davidanugraha/M4-RAG huggingface dataset:
Kunnathur, Tirupur

Kunnathur is a panchayat town in Tirupur district in the Indian state of Tamil Nadu. It was previously under the jurisdiction of the Erode district. However kunnathur is in tiruppur district, legislative assembly consistency for kunnathur is Perundurai which is in Erode district.
Kunnathur is famous for producing compressors and loaders, and for its borewells. "AIR COMPRESSOR CITY OF INDIA "
In the 2001 India census, Kunnathur had a population of 7,031. According to the Census, males and females each makeup 50% of the population. Kunnathur has an average literacy rate of 72%, which is higher than the national average of 59.5%. Male literacy is 80%, and female literacy is 64%. In Kunnathur, 9% of the population is under six years of age. The size of the area is approximately 8.94 square kilometers.
The Kunnathur government hospital, is located in Kunnathur.
There are commercial banks, cooperative banks and agriculture society in Kunnathar including Indian Overseas India, State Bank of India, Tamil Nadu Merchantile Bank, etc.
Kunnathur is generally known as Aathi Kunnathur ("aathi" refers to "ancient") or Air-tech city or Bore-well city in the Kongu nadu region. Kunnathur is home to a historic Lakshmi Narayanan Temple built by the Chera Dynasty in the 12th century. and many other temples are found in Kunnathur including Aranmananai Mariyamman temple (built several hundred years ago), Eswaran temple (built several hundred years ago), Palani Andavar temple, etc.,
All buses from Tirupur to Gobichettipalayam and Gobichettipalaym to Coimbatore pass through Kunnathur and have a one-minute halt. A bus arrives every 15 to 20 minutes. One also can come to Perumanallur and take the buses for Salem and Coimbatore. The buses from Tirupur to Erode pass through Kunnathur with a one-minute stop. There is a bus every three hours. The closest airport is the Coimbatore International Airport, 58 km away. The nearest railway station is TIRUPUR which is 22 km away.
Schools include:
Tiruppur Kumaran

Tiruppur Kumaran also known as Kodi Kaatha Kumaran (4 October 1904 – 11 January 1932) was an Indian revolutionary and freedom fighter who participated in the Indian independence movement. He held on to the Indian tricolor flag even during his death.
Kumaran was born as Kumaraswamy Mudaliyar. His parents were Nachimuthu Mudaliyar and Karuppaayi Amma. He founded the Desa Bandhu Youth Association and led protests against the British. He died from injuries sustained from a police assault on the banks of Noyyal River in Tiruppur during a protest march against the British government on 11 January 1932. At the time of his death, he was holding the flag of the Indian nationalists, which had been banned by the British giving rise to the epithet kodi Kaatha Kumaran in Tamil which means "Kumaran who protected the flag".
A commemorative stamp was issued by India post in October 2004 on his 100th birth anniversary. A statue has been erected in Tirupur in his honor which is often used as a focal point for public demonstrations.
ගිනි ප්‍රතිරෝධී කාර්ය මණ්ඩල ඇඳුම

ගිනි ප්‍රතිරෝධී කාර්ය මණ්ඩල ඇඳුම (FROG) යනුවෙන් හැඳින්වෙන්නේ එක්සත් ජනපද මැරීන් බලකාය විසින් ගින්නෙන් සහ පුළිඟුවලින් ඇතිවන තුවාල සංඛ්‍යාව (විශේෂයෙන්ම පිළිස්සීම්) අවම කරගැනීමට භාවිතා කරන ඇඳුමකි. ඇෆ්ගනිස්ථානය සහ ඉරාක යුද්ධයේ දී පුපුරන ද්‍රව්‍ය භාවිතයට ගැනීම වැඩිවී ඇති හෙයින් මෙම වස්ත්‍රය පැළඳීමට සිදුවී තිබේ.
FROG පද්ධතිය අත්දිගු කමිසයක්, ටී-ෂර්ටයක්, ප්‍රහාරක කලිසම්, අත්වැසුම් සහ බැල්ක්ලාවාවකින් සමන්විත වේ. කමිස සහ කලිසම් MARPAT වලින් හැඩගන්වා ඇති අතර සෙසු ඒවා වැලි වර්ණයෙන් හෝ ඔපය අඩු ඔලිව් වර්ණයෙන් වර්ණගන්වා තිබේ.
පියාසර සහ වාහන සේවා ඇඳුම් FROG II නිල ඇඳුම් ලෙස යළි වර්ගීකරණය කොට ඇත.
ඒකකයේ අණදෙන නිලධාරියා හට අවශ්‍ය ආරක්ෂක තත්ත්වය සලකා වෙනස් FROG මට්ටම් දෙකෙන් එකක් ඇනවුම් කළ හැක. මෙය කෙතරම් ආරක්ෂක ඇඳුම් ප්‍රමාණයක් අවශ්‍ය වේ ද යන්න හා අදාළ ය.
ඇෆ්ගනිස්ථානයේ දැඩි ශීත ශිශිර ඍතු වැනි පරිසරවල සේවය කරන බලකා නව ශීත-දේශගුණ ගිනි-ප්‍රතිරෝධී කමිසයක් භාවිතා කරති. හේ සමග නව ගිනි-ප්‍රතිරෝධී අත්වැසුම් ද භාවිතා වේ.
FROG වැඩසටහන දියුණු වූයේ 2006 දී ය. එය ඒකක වෙත ආදේශ කෙරුණේ 2007 දී ය. 2009දී ඔවුන්ගේ අවදනාය ඉරාකයේ සිට ඇෆ්ගනිස්ථානය වෙත යොමුවීමත් සමග ශීත-දේශගුණ ඇඳුම් වැඩිදියුණු විය. 2010 මැයි මස, Marine Corps Times පත්‍රය විසින් FROGහි කල්පවත්නා බව අඩුවීම පිළිබඳඅවධානය යොමු කොට තිබිණි. ඇෆග්නිස්ථානයේ දී ක්‍රමානුකූලව සේදුම් කටයුතු සිදුනොවන නිසා වසරක් වෙනුවෙන් සැලසුම් කළ ඇඳුම් සති කිහිපයක් තුළ දී විනාශයට පත් විය. මේ නිසා ජලයට හෝ දහඩියට නිරාවරණය වී නිසිපරිදි වියළීමක් සිදුනොවූ විට, රෙදි වර්ගය බිඳෙනසුලු ස්වභාවයකට පත්වේ. එය කුඩා ආතතියකින් පවා ඉරෙනසුලු වේ. මෙයට විසඳුමක් ලැබෙන තෙක් මැරීන් නිලධාරීන් අමතර ඇඳුම් නිකුත් කිරීම සිදුකරයි.
සැකිල්ල:US Marine Corps navbox
කොහොඹ

