davidanugraha/M4-RAG huggingface dataset:
Jose Luis Valenzuela

José Luis Valenzuela is a theater and film director and emeritus distinguished professor at the UCLA School of Theater, Film and Television.
Valenzuela has directed theater plays, which were appreciated by critics. His theater plays were performed in the important regional theaters like Los Angeles Theatre Center, where he founded in 1985 Latino Theater Initiative and moved to the Mark Taper Forum in 1991.
His most recent works include, The Mother of Henry, Destiny of Desire, Dementia, A Mexican Trilogy: An American Story, La Olla, Premeditation, Solitude, La Victima and La Virgen de Guadalupe, Dios Inantzin. He has directed productions at the Oregon Shakespeare Festival and Arena Stage.
His international plays include Henrik Ibsen's Peer Gynt at the Norland Theater in Norway and Manuel Puig's Kiss of Spider Woman at the National Theater of Norway.
Dementia won the 2003 GLAAD Media Award for the best Theater production in Los Angeles. He's of Mexican descent.
Natassia Malthe

Natassia Linn Malthe (/nəˈtɑːʃə/; born 19 January 1974) is a Norwegian actress.
Natassia Malthe, born on January 19, 1974, in Oslo, Norway, is an actress and model of Norwegian and Malaysian descent. She trained in ballet at the Goh Ballet Academy in Canada and the Norwegian National Opera and Ballet. She later moved to London to study musical theater before relocating to Los Angeles to pursue her acting career.
Malthe’s career in the entertainment industry took off in the late 1990s. She made her film debut in Disturbing Behavior (1998) and gained recognition for her roles in action and fantasy films, including Elektra (2005), where she starred alongside Jennifer Garner, and the BloodRayne series.
In recent years, Malthe shifted her focus toward directing and obtained a Bachelor’s degree in Film and Television from Kristianna University College (Westerdals) in Oslo, Norway, in 2024.
In 2017, Malthe joined numerous other women in accusing film producer Harvey Weinstein of sexual improprieties.
Living statue

A living statue, also known as a human statue, usually refers to a performer who poses as a statue or mannequin, usually with realistic statue-like makeup.
Living statue may also refer to art installations created by an artist using living people, or other works created by a performing artist.
The tableau vivant, or group of living statues, was a regular feature of medieval and Renaissance festivities and pageantry, such as royal entries by rulers into cities. Typically a group enacting a scene would be mounted on an elaborate stand decorated to look like a monument, placed on the route of the procession.
By a quirk of English law, nudity on the stage was not permitted unless the performers remained motionless while the stage curtains were open. In the early years of the 20th century, performers took advantage of this exception to stage "plastic representations", as they were sometimes called, centring on nudity. The most persistent performer in this line was the German dancer Olga Desmond, who later put on "Evenings of Beauty" (Schönheitsabende) in Germany, in which she posed nude in imitation of classical works of art ("living pictures"). The English tradition continued until the English law was changed in the 1960s.
A living statue appeared in a scene of the 1945 French film Les enfants du paradis (Children of Paradise). The London-based artists Gilbert and George created living statues in the 1960s.
Contemporary performances are commonly on-the-street busking but may also be at events where the artist is paid. A living statue attraction, as a performance, is the artist's ability to stand motionless and occasionally come to life to comic or startling effect. These performers, also known as human statues, are often completely covered in paint, often gold or silver in colour.
Australian artist Andrew Baines is known for his artworks using living people, often used to convey a social message.
Phil Genoux was one of the earliest known artists to do living statue as street performance, starting in London in 1988. Here he is featured on possibly the first current affairs TV footage of living statue as street performance ever aired, on Amsterdam TV in 1989. https://www.youtube.com/watch?v=DDfH6Jq0Ov4
Since 1996, the annual World Statues Festival is held in Arnhem, Netherlands, initially under the name "Rijnfestijn", now World Living Statues and Statues by Night.
Since 2000, the University of Business and Social Sciences in Buenos Aires, Argentina has hosted a National Contest of Living Statues.
Since 2011, the International Festival of Living Statues has been hosted by Masca Theatre in Bucharest, Romania, where there is a focus on developing the form through artistic research.
The first completely Living Statues Festival started in the city of Espinho, Portugal, in 1997.
Suzannah Ibsen

Suzannah Ibsen (née Thoresen; 26 June 1836 – 3 April 1914) was a Norwegian woman who was the wife of playwright and poet Henrik Ibsen and mother of noted politician Sigurd Ibsen.
Suzannah Daae Thoresen was born in Herøy, Møre og Romsdal, Norway. Her parents were Hans Conrad Thoresen (1802–1858) and his second wife, Sara Margrethe Daae (1806–1841). After her mother's death in childbirth, her father married the family's Danish-born governess, Magdalene Kragh (1819–1903), who became a poet, novelist, short story writer and playwright. Her family subsequently moved to Bergen where her father was dean of the historic Holy Cross Church (Korskirken).
After the success of his first publicly successful drama The Feast at Solhaug, Ibsen was invited to Magdalene Thoresen’s literary salon. It was here he first met and fell in love with Suzannah. Henrik Ibsen was at this time the stage director at the Norwegian Theatre (Det Norske Theater) in Bergen. The two had been childhood friends and met each other for a second time at a ball where they did nothing but talk for the entire night instead of dance. Henrik later wrote a poem declaring his admiration for her, which appears to be about that night.
In 1858 Suzannah Ibsen translated Graf Waldemar (1847) by German dramatist Gustav Freytag into Norwegian. The play was first performed in September 1861.
Suzannah became engaged to Henrik Ibsen in January 1856 and they were married in June 1858. Their only child, Sigurd Ibsen, was born in December 1859. Sigurd, who too became an author and politician, married Bergliot Bjørnson, the daughter of Norwegian writer Bjørnstjerne Bjørnson. Suzannah and Bergliot's mother Karoline Bjornson had promised one another as girls that if one should have a son and the other a daughter, the two would marry. Although they made no arrangements for the promise to come true, when it became possible, their respective children did marry.
Suzannah raised her son Sigurd single-handedly, without the help of a nurse, in a way that she hoped would toughen him up. To her husband, she was a 'nanny' (as described by Bjornson) and encouraged him to write his plays even when he had lost hope as well as when he wished to divert his attention to painting. She apparently forced the pen into his hand at times, and she was the inspiration for many of Ibsen's famous characters, including Mrs Alving from Ghosts, Nora from A Doll's House, and Mother Åse from Peer Gynt. Suzannah was so like the characters she inspired in fact, that when Ibsen read Peer Gynt to his family and reached Mother Åse's lines, Sigurd cried out "But that's Mama!").
Her daughter-in-law Bergliot Ibsen wrote a book that was about her husband's famous family, titled De tre. Erindringer om Henrik Ibsen, Suzannah Ibsen, Sigurd Ibsen. Published in Norway during 1948, it was translated into English and published as The Three Ibsens in 1952.
Emgann ar Meurvor Atlantel

