davidanugraha/M4-RAG huggingface dataset:
Robbie Rotten

Robbie Rotten (Icelandic: Glanni Glæpur, lit. 'Reckless crime') is a fictional character and the main antagonist of the Icelandic children's program LazyTown. He is also the series' primary comic relief character. He is a ruthless, greedy and lazy, yet goofy, eccentric and silly supervillain, and the arch-nemesis of the series' main protagonists, Sportacus and Stephanie, who promote exercise, healthy eating and an active and healthy lifestyle. As for Robbie, his favorite pastimes include eating junk food and watching TV. Robbie has fair skin, green-grey eyes, and black hair. He usually wears a two-piece suit of maroon and purple with gold pinstripes, formal shoes, a navy blue shirt with cuffs and cuff links. He is the tallest character.
Being extremely lazy, Robbie naturally opposes their attempts to spread a healthy influence to the people of LazyTown and employs various schemes, often involving the use of disguises, to discredit healthy living and run Sportacus (whom he refers to as "Sportaflop") out of LazyTown in every episode, although his plans are always foiled in the end. Ironically, Robbie becomes very active when he executes his plans. He was based on his incarnation from the original musical and played by Stefán Karl Stefánsson on the children’s show.
In the second Icelandic stage play, the character was called Glanni Glæpur and, when he arrived at the town, he wore a completely black outfit; but, when he was disguised as Rikki Riki (a very wealthy man), he wore a purple coat, purple pants and shoes that are similar to those that Robbie wears in the television series—although at that point he did not yet have his hair covered in gel. In the television series, Robbie Rotten usually wears a two-piece suit of red and purple with gold pinstripes, formal shoes, a navy blue shirt with cuffs and cuff links, blue and red striped socks and black shoes with black soles.
Robbie Rotten's song "You Are a Pirate" was Stefán's favorite song on the show to perform. Since 2007, the lyric "Do what you want 'cause a pirate is free, you are a pirate" became an oft-quoted meme in YouTube poop and hacker culture, most often in reference to online piracy via LimeWire.
Around 2016, Robbie Rotten rose to internet fame through the song "We Are Number One". The Reddit forum r/dankmemes voted Robbie Rotten "Meme of the Year" in 2016.
On August 21, 2018, his actor Stefán Karl Stefánsson died of bile duct cancer at the age of 43.
Alemayehu Eshete

Alemayehu Eshete Andarge (Amharic: ዓለማየሁ እሸቴ አንዳርጌ; June 1941 – 2 September 2021) was an Ethiopian singer, widely known as the "Abyssinian Elvis" for his dynamic performances and his fusion of traditional Ethiopian music with Western rock and roll influences. He emerged in the 1960s and became a prominent figure in the Ethio-jazz movement, alongside musicians such as Mulatu Astatke. Eshete's music blended Ethiopian rhythms with elements of funk, soul, and jazz, and his hit songs include Temar Lije and Addis Ababa Bete. His international recognition grew following the release of the Éthiopiques series, which featured many of his early recordings. Eshete continued to perform until his death in 2021, leaving a lasting legacy in Ethiopian and world music. His contributions were widely recognized both in Ethiopia and internationally.
Alemayehu Eshete was born in June 1941 in Addis Ababa, where his father worked as a taxi driver. When Alemayehu was two months old, his mother took him to Dessie, where they stayed until he was three. His father brought him back to Addis Ababa to ensure he received an education. Alemayehu enrolled at the Christian Training Institute near Yohannes Church, where his musical talent was first recognized while singing hymns. As a young boy, he idolized Elvis Presley, mimicking his style and performing songs like Jailhouse Rock (song) for his friends.
Alemayehu’s talent was recognized by Colonel Retta Demeqe, who invited him to perform with Addis Ababa's Police Orchestra. In 1961, he had his first hit, "Seul," and later founded the Alem-Girma Band with Girma Bèyènè. Throughout his career, Alemayehu became known for blending American rock with traditional Ethiopian music, particularly during the late 1960s' "swinging Addis" era. His fame expanded globally after the release of the Éthiopiques series: Volume 9 is entirely devoted to his early recordings, while Volume 22 covers his work between 1972 and 1974. Other songs appear in Volumes 3, 8, 10, and 13. In 2008, he toured the United States with Mahmoud Ahmed, performing with Boston's Either/Orchestra.
Alemayehu Eshete died at midnight on 2 September 2021 in a hospital in Addis Ababa. He had been suffering from heart disease in the years leading up to his death, and had undergone surgery for blocked arteries five years prior. In his final days, he spent time with friends but experienced discomfort before being admitted to the hospital. He was buried on 7 September 2021 at Holy Trinity Cathedral, Addis Ababa. A large farewell ceremony took place at Meskel Square, attended by tens of thousands of people, where his iconic songs Temar Lije and Addis Ababa Bete were played in tribute. Alemayehu is survived by seven children and six grandchildren.
Eténèsh Wassié

Eténèsh Wassié (born 1971) is an Ethiopian jazz singer, renowned for her collaborative approach to music and performance.
Wassié was born in 1971 in Gondar to an Ethiopian Orthodox family. She began performing in the 1990s in Addis Ababa in azmaribèt - a crossover between cabaret and the Azmari vocal tradition. She is renowned for singing in Amharic and is a leading blues singer in Addis Ababa where she lives.
In 2007 Wassié began a collaboration with Mathieu Sourisseau, which fused her knowledge of traditional music and his jazz guitar, known as Ethio-jazz. She performed at Seine-Saint Denis Festival in 2018, celebrating twenty years of Éthiopiques.
Minji (singer)

