davidanugraha/M4-RAG huggingface dataset:
Domhnach na Cruaiche

Tugann na mílte Cruach Phádraig orthu féin ar Dhomhnach na Cruaiche (Garland Sunday nó Reek Sunday), oilithreacht ar an Domhnach deireanach de mhí Iúil go hiondúil. Tugann na hoilithrigh aghaidh ar Chruach Pádraig chun meas a léiriú d'Éarlamh na hÉireann trí aifreann a léamh ar mhullach na cruaiche.
Is gnách go meallann an oilithreacht na mílte duine le tabhairt faoin dúshlán. Tugann roinnt oilithreach aghaidh ar an gCruach cosnochta nó fiú ar a lámha agus ar a nglúine.
Téann an traidisiún siar breis agus cúig mhíle go leith bliain. Fadó Domhnach Crom Dubh a bhí á chomóradh (agus á fhulaingt b’fhéidir) ó dheas ar Chnoc Bhréanainn i gCiarraí, in Iarthar Dhuíbhneach.
Derek Mahon

File Éireannach ab ea Derek Mahon (23 Samhain, 1941 - 1 Deireadh Fómhair 2020). Rugadh i mBéal Feirste é, Tuaisceart na hÉireann.
Saolaíodh é mar an pháiste aonar ag tuistí oibre-aicme Aontachtóireach. Shaothraigh a athair agus a sheanathair ag "Harland and Wolffe" agus d'oibrigh a mháthair ag muileann lín áitiúla. Le linn a chuid pháisteacht, éilíonn sé gur thaithnaigh leis a bheith in a aonar ag aisling, go compordach in a chomhluadar fhéin agus gan bac don na rudaí mórthimpeall air.
Bhí spéis aige sa litríocht ó aois óg, agus d'fhreastail sé ar Bhunscoil Skegoneil agus i ndiaidh sé sin, ar an Institiúid Acadaimh Ríogach Béal Feirste. Ag an dara háit, chas sé le mic léinn eile a raibh an dúl chéine sa litríocht agus an fhilíocht acu fosta. Léirthigh an scoil irisleabhar in a raibh roinnt den luath-filíocht de chuid Mac Mathúna foilsithe. Rinne sé staidéar tríú leibhéal i gColáiste na Tríonóide, áit a bhfuair sé phost mar eagarthóir an nuachtlitir Icarus. Rinne sé cairdeas buaine le filí clúiteacha ansin mar Michael Longley, Eavan Boland agus Brendan Kenelly. Tháinig sé in inmhe mar fhile. D'fhág sé Coláiste na Tríonóide i 1965 chun dul ag staidéar sa Sorbonne i bPáras.
I ndiaidh fhágáil an tSorbonne i 1966 shaothraigh sé a bhealach fríd Ceanada agus Mheireceá. D'fhoilsigh sé a chéad bhailiúcháin filíocht i 1967 den tidil, Night Crossing. Mhúin sé i scoil i mBaile Átha Cliath agus d'oibrigh sé i Londain mar iriseoir saoire. Tá sé ina chónaí i gCionn Sáile, Contae Chorcaí faoi láthair. Ar an 23ú de Mhí Márta, 2007, bhronnú an gradam David Cohen air mar gheall ar a chuid litríocht.
Léannta go cruinn agus le tuiscint ghéar ar thraidisiún na litríochta, tháinig Mac Mathúna amach as scleip Thuaisceart Éireann le glór foirmeálta, measartha agus go fiú srianta sa bhfilíocht. I ré véarsa saoir, scríobh sé go minic i bhfoirmeacha oidhreachta, le leagan fairsinge de pheintiméadar iambach curtha i bhfeidhm aige, cosúil leis an véarsa 'Sprung Foot' le Gerard Manley Hopkins. Bíonn rím ina chuid filíochta. Go fiú ní bhíonn an tírdhreach Éireannach riamh rófhada ón stíl chlasaiceach, cuir i gcás an dán 'Achill':
Bhí tionchar mór aige ar go leor leor filí Éireannacha clúiteacha mar shampla Seamus Heaney, Eavan Boland, agus Éamonn Grennan.
Patron saints of the Hen Ogledd

This is a list of saints associated with the kingdoms of the Hen Ogledd, including Elmet, Rheged, Gododdin, Manaw, Lleuddiniawn and Ystrad Clud.
Saint Kentigern (also known as Saint Mungo) is said to have been the son of a princess of Gododdin, Taneu. He is believed to have died around 612 AD. Taneu became pregnant after being raped by the King of Rheged, Owain mab Urien. Later in Kentigern's life, after his expulsion from Pictland, he was invited to live in Ystrad Clud (Strathclyde). From there it is believed he was one of the first saints to introduce Christianity to Scotland.
The mother of Saint Kentigern, Taneu was a 6th-century Brittonic princess of Gododdin in the 6th century. She was venerated in Medieval Scotland and Wales, especially in the Clwyd and Glasgow. Together with her son, Kentigern, they are the patron saints of Glasgow. She was said to have been thrown from the cliff of Traprain Law after her father discovered she was pregnant, following a rape by Owain mab Urien. She survived the fall and made her way to Culross, where she gave birth to Kentigern.
Saint Ke (or Kea) was a 5th-century saint born in Leuddiniawn (Lothian). He is said to be the son of King Leuddun of Lothian and that he served as a bishop in the Hen Ogledd before he moved to Wales and then to Cornwall. Later, he also travelled to Brittany. He is venerated in these locations. There is a 17th Century church of St Ke located in Saint-Quay-Perros, Brittany.
Saint Patrick lived in Britain in the 5th century. At the age of 16 he was kidnapped by Irish pirates and spent nearly 6 years in Ireland until he escaped and returned to Britain. Later, he became ordained and returned to Ireland, where it is believed that he performed numerous miracles, such as ridding the snakes from Ireland – though this is thought to be an allegory for the subduing of paganism on the island. In some traditions he was born in Glannoventa, modern day Ravenglass in Cumbria, which was then part of the kingdom of Rheged.
Saint Oswald (c. 604 – 642) and Saint Cuthbert (634/635 – 687) as elements of personal names are recorded in many texts originating in the Hen Ogledd with the element 'gos', meaning 'servant of'. Gospatrick, Gosmungo, Gososwald and Goscuthbert all appear as personal names in the 7th century. The form of 'gos' is unique to Cumbric.
In the White Book of Rhydderch there is a mention of a Gospatrick, in the Black Book of Carmarthen there is an alternate spelling, Gosparth.
Chapel

