List of Seventeen live performances

South Korean boy group Seventeen debuted in 2015 and have since then embarked on concert tours that have taken them throughout Asia, Oceania, and North and South America. To date, they have held nine concert tours, alongside a number of standalone concerts and fan meetings. They have also been welcomed to perform at multiple festivals, award shows and television specials across the world.
Seventeen's live performances are well regarded by critics and fans alike, while achieving significant commercial success and accolades. Touring data from Billboard placed the group's Follow Tour as the top grossing K-Pop tour of 2023, and the magazine went on to award them "Top K-Pop Touring Artist" at the 2024 Billboard Music Awards. Critic Rhian Daly reviewed the group's European festival debut at Glastonbury Festival 2024 on the Pyramid Stage for NME, and their set was one of the few performances to be rated five stars. Beyond the festival, the group's concerts are often described as "high energy" with commendation for their synchronization as a 13-piece group.
The group have garnered notable popularity in their neighboring country of Japan. It has been the only country they have visited on every tour held, even dedicating entire tours, fan meetings and standalone concerts to Japan. In recent years, touring in Japan has enabled the group to perform in and sell out larger capacity arenas and stadiums across multiple cities in a single country, netting sales for 400,000 seats and above. Touring in Japan has often coincided with releases of Japanese-language singles and albums, such as "Shohikigen" and Always Yours.
Starting with the Be The Sun World Tour, Seventeen and their label Pledis Entertainment have held events alongside concerts under "The City Project". The project includes activities for fans such as stamp rallies and lighting up various Japanese tourist attractions such as Tokyo Skytree and the Osaka Hep Five Ferris Wheel in themed colors. For the Follow and Right Here tours, the label began hosting the events alongside concerts in other countries as well. The project initially focused on collaborating with organizations directly, and has expanded to collaborations with government organizations including the Yokohama City Council and Singapore Tourism Board.
Throughout the group's ten years of touring, their concert venues have grown in capacity from the Blue Square Concert Hall in Seoul, seating 1,000 people, to some of the world's largest venues. Seventeen have since performed concerts at South Korea's second-largest stadium (Seoul World Cup Stadium), Japan's second-largest stadium (Nissan Stadium), Thailand's largest stadium (Rajamangala Stadium), and the world's largest indoor arena (Philippine Arena).
The Shining Diamonds Tour (stylized as Seventeen 1st Asia Pacific Tour Shining Diamonds 2016) was Seventeen's first tour of Asia and Oceania, as organised by Pledis Entertainment and Type Communication Group. The tour was held from July 30 to September 11, 2016, starting in Seoul, South Korea, and concluding in Taipei, Taiwan, visiting a total of twelve cities.
The tour began with concerts in South Korea and Japan under the title of Like Seventeen – Shining Diamonds Concert, while the rest of the tour was promoted as Seventeen's 1st Asia Pacific Tour. A concert was scheduled for September 9 in Beijing, China; however, it was canceled as a result of China banning South Korean groups from performing in the country.
The Diamond Edge World Tour (stylized as 2017 Seventeen 1st World Tour Diamond Edge) was Seventeen's first world tour, organized by Pledis Entertainment, Show Note, and Live Nation. The tour was held from July 14 to October 6, 2017, starting in Seoul, South Korea, and ending in Pasay, Philippines, visiting in total 14 cities. They performed for 200,000 fans throughout the tour.
Jeff Benjamin reviewed the tour's stop at New York's Terminal 5 for Billboard, describing the sold-out show as fun and cohesive, as well as commending the group for being "perfectly in-sync" with "exciting, individualized and multifaceted performance styles".
The SVT Japan Arena Tour (stylized as Seventeen 2018 Japan Arena Tour SVT) was Seventeen's first Japanese concert tour, organized by Pledis Entertainment. The tour was held from February 21 to March 7, 2018, in Yokohama, Osaka and Nagoya.
The Ideal Cut Tour (stylized as 2018 Seventeen Concert Ideal Cut) was Seventeen's third Asia tour. The tour was announced on May 15, 2018, and began in Seoul, South Korea, on June 28, 2018. The tour went to seven more cities across East and Southeast Asia, and ended with an encore concert in Seoul on November 4, 2018.
The Haru Japan Tour (stylized as Seventeen 2019 Japan Tour Haru) was Seventeen's third Japan concert tour organized by Pledis Entertainment and Pledis Japan. The tour ran from April 2 to 27, 2019, in Fukuoka, Shizuoka, Saitama, Chiba and Osaka, with a total of twelve shows across the five cities.