Kim Min-ji (Korean: 김민지; born May 7, 2004), known mononymously as Minji, is a South Korean singer. Minji made her debut as a member of the South Korean girl group NewJeans, under the record label ADOR on July 22, 2022.
Kim Min-ji was born on May 7, 2004, in Chuncheon, South Korea. She is the middle of three children, with a younger sister and an older brother who attends Kyung Hee University, the latter of whom she revealed while performing at a music festival hosted by the university. During her elementary years, she learned English while studying abroad in Canada as a homestay transfer student. Minji attended Hanlim Multi Art School, where she graduated in February 2023.
Minji, during middle school, received numerous business cards from various entertainment agencies, including SM Entertainment. She was a Source Music trainee beginning in 2017 up until the company was acquired by Hybe Corporation in 2019.
Pre-debut, Minji was also known as "The Girl", the face of Hybe Corporation's 2019 Plus Global Auditions. In July 2021, she made a cameo appearance in BTS' music video for "Permission to Dance", alongside group member Hanni.
Minji debuted as a member of the South Korean girl group NewJeans with the surprise-released music video for their debut single "Attention" on July 22, 2022, without any prior promotion or information on the group's lineup. NewJeans quickly rose to widespread popularity with the success of their following singles: "Hype Boy", "OMG", and "Ditto", the latter of which featured lyrics written by Minji. "Ditto" became NewJeans's first entry on Billboard Hot 100 and won Song of the Year at the MAMA Awards, the Melon Music Awards, the Golden Disc Awards, and the Asia Artist Awards.
On October 15, 2022, Minji made an appearance as one of the special MC's at KCON Japan alongside Junki Kono of JO1 and Hwang Min-hyun of NU'EST.
Minji has topped South Korea's brand reputation rankings for K-pop artists numerous times since her debut. On February 13, 2023, Chanel Korea announced that they had signed Minji as one of their brand ambassadors for the categories of beauty, fashion, and watches and jewelry. Minji is the first person to be named ambassador for all three categories at the same time.
Since 2023, Minji has been the face of the Seoul Jazz Festival, appearing on magazines to promote the event. She appeared on the cover of W Korea's special edition for the 15th anniversary of the Seoul Jazz Festival as well as the cover of the W Korea special edition for the 2024 festival.
Minji also appeared in a March 2024 video campaign for the South Korean National Election Commission broadcast on radio and other platforms to encourage younger generations to vote in the 22nd legislative election.
All credits are adapted from the Korea Music Copyright Association, unless cited otherwise.
The Fresh Prince of Bel-Air theme song

"Yo Home to Bel-Air", alternately titled as "The Fresh Prince of Bel-Air (Theme)" or merely "The Fresh Prince of Bel-Air", is a song by DJ Jazzy Jeff & the Fresh Prince first heard in 1990 as the theme song to the NBC sitcom The Fresh Prince of Bel-Air. The lyrics were composed by rapper and sitcom star Will Smith, performing under his stage name the Fresh Prince, and the song was produced by Jeffrey Townes under his stage name DJ Jazzy Jeff.
After series composer and producer Quincy Jones pitched an early version of the music, Townes suggested that he and Smith could produce the series' theme song. Smith wrote the lyrics after reading scripts from the pilot episode.
The song was released as a single in the Netherlands and Spain by Jive Records in 1992, with "Parents Just Don't Understand" as its B-side, and it was re-released in 2016 by the record label Enjoy the Ride. It peaked at number three in the Netherlands and number two in Spain, and it received a Silver sales certification in the United Kingdom in February 2018. The song appeared on DJ Jazzy Jeff & The Fresh Prince's Greatest Hits album, along with a number of compilation albums. Unlike the version in the sitcom, it samples George Benson's "Give Me the Night".
Lyrically, the song is storytelling narrative, describing how its protagonist was "born and raised" in West Philadelphia, but after a violent encounter he was sent to live with family in Bel Air, Los Angeles. As one account maintains, the protagonist "raps about his mother sending him to live with his aunt and uncle because she was afraid that he would fall victim to [his] tough West Philadelphia neighborhood". It has been described as an example of the tendency of rappers to "present pathological perspectives of their own communities". The song "explains how a boy from the ghetto would end up living in Bel-Air", and thereby "ushers in a fantasy" of an implausible scenario in which a poor person escapes to wealth.
The single was released exclusively in the Netherlands and Spain in 1992. In the former country, it spent 10 weeks on the Dutch Top 40, peaking at number three. In Spain, it debuted at number two, its peak, and stayed in the top 20 for seven weeks. Although it was not released in the United Kingdom, the song earned a Silver sales certification from the British Phonographic Industry in February 2018 for sales and streams of over 200,000.
An article on the MTV.co.uk website stated about the song, "Say what you want, but considering the sitcom wrapped up over 20 years ago and people are still able to start spitting out those lyrics on cue, its lasting appeal is undeniably impressive." Tom Eames of Digital Spy ranked the song 3rd in a list of 25 sitcom theme songs. and Rolling Stone readers ranked the song 6th out of a list of 10 television theme songs.
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Estadio Artigas (Paysandú)

El Estadio Artigas​​ es un estadio de Uruguay ubicado en la ciudad de Paysandú. Pertenece a la intendencia del departamento homónimo, la cual cede el estadio para la actividad local y para que la Selección de Paysandú juegue de local.
En el Estadio Artigas oficiaron de local los clubes Paysandú Bella Vista y Paysandú Fútbol Club cuando actuaban en la Primera División de Uruguay.
El Estadio Parque Artigas fue una de las sedes de la Copa América 1995, siendo la sede del Grupo C, compuesto por las selecciones de Argentina, Bolivia, Chile y Estados Unidos. Luego fue sede de cuartos de final en el enfrentamiento de Estados Unidos y México.
ROHRER, Rodrigo; MEDEIROS, Daniele Cristina Carqueijeiro de. Estadio Parque Artigas: un gigante dormido en la ciudad de Paysandú. Ludopédio, São Paulo, v. 186, n. 2, 2024. Disponible en: https://ludopedio.org.br/arquibancada/estadio-parque-artigas-un-gigante-dormido-en-la-ciudad-de-paysandu/
Estadio Matías González