Ur chapel zo ur seurt iliz vihan, ouzhpenn an iliz-parrez, ma c'haller lavarout an oferenn. E Breizh e kaver kalz chapelioù war ar maez dre ma veze rannet ar parrezioù e trevioù alies. Darn eus ar chapelioù a gaver er skolioù, en ospitalioù. Gwechall e veze unan e pep kastell.
Dont a ra eus ar ger latin capella, diwar cappa, "mantell". Kaoz a vefe, a-hervez, eus mantell Sant Varzhin (316 - 397).
Hiziv eo perc'hennet ar chapelioù gant ar c'humunioù dreist-holl, evel an ilizoù-parrez, en abeg da lezenn 1905 he deus tennet digant an Iliz katolik hec'h holl madoù, evel ar presbitalioù, ar skolioù, ha kement 'zo. A-wechoù ez int perc'hentiezh tud prevez (manerioù, kestell) pe an eskoptioù evit ar savadurioù bet savet goude 1905.
Forzh piv a vefe perc'henn warno ez eo ar person, anvet gant e eskob, an hini eo en deus ar gwir da implij ar chapel pe an iliz-parrez, keit ha ma vez lidet ingal en o diabarzh. Ma ne vez mui a lidoù ingal e c'hell ar prefed goulenn digant an eskob ma vefe disakret.
C'hoarvezout a ra muioc'h mui d'ar chapelioù bezañ implijet evel salioù da werzhañ pezhioù-arz (sant Sebastian Lanniliz), da aozañ sonadegoù (Langristin Plougastell), ha zoken da werzhañ traoù evit an douristed (e bro-Leon emañ evel-se pergen er chapelioù evit an Anaon er c'hlozioù-iliz) pe mirdioù (Sant Jozef Lesneven). Lod anezho, e manerioù pe e skolioù 'zo da skouer, a vez implijet evel salioù-levraouegiñ.
Kalz chapelioù a zo bet serret gant ar skolioù bet stadelaet ha gant ar skolioù katolik dindan gevrat gant ar Stad, pe gwerzhet da dud prevez (Chapel ar Gabusined e Landerne a zo mirdi prevez tiegezh Edouard Leclerc e Landerne).
Lod a vez lakaet e gwerzh gant ar c'humunioù dre ma n'he deus ket mui ezhomm an Iliz anezho ha dre ma koustont ker da zerc'hel e stad vat (ar Galon Sakr e Pont-n-Abad).
A feur ma koazh ar relijion gatolik er vro ez a war vihanaat ar pardonioù a vez lidet er chapelioù war ar maez. A-wechoù ne vez mui a bardon rik met hepmuiken ur gouel laikaet mui-ouzh-mui, evel Pardon Duod. Diaesoc'h-diaesañ eo kavout ur chapel digor war ar maez ha zoken da gavout un alc'hwez en ti tostañ d'he gweladenniñ.
Goude an eil brezel-bed oa bet ganet un emsav kreñv a-walc'h da saveteiñ chapelioù 'zo : Breiz Santel. Abaoe e kendalc'h ar gengevredigezh-se gant he roud daoust d'an diaesterioù. Servijoù an douristelezh a ra stad eus ar chapelioù en o bruderezh rak brudet-kaer eo Breizh evit he chapelioù.
Ur chapel zo ivez ur rann eus an iliz gant un aoter. En ilizoù bras, iliz-kador pe iliz-chabistr, e vez alies meur a chapel, ha meur a aoter evit reiñ tu da beb beleg stag ouzh an iliz da lavarout "e" oferenn hag ivez da seveniñ lidoù disheñvel diouzh ar re a vez graet ouzh an aoter vras (e chapel ar Werc'hez Vari da skouer pe e chapel an Anaon, e-lec'h ma veze dibunet ar servijoù evit ar re varv a-wechoù).
E kestell zo e oa bet savet ur chapel ivez.
E pep kouent, e pep kloerdi, ez eus ur chapel. Brudet eo hini ar C'hreiskêr, e Kastell-Paol. Er skolioù prevez kristen ne vezont ket implijet kement-se, pa vez anezho c'hoazh.
En anv meur a gumun e Breizh e kaver an anv chapel.
Capel eo an anv kembraek, a gaver el lec'hanvadurezh.
Chapel santez Barban

Chapel santez Barban zo ur chapel eus ar XV kantved er Faoued, e Kerne.
E fin ar XVvet kantved e oa aet Yann Toullbodou, eil mab Aotroù Lokmalo eus Maner Gwidfoz e Plourae, d'ober un dro chase dre ar vro. En em gavet e oa war douaroù Yann Boutteville, Aotrou ar Faoued. Aze e voe paket dindan ar gurun. Skoet e oa ar reier tro dro dezhañ ha tammoù a bezh eus ar roc'h a-serzh a gouezhe d'an traoñ. Spontet e oa Yann Toullbodou ha krediñ a reas e oa deut an eur evitañ da vezañ kaset gant an Ankou. Pediñ a reas neuze Santez Barban, patromez an tan hag ar gurun, hag eñ prometiñ sevel ur chapel war al lec'h ma oa savetaet e vuhez. A-greiz holl e tavas ar gurun, klevet oa bet pedenn Yann Toullbodou. Feal d'e bromesa e lakaas da vezañ savet ar chapel e traoñ ar roc'h ha kregiñ a reas al labourioù d'ar 6 a viz Gouere 1489. Echu e voe er bloaz 1512. Enskrivet eo gant lizherennoù gotek deiziad penn kentañ al labourioù dindan un delwenn e kroazenn reter ar chapel. Deiziad fin al labourioù zo skrivet ouzh ur vouest-tilsam dalc'het gant un ael ouzh begel-bolz ar chapel.
Pa zegouezher war al lec'h en em gaver gant ar c'hloc'hti diazezet war pevar peul maen. Laret e vez e vez kaset kuit ar gurun pa soner ar c'hloc'h a zo dindan.
Meur a nadoez kinklet gant gargoulioù a weler e nec'h ar chapel. En tour ez eus ur skalier c'hwec'hkornek. Div borrastel a weler e talbenn kornog ar chapel, pep hini o tigeriñ gant div zor. En diabarzh eo douget an doenn gant ur volz maen evel en iliz Kernaskledenn. D'ar mare-se e veze savet bolzoù an ilizoù gant koad peurvuiañ, kentoc'h. Ardramezioù Aotrouien Boutteville ha Toullbodou a weler ouzh meur a skoed ouzh ar volz hag ouzh lod eus ar prenestroù gwer livet. Buhez Santez Barban a vez diskouezet ivez ouzh ar prenestroù gwer livet. En dribunell e kemere plas kerent an aotrouien o doa lakaet da vezañ savet ar chapel.
Ur wenojenn a gas d'ur feunteun sakr en traoñ, war zu ribl ar stêr Elle. Savet e oa bet e 1708 en ur c'hloz karrezek. Er gustod e kaver delwenn Santez Barban. Dibennet e oa bet da vare an dispac'h bras. Hervez ar vojenn e teue ar merc'hed yaouank da deurel un nadoz beg ront er feunteun. Ma kouezhe en toull, dindan ar feunteun e vijent dimezet a-raok fin ar bloaz.
Chapel Itron Varia Kerzevot

