davidanugraha/M4-RAG huggingface dataset:
Nasi kuning (Indonesia)

Nasi kuning adalah makanan khas Indonesia. Makanan ini terbuat dari beras yang dimasak bersama dengan kunyit serta santan dan rempah-rempah. Penambahan bumbu-bumbu dan santan membuat nasi kuning lebih gurih daripada nasi putih.
Nasi kuning adalah salah satu variasi dari nasi putih yang sering digunakan sebagai tumpeng. Nasi kuning biasa disajikan dengan berbagai lauk-pauk khas Indonesia.
Selain di Indonesia, variasi nasi kuning juga ada di Malaysia. Di Terengganu, nasi kuning disajikan dengan gulai ikan tongkol, sementara di Sabah, nasi kuning dipadukan dengan sambal ikan tongkol.
Di Filipina, hidangan nasi kuning ada di Mindanao, khususnya di kalangan Suku Maranao, yang dikenal sebagai kuning. Hidangan serupa juga ditemukan dalam hidangan Sri Lanka yang dikenal sebagai kaha buth.
Seperti di Indonesia yang menggunakan kunyit sebagai bahan pembuatan nasi kuning, nasi kuning di Filipina ditambahkan bahan serai, tetapi tidak menggunakan santan.
Proses pembuatan nasi kuning diawali dengan mencuci dan merendam beras, kemudian dimasak bersama santan, kunyit, daun salam, serai, dan garam menggunakan metode pengukusan atau menggunakan penanak nasi hingga matang. Setelah matang, nasi diaduk agar teksturnya merata sebelum disajikan. Nasi kuning umumnya disajikan dengan berbagai lauk pendamping, seperti ayam goreng, telur dadar, kering tempe, abon, dan sambal goreng, serta dilengkapi dengan irisan mentimun dan kerupuk.
Berdasarkan cita rasa nasi kuning yang khas, lauk dan sajiannya yang unik, berikut ini merupakan ragam nasi kuning Nusantara dari masing-masing daerah, yaitu:
Dalam tradisi di Indonesia warna nasi kuning melambangkan gunung emas yang bermakna kekayaan, kemakmuran serta moral yang luhur. Oleh sebab itu nasi kuning sering disajikan pada peristiwa syukuran dan peristiwa-peristiwa gembira seperti kelahiran, pernikahan dan tunangan.
Dalam tradisi Bali, warna kuning adalah salah satu dari empat warna keramat yang ada, di samping putih, merah dan hitam. Nasi kuning oleh karena itu sering dijadikan sajian pada upacara kuningan oleh masyarakat Indonesia.
Ekspresi wajah

Ekspresi wajah, raut wajah, air muka, atau mimik adalah hasil dari satu atau lebih gerakan atau posisi otot pada wajah. Ekspresi wajah merupakan salah satu bentuk komunikasi nonverbal, dan dapat menyampaikan keadaan emosi dari seseorang kepada orang yang mengamatinya. Ekspresi wajah merupakan salah satu cara penting dalam menyampaikan pesan sosial dalam kehidupan manusia, tetapi juga terjadi pada mamalia lain dan beberapa spesies hewan lainnya.
Manusia dapat mengalami ekspresi wajah tertentu secara sengaja, tetapi umumnya ekspresi wajah dialami secara tidak sengaja akibat perasaan atau emosi manusia tersebut. Biasanya amat sulit untuk menyembunyikan perasaan atau emosi tertentu dari wajah, walaupun banyak orang yang merasa amat ingin melakukannya. Misalnya, orang yang mencoba menyembunyikan perasaan bencinya terhadap seseorang, pada saat tertentu tanpa sengaja akan menunjukkan perasaannya tersebut di wajahnya, walaupun ia berusaha menunjukkan ekspresi netral. Hubungan perasaan dan ekspresi wajah juga dapat berjalan sebaliknya, pengamatan menunjukkan bahwa melakukan ekspresi wajah tertentu dengan sengaja (misalnya: tersenyum), dapat memengaruhi atau menyebabkan perasaan terkait benar-benar terjadi.
Sebagian ekspresi wajah dapat diketahui maksudnya dengan mudah, bahkan oleh anggota spesies yang berbeda, misalnya kemarahan dan kepuasan. Namun, beberapa ekspresi lainnya sulit diartikan, misalnya ketakutan dan kejijikan kadang sulit dibedakan. Selain itu, kadang-kadang suatu wajah dapat disalahartikan mengalami emosi tertentu, karena susunan otot-otot wajah orang tersebut secara alami menyerupai wajah seseorang yang mengalami ekspresi tertentu, misalnya wajah seseorang yang tampak selalu tersenyum.
Smiley

Smiley (terkadang disebut wajah bahagia atau wajah tersenyum) adalah sebuah representasi khas dari wajah humanoid tersenyum yang merupakan sebuah bagian dari budaya populer di seluruh dunia. Bentuk klasiknya yang dirancang oleh Harvey Ball pada tahun 1963 terdiri dari sebuah lingkaran kuning dengan dua titik hitam mewakili mata dan lengkungan hitam mewakili mulut () Smiley juga dikaitkan dengan budaya rave pada akhir 1980an dan awal 1990an.
Awam Prakoso

Mochammad Awam Prakoso better known as Kak Awam or Awam Prakoso (b. Blora, Indonesia, 18 May 1973) is a storyteller from Indonesia. Kak Awam is also known as a TV emcee. In 2013 he broke the record for the longest non-stop storytelling (8 hours) at Museum Rekor Dunia Indonesia (Muri). He earned awards as a Young Observer of children from Kak Seto Mulyadi at Grand Indonesia Shopping Town, Jakarta.
Awam Prakoso had an active role in the art world and theater. In 1992, he joined Sanggar KUMMIS (Kumpulan Mahasiswa Muhammadiyah Insan Seni) under the auspices of the campus STIE Ahmad Dahlan Jakarta. Awam appeared in a music video for the song "Abiy" by Haddad Alwi and Sulis in the album Cinta Rasul 5.
He began storytelling in 1999. He appeared across Indonesia and expanded to international storytelling for children. He gave a seminar and provided training for teachers and parents.
He published 25 Cerita Kampung Dongeng and recorded storytelling videos Petualangan Ayam Jago, Cerita Anak Islami, Air Sahabat Anak, Aku Anak Hebat, Tutorial Mendongeng. His albums include Juga karya 2, Lagu Anak berjudul, and Mendongenglah and Album Aku Anak Hebat. Awam built Kampung Dongeng to enrich imagination for kids in South Tangerang,
Ibu Kasur

Sandiah, also known as Ibu Kasur (January 16, 1926 – October 22, 2002), was an Indonesian artist, television presenter, and educator.
Together with Pak Kasur, she hosted the Taman Indria program on TVRI. When private television appeared in the early 1990s, Ibu Kasur appeared in the Hip Hip Ceria quiz show on RCTI.
She founded Mini Kindergarten in Jakarta in 1965. Some famous Mini Kindergarten graduates are former presidents Megawati Soekarnoputri, Guruh Soekarnoputra, Hayono Isman, and Ateng Wahyudi.
Ibu Kasur is also known as a songwriter for children. Her works include My Cat, Clap your hands, and Play Hide. Ibu Kasur was a frequent speaker at seminars related to children. She also led the Setia Balita Foundation, which has five kindergartens in Jakarta and was the editor of a section of the children's magazine Bocil.
Ibu Kasur died at Cikini Hospital cause of a stroke attack on 22 October 2002. She was buried next to Pak Kasur's grave in the village of Kaliori, Kalibagor, Banyumas, Central Java.
Sandiah met her husband as they were both members of Indonesian Scouts. They were married in Yogyakarta on 29 July 1946.
Zivanna Letisha Siregar

