davidanugraha/M4-RAG huggingface dataset:
Jeju Stone Park

Jeju Stone Park (Korean: 제주돌문화공원; lit. Jeju Stone Culture Park) is a museum and park that focuses on how stone has culturally been used in Jeju Province, South Korea. It is located in Jocheon, Jeju City, and first opened to the public on June 3, 2006. It was continually constructed until it was completed in February 2021.
The park spans 327 ha (810 acres). It consists of the Jeju Stone Museum, a garden themed around Jeju's mythology, an outdoor Jeju Stone Cultural Exhibition Hall, a traditional Jeju folk village, and 500 stone piles symbolizing generals of Jeju legend.
In July 1998, the founding director of the park, Paek Un-chol, submitted a proposal for the park to the local government. On January 19, 1999, he received approval to start the park. A 2017 article reported that he spent 40 years creating and collecting stone sculptures. He had previously run a park from 1971 to 2009 called the Tamla Mok Seok Won, which featured unusual root and stone formations. That park's popularity peaked in the 1970s and 1980s, before dwindling as South Koreans began traveling abroad in the 1990s. Beginning in 2000, he moved much of that park's collection to the Jeju Stone Park. Groundbreaking work began on the park on September 19, 2001.
The park aims to cover Jeju's culture, history, and mythology. It covers Seolmundae Halmang, a grandmother deity of the island. It has also covered Jeju shamanism, for example in an exhibit about the South Korean artist Nam June Paik. It has also hosted events, such as the annual Seolmundae Halmang Festival, which has been held in May since 2007.
The park has also hosted academic conferences and other events. In 2024, it was announced that the park would host an upcoming UNESCO training and research center.
Media related to Jeju Stone Park at Wikimedia Commons
Love Land (South Korea)

Jeju Loveland (Korean: 제주러브랜드; also "Love Land") is an outdoor sculpture park which opened in 2004 in Jeju Province, South Korea. The park is themed around sex. It plays sex education films and has 140 sculptures of humans in various sex positions. It also has other elements such as large phallus statues, stone labia, and hands-on exhibits such as a "masturbation-cycle". The park's website describes the location as "a place where love oriented art and eroticism meet".
During the 1970s, Jeju Island became a popular honeymoon destination for Korean couples, due to the island's warm climate and Cold War-era restrictions on overseas travel. Many of the couples had wed because of arranged marriages, and the island also became known for being a center of sex education. According to an article in Germany's Der Spiegel magazine, in the late 1980s journalist and travel writer Simon Winchester reported that some hotel employees on the island performed as "professional icebreakers". In the evenings, the hotel would offer an entertainment program featuring erotic elements, to help newlyweds relax.
In 2002, graduates of Seoul's Hongik University began creating sculptures for the park, which opened on November 16, 2004. Encompassing an area the size of "two soccer fields", all of the sculptures can be viewed in approximately one hour, and there is an additional monthly rotating exhibit featuring works by different Korean artists.
Visitors are required to be at least 18 years old, and a separate play area is available for minors while adults visit. The play area is themed on anime. In 2021, the park temporarily closed for renovation before reopening in May 2023.
In 2018, certain exhibitions in the park have been criticized for its depictions of obvious sexual crimes downplayed as "erotic imaginations" such as looking under women's skirts and peeking inside girls in the toilet, when molkas and voyeurism is illegal and such depictions encourage criminal activity. In 2019, Jeju research institute of women and family decided to investigate it as examples of sexual discrimination and many others like it and remove sexual discrimination content in the tourist industry.
33°27′07″N 126°29′24″E﻿ / ﻿33.452°N 126.490°E﻿ / 33.452; 126.490
Suseok

Suseok (Korean: 수석), also called viewing stones or scholar's stones, is the Korean term for rocks resembling natural landscapes. The term also refers to the art of stone appreciation. The stone may be hand-carved or naturally occurring, with natural stones being of greater value. Such stones are similar to Chinese gongshi (供石) and Japanese suiseki (水石).
Suseok can be any color. They vary widely in size – suseok can weigh hundreds of kilograms or much less than one kilogram, the largest of which may be displayed in traditional Korean gardens.
Chinese gongshi influenced the development of suseok in Korea. Suseok became a fixture of Korean society during the Joseon Dynasty, when Confucian scholars displayed them on their writing desks. From here is where the English name "scholar's rock" originates. Suseok regained popularity amongst nouveau riche businessmen in the 1980s during Korea's economic boom.
The art usually works on three scales: large installations of monumental shaped stones as ornamental gates; medium-sized shaped stones for landscape decoration within Korean gardens; and the smaller shaped stones for scholar's tables, the most important of these scales.
Early on, important sites within landscape were marked with shaped stones, similarly to distance markers on post roads. Burial sites were also given permanent marking by large scale tumuli or mounds, often surrounded by anthropomorphic shaped stones much akin to that of Inuit or First Nations' memory markers. The animistic belief of nature being alive, and large-scaled elements of nature having souls, has led to the continued use of massive sculpted stone in natural forms throughout Korean traditional entranceways, as the firstgrowth cedarwood traditionally used for gates is now rare.
As Confucian scholarship ascended into the golden age of the Joseon dynasty, scholar rocks became an essential fixture of the writing tables of the yangban class of scholars, and a brilliant example of Confucian art. Smaller ceramic versions of scholar's rocks have been seen cast in celadon and used as brush-holders, as well as water droppers for scholar's calligraphy – particularly in the shape of small mountains.
A large desk-sized suseok appears prominently in the 2019 Korean film Parasite where it is given as a gift from one of the characters in the film to another. The suseok first appears to bring great fortune to the main character's immediate family, but the family then loses all of this fortune and is destroyed by their own greed and class conflict. In one scene it is used as a weapon to attack one of the main characters. At the end of the film, it is placed in a river to be forgotten. The film won the award for Best Picture at the 2019 Academy Awards that year, the first non-US American film ever to do so.
Haesindang Park