කොහොඹ ඹෂධීමය සහ දැවමය වටිනාකමකින් යුත් මහෝගනී පවුලයට අයත් ගසකි. මෙහි උද්භිත විද්‍යාත්මක නාමය වන්නේ ඇස්ඩ්‍රක්ටා ඉන්ඩිකා(Azadirachta ) වේ. මෙය ශ්‍රි ලංකාව, ඉන්දියාව, මැලෙසියාව යන තුන් රටටම ආවේණික ශාකයකි.තවද මෙම ශාකය පාකිස්තානය, බංග්ලාදේශය හා ඉරානයේ දකුණු ප්‍රදේශය ආශ්‍රිතව බහුලව දක්නට ලැබේ.කොහොඹ ශාකය, ශ්‍රි ලංකාවේ වැඩි වශයෙන් වැවෙන්නේ වියළි කළාපය ආශ්‍රිතවය. යාපනය, ත්‍රිකුණාමලය, වවුනියාව, පුත්තලම, අනුරාධපුරය යන දිස්ත්‍රික්කවල බහුලය. ඉඩෝරයට ඔරොත්තු දෙන කොහොඹ ගස් යාපනය, ත්‍රිකුණාමලය මග දෙපස වවා ඇත. මෙහි ඵල(ගෙඩි) සහ බීජ(ඇට) කොහොඹ තෙල් සෑදීම සදහා යොදාගනී.
කොහොඹ නියගයට ඔරොත්තු දෙන ශාකයකි. සාමාන්‍යයෙන් මෙම ශාකය ව්‍යාප්ත වන්නේ වියළි හා තෙත මිශ්‍ර පාරිසරික තත්ත්වයක, මිලිමීටර 400-1200 අතර වාර්ෂික වර්ෂාපයතනයක් යටතේය. වාර්ෂික වර්ෂාපයතනය මිලිමීටර 400 ට අඩු ප්‍රදේශයන්හී ද මෙය වැවිය හැකි නමුත් එවැනි අවස්ථාවකදී එය බොහෝ දුරට භූමීය ජල මට්ටම මත රඳා පවතී. කොහොඹ විවිධ පස් වර්ගයන්හි වැවිය හැකි නමුත් එය හොඳින් ව්‍යාප්ත වන්නේ ජලය ඇත.
බොහෝ ප්‍රදේශයන්හි කොහොඹ වල් පැළෑටියක් ලෙස නිගමනයන්ට එළඹ ඇත. සමහර මැදපෙරදිග කොටස් ද වැඩි වශයෙන් උප සහරානු අප්‍රිකා කොටස් ද බටහිර අප්‍රිකා හා ඉන්දීය සගරය ආශ්‍රිත කොටස් ද මීට ඇතුලත් වේ. පරිසර විද්‍යාත්මකව ගත් කළ එවැනි ප්‍රදේශයන්හි ද තවදුරටත් කොහොඹ ශාකය නොනැසී පවතී. නමුත් මෙය වල් පැලෑටියක් බවට තවමත් සම්පූර්ණයෙන් තහවුරු කර නොමැත.එය වටිනා ගසකි
ඉන්දියාවේ සහ පාකිස්තානයේ මිනිසුන් අවුවේ වේළන ලද කොහොඹ කොළ අල්මාරි හා සහල් අසුරන භාජන සඳහා යොදා ගනිමින් කෘමි උවදුර වළක්වා ගනී. පාකිස්තානයේ උෂ්ණ කලාපයට අයත් ප්‍රදේශයන්හි මදුරුවන් පලවා හැරීම සඳහා කොහොඹ කොළ වියළා පුලුස්සයි. එසේම මෙම කොළ ඉන්දියානු උත්සව සඳහා(උදා: උගාදි උත්සවය) ද යොදාගනු දක්නට ලැබේ. කොහොඹ කොළ තවදුරටත් මුස්ලිම් ජනයාගේ මළ සිරුරු නැහැවීම සඳහා ද භාවිතයට ගනී.
ඉන්දියානු ජනතාව කොහොඹ දලු සහ මල් එළවලුවක් වශයෙන් ආහාරයට ගනී. තමිල්නාඩු ජනයා කොහොඹ මල් වලින් වෙප්පම්පූ චාරු (Veppampoo charu) නම් සූපයක් පිළියෙල කරයි. බටහිර බෙන්ගාලයේ, නොමේරූ කොහොඹ දලු සහ කුඩා වම්බටු කැබලි තෙලෙහි බැද කට ගැස්මක් ලෙස භාවිතයට ගනී.
කොහොඹ අග්නිදිග ආසියාවේ විශාල භූමි ප්‍රදේශයක භාවිතයට ගනී. කොලොම්බියාව, ලාඕසය, තායිලන්තය, මියන්මාරය වැනි රටවල් ඒ අතරින් විශේෂ වේ. හොඳින් පිසගත්තද, මෙය ඉතා තිත්ත රසැති ආහාරයක් බැවින් මෙම ප්‍රදේශයන්හි සියලුම නිවැසියන් මෙවා අනුභව නොකරයි. මෙය සෞඛ්‍යට හිතකර ආහාරයක් බවට විශ්වාසයක් තිබේ. කොහොඹ මැලියම් වල ප්‍රෝටීන් බහුලය. මියන්මරයේ, නොමේරූ කොහොඹ කොළ සහ මල් සියඹලා සමග තම්බා තිත්ත ගතිය අඩු කොට එළවලුවක් ලෙස ආහාරයට ගනී. තව ද මියන්මාර ජනයා කොහොඹ කොළ අච්චාරුව තක්කාලි සහ මාලු මිශ්‍රිත සෝස් සමග අනුභව කරයි.
කොහොඹ තෙල් විශාල වශයෙන් භාවිත කිරීම හේතුවෙන් මොළයේ ආබාධ සහ අක්ෂිගත ආබාධ ඇතිවිය හැක.
Salimuzzaman Siddiqui නම් විද්‍යාඥයා කොහොඹ වල ගුණ(ප්‍රතිහෙල්මින්තික, ප්‍රතිබැක්ටීරිය, වයිරස් නසන, උපත් පාලක සහ වේදනා නාශක) ප්‍රථමයෙන් පෙන්වා දුනි.1942 දී, ඔහු විසින් තිත්ත රසයන් 3 ක් පෙන්වා දුනි.
Othera Puthukulangara Bhagawathi Temple

Othera Puthukulangara Devi Temple is an ancient Hindu temple situated in the Othera village of Thiruvalla Taluk in Pathanamthitta district, Kerala, India, that is dedicated to the goddess, Durga Devi. The temple is owned by A Trust and an elected committee administrates the temple. The nearest town is Chengannur.
This temple is one among the thirty Durga temples of Central Kerala where the ancient Dravidian ritualistic art form Padayani is performed annually. The ritual Padayani is seen in temples situated in places such as 'Pathanamthitta, Kozhencherry, Aranmula, Ranni, Thiruvalla and Chengannur.
Kolam Thullal is the vital part of Padayani festival in which impersonations and apparitions of both divine and evil characters are painted on areca palm sheaths in traditional designs using natural dyes and performing them at these temples. Traditional artists create masks and trained dancers dance carry them on their head, and this is manifested to propitiate goddess Bhadrakali Devi.
There are many varieties of Kolam and 'Yakshi, Pakshi, Madan, Marutha, Kalan Kolam (Kalari), Bhairavi and more are all performed here. 'Valia Kolam' which is big size Bhairavi Kolam (a fierce form of Bhadrakali Devi) and another giant variety known as 'Chattathel Kolam', are also usually manifested here on the last day of the festival. Chattathel Kolam uses 1001 areca sheaths and cannot be carried on the head but is pulled around the temple on hand carts and displayed in the temple compound thereafter. It's the only temple in the world which performs a kolam made of 1001 areca sheaths.
Goddess Durga Devi is the presiding main deity. Mahadevan, Dharma Sastha, Ganapathy, Yakshiamma, Brahmmarakshas (serpent gods), Yakshiamma are also there.
Offerings at the temple include Archana, Pushpanjali, Ganapathy Homam, mahanivedyam Chathussatham, Payasam and many more. Kolam Thullal is also an offering during annual Padayani festival.
Padayani is the main festival which is celebrated for 10 days in the Malayalam month of Meenam (Mar-Apr) prior to Thiruvathira star day.
Kolam Kuttama

Kolam Kuttama (Sinhala: කෝලම් කුට්ටම), is a 2022 Sri Lankan mystery-drama thriller television series broadcast on Swarnavahini TV. It is directed by Jayaprakash Sivagurunathan, co-produced by Chethani Wijetunga, Sri Lal Wickramage and written by Saddha Mangala Sooriyabandara. It aired every weekday from 9:30 pm to 10:00 pm onwards. It is broadcast from 3 August 2022 as the spin-off series of popular television serial Nadagamkarayo.
The series based on the traditional masks and puppetry in Ambalangoda area, and was created based on a master puppeteer and a mask-cutting artist and two mysterious outsiders. The serials started with the end credits of Nadagamkarayo where the Kolam Kuttama dance troupe wins in the doubtful manner against Ruparathna master's Nadagamkarayo troupe.
Kallisseri Azhakiyakavu Devi Temple, Chengannur