Zivanna Letisha Siregar (born 16 February 1989) is an Indonesian talk show host, book writer, philanthropist, model and beauty pageant titleholder who won Puteri Indonesia 2008, She represented Indonesia at Miss Universe 2009 Pageant in Atlantis Paradise Island, Nassau, Bahamas, where she didn't make the Top 15, but she won the "Miss Popularity" award.
Born in Jakarta, Indonesia, with the Batak and Sundanese background from her parents, She is the former winner of Elite Model Look Indonesia, and competed in Elite Model Look Asia Pacific 2006 in China. On 2007, She is finishing her High School at Al-Izhar Pondok Labu - Jakarta. She hold the Bachelor of Economics from University of Indonesia.
She is currently working as a news presenter on Indonesian TV station NET.TV and she eager to become a movie star. There have been some offers, but she has rejected them because she doesn't like the roles.
Beside work as a presenter, on 2 September 2012 Zivanna was chosen as the "Ambassador for Orangutans", visiting the Orangutan Foundation International’s - Orangutan Care Center and Quarantine in Pasir Panjang as well as Camp Leakey in Tanjung Puting National Park to publicize the plight of wild orangutan populations and their habitat, tropical rain forest, in Sumatra and Borneo. During her visit she interviewed Dr. Birute Galdikas, President of OFI, for television. Zivanna is fluent in both Indonesian and English.
Zivanna is also work as a content and book writer published by Elex Media Komputindo, known to have just completed her second book titled "Trik Juara Mengatur Waktu (Champion Trick to Set a Time)" which was released on April 22, 2016. Previously, she also released her first best selling book in 2013 "Buku Pintar Cewek Juara (Guide Book of a Woman Champion)".
On 21 February 2016, She is married to Indonesian businessman Haries Argareza Harahap in Dharmawangsa Hotel - Jakarta. and giving birth her only son, Ryoji Ibrahim Harahap in November 16, 2017. On 18 July 2018, President of Indonesia - Joko Widodo, appointed Zivanna to be a Pendet dancer, wearing traditional Balinese dress, for the opening ceremony of 2018 Asian Games torch relay in Grobogan Regency, Central Java - Indonesia.
At the age of 19, Zivanna started her world of pageantry by joining the 13th edition of Puteri Indonesia beauty pageant. She represented Jakarta SCR 6 in the Puteri Indonesia 2008 pageant, and was crowned on 15 August 2008 succeeding her predecessor, Putri Raemawasti of East Java, in the Jakarta Convention Center.
Zivanna represented Indonesia in Miss Universe 2009 at the Atlantis Paradise Island, Nassau, the Bahamas. Zivanna was failed to place in the semifinals, but she ended won "Miss Popularity (Fan-vote)" award.
Zivanna has presenting on several variety talk show.
Crazy Awesome Teachers

Crazy Awesome Teachers (Indonesian: Guru-Guru Gokil) is a 2020 Indonesian comedy drama film directed by Sammaria Simanjuntak [id], written by Rahabi Mandra, produced by Dian Sastrowardoyo and Tanya Yuson and starring Gading Marten, Boris Bokir and Kevin Ardilova.
Crazy Awesome Teachers was released on August 17, 2020 on Netflix.
Tanah Lot

Tanah Lot (Balinese: ᬢᬦᬄᬮᭀᬢ᭄) is a rock formation off the Indonesian island of Bali. It is home to the ancient Hindu pilgrimage temple Pura Tanah Lot (literally "Tanah Lot temple"), a popular tourist and cultural icon for photography.
Tanah Lot is in Beraban, Kediri district, Tabanan Regency, approximately 13 kilometers (8 miles) south of Tabanan and 20 kilometres (12 mi) northwest of Denpasar. It sits on a large offshore rock and is only accessible on foot at low tide.
Tanah Lot means "Land [in the] Sea" in the Balinese language. The main deity of the temple is Dewa Baruna or Bhatara Segara, who is the sea god or sea power. These days, Nirartha is also worshipped here.
Tanah Lot is claimed to be the work of 16th-century religious figure Dang Hyang Nirartha, who was significantly influenced by Hinduism and who allegedly spent a night there in the course of his extensive travels in Bali, Lombok and Sumbawa. He is at the origin of the chain of sea temples that surrounds Bali. Each of the sea temples was established within eyesight of the next. Tanah Lot is one of the seven main sea temples, located along the south-western coast
The Tanah Lot temple is close to the Balinese mythology. At the base of the rocky island, venomous sea snakes are believed to guard the temple from evil spirits and intruders. The temple is purportedly protected by a giant snake, which was created from Nirartha's selendang (a type of sash) when he established the island.
In 1980, the temple's rock face started to crumble and the area around and inside the temple was becoming dangerous. The Japanese government then provided a loan to the Indonesian government of Rp 800 billion (approximately US$480 million) to conserve the historic temple and other significant locations around Bali. As a result, over one-third of Tanah Lot's "rock" is actually cleverly disguised artificial rock created during the Japanese-funded and supervised renovation and stabilization program.
According to a 2019 study, Tanah Lot is one of the most visited places in Indonesia, averaging 500,000 visitors each year.
In 2024, entrance tickets cost Rp 30,000 for Indonesian nationals (Rp 20,000 for children 5-10 y.o.) and Rp 75,000 for foreigners (Rp 40,000 for children 5-10 y.o.). Nowadays only Balinese Hindu visitors can climb the stairway to the temple.
To reach the temple, visitors must walk through a set of Balinese market-format souvenir shops which cover each side of the path down to the sea. On the mainland clifftops, restaurants have also been provided for tourists.
The smaller Pura Mas Suka, at the southernmost tip of Bukit peninsula and of Bali, presents the same stunning setting on an off-shore cliff.
Noken

Noken (from Biak inoken) is a traditional Papuan multifunctional knotted or woven bag native to the Western New Guinea region, Indonesia. Its distinctive usage, which involves being hung from the head, is traditionally used to carry various goods, and also children.
In 2012, noken was listed in the UNESCO Intangible Cultural Heritage Lists as a cultural heritage of Indonesia. Women carrying noken are still a common sight in Wamena.
On December 4, 2020, Google celebrated noken with a Google Doodle.
In several areas of Central Papua and Highland Papua, noken – instead of the usual ballot box – is preferred as a way to place ballots, where it is recognized as a ballot tool and system where a big man (primarily chieftains) cast votes for the tribe or noken gantung, where the tribe members and the chief collectively decide to vote unanimously in the regional leadership elections. Opponents to the system has challenged the use of noken as fraught with potential for abuse and have challenged it in the Constitutional Court of Indonesia. The court defended the limited use of noken for avoiding inter-tribal warfare, but ruled that regencies that have used one man, one vote system cannot return to noken system.
For the 2024 election, twelve regencies in Central and Highland Papua used the noken system to some extent, and seven of the twelve regencies used the noken system in all polling stations.
RANS Simba Bogor

RANS Simba Bogor is an Indonesian professional basketball team currently playing in the Indonesian Basketball League (IBL), based in the city of Bogor, West Java. It was formerly known as RANS PIK Basketball and were playing in Pantai Indah Kapuk for the first seasons of the club's existence before its move to Bogor before the upcoming IBL season.
The club's owner is famous Indonesian celebrity Raffi Ahmad and the club's president is also famous Indonesian celebrity Gading Marten.
Farhat Abbas

Farhat Abbas (born 22 June 1976) is an Indonesian celebrity and lawyer who is known for representing celebrities such as Ahmad Dhani, Soimah and Caisar.
Abbas was an unsuccessful candidate in the general election of Regional Head for Kolaka in Southeast Sulawesi in October 2013. In addition, Abbas campaigned as an independent presidential candidate with the slogan "Aku Indonesia." He also ran unsuccessfully as a legislative candidate in the 2014 presidential elections to represent the third electoral district of Jakarta in Senayan.
In 2020, Abbas founded his own political party, the Indonesian Sovereign Nation Party, or Pandai.
In 2002, Abbas married singer Nia Daniati. The couple divorced after 12 years of marriage in 2014. In May 2014, Abbas married widow Ani Muryadi.
Soon after, a woman named Rita Tresnawati went to the National Commission for Child Protection to reveal that Abbas did not recognize his son, Gusti Reyhan Gibayus, despite providing the child's birth certificate, which listed Abbas as the father.
Abbas became involved in controversy when he commented on Twitter regarding the case of car registration imposed by Jakarta's co-government Basuki Tjahaja Purnama (also known as Ahok). Some parties had accused Abbas of racist comments. As a result, Abbas has reported Chairman of the Indonesian Chinese Islamic Association Anton Medan and Intellectual Community of Muda Betawi leader Ramdan Alamsyah to Polda Metro Jaya. Abbas admitted that he made the comments, but denies that he is a racist.
After the conclusion of his case with Jakarta co-government Ahok, Abbas was involved in hostility with Ahmad Dhani's son Ahmad Al Ghazali and El Rumi, due to insulting his father on Twitter. Abbas accepted Ghazali's challenge to a boxing duel. Abbas was also involved in hostility with dangdut singer Soimah, due to her kebaya appearance in @Show_imah. Abbas was further involved in controversy with Arya Wiguna, involving accusations of cheating.
Abbas was alleged to have had an affair with his spokeswoman, Regina Andriane Saputra, the wife of politician Ilal Ferhard.
Tehran International Short Film Festival

