davidanugraha/M4-RAG huggingface dataset:
Salesian school

A Salesian school is an educational institution run by the Catholic Salesian Congregation of Saint John Bosco (or Don Bosco), and one that uses his methods. Salesian schools are dedicated to young people in an educational and formative environment. According to promoters, a Salesian school is a home, church, playground, and school where students find a new way of life, and prepare for their future as good citizens of their country, while being faithful to their own religion.
The figure at the center of a Salesian school is Saint John Bosco or Don Bosco, who is also known as "Father, teacher, and friend of the youth." Don Bosco was a 19th-century visionary from Italy who created a system of education for boys and girls from marginalized areas of society. For Don Bosco, "Prevention" meant helping a youth before he or she gets into trouble. Don Bosco's system has three aspects: loving kindness; reason, and religion. These three aspects have been the object of studies by scholars throughout the 20th century.
Salesian schools strive for strict discipline and order, while avoiding any kind of physical punishment, however, in his book The Devil's Advocate - Child abuse and the men in black, author and former Salesian pupil Graham Wilmer MBE, describes the levels of violence he and other pupils suffered at the hands of Salesian priests in Salesian schools in the British Salesian Province.
In Latin America, the Salesians have been a key factor in the formation of national curricula, while helping provide street children with an education. The Salesian school system involves the family, as the system holds that family and background are as important as a student's performance in school. Salesian schools give a lot of importance to Parents Associations and other groups where parents are invited to participate.
Operating in 124 countries, the Salesian system could be viewed as a kind of "globalized" education, imposing the same concepts. Although culture was very important to Don Bosco, he respected local and national identities. What can be considered global is the system itself with Don Bosco at its center, however, every Salesian school keeps its own cultural identity. For these reasons, Salesian schools have been welcomed in 124 countries, even in non-Christian nations.
Sibéal Davitt

Damhsóir sean-nóis agus nua-aimseartha, cóiréagrafaí agus pearsa teilifíse Éireannach í Sibéal Davitt. D’fhás Sibéal Davitt aníos gar do lár chathair Bhaile Átha Cliath. Tá sí ina cónaí i gceantar Bhaile Átha Cliath 8. Chuaigh sí chuig Gaelscoil Bhríde i Raghnallach agus bhí Gaeilge aici sa bhaile freisin.
Baineann Davitt an-úsáid as an tobchumadóireacht ina saothar. Nuair a bhí sí sna déaga a tháinig sí trasna i gceart ar an damhsa ar an sean-nós. Thosaigh sí ag glacadh páirt i gceardlanna damhsa ar an sean-nós le damhsóirí ar nós Mick Mulkerrins agus Róisín Ní Mhainín. Thart ar an am sin a chuala sí caint ar an gcomórtas damhsa ar an sean-nós (Steip) ag Oireachtas na Samhna.
Lean Sibéal uirthi ag dul san iomaíocht sna comórtais damhsa ar an sean-nós ag an Oireachtas ar feadh ceithre bliana ina dhiaidh sin. Deir sí gur bhain sí an-taitneamh as a bheith ag glacadh páirt sna comórtais ach go raibh sí ag iarraidh sos a thógáil tar éis tamaill.
Bhí sí ag dul ar an ollscoil i gColáiste na Tríonóide nuair a chuala sí faoin gclár Glas Vegas a léirigh Adare Productions do TG4. Seó tallainne a bhí ann ina raibh deis ag duine de na hiomaitheoirí turas go Las Vegas a bhuachan agus taispeántas a chur i láthair spotálaithe tallainne Meiriceánacha. Chuir Davitt isteach ar an gcomórtas, bhuaigh sí é agus rinne sí an turas go Las Vegas.
Rinne Davitt staidéar ar an nGaeilge agus ar léann na scannán san ollscoil agus i rith an ama sin bhí sí ag damhsa leis an gcomhlacht damhsa comhaimseartha Coiscéim i mBaile Átha Cliath.
Is mar thoradh ar mhaoiniú ón gComhairle Ealaíon a cruthaíodh an seó Minseach. D’oibrigh Davitt leis an scríbhneoir agus aisteoir Caitríona Ní Mhurchú agus an t-ábhar á fhorbairt aici.
De réir mar a éiríonn sí níos sine deir Davitt go bhfuil a cuid damhsa faighte níos saoráidí agus níos fisiciúla agus go bhfuil tábhacht leis an tsaoirse sin do mhná.
Bhain sí máistreacht amach sa Rince Comhaimseartha in Ollscoil Luimnigh in 2014. Ó shin i leith tá sí ag cruthú, i mbun cóiréagrafaíochta agus páirteach i raon leathan imeachtaí in Éirinn agus thar lear. Rinneadh coimisiúnú uirthi i mBaile Átha Cliath agus i Marseille agus tá obair déanta aici le Kristyn Fontanella agus Olwyn Lyons. I mí Lúnasa 2019 Davitt a bhí mar chóiréagrafaí don léiriúchán de Ask Too Much Of Me a bhí faoi stiúir Veronica Coburn in Amharclann na Mainistreach, Baile Átha Cliath.
Sa bhliain 2014 bronnadh Sparánacht na Comhairle Ealaíon do na hEalaíona Traidisiúnta ar Davitt. Bronnadh ceann de na chéad Ghradaim Markievicz uirthi sa bhliain 2019. Sa bhliain 2020 ba Ealaíontóir Comhlach le Dance Ireland í.
An tIRA Oifigiúil

Eagraíocht pharaimíleata phoblachtánach in Éirinn ba ea an tIRA Oifigiúil (Official Irish Republican Army). Seo an chuid den IRA a fágadh nuair a scoilt an eagraíocht sa bhliain 1969, agus cruthaíodh an tIRA Sealadach. De réir dealraimh, d'éirigh an grúpa seo as an ngleic armtha, nó roghnaigh an ceannaire, Cathal Goulding, dul le polaitíocht.
Tháinig an tIRA Oifigiúil ar an bhfód sa bhliain 1969. Bhí an Ceann Foirne ag an am sin, Cathal Goulding an-ghníomhach ag iarraidh idé-eolaíocht na heite chlé a scaipeadh i measc an IRA sna seascaidí. Ní raibh sé sásta leis an dóigh a raibh an tIRA ag staonadh ón saol polaitíochta, agus chuaigh sé i dtuilleamaí an Mharxachais leis na Trioblóidí a anailísiú. Bhí sé inbharúla go raibh an stát Gallda d'aon turas ag scaradh an lucht oibre Caitliceach agus Protastúnach ó chéile tríd an seicteachas a chothú ina measc, ionas nach gcuirfidís le chéile lena bhfíor-dhúshaothróirí buirgéiseacha a chur ó chumhacht.
Dhiúltaigh an chuid ba mhó den IRA an anailís seo go hiomlán. Chuir siadsan an tIRA Sealadach ar bun sa bhliain 1969 agus mar sin, tháinig scoilt ar an IRA.
Lean Goulding leis ina Cheann Foirne ar an IRA Oifigiúil go dtí an bhliain 1972. Ar dtús, bhí "na hOifigiúlaigh", chomh maith leis na Sealadaigh, ag cur catha ar na Sasanaigh agus ar na Dílseoirí. Ach bhí Goulding den tuairim nach raibh an ghleic armáilte ach ag cur le scoilt an lucht oibre.
I bhfianaise an tsamhnais a chuir marú saighdiúra Shasanaigh i nDoire agus buamáil na mbeairicí in Aldershot ar an saol mór, d'fhógair an tIRA Oifigiúil sos cogaidh ar 30 Bealtaine 1972.
Arm Phoblacht na hÉireann (APÉ)