The Ode to You World Tour was the group's second world concert tour, supporting their third studio album An Ode. The tour began on August 30, 2019, at the KSPO Dome in Seoul, South Korea, and concluded in Pasay, Philippines, after the COVID-19 pandemic caused the cancellation of the tour's entire European leg. The tour had other difficulties, including the cancelation of a Japanese performance due to Typhoon Hagibis and members S.Coups and Jeonghan taking health-related breaks. Still, 40,000 tickets were sold for the show's opening nights in Seoul, breaking a record for the group.
The 2020 Japan Dome Tour was scheduled to be Seventeen's first dome tour in Japan. Following the conclusion of the Japanese leg of the Ode to You tour on November 9, 2019, Seventeen announced the tour on November 11. Initially scheduled at three of Japan's dome arenas (Tokyo Dome, Fukuoka PayPay Dome, and Kyocera Dome Osaka), additional dates at Seibu Dome were added later. The entire tour was canceled as a result of the COVID-19 pandemic.
Seventeen eventually debuted at Tokyo Dome and Kyocera Dome during their Be The Sun World Tour. The group performed at Fukuoka Dome and Seibu Dome, among others, for the Japanese leg of their Follow Tour.
The Be The Sun Tour was the group's third world concert tour headlined and was the first tour they held following the COVID-19 pandemic. The tour began on June 25, 2022, at the Gocheok Sky Dome in Seoul, South Korea, and concluded on December 28, 2022, at Gelora Bung Karno Madya Stadium in Jakarta, Indonesia, visiting a total of 21 cities across Asia and North America. The tour was regarded as a commercial success, with the reported box scores for the first 21 shows and final 8 shows each placing in the top 100 of Billboard's end of 2022 and midyear 2023 touring reports, respectively, based on reporting windows. The final attendance figure was over 500,000 people with a box office total at US$57,000,000. The group's performance was also well regarded, with critics noting the group's energy and "enthusiasm for life" throughout the three-hour set, though the tour faced setbacks with various shows having members absent due to having contracted COVID-19 and needing to isolate.
The Follow Tour was Seventeen's fourth concert tour of Asia. The tour began on July 21, 2023, at the Gocheok Sky Dome in Seoul, South Korea, and concluded on May 26, 2024, at Nissan Stadium in Yokohama, Japan. Despite only touring five countries, it became Seventeen's most commercially successful tour, with the group making their first stadium appearances in each country. The tour earned Seventeen the Top K-Pop Touring Artist award at Billboard's 31st Billboard Music Awards.
The Right Here World Tour was the group's fifth world tour. It began four months after the conclusion of the previous tour, on October 12, 2024, at Goyang Stadium, in South Korea, and concluded on February 16, 2025, at Rajamangala National Stadium in Bangkok, Thailand. The Right Here tour was the first by the group to not be performed by the whole group from the outset, with Jeonghan beginning his mandatory enlistment in the South Korean military and Jun taking a break from group activities in order to work in China. It became the group's first tour to surpass 1 million tickets sold, including a stadium debut in the United States' BMO Stadium.
During the COVID-19 pandemic, capacity restrictions meant that in-person events could not be held, leading to the cancelation of the second half of the Ode to You World Tour and the entire 2020 Japan Dome Tour. Instead, Seventeen hosted four online concerts, broadcast in real time via Weverse. The first concert, titled "In-Complete", was a standalone, while the group's second online concerts were part of the "Power of Love" project, encompassing three unique shows with the same theme. For the Power of Love shows, Jun and The8 were in China and therefore were not present for the performances. The pair did call in via video chat for a portion of the concert, and a pre-recorded performance of "Network Love", with Joshua and Vernon, was included in the broadcast.
Since 2017, Seventeen have held annual fan meetings; concert-like events involving the group performing skits, playing games on stage with each other and with the crowd, and usually performing songs, though fewer than the number of songs performed at a standard concert. Fan meetings held in South Korea have all occurred under the name "Seventeen in Carat Land", named after their fanbase, while fan meetings in Japan have each had a unique name and theme.
In the 2023 and 2024 editions of "Seventeen in Carat Land", each member of the group has performed a dance cover of "songs that don't suit Seventeen", based on fan suggestions and as punishments for failing challenges. Covers included Woozi performing NewJeans' "Ditto", S.Coups performing Ive's "After Like" and Hoshi performing the theme of Japanese series Hamtaro. In 2024, covers included Wonwoo performing (G)I-dle's "Queencard" and Hoshi performing Riize's "Siren".