Chapel Itron-Varia Kerzevot zo ur chapel lec'hiet e kumun an Erge-Vras e departamant Penn-ar-Bed.
Chapel Kerzevot oa savet evit trugarekaat ar Werc'hez he doa gwarezed parez an Erge-Vras ouzh ar bosenn ha oa o distrujan Eliant.
Chapel Berc'hed (Benoded)

Chapel Perged zo ur chapel lec'hiet e kumun Benoded e departamant Penn-ar-Bed.
Ar chapel zo bet savet e-tro ar XII kantved. Bez' ez eo unan eus an testenioù koshañ eus glad relijiel Breizh. Perged a zegasfe da soñj anv Berc'hed, ur santez iwerzhonat eus ar V kantved.
Ur c'hloz-parrez klok eo, gant ur voger-dro, hag ur volz-enor.
Ar c'hloc'hdi a voe ouzhpennet er XVI kantved. E stil gotek eo.
E-tal ar c'halvar ez eus un delwenn eus sant Laorañs.
Ar garnel deirgwareg a oa bet savet er XVIvet kantved.
Prenestri an talbenn norzh a ziskouez doare dibar an arz roman. Adaozet e oa bet an talbenn su er XVIvet kantved.
Togennoù kinklet a weadurioù mistr. War ar c'hostez su ez eus bet kizellet tudennouigoù dudius war ur golonennig.
E 2000 e oa bet staliet gwerennoù-livet modern gant Kim En Joong.
Lidet e vez ar pardon d'ar 14 a viz Eost.
Chapel Sant Gweltaz (Bizhui-an-Dour)

Chapel Sant Gweltaz zo ur chapel katolik e kumun Bizhui-an-Dour, er Morbihan.
Hervez ar vojenn, ar misioner kembread Sant Gweltaz hag e ziskibl sant Bieuzi a gavas repu eno e 538 en ur vougev lec'hiet war vord ar stêr Blavezh e-kichen Bizhui-an-Dour. Staliet war ur pennhir hag a oa a gozh un oppidom galian ha goude-se vicus roman Sulim lec'h ma oa azeulet an doueez pagan Isis pe Venus. En desped d'o buhez manac'h, an dud tro-war-dro a zeue niverus da welet ar peniti staliet er roc'h. Ouzhpenn-se e teuas menec'h all eus abati Rewiz evit adkavout an abad Gweltaz.
Al lec'h-se a zeuas da vezañ neuze ul lec'h-pediñ. Er XV kantved e teuas ar chapel da vezañ ur prioldi, ur skourr eus abati Rewiz betek ar Reveulzi C'hall. Ar chapel hanter vougeviek a-hiziv a zo bet adsavet kalzik en XIXvet kantved ; adsavet e voe ar voger su da skouer e 1810 ha brasaet ar chapel e 1837 war-zu ar c'hornôg evit kaout un eil tamm dezhi, marteze ar sakristiri.
Vocabulaire breton-français et français-breton du dialecte de Vannes

Vocabulaire breton-français et français-breton du dialecte de Vannes zo ur c'heriaoueg divyezhek, brezhoneg ha galleg el lodenn gentañ, galleg ha brezhoneg en eil, savet gant Aogustin Gwilhevig hag Pier ar Go hag embannet e 1921.
War a seblant e oa graet al levr diwar stagañ an div oberenn-mañ, embannet a-raok ar brezel-bed kentañ:
E 1924 e voe graet an eil embannadur, e Gwened, e ti Lafolye.
A-wechoù e vez droukvesk etre an oberenn-mañ hag an Dictionnaire breton-français du dialecte de Vannes de Pierre de Châlons, adembannet gant Joseph Loth e 1895.
Dictionnaire breton-français du dialecte de Vannes de Pierre de Châlons

An Dictionnaire breton-français du dialecte de Vannes de Pierre de Châlons zo ur geriadur brezhoneg-galleg gant Pierre de Châlons a oa bet embannet e 1723.Adembannet e voe e 1895 gant Joseph Loth en ti-moullañ Oberthur e Roazhon.
E 1996 e voe embannet Le premier dictionnaire vannetais : Pierre de Châlons, 1723, gant Gwennole ar Menn, gant notennoù, e ti Skol.
Rembrandt van Rijn

Rembrandt Harmenszoon van Rijn (15 a viz Gouere 1606 e Leiden - 4 a viz Here 1669 en Amsterdam), anavezet evel Rembrandt (e anv-badez) ken plaen ha tra, a oa ul livour izelvroat, an hini pouezusañ ha labourusañ en arz ar vro, hag en hini Europa. Tost da 400 livadur en deus graet, hag ouzhpenn un 300 tresadenn hag un 300 dourengravadur. Dre ar 100 emboltred graet gantañ e c'haller e heuliañ a-hed e vuhez: didruez e live e roufennoù. Ne liv ket kened na pinvidigezh met kengompren ha kendruez.
Unan eus perzhioù e labour eo implij ar sklaer-ha-teñval a sach ar selloù abalamour da nested al livioù disheñvel. Bevet en deus e-kerzh ar c'hantved aour nederlandat (XVII kantved) pa oa levezon an Izelvroioù en he barr e-keñver pinvidigezh, kenwerzh, sevenadur, skiant ha politikerezh.
Dimezet e oa da Saskia van Uylenburgh, a voe graet meur a boltred anezhi diwar zorn he fried. Evel ma voe graet poltredoù eus e vab Titus hag eus e eil pried, Hendrickje.
Pentateuc'h

Ar Pentateuc'h, pe Al Lezenn, pe Tora ar Yuzevien, eo anv pemp levr kentañ ar Bibl : Geneliezh ; Ermaeziadeg ; Leviegezh ; Niveroù hag Adlezenn.
An droidigezh diwezhañ bet graet e brezhoneg diwar an hebreeg eo hini Pêr ar Gall ha Job Lec'hvien, embannet e 1981 gant An Tour-Tan.
Boedig

Boedig zo un enezenn e Mor Bihan Gwened dirak an Ankl e Sine ha dirak Rogeltaz en Aradon. Stag eo ouzh kumun Sine, ha dezhi 22 zevezh-arat.
Un toullad savadurioù zo, hag ur chapel da Sant Jozeb.
Gwerzhet e oa bet gant an tiegezh Breux-Lelong en 2010 da Olivier Metzner, alvokad eus Pariz, ha difenner Jérôme Kerviel, evit 2,5 milion a euroioù. Adwerzhet eo bet gantañ kent dezhañ en em lazhañ.
Vannes Cathedral