Is ainm é Arm Phoblacht na hÉireann (APÉ) , maille le Óglaigh na hÉireann (Béarla; The Irish Republican Army (IRA)) a úsáideann eagraíochtaí paraimíleata éagsúla in Éirinn sa 20ú agus sa 21ú haois. Dhírínn eagraíochtaí faoin ainm seo ar an iridinteachas, tríd an phoblachtachas Éireannach, an creideamh gur cheart go mbeadh Éire go léir ina poblacht neamhspleách saor ó riail na Breataine. Ó mhí Eanáir , 1919, cuireadh dóigh troda ar Óglaigh na hÉireann mar Arm Phoblacht na hÉireann (APÉ)
Fíor-IRA

Easaontóirí poblachtánacha a bhí san "Fhíor-IRA" (i mBéarla, an "Real IRA" nó RIRA). Bhí siad ag iarraidh próiseas na síochána a scrios i ndiaidh Chomhaontú Aoine an Chéasta.
Tháinig an Fíor-IRA ar an bhfód in 1997. Tharla an t-ionsaí is mó, Sléacht na hÓmaí, ar an 15 Lúnasa 1998. Maraíodh 31. Is fada daoine ag maíomh gurbh fhéidir agus gur cheart stop a bheith curtha leis na buamadóirí ón Fíor-IRA roimh ré agus gur rinneadh faillí ar dhá thaobh na teorann. Reáchtálfar fiosrúchán in 2025. 'Sé aidhm an fhiosraithe a fháil amach an raibh an bhuamáil ar an Ómaigh inchoiscthe.
D'fhógair an "Fíor IRA" 'sos comhraic' ar an 7 Meán Fómhair 1998. Cuireadh deireadh leis ar an 20 Eanáir 2000.
Teach na gComóntach

Ba é Teach na gComóntach nó Teach na dTeachtaí teach íochtarach Pharlaimint na hÉireann, a bhí ann ón bhliain 1297 go dtí 1800. Teach na dTiarnaí ba ea an teach uachtarach .
Ba iad na Normannaigh, a thosaigh ag lonnú in Éirinn sa bhliain 1169, an chéad dream a chuir riarachán láraithe i láthair na hÉireann.
Tháinig an chéad Pharlaimint de chuid na hÉireann, a bhfuil taifead cinntitheach ann ina leith, le chéile ar an 18 Meitheamh 1264. Tionóladh an pharlaimint i nDíseart Diarmada i gContae Chill Dara. Ba lárionad riaracháin tábhachtach é an áit an t-am sin. Níor pharlaimint é an cruinniú de réir chiall an lae inniu. Ní raibh na comhaltaí ina n-ionadaithe tofa; giúróirí agus ridirí ag a raibh talamh ba ea iad. Tháinig siad le chéile lena fhiosrú an raibh sé de cheart ag an Ardeaspag Fulk Bassett de Sandeford cúirteanna a reáchtáil agus ceartas a chleachtadh.
Tháinig Tionól Ginearálta Chomhdháil Chill Chainnigh ar an bhfód idir 1642 agus 1649, agus “an Pharlaimint Thírghrách” sa bhliain 1689.
Bhí ballraíocht Theach na gComóntach tofa go díreach, ach ar saincheadúnais an-sriantach: i gContaetha bhí cead vótála ann don shaorshealbhóir daichead scilling, ag an am céanna i mbuirgí, den chuid is mó, ba iad comhaltaí chorparáidí féintofa nó saorfhir de chuid na cathrach a bhí in ann vótáil ar son na Comhairle Buirge. Go háirithe, bhí Caitlicigh Rómhánacha dícháilithe ó shuíocháin a ghlacadh sa Pharlaimint ón bhliain 1691, fiú is gur chuimsigh siad formhór daonra na tíre.
Tháinig “Parlaimint Grattan” ar an bhfód idir 1782 agus 1800.
Osclaíodh Teach na Parlaiminte (Teach na gComóntach agus Teach na dTiarna) sa bhliain 1831í, an chéad parlaimint ar domhan a bhí saintógtha
Parlaimint na hÉireann

Ba í Parlaimint na hÉireann reachtas Thiarnas na hÉireann, agus Ríocht na hÉireann ina dhiaidh sin, ó 1297 go dtí 1800. Bhí sí bunaithe ar Pharlaimint Shasana agus ó 1537 bhí dhá sheomra ann: Teach na gComóntach agus Teach na dTiarnaí. Bhí na Tiarnaí ina mbaill de phiaraí na hÉireann (‘tiarnaí tuata’) agus easpaig (‘tiarnaí spioradálta’; tar éis an Reifirméisin, easpaig Eaglais na hÉireann). Toghadh Teachtaí na dTeachtaí go díreach, cé gur ceart vótála an-teoranta a bhí i réim.
Thagadh na parlaimintí le chéile ag áiteanna éagsúla i gCúige Laighean agus i gCúige Mumhan, ach le deireanas, i mBaile Átha Cliath amháin: in Ardeaglais Theampall Chríost (15ú haois), Caisleán Bhaile Átha Cliath (go 1649), Teach Chichester (1661–1727), Scoil Ospidéal an Rí (1729–31), agus ar deireadh, sa Teach Parlaiminte saintógtha ar Fhaiche an Choláiste.
Moyra Barry

Is ealaíontóir Éireannach í Moyra Barry. Rugadh í sa bhliain 1886 agus fuair sí bás ar an 2ú Feabhra 1960.
Rugadh Moyra Aloysius Barry i mBaile Átha Cliath mar an páiste is sine d'aon dhuine déag. Cuireadh 'Mary' uirthi óna tuismitheoirí Jane Barry agus Bernard Barry, a bhí ina ceannaí.
D'fhreastail Barry ar Loreto College, ansin rinne sí staidéar ag RHA (Royal Hibernian Academy) áit a bhuaigh sí duaiseanna do tharraingt agus ceapadóireacht, agus ag an Slade School of Fine Art i Londain, áit a bhfuair sí an chéad áit do phéinteáil ar an teilg.
I rith na 1920idí, bhí cónaí uirthi agus thug sí ceachtanna príobháideacha Béarla agus péintéireacht in Quito, Eacuadór sna 1920idí, sular fhill sí ar theach an teaghlaigh i Ráth Maonais i mBaile Átha Cliath sna 1930idí. Bhí a saothar ar taispeáint go minic ag an RHA ó 1908-1952, agus ag reáchtáil roinnt seónna aonair san Angus Gallery ó 1932 ar aghaidh. Tugadh suntas di mar gheall ar a portráidí agus a tírdhreacha, ach bhain sí cáil amach as a cuid péintéireachta bláthanna a bhí déanta in olaí agus uiscedhathanna. Phéinteáil sí criosantamaim agus róslabhrais go minic. Sa bhliain 1941, chuir Dermod O' Brien, uachtarán an RHA síos uirthi mar "the finest painter of flowers alive" .
Fuair Barry bás ar an 2ú Feabhra 1960 i mBaile Átha Cliath. Adhlacadh í i Reilg Ghlas Naíon, Baile Átha Cliath.
Is féidir teacht ar saothar s'aici i roinnt dánlann Éireannach; cosúil le Crawford Muncipal Art Gallery, Co. Chorcaí, agus Iarsmalann Uladh, Béal Feirste agus sa National Gallery of Ireland.
https://www.dib.ie/index.php/biography/barry-moyra-aloysius-a0455v
https://www.adams.ie/irish-artist-directory/moyra-barry-art-sold-at-auction
http://www.dukestreetgallery.ie/store/category/376/354/Barry%2C-Moyra/ Curtha i gcartlann 2022-09-28 ar an Wayback Machine
https://www.whytes.ie/artist/moyra-barry/16714/?offset=1
Georgia O'Keefe

