Cavaedium

Cavaedium or atrium are Latin names for the principal room of an ancient Roman house, which usually had a central opening in the roof (compluvium) and a rainwater pool (impluvium) beneath it. The cavaedium passively collected, filtered, stored, and cooled rainwater. It also daylit, passively cooled and passively ventilated the house.
The atrium was the most important room of the ancient Roman house. The main entrance led into it; patrones received their clientes there, and marriages, funerals, and other ceremonies were conducted there. In earlier and more modest homes, the atrium was the common room used for most household activities; in richer homes, it became mainly a reception room, with private life moving deeper into the (larger) house. The atrium was generally the most elaborate room, with the finest finishings, wall paintings, and furnishings.
The atrium was entered either through a shop or by a straight, narrow passage from the street. The smaller, open room behind the atrium was the tablinum, usually the study of the master of the house. Behind it was a garden; temperature differences between the atrium and the garden drove a draft through the tablinum, making it the coolest room in the house. Unless curtains or movable partitions of the tablinum were closed, a visitor in the passage could see through the atrium and tablinum into the garden; care was taken to make this view impressive. Ideally, rooms off the atrium were arranged symmetrically, or at least to give the impression of symmetry. Bedrooms (cubiculum) and alae (the "wings" of the atrium, alcoves separated by a lintel but not a wall) typically opened off the sides of the atrium.
Small rural Roman buildings did not need atria; they were lit by windows and drew water from wells or watercourses. An urban house (domus), on the other hand, had to be built on a small, narrow lot, as urban land was expensive and street frontage was even more expensive. Theft was also a concern. Urban houses thus came to look inwards onto cortiles, enclosed courts, and light and water were brought in from above. Sometimes urban houses retained a walled garden at the rear, which later often became a peristyle, a sort of cloister surrounded by rooms. Large rural properties were sometimes built around large enclosed farmyards, but the Roman villa or country seat mimicked the city residence from which the wealthy owner generally came, and often had an atrium (or several). In later Roman history the atrium was sometimes also replaced by a peristyle, and rain-gathering with piped water from an aqueduct. The urban houses of poorer Romans might lack atriums entirely; but from (mainly Pompeiian) survey data, atriums, peristyles, or both are found in almost all Roman homes over 350 square meters in size, most over 170 square meters, and some over 50 square meters.
The etymology of "cavaedium", "cavum aedium", and "atrium" is debated.
These terms are thought by many to be synonymous; others have argued that one term includes the impluvium and the other does not, but are not agreed upon which.
Varro gives classical etymologies: "The hollow of the house (cavum ædium) is a covered place within the walls, left open to the common use of all. It is called Tuscan, from the Tuscans, after the Romans began to imitate their cavædium. The word atrium is derived from the Atriates, a people of Tuscany, from whom the pattern of it was taken." For more modern etymologies, see Wiktionary:atrium.
Roman townhouses rarely had windows, as they often had very little exterior wall. Where present, windows were placed above eye-level, and they were small and contained clathri, window lattices. The compluvium provided most or all of the light to the atrium, its alae, and the adjacent cubiculums. The doorways of the cubicli were usually arranged to maximize the light, and when present, the alae were often needed to let light into the rooms flanking the tablinum.
Traditionally, the atrium collected rainwater. Most atria had compluvium roofs, which sloped inwards towards the hole in the center of the roof; these shed rain water into the impluvium ("pool") underneath (the impluvium was usually the same size and shape as the compluvium hole). The water in the impluvium then slowly seeped through the porous bottom of the impluvium into a water storage cistern below. Water for household use could be drawn up in buckets via the puteal (a lidded cylinder set over a hole in the top of the cistern as a wellhead).
In dry weather, water drawn from the cistern could be thrown into the impluvium to evaporatively cool the cistern and the house, and drive a draft. In wet weather, impluvium overflow would generally run out the front door into the street, which was much lower than the interior floor.
The atrium might also contain a fountain, which piped in drinking water from an aqueduct (riverwater and well water was preferred for drinking). Reliable piped water made the rain-collecting function dispensable, and Late-Empire domi often replace atria with peristyle gardens, which could also be made larger.