Vannes Cathedral (French: Cathédrale Saint-Pierre de Vannes) is a Roman Catholic church dedicated to Saint Peter in Vannes, Brittany, France. The cathedral is the seat of the Bishop of Vannes.
The present Gothic church was erected on the site of the former Romanesque cathedral. Its construction lasted from the 15th to the 19th centuries; if the length of the existence of the 13th century Romanesque bell tower is included, a total of seven centuries of construction.
The cathedral was declared a basilica minor by Pope Pius IX on 5 June 1870.
The first building was erected around 1020 in Romanesque style. Built out of granite and continuously modified by adding new structures, the cathedral is an extremely composite building. The rebuilding in Gothic style dates mainly from the 15th and 16th centuries. In this period the nave and the ornate gateway at the northern end of the north transept – whose twelve niches, according to Breton custom, were supposed to accommodate the Apostles – were built high. The northern tower is the main remnant of the former Romanesque building, while the vaults and the choir were built between 1771 and 1774.
The horizontal dimensions of the building can be derived from the ground plan. (Data on the heights are not available for the moment). The building is one of the largest on the French Atlantic coast.
The façade was carved in 1857 in a neo-Gothic style. Outside, in front of the central pillar of the large gate, stands a statue of the Dominican friar St. Vincent Ferrer, from Valencia. His activities in the 15th century greatly influenced Christianity in Vannes. The northern façade opens onto the garden of the cloister (ruins from the 16th century) and the Rue des chanoines ("Street of the Canons") through the beautiful portal at the top of the north transept, built in a Flamboyant late Gothic style (1514), and decorated with twelve niches designed to house statues of the twelve apostles. The cross, visible close to the northern façade, dates back to the 15th century and was brought from the cemetery.
During the Middle Ages, the floor of the cathedral had been covered by tombstones. For hygienic reasons, only the tradition of burying the bishops in their episcopal church has been preserved. However, some tombstones have been returned and can be seen today. The cathedral has only retained tombs dating back to the 17th century. Two bishops' tombs can be found in the crypt under the choir.
The building contains the following features:
Positions 9, 10, 11, 13 and 17 are the Blessed Sacrament Chapel (closed to visitors), the Chapel of Our Lady de Pitié, the Chapel in the apse, the Calvary and the Chapel of St. Louis respectively.
In the novels of Alexandre Dumas, the musketeer Aramis appears at one point as Bishop of Vannes and logically must have served in this very cathedral.
Gobrien de Vannes

Saint Gobrien de Vannes was a Breton churchman, nineteenth Bishop of Vannes, in the eighth century. His feast is 10 November.
Gobrien was born around 660. Guy Alexis Lobineau maintains that Gobrien was born in the region of Vannes and trained in religious life in the monastery of Saint-Gildas de Rhuys abbey. Gobrien returned to Vannes, where he was ordained priest and on the death of the bishop, he was elected to succeed.
The standard clichés are told of him. He led a virtuous life, and was heedful of the poor and sick, all while attending to his pastoral duties and his own spiritual life. After seventeen years as bishop, he retired to a hermitage near Josselin, where his body was deposited in the chapel of Saint-Gobrien of Saint-Servant in 735.
According to legend it was necessary to deposit a handful of nails on the tomb, in the chapel and when the nail is rusted, the patient is cured.
Abbey of the Paraclete

The Abbey of the Paraclete (French: Abbaye du Paraclet) was a Benedictine monastery founded by Peter Abelard in Ferreux-Quincey, France, after he left the Abbey of St. Denis about 1121. Paraclete comes from the Greek word meaning "one who consoles" and is found in the Gospel of John (16:7) as a name for the Holy Spirit.
In 1125 Abelard was elected by the monks of the Abbey at Saint-Gildas-de-Rhuys, near Vannes, Brittany, to be their abbot. He turned the Paraclete over to the recently displaced Héloïse, his wife, who had been in a nunnery in Argenteuil before its disbandment by Abbot Suger. The Paraclete was rededicated as a nunnery. Heloise became the Paraclete's abbess and spent the rest of her life there.
She and Abelard were buried together there (Abelard c. 1142, Heloise c. 1164) until 1792, when their remains were transferred to the church of Nogent-sur-Seine nearby. In 1817, their bodies were reportedly moved to a new tomb at Pere Lachaise Cemetery in Paris, but whether they are both actually buried there remains a matter of dispute.
A large part of the abbey was demolished in the French Revolution. The remaining buildings are a barn and a dovecote from the early 17th century, and a conventual building from the 18th century. These are listed monuments, as well as the monument to Héloïse and Abélard. A chapel was built in the early 20th century.
Media related to Abbaye du Paraclet at Wikimedia Commons
48°28′05″N 3°34′13″E﻿ / ﻿48.46806°N 3.57028°E﻿ / 48.46806; 3.57028
Aix-en-Othe

Aix-en-Othe (French pronunciation: [ɛks ɑ̃.n‿ɔt], lit. 'Aix in Othe') is a former commune in the Aube department in the Champagne-Ardennes region of north-central France. On 1 January 2016, it was merged into the new commune Aix-Villemaur-Pâlis. It is the seat of Aix-Villemaur-Pâlis, and of the canton of Aix-Villemaur-Pâlis.
The commune has been awarded three flowers by the National Council of Towns and Villages in Bloom in the Competition of cities and villages in Bloom.
Aix-en-Othe is located in the western part of the department of the Aube, 25 km west of Troyes 30 km and 40 km east of Sens. It is in the Nosle valley: the Nosle is a tributary of the Vanne river. The motorway E54/E511/A5 passes west to east about 2 km north of the commune. The road D374 comes south from the motorway to the town and passes through the commune to Villemoiron-en-Othe. Several other district roads pass through the commune: the D31 from the west and continuing to the north, the D77 and D139 from the south, the D194 from the south-east and the D121 from the east. The nearest railway station is outside the commune about 3 km north of the town near Villemaur-sur-Vanne accessible from the D374 road.
The Nosle stream flows through the commune from the south-east to the north-west and into the Vanne river. There are forests in the south and north of the commune which is mostly farmland. There are a number of hamlets in the commune. These are: La Vove, Le Jarc, Druisy, Pitoite, Les Cornees Alexandre, Les Cornees Lalliat, La Bouillant, Le Mineroy, and Les Chevreux in the southern corner.
List of Successive Mayors of Aix-en-Othe
Aix-en-Othe has twinning associations with:
The inhabitants of the commune are known as Aixois or Aixoises in French.
The commune has many buildings and structures that are registered as historical monuments:
The commune has two religious buildings that are registered as historical monuments:
Olivier Delourme