El Estadio Matías González es un estadio de Uruguay ubicado en la ciudad de Artigas, capital del departamento homónimo.
Está ubicado sobre el Paseo 7 de setiembre, a metros del Puente Internacional de la Concordia. Es el mayor estadio del departamento de Artigas, con una capacidad para 7.000 espectadores.
Recibe su nombre en homenaje del único jugador del interior del país Matías González "el León de Maracaná", nacido en Artigas, que participó del Campeonato Mundial de fútbol de 1950 en el estadio Maracaná de Río de Janeiro, Brasil (el Maracanazo).
Pertenece a la municipalidad de Artigas y en él se disputan partidos de la liga local e interdepartamental. Desde 2022 también es utilizado por el Club Atlético Artigas en los campeonatos de la Asociación Uruguaya de Fútbol.
Estadio Raúl Goyenola

El estadio Ingeniero Raúl Saturnino Goyenola, conocido comúnmente como Raúl Goyenola, es un estadio de Uruguay ubicado en la ciudad de Tacuarembó. Pertenece a la municipalidad de Tacuarembó, pero es cedido al Tacuarembó Fútbol Club para que juegue sus partidos como local por la Segunda División. En él también se disputan los partidos de la liga local e interdepartamental.
Fue inaugurado el 18 de mayo de 1955 y tiene una capacidad para 12000 espectadores sentados entre sus cuatro tribunas. Tribuna oficial (5000 personas), Tribuna norte (3000 personas), Tribuna este (2000 personas), Tribuna oeste (2000 personas).
Junto al predio del estadio se ubica un Complejo Polideportivo con una edificación de 2500 metros cuadrados.​
El Intendente Ing. Manuel Rodríguez Correa (1942/46), dio el primer paso, al adquirir el predio del futuro estadio.
Al hacerse cargo de la Intendencia en 1950, el agrimensor Raúl St. Goyenola se planteó la realización del Estadio. El 1º de mayo de 1954 se colocó la piedra fundamental y se concretó la obra en un año.
El Estadio comprende una cancha de Fútbol de 75 por 110 m y una pista de atletismo de 400 m. La tribuna techada fue la primera en realizarse y puede contener 1.808 espectadores y junto a ella se encuentra la platea de 1.036 espectadores. Debajo de la tribuna techada están los vestuarios y dormitorios que permitirán albergar delegaciones y permitir concentraciones.
Autoridades que participaron en la obra emprendida por el Intendente Goyenola:
Concejo Departamental: Presidente: Oreste C. Vidal; Vocales: Vicente Puntigliano, Baudilio Núñez Mendaro, Pedro Chiesa y Aristóteles Macedo.
Comisión Honoraria Adm. del Campus: Pte. Agrim. Ildefonso P. Estévez; Srio. Arq. Walter Domingo y Tesorero: Dr. Ricardo Mullín Noceti.
Proyectista y Director de las obras del Estadio: Arq. Walter Domingo.
El partido inaugural del entonces llamado «Estadio Municipal» lo disputaron la selección de Tacuarembó y de River Plate de Montevideo un 18 de mayo de 1955.
Con la creación del Tacuarembó Fútbol Club, cuadro profesional representante de la liga local. La Intendencia de Tacuarembó ha cedido al Club el estadio para que juegue sus partidos como local. Con esto se realizaron mejoras del mismo que permitieran adecuar el estadio a las exigencias del fútbol profesional.
El estadio tuvo algunas refacciones en los últimos años,​ que incluyeron el reemplazo de su tablero electrónico por uno más actualizado.​
Estadio José Pedro Damiani

El estadio Cr. José Pedro Damiani, conocido popularmente como Las Acacias, es un estadio de Uruguay, ubicado en el barrio del mismo nombre, de la ciudad de Montevideo.
El terreno donde se encuentra el estadio fue adquirido por el Club Atlético Peñarol en 1913 y se construyó el escenario en 1915, inaugurándose un año después. El estadio cuenta con una capacidad habilitada para 12000 espectadores.​
Dentro del terreno se encuentra el Complejo Deportivo Las Acacias, utilizado por categorías formativas del club para realizar entrenamientos, contando además con una cancha auxiliar, gimnasio y vestuarios.
En 1912 la compañía "La Transatlántica" le ofreció al CURCC un predio en el barrio Marconi, sobre la calle Las Acacias, para que en él edificara un campo de juego más cercano a la capital que el de Villa Peñarol. En 1913 se terminó el pago del campo y pasó definitivamente a manos de Peñarol.
Luego de años en los que no se concretó la construcción de las tribunas, llegó el mandato de Francisco Simón y con él, la culminación del escenario. Fue inaugurado el 19 de abril de 1916 en un partido amistoso entre Peñarol y su clásico rival Nacional, por la "Copa Transatlántica". Dicho encuentro finalizó 3 a 1 en favor de los aurinegros.
Este estadio lleva el nombre de quien fuera durante años presidente de Peñarol, el contador José Pedro Damiani.
Actualmente, y desde la década de los '90, no se encuentra habilitado por la Intendencia de Montevideo, por razones de seguridad, para disputar partidos de Primera División. El último cotejo oficial disputado por el primer equipo aurinegro fue en la primera fecha del torneo Clausura de 1997, ante Rampla Juniors.
Por tal motivo, la institución carbonera ha jugado habitualmente sus partidos de local en el Estadio Centenario, propiedad de la Intendencia, hasta la inauguración del Campeón del Siglo, propiedad del club. Sin embargo, las divisionales formativas de la institución y el plantel femenino disputan sus partidos de local en este estadio.​
Si bien Peñarol posee otros complejos de mayor tamaño, se han anunciado reformas para mejorar el estado general, tanto del complejo como del estadio.
En el 2022, el Carbonero llevó a cabo reformas en las acacias, una remodelación que le significó a Peñarol una inversión de US$ 750.000. Las reformas en el estadio comprenden una cancha central de césped sintético y un desagüe de calidad que evacua rápidamente las aguas pluviales. También cuatro vestuarios nuevos, un gimnasio y una cancha natural de once con medidas reglamentarias (detrás de lo que sería la tribuna Olímpica).
En 2023 el estadio se volvió a usar para futbol profesional, ya que lo alquilaron tanto la Institución Atlética Potencia como la IASA para disputar sus partidos de la segunda mitad de la Segunda División Profesional. El día 3 de agosto de 2024 Peñarol inauguró las luces de este estadio.​
https://www.elpais.com.uy/ovacion/futbol/las-acacias-cuando-culminan-las-obras-que-falta-hacer-y-el-plan-de-penarol-para-amortiguar-la-inversion
Museo de Historia del Arte

