Cultural institutions studies

Cultural institutions studies (a translation of the German term Kulturbetriebslehre) is an academic approach "which investigates activities in the cultural sector, conceived as historically evolved societal forms of organising the conception, production, distribution, propagation, interpretation, reception, conservation and maintenance of specific cultural goods".
The cultural sector constitutes an interface between differing social spheres: social structures (classes, genders, ethnic groupings, etc.) interact with cultural formations (forms of expression, styles, values, habits of reception, etc.) and simultaneously overlap with economic interests and political aspects. Cultural institutions studies adopted the aim of overcoming mono disciplinary approaches and has therefore been conceived as amalgamation of cultural studies, social science, economics and political science. Consequently, this new approach investigates cultural goods, processes of meaning and value creation through cultural practices, financing structures, value added formation structures, processes of (de-)institutionalisation, organisational changes in the cultural sector, legal frameworks, cultural policy conceptions and instruments, etc. – each of those topics resulting from a synergetic confluence of forces, conditions, concrete intentions and local constellations.
The German word "Kulturbetrieb" has two major shades of meaning:
This implies that, to deal with and appreciate adequately both collective and individual action, the discipline cultural institutions studies must not only be concerned with aspects of organisational theory but also with questions of social practices, social psychology, occupational sociology, theories of socialisation, gender as well as epistemology. Of central importance is the fact that the macro and the micro levels refer to and mutually influence each other.
Cultural institutions studies investigate the formation of cultural goods and services as well as their transformation into commodities for trade or into cultural industry products. In the pursuit of cultural activities, besides actual production and distribution of cultural goods and services, processes of meaning and value negotiation and the elaboration of preferences and perceptual habits play an important role. Since many cultural activities take place in an almost completely institutionalised setting, cultural institutions studies are also concerned with financing structures, value-added chains, organisational change in the cultural sector, and with legal and cultural policy frameworks. Taking the approach of institutional and organisational theory, cultural institutions studies also investigate processes occurring place within individual companies, as well as certain structural characteristics in cultural management. Aspects of occupational sociology connected with division of labour and integration of different types of activity are also relevant to understanding co-operation of different occupational groups in the cultural sector or in cultural industries.
Although cultural institutions studies has been defined as an "inter-discipline", the following delimitation ought to contribute to further clarification of its profile.
To sum up: The focus on cultural institutions sphere demands a synthesis of cultural, sociological, organizational, and economic methods of analysis and interpretation to create a multi-perspective approach to the relevant issues. However, culture and cultural practices are definitely not an object that may be observed and described from a distant, "scientific" point of view. Cultural issues are matters of public interest and are interwoven with personal and collective identities as well as with normative and political positions. Cultural institutions studies do not claim objectivity and a positivistic analysis. But it is a necessity to embark on a debate about presuppositions of research. This points to the critical philosophical roots of this approach.