanadadi, Klampok, Karangkobar, Wanayasa lan liya-liyané. Wiyaripun wewengkon kabupatèn iki ± 1,064,52 km² utawa 106.970,997 ha lan 3,10 % saking wiyaripun Provinsi Jawa Tengah, Indonésia.
Amarga lelabuhané marang Pamaréntah Mataram sajeroning Perang Diponegoro, R. Tumenggung Dipayudha IV banjur diusulaké déning Pakubuwono VII dadi Bupati Banjar ing tanggal 22 Agustus 1831 (sadurungé status Bupati Banjar wis dibusak). Wektu semana kutha krajan kabupatèn dumunung ing Banjarmangu. Mudalé Kali Serayu dianggep kendala transportasi karo kutha krajan Kasunanan Surakarta, saéngga kutha krajan kabupatèn wusanané dipindhah menyang lokasi sing anyar ing sisih kidul kali, kanthi jeneng Banjarnegara (Banjar: sawah; Nagara: kutha).
Tumenggung Dipayudha mengku kalungguhan minangka bupati nganti taun 1846, lan pengganti Bupati Banjarnegara sabanjuré yaiku:
Miturut Astronomis, Kabupatèn Banjarnegara wonten ing sawatawis 7° 12'-7° 31' Lintang Selatan lan 109° 29'-109° 45'50" Bujur Timur.Wonten ing iring lèr kabupatèn punika jejeran kaliyan Kabupatèn Pekalongan lan Kabupatèn Batang, Kabupatèn Wonosobo wonteng ing iring wétan, Kabupatèn Kebumèn wonten ing iring kidul lan wonmten ing iring kilèn wonten Kabupatèn Banyumas lan Kabupatèn Purbalingga.
Kabupatèn Banjarnegara ketata saking 20 Kacamatan, 5 Kalurahan lan 273 désa. Kacamatan-Kacamatan ing Kabupatèn Banjarnegara yaiku:
Jawa Tengah
Gunung Prau

Gunung Prau (Carakan: ꦒꦸꦤꦸꦁ​​ꦥꦿꦲꦸ; Basa Indonesiane: Gunung Parahu) punika salah siji gunung kang dununge ana ing Dataran Tinggi Dieng, Jawa Tengah, Indonésia. Gunung iki dhuwuré 2.590 mdpl (mèter ing sadhuwuring segara). Titik koordinate inggih punika ana ing 7°11′13″S 109°55′22″E﻿ / ﻿7.18694°S 109.92278°E﻿ / -7.18694; 109.92278 . Gunung iki dadi watese limang kabupaten kang ana ing Jawa Tengah, yaiku Kabupaten Batang, Kabupaten Kendal, Kabupaten Temanggung, Kabupaten Wonosobo lan Kabupaten Banjarnegara .
Pucuk Gunung Prau dumadi saka suket sing amba sedawane kulon nganti wetan. Bukit lan savanna kanthi sawetara wit bisa ditemokake ing pucuke. Gunung iki dados salah sawijining tujuan pendakian utama ing Dataran Tinggi Dieng.
Alas ing lereng Gunung Prau kang tumuju ing Kabupaten Kendal lan Kabupaten Batang iku alas kang padhet lan ana tanduran kantong semar (pitcher plants) endemik Jawa, yaiku Nepenthes gymnamphora, kang asring tukul bebarengan karo pakis resam (Glichenia linearis). Ana ing sakiwa tengene pucuk Gunung Prau punika ana kembang edelweis Jawa (Anaphalis maxima lan Anaphalis longifolia). Ing tlatah alas Prau uga bisa ditemokake kewan khas Jawa kayata macan tutul Jawa ( Panthera pardus melas ), sigung Jawa (Mydaus javanensis) lan elang Jawa (Nisaetus bastelsi).
Ana pitung rute sing umum digunakake kanggo mendaki Gunung Prau, yaiku:
Jalur pendakian Gunung Prau liwat Patak Banteng dadi jalur paling didemeni para pendaki pemula amarga pos pendakian ana ing pinggir dalan gedhe. Jalur pendakian Gunung Prau liwat Dwarawati inggih punika jalur pendakian sing paling cepet kanggo tekan puncak Gunung Prau.
Biaya iuran tiket pendakian Gunung Prau sekitar Rp. 25.000,- wis karo karcis parkir. Rata-rata wektu pendakian kira-kira 2 - 4 jam.
Dieng Volcanic Complex

The Dieng Volcanic Complex (Javanese: ꦢꦶꦲꦾꦁ, romanized: Dihyang) is a volcanic complex located on the Dieng Plateau in Central Java, Indonesia, a complex of volcanoes. The volcanic complex consists of two or more stratovolcanoes, more than 20 small craters, and Pleistocene to Holocene-age volcanic cones. It covers a 6 by 14 kilometres (3.7 by 8.7 mi) area. The Prahu stratovolcano was truncated by a large Pleistocene caldera and then filled by parasitic cones, lava domes, and craters which is 120 °C (248 °F). Some of them are turned into lakes. Toxic volcanic gas has caused fatalities and is a hazard at several craters. On 20 February 1979, 149 people died of gas poisoning in Pekisaran Village on the plateau near the Sinila Crater. The area is also home to a major geothermal project.
Phreatic eruption