El Museo de Historia del Arte es un museo didáctico que exhibe diversas piezas originales así como réplicas de diferentes culturas y regiones. El mismo se ubica en el ala oeste del Palacio Municipal, en pleno centro de Montevideo.
Su acervo incluye numerosos calcos de arte egipcio, griego y romano. En el mismo se exponen de manera permanente calcos en yeso de la Victoria alada de Samotracia, el Discóbolo, la Venus de Milo, Nefertiti y destacadas obras del arte universal, muchos de ellos son "primeras copias" tomadas directamente de los originales que se encuentran dispersos en importantes museos de todo el mundo.​ También se incluyen piezas originales como la momia de la sacerdotisa egipcia "Eso Eris".
Su acervo incluye secciones de prehistoria, arte europeo hasta al siglo XIX, Egipto, Mesopotamia, Grecia, Roma, India, sureste asiático y arte islámico. Cuenta con tres colecciones etnográficas: arte africano, textiles mayas-guatemaltecos y armas y armaduras samurái.​
La colección de arte precolombino está integrada por piezas originales e incluye una sección especial de arqueología en Uruguay.​
Planta baja:
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Museo del Deporte (Uruguay)

El Museo del Deporte se ubica en la ciudad de Tacuarembó, Uruguay, en la calle Ituzaingó entre 18 de Julio y Gral. Flores.
El museo fue inaugurado el 25 de agosto de 2011 con el apoyo de la Intendencia Departamental de Tacuarembó, en la fecha de la conmemoración de los 100 años de la Asociación de Fútbol de Tacuarembó.
El objetivo del Museo del Deporte es recopilar la historia del deporte tacuaremboense en las diferentes disciplinas.​
Los objetos expuestos incluyen:
Estadio Olímpico Pedro Arispe

El Estadio Olímpico Pedro Arispe​ es un estadio de fútbol de Montevideo, Uruguay, ubicado en la Villa del Cerro, con vista hacia la bahía de Montevideo. Fue inaugurado el 30 de diciembre de 1923 y pertenece a Rampla Juniors Fútbol Club.
El estadio posee una capacidad para 6190 espectadores sentados. Dos de sus lados laterales no poseen tribunas, ya que directamente hay un muro que limita el terreno de juego con el Río de la Plata, transformándolo en un estadio particularmente pintoresco (muchas veces los balones terminan en el río).
Esa particular vista, le ha valido para ser considerado en el séptimo lugar de los estadios imperdibles de América del Sur, de acuerdo con el sitio brasileño Impedimento.org. El portal, que elaboró el listado en 2014, expresó que «destaca por su vista a la Bahía de Montevideo, en una postal folclórica del fútbol uruguayo». El estadio Olímpico figura como el segundo estadio imperdible de Uruguay, únicamente por detrás del estadio Gran Parque Central.​
Rampla Juniors lo utiliza para sus partidos en la Segunda División Uruguaya.
El primer nombre del estadio fue Parque Nelson en homenaje al almirante inglés. El primer partido oficial disputado allí fue el 30 de diciembre de 1923 ante el Charley. Tras una serie de reformas, el estadio fue reinaugurado el 6 de agosto de 1966, con un partido entre Rampla y Peñarol. El 24 de abril de 1980 se inaugura con su actual denominación, realizada en reconocimiento al capitán griego Tsakos, socio honorario de Rampla, quien sugirió el nombre del legendario monte de Grecia.​
El 29 de noviembre de 2019, la Asamblea de Socios del club decidió renombrar al estadio, como "Estadio Olímpico Pedro Arispe", en honor al histórico zaguero capitán del equipo en las décadas de 1920 y 1930. Además "el Indio" Arispe fue capitán de la selección uruguaya en las históricas conquistas de los Juegos Olímpicos de París en 1924 y Ámsterdam en 1928. Con Rampla Juniors, obtuvo el campeonato uruguayo de 1927, recordado por ser el más largo de la historia.
Ha habido iniciativas para poder construir una tercera tribuna, detrás del otro arco, dejando únicamente sin aforo el sector lateral que limita con el Río de la Plata, pero dichas propuestas no han prosperado. No obstante, no está proyectada la construcción de todas las tribunas, debido al dicho popular de que la cuarta tribuna del estadio es el propio Río de la Plata.​
List of football stadiums in Uruguay