Emgann ar Meurvor Atlantel , berraet en Emgann an Atlantel e oa bet ar c'hampagn brezel hirañ stourmet e-kerzh an Eil Brezel-bed, adalek 1939 ha betek an trec'h war an Alamagn Nazi e 1945. Un darn vras eus istor war vor an Eil Brezel-bed eo. Orin ar c'hampagn brezel-se e voe blokus-mor ar Gevredidi war Alamagn, embannet da zevezh an disklêriadur brezel, hag an enep-blokus lakaet da dalvezout gant Alamagn. Ar c'hampagn a oa bet en e varr eus kreiz ar bloavezh 1940 betek fin ar bloavezh 1943.
Emgann an Atlantel a voe etre al listri-spluj U-Boot ha listri brezel alaman all ar C'hriegsmarine (morlu) ha kirri-nij brezel al Luftwaffe (nijlu), enebet ouzh ar Royal Navy, ar Royal Canadian Navy, an United States Navy, ha bigi kenwerzh ar Gevredidi. Amheuliadoù, o tont evit an darn vrasañ anezho eus Norzhamerika, a oa o klask tizhout ar Rouantelezh-Unanet hag an Unvaniezh Soviedel, en ur vezañ gwarezet gant ar morluioù ha nijluioù saoz ha kanadian dreist-holl. An nerzhioù-se a oa bet sikouret gant listri ha kirri-nij stadunanat adalek an 13 a viz Gwengolo 1941. An Alamanted a oa bet harpet gant listri-spluj italian ar Regia Marina (Morlu roueel) goude ma vije bet Italia ezel eus nerzhioù an Ahel o tont er brezel d'an 10 a viz Even 1940.
Dre ma 'z eus un enezenn eus ar Rouantelezh-Unanet e oa he ezhommoù bevañs e dalc'h an enporzhiadur madoù. Evit dreistbevañ ha kenderc'hel gant ar stourm e oa ezhomm milionoù a donennoù danvez enporzhiet bep sizhun. Ar Gevredidi o devoa poan vras o pourveziañ Bro-Saoz, hag an Ahel a glaske parraat ar muiañ ar gwellañ ouzh al lusk bigi kenwerzh oc'h erruout. Tailhet e veze ar boued ivez er Rouantelezh-Unanet, a-benn digreskiñ ar goulenn, dre zigreskiñ ar foraniñ hag uhelaat ar produerezh boued ha danvezioù er vro ha gwellaat dasparzh an danvezioù etre an holl.
E Breizh
Abalamour d'ar sichennoù U-Boote savet eno gant an Alamaned e voe bombezet meur a wech kêrioù Brest, An Oriant ha Sant-Nazer, gant ar Saozon da gentañ, ha muioc'h c'hoazh gant sikour an USAAF stadunanat adalek dibenn 1942. Kenderc'hel a reas ar bombezadegoù dreist-holl e hanterenn gentañ 1943, a-raok digreskiñ abalamour da brientiñ an oberadenn Overlord e 1944. E Brest da skouer e istimer e varvas 400 den etre miz Gouere 1940 ha miz Eost 1944, pa voe gloazet 550 all. Tro 2.000 savadur a voe distrujet er gêr.
Sant-Nazer a oa bet bombezet spontus d'an 9 a viz Du 1942, lazhet 186 trevour gant 134 deskard eus chanteroù Penhoët, oadet etre 14 ha 17 vloaz en o zouez.
Les Horizons

Les Horizons zo ur skraber-oabl annez e karter Bourg-l'Évesque (Bourk-an-Eskob) e Roazhon. Savet e oa gant Georges Maillols e 1970. Graet eo gant daou dour kempeget an eil ouzh egile, Horizon I, 96 m a uhelder, hag Horizon II, 95 m a uhelder. Savadur uhelañ Roazhon eo, dirak Tour ar Gentrell muioc'h er su e karter Colombier.
Kreñv e oa ar goulenn annez er bloavezhioù 1960, ha rezet e voe karter Bourg-l'Évesque hag a oa deuet da vezañ diyac'hus goude an Eil Brezel-bed evit sevel tiez modern. Savet e voe an tourioù a-herr, un estaj bep sizhun, an eil tour war-lerc'h egile. Echuet e voent tri bloaz a-raok an Tour Montparnasse e Pariz.
Ur parklec'h danzouaret 440 plas zo e-harz an tourioù.
Belmopan

Belmopan eo kêr-benn Belize, en Amerika ar C'hreiz. 20,000 den a oa o chom enni e 2009. Ur gêr nevez eo bet savet adalek 1961 evit kemer lec'h Belize City, a oa ar gêr-benn gozh, bet drastet gant ur gorventenn.
Canberra

Canberra eo kêr-benn Aostralia. An eizhvet kêr vrasañ eus ar vro eo, met gant 367 752 a dud o chom enni (2012) eo bihanoc'h eget kêrioù-penn holl stadoù Aostralia, war-bouez Hobart.
E dibenn an XIX kantved e oa bet dibabet Canberra da gêr-benn evit Aostralia. Goude un tabut hir da c'houzout peseurt kêr e vije ar gêr-benn, Sydney pe Melbourne, ar c'hêrioù brasañ er vro, e voe dibabet ur c'horn-bro neptu, hanter-hent etrezo o-div. Dibabet e voe korn-bro Canberra e 1908. D'ar 1añ a viz Genver 1910 e voe lakaet da diriad ar gêr-benn gevreael. Anvet e voe Canberra ent-ofisiel, d'an 12 a viz Meurzh 1913 ha kroget e voe al labourioù da sevel kêr.
Daoust ma n'eo ket Canberra kreizenn bennañ ar vro e-keñver armerzh, emañ kreizennet eno ar mediaoù brasañ. A-hend-all ne gaver e kêr nemet servijoù melestradurel ha touristel.
Canberra zo gevellet gant teir c'hêr:
Canberra he deus skoulmet emglevioù mignoniezh gant :
Hanes Taliesin