Olivier Delourme (1660–1729), nicknamed "the architect of Brittany", was a French architect of the "Grand Siècle" renowned for his many achievements still existing, mainly in Morbihan.
Delourme was born in 1660 in the village of Kerpiton (commune of Loyat) to Jean Delourme and Françoise Launay, a family of literate master masons living in a tenant farm. Many family members were court officers, priests or clerics.
Olivier and his brothers (Jean and Mathurin), people with education, decided to be builders and began as masons, then master masons.
Louis XIV having had the Parlement of Rennes transferred to Vannes in 1675, the councillors had private mansions built there, villas then attracting many building workers. Olivier Delourme moved there when he was not yet 25 years old.
He became a materials trader, but also a shipowner and writer of construction treaties.
At the same time, he trained as an architect, then master architect and was gradually recognized for his work.
He was involved in public works, city architecture, religious monuments, and prestigious private residences.
He married Jeanne Caillot, the daughter of one of his companions with whom he settled at the Manoir du Grador and had many children.
He died prematurely in 1729, not seeing the completion of all his projects.
In Vannes, his achievements are numerous, both as master architect designer and master builder of works. He also helped to reduce the gap between these two tasks.
In particular, he was ordered plans for the steps of the old town hall (currently the staircase at the Hôtel de Limur [fr]), as well as the redevelopment of the canal towards the port.
He rebuilt churches like the belltower of the parish church of Saint Gervais - Saint Protais of Saint-Avé, the church of Saint-Gildas-de-Rhuys, and those of Prières Abbey in Billiers, and of Le Mené (now destroyed).
He participated in the work of the Sainte-Croix de Quimperlé abbey [fr]. He was also an architect for the abbeys of the Benedictines Saint-Gildas abbey [fr] housing the Congregation of Saint Maur, then the Sisters of Charity of St. Louis.
In 1727, he provided plans for the present church of Église Saint-Patern de Vannes.
The de Coëtlogon family, which included illustrious military, judicial and religious officers, bought the Château de Loyat in 1676.
René-Charles de Coëtlogon, attorney general-syndic, decided to build a new castle and called on Olivier Delourme as architect, designer and director. The work spread out between 1718 and 1734.
The other main work by Delourme is the Château of Kerguéhennec in Bignan (nicknamed the Breton Versailles). The Hogguer family of St. Gallen, in Switzerland, traders in paintings and finances, investing in Lorient in the French East India Company, called on Olivier Delourme to rebuild Kerguéhennec. But their ephemeral fortune forced them to sell the property to Duke Rohan-Chabot [fr] in 1732.
Charles de La Monneraye

Charles-Ange, Count of La Monneraye (February 3, 1812 in Rennes, Ille-et-Vilaine 1–March 12, 1904 in Vannes, Morbihan) was a 19th-century French soldier, historian and politician, who was deputy for Morbihan at the end of the Second Empire and under the nascent Third Republic, then senator of the same department from 1876.
Son of Admiral Pierre Bruno Jean de La Monneraye and Marie Perrine Jeanne de La Grandière (daughter of Admiral Charles-Marie de La Grandière ). In 1821 he entered the Royal College of Rennes, now the Lycée Émile Zola, then in 1823 he joined the Jesuit College of Sainte-Anne-d'Auray . In September 1828, he brilliantly obtained his admission to the Royal Military School of Saint-Cyr. It will be integrated in November of the same year. During his second year of military training, Charles de la Monneraye was assigned to the Château de Saint-Cloud, then to Rambouillet, in the custody of King Charles X . There he will meet the young Henri d'Artois, Duke of Bordeaux, future Count of Chambord, then 10 years old, whose accession to the throne of France he will later defend. His ranking on leaving Saint-Cyr, in the boot of the top twenty, allowed him to enter the school of the staff, to which he entered theJanuary 1, 1831. He will come out of it ranked 3rd and will begin his military career as a topographer in the army geography service. He will be ranked captain in 1836, only 24 years old.
He had to resign from the army for family reasons in 1839.
Returning to live with his mother at the Château du Clyo, in Caro in Morbihan, Charles de la Monneraye devoted himself to the management of the family agricultural estate and to the study of the dolmens which dot the department and the Breton region. An archaeologist, he was one of the first scholars to be fascinated by these mysterious stacks of stones, of which we still knew nothing or very little. For several years, he will list them carefully, comparing them, describing them, measuring them and drawing them.
He also embarked on the study of the religious heritage of Brittany from the 11th and 12th centuries. He published his first essay devoted to this subject in 1849: “Essay on the history of the religious architecture of Brittany during the duration of the 11th and 12th centuries”. This work was rewarded with a gold medal from the Institut de France.
In 1883, he published another historical essay noticed by his contemporaries: "The ancient and historical geography of the Armorican peninsula". This work, as well as these following scientific works on "the origins of the French population", will earn him access to the vice-presidency of the Société Polymathique de Morbihan in 1888 11 . He will refuse the presidency for lack of time to devote to it.
Dalle de verre

Dalle de verre, from French: "glass slab", is a glass art technique that uses pieces of coloured glass set in a matrix of concrete and epoxy resin or other supporting material.
The technique was developed by Jean Gaudin in Paris in the 1930s. Slabs of coloured glass, 20 centimetres (7.9 in) to 30 centimetres (12 in) square or rectangular and typically up to 3 centimetres (1.2 in) thick, are shaped by breaking with a hammer or cutting with a saw. The edges of the resulting pieces may be chipped or faceted to increase the refraction and reflection effects.
The pieces are laid out to a design, similar to traditional stained-glass work. The pieces are laid on a bed of sand, bounded by a wooden casting frame. A matrix material is poured between the glass pieces and allowed to dry, typically requiring 24 hours to harden. The resulting solid panel is quite durable and appropriate for architectural settings or outdoor panels.
The use of thicker glass produces deeper colour effects than traditional lead came stained-glass, especially when illuminated by bright natural or artificial light.
The technique achieved prominence in the stained glass literature of the 1950s and 1960s.
Originally, concrete was used as a matrix, which means that older pieces will be structurally unsound and require renovation. Today, modern technology has created appropriate solutions: An epoxy resin was created with the same expansion rate as the glass. This resin is now used as a matrix instead of concrete. This has solved all structural issues.
Dalle de verre was brought to the UK by Pierre Fourmaintraux who joined James Powell and Sons (later Whitefriars Glass Studio) in 1956 and trained Dom Charles Norris in the technique. Norris was a Benedictine monk of Buckfast Abbey who went on to become arguably the most prolific British proponent of dalle de verre. His work is incorporated in several Modernist listed Catholic churches.
Other notable dalle de verre artists who have worked in the UK include Gabriel Loire, John Baker and Henry Haig. The latter designed the narthex windows at Clifton Cathedral.
Kécap