Uruguayan Football Stadiums are mainly used by clubs in the Uruguayan League and in some cases are maintained by the various departmental governments. The nation's oldest stadium is the Gran Parque Central Stadium, owned Nacional, built in 1900, while the largest capacity stadium is the Centenario Stadium, owned by the Intendancy of Montevideo, with 60,235 spectators.
The following is a list of football stadiums in Uruguay, ordered by capacity.
Fernando Morena

Fernando Morena Belora (born 2 February 1952) is a Uruguayan former professional footballer who played as a striker. His most known nicknames were "Nando"(abridged form of Fernando) and "Potrillo" (Colt, although young stallion is a better translation in this case), and he is the all-time top goal scorer in the history of the Uruguayan Primera División with 230 goals in 244 games. He scored 268 in his almost 20-year career.
Fernando Morena started as a professional football player in 1968 with Racing Club de Montevideo, which he left in 1969, signing for the nearby team, River Plate from Montevideo, where he played until 1972. Morena joined Peñarol in 1973. In his first run with the club, he won four Uruguayan Primera championships. He was the top scorer in the Uruguayan soccer league for six consecutive years between 1973 and 1978, and was the top scorer in the Copa Libertadores in 1974 and 1975.
In 1979, Fernando Morena signed up with the Spanish team Rayo Vallecano, but spent just one season there before changing to Valencia in 1980. Morena returned to Peñarol in 1981, where he helped the team win two more Uruguayan league titles in 1981 and 1982. They also won the Copa de Oro in 1981, the Copa Libertadores in 1982, and the 1982 Intercontinental Cup.
In 1983, Fernando Morena joined the Brazilian soccer team Flamengo and in 1984, he played for Boca Juniors of Argentina. He finished his professional career in Peñarol in 1985.
Fernando made his debut for the Uruguay national team on 27 October 1971 against Chile in a 3–0 win, where he scored his first goal. He was part of the national team that represented Uruguay at the 1974 World Cup. He went on to obtain a total of 54 international caps, scoring 22 goals which currently ranks him as the joint eighth-highest scorer in the history of the team. On 4 September 1983, Morena suffered a tibia and fibula fracture when playing against Venezuela for the Copa America. He never played for the national team after that incident, though he is still officially considered a part of the Uruguayan team that won the Copa América in 1983.
After retiring, he held several coaching positions in Uruguay, Spain and Chile. His first coaching job was in River Plate, which was followed by Peñarol, Real Murcia in Spain, Huracán Buceo, Rampla Juniors, Colo Colo in Chile and a second run in Peñarol in 2005. In 2009, he was designated as Manager of Institutional Relations at Peñarol.
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Uruguay
Baroda Cricket Association Stadium

The Baroda Cricket Association Stadium (BCA Stadium) or Kotambi Stadium, also known as the Vadodara International Cricket Stadium is a cricket stadium in Vadodara, Gujarat, India. It opened on 22 December 2024 and organised a three match one day international series between the Indian and West Indies women's teams. The stadium is the home ground for Baroda Cricket Association in the domestic circle.
The ground hosted international cricket for the first time during West Indies women's tour of India in 2024. All three ODIs of the tour were played at this Stadium.
In January 2015, a Memorandum of Understanding was signed between Government of Gujarat and Baroda Cricket Association for the stadium which will be located at Kotambi on the outskirts of Vadodara with a cost of ₹200 crores to develop 29 acres of land. The stadium was constructed under the executions of Mr. Amit Parikh, a member of the Baroda Cricket Association and Leadership of Mr. Pranav Amin, the President of the Baroda Cricket Association.
Bhimber District

Bhimber District (Urdu: ضلع بھمبر) is a district of Pakistan-administered Azad Kashmir in the disputed Kashmir region. It is the southernmost of the 10 districts of Pakistan's territory of Azad Kashmir. It has an area of 1,516 km², and the district headquarter is the town of Bhimber.
Bhimber was the Capital of the Chib dynasty which lasted from 1400 to 1846.The area is rich in archeological remains due to its strategic location on the route that was followed by the Mughal emperors on their frequent visits to the Kashmir Valley.
It is strategically important from defense and military standpoint. Due to its location, it became known as the Gateway to Kashmir (Bab-e-Kashmir).
During the 1947 Poonch rebellion and subsequent Indo-Pakistani War of 1947–1948 Bhimber was captured by the Azad Kashmir rebels supported by Pakistan and became a part of the Azad Kashmir.
Previously, Bhimber was a tehsil of the Mirpur District but was elevated to district status in 1996.
The Bhimber District is bounded on the north by the Kotli District, on the east by the Rajouri District and the Jammu District of Indian-administered Jammu and Kashmir, on the south by the Gujrat District of Pakistan's Punjab Province, and on the west by the Mirpur District. The town of Bhimber is 50 km from the city of Mirpur.
The Bhimber District is subdivided into three tehsils:
According to the 2017 census, the population of the district is 420,624.
The main native languages are Punjabi (according to a rough estimate, spoken by 35% of the population), Pahari-Pothwari (30%), Dogri (30%) and Gujari (5%). Urdu language has 'official' status.
According to the Alif Ailaan Pakistan District Education Rankings 2015, the Bhimber District ranked 10th out of 145 districts in Pakistan and its two dependent territories in terms of education. For facilities and infrastructure, the district ranked 116 out of 145.
The southern zone of the Mirpur Division has a climate similar to the neighbouring areas of the Punjab province. Hot summer temperatures are often over 45 C from May to September. Winters are cold, and rainfall is concentrated in the monsoon season from late June to the end of August. There is often a prolonged dry period from October to early January, followed by winter rains from mid-January to March.
Osaka Eco Agricultural Products