Azhakiyakavu Devi Temple is situated at Kallisseri in Chengannur taluk of Alappuzha district, Kerala, India. It is a Hindu temple dedicated to the goddess Bhadrakali and is one of the 30 temples in Central Travancore area where the ancient Dravidian ritualistic art form of Padayani is performed annually. The temple is 4 kilometres (2.5 mi) from Chengannur Railway Station and Bus Stand respectively.
Azhakiyakavu Devi Temple is located in Kallisserry, Chengannur taluk, on the banks of the holy river Pamba. The temple is managed by an elected committee from four kara (sub-provinces surrounding the temple), namely Umayattu Kara, Mepram, Mazhukkeer, and Thaimaravum Kara. These small provinces each have their own snake-boats which participate in the Aranmula and other local snake-boat races during Onam.
The presiding deity of the temple is Bhadrakali. The idol of bhagavathy is daru with four hands, sitting on vethalam. Sub-deities include Karimkali, Yakshiamma, Rakshassu and Naga Devatas.
Chanthattam, Archana, Pushpanjali, Ganapathy Homam, Sahasra Namarchana, Muzhukappu, Payasam etc. Kolam Thullal is also an offering during annual festival.
Padayani festival is celebrated in this temple annually for eight days commencing from the Uthradam Star day to Aswathy Star day in the Malayalam month of Kumbham (February–March). Ancient folklore dramas such as Kakkasassi Natakam Padayani Mela and Pooppada Thullal are part of Padayani, but the most important part is Kolam Thullal. Bhairavi Kolam, Kalan Kolam (Kalari), Sundara Yakshi, Ambara Yakshi etc. are all depicted here. Kolam are made on areca palm sheaths by painting with natural dyes. Trained dancers wear them as masks along with breast plates of the same material and perform to the tune of songs meant for them with accompaniment from the thappu percussion instrument.
Kumbha Bharani, Meena Bharani, Shivaratri, Navaratri, Thirukkarthika etc. are all celebrated.
Kulah khud

Kulah Khuds (Persian: کلاه خود; also known as top in India and devil masks among English speaking arms collectors) were used in ancient western Asia for battle and as decorative head pieces.
Khula Khud helmets originated in Central Asia and Turkestan, they were worn by Persian Empire soldiers in the eighteenth centuries. Made of steel, these bowl-shaped helmets were designed as either low and flat, or high and pointed. They sometimes contained a spike socket at the top of the helmet, which resembles a spearhead with a cross-like section. Two or three plume holders were attached on either side of the skull, used to mount feathers from birds such as the egret.
The helmet had an iron-and-brass or brass-and-copper aventail that hung at the base of the helmet to protect the neck, shoulders and the temple of the face. Sometimes, the aventail extended down to cover the eyes and the nose. The low end of the aventail was often shaped in a zig-zag triangular pattern (vandyked).
A bar made of iron or steel was attached to the front of the helmet with a bracket and could be adjusted in position – so when not in use, it could slide upward and fasten with a link, a hook, or a set screw. The two ends of the bar expanded into leaf-shaped plates, forming a finial. In some Indian tops, the lower end of the bar was designed as a large crescent-shaped metal guard that protected most of the face below the eye level. One rare version of the helmet included three irons protecting the nose and the cheeks.
Despite the similarity in their design, the Khula Khud helmets were decorated with a wide degree of variations depending on the cultures from which they were created. Decorations often appeared in the skull and the nasal bar, which were often heavily decorated with patterned motifs of inlaid brass, silver or gold; or decorated with figurative images. One Mughal top helmet featured calligraphic inscriptions from the Quran, supposedly to gain "Help from Allah and a speedy victory." A top discovered in Gwalior, India, featured a motif of the skull and crossbones sign of European influence. Another part of the Khula Khud helmet that was often a focus of artistic decoration, was the leaf-shaped finials of the nasal bar. A Sikh top featured the figure of Ganesha carved onto the nasal bar. The Khula Khud helmet was only decorated with some metals, and usually no organic decorations.
Despite the modernization of Iran's military in the nineteenth century, traditional armor continues to be manufactured. Since the nineteenth century, the Khula Khud has been displayed in military parades, used as a part of costumes worn in dramatizations, and sold as a souvenir.
Blue Devil (mascot)

The Blue Devil is the mascot of the Duke Blue Devils of Duke University. He is depicted as a costumed human character wearing a blue and white cape with the team’s logo on it and a blue mask with white horns, he usually wears a white tape on his forehead that features a message written on it.
As World War I ended, Duke's Board of Trustees, then called the "Trinity College Board of Trustees", lifted their quarter century ban of football on campus leading to an interest in naming the athletic teams. The team was then known as the Trinity Eleven, the Blue and White, or the Methodists (as opposed to the Baptists of nearby rival Wake Forest University). Because of the ambiguity, the student newspaper, the Trinity Chronicle (now called The Chronicle) launched a campaign to create a new mascot. Nominations for a new team name included Catamounts, Grizzlies, Badgers, Dreadnaughts, and Captains. The Trinity Chronicle editor narrowed the many nominations down to those that utilized the school colors of dark blue and white. The narrowed list consisted of Blue Titans, Blue Eagles, polar bears, Blue Devils, Royal Blazes, and Blue Warriors. None of the nominations proved to be a clear favorite, but the name Blue Devils elicited criticism that could potentially engender opposition on campus. These fears were partly alleviated when it was revealed that the name was military and patriotic rather than anti-religious; the name actually refers to the Chasseurs Alpins, also known as "les diables bleus" ("The Blue Devils"), a French military unit which had impressed many Duke students and alumni returning home from the Western Front. The nickname of the Chasseurs Alpins was derived from the blue jacket and blue-grey breeches worn as part of their World War I-era uniform. Even with this explanation, however, that year's football season passed with no official selection.
During the 1922–1923 academic year, campus student leaders and the editors of the two other student publications, The Archive and The Chanticleer, decided that the newspaper staff should decide the name on their own because the nomination process had proved inconclusive. Editor-in-chief William H. Lander and managing editor Mike Bradshaw began referring to the athletic teams as the Blue Devils. Though the name was not officially used that year, no opposition to the name arose. The Chronicle's staff continued to use the name and eventually "Blue Devils" became the official mascot and nickname of the Duke athletics program.
Kandy Muse

Kandy Muse is the stage name of Kevin Gabriel Candelario (born November 3, 1994), an American drag queen and performer most known for being the runner-up on both the thirteenth season of RuPaul's Drag Race (2021) and the eighth season of RuPaul's Drag Race All Stars (2023). In 2024, she starred on the second season of reality television series House of Villains and Slaycation.
Kandy Muse was a former member of the House of Aja, a queer collective house ran by Aja, a drag queen who competed on the ninth season of RuPaul's Drag Race.
Kandy Muse was a member of the Doll Haus, alongside fellow former House of Aja members Dahlia Sin and her daughter Janelle No. 5. Now she is the mother of the Iconic house of Muse featuring Xunami Muse, Papito Suave, and Lucas Skywalker.
In 2021, Kandy Muse competed on the thirteenth season of Drag Race, during which Kandy Muse portrayed a "slutty version" of LinkedIn in "Social Media: The Unverified Rusical" and Patrick Starrr in the Snatch Game episode, and placed runner up to winner Symone.
In 2023, Muse competed on the eighth season of RuPaul's Drag Race All Stars, where she was declared the runner-up to Jimbo. After the airing of the season, Kandy's own World of Wonder original series, Inside the Producer's Studio with Kandy Muse, was announced to premiere on August 7, 2023.
Kandy Muse is the drag mother of Xunami Muse, who competed on the sixteenth season of Drag Race in 2024.
In 2017, Kandy Muse was featured on Eureka O'Hara's song "Body Positivity" and appeared in the music video for Velo's "Big Dick Daddy". Serving as the song's inspiration, Kandy Muse appeared on Alaska Thunderfuck's "Sitting Alone in the VIP" as well as the accompanying music video in 2020.
Candelario was born to parents of Dominican descent and lives in New York, as of 2021. He is also African American and identifies as black. He was born in the South Bronx, NYC, and was raised between Tremont, Bronx and the Dominican Republic. He grew up Mormon and was baptized at 8 years old.
Kandy Ho