Hanes Taliesin (Istor Taliesin) zo ur skrid kembraek savet er XVIvet kantved gant Elis Gruffydd, ur soudard kembreat eus an arme saoz a oa o terc'hel kêr Calais, a oa d'ar Saozon d'an ampoent.
Er skrid-se eo kontet ganedigezh marzhus ar barzh Taliesin ha displeget peseurt galloudiezhioù hud a oa dezhañ. Troet e voe saozneg en XIXvet kantved gant Charlotte Guest hag embannet a-gevret gant ar Mabinogion.
Un doare damzisheñvel zo bet savet gant John Jones Gellilyfdy (c. 1607). Krediñ a ra d'an arbennigour meur Ifor Williams eo ret klask gwrizioù ar mojennoù-se betek en Xvet pe IXvet kantved .
Tegid Foel (Tegid Voal ) a zo o chom e Kembre, en amzer ar roue Arzhur, gant e wreg Keridwen, un hudourez eus ar re varrekañ. Ur mab zo dezho, vil evel ar seizh pec'hed, drouk evel ur bleiz: Morvran eo e anv, met Afancddu (Avankdu) a vez graet anezhañ abalamour d'e groc'hen teñval. Ur verc'h o deus ivez, Creirfyw hec'h anv, ha "kaer evel an heol".
Morvran ne vez maget nemet kasoni outañ gant an holl. Evit ma vo karet e fell d'e vamm reiñ dezhañ ur galloud hud : an diouganiñ. Evit se he deus ezhomm a louzoù dastumet d'ar c'houlz mat, ha goude e rank o lakaat en ur gaoteriad dour a ranko chom da virviñ e-pad ur bloaz hag un deiz. A-benn ar c'heid-amzer-se ez eus teir zakenn a ra un diouganer gant an hini a gouezhont warnañ. Ar peurrest eus an dourenn n'eo nemet pistri. Un dall kozh, Morda e anv, a zo e garg teurel evezh ouzh ar gaoteriad.
Ur paotrig zo mevel gantañ, Gwion e anv hag eñ a ra war-dro an tan dindan ar gaoter, hag a vesk an dour. Keridwen a ziwall e chomfe dour e-barzh. An euzh a vab a zo lakaet e-tal ar gaoter, dezhañ da gaout an teir zakenn pa zeuy ar c'houlz. Manet ar vamm kousket, setu an takennoù o lammat hag o kouezhañ war viz-meud Gwion Bach (Gwion bihan), hag eñ kenkent da lakaat e viz en e c'henoù, ha da gaout furnez ha gouiziegezh e-lec'h Morvran.
Tarzhañ a ra ar gaoter gant ar pistri zo ennañ, dihuniñ a ra Keridwen ha gouzout a ra Gwion Bach kenkent emañ-hi o vont da c'hoantaat e lazhañ. Hag eñ diflipet diouti er stumm d'ur c'had.
Klevout a ra konnar ar wrac'h ha trouz ar chaseadeg. Pa dro-eñ e gad e tro-hi e ki-hemolc'h. Pa dro-eñ e pesk hag e lamm er stêr e tro hi e ki-dour. Pa dro-eñ en evn e tro-hi e falc'hun. Hag eñ aet skuizh. Neuze e tro en ur c'hreunenn ed ha hi da dreiñ e yar ha d'en debriñ. Brazez e oa anezhi. Ha hi ober he soñj lazhañ ar bugel, o c'houzout e oa Gwion an hini e oa, met pa voe ganet e oa ken brav ma ne c'hallas, ha neuze en lakaas en ur baner lêr hag en taolas er mor.
Hervez ar vojenn e vije bet advabet ar bugel Taliesin gant Elffin ap Gwyddno, mab da Gwyddno Garanhir, ha diouganiñ a eure marv ar roue Maelgwn Gwynedd gant ar vosenn. En istorioù all e teuas da vout un haroz mojennel, kompagnun da Bendigeidfran, ha d'ar roue Arzhur
E vuhez vojennel a gaver e meur a skrid kalz koshoc'h, evel en hini Elis Gruffydd er XVIvet kantved.
NMS Sublocotenent Ghiculescu

NMS Sublocotenent Ghiculescu was a specialized ASW gunboat of the Romanian Navy. Initially built as a French warship in late World War I, she was purchased by Romania in 1920 and fought during World War II, sinking two submarines and one motor torpedo boat. After 1 year of Soviet service, she was returned to Romania and served as a survey vessel until 2002.
Sublocotenent Ghiculescu was a gunboat of the French Friponne class. She was built at Arsenal de Brest, being launched in 1917 and commissioned by the French Navy as Mignonne in 1918. She was sold to Romania in January 1920. Like her sisters, the gunboat displaced between 344 and 443 tons, measuring 62.1 meters in length, with a beam of 7 meters and a deep-load draught of 2.9 meters. Power plant consisted of two Sulzer diesel engines powering two shafts, resulting in an output of 900 hp which gave her a top speed of 15 knots. She had a range of 3,000 nautical miles at 10 knots and 1,600 nautical miles at 15 knots. She was armed with two 100 mm naval guns and two 400 mm depth-charge throwers, her crew amounting to 50.
During World War II, her armament was increased. Her two 100 mm naval guns were supplemented by four 20 mm anti-aircraft guns. She also retained her two 400 mm depth charge throwers. She had 3 identical sisters which also served during the war: Dumitrescu, Stihi and Lepri Remus. Lepri Remus was fitted with mine rails and converted to minelayer.
She escorted a total of 17 Axis convoys in the Black Sea.
On 1 October 1942, the Soviet M-class submarine M-118 attacked and sank the German transport ship Salzburg, which was carrying on board 2,000 Soviet prisoners of war. After attacking, the submarine was located by a German BV138C flying boat, and Sublocotenent Ghiculescu together with sister ship Stihi Eugen were sent to the scene. The two Romanian gunboats attacked the Soviet submarine with depth-charges, sinking her with all hands.
On 18 April 1944, during the evacuation of the Crimea, the Soviet Leninets-class submarine L-6 was sunk with depth charges near Sevastopol by the Sublocotenent Ghiculescu, aided by the German submarine chaser UJ-104.
During the night of 27 April, a convoy escorted by the Romanian gunboat Sublocotenent Ghiculescu, the German submarine hunter UJ-115, one R-boat, two KFK naval trawlers and 19 MFPs (including the Romanian PTA-404 and PTA-406) engaged the Soviet G-5-class motor torpedo boats TKA-332, TKA-343 and TKA-344, after the three attacked and damaged the German submarine hunter UJ-104. Ghiculescu opened fire with starshell rounds, enabling the entire escort group to locate the two Soviet MTBs and open fire. TKA-332 was hit and sunk.
She was captured by Soviet forces in September 1944 and was commissioned as Angara. In October 1945, she was returned to Romania and served as a survey vessel until 2002.
2021–22 Women's EHF Champions League knockout stage