Ealaíontóir Meiriceánach ab ea Georgia Totto O'Keeffe (15 Samhain 1887 - 6 Márta 1986). Bhí aithne uirthi as a cuid pictiúr den ábhar neamhbheo, de Nua-Eabhrac, agus de thírdhreacha i Nua-Mheicsiceo. Tá O’Keeffe aitheanta mar “Máthair an Nua-Aoiseachais Mheiriceánaigh”.
Rugadh Georgia O'Keeffe ar an 15 Samhain 1887, i dteach feirme i Sun Prairie, Wisconsin. Feirmeoirí déiríochta ab ea a tuismitheoirí, Francis Calyxtus O'Keeffe agus Ida (Totto) O'Keeffe. Ba de shliocht na hÉireann a hathair. Ungárach ab ea a seanathair ar thaobh a máthar, George Victor Totto, a tháinig go dtí na Stáit Aontaithe in 1848. As a seanathair sin a baisteadh í
Ba é O’Keeffe an dara duine as seachtar leanbh. D’fhreastail sé ar Scoil Halla an Bhaile i Sun Prairie. Agus in aois 10 di, bhí cinneadh déanta aici a bheith ina healaíontóir, agus lena deirfiúracha, Ida agus Anita, d’fhoghlaim sí ealaín ó uiscedhathanna áitiúla. D’fhreastail O’Keeffe ar an meánscoil Sacred Heart Academy i Madison, Wisconsin, mar scoláire cónaithe idir 1901 agus 1902. Níos déanaí sa bhliain 1902, bhog muintir O'Keeffe ó Wisconsin go dtí Peacock Hill i Williamsburg, Virginia. D’fhan O’Keeffe i Wisconsin lena haintín ag freastal ar Madison Central High School.
I 1905, chuir O’Keeffe tús lena hoiliúint fhoirmiúil in Institiúid Ealaíne Chicago, ag staidéar le John Vanderpoel. Chuir an tíofóideach iallach uirthi bliain a thógáil saor óna cuid oideachais.
Sa bhliain 1907, d’fhreastail sí ar an Art Student League i gCathair Nua-Eabhrac, áit a ndearna sí staidéar faoi William Merritt Chase agus péintéirí cáiliúla eile.
I 1908, bhuaigh sí duais neamhbheo William Merritt Chase as a olaphictiúr Dead Rabbit with Copper Pot. Ba í an duais a bhí aici ná scoláireacht chun freastal ar scoil samhraidh i Lake George, Nua-Eabhrac. Chuir an gailearaí saothar avant-garde chun cinn. Ansin fuair sí obair mar ealaíontóir tráchtála i Chicago.
Ansin mhúin sí in Amarillo, Texas, agus i Carolina Theas idir 1911 agus 1918. Le linn na tréimhse sin, rinne sí staidéar ar ealaín le linn na samhraí idir 1912 agus 1914 agus tugadh isteach prionsabail agus fealsúnachtaí Arthur Wesley Dow, a chruthaigh saothair ealaíne bunaithe ar stíl phearsanta, dearadh agus léirmhíniú ábhar, seachas iarracht a chóipeáil nó ionadaíocht a dhéanamh orthu. Ba chúis leis seo athrú mór ar an mbealach a mhothaigh sí faoin ealaín.
Reáchtáil Alfred Stieglitz (1864-1946), déileálaí ealaíne agus grianghrafadóir, taispeántas dá cuid saothar i 1917. Sa chéad chúpla bliain eile, mhúin sí agus lean sí lena cuid staidéir i gColáiste na Múinteoirí, Ollscoil Columbia i 1914 agus 1915.
Bhog sí go Nua-Eabhrac i 1918 ar iarratas Stieglitz agus thosaigh sí ag obair go dáiríre mar ealaíontóir, agus phós siad i 1924, pósadh scannalach ag an am; bhí bearna aoise suntasach eatarthu (21 bliain) agus rinne Stieglitz pictiúirí de O'Keefe ina gcraiceann dearg.
Chuir an MoMA bailiúchán iardhearcach le chéile sa bhliain 1946.
Casimir Markievicz

Casimir Dunin Markievicz (Polish: Kazimierz Dunin-Markiewicz [kaˈʑimjɛʐ ˈduɲin marˈkʲɛvit͡ʂ]; 15 March 1874 – 2 December 1932), known as Count Markievicz, was a Polish playwright, theatre director, and painter, and the husband of the Irish revolutionary Constance Markievicz.
The Dunin Markievicz family held land in Malopolska Province (today Ukraine), and had an estate in a town of Zywotow (Polish: Żywotówka; now Zhyvotivka [uk]) where Casimir grew up. Markievicz attended the State Gymnasium in Kherson, and studied law at the University in Kyiv which at that time still held a vast Polish minority. In 1895, he transferred to the École des Beaux-Arts in Paris. While in Paris, he met and married Jadwiga Splawa-Neyman. They had two sons, Stanislas and Ryszard, but the marriage did not last. Jadwiga returned to Ukraine where she and Ryszard died in 1899. He met Constance Gore-Booth in 1899, and the two mixed in the bohemian Paris society of the time.
In Paris, Markievicz styled himself as "Count Markievicz". When Constance's family enquired as to the validity of the title, they were informed through Pyotr Rachkovsky of the Tsarist Secret Police that he had taken the title "without right", and that there had never been a "Count Markievicz" in Poland. However, the Department of Genealogy in Saint Petersburg said that he was entitled to claim to be a member of the Szlachta, of whom there were several hundred thousand in 1900. Markievicz and Gore-Booth married in London in 1900, and their daughter, Maeve, was born the following year. From 1902 the couple lived in Dublin. He continued to be known as "Count Markievicz" (and Constance as "Countess Markievicz"), and in the 1911 census gave his occupation as "Count (Russian nobility)". Stanislas later said in a letter that his father had not been a count.
Markievicz was part of the literary circle that centred on W. B. Yeats, Lady Gregory, J.M. Synge, and the Abbey Theatre. In 1910 he formed his own theatre company, the Independent Dramatic Company, which staged plays written by himself and starring his wife, Constance.
In 1913, Markievicz moved back to Poland, and never returned to live in Ireland. However, he did correspond with his wife in Dublin and he was by her side when she died in 1927.
Towards the end of his life Markievicz was active in Warsaw, as well as a correspondent for British magazines, such as the Londoner Daily News. He also wrote the screenplay of a 1920 Polish film, Powrót, directed by Aleksander Hertz. His paintings included portraits, landscapes, and genre painting. The largest part of his art collection is held in Dublin, some remain in Poland (National Museum, Kraków, and in private collections). His talent lent itself particularly to the large oil portraits of two Polish statesmen: Marshal Piłsudski and Stanisław Wojciechowski. A catalogue for his works is still pending.
He died in Warsaw, Republic of Poland, in December 1932.
(Source: Productions of the Irish Theatre Movement, 1899-1916)
Countess Markiewicz House