Frank Diaz Jr. (born September 24, 1987), better known by the stage name Kandy Ho, is a Puerto Rican drag queen and television personality.
Diaz was born and raised in Connecticut, United States, and moved to Puerto Rico when she was 10 years old. She was raised as a Pentecostal and Baptist.
Before competing on RuPaul's Drag Race, she worked in sales for 8 years. She first performed in drag as a fill-in for a talent show, where she impersonated Madonna, but was hesitant to return to drag until she was asked by friends to fill in as Kimberly Wyatt in a Pussycat Dolls impersonation act for Pride. She was convinced to fill in by her then-boyfriend, and decided to continue pursuing drag afterwards. Her drag name is composed of "Kandy", because she describes herself as sweet and was suggested to her by a friend, as well as "Ho", because she needed something "raunchy" to "spice up" the name and was suggested the name by her then-boyfriend.
Originally from Cayey, Puerto Rico, she rose to prominence on the seventh season of RuPaul's Drag Race in 2015, and later competed on the second season Chilean version of Drag Race, The Switch Drag Race, in 2018, where she represented Puerto Rico. She was accepted onto Drag Race after only auditioning once. During her run on season 7 she was notably critiqued by Michelle Visage for her makeup contouring looking like she had painted on a beard, with Visage's reaction of wagging her finger and saying "no" being turned into a popular GIF.
In 2019 she was ranked by Vulture as one of the most powerful drag queens in America.
Wooden Mask of Kushmandi

Wooden Mask of Kushmandi, also known as Kushmandi Mask or Gomira Dance Mask and locally as Mukha, is a traditional cultural heritage of Kushmandi, Dakshin Dinajpur in the Indian state of West Bengal. It is a ritualistic non-vocal dance form mask worn by the local communities during the performance, to usher in Good forces and drive out Evil forces from the Villages.
Kushmandi's Wooden Mask has been accredited with a Geographical Indication (GI) tag in 2018.
Moses and his Ethiopian wife Zipporah

Moses and his Ethiopian wife Zipporah (Dutch: Mozes en zijn Ethiopische vrouw Seporah) is a painting of 1645–1650, by the Flemish Baroque painter Jacob Jordaens. The painting is a half-length depiction of the biblical prophet Moses, and his African wife.
The oil on canvas painting is now in the Rubenshuis museum in Antwerp, Belgium.
Moses stands in the foreground, his right hand palm up and his left hand on the Tablets of Stone. The tablets are in shadow, their contents, the Ten Commandments, are unreadable. Behind him to his right stands his wife, a black woman—possibly Zipporah. Her right hand is to her chest. The ribbons in her hat resemble a cross or cruciform halo.
Book of Numbers 12:1 states that Moses was criticized by his older siblings for having married a "Cushite woman", Aethiopissa in the Latin Vulgate Bible version. One interpretation of this verse is that Moses' wife Zipporah, daughter of Reuel/Jethro from Midian, was black. Another interpretation is that Moses married more than once. In Josephus' (first century) writings and medieval legend, Moses married Tharbis as his first wife. Jordaens' view is unknown, and the painting has been exhibited under titles without the name Zipporah.
Jordaens likely encountered the tale of Moses' wife in contemporary translations of the Bible and the writings of Josephus. Possibly he had also come into contact with the Jesuit Alonso de Sandoval's works on Africa. Contemporary artists who also included black women in their paintings probably inspired him too, such as Jan van den Hoecke's Sybil Agrippina.
Jordaens likely made the painting not on commission, but for himself or a close friend.
Art historian Elizabeth McGrath says that
Portrait of a Fat Man

Portrait of a Fat Man (or Portrait of a Stout Man or Portrait of Robert de Masmines) are names given to two near-identical oil on panel paintings attributed to the Early Netherlandish artist Robert Campin. Both versions are dated c. 1425, and are in the Gemäldegalerie, Berlin and Museo Thyssen-Bornemisza, Madrid.
The Madrid panel was in a Belgian private collection and not widely known about until 1957. The panels were first exhibited alongside each other at the National Gallery, London, in 1961. The panels are considered of equal quality and by the same hand, i.e. one is not a workshop copy of the other. However, the existence of two near identical paintings from such an early and renowned master has excited art historians as to their commission, dating, and providence.
The portraits are renowned for their close and realistic observation of the subject's features. They lack any attempt at flattery or idealisation, instead the sitter is depicted as he probably was; overweight, with a long, straight nose and pronounced nostrils and a "fleshy, unbecoming gaze". However the portrait cannot be viewed as satire, mocking or judgmental. The man has an alert appearance and intelligent, reasoned eyes, and the close cropping against a light coloured background seems deliberate, probably intended to convey the weight of his personal presence and charisma.
The sitter's identification as Robert de Masmines (c. 1387–1430/1), a Burgundian knight and governor of the County of Hainaut, was suggested by Georges Hulin de Loo, based on the man's similarity to a named portrait attributed to Jacques Leboucz from the 16th-century Recueil d'Arras manuscript. However, this theory is neither conclusive nor widely accepted.
Megono

Megono (Javanese: ꦩꦼꦒꦤ, romanized: Mêgana) is a Javanese from the region of Central Java, Indonesia. Megono originally comes from the regency of Pekalongan on the north coast of Java, and consists of rice topped with chopped young jackfruit, mixed with grated coconut, along with other spices. Nasi megono is usually served with mendoan, a thin fried, half-cooked, starchy tempeh.
"Megono" comes from the Javanese word mergo, meaning "because", and ono, meaning "there is".
अपरा एकादशी

