davidanugraha/M4-RAG huggingface dataset:
Mahiyangana Raja Maha Vihara

Mahiyangana Raja Maha Vihara is an ancient Buddhist temple in Mahiyangana, Sri Lanka. It is believed to be the site of Gautama Buddha's first visit to the country, and is one of the Solosmasthana, the 16 sacred religious locations in Sri Lanka. Currently this temple has been declared as one of archaeological site in Sri Lanka.
Historical sources, including the ancient chronicle Mahavamsa, a record that the Buddha visited the Mahiyangana area in the ninth month after he attained enlightenment, which was his first visit to the country. According to the Mahavamsa, Sri Lanka was inhabited by yakshas at the time. It says that the Buddha subdued the yakshas there and held a discourse on Dhamma with them. They were then sent to an island named Giri so that the country would be "purified" and Buddhism could be established there later on, where it would prevail "in all its glory".
A Yakka chieftain named Saman (who is now regarded as a deity) attained Sotāpanna (Sovan) after listening to the Buddha's discourse, and asked for a token from the Buddha that they could worship in his absence. The Buddha had given him a handful of hair from his head, which Saman later enshrined in a small stupa, 10 feet (3.0 m) in height. This was the first stupa to be built in Sri Lanka.
According to the Mahawansa, King Devanampiyatissa caused his brother Moolabhaya to deposit the relic of Griwah-Dawtoe (a neck bone) and enlarge it to a height of 30 Cubits.
Several kings have since renovated and enlarged this stupa, including Dutthagamani who raised it to a height of 120 feet (37 m). Other rulers such as Voharika Tissa, Sena II, Vijayabahu I and Kirti Sri Rajasinha have carried out repairs and maintenance work at the temple. In 1942, a society was formed for the renovation of the temple under D. S. Senanayake. Reconstruction work began in 1953 and ended in 1980 with the completion of a new pinnacle for the stupa.
Kelaniya Raja Maha Vihara

The Kelaniya Raja Maha Vihara or Kelaniya Temple is a Buddhist temple in Kelaniya, Sri Lanka. It is located 11 km (6.8 mi) north-east of Colombo. The current chief incumbent (chief priest) is Venerable Professor Kollupitiye Mahinda Sangharakkhitha Thera.
The temple has often been associated with the rise and fall of Sri Lanka, with the popular saying that as the Kelaniya temple rose, Sri Lanka rose and as it fell, the country and its administration fell. It has thus had a deep association with the political powers of the country. As such, the temple is frequently visited by politicians both government and opposition.
Buddhists believe the temple to have been hallowed during the third and final visit of the Buddha to Sri Lanka, eight years after gaining enlightenment. Its history would thus go back to before 500 BCE. The Mahawansa records that the original Stupa at Kelaniya enshrined a gem-studded throne on which the Buddha sat and preached. The temple flourished during the Kotte era but much of its land was confiscated during the Portuguese empire. Under the Dutch empire, however, there were new gifts of land and under the patronage of King Kirthi Sri Rajasingha the temple was rebuilt. It was refurbished in the first half of the 20th century with the help of Helena Wijewardene.
The Kelaniya Stupa enshrined a gem-studded throne on which the Buddha sat and preached. Buddha's second visit to Nagadeepaya, Sri Lanka was in the fifth year of enlightenment to settle a dispute between two Naga Kings, Chulodara and Mahodara over the possession of a Gem Studded throne. After having listened to the Dhamma sermons by Buddha the Naga kings paid homage to Buddha with overwhelming faith and the throne was offered to Buddha by two Naga kings.
The Naga King Maniakkika- Ruler of Kelaniya who also listened to Buddha's Dharma sermons pleaded for a souvenir to worship. So the throne was gifted to him by Buddha. King Maniakkika in turn constructed a Cetiya (Stupa) covering the Gem studded Throne in Kelaniya for thousands of devotees to worship and invited Buddha to visit the holy site.
Buddha together with 500 Arahats (Supremely enlightened beings) visited Kelaniya and preached Dhamma, on Wesak Poya Day, after eighth year of enlightenment as Buddha (in 580 BC which is approx. 2600 years back). It was Buddha's third and final visit to Sri Lanka.
The temple is also famous for its image of the reclining Gautama Buddha and paintings by the native artist Solias Mendis which depict important events in the life of the Buddha, in the history of Buddhism in Sri Lanka, also incidents from the Jataka tales. It is the venue for the Duruthu Maha Perahera procession each January. An 5.5 m (18 ft) stone statue of the Bodhisattva Avalokitesvara has been erected at the temple.
Work order

A work order is usually a task or a job for a customer, that can be scheduled or assigned to someone. Such an order may be from a customer request or created internally within the organization. Work orders may also be created as follow ups to inspections or audits. A work order may be for products or services.
A work order should include the following:
In a manufacturing environment, a work order is converted from a sales order to show that work is about to begin on the manufacture, building or engineering of the products requested by the customer. In a service environment, a work order can be equivalent to a service order where the WO records the location, date and time the service is carried out and the nature of work that is done. The type of personnel (e.g. job position) may also be listed on the WO. A rate (e.g. $/hr, $/week) and also the total number of hours worked and total value is also shown on the work order.
A work order may be a maintenance or repair request from students, faculty or staff in a university.
Orders received from outside an organization are often dispatched (reviewed and scheduled) before being executed. Work orders may be for preventive maintenance
Contractors may use a single job work order and invoice form that contains the customer information, describes the work performed, lists charges for material and labor, and can be given to the customer as an invoice.
A job order is an internal document extensively used by projects-based, manufacturing, building and fabrication businesses. A job order may be for products and/or services. In a manufacturing environment, a job order is used to signal the start of a manufacturing process and will most probably be linked to a bill of material. Hence, the job order will probably state:
In a service environment, a job order cannot be the equivalent to a work or service order where the job order records the location, date and time the service is carried out and the nature of service that was carried out, the work order does not. The type of personnel (e.g. job position) may also be listed on the job order. A rate (e.g. $/hr, $/week) and also the total number of hours worked and total value is also shown.
Chola cuencana (canción)

Chola cuencana es una canción en tono de pasacalle compuesta por el músico ecuatoriano Rafael Carpio Abad en agosto de 1949,​ con letra del poeta ecuatoriano Ricardo Darquea Granda.​ El tema, cuyo título referencia el apelativo usado para designar a las mujeres mestizas de Cuenca,​ es una de las canciones más representativas de la ciudad,​ considerada como un segundo himno de la urbe.​
Carpio compuso la canción mientras trabajaba como pianista en radio El Mercurio.​ Para la letra tomó las dos primeras estrofas del poema Alma de España, escrito en 1947 por Ricardo Darquea Granda.​
La tumba de Rafael Carpio Abad, ubicada en el Cementerio Patrimonial de Cuenca, cuenta con un grabado de la partitura original de la canción.​
Rafael Carpio Abad