The 2021–22 Women's EHF Champions League knockout stage began on 26 March with the playoffs and ended on 5 June 2022 with the final at the MVM Dome in Budapest, Hungary, to decide the winners of the 2021–22 Women's EHF Champions League. A total of twelve teams competed in the knockout phase.
In the playoffs, the eight teams ranked third to sixth in Groups A and B play against each other in two-legged home-and-away matches. The four winning teams advanced to the quarterfinals, where they were joined by the top-two teams of Groups A and B for another round of two-legged home-and-away matches. The four quarterfinal winners qualified for the final four tournament at the MVM Dome in Budapest, Hungary.
The top six teams from Groups A and B qualified for the knockout stage.
All times are UTC+2 (matches on 26 March are UTC+1).
RK Krim Mercator won 55–52 on aggregate.
Metz Handball won 62–41 on aggregate.
Brest Bretagne Handball won 53–51 on aggregate.
Team Esbjerg won 53–52 on aggregate.
Győri Audi ETO KC won 56–44 on aggregate.
Vipers Kristiansand won 65–49 on aggregate.
The final four was held at the MVM Dome in Budapest, Hungary on 4 and 5 June 2022. The draw took place on 10 May 2022.
Brest station

Brest station (French: Gare de Brest) is the railway station serving Brest, France. It is the western terminus of the Paris–Brest railway. The new station, built above the town's harbour in 1932 on the site of its 1865 predecessor, includes a tall clock tower and a semi circle passenger hall. The current building of 1932, by the CF de l'Etat, replaces the older building built in 1865 by the CF de l'Ouest.
The station saw the arrival of the TGV Atlantique in 1990 but saw little changes to its structure.
Brest is linked to Rennes and Paris as well as regional (TER) services to Brittany including Quimper, Landerneau, Morlaix and Lannion (via Plouaret-Trégor). TGV trains to Paris take approximately less than three and a half hours to reach the capital.
Marína

Marína is the name of a Slovak romantic poem by Andrej Sládkovič (Andrej Braxatoris) written in 1844 and published 2 years later in 1846 in Pest. It is his most significant poem, also translated to German, Polish, Hungarian and French.
Marína has 291 stanzas and 2900 lines. It is the longest love poem in the world.
Marina Vlady

Marina Vlady (born 10 May 1938) is a French actress.
Vlady was born in Clichy, Hauts-de-Seine to White Russian immigrant parents. Her father was an opera singer and her mother was a dancer. Her sisters, now all deceased, were the actresses Odile Versois, Hélène Vallier and Olga Baïdar-Poliakoff. The sisters began acting as children and, for a while, pursued a ballet career.
From 1955 to 1959, she was married to actor/director Robert Hossein. From 1963 to 1966, she was married to Jean-Claude Brouillet, a French entrepreneur, owner of two airlines and member of French Resistance. Vlady was married to Soviet poet/songwriter Vladimir Vysotsky from 1969 until his death in 1980. She lived with French oncologist Léon Schwartzenberg from the 1980s until his death in 2003.
Vlady won the Best Actress Award at the 1963 Cannes Film Festival for The Conjugal Bed. In 1965, she was a member of the jury at the 4th Moscow International Film Festival.
Vlady starred in Jean-Luc Godard's 2 ou 3 choses que je sais d'elle (1967), and later portrayed the insightful and protective stepmother in the Italian film Il sapore del grano (aka: The Flavor of Corn) (1986). A rare English language role was as Kate Percy in Orson Welles' Chimes at Midnight (1966). Her television credits include the 1983 mini-series La Chambre des Dames.
She wrote Vladimir, or the Aborted Flight, a memoir of her relationship with Vladimir Vysotsky.
For a decade, the couple maintained a long-distance relationship as Vlady compromised her career in France in order to spend more time in Moscow, and his friends pulled strings for him to travel abroad. She eventually joined the Communist Party of France, which essentially gave her an unlimited-entry visa into the Soviet Union, and provided Vysotsky with some immunity against prosecution by the government. The problems of his long-distance relationship with Vlady inspired several of Vysotsky's songs.
In 1971, Vlady signed the Manifesto of the 343, which publicly declared she had an abortion as a way to advocate for abortion, even though the procedure was illegal in France at the time.
Vlady and partner Léon Schwartzenberg participated in the protests against deportations of Arab workers from France. She accepted a role in a film about a gay couple from Iran.
Marina Rollman

Marina Rollman (born 9 August 1988 in Geneva) is a Swiss comedian.
Rollman was born and raised in Geneva. She pursued her studies, in Switzerland then Paris, in Architecture then in classic literature. She cites Jerry Seinfeld's show "I'm telling you for the last time" as a big inspiration to become a comedian. In 2009 she participated in a comedy contest in Paris, in front of professionals, but to no avail. Following her failed first attempt, she jumped between jobs, most notably in advertising in her father's company, working a food truck, and as a babysitter for Natalie Portman’s child.
In 2013, she again tried her hand as a comedian, inspired by fellow Swiss comedian Thomas Wiesel. That year she performed in her first open stage in Switzerland, then started becoming a regular on radio and TV. In 2014 and 2015 she launched a web series and shows, and also participated in the "festival du rire de Montreux", the Jamel Comedy Club, opening acts for Gad Elmaleh.
Rollman emerged among a new generation of female comedians, choosing dark humour and soft irony, marking her place. She's known for her voice which oscillates between being "playful" and sounding "like a fishmonger's" according to critics.
Since 2016, she has participated regularly on the "Les Beaux Parleurs" show on the Swiss radio station, RTS La Première. From September 2017, she took on a regular bi-weekly chronicle with the "La Bande Originale" show on the French radio show, France Inter, presented by Nagui.
Since 2019 she has been performing at the Théâtre de l'Œuvre in Paris with her stand-up show "Spectacle drôle", which is widely praised by French and Swiss critics.
Warner Bros. Discovery

