Manticore

The manticore or mantichore (Latin: mantichorās; reconstructed Old Persian: *martyahvārah; Modern Persian: مردخوار mard-khar) is a legendary creature from ancient Persian mythology, similar to the Egyptian sphinx that proliferated in Western European medieval art as well. It has the face of a human, the body of a lion, and the tail of a scorpion or a tail covered in venomous spines similar to porcupine quills. There are some accounts that the spines can be launched like arrows. It eats its victims whole, using its three rows of teeth, and leaves no bones behind. Other accounts also have it sporting the wings of a dragon.
The term manticore descends via Latin mantichorās from Ancient Greek μαρτιχόρας (martikhórās). This in turn is a transliteration of an Old Persian compound word consisting of martīya 'man' and xar- stem, 'to eat' (Mod. Persian: مرد; mard + خوردن; khordan); i.e., man-eater.
The ultimate source of manticore was Ctesias, Greek physician of the Persian court during the Achaemenid dynasty, and is based on the testimonies of his Persian-speaking informants who had travelled to India. Ctesias himself wrote that the martichora (μαρτιχόρα) was its name in Persian, which translated into Greek as androphagon or anthropophagon (ἀνθρωποφάγον), i.e., "man-eater". But the name was mistranscribed as 'mantichoras' in a faulty copy of Aristotle, through whose works the notion of the manticore was perpetuated across Europe.
Ctesias was also later cited by Pausanias regarding the martichoras or androphagos of India.
An account of the manticore was given in Ctesias's lost book Indica ("India"), and circulated among Greek writers on natural history, but has survived only in fragments and epitomes preserved by later writers.
Photius's Myriobiblon (or Bibliotheca, 9th century) serves as base text, but Aelian (De Natura Animalium, 3rd century) preserves the same information and more:
Aelian, citing Ctesias, adds that the Mantichora prefers to hunt humans, lying in wait and even taking down even two or three men at a time. The Indians, he continues, take the young captive and disable the tail by crushing it with a stone before the sting begins growing.
Pliny described the "mantichora" in his Naturalis Historia (c. 77 AD) having relied on a faulty copy of Aristotle's natural history that contained the misspelling ("martikhoras").
Pliny also introduced the confused notion that the manticore might occur in Africa, because he had discussed this and other creatures (such as the yale) within a passage on Aethiopia. But he also described the crocotta and the mantichora of Aethiopia together, and while the crocotta imitated the voices of men the mantichora of Aethiopia too also mimicked human speech, on authority of Juba II, with a voice like the pipe (panpipe, fistula) mixed with trumpet.
Ctesias purportedly saw a martichora presented to the Persian king by the Indians. The Romanised Greek Pausanias was skeptical and considered it an unreliable exaggerated account of a tiger. Apollonius of Tyana also dismissed the mantichore as a tall tale, according to the biography by Philostratus (c. 170–247).
Pliny did not share Pausanias' skepticism. And for 1500 years afterwards, it was Pliny's account, also copied by Solinus (2nd century), which was held to be authoritative on matters of natural history whether real or mythological. In the advent of Christianity, writings in the Holy Scripture combined with Plinian-Aristotelian learning gave rise to the Physiologus (also c. 2nd century), which later evolved into the medieval bestiaries some of which contained entries on the manticore.
The manticore has been included in some medieval bestiaries, with accompanying illustrations, though not all.
The thick-maned (and long-bearded) manticore wearing a Phrygian cap is a commonplace design (fig., top left).
In most instances, the manticora is "coloured red or brown and has clawed feet". Artists took the liberty of coloring the manticore blue at times. One example is depicted "as a long-haired blond" (fig., top right). Another has the face of a woman and the body of a blue manticore (fig., bottom right) .
Most manuscripts do not bother detailing the scorpion tail and simply draw a long cat's tail, but in Harley MS 3244 the manticore has an "oddly pointed tail" or an "extraordinary spike on the end" of it, and a tail covered in spikes from end to end is shown on the manticore in several other second family manuscripts.
The three-rows of teeth are not faithfully represented except in some third family examples.
The manticore (Latin: manticora) occurs in about half of the Second Family Latin bestiaries. The specific source used in this case was probably Solinus (2nd century),
The text here describing the beast differs little from Pliny's Latin version in language, or the Greek version in content (paraphrased above). This is naturally the case, since much of Solinus was recopied out of Pliny. The manticora is here described as "bloody-colored" rather than "red like cinnabar".
The text concludes by stating that the manticore "seeks human flesh, is active, and leaps so that neither large spaces nor broad obstacles can delay it (neither the broadest space nor the widest barrier can hinder it)".
Actually there are two candidate sources given for the passage, "Solinus 52.37" and "H iii.8"; this "H" being the pseudo-Hugh of Saint Victor De bestiis et aliis rebus, edited by Migne, but this source has been regarded circumspectly as the "problematic De bestiis et aliis rebus" by Clark.