Rafael María Carpio Abad (Cuenca, 23 de octubre de 1905 - Ibídem, 12 de febrero de 2004) fue un compositor y pianista ecuatoriano.​ Durante su vida creó alrededor de 700 composiciones musicales,​ entre las que destacan el pasacalle Chola cuencana, considerado como una de las obras más reconocidas de la ciudad de Cuenca, así como la canción Panaderita del Vado y los pasillos Chorritos de luz y Hoja seca.​​
Nació el 23 de octubre de 1905 en la parroquia El Sagrario de la ciudad de Cuenca, provincia de Azuay, hijo del músico Joaquín Carpio Cabrera. Durante su juventud se trasladó a Guayaquil y empezó a trabajar elaborando sombreros de paja toquilla, pero debido a la poca demanda decidió regresar a Cuenca y dedicarse a la música. Para ello ingresó en 1938 al Conservatorio José María Rodríguez.​
Entre los géneros que cultivó se encuentran el yaraví, el pasacalle y el sanjuanito.​ En agosto de 1949, en la época en que se desempeñaba como pianista de radio El Mercurio, compuso la música de la canción Chola cuencana, que tomó como letra parte de un poema del escritor Ricardo Darquea Granda y que con los años se convirtió en una canción insignia de la ciudad.​​
Carpio fue además miembro del área de música de la Casa de la Cultura Ecuatoriana, núcleo de Azuay.​
El 8 de mayo de 2003 recibió la condecoración Vicente Rocafuerte por parte del Congreso Nacional de Ecuador por sus aportes a la cultura. En noviembre del mismo año ingresó al centro geriátrico Jesús de Nazareth, donde falleció de causas naturales la madrugada del 12 de febrero de 2004.​ Sus restos reposan en el Cementerio Patrimonial de Cuenca, en el área dedicada a los personajes ilustres de la ciudad. Su lápida cuenta con un grabado de un piano y de la partitura original de Chola cuencana.​
Una calle en Cuenca está nombrada en su honor.​
Caramba

El caramba es una danza nativa argentina. Esta posee una considerable influencia afroargentina, según comprobó Juan Álvarez, mediante el principio comparativo melorítmico de la escuela de Berlín. Además es considerado un baile ecuatoriano, que se basa más en la Costa de Ecuador.​
Danza de galanteo de parejas sueltas e independientes de movimientos vivos, se baila con castañetas y paso básico. Se baila en la 1º colocación.
La segunda es similar a la primera, los bailarines comienzan en los lugares opuestos.
Zapateando Juyayay

Zapateando Juyayay es una canción agrupación de música folclórica Jayac, fue producido en el año 2018, el tema fue escrito en dos horas, la grabaron al siguiente día la parte musical y al otro día fue el rodaje del videoclip.​
La agrupación Jayac tenía una presentación programada para una fundación de migrantes ecuatorianos en Estados Unidos, la fundación es reconocida por celebrar el Inti Raymi, dentro del cual hay una ceremonia de zapateados, dos semanas antes de la presentación y sin haber grabado nada, cada miembro de la agrupación escribió parte de la canción en sus domicilios, dado que el ritmo es siempre el mismo para los zapateados, la parte de la letra comenzó a fluir a medida que salía las notas en el quena.
Al siguiente día en el estudio de grabación, luego de acordar la letra final y ciertas improvisaciones, queda la canción finalizada, esa misma noche realizaron llamada al grupo de danza y a los productores del video.
Al tercer día se reunieron en Cayambe, el grupo Jayac, el grupo de danza y la productora audiovisual, tras lo cual se trasladaron hasta la hacienda Guachalá, la danzas y tomas del video fueron totalmente improvisadas.​
Currulao

Currulao es un género musical que se baila principalmente en la región Pacífica, aunque estrictamente hablando, también hace referencia a la danza folclórica de la Región del Pacífico (Colombia) y a la provincia de Esmeraldas (Ecuador).​ Tradicionalmente se le conoce como bambuco antiguo, y es una danza orientada hacia el cortejo. Este nombre todavía se usa generalmente en Ecuador. Su origen está estrechamente relacionado con la cultura descendiente africana de la región.​
La palabra currulao alude a la palabra cununao, que es una referencia a los tambores de origen africano que juegan un papel importante en el folclore de la región del Pacífico colombiano, los cununos.
El currulao es el estilo de baile más popular para muchas comunidades afrocolombianas y afroecuatorianas a lo largo de la costa del Pacífico. Tiene características que resumen las influencias africanas traídas durante el período colonial por los mineros en las cuencas de los ríos del occidente del territorio. En la práctica, es posible observar referencias de un rito sacramental de fuerza ancestral y magia en el currulao.
Currulao es un baile que involucra parejas sueltas, con temas de amor y naturaleza. Los movimientos de los bailarines son ágiles y vigorosos. Para el compañero masculino, utilizan grandes movimientos de fuerza, sin desequilibrar la armonía de la danza. La mujer, por otro lado, baila de una manera tranquila mientras su pareja busca seducirla con coquetas, patadas, flexiones, abanicos y movimientos bruscos con su pañuelo. La coreografía se desarrolla básicamente en dos acciones simultáneas: una de rotación circular y otra de movimiento directo, formando pequeños círculos, que se configuran en ocho. Las figuras que predominan son la confrontación en grupos, avances y retiros en secuencia, intersección de los bailarines, giros, saltos y movimientos con el pañuelo.
La danza adquiere gran belleza plástica mediante la concreción de varios elementos, como la esbeltez de hombres y mujeres, la seriedad ritual de los rostros, el juego con los pañuelos y la gracia de las actitudes, que se refuerzan con gesticulaciones y giros. En cuanto al patrón de danza, el currulao ha sufrido modificaciones regionales, en particular de las personas berejú, patacoré, juga, bámbara negra, caderona y pango. Además de ser danza, es también ritmo musical, tradición y ancestralidad. Es la herencia africana de mujeres y hombres esclavizados que arrimaron a nuestras tierras, hace ya más de 400 años.
Entre sus principales exponentes se encuentra Nidia Góngora y el grupo Canalón de Timbiquí. Este grupo fue el primero en obtener una nominación a los premios Grammy por un trabajo del folclore del Pacífico.​
Little Lima