हिंदू धर्म में एकादशी का व्रत महत्त्वपूर्ण स्थान रखता है। प्रत्येक वर्ष चौबीस एकादशियाँ होती हैं। जब अधिकमास या मलमास आता है तब इनकी संख्या बढ़कर 26 हो जाती है। ज्येष्ठ मास कृष्ण पक्ष की एकादशी को अपरा एकादशी कहा जाता है।
महीध्वज नामक एक धर्मात्मा राजा था। राजा का छोटा भाई वज्रध्वज बड़े भाई से द्वेष रखता था। एक दिन अवसर पाकर इसने राजा की हत्या कर दी और जंगल में एक पीपल के नीचे गाड़ दिया। अकाल मृत्यु होने के कारण राजा की आत्मा प्रेत बनकर पीपल पर रहने लगी। मार्ग से गुजरने वाले हर व्यक्ति को आत्मा परेशान करती। एक दिन एक ऋषि इस रास्ते से गुजर रहे थे। इन्होंने प्रेत को देखा और अपने तपोबल से उसके प्रेत बनने का कारण जाना।
ऋषि ने पीपल के पेड़ से राजा की प्रेतात्मा को नीचे उतारा और परलोक विद्या का उपदेश दिया। राजा को प्रेत योनी से मुक्ति दिलाने के लिए ऋषि ने स्वयं अपरा एकादशी का व्रत रखा और द्वादशी के दिन व्रत पूरा होने पर व्रत का पुण्य प्रेत को दे दिया। एकादशी व्रत का पुण्य प्राप्त करके राजा प्रेतयोनी से मुक्त हो गया और स्वर्ग चला गया।
श्रीकृष्ण ने युधिष्ठिर को बताया कि अपरा एकादशी पुण्य प्रदाता और बड़े-बड़े पातकों का नाश करने वाली है। ब्रह्मा हत्या से दबा हुआ, गोत्र की हत्या करने वाला, गर्भस्थ शिशु को मारने वाला, परनिंदक, परस्त्रीगामी भी अपरा एकादशी का व्रत रखने से पापमुक्त होकर श्री विष्णु लोक में प्रतिष्ठित हो जाता है।
माघ में सूर्य के मकर राशि में होने पर प्रयाग में स्नान, शिवरात्रि में काशी में रहकर व्रत, गया में पिंडदान, वृष राशि में गोदावरी में स्नान, बद्रिकाश्रम में भगवान केदार के दर्शन या सूर्यग्रहण में कुरुक्षेत्र में स्नान और दान के बराबर जो फल मिलता है, वह अपरा एकादशी के मात्र एक व्रत से मिल जाता है। अपरा एकादशी को उपवास करके भगवान वामन की पूजा से मनुष्य सब पापों से मुक्त हो जाता है। इसकी कथा सुनने और पढ़ने से सहस्र गोदान का फल मिलता है। प्राचीन काल में महीध्वज नामक एक धर्मात्मा राजा था। उसका छोटा भाई वज्रध्वज बड़ा ही क्रूर, अधर्मी तथा अन्यायी था। वह अपने बड़े भाई से द्वेष रखता था। उस अवसरवादी पापी ने एक दिन रात्रि में अपने बड़े भाई की हत्या करके उसकी देह को एक जंगली पीपल के नीचे गाड़ दिया। इस अकाल मृत्यु से राजा प्रेतात्मा के रूप में उसी पीपल पर रहने लगा और अनेक उत्पात करने लगा। अकस्मात् एक दिन धौम्य नामक ॠषि उधर से गुजरे। उन्होंने प्रेत को देखा और तपोबल से उसके अतीत को जान लिया। अपने तपोबल से प्रेत उत्पात का कारण समझा। ॠषि ने प्रसन्न होकर उस प्रेत को पीपल के पेड़ से उतारा तथा परलोक विद्या का उपदेश दिया। दयालु ॠषि ने राजा की प्रेत योनि से मुक्ति के लिए स्वयं ही अपरा (अचला) एकादशी का व्रत किया और उसे अगति से छुड़ाने को उसका पुण्य प्रेत को अर्पित कर दिया। इस पुण्य के प्रभाव से राजा की प्रेत योनि से मुक्ति हो गई। वह ॠषि को धन्यवाद देता हुआ दिव्य देह धारण कर पुष्पक विमान में बैठकर स्वर्ग को चला गया।
नारायण गुरु

नारायण गुरु भारत के महान संत एवं समाजसुधारक थे। कन्याकुमारी जिले में मारुतवन पर्वतों की एक गुफा में उन्होंने तपस्या की थी। गौतम बुद्ध को गया में पीपल के पेड़ के नीचे बोधि की प्राप्ति हुई थी। नारायण गुरु को उस परम की प्राप्ति गुफा में हुई।
नारायण गुरु का जन्म दक्षिण केरल के एक साधारण परिवार में 22 अगस्त 1856 में हुआ था। भद्रा देवी के मंदिर के बगल में उनका घर था। एक धार्मिक माहौल उन्हें बचपन में ही मिल गया था। लेकिन एक सन्त ने उनके घर जन्म ले लिया है, इसका कोई अनुमान उनके माता-पिता को नहीं था। उन्हें नहीं पता था कि उनका बेटा एक दिन अलग तरह के मंदिरों को बनवाएगा। समाज को बदलने में भूमिका निभाएगा।
उस परम तत्व को पाने के बाद नारायण गुरु अरुविप्पुरम आ गये थे। उस समय वहां घना जंगल था। वह कुछ दिनों वहीं जंगल में एकांतवास में रहे। एक दिन एक गढ़रिये ने उन्हें देखा। उसीने बाद में लोगों को नारायण गुरु के बारे में बताया। परमेश्वरन पिल्लै उसका नाम था। वही उनका पहला शिष्य भी बना। धीरे-धीरे नारायण गुरु सिद्ध पुरुष के रूप में प्रसिद्ध होने लगे। लोग उनसे आशीर्वादके लिए आने लगे। तभी गुरुजी को एक मंदिर बनाने का विचार आया। नारायण गुरु एक ऐसा मंदिर बनाना चाहते थे, जिसमें किसी किस्म का कोई भेदभाव न हो। न धर्म का, न जाति का और न ही आदमी और औरत का।
दक्षिण केरल में नैयर नदी के किनारे एक जगह है अरुविप्पुरम। वह केरल का एक खास तीर्थ है। नारायण गुरु ने यहां एक मंदिर बनाया था। एक नजर में वह मंदिर और मंदिरों जैसा ही लगता है। लेकिन एक समय में उस मंदिर ने इतिहास रचा था। अरुविप्पुरम का मंदिर इस देश का शायद पहला मंदिर है, जहां बिना किसी जातिभेद के कोई भी पूजा कर सकता था। उस समय जाति के बंधनों में जकड़े समाज में हंगामा खड़ा हो गया था। वहां के ब्राह्माणों ने उसे महापाप करार दिया था। तब नारायण गुरु ने कहा था - ईश्वर न तो पुजारी है और न ही किसान। वह सबमें है।
दरअसल वह एक ऐसे धर्म की खोज में थे, जहां आम से आम आदमी भी जुड़ाव महसूस कर सके। वह नीची जातियों और जाति से बाहर लोगों को स्वाभिमान से जीते देखना चाहते थे। उस समय केरल में लोग ढेरों देवी-देवताओं की पूजा करते थे। नीच और जाति बाहर लोगों के अपने-अपने आदिम देवता थे। ऊंची जाति के लाेेग उन्हें नफरत से देखते थे। उन्होंने ऐसे देवी-देवताओं की पूजा के लिए लोगों को निरुत्साहित किया। उसकी जगह नारायण गुरु ने कहा कि सभी मनुष्यों के लिए एक ही जाति, एक धर्म और एक ईश्वर होना चाहिए।
उसी दौर में महात्मा jyotiba fule
समाज में दूसरे स्तर पर छुआछूत मिटाने की कोशिश कर रहे थे। वह एक बार नारायण गुरु से मिले भी थे। गुरुजी ने उन्हें आम जन की सेवा के लिए सराहा |
नारायण गुरु मूर्तिपूजा के विरोधी थे। लेकिन वह ऐसे मंदिर बनाना चाहते थे, जहां कोई मूर्ति ही न हो। वह राजा राममोहन राय की तरह मूर्तिपूजा का विरोध नहीं कर रहे थे। वह तो अपने ईश्वर को आम आदमी से जोड़ना चाह रहे थे। आम आदमी को एक बिना भेदभाव का ईश्वर देना चाहते थे।
स्टार वन

स्टार वन मुंबई में स्थित एक भारतीय पे टेलीविजन नेटवर्क था। यह 1 नवंबर 2004 को लॉन्च किया गया था और यह स्टार टीवी के स्वामित्व में था और फॉक्स इंटरनेशनल चैनल द्वारा दुनिया भर में वितरित किया गया था। नवंबर 2006 में, स्टार वन को यूके में स्काई पर लॉन्च किया गया था।
18 दिसंबर 2011 को स्टार वन को लाइफ ओके के रूप में पुनः ब्रांडेड किया गया।इसका ब्रिटिश फीड यूके और आयरलैंड में 28 मई 2012 तक प्रसारित होता रहा, जब इसे स्टार लाइफ ओके के रूप में भी पुनः ब्रांडेड किया गया।
यह मूल प्रोग्रामिंग की सूची है जिसे पहले स्टार वन द्वारा प्रसारित किया गया था
राजघाट समाधि परिसर

दिल्ली में यमुना नदी के पश्चिमी किनारे पर महात्मा गांधी की समाधि स्थित है। काले संगमरमर से बनी इस समाधि पर उनके अंतिम शब्द हे राम उद्धृत हैं। अब यह एक सुन्दर उद्यान का रूप ले चुका है। यहाँ पर सुन्दर फव्वारे और अनेक प्रकार के पेड़ लगे हुए हैं। यहाँ पास ही शांति वन में भारत के पहले प्रधानमंत्री जवाहरलाल नेहरु की समाधि भी है। भारत आने वाले विदेशी उच्चाधिकारी महात्मा गांधी को श्रद्धांजली देने के लिए राजघाट अवश्य आते हैं।
राजघाट परिसर पर सभी समाधियों की सूचि निम्न है:
निर्देशांक: 28°38′26″N 77°14′58″E﻿ / ﻿28.640550°N 77.249433°E﻿ / 28.640550; 77.249433
तरल ऑक्सीजन