A phreatic eruption, also called a phreatic explosion, ultravulcanian eruption or steam-blast eruption, occurs when magma heats ground water or surface water. The extreme temperature of the magma (anywhere from 500 to 1,170 °C (930 to 2,100 °F)) causes near-instantaneous evaporation of water to steam, resulting in an explosion of steam, water, ash, rock, and volcanic bombs. At Mount St. Helens in Washington state, hundreds of steam explosions preceded the 1980 Plinian eruption of the volcano. A less intense geothermal event may result in a mud volcano.
Phreatic eruptions typically include steam and rock fragments; the inclusion of liquid lava is unusual. The temperature of the fragments can range from cold to incandescent. If molten magma is included, volcanologists classify the event as a phreatomagmatic eruption. These eruptions occasionally create broad, low-relief craters called maars. Phreatic explosions can be accompanied by carbon dioxide or hydrogen sulfide gas-emissions. Carbon dioxide can asphyxiate at sufficient concentration; hydrogen sulfide acts as a broad-spectrum poison. A 1979 phreatic eruption on the island of Java killed 140 people, most of whom were overcome by poisonous gases.
Gebang

Gebang (Indonesian: Candi Gebang; Javanese: ꦕꦤ꧀ꦝꦶꦒꦼꦧꦁ, romanized: Candhi Gebang) is an 8th-century Hindu temple located on the outskirts of Yogyakarta, Indonesia. The temple is located at Gebang hamlet, Wedomartani village, Ngemplak, Sleman Regency, Special Region of Yogyakarta. The temple was built during the Mataram Kingdom.
There are no assuring historical backgrounds or inscription records concerning the temple. However the high proportion of the temple feet indicates that the temple was built in the old period of Kingdom of Mataram, c. 730 to 800.
In November 1936, a villager discovered a Ganesha statue. The Art and Archaeological Services (Oudheid Dienst) led an excavation and discovered that the Ganesha statue was part of a small stone building. The archaeological excavation was conducted that year and discovered a temple ruin, the andesite stones that parts of the roof and the base appeared to be intact. Besides the parts of the building, the excavation also yielded some artifacts such as pottery, statuettes, stone boxes (peripih), and lingam. The temple is named "Gebang" as the name of the village. During its discovery, the temple wall and roof collapsed, however, the base was still intact. The temple ruin was buried under Mount Merapi volcanic lahar sediments. The temple was reconstructed by Van Romondt from 1937 to 1939.
Gebang temple displayed Hindu temple features. The square base is measured 5.25 x 5.25 metres, and the temple is 7.75 metres in height. There are no entrance stairs, or probably one was made from organic wooden material that already decayed. The temple faces east with the entrance located on the eastern side. On each side of the portal, there are two niches which were filled with statues of Nandiswara on the right side. In November 1989 the head of Nandiswara was stolen. The left niche probably hosted a Mahakala statue as the counterpart of Nandiswara, however, there was no Mahakala statue ever discovered here. In the inner chamber, there is a Yoni placed in the center of the room.
On the outer wall there are three niches on the north, south, and east sides of the temple. The north and south niches are empty, however on the west side there is a Ganesha statue sitting on a yoni with a spout. Compared to other Hindu temples in Yogyakarta vicinity, Gebang temple has a unique architectural style; on the roof, small heads of divinity appear from a window frame and male divine bodies (devata) seated in the small niches. This divinity head is called kudu. Similar roof ornament styles depicting heads of the gods also appeared on the roof of Bima temple in Dieng temples, Dieng Plateau, Central Java. The top of the temple is crowned with ratna. On the temple yard there are four pseudo-lingam on its four corners.
7°45′05″S 110°24′58″E﻿ / ﻿7.751454°S 110.416117°E﻿ / -7.751454; 110.416117
Max Fleischer (painter)

Richard Paul Max Fleischer (4 July 1861, Lipine in Oberschlesien, Kingdom of Prussia – 3 April 1930, Menton, France) was a German painter and bryologist. As a botanist, he is remembered for his work with Javan mosses.
He took art classes in Breslau, qualifying as an art teacher in 1881. He furthered his studies in Munich and Paris, where his interest in natural sciences grew. He subsequently moved to Zurich in 1892 in order to study geology. In the latter part of the 1890s, he was invited by botanist Melchior Treub to Java as an illustrator. On Java, along with his artistic duties, he collected regional botanical specimens and conducted investigations of the island's mosses. Fleischer distributed several exsiccatae, among them Musci frondosi Archipelagi Indici exsiccati and – together with Carl Friedrich Warnstorf – Bryotheca Europaea Meridionalis. During his time spent in the Dutch East Indies, he also learned the technique of creating batik prints from vegetable dyes.
After several years on Java, he traveled to New Guinea, the Bismarck Archipelago, Australia, New Zealand and South America, prior to returning to Germany in 1903. From 1908 to 1913, he revisited Maritime Southeast Asia, where he collected mostly bryophytes but also orchids and fungi on Java.
In 1914 he began work at the botanical museum in Berlin and three years later, he was appointed a professor of botany at the University of Berlin. In 1925 he traveled to the Canary Islands in order to paint and to study the regions' mosses. During the following year, he relocated to The Hague, and in 1927 he returned to the Canaries with his second wife, P.G. Haigton. After his death in 1930, his private collections and library were purchased by an antiquarian in Leipzig.
Poveștile lui Aku