Countess Markiewicz House is a flats complex named after Countess Constance Markievicz in Dublin 2, Ireland. It was designed by Herbert George Simms in an art deco style and was constructed between 1934 and 1936. It is one of many examples of twentieth-century housing designed by Simms in Dublin and is listed on the record of protected structures.
The buildings consist of a two detached four story blocks. The smaller block, to the southeast, is on Mark's Lane. The larger block has three sides and is U-shaped.
Most exterior brickwork is red with a small number of yellow bricks. The roof is flat.
There is a mild steel fence on the north, west and south sides of the buildings.
There is a play area as well as parking in the area between the two arms of the larger building.
The buildings are between Townsend street on the north and Mark's Lane to the south, and Lombard Street East and Mark Street to the west and east.
In May 2018 it was suggested the buildings, along with Oliver Bond flats and Chancery Place flats would be delisted and possibly demolished. The Dublin City Council Head of Housing, Brendan Kenny, said it would be difficult to get government funding for refurbishing housing complexes over 40 years old and suggested delisting them as it would be difficult to properly retrofit them. The Green Party rejected the proposals, calling on DCC officials to withdraw them. Councillors and DCC officials agree that the flats are in serious need of refurbishment. In November 2018 media reports that Markiewicz House and Pearse House were to be demolished led to criticism from Irish Civic Trust, Jim Fitzpatrick and former Irish Times environmental editor Frank McDonald criticised the proposal, with McDonald saying "demolition of these flats would be a grotesque waste of resources". Brendan Kenny tweeted that the council had "no plans" to demolish them and that "These complexes are listed and cannot be demolished".
As of April 2021 the buildings are still on the Record of Protected Structures.
Charles Milton Bell

Charles Milton Bell (April 3, 1848 – May 12, 1893) was an American photographer who was noted for his portraits of Native Americans and other figures of the United States in the late 1800s. He was called "one of Washington's leading portrait photographers during the last quarter of the nineteenth century" by the Library of Congress.
Bell was the youngest member of a photographer family who had a studio in Washington, D.C. in the 1860s and 1870s. He took over the family studio Bell & Brothers and started his own studio, C. M. Bell, in 1873. Bell worked with Ferdinand Vandeveer Hayden, who sent visiting Native Americans to Bell's studio to have their portraits made. Bell also made photographs of Native Americans for the Department of the Interior and the Bureau of American Ethnology, where he assisted in-house photographers.
Bell was married to Annie Colley and they had two children, Charles Milton Bell and Colley Wood Bell. He was buried at Oak Hill Cemetery in Washington, D.C.
After Bell's death in 1893, his wife continued to operate the studio with her sons. It was sold in the early 1900s to Atha and Cunningham who retained the original name. The negatives were sold to I. M. Boyce, who sold the Native American images to the Bureau of American Ethnology and most of the remainder to Alexander Graham Bell. From there they would end up owned by the American Genetic Association who donated them to the Library of Congress. The C. M. Bell Studio Collection held at the Library of Congress 30,000 glass negatives from 1873 to 1916 created by the studio and its successors.
Hanna Pauli

Hanna Hirsch, later Hanna Pauli (Stockholm, 13 January 1864 – 29 December 1940, Solna), was a Swedish painter; primarily of genre scenes and portraits.
Hanna Hirsch was a daughter of music publisher Abraham Hirsch. She was a friend of Eva Bonnier, and they followed each other through the painting school of August Malmström, and the Royal Swedish Academy of Arts in Stockholm. Hanna Hirsch studied in Paris from 1885 until 1887 at the Académie Colarossi, and shared a studio with Bonnier for part of that time. While working in Paris, she formed a number of close friendships with other women artists from the Nordic countries. She had her portrait of the Finnish artist Venny Soldan (now in the Gothenburg Art Museum) accepted to the Paris Salon in 1887. The portrait is realistic and unconventional for its time in portraying a female artist at work (sitting on the floor with clay in her hands) rather than in proper bourgeois attire. The casual informality of Soldan's expression and pose were "interpreted as reflecting the liberated lifestyle of Nordic women in Paris at the time" and the portrait was also considered indecent and denounced as bohemian.
Pauli described the portrait: "We had no major debts at the time. The studio was extremely cold and damp; my Finnish friend had to sit wearing a muff when I painted her. In the bedroom the damp ran down the walls, and there was only a small skylight in the roof. The material side of life troubled us very little at all … Moreover, my friend and I almost always plodded around in slippers; it saved so on shoe-leather and it was so very comfortable."
Pauli received a third class medal for her work at the Exposition Universelle (1889) in Paris. She exhibited her work at the Palace of Fine Arts at the 1893 World's Columbian Exposition in Chicago, Illinois.
As was the case with most other Swedish artists of her generation, her painting stood closer to the French juste milieu painters than to most impressionists; nevertheless, the thickly applied paint she used to show specks of light on the white tablecloth on her 1887 painting Frukostdags (Breakfast Time) (in Nationalmuseum, Stockholm) provoked one critic to comment that she had probably used the cloth to clean her brushes.
In 1887 she married the painter Georg Pauli and travelled with him to Italy for a year.
Her lifetime production was sparse and mostly consisting of portraits, painting artists and writers from her and her husband's circle of friends, such as the one of painter Karl Nordström (1890; in the Bonnier portrait collection, Nedre Manilla, Stockholm), writer Verner von Heidenstam as Hans Alienus (one of his literary characters, 1896), writer Selma Lagerlöf (1932, Nationalmuseum) and the group portrait Vänner (Friends, 1907, Nationalmuseum) showing writer Ellen Key reading to a group in the home of the Pauli family.
Pauli was included in the 2018 exhibit Women in Paris 1850-1900.
Cinematography studios of the Middle East

Cinematography Studios of the Middle East refer to the film production companies within the geographical region commonly known as the Middle East.
Cinema in the Middle East dates back to the early 1900s, following the advent of moving pictures in the late 19th century. Initial film studios were largely state-owned, with the objective of promoting national narratives and cultural identity. In the 1940s and 1950s, the 'Golden Age' of Middle Eastern cinema emerged, primarily from Egypt, which is dubbed the "Hollywood of the East." Studios like Studio Misr and Al-Ahram played an instrumental role in the proliferation of Middle Eastern cinema, producing influential films like "The White Rose" (1933) and "The Song of Hope" (1937). The 1960s to 1980s saw a decline in film production due to various political and economic factors. However, the 1990s marked a resurgence with the advent of the Iranian New Wave and the establishment of new film studios such as Majid Majidi's Film Workshop.
Shanshui poetry