Kécap nyaéta ngaran deungeun sangu anu éncér kawas cai, warnana cikopi lekoh, di jieunna tina kacang kedelé jeung rasana aya nu asin aya nu amis. Aya sabaraha pengertian yén kécap téh nyaéta cairan hasil ferméntasi bahan nabati atawa héwani anu miboga protéin luhur di jero larutan uyah. Kécap boga warna coklat kolot, kaangseu has, rasa asin sarta bisa ngasedapkeun rasa masakan. Bahan baku kecap nyaéta kedelé atawa lauk rucah. Anu panglobana dikokolakeun jadi kécap nyaéta kedelé.
1. Jahé dipotongan, dikumbah, saterusna digiling nepi ka ancur (unggal 1 liter cairan kecap merlukeun 40 gram jahé).
2. Laja dikumbah, saterusna digiling nepi ka ancur (unggal 1 liter cairan kecap merlukeun 40 gram laja), sarta
3. Kayu manis dipotong leutik-leutik (unggal liter cairan kecap merlukeun 40 gram laja), sarta
4. Kayu Manis dipotong leutik-leutik (unggal liter cairan kecap merlukeun 20 gram Kayu manis). Gula beureum sarta samara kasebut dibungkus kalayan 2 lapis lawon, diikat sarta dibéré tali.
Cairan kécap (anu nomer 1 atawa nomer 2) ditambah jeung cai (unggal liter cairan kecap ditambah kalayan 1,5 liter cai). Cairan dikulub nepi ka ngagolak. Sanggeus éta seuneu dileutikkeun saukur ngajaga sangkan cairan tetep ngagolak. Samara kecap amis anu geus dibungkus di luhur dicelupkan ka dina cairan anu ngagolak sarta digoyang – goyangkeun. Cairan diadukeun salila 2-3 jam nepi ka volume jadi satengah ti mimitina. Nepi ka pemanasan réngsé dipigawé, samara anu terbungkus lawon kasa tadi tetep aya di jero cairan anu keur dimasak. Kecap anu dihasilkeun nyaéta kecap amis. Sabot masih panas, kecap amis ieu disaring kalayan 2 lapis lawon saring.
1. Gula beureum dipotong, sarta digiling nepi ka lemes (unggal liter kecap merlukeun 500 gram gula beureum),
2. Jahé dipesék, dikumbah, saterusna digiling nepi ka ancur (unggal 1 liter cairan kecap merlukeun 40 gram jahé),
3. Laja dikumbah, saterusna digiling nepi ka ancur (unggal 1 liter cairan keca merlukeun 40 gram laja), sarta
4. Kayu Manis dipotong laleutik (unggal liter cairan kecap merlukeun 20 gram Kayu manis). Gula beureum sarta samara kasebut dibungkus kalayan 2 lapis lawon, diikat sarta dibéré tali.
Cairan kecap (anu nomer 1 atawa nomer 2) ditambah jeung cai (unggal liter cairan kecap ditambah kalayan 1,5 liter cai). Cairan dikulub nepi ka ngagolak. Sanggeus éta seuneu dileutikkeun saukur ngajaga sangkan cairan tetep ngagolak. Samara kecap asin anu geus dibungkus di luhur dicelupkeun kana cairan anu ngagolak sarta digoyang-goyangkeun. Cairan diaduk terus-terusan salila 2–3 jam nepi ka volume jadi satengah ti mimitina. Nepi ka pamanasan réngsé dipigawé, samara anu geus dibungkus lawon kasa tadi tetep aya di jero cairan anu keur dipasak. Kécap anu dihasilkeun nyaéta kécap asin. Sabot masih panas, kecap asin ieu disaring kalayan 2 lapis lawon saring.
Kecap anu geus tiis dikemas di jero botol, saterusna ditutup rapet sarta dibéré label.
Cempor

Cempor nyaéta alat pikeun nyaangan rohangan anu maké bahan bakar minyak keletik, damar atawa minyak tanah. Biasana disebut ogé minangka lampu témpél. Bahanna dijieun tina kaléng atawa botol kaca. Dipakéna bisa diteundeun dina méja atawa biasa ogé dicantélkeun kana paku dina bilik atawa bata.
Péso

Péso (basa Hormat: Landepan) nyaéta parabot pikeun karat-keureut dijieunna tina beusi maké seuseukeut waja. Aya sababaraha jenis péso dumasar kana fungsina di antarana:
Sangkan péso gancang seukeut, gosokkeun batu apung pikeun ngasah péso jeung minyak, ulah ku cai, cara éta pisa ngajadikeun péso gancang seukeut .
Tenis Meja

Ténis méja nyaéta salah sahiji tina cabang olahraga kaulinan, nyaéta mangrupa kaulinan anu ngagunakeun bola leutik. Ténis méja mangrupa hiji kaulinan nu nggunakeun méja keur lapanganna nu diwatesanan ku jaring (nét) nu ngagunakeun bola leutik nu dijieun tina celluloid jeung maénna ngagunakeun panggebug atawa disebut bét.
Ténis méja mimiti dipakawanoh di nagara Indonésia kira-kira taun 1930. Nalika éta kaulinan ténis méja ngan dilakukeun ku urang Walanda wungkul keur ngeusian waktu kosong atawa pikeun rékréasi di balé panglawungan. Jadi bisa disebutkeun yén kaulina ténis méja mangsa harita tacan dipikawanoh ku masarakat Indonésia. Ti mana asal kaulinan ténis méja nepi ka ayeuna tacan dipikanyaho sacara pasti. Kitu ogé iraha mimiti dipaénkeun jeung saha nu mimiti maénkeunana. Aya nu boga pamadegan yén kaulinan ténis méja asalna ti bangsa Iran, sabab kaulinan ieu minangka kaulinan zaman purba nu ngagunakeun kai keur alat panggebugna sedengkeun bolana dijieun tina usus sato anu dieusian ku udara. Tapi urang Perancis ngadebatkeun minangka hak ciptana ku nyebutkeun yén dina abad ka-12 di Perancis geus dipikawanoh jeung dipikaresep ku bangsana kaulinan nu ngagunakeun bola digebug ku leungeun. Aya ogé nu boga pamadegan yén diahir abad ka-19 dumasar kana data nu dikumpulkeun di perpustakaan, dipikanyaho yén mangsa harita perwira ti ketentaraan di daérah jajahan Inggris di benua Afrika Selatan, geus nyobaan kaulinan ténis méja, hiji kaulinan nu digunakeun pikeun hiburan. Éta kaulinan dilakukeun di luhureun méja, di tengah-tengahna dipasang jarring nu dijieun tina sapatu tentara. Sedengkeun nu digunakeun minangka panggebug nyaéta sapotong kai nu lébar, nu dijieun siga rakét ténis jeung bolana nyaéta bola ténis. Numutkuen I Wayong, kaulinan ténis méja téh anak bungsu ti kaulinan tenis jeung bulu tangkis. Dina taun 1990 kaulinan ténis méja mimiti sumebar ka nagara-nagara Eropa Barat, Eropa Tengah, jeung Amérika. Sedengkeun ka nagara Asia, nyaéta Thiongkok jeung Jepang. Tuluy aya hiji gagasan pikeun ngabentuk Féderasi Ténis Méja Internasional (taun 1990) nu dipikawanoh ku ngaran International Table Tennis Federation nu disingget ITTF nu disponsoran ku Lekman, jalma kabangsaan Jerman. Féderasi ténis méja di Asia ngadeg taun 1952 nu ngarana Table Tennis Federation of Asia nu disponsoran ku S.S. de Millo jeung Mr.Rangga Ramajan.
Kecap barang