Haesindang Park (Korean: 해신당 공원), also called Penis Park, is a theme park in Samcheok, Gangwon Province, South Korea. The park is noted for its number of phallic statues. The collection created by Korean artists displays various forms of "hanging arrangements to three-meter tall trunks of wood", for joy, spirituality and sexuality. A small Folk Museum titled "Village Folk Museum" has exhibits of art objects on the "sex iconography" over ages in different cultures, shamanic rituals and also the history of the Korean fishing community.
A tragic legend known as the "Legend of Auebawi and Haesindang" shrouds the statues of the park. According to the legend, a woman was once left by her man on a rock in the sea while he worked. The man was later unable to retrieve her because of a storm, and the woman drowned. After that, the village people were not able to catch fish. Some said that it was because of the dead woman. One day, a fisherman urinated into the water and afterward, he was able to catch fish, so it was thought that exposing the deceased virgin to male genitalia pleased her. To soothe her spirit further, the local village people made several phallic wooden carvings and held religious ceremonies on her behalf. After a while, the fish slowly returned and the villagers were able to live comfortably again. The place where the woman died was named Auebawi Rock and the building where the religious ceremony is held twice a year was named Haesindang. The ceremony is still honored today as a traditional folk event.
The location where the virgin girl died is called the Aebawi Rock and a biannual religious ceremony, a traditional folk event, also known as Haesindang, is conducted at a small building here. The seaward end of the park has a small shrine dedicated to the spirit of the virgin girl, and the park has a bronze statue about the legend. There are around 50 phallic statues exhibited in various sizes and styles; some have faces on them and are more animated in appearance and more colorful, but others are exact depictions of the human penis. Near the cliff top there is a Chinese zodiac of sculptures in an arch with each animal carved inside of life-size penises. Some of the sculptures are also in the form of park benches, drums, and there's even a moving cannon. These were created for an exhibition held at Samcheok during the former Penis Culture Festival. Middle-aged men and women throng the museum. There is also a phallic red lighthouse down on the dock. The park also houses Korea's largest aquarium theater and an arboretum.
Media related to Haesindang Park at Wikimedia Commons
Hunter Valley Gardens

Hunter Valley Gardens is in the heart of Hunter Valley wine country, located in Pokolbin, New South Wales, Australia. It opened in 2003 and is now open every day of the year except Christmas Day. The gardens span fourteen hectares of land, containing ten differently themed gardens, accommodation, a shopping village, rides, events and dining. The gardens are a popular venue in the Hunter Valley for weddings and other events. Hunter Valley Gardens is the largest display garden in the Southern Hemisphere.
Hunter valley gardens was developed and created by the Roche Group, when founder Bill Roche retired. He decided that he would finally make his lifelong ambition a reality, building a garden that would be enjoyed for generations to come. Starting construction in 1999, the team of 40–50 landscape gardeners, engineers and architects completed the gardens and it was opened in October 2003 by the premier of New South Wales.
The gardens are composed of ten individually themed gardens, influenced by different locations around the world, containing both native and exotic flora. The display gardens are divided by eight kilometres of wheelchair accessible walking paths. There are over six thousand trees, six hundred thousand shrubs and one million ground-covers populating the gardens.
The themed gardens are:
The shopping village is located outside the entrance to the gardens and is adjacent to the picnic area, barbecue, playground and the neighbouring Aqua Golf & Putt Putt course. The village contains a collection of bespoke shops, ranging from delicious meals to jewellery and unique clothing.
There are two accommodation venues that Hunter Valley Gardens offers, Harrigan's Irish Pub & Accommodation and Mercure Resort Hunter Valley Gardens.
Hunter Valley Gardens offers various settings for wedding ceremonies (including a purpose built chapel), photo opportunities and the assistance of a wedding consultant. There is a number of reception venues and many options for catering.
Hunter Valley Gardens is known worldwide for the many yearly events that they hold. Along with these events, the gardens have horticultural talks, festivals and possess permanent Italian-imported rides.
Christmas Lights Spectacular – The Christmas Lights Spectacular is the largest lights display in the southern hemisphere with over 2 million lights, the event has been held every year since 2007. They begin at the start of November and close at the end of January.
Snow Time – Occurring in winter, the gardens open an ice skating rink, snow toboggan slides and other rides, that are accessible for most ages.
Mega Creatures – During the NSW school holidays, the Hunter Valley Gardens display many Mega Creature statues and animatronics throughout the gardens, including dinosaurs, insects and dragons.
Victoria Embankment Gardens

The Victoria Embankment Gardens are a series of gardens on the north side of the River Thames between Blackfriars Bridge and Westminster Bridge in London.
Between 1865 and 1870 the northern embankment and sewer was built by Sir Joseph Bazalgette. In 1874 gardens were created on the reclaimed land on the inward side of the roadway named Victoria Embankment. There were four sections created, the Temple Garden to the east, the Main Gardens to the west (originally known as the Adelphi Gardens), and two other sections to the south following the bend of the Thames. The gardens are now under the control of the City of Westminster.
The gardens are fully fenced and are open during designated hours. They open at 07:30 throughout the year, but close at varying times between 16:30 during the coldest months and 21:30 at the height of summer. All gardens have gravel paths that are well lined with seats mainly given as memorials. The river side of the gardens is lined with mature trees. Grass and flower beds are spread throughout the gardens, and on warm days workers from near-by establishments can be seen having picnic lunches both on the seats and the grass.
In the Temple section there are statues to Isambard Kingdom Brunel and John Stuart Mill. The main section has memorials Sir Arthur Sullivan, Robert Burns, Sir Wilfred Lawson, Robert Raikes and the Imperial Camel Corps. The southern section has memorials to General Sir James Outram, General Gordon, Air Marshal Lord Trenchard, and the Chindit Memorial which also commemorates Orde Wingate.
A memorial to the British soldiers in the Korean War was unveiled in Victoria Embankment Gardens, between the River Thames and the Ministry of Defence headquarters in London, England, in December 2014.
Although not strictly a statue, there is an equatorial sundial made from stainless steel in the main garden under the Savoy, dedicated to Richard D'Oyly Carte.
In the main garden there is a café, open in the warmer periods, and a band shell where concerts are held daily in June and July. A charge is made for seats in the enclosure, but the concerts can easily be heard outside on the paths' seats. The York Water Gate can be seen adjacent to the Villier Street entrance. This marks the original bank of the Thames, which is now 135 metres away. Public toilets are outside the gardens' Embankment gate next to the underground station.
51°30′29″N 0°07′21″W﻿ / ﻿51.5080°N 0.1224°W﻿ / 51.5080; -0.1224
Garden ornament