तरल ऑक्सीजन (liquid oxygen) एयरोस्पेस, पनडुब्बी और गैस उद्योग में इस्तेमाल किया जाने वाला ऑक्सीजन है, जो आणविक ऑक्सीजन का तरल रूप है। इसका इस्तेमाल ऑक्सीडाइज़र के रूप में पहले तरल-ईंधन रॉकेट में 1926 को रोबर्ट एच॰ गोडार्ड द्वारा किया गया था।
तरल ऑक्सीजन का रंग हल्का नीला होता है और यह अत्यधिक अनुचुंबकीय होता है: इसे एक शक्तिशाली घोड़े की नाल के आकार के चुंबक के ध्रुवों के बीच निलंबित किया जा सकता है। तरल ऑक्सीजन का घनत्व १,१४१ ग्राम/ली (१.१४१ ग्राम/मिली) होता है, जो तरल पानी की तुलना में थोड़ा सघन होता है, और ५४.३६ के (−२१८.७९ डिग्री सेल्सियस; −३६१.८२ डिग्री फारेनहाइट) के हिमांक और१८२.९६ डिग्री सेल्सियस (−२९७.३३ डिग्री फारेनहाइट; ९०.१९ के) १ बार (15 पीएसआई) पर क्वथनांक के साथ क्रायोजेनिक होता है । तरल ऑक्सीजन का एक मानक वातावरण (१०० केपीए) और २० डिग्री सेल्सियस (६८ डिग्री फारेनहाइट) के तहत १:८६१ का विस्तार अनुपात है, और इस वजह से, इसका उपयोग कुछ वाणिज्यिक और सैन्य विमानों में एक के रूप में किया जाता है। श्वास ऑक्सीजन का परिवहनीय स्रोत है।
इसकी क्रायोजेनिक प्रकृति के कारण, तरल ऑक्सीजन इसके द्वारा स्पर्श की जाने वाली सामग्री को अत्यधिक भंगुर बना सकती है। तरल ऑक्सीजन भी एक बहुत शक्तिशाली ऑक्सीकरण एजेंट है: कार्बनिक पदार्थ तरल ऑक्सीजन में तेजी से और ऊर्जावान रूप से जलेंगे। इसके अलावा, अगर तरल ऑक्सीजन में भिगोया जाता है, तो कुछ सामग्री जैसे कि कोयला ब्रिकेट, कार्बन ब्लैक, आदि, आग की लपटों, चिंगारी या हल्के प्रहार से प्रभाव जैसे प्रज्वलन के स्रोतों से अप्रत्याशित रूप से विस्फोट कर सकते हैं। डामर सहित पेट्रोरसायन अक्सर इस व्यवहार को प्रदर्शित करते हैं।
टेट्राऑक्सीजन अणु (O4) की भविष्यवाणी पहली बार 1924 में गिल्बर्ट एन. लुईस ने की थी, जिन्होंने यह समझाने का प्रस्ताव दिया कि तरल ऑक्सीजन ने क्यूरी के नियम का उल्लंघन क्यों किया। आधुनिक कंप्यूटर सिमुलेशन से संकेत मिलता है कि, हालांकि तरल ऑक्सीजन में कोई स्थिर O4 अणु नहीं होते हैं, O2अणु जोड़े में एंटीपैरलल स्पिन के साथ जुड़ते हैं, जिससे क्षणिक O4इकाइयाँ बनती हैं।
तरल नाइट्रोजन का क्वथनांक −196 °C (77 K) ऑक्सीजन के −183 °C (90 K) की तुलना में कम होता है, और तरल नाइट्रोजन वाले बर्तन हवा से ऑक्सीजन को संघनित कर सकते हैं: जब अधिकांश नाइट्रोजन ऐसे बर्तन से वाष्पित हो जाता है, एक जोखिम है कि शेष तरल ऑक्सीजन कार्बनिक पदार्थों के साथ हिंसक प्रतिक्रिया कर सकती है। इसके विपरीत, तरल नाइट्रोजन या तरल हवा को खुली हवा में रखकर ऑक्सीजन से समृद्ध किया जा सकता है; वायुमंडलीय ऑक्सीजन इसमें घुल जाती है, जबकि नाइट्रोजन अधिमान्य रूप से वाष्पित हो जाती है।
अपने सामान्य दबाव क्वथनांक पर तरल ऑक्सीजन का सतही तनाव 13.2 dyn/cm है।
वाणिज्य तरल ऑक्सीजन को एक औद्योगिक गैस के रूप में वर्गीकृत किया जाता है और व्यापक रूप से औद्योगिक और चिकित्सा उद्देश्यों के लिए उपयोग किया जाता है। तरल ऑक्सीजन एक क्रायोजेनिक वायु पृथक्करण संयंत्र में आंशिक आसवन द्वारा हवा में स्वाभाविक रूप से पाए जाने वाले ऑक्सीजन से प्राप्त की जाती है।
वायु सेना ने लंबे समय से तरल ऑक्सीजन के रणनीतिक महत्व को ऑक्सीडाइज़र के रूप में और अस्पतालों और उच्च ऊंचाई वाले विमान उड़ानों में सांस लेने के लिए गैसीय ऑक्सीजन की आपूर्ति के रूप में मान्यता दी है। 1985 में यूएसएएफ ने सभी प्रमुख खपत ठिकानों पर अपनी ऑक्सीजन उत्पादन सुविधाओं के निर्माण का एक कार्यक्रम शुरू किया।
ऑक्सीजन संतृप्ति

रक्त में ऑक्सीजन से संतृप्त हीमोग्लोबिन तथा कुल हीमोग्लोबिन (असंतृप्त + संतृप्त) के अनुपात को ऑक्सीजन संतृप्ति (Oxygen saturation) कहते हैं। मानव के रक्त में ऑक्सीजन की संतुलित मात्रा होना जरूरी है और इसलिए शरीर रक्त में आक्सीजन की उचित मात्रा बनाए रखने की कोशिश करता है। मनुष्य की धमनी के रक्त का ऑक्सीजन संतृप्ति स्तर सामान्यतः 95 से 100 प्रतिशत रहता है। यदि यह मात्रा 90 प्रतिशत से कम हो, तो इसे निम्न माना जाता है और इसे हाइपोक्सिमिया (hypoxemia) कहा जाता है। किन्तु यदि यह मात्रा 80 प्रतिशत से भी नीचे हो तो मस्तिष्क और हृदय जैसे अंगों को काम करने में परेशानी हो सकती है। इसलिए ऐसी स्थिति में आक्सीजन संतृप्ति को बढ़ाने के लिए आवश्यक कदम उठाने चाहिए। लगातार कम ऑक्सीजन स्तर बना रह गया तो हृदय गति रुक सकती है। ऑक्सीजन संतृप्ति को सही स्तर पर लाने के लिए ऑक्सीजन थेरेपी का उपयोग किया जा सकता है।
जब आक्सीजन फेफड़ों में पहुँचता है और रक्त के हीमोग्लोबीन के सम्पर्क में आता है तो ऑक्सीकरण के अणु हीमोग्लोबीन से संयुक्त हो जाते हैं। यही रक्त शरीर की कोशिकाओं में पहुँचता है, और उसके साथ संयुक्त आक्सीजन भी कोशिकाओं में पहुँच जाती है और वहाँ पहुंचकर ऊर्जा उत्पादन में सहायक होती है। यदि रक्त में आक्सीजन की कमी रहेगी तो यह क्रिया सम्यक रूप से नहीं होती जो दूसरी समस्याओं को जन्म देती है।
किण्वन