Poveștile lui Aku este al treisprezecelea episod al serialului de desene animate Samurai Jack.
Niște copii se joacă de-a Jack și Aku: o fetiță fuge de Aku, speriată, dar apare Jack, se năpustește asupra lui Aku și îl pocnește în cap cu sabia. Copilul Aku protestează: nu mai vrea să fie Aku. Deși, înainte să apară Jack, îi plăcea, acum toți vor să fie Jack și să-l cotonogească!
Aku vede jocul și nu-i place că este luat în râs de copii. Își dă seama că poveștile despre faptele eroice ale lui Jack i-au făcut pe copii să-l idolatrizeze. Aku își propune să devină el însuși erou de poveste, pentru a-l concura pe Jack, așa că îi adună pe copii într-un amfiteatru ca să le spună povești despre presupusele sale fapte de vitejie.
În prima poveste, un dragon care mănâncă planete este înfruntat de un războinic care îl străpunge cu sulița și salvează astfel Pământul. Luptătorul cu pricina nu era altul decât Aku, și de aceea locuitorii planetei l-au făcut regele lor și i s-au închinat pe veci. Copiii rămân împietriți.
A doua poveste este despre o Scufiță Roșie cu sprâncenele în flăcări, întruchiparea lui Aku, care își salvează bunica din burta lupului, după ce îl prăjește pe lup cu razele laser pe care le scoate din ochi și mi ți-l tăvălește bine. Copiii rămân nedumeriți: ei vor o poveste cu Jack. Aku hotărăște să le facă pe plac.
Așa că a treia poveste este despre trei urși care pleacă să se plimbe prin pădure, iar un samurai rău le intră în casă, le mănâncă mâncarea și le distruge casa. Dar copiii știu că Jack nu ar face așa ceva.
Aku se încinge și începe să amestece povești din cele mai variate. Rând pe rând, Jack forțează intrarea în casa celor trei purceluși, apoi le întruchipează pe mașteră și pe fiicele ei din Cenușăreasa, apoi un gigant care storcește o casă făcută din bomboane, apoi un prinț care pupă o broască și broasca îl înghite, apoi Jack cade de pe vrejul de fasole (scenă pentru care are chiar numele potrivit!), apoi este călcat în picioare de o turmă de oi, apoi Motanul Încălțat îi dă un șut în fund, apoi îi cade un cal în cap de la balcon, apoi cântă din flaut și este devorat de un șuvoi de șobolani, pentru ca apoi s-o pățească pe rând de la Spiritul lămpii fermecate, o muscă uriașă, rățușca cea urâtă, o gheată de baschet uriașă în care locuiește o bătrânică, niște șoareci uriași, niște călători într-o barcă, apoi se află în postura lui Wilhelm Tell, dar cu mărul în gură și străpuns de săgeată, apoi în postura unui ou care se rostogolește și se sparge. Copiii nu mai înțeleg nimic.
Aku își pierde răbdarea și le spune ultima poveste. Un vrăjitor atotputernic (Aku) îl distruge pe pateticul samurai o dată pentru totdeauna. După care Aku dispare, mânios.
Dar reuniunea nu ia sfârșit, căci copiii încep să construiască propria lor poveste despre Jack. Jack se cațără pe zidurile unui castel, învinge în luptă un robot mutant și apoi îl înfruntă și îl distruge pe Aku, dar doar după un schimb de replici și câteva momente de concentrare și tensiune dramatică.
Poveștile lui Aku la Internet Movie Database en Poveștile lui Aku la TV.com
Lumea poveștilor Cartoonito/Boomerang

Lumea poveștilor Cartoonito (în engleză Cartoonito Tales) este un serial de televiziune produs în Marea Britanie dedicat preșcolarilor cu vârsta între 3 și 6 ani în care copii actori interpretează pe înțelesul celor mici povești clasice precum Scufița Roșie, Jack și vrejul de fasole, Pinocchio, Petrică și lupul, Flautul fermecat, Cei trei purceluși, Uriașul singuratic, Hansel și Gretel, Fetița cu părul de aur și cei trei ursuleți, Lacul lebedelor și Spărgătorul de nuci.
Premiera în România a fost pe 11 iulie, 2012 pe canalul Boomerang ca parte a blocului Cartoonito.
A fost produs și un al doilea sezon al serialului, fiind redenumit 'Lumea poveștilor Boomerang (en. Boomerang Tales), datorită faptului că de atunci blocul Cartoonito a fost desființat iar toate serialele sunt acum difuzate ca parte a grilei normale Boomerang. Acest sezon a avut premiera în România pe 13 octombrie, 2014.
Serialul păstrează poveștile originale și elementele definitorii ale acestora, dar există și personaje secundare fără costumație, cu care copiii zilelor noastre se pot identifica mai ușor.
Fundalurile sunt gândite astfel încât să recreeze atmosfera poveștilor fără a încărca imaginea și transmit, prin simplitatea lor, ideea de “punere în scenă” – care îi va ajuta pe părinți să le explice copiilor diferența dintre lumea poveștilor și lumea reală.
Acest program le oferă copiilor exemple amuzante și educative potrivite vârstei lor, iar părinților – modalitatea perfectă de a-i apropia pe cei mici de cele mai iubite povești ale lumii.
Călin Gruia

Călin Gruia (n. 21 martie 1915, Trifești, județul Orhei, Basarabia, Imperiul Rus – d. 9 iulie 1989, București) este pseudonimul literar al lui Chiril Gurduz, un scriitor român, poet și prozator, cunoscut mai ales prin volumele sale de povești pentru copii. A debutat în literatură cu versurile publicate în 1938 în revista Speranța, din Orhei, apoi a publicat versuri și în reviste literare din Chișinău. În 1942 i s-a publicat primul volum, placheta Litanii de seară. Mobilizat în război, a fost luat prizonier în 1944. După eliberarea din prizonierat din 1948, s-a dedicat literaturii pentru copii, publicând în 1952 prima sa culegere de povești, Nucul lui Toderiță. A avut o intensă activitate publicistică la revistele pentru copii din România (Arici Pogonici, Luminița, Cutezătorii) și a publicat numeroase cărți. A scris și un scenariu de film, inspirat din evenimentele Primului Război Mondial, după care a fost realizat filmul Baladă pentru Măriuca (1969). Între anii 1951 și 1969 a fost redactor la emisiunile pentru copii ale Radioteleviziunii Române.
Volumul Moara lui Elisei (Editura Junimea, Târgoviște, 1979), cuprinde poveștile următoare:
Editura pentru literatură universală

Editura pentru literatură universală (E.L.U.) este o fostă editură din România, fondată în 1960 prin divizarea Editurii de Stat pentru Literatură și Artă, care publica atât literatură a scriitorilor români cât și a scriitorilor străini. În 1969, și-a schimbat numele în Editura Univers.
Colecțiile sau seriile editurii cuprind
Literatură și artă română

Literatură și artă română, cu subtitlul Idei, simțire, formă, a fost o revistă publicată la București, întemeiată de Dumitru C. Olănescu și Nicolae Petrașcu. Ea a apărut, cu intermitențe, între 25 noiembrie 1896 și 25 decembrie 1910, în condiții grafice excelente, sub conducerea lui Nicolae Petrașcu, care era editor și director.
Revista își declara un program destul de vag: constata că literatura noastră nu urmează o dezvoltare firească, pentru că lipsește o "educație națională". Pentru acoperirea lipsei trebuie un nou "regim intelectual" care să dezvolte patriotismul și în vederea acestui scop își propune a lucra revista aceasta.
Potrivit casetei editoriale a acesteia, direcția și administrația, care până în 1907 funcționau în str. Fântânei nr. 46, au funcționat din 1908 și până la ultimul număr din 1910 în Piața Romană nr. 1, într-o casă proiectată de arhitectul Ion Mincu pentru N. Petrașcu.
Revista Literatură și artă română era o publicație importantă în epocă, astfel că Revue des revues (Revista revistelor) scria la 1 februarie 1899: „Marele magazin român continuă să grupeze în jurul lui elita talentelor literare din țară”.
Printre colaboratori pot fi enumerați: Bogdan Petriceicu Hasdeu, Alexandru Vlahuță, Duiliu Zamfirescu, Nicolae Iorga, A. D. Xenopol etc. În revistă au fost reproduse opere ale pictorilor Nicolae Grigorescu, Theodor Aman, Ion Andreescu, George Demetrescu Mirea.
Haralamb Lecca a publicat poezii și teatru. Au mai publicat poezii: D. Nanu, Ștefan Petică, Th. Șerbănescu, G. Tutoveanu, Dimitrie Anghel, Ion Bârseanul, Iuliu Dragomirescu, Ștefan Iosif, Andreiu Naum, L. Dauș, Radu Rosetti ș.a. Nuvele au publicat Constantin I. Nottara, H. Coșoiu, E. Grigoroviță ș.a. Anghel Demetriescu a publicat articole de critică literară; Gheorghe Dem Theodorescu, articole de folclor; iar Ionescu-Gion articole de istorie. Nicolae Iorga a publicat note de călătorie și articole de istorie,, Duiliu Zamfirescu (nuvela Cu bilet circular), I. L. Caragiale (Între două povețe), George Coșbuc (Moartea lui Gelu, Faptul zilei ș. a.), Șt. O. Iosif, Gala Galaction, George Enescu, G. Dragoslav, ș. a.
În revistă a debutat Vasile Militaru.
Ion Creangă State Pedagogical University of Chișinău

The Ion Creangă State Pedagogical University of Chișinău (UPSC; Romanian: Universitatea Pedagogică de Stat „Ion Creangă" din Chișinău) is a higher educational institution in Chișinău, Moldova. It was formed in August 1940 as the Moldovan State Pedagogical Institute (Romanian: Institutul Pedagogic Moldovenesc de Stat, Russian: Кишинёвский педагогический институт, romanized: Kishinovskiy pedagogicheskiy institut, lit. 'Kishinev Pedagogical Institute'), being renamed the Ion Creangă State Pedagogical Institute in 1955, and receiving its current name on 21 May 1992. It is named after the Romanian writer and story-teller Ion Creangă. The university offers Bachelor, Master and Doctorate level degrees.
Currently, there are over 6000 students in attendance in nine faculties at the university. The faculties are:
Faculty of Computer Science and Information Technologies This is the newest faculty at the university, specializing in computer sciences.
Faculty of Foreign Languages Founded on 1 September 1948, the Faculty of Foreign Languages and Literatures was the first foreign language faculty in Moldova. The college offers language and literature courses in English, French, German, Italian and Spanish.
Faculty of Psychology and Special Education The Faculty of Psychology and Special Education was formed in 1992 by merging the Faculty of Defectologie and the Department of General Psychology.
Faculty of Philosophy Founded in 1940, the Faculty of Philosophy is one of the original faculties at Ion Creangă.
Faculty of History and Ethnopedagogy The Faculty of History and Ethnopedagogy Is a history and social sciences with specialties in history, geography, civic education and moral-spiritual education. It is one of the original faculties of the university.
Faculty of Pedagogy The Faculty of Pedagogy was founded in 1957. The faculty focuses on educational training to prepare teachers for all pre-graduate levels of education.
Faculty of Arts and Design The Faculty Arts and Design originated in 1979 when members of the Physics and Mathematics faculty formed the Department of Painting and Graphics. This department was reformed in 1982-1983 as the Faculty of Arts and Design.
Faculty of Continuing Education and Management Founded in 1975, the Faculty of Continuing Education and Management aims at continual training for teachers in leadership positions and for teacher-trainers.
Faculty of Social Professions The Faculty of Social Professions is a faculty that organizes and provides extracurricular activities for students for credit. These activities reflect both the cultural and education traditions on Moldova and of Ion Creanga, and include dance, music, sports and other social activities.
The University has six buildings for study and classroom use, seven homes student residences, a library with six reading rooms, a computer connected to the Internet, and a printing house. The University was accredited by Government of the Republic of Moldova no. 559 of 7 May 2002, no. certificate of accreditation. 009.
47°02′10″N 28°48′43″E﻿ / ﻿47.03611°N 28.81194°E﻿ / 47.03611; 28.81194
Russian Fairy Tales

Russian Fairy Tales (Russian: Народные русские сказки, variously translated; English titles include also Russian Folk Tales) is a collection of nearly 600 fairy and folktales, collected and published by Alexander Afanasyev between 1855 and 1863. The collection contained fairy and folk tales from Ukraine and Belarus alongside Russian stories. In compiling the work, Afanasyev's editing was informed by the German Grimm's Fairy Tales, Slovak tales collected by Pavol Dobšinský, Božena Němcová's work, Vuk Karadžić's Serbian tales, and other Norwegian, French, and Romanian research.
Vladimir Propp drew heavily on this collection for his analyses in his Morphology of the Folktale.
Some of the tales included in these volumes:
The Golden Stag (fairy tale)

The Golden Stag (Romanian: Cerbul de aur) is a Romanian fairy tale.
The tale was originally collected in late 19th century by Romanian folklorist Dumitru Stăncescu [ro] with the title Cerbul de aur. He sourced it from a man named Costache Georgescu, from Telega.
An old woman told her husband that he had to lose his two children, a son and a daughter, by his first marriage, in the woods. The first time, the boy had been playing in the ashes, and thus the children managed to come back by following the trail of ashes left by him, but the second time, the old man succeeded in losing them. They could not find water anywhere, until they came to the tracks of a fox where water was welling, but the sister warned her brother that drinking it would turn him into a fox. At the tracks of a bear, she warned him again. At the tracks of a stag, she warned him again, but he was too thirsty and drank. He became a golden stag. He carried off his sister in a cradle in his antlers, and made a nest for her, up in a tree, where she grew up.
One day, a prince saw her and fell in love. He promised a fortune to whoever wooed that girl for him. An old woman saw the golden stag and did not know how to address it, so she lured the girl down by pretending to be foolish with her cook fire, and carried her off to the prince. When the stag followed, the sister said that he was her brother, and the prince gave him a fine stable with plenty to eat. They were all happy except a gypsy girl who had been the prince's favourite. She lured the sister into the forest where she went to sleep. Then the gypsy dressed herself as the prince's wife and disguised her face, but the stag knew her at once. The prince and his men followed the stag and retrieved the girl; then he had the gypsy girl stoned to death.
The tale is classified in the international Aarne-Thompson-Uther Index as type ATU 450, "Little Brother and Little Sister".
The method of luring the bride down from the tree is also found in "Little Wildrose". More commonly, as in "Brother and Sister", "The Six Swans", or "Mary's Child", the hero succeeds in luring her away himself.
Muma Pădurii

