A Grand Don't Come for Free

A Grand Don't Come for Free is the second studio album by English rapper and producer Mike Skinner, under the music project the Streets. It was released on 17 May 2004 and is listed in the book 1001 Albums You Must Hear Before You Die. It is a rap opera and concept album that follows the story of its protagonist's relationship with a girl named Simone, alongside the mysterious loss of £1,000 from his home (the eponymous "grand").
In the story, the protagonist loses £1,000, or a "grand" in slang terms, and strives to recoup the money.
In his book The Story of the Streets, Skinner explained his decision to create a story that ran through the album:
In the first track on the album, "It Was Supposed to Be So Easy", Skinner attempts several tasks during a day but they do not go according to plan. When he comes home he cannot find the £1,000 he has saved and his television is broken. In the process of trying to recover the money he:
Like the Streets' debut album Original Pirate Material the album was recorded in a flat in south London, but this time in Skinner's own flat in Stockwell which he had bought using the money he had received upon signing his publishing deal.
The front cover of the album features Skinner posing in a bus shelter at night, taken by British photographer Ewen Spencer.
The first single from the album, "Fit But You Know It" reached number four on the UK Singles Charts with the second single, "Dry Your Eyes" entering the UK Charts at number one. The album itself reached number one in the UK Album Charts, number eleven in Australia and number eighty-two in the United States.
Critical response for the album, like for his previous album, was near universally positive. It currently scores 91/100 on Metacritic, slightly higher than his previous album, which scored 90/100.
Critics noted the difference in style compared to Skinner's debut album. In Q, Garry Mulholland said that instead of thinking of the record as a concept album, it was more like "a spoken-word opera, or a short story with an exquisitely crafted pop soundtrack". Calling it "the best album of 2004 so far, and by some distance", Mulholland concluded that "if [Skinner] sees a darkness in the private hell of the everyday, it's an inspiring one", and that the album "puts forth a musical argument that our own lives are more important and relevant than the aspirational celebrity imagery that dominates 21st century pop." The Guardian said that the album "raises the stakes to such an extent that it sounds literally unprecedented: there isn't really any other album like this", and PopMatters stated that Skinner "is now in a class all his own; nobody else is making music like this." Trouser Press said that "Skinner seems both edgier and more contemplative".
Pat Blashill of Rolling Stone called A Grand Don't Come for Free "the best British hip-hop concept album ever" and stated that "it is both simpler – in sound and scope – than Pirate and more ambitious". He was impressed by Skinner's ability with "tickling and tearing vowels, adverbs and lexicons", but, above all, "his real gift is literary". He concluded that the story was "thoroughly mundane ... yet Skinner's ear for language and detail keeps it vivid, and hilarious". "In a previous decade, A Grand Don't Come for Free would have been a rock opera, and it would have taken itself very seriously," observed Blender. "But Skinner isn't interested in pinball wizards or ancient alien races ... [It] demands the same attention as a movie, and that's why some people will hate it while others will find it uniquely riveting." The Austin Chronicle named the album "the first hip-hop classic of the new millennium."
Online music magazine Pitchfork placed A Grand Don't Come for Free at number 129 on their list of top 200 albums of the 2000s. Music magazine NME placed the album at number 16 on their list of "top 50 albums of the noughties".