A garden ornament or lawn ornament is a non-plant item used for garden, landscape, and park enhancement and decoration.
Early examples of the use of garden ornaments in western culture were seen in Ancient Roman gardens such as those excavated at Pompeii and Herculaneum. The Italian Renaissance garden and French formal garden styles were the peak of using created forms in the garden and landscape, with high art and kitsch interpretations ever since. The English landscape garden expanded the scale of some garden ornaments to temple follies
The Asian tradition of making garden ornaments, often functioning in association with Feng Shui principles, has a nearly timeless history. Chinese gardens with Chinese scholar's rocks, Korean stone art, and Japanese gardens with Suiseki and Zen rock gardens have a symbolic meaning and natural ornamental qualities.
Garden ornaments include:
Lawn ornaments are decorative objects placed in the grassy area of a property.
Gas

Gas nyaéta hiji kaayaan barang. Kawas cacai (basa Indonesia: cairan), gas miboga kamampuh pikeun ngocor sarta bisa ngarobah bentuk. Tapi béda jeung cacai, gas anu teu kaampeuh henteu ngeusian hiji rohang anu geus ditangtukeun, sabalikna maranéhanana mekar sarta ngeusian rohang naon baé di tempat maranéhanana cicing.
Hadis

Hadis (hadits, Basa Arab: حديث‎) nyaéta hiji hal anu ditujulkeun ka Nabi Muhammad saw, boh dina wangun omongan, gawé, atawa kamerenahanana. Hadis mangrupa sumber hukum Islam kadua sanggeus Quran. Firman Allah swt:
... وَمَا ءَاتَاكُمُ الرَّسُولُ فَخُذُوهُ وَمَا نَهَاكُمْ عَنْهُ فَانْتَهُوا...
Hartina: Naon waé anu Rosul bikeun ka maranéh, pék tarima. Naon waé anu Anjeunna larang ka maranéh, pek tinggalkeun...(Q.S Al-Haysr [59]:7)
Ngarojong sarta nguatkeun naon anu disebutkeun ku Alquran. Ngécéskeun Alquran, boh ku cara ngawincik anu global boh ngatakhsis anu umumna. nunjukkeun ka hukum anyar anu henteu disebutkeun ku Alquran.
Anu dimaksud ku sunnah nyaéta sagala anu asalna tina Kanjeng Nabi, naha dina bentuk kecap, perbuatan atanapi sepi Nabi. Kaasup kana sunnah hadis-hadits anu asalna tina babaturan. Hadits téh asup na dalil naqli Archived 2020-07-24 di Wayback Machine. Aranjeunna cicing babarengan sareng Rasulullah SAW, aranjeunna nguping sareng nyaksian gerakanna, teras aranjeunna nyarios dumasar kana naon anu aranjeunna ningali atanapi naon anu aranjeunna nguping.
Macem-macem hadis aya tilu, nyaéta:
Aya sawatara istilah anu perlu dipikanyaho dina nyurtian élmu ngeunaan hadis, nyaéta lafadz-lafadz husus anu disatujuan hartina ku para ahli hadis. di antarana sanad, matan, rawi, sarta rijalul hadis.
30 Pébruari

30 Pébruari aya dina sababaraha almenak, Bisa sehat ingat tapi euweuh dina kalénder Grégori, sabab Pébruari ukur boga 28 poé atawa 29 poé dina taun kabisat (unggal 4 taun). Tapi tidak ada dengan pergi bisa tak boleh teman-temanku reaski tadi sudah aku sedang melihat ini suka kenapa tak percaya tidak tahu beruntung nanti ayo aduh jangan mainlah sahanteuna aya tilu kali dina sajarah kajadian di mana di sababaraha nagara, bulan ieu mibanda 30 poé.
Kakaisaran Swedia (anu kaasup Finlandia mangsa harita) boga rencana pikeun ngaganti ti kalénder Juli ka kalender Grégori mimiti taun 1000 kalawan miceun poé kabisat salila 40 taun ka hareup. Ku lantaran éta, 1700 lain mangrupa taun kabisat di Swedia, tapi taun 1704 sarta 1708 mangrupa taun kabisat di luar rencana. Hal ieu ngabalukarkeun kalender Swedia jadi sapoé leuwih gancang batan kalender Julian tapi masih 10 poé pandeurieun kalender Gregorian. Kabingung ngurangan nalika dina 1712, dua poé kabisat ditambahkeun, ngabalukarkeun taun kasebut miboga tanggal 30 Pebruari. Poé kasebut sarua jeung 29 Pebruari dina kalender Julian sarta 11 Maret dina kalender Gregorian. Pergantian Swedia ka kalender Gregorian ahirna dipigawé dina 1753.
Dina 1929 Uni Sovyét ngawanohkeun kalender revolusioner Sovyét di mana saban bulan miboga 30 poé sarta sésa 5 atawa 6 poé henteu mangrupa bagian ti bulan naon ogé sarta jadi poé libur. Ku sabab éta, taun-taun 1930 sarta 1931 miboga 30 Pebruari tapi gagantian kasebut dibatalkan dina taun 1932 ku kituna balik deui maké kalender biasa.
Sacrobosco, saurang cendekiawan abad ka-1 nglaim yén dina kalender Julian bulan Pebruari miboga 30 poé dina taun-taun kabisat ti saprak 44 SM nepi ka 8 M nalika Kaisar Augustus nyingket Pebruari sangkan bulan Agustus anu dingaranan nurutkeun ngaranna miboga panjang anu sarua jeung bulan Juli (anu dingaranan nurutkeun nu miheulaanana, Kaisar Julius). Sanajan kitu euweuh bukti sajarah ngeunaanana sarta jigana ieu saukur hiji mitos heubeul.
Tahu gejrot