After a birth, a bed for Juno and a table for Hercules were set up in the atrium. The tollere liberum (ceremony for a newborn), dedication of the bulla at Liberalia (coming-of-age, male), and confarreatio marriage were described as conducted in the atrium, in front of the lararium.
The wedding couch or bed, the lectus genialis, was placed in the atrium, on the side opposite the door or in one of the alae. The lectus funebris, or funeral couch, was placed in the atrium, and the body of the deceased was laid in state upon it with feet facing the door.
The cavaedium was a communal space. Varro says it is "left open to the common use of all". Vitruvius describes it as a room which "any of the people have a perfect right to enter, even without an invitation". It was thus a sort of living-room. Spinning and weaving, major household tasks, were traditionally done in the atrium, as were other domestic occupations. Toys, flutes, writing materials, cutlery, and crockery have all been found in atria.
Historically, the atrium was probably used for cooking, with the compluvium serving as a smoke-hole. This probably continued in poorer households, but richer ones developed a separate kitchen. Similarly, historically the household slept in the cubicles opening off the atrium, but as townhouses became deeper family tended to live deeper in the house, and these became guest rooms (unless the house has dedicated guest rooms, a hospitium). Slaves and servants might sleep in the entrance to their master's cubiculum.
Richer Romans received visitors in the mornings, as their clientes gathered in the atrium for the salutatio. The patron often greeted them from the tablinum. The atrium was generally the most elaborate room, with the finest artworks, wall paintings, imported marble wall-linings, and marble or mosaic floors (mosaics being even more expensive than imported marble slabs). The homes of the richest Romans became more ostentatious as increasing wealth inequality increased housing inequality, and as it became less socially important to display frugalitas and abundentia, and more important to display tryphé.
This patron-class use as a reception-room made the atrium a semi-public space, and it came to be known as the pars urbanan, the city part of the house. The more private space behind the tablinum was the pars rusticana, the rural part. The pars rusticana was centered around a peristyle; it did not exist in early Roman houses. Greek culture was high-status in Roman culture (see Hellenization). The peristyle was borrowed from Greek architecture and became popular, eventually sometimes replacing the atrium. As a result, the names for the pars urbanan are in Latin, while the names for the pars rusticana are Greek loan-words. In the countryside the order was sometimes reversed; the pars urbana cortile, which one entered from the main street entrance, was a peristyle. The atrium was then buried in the depths of the house, often near a portico (an outwards-looking colonnade on one or more outside walls) with a view of the landscape.
The atrium often contained a small chapel to the ancestral spirits (lararium). The household safe (arca) was also kept in the atrium; it contained family treasures and important documents. The room might contain portraits of ancestors, or a bust of the master of the house. In wealthier houses, furniture included an oblong marble cartibulum (table), supported by trapezophoros pedestals depicting mythological creatures like winged griffins. A puteal, a low cylindrical covered wellhead through which water could be drawn from the cistern below, was often present. There would also be works of art, especially statuary, which was set beside the impluvium, on tables, in niches, on walls, etc. For night, there might be oil-lamp-stands.
Curtains or partitions might close off the tablinum; alae might also have been curtained at times. Interior doorways might have doors or curtains.
The roof is framed so as to leave an open space in the center, known as the compluvium. The rain from the roof was usually collected in gutters around the compluvium, and discharged thence into the impluvium.
The roof around the compluvium was edged with a row of highly ornamented tiles, called antefixes, on which a mask or some other figure was moulded. At the corners there were usually spouts, in the form of lions' or dogs' heads, or any fantastical device which the architect might fancy. The spouts carried the rain-water clear out into the impluvium, rather than letting it run down the walls and pillars, which would damage them. Seeping through the bottom of the impluvium, the water passed into cisterns, from which it was drawn for household purposes.
The compluvial opening might be shaded by a coloured veil, probably of an open, airy weave.