Warner Bros. Discovery (WBD) ni jumuiya ya kimataifa ya vyombo vya habari na burudani ya Marekani yenye makao yake makuu mjini New York. Iliundwa kutoka toleo la awali la WarnerMedia na AT&T na kuunganishwa na Discovery, Inc. mnamo Aprili 8, 2022.
Sifa za kampuni hiyo zimegawanywa katika vitengo tisa vya biashara, vinavyojumuisha studio kuu za filamu na televisheni za Warner Bros., wachapishaji wa vitabu vya katuni DC Comics, Home Box Office, Inc. (pamoja na HBO, Cinemax na Magnolia Network), U.S. Networks Group (pamoja na chaneli nyingi za kebo zinazoungwa mkono na matangazo za watangulizi wake, ambazo ni Discovery, Scripps Networks, Turner Broadcasting, na Warner), CNN Worldwide (ambayo inajumuisha CNN na CNN International), TNT Sports (ikiwa ni pamoja na Motor Trend Group, TNT Sports UK, na Eurosport), Utiririshaji wa Ulimwenguni na Burudani inayoingiliana (ambayo inajumuisha huduma za utiririshaji za Discovery+ na Max, pamoja na wachapishaji wa michezo ya video ya Warner Bros. Games), na Mitandao ya Kimataifa. Pia ina hisa za wachache katika The CW na hisa nyingi katika Television Food Network, G.P. (inayojumuisha Food Network na Cooking Channel), ambayo yote yapo pamoja na Nexstar Media Group, huku Paramount Global pia ikimiliki hisa ndogo katika The CW.
Kukausha kwa moshi

Kukausha kwa moshi ni mbinu ya kutunza vyakula ili visiharibike haraka. Kwa njia hiyo chakula hupokea pia ladha maalumu.
Hutumiwa hasa kwa nyama na samaki, mara chache pia kwa mboga ya majani lakini hapo zaidi ni shauri la ladha.
Kama hatua ya kwanza nyama au samaki hutiwa chumvi. Chumvi huondoa sehemu ya maji ndani yake na kuzuia bakteria wengi ambao wanaweza kusababisha uharibifu.
Katika hatua ya pili nyama iliyoandaliwa vile huweka juu ya moshi wa moto. Hapo kiwango cha maji hupungua zaidi. Kemikali katika moshi wa moto wa mbao huzuia tena bakteria. Uso wa kile kinachotiwa moshi hukauka zaidi na kuwa mgumu kiasi na hivyo kuna kizuizi cha ziada dhidi ya kuingia kwa bakteria na wadudu.
Hapo nyama mbichi na pia samaki mbichi huwekwa juu ya moto ambapo vinapikwa polepole na kukaushwa kiasi kwa halijoto duni za sentigredi 50-90. Vyakula vya aina hiyo haviwezi kudumu siku nyingi isipokuwa kama zimetiwa chumvi nyingi.
Siku hizi kazi inatekelezwa katika oveni ya pekee ambamo jotoridi inaweza kutawaliwa kikamilifu. Joto linapatikana kwa umeme au gesi. Moshi unapatikana ama kwa kumwaga ubao uliosagwa ndani ya oveni au kwa kupuliza kutoka nje moshi ndani ya oveni.
Soseji maalum huwekwa kwenye moshi wenye jotoridi ndogo ya nyuzi 25-40 pekee, kwa kupata ladha inayotafutwa.
Asili ya kukausha kwa moshi baridi ni nyumba za zamani za wakulima katika nchi za baridi. Hapo moshi wa jikoni ulienea kote nyumbani na kupaa juu. Hivyo vipande vya nyama vilivyotiwa chumvi kama hemu (ham) na soseji zilitunzwa chini ya dari nje ya upeo wa panya na paka na hivyo vilikaa katika moshi baridi uliyopaa hadi kule. Hivyo vilipokea ladha yake na kukauka polepole sana ilhali zikiiva pia na kubadilika ladha.
Vyakula vilivyoandaliwa kwa njia hiyo vinaweza kudumu miezi bila kuoza.
Siku hizi moshi baridi hutiwa katika vyumba au makabati ya pekee kwenye jotoridi ya nyuzi za C° 15-25. Moshi kutokana na ubao maalumu unaoteuliwa kulingana na ladha inayolengwa hupulizwa ndani ya vyumba hivyo. Vyakula vinavyokaushwa kwenye moshi baridi ni soseji kama salami na hemu (ham).
Katika uzalishaji wa kitasnia wa soseji na hemu matumizi ya moshi bandia hutumiwa. Hapo hawatumii moshi halisi bali kemikali zinazounda ladha ya moshi zinakorogwa katika maji na kumwagwa juu ya nyama wakati wa kuikausha.
Ulaji wa mara kwa mara wa nyama na samaki iliyokaushwa katika moshi unaweza kuongeza hatari ya kupata kansa na magonjwa ya moyo.
Potatoes O'Brien

Potatoes O'Brien is a dish of pan-fried potatoes along with red and green bell peppers and onion. The potatoes and the bell peppers are fried (varying according to taste) and are served hot. The origin of the dish is disputed. The dish has been claimed to originate in the early 1900s from a Boston restaurant known as Jerome's and from a Manhattan restaurant known as Jack's during the same time period.
A variation of potatoes O'Brien includes bacon in the dish.
Potatoes O'Brien can be seasoned many different ways, typically with black pepper, paprika, salt and garlic powder.
Rakik kacang