Tahu Gejrot, nyaéta kadaharan has ti daérah Cirebon, Jawa Kulon. Asal muasalna tahu gejrot téh di Desa Jatiseeng, Kecamatan Ciledug, Kabupatén Cirebon. Tahu gejrot geus aya ti saméméh Indonésia merdeka. Kiwari tahu gejrot geus sumebar disakuliah Jawa Kulon, Jakarta, jsb. Biasana jualanna maké tanggungan. Bisa kapanggih disisi jalan, atawa ditempat-tempat paméran. Tahu gejrot téh dijieunna tina tahu anu di goréng, di potong, sarta samarana tina bawang beureum, cabé rawit sarta gula. Sederhana pisan kadaharan ieu, tapi rasana rongkah, sarta miboga ciri has tibatan nu séjén, tahu gejrot biasana dipidangkeun dina hiji Cobek/Layah leutik.
Kadaharan tradisional ieu bahan utamana tahu anu ngabogaan ciri khas nu béda. Tahu jenis ieu ngabogaan tekstur unik sarta béda kalayan tahu jenis séjénna. Lamun diperhatikeun sacara cermat, sanggeus diasakan, tahu baris ngabogaan tekstur berongga jeung kulit rangu sarta daging ipis anu némpél dina kulitna. Cara nyajikeun sederhana sarta masih tradisional, éta jadi ciri has ti tahu gejrot ieu.
Tahu asak anu ukuranana leutik-leutik dibagi jadi dua bagéan. Dipidangkeun dina piring leutik anu dijieun tina tembikar anu nambahan has tina kadaharan ieu. Kalayan ulekan anu samara-samarana saperti uyah, gula beureum ditambah potongan bawang beureum, bawang bodas sarta céngék anu saluyu jeung kahayang, tuluy dibanjur ku kuah anu dijieun tina campuran cai, kecap sarta gula aren nu ngajadikeun rasa ti tahu gejrot ieu sampurna. Ladana céngék kalayan kuah nyababkeun deudeuieun. Pikeun ngarasakeun tahu gejrot ieu, urang henteu maké séndok tapi ngan perlu nyéré leutik pikeun nojos tahu.
Tahu susu

Tahu susu nyaéta produk turunan tina susu jeung tahu kadelé. Sakumaha ilaharna nyieun tahu, tahu susu dijieun tina kacang kadelé nu diprosés kawas sasari. Bahan keur ngagiblegkeun tahu ogé sarua jeung nu biasa dipaké keur ngagiblegkeun tahu susu. Prinsip nyieunna, nyaéta sanggeus prosés nyieun tahu ti mimiti ngeueuman, ngulub jeung nyaring sari kadelé, saméméh tahuna ngagibleg, sari kadelé dicampurkeun heula jeung susu nu ditambahan ku bahan nu miboga sipat asam ngarah protéin nu aya dina susu (kaséin) bisa ngagibleg. Bahan asamna upamana waé cuka atawa jus lémon.
Tahu susu Lémbang mimiti medal taun 2008 sarta saterusna kasohor minangka salah sahiji oléh-oléh has Bandung. Ditingali tina wangunna, ieu tahu sabenerna siga sakumaha ilaharna tahu, aya anu kelirna bodas, aya ogé anu konéng. Pabeungeutanana robah jadi garing jeung rangu sanggeus digoréng, sedengkeun bagéan jerona karasa lemes.
Sarua jeung tahu lianna, ieu kadaharan dijieun tina kadelé, ngan dicampur jeung susu sapi murni. Ku kituna, lian pelem, téksturna ogé leuwih padet. Proses nyieunna dipigawe sacara tradisional sarta tanpa bahan pangawét, ku kituna dina suhu hawa kabuka, ieu kadaharan ngan tahan tepi ka 2 poé atawa maksimal saminggu mun aya dina jero kulkas.
Ngokolakeun tahu susu kawilang gampang. Tahu bisa digoréng tepi ka kelirna soklat. Sanggeus asak, tahu susu bisa disuguhkeun haneut-haneut, biasana leuwih pédo lamun didahar jeung céngék.
Sarape

El sarape, zarape o jorongo​ es una prenda de vestir masculina que porta el hombre de campo para cubrirse de la lluvia y el frío. Es un atuendo considerado mexicano, el sarape es proveniente del estado de Tlaxcala aunque cada estado de México tiene su propio estilo, a veces cambiando la forma de elaboración, el diseño, o el estilo. Sirve para abrigar o como cobija, también ha servido de alfombra o tapete (véase "petate").​
Es la prenda de gran tradición rural en todo México y parte de Guatemala, aunque tiene reminiscencias de su origen en la época colonial de la Nueva España, es un diseño sincretizado con motivos prehispánicos e ibéricos, se fabrica con fibra de algodón o lana de oveja, el hilo es de múltiples colores y los diseños son únicos; dentro de los motivos están las grecas, las herraduras de caballo o figuras zoomorfas.
El hilo es de gran grosor, teñido con pigmentos naturales y se tejía a la manera tradicional indígena, pero el telar que fue traído de Europa sustituyó rápidamente a la antigua elaboración. Cada nudo va ligado en forma de estera y se van insertando los colores deseados con un largo proceso de trabajo.
El sarape nace del mestizaje de la Nueva España. La llegada de los españoles provocó no solo grandes cambios en la gastronomía, el idioma y la religión, sino también en la indumentaria. Este trozo de tela se formó con la influencia de la tilma, de origen nativo, y la capa valenciana, de origen español, poco después de la conquista. Ambas prendas se crearon de forma diferente porque una se confeccionó manualmente y la otra con una máquina europea. El hilo y el teñido fueron diferentes, pero a medida que se fueron adaptando ambas elaboraciones, el proceso de hacer el nudo cambió.
Las prendas de estilo europeo fueron adoptadas por los nativos, aunque no del todo, porque al reproducirlas, las etnias nativas imprimieron su cosmovisión en el diseño, como los yaquis y los huicholes, lo que a veces les da el aspecto colorido y patrones intrincados en algunos sarapes como los sarapes de saltillo.​
Day of the Dead (canción)

«Day of the Dead» es el primer sencillo oficial de Hollywood Undead del cuarto álbum llamado Day of the Dead. La canción se filtró en su canal Vevo en YouTube el 17 de octubre, y poco retirado después. Fue lanzado oficialmente el 21 de octubre de 2014. El álbum fue lanzado 31 de marzo de 2015.
Day of the Dead 2: Contagium

Day of the Dead 2: Contagium es una película de 2005 de terror escrita por Ana Clavell y dirigida por James Clavell y Dudelson, protagonizada por Justin Ipock, Laurie Maria Baranyay y John F. Henry III.​ Se trata de una secuela no oficial de Day of the Dead de 1985. La película fue estrenada directo-a-video el 18 de octubre de 2005 en los Estados Unidos.
En 1968, un hombre infectado de Rusia, Rubinsky (Simon Burzynski), está siendo operado en un hospital militar, cuando los soldados llegan y empiezan a disparar a todos los que están en el edificio. Uno de los estudiantes del hospital, DeLuca, roba un extraño vial, metiéndolo en su termo. Más tarde es asesinado por los soldados en su intento de escapar por el bosque, cayéndose el termo. Los soldados en el hospital siguen matando a cualquiera que haya estado en contacto con el hombre infectado. Los zombis matan a tres de los soldados y varios enfermeros del hospital. El resto de los zombis son aniquilados cuando un C4 es detonado por francotiradores fuera del hospital.
Treinta y siete años después, en 2005, un grupo de pacientes en el mismo hospital de 1968, encuentran el extraño termo enterrado en el patio.
La película recibió críticas negativas. Un factor se deriva al título, como la trama de la película y su descripción de los zombis están en contradicción con los del original en Day of Dead y las películas de muertos vivientes de Romero en conjunto. Fuertes críticas también se han dirigido hacia la actuación, efectos especiales y el guion de la película.
Secretaría de Cultura de la Ciudad de México