In Romanian folklore, Muma Pădurii (Romanian pronunciation: [ˈmuma pəˈdurij]) is an ugly and mischievous or mad old woman living in the forest (in the heart of virgin forests, in a hut/cabin, or an old tree). She is the opposite of fairies such as Zână. She is also the protector of the animals and plants, brewing potions and helping injured animals. She cures the forest if it is dying and she keeps unwanted trespassers away by driving them mad and scaring them.
She can be associated with witches (like the witch from the story of "Hansel and Gretel"), but she is a neutral "creature", harming only those who harm the forest.
Muma Pădurii literally means "mother of the forest", though "mumă" is an archaic version of "mamă" (mother), which has a fairy tale overtone for the Romanian reader (somewhat analogous to using the archaic pronouns like "thou" and "thy" in English). A few other words, typically protagonists of folktales, have this effect.
Muma Pădurii is a spirit of the forest in a very ugly and old woman's body. Sometimes she has the ability to change her shape. She lives in a dark, dreadful, hidden little house.
She is thought to attack children and because of this a large variety of spells (descântece in Romanian) are used against her.
This (step-) mother of the forest kidnaps little children and enslaves them. In one popular story, at some point, she tries to boil a little girl alive in a soup. However the little girl's brother outsmarts Muma Pădurii and pushes the woman-monster in the oven instead, similar to the story of Hansel and Gretel. The story ends on a happy note when all kids are free to go back to their parents.
Instead of saying "She's ugly", Romanians sometimes say "She looks like Muma Pădurii".
Ion Roată

Ion Roată (Romanian pronunciation: [iˈon ˈro̯atə]; also known as Ioan Roată or Moș Ion Roată; 1806 in Câmpuri, Vrancea County – 20 February 1882 in Gura Văii) was a Moldavian, later Romanian peasant and political figure. Roată was representative in the Moldavian ad hoc Divan for the peasant electoral college of Putna County. With Partida Naţională, he supported the election of Alexandru Ioan Cuza as Prince of Moldavia, as well as endorsing his elections in Wallachia (leading to the union of the two Danubian Principalities, which eventually occurred on 24 January 1859). At the same time, he campaigned in favor of land reform in Moldavia and Romania at large.
Roată was known for his personal friendship with Domnitor Cuza and his main supporter, Mihail Kogălniceanu; events involving the three of them are present in a series of anecdotes by Ion Creangă.
مس ارتھ پاکستان

مس ارتھ پاکستان Miss Earth Pakistan ( اردو: مس ارض پاکستان ) ایک باوقار قومی مقابلہ حسن ہے جو مس ارتھ مقابلے میں شرکت کرنے والے پاکستانی مندوبین کو پیش کیا جاتا ہے۔
یہ اعزاز ابتدائی طور پر 2005 میں مس پاکستان ورلڈ کی صدر سونیا احمد نے حاصل کیا تھا، جب مس پاکستان ورلڈ 2005 فاتح کو نمائندگی کے لیے منتخب کیا گیا تھا۔ فلپائن میں منعقدہ مس ارتھ 2005 کے مقابلے میں پاکستان۔
2005 میں، پاکستان نے مس ارتھ میں اپنا آغاز کیا جب ٹورنٹو میں منعقدہ مس پاکستان ورلڈ مقابلے کی فاتح نومی زمان، کو مس پاکستان ورلڈ کی صدر، سونیا احمد نے پاکستان کی نمائندگی کے لیے نامزد کیا۔ مس ارتھ مقابلہ۔
مس ارتھ 2005 میں اس افتتاحی شرکت کے بعد سے، مس پاکستان ورلڈ تنظیم نے مس ارتھ مقابلے میں کل 12 مدمقابل بھیجے ہیں۔ کچھ سال ایسے تھے جب تنظیم نظام الاوقات کے تنازعات کی وجہ سے مندوبین نہیں بھیج سکتی تھی، کیوں کہ مس پاکستان ورلڈ کی تاج پوشی کی تقریب مس ارتھ کے مقابلے کے ساتھ ہوئی تھی۔
افسوس کی بات ہے کہ پاکستان 2007، 2010، 2013، 2015، 2018، 2019 اور 2021 میں اپنے نمائندوں کو میدان میں اتارنے میں ناکام رہا۔ بہر حال، ان وقفے وقفے کے باوجود مس ارتھ پاکستان نے کامیابی سے بین الاقوامی مقابلے میں شرکت کے 12 سال مکمل کر لیے۔
31 اکتوبر 2015 کو، پہلی لڑکی جو مخلوط نسل کی تھی، مس پاکستان ورلڈ کا تاج پہنایا گیا، انزیلیکا طاہر جو مس ارتھ 2016 میں حصہ لینے گئی تھیں۔
2020 میں، عریج چوہدری مس ارتھ 2020 میں مقابلہ کرنے کے لیے پاکستان کی سرزمین سے براہ راست حصہ لینے والی پہلی مس ارتھ پاکستان بن گئیں۔ اس سے قبل امیدوار لڑکیاں تھیں جو پاکستان سے پیدا ہوئیں اور اوورسیز پاکستانی کمیونٹی کا حصہ تھیں۔ 2023 میں، ڈاکٹر کپوتاخی چنچل جنہیں مس پاکستان یونیورسل 2023 کا تاج پہنایا گیا تھا وہ کراچی ، پاکستان سے مس ارتھ 2023 میں حصہ لینے والی دوسری لڑکی بن گئیں۔
مس ارتھ مقابلے میں پاکستانی نمائندوں کی فہرست درج ذیل ہے۔
گیلری
یکم دسمبر 2019 کو، مس ارتھ پاکستان 2012 ایک کار حادثے میں انتقال کر گئیں۔ تقریباً 11:40 بجے اتوار یکم دسمبر 2019 کی شام، میری لینڈ کے انٹر کاؤنٹی کنیکٹر پر ایک المناک واقعہ پیش آیا جس میں زینب نوید، کی عمر 32 سال تھی نوید ایک 2018 مرسڈیز CL2 چلا رہی تھی جب وہ مشرق کی طرف جا رہی تھی جب وہ روٹ 1 کی طرف جانے والے ایک گھماؤ کے قریب پہنچی۔ افسوس کے ساتھ، اس کی گاڑی ایک کرب سے ٹکرا گئی، جس کے نتیجے میں وہ الٹ گئی۔ افسوسناک طور پر، نوید کو گاڑی سے باہر نکال دیا گیا اور وہ جائے وقوعہ پر ہی زخموں کی تاب نہ لاتے ہوئے چل بسا۔ ابتدائی تحقیقات کی بنیاد پر، اس بات کا تعین کیا گیا ہے کہ الکحل حادثے میں معاون عنصر نہیں تھا۔ یہ نوٹ کرنا ضروری ہے کہ واقعہ کے وقت نوید گاڑی میں واحد سوار تھا۔
سانچہ:Miss Earth titleholders
جمال