Shanshui poetry or Shanshui shi (traditional Chinese: 山水詩; simplified Chinese: 山水诗; pinyin: shānshuǐshī; lit. "mountains and rivers poetry") refers to the movement in poetry, influenced by the shan shui (landscape) painting style, which became known as Shanshui poetry, or "landscape poetry". Sometimes, the poems were designed to be viewed with a particular work of art, others were intended to be "textual art" that evoked an image inside a reader's mind. It is one of the more important Classical Chinese poetry genres. Developing in the third and fourth centuries in China, Shanshui poetry contributed to the process of forming a unique aesthetic outlook.
Although landscape images were present in the Shijing and the Chuci, the unique development in Shanshui poetry was that the main focus became on the natural landscape, rather than the use of nature as a backdrop for the human presence. The Six Dynasties poet and government official Xie Lingyun has been dubbed not only Duke of Kangle but also the father of Shan-shui poetry.
One of the first, early Chinese landscape poetry was the Jian'an poet and general Cao Cao. The poems resulting from the Orchid Pavilion Gathering were particularly important, too. During the Tang Dynasty, Meng Haoran and Wang Wei were both important practitioners.
Father Figure (George Michael song)

"Father Figure" is a song by English singer and songwriter George Michael from his debut studio album, Faith (1987). It was released on 28 December 1987 as the album's fourth single by Columbia Records. The song reached number one on the US Billboard Hot 100 and number 11 on the UK singles chart. Additionally it was a top five hit in Australia, Belgium, Canada, Iceland, Ireland, the Netherlands and Spain.
Michael had this to say on the genesis of "Father Figure":
The song is an R&B ballad, and also features elements of Egyptian music and gospel. On the tracks origins Michael said:
Released in the United Kingdom in December 1987, "Father Figure" reached number eleven on the UK singles chart – the first time Michael had failed to reach the top ten in his home country.
In the United States, "Father Figure" debuted on 16 January 1988 at number 49, while "Faith" was still prominent (at number nine) in the top ten of the chart. "Father Figure" reached number one on 27 February 1988, staying at the top for two weeks. Altogether, the single spent 17 weeks in the chart.
Sue Dando from Smash Hits wrote, "Once again, George unveils a blinding talent for wonderful sentiment and swoony lovesome lyrics, all elegantly swathed in pristine 'epic' production and the usual echoey voice-oice which trails-ails off almost every note-ote...It's in a similar 'vein' (though not nearly as good) as 'A Different Corner', it's perfect Radio Two fodder, and it will doubtless be a top ten hit." In 2017, a Billboard article about the song described it as a "smoky ballad" which alluded to his status as a gay man who had not yet declared his sexuality and was operating during a homophobic time in the music industry and wider society, with journalist Barry Walters saying it "established Michael both as a nuanced grown-up and as a skilled singer-songwriter, able to intertwine racy innuendo and romantic steadfastness". He added that "on the surface, it's a traditional love ballad, the particularly passionate kind George mastered when he wrote 'Careless Whisper'", but that "like his idol and contemporary Prince, George searched for something 'sacred' in sexuality; a healing balm that will protect both him and his beloved. He aims to provide it, both with his reassuring words and steadfast delivery – whispery and intimate during the verses, commanding and declamatory during the chorus." He concluded that the song "allowed George to celebrate forbidden desires without drawing explicit attention to his own [...] Without the elements that nudge the lyric toward off-limits territory, 'Father Figure' would be a far more conventional and much less compelling song. They serve as crucial metaphors that brought George as close as he could to writing from the heart, without alienating much of his audience and the industry."
The accompanying music video for "Father Figure" depicts a relationship between a cab driver (Michael) and a high-fashion model (Tania Coleridge). Various intercut flashbacks tell a backstory. Michael and Andy Morahan won "Best Direction of a Video" at the 1988 MTV Video Music Awards for the video.
Mharagwe

Mharagwe (pia: mharage) ni jina la mimea mbalimbali ya familia Fabaceae lakini mara nyingi sana Phaseolus vulgaris.
Mimea hii inatambaa au inapanda juu ya mimea mingine na matunda yake ni makaka marefu yaliyo na mbegu zinazoitwa maharagwe.
Licha ya mbegu hata makaka mabichi huliwa kama maharagwe-mboga.
Mharagwe-pana

Mharagwe-pana (jina la kisayansi: Vicia faba) ni jina la mmea katika familia Fabaceae. Mbegu zake huitwa maharagwe mapana.
Asili ya mmea huu ni Mashariki ya Kati lakini siku hizi hukuzwa mahali pote katika kanda za nusutropiki na wastani.
Vipande vinavyolika ni mbegu (bichi na bivu), matumba machanga na majani.
Kisaga

Visaga ni mbawakawa wa nusufamilia Bruchinae katika familia Chrysomelidae. Wadudu hao hujilisha kwa mbegu za spishi za Fabaceae (k.m. maharagwe) na za familia nyingine kadhaa. Hupitia takriban maisha yao yote katika mbegu moja. Familia hii inapatikana duniani kote na ina spishi zaidi ya 4000. Tabia zao zinafanana na zile za vidungadunga (Curculionidae) na kwa hivyo moja ya majina yao kwa Kiingereza ni bean weevils.
Kwa ujumla visaga ni wagumu wenye umbo la duaradufu na vichwa vyao vidogo vimeinamishwa chini. Urefu wao unaanzia mm 1 kufikia mm 22 kwa spishi fulani za kitropiki. Rangi kawaida ni nyeusi na/au kahawia na mara nyingi wana ruwaza ya madoa. Ingawa mandibuli zao zinaweza kurefuka, hawana pua ndefu iliyo sifa ya vidungadunga wa kweli. Mabawa ya mbele ni fupi na hayafikii kabisa ncha ya fumbatio.
Wapevu hutaga mayai juu ya mbegu, kisha mabuu hutafuna tundu la kuingilia mbegu. Wanapokuwa tayari kuwa mabundo, kwa kawaida mabuu hukatia mpevu shimo la kutoka, kisha kurudi kwenye chumba chao cha kujilisha. Visaga wapevu huwa na tabia ya kujifanya kama wamekufa na kuanguka kutoka kwa mmea wakisumbuliwa.
Vidusiwa huwa mimea ya jamii ya kunde (Fabaceae), lakini kuna spishi pia zinazopatikana katika Convolvulaceae, Arecaceae na Malvaceae, na spishi kadhaa huchukuliwa kuwa wasumbufu, k.m. kisaga wa kunde na kisaga wa karanga.
Spishi nyingi ni asili ya Afrika ya Mashariki, k.m. zile zinazoshambulia mbegu za migunga, lakini nyingine zimewasilishwa, kama kisaga wa azuki na kisaga wa njegere.
Mharagwe-viazi