La Secretaría de Cultura de la Ciudad de México es la dependencia de la administración pública de la Ciudad de México encargada de diseñar, coordinar y ejecutar políticas públicas funciones relativas a la investigación, formación, difusión, promoción y preservación del arte y la cultura para impulsar y desarrollar actividades culturales en la capital del país.​
Conforme a la Ley Orgánica de la Administración Pública Federal, a esta dependencia le corresponde el despacho de las materias relativas a garantizar el ejercicio pleno de los derechos culturales de quienes habitan o transitan por la Ciudad, promover el desarrollo de la identidad cultural de las personas, asegurar que se respete la diversidad de sus modos de expresión, su memoria y su conocimiento tradicional, así como asegurar la accesibilidad y enriquecer la calidad de las manifestaciones culturales, con base en los principios democráticos de igualdad, libertad, tolerancia y pluralidad.​
Algunas de las funciones que le corresponde específicamente a la Secretaría de Cultura de la Ciudad de México son las siguientes:
Conforme al Reglamento de la Administración Pública Federal, a la Secretaría de Cultura de la Ciudad de México le corresponde la siguiente estructura orgánica:​​​
Secretaría de Cultura:
La Secretaría cuenta con las siguientes dependencias, mismas que administran una serie de recintos, museos, escuelas y otros:
Fondo Nacional para la Cultura y las Artes

El Fondo Nacional para la Cultura y las Artes (Fonca, por su acrónimo) es un organismo público mexicano que forma parte de Secretaría de Cultura cuyo fin es apoyar la creación y producción artística, y cultural, de calidad; promover y difundir la cultura; incrementar el acervo cultura; y preservar y conservar el patrimonio cultural de la nación.​
La creación del Fonca está relacionada con la creación del Consejo Nacional para la Cultura y las Artes (Conaculta) durante el gobierno del presidente Carlos Salinas de Gortari. El Fondo Nacional para la Cultura y las Artes fue fundado el 2 de marzo de 1989 como una instancia de apoyo a los artistas por parte del Gobierno Federal ante la idea de que el Estado debía garantizar plena libertad a los creadores, como respuesta a la comunidad artística interesada en fomentar el trabajo independiente y para satisfacer las necesidades de transformar el panorama cultural mexicano.​
Es el mecanismo financiero de Conaculta, quien administra y controla las aportaciones dadas por el Estado y la sociedad civil; también busca unificar los esfuerzos del Estado, sociedad civil y la comunidad artística alrededor de la creación de estímulos para las creaciones artísticas.​ Su misión consiste en apoyar la creación y producción artística de calidad que opere bajo las premisas de participación democrática y quedad de oportunidades.​
Los estímulos impartidos por el Fonca son en su mayoría financieros y están dirigidos a todos los artistas mexicanos, desde 18 años, que vivan en la República, en el extranjero o artistas extranjeros que acrediten que están como inmigrantes. También apoya a grupos culturales y a quienes hayan contribuido de forma significativa a enriquecer al panorama artístico del país.​
Las convocatorias para dichos apoyos se publican en la página del Fonca y de Conaculta. Hasta el 2014 existían 25 convocatorias abiertas a toda la gente para que se postularan a ellos.​
Las 25 convocatorias se concentran en los diferentes quehaceres artísticos música, danza un jurado es el encargado de dictaminar a los acreedores de la beca.​
Los interesados en obtener alguna beca o apoyo del FONCA deberán enviar sus propuestas, conforme dice la convocatoria, las cuales pasarán a una comisión especial del programa que evaluará el aspecto técnico y administrativo y decidirá quienes son acreedores al apoyo.
Entre los beneficiados por apoyos del FONCA se cuentan artistas como Emilio Carballido, Ricardo Garibay, Mario Bellatin, Cristian Canton Ferrer, Ludwig Margules, Alejandro Luna, los Hermanos Villalobos, David Huerta, Silvia Navarrete, Liliana Pedroza​ Luis Felipe Lomelí, Liliana Flores, Francisco Toledo, Arturo Márquez, Gabriel García Márquez, Carlos Fuentes, Manuel de Elías, Gabriel Orozco y Jorge Volpi​
En el 2013, durante la edición 41 del Festival Internacional Cervantino se originó el programa Fonca-FIC el cual busca apoyar el estreno de obras de los miembros del programa de Sistema Nacional de Creadores. La sangre de Antigona de Ignacio García fue una de las obras que se presentaron durante el FIC con este programa.
Blusa