Tehran International Short Film Festival (TISFF) is a film festival held in Tehran every year in October with a focus on short films.
The festival was founded in 1983. From 2020 it is a qualifying festival for the Academy Awards and winner of the Grand Prix becomes eligible for the Oscar® consideration.
TISFF started as a special section in the Fajr International Film Festival entitled "8mm and 16mm films” in the years 1979 to 1982.
The 39th Edition of TISFF will be held between 19 and 24 October in Tehran, Iran.
National Competition:
International Competition:
National Competition:
International Competition:
National Competition:
International Competition:
National Competition:
International Competition:
চট্টোপাধ্যায়

চট্টোপাধ্যায় বা চ্যাটার্জী একটি বাঙালি হিন্দু পদবী যা বাঙালি ব্রাহ্মণ বর্ণের সঙ্গে যুক্ত। ব্যানার্জী, মুখার্জী, গাঙ্গুলী, চ্যাটার্জিদের সাথে একত্রে বাঙালি কুলীন ব্রাহ্মণ সমাজ গঠিত, যা বাঙালি বর্ণ ব্যবস্থার সর্বোচ্চ স্তর। তারা কাশ্যপ গোত্রের অন্তর্গত। চ্যাটার্জী হলো ঐতিহ্যবাহী বাংলা চট্টোপাধ্যায় বানানের ইংরেজিকৃত বৈকল্পিক বানান। ইংরেজি ভাষার বানানের মধ্যে রয়েছে চ্যাটার্জি (Chatterjee/Chatarji/Chatterji/Chaterjee/Chatterjea) এবং চট্টোপাধ্যায় (Chattopadhyay/Chattopadhyaya)।
ঠাকুর (পদবি)

ঠাকুর বাঙালি পদবি বা উপাধি, "ঠাকুরমশাই" শব্দটি থেকে সাধিত শব্দ। তদানীন্তন কোন কোন বাঙালি ব্রাহ্মণ পরিবারের যথা, কুশারী অথবা ভট্টাচার্য পদবীবিশিষ্ট লোকদের সম্মান করে ঠাকুরমশাই বলে ডাকার ফলে পরে তা ঠাকুরে রূপ নিয়েছে। উচ্চ আধ্যাত্মিক কোন ব্যক্তিকে শ্রদ্ধা প্রকাশ করে ঠাকুর বলে ডাকা হয়। বিখ্যাত জোড়াসাঁকো ঠাকুর পরিবারের আগের পদবী ছিল কুশারী, পরে তা ঠাকুর উপাধি প্রাপ্ত হয়। রামকৃষ্ণ পরমহংসদেবের প্রকৃত নাম ছিল গদাধর চট্টোপাধ্যায়, কিন্তু ঠাকুর রামকৃষ্ণ পরমহংস নামে তিনি বেশি পরিচিত।
ইংরেজি ভাষায় ঠাকুরকে সাধারণত Tagore বানানে লেখা হয়।
আজিজুর রহমান (চলচ্চিত্র পরিচালক)

আজিজুর রহমান (১০ অক্টোবর, ১৯৩৯ – ১৪ মার্চ, ২০২২) একজন বাংলাদেশী চলচ্চিত্র পরিচালক। পরিচালক এহতেশামের সহকারী হিসেবে তিনি চলচ্চিত্রে কর্মজীবন শুরু করেন। তার পরিচালিত প্রথম চলচ্চিত্র লোককাহিনী নির্ভর সাইফুল মুল্‌ক্‌ বদিউজ্জামাল (১৯৬৭)। তিনি অশিক্ষিত (১৯৭৮), মাটির ঘর (১৯৭৯), ছুটির ঘণ্টা (১৯৮০) চলচ্চিত্র পরিচালনা করে খ্যাতি অর্জন করেন।
আজিজুর রহমান ১৯৩৯ সালের ১০ অক্টোবর সান্তাহার রেলওয়ে জংশন শহরের কলসা সাঁতাহার মহল্লায় জন্মগ্রহণ করেন। তার পিতার নাম রুপচাঁন প্রামানিক। তিনি স্থানীয় আহসানুল্লাহ ইনস্টিটিউট থেকে এসএসসি পাস ও ঢাকা সিটি নাইট কলেজ থেকে এইচএসসি পাস করেন। এরপর তিনি চারুকলা আর্ট ইনস্টিটিউটে কমার্সিয়াল আর্টে ডিপ্লোমা করেন।
১৯৫৮ সালে চলচ্চিত্র পরিচালক এহতেশামের সহকারী হিসেবে এ দেশ তোমার আমার চলচ্চিত্রে কাজ করেন। এর পূর্বে তিনি ও সুভাষ দত্ত এভারগ্রিন পাবলিসিটিতে চলচ্চিত্রের ব্যানার তৈরি করতেন। দুজনে এহতেশাম ও তার ভাই মুস্তাফিজের সাথে পরিচিত হন শান্তাহারের মিনার সিনেমা হলে। সে সময় তিনি বংশালে থাকতেন। তিনি রাজার দেউড়িতে এহতেশামের লিও ফিল্মসের অফিসে দেখা করতে যান। তিনি এহতেশামকে তার চলচ্চিত্রে শিল্প নির্দেশনার কাজের আগ্রহ দেখান। তিনি জানান এই কাজ সুভাষ দত্ত করবে এবং রহমানকে তার সহকারী হিসেবে যোগ দিতে বলেন। ১৯৫৮ থেকে ১৯৬৭ সাল পর্যন্ত তিনি এহতেশাম ও মুস্তাফিজের সাথে সহকারী পরিচালক হিসেবে কাজ শুরু করেন।
তার পরিচালিত প্রথম চলচ্চিত্র ময়মনসিংহের লোককথা নিয়ে সাইফুল মুল্‌ক্‌ বদিউজ্জামাল (১৯৬৭)। সে সময় তিনি এহতেশামের চকোরী চলচ্চিত্রে সহকারী হিসেবে কাজ করছিলেন। লিও ফিল্মসের নির্মাণ ব্যবস্থাপক আলী তাকে একজন প্রযোজন হতে আগ্রহী ব্যক্তির সাথে পরিচয় করিয়ে দেয়। পরিচালনা জীবনের শুরুতেই লোককাহিনী ভিত্তিক চলচ্চিত্র নির্মাণে তিনি অনাগ্রহ দেখালেও এহতেশামের উপদেশে এই ছবিটি নির্মাণ করেন। আশরাফ সিদ্দিকীর গল্প অবলম্বনে ছবিটি তিনি বাংলা ও উর্দু দুই ভাষাতেই নির্মাণ করেন। উর্দু ভাষায় ছবিটির নাম ছিল মেরে আরমান মেরে স্বপ্নে। ছবিটিতে শ্রেষ্ঠাংশে অভিনয় করেন সুজাতা ও আজিম। এটি পূর্ব ও পশ্চিম পাকিস্তান, দুই স্থানে হিট হয়। পরের বছর আবার সুজাতা-আজিম জুটিকে নিয়ে নির্মাণ করেন জমিদারি প্রথার বিরুদ্ধে কৃষকদের আন্দোলন নিয়ে মধুমালা। ১৯৬৯ সালে তিনি সমাধান চলচ্চিত্রের শুটিং শুরু করেন। কাজ সমাপ্ত হলেও ছবিটি মুক্তি পায় ১৯৭২ সালে বাংলাদেশের স্বাধীনতা যুদ্ধ শেষ হওয়ার পর। এটি ছিল মুক্তিযুদ্ধ পরবর্তী স্বাধীন বাংলাদেশে মুক্তিপ্রাপ্ত দ্বিতীয় চলচ্চিত্র। ছবিটি ২৫ সপ্তাহ প্রেক্ষাগৃহে চলেছিল।
তার পরিচালিত শিশুতোষ চলচ্চিত্র অশিক্ষিত ও ছুটির ঘণ্টা চলচ্চিত্র দুটি দেশে ও দেশের বাইরে প্রশংসিত হয়। অশিক্ষিত চলচ্চিত্রে বয়স্কদের শিক্ষাগ্রহণে কোনো বয়স নেই সেটা দেখানো হয়েছে এবং শিক্ষাকে সারা বাংলায় ছড়িয়ে দেয়ার কথা বলা হয়েছে। ছুটির ঘণ্টা চলচ্চিত্রে অপরাধবোধ প্রায়শ্চিত্য, চাঞ্চল্য, মৃত্যু মিলিয়ে সচেতনতাকে আহ্বান করা হয়েছে। অন্যান্য চলচ্চিত্রগুলোর মধ্যে স্বীকৃতি, অপরাধ, গরমিল, মায়ের আচঁল, জনতা এক্সপ্রেস প্রভৃতি। ২০১৬ সালে তিনি মাটি নামে একটি মুক্তিযুদ্ধভিত্তিক চলচ্চিত্র নির্মাণ শুরু করেন। মুক্তিযুদ্ধ নিয়ে এটি তার প্রথম কাজ।
আজিজুর রহমান ২০২২ সালের ১৪ মার্চ দিবাগত রাত সাড়ে ১১টায় কানাডার একটি হাসপাতালে মৃত্যুবরণ করেন। এর আগে ফুসফুসে পানি চলে আসার কারণে তিনি ১৬ ফেব্রুয়ারি হাসপাতালে ভর্তি হন।
Places of Worship (Special Provisions) Act, 1991

The Places of Worship (Special Provisions) Act, 1991 seeks to maintain and protect the religious character of places of worship in India. The full text of the code is available online through India Code: Digital Repository of Laws. It may be downloaded in the PDF format through the website of the Ministry of Home Affairs.
The Act of 1991 opens with the statement: "An Act to prohibit conversion of any place of worship and to provide for the maintenance of the religious character of any place of worship as it existed on the 15th day of August, 1947, and for matters connected therewith or incidental thereto."
The act has the following sections:
This section repeals earlier iterations of the act.
In 2019, The Supreme Court five-judge constitution bench made the following observation which weakened the act: "Historical wrongs cannot be remedied by the people taking the law into their hands."
In 2021, the Supreme Court judgment had impacts on the Places of Worship Act.
In 2022, the division bench of the Supreme Court of India, led by the Chief Justice of India D.Y. Chandrachud, accepted a petition challenging the constitutional validity of the Places of Worship (Special Provisions) Act, 1991. On November 14, 2022, a bench headed by the chief justice and Justice J. B. Pardiwala gave the Solicitor General Tushar Mehta more time to file an affidavit, as it clubbed together petitions filed by several people including former BJP MP Subramanian Swamy and advocate Ashwini Upadhyay, who had filed his plea on March 12, 2021.
크메르 전통 무용

크메르 전통 무용은 캄보디아 전통 무용의 한 형태로, 태국와 라오스 등의 전통 무용과 유사성을 공유하고 있다. 춤의 형태는 캄보디아에서 왔으며, 다양한 이름으로 알려져 있다. 대표적인 이름은 크메르 황실 발레 또는 캄보디아 궁정춤 등이며, 유네스코 무형문화재 리스트에는 캄보디아 황실 발레로 언급되며, 유네스코는 크메르 전통 무용이라는 이름을 사용하기도 한다.
크메르에서 공식적으로 사용하는 이름은 '로밤 프레 리아차 트롭'이라는 이름을 사용하며, 황실 부의 춤이라는 뜻이며, 간단하게 '로밤'이라고 하기도 한다. 압사라 춤이라는 이름으로 널리 알려져 있다.
캄보디아와 프랑스 학자들은 크메르 전통 무용을 앙코르 시대를 거슬러 올라가는 단절없는 전통이라고 언급을 한다. 또 다른 학자들은 오늘날 볼 수 있는 크메르 전통 무용이 태국 전통 무용에서 많은 영향을 받았다고 이야기 한다. 타이 전통 무용은 19세기에 개선되었으며, 이전 형태와는 약간 차이가 있다.
한국의 무용 음악

한국의 무용 음악(韓國－舞踊音樂)은 한국 전통 무용에 반주로 사용되는 음악이다. 한국의 무용 음악은 크게 제례 무용 음악, 궁중 무용 음악, 민속 무용 음악 3가지로 나눌 수 있다. 제례(祭禮)와 궁중연례(宮中宴禮)에는 그 제도가 악(樂)·가(歌)·무(舞)라 하여, 기악과 성악과 춤이 삼위일체가 되는 것이 원칙이다. 따라서 일무(佾舞)와 궁중무용(정재, 呈才)은 무용음악이 따로 있는 것이 아니며, 일반적으로 궁중음악은 거의 모두가 무용음악으로도 쓰인다. 민속무용음악은 타악기만으로 연주되는 예도 있고, 관현악기로 편성된 삼현육각(三絃六角)으로 연주되는 예도 있다. 타악기로만 연주하는 무용음악은 그 곡 이름이 따로 있는 것이 아니고 굿거리·타령 등과 같이 장단 이름이 같은 경우(예: 굿거리·자진굿거리·살풀이·자진살풀이)와 곡 이름과 장단 이름이 다른 경우(예: 반염불－도드리, 허튼타령－타령, 당악－볶는타령)가 있다. 일무와 정재의 무용음악은 많은 특수악기가 동원된 대편성으로 웅장하고 장중한 표현력을 갖는데, 민속무용음악은 소편성으로 간결하고 재치있는 표현력을 갖는다. 일무의 무용음악은 아정하고 현묘하며, 정재의 무용음악은 장중하고 화려하고, 민속무용의 무용음악은 흥겹고 구성지다.
안지악(凝安之樂)·명안지악(明樂之樂)·서안지악(舒安之樂)은 문묘의 문무(文舞)에 쓰이고, 성안지악(成安之樂)은 문묘의 무무(武舞)에 쓰인다. 보태평(保太平)은 종묘의 문무에, 정대업(定大業)은 종묘의 무무에 쓰인다.
수제천(壽齊天)은 처용무(處容舞)·아박무(牙拍舞)에 쓰이고, 여민락(與民樂)－본령(本令－太平春之曲)은 문덕곡(文德曲)·복무(福舞)에 쓰이고, 보허자(步虛子－長春不老之曲)는 수연장(壽延長)·헌선도(獻仙桃)·오양선(五羊仙)·향발무·몽금척(夢金尺) 등에 쓰이며, 삼현도드리(三絃還入－咸寧之曲)는 포구락(抛毬樂)·무고(舞鼓)·무애무(無▩舞)·가인전목단(佳人剪牧丹) 등에 쓰이고 향당교주(鄕唐交奏－豊慶曲)는 광수무(廣袖舞)·망선문(望仙門)·헌천화(獻天花)·심향무(沈香舞) 등에 쓰인다. 또 길타령(日昇春之曲)은 학무(鶴舞)에, 평조회상(平調會相－(柳初新之曲)은 춘앵전에, 염불타령(念佛打令－獻天壽)은 사자무(獅子舞)에 쓰이고, 삼현풍류(三絃風流－表正萬方之曲)는 위의 여러 무용음악에 곁들여 쓰인다. 궁중무용에서 자주 쓰이는 무용음악은 보허자·삼현도드리·향당교주·삼현풍류 등이고 많이 쓰이지 않지만 훌륭한 곡으로 치는 것은 수제천·평조회상·본령이라 하겠다.
민속무용 반주에 쓰이는 음악은 꽹과리·징·장구·북 등 타악기가 중심이 되고 여기에 호적·나팔을 곁들이는 경우와 피리·대금·해금이 중심이 되고 여기에 장구·좌고 혹은 장을 곁들이는 이른바 삼현육각으로 연주하는 경우가 있다. 뒤의 것은 경기도·충청도·전라도 및 그 인접지역에서 많이 쓰이는 음악으로, 반염불·굿거리·허튼타령·당악·살풀이·도살풀이 등이 있다. 앞의 것은 전국적으로 어디나 쓰이며, 뒤의 것은 변방으로 갈수록 쓰는 예가 드물다.
궁중무용에도 간혹 쓰이는 예가 있지만, 주로 민속무용에 두루 쓰이는 느리고 장중한 무용음악이다. 삼현육각이 표준이나 네 악기 정도로 연주되는 수가 많다. 이 음악은 줄풍류에서 염불, 행악(行樂)에서 길염불과 관계가 있을 것으로 보고 있다. 6박 장단인 '도드리' 장단이고, 5음계로 구성되며 솔(sol)로 마친다. 3장(章)으로 구성되었는데, 각 장이 도드리 두 장단으로 구성되어 매우 짧다. 3장·1장·2장 순서로 연주하며, 몇번이고 되풀이한다. 반염불이 쓰이는 무용은 무당춤·승무·검무 등과 봉산탈춤·양주산대·인형극 등 도드리장단이 쓰이는 민속무용은 거의가 반염불이 연주된다.
민속무용 반주에 쓰이는 무용음악의 하나. 민속무용음악의 대표적인 곡으로 흥겹고 구성지다. 악기편성은 삼현육각이 표준이지만, 피리·젓대·해금·장구로 편성하는 것이 보통이다. 장단은 굿거리이고, 가락은 5음계이며 솔(sol)로 마친다. 7마루로 구성되었으며, 먼저 한 장단의 반마루로 시작해서 한 장단의 제5마루, 두 장단의 제6마루, 두 장단의 제7마루, 두 장단의 제1마루, 한 장단의 제2마루, 두 장단의 제3마루, 두 장단의 제4마루를 연주하고, 다시 처음 반마루로 되풀이된다. '굿거리' 무용음악이 쓰이는 무용은 무당춤·승무·검무 등이며 봉산탈춤·양주산대·인형극 등 민속극에서도 쓰인다.
민속무용 반주에 쓰이는 무용음악의 하나. 줄풍류 타령·삼현풍류 타령과도 관련이 있는 곡으로 경쾌하고 구성지다. 줄풍류처럼 악기들이 제주(齊奏)하는 것이 아니고, 각 악기들의 가락이 조금씩 달리 되어 있어 가락이 흐트러져 들린다. 악기편성은 삼현육각이 표준이지만, 흔히 피리·대금·해금·장구로 편성된다. 장단은 타령장단이고, 가락은 5음계 구성으로 솔(sol)로 마친다. 허튼타령은 느린허튼타령·중허튼타령·자진허튼타령으로 구분하기도 한다. 느린허튼타령은 12장단이고, 중허튼타령이나 자진허튼타령은 24장단으로 느린허튼타령을 배로 확대한 것이다. 악기편성은 굿거리와 같다. 장단은 느린타령이고 가락은 5음계이다. 허튼타령이 무용음악으로 쓰이는 무용은 무당춤·검무 등이고, 봉산탈춤·양주산대·인형극 등에도 쓰인다.
민속무용의 반주에 쓰이는 무용음악의 하나. 빠른 동작으로 격렬하게 뛰는 도무(跳舞)에 쓰이는 음악으로 경쾌하고 익살스럽다. 악기편성은 굿거리와 같다. 장단은 자진타령 혹은 휘모리 장단이고, 5음계 구성이며 라(la)로 마친다. 당악이 무용음악으로 쓰이는 무용은 무당춤·검무 등이고, 봉산탈춤·꼭두각시 같은 민속극에도 쓰인다.
민속무용 반주에 쓰이는 무용음악의 하나. 전라도에 살풀이 무속음악이 있다. 한을 느끼는 슬픈 가락이지만, 흐늘거리고 멋드러진다. 음악적 특징은 시나위와 같다. 악기편성은 피리·대금·해금·장구·징이 원칙이다. 장단은 살풀이 장단이고, 가락은 시나위 가락과 같다. 살풀이 가락은 비고정가락(非古定旋律)이므로, 대개 즉흥적인 가락을 연주하고, 장이나 마루의 구분도 없다. 살풀이춤의 무용음악으로 쓰인다.
민속무용음악의 하나. 반드시 살풀이에 이어서 연주된다. 살풀이에 비해서 경쾌하고 구성지다. 장단이 자진모리와 비슷한 자진살풀이 장단인 것을 제외하고 음악적 특징은 살풀이와 같다. 살풀이춤에 쓰인다.
이나모리 가즈오

이나모리 가즈오(일본어: 稲盛和夫 1932년 1월 21일 ~ 2022년 8월 24일)는 일본의 기업인으로 교세라, 다이니덴덴 (현 KDDI)의 창업주이며, 일본항공의 회장을 역임했다.
가고시마 대학 공학부를 졸업하고, 쇼후공업에 입사한 후, 1959년 교세라를 설립했다. 10년 뒤에 주식 상장을 했으며, 파인 세라믹 기술로 성장했다. 1984년 다이니덴덴을 설립했다. 같은 해 재단 법인 이나모리 재단을 설립했으며, 교토상을 제정했다. 1998년 백남준이 이 상을 수상하기도 했다.
2010년 일본항공이 파산하자 단 세 명의 측근만 데리고 투입되어 13개월 만에 흑자로 전환시켰으며, 2012년 3월에는 역대 최고액을 경신했다. 이과정에서 '소선(小善)은 대악(大惡)과 닮아 있고, 대선(大善)은 비정(非情)과 닮아있다'라는 명언을 남기기도 했다. 2013년 3월에 일본항공의 회장에서 물러나 교세라에 복귀했다.
주요 저서로는 아메바 경영, 카르마 경영, 소호카의 꿈, 성공을 향한 정열, 이나모리 가즈오의 철학 등이 있다.
대악후보

《대악후보》(大樂後譜)는 영조 35년(1759년)에 서명응이 세조 때의 음악을 편집한 7권 7책의 필사본 악보이다. 1998년 12월 18일 대한민국의 보물 제1291호로 지정되었다.
조선 영조 35년(1759) 서명응이 세조 때의 음악을 모아 두꺼운 종이에 편집한 7권 7책의 악보이다. 크기는 가로 31.4cm, 세로 44.5cm이며, 세종 때의 음악 22곡을 모아 수록한 《대악전보》는 청일전쟁(1894∼1895) 때 없어져 전하지 않는다.
이 책의 권1에는 세조 때의 《속악보서》, 《속악보》에서 가져온 8곡이, 권2에는 《시용보태평도》에서 가져온 13곡, 권3에는 《시용향악보》에서 〈치화평〉과 〈취태평〉이, 권4에는 《시용향악보》의 〈봉황음〉, 권5에는 《시용향악보》의 〈진작〉 등 6곡, 권6에는 《시용향악보》의 〈만대엽〉 등 7곡이, 권7에는 〈동동〉 외 4곡이 실려있다. 특히 권5에서 권7까지에 수록된 것은 고려 후기 또는 조선 전기의 악보로 귀중한 것이다.
이 책은 18세기 간행된 악보이기는 하나, 《조선왕조실록》과 별개로 독립되어 최초로 관에서 편찬한 악보이며, 세조 때의 음악을 비롯하여 여러 시기 음악을 담고 있다는 점과, 고려에서 전래된 정읍 등 다양한 향악곡 및 조선후기까지 다양한 변화와 생성과정을 거친 정악곡의 초기형태를 수록하고 있다는 점에서 높이 평가되는 역사적인 자료이다.
윤택 (희극인)

윤택(尹澤, 본명: 임윤택(林允澤), 1972년 10월 2일~)은 대한민국의 개그맨 겸 배우이고 방송인이다.
신장은 181cm이고 체중은 95kg인 그는 1991년에 연극배우로 처음 데뷔하였고 5년 후 1996년 뮤지컬 배우로 첫선을 보였으며, 7년 후 2003년 SBS 7기 공채 개그맨으로 정식 데뷔하여 웃찾사 등에 출연했다.
SBS와 계약이 만료된 후에는 스탠드업 코미디 대신 주로 케이블방송 MC 위주로 활동 중이며, 대표작으로는 메인 MC를 담당 중인 "나는 자연인이다"가 있다.
"나는 자연인이다"의 영향으로 지프 랭글러, 쉐보레 콜로라도, 포드 레인저 등의 험로용 차량들을 보유할 정도로 상당한 오프로드 애호가로 알려져 있다. 쉐보레 콜로라도의 대한민국 정식 출시분 1호차를 인도받았으며, 포드 레인저도 대한민국 1호차를 인도받았다.
태평소

태평소(太平簫) 또는 새납은 고려 말 서남아시아에서 유래한 한국 전통 관악기로, 호적(胡笛), 쇄납, 쇄나, 날라리, 랄라리 등으로도 불린다. 국악기 중 특히 음이 높고 음량이 큰 악기이다. 한국의 대표악기 중 하나이다.
당악기, 쇄납·호적(胡笛), 혹은 날나리라고도 한다. 나무로 된 관에 겹서을 꽂아 부는 악기이다. 소리는 진중하지 못한 면이 있으나 화려하다. 종묘제향악·대취타·농악에 쓰인다. 호적은 본래 서역악기로 중국에서도 쓰였고 한국에서도 일찍부터 군악(軍樂)에 쓴 것 같으나, 확실한 연대는 알려져 있지 않다. 유자나무, 대추나무 등 단단한 나무의 속을 파서 길이 9치 2푼의 관을 만들되 부는 쪽이 가늘고 나발쪽이 약간 굵은 원추형으로 한다. 관대 앞에는 7개, 뒤에 1개의 구멍을 뚫고 끝에는 놋쇠로 나발주둥이(벌렁이－銅八郞)를 달고 위에는 놋쇠로 된 동구(조롱목－銅口)를 달고 여기 갈대로 된 서(혀－舌)를 꽂아 분다. 동구는 6푼, 주둥이는 5치이므로 태평소 전체의 길이는 1자 5치 2푼이다. 벌렁이의 안지름은 4치 5푼이다.
몸통은 단단한 나무로 만드는데 아래로 갈수록 조금씩 굵어진다. 취구 부분에 동으로 만든 동구(銅口)가 덧대어 있으며, 몸통 끝에 소리를 키워 주는 나발 모양의 동팔랑(銅八郎)을 단다. 지공은 모두 여덟 개이고, 그중 제2공만 아래에 있다. 떨림판 구실을 하는, 갈대로 만든 작은 혀(대개 서라고 부른다.)를 동구(銅口)에 꽂아 분다. 태평소의 소리는 힘차고 민속의 심정을 그대로 반영하는 멋이 있지만 트럼펫보다 두 배 이상 큰 소리로, 별도로 연습할 공간이 필요하다.
봉황

봉황(鳳凰)은 중국의 신화 및 전설에 나오는 상상의 동물이다. 봉황은 모든 새의 우두머리라고도 불리며, 고구려 고분 벽화에 태양을 상징하는 삼족오 앞에 봉황을 탄 피리부는 신선이 있다. 삼족오 뒤에는 용이 있으며, 고구려 고분 벽화에 따르면 봉황은 개벽의 상징이다. 고구려 고분벽화 봉황에 올라탄 신선이 피리를 부는 모습은 규원사화 조판기에서 관(피리관)상천제사라는 내용과도 일치한다. 말하면 봉황은 합성된 단어로 수컷은 ‘봉(鳳)’, 암컷은 ‘황(凰)’이라고 하는데, 암수가 한 쌍으로 만나면 금실이 매우 좋다고 한다. 성군(聖君)이 출현하거나 세상이 태평성대일 때 나타난다고 알려져 있다. 우리나라는 현재 경복궁의 동쪽 편에 있다하여 창경궁과 동궐이라 불린 창덕궁의 정전 인정전에 있다. 황룡은 경복궁의 근정전에 있고, 봉황은 창덕궁 인정전에 있는 것이다. 광화문에 주작등 문에 있는 경우도 있지만 근정전과 인정전처럼 정전의 천장에 새겨놓는 경우가 더 많다. 봉황이 인정전을 잘 지켜주기를 바라는 마음에 인정전에 새겼다고 한다.
봉황의 모습에 대해서는 여러 가지 설이 있어 문헌마다 조금씩 다르게 묘사하고 있지만 일반적으로 가장 많이 알려진 모습은 크기가 1m 이상 되고, 머리는 닭, 턱은 제비, 목은 뱀, 다리는 학, 꼬리는 물고기, 깃털은 원앙, 등은 거북, 발톱은 매를 닮았으며, 오색찬란한 빛(빨강, 파랑, 노랑, 하양, 검정 등의 5색)으로 빛나는 몸에 다섯 가지의 아름다운 울음소리를 내며, 벽오동에 서식하며, 예천(醴川)을 마시고 천년에 한 번 열리는 대나무의 열매(죽실)만을 먹고 산다고 한다.
봉황의 몸의 각 부분에는 다섯 가지 의미가 있는데, 가슴은 인(仁)을, 날개는 의(義)를, 등은 예(禮)를, 머리는 덕(德)을, 배는 신(信)을 나타낸다고 한다. 또 우주 전체를 의미하기도 하는데, 머리는 태양을, 등은 달을, 날개는 바람을, 꼬리는 나무와 꽃을, 다리는 대지에 각기 해당한다.
또한 360 종류의 새의 수장이라고 일컬어지는 새의 군주와도 같은 상서로운 존재로 봉황이 하늘을 날면 많은 새가 그 뒤를 따라 날며, 봉황이 죽으면 많은 새들이 탄식하며 슬피 운다고 한다. 또한 봉황은 살아있는 벌레를 먹거나 해를 입히지 않고, 살아있는 풀 위에 앉지 않는 것으로 알려져 있다.
중국에서는 측천무후가 상징으로 봉황을 사용했으며 측천이라는 이름에서 알 수 있듯이 스스로 하늘이라고 주장했다. 즉, 봉황은 하늘의 상징이다. 중국은 대대로 하늘임을 주장하지 않고 하늘의 후손 천자(天子)임을 주장하며, 자신들이 다스리는 나라를 하늘이라 표현하지 않고 하늘의 다스림을 받는다는 표현인 천하(天下)라고 표현했으며 용을 천자의 상징으로 사용했다. 고대 은나라의 갑골문에는 봉황이 상제의 사자로 땅으로 내려왔다는 구절이 있다.
한국에서는 예부터 스스로를 하늘의 자손이라고 여겨 하늘과 땅을 연결하는 매체로서 새를 중요시하였는데, 그 중에서도 봉황을 특히 ‘신조’(神鳥)라 하여 새 가운데 가장 으뜸이라고 쳐서 신성시하였다. 조선 시대에는 봉황의 생김새와 행동거지가 임금이 마땅히 지녀야 할 덕목이라고 여겨 임금의 상징으로 삼아 현 왕조 시대가 태평성대임을 강조하였으며, 지금도 대한민국의 대통령을 상징하는 문양으로 사용되고 있고, 일부 상장, 상패, 휘장, 한복에서 봉황을 볼 수 있으며, 군부대가 대통령에게 경례하거나 사열받을 때 연주하는 곡의 이름이기도 하다.
션윈 예술단

션윈예술단(중국어 간체자: 神韵艺术团, 정체자: 神韻藝術團, 병음: Shényùn yìshùtuán 선윈 이수탄, 한자음: 신운 예술단, 영어: Shen Yun Performing Arts)은 미국 뉴욕에 본부를 둔 공연 단체, 예술 단체이다. 중국의 창작 무용, 민족 무용 공연을 중심으로 하는 예술 단체이며 관현악단도 운영하고 있다.
2006년 북아메리카에 거주하는 중화권 예술가와 파룬궁 수련자들이 "5,000년이 넘는 중국의 전통 문화 부흥, 중국 공산당 체제에서 문화 대혁명으로 파괴된 중국의 문화, 전통의 복원"을 목적으로 설립했다. 2007년에는 90명이 넘는 무용수, 음악가, 독주자, 제작진들이 첫 공연을 개최했다. 2011년부터 뉴욕 링컨 센터에서 정기적으로 상연하고 있다. 2018년 기준, 5개 예술단이 20여국에서 150개 도시를 상대로 500회 공연을 진행하고 있다.
션윈 예술단은 해마다 공연 소재를 교체하며 2시간 30분에 걸친 공연을 진행한다. 중국의 역사나 전설을 소재로 한 중국 창작 무용, 중국에 거주하는 여러 민족의 전통 무용을 소재로 한 창작 민족 무용, 독주, 오페라 가수의 노래 등 약 20개 전후의 공연으로 구성되어 있다. 배경음악은 오케스트라로 라이브 연주하며 각각의 공연 항목 앞에는 2개의 언어를 구사하는 사회자가 중국어와 현지 언어로 각 공연 소재를 소개한다. 무대 배경으로 사용되는 대형 3D 애니메이션 스크린 기술은 미국 특허를 받았다.
공연을 직접 보게 되면, 공연 후반부에 중국 전통 문화와는 상관없는 "메시아" 같은 인물이 등장하여 핍박받는 민중을 해방시키는 듯한 내용들이 나오는데, 이러한 종교적인 색체가 들어가 있어, 사이비 종교에 대한 거부감이 있는 관중이라면 눈쌀이 찌푸러 지는 경험으로 받아드릴 수도 있다.
션윈 예술단은 북아메리카, 유럽, 오세아니아, 아시아, 라틴 아메리카 5개 대륙에 위치한 150여개 이상의 도시에서 공연을 가졌다. 2010년까지 전 세계에서 약 100만 명 이상에 달하는 관객들이 션윈 예술단의 공연을 관람했다. 그렇지만 중국 대륙에서는 공연을 열지 못하고 있다. 또한 중국 정부에서는 재외공관(대사관, 영사관)을 통해 해외에서 션윈 예술단의 공연을 취소하라는 정치적 압력을 가하고 있다. 하지만 대부분의 민주 국가에서는 중국 정부의 압력을 주권 침해라고 지적하며 문제없이 대관과 공연을 진행하고 있다.
논란: 션윈 예술단은 파룬궁과 관련이 있는 사이비 종교이다.
사이비 종교
Dancing with the Stars (South Korean TV series) season 3

Dancing with the Stars: Season 3 (Korean: 댄싱 위드 더 스타3) was the third season of the Korean TV show based on the British television series Strictly Come Dancing. The hosts were Lee Deok-hwa and Kim Gyu-ri.
This table only counts dances scored on the traditional 30-points scale.
The best and worst performances in each dance according to the judges' marks are as follows:
According to the traditional 30-point scale:
Source:
Unless indicated otherwise, individual judges scores in the charts below (given in parentheses) are listed in this order from left to right: Park Sang-won, Alex Kim, Kim Joo-won.
Note: As their second dance, every couple performed a Freestyle routine based on a Latin dance they had already performed previously in the competition. Each couple was accompanied by guest singer(s) of their choice.
Note: Both couples performed the Samba as their first dance. For their second dance, the couples were allowed to choose the style they wanted to perform. Fei & Su-ro chose the Cha-cha-cha, while Kyung-ho & Hye-sang chose the Paso Doble.
The celebrities and professional partners danced one of these routines for each corresponding week:
Hulyo

Ang Hulyo ay ang ikapitong buwan ng taon sa mga kalendaryong Huliyano at Gregoryano. May haba itong 31 araw. Ipinangalan ito ng Senadong Romano bilang karangalan sa Romanong heneral na si Julio Cesar noong 44 B.C., dahil buwan ng kapanganakan niya ito. Bago nito, tinatawag ang buwan bilang Kwintilis, dahil ito ang ikalimang buwan ng kalendaryo na nagsimula ng Marso.
Sa katamtaman, ito ang pinakamainit na buwan sa karamihan ng Hilagang Emisperyo, kung saan ito ang ikalawang buwan ng tag-init, at ang pinakamalamig sa karamihan ng Timog Emisperyo, kung saan ito ang ikalawang buwan ng tagniyebe. Nagsisimula ang ikalawang bahagi ng taon sa Hulyo. Sa Timog Emisperyo, ang Hulyo ay ang katumbas na panahon ng Enero sa Hilagang Emisperyo.
Ang mga araw ng aso o "dog days" ay tinuturing na nagsisimula sa maagang bahagi ng Hulyo sa Hilagang Emisperyo, kung kailan nagsisimula ang mainit na maalisangang panahon ng tag-init.
Rubi ang birthstone o batong-kapanganakan ng Hulyo, na sinisimbolo ang pagkakuntento. Ang bulaklak-kapanganakan ng Hulyo ay espuwela de kabalyero at ang kiyapo. Ang senyas ng sodyak ay ang Cancer (hanggang Hulyo 22) at Leo (mula Hulyo 23 pataas).
Bulakenyong Tagalog

Ang Bulakenyong Tagalog (ᜊᜓᜎᜃᜒᜌᜓ ᜆᜄᜎᜓ), Bulacan Tagalog (ᜊᜓᜎᜃ ᜆᜄᜎᜓ) o Bulakenyo (ᜊᜓᜎᜃᜒᜌᜓ, [bʊ.lɐˈxɛ.ɲo]), ay isang diyalekto ng Wikang Tagalog na sinasalita sa lalawigan ng Bulacan at sa ilang bahagi ng Nueva Ecija at Tarlac. Kilala ito bilang isa sa baul ng kayamanan ng Wikang Tagalog sapagkat tinataglay pa nito ang ilang mga lumang salitang nilipasan na ng panahon sa Kalakhang Maynila gaya na lamang ng mga salitang kampit (kutsilyo), iwi (kalinga), pisaw (maliit na palakol), anluwage (karpintero), balisungsong (embudo), supil (panali ng buhok), matamis (asukal) at iba pa.
Ang puntong Bulakenyong Tagalog ay kilala sa pagiging mahimig at melodiko nito. Bukod pa rito, mabilis ngunit klaro kung magsalita ang mga Bulakenyo dahil sa kahusayan nila sa pangungusap na may kaugnayan sa pamamaraan nila sa pananalumpati at pagtula. Sinasabing malaki ang naging impluwensiya ng Wikang Kapampangan sa Bulakenyong Tagalog.
Sa pangkalahatan, ang Buluakenyong Tagalog ay may kaparehong ponolohiya sa Tagalog na sinasalita sa Maynila at iba pang mga diyalektong Tagalog. Ito ay may parehong 21 ponema (/p, b, t, d, k, g, Ɂ, h, s, m, n, ŋ, l, r, w, j, i, e, a, u, o/), mga diptonggo, at diin sa mga salita (na karaniwang nasa pinakahuling posisyon). Ang ilang mga pagkakataon, gayunpaman, ay nagpapakita ng natatanging pagkakaiba sa mga tuntunin ng punto o kung ano ang tinatawag na punto. Ang mga nagsasalita ng Bulakenyong Tagalog ay may posibilidad na magkaroon ng natatanging punto na iba sa mga kaswal na ginagamit ng mga Tagalog ng Maynila. Para sa mga taong nakakarinig sa mga taong ito na nagsasalita, mayroon talagang tiyak na pagtaas ng tono sa malumay ng huling salita ng pagbigkas ng mga tagapagsalita nito.
Kapansin-pansin din ang pagtatanggal ng tunog gaya na lamang ng tunog na /m/ at /w/ sa mga piling bokabularyo at salita. Halimbawa, laang (lamang), marae (marami), nalaan (nalaman), nain (namin), ala (wala), eka (wika), anda (tanda), at iba pa.
Sa pangkalahatan, ang morpolohiya ng Bulakenyong Tagalog ay kapareho ng sa namamayaning Tagalog. Gayunpaman, mayroon din itong ilang mga katangian na tiyak na sarili nito. Isang halimbawa ay ang paggamit ng unlapi na 'ka-' na karaniwang ginagamit upang bigyan ang isang salita ng kahulugang pang-uri, ito ay maaaring ipamalit o maihambing sa diin na "ang" sa Tagalog na ginagamit sa Maynila. Halimbawa, kaganda, sa halip na "ang ganda", kasarap, sa halip na "ang sarap, kabaho, sa halip na "ang baho".
Kahalintulad sa Batangas Tagalog ginagamit din ang mga salitang ire/ere sa halip na "ito" at dine sa halip na "dito". Bukod dito ay ginagamit rin ang salitang kata, ito ay maihahambing sa salitang "tayo" ngunit ito ay limitado lamang sa dalawang nag-uusap.
Nestlé Bear Brand

Ang Bear Brand ay isang tatak ng isterilisadong gatas at pinulbos na gatasna ipinakilala ng "Bernese Alps Milk Company" noong 1892 sa Pilipinas, at kasalukuyang nasa kamay ng Nestlé. Ito ay mabibili sa malaking bahagi ng timog-silangang Asya, mga bansang Suwisa, at Silangang Aprika. Dating ginamit sa merkado nang pangalang "Marca Oso", na ang kahulugan nito ay "Bear Brand" sa wikang Espanyol. "Susu Cap Beruang" ang tawag ng Bear Brand sa Indonesiya.
Ang Bear Brand Busog Lusog ay isang inumin ng seryal na tatak. Isa itong anyo ng Bear Brand sa Pilipinas. Mayroon itong dalawang lasa: tsokolate at gatas. Ipinakilala ito ng Nestlé noong 2008, bukod sa Energen.
Mabibili ang Bear Brand Sterilized sa iba pang mga baryante bukod sa orihinal na anyo nito. Ipinakilala sa Kambodya ang Bear Brand noong Hulyo 2015, samantala noong Oktubre 2016 naman ipinakilala sa Myanmar ang Bear Brand. Nasa slim tube na mayroong laman na 189 ml ang pagpapakete ng Bear Brand sa Indonesiya. Sa Suwisa, Bärenmarke ang pangalan ng Bear Brand na siya ring pinagmula ng tatak ng gatas na iyon.
Ang lathalaing ito ay isang usbong. Makatutulong ka sa Wikipedia sa pagpapalawig nito.
Pinulbos na damong-gamot