جمال کسی بھی شخص، جانور، مقام، شے یا خیال کی وہ خصوصیت ہے جو مشاہدہ کرنے والے کو خوشی اور سکون پہنچائے اور اہمیت (ذاتی و معاشرتی) بڑھائے اور طمانیت کا احساس دلائے۔ جمال کو سماجیات، معاشرت، سماجی نفسیات اور تہذیب کے مضامین کا حصہ سمجھا جاتا ہے۔
دیوی

کثرت پرستی میں دیوی ایک مؤنث معبود ہے۔ ان کو خالص شکل میں دیوی بنانے کے لیے ان میں اکثر نسائی خصوصیات ہوتی ہیں۔ تاہم، بعض صورتوں میں دیویاں مرد اور عورت دونوں خصوصیات رکھتی ہیں (جیسے سوفیہ) یا وہ روایتی طور پر مرد جنس بھی رکھتی تھیں (جیسے آرتمیس)۔ دیویوں کو خاص طور پر خوبصورتی، محبت، مادریت اور زرخیزی جیسی خصوصیت سے منسلک کیا جاتا ہے۔
بانڈ گرل

بانڈ گرل (انگریزی: Bond girl) وہ کردار ہے جو کسی ناول، فلم یا ویڈیو گیم میں جیمز بانڈ کی رومانی محبت یا خاتون ساتھی ہے۔ بانڈ گرل کس قسم کی فرد ہوگی یا وہ کیا کردار ادا کرے گی اس پر کوئی مقررہ اصول نہیں ہے۔ وہ بانڈ کی حلیف یا دشمن ہو سکتی ہے، مشن کے لیے اہم ہو سکتی ہے یا صرف اس کی خوبصورتی کے لیے اہمیت رکھتی ہے۔
Nand Singh

Jemadar Nand Singh, VC, MVC (24 September 1914 – 12 December 1947) was an Indian recipient of the Victoria Cross, the highest and most prestigious award for gallantry in the face of the enemy that can be awarded to British and Commonwealth forces and he was posthumously awarded the Maha Vir Chakra (MVC), the second-highest Indian decoration for battlefield gallantry. This makes Nand Singh unique in the annals of VC winners.
He was 29 years old, and an Acting Naik in the 1/11th Sikh Regiment, in the Indian Army during World War II when the following deed took place for which he was awarded the VC.
On 11/12 March 1944 on the Maungdaw-Buthidaung Road, Burma (now Myanmar), Naik Nand Singh, commanding a leading section of the attack, was ordered to recapture a position gained by the enemy. He led his section up a very steep knife-edged ridge under very heavy machine-gun and rifle fire and although wounded in the thigh, captured the first trench. He then crawled forward alone and, wounded again in the face and shoulder, nevertheless captured the second and third trenches.
He later achieved the rank of Jemadar in the post-independence Indian Army, and his unit 1 Sikh was the first to be involved in the Jammu & Kashmir Operations or Indo-Pakistani War of 1947 which began in October 1947 as Indian troops went into action to repel a planned invasion of J&K by raiders from Pakistan.
On 12 December 1947 Nand Singh led his platoon of D Coy in a desperate but successful attack to extricate his battalion from an ambush in the hills SE of Uri in Kashmir. He was mortally injured by a close-quarters machine-gun burst, and posthumously awarded the Maha Vir Chakra (MVC), the second-highest Indian decoration for battlefield gallantry. This makes Nand Singh unique in the annals of VC winners.
The Pakistanis recognised Jemadar Nand Singh because of his VC ribbon. His body was taken Muzaffarabad where it was tied spreadeagled on a truck and paraded through the city with a loudspeaker proclaiming that this would be the fate of every Indian VC. The soldier's body was later thrown into a garbage dump, and was never recovered.
The Victoria Cross citation reads as follows:
The citation for the Maha Vir Chakra reads as follows:
Nand Singh belonged to Village Bahadurpur now in Mansa district, Punjab. The nearest town to his village is Bareta, where a local bus stand is named as Shaheed Nand Singh Viktoria Bus Stand. A statue in Bathinda (locally known as Fauji Chowk) stands as a memorial.
Doodh pati chai