Little Lima is a Peruvian enclave in Downtown Paterson, New Jersey, United States, and the largest Peruvian enclave outside of South America, home to approximately 10,000 Peruvian immigrants, by U.S. Census Bureau estimates. New Jersey's Peruvian population continues to grow in its urban areas, especially in Paterson, which is considered by many to be the capital of the Peruvian Diaspora in the United States. Meanwhile, East Newark, a smaller borough, in Hudson County, New Jersey, has the largest Peruvian percentage in the U.S. per capita, and New Jersey is home to the largest per capita Peruvian American population of any U.S. state.
Little Lima is bounded to the west by Spruce Street, to the north by McBride Avenue, to the east by Cianci Street, and to the south by Ward and Oliver Streets. The commercial heart of Little Lima is Market Street. Little Lima is close to Paterson's Little Italy and to the Mexican, Dominican, and Puerto Rican neighborhoods on Main Street, as well as the nearby Great Falls on the Passaic River. Peruvian bodegas, bakeries, groceries, and restaurants line this busy section of Market Street. Little Lima is home to the Great Peruvian Festival and the Peruvian Parade, held in the summer. Little Lima is in the heart of Paterson's first neighborhood, Dublin. The Dublin District, as it was originally known, went from a mostly Irish American neighborhood to an Italian American neighborhood in Little Italy's heyday; however, the Dublin District and specifically Little Lima have since evolved into a predominantly Hispanic neighborhood, with many Peruvian, Ecuadorian, and Bolivian citizens.
40°54′49″N 74°10′34″W﻿ / ﻿40.913626°N 74.176233°W﻿ / 40.913626; -74.176233
Deeper Christian Life Ministry

Deeper Christian Life Ministry nke a makwara dị ka Deeper Life Bible Church bụ òtù ndị Pentikọstal nke nwere isi ụlọ ọrụ mba ụwa, Deeper Life Biblia Church Lagos, na Gbagada, Lagos. Ọ bụ General Superintendent nke Deeper Life Bible Church, Pastor William Folorunso Kumuyi na-elekọta ya.
N'afọ 1973, mgbe ọ na-eje ozi dị ka onye nkuzi mgbakọ na mwepụ na Mahadum Lagos, W.F. Kumuyi malitere otu ọmụmụ Bible na ụmụ akwụkwọ mahadum 15 bịara ya na-arịọ maka ọzụzụ n'Akwụkwọ Nsọ. Chọọchị ahụ malitere dị ka Deep Christian Life Ministry. W.F. Kumuyi bụ onye bụbu onye Anglịkan nke sonyeere Chọọchị Okwukwe Ndịozi mgbe e mechara ya baptizim. N'afọ 1975, a chụpụrụ ya na chọọchị maka ikwusa ozi ọma na-enweghị asambodo. Ọ gara n'ihu n'ozi onwe ya, nke na afọ 1982 ghọrọ Deeper Life Bible Church. Ka ọ na-erule mmalite afọ 1980, obere ìgwè ahụ etoola ruo ọtụtụ puku, n'oge ahụ ka e guzobere Deeper Life Bible Church. Ụlọuka ahụ agbasaala n'ebe ndịda Sahara Afrika wee gaa United Kingdom, ebe e si mepụta alaka na ọdịda anyanwụ Europe, Russia, India, na North America.
N'ọnwa Eprel afọ 2018, Ngalaba Ndụ Ndị Kraịst Deeper nwere isi ụlọ ụka ọhụrụ ya na Gbagada nke e nyere ya na osote onye isi ala Naịjirịa Yemi Osinbajo n'etiti ndị ọzọ a ma ama
N'afọ 2020, Chọọchị Lagos nwere mmadụ 65,000.
Okpukpe ahụ nwere nkwupụta okwukwe Pentikọstal. Chọọchị ahụ nwere nkwenkwe isi iri abụọ na abụọ.
Ron Tarver

Ronald (Ron) Tarver (amụrụ n'afọ 1957) bụ onye Amerịka na-ese ihe na onye nkuzi. Ọ bụ onye Ojiị mbụ na-ese foto na Muskogee Phoenix ma rụọ ọrụ na Springfield News-Leader na Missouri (1980-1983), tupu ọ banye na Philadelphia Inquirer. Ọrụ ya na Inquirer na Philadelphia, PA gafere ihe karịrị afọ iri atọ (1983-2014). Tarver na-eje ozi ugbu a dị ka Associate Professor of Art ọkachamara na foto na Swarthmore College.
Tarver edeela okwu ndị sitere na ịṅụ ọgwụ heroin na ndị Black cowboys na ndị agha Afrịka Amerịka. Foto Tarver The Badlands: In the Grip of Drugs nwetara ihe nrite nke atọ na Daily Life nke World Press Photo Awards n'afọ 1993. Ọrụ ndị ọzọ dị mkpa gụnyere The Long Ride Home: The Black Cowboy Experience in America, ọrụ mba niile na Black cowboys, na akwụkwọ We Were There: Voices of African American Veterans (2004), njikọ aka na onye edemede Yvonne Latty. N'afọ 2012, Tarver nwetara ihe nrite Pulitzer maka ọrụ ọha na eze dị ka akụkụ nke otu na-akọ akụkọ banyere ime ihe ike n'ụlọ akwụkwọ agbụrụ na usoro ụlọ akwụkwọ ọha na eze nke Philadelphia.
A mụrụ Tarver na Fort Gibson, Oklahoma. Ọ bụ nna ya, onye na-ese foto nke na-anụ ọkụ n'obi nke na-edekọ ọtụtụ ndị Ojiị na Fort Gibson, kụrụ mkpụrụ nke mmasị ndụ ya niile na foto. Tarver gụrụ akwụkwọ na Mahadum Northeastern State ma n'oge na-adịghị anya mgbe ọ gụsịrị akwụkwọ, e were ya n'ọrụ dị ka onye na-ese foto Black mbụ na Muskogee Phoenix. N'afọ 1980, Tarver nwetara ọkwa na Springfield News-Leader na Missouri ebe ọ rụrụ ọrụ ruo n'afọ 1983. N'afọ ahụ, e were ya n'ọrụ dị ka onye na-ese foto na Philadelphia Inquirer. N'ime afọ 32 ọ nọrọ na Philadelphia Inquirer, ọrụ Tarver sitere na edemede foto dị ogologo na mgbe agha na Beirut gasịrị na esemokwu n'ime ụka Katọlik na Ireland.
N'afọ 1992, Tarver sere foto ọrịa heroin nke bibiri obodo dị na Northeast Philadelphia na usoro akpọrọ The Badlands: In the Grip of Drugs nke mere ka ọha na eze mee mkpesa na nzaghachi site na ngalaba ndị uwe ojii Philadelphia. Akụkọ ahụ mechara bụrụ nke World Press Photo Awards nabatara n'afọ 1993, na-enweta ihe nrite nke atọ na ngalaba Daily Life. Na njedebe nke ọrụ Badlands, Tarver malitere idepụta otu ìgwè ndị cowboys bi n'obodo ukwu na North Philadelphia. Nke a mechara gbasaa n'ime ọrụ mba niile na Black cowboys a na-akpọ The Long Ride Home: The Black Cowboy Experience in America. Ọ gafere site na California ruo Illinois ruo Texas na nkwado sitere na National Geographic Development Grant.
ZORAN