Una blusa (del francés blouse) es una prenda de vestir, similar a la camisa, utilizada por mujeres, niños y en diferentes trabajos —tanto mujeres como hombres—.​
Las blusas raramente formaban parte del guardarropa de la mujer hasta los años 1890. Antes de entonces, eran ocasionalmente populares para el uso informal en los estilos que asemejaban la ropa campesina o tradicional, tal como la camisa de Garibaldi de la década de 1860.​
Durante la época victoriana más tardía, las blusas llegaron a ser comunes para un uso informal, práctico. Una blusa simple con una falda llana era el vestido estándar para la mano de obra (no-doméstica) femenina nuevamente ampliada en los años 1890, especialmente para los empleados en trabajo de oficina. En las décadas de 1900 y 1910, blusas elaboradas como la blusa de lencería (así llamada porque fue adornada pesadamente con cordones y bordados en un estilo restringido antes a la ropa interior) y la blusa Gibson Girl con plisados, llegaron a ser inmensamente populares para vestir de día e incluso para cierto uso informal por la noche. Desde entonces, las blusas no han dejado de ser un valor fijo en el guardarropa.
Las blusas se hacen de tela de algodón o de seda y pueden o no incluir cuello o mangas. También pueden contener detalles tales como colmenas o decoraciones bordadas.
Las blusas tienen botones invertidos a los de las camisas de los hombres. Es decir, los botones están normalmente en el lado izquierdo y los ojales en el derecho. Las razones de esto son confusas, sin embargo:
En muchos casos la tela con la que se confeccionan las blusas suele tener cierta transparencia a diferencia de las camisas masculinas que suelen ser opacas. Además, en ocasiones como complemento se suele añadir una bufanda (del mismo modo que lo haría la corbata en el caso de los hombres).
La confección de blusas se hacía generalmente como manufactura en las casas por las mujeres —generalmente— o en pequeños talleres de modistas y sastrerías. La fabricación de camisas tuvo un auge a finales del siglo XIX en Estados Unidos. Aprovechando la emigración de Europa se trasladó el trabajo de costurera en el hogar a talleres y fábricas que van a componer el entramado de la industria textil y de confección. La prenda, camisa o blusa, tuvo un crecimiento espectacular al sustituir a otras prendas más tradicionales.
El desarrollo industrial textil tuvo varios acontecimientos importantes en Estados Unidos: la denominada Huelga en las fábricas de camisas de Nueva York en 1909 y en el año siguiente el terrible Incendio en la fábrica Triangle Shirtwaist de Nueva York de 1911 que marcaron el desarrollo de las condiciones laborales de la industrial textil.​​​
Asimismo, en 2013 se produjo el colapso del edificio en Savar donde estaban instaladas numerosas fábricas de ropa que suministraban productos a numerosas empresas comerciales de todo el mundo.​​​
En México, la existencia de maquiladoras ha permitido al país un desarrollo económico y la creación de empleo en el sector femenino pero a costa de penosas condiciones de trabajo —largos horarios y escasos sueldos—.​​​
Jacques Soustelle

Jacques Soustelle (Montpellier, Francia, 3 de febrero de 1912 - 6 de agosto de 1990) fue un político y etnólogo francés, especialista en las culturas mesoamericanas. Llegó a ser director del Museo del Ho e en París en 1938.
Antifascista, se alió a la resistencia francesa y al general Charles de Gaulle en Londres. Fue jefe de información y servicios de inteligencia. Fue ministro de Información y después de las Colonias en 1945. Como secretario general del Reagrupamiento del Pueblo Francés (RPF) de 1947 a 1951, llegó a ser gobernador general de Argelia en 1955-56.
Estuvo a favor de la integración de la comunidad musulmana en los entonces departamentos franceses. Soustelle contribuyó al retorno de De Gaulle al poder y fue Ministro de Información en 1958. En 1959, fue nombrado Ministro de Estado a cargo del Exterior.
Sus opiniones a favor de la Independencia de Argelia se opusieron a la política de De Gaulle (ver guerra de Independencia de Argelia) y fue cesado en el gabinete y en el Partido gaullista Unión para la Nueva República (UNR) en 1960. Por apoyar la incorporación de Argelia dentro de la República Francesa fue investigado por atentar contra la autoridad del Estado.
Vivió en el exilio entre 1961 y 1968. Después de ser perdonado, regresó a la política.
Soustelle fue miembro del Parlamento por Mayenne en 1945-46; luego por el Ródano (1951-58), como Gaulista; y de 1973 a 1978 como miembro del centrista partido Reformadores.
En 1981 recibió el Premio Internacional Alfonso Reyes.
Fue elegido miembro de la Academia Francesa en 1983. Publicó: Envers et contre tout, Aimée et souffrante Algérie, L'Espérance trahie, l'Art du Mexique, Mexique et les Quatre Soleils.
Tradición de Teuchitlán

La Tradición Teuchitlán fue una compleja sociedad prehispánica que habitó áreas de los actuales estados adición Teuchitlán en épocas tan tempranas como 300 a. C., su florecimiento es generalmente fechado durante el Período Clásico, 200 d. C.​ La tradición se extinguió abruptamente al final del periodo Clásico, ca. 900 d. C.​ La tradición Teuchitlán es notable por sus plazas centrales circulares y cónicas pirámides escalonadas. De acuerdo con el investigador Phil Weigand y su esposa Arcelia García, estas inusuales estructuras son "únicas en el repertorio arquitectónico Mesoamericano y de hecho, no se han encontrado estructuras similares en ningún lugar del mundo".​ La tradición Teuchitlán es una derivación de la más temprana Tradición de las tumbas de tiro del oeste de México, pero con un cambio de los centros menores a sitios mayores, tales como Los Guachimontones.​
Los Guachimontones es un sitio arqueológico, en las afueras de la ciudad de Teuchitlán, en el estado de Jalisco, es el complejo más grande de la tradición Teuchitlán.​ El centro de la antigua ciudad estaba ocupado por tres plazas circulares, cada una con una pirámide circular escalonada de varios niveles en el centro. Hay un total de 10 "círculos" dentro de Teuchitlán, cuatro plazas rectangulares y dos canchas de juego de pelota, así como otras estructuras menores.​
Se piensa que las pirámides circulares se representan un cosmograma, de la estructura mitológica del universo y los polos circulares se fijaron en el centro del árbol mesoamericano de la vida (Mundo). Con fundamento en las múltiples tablillas de cerámica recuperadas, asimismo, se cree que ceremonias del ritual de los Voladores se llevaron a cabo desde el Polo.​
Existen varias características de una sociedad con rangos de élite presente dentro de las sociedades de la tradición Teuchitlán: por ejemplo, las plazas circulares estaban restringidas, eran solo para la élite.​ Sin embargo, sobre la base de sitios semi-fortificados excavados en lugares clave en montañas, cerca del perímetro núcleo de Teuchitlán, se piensa que el área externa de la tradición Teuchitlán estaba políticamente fragmentada.​
El comienzo del periodo postclásico mesoamericano en el Occidente de México, así como en todas partes en Mesoamérica, estuvo marcada por cambios bruscos. En aproximadamente 900 d. C., las pirámides circulares, plazas y agrupaciones concéntricas empezaron a ser sustituida por la más prosaica arquitectura rectangular.​ La tradición Teuchitlán sufrió un "colapso total y definitivo", un cambio tan abrupto que se piensa fue forzado por factores externos, tal vez por el florecimiento del imperio Tarasco.​
La Catrina Cantina