Chawnima barang nyaéta kecap anu bisa nyicingan tempat jejer atawa obyék (pangrandap) dina kalimah. Contona dina kalimah Arip keur maca buku, kecap Arip (jejer) jeung buku (obyék) dina éta kalimah mangrupa kecap barang.
Ari ciri-ciri kecap barang di antarana:
Nurutkeun hartina kecap barang téh nyaéta kecap anu nuduhkeun barang atawa ngaran anu dianggap barang. Terus baé aya istilah kecap barang kongkrit (nyata) jeung kecap barang abstrak (ciciptan).
Biliar

Biliar(notog bola), olahraga ieu ogé dipikawanoh jeung sebutan “bal sodok”. Istilah biliar awlna ti basa Perancis bille anu hartina “iteuk” atawa “stik”. Cara kaulinanana nyaéta notog bola di luhur méja segiopat nu aya liangan sarta iteuk nepi ka ngeunaan bal séjén sarta asup kana liangna. Cabang Olahraga ieu, leuwih dipikawanoh kalayan billiard. Kiwari manéhna ogé loba kapanggih di dayeuh-dayeuh badag. Nu mikaresepna cukup loba utamana kaom lalaki. Aya sawatara jinis notog bola. Aya anu ngagunakeun 3 bal, aya ogé anu nagagunakeun 15 sarta 21 bal. Bal-bal kasebut disimpen dina luhur méja. Dina bal sodok 3 bal, méjana teu miboga legok. Anu séjén méjana miboga 6 siki legok, nyaéta 4 di juru méja anu ngawangun opat sagi panjang, sarta 2 di tengah sisi panjang méja kasebut. Jenis olahraga notog bola anu kiwari loba dicoo jelema nyaéta anu maké 15 bal. Bola éta dibéré nomer urut nepi ka 15. Bal panakolna boga warna bodas sarta euweuh nomeran. Lamun bola bodas ieu diitung, jumlahna bola sakabéhna aya 16 siki. Biliar dicoo mimiti di Inggris sarta Perancis dina abad ka-15. Kaulinan ieu miboga kasaruaan jeung croquet, nyaéta olahraga anu ngadorong-dorong bal ku kai pikeun diasupkeun kana gawang lapang héjo. Dina waktu saabad, biliar geus ngembang kalayan pesat. Ayeuna, biliar mibanda ragem kaulinan mangrupa carom, pocket (pool), sarta snooker. Sedengkeun kajuaraann biliar di Amérika lumangsung nu mimiti dina 1859.
Dina awalna, kaulinan biliar di Indonésia ngan mikawanoh kaulinan kalayan 3 bal. Biliar 15 bal kakara dipikawanoh Indonésia taun 1960-an. Dina mangsa éta, biliar masih dicoo pikeun dipikaresep hungkul sarta can dijadikeun minangka olahraga. Kaulinanana ogé kawates dina golongan tengah sarta golongan luhur waé. Biliar anyar dipikaresep ku golongan réa dina taun 1970-an. Kaulinan ieu dijadikeun minangka cabang olahraga sanggeus pembentukan Persatuan Olahraga Biliar Sakumna Indonésia (POBSI) dina 9 Okrober 1953 di Jakarta.
Karen's Diner

Karen's Diner is an Australian-American chain of theme restaurants. The restaurant is known for advertising a deliberately unpleasant dining experience, and staff are instructed to insult customers throughout their meal. The restaurant's name came from the internet slang term Karen, used to describe an older white woman perceived as entitled or excessively demanding.
The chain was established in Sydney, Australia in 2021 by Aden Levin and James Farrell. It is a theme restaurant based around the concept of an unpleasant dining experience where customers pay for employees to insult them. The restaurant was originally planned to be a six-month pop-up restaurant at World Square. The restaurant's concept initially drew a mixed response, raising concerns about whether the environment of mutual insults could expose employees to abuse by customers.
The name Karen's is a reference to the use of the name Karen in internet memes to describe a stereotypically rude or entitled middle-aged white woman. Staff are instructed to put on an abrasive persona and comically ridicule customers during their meal. Customers are expected to return this behaviour by acting rudely towards the staff. However, customers and staff are prohibited from using insults based on racism, sexism or homophobia. Many of these exchanges include profanity, and people under the age of 16 must be accompanied by adults. Patrons who have ID showing that their name is Karen can receive a free drink.
The restaurant is based around American diners in the 1950s, and the menu features hamburgers and chicken wings. It became a popular source of content for social media, particularly on platform TikTok, as customers posted videos of their interactions with staff. The chain has opened locations in the United Kingdom, the United States, Indonesia, and New Zealand. The chain expanded to New Zealand, opening a restaurant in Mount Eden in August 2022.
In August 2022, the restaurant drew controversy after a video allegedly showing a staff member at a Brisbane location behaving inappropriately went viral on TikTok. In the video, the server makes inappropriate remarks about an underage patron and accuses her father, who was dining with her, of being a pedophile. A spokesperson for the chain claimed that an investigation had been launched and that stricter training protocols would be introduced in response.
In May 2023, Viral Ventures (Australia), a company which owned most of the chain's Australian restaurants, went into liquidation. In July 2023, Viral Ventures NZ also went into liquidation.
Relaciones Costa Rica-Uruguay