ZORAN Ezigbo aha ya bụ Boucherih Mohamed (محمد بوشريح :Arabic) (September 7, 1986) Ọ bụ onye ọha na onye na-ese ihe si Algeria.
Ọ bụ onye ọha na eze na onye na-ese ihe ewepụtala ọtụtụ ọrụ nka na akwụkwọ akụkọ dị iche iche, nke kachasị mkpa bụ na telivishọn Arab.
zoran bụ nwata ma nwee mmụọ nsọ ịbụ onye a ma ama O siri ọnwụ na nke ahụ wee malite mgbe ọ dị afọ 15. Ọ zụrụ azụ n'ime ihe ma malite njem ndụ ya.
Na mgbe ọ malitesịrị ndụ ọkachamara ya nke ọma dị ka onye ọha na eze na onye na-ese ihe na ọrụ dị iche iche site na akwụkwọ akụkọ Arab, nke a nyere ya ohere inweta otu aha na ime ka a mara ya na mba Arab ole na ole, ruo taa, ọ na-eduga ndụ udo na nke dị jụụ iji tinye uche na ọrụ ya n'ọdịnihu.
Edward Lewis (onye na-eme ihe nkiri)

Edward Lewis bụ onye na-ese foto na onye na-ese ihe nkiri bụ onye dekọtara ndị ama ama Africa America na ihe omume ha na usoro ihe nkiri akwụkwọ ya. Ọ rụrụ ọrụ dị ka onye na-ese foto maka Daily News tupu ọ ghọọ onye na-ese ihe nkiri.
O mere mkpirisi akwụkwọ akụkọ 12 maka Mmepụta Million Dollar na Life in Harlem series na 1936.
Lewis mere ihe nkiri Colored America na Parade . Lewis mekwara agba agba nke egwuregwu .
nkiri akwụkwọ ya yaAmerica na Parade . Le
Nontsikelelo Mutiti

Nontsikelelo Mutiti (amụrụ na mkpụrụ ụbọchị iri atọ na otu n afọ 1982) bụ onye mmebe eserese na onye nkuzi. Ọrụ ya na-elekwasị anya na imewe weebụ, ihe onyonyo, mbipụta na nka akwụkwọ. Ọ na-a gụnyekarịkwa ọrụ ike isi n'ọrụ nhazi ya, ma "na-enwe mmasị na ọdịiche dị n'etiti omenala ndi isi ojii". Ọrụ ya gụnyere akụrụngwa ndị e bipụtara maka Black Lives Matter .
Mutiti gụsịrị akwụkwọ na Zimbabwe Institute of Vigital Arts na diploma na nkà mgbasa ozi na afọ 2007. Ọ gụsịrị akwụkwọ na Yale School of Art na ntinye uche MFA na eserese eserese na afọ 2012.
A mụrụ Mutiti na afọ 1982 na Harare, Zimbabwe .
Ọ bụ otu n ime ndị hibere ọtu ogbakọ ọdịnala mba
Zimbab na Detroit, nke nyere ndị n eme ihe omume n etiti Detroit na Zimbabwe agbamume.
rụpụtara ụlọ ọrụ omenala Zimbabwe na Detroit, nke na-akwado nkwado n'etiti ndị na-ese ihe na Detroit na Zimbabwe .
Ọ bụ otu onye n ime ndị wubere Black Chalk &amp; Co.
Ọ bụ onye nduzi nka na onye nchoputa nke Ihe ọgụgụ Zimbabwe, nke e guzobere na njedebe afọ 2016, ebe nchekwa dijitalụ nke akwụkwọ Zimbabwe.
Mutiti bụ osote prọfesọ na Mahadum Virginia Commonwealth na ngalaba eserese grafik Ọ bi ma na-arụ ọrụ na New York City na Richmond, Virginia .
A maara Mutiti nke ọma maka nyocha nka pụrụ iche na omume ọha mmadụ nke ike ntutu isi na ejiji onwe ya na mba Africa. Dịka ọmụmaatụ, na ihe ngosi 2014 na Recess Art, Mutiti nwetara mkpali site na oghere nke ntutu isi nke Africa, dị ka enwere ike ịhụ ya na New York City ma ọ bụ Harare. Mutiti megharịrị ihe nrịbama mma dị ka "mgbidi e sere na akwụkwọ ndụ akwụkwọ ndụ acid ma ọ bụ ucha oroma na-egbuke egbuke, akwụkwọ akụkọ e gbupụrụ ndị na-eme ememme, ụdị ntutu isi, akwụkwọ ozi na akwụkwọ mmado sitere na chọọchị ndị na-ekwusa ozi ọma… [na] obere ihe onyonyo ojii nke dị n'ebe niile n'elu ụlọ nke na-eme. Ihe nkiri Nollywood." Mmasị Mutiti na-esite na mma nke ụlọ okike si ruo n'ụdị obodo na mgbanwe ana-eme n'ime ha. N'afọ 2015, dị ka akụkụ nke Performa, ọ na-arụkọ ọrụ ọnụ na Chimurenga na Pan African Space Station ịmepụta mmapụta salon nke kwadoro usoro mkparịta ụka .
Littleton v. Prange

Littleton v. Prange, 9 S.W.3d 223 (1999), bụ ikpe 1999 nke mebiri alụmdi na nwunye ebe otu n'ime ndị ahụ bụ nwanyị transgender, Christie Lee Littleton. Ụlọikpe Mkpegharị Ikpe nke Anọ nke Texas kpebiri na, maka ebumnuche nke iwu Texas, Littleton bụ nwoke, nakwa na alụmdi na nwunye ya na nwoke adịghị irè. Iwu Texas ekwenyeghị n'Alụmdi na nwunye nwoke na nwanyị n'oge mkpebi ahụ.
E kenyere Christie Lee Cavazos nwoke mgbe a mụrụ ya, na San Antonio, Texas na 1952. Ọ kwụsịrị akwụkwọ mgbe ọ dị afọ 15 wee malite ibi ndụ dị ka nwanyị. Na 1977, Cavazos malitere ịṅụ homonụ nwanyị wee gbanwee aha mbụ ya n'ụzọ iwu kwadoro. N'afọ 1980, e kenyere ya ọrụ ịwa ahụ ma mee ka a gbanwee njirimara steeti chọrọ ka ọ bụrụ nwanyị.[1] Na 1989 Cavazos lụrụ Jonathan Mark Littleton na Kentucky, mechara kwaga San Antonio..
Mgbe Jonathan Littleton nwụsịrị, Christie Littleton kpere ikpe megide dọkịta di ya, Mark Prange. Onye ọka iwu na-agbachitere ya kwuru na alụmdi na nwunye ahụ adịghị mma n'ihi na Christie bụ nwoke. Mgbe a rịọrọ arịrịọ, Chief Justice Phil Hardberger dabere n'eziokwu ahụ bụ na "iwu Texas anaghị ekwe ka alụmdi na nwunye nwoke na nwanyị" nakwa na "chromosomes nwoke anaghị agbanwe ma ọ bụ ọgwụgwọ homonụ ma ọ bụ ịwa ahụ mgbanwe mmekọahụ" n'inye mkpebi ya na "Christie Littleton bụ nwoke. Dị ka nwoke, Christie enweghị ike ịlụ nwoke ọzọ. Alụmdi na nwunye ya na Jonathan adịghị irè, ọ pụghịkwa iweta ihe kpatara ya dị ndụ"
Mkpebi ahụ mere ka ọ bụrụ ihe iwu kwadoro maka nwanyị cis ịlụ nwanyị trans bụ onye a na-arụ ọrụ ịwa ahụ ma gbanwee gaa na nwanyị ma ọ bụrụhaala na e kenyere ndị mmekọ abụọ ahụ na-abụghị nwoke ma ọ bụ nwanyị mgbe a mụrụ ya.
Akpọrọ Littleton v. Prange n'ime akụkọ ifo 2010 Drop Dead Diva "Queen of Mean". N'ime ihe omume ahụ, ndị ọka iwu maka nwanyị trans na-arụ ọrụ mgbe ọ na-arụ ọrụ na-akọwa ikpe ahụ iji gosi na alụmdi na nwunye ya na nwanyị cis, banyere tupu ọ gbanwee, dị irè, na-enye ya ohere iketa ala nwunye ya nwụrụ anwụ.
Amani Lewis

Amani Lewis (amụrụ n'afọ 1994) bụ ónyé America na-ese ihe nké bi na Baltimore, Maryland.
Lewis tolitere na Columbia, Maryland. Ha nwetara BFA na Maryland Institute College of Arts na 2016.
Na Septemba, 2019, Lewis gosipụtara Amani Lewis: Subjective Nature na August Wilson African American Cultural Center na Pittsburgh, PA. Ha nwèrè mmasị na ikpe ziri ezi na mmekọrịta mmadụ na ibe ya na ọrụ ọbọdọ. N'afọ 2019, Lewis gosipụtara ihe ngosi otu akpọrọ: Conjuring Wholeness na De Buck Gallery na New York City. Lewis bụ ónyé na-ese ihe na Fountainhead Residency na Studios na Miami, Florida. N'afọ 2020, ha nọ n'otu ihe ngosi akpọrọ: Black Voices/Black Microcosm na CFHILL Art Space na Stockholm, Sweden nke Destinee Ross haziri.
Sawt (egwú)

Sawt (Arabic) bụ ụdị egwu a ma ama na Kuwait na Bahrain.
A na-ekwu na sawt guzobere na Kuwait site n'aka onye na-ede uri, onye na-ede egwú, onye na-agụ egwú na onye ọkpụkpọ oud Abdallah al-Faraj (1836-1901/1903). Onye na-akọ akụkọ ihe mere eme nke Bahraini bụ Mubārak al-'Ammārī kwenyere na a maara sawt na Kuwait tupu 1766, na Bahrain kemgbe 1783. A na-ewere Saleh na Daoud Al-Kuwaity dị ka otu n'ime ndị ọsụ ụzọ mbụ ya.
Sawt bụ ụdị egwu dị mgbagwoju anya nke obodo ukwu, nke a na-eme na 'ud (lute) na mirwas (ụbọ), na violin mechara gbakwunye nhazi ahụ.
Ụmụ nwoke abụọ na-agba egwú a na-akpọ "Zaffan". A na-eme Al-Sout naanị na nnọkọ abalị nke ụmụ nwoke. A na-akpọ ya "Samra" (nkwurịta okwu abalị).
Chika Lann

Chika Lann bụ onye Naijiria na-eme ihe nkiri, onye na-eme egwuregwu, onye bụbu ihe nlereanya, na onye na-ahụ maka telivishọn. na-elekarị ya anya dị ka onye na-ese okwu n'ihe ọ na-ekwu banyere ọnụahịa na idebe ntutu isi ya. O mere mpụta mbụ Nollywood dị ka onye na-emepụta ihe nkiri 2019 The Millions.
Chika gụchara akwụkwọ sekọndrị na France na Switzerland ka ọ gụsịrị akwụkwọ praịmarị na Nigeria. Ọ gụsịrị akwụkwọ na Mahadum Geneva wee mụọ ndụmọdụ gbasara ihe onyonyo na Sterling Style Academy . Mgbe ọ gụsịrị akwụkwọ ya, ọ gara n'ihu n'ọrụ ya dị ka onye na-ese onyinyo na Paris. Ọ bụ onye na-ese onyinyo maka onye na-emepụta ihe na-ewu ewu bụ Bretz . Ọ laghachiri Naịjirịa iji banye na ụlọ ọrụ telivishọn. Ọ malitere ihe ngosi TV, The Expatriate Wives, nke ghọrọ ihe ngosi na-aga nke ọma na mba ahụ.
Chika La wee banye n'ụlọ ọrụ ihe nkiri ma rụọ ọrụ dị ka onye na-emepụta ihe nkiri The Millions nke bụ otu n'ime ihe nkiri kachasị ọnụ a ga-eme n'akụkọ ihe mere eme nke Ihe nkiri Naịjirịa.
A chụpụkwara ya n'ihi okwu ya na-ese okwu banyere ntutu isi ya na ebumnuche mgbasa ozi ya. 'afọ 2018, ọ ghọrọ ihe na-ewu ewu n'ịntanetị mgbe o kwusịrị na ọ na-emefu ma na-elekọta ntutu isi ya maka nde naira 40. katọrọ ihe ndị o kwuru n'onwe ya n'ọtụtụ mgbasa ozi mmekọrịta ma katọọ ya maka mgbalị ya inweta nlebara anya.
Ọ nwetakwara nkatọ maka mgbalị ya inweta mgbasa ozi mgbe ọ bulite vidiyo ole na ole nke ya na-enye onye na-ehichapụ akwụkwọ ndọrọ ego. Otú ọ dị, ọ gọrọ agọ ebubo ahụ ma gosi na ọ bụ òtù ndị na-eme fim mere ka o bulite vidio ndị ahụ iji kpalie ndị ọzọ ime ihe ọma
Pierra Makena

Pierra Makena (a mụrụ n'ụbọchị nke 11 n'ọnwa Eprel n'afọ 1981) bụ onye Kenya na-egwu egwu, onye na-eme ihe nkiri na onye TV. O ritere ihe nkiri kachasị mma maka ọrụ ya na When Love Comes Around na Nollywood na African Film Critics Awards kwa afọ na Los Angeles.
A mụrụ Makena na 11 Eprel 1981 na Meru, Kenya. Ọ gụrụ akwụkwọ sekọndrị na Chogoria Girls High School . Ọ gara n'ihu na Kenya Institute of Mass Communication ebe ọ gụrụ maka mmepụta redio.
Ọ bụ ezie na Makena malitere ọrụ ihe nkiri ya mgbe ọ nọ n'ụlọ akwụkwọ sekọndrị, ọ sonyeere ụlọ ọrụ ihe nkiri na TV nke Kenya n'afọ 2010. Mgbe ọ nọ n'ụlọ akwụkwọ, ọ rụrụ ọtụtụ emume ma nweta ihe nrite. Ụfọdụ n'ime ihe nkiri ndị o mere ka ọ nwee ọganihu n'ime ihe nkiri gụnyere Kisulisuli, Tausi, Tahidi High na Changes .
Ọ rụrụ ọrụ dịka onye na-edekọ akụkọ na onye nta akụkọ na onye na-emepụta ihe na KBC, onye mgbasa ozi mba Kenya. Ọ rụkwara ọrụ dịka onye mgbasa ozi na Radio Waumini na YFM, ugbu a Hot 96.
Ọrụ ya dịka onye na-egwu egwu malitere n'afọ 2010 mgbe ọ hapụrụ Scanad Kenya Limited iji nyere aka guzobe ụlọ ọrụ redio One Fm. Ugbu a, ọ bụ otu n'ime ụmụ nwanyị Kenya kachasị achọ ma na-akwụ ụgwọ dị ukwuu. Ọ pụtago na mmemme mba ụwa na Burundi, Ghana, Nigeria na America. Ọ bụ onye guzobere ihe omume Park na Chill na ọtụtụ ụgbọala na Africa.
Ọ bụ nne nke otu nwa.
Reekado Banks

Templeeti:Infobox musical artist Ayoleyi Hanniel Solomon onye amụrụ n'abalị isii n'ime ọnwa Disemba ,1993, nke amara aha ya dịka Reekado Banks, bụ onye Naịjirịa onye ọbụ abụ na onye na-ede abụ. Ọ bịanyere aka na Mavin Records na 2014 wee hapụ labeelụ ahụ na 2018. Ọ ụbụrụ etiti aha Spicy tupu ya edekọ ihe ndekọ Mavin. Akpọrọ Reekado Banks onye mmalite nke afọ na The Headed 2014, wee merie ihe Nrite mgbaha bu Next Rated na isi The Headed 2015 . Ewepụtara albọm studịo mbụ ya bụ Spotlight na n'abalị̀ mbụ n'ime ọnwa Septemba 2016; ọ pụtara dịka onye nke ise n'ọnụ ọgụgụ na Billboard na albọm chaat nke ụwa.
Reekado Banks bụ nwa ikpeazụ nke ezinụlọ hụrụ egwu n'anya. Nna ya bụ pastọ si Ondo Steeti ma nne ya bụ onye na-esi nri. Ọzọkwa, nwanne ya nwoke nke okenye bụ onye na-emepụta ihe na nwanne ya nwanyị nke okenye bụ onye na-agụ abụ ozioma. O tolitere site iji ọzụzụ aka ike n'ihi na nne na nna ya bụ ndị ozuzu aturu. Ọ gụsịrị ụlọ akwụkwọ sekọndrị mgbe ọ dị afọ iri na anọ, wee malite ịdekọ abụ mbụ ya na 2008. Nwanne ya nwoke mepụtara abụ mbụ ya niile ma kụziere ya ntọala egwu, ide na ịmepụta. O nwetara aha ogbo Reekado Banks site na ijikọta ihe aha abụọ ahụ pụtara; akụkụ mbụ nke aha ogbo ya sụgharịrị ịbụ "onye ọchịchị siri ike", ebe akụkụ nke ikpeazụ sụgharịrị ya "akụnụba". N’afọ 2014, Reekado Banks gụsịrị akwụkwọ na Mahadum nke Lagos na asambodo nke mmụta Hịstrị na Strategik Stọdị O hotara Don Jazzy, 2face Idibia, DJ Jimmy Jatt, Olamide na ￼￼M.I￼￼ dị ka ndị egwu n'enye ya mkpali mmụọ.
Ihe ndekọ ya na ihe ndekọ Mavin sitere na nwanne ya nwoke inyefe ụfọdụ abụ ya na labeelụ na nyocha ngosi akara aka n'ịntanetị. Reekado Banks bịanyere aka na Mavin Records mgbe ahọpụtara ntinye ya site na ntinye puku ise. N'ajụjụ ọnụ nke National Mirror, ọ sịrị na nwanne ya nwoke nyefere abụ ya ma so kpakọrita na ajụghi nkwenye mbụ ya. Reekado Banks gwakwara National Mirror na ọ bụ onye omenkà na-eme egwu site n'echiche na mmadụ dị iche ma nwee uto dị iche.
Reekado Banks bidoro otu "Turn It Up" na 21 Febrụwarị 2014, nke dabara n'otu ụbọchị ọ bịanyere aka na otu ndekọ Mavin. Egwu a gosipụtara Tiwa Savage, ma e wepụtara ya dịka egwu sịngụl mbụ ya pụtara ìhè n'okpuru ndekọ Mavin. Reekado Banks gosipụtara na egwu kpụ ọkụ n'ọnụ bụ " Dorobucci ", tinyere Don Jazzy, Korede Bello, Tiwa Savage, Di'Ja, Dr SID na D'Prince . Reekado Banks sokwa ụfọdụ ndị Omenka a akpọrọ aha rụọ ọrụ ma wepụta Egwu Sịngụl atọ emekọrọ ọnụ bụ: "Adaobi", "Arise" na "Looku Looku" Na 13 February 2015, ọ wepụtara egwu Don Jazzy nke arụpụtara bụ"Katapot". E boro ebubo sị na ọ bụ usoro ntụgharị dị iche na nke D'banj na Wande Coal . Na February 2015, Don Jazzy kwupụtara ebubo ahụ na ọtụtụ twiit. Mgbe ọ na-agwa akwụkwọ akụkọ Vanguard, Reekado Banks kwuru na ya kụpụtars"Katapot" maka ndị na-akwado ya.
Na ọnwa Julaị 2015, ụlọ ọrụ mgbasa ozi nke Nigeria bụ Globacom bịanyere aka na Reekado Banks maka nkwekọrịta nkwado. Abalị asaa n'onwa Disemba 7, 2018, o kwuputara ọpụpụ ya na otu Ndekọ́ Mavin mgbe afọ ise gachara. O kwupụtakwara mmalite nke ụlọ ọrụ ya Banks Music.
Ụlọ ọrụ owu nke Zimbabwe

Cotton Company nke Zimbabwe, bụ nnukwu ụlọ ọrụ nhazi na ịzụ ahịa owu na South Africa. Ụlọ ọrụ a, nke a maara dị ka "COTTCO", na-arụ ọrụ na ndị ọrụ ugbo na-arụ ọrụ n'otu n'otu, na-enye nkwado agronomic na ego. Edepụtara Cottco na Zimbabwe Stock Exchange na ndepụta ngwaahịa ya, Zimbabwe Industrial Index. Isi ụlọ ọrụ ya dị na Harare. Owu, mbupụ mba ụwa site na COTTCO, bụ otu n'ime ndị na-emepụta ego mba ofesi buru ibu maka Zimbabwe.
Ekundayo Opaleye

Ekundayo B. Opaleye bụ Gọvanọ nke Ondo Steeti (1946-2023), Naịjirịa site n'August 1986 ruo Disemba 1987 n'oge ọchịchị ndị agha nke General Ibrahim Babangida .
Colonel Opaleye bụ onye otu ụlọ ikpe ndị agha pụrụ iche nke e guzobere na 1986 iji kpee ndị isi ebubo na ha na-akpa nkata iwe ọchịchị megide Babangida na Disemba 1985. 'ọnwa Ọgọstụ n'afọ 1986, a họpụtara ya dịka gọvanọ nke Ondo State, na-arụ ọrụ ruo n'ọnwa Disemba n'afọ 1987. A họpụtara General Opaleye ka ọ bụrụ ọchịagha nke OAU Neutral Military Organization Group (NMOG) nke e guzobere na 1991 iji mee ka nkwụsị ọkụ dị n'etiti Ndị Tutsi na-eduzi Rwandan_Patriotic_Front" id="mwEw" rel="mw:WikiLink" title="Rwandan Patriotic Front">Rwandan Patriotic Front (RPF) na gọọmentị Rwandan Ndị Hutu na-achịkwa. NMOG nwere ikike nta nke ịmepụta mpaghara mgbochi n'etiti ndị nnupụisi na ndị agha gọọmentị.'afọ 1993, e jikọtara NMOG na United Nations Assistance Mission for Rwanda (UNAMIR). [1]Major-general Opaleye keere òkè dị ukwuu na ngwụcha nke mkparịta ụka ARUSHA nke mere ka nkwekọrịta udo nke a bịanyere aka na August 4, 1993.
Mgbe ọ lara ezumike nká n'ọrụ agha, Oluroko nke Erunmu Owu, Honourable Chief Aremu Olugbolahan Ijaola mere Opaleye onye isi Owu Erunmu (Balogun Erunmu - Erunmu Uwu's highest ranking war chief). Nke na-eme ka ọ bụrụ onye isi agha ọdịnala na Erunmu, na site n'ịgbatị, onye otu kọmitii nke abụọ na Alaeze Owu.O tinyere aka na esemokwu mgbe eze Owu, Oba Adegboyega Dosumu, họpụtara ndị Obas ọhụrụ iri na isii, bụ ndị gọọmentị Ogun State jụrụ ịnakwere. 'ọnwa Ọktoba afọ 2009, Opaleye kwuru na alaeze Owu agaghị agbanwe nhọpụta ndị ahụ ebe ọ bụ na ha emegideghị iwu ọ bụla.
Adunni Bankole

Adunni Bankole (March 1959 – 3 Jenụarị 2015) bụ onye na-azụ ahịa obodo Naijiria. Adunni Bankole Ọ bụ Yeye Mokun nke alaeze Owu, obodo dị na Abeokuta, isi obodo Ogun State, ndịda ọdịda anyanwụ Naijiria. Yeye Mokun Owu alaeze Abeokuta Ogun Steeti Nigeria
A mụrụ ya na Machị 1959 na alaeze Owu nke Abeokuta na Ogun State, ndịda ọdịda anyanwụ Nigeria. Alaeze Owu Abeokuta Ogun Steeti Nigeria Ọ lụrụ onye ndọrọ ndọrọ ọchịchị mba nke abụọ, onye isi ala Alani Bankole bụ nna onye bụbu onye na-ekwuchitere ụlọ nnochite anya, Honourable Dimeji Bankole.
Ọ nwụrụ n'ihi nkụchi obi na 3 Jenụwarị 2015 mgbe ịwachara obi.
African hair threading

African hair threading (also known as hair threading/ threading) is a traditional hairstyling technique deeply rooted in African culture. It is cherished for its versatility, beauty, and cultural significance. This age-old practice involves intricately wrapping or braiding the natural hair with threads, often made of wool, cotton, or Nylon threads creating striking and elaborate patterns. Hair threading is a meticulous art form, passed down through generations, showcasing the richness of African hairstyling artistry within various African communities.
African hair threading has multiple names across Africa in the West African country of Nigeria for example different ethnic groups know African hair threading by their native names. The native name in the Igbo language is isi òwu or òwu isī. In Yoruba language, it is known as Irun Kiko or Irun Owu. In Ghana in the Ga language it is known as Akweley Waabii, in East Africa it is known as Nywele in the Swahili language.
Hair threading remains a prevalent and cherished traditional hairstyle within many sub-Saharan African societies, particularly prevalent in the cultures of Western and Central Africa. This age-old practice of African hair threading has deep roots in the cultural heritage of diverse African communities, tracing its origins back centuries. Its enduring presence can be dated to as early as the 15th century, serving as a time-honored method that promotes length retention and nurtures the health of natural hair.
The process begins by sectioning the hair, then wrapping each section with threads and tightly securing the hair in place. Not only does this technique serve as a protective style, safeguarding hair from breakage and promoting healthy growth, but it also allows for creativity and expression, with diverse patterns and designs reflecting cultural symbolism, personal identity, or celebratory occasions.
African hair threading fosters a strong sense of community and tradition, with women often bonding over shared experiences during the intricate threading process, transmitting cultural heritage from one generation to the next. Moreover, beyond its aesthetic appeal, hair threading serves as a cultural marker, embodying heritage, pride, and a celebration of African identity.
There are many variations and styles in African hair threading, depending on the types and patterns as well as the shape, size, and direction of the sections of hair.
Some of the common styles are:
Corkscrew: This style involves wrapping the thread around the hair in a spiral motion, creating long, springy sections that resemble corkscrews.
Flat twists
Different colors of threads can be used in creating contrast or to highlight patterns in hair threading.
Fulani braids

Fulani braids (also known as Fulani style, Fulani hairstyle) are a type of hair braiding originating from the Fulani people, a nomadic ethnic group widely dispersed across West Africa. These intricate braids are deeply rooted in Fulani culture and have been passed down through generations. They are found in various African countries like Nigeria,Senegal,Guinea,Mali,Niger,Cameroon,Burkina Faso,Mauritania,The Gambia,Chad,Guinea-Bissau,Sierra Leone, Ivory Coast (Côte d’Ivoire),Togo,Sudan. The Fulani people, also known as Fula or Fulɓe would Traditionally used braiding as a way to express their identity, heritage, and social status. The braids are often adorned with beads, cowrie shells, and other decorative elements, which symbolize beauty, wealth, and cultural pride
Hair styling have played a significant role in the culture of Senegal. It symbolizes origins, social status and marital status. Fulani women throughout Senegalese society used to decorate their styled hair with beads and other accessories.
Fulani braids can be distinguished from other Senegalese hairstyles by two or more long strands braided on each side. Decorative jewelry is then added to the braids.
Many celebrities such Bo Derek, Alicia Keys, and Cicely Tyson have worn the famous Fulani braids.
Abalakov thread

The Abalakov thread, also known as a V-thread, A-thread, or 0-thread (zero thread), is an ice protection technique named after its inventor, Soviet climber Vitaly Abalakov. The Abalakov thread is a common method of protecting oneself while ice climbing because it is easy to create, does not require the sacrifice of expensive gear, and can be very safe when used properly. An Abalakov thread is often used in multi-pitch ice climbing routes. Because of its safety and convenience, the Abalakov thread is considered one of the most significant innovations in ice climbing. It significantly expanded the scope of possible routes and abseiling safety.
An Abalakov thread can be constructed using an ice screw, 1–2 metres (3.3–6.6 ft) of appropriate strength cord or webbing, and hook-like Abalakov threading device. Two holes are drilled in the ice, which interconnect at the ends to form a v-like channel in the ice. The cord or webbing is then threaded through this hole, and tied with a knot such as a fisherman's knot, or a water knot. This loop is then used to hang the abseiling rope. Abalakov thread can only be constructed in solid ice (or quality rock). The holes need to be drilled at the correct angle (about 45–50° compared to ice surface), and care must be taken that they interconnect. The surfaces of the holes need to have sufficient distance (about 17–20 centimetres, 6.7–7.9 in) between them. If the ice is not strong enough, it is possible to use two Abalakovs to balance the force, although if a second Abalakov thread is needed, an alternative route is strongly recommended.
A 2009 finding and experiments have shown a vertical rather than horizontal arrangement of the holes to be stronger (12%) (Smith, 2009). This configuration has been termed the A thread.
Though the Abalakov thread is considered to be as strong as any ice screw placement, a backup ice screw is frequently used for the first abseil. This allows for increased safety if mistakes were made in the creation of the Abalakov thread, and allows the strength of the thread to be observed.
A V-thread and an A-thread are the same thing, but the term "A-thread" often refers to a thread that is vertically-oriented (one hole above the other), while a V-thread is horizontally-oriented (side by side). A 0-thread is sometimes referred to when the rope is threaded through the holes instead of a sacrificial piece of webbing or cord. The advantage is that the climber leaves no trace however, the rope can freeze. Typically used in ice, it is sometimes also used in canyoning when traditional bolted anchors have been or will get damaged during the wet season.
Hair oil

Hair oil is an oil-based cosmetic product intended to improve the condition of hair. Various types of oils may be included in hair oil products. These often purport to aid with hair growth, dryness, or damage.
Ancient Egyptians paid special attention to hair and images of hairdressers are depicted in ancient relics found by archaeologists. Archaic texts found during this era had information about “recipes” used by the Egyptians to tackle baldness. During this time period, people used combs and ointments to groom and style their hair. It is also a popular Ancient Indian technique, it was often used as a predecessor of the modern shampoo.
Many cosmetic products including shampoo, heat protectants, hair drops, or hair masks contain oils.
Humans produce natural hair oil called sebum from glands around each follicle. Other mammals produce similar oils such as lanolin. Similar to natural oils, artificial hair oils can decrease scalp dryness by forming hydrophobic films that decrease transepidermal water loss, reducing evaporation of water from the skin. Oils on the hair can reduce the absorption of water that damages hair strands through repeated hygral stress as the hair swells when wet, then shrinks as it dries. Oils also protect cuticle cells in the hair follicle and prevent the penetration of substances like surfactants. Saturated and monounsaturated oils diffuse into hair better than polyunsaturated ones.
Mineral and vegetable oils are used to make a variety of commercial and traditional hair oils. Coconut oil is a common ingredient. Other vegetable sources include almond, argan, babassu, burdock, Castor, and tea seed.
Natural oils are used more commonly as cosmetic products on the scalp. Natural oils come from natural resources that are very high in nutrients such as vitamins and fatty acids.
Coconut oil has properties that reduce protein loss in hair when used before and after wash. Coconut oil is known to have lauric acid, which is a type of fatty acid that may penetrate the hair shaft due to a low molecular weight and linear conformation.
Argan oil originates from Morocco and is known for a conditioning effect that leaves hair soft and relieves frizz.
Avocado oil is rich in nutrients. It has a high concentration of vitamin E, which is an antioxidant that may decrease hair loss and encourages hair growth.
Oils including almond oil, grapeseed oil, jojoba oil, olive oil may promote hair elasticity and help prevent dryness and hair damage.
Koroba (hairstyle)

Koroba is a type of Yoruba braid hairstyle. Koroba means basket in the Yoruba language. The name comes from the shape and design of the hairstyle. It is shaped like a basket upside down. The braids come from the middle of the head, downwards and spread to other parts of the head. It is a rounded circular hairstyle that comes straight or curled at the ends. Koroba is one of the indigenous Yoruba braids and represents one of the many traditional African braids.
Edgar cut

The Edgar cut, otherwise known as the Edgar or the Edgar haircut, is a hairstyle often associated with Latino culture. In the 2010s and 2020s, the haircut became popular with members of Generation Z and Millennials. The haircut first became popular in US border states in the Southwest, such as Texas, New Mexico, Arizona, and California. The haircut has been compared to a bowl cut, a similar haircut with a straight fringe.
The Edgar hairstyle is usually characterized as the front hair having straight fringes, or bangs, along with the sides tapered. The hairstyle can be worn with any hair texture, including more wavy and curly hair. The Edgar hairstyle is most prominent among young Latinos.
The origin for the name Edgar is unconfirmed, although it is often misattributed to having been named after former Seattle Mariners baseball player Edgar Martínez in early 2019.
The hairstyle is associated with the Mexican Takuache aesthetic, often also called the Takuache haircut. The hairstyle has been found to have similarities to the hairstyles of the Jumano tribe. The haircut is slangily called the "cuh" in the Rio Grande Valley of Texas, after the song Cuh 956 by Dagobeat.
The Edgar hairstyle has been met with a mixed reception. A professor at the University of Texas at El Paso noted in 2023 that the teen popularity of the styles makes it "a really big marker of this generation", whereas a barber from Corpus Christi, Texas, called the hairstyle "not a favorite amongst parents". Some have associated the haircut with "gangster culture". In one instance, a restaurant owner in San Antonio, Texas, banned the Edgar.
Thread pitch gauge

A thread gauge, also known as a screw gauge or pitch gauge, is used to measure the pitch or lead of a screw thread.
Thread pitch gauges are used as a reference tool in determining the pitch of a thread that is on a screw or in a tapped hole. This tool is not used as a precision measuring instrument, rather it allows the user to determine the profile of the given thread and quickly categorize the thread by shape and pitch. This device also saves time, in that it removes the need for the user to measure and calculate the pitch of the threaded item.
To use a thread gauge, the user must first match the type of thread to the gauge. For example, attempting to measure metric threads with an imperial gauge will not return accurate results. To determine the correct gauge, a process of trial and error may be needed if the screw is of unknown origin.
Once the correct gauge is determined, the user should extend one of the leaves of the tool and press it against the threaded portion of a screw. If the teeth (cut into the leaf) match the spacing of the thread, then the user can read off the thread pitch stamped into the leaf. If the fit is not good, the user should try a different leaf.
Note that this tool is not for accurate measurement of an unknown thread, such as a hand-turned thread from a lathe. This tool is meant for a best-approximation measurement to a known thread standard.