Doodh pati chai (from Hindi दूध पत्ति चाय and Urdu دودھ پتی چائے 'milk leaf tea') is a tea beverage, originating from the Indian subcontinent, consumed in India, Pakistan, Bangladesh, Afghanistan and Nepal in which milk, together with sugar, is boiled with tea. Doodh pati is different from saada chai, in that it only uses milk (as opposed to water) and tea. This tea is quite common in South Asia. It is marginally costlier than the regular, water-based saada chai.
In many Indo-Aryan languages, chai or cha is the word for tea. This comes from the Persian چای (chay), which originated from the Chinese word for tea (茶; chá). Doodh means milk and pati means leaf. Therefore, the term, Doodh pati chai literally means milk leaf tea.
One preparation method is to add full cream milk to a pot and leaving it to a boil along with various spices such as green cardamom, ginger, black cardamom, cinnamon, black peppercorns, black cloves, fennel seeds, nutmeg, dried ginger powder, as well as saffron in the upper to middle classes. Once the milk and spices come to a boil, tea is added to it. The mixture is then left to brew. Sugar is often added as per one's taste. After mixing thoroughly on low heat, a tea strainer is used before serving the chai. It is usually poured into cups but some prefer to drink it the old fashioned way, from the edge of a saucer.
Doodh pati is famously consumed in northern India and Pakistan, where it is boiled along with cardamom, ginger and many other whole spices listed above. Typically, it is available at roadside dhabas and chaiwalas at street corners, but is most commonly prepared at home, though less so than its water based alternative. It is mainly consumed in North India and Pakistan, though it is also consumed occasionally in Nepal and Bangladesh and has spread even to the Middle East due to its popularity.
Doodh pati is also often served at roadside Dhabas and Chaiwalas all over South Asia. It is also consumed during leisure time after a hectic day.
Osterbrunnen

The Osterbrunnen (Easter Well or Easter Fountain) is a German tradition of decorating public wells or fountains with Easter eggs for Easter. It began in the early 20th century in the Franconian Switzerland region of Upper Franconia but has spread to other regions. The decoration is usually kept from Good Friday until two weeks after Easter.
Decorating a well for Easter honours water, essential for life, and Easter, the feast of renewed life. In addition to eggs (now often artificial, to guard against vandalism), paper ribbons called "Pensala" and garlands of evergreens are woven around well-heads or formed into crowns over them. In several locations flowers are also used.
Franconian Switzerland (German: Fränkische Schweiz), so called for its rugged rock outcroppings, lies in the region of Upper Franconia in northern Bavaria. The tradition of Osterbrunnen began there in the early 20th century. The Osterbrunnen in Aufseß is said to have been first decorated around 1909; that in the village of Engelhardsberg has been dressed since 1913. After World War II, public wells became less important, reducing the amount of decoration. However, beginning in 1952, Dr. Kunstmann and his wife, of Nuremberg, worked to revive the tradition in Franconian Switzerland. During the 1980s the idea spread to other parts of Upper Franconia. The decorated wells became a tourist attraction; the wells in Heiligenstadt and Bieberbach are destinations for bus tours from cities such as Munich and Dresden. Heiligenstadt is visited by some 80 buses a day. The fountain in Bieberbach was listed in 2001 in the Guinness World Records for 11,108 hand-painted eggshells.
The tradition of the Osterbrunnen has also spread outside Franconia to Hesse and to the Steigerwald, to the valley of the Altmühl, to Saxony, to the Palatinate, to the Saarland and to Swabia.
There was an old tradition throughout Germany of drawing water in silence at Easter for purification and medical treatment, which was sometimes referred to as Osterbrunnen. Wells were cleaned and decorated with garlands and sometimes eggs in May, a tradition which survived relatively late in the 19th century in Bacharach. Other dates for well decorating included Pentecost in southern Thuringia and Midsummer in Fulda; it took place at Easter in Bohemia. Nineteenth-century writers, particularly Karl Weinhold, suggested that these traditions of well cleaning and decorating were remnants of pre-Christian practices. In work first published in 1987, Claudia Schillinger has argued for a Wendish origin of the decoration of wells in Franconia.