Las Relaciones Costa Rica-Uruguay se refieren a las relaciones bilaterales entre la República de Costa Rica y la República Oriental del Uruguay. Ambas naciones son miembros de la Comunidad de Estados Latinoamericanos y del Caribe, Grupo de los 77, Naciones Unidas, Organización de Estados Americanos y la Organización de Estados Iberoamericanos.
Durante la colonización española, ambas naciones formaron parte del Imperio español. Durante el período colonial español, Costa Rica fue gobernado por el Virreinato de Nueva España en la Ciudad de México, mientras que Uruguay fue parte del Virreinato del Río de la Plata y se administró desde Buenos Aires. En 1828, Uruguay obtuvo su independencia después de la Guerra del Brasil. En 1841, Costa Rica obtuvo su independencia después de la disolución de la República Federal de Centro América. En 1907, ambas naciones establecieron relaciones diplomáticas.​
Las relaciones bilaterales entre ambas naciones han tenido lugar principalmente en foros multilaterales. En enero de 2015, el presidente uruguayo José Mujica realizó una visita a San José para asistir a una cumbre de la Comunidad de Estados Latinoamericanos y Caribeños.​ En noviembre de 2019, el presidente de Costa Rica Carlos Alvarado Quesada realizó una visita a Uruguay y se reunió con el presidente Tabaré Vázquez.​
Ambas naciones han firmado varios acuerdos como un Acuerdo Comercial (1956); Convenio de Cooperación Científica y Cultural (1971); Acuerdo de Cooperación entre ambas naciones Ministerio de Relaciones Exteriores (1992); Convenio de Cooperación Turística (1997); Convenio de Cooperación Científica, Tecnológica y de Innovación (1998); Memorándum de Entendimiento para el Establecimiento de Consultas Políticas (2002); y un Memorando de Entendimiento sobre Pequeñas y Medianas Empresas (2002).​
En Flandes se ha puesto el sol

«En Flandes se ha puesto el sol» es una obra de teatro en verso del escritor español, nacido en Barcelona, Eduardo Marquina, estrenada el 27 de julio de 1909 en el Teatro Urquiza de Montevideo. En España se representó por primera vez el 18 de diciembre de 1910 en el Teatro de la Princesa, de Madrid.​
Compuesta de cuatro actos, En Flandes se ha puesto el sol ha sido considerada la obra que marca el apogeo del teatro nacionalista.​
Marquina plantea la rivalidad entre dos conceptos de patria, la que tenía de herencia y la que pasa a ser suya con su matrimonio.​
La obra fue traducida al francés con el título En Flandre le soleil s'est couché por el escritor belga Prosper-Henri Devos.​
Diego Acuña de Carvajal, capitán de los tercios españoles en Flandes, se casa con Magdalena, una belga con la que vivirá entre la población de la región, y por ello, entre enemigos de su patria. Después de la derrota española en la Guerra de los Ochenta Años, la única esperanza vital de Diego se centra en su hijo hispanoflamenco: Albertino.
En Uruguay, se estrenó la obra el 27 de julio de 1909 en el Teatro Urquiza, de Montevideo. ​
En España, el estreno de la obra tuvo lugar en el Teatro de la Princesa de Madrid, el 18 de diciembre de 1910,​ con María Guerrero, Fernando Díaz de Mendoza, Emilio Thuillier, Josefina Blanco, Consuelo Salvador, María Cancio, Catalina Bárcena y Felipe Carsi.
La pieza se volvió a representar en 1961 en el Teatro Español de Madrid, dirigida esa vez por José Tamayo y con interpretación de Carlos Lemos, Luisa Sala, Fernando Guillén y Javier Loyola.
Kristen Visbal

Kristen Visbal (Montevideo, 3 de diciembre de 1962) es una escultora uruguaya radicada en Lewes, Delaware, Estados Unidos.​
Se especializa en la antigua técnica de moldeo a la cera perdida.​ Visbal nació en Montevideo, Uruguay, donde su padre estadounidense trabajaba como diplomático para el United States Foreign Service. Asistió a la Universidad de Arizona en Tucson,​​ la Universidad de Maryland en Baltimore y la Universidad de Salisbury, graduándose como bachiller en esta última en 1995.
Su obra más reconocida de arte público es Fearless Girl (2017), instalada temporalmente en el parque Bowling Green del Distrito Financiero de Manhattan.​ Es una figura de bronce de 1,27 m y 1,300 mm de espesor, que representa a una niña que mira desafiante al Toro de Wall Street, símbolo del poder financiero de Wall Street. Visbal dijo sobre su obra "La pieza tiene un punzante poder femenino".​
Premio Golden Foot

El premio Golden Foot es un galardón futbolístico creado por un comité administrativo de la compañía World Champions Club, ubicada en Mónaco.​​ Este galardón premia a todos aquellos futbolistas mayores de 29 años que mantienen una exitosa carrera.​
En la categoría Golden Foot Legends figuran todos los campeones retirados que destacan por sus grandes logros tanto a nivel humano como deportivo seleccionados por el Comité Golden Foot a lo largo de los años. También sus huellas vivirán hasta la eternidad en la “Promenade des Champions” (caminata de campeones) de Montecarlo.
Golden Foot Prestige es el premio instituido en 2020, dedicado a un presidente de club en actividad, distinguido por los resultados alcanzados con su equipo.
Estadísticas hasta el 1 de noviembre de 2024.
Estadísticas hasta el 1 de noviembre de 2024.
Unión de Surf del Uruguay

La Unión de Surf del Uruguay (USU), es una organización deportiva uruguaya de surf y todas sus disciplinas. Fue fundada en 1990.
Un grupo de surfistas se agrupa en 1990, conscientes del crecimiento del deporte en el Uruguay. Su primera prensentación como equipo fue en el Panamericano de Isla Margarita en Venezuela. Es reconocida por la Secretaría Nacional de Deporte de Uruguay, el Comité Olímpico Uruguayo, el Ministerio de Turismo, por las más importantes federaciones deportivas internacionales, la Asociación Internacional de Surf (ISA) y regionales, la Asociación Panamericana de Surf (APAS). La USU es encargada de organizar: el Circuito Nacional de Surfing,​ el Equipo Nacional de Surfing y la realización y organización de todos los eventos relacionados con el surfing.​
Las categorías en las que se compiten son: Open Primera División Profesional, Open Segunda División Amateur, Open Damas, Junior Mundialista (sub-18 y sub-16) hombres y damas, Pequeños Sufistas Grandes Campeones (s10 - s12 -s14) hombres y damas, Másters (+35) hombres y damas, Longboard hombres y damas, Longboard sub-18 hombres y damas, Stand Up Race, Stand Up Surf y Bodyboard.
Algunas de las playas donde ser realiza el Circuito Nacional de Surf en Uruguay son: Playa La Balconada, Playa Montoya, Playa el Emir,​ Playa Brava, entre otras.​​
Su actual director es Federico Deal.​​