Mharagwe-viazi (Apios americana) ni jina la mmea katika familia Fabaceae. Mbegu zake huitwa maharagwe-viazi. Asili ya mmea huu ni Amerika ya Kaskazini ambapo Waindio amekula viazi vyake kama chakula kikuu. Hawakukuza viazi hivi kama aina ya kilimo lakini walivipanda karibu na makazi yao. Siku hizi mharagwe-viazi hukuzwa huko Japani hasa na pia katika Korea ya Kusini. Maharagwe yake huliwa pia lakini siyo kama viazi.
Mbawakimia kahawia

Mbawakimia kahawia ni wadudu wadogo wa familia Hemerobiidae katika oda Neuroptera (wadudu mabawa-vena) walio na mabawa yanayofanana na kimia. Kama jina lao linavyoonyesha wana rangi ya kahawia kwa kawaida, huku mbawakimia kijani (familia Chrysopidae) wakiwa kijani kwa wazi.
Mbawakimia kahawia ni wadudu dhaifu wenye urefu wa mwili wa mm 4 hadi 10 na upana wa mabawa wa mm 4 hadi 18, wakubwa zaidi wakiwa spishi za kitropiki. Kwa kawaida mwili wao huwa hudhurungi hadi kahawia, lakini spishi kadhaa ni njano au kijani. Machomzolenzi yana rangi ya kahawia kinyume na mbawakimia kijani walio macho ya rangi ya dhahabu. Mabawa ni mangavu yenye nywele. Mabawa ya spishi fulani, kama zile za jenasi Drepanepteryx, yanafanana na majani makavu.
Vinginevyo, tabia, chakula na mzunguko wa maisha zao ni sawa na mbawakimia kijani.
Kama vile mbawakimia kijani, wale wa kahawia wanaweza kutumika katika udhibiti wa kibiolojia. K.m., Micromus tasmaniae hukuzwa nchini Australia na Nyuzilandi kwa ajili ya kuuzwa kama wadhibiti wa kibiolojia dhidi ya vidukari..
Waya

Waya (wingi: nyaya; kutoka Kiingereza "wire") ni uzi wa chuma. Waya hutumika hasa katika kusafirishia umeme.
Rangi tofautitofauti za waya katika baadhi ya nchi, kwa mfano nchini Marekani, kijani au wazi ni waya (udongo) wa ardhi, nyeupe ni waya wa neutral, na nyeusi, rangi ya bluu, nyekundu, kahawia, njano, na machungwa ni waya wa moto (hai).
Mesite

Mesite (kutoka Kifaransa: mésite) ni ndege wa familia Mesitornithidae. Undugu wa ndege hawa si wa uhakika. Kwa kawaida huainishwa katika Gruiformes, lakini utafiti wa hivi karibuni umeonyesha kama wana mnasaba zaidi na Columbiformes. Kwa sasa waainishwa katika oda yao yenyewe Mesitornithiformes. Mesite wanafanana na viluwiri wenye miguu na mkia miferu. Rangi yao ni kahawia au kjivu mgongoni na nyeupe au kahawia isioiva chini. Wanatokea Madagaska na hula wadudu, mijusi na vyura wadogo, mbegu na beri. Hulijenga tago lao kwa vijiti katika kichaka na jike huyataga mayai 2-3.
Rangi ya manjano

Rangi ya manjano, manjano kwa kifupi au njano ni rangi inayofanana na ile ya unga wa manjano. Ni rangi ya matunda mabivu kadhaa, kama vile chungwa (aina njano), papai, embe, ndizi n.k.
Ni mojawapo ya rangi zitumikazo kwa kazi mbalimbali kama katika kuchora michoro mbalimbali na kadhalika.
Michoro hiyo inaweza kuwa ya kitu chochote kama vile: wanyama, wadudu, watu, mimea na hata vitu visivyo na uhai kama vile mawe, majengo n.k.
Hivi vyote katika kuvichora unaweza kutumia rangi mbalimbali kama rangi ya njano, kijani, nyekundu, bluu, zambarau, kahawia na rangi nyinginezo.
Mto Njano

Mto Njano (kwa Kichina: Huang He) ni mto mkubwa wa China ya Kaskazini, mto mkubwa wa pili wa China yote na mto mrefu wa nane duniani. Jina limetokana na rangi ya matope ya ardhi unamopita.
Mwendo wake una urefu wa kilomita mnamo 5,000 (viwango mbalimbali hutajwa kati ya kilomita 4,845 hadi 5,464) kuanzia nyanda za juu za Tibet hadi delta yake kwenye Bahari ya Bohai ambayo ni sehemu ya Bahari ya Mashariki ya China.
Kabla ya kufika baharini, mto unapita katika Tambarare ya China Kaskazini ambako ustaarabu wa China ulianzishwa. Ndiyo sababu Mto Njano umeitwa mara nyingi mto mama wa China na chanzo cha ustaarabu wa Kichina.
Rutuba ya ardhi ya tambarare hiyo ilijengwa na Mto Njano kwa kusambaza matope kwa miaka milioni kadhaa wakati wa mafuriko yake ya kimajira.
Nyoka-misitu Njano

Nyoka-misitu njano (Hormonotus modestus) ni nyoka wa familia Lamprophiidae ambao wanatokea misituni kwa Afrika ya Magharibi na ya Mashariki. Kuna spishi nyingine za nyoka-misitu katika jenasi Buhoma.
Nyoka huyu ni mrefu kiasi, hadi sm 90 lakini sm 40-70 kwa kawaida. Kichwa chake kina umbo wa pea. Rangi yake ni njano, hudhurungi au kahawiakijivu. Magamba ya kichwa yana kingo nyeupe.
Nyoka-misitu njano hukiakia usiku na hupumzika mchana chini ya majani makavu au katika vishimo. Hula wagugunaji na mijusi.
Nyoka huyu hana sumu na anaweza kukamatwa bila shida kwa sababu hawang'ati kwa kawaida.
Cherero Shingo-njano