किण्वन एक जैव-रासायनिक क्रिया है। इसमें जटिल कार्बनिक यौगिक सूक्ष्म सजीवों की सहायता से सरल कार्बनिक यौगिक में विघटित होते हैं। इस क्रिया में ऑक्सीजन की आवश्यकता नहीं पड़ती है। किण्वन के प्रयोग से अल्कोहल या शराब का निर्माण होता है। पावरोटी एवं बिस्कूट बनाने में भी इसका उपयोग होता है। दही, सिरका एवं अन्य रासायनिक पदार्थों के निर्माण में भी इसका प्रयोग होता है। किण्वन की खोज 1797 में क्रूइकशेंक ने की थी फ्लूजर ने 1875 मे इसे अंतरणविकी स्वसन कहा तथा कोस्टेटचेव ने इसे अवायवीय श्वसन कहा। यहाँ आण्विक ऑक्सीजन की अनुपस्थिति में कार्बोहाइड्रेट दो अथवा अधिक सरल अणुओं में विघटित होते हैं।अवायवीय श्वसन (anaerobic respiration) में ग्लूकोज अणुओं के कार्बन अणु पूर्णरूप से CO2, के रूप में मुक्त नहीं होते हैं। इस क्रिया में माइटोकॉन्ड्रिया की आवश्यकता नहीं होती एवं यह क्रिया पूर्ण रूप से कोशिकाद्रव्य में सम्पन्न होती है। अर्थात् अवायवीय श्वसन के सभी विकर कोशिकाद्रव्य में उपस्थित होते हैं। किण्वन एक चयापचय प्रक्रिया है जो एंजाइम की कार्रवाई के माध्यम से कार्बनिक सब्सट्रेट में रासायनिक परिवर्तन पैदा करती है। जैव रसायन में, इसे ऑक्सीजन की अनुपस्थिति में कार्बोहाइड्रेट से ऊर्जा की निकासी के रूप में परिभाषित किया गया है। खाद्य उत्पादन के संदर्भ में, यह मोटे तौर पर किसी भी प्रक्रिया को संदर्भित कर सकता है जिसमें सूक्ष्मजीवों की गतिविधि खाद्य पदार्थों या पेय के लिए वांछनीय परिवर्तन लाती है। किण्वन के विज्ञान को जीव विज्ञान के रूप में जाना जाता है।
सूक्ष्मजीवों में, किण्विक रूप से कार्बनिक पोषक तत्वों के क्षरण द्वारा एटीपी उत्पादन का प्राथमिक साधन है। नवपाषाण युग से ही मनुष्य ने खाद्य पदार्थों और पेय पदार्थों के उत्पादन के लिए किण्वन का उपयोग किया है। उदाहरण के लिए, किण्वन का उपयोग एक ऐसी प्रक्रिया में संरक्षण के लिए किया जाता है जो ऐसे खट्टे खाद्य पदार्थों में पाया जाता है जैसे कि मसालेदार खीरे, किमची, और दही के साथ-साथ शराब और बीयर जैसे मादक पेय पदार्थों के उत्पादन के लिए। किण्वन मनुष्यों सहित सभी जानवरों के जठरांत्र संबंधी मार्ग के भीतर होता है।
This is the process of fermentation
ईंधन सेल

ईंधन सेल (fuel cell) एक विद्युतरासायनिक युक्ति है जो ईंधन से प्राप्त रासायनिक ऊर्जा को सीधे विद्युत में परिवर्तित करती है। यह परिवर्तन एक रासायनिक अभिक्रिया के द्वारा होता है जिसमें धनावेशित हाइड्रोजन ऑयन, ऑक्सीजन या किसी अन्य आक्सीकारक से क्रिया करते हैं। ईंधन सेल, परम्परागत बैटरियों से इस दृष्टि से भिन्न हैं कि इनकी रासायनिक अभिक्रिया को चलते हुए बनाये रखने के लिये ईंधन और ऑक्सीजन के अविराम स्रोत आवश्यक होता है। ईंधन सेल तब तक ही विद्युत उत्पादन कर सकते हैं जब तक ईंधन और ऑक्सीजन की आपूर्ति सुनिश्चित बनी रहे।
यदि शुद हाइड्रोजन का उपयोग ईंधन के रूप में होता है तो फ्यूल सेल उप उत्पाद के रूप में ऊष्मा एवं जल का उत्सर्जन करता है। फ्यूल सेल दिष्ट धारा के रूप में विहात उत्पादन करते हैं।
मेरे भारत के कंठ हार

मेरे भारत के कंठ-हार भारत राज्य बिहार का राज्य गीत है। गीत सत्य नारायण द्वारा लिखे गए थे और संगीत हरि प्रसाद चौरसिया और शिवकुमार शर्मा द्वारा रचित था। गीत को आधिकारिक तौर पर मार्च 2012 में अपनाया गया था।
मेरे भारत के कंठहार ,
तुझको शत-शत वंदन बिहार
तू वाल्मीकि की रामायण
तू वैशाली का लोकतंत्र
तू बोधिसत्व की करूणा है
तू महावीर का शांतिमंत्र
तू नालंदा का ज्ञानदीप
तू हीं अक्षत चंदन बिहार
तू है अशोक की धर्मध्वजा
तू गुरूगोविंद की वाणी है
तू आर्यभट्ट तू शेरशाह
तू कुंवर सिंह बलिदानी है
तू बापू की है कर्मभूमि
धरती का नंदन वन बिहार
तेरी गौरव गाथा अपूर्व
तू विश्व शांति का अग्रदूत
लौटेगा खोया स्वाभिमान
अब जाग चुके तेरे सपूत
अब तू माथे का विजय तिलक
तू आँखों का अंजन बिहार
तुझको शत-शत वंदन बिहार
मेरे भारत के कंठहार ॥
Kranti Kanade

Kranti Kanade is a National Award winning Indian filmmaker. His films include Peepal Tree, CRD (film), Gandhi of the Month, Mahek and Chaitra. He studied at UCLA (University of California, Los Angeles) and FTII (Film and Television Institute of India).
Based on true events, it deals with the issue of illegal tree killings in India. When a Police Academy cuts Sacred Trees, a concerned Family confronts them only to learn it is a non-cognizable offense without penal provision. They approach a Tree Activist who saves trees by all means. The community gathers under the tree at night to protect it but it is not that simple."
Set in the world of College Theatre, CRD probes fascism and fierce competition in arts with a wildly innovative narrative style. It released theatrically in US and India to major critical acclaim and commercial success gaining 100% rating on Rotten Tomatoes. Los Angeles Times called it "Enchanting, audacious and infectious" and acclaimed film critic Namrata Joshi of The Hindu called it "Brilliant, subversive and fearless, it boldly goes where no Indian film has gone before." It was in the top Ten Best Hindi films of 2017 list by The Hindu, Top Ten list of Huffington Post critic Murtaza Ali Khan, and was included in the top ten films of the decade list of Scroll.in critic Nandini Ramnath calling it "The decade in Bollywood: The movies that dared to dream differently. Most enduring and endearing films made between 2010 and 2019."
Gandhi of the Month stars legendary actor Harvey Keitel, Neeraj Kabi and other major Indian actors. It is about an American schoolmaster in India struggling to protect his students from fundamentalists. The screenplay, earlier called 'Against Itself' won the Film Fund Grant by the Indian Film Festival of Los Angeles. The jury included Gill Dennis (Walk The Line), Anurag Kashyap (Gangs Of Wasseypur) and Sooni Taraporevala (Salaam Bombay). The script was mentored by Oscar winner Danis Tanovic (No Man's Land), Bernd Lichtenberg (Good Bye Lenin!), Olivia Hetreed (Girl With A Pearl Earring) and Anjum Rajabali (Rajneeti).
Mahek, a children's film, is about 11-yr old girl who dreams of becoming the very best at everything, but is unsure of how to achieve her goals. It premiered at the BFI London Film Festival to affectionate reviews. Film Scholar & Writer Rachel Dwyer called it "A Gem of a film", Critic & Writer Maithili Rao called it "A rare combination of sensitivity and gentle humour." Invited to festivals around the world, it received awards in Hollywood and Houston. It was Best Children's Film Nominee at the Asia Pacific Screen Awards in Australia and shown as part of syllabus at Otterbein University in US.
Chaitra, is based on a story by legendary Marathi author G. A. Kulkarni. Set in the traditional haldi-kunku festival, it intertwines themes of poetic justice and destiny. It won five National Film Awards including Best Short Film, Best Music for Short Film (Pt Bhaskar Chandavarkar) and Special Jury Award for Acting (Sonali Kulkarni). It won two National Awards at MIFF Film Festival.
Munjya