Five structural types of cavaedia (or atria) are described by the architect Vitruvius:
The full original description, in his sixth book on engineering, is fairly succinct:
The Tuscan atrium seems to be the most common type in Pompeii. The Tuscan type has the advantage that the walls and pillars are very well-protected from the elements. For a smaller cavaedium, it is a simple, light structure. In a larger cavaedium, though, it requires very massive timber beams.
The Tuscan structure requires two wooden beams that span the entire atrium, running horizontally from wall to wall (see image). Since the atrium is usually longer than it is wide (Vitruvius advises width:length ratios of 3:5, 2:3, or 1:√2), the beams usually run across the width of the atrium. The ends of the beams are typically encastrated (set in a socket in the wall). The beams must be thick enough not to bend excessively under the weight of the roof. As the atrium gets wider, the span gets larger, until it is impractical or unaffordable to get beams which are big enough. The Tuscan style was therefore not used on very large atria. Since a large atrium was a status symbol, the more complex structures used for large atria were sometimes used in small atria which could have been covered with a simpler Tuscan roof.
The main horizontal beams form two sides of the roof opening. The other two sides are formed by shorter horizontal cross-beams, laid across (or jointed into) the main beams. The four valley rafters slope down from the corners of the walls to the corners of the central roof opening. The upper ends of the valley rafters rest on the wall, and the bottom ends on the horizontal beams. The smaller rafters rest their upper ends on the wall, and their lower ends mostly on the beams and cross-beams; the short rafters in the mitered corners of the roof rest on the valley rafters.
In the atrium tetrastylum additional support was required in consequence of the dimensions of the hall; this was given by columns placed at the four angles of the impluvium. This style is not common in Pompeii. These pillars support a beam, which supports a wall, which in turn supports the rafters in the middle of the atrium. There is no need for horizontal beams spanning the entire room; the rafters have shorter spans. This allows a larger room to be roofed.
This style has a rectangle of pillars around the roof opening. It is like the tetrastyle, but with more than four pillars. It resembles a peristyle. If the lower layer was sufficiently robust, it could support a second story.
In this style, the roofs, instead of sloping down towards the compluvium, sloped outwards from the compluvium, the gutters being on the outer walls; there was still an opening in the roof, and an impluvium to catch the rain falling through (and presumably fed by the gutters). This species of roof, Vitruvius states, is constantly in want of repair, as the water does not easily run away, owing to the stoppage in the rainwater pipes.
This type was rare; only one had been found in Pompeii, as of 1911.
The atrium testudinatum was employed when the atrium was small and another floor was built over it. The name comes from the Latin word testudo, which means a turtle or tortoise, and by transference a covered vault.
The Encyclopædia Britannica said that no example of this type had been found at Pompeii, as of 1911. While narrow homes had atria that were not flanked by cubiculums and alae, and even atria where the impluvium was set against a wall or in a corner, homes smaller than 5 meters across are generally testudinate.
Vitruvius continues by giving the correct proportions for an atrium (length:width ratios for the atrium, and their proportion to that of the opening in the roof, width:height ratios for the atrium, and the proportions (relative to the atrium) of the adjacent rooms that are alcoves open on the atrium side, the tablinum and alae). It is worth noting that many extant atria do not follow his ideal rules.
He also advises that the size of the atrium of cavaedium be appropriate to the purposes required by the owner's social station: "men of everyday fortune do not need entrance courts, tablina, or atriums built in grand style, because such men are more apt to discharge their social obligations by going round to others than to have others come to them... For capitalists and farmers of the revenue, somewhat comfortable and showy apartments must be constructed, secure against robbery; for advocates and public speakers, handsomer and more roomy, to accommodate meetings; for men of rank who, from holding offices and magistracies, have social obligations to their fellow-citizens, lofty entrance courts in regal style, and most spacious atriums and peristyles, with plantations and walks of some extent in them, appropriate to their dignity."
In many homes in Pompeii, the atrium's walls were placed halfway between the walls behind them and the edge of the impluvium. This meant that the same proportions (almost always 1:√2 width:length) were used for the impluvium edge, the atrium walls, and the next layer of walls (those running outside the tabernae, the cubicles and alae, and the tablinum with its flanking rooms). This arrangement would give the sloping rafters an equal span on each side of the atrium walls.