The manticore also occurs in the earliest "Transitional" First Family bestiary (c. 1185), and some Third Family codices as well, whose illustrations attempted to reproduce some of the finer details given in its text.
As aforementioned, the manticore is one of three hybrids from Aithiopia described together by Solinus, appearing in (nearly) successive chapters of the bestiary. This created the groundwork for the beasts in adjacent chapters being confounded or amalgamated through scribal errors, as described below in the cases of bestiaries produced in France.
The manticore is basically absent from the French bestiary of Pierre de Beauvais, which exist in the short versions of 38 or 39 chapters, and the long version of 71 chapters. Instead, there is a Chapter 44 on the "centicore" (or santicora, var. ceucrocata), which suggests manticore in name, but which is nothing like the standard manticore. The name is thought to have arisen from misspellings of leucrocotta, compounded by the suffix replaced by -cora by scribal error. Due to further mistransmission, "centicore" became the French misnomer for the yale (eale), a mythic antelope which should be a separate entry in the bestiaries.
Neither manticore nor leucrotta (French: lucrote) appears in Philippe de Thaun's bestiary in Anglo-Norman verse.
Edward Topsell, in 1607, described the manticore as:
Topsell thought the manticore was described by other names elsewhere. He thought that it was the "same Beast which Avicen calleth Marion, and Maricomorion" and also, the same as the "Leucrocuta, about the bigness of a wilde Ass, being in legs and Hoofs like a Hart, having his mouth reaching on both sides to his ears, and the head and face of a female like unto a Badgers".
And Topsell wrote that in India they would "bruise the buttockes and taile" of the whelp or cub they captured, causing it to be incapable of using its quills, thus removing the danger. This differs somewhat from the original sources which stated that they would crush the tail with stone to make them useless.
The likeness of manticore or similar creatures by another name (i.e. mantyger) have been used in heraldry, spanning from the late High Middle Ages into the modern period.
The mantyger is glossed as merely a variant reading of manticore in the OED, though the 17th century heraldry collector Randle Holme made a fine distinction between manticore and mantyger. Holme's description of the manticore seems to derive directly from naturalist Edward Topsell (cf. above),
while he describes the mantyger as having
etc., and also noting that they may be horned or unhorned.
The manticore first appeared in English heraldry in c. 1470, as a badge of William Hastings, 1st Baron Hastings; and in the 16th century.
The mantyger device was later used as a badge by Robert Radcliffe, 1st Earl of Sussex, and by Sir Anthony Babyngton. The Radford[e]'s device was described as "3 mantygers argent" by one source, c. 1600. Thus in heraldic discourse the term "manticore" became usurped by "mantyger" during the 17–18th centuries, and "mantiger" in the 19th.
It is noted that the manticore/mantiger of heraldic devices has a beast of prey body as standard, but sometimes chosen to be given dragon feet. The Radcliffe family manticore appears to have human feet, and (not so surprisingly), a chronicler described as a "Babyon" (baboon) the device by John Radcliffe (Lord Fitzwater) accompanying Henry VIII into war in France. It has also been speculated the Babyngton device is intended to represent the "Babyon, or baboon, as a play upon his name", and it too also has characteristically "monkey-like feet".
The typical heraldic manticore is supposed to have not only the face of an old man, but spiraling horns as well, although this is not really ascertainable in the Radcliffe family badge, where the purple manticore is wearing a yellow cap (cap of dignity ).
Gerald Brenan linked the manticore to the mantequero, a monster feeding on human fat in Andalusian folklore.
The Hindu god Narasimha is often referred to as a Manticore. Narasimha, the man lion, is the fourth avatar of Vishnu and is described as having a man’s torso and the head and claws of a lion.
Dante Alighieri, in his Inferno, depicted the mythical Geryon as having a similar appearance to a manticore, following Pliny's description where it has the face of an honest man, the body of a wyvern, the paws of a lion, and the stinger of a scorpion at the end of its tail.
The heraldic manticore influenced some Mannerist representations of the sin of Fraud, conceived as a monstrous chimera with a beautiful woman's face – for example, in Bronzino's allegory Venus, Cupid, Folly and Time (National Gallery, London), and more commonly in the decorative schemes called grotteschi (grotesque). From here it passed by way of Cesare Ripa's Iconologia into the seventeenth- and eighteenth-century French conception of a sphinx.
In some modern depictions, such as in the tabletop role-playing game Dungeons & Dragons (D&D) and the card game Magic: The Gathering, manticores are depicted as having wings. They are more specifically given "wings of a dragon" in the implementation of D&D′s 5th edition, according to the Monster Manual (2014), though an earlier version of the manual described them as "batlike wings".
In the animated sitcom television series Krapopolis, the character of Shlub is depicted as a "mantitaur" which is a half-centaur, half-manticore creature where he was the result of a union between a female centaur and a male manticore. In this show besides the fact that the manticores are depicted with dragon-like wings like other depictions of them, the manticores are shown to have dragon-like horns on their head.
Citations
Bibliography