Rakik kacang iolah makanan ringan nan tabuek dari tapuang bareh nan dicampua aia sasudah tu ditambahan kacang atau teri, alah tu dicetak dan di goreang. Proses panggorengan rakik harus dicuboan ciek ciek karano sangaik manantuan kualitas rakik nan dihasilkan. Rakik digoreang manggunoan cetakan bulek nan berdiameter 8 cm dan panjang tangkainyo 15 cm. Wakatu nan dibutuhan untuak manggoreang rakik cukuik lamo, kiro-kiro 63 detikmulai dari mamasuakan adonan rakik ka pancetakan nyo sampai rakik dikaluan dari kuali panggorengan.
Caro manggoreang rakik dilakuan jo mamasuakan cetakan nan alah barisi adonan rakik ka dalam minyak angek sambia diaduk taruih sampai rakik lapeh dari cetakannyo,sasudah rakik masak rakik dikaluan dari kuali pangggorengan sambia maaduak rakik nan alun masak didalam kuali. Tahap panggorengan rakik adolah tahapan nan paliang pantiang karano akan manantuan kualitas rakik nan dihasilkannyo, jadi proses panggorengan ko harus teliti, karano jiko rakik talambek diangkek dari dalam minyak jadinyo rakik akan talalu masak atau dapek jadi nyo anguih.
Bahan-bahan nan digunoan untuak mambuek rakik kacang:
● ½ kg kacang tanah nan alah dibuang kuliknyo
● 4 incek kemiri
● 4 buah bawang putih
● 350 gram tapuang bareh
● 250 ml santan
● 100 ml aia putiah alah masak
● 1 talua ayam
● 5 lembar daun limau nan alah diirih tipih
● garam sacukuik nyo
● minyak goreang sacukuiknyo
Langkuweh

Langkuweh (Alpinia galanga, bahaso Indonesia: Lengkuas) adolah rampah-rampah nan sangaik baguno sabagai ubek tradisional. Simplisia nan biaso dipakai adolah buah dan rimpangnyo.
Urek, rimpang, jo bungo langkuweh marupokan bagian nan dipagunokan dalam masakan. Ureknyo barono coklat mudo saketek kasirahan. Urek mudo condong labiah ka sirah jingga dan tarao labiah kenyal jo padek. Dagiangnyo kareh baserat cando kayu. Samantaro rimpang jo bungonyo nan mudo dapek dijadian ulam (dimakan matah) atau campuran sayua.
Langkuweh dalam masakan maagiah aroma nan angek manyangek cando sipadeh jo marica, tapi maagiah pabedaan raso nan kuek katiko dipasangkan jo santan. Pangolahannyo manantukan kueknyo aroma nan nio dirasok ka dalam masakan.
Tambika

Tambika (bahaso Indonesia: tembikar) adolah barang nan tabantuak dari tanah liek nan dikarehan jo caro dibaka. Mode tambika tamasuak gerabah, periuk, jo persolen. Dalam sijarah umaik manusia, tinggalan alah dikenal dari maso prasejarah, tapeknya sabalun zaman Neolitikum dan tamasuak panamuan manusia paliang tuo. Tambika dibuek manjadi benda-benda sasuai kainginan. Sudah itu, diangekan pado suhu tinggi (600-1600° C) dalam tungku pambakara untuk mambuek bantuaknyo manjadi kuek.
Di Minangkabau, karajinan tambika dikenal di sado daerah. Hal iko disebabkan dek tambika dijadian alaik-alaik dapua takah pariuak, balango, kuali, kumbuak, menggu, kendi mangkuak, teko, cangkia, jo sabagainyo. Caro mambuek tambika masih sederhana. Patamo, tanah liat dilumekan, ditumbuak jo kayu atau alu, lalu diinjak-injak sampai kalua gatahnyo, baru dibantuak sasuai nan dinio. Membuek tambika indak paralu cetakan, tapi hanyo bagantuang keahlian jo katarampilan tangan. Benda tambika nan lah dibantuak lalu dibaka di tungku pembakaran.
Pado umumnyo, karajinan tambika dijadian usaho industri karajinan rumah tanggo.
Karateh

Karateh adolah bahan nan tipih, nan dihasiakan jo kompresi (panakanan) serat nan barasa dari pulp. Serat nan digunokan biasonyo alami, dan manganduang selulosa jo hemiselulosa.
Karateh tanamo sabagai media utamo untuak manulih, mancetak sarato malukih dan banyak kagunoan lain nan buliah dilakukan jo karateh misanyo karateh pambarasiah (tisu) nan digunoan untuak hidangan, kabarasiahan ataupun urusan toilet.
Adonyo karateh marupokan revolusi baru dalam dunia tulih manulih dalam paradaban dunia. Sabalun ditamukan karateh, bangso-bangso dahulu mamakai loh dari lempung nan dibaka. Hal ko bisa dijumpoi dari paradaban bangso Sumeria, batu tulih, kayu, bambu, kulik atau tulang binatang, suto, bahkan daun lontar nan dirangkai co nan ado pado naskah naskah Nusantara zaman saisuak.
Biluluak

Biluluak (atau buah tap) iyolah namo makanan babantuak lonjong jo bawarna putiah nan marupokan incek dari batang anau. Caro mambuek biluluak iko, biasonyo buah anau dibaka dulu, alah itu diambiak inceknyo untuak diabuih salamo babarapo jam. Incek buah anau nan alah diabuih itu lalu dirandam jo aia sada babarapo hari untuak difermentasikan.
Biluluak manganduang aia nan sangaik tinggi, sampai 93,8% dalam setiok 100 gram-nyo. Biluluak iko pun manganduang 0,69 gram protein, 4 gram karbohidrat, jo abu kiro-kiro sa-gram kamudian serat kasa 0,95 gram. Salain raso buahnyo nan malapeh hauih, makan biluluak dapek malancakan karajo saluran cerna manusia. Biluluak iko biasonyo banyak tadapek di bulan Ramadhan nan dijadikan bahan pambuek kolak jo es buah.
Kanduangan karbohidrat biluluak dapek manganyangkan urang nan mamakannyo, salain itu dapek juo manurunkan salero makan untuak urang nan diet. Kamudian biluluak dapek jadi ubek nyeri dan manganduang kalsium sarupo tulang jawi. Kanduangan mineral sarupo protasium, iron, kalsium dapek menyagarkan tubuah dan mempalanca metabolisme tubuah.
Ayam pansuh