In Hindu and Jain traditions, the mundan ceremony marks a boy's entry into formal education, involving the tying of a sacred thread around the torso and a girdle made of munja grass around the waist, typically at the age of seven. He is known as Munjya when he puts on the munja grass girdle.
According to folklore in Maharashtra and the Konkan coast, Munjya is believed to be the ghosts of boys who died after this ceremony but before marriage, inhabiting peepal trees. Munjya's are described as restless bachelor ghosts who roam trees at night, possessing cleverness and multilingual abilities. While most Munjya's are not harmful, they may retaliate against those who defile their tree homes, potentially pelting offenders with stones or causing accidents. Some stories depict more malevolent Munjya's causing harm to humans, such as causing accidents or possessing living beings with dangerous intentions, including forcing them to commit acts of violence.
One feasible rationale for the belief in Munjya is that peepal trees, known for their expansive canopies, emit substantial carbon dioxide during the night. The apprehension surrounding Munjya probably deterred individuals from lingering under these trees after dusk.
Max Martin production discography

This is a list of Swedish record producer Max Martin's songwriting and production credits.
indicates a song that reached the number-one position on the Billboard Hot 100.
indicates a song that reached top ten on the Billboard Hot 100.
The following singles peaked inside the top ten on the Billboard Hot 100 and Hot 100 Airplay.
Number-one singles (Peak date)
Other Top 10 hits (Peak date) Peak
Baba Sewa Singh

Baba Sewa Singh is an Indian social worker and environmentalist, involved in the restoration and maintenance of the historic Gurudwaras at Khadoor Sahib. Baba Sewa Singh is a recipient of the Guru Gobind Singh Foundation Sewa Award in 2004. The Government of India honored him in 2010, with the fourth highest civilian award of Padma Shri.
Being Head of Kaar Sewa Khadur Sahib, Baba Sewa Singh is supervising construction and renovation of historical Sikh Gurdwaras in various parts of India.
Baba Uttam Singh National Hockey Academy is running to promote hockey and it has teams of different age groups which have won various tournaments of district, state and national level. This academy has provided the brilliant players like Akashdeep Singh, Varun Kumar, Talwinder Singh and Mandeep Singh to Indian Hockey in last few years. Prabhjot Singh is playing in Junior Indian Hockey Team.
Heritage Trees of Chandigarh

Many trees in the Union Territory of Chandigarh are given a privileged part of the natural heritage of the city which serves as an important green landmark, so the Chandigarh government came up with a list of 31 trees which are called Heritage Trees of Chandigarh. One can contact the Department of Forest & Wildlife administration or Chandigarh Tree Lovers to get a copy of the booklet which they made and published with all the details.
Those trees which are 100 years old were identified and put in a list of "heritage status". Out of 31, the Chandigarh government identified that 15 of them are peepal, 11 are banyan, 4 are mango trees, and only one is an earpod tree. The oldest tree which was found standing from the last 350 years is one of the peepal trees in Khudda Ali Sher village.
Tugu Pahlawan

Koordinat: 7°14′45″S 112°44′16″E﻿ / ﻿7.245808°S 112.737785°E﻿ / -7.245808; 112.737785 Pahlawan Tugu nyaéta tugu nu janten ciri Surabaya . jangkungna nyaéta 41,15 m sarta lingga ngawangun atanapi paku tibalik ka handap. Awak tugu ngawangun lengkungan (Canalures) aya 10 lengkungan, sarta dibagi kana 11 bagéan. Luhur, bagéan, sarta canalures hartina 10, bulan 11, 1945. Hiji tanggal bersejarah, henteu ngan pikeun warga kota Surabaya, tapi ogé pikeun sakumna rahayat Indonésia. Pahlawan Tugu ieu diwangun pikeun miéling kajadian 10 perangna November 1945 di Surabaya, di mana perjuangan Arék-Arék Suroboyo ngalawan gayaSekutu sapanjang Walanda anu hoyong ulang ngereh Indonesia . Tugu Pahlawan Tugu janten jadi puseur perhatian unggal taun dina 10 November dina mémori tina acara di 1945 nalika seueur pahlawan fallen dina perang kamerdikaan.
tugu ieu lokasina di tengah kota di Jalan Pahlawan Surabaya, sarta deukeut kantor gubernur Jawa Timur urang. Pahlawan Tugu nyaéta salah sahiji ikon kota Surabaya sakumaha Kota pahlawan. Nangtung dina 1.3 hektar rupa bumi, sarta sacara administratif lokasina di Desa Square Contong , Kacamatan Bubutan , Surabaya .
Aya dua pendapat saperti ka saha nu Asy'ari, kitu ogé arsiték tugu lokasina di Jalan Pahlawan Surabaya. Numutkeun Billy Barnowo, tugu ieu digagas ku Doel Sumbang Arnowo , anu lajeng porsi salaku kapala hiji kota badag di Surabaya. Lajeng anjeunna ditaros Ir. Tan mendesain gambar monumen dina sual, jang meberkeun dikintunkeun ka Présidén Soekarno .
Samentara éta, nurutkeun Ir. Soendjasmono, anu Asy'ari monumen ieu Ir. Sukarno dirina. gagasan ieu meunang perhatian husus ti walikota Surabaya, Doel Sumbang Arnowo. Rencana na gambar dikintunkeun ka Ir. R. Soeratmoko, anu geus diéléhkeun sababaraha arsiték sejenna dina kompetisi pikeun seleksi hiji arsiték ngawangun monumen ieu.
Dina awal gawé ngembangkeun ieu diatur Aula Tugu heroik Tugu Surabaya Kota sorangan. Lajeng diteruskeun ku Téknik Corporation Indonésia, anu satuluyna diteruskeun ku kontraktor Saroja. Monas nu diwangun salila sapuluh bulan kaliwat, diresmikeun ku Présidén Soekarno dina 10 November 1952
Bawah taneuh darat Tugu Pahlawan jero sakumaha 7 m aya hiji musium pikeun ngélingan jasa ti pahlawan anu perang di Surabaya, dina musium ieu aya ogé foto tina dokuméntasi konstruksi Tugu Pahlawan. musium diresmikeun dina 19 Pébruari 2000 ku Presiden Abdurrahman Wahid .
Dina 1991-1996 dilakukeun bebenah kawasan perang jeung Museum lingkungan Surabaya urang 10 Perjuangan Nopémber dipingpin ku arsiték Ir. Sugeng Gunadi , MLA ti Institute of Technology.
SMA Aulia Majalaya

SMA Aulia Majalaya nyaéta Sakola Menengah Kajuruan Swasta anu aya di Kabupatén Bandung. Alamat lengkepna di Jl.Tugu Pahlawan Kondang Majalaya, Kalurahan/Désa Majalaya Kacamatan Majalaya, Kabupatén Bandung, Jawa Kulon kalawan nomor NPSN 20227824.
SMK KP 1 Majalaya

SMK KP 1 Majalaya nyaéta Sakola Menengah Kajuruan Swasta anu aya di Kabupatén Bandung. Alamat lengkepna di Jl. Tugu Pahlawan No. 25 Majalaya, Kalurahan/Désa Majalaya Kacamatan Majalaya, Kabupatén Bandung, Jawa Kulon kalawan nomor NPSN 20227945.