Cherero (au kasuku-mapenzi) shingo-njano (pia cherero uso-mweusi; kisayansi Agapornis personatus) ni ndege wa kundi la kasuku katika familia Psittaculidae. Msambao wa asili ni Tanzania ya kaskazini na ya kati.
Cherero shingo-njano ni kasuku mdogo aliye kijani hasa na kuwa na urefu wa sm 14.5. Upande wa juu ni kijani iliyoiva zaidi kuliko upande wa chini. Uso wake ni mweusi na ana domo jekundu kali na miviringo myeupe ya macho. Rangi ya manjano kwenye kidari inaendelea kwenye ukosi njano na upanuzi wa njano kwenye kisogo. Dume na jike wana muonekano wa nje unaofanana.
Ndege huyu huleta nyenzo za kiota katika domo lake kwenye shimo la mti ili kujenga kiota chao. Mayai ni meupe na kwa kawaida huwa na manne hadi matano kwenye kiota. Jike huatamia mayai kwa muda wa takriban siku 23 na makinda huondoka kwenye kiota kama siku 42 baada ya kuanguliwa.
Cherero shingo-njano ni wa asili ya Tanzania ya kaskazini na ya kati na ametambulishwa kwa Burundi na Kenya. Ingawa wameonekana katika pori huko Puerto Rico, labda ni matokeo ya ndege wa kipenzi waliotoroka, na hakuna uzazi uliorekodiwa. Pia wamezingatiwa huko Arizona. Katika Ulaya makoloni makubwa hutokea karibu na Nice, Ufaransa.
Ndege walioachiliwa nje ya msambao wa asili mara nyingi ni mvyauso kutokana na cherero uso-machungwa. Uso wao ni kijivu zaidi kuliko mweusi. Uvyausaji pia hutokea porini ambapo spishi hizo huingiliana, haswa ndani na karibu na Hifadhi ya Serengeti.
Kama cherero wengine, cherero shingo-njano hufugwa duniani kote na watu wanaofurahi kuifanya. Ufugaji huu umesababisha rangi mpya ambazo hazitokei porini. Ndege zinazotokea nje ya msambao wao wa asili ni ama watorokaji au vizazi wao. Ndege kama hao wanaweza kupatikana katika pembe ya kaskazini mashariki mwa Tanzania na katika na karibu na Dar es Salaam, Mombasa, Nairobi na Naivasha. Kuna pia idadi ya ndege hao huko Ulaya na Amerika ya Kaskazini.
Ndege hawa wanaweza kujilisha nafaka anuwai, kama mahindi na mtama, mbegu za alizeti na matunda na wanaweza kutokea kwa makundi makubwa kiasi. Kwa hivyo wanaweza kuwa wasumbufu katika mashamba, k.m. katika maeneo ya karibu na Dodoma, Singida na Manyara, ambapo huitwa selengwa kwa lugha ya kieneo. Mnamo mwaka wa 2021 serikali ya Tanzania ilitangaza hatua za kudhibiti spishi hiyo, ingawa matumizi ya dawa za kemikali (kama inavyotumika dhidi ya kwelea domo-jekundu) ilikataliwa. Ilipendekezwa kwamba ndege hao wanapaswa kutegwa.
Dikgobe

Dikgobe pia hujulikana kama Izinkobe ni neno la Kiafrika Kusini linalomaanisha mchanganyiko wa mahindi na maharage yakipikwa pamoja.Chakula hiki kawaida huandaliwa katika sherehe za maisha za Setswana, kama vile ndoa, na zile zinazoashiria kifo, vifo.Dikgobe ni mojawapo ya vyakula vinavyokubalika kuandaliwa, pamoja na mtama kama vingine.
Kiawentiio

Kiawenti:io Tarbell (maarufu kwa jina Kiawentiio; alizaliwa 28 Aprili 2006) ni mwigizaji kutoka Waindio Wamohawk, mwanamuziki na mtunzi wa nyimbo.
Alianza kuigiza katika msimu wa tatu wa tamthilia ya CBC series iitwayo Anne with an E (2019) na filamu yake ya kwanza ikiwa Beans (2020). Aliigiza kama Maya Thomas katika sitcom Rutherford Falls (2021). Alichaguliwa kuigiza kama Katara katika tamthilia ya Avatar: The Last Airbender (2024).
Kiawentiio alizaliwa katika familia ya Mohawk huko Akwesasne, ambayo ni hifadhi ya kwanza ya taifa iliopakana na nchi zote Canada na Marekani na kuzungukwa na mto St Lawrence. Kwa upande wa Marekani inajulikana kama hifadhi ya St Regis Mohawk.
Jina lake la kwanza lina maanisha "Asubuhi njema" huko Kanienʼkéha. Wazazi wake ni Barbara na Corey Tarbell. Amekulia katika nyumba ya Kawehno:ke ( pia inajulikana kama Cornwall Island) na kusoma shule ya Uhuru ya Akwesasne na Shule ya Ufundi ya Cornwall Collegiate. Ana uraia wa nchi mbili Canada na Marekani.
Tarbell alikuwa mmoja wa waigizaji 200 wenye asili ya Kanada kwa ajili ya kuigiza kama Ka'kwet, ambae ameonyeshwa katika msimu wa tatu wa tamthilia ya Anne with an E. Alilazimika kujifunza lugha ya Mi'kmaq na kuelewa utamaduni na historia ya hilo kabila. Pia aligiza katika filamu ya Beans 2020 kama msichana wa Mohawk mwenye umri wa miaka 12 aliekua anaishi Kahnawake mnamo 1990, kipindi cha Mgogoro wa Oka.
Ameonekana kama muhusika wa mara kwa mara akiwa kama Maya Thomas kwenye tamthilia ya Peacock sitcom Rutherford Falls (2021). Pia alichagulia kuvaa uhusika wa Katara katika tamthilia ya Avatar: The Last Airbender series.
Pat Thomas (mwanamuziki wa Ghana)

Pat Thomas (jina la kuzaliwa Nana Kwabena Amo Mensah ; alizaliwa Agosti 14, 1946) ni mwimbaji na mtunzi wa nyimbo kutoka nchini Ghana. Anajulikana sana kwa kazi yake katika bendi za highlife za Ebo Taylor .
Pat Thomas alizaliwa huko Ashanti nchini Ghana. Baba yake alikuwa mwalimu wa nadharia ya muziki na mama yake kiongozi wa bendi.
Alianza kazi yake ya muziki katika miaka ya 1960 ambapo alishirikiana na Ebo Taylor . Mnamo 1974, aliunda bendi ya "Sweet Beans", alirekodi albamu yake ya kwanza ya False lover . Alirekodi albamu yake ya pili ya " Pat Thomas Introduces Marijata" akiwa na bendi ya Marijata. Baada ya mapinduzi ya Ghana mwaka 1979, alihamia Berlin na baadae kuishi Kanada. Sasa anazunguka ulimwenguni kote na bendi yake ya Kwashibu Area. Mnamo Juni 2015 walitoa albamu ya Pat Thomas and Kwashibu Area Band kuadhimisha miaka 50 ya kazi yake ya muziki. Thomas anajulikana kama "The Golden Voice Of Africa".
Mnamo mwaka 2015, albamu yake ya Pat Thomas and Kwashibu Area Band iliorodheshwa na AllMusic kama mojawapo ya "Albamu za Kilatini Zinazopendwa na Ulimwenguni".
Pamela Nomvete

