davidanugraha/M4-RAG huggingface dataset:
Hermanos Gutiérrez

Hermanos Gutiérrez (Spanish for "Gutiérrez Brothers") is a Latin instrumental band formed in 2015 in Zürich by Ecuadorian-Swiss brothers Alejandro Gutiérrez (guitar and lap steel) and Estevan Gutiérrez (guitar and percussion). In 2022, the US label Easy Eye Sound released the band's fifth album, El Bueno y el Malo.
Alejandro and Estevan Gutiérrez, two of four siblings, were raised by an Ecuadorian mother and a Swiss father in Switzerland, and often visited family in Playas, Ecuador. Around age nine, Estevan learned to play classical guitar in Latin styles such as milonga and salsa, and as a surfer was later inspired by surf rocker Jack Johnson. Alejandro, who is eight years younger, taught himself guitar by watching tutorial videos on YouTube. The Hermanos Gutiérrez band traces its origins to a jam session in Alejandro's apartment in Zürich during a visit from Estevan in 2015.
The band's first three albums (8 Años, El Camino de mi Alma, and Hoy Como Ayer) drew broadly from the world of Latin music. A visit to Mexico and the Southwest US in February 2020 inspired their fourth album, Hijos del Sol, which incorporated more Western sounds. An eight-minute music video for the title track came out in advance of the album's release on 25 September 2020.
El Bueno y el Malo, the band's first non-indie project, was recorded in Nashville in collaboration with Dan Auerbach of the Black Keys and released by his label Easy Eye Sound on 28 October 2022. The album (and its title) were inspired by Ennio Morricone's The Good, the Bad and the Ugly soundtrack. The album was critically acclaimed and has been described as mentally transporting listeners to Spaghetti Western landscapes. Songs from El Bueno y el Malo comprised Hermanos Gutiérrez's set list in an NPR Tiny Desk Concert in January 2023. That year, Auerbach was nominated for the Grammy Award for Non-Classical Producer of the Year in part for his work with Hermanos Gutiérrez.
The band's genre has evolved into a mix of Latin and Western music. Rolling Stone describes the band's "minimal approach to their instrumental guitar music ... It's music that sings without needing a singer, that's lyrical without needing words". The Santa Fe New Mexican writes that the band's songs "alternate between shuffling and brooding, spooky and solitary".
Alejandro Gutiérrez plays electric guitar and lap steel guitar, while Estevan Gutiérrez plays electric guitar and percussion (bongos, maracas, etc.). The brothers have described having a musical chemistry such that they are able to compose together without needing to talk; NPR writes, "They weave intricate guitar lines over each other that intertwine to the point that if you close your eyes you can't tell where one begins and the other ends". Of their proficiency with "rhythm and timing", Auerbach has jokingly commented, "They are Swiss".
Early influences include Julio Jaramillo; later influences include film composers such as Ennio Morricone and Gustavo Santaolalla.
Olga Gutiérrez

Olga Gutiérrez Iraolagoite (1928 – March 10, 2015) was an Argentine-Ecuadorian pasillo singer.
Olga Gutiérrez was born in Quimilí, Santiago del Estero, Argentina in 1928. Her father was a rancher. Since she was little she had a relationship with singing, as her grandfather and uncles used to sing and play musical instruments on weekends. She was two years old when she climbed onto a stage to sing in her hometown for the first time.
At 18, Gutiérrez began to sing professionally, performing at a cafe for two weeks, then traveling to Brazil and later to Venezuela, touring several countries in South America giving concerts. She arrived in Ecuador in 1962, hired by the government of Carlos Julio Arosemena Monroy, where she sang in honor of Prince Philip, husband of Queen Elizabeth II. However she was interested in traveling to Mexico to make movies with Tony Aguilar. She became friends with the trio Los Latinos del Andes, made up of Eduardo Erazo, Héctor Jaramillo [es], and Homero Hidrovo.
She recorded with the Managua Symphony Orchestra, then traveled to Panama after Eduardo Erazo told her that he was working for free with Los Latinos del Andes, and took them to Managua where they recorded their songs. Then she took them to Mexico where they formed the group Los Brillantes, worked for 1 year, and then toured Venezuela and Panama. She remained with the group during the 1960s and 70s, with performances in New York, Bogotá, Mexico City, and San José, Costa Rica. They recorded several albums, with songs like "Horas de pasión", "Te digo corazón", "Esta pena mía", and "Vasija de barro". Later Gutiérrez returned to Ecuador as a soloist, and with the help of Ernesto Albán, held concerts in various towns in the country. She became a nationalized Ecuadorian in 2004, due to her permanence as a resident in the country and her enjoyment of working together with Albán and the national musical form (pasillo). She also formed a duo with Kiko González called Olga and Kiko, touring in the United States and Europe.
In 1966 she represented Ecuador at the Festival of Music and Song, in Hollywood, where she won the Palma de Mallorca.
She had a relationship with Héctor Jaramillo and was married to Kiko González for 39 years.
In 2003, she was diagnosed with diabetes, and due to this, her right leg was amputated in 2008. In 2005, she was named National Music Ambassador and awarded the Rosa Campuzano prize. On October 14, 2010, she was named Ecuadorian Pasillo Queen by the cultural group Los Trovadores. In 2011 she appeared with Juan Fernando Velasco, where he played her song "Acuérdate de mi". Olga Gutiérrez died on March 10, 2015, at the Hospital del Seguro in Guayaquil, due to pulmonary edema and bronchopneumonia, complications caused by the diabetes she had had for more than a decade.
Fresia Saavedra

Fresia Raquel Saavedra Gómez (8 September 1933 – 18 July 2024) was an Ecuadorian teacher and singer-songwriter. She was well known for her song "El ladrón" and for being politically and culturally active in Guayaquil through her music. In UNESCO's representative list of pasillo singing, it includes a video of a lesson by Saavedra. Pasillo was included in the Intangible Cultural Heritage of Humanity in 2021.
Fresia Raquel Saavedra Gómez was born in the city of Guayaquil on 8 September 1933. Her parents were Susana Gómez and Julio Saavedra. Her father, a violinist, took her at age five to sing at a radio station. In 1945, by the time Saavedra was twelve she was being paid monthly by Radio Cóndor to sing.
Saavedra composed tunes using a recorder. There are over three dozen, with "El ladrón" ("The Thief") being one of the best-known.
Saavedra made her first recording, Amor Perdido, then went on to record with Blanca Palomeque under the name Las Porteñitas. The well-known singer Julio Jaramillo recorded his first songs as duets with her. She was also known for writing marches for political figures to use during elections. She wrote campaign songs for several, including Abdalá Bucaram, Sixto Durán Ballén and José María Velasco Ibarra.
In 2013, when she was eighty, a musical celebration was held in her honour at the Teatro Centro de Arte (Art Center Theater), and when she got up to sing, the audience also stood to honor her. She said she had lost count of how many songs she had recorded. She had retired from teaching in school, but she was still helping aspiring singers at the Escuela del Pasillo, which is part of the Julio Jaramillo Music Museum.
In August 2015 her career was recognised when she was given a medal by Ecuador's Ministry of Culture together with Guillermo Rodríguez. Eduardo Miño, Danilo Miño, Consuelo Vargas, Sofocles Coello, Eduardo Morales, Victor Galarza and Naldo Campos.
In 2018 she and her daughter sang at the Museum de Pasillo in Quito, where people had gathered to recognise the 87-year-old singer Héctor Jaramillo [es].
UNESCO's representative list of pasillo singing includes a video of a lesson by Saacedra. Pasillo was included in the Intangible Cultural Heritage of Humanity in 2021.
Saavedra gave her final performance in February 2024 at the Galápagos Islands.
Saavedra married Washington Murillo, and in 1951 her daughter Hilda Murillo was born. When Hilda was seven she was singing with the Orquesta América and when she was nine she and her mother were singing duets.
In June 2024, Saavedra was hospitalised in Guayaquil after suffering a fall. She was later diagnosed with pneumonia and soon became comatose. She died from kidney and liver failure on 18 July 2024, at the age of 90. She also had diabetes and cirrhosis at the time of her death.
Luis Humberto Salgado

