davidanugraha/M4-RAG huggingface dataset:
Akrolektenn

Ul live-yezh uhel eo un akrolektenn.
Er bloavezhioù 1970 e krouas Derek Bickerton an termennoù akrolektenn, mezolektenn ha bazilektenn a-benn deskrivañ ar c'hemm-digemm yezh ('code switching') a rae gantañ implijidi yezhoù kreolek hag a ouie komz madik a-walc'h ivez ar yezh unvan hag a savas ar yezh kreolek diwarni. War-lerc'h e voe ledanaet stêr an tremennoù-se, hag o implijout a reer hiziv evit deskrivañ ar c'hemm-digemm yezh etre n'eus forzh peseurt yezhoù, kreolek pe get.
E meur a geñver e c'heller lâret ez eo un akrolektenn doare komzet ur yezh lennegel, rak peurliesañ eo disheñvel an akrolektenn diouzh ar yezh komzet en un doare boutin e-keñver an distagadur, ar gerva hag ar yezhadur. Muioc'h e vez doujet ouzh reolennoù ar yezh unvan pa reer gant un akrolektenn kentoc'h evit gant ar yezh voutin. Implijet e vez an akrolektenn dreist-holl da geñver darvoudoù relijiel pe c'hoazh politikel hag e forzh peseurt darvoud formel-all, da skouer el lez-varn.
Faltazi Apokaliptek ha goude Apokalips

Faltazi Apokaliptek ha goude Apokalips a zo un isrummad eus ar faltazi damkaniezhel lec'h ma kouezh sevenadurezh an Douar (pe ur blanedenn all) en he foull pe ma'z eo distrujet. Un darvoud apokaliptek gant ur vammenn hinel, evel tommadur an hin; unan steredoniel, evel un taol kosmek; un distruj, holokaost nukleel pe un divigadur krailh; yec'hedel, evel ur bandemiezh, a orin naturel pe denel; fin ar bed, evel Ar Varn Diwezhañ, an Eil donedigezh pe ar Ragnarök; pe n'eus forzh peseurt senario hag a zegas un apokalips, evel un apokalips zombi, emsav naouegel, dibarder teknologel, disgenouriezh pe un aloubadeg dreistdouarel.
Toull du steredenn

Un toull du steredenn a grou pa zisac'h ur steredenn dolzennek (dezhi tri zolz Heol pe muioc'h) warni hec'h-unan. Da vare an disac'hadenn e anad ur supernova pe ur bouilh skinoù gamma. Un hevelep toull du en deus un tolz etre tri ha pemp tolz Heol d'an nebeutañ. An hini brasañ anavezet (e 2001) en deus un tolz a dalvez 14 tolz Heol. Ar pep brasañ eus an toulloù du steredenn dre zisac'hadenn a grou diwar stered Wolf-Rayet .
Gallout a reer ijinañ un toull du a n'eus forzh peseurt tolz oc'h harpañ war lezenn an dedennerezh hollek hepken, evel ma oa bet disklêriet gant Newton. Koulskoude, seul zisteroc'h eo an tolz, seul vui e rank an danvez bezañ bac'het evit krouiñ un toull du, zo fetis en un doare didermen. Hag e gwirionez ne anavezer argerzh naturel ebet gouest da grouiñ un toull du bihanoc'h evit 1,5 gwezh tolz an Heol pe war-dro, abalamour da natur an nerzhioù disheñvel a labour en disac'hadenn gravitadurel.
Un darvoud hogos didec'hus eo disac'hadenn ur steredenn tolzennek warni hec'h-unan. Gallout a rafed tremen hebiou d'an disac'hadenn pa vez kaoz eus steredennoù tolzennek-kenañ (120 tolz Heol en deroù) zo metalek-kenañ hag o deus da-heul un avel stered a laka ar steredenn da goll re a dolz evit ma c'hallfe disac'hañ goude. E diwezh he buhez nukleel, ar steredenn a strizh dindan gwered gravitadur he danvez.
Pa vez izeloc'h tolz ar steredenn evit bevenn Chandrasekhar (1,44 tolz Heol) e teuio ar steredenn o vervel da vezañ ur gorrez wenn. Pa vez uheloc'h he zolz, met bihanoc'h memes tra evit bevenn Oppenheimer-Volkoff (3,2 tolz Heol), e teuio da vezañ ur steredenn neutronek. En tu all d'ar vevenn-se