Osaka Eco Agricultural Products is an agricultural production unit created within Osaka Prefecture, Japan, with the aim to reduce the use of pesticide and fertilizers. The target is to reach below average usage in Osaka area.
The resulting products do not qualify as organic food, because of the continuing use of pesticide and fertilizer.
Farmers must register with Osaka's prefecture government office and get permission to use this title in the agriculture market. Government specialists perform technical administration and inspection of each farmer. The main agricultural products applied to this title are rice, soybeans, vegetables, fruits and flowers.
Only products that have permission from the government can use the logo.
Certified vegetables are called eco vegetables. In April 2009 a salad made with the eco vegetable, called Eco Salad, was sold at some restaurants.
Job scheduler

A job scheduler is a computer application for controlling unattended background program execution of jobs. This is commonly called batch scheduling, as execution of non-interactive jobs is often called batch processing, though traditional job and batch are distinguished and contrasted; see that page for details. Other synonyms include batch system, distributed resource management system (DRMS), distributed resource manager (DRM), and, commonly today, workload automation (WLA). The data structure of jobs to run is known as the job queue.
Modern job schedulers typically provide a graphical user interface and a single point of control for definition and monitoring of background executions in a distributed network of computers. Increasingly, job schedulers are required to orchestrate the integration of real-time business activities with traditional background IT processing across different operating system platforms and business application environments.
Job scheduling should not be confused with process scheduling, which is the assignment of currently running processes to CPUs by the operating system.
Basic features expected of job scheduler software include:
If software from a completely different area includes all or some of those features, this software can be considered to have job scheduling capabilities.
Most operating systems, such as Unix and Windows, provide basic job scheduling capabilities, notably by at and batch, cron, and the Windows Task Scheduler. Web hosting services provide job scheduling capabilities through a control panel or a webcron solution. Many programs such as DBMS, backup, ERPs, and BPM also include relevant job-scheduling capabilities. Operating system ("OS") or point program supplied job-scheduling will not usually provide the ability to schedule beyond a single OS instance or outside the remit of the specific program. Organizations needing to automate unrelated IT workload may also leverage further advanced features from a job scheduler, such as:
These advanced capabilities can be written by in-house developers but are more often provided by suppliers who specialize in systems-management software.
There are many concepts that are central to almost every job scheduler implementation and that are widely recognized with minimal variations: jobs, dependencies, job streams, and users.
Beyond the basic, single OS instance scheduling tools there are two major architectures that exist for Job Scheduling software.
Job scheduling has a long history. Job schedulers have been one of the major components of IT infrastructure since the early mainframe systems. At first, stacks of punched cards were processed one after the other, hence the term "batch processing".
From a historical point of view, we can distinguish two main eras about Job schedulers:
In terms of the type of scheduling there are also distinct eras:
Various schemes are used to decide which particular job to run. Parameters that might be considered include:
Rede de descanso

A rede de descanso, rede de dormir, cama de rede ou maca é um utensílio doméstico, originalmente feita com cipó e lianas. Consiste numa espécie de tecido com alças.
Uma rede de descanso é retratada no Saltério de Luttrell, datado por volta de 1330. A miniatura do manuscrito medieval da Inglaterra prova a existência de redes na Europa antes da descobrimento da América por Cristóvão Colombo.
Durante o Brasil Colônia, era muito utilizada para dormir, enterrar os mortos no meio rural e como meio de transporte, onde os escravos carregavam os colonos em passeios pela cidade e até em viagens. Com chegada dos portugueses, as mulheres dos colonos adaptaram a técnica indígena às suas varandas, passando a fazer as redes em algodão (tecido mais compacto), enfeitadas com franjas.
Hoje em dia, as redes são fabricadas de diversas formas e materiais, desde as mais tradicionais de fio, tecidas em "batelão" (tear) mecânico ou elétrico, até as feitas a partir de tecido ou de materiais sintéticos como nylon e outros materiais.
Na Região Nordeste do Brasil, a rede ainda é muito utilizada para dormir, em substituição à cama, sendo também tradicionalmente utilizada para descanso em casas de praia (casas de veraneio).
As cidades de Irauçuba (Capital Cearense da Rede), São Bento, na Paraíba, Jardim de Piranhas, no Rio Grande do Norte, e Fortaleza, no Ceará, são locais com tradição na fabricação de redes. No interior do Ceará, o município de Jaguaruana e, no interior de Pernambuco, o distrito de Caraibeiras, denominado por muitos de Vila Rica e localizado no município de Tacaratu, são locais muito conhecidos também pela confecção artesanal de mantas, tapetes, jogos de tapetes para banheiro, jogos americanos, xales para sofá etc.
A tradicional rede de descanso nordestina, também conhecida na região como “rede de dormir” ou simplesmente “rede”, é composta basicamente por três elementos constitutivos:
Além dos elementos funcionais básicos, a rede tradicional nordestina frequentemente é dotada de elementos estéticos e decorativos, como franjas ou varandas, pendentes em cada lateral do Pano. Junto com as cores e padronagens estes elementos completam e harmonizam a peça.
"Rede" é oriundo do termo latino rete. "Maca" é oriundo do termo taino hamaca.
Lista de episódios de The Big Bang Theory

A seguir se apresenta a lista dos episódios de The Big Bang Theory, uma série de televisão estadunidense de comédia de situação (sitcom) transmitida pela rede de televisão CBS desde 24 de setembro de 2007 até o dia 16 de maio de 2019, após doze temporadas.
A série é centrada em cinco personagens que vivem em Pasadena, Califórnia: os amigos Leonard Hofstadter e Sheldon Cooper, ambos físicos; Penny, uma garçonete e atriz semiprofissional que vive do outro lado do corredor do prédio; Leonard e Sheldon ambos são amigos e colega de trabalho dos nerds e desajeitados Howard Wolowitz que é engenheiro mecânico e Rajesh Koothrappali que é astrofísico. A cafonice e a inteligência dos quatro rapazes é contrastada com o efeito cômico das habilidades sociais de Penny e seu senso comum.
Com exceção do primeiro episódio, os títulos dos episódios começam com "The". O título é sempre uma referência ao assunto do episódio e é montado como se fosse um princípio científico.
A série foi renovada para mais três temporadas em 12 de março de 2014 (2014-03-12).
As-Safir

As-Safir (em árabe: السفير; romaniz.: O Embaixador) foi um dos principais jornais diários de língua árabe no Líbano. A sede do diário ficava em Beirute. Esteve em circulação de março de 1974 até dezembro de 2016. A última edição do jornal foi publicada em 31 de dezembro de 2016. A versão online também foi encerrada na mesma data.
Com o objetivo de cobertura política, o As-Safir se autodenominou "A Voz dos Sem Voz", servindo como uma importante fonte de notícias para os libaneses no mundo árabe . Ela adotou o nacionalismo árabe e apoiou os palestinos, alinhando-se com a Aliança 8 de Março. O seu rival an-Nahar está associado à Aliança 14 de Março.
As-Safir foi publicado pela primeira vez por Talal Salman em 26 de março de 1974 como um diário político árabe. Talal Salman também atuou como editor-chefe do jornal. Bassem Sabeh foi o editor-chefe do jornal entre 1980 e 1990. Em 2005, o editor-chefe do diário era Joseph Samaha. O editor do diário que foi publicado em formato de jornal era Dar Al Safir.
Um dos primeiros colaboradores foi o cartunista palestino Naji Al Ali. Outro colaborador foi Samir Frangieh.
Em 18 de julho de 2011, o jornal, juntamente com o Al Akhbar, outro diário publicado no Líbano, foi proibido na Síria.
As-Safir tinha uma página semanal sobre questões ambientais.
Cintura de vespa

A cintura de vespa é uma silhueta da moda feminina, produzida por um estilo de espartilho e cinto, que experimentou vários períodos de popularidade nos séculos XIX e XX. Sua principal característica é a transição abrupta de uma caixa torácica de largura natural para uma cintura extremamente pequena, com os quadris curvando-se abaixo. Leva o nome de sua semelhança com o corpo segmentado de uma vespa. A cintura acentuada também exagera os quadris e o busto.
No século XIX, enquanto as medidas médias da cintura com espartilho variavam entre 58 cm a 79 cm), as medidas da cintura das vespas de 41 cm a 46 cm eram incomuns e não eram consideradas atraentes. As revistas femininas mencionavam os efeitos colaterais do laço apertado, proclamando que "se uma mulher se prende e se cinge, até que ela tenha apenas trinta e cinco centímetros e, em alguns casos, até que ela tem apenas trinta e cinco centímetros, deve ser feito à custa de conforto, saúde e felicidade." Em vez disso, a moda criou a ilusão de uma cintura pequena, usando proporção, colocação das listras e cores. O laço extremamente apertado (15 a 18 pol ou 38 a 46 cm) foi uma moda passageira no final dos anos 1870/80, terminando por volta de 1887.
Entre a multiplicidade de problemas médicos, as mulheres sofreram para obter essas medidas drásticas: costelas deformadas, músculos abdominais enfraquecidos, órgãos internos deformados e deslocados e doenças respiratórias. O deslocamento e a desfiguração dos órgãos reprodutivos aumentaram muito o risco de aborto espontâneo e morte materna.
Objeto

Objeto (AO 1945: Objecto) (latim: obiectum, significa atirado adiante) é, segundo a etimologia da palavra, o que é posto diante. O correspondente alemão, Gegenstand, apresenta a mesma significação: "o que está diante, em frente". Desta forma, a terminologia filosófica rigorosa percebe "uma relação com alguém, em face de quem o objeto se encontra" e não "como simples sinônimo de coisa".
Em sentido lato, objeto é o "fim do ato", da faculdade ou atitude psíquica - seja atitude duradoura, seja ato por hábito, seja da ciência. É assim, explica De Vries, que se torna objeto o que recebe o sabor do fato, sendo conhecido.
A filosofia escolástica distingue objeto material e formal.
No sentido restrito é qualquer coisa conhecida ou querida, mas unicamente aquilo que está diante do sujeito com independência deste e ao qual este deve se amoldar.
Em outro sentido, não objetivo seria o que pertence ao eu, seja na condição de sujeito e de pessoa. O não objetivo, por intermédio "unicamente da realização de seus atos", "co-relacionados em seus atos intencionais", e tendo como instrumento a percepção, direcionam-se restritivamente ao ente material.
Um outro conceito restrito seria um puro e desinteressado afã de conhecer. O que não deve ser confundido, com isso, o objeto do conteúdo. Objeto transcende o pensamento, é o produto do pensamento, entendido. Assim, dado nem sempre coincide com objeto.
Levando em consideração que ente de razão, é existente somente como conteúdo do pensamento, nunca independente do pensamento. Nesse contexto, objeto pode ser também definido como ente de razão, somente recebendo o nome de ente, no sentido impróprio, e no mesmo contexto, se for concebido de um modo específico.
Peso

O peso de um objeto é a força gravitacional sofrida por este objeto em virtude da atração gravitacional nele exercida por um outro corpo com massa.
Em senso comum, o peso é associado à força que um objeto com massa exerce sobre outro corpo pela atração gravitacional, contudo em termos científicos a definição é simétrica: o corpo que exerce a força também está sujeito por uma força associada ao outro objeto, sendo em verdade este peso exatamente igual em módulo ao peso do próprio objeto em virtude da terceira lei de Newton.
Leigos sobre o assunto geralmente confundem os conceitos de peso e massa. Contudo ressalva-se que peso e massa são grandezas completamente distintas, apesar de relacionadas. Ao passo que massa é uma grandeza escalar, peso é uma grandeza vetorial.
O peso é uma grandeza vetorial, apresentando intensidade, direção e sentido. A direção é a linha que passa pelos centros do objeto e do corpo com massa e o sentido é o que aponta para o centro de massa do corpo responsável pela atração. A unidade usada é o newton (N).
É expresso por:
P → = m ⋅ g → {\displaystyle {\vec {P}}=m\cdot {\vec {g}}} .
Nessa expressão g é a aceleração gravitacional no ponto do espaço onde encontra-se o objeto de massa m. A aceleração g pode ser calculada mediante a expressão:
onde M é a massa do corpo responsável pela aceleração e R é a distância entre o ponto em consideração — necessariamente externo ao corpo neste caso — e o centro de massa deste corpo
Para distâncias próximas à superfície da Terra, os cálculos fornecem uma valor próximo: g ≃ 9 , 82 m s − 2 {\displaystyle g\simeq 9,82\,ms^{-2}} . Para um corpo de massa 1 Kg, o seu peso é de 9,82 N.
Devido às diferentes massas e raios dos planetas do sistema solar, o peso de um mesmo objeto de massa m quando próximo às suas superfícies será diferente para cada um deles. Segue-se uma tabela contendo o valor aproximado da aceleração gravitacional na superfície de cada um destes planetas:
Pela tabela, a força da gravidade na Lua é seis vezes menor do que na Terra. Assim um corpo de 60 Kg que na Terra tem cerca de 600 N de peso, na Lua terá cerca de 100 N.
Devido à irregularidade na forma do planeta e à quebra de simetria produzida pela rotação do mesmo, o peso de um corpo sofre pequenas variações ao longo da superfície do planeta, sendo a rigor dependente da posição que o mesmo ocupa no globo. As variáveis que interferem são basicamente: a distância ao centro de massa terrestre e a força centrípeta a ele associada em função deste acompanhar o movimento de rotação do planeta em seu próprio eixo.
O peso de um corpo na Terra:
Highlands Hammock State Park

Highlands Hammock State Park is a 9,000-acre (3,640 ha) park 4 miles (6 km) west of Sebring in Highlands County, Florida, off U.S. 27. The park opened in 1931, four years before the Florida state park system was created. It was listed on the National Register of Historic Places in 2018.
Elevated boardwalks meander through an old-growth bald cypress swamp with cabbage palmettos, ferns, bromeliads, orchids and other epiphytes. Some trees are believed to be over a thousand years old, and one is possibly the largest oak in Florida, with a girth of over 36 feet (11 m).
White-tailed deer, American alligators, gopher tortoises, frogs, otters, golden silk spiders, pileated woodpeckers, red-shouldered hawks, barred owls and Florida scrub jays are common in the park. Florida black bears, bald eagles, white ibis, gray squirrels, bobcats and the rare Florida panther are seen on occasion.
Local citizens, concerned about plans to turn the hammock into farmland, asked the Skipper family for the property in 1931 and promoted it as a candidate for national park status, an early example of grass-roots public support for environmental preservation. One of the prime movers behind the effort was Margaret Roebling, daughter-in-law of Washington Roebling.
Though it never reached national park status, it became one of the four original Florida State Parks when the state park system was created in 1935. The Civilian Conservation Corps (CCC), established during the Great Depression, built a camp at Highlands Hammock as a headquarters, and developed additional park facilities and the beginnings of a botanical garden.
The park features the Florida Civilian Conservation Corps Museum with interactive exhibits about the 1930-1940s period of the park's construction, and the history of the CCC in Florida and the United States. The museum is located in a building constructed by the CCC.
The park includes a scenic three-mile (5 km) loop drive that gives access to the park's nine trails, and can be used for inline skating. An eleven-mile (18 km) trail can be traversed by bicyclists, horseback riders or wildlife viewers. Birding may also be done, since the park is part of the Great Florida Birding Trail. Ranger-guided tours are scheduled frequently.
There is a campground with water and electricity, and areas for full, primitive, and youth camping. A picnicking area is available with an adjacent playground and fun , as well as a restaurant, called "The Hammock Inn". During the fall and winter season the Friends of Highlands Hammock sponsor a Music in the Park Concert series the third Saturday of the month.
Florida state parks are open between 8 a.m. and sundown every day of the year (including holidays).
Brasil (Cazuza song)

"Brasil" is a pop-rock song written and performed by Cazuza, recorded as the sixth track in his third solo album Ideologia (1988). The most well-known version of this song was recorded as a samba by Gal Costa on the soundtrack album of the telenovela Vale Tudo (1988).
The lyrics of "Brasil" were composed by Cazuza and Nilo Romero, and the music by George Israel (saxophone player of Kid Abelha). The song expresses an anti-nationalist feeling and a pessimist view on the Brazilian lifestyle and "way to handle things" (the famous "jeitinho brasileiro"). Although the song was featured on the soundtrack of Vale Tudo, a Rede Globo telenovela, it criticized the popular fascination with the network's newsmagazine TV program Fantástico.
"Brasil" received two Sharp Awards in 1988. Gal Costa won a special award for Best Song of the Year, while Cazuza won in the category for Best Pop/Rock Song of the Year.