Luis Humberto Salgado (1903 Cayambe – 1977 Quito) was an Ecuadorian composer. He was regarded as one of the most influential and prolific composers of his country.
He was taught by his father, the composer Francisco Salgado, a former student of the Italian composer Domenico Brescia (who championed nationalism in Chile and Ecuador before permanently settling down in the USA). During the 1920s, Salgado made a living as a pianist for silent films in Quito. He later he worked as a critic, teacher, and choir and orchestra conductor; he also was director of the National Conservatory of Music in Quito.
In his essay Música vernácula ecuatoriana (Microestudio), published in 1952 in Casa de la Cultura Ecuatoriana, he expresses his thoughts about the creation of a national form. For example, he replaced the classical symphonic pattern (Allegro - Larghetto - Allegretto Scherzo - Allegro Vivace) with a sequence of Ecuadorian folk dances:
Though only two of his operas are mentioned in most music literature, he composed another two, together with nine symphonies, several concertos, several ballets. He was both a nationalist and a modernist composer. As early as 1944, he wrote Sanjuanito Futurista for piano, using the rhythm of a traditional Ecuadorian dance within the dodecaphonic writing style. He was in his early forties when he started experimenting with new techniques but was not acknowledged as a modernist until later in his life.
Souvenir de l'Amérique du Sud (CD) (piano, Marcelo Ortiz, works by: Gerardo Guevara, Sixto María Durán and Miguel Ángel Casares)
Chicago Musical Instruments

Chicago Musical Instruments Co. (CMI), later known as Norlin Music, was a manufacturer and distributor of musical instruments, accessories, and equipment, which at times had controlling interests in Gibson Guitars (1944 to 1969), Standel, Lowrey, F. E. Olds & Son (brass instruments), William Lewis & Son Co. (stringed instruments), Krauth & Beninghoften, L.D. Heater Music Company, Epiphone Guitars, Selmer UK, Moog, and other musical instrument brands. In the mid-1970s, the company was the largest manufacturer of musical instruments in the United States.
Originally founded by Maurice H. Berlin in April, 1920 as Martin Band Instrument Company of Chicago, the company changed its name to Chicago Musical Instrument Co. three years later.
In 1944, CMI took over controlling interests and marketing of the Gibson Guitar Company, then known as Gibson Inc. CMI expanded Gibson's Kalamazoo, MI, plant at 225 Parsons Street by 15,000 square feet in 1945, and changed the logo on Gibson headstocks in 1947. In 1949 CMI appointed as president of Gibson Ted McCarty, who would lead Gibson until 1966, overseeing many classic Gibson guitar designs, such as the Les Paul, the ES-335, the SG, and others.
Shortly after World War II ended and U.S. restrictions on the manufacture of musical instruments were lifted, CMI acquired brasswind manufacturer F. E. Olds & Son.
In 1955, CMI acquired Lowrey Organ Company.
CMI acquired Epiphone Guitars, a former competitor of Gibson's, in 1957. The Epiphone name brand came to be used largely for marketing budget versions of classic Gibson designs, originally made in the Kalamazoo plant but since the 1970s in Asia.
Guitar effects were produced under the Maestro brand, beginning with the FZ-1 Fuzz-Tone in 1962, and later including the Tom Oberheim-designed RM-1A Ring Modulator and PS-1 Phase Shifter.
In 1964, CMI purchased brass instrument manufacturer F.A. Reynolds Company and merged the F.A. Reynolds and F.E. Olds production lines.
In 1969 Ecuadorian Company Limited (ECL), a Panama-based holding company, acquired a majority of CMI shares, and the two companies merged in July of that year. ECL was renamed Norlin Corporation (a portmanteau of the names Norton Stevens of ECL and Arnold Berlin of CMI; Stevens and Berlin were friends and classmates at the Harvard Business School).
In 1973, Norlin purchased Moog Music. That year, with annual sales of more than $120 million, Norlin was the largest seller of musical instruments in the US, with the Norlin Music division accounting for more than two-thirds of Norlin Corporation's total sales at the time.
In January 1984, Norlin became the target of a hostile takeover, and sold off Lowrey Organ in October of that year, followed by Gibson in early 1986.
Octavina

The octavina or Ecuadorian-Peruvian octavina is a guitar-shaped Ecuadorian-Peruvian instrument with a tuning similar to the laúd. Originally a Spanish instrument, the octavina was soon incorporated into other cultures, notably including culture of Ecuador and culture of Peru.
With the large Spanish influence on Lima-Quito culture from the 16th to the 19th century, many traditional Spanish instruments became incorporated into local music, and after passed time, have evolved into entirely unique instruments. The Spanish precursor to the octavina may have been the smaller-bodied, 12 string Bandurria-like instrument called the "Octavilla", although its use was not as prominent or popular. The name as translated in all versions of the instrument has the prefix of octa- which refers to the tuning of each set of double strings.
Today it is most commonly found in the local variant of the rondalla, a hispanic string orchestra.
The Octavina has a set of 14 strings ( in 6 courses: 6th-single, 5th-double, 4th-double, 3rd-triple, 2nd-triple and 1st-triple. It is numbered starting from the bottom. It is tuned similarly to that of the bandurria, but one octave lower, giving:
Formed like a guitar with in most cases, a figure eight-shaped body and a round sound hole, the Octavina has a shorter neck, often with only 16 frets, though some octavinas may have 18 to 20 frets, like its close relative, the laúd. The instrument is played like the laúd plays, the lower notes in accompaniments and in unison with the bass notes.
Bandolin

The bandolin is a 15-stringed musical instrument in Ecuador. It is used as a rhythm and melody instrument in the Andean region of Ecuador during festivals where dancing and music are involved. It has a flat back and 15 strings in triple courses.
In the Andean region of Ecuador, the bandolin is used during the celebration of the feasts of San Juan and San Pedro, along with several other instruments including: twin flutes, guitars, violins, quenas, a drum, a charango, a rondador, and a harmonica. The music and dance that characterize the festival is called a sanjuanito. The bandolines and the guitars mark the 2/4 tempo of the sanjuanito rhythm, which is accentuated by the bombo, and the quenas, rondador, and violins carry the melody.
The body shape of the bandolin is similar to that of the bandola, the cuatro, or the guitar, with the caveat that, just as in the case of the mentioned instruments, luthiers who produce bandolins will incorporate into their personal designs changes to the body shape for a variety of reasons. It has 15 strings, in five courses of triple strings, in a Baritone guitar-tuning (but an Octave up). It has a flat back, metal frets, and a slightly raised fingerboard in the front. The 15 strings run over a floating bridge to a metal tailpiece on the end of the body.
It is tuned E4 E3 E4, A4 A3 A4, D4 D4 D4, F#4 F#4 F#4, B4 B4 B4 or E4 E3 E4, A4 A3 A4, D4 D4 D4, G#4 G#4 G#4, B4 B4 B4.
Efecto Pasillo

Efecto Pasillo is a Spanish alternative rock/pop rock band formed in the Canary Islands. Their music also includes elements of funk and Latin sounds.
Efecto Pasillo started as a band in 2007, winning a music band competition. After that they recorded their first demo, En el aire, which was played on several local radio stations. Music producer Tato Latorre traveled from Barcelona to the Canary Islands to listen to them live in a concert, and he was so impressed that he took the band under his wing.
In early 2010 they launched Efecto Pasillo, their self-titled debut album. Their debut single, Chacho, made them famous at a national level, to the point they were hand-picked by Hombres G as the opening act for their national tour. This turned Efecto Pasillo into one of the most important bands in the Canary Islands.
By that time the band had already landed deals with label Vicious Records and promoting agency M2 Music Group. Also on 2010 they won the "Breakout Band of the Year" award in Gran Canaria.
Thanks to the success of Chacho, they toured Spain playing live on national televisions such as Televisión Española, Antena 3, laSexta or Televisió de Catalunya. Antena 3 also picked their track Pan y mantequilla as the "song of the summer" in 2012. This song was the first single of their next album, El misterioso caso de...
Pan y mantequilla landed the band their first two nominations at Los Premios 40 Principales, being contenders to Best Spanish New Artist and Best Spanish Song, which they ultimately lost out to Auryn and Pablo Alborán, respectively. They would also get a shot at the Best Spanish Album award in the 2013 edition, losing again to Alborán.
Estadio de la Liga Deportiva Cantonal de Otavalo

El estadio de la Liga Deportiva Cantonal de Otavalo es un estadio multiusos. Está ubicado en la ciudad de Otavalo, provincia de Imbabura. Fue inaugurado el 31 de diciembre de 2006. Es usado para la práctica del fútbol y tiene capacidad para 2700 espectadores, 350 en tribuna, 700 en preferencia y 1650 en generales.
El estadio ha desempeñado un importante papel en el fútbol local, ya que los clubes otavaleños como el Club Deportivo Otavalo hacen de local en este escenario deportivo, que participan en la Segunda Categoría de Ecuador.
El estadio es sede de distintos eventos deportivos a nivel local, ya que también es usado para los campeonatos escolares de fútbol​ que se desarrollan en la ciudad en las distintas categorías, también puede ser usado para eventos​ culturales, artísticos, musicales de la localidad.
El estadio tiene instalaciones modernas con camerinos para árbitros, equipos local y visitante, zona de calentamiento, cabinas de prensa, y muchas más comodidades para los aficionados.
Además el recinto deportivo es sede de:
El estadio también ha servido de sede para los Juegos Nacionales Deportivos en la rama del fútbol en el año 2012,​ también se realizó aquí la ceremonia de apertura de dichos Juegos Juveniles, todos los partidos de fútbol se realizaron sobre el césped del estadio de la Liga Cantonal de Otavalo.
Mariusz Ziółkowski

Mariusz Szczęsny Ziółkowski (born October 20, 1953, in Warsaw) – Polish archaeologist, professor of humanities, professor at the University of Warsaw, head of the Pre-Columbian Research Center, and associate professor at the Catholic University of Santa María in Arequipa, Peru.
From 1972 to 1977, he studied archaeology and art history at the University of Warsaw. In 1974, he obtained the Diplôme des Hautes Etudes de Langue et Civilisation Françaises in Paris, and in 1986, he defended his doctoral thesis entitled Pachap unanchan: el calendario metropolitano del Imperio Inka at his alma mater. In 1997, he obtained habilitation for his work on Studium La guerra de los wawquis: Los mecanismos y los objetivos de la rivalidad dentro de la élite inca, s. XV – XVI.
Mariusz Ziółkowski's main research topics include archaeoastronomy, the archaeology and ethnohistory of the Incas, and the methodology and application of absolute dating. He is the author or co-author of 70 scientific papers.
In 1998, he received the Peruvian Order of Merit for Distinguished Service in the rank of officer. In 2023, he was awarded the Golden Medal "Meritorious for Polish Science Sapientia et Veritas".
Oriana Wichrowska and Mariusz Ziółkowski: Iconografía de los Keros de la colección del Museum fur Völkerkunde de Berlin, Boletín de la Misión Arqueológica Andina, vol. 4, Warsaw 2000
Media related to Mariusz Ziółkowski at Wikimedia Commons
مہ لقا جام بزرگ

مہ لقا جام بزرگ (پیدائش 16 اگست 1991 ہمدان میں ) ایک ایرانی خاتون شوٹر ہے جس نے ٹیم ایئر رائفل میں گوانگ ژو ایشین گیمز میں 10 میٹر میں چاندی کا تمغا جیتا تھا اور 50 میٹر کے مقابلوں میں تین کانسی کے تمغے جیتے تھے۔
مہ لقا جام بزرگ ایرانی خاتون اولین کھلاڑی ہیں جو لندن اولمپک کا حصہ تھی۔ وہ پہلی ایرانی خاتون بھی ہیں جنھوں نے 10 میٹر کے فاصلے سے ائیر رائفلز میں حصہ لیا۔ میونخ کی میزبانی میں منعقدہ 2010 کے عالمی چیمپیئن شپ میں ، اس نے پہلی بار فائنل میں جگہ بنالی اور ایران اولمپک کوٹہ حاصل کرکے دنیا میں پانچویں نمبر پر رہا۔ کھیلوں میں ، انھیں 391 پوائنٹس اور 43 ویں پوزیشن کے ساتھ مقابلہ سے ہٹا دیا گیا۔ اس نے دہلی میں 2016 کے ایشین چیمپیئن شپ میں بھی چاندی کا تمغا جیتا تھا اور ریو 2016 اولمپکس میں شرکت کے لیے اجازت نامہ حاصل کیا تھا۔ زہرہ ہاشمی ووشو کار کے ساتھ ، وہ واحد قومی ٹیم کی کھلاڑی ہیں جنھوں نے ایرانی خواتین کی قومی ٹیم کا چادر پہنا ہوا ہے۔ ان کے حجاب کی 1991 میں ایرانی رہنما نے تعریف کی تھی۔
ساجد خان (ہدایت کار)

ساجد کامران خان (پیدائش 23 نومبر 1970ء) ایک بھارتی فلم ساز، اسکرپٹ نگار، ٹاک شو میزبان، پریزنٹر اور اداکار ہے۔
ساجد خان کی پیدائش ممبئی، مہاراشٹر میں ہوئی، وہ سابق ہدایت کار اور فلم ساز کامران خان اور مینیکا خان ایرانی اس کے والدین ہیں، منیکا نے کامران خان سے طلاق لے لی تھی۔ اس کی ایک بہن، فرح خان ہے، جو کوریوگرافر، ہدایت کارہ، پروڈوسر اور اداکارہ ہے۔ فوح نے شریش کندر سے شادی کی ہے، وہ بھی پروڈوسر، ایڈیٹر اور فلم ہدایت کار ہے۔ ساجد خانکے فلمی صنعت سے جڑے دیگر افراد سے بھی تعلق ہے: سابقہ اداکارہ ہنی ایرانی اور ڈیزی ایرانی اس کی ماں کی بہنیں (ماسیاں) اور فلم ساز فرحان اختر اور زویا اختر خالہ زاد ہیں۔
خان نے پرائمری اسکول کی تعلیم مانکجی کوپر اسکول ممبئی سے اور مٹھی بائی کالج سے گریجویٹ کیا۔
ساجد خان نے سب سے پہلے 1995ء میں ایک ٹیلی ویژن شو میں بھی ڈیٹکیو کی میزبانی سے آغاز کیا۔ 1996ء میں ایک موسیقی کاؤنٹ ڈاؤن شو کی میزبانی کی۔ اس شو کا اندراج لمکا بک آف ریکارڈ میں، کسی بھی موسیقی کاؤنٹ ڈاؤن شو کا طویل عرصے تک ایک ہی میزبان کی میزبانی میں جاری رہنے کی وجہ سے کیا گیا۔
کہنے میں کیا حرج ہے میں اس نے تہرا کردار ادا کیا، اس شو کی 1997–2001ء تک 200 قسطیں نشر ہوئیں۔ اس نے ایک انفرادی مزاحیہ شو ساجد نمبر 1 1990ء کی دہائی میں کیا۔ اس کے بعد اگلا شو سوپر سیل 2005ء میں کیا۔ 2008ء میں، ساجد کے سوپر اسٹار اور انڈینز گاٹ ٹیلنٹ سیزن 2 میں جج کے طور پر شریک ہوا۔
ساجد خان نے 2006ء میں ڈرنا ضروری ہے کی ہدایت کاری سے کام شروع کیا۔ اس کی چھ قسطیں تھیں، جن میں سے صرف ایک کی ساجد خان نے ہدایت کاری کی۔ 2007ء میں ہے بے بی پہلی مکمل فلم تھی جو ساجد خان کی ہدایت کاری میں بنی، اس کے بعد ہاؤس فل 2010ء میں اور ہاؤس فل 2 2012ء میں ساجد خان کی ہدایت کاری میں بنیں اور تینون فلمیں کامیاب رئیں۔ 2013ء میں ہمت والا اور 2014ء میں ہم شکل بنائیں جو دونوں فلاپ ہوئیں۔
زرامیرابراہیمی

زہرا امیر ابراہیمی ( فارسی: زهرا اميرابراهيمی‎ ; پیدائش 9 جولائی 1981ء) پیشہ ورانہ طور پر زر امیر ابراہیمی ( زر امیرابراهیمی کے نام سے مشہور )، ایک ایرانی-فرانسیسی اداکارہ، پروڈیوسر اور ڈائریکٹر ہیں۔ وہ جرم رومانچک ہولی اسپائیڈر (2022ء) میں صحافی آریزو رحیمی کے طور پر اپنی اداکاری کے لیے مشہور ہیں، جس کے لیے انھوں نے 2022ء کے کانز فلم تہوار میں بہترین اداکارہ کا اعزاز جیتا تھا۔ وہ بی بی سی کی پروڈیوسر اور میزبان بھی ہیں اور بی بی سی عالمی کی فارسی شاخ کے ثقافتی پروگرام کی نگرانی کرتی ہیں۔
2022ء میں، امیر ابراہیمی بی بی سی کی 100 خواتین کی فہرست میں سال کی دنیا کی متاثر کن اور بااثر خواتین میں سے ایک کے طور پر نمودار ہوئیں۔
زہرہ امیر ابراہیمی 9 جولائی 1981ء کو تہران، ایران میں پیدا ہوئیں۔ اس نے جامعہ آزاد سے تھیٹر کی تعلیم حاصل کی اور مختصر فلمیں بنا کر اپنے پیشہ ورانہ زندگی کا آغاز کیا۔
وہ فارسی، پشتو، انگریزی اور فرانسیسی روانی سے بولتی ہیں اور بنیادی عربی، جرمن اور اطالوی جانتی ہیں۔
2022ء میں، امیر ابراہیمی نے بی بی سی ورلڈ سروس کی دستاویزی فلم پورٹریٹ آف ویمن ان ایرانی سنیما میں ہدایت کاری، پروڈیوس اور میزبانی بھی کی۔
امیر ابراہیمی نے علی عباسی کی تنقیدی طور پر سراہی جانے والی سنسنی خیز فلم ہولی اسپائیڈر (2022ء) میں بھی کام کیا، جو سعید حنائی کی سچی کہانی سے متاثر ہے، ایک رنگین سیریل جس نے 2000ء سے 2001ء تک ایران میں جنسی کارکنوں کو نشانہ بنایا اور 16 خواتین کو قتل کیا، جس میں اس نے صحافی کا کردار ادا کیا۔ آریزو رحیمی اور 2022ء کانز فلم تہوار میں بہترین اداکارہ کا اعزاز جیتا، یہ اعزاز جیتنے والی پہلی ایرانی اداکارہ بنیں۔ اس کی کارکردگی نے بڑے پیمانے پر تنقیدی تعریف حاصل کی۔ مختلف قسم کے نقاد، کلیٹن ڈیوس نے کہا کہ "دونوں مرکزی اداکار (امیر ابراہیمی اور مہدی بجستانی ) اکیڈمی کی توجہ کے لائق ہیں"۔ اس نے 2022ء سیویل یورپی فلم تہوار، اور 2023ء رابرٹ اعزازات میں بہترین اداکارہ کا اعزاز جیتا تھا۔ امیر ابراہیمی نے اپنی اداکاری کے لیے 35ویں یورپی فلم اعزازات میں بہترین اداکارہ کی نامزدگی حاصل کی۔ اس نے فلم میں بطور ہدایت کار اور ایسوسی ایٹ پروڈیوسر کے طور پر بھی کام کیا، جسے 95 ویں اکیڈمی اعزازات میں بہترین بین الاقوامی فیچر فلم کے لیے ڈنمارک کی انٹری کے طور پر منتخب کیا گیا۔
دسمبر 2022ء میں، امیر ابراہیمی بی بی سی کی 100 خواتین کی فہرست میں سال کی دنیا کی متاثر کن اور بااثر خواتین میں سے ایک کے طور پر نمودار ہوئیں۔
امیر ابراہیمی نے ستمبر 2022ء میں حکومتی معیارات کے مطابق حجاب نہ پہننے پر ایرانی گشت ارشاد کی جانب سے گرفتار کیے جانے کے بعد مشتبہ حالات میں مہسا امینی کی موت کے بعد ایرانی خواتین کی قیادت میں ہونے والے مظاہروں کی عوامی سطح پر حمایت کی ہے اور اکثر اپنی سماجی رابطے کی ویب گاہ پر یہ خبریں شیئر کرتی رہتی ہیں۔ مظاہروں کے بارے میں اور لوگ ایرانی خواتین کی مدد کیسے کر سکتے ہیں۔
Kiran Nadar

Kiran Shiv Nadar (born 1951) is an Indian art collector and philanthropist. Nadar is the wife of Shiv Nadar, the founder of HCL Technologies, and is a trustee of the Shiv Nadar Foundation and the founder of the Kiran Nadar Museum of Art. She won a bronze medal representing India in the 2018 Asian Games in the Bridge Mixed team event. She was awarded the Padma Shri in 2024.
Nadar met her husband, Shiv Nadar, at an advertising agency where she worked. They have a daughter Roshni Nadar. Nadar is also one of the leading contract bridge players in India.
Nadar started her career in advertising as a communications and brands professional at MCM. Nadar then joined NIIT and helped shape the brand.
Currently, her roles include managing the SSN Trust, Public Health Foundation of India (PFHI), Rasaja Foundation and the Rajiv Gandhi Foundation to support young Muslim girls in their education in Uttar Pradesh.
In an article in Forbes, she spoke about the multi-generational appeal of the game talking about octogenarian bridge players and a 13-year old World Champion Anshul Bhatt.
In 2010, Kiran Nadar is acknowledged by Forbes Asian Magazine as a "hero of philanthropy" thanks to her launch of India's first private philanthropic museum.
Nadar is considered the maharani of the Indian art world thanks to her collection of 5,500 and more modern Southern Asian arts. She is an international council member of the Museum of Modern Art (MoMA) in New York and is also one of the top commonwealth bridge players in India. She is also a member of the "Formidable" and has brought back many laurels. Nadar also represented India in various international competitive bridge events and managed to earn the gold medal for India after 12 years. In February, she brought India gold from the 5th Commonwealth Nations Bridge Championship held at the Gold Coast, Australia.
List of Beyblade: Shogun Steel episodes

Beyblade: Shogun Steel, known in Japan as Metal Fight Beyblade Zero-G (メタルファイト ベイブレード ZERO-G) is the fourth and final season of the Japanese anime television series Beyblade: Metal Saga based on Takafumi Adachi's manga series Beyblade: Metal Fusion, which itself is based on the Beyblade spinning top game from Takara Tomy and Hasbro. Directly following Beyblade: Metal Fury, the season is produced by d-rights and Nelvana under the direction of Kunihisa Sugishima. The season features a new hero named Zyro Kurogane, and his bey, Samurai Ifrit. The season began airing on TV Tokyo in Japan starting April 8, 2012. Following the original 15 minute long 38 episodes that aired in Japan, an additional seven half-hour episodes were released exclusively on DVD, bringing the total number of Japanese episodes to 45, and internationally to 26 half-hour episodes.
Kalod

Kalod zo un enezennig e Bae Montroulez, dirak Karanteg. Stag e vez ouzh an douar-bras pa vez tre ha mont a c'haller di war-bouez un hent-karr. Tri c'hilometr hed eo an enezenn ha n'a ket he ledander en tu-hont da dri c'hant metr bennak.
N'eus ket kalz tud o vevañ a-hed ar bloaz e Kalod ken, met gwechall e oa staliet meur a familh eno, labourerien-douar, bezhinaerien ha pesketaerien anezho. D'ur mare zo e teuas bezhinaerien eus Plougerne d'ober o annez e Kalod. Lesanvet e oant ar Japoned (Japaniz) gant tud all ar vro.
Aloubet e vije bet Kalod gant Daned e dibenn ar V kantved. Eno o dije kuzhet ar madoù tapet ganto pa oant o preizhañ ar vro tro-dro. Ur penn brezhon, Riwallon, a zivizas un deiz en em gannañ ouzh ar vorlaeron-se, ha dont a reas an trec'h gantañ, hervez a lenner e skridoù Albert Le Grand, goude ma vije bet o pediñ ar Werc'hez Vari. Da-heul e drec'h e lakaas sevel ur chapel, gouestlet d'an Itron Varia, e penn run uhelañ an enez. Daoust ma voe mastaret ar chapel da vare an Dispac'h gall, e voe adkempennet goude.
E-pad ar XVII kantved e oa bet tennet kalz greunvaen eus an enez. Meur a savadur e Montroulez, evel an ospital, Labouradeg ar Butun pe ar Pont bras, a voe savet gant mein tennet eus Kalod.
War an aod, en ul lec'h anvet Toull ar Sarpant e oa bet sant Karanteg, hervez ar richenn, o lazhañ un aerouant spontus, ha gwelet a c'haller roudoù e skilfoù war ar reier c'hoazh.
Levraoueg Vroadel Bro-C'hall

Levraoueg Vroadel Bro-C'hall (Bibliothèque nationale de France / BnF hec'h anv gallek ofisiel) zo ul levraoueg e Pariz, kêr-benn Bro-C'hall. Brasañ ha pouezusañ levraoueg ar Stad c'hall eo.
Krouet e oa bet diwar al levraoueg roueel savet dindan ren Charlez V, e 1368. E 1792 e oa deuet al "levraoueg roueel" da vezañ "levraoueg vroadel".
Hervez lezenn e rank an holl diez-embann er Stad c'hall kas d'ar BnF skouerennoù eus kement tra a vez embannet ganto.
E 1996 e voe digoret d'an dud al Levraoueg François-Mitterrand, a zo ur rann eus ar BnF.
Sant-Evarzeg

Sant-Evarzeg a zo ur gumun eus ar Vro C'hlazik e kanton Fouenant, e departamant Penn-ar-Bed, e mervent Breizh.
Taolennet eo Sant Primel evel un diagon gant un delwenn, hag evel ur penitiour war ur banell kizellet dirak an aoter. E diabarzh an iliz ez eus ivez ur stroll teir delwennig koad eus ar XVIIvet kantved a daolenn ar Werc'hez he Bugel, sant Dominig ha santez Katell a Siena.
Un tamm eus un tach, eus ar Gwir Groaz sañset, a oa bet digaset eus Roma e 1526 gant ar person Youen Loheag. Miret eo en ur relegour ha zo klenket e-unan e-barzh ur c'hasedig arc'hant.
Goude ma voe roet un dachenn gant Augustine Mangeot e voe fiziet er barrez ar garg da sevel ar chapel a-vremañ. Echuet e voe he sevel e 1857.
Ur c'hloc'hdi giz Kernev he deus ar chapel. En diabarzh ez eus delwennoù eus santez Veronika, al liñsel sakr ganti etre he daouarn, eus ar Werc'hez he Bugel, lesanvet Itron-Varia an Aelez, hag eus santez Filomena.
Niver a annezidi
Chapel Itron-Varia ar C'hreiz-kêr

Chapel Itron Varia ar C'hreiz-kêr (XIV – XV kantved), e Kastell-Paol, a sav he c'horzenn betek 80 m pe dost, zo dezhi unan eus ar c'hloc'hdioù uhelañ eus Breizh hag unan eus ar skouerioù kaerañ eus ar c'hloc'hdioù dantelezet. Gant he nouspet toull-prenestr warn-ugent n'en deus ket an avel a grog enni. Adsavet e voe goude tan-gwall 1375, gant un tisavour saoz, hervez kont.
Ar savadur a voe, betek ar XVII kantved, ur chapel eus kêr, a veze graet enni divizadegoù ar c'hort kêr, ha, goude-se, chapel ar C'hloerdi Bras ha Skolaj Bro-Leon war un dro, betek an Dispac'h Bras hag a gasas ar c'hleier d'an traoñ. E 1806 e voe staget ar C'hreiz-kêr en-dro ouzh Skolaj Bro-Leon, ha dont a reas hemañ da vezañ Ensavadur Itron-Varia at C'hreiz-kêr ar XX kantved.
E 1972 e teuas chapel da vezañ ur chapel-barrez. Eus an aspled, a bigner betek ennañ dre un derezioù a 174 pazenn, e vezer dudiet gant ur gwel meur war Bro-Leon.
Ar porched norzh — ur savadur mistr er c'hiz c'hotek flammek — zo eus ar XV kantved. Dindan ar porched-se e tiskenne an eskibien diwar o mul gwechall pa zeuent da gemer o c'hador eskob.
Tour Breizh

Tour Breizh zo un tour bras, ha tour uhelañ Breizh, 144 m dezhañ, 32 estaj, e kreiz-kêr Naoned. Savet e oa bet gant Claude Devorsine, diwar goulenn maer Naoned d'ar mare-se, André Morice ha digoret er bloavezh 1976. Deuet eo da vezañ unan eus arouezhioù kêr an Duged. Serret eo abaoe 2020 hag addigorret e vo etre 2025 ha 2030.
Ur souezhadenn eo lec'h Tour Breizh : fabourzh Marchix a oa bet gwallaozet gant bombezadegoù an Amerikaned e-pad an Eil Brezel-bed. Graet e oa an tour evit diskouez galloud ekonomikel ar vro. Diaes e voe sevel an tour ivez abalamour d'an dachenn a oa gant 15m dilive eus an eil penn d'egile. Ar raktres kentañ a oa ober un tour gant :
Kroget o doa al labourioù e 1971 hag echuet o doa gant 2 vloaz dale e 1976. Ne reas ket berzh diouzhtu hag ar c'hontrol e voe kentoc'h peogwir ne veze feurmet nemet tro-dro an hanter eus ar plas abalamour d'ar feurmoù re uhel. Evit leuniañ an tour e voe lakaet gant an ti-kêr un tamm eus e servijoù e-barzh. Goude eo bet leuniet an tour gant servijoù Meurgêr Naoned hag an Ti-Post. D'ar c'hentañ a viz Kerzu 2012 e oa bet un den o lammat gant un harz-lamm eus an 32vet estaj.
E 2012 e-keñver "Beajiñ d'An Naoned" ("Le Voyage à Nantes" e galleg), eo bet digor "An Neizh", un davarn en 32vet estaj. Ijinet oa bet al lec'h gant Jean Jullien, un arzour bet ganet en Naoned, hag o chom e Londrez. Serret eo bet e 2020.
Abaoe miz Even 2020 eo bet gouloet ha serret an tour. Renevezet e vo ar savadur e-pad etre 5 ha 10 bloaz. Emañ ar berc'henned, hag a zo 70, en o zouez ar stroll Giboire (66% eus al lodennoù), ar penngaser Lamotte (10%) hag an ti-kêr (19%), o prederiañ en ur raktres nevez evit an tour, gant burevioù, lojeiz, stalioù ha marteze ur raktres kevredigezhel.
Prefeti

Ur prefeti zo un ti, ti ur prefed, ar c'hargad lakaet gant ur Stad e penn ur rann velesdraturel. Da skouer eo lakaet ar prefed gall e penn un departamant gall gant ar Stad c'hall, ha lojet eo en ur prefeti eta. Prefetioù zo ivez en Italia, Estonia, Japan hag ar stadoù afrikat gallek.
E Frañs ez eus isprefeded ivez, lojet en ispretioù eta. Bez eus ivez prefeded hep prefeti, graet vez préfets hors cadre anezho e galleg, ha kantadoù a vije.
E Breizh e vez lojet ar prefeded c'hall ha/pe o melestradur e palezioù ha kastelloù an aliesañ : prefeti Penn-ar-Bed e Kemper (ur c'hastell eus deroù an XX kantved), prefeti Mor-Bihan e Gwened (ur c'hastell eus ar bloavezhioù 1860), prefeti Liger-Atlantel (ur c'hastell eus an XVIII kantved lec'h ma oa araok Kambr ar C'hontoù Breizh), prefeti Il-ha-Gwilen ha Rannvro Breizh e Roazhon (ur palez eus an XVIII kantved). N'eus nemet Prefeti Aodoù-an-Arvor e Sant-Brieg a zo ur savadur nevez awalac'h.
An isprefetioù a c'hall bezañ kestell ivez : Kastell Gwitreg, Kastell Kastell-Briant, etc.
E galleg e vez implijet ar ger préfecture koulz evit an ti evel evit ar garg, hag ivez ar gêr m'emañ ar prefeti enni, hogen a-wechoù, evit ober ar c'hemm, e vez graet gant ville-préfecture. Dont a ra ar ger gallek-se eus ar ger latin praefectura, ur garg roet en Impalaeriezh Roma.
E brezhoneg e c'haller ober gant kêr-prefeti evit ar gêr, met peurvuiañ e vez lavaret pennlec'h departamant, pe penn-departamant, a zo daou zoare all da lavarout rik ar memes tra. E Geriadur an Here e kinniger ober gant prefeti ivez evit ar gêr.
Ar brefediezh eo padelezh karg ar prefed, ar brefedelezh eo an tiriad.
Heemskerk

Heemskerk a zo ur gumun hag ur gêr e proviñs Noord-Holland en Izelvroioù. 31,73 km² eo gorread Heemskerk (douar : 27,41 km², dour : 4,32 km²) ha d'an 31 a viz Mae 2009 e oa 38 698 annezad enni.
E kuzul-kêr Heemskerk ez eus 25 dileuriad :
Ne ouezer ket eus pelec'h e teu an anv Heemskerk. Gouzout a reer e oa anavezet ar gêr da vare ar Grennamzer, hag en un diell eus 1063 ez eo anvet Hemezen Kyrica (da lavaret eo Iliz Hemezen), diwar anv ur seurez a oa o chom er vro. Meur a savadur istorel a gaver e Heemskerk evel an Huldtoneel, ur dorgenn faos e-kichen Rijksstraatweg. A-hervez e vije bet savet war ul lec'h bet implijet da santual gant Germaned a-raok mare ar Romanded.
Meur a emgann a voe e Heemskerk ha daou gastell (kastell Oud Haerlem ha kastell Heemskerk) a voe savet en XII hag en XIII kantved, da wareziñ Kontelezh Holland diouzh West-Friesland. Er XV kantved en em gannas annezidi Heemskerk etrezo, da-geñver Hoekse en Kabeljauwse twisten (brezel an higennoù hag ar moru) ha d'ar mare-se e voe distrujet an daou gastell. Kastell Heemskerk a voe savet en-dro. E 1492 e voe un emsavadeg gant tud Kennemerland ha pilet e voent gant alouberien aostriat. E lec'h an emgann emañ bered Hervormde Kerk hiziv an deiz.
E 1610 e voe kemmet anv kastell Heemskerk hag e teuas da vezañ kastell Marquette ma teuas meur a zenjentil hag a vrietin d'ober annez. Hiziv an deiz ez eo perc'hennet gant an embregerezh spagnol NH Hoteles hag ennañ e vez aozet prezegennoù hag euredoù. E reter Heemskerk emañ kastell Assumburg, savet gant ar pezh a chome eus kastell Oud Haerlem, e 1546. Nederlandse Hervormde Kerk en Nielenplein ha Kerkplein a voe savet e 1628. E liorzh an iliz ez eus un delwenn d'al livour Maarten van Heemskerck.
Goude mare ar varc'hegeien hag an dudjentil e teuas hini al labour-douar. Ouzhpenn sevel chatal e veze produet sivi e Heemskerk, da gas d'ar gêr nesañ anvet Beverwijk, ma veze gwerzhet. Kaset e veze ar frouezh war gein azened, ha diwar se e voe lesanvet azened annezidi Heemskerk.
An ti-kêr kozh a voe savet e 1911 diwar ur steuñv gant Jan Stuyt. Un estaj a voe ouzhpennet e 1949. Laurentiuskerk (iliz katolik) a voe savet e 1891 diwar ur steuñv gant J.H. Tonnaer.
Merapi

Menez Merapi eo birvidikañ menez-tan Indonezia hag unan eus ar re virvidikañ er bed a-bezh. Talvezout a ra e anv kement ha "menez-tan" just a-walc'h. Lec’hiet eo ar strato-menez-tan pe menez-tan-kemmesk-mañ, doare tarzhus anezhañ, e-kreiz enez Java. Tro en deus bet da zislonkañ lava pe maen-teuz hag aezhennoù tomm 68 gwech abaoe 1548.
2.911 m eo e uhelder. 25 km alese emañ kêr Yogyakarta a vev enni 800.000 a dud. Kêriadennoù a zo ivez a-grap outañ, darn anezhe betek 1.700 m uhelder. En holl ez eus 1,3 milion a dud o vevañ en e gichen ha kemend-all en arvar.
Bez' emañ ar menez-tan-se war ar pezh a zo anvet ar "Gourizad-tan", e-lec’h ma kej plakenn India-Aostralia gant plakenn Eurazia.
Dañjerus eo dre ma'z eo gludennek ar maen-teuz a zeu er-maez anezhañ hag a gerzh buan-kenañ a-hed tor ar menez. Abalamour da se e vez tapet re verr tud an trowardroioù. N'hallont ket tec'hout kuit fonnus a-walc'h dirak ar beradennoù lava.
Un dra all a zo chalus-kenañ gant ar menez-tan-mañ eo ar gwiskadoù ludu bet rechetet gant ar menez-tan war e dor. Pa vez glaveier pe barradoù glav puilh, betek 50 milimetrad dour bep eur a-wechoù, e teu ar gwiskadoù-se da vezañ fank, hag e c'hellont diwar neuze en em lakaat da zeverañ diwar ar menez. Ar beradennoù ludu-se eo a vez anvet lahar pe mudflow, hag a c'hell diskenn gant herr ha skubañ kement savadur, ti pe graou, a gavont war o hent. Betek 50 kilometrad bep eur e c'hell an deveradennoù-se tizhout. Gellout a reer gouzout pegoulz e vo "laharoù" a-drugarez da labour spis ar seismologourien, rak gwelet e vez neuze ur grommenn frekañsoù uhel war ar seismogrammoù, ha kement-mañ a zo merk an deveradennoù lahar.
Abalamour d'e zañjerusted eo Menez Merapi unan eus ar menezioù-tan gwellañ evezhiet dre ar bed. Hag e-kreiz miz Ebrel 2006 ez eus bet merzet e-mod-se e oa stankoc'h an oberiantiz krendouarel ennañ. Abaoe e seblant bezañ birvidikoc'h-birvidikañ ar menez-tan : pignet eo ar mein-teuz ennañ, distummet eo e c'henou, moged ha ludu a zeu er-maez eus ar siminal, ha meur a goabrenn-loskus ivez… Evezherezh dre vinviji a vez graet ouzh tor ar menez abaoe 1924, d'an nebeutañ evit ar pezh a sell ouzh ar krenoù-douar, darn eus al lochoù evezherezh a zo eno c'hoazh abaoe ar penn-kentañ. 8 seismograf a vez o labourat noz-deiz a-benn kelaouiñ ar volkanologour-ien pa vez an disterañ krenadenn. Dre-se e c'hellont lavaret pelec'h ez-resis emañ ar menez-tan o labourat. Evel-se ez eur deuet a-benn da c'houzout ez eus ul lec'h sioul tost da vat 1.5 km dindan lein ar menez. Eno e vez lavaret ganto emañ ar poull magma (pe mirlec'h magma) a voueta dislonkadennoù ar menez-tan. Muzuliet e vez tintadur torioù ar menez, ar pezh a ro da c'houzout pegoulz e vezont goeñvet, rak goeñviñ a reont pa vez al lava tomm o pignat e kan-diskarg ar menez.
Arabat droukveskañ ar menez-tan-mañ gant unan all heñvel e anv, pe skrivet a-wezhioù Marapi, a gaver ivez en Indonezia. War enez Sumatra emañ hennezh all.
Kartenn an holl venezioù-tan bev en Indonezia
Fortified gateway

A fortified gateway is an element of a variety of fortified structures, such as a castle or walled town. Fortified gates or gateways appear in the Bronze Age and reach into the modern times.
In German, a "Torburg", lit. "gate castle", is a relatively autonomous and heavily fortified gateway of a castle or town. Medieval castle gateways of this type usually have additional fortifications in front of them. A common form is the tower gateway (German: Turmtorburg); a variant is the bastion gateway (German: Halbrundturmtorburg). They are common in Europe.
Château du Sou in Lacenas
List of cathedrals in France

This is a list of cathedrals in France and in the French overseas departments, territories and collectivities, including both actual and former diocesan cathedrals (seats of bishops). Almost all cathedrals in France are Roman Catholic, but any non-Roman Catholic cathedrals are listed here as well.
The list is intended to be complete as far as current cathedrals and co-cathedrals are concerned. It is not yet an exhaustive list of former cathedrals, although it includes most of them.
A number of large churches in France are known as "cathedral" as a mark of distinction or historical importance but have never been the seats of bishops. These are not included here.
Pasar Glondhongan

Pasar Glondhongan utawa pasar Glondongan ya iku pasar kang kalebu ing wewengkon Kecamatan Palakarta Kabupatèn Sukaharja. Pasar iki kanggo adol tinuku janganan, woh-wohan, asil tetanèn, lan manéka jajanan. Pasar iki manggon ing kidulé kali Samin lan kuloné alas karèt Palakarta. Papan iki bukak sakwisé subuh nganti jam 10 ésuk. Menawa wayah wengi, pasar Glondhongan kanggo adol olah-olahan arupa panganan kaya ta bubur kacang ijo, wédhang rondhé, bakso, mi ayam, roti bakar lan sak panunggalané. Pasar iki ora gedhé kaya pasar Bekonang sanadyan amung 5 kilomèter adohé.
Nalika Walanda isih ana ing Indonésia, ing tlatah Palakarta ditanduri wit karèt. Wit karèt iki kanggo nyukupi indhustri ban, setip, sol sepatu lan liya-liyené. Sansaya suwé, wit karèt sansaya gedhé lan prodhuksi tlutuh karèt iki malah sethithik. Pawongan buruh banjur ngethok wit karèt lan nanduri lemah iku nganggo wit sing anyar supaya prodhuksi karèt tetep lestari. Kayu saka wit karèt iku banjur didèlèhaké ing kidul kali Samin. Amarga akèhè kayu gedhé iki, tlatah iki dijenengaké Glondhongan. Sansaya suwé, pawongan wayah esuk pada adol tinuku janganan, asil panén lan maneka werna. Saka prastawa iku, diwangun pasar Glondhongan kang isih nganti sepréné.
Pasar Kartasura

Pasar Kartasura ya iku sawijining pasar sing dumunung ana ing Kecamatan Kartasura, Kabupatèn Sukaharja (Sukoharjo), Provinsi Jawa Tengah. Pasar iki peneré ana ing wetan tugu Kartasura. Pasar iki bukak wiwit esuk nganti soré. Wayah ramé nalika esuk nganti awan. Pasar iki ora pati gedhé ananging cumepak kaperlunan sadina-dina. Ing jero pasar iki ana manèka werna bakul kaya ta bakul jejanganan, woh-wohan, jajanan pasar, panganan, lan sandhangan. Ing sisih ngarep pasar iki ditemoni akèh wong dodol kembang setaman. Ing ngarep pasar uga disedhiyani kreteg panyebrangan supaya wong tinuku bisa nyebrang kanthi aman. Sanadyan mangkono, papan parkir ing pasar iki kurang amba, dadi kadhang kala ngebaki dalan.
Mata kebo

Mata Kebo inggih punika salah satunggaling dhedhaharan tradhisional ingkang kalebet jajanan pasar. Kue mata kebo ugi asring dipunwastani "kue ku". Kué mata kebo dipundamel saking glepung ketan ingkang isinipun inggih unti (parutan klapa ingkang dipuncampur kaliyan gula jawa). Warnanaipun kué mata kebo inggih padatanipun abang utawi ijo. Adonan kué punika lajeng dipunwungkus kaliyan godhong gedhang lajeng dipundang.
Nanging ing versi sanès, bilih kué mata kebo punika ugi wonten ingkang isinipun kacang ijo. Raosipun kué mata kebo inggih kenyel tur legi. Variasi jinis kue mata kebo utawi kue ku sapunika sampun manéka warna. Wonten mata kebo ingkang dipundamel saking uwi ungu ingkang dadosaken kue mata kebo wernanipun dados ungu, ugi wonten ingkang warninipun ijem amargi dipundamel saking pewarna ijem utawi pewarna alami saking ron suji. Padatanipun kue mata kebo punika dipunsade wonten pasar-pasar tradhisional minangka salah satunggaling jinis jajanan pasar.
Saplak

Saplak iku panganan wujud jajanan kang asalé saka gaplèk ketéla pohung. Panganan iki lumrah minangka jajanan ana ing padésan ing Jawa Tengah. Ing benbayan among tani, jajanan saplak iki bebarengan karo gemblong biyasa kanggo sarapan sadurungé ngayahi gawé ing sawah.
Saplak digawé saka bahan gaplèk kang dialusaké lan dicampur karo kacang tholo banjur di kukus ing kukusan.
Kuwé mangkok téla

Roti mangkok téla ya iku panganan kang kagawe saka téla. Kanggo para ibu-ibu utawa wong wadon kang seneng masak lan ngisi wektu liburan kanggo masak roti, iki resep roti mangkok saka telo pendhem, bisa dicoba lan lumayan kanggo gladhèn lan nyoba rasa anyar nganggo masakan tradhisional, amung roti kanggo resep yo ora popo.
- Tepung terigu protéin cendhèk 100 gram - - Ragi instan 2 sdt - - Banyu 150 ml -
- Glepung beras 250 gram - - Telo pendhem ungu kukus 100 gram, dilembutke - - Banyu 250 ml - - Gula pasir 350 gram - - telo pendhem ungu kukus 50 gram -
Cara nggawe : 1. pokok : Campur kabèh bahan pokok nganti rata, dinengke sak suwéné 15 menit. 2. Campur tepung beras, telo pendhem ungu dideplok lan 250 ml banyu, di uleni nganti rata. 3. Campurke poko, banjur diaduk rata. 4. Tambahke gula mboko sethithik disambi diuleni nganti rata. Tambahke telo ungu kukus, diaduk nganti rata. 5. Panaske panci kang dienggo ngukus, suntak campuran ing njero cetakan. 6. Didang nganti mateng saksuwene 15 menit. Angkat dan ditokake saka cetakan. Siap dipundhahar. Iki bisa kanggo 12 iji, yèn arep nambah bisa diatur dhéwé.
Kripik kenthang

Keripik kenthang iku irisan kenthang sing tipis sing uwis digoreng ing lenga sing akèh, dipanggang, digodhog, utawa di nganti renyah. Keripik kenthang iku lumrahé disedhiaké minangka panganan ringan, panganan sampingan, utawa panganan pambuka. Keripik sing dhasar iku dimasak lan di uyahi; jinis-jinis tambahan iku direkayasa nganggo sawenèh bumbu lan bahan masakan kalebu rempah godhong, bumbon crakèn, kèju-kèju, lan dat additif gawéan manungsa.
Nanging, sing diarani "Crisps", uga ngrujuk marang warna-warna produk-produk panganan ringan sing gurih sing béda-béda kadhol ing Britania Raya lan Irlandia, sawenèh kagawé saka kenthang, nanging sawenèh kagawé saka jagung, tapioka, utawa séréalia liyané, lan tuwuhan sing dinggo minangka sayuran, persis kaya jinis-jinis keripik sing dipangan ing Amérika Sarékat.
Keripik kenthang iku pérangan sing wigati ing pasar panganan ringan ing nagara-nagara barat. Pasar global kanggo keripik kenthang wénéhi pendapatan gunggungé $16.49 milyar dollar amérikah ing taun 2005. Iku mau kaétung kanggo gunggung 35.5% saka gunggungé pasar panganan ringan gurih ing taun ikumau (46.1 milyar dollar amérikah).
Mahua

Mahua (麻花) utawa Fried Dough Twist minangka corak adonan Tionghoa sing digoreng lenga kacang . Nduwe tampilan mengkilap lan emas. Wis disiapake kanthi macem-macem cara kanthi macem-macem rasa, sing kalebu manis nganti pedhes, lan biasane duwe tekstur sing kandhel lan asri. Asal-usul Mahua bisa dilacak nganti ewonan taun kepungkur. Akeh panggonan duwe tradhisi mangan Mahua, lan Mahua dianggep minangka panganan teken ing kutha Tianjin Cina sisih Lor . Cemilan kasebut misuwur banget ing Panama, sing dadi panganan nasional lan diarani mafá . Iki digawa dening para imigran Tiongkok sajrone abad XIX.
Ham chim peng

Ham chim peng ( Chinese ), uga dieja hum chim peng, dikenal ing Singapura lan Malaysia minangka haam ji peng, hum ji peng, utawa ham ji peng, ya iku donat kothong sing digoreng jero saka Cina. Umume dipangan minangka panganan sarapan, kadhangkala digoreng nganggo lapisan wijen.
Paling ora ana 3 jinis ham chin peng - karo beras ketan, lima bubuk rempah-rempah lan kacang abang .