Ayam pansuh or manuk pansuh is a dish prepared by cooking chicken meat in a bamboo stalk, filled with water (which will later be the soup), seasonings and covered with tapioca leaves from the cassava plant (later can be eaten together with the cooked chicken). The origin of ayam pansuh is unknown, but the Ibans and the Bidayuhs from western Borneo always prepare this dish during festivals, especially during the Gawai Dayak (a thanksgiving festival marking a bountiful harvest). Ayam pansuh is typical among the people in Sarawak, Malaysia and also in West Kalimantan, Indonesia. There is a plan to introduce the dish into the international market.
How to Cook Everything

How To Cook Everything (John Wiley & Sons, 1998, ISBN 0-02-861010-5) is a general cooking reference written by New York Times food writer Mark Bittman and aimed at United States home cooks. It is the flagship volume of a series of books that include several narrow-subject books about matters such as convenience cooking and vegetarian cuisine, as well as a second volume, How To Cook Everything: Vegetarian, published in 2007, and a second edition with a reduced emphasis on professional techniques in October 2008. A smartphone app for iPhone, iPad, and Windows supports that second book by making all its recipes available portably.
When the 20th anniversary edition of How To Cook Everything was published in 2019, Bittman was interviewed by Yewande Komolafe in New York to celebrate the publication of this edition of the cookbook.
Quema de monos

Se denomina quema de monos a una costumbre popular en algunas ciudades del norte de Chile que consiste quemar un monigote hecho principalmente con papel y ropa vieja en una ceremonia que se realiza en la medianoche del cambio de año y forma parte de las celebraciones de fin de año. Esta festividad es de origen ecuatoriano conocido como Año viejo que fue introducido por los españoles a finales del Siglo XVIII y principios del Siglo XIX en la ciudad de Guayaquil. Esta costumbre se fue adoptando en varios países de América Latina incluido Chile.​​
En Chile se realiza principalmente en Arica, Iquique, Tocopilla, María Elena, Calama, Antofagasta, Copiapó, Huasco, La Serena, Coquimbo y Penco. Es un rito de purificación que representa quemar todo lo malo del año pasado para recibir con esperanzas el nuevo año. Se dice que se debe encender un poco antes de las doce, puesto que si se realiza después, se apaga o derrumba antes de la medianoche es señal de mala suerte para el año venidero.
En la ciudad de Tocopilla esta costumbre evolucionó siendo hoy una elaborada y gran tradición popular que es incluso apoyada por el municipio en una premiación previa a la quema de medianoche.​
Si bien, estos monos siguen realizándose con materiales de desecho, actualmente son esculturas de grandes dimensiones que se pueden definir como verdaderas obras de arte, que los habitantes y visitantes suelen fotografiar mientras recorren la localidad.
Junto a la quema de mono se realizan los Salnatrones, que popularmente también son llamados Salitrones. Estos corresponden a hogueras con grandes cantidades de salitre en riscos a orillas del mar, que al tocar con el mar producen grandes estruendos y una atmósfera especial en toda la ciudad. Costumbre que a veces ha sido criticada por la contaminación que provoca.
Asimismo se encienden Fuegos Pirotécnicos destacando entre ellos las luces de bengala, además del ruido de las sirenas que dan a la localidad ese ambiente abrumador entre festejo y un estado de catástrofe.
Quema del raspajo

La Quema del raspajo es una antigua tradición de la localidad murciana de Las Torres de Cotillas, en España, que actualmente se alegoriza con la quema de un espantapájaros gigante, como colofón a las fiestas patronales en honor a Nuestra Señora de la Salceda y que procede de una antigua tradición que daba nombre a las fiestas de la localidad desde finales del siglo XVIII.
El raspajo es la raspa que queda del racimo después de quitarle las uvas. En este pueblo desde el siglo XV y hasta inicios del siglo XX era muy abundante el cultivo de la uva. La fiesta tradicional tal y como lo menciona la prensa de 1911 consistía:
Actualmente nada queda de uva en la localidad y la Quema del raspajo quiere rememorar esa vieja tradición y pasado huertano, vendimiador y agrícola de la localidad. Esta tradición en forma de alegoría de la quema fue recuperada en el año 2003 y se ha convertido en un acto multitudinario y un claro emblema de las Fiestas Patronales de Las Torres de Cotillas. Es sin duda un evento variopinto y curioso de cuantos ocurren en España.
Equipo de Copa Davis de Colombia

El Equipo de Copa Davis de Colombia es el representante de Colombia en la competición internacional de tenis por países conocida como la Copa Davis. Su mejor presentación fue en 1974 donde alcanzó los cuartos de final de la Copa Davis.
El combinado colombiano participó por primera vez en el certamen en 1959. Su máximo logro, bajo el viejo sistema, lo obtuvo en 1974 cuando llegó a los cuartos de final, instancia en la que fue derrotado por Sudáfrica. Desde la creación del grupo mundial, en 1981, el mayor logro colombiano fue acceder a los play-offs del grupo mundial en 1981, 2010, 2013, 2014, 2015 y 2017. Sus bestias negras son los equipos brasileño y chileno con ocho derrotas y una victoria.​​ En la actualidad, el combinado Colombiano se ubica como el tercer mejor equipo latinoamericano después de Argentina y Brasil.
Colombia remontó la ronda contra Ecuador que comenzó con un punto de la mano de Julio César Campozano frente a Robert Farah. Santiago Giraldo puntuó en los dos de individuales y el tándem de dobles hizo también lo propio para que la serie sea ganada por el equipo colombiano. Colombia deberá enfrentarse a Brasil en la segunda ronda del Grupo I en la Zona Americana para alcanzar los play-offs del Grupo Mundial. Brasil tiene una ventaja histórica de 7-0 en sus enfrentamientos con su vecino del norte. El último cruce fue en 2009.
Desde el año 2007, Colombia ha logrado mantenerse en el Grupo I de la Zona Americana disputando cinco veces el acceso al grupo mundial en los cuales no ha tenido éxito.
Esta es la lista de jugadores de tenis que representaron a Colombia en un partido oficial de la Davis Cup. Colombia participa en la competición desde 1959.​
Quema del diablo