Ang pinulbos na damong-gamot o yerbang pinulbos ay mga halamang-gamot o yerbang nasa anyong pulbos.
Kabilang sa mga sangkap ng pinulbos na damong-gamot ang 200 hanggang 250 mga gramo ng pinulbos na yerba at kapsulang may sukat na 00. Mas mainam na gamitin ang mga pinulbos na yerbang gawa mula sa mga espesyalistang pabrika ng damong-gamot sapagkat nakapagdurulot ng init ang mga aparato o makinang panggiling na pangtahanan. Nakasasanhi ng pagbabagong kimikal sa mga yerba ang init. Nakasisira din ang matitigas na mga ugat ng mga yerba sa aparatong panggiling. Makakakuha naman ng mga kaha o walang lamang mga kapsula mula sa mga espesyalistang tagagawa o pabrika ng mga ito, na gawa sa dalawang bahagi ng helatina o kaya mga partikular na ginawa para sa mga behetaryano o mga taong kumakain lamang ng gulay o prutas.
Sa paghahanda ng mga kapsulang pinalalamanan ng pinulbos na yerba, gumagamit ng plato o platito, mga kaha ng kapsula o mga kapsulang walang laman, at mga garapong yari sa madidilim na salamin o babasagin na ginagamit na taguan o imbakan.
Sa pagpapalaman ng mga pulbos ng yerba sa kapsula, ibinubuhos ang pinulbos na yerba sa ibabaw ng isang platito o plato. Pinaghihiwalay ang dalawang bahagi ng kapsula. Pinapadausdos ang dalawang hati ng kapsula sa pulbos, upang masagap o masalok ang pulbos.
Kalimitang kinakain o iniinom ito sa pamamagitan ng paghahalo ng pulbos sa tubig. Maaari ring ibinubudbod ito sa pagkain. Mayroon din namang ipinapasok sa mga kapsula, partikular na ang mga yerbang may hindi kaayaayang lasa. Dahil sa pagkakalagay sa loob ng mga kapsula, madali o maginhawa itong nadadala kahit saan man magpunta.
Sa panglahatan, umiinom ang isang tao ng dalawa hanggang tatlong mga kapsulang may lamang pinulbos na yerba, na dalawa hanggang tatlong ulit sa loob ng isang araw. Kapag inihahalo sa tubig, naglalagay ng kalahati hanggang isang pulbos ng yerba sa kalahating baso ng tubig, na iniinom ng tatlong beses sa loob ng isang araw.
Suklob-tuhod

Ang suklob ng tuhod, saklob ng tuhod, taklob ng tuhod, o patela (Ingles: patella, knee cap, kneepan) ay ang butong pantakip o takip na buto sa sugpungan ng tuhod na kahugis ng maliit na biluging platito o disko. Nakasingit o nakasabad ito sa tendong nagdirikit ng muskulong kuwadrisep ekstensor ng harap ng hita sa pang-itaas na dulo ng tibya. Tinatawag na ligamentong patelar ang karugtong o ekstensiyong tendon mula sa suklob-tuhod hanggang sa tibya. Nababanat ang balat ng katawan na nasa ibabaw ng suklob ng tuhod kapag nakabaluktot ang tuhod. Sa ganitong posisyon o puwesto ng tuhod, karaniwang nakapagdurulot ng mahabang sugat na katulad ng hiwa ang anumang pagtama o pagbagsak. Maaari ring mapinsala o mabali ang buto dahil sa pagtama o biglaang pagsubok na ituwid ang binti.
Ang lathalaing ito na tungkol sa Tao at Anatomiya ay isang usbong. Makatutulong ka sa Wikipedia sa pagpapalawig nito.
Matt Elliott (musician)

Matt Elliott is an English guitarist and singer-songwriter, originally from Bristol, England and now based in France, who plays dark folk music. He also produced and recorded electronic music under the name The Third Eye Foundation.
Elliott started recording with the band Linda's Strange Vacation, which included Kate Wright (Movietone) and Rachel Brook (Movietone/Flying Saucer Attack), around the time Wright and Brook formed Movietone, and Brook and Dave Pearce formed Flying Saucer Attack. Elliott was a part-time member of both bands.
He recorded Semtex, his first album under the name The Third Eye Foundation, and released it on his own record label, Linda's Strange Vacation, with the help of the fledgling Domino Recording Company. The next three albums were released on Domino in 1997, 1998 and 2000.
As Third Eye Foundation, Elliott worked with bands and artists including Amp, Hood, Yann Tiersen, Mogwai, Ulver, Tarwater, The Pastels, Navigator, Urchin, Suncoil Sect, Remote Viewer, and Thurston Moore primarily as a remixer. In 2001, a compilation album of his remixes was released.
In 2003, he released his first album under his own name, The Mess We Made, which marked a stylistic shift from The Third Eye Foundation releases. The next three albums were released as a trilogy on the French label Ici, d'ailleurs.... By the release of Drinking Songs (2004), his sound had changed considerably from his earlier work, now being compared to Tindersticks and The Black Heart Procession.
On Yann Tiersen's 2009 tour, Elliott was support act, and later in the show was part of Yann's band onstage.
All recordings were released under the Third Eye Foundation name up to and including 2001's I Poo Poo on Your Juju, later recordings were released under Elliott's own name. 2010's The Dark was again released under The Third Eye Foundation.
The Chocolate Girl

The Chocolate Girl (French: La Belle Chocolatière, German: Das Schokoladenmädchen) is one of the most prominent pastels of the Genevan artist Jean-Étienne Liotard, showing a maid serving drinking chocolate. It is now in the Gemäldegalerie Alte Meister, Dresden, Germany. The girl carries a tray with a porcelain chocolate cup of the trembleuse type, on a "galleried" silver saucer, and a glass of water. Liotard's contemporaries classed The Chocolate Girl as his masterpiece.
Though normally described as a "maid", it is possible that the model was a banker's daughter from Vienna, Charlotte or Nannerl Baldauf, later Countess Drietrichstein. The back of an 18th-century reduced copy in Orleans House near London has an old label saying: "Portrait of Charlotte Baldauf. Drawn by Liotard during his stay at the house of Mr Baldauf, banker of Vienna. Charlotte Baldauf became Countess Drietrichstein. From the collection of Lord Taunton (E.Labouchere)", who received his peerage in 1859, and died in 1869.
Theories concerning the girl's headdress run from a cap cover to an echo of the colorful regional caps. The girl's apron features a small bodice. The cup in which the chocolate is served is a trembleuse, supposedly used by people with shaking hands to avoid spilling, but in the 18th century strongly associated with drinking chocolate, then brewed rather strong and frothy. Vienna porcelain was perhaps the largest producers of trembleuse cups in the 18th century. Around the saucer is some beige material, perhaps food or a napkin.
On 3 February 1745 the Italian writer and art collector Francesco Algarotti purchased the painting directly from Liotard in Venice. In an unknown year (between 1747 and 1754?) the picture became part of the collection of August III of Poland. In a letter dated 13 February 1751 to his friend Pierre-Jean Mariette he wrote:
Since 1855 the picture has been in the Gemäldegalerie Alte Meister, Dresden.
During World War II the Germans transported it to Königstein Fortress. The delicate pastel managed to survive the cold and damp there and was brought back to Dresden after the Germans retreated from advancing Soviet troops. After World War II, the painting was briefly in possession of the Soviet Union.
In 1862 the American Baker's Chocolate Company obtained the rights to use the pastel.
Around 1900, La Belle Chocolatière served as inspiration for the commercial illustration of the "nurse" that appeared on Droste's cocoa tins. This was most probably a work of the commercial artist Jan (Johannes) Misset. According to Droste, "The illustration indicated the wholesome effect of chocolate milk and became inextricably bound with the name Droste."
Fatman the Human Flying Saucer

Fatman the Human Flying Saucer is a fictional character, a comic book superhero created by artist C. C. Beck and writer Otto Binder in the 1960s.
Beck and Binder created Fatman long after Beck's popular creation Captain Marvel was canceled partly due to a copyright infringement suit with DC Comics.
Fatman's costume was green and yellow with a yellow flying saucer emblem on the chest. Fatman was fat and could change into a human flying saucer. His comic ran for only three issues and was published by Lightning Comics, an almost equally short-lived company. Fatman comics were produced in small numbers and are considered valuable because of Beck's artwork and their rarity.
Van Crawford became Fatman after coming to the aid of an alien flying saucer. The saucer itself turned out to be a shapeshifting alien, who rewarded Crawford by giving him a chocolate drink with the ability to transform him into a human flying saucer. Being a wealthy man, like many superheroes of the era, Crawford decided to use this newfound power to become a superhero. He teamed up with a teenage sidekick, Tin Man, who could turn into a robot.
Fatman was also mentioned on the second episode of series 2 of the British panel show Question Time in 2022.
Saucer Attack!

Saucer Attack! is a shoot 'em up written by James D. Sachs for the Commodore 64 and published by Sachs Enterprises in 1984. The goal is to protect Washington, D.C. from invading flying saucers.
The game presents a backdrop of Washington, with various landmarks such as the Washington Monument visible. Flying saucers descend from the top of the screen. The player has to move a crosshair at the saucers and fire bullets to destroy them. If allowed to proceed unharmed, saucers will hover near a famous landmark and shoot a beam of electricity at it, eventually destroying it. If all landmarks are destroyed, the game is lost.