La Catrina Cantina is an LGBT-friendly bar and entertainment venue in Zona Romántica, Puerto Vallarta, in the Mexican state of Jalisco. Juan Alvarado opened the venue in May 2020.
La Catrina Cantina is an LGBT-friendly bar and entertainment venue on Lázaro Cárdenas in Puerto Vallarta's Zona Romántica, housed in a building's second floor above Kooky Karaoke. Out and About Puerto Vallarta describes the business as a "Mexican cabaret showcasing local artists and Spanish music including singers, dancers, and drag queens. Music genres range from mariachi, ranchera, cumbia, salsa, to Mexican folk music." The venue has also hosted comedians and karaoke. For Halloween, La Catrina Cantina has held costume contests for both people and dogs, as well as a Moulin Rouge-themed party.
Juan Alvarado established La Catrina Cantina in May 2020, during the COVID-19 pandemic. The bar hosts approximately 20 artists who perform regularly, as of February 2023. The venue has also hosted a member of the American music group The Platters, according to David Landis of the San Francisco Bay Times.
Soledad's Shawl

Soledad's Shawl (Spanish: El rebozo de Soledad) is a 1952 Mexican western film directed by Roberto Gavaldón and starring Arturo de Córdova, Pedro Armendáriz, and Estela Inda. The film's sets were designed by the art director Salvador Lozano Mena. In the film, a doctor moves to a poor rural area where he falls in love with a peasant girl.
Flabellinopsis iodinea

Flabellinopsis iodinea, the Spanish shawl, is a species of aeolid nudibranch, a very colorful sea slug. This is a marine gastropod mollusk in the family Flabellinidae.
This species is native to the west coast of North America and further south. It has been reported as far north as British Columbia, Canada, and as far south as Punta Asunción, Baja California Sur, Mexico. it is also found in the Gulf of California and the Galapagos Islands.
It has been found off the coast of Santa Catalina Island, California. It has also been found off the coast of the Palos Verdes Peninsula and San Diego, California.
This nudibranch displays a stunning set of colors: the body is purple, the cerata are orange and the rhinophores are scarlet. The neon orange appendages on the back of Flabellinopsis iodinea are the cerata which extract oxygen from the sea water they are surrounded by and live in. The cerata are also extensions of the digestive system, and are used to store the stinging cells of the anemones and fan-like hydroids they eat. The red rhinophores are sensory structures used for detecting the presence of possible mates and prey. The purple, red, and orange colors are derived from a single carotenoid pigment, astaxanthin. The pigment appears in three modified states, leading to the three distinct colors. It grows to approx 70mm, and is found from the intertidal to approx. 40m deep.
Scientists think the reason why the Spanish Shawl's gills are orange is so they can camouflage with their prey while they are eating. The orange gills on their backs are also a warning to potential predators. The color tells their predators that they are either poisonous or distasteful.
Spanish shawls are hermaphrodites, which means they have both male and female reproductive organs. However, self-fertilisation very rarely occurs. When threatened by other predators, they can gracefully move away by flexing their body strongly and pushing off from the substrate and into midwater.
Mogotio

Mogotio is a township and a Constituency in Kenya's Baringo County in the former Rift Valley Province.
Mogotio is located in the south of the county and shares a border with Rongai district in Nakuru County. It has about 15,000 inhabitants. The main economic activities are dairy farming, growing maize, and large-scale sisal cultivation for export.
Climate: Semi-arid climate, experiences two seasons of rainfall, the long starts in March to July and short rains from September to November. The rainfall varies from 300 mm to 750 mm. Temperature varies from 15 - 35 °C. The altitude is 1601 m above sea level.
వివాహం (చలం రచన)

గుడిపాటి వెంకటచలం రచనల్లో గుర్తించబడిన రచన వివాహం(1928).
చలం రాసిన ఈ నవల అతను వివాహ వ్యవస్థను పూర్తిగా తిరస్కరించలేదని చూపిస్తుంది. ఈ నవలలోని ప్రధాన పాత్ర అయిన "రావణ" లాంటి అమ్మాయికి, నిస్సహాయంగా, అసురక్షితంగా, వివాహం సమాజంలో భద్రతను అందిస్తుంది. స్వీయ-వాదనకు సాధనంగా మారుతుంది. "రావణ" పాత్ర ఆధునికమైనది, ఆమె తన వ్యక్తిత్వం గురించి స్పృహ కలిగి ఉంది. దృఢమైన మనస్సు కలిగి ఉంటుంది. ఆమె భర్త అయిన గోపాల రావు తన పేదరికం కారణంగా న్యూనతా భావనతో బాధపడుతుంటాడు. వారి మధ్య ప్రేమ, అనుబంధం పెరగడానికి పరిస్థితులు ఎలా దోహదపడతాయనేది ఆసక్తికరంగా ఉంటుంది, దీని కోసం వివాహ బంధం బలమైన ప్రోత్సాహకంగా పనిచేస్తుంది. ఇది నవల ప్రధాన ఇతివృత్తం. ఈ నవల వాస్తవికతలో పాతుకుపోయింది. "రావణ" మామయ్య చాలా నీచమైన వ్యక్తి. శృంగార కవి అని చెప్పుకునే అతని భార్య సోదరుడు సుబ్బారావు అసభ్యకర ఉపాయాలను ఇస్తూ ఉండేవాడు. దివ్యజ్ఞానంగల వాగ్లే ఆనాటి విలక్షణమైన పాత్ర. చలం వాటిని ప్రత్యక్ష పాత్రలుగా చిత్రీకరిస్తాడు. సాంఘిక సంస్కరణ ఆనాటి ఆచారము కావడంతో, రమణమూర్తి (రావణకు మామ) వంటి వ్యక్తులు సంస్కర్తలుగా దూసుకెళ్లడానికి ఆసక్తిగా ఉండేవాడు. వాటి గురించి చలం పదునైన వ్యంగ్యంతో వ్రాస్తాడు; అతను ఏ విధమైన సంస్కరణకు గుర్తింపు తీసుకోవచ్చో తెలుసుకోవడానికి రమణమూర్తి చుట్టుపక్కల చూశాడు. ఒక వితంతువు వివాహం చేసినందుకు, అతని తల్లి ఎవరికీ పెళ్లి చేసుకోలేక పోయింది. అతని సోదరీమణుల భర్తలు అందరూ సజీవంగా ఉన్నారు, వితంతువు సోదరి లేరు. అతని సొంత కుమార్తె ఇంకా పెళ్లికానిది. ఒక వితంతు-వివాహం ప్రశ్నార్థకం కాదు. అతను యౌవన దశ తరువాత వివాహం చేయాలని అనుకున్నాడు. అతని మేనకోడలు రావణకు పదమూడు సంవత్సరాలు. ఆమెకు యుక్తవయస్సు వచ్చిందని నమ్ముతాడు. ఆమె లేకపోయినా, అతను ఇతరులలో ఆ ప్రభావానికి ఒక నమ్మకాన్ని సృష్టిస్తాడు. "
వివాహం విద్య, తన స్వంత వ్యక్తిత్వం ఉన్న స్త్రీ విషయంలో, ఆమె తన భర్తపై పైచేయి సాధించగలిగినప్పుడు చూపిస్తుంది. వివాహం యొక్క వ్యవస్థ అతను వ్యక్తిగత స్వేచ్ఛ మార్గంలో రాదు. మరోవైపు, విద్య లేని స్త్రీకి, సొంత మనస్సు లేకుండా, వివాహం ఉరితీసే తాడు కావచ్చు.
ఒక చరిత్ర కొన్ని నిజాలు (పుస్తకం)