Pamela Nomvete (alizaliwa nchini Ethiopia, mwaka 1963) ni mwigizaji raia wa Afrika Kusini na Uingereza.
Pamela Nomveta alizaliwa na wazazi kutoka Afrika Kusini. Utoto wake alikulia katika nchi tofauti tofauti na kujiunga katika shule ya bweni ya United Kingdom na baadae kusoma katika chuo cha mziki na uigizaji Royal Welsh. Kwa sehemu nyingine aliishi Manchester,mahali ambapo dada yake alikuwa mwanafunzi. Na baada ya kuanzakufanya kazi kama mwiigiza United Kingdom,Nomveta alihamia Johannesburg,Afrika kusini mwaka 1994,Na baada ya uchaguzi wa rais wa Nelson Mandela na kuanguka kwa ubaguzi wa rangi.
Mnamo mwaka 1990 Nomvete alianza kazi kwenye luninga,kufikia umaarufu wa Afrika kusini wa soap opera kizazi cha muendelezo wa runinga Afrika kusini. Uhusika wake kama Ntsiki Lukhele ulikuwa kahaba mbobezi, mwenye uchu wa kujipatia nguvu, mshashiwishi na hatari sana..Japo kuwa Nomveta peke yake alipambana kwa masononeko baada ya ukafiri na kutalikiwa na mume wake. Na maisha yake kufunuliwa, kwa hatua moja aliishi kwenye gari lake, akiuza nguo kwa ajili ya chakula na sigara.
Kwenye Zulu Love Letter 2004, Nomvete alicheza Thandi,a single mother na mwandishi wa habari alipambana kuwasiliana na binti yake wa miaka kumi na tatu aliyemtenga.Thandi alikua mjamzito wa mtoto wake,alishambuliwa na kupigwa na kikosi cha ubaguzi wa rangi,akamuacha mtoto kiziwi na bubu.Nomvete alishinda katika utendaji wake wa FESPACO na kutunukiwa kama mwigizaji bora mnamo mwaka 2005.
Mwaka 2012 hadi 2013,alionekana kwenye kipindi cha muda mrefu cha soap opera Coronation Street nchini Uingereza ,akicheza kama Mandy Kamara aliyekuwa muigizaji wa zamani Lloyd Mullaney akicheza na Craig Charles.
Mnamo mwaka 2013 alichapisha wasifu wa Dancing to the Beat of the Drum:Katika utafutaji wa nyumba yangu ya kiroho.
Nomvete alifanya mazoezi Nichiren Buddhism.
Kokoro (chakula)

Kokoro ni kitafunwa maarufu nchini Nigeria. Kinaandaliwa na mchanganyiko wa unga wa mahindi, sukari, na muhogo au magimbi kisha kukaanga. Kinauzwa sana maeneo ya Ogun, Nigeria.
Katika utafiti wa mwaka 1991 kuhusu vyakula vinavyouzwa kwa wanafunzi wa Lagos, chakula cha kokoro kilichukuliwa ili kufanyiwa utafiti zaidi kwa kibiolojia. Chakula hicho kilikutwa na bakteria wa aina kumi tofauti, ikiwemo bakteria wa sumu na kuharisha; hii ilipelekea kutolewa agizo la uandaaji wa vyakula hivyo kuzingatia zaidi afya ya mlaji kwa viandaliwe katika mazingira yaliyo salama.
Katika utafiti wa kuongeza lishe, ilibainika kuwa soya iliyoondolewa mafuta au karanga huweza kutumika, lakini ladha na muonekano haukukubaliwa na takribani asilimia 10 ya unga. Kitafunwa kingine cha kuongeza viritubisho kutoka kwenye kitafunwa cha kokoro ni mchanganyiko wa mahindi, soya na viungo kamahoho, vitunguu, chumvi, mafuta ya mnyonyo, na ndizi.
Muhindi

Muhindi (pia: mhindi) ni mmea wa familia ya nyasi katika ngeli ya monokotiledoni. Mbegu za mhindi ni mahindi ambayo ni chakula muhimu katika sehemu nyingi za dunia pamoja na Afrika ya Mashariki na Afrika ya Kusini.
Mhindi ni kati ya nafaka ya kwanza kulimwa kama chakula cha binadamu. Asili yake ni Amerika ya Kati ulipogundiliwa na Maindio. Wahispania walipeleka nafaka hii Ulaya; taarifa za kwanza za mashamba ya muhindi katika Hispania zilipatikana mwaka 1525 yaani miaka michache tu baada ya safari ya Kolumbus.
Katika Afrika mmea huu ulifika kupitia Wareno. Maelezo ya jina la muhindi/mhindi yaani etimolojia yake kuna wezekano mkubwa ya kwamba jina hili linahifadhi imani ya Wazungu ya kuwa Kolumbus alifika Uhindini ya Asia na Wahispania pamoja na Wareno waliendelea kuita nchi mpya "India" kwa miaka mingi. Hivyo nafaka kutoka "India" ile iliingia katika Kiswahili kwa jina lililolingana na imani ya Wareno kuhusu asili yake. Jina hili ni sawa na jina la Kifaransa "froment des Indes" (ngano ya Uhindi) au "Indian corn" jinsi inavyoitwa katika Kiingereza cha Marekani (kwa kawaida leo kifupi "corn"). Lakini katika nchi nyingi jina la Kiindio la "maiz" limeenea kutoka neno la Kiindio "mahiz" katika lugha ya taino kwenye kisiwa cha Haiti. Ilhali historia ya kufika kwa muhindi katika Afrika ya Mashariki haijulikani kikamilifu kuna pia uwezekano ya kwamba wenyeji walijua ni nafaka kutoka mbali na wenyewe walichagua jina "Uhindi" kama ishara ya asili ya mbali.
Muhindi ni nafaka inayolimwa kwa wingi zaidi duniani. Mavuno ya dunia ya mwaka 2005 yalileta matokeo yafuatayo: mahindi tani milioni 710.3; mchele tani milioni 628.5 na ngano tani milioni 620.0.
Sababu ya kupendelea muhindi ni kivuno kikubwa. Dunia muhindi inaleta kwa wastani mahindi tani 47.5 kwa hektari moja. Hii inashinda mpunga unaoleta mchele wastani tani 40/ha na ngano yenye tani 29/ha.
Kwa jumla kuna tofauti katika matumizi: - nchi za viwanda hulima muhindi hasa kama chakula cha wanyama; hapa mhindi wote huvunwa ukitumiwa kama sileji. - nchi zinazoendelea hutumia zaidi mahindi yaani nafaka yake kama chakula cha kibinadamu.
Samuel Kawale

Samuel Dalitso Kawale (aliyezaliwa Zomba, Malawi, 1979) ni mwanasiasa wa Malawi na mfanyakazi wa kijamii ambaye ni Waziri wa Kilimo wa Malawi kuanzia Oktoba 25, 2022. Yeye ni Mbunge wa Jimbo la Dowa Kaskazini Mashariki.
Ripoti ya Mwenyekiti wa Madai, Grace Malera, mwaka 2024 ilikaribishwa na Kawale. Mwaka 2022, Rais alimfukuza Waziri wa Kilimo wa zamani, Lobin Lowe, na naibu wake kutokana na hasara ya K750 milioni kutoka kwa Mpango wa Pembejeo ya Bei Nafuu ambayo ilikusudiwa kusaidia kilimo cha kujikimu. Ripoti ya Malera ilipendekeza kufunguliwa mashtaka dhidi ya maafisa wa umma waliohusika na mkataba wa udanganyifu uliofanywa na Bakaart Foods Limited. Alisema kuwa udanganyifu uliendelea na ukaguzi wa kiforensa unapaswa kufanyika kwa kuangalia utendaji wa fedha. Kawale alisema kuwa hili pia lilikuwa maoni yake.
Kawale alisoma shule ya sekondari katika Paul Roos Gymnasium huko Stellenbosch, Afrika Kusini. Ana Shahada ya Uzamili ya Usimamizi wa Biashara kutoka ESAMI na kwa sasa anasoma PhD katika Uongozi wa Mabadiliko katika Chuo Kikuu cha Bakke Graduate, Marekani. Aliteuliwa na Rais Lazarus Chakwera kuwa Waziri mpya wa Kilimo akimchukua nafasi ya Lobin Lowe ambaye alifukuzwa kazi.