Ten Scenes of West Lake

The Ten Scenes of West Lake (Chinese: 西湖十景; pinyin: Xīhú Shí Jǐng), also known as Ten Vistas of West Lake, Ten Views of West Lake or Ten Poetically Named Scenic Places of West Lake Landscape, is a collection of ten iconic views around the West Lake in Hangzhou, China. Each of these scenic spots is traditionally named and described with a four-character Chinese phrase. Historically, the selection of the ten vistas evolved over time, eventually being standardised in 1699, when the Kangxi Emperor personally inscribed the names of the vistas, after which local authorities engraved stelae and built pavilions to house each inscribed stone. The poetically named scenic places symbolise the ethos of "harmony of humankind and nature" in traditional Chinese landscape design.
Before the concept of "Ten Scenes of West Lake", Song Di, who achieved first place in the imperial examination during 1023–1032, named the Eight Views of Xiaoxiang, using four-character phrases. This earlier work may have inspired the idea of the Ten Scenes of the West Lake.The earliest known literary reference to the Ten Scenes of West Lake was made by Zhu Mu in his Topographical Guide to Touring Sites of Scenic Beauty. Zhu wrote,
As the nomenclature was typical to Chinese painters, Zhai Hao (1765) suggests that artistic depictions of the Ten Scenes may have existed before Zhu Mu's mention. In a 1268 map, the names of the Ten Scenes appeared, along with 400 other famous sites. Ye Xiaoyan, a Hangzhou-born painter active in the early 13th century, painted the Ten Scenes Around the West Lake. As Wu Zimu (1274) wrote,
Based on paintings and poems in the age of Zhu Mu, the notion of Ten Scenes could have been invented in the 1250s or 1260s. It was during the time, the dynastic capital of Song moved to Hangzhou, as a result of the Jurchen conquest of northern China. Despite the fall of the Chinese empire due to threats from alien invaders, local people shifted their interest from the central government and its needs to their own communities which they were proud about, which led to growing interest in the tourism to the West Lake. By the Ming dynasty (1368–1644), the West Lake had been regarded the best retreat from bureaucratic duties and family pressures. Zhang Dai, a famous essayist during the Ming-Qing transition (1618–1683), wrote ten poems about the Ten Scenes of West Lake, but he did not further mention the scenes, nor detailedly describe the lake.
During the Manchu-led Qing dynasty, emperors frequently visited the southern China, showcasing their possession over China, during which the Kangxi emperor highlighted the somewhat-neglected traditional notion of the Ten Scenes of West Lake. In 1699, Kangxi inscribed the Ten Scenes, which were engraved on stone with pavilions sheltering it by the local government. The names of the Ten Scenes was thus standardised. The Qianlong emperor further added his poems to the back of each stone, popularising the notion. Qianlong visited Hangzhou for six times. Each time he visited, he wrote new poems for the Ten Scenes of West Lake. Craftsmen had to smooth out the previous verses to accommodate all the poems on the stele again.
In his version, Kangxi renamed the view at Quyuan from "Breeze of Lotus" to "Breeze-ruffled Lotus" to highlight the lotus. It was widely believed that the emperor mistakenly wrote the name of Quyuan, which originally refers to the former royal brewery (麯院), as the winding courtyard (曲院). The two phrases had the same pronunciation but distinct meanings. As a result, the Qianlong emperor wrote a poem on the back of Kangxi's inscription, claiming that there was no mistake as Kangxi, his grandfather, hoped to abstain from drinking like a saint. Therefore, Quyuan is often translated as the Crooked Courtyard, the Winding Garden, or the Brewing Courtyard.
In 1924, the collapse of Leifeng Pagoda drew significant attention across China, with growing appeal for rebuilding the tower, so as to restore the Ten Scenes of West Lake. Lu Xun, one of the most influential Chinese writers, wrote sarcastically,
During the Cultural Revolution (1966–1976), nine of the ten imperial inscriptions of the Ten Scenes were smashed by Red Guards. Only the inscriptions for "Spring Dawn at Su Causeway" and "Breeze-ruffled Lotus at Quyuan Garden" were preserved. The former was smashed into three pieces by the Red Guards and sunk into the lake, while the latter was completely submerged by officials in charge. After the Cultural Revolution, these inscriptions were recovered. The other eight were restored based on stone rubbing of the original inscriptions.
in 1984–85, a new set of Ten Scenes was selected, as sponsored by Hangzhou Daily, the West Lake Parks and Gardens Bureau, and a number of local companies, which was announced in 1986. After popular nomination and expert consultation since 2002, a new list of Ten Scenes were announced in 2007. These two versions, however, were not as popular as the traditional version.