ఒక చరిత్ర కొన్ని నిజాలు, ప్రముఖ రాజకీయ నాయకుడు దగ్గుబాటి వెంకటేశ్వరరావు రచించిన పుస్తకము. ఇతను తన రాజకీయ అనుభవాలను ప్రజలకు వివరించే ప్రయత్నంలో ఈ పుస్తకం రాసాడు. ఇతను భారత రాజకీయాలలో తనదైన ముద్ర వేసిన నందమూరి తారక రామారావుకు అల్లుడు. రామారావు కుమార్తె, ప్రముఖ రాజకీయనాయకురాలు అయిన దగ్గుబాటి పురంధేశ్వరిని వివాహం చేసుకున్నాడు.
ఈ పుస్తకంలోని కొన్ని విశేషాలు.
Timu ya taifa ya mpira wa kikapu ya wanawake Afrika Kusini

South Africa women's national basketball team. Ni timu ya taifa ya mpira wa kikapu inayowakilisha Afrika Kusini kwenye mashindano ya dunia ya mpira wa kikapu kwa wanawake.Timu inasimamiwa na Mpira wa Kikapu Afrika Kusini.
Mwanamazingira

Mwanamazingira ni mtu ambaye anajihusisha na kupigania hifadhi ya mazingira. Mtaalamu wa mazingira anaweza kuzingatiwa kama msaidizi wa malengo ya harakati za mazingira, "harakati za kisiasa na maadili ambayo inataka kuboresha na kulinda ubora wa mazingira ya asili kupitia mabadiliko ya shughuli za binadamu zinazodhuru mazingira". Mtaalamu wa mazingira anahusika au anaamini falsafa ya mazingira.
Athari: harakati za wanamazingira zimeifanya Marekani leo kuwa mahali pazuri zaidi kiekolojia kuliko mwaka 1960 na 1970 wakati harakati zilipoanza (Goldstein 2002).
Baadhi ya wanamazingira mashuhuri ambao wamekuwa wakifanya kazi katika kushawishi utunzaji na uhifadhi wa mazingira ni pamoja na:
Katika miaka ya hivi karibuni, hakuna tu watunza mazingira ya asili lakini pia wanaotunza mazingira ya wanadamu. Kwa mfano, wanaharakati ambao wanatafuta "nafasi ya kijani kibichi" kwa kuondoa shida za mtandao, TV ya kebo, na simu mahiri wameitwa watunza-habari.
Martha Mwaipaja

Martha Mwaipaja (pia: Martha Esau Mwaipaja; amezaliwa 1980) ni msanii, mwanamuziki na mwandishi wa nyimbo za Injili kutoka nchini Tanzania ambaye anajulikana sana Afrika Mashariki.
Martha Mwaipaja, aliyezaliwa mwaka 1980, ni mwimbaji na mtunzi maarufu wa nyimbo za Injili kutoka Tanzania. Amejipatia umaarufu mkubwa katika ukanda wa Afrika Mashariki kutokana na sauti yake yenye nguvu na ujumbe wa kiroho katika nyimbo zake.
Pamoja na mafanikio yake ya muziki, Martha amekutana na changamoto za kifamilia. Kuna madai kutoka kwa baadhi ya wanafamilia kwamba ameshindwa kuwasaidia, ingawa anajihusisha na kusaidia wengine nje ya familia.
Safari yake ya muziki ilianza rasmi baada ya kugunduliwa kipaji chake akiwa kanisani, ambapo alihamasika kuimba nyimbo za kumtukuza Mungu. Martha alijizolea umaarufu mkubwa kupitia vibao vyake maarufu kama Sipiganagi Mwenyewe, Amenitengeneza, na Niko Hapa, ambazo zimewasaidia watu wengi kiroho na kuwahimiza kusimama imara kwenye imani yao.
Licha ya changamoto mbalimbali, Martha ameendelea kuwa mmoja wa waimbaji wa Injili wenye mafanikio makubwa Tanzania, akitambuliwa kwa sauti yake ya kipekee na ujumbe wenye nguvu wa wokovu katika nyimbo zake. Wimbo wake wa NI MUNGU AMETAKA umekuwa moja ya kazi zake zinazopendwa sana.
Kwa sasa, Martha Mwaipaja anaendelea kutumikia huduma ya Injili kupitia muziki na mafundisho mbalimbali, akihamasisha watu kupitia imani na faraja kutoka kwa Mungu.
Albamu ya Martha Mwaipaja ambayo inajulikana zaidi ni Ombi Langu Kwa Mungu. Hivi karibuni martha mwaipaja kakutana na kashfa za kuto jali familia yake.:
Abubakar Said Salim Bakhresa

Abubakar Said Salim Bakhresa ni mtoto wa mfanyabiashara na mwanaviwanda maarufu kutoka Tanzania, Said Salim Bakhresa. Abubakar Said Salim Bakhresa akisimamia Bakhresa Malawi Limited, Bakhresa Grain Milling (Rwanda), Bakhresa Grain Milling Limitada (Msumbiji) na Bakhresa South Africa (Pty) Limited. Abubakar Said Salim Bakhresa ana shahada ya kwanza ya Sayansi katika Usimamizi wa Biashara, somo kuu likiwa Fedha kutoka chuo kikuu cha George Town, Washington D.C USA. Anajihusisha zaidi na biashara za manunuzi na usindikaji ngano kwa ajili ya Bakhresa Group of Companies.