La quema del diablo es una celebración mágico-religiosa guatemalteca. Su origen data del siglo XVI como preámbulo de las festividades del nacimiento de Cristo, representando el triunfo del bien sobre el mal. La tradición se originó en el período colonial, las fiestas patronales generalmente iniciaban a las 18 horas del día anterior, cuando los guatemaltecos realizaban una limpieza general de sus hogares al inicio de las celebraciones navideñas. En este proceso, quemaban basura y objetos viejos en las calles como símbolo de purificación y renovación espiritual. Se decía que con esta quema se eliminaban las malas energías y se expulsaba al diablo, asociado con los pecados y las impurezas del alma.​ En el contexto católico, la quema del diablo se interpreta como un acto de preparación espiritual para recibir a la Virgen María en la festividad de la Inmaculada Concepción. El fuego simboliza la purificación y la victoria del bien sobre el mal. Se puede afirmar que el origen de la quema del diablo está en las fogatas que se colocaban en las calles para facilitar el camino del rezado al oscurecer.​
Dado que esta fecha se encuentra exactamente a nueve meses del memorial del nacimiento de la Virgen María y coincide con la celebración del Adviento del nacimiento de Cristo se realiza como una limpia espiritual en la que por medio del símbolo de la basura se pretende alejar toda impureza quemando fogatas fogarones (como se les conoce),con basura y/o figuras del diablo de papel que simboliza el mal.
La tradición, consiste en sacar las cosas más viejas o gastadas que se encuentren en el hogar; pretendiendo hacer una limpieza profunda en el hogar. La mayoría de guatemaltecos juntan y queman periódicos usados durante todo el año.
Este rezado es el principal y más antiguo de América, y en Guatemala, fue declarado como Patrimonio Cultural Intangible de la Nación, por el Ministerio de Cultura y Deportes a través de un Acuerdo Gubernativo.
Según algunos historiadores, la quema del Diablo se originó en el siglo XVI como preámbulo de las festividades de la Natividad. Dado que, en la época colonial no existía alumbrado eléctrico, muchos guatemaltecos asistían a la procesión de la Virgen de los Reyes o la de la Inmaculada Concepción y para alumbrar su camino hacían estas fogatas que iluminaban el paso de la procesión. Por lo cual se llevó a cabo en vísperas del día de la Virgen de la Inmaculada Concepción, el cual es celebrado el 7 de diciembre, dando inicio con esta tradición a las festividades de la Navidad.
La Comisión Nacional del Medio Ambiente (CONAMA), así como grupos ecologistas, mantienen una campaña de prensa, radio y televisión en la que invitan a los capitalinos a no quemar hule, plásticos y otros combustibles que ocasionan mayores grados de polución. Otros, más radicales, han demandado el fin de la tradición o, por lo menos, reducir la cantidad de materiales incinerados. Los llamamientos están dirigidos también a prevenir accidentes, ya que muchos de los incendios registrados en Guatemala durante el año ocurren este día.
QAP (Colombia)

QAP was a Colombian newscast aired between January 2, 1992 and December 31, 1997 on Canal A. It was produced by the programadora TV13.
In 1991, the journalists María Isabel Rueda and María Elvira Samper had the idea to create their own news production company. Soon, Enrique Santos Calderón (of El Tiempo newspaper and broadsheet), businessman Julio Andrés Camacho and Nobel Prize winner Gabriel García Márquez joined the project, with the goal of creating an independent newscast.
QAP had several major technological firsts. It was the first Colombian newscast to have microwave equipment and the first to broadcast from its own studios (as newly permitted in the call for bids, or licitación, of 1991).
QAP ended in New Year's Eve 1997 (Wednesday, December 31), as a result of changes in the television law that removed the extensibility of the original six-year contract (the original contract called for six years with an option to extend for another six). Because of the independence of the newscast, García Márquez was convinced that the law was written specifically to take QAP off the air. In the end, a new licitación occurred that year, and QAP opted not to participate (retracting its original proposal); its directors found that the impartiality needed for QAP to win in this new bidding cycle was lacking.
Inés María Zabaraín was the main presenter for QAP during its run on air.
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Adam and Eve in the Garden of Eden

Adam and Eve in the Garden of Eden (Spanish: Adán y Eva en el Jardín del Edén) is a panel painting by Flemish Baroque painter Jan Brueghel the Younger. Created in the 17th century, it is now held in the collection of the Bank of the Republic and exhibited at the Miguel Urrutia Art Museum (MAMU), in Bogotá.
The painting depicts Adam and Eve in the Garden of Eden, the biblical paradise, after having consumed the forbidden apple. Both Adam and Eve appear as small figures surrounded by nature in all her exuberance. Trees, typical of Europe, are accompanied by paired animals from Africa and the New World. Observed fauna include cattle, deer, domestic cats, guinea pigs, lions, macaws, monkeys and waterfowl.
The colonization of pre-Columbian cultures was possible due to their conversion to the Catholic faith. The images of the flora and fauna of the new worlds had to be coupled with the founding myths of the Old Testament. In Adam and Eve in the Garden of Eden, New World animals such as macaws and guinea pigs, and African animals such as lions, are depicted here from the perspective of the Flemish painter in a fantasized territory between the Americas and Africa as he participates in the renewal of the exoticism of the biblical garden, the initial place of original sin and the land of the forbidden fruit.
A native of Antwerp, and the grandson of Pieter Bruegel the Elder, Jan Brueghel the Younger was sent to modern-day Italy by his father, who was also a painter, at the age of 22 to further develop his abilities as a painter. After three years, Jan Brueghel returned to Antwerp where he took over his father's workshop following his death. Around 1631 Jan Brueghel the Younger began a series of paintings on the theme of Adam and Eve, of which Adam and Eve in the Garden of Eden being one of the paintings from this series.
Between 24 October 2018 and 21 January 2019, the painting was exhibited at the MAMU alongside works by Guatemalan artist Regina José Galindo and Colombian artist Abel Rodríguez Muinane as a grouping of artwork that depicts the exploration of unknown territory and the interpretation of the artists after coming across new experiences and information.
Between 15 June 2022 and 1 February 2023, the painting was exhibited at the Quimbaya Gold Museum, in the city of Armenia, during the temporary exhibition Paraísos y jardines. Representaciones de la naturaleza domesticada which was held to commemorate the reopening of the museum and the Bank of the Republic's cultural center. Between 30 November 2024 and 15 June 2025, the painting was exhibited at the MAMU during the second edition of the temporary exhibit Paraisos y jardines.
Adam and Eve in the Garden of Eden was acquired by Bank of the Republic and accessioned to its art collection in 2001 under registry number AP3431. The painting has been exhibited at the bank's Miguel Urrutia Art Museum (MAMU) and at its other cultural centers across various cities in Colombia.