davidanugraha/M4-RAG huggingface dataset:
愛之夏

愛之夏（英語：Summer of Love）是一個社會現象，發生於1967年的夏天，當時有多達十萬人匯聚在美国旧金山的海特-艾許伯里區（英语：Haight-Ashbury）的附近。嬉皮士也聚集在美國、加拿大及歐洲的主要城市，三藩市是這次社會運動的中心，後來被稱為「嬉皮士革命」 。
受1950年代居住在舊金山的作家的啟發，據稱在1967年聚集在海特-艾許伯里區（英语：Haight-Ashbury）的人們拒絕了對現代主義的順從。
一家報紙《舊金山甲骨文》宣布：
人們在地下進行的慶祝活動的新概念必須浮現，成為一種意識並應分享，以便可以通過復興同情，意識和愛以及揭示全人類的團結來形成一場革命。
前往海特-艾許伯里區（英语：Haight-Ashbury）的年輕人數不斷增加，使舊金山當局感到驚訝，舊金山當局說，他們將會對其拒之門外。
1967年陣亡將士紀念日，在曼哈頓格林威治村附近的湯普金斯廣場公園的音樂會上，一些警官要求減小音樂的音量。作為回應，人群中有人扔了各種物體，隨後38人被逮捕。這次活動之後，East Village Other（英语：East Village Other）的編輯艾倫·卡茲曼（Allan Katzman）預測，夏季將有50,000嬉皮士進入該地區。
來自世界各地的多達100,000名年輕人湧向了舊金山海特-艾許伯里區（英语：Haight-Ashbury），及附近的伯克利和舊金山灣區的其他城市。他們建立了免費診所，免費商店，免費贈送基本必需品給予任何需要它們的人。
愛之夏吸引了各個年齡段的人們。
迷幻藥物的使用變得普遍。在失去了哈佛大學心理學系講師的終身職位後，蒂莫西·李瑞（英语：Timothy_Leary）成為娛樂性使用迷幻藥物的主要倡導者。服用Psilocybin（英语：Psilocybin）後，他經常邀請朋友以及偶爾的研究生與他和同事理查德·阿爾珀特（英语：Richard_Alpert）一起服用此類藥物。在西海岸，作者肯·克西曾倡導使用這種藥物，他是美國中央情報局（CIA）資助的LSD實驗的先前志願者。隨後，他們購買了一輛老式校車，用迷幻的塗鴉塗漆並吸引了一群人，克西和他的團隊穿越了整個美國，進行酸性測試。在此期間，大麻與LSD一樣，也被大量使用。隨後控制兩種藥物使用的法律頒布。一些使用者經常會舉行會議反對該法律。但是，他們廢除控制藥物法律的努力並未成功。
就像其姊妹地格林尼治村，三藩市成為一個關於政治、音樂、藥物、創意的熔爐，比以前較缺乏性及社會抑制。隨著嬉皮士的反文化運動越來越走進公眾意識，其中心活動成為了二十世紀六十年代一個重要的時刻，結果令到眾多「普通市民」開始質疑一切關於他們及他們周圍的事物。
這一個前所未有的年輕人聚會，常常被認為是一個社會實驗，令到所有另類生活方式變得更加普遍地接受，如性別平等，公社，及自由戀愛。許多這些類型的社會變化迴盪於七十年代初，並對現代社會做成一定的影響。
嬉皮士有時也被稱為「花的孩子」，多為折衷主義者。許多人懷疑政府，拒絕消費主義價值觀，及普遍反對越南戰爭。一些人對政治感興趣；其他人專注於藝術如音樂，繪畫，尤其是詩歌，或專注於宗教及冥想活動。所有人都渴望將新的想法和見解，融入到日常生活中，無論是公共或私人的理由。
這是相對平和的嬉皮士運動，其宗旨不是暴力，而是「愛」，這首名為《旧金山》的歌，正帶出這個訊息：「如果你要去舊金山的話，請別忘了在頭髮上插滿鮮花。在舊金山這座城市裡，你遇到的人溫柔善良。對於那些要去舊金山的人，今年夏天將充滿愛的陽光。」
密西西比河

密西西比河（英語：Mississippi River），位于北美洲中南部，是北美最大的水系，流域面積约为300万平方公里。它也是北美第二長的河流，源头在美国明尼苏达州西北部海拔446米的艾塔斯卡湖（Lake Itasca），流经中央大平原，向南注入墨西哥湾。最长支流密蘇里河的源头雷德罗克湖，全长3767公里。如果按照密西西比河的支流——密苏里河的源头计算，则全长为6021公里，居世界河流的第4位，其集水範圍可以作為美國中西部的分界。
密西西比河的名稱源自於美國北部威斯康辛州的印第安阿爾貢金人，因为它支流众多，美国人又尊称为“老人河”，与尼罗河、亚马逊河和长江合称世界四大长河，是北美大陆流域面积最广的水系，两岸多湖泊和沼泽。河流年均输沙量4.95亿吨。流域属世界三大黑土区之一。密西西比河流域绝大部分位于美国境内，只有约1%的部分位于加拿大境内。
密西西比河西边的支流比东边多而长，形成了一大型树枝状水系。水量丰富，近河口的年均流量达1.68万立方米/秒。
上游的春季融雪、雨水补给，4月为最高水位，6月降水增多，为次高水位，12月为低水位。中游的密苏里河注入，流量增至5800立方米/秒，最高水位在6月。下游的俄亥俄河提供干流57％的水量，流量增至1.34万立方米/秒，4月为最高水位，10月为最低水位。
2022年10月，受干旱天气影响，密西西比河部分流域水位大幅下降。流路易斯安那州新奥尔良的河段水位為60厘米，创十年来该河段水位最低值。2023年9月，密西西比河水位再度大幅降低。
密西西比河航运价值很大。1811年，“新奥尔良”号汽轮首航密西西比河。当前年运输量在2亿吨以上。
除了主流外，可通航的支流约有40条，水深2.75米的航道达1万公里，并通过运河与五大湖连成一巨大的内河航运系统。
河边上主要的城市包括：
由於密西西比河的壮阔浩瀚及其歷史意義，有許多別稱：
滑水被发明于威斯康辛和明尼苏达之间的丕平湖（英语：Lake Pepin）地区。拉尔夫·萨缪尔森（英语：Ralph Samuelson）在1922年发明并改进了他的滑水技术，并在1925年第一次表演了滑水跳跃。
沿着密西西比河有7个由美国国家公园管理局管理的区域。密西西比河国家河流和娱乐区（英语：Mississippi National River and Recreation Area）是为了保护和展现密西西比河本身。其他6个区域是（按从北到南排列）：
韩国国立公园列表

国立公园（朝鮮語：국립공원／國立公園）是大韩民国政府为了保护和保存自然生态系统、自然以及文化景观以实现可持续发展而指定并加以管理的保留区，分为“山岳國立公园”，“海上、海岸國立公园”和“史迹國立公园”三类。迄今韩国政府在其境内总共划设了22座国立公园，包括17个山岳國立公园，4个海上、海岸國立公園和1个史迹國立公园，約佔韩国國土總面積的6.7%。
受到美国国家公园和日本国立公园制度的影响，韩国1967年颁布《公园法》，建立了韩国首个，也是最大的山岳国立公园，智异山国立公园。次年，韩国建立了首个海上国立公园閑麗海上國立公園和韩国唯一的史迹國立公园庆州国立公园。20世纪60年代末至80年代后期，韩国又先后建起鸡龙山国立公园、汉拏山国立公园、雪岳山国立公园、北汉山国立公园、泰安海岸国立公园等17个国立公园，其中包括1981年成立的韩国面积最大的国立公园多岛海海上国立公园和1988年成立的韩国唯一的半岛国立公园边山半岛国立公园。
韩国国立公园在《公园法》颁布初期是由韩国建设部委托地方政府管理的。由于有些国立公园横跨多个市或道引起行政管理上的问题，韩国依照《自然公园》于1987年7月1日成立了专门管理国立公园的机构国立公园管理公团。1991年4月23日，国立公园管理公团被编入韩国内务部，1998年2月开始被规划到韩国环境部。目前，除汉拏山国立公园由济州特别自治道地方政府管理外，韩国国立公园都由国立公园管理公团统一管理。
韩国国立公园成立初期对游客实行免费政策。1970年，俗离山国立公园率先开始实行门票收费制度。到1974年，韩国的大部分国立公园都取消了免门票的政策。目前只有庆州国立公园是免费的。1993年，韩国国立公园的门票收入占到了公园总收入的65%。随着游客数量的逐年增加，韩国政府为有效保护公园的自然环境，对游客的数量和活动进行了限制，通过预约制控制游客数量，游客野炊和宿营只能在指定区域进行，严格禁止夜间登山。除此之外，韩国还对国立公园具有高保护价值的部分地区实行自然休息年制，以避免人为破坏。
边水往事

《边水往事》（英語：Escape from the Trilateral Slopes）是优酷白夜剧场于2024年推出的悬疑网络剧，改编自中国大陆作家沈星星创作的同名纪实小说，该剧由曹保平监制，《开端》的导演算编剧并执导，郭麒麟与吳鎮宇领衔主演，尤勇智、王迅特别主演，齊溪、王玉雯、姜珮瑶友情主演。
优酷与咪咕视频于2024年8月16日同步开播。
三边坡是一个地处热带季风气候的地区，这里鱼龙混杂、贫富差距极大，刚刚步入社会、辗转各地打工维生的沈星意外流落此地，机缘巧合之下，沈星结识了在三边坡黑白两道通吃的和事佬猜叔。
剧中主要故事的发生地“三边坡”为架空设定，当地人见面、道别时所说的“瓦萨哩”等语言是该剧系统性创造的新语言——“勃磨语”，由云南学者岩温坎创作，也是中国大陆首次为剧集系统性创造一门新语言。
2023年2月8日该剧宣布杀青。
江島神社

江島神社（日语：江島神社／えのしまじんじゃ）是一座位于日本神奈川縣藤澤市江之島的神社。现在是神社本廳的別表神社，也被公认为是日本三大辯天之一。
該神社主要供奉宗像三女神。而位於江之岛西方的「奥津宮」供奉多紀理毘賣命，位於江之岛中心的「中津宮」供奉市寸島比賣命，位於江之岛北方的「邊津宮」供奉多岐都比賣命，三者統稱「江島大神」。
到了江户时代，這裡祭祀的辯才天則被稱為江島辯天、江島明神。
通济桥 (余姚市)

通济桥，又名舜江桥、老江桥，是中国浙江省余姚市城区姚江上的一座三孔石拱桥。桥梁始建于北宋，现存桥梁建于清代，有“浙东第一桥”之称。桥梁与北岸的舜江楼形成“长虹腾空，飞阁镇流”的景观，成为余姚历史文化的象征。通济桥于2019年被列入全国重点文物保护单位。
通济桥由知县谢景初为方便姚江两岸沟通而主持建造，始建于北宋庆历七年（1047年），次年落成。当时建成的桥梁为木桥，初名德惠桥。靖康之变后，康王赵构逃至江南，金军尾随，将德惠桥烧毁，南宋绍兴二年（1132年）由知县苏忠复建，此后又毁。至南宋咸淳三年（1267年），由县人王籍、王应龙复建，并更改桥名为虹桥。此后，桥梁屡毁屡建，期间曾一度使用浮桥替代。
元代中期，僧人惠兴发起将桥梁改建为石拱桥，但在桥梁完工前圆寂。道士李道宁主持了此后的营建工作，至顺三年（1332年）桥梁完工，取《周易·系辞下》中“刳木为舟，剡木为楫，舟楫之利，以济不通”之义，定名通济桥。至明万历八年（1580年），南桥孔毁坏，三年后修复。清雍正四年（1726年），通济桥崩塌，三年后由闽浙总督李卫主持重建，耗费木桩二千一百余根，铁二千五百余斤，石料值白银近一千五百万两，人工近四万，雍正九年（1731年）建成。
通济桥地处余姚城区姚江上，为古时自甬江至姚江上溯时所能遇到的第一座桥梁，因而有“浙东第一桥”之称。桥梁为陡拱式三孔两墩石拱桥，现有桥梁长43.4米，主跨14.2米，高8.4米，南孔跨径7.6米，高4.9米，北孔跨径8.7米，高4.95米，因桥梁高耸，有“海舶过而风帆不解”之说。桥面台阶两侧有车马道，两端宽中间窄，两端宽6.43米，中央宽5.61米。桥面两侧有石质望柱24根，石质栏板22块。桥顶栏板有莲花浮雕，两旁的四根望柱有石狮，南北坡望柱上刻有莲花座。主跨两侧桥身侧面刻有桥联，东侧桥联为“千里遥吞沧海月，万年独砥大江流”，西侧桥联为“一曲蕙兰飞彩鷁，双城烟雨卧长虹”。
通济桥于1981年6月11日被列入余姚县文物保护单位，2011年1月7日与舜江楼一起以“通济桥和舜江楼”的名义被列入第六批浙江省文物保护单位。2019年10月7日，通济桥被列入第八批全国重点文物保护单位。桥梁处于余姚府前路历史文化街区核心保护范围内。文物部门多次对通济桥实施检测，并采取措施防止桥上的裂缝进一步扩大。2016年，曾有人驾驶越野车冲上通济桥，引起余姚市民关注，此后肇事者被警方行政拘留。
相传通济桥使余姚风水上佳，历代官宦辈出。明代余姚出生的阁臣谢迁和邻县慈溪出生的尚书赵文华不和，赵欲破坏余姚风水，因而向皇帝进谗要求拆毁通济桥获得同意。谢迁得知后以“瞒天帐”盖过江面，当赵文华坐船经过时，不知不觉已驶过通济桥，只得拆一座小桥以应付圣旨。
遂宁市

遂宁市（四川话拼音：Xulin；国际音标：[ɕynin]）是中华人民共和国四川省下辖的地级市，位于四川省东部。市境东临广安市、南充市，北界绵阳市，西接德阳市，南邻资阳市、重庆市。地处四川盆地中部丘陵区，涪江自北往南纵贯市境，与梓江、蓬溪河、郪江等河流汇合。全市总面积5,322平方公里，人口329万，市人民政府驻船山区。遂宁是全省纺织品和食品工业的重要基地，素有“东川巨邑”、“川中重镇”之称。亦相传因五代后唐时于此地修建的城池形状如古代的斗，故遂宁別称“斗城”。
遂宁历史久远。根据在射洪县仁和镇马鞍山南山采集到的人顶头骨化石初测，至少在公元1万年前，遂宁就有人类活动。夏商时期，全国划为九州，遂宁县境（指今遂宁市船山区、安居区和重庆市潼南县境）属梁州管辖。
春秋初年，四川境内出现巴国和蜀国两个奴隶制国家，遂宁县境属蜀国管辖区，秦统一后为蜀郡所辖。东汉末年（220年），置德阳县，治所在今城区内，境内置县也由此开始。西晋后期（约303年），流民李雄起义建立成汉国，置德阳郡，辖德阳县，郡、县治所仍在今城区内，境内置郡也由此开始。
“遂宁”作为地名，始于东晋。东晋与十六国并存，而遂宁则属于十六国中的成汉国。当时，各国统治者之间连年混战，成汉国统治者内部也为争权夺位斗争不息，人民痛苦不堪。永和三年（347年），东晋大将桓温伐蜀，大败李雄遗部李势，灭成汉国，结束了四川长达50多年的混战。当桓温凯旋，途经县境时，但见风和日丽，歌舞升平，一派和平安宁的气氛。这位长年征战沙场的将军感慨万端，一种厌恶战乱、渴望太平的思绪油然而生，因而在这里设郡，定郡名为“遂宁”，表示 “平息战乱，达到安宁”的意思。从此，川中丘陵中的这片红土地，便有了一个吉祥的名字——“遂宁”。
在历史的沧桑演进中，“遂宁”这个名称或用或改，遂宁的“级别”或升或降，遂宁的辖区或大或小，但有一点没有改变，这就是不论哪个朝代，都以遂宁城为郡、府、州、县的治所，足见古人对遂宁这块土地的厚爱。遂宁也因此成了川中重镇和政治、经济、文化的中心。
南北朝至宋元时期，今市境内先后设置或更名石山郡、小溪县、方义县、遂州、遂州总管府、遂州总督府、武信军节度使，辖区常有三五县。辖区最大时期当数唐末，在遂州设的武信军节度使，管辖了遂（遂宁）、昌（隆昌）、合（合川）、渝（重庆）、泸（泸州）五州。自明朝开始，遂宁降州为县，先后隶属潼川府（今三台县）、嘉陵道（今南充市）。
1935年，民国政府将四川划为18个行政督察区，在遂宁置四川第十二行政督察区，设专员公署，辖遂宁、安岳、中江、三台、射洪、盐亭、蓬溪、潼南、乐至等9县，专员公署、县治所均设在今市城区。全国解放后，置川北行政区遂宁分区，1952年改为遂宁专区，仍辖上述各县。1958年撤专区留县，遂宁并入绵阳专区。
1985年2月，经国务院批准，遂宁撤县，建为省辖市，管辖市中区（原遂宁县）、蓬溪县和射洪县。1997年10月，经国务院批准，蓬溪县涪江以西地区建立大英县，县治所设在蓬莱镇。遂宁市所辖为一区三县，即市中区、蓬溪县、大英县、射洪县。2003年12月，经国务院批准，分市中区行政区，设船山区、安居区（治所设安居镇）。至此，遂宁所辖为二区三县，即船山区、安居区、蓬溪县、大英县、射洪县。
1997年分蓬溪县设大英县。2004年撤销原遂宁市中区，分设船山区和安居区。
遂宁市位于四川盆地中部，涪江中游。介于东经105°03′26″－106°59′49″，北纬30°10′50″－31°10′50″之间。东西宽90.3公里，南北长108.9公里，总面积5325平方公里。东邻重庆、广安、南充，西连成都，南接内江、资阳，北靠德阳、绵阳，与成都、重庆呈等距三角。历史上，遂宁曾以其深厚的文化底蕴、迷人的灵性山水和发达的农工商贸而成为川中政治、经济和文化中心，尤以纺织食品工业闻名，素有“成渝后花园”、“川中重镇”之称。
遂宁市下辖2个市辖区、2个县，代管1个县级市。
此外，遂宁市还设立以下经济功能区：国家级遂宁经济技术开发区、遂宁市创新工业园区、河东新区、金桥新区。
2023年末，全市常住人口274.8万人。比上年末减少2.4万人，其中城镇人口164.28万人，乡村人口110.52万人。 城镇居民常住人口城镇化率59.78%，比上年末提高1.1个百分点。
根据2020年第七次全国人口普查，全市常住人口为2,814,196人。同第六次全国人口普查的3,252,619人相比，十年共减少了438,423人，下降13.48%，年平均增长率为-1.44%。其中，男性人口为1,427,876人，占总人口的50.74%；女性人口为1,386,320人，占总人口的49.26%。总人口性别比（以女性为100）为103。0－14岁的人口为436,776人，占总人口的15.52%；15－59岁的人口为1,668,545人，占总人口的59.29%；60岁及以上的人口为708,875人，占总人口的25.19%，其中65岁及以上的人口为558,522人，占总人口的19.85%。居住在城镇的人口为1,612,641人，占总人口的57.3%；居住在乡村的人口为1,201,555人，占总人口的42.7%。
全市常住人口中，汉族人口为2,801,560人，占99.55%；各少数民族人口为12,636人，占0.45%。与2010年第六次全国人口普查相比，汉族人口减少448,139人，下降13.79%，占总人口比例下降0.36个百分点；各少数民族人口增加9,716人，增长332.74%，占总人口比例增加0.36个百分点。
遂宁化工、食品、纺织、机械等产业具有比较优势，是四川省内上市公司数量并列第二多的城市。
上市公司有：沱牌曲酒（SHA：600702）、四川美丰（SHE：000731）、华纺股份（SHE:600448）、明星电力（SHA：600101）、高金食品（SHE：002143）、华润锦华（SHE：000810）、天齐锂业（SHE：002466）。
根据铁道部《中国中长期铁路网规划》，为满足快速增长的旅客运输要求，建立省会城市及大中城市间的快速客运通道，规划“四纵四横”铁路快速客运通道以及三个城际快速客运系统，遂宁将是南京—武汉—重庆—成都客运专线，连接西南和华东地区的重要通过地。同时，按照客货分线的规划原则，遂宁也将是南京—武汉—重庆—成都双层集装箱运输通道的重要通过地。规划中，将完善路网布局和西部开发性新线，以扩大西部路网规模为主，形成西部铁路网骨架。2010年后建设兰州至重庆新线，该线由兰州经九寨沟、绵阳过遂宁至重庆。如能通过努力，将内（江）昆（明）铁路延伸，建成遂宁至内江铁路，必将巩固遂宁成为四川铁路枢纽的作用，使遂宁的区位优势更加显现，投资环境更好，经济、社会发展的前景会更加优越。
四川职业技术学院为遂宁市内第一所高等院校，提供专科层次的高等教育；此外，四川师范大学乡村振兴学院也位于遂宁市，计划于2023年开始招生运作。
遂宁有中国优秀旅游城市,中国金融生态城市,国家园林城市,国家卫生城市 等多个城市名片
根据当地传说，遂宁是观音的故乡，观音三姊妹就出生在遂宁。
遂宁有灵泉寺和广德寺以及中国死海3处4A景区和四川宋瓷博物馆等3A景区。
遂宁森林覆盖率约为34%，是四川省绿化全面达标的第一个城市,也是四川省第一个省级环保模范城市。
Zhejiang Library

Zhejiang Library (Chinese: 浙江图书馆), sometimes abbreviated as Zhetu (浙图), is a public library in Hangzhou, China. Founded in 1900 during the Qing dynasty, it is among the earliest provincial public libraries in China. It is designated a National First-Class Library and a National Key Ancient Books Preservation and Conservation Institution [zh] by the Chinese government. As of 2023, its main facility at the Zhijiang Cultural Center has a building area of 42,000 square meters and a collection of 6.73 million volumes.
The library was established in November 1900 during the 26th year of Emperor Guangxu's reign, initiated by Hangzhou gentry including Shao Zhang [zh] and Hu Huan. They gained approval from Prefect Zhu Qifeng [zh] to open the Hangzhou Library at the former Dongcheng Lecture Hall site, offering free access to local scholars. It began with 718 titles and 9,499 volumes. In 1903, Governor Nie Jigui [zh] transformed it into a government-run institution named Zhejiang Library, expanding the collection to 35,000 volumes.
In 1909, during the Qing’s Preparative Constitutionalism, Governor Zeng Yun [zh] merged it with the Zhejiang Official Printing Bureau, relocating it near Wenlan Pavilion. By 1911, the Siku Quanshu from Wenlan Pavilion was transferred to the library. In 1912, during the Republic of China, the Gushan branch opened, and the library was renamed Zhejiang Provincial Library in 1913.
During the Second Sino-Japanese War, the library moved several times—Jiande (1937), Yongkang (1938), and Lishui (1941)—to protect its collection, including the Siku Quanshu, which was sent to Chongqing. It returned to Hangzhou in 1945. In 1951, the Jiayetang Library collection merged with it, and in 1998, a new main building opened on Shuguang Road. The Zhijiang branch opened in August 2023 within the Zhijiang Cultural Center.
The library operates various facilities in Hangzhou and Huzhou:
The library’s collection exceeds 6.73 million volumes, including the Siku Quanshu Wenlan Pavilion edition and rare editions from the Song, Yuan, and Ming dynasties. It also holds Dunhuang manuscripts and foreign editions from Japan and Korea.
The library has published journals such as Wenlan Journal and Library Outlook since 1935, focusing on traditional scholarship and general readership, respectively. In 1936, it hosted the Zhejiang Document Exhibition, displaying over 20,000 items.
Zhejiang Conservatory of Music

The Zhejiang Conservatory of Music (浙江音乐学院) is a provincial public undergraduate college in Hangzhou, Zhejiang, China. It was established in 2016 and is affiliated with the Province of Zhejiang.
The entire campus is divided into the North District and the South District. It has the largest music school campus in the world, with two school gates, the North Gate and the South Gate. The Grand Theatre, Concert Hall, Music Building, Dance Building, Drama Building, Library, and Administration Building are all located in the North District Arts District. Comprehensive teaching building, accordion-style gymnasium, piano key-style dormitory building, canteen, etc. are located in the southern living area; the construction unit is Greentown Architectural Design Co., Ltd., and the first construction is the student dormitory building.
The college has 1 library, 1 grand theatre, 3 concert halls, 3 theatres, 102 rehearsal halls, 842 piano rooms, and 6 recording studios. The concert hall can accommodate 800 people, and the grand theatre (with a large theatre, a small theatre, and a movie screening hall, including an IMAX theatre) can accommodate about 1,200 people. Concert halls, grand theatres, and other places will be open to the public.
There are 283 full-time teachers, including 44 professors (31 professors) and 52 associate professors.
The discipline is mainly art, all of which cover the composition and composition technology theory, musicology, music performance, dance, dance performance and performance under the main discipline of music, and dance, in the existing three Among the first-level disciplines, music and dance are provincial-level first-class disciplines of class A, drama and film studies, and art theory are provincial-level first-class disciplines of class B. The musicology major is a national characteristic major, and the music performance major is a provincial emerging characteristic major. There are a small number of intersecting management, literature, engineering, etc., and nearly 60 majors are planned. By 2020, the number of majors will expand to about 14.
Hengdian World Studios

Hengdian World Studios (Chinese: 横店影视城; pinyin: Héngdiàn Yǐngshìchéng) is a film studio located in Hengdian, a Chinese town in the city of Dongyang, Zhejiang Province. It is one of the largest film studios in the world. The movie studio is operated by the privately owned Hengdian Group founded by Xu Wenrong. Xu turned acres of farmland in central Zhejiang into one of the largest movie studios in Asia. Construction began in the mid-1990s and has been ongoing ever since with the possible recent addition of the replica of the Old Summer Palace. A film about extras working at the studio, I Am Somebody, was released in China in 2015.
The studio’s sets are free for film crews; the studio makes returns on the hotels, restaurants, equipment and costumes. The studio consists of 30 outdoor shooting bases and 130 indoor studio sets, with a total area of up to 330 ha. and building areas of 495,995 square meters. In addition to its huge scale, the studio also has several records which includes:
One of the studio's largest buildings is the Imperial Palace Building built in the Early Chinese Dynasty style in the Qin and Han periods. That area is still frequently used to shoot movies based on these eras. The director Zhang Yimou used this building as the backdrop for the Emperor Qin's palace for his 2002 movie Hero. A Hong Kong TVB drama serial titled A Step into the Past which tells the story of the First Qin Emperor also used the same building as the main backdrop. The studio was also used to film The Forbidden Kingdom, the first on-screen collaboration between actors Jackie Chan and Jet Li. In addition, it was also used for the filming of the popular Korean drama serial Empress Ki. More than 1,200 movies and TV shows have been shot there, including Ang Lee's Oscar-winning Crouching Tiger, Hidden Dragon; the Mummy: Tomb of the Dragon Emperor, which is Hollywood co-produced using sets in the Studio; live-action Mulan (2020 film) released on Disney+ on September 4, 2020 in the US.
In 1996, Guangzhou Street Scenic Area, the first film and television shooting base, was built to shoot the film Opium War by director Xie Jin. In 1997, the King of Qin Palace scenic spot was constructed. In 2000, its all scenes are declared free of rent. In 2004, Hengdian Film and Television Industry Experimental Zone was established as China's number one national film and television industry experimental zone. In 2010, Hengdian World Studios was listed as a national AAAAA level Scenic Spot.
In additional to being a film studio, Hengdian World Studios has also become a tourist attraction, with many of its large sets opening to visitors.
It has been reported that around 70 percent of period Chinese television shows and films are being shot at Hengdian World Studios every year.
Zhejiang Xiaobaihua Yue Opera Troupe

Zhejiang Xiaobaihua Yue Opera Troupe is a professional all-women Yue opera (i.e. Yue opera) troupe in Hangzhou, Zhejiang, China. Along with Zhejiang Yue Opera Troupe and Shanghai Yueju Troupe, it is one of China's most famous Yue opera troupes. It has toured the U.S., France, Holand, Belgium, Japan, South Korea, Singapore, Thailand, Hong Kong, Macao, Taiwan and other places.
Mao Weitao, the current director of the troupe, has tried innovative (and controversial) ways to revive interest in Yue opera, such as adding elements of pop music, modern dance and even musical into the art.
The troupe was formed in 1983 as a special delegation to Hong Kong named the "Zhejiang Yue Opera Hong Kong Xiaobaihua Performance Troupe". Twenty-eight girls with an average age of 18 were chosen from among thousands of hopefuls in Zhejiang, who then studied under older artists — survivors of the Cultural Revolution (1966–1976, when Yue opera performers were viciously attacked for being "decadent artists"). After a year of intense training, the girls debuted in November 1983 in Sunbeam Theatre in front of an enthusiastic Hong Kong audience which included Yue-Kong Pao and Run Run Shaw. Their Hong Kong success led to the establishment of Zhejiang Xiaobaihua Yue Opera Troupe in 1984.
At its inception, Zhejiang Xiaobaihua Yue Opera Troupe focused on developing young stars. Some of the "founding" girls like He Ying (zh:何英), Fang Xuewen (zh:方雪雯), Dong Kedi (zh:董柯娣), He Saifei, and Mao Weitao — collectively known as the "Five Golden Flowers of Yue opera" — became celebrities (especially in the Wu-speaking areas) after the release of the 1984 film Five Daughters Offering Felicitations (五女拜壽), an adaption of the Chinese Yue opera Birthday Celebration by Five Daughters, which won Best Opera Film at the 5th Golden Rooster Awards. Their popularity can be seen from frequent invites to perform on CCTV New Year's Gala, the world's most watched television program:
Owing to their star power, the 1980s has been called the golden days of Yue opera.
The Yue Opera saw a decline in popularity with China's reform and opening-up policy to bring in a lot of imported cultures and entertainment. With more audience shifting to mass entertainment products such as popular music and TV dramas, the market of Yue Opera was struggling for survival, resulting in a big laying out of performers.
Baoguo Temple (Zhejiang)

29°58′57″N 121°30′58″E﻿ / ﻿29.98250°N 121.51611°E﻿ / 29.98250; 121.51611 The Baoguo Temple (simplified Chinese: 保国寺; traditional Chinese: 保國寺; pinyin: Bǎoguó Sì; lit. 'Temple of Homeland-Defending', Wu Chinese pronunciation: [pau koh zy]) is a former Mahayana Buddhist temple located in the Jiangbei district, 15 kilometres (9.3 mi) north of Ningbo, in Zhejiang Province, People's Republic of China. It is noted as the second-oldest surviving wooden structure in southern China since the main hall of the present temple dates back to 1013 AD during the Northern Song dynasty.
The temple was originally called the Lingshan Temple (simplified Chinese: 灵山寺; traditional Chinese: 靈山寺; pinyin: Língshān Sì; lit. 'Temple of Divine Mountain', Wu Chinese pronunciation: [lin sae zy]), but in 880 AD, during the Tang dynasty it was renamed the Baoguo Temple. The main hall was rebuilt in 1013 AD, during the Northern Song dynasty, and is one of the oldest and most well preserved wooden constructions in China. The temple also contains columns dating to the Tang dynasty, a hall built during the Ming dynasty, and two halls and towers of the Qing dynasty.
Today the temple is no longer a temple but a tourist attraction, and many of its rooms and halls are used to house various exhibitions, including:
The temple can be accessed by bus 332 from Ningbo city. The ride takes approximately 35 minutes.
Qi Shanshan

Qi Shanshan is a Chinese architect, and teaches at Zhejiang University in Hangzhou, China.
Educated at the Barnard College of Columbia University and Harvard University, Qi has been serving as a thesis advisor at the China Academy of Art since 2014.
Qi Shanshan grew up in Hangzhou, China and went abroad at the age of fourteen to further her education. Qi graduated with distinction from Barnard College of Columbia University (The Women's College of Columbia University), Summa Cum Laude and Centennial Scholar. She received a Master of Architecture degree from Harvard University. Qi recently completed a doctoral degree researching on the topic, “Existence and 2.5 Dimensional Perceptions of Architecture” with Pritzker Prize Laureate, Wang Shu.
Qi Shanshan founded Studio Qi, a sole-female led firm located in Hangzhou in 2013. Over 90% of the employees are female architects and designers. Qi is a leading figure in pushing for the awareness of gender inequality, preservation of the richness of the rural and the cultural in China and challenging the new definition of archi-tourism.
Qi has worked for Renzo Piano Office and Foster + Partners.
Qi won the prestigious Unsung Hero - Female Frontier Award and was named the Green Women Power 100.
Studio Qi has won many international architectural awards, including the AIA American Institute of Architects Architecture Award, the European LEAF Green Leaf Architecture Gold Award, the A&D Asia Pacific Architectural Design Gold Award, the American WAF Master Architect Award, the WA World Architecture Best Living Award and the Technology Progress Award.
In 2016, Nine House designed by Qi Studio won an Urban Environment Design Magazine accolade as China's Most charming boutique villa.
Her work is featured in the book “New Chinese Architecture: Twenty Women Building the Future”.
Kopi susu gula aren

Kopi susu gula aren (kadang disingkat menjadi kopsuren; sering juga disebut kopi susu kekinian) adalah istilah untuk mencakup jenis racikan kopi yang mengandung susu dan gula aren. Racikan ini umumnya disajikan dingin dengan es dalam kemasan gelas plastik bertutup. Perbedaan mendasar antara kopi susu kekinian dan kopi susu tradisional ada pada penggunaan susunya. Kopi susu biasa umumnya menggunakan campuran antara kopi dan susu kental manis, sedangkan kopi susu kekinian mengganti susu kental manis dengan susu segar dan gula aren. Jenis kopi ini merajalela dari mulanya di kafe-kafe hingga kini juga ke kedai-kedai kecil dan gerobak. Es kopi susu gula aren dianggap sebagai produk kopi susu yang lebih terjangkau dibandingkan dengan kopi susu lain seperti kapucino yang disajikan dengan gelas kaca di kafe-kafe. Satu gelas es kopi susu kekinian umumnya dibanderol Rp10.000 hingga Rp20.000.
Es kopi susu gula aren biasanya diberi nama yang unik dan berbeda pada setiap kedai kopi. Sebagai contoh, Kopi Tuku, salah satu pelopor es kopi susu kekinian, menamai versi es kopi susu kekiniannya dengan nama Kopi Susu Tetangga, sedangkan Kopi Kenangan menjual versi es kopi susu kekiniannya dengan nama Kopi Kenangan Mantan. FamilyMart di Indonesia juga dikenal memiliki versi es kopi susu gula arennya yang bernama Kopi Susu Keluarga.
Tren es kopi kekinian atau es kopi gula aren ini mulai menanjak pada tahun 2016. Kedai-kedai es kopi susu kekinian mulai merebak di pusat-pusat keramaian, seperti pusat perbelanjaan dan stasiun komuter di Jakarta. Kopi Kenangan sebagai salah satu pelopor merupakan salah satu pemain yang mengawali merebaknya es kopi susu gula aren di tingkat nasional. Pendiri Kopi Kenangan, Edward Tirtanata, mengaku bahwasannya ia terinspirasi membuat es kopi susu gula aren setelah mengunjungi kampung halamannya di Pekalongan, Jawa Tengah. Di Pekalongan, gula aren umum dipadukan bersama racikan kopi susu. Oleh karena itu juga, ia menamai bisnis Kopi Kenangan sedemikian rupa sebagai bentuk 'kenangan' rasa kopi yang khas dari kampung halamannya.
Gunung Pandan

Gunung Pandan (897 m) adalah sebuah gunung berapi kerucut yang terletak di Pulau Jawa, Indonesia, tepatnya di selatan Kabupaten Bojonegoro, utara Kabupaten Madiun dan Kabupaten Nganjuk, Jawa Timur. Gunung Pandan yang merupakan titik tertinggi Pegunungan Kendeng itu, juga dikenal sebagai Gunung Pugawat, tempat pendhermaan Raja yang disinggung Prasasti Pucangan Sanskerta (Kern, Verspreide Geschriften 1917, hal:96).
Dalam laporan Roorda Eysinga yang dimuat dalam Nederlands Oost Indie (1857), memberitahukan bahwa sampai paruh kedua abad 19 M, Gunung Pandan masih ditemui banyak arca Brahminian. Bahkan, Eysinga menulis, di puncak Gunung Pandan, berdiri patung raksasa setinggi 14 meter yang dikelilingi 8 pohon jambe (pinang). Sayangnya, pada 1882 M, patung raksasa beserta arca-arca itu dilaporkan hilang.
Prasasti Pucangan menyebut, Maharaja Airlangga (990 - 1049 M) membangun lokasi pendhermaan di atas Gunung Pugawat (Gunung Pandan) sebagai lokasi yang indah, dan dipenuhi banyak pohon jambe (pinang). Nama Gunung Pandan sendiri, diperkirakan muncul pada zaman Prasasti Pamintihan (1473 M), saat Bhre Pandansalas dari Kerajaan Majapahit melakukan pendhermaan di lokasi tersebut.
Status Gunung Pandan adalah gunung api ("istirahat") dan telah lama tidak aktif. Gunung ini merupakan puncak tertinggi di Pegunungan Kendeng. Di lereng Gunung Pandan terdapat waduk:
Ki Ageng Pandan Arang

Ki Ageng Pandan Arang (disebut juga Pandanaran, Pandanaran I) adalah bupati pertama Semarang, yang diangkat oleh Sultan Demak Bintara.
Konon nama Semarang diberikan olehnya, karena di tempat ia tinggal ditumbuhi oleh pohon asam yang jarang-jarang (bahasa Jawa: asem arang).
Ki Ageng Pandan Arang juga dikenal sebagai tokoh penyebaran Islam di daerah tersebut. Meskipun sezaman dengan para Wali Sanga, ia tidak termasuk di dalamnya.
Tokoh ini berkedudukan di Pragota, yang sekarang adalah tempat bernama Bergota di kelurahan Randusari, Semarang Selatan.
Makamnya terletak di wilayah Kelurahan Mugassari, Semarang Selatan.
Syekh Waliu’lislam juga merupakan putra Syekh Maulana Iskak dari tanah Arab yang pergi ke Jawa menuju Ampel Denta.
Beroleh welas asih Susuhunan Ampel Denta, kemudian diangkat menjadi Imam di Pasuruan. Selanjutnya diambil menantu oleh Adipati Pasuruan.
lalu pindah tempat tinggalnya di Pandanarang, terdengar oleh Prabu Brawijaya, kedudukannya diluluskan serta dianugrahi nama Adipati berkuasa di Pandanarang serta diangkat Imam bagi sesame agama.
Syekh Waliu'lislam yang menjadi Imam di Semarang seterusnya (Pandhanarang) sudah mempunyai tiga orang putra, bernama :
Pekalongan,
Prabu Andayaningrat Pengging menyerang Syekh Waliu'lislam yang menjadi Imam di Semarang, berkecamuklah perang besar.
Akhirnya Syekh Waliu'lislam gugur di medan pertempuran. Sang Syekh Suta Maharaja maju membantu, tetapi kebanjiran musuh, selanjutnya menghindar hingga sampailah di Demak, kepayahan akhirnya meninggal.
Putri dari Syekh Waliu'lislam yang bernama Siti Umi Kamsum, serta putri Syekh Suta Maharaja nama Siti Jenap, sama-sama dilarikan mengungsi ke Raka Susuhunan Gunung Jati.
Dimsum

Dimsum (Hanzi tradisional: 點心, Hanzi sederhana: 点心 Hanyu Pinyin: Diǎnxīn) adalah istilah dari bahasa Kanton yang berarti "makanan kecil". Biasanya dimsum dimakan sebagai sarapan atau sarapan siang. Namun karena makanan ini populer di dunia dari Hong Kong, maka istilah dimsum lebih populer dibandingkan dianxin.
Dimsum terdiri dari berbagai macam penganan kecil-kecil yang biasanya dimakan bersama teh. Orang Guangzhou (Kanton) sendiri sangat mementingkan acara minum teh yang disebut yamcha (Hanzi: 飲茶, Pinyin: yincha). Pada awalnya bahan pembuatan dimsum hanya berupa perpaduan sayur, daging, dan rempah. Saat ini para chef mulai berinovasi dalam membuat dimsum yang lebih bervariasi.
Dim sum adalah bagian dari tradisi camilan Tiongkok yang berasal dari Dinasti Song (960–1279), ketika koki kerajaan menciptakan berbagai hidangan seperti burung pegar cincang, lidah burung lark, serta makanan penutup dari susu kukus dan pasta kacang. Guangzhou mengalami peningkatan perjalanan komersial pada abad ke-10. Pada saat itu, para pelancong sering mengunjungi rumah teh untuk menikmati hidangan dalam porsi kecil yang disajikan dengan teh, yang disebut yum cha atau "makan teh." Yum cha mencakup dua konsep terkait. Yang pertama, 一盅兩件, secara harfiah berarti "satu cangkir, dua potong," merujuk pada kebiasaan menyajikan dua makanan kecil—gurih atau manis—untuk menemani teh. Yang kedua, 點心 (dim sum), secara harfiah berarti "menyentuh hati" dan digunakan untuk menyebut makanan kecil yang disajikan bersama teh.
Media tentang Dim sum di Wikimedia Commons
Sarkara

Gula sarkara adalah gula tebu non-sentrifugal tradisional yang dikonsumsi di Anak Benua India, Asia Tenggara, dan Afrika. Ini adalah produk konsentrat dari sari tebu dan seringkali kurma atau getah palem tanpa pemisahan molase dan kristal, dan dapat bervariasi dari warna coklat keemasan hingga coklat tua. Ini mengandung hingga 50% sukrosa, hingga 20% air gula, dan hingga 20% kelembaban, dengan sisanya terdiri dari bahan tidak larut lainnya, seperti abu kayu, protein, dan serat ampas tebu. Sarkara sangat mirip dengan muscovado, pemanis penting dalam masakan Portugis, Inggris, dan Prancis. Ngutu/nguru atau gula sarkara khas Kenya tidak memiliki serat; warnanya gelap dan terbuat dari tebu dan terkadang juga diekstraksi dari pohon palem.
Kata sarkara berasal dari kata Bahasa Jawa yaitu sarkara (ꦱꦂꦏꦫ), yang merupakan serapan kata dari Bahasa Sansekerta yaitu sarkara (शर्करा).
Serikaya (selai)

Serikaya, juga dikenal sebagai selai kaya atau hanya kaya, adalah olesan manis yang dibuat dari bahan dasar santan, telur, dan gula. Selai ini populer di seluruh Asia Tenggara.
Kata untuk selai kelapa dalam Bahasa Melayu, kaya, berarti kaya, referensi tekstur makanan populer. Selai ini juga disebut srikaya. Di Malaysia, Indonesia dan Singapura, kaya memiliki tekstur yang lembut, yang dibuat dari santan dan telur ayam atau itik, dibumbui dengan daun pandan dan dimaniskan dengan gula. Warna yang dihasilkan bervariasi tergantung warna kuning telur, jumlah pandan, dan kadar karamelisasi gula. Sebagai olesan lokal yang populer, kaya biasanya dioleskan di roti panggang untuk membuat roti bakar kaya dan dimakan di pagi hari, tetapi juga dinikmati sepanjang hari. Kaya dapat ditemukan di sebagian besar kopitiam dan pasar malam.
Sprouted coconut

Sprouted coconuts, also referred to as coconut sprouts, are the edible spherical sponge-like cotyledons of germinating coconuts. They have a crunchy watery texture with a slight sweetness. They are eaten in coconut-growing countries either as is or as part of various dishes. They are not commercially produced. They are also known variously as coconut pearls, coconut embryos, coconut candy, coconut apples, coconut cotyledons or simply coconembryos or coconapples.
Sprouted coconuts have a variety of names in countries where coconuts are native or cultivated. They are also known as vara in Fijian; tumbong ng niyog, buwá ng niyog or tubo ng niyog in Filipino; iho or lolo in Hawaiian; morund in Konkani; tumbong kelapa in Malaysian and Indonesian; pongu in Malayalam; niu tupu in Niuean; oʻo in Samoan; manzanas de coco in Spanish; ʻuto in Tahitian; seembu in Tamil; and bot-bot, buwa, buha, or bula in Visayan languages. They are also known as "queen's bread" in Hawaii.
Sprouted coconuts can be found inside sprouting mature coconut fruits. They can range from marble-sized to completely filling the cavity inside the endosperm of the coconut seed. They grow to maximum size at around 20 to 24 weeks after germination. They are technically haustoria, as they are cotyledonary structures that absorb nutrients and water from the solid and liquid endosperm, in this case, as food for the growing embryo.
Sprouted coconuts are preferably eaten while still fresh and small, as older larger sprouts tend to become rancid and have an unpleasant soapy taste.
Sprouted coconuts contain around 66% carbohydrates, around 64% of which are soluble sugars. They contain considerable amounts of dietary fiber and minerals (particularly potassium, manganese, calcium, phosphorus, and magnesium).
Large bamboo rat

The large bamboo rat, Sumatran rat, or Indomalayan rat (Rhizomys sumatrensis) is a species of rodent in the family Spalacidae found in Southeast Asia.
Bamboo rats are found in bamboo-rich environments of Cambodia, Southern China, Indonesia, Laos, Malaysia, Myanmar, Thailand, and Vietnam. It primarily resides in bamboo forests, montane forests, and agricultural areas.
Individuals can reach lengths of 30 cm (12 in) to 45 cm (18 in) with a 20 cm (7.9 in) tail, and weigh from 1 to 3 kilograms (2.2 to 6.6 lb).
All Rhizomys species share a common body form, with a massively broadened head, a plump body with short limbs, strong claws on both the pes and manus, small eyes and ears, and a short, sparsely haired tail that lacks scales (it is instead covered in soft, wrinkled skin).
Rhizomys species have grey–brown to dull orange brown fur, rounded ears that just project through the fur, and granulated plantar pads on the manus and pes (compared to smooth pads in Cannomys badius). Rhizomys sumatrensis (Raffles, 1821) grows to a much greater size than the other species, the tail is relatively longer, and the top of the head bears a distinctive, triangular patch of dark fur.
Litter size is reported as 3-5 in R. sumatrensis, which has a gestation period of at least 22 days. The young grow hair at about 10–13 days, open their eyes at 24 days, and are weaned over an extended period from 1–3 months after birth. Life span in captivity is about 4 years.
It feeds on bamboo shoots, roots, and underground plant parts. They also feed on cultivated tapioca and sugarcane. They are, in turn, hunted as food by humans.
Rhizomys sumatrensis plays a significant ecological role by aerating soil through its extensive burrow systems. Although their burrows are sometimes located in slash-and-burn gardens, it is unclear how much damage they inflict on crops.
The species is a natural host for the disease-causing mold, Penicillium marneffei.
It is one of several species of large rats that have been identified by scholars of Sherlockiana as the original model for the mysterious Giant Rat of Sumatra alluded to in a fictional story by Sir Arthur Conan Doyle.
Alpine skiing at the 2025 Asian Winter Games

Alpine skiing competitions at the 2025 Asian Winter Games in Harbin, China, were held at the Yabuli Ski Resort between 8–9 February 2025.
All times are in local time (UTC+8), according to the official schedule correct as of January 2025.
Source:
(*) Bhutan's sole skier has FIS licensing issues. His time will not be recorded and is ineligible to win a medal.
Hotel Mongolia

Hotel Mongolia (Mongolian: Монгол Шилтгээн, Mongol Shiltgeen) is a hotel in the form of a mock castle near Gachuurt village, in the Bayanzürkh district of Ulaanbaatar, Mongolia. It claims to be the only resort hotel in the country.
Built in 2003, it is surrounded by a fortress wall with gates on the 4 sides and towers at the corners. Inside the fortress are Asian style houses and yurts, which serve as hotel rooms.
There is a restaurant in the central "palace". The hotel lies on the bank of the Tuul River. The southern gate links to a riverside beach and an open sky stage for rock performances.
The hotel is designed to resemble the ancient capital of Karakorum. The hotel is furnished in handmade carvings. One of the attractions is the Silver Tree fountain inspired by the Silver Tree of the ancient city of Karakorum. The central gatehouse displays an exhibition of the coins brought from all parts of the Mongol Empire.
The complex is a venue for rock festivals, wedding celebrations and international conferences. It hosted the 10th Conference of Sakyadhita, the International Association of Buddhist Women, in July 2008.
The hotel was featured in Season 10 of The Amazing Race.
47°55′27″N 107°08′29″E﻿ / ﻿47.92417°N 107.14139°E﻿ / 47.92417; 107.14139
Cross-country skiing at the 2014 Winter Olympics

Cross-country skiing at the 2014 Winter Olympics was held at the Laura Biathlon & Ski Complex near Krasnaya Polyana, Russia. The twelve events took place between 8–23 February 2014.
The following is the competition schedule for all twelve events.
All times are (UTC+4).
* Host nation (Russia)
A maximum of 310 quota spots were available to athletes to compete at the games. A maximum of 20 athletes could be entered by a National Olympic Committee, with a maximum of 12 men or 12 women. There were two qualification standards for the games: an A standard and a B standard.
310 athletes from 54 nations participated, with number of athletes in parentheses. Chile made its Olympic debut in the sport. Dominica, qualified for the Winter Olympics for the first time, and its two athletes competed in cross-country skiing. India's athlete was planned to compete as an Independent Olympic Participants, as the Indian Olympic Association was suspended by the International Olympic Committee, but the suspension had since been lifted.
Sevillanas (película)

Sevillanas es una película española realizada por el director Carlos Saura, en 1992, que supone un homenaje al cante y al baile por sevillanas. Es una combinación entre documental y musical​ en el que se reúnen muchos de los mayores talentos musicales que se han acercado al género de las sevillanas, entre los que destacan Camarón de la Isla, Rocío Jurado, Paco de Lucía o Manolo Sanlúcar.
Centro Andaluz de Teatro

El Centro Andaluz de Teatro (CAT) es un centro de producción teatral público de Andalucía, España, integrado en la Agencia Andaluza de Instituciones Culturales dependiente de la Consejería de Cultura de la Junta de Andalucía que tiene por objeto el desarrollo de un teatro contemporáneo y la transmisión de la cultura teatral andaluza. Mantiene anualmente producciones propias y coproducciones, una escuela de espectadores, grupos de investigación, desarrollo e innovación así como dos premios: el Premio Miguel Romero Esteo para dramaturgos andaluces y el Premio José Martín Recuerda de textos dramáticos.
El Centro fue creado en 1988 y ha estado dirigido por Roberto Quintana, Manuel Llanes, Juan Ruesga, Emilio Hernández y Francisco Ortuño Millán. En 2013, y tras tres años de inactividad, el Centro Andaluz de Teatro se refunda con una nueva gestión y con un consejo asesor compuesto por Rafael Torán (director de escena), Gracia Morales (dramaturga), Alfonso Zurro (director de escena y dramaturgo), Chus Cantero (actor), Isabel Ojeda (Universidad Internacional de Andalucía), Francisco Fernández (Instituto Andaluz de las Artes y las Letras), Lola Vargas (Centro de Documentación de las Artes Escénicas de Andalucía).​
Fiestas de Nuestra Señora del Carmen (Madrid)

Fiestas de Nuestra Señora del Carmen son unas fiestas populares celebradas en honor a la Virgen del Carmen en cuatro distritos de Madrid: el Puente de Vallecas, en Chamberí, La Latina y Villaverde Alto.​ Se conocen popularmente como fiestas del Carmen, o, en Puente de Vallecas, fiestas de la Karmela (o simplemente la Karmela). En todos estos distritos se realizan celebraciones entre el 12 de julio al 16 de julio.
Originariamente no se celebra en ninguno de los distritos madrileños actuales.​ La primera festividad se realizó en la calle del Carmen en el siglo XVIII, en las cercanías de la parroquia del Carmen del Calzado de donde procede el nombre de la festividad. La fiesta se trasladó a la calle de Alcalá (justo en frente del Convento de San Hermenegildo), cercano a la Iglesia de San José. Durante este periodo inicial se celebraba la festividad en honor de la Virgen el Carmen el 16 de julio, se establecían cajones de venta de flores y plantas diversas, frutas y diferentes productos de la gastronomía madrileña.
El primer cisma de la fiesta se produce en el siglo XX, y la fiesta se trasladó por primera vez a la zona de los Tejares conocida posteriormente como barrio de Chamberí en los años veinte.​ Se celebraba ya como verbena popular, siendo una de las más concurridas a comienzos del siglo. Se empleaba en su desarrollo los amplios solares abandonados del barrio por aquella época. La popularidad de las festividades hizo que se nombrara, al cabo del tiempo, como patrona de su barrio.​ Su popularidad se hace sentir hasta los años cincuenta en el que Alejandro Algara canta La Carmen de Chamberí con la orquesta de Agustín Lara. Las fiestas solían comenzar un domingo anterior al 16 de julio, y solían durar una semana. Los centros festivos se centraban en la plaza de Olavide. Se solía celebrar corrida de novillos.
Ya a mediados del siglo XX se celebraba la Fiesta del Carmen en Vallecas, y se empleaban los solares del barrio.​ Las fiestas desde sus comienzos corren a cargo de la Junta Municipal de Puente de Vallecas. Se celebran, como en los demás barrios madrileños, en el mes de julio de 1981 al participar en las Fiestas del Carmen, y empujados por el calor veraniego, comenzaron a refrescarse primero y a empaparse después con las bocas de riego del famoso Bulevar de Vallecas (nombre popular por el que se conoce a la calle Peña Gorbea). De este baño improvisado y de la utópica reivindicación del "Puerto de Mar para Vallekas" nació la Batalla Naval de Vallecas. Desde finales del siglo XX se celebran en el recinto ferial situado en la calle Puerto Balbarán, cerca de la estación Cercanías de El Pozo
Fiestas de San Lorenzo (Madrid)

Las Fiestas de San Lorenzo son la celebración más popular y antigua del barrio de Lavapiés (Madrid) y se celebran cada 10 de agosto en honor a San Lorenzo,​ dentro de una 'trilogía' que completan las Fiestas de la Paloma y las Fiestas de San Cayetano.​ Desde finales del siglo XX se instala una verbena en la plaza de Lavapiés y las calles vecinas con castizos concursos de trajes y de bailes como el chotis.​
A finales del siglo XVII las gentes de Lavapiés dependían de la lejana parroquia de San Sebastián, situación que indujo a Baltasar Moscoso y Sandoval, arzobispo de Toledo a crear la parroquia de San Lorenzo, diseñada por Francisco Bautista, en el lugar donde existía una antigua sinagoga. La iglesia se destruyó en un incendio en 1851 que dejó un solar abandonado hasta que en 1950 se inauguró la nueva iglesia sin apenas relación arquitectónica con la primitiva.​
Los vecinos de Lavapiés acudían el día 10 de agosto en procesión para sacar el Santo de la iglesia de San Lorenzo. Esta procesión se llegó a prolongar hasta la plaza de Tirso de Molina a finales de los años 1970.​ La procesión deja como celebración un conjunto de verbenas y de concursos de trajes castizos: aparecen los manolos, los chisperos.
Era costumbre a finales del siglo que las verbenas duraran en Madrid tres días: la víspera, el día del Santo y el día después.​ Llegando a celebrarse en alguna ocasión durante una semana. Esta situación hizo que la fiesta de San Lorenzo se fundiera aparentemente con las celebraciones de San Cayetano y la Paloma en el barrio de la Latina. Las celebraciones religiosas van perdiendo a finales del siglo protagonismo y recae la fiesta finalmente en las celebraciones de la verbena que se instala a lo largo del eje de la calle de Argumosa.​
Estación de Feria de Madrid

Feria de Madrid (anteriormente Campo de las Naciones)​ es una estación de la línea 8 del Metro de Madrid situada bajo la avenida del Partenón y junto a los recintos feriales de IFEMA, que dan nombre a la estación, en el Campo de las Naciones del madrileño distrito de Barajas.
La estación, llamada Campo de las Naciones desde su inauguración hasta junio de 2017, cuenta con un andén central y, a cada lado de la vía, se muestra un gran mural que ocupa todo lo largo de la estación, realizado por Luis Sardá y Carlos Alonso con el título "Rostros de las naciones, una sola bandera", que unifica todas las banderas del mundo. La estación se abrió al público el 24 de junio de 1998 con el primer tramo de la línea.​ La estación fue final de línea hasta el 14 de junio de 1999, cuando la línea se amplió hasta la entonces denominada estación de Aeropuerto. El 7 de junio de 2017, Metro de Madrid anunció que a partir del día 26 de junio de 2017 la estación pasaría a denominarse Feria de Madrid, un cambio que "permitirá al usuario asociar más fácilmente la ubicación de los Recintos Feriales de IFEMA".​
Vestíbulo Feria de Madrid
La feria de Madrid

La feria de Madrid es un cartón para tapiz diseñado por Francisco de Goya para el antedormitorio de los Príncipes de Asturias en el Palacio de El Pardo. Se conserva actualmente en la pinacoteca del Museo del Prado.
Como en todos los tapices, los efectos debían verse desde lejos.​ En el caso específico de La feria de Madrid, los tejedores debieron apartarse del cartón original. Aquí se destaca un grupo de tres personajes bien vestidos y figuras secundarias sombreadas. La parte occidental del lienzo está realizada con poca luz y pinceladas casi imperceptibles. Era necesario inventar más pormenores para realzar la luminosidad.
Varios individuos observan las vasijas, muebles y otras mercancías de un vendedor, al tiempo que se observan otros puestos, incluso de cuadros. Al fondo se aprecia la iglesia de San Francisco el Grande.
Goya presenta usos y costumbres de la sociedad madrileña, como el hombre que observa con monóculos los objetos, la petimetra que señala con el abanico algún producto y quien negocia precios con el vendedor. Lo que el vendedor ofrece ha pasado ya de moda y la gente se ha deshecho de ellos para adornar sus casas al uso galo. El aragonés demuestra su control de perspectiva y de género, incluyendo un bodegón en el juego de chocolate visible en primer plano.
La escena se desarrolla en el rastro de Madrid. Goya nuevamente recurre a temas castizos para adornar los palacios reales, que gustan de esos asuntos, como toda la aristocracia de finales del siglo XVIII. Existe una hipótesis que pretende situar el cuadro en la plaza de la Cebada, tomando como referencia la iglesia de San Francisco el Grande que representara también Goya en El baile de San Antonio de la Florida. Entre las mercancías destaca un retrato de factura similar a los de Diego Velázquez. Especialmente los dos majos reciben fuerte iluminación y pinceladas rápidas, centrando Goya su atención en los reflejos metálicos hechos en un magnífico tono gris plata.
Sevillanas

Sevillanas (Spanish pronunciation: [seβiˈʝanas]) are a type of folk music and dance of Sevilla and its region. They were derived from the Seguidilla, an old Castilian folk music and dance genre. In the nineteenth century they were influenced by Flamenco. They have a relatively limited musical pattern but are rich in lyrics based on country life, virgins, country towns, neighborhoods, pilgrimage, and love themes.
Sevillanas can be heard mainly in fairs and festivals, including the famous Seville Fair (Feria de abril de Sevilla). Among local groups that perform it are the Los Romeros de la Puebla, Los Amigos de Gines, Las Corraleras de Lebrija, Cantores de Hispalis, and Los del Río.
Sevillanas Rocieras are a religiously oriented genre of the Sevillana, with a particular emphasis on the Virgin of El Rocío. They are sung in numerous religious and cultural events in the South of the country.
Sevillanas are danced by couples of all ages and sexes during celebrations (fiestas or ferias), often by whole families and towns. Sevillana choreography is characterized by stability and functionality, since it is a festival dance. This is why those intending to dance flamenco usually start by learning sevillanas; they are easier to master and there are more occasions for practice and training.
The rhythm of Sevillanas can be interpreted as 3/4, although it is generally 6/8. Each sevillana is composed of four or sometimes seven parts, with each part divided into three coplas and with each copla made up of six movements. During festivals and shows, it is often the Sevillana dancing visitors to Andalusia mistakenly take as Flamenco, as it is a vivid style, full of turns.
Music of Castile and León

Central Spain includes the cultural melting pot of Madrid and Castile. A down-tempo version of jota is common, as well as other dances as fandango, habas verdes, 5/8 charrada. Bagpipes are still used in northern León and Zamora provinces. Tabor pipe (in León) and dulzaina (a small shawm-like instrument) enjoy rich repertoires. Although dulzaina were popular in the folk music of Castile and León, the instrument is no longer manufactured and has become rare.
The city of Madrid is known for keeping its own version of chotis music. Salamanca is home to tuna, a form of serenade played on guitar, bandurria and tambourine, traditionally by students in medieval clothing.
Castilian dances include:
The Province of León is dominated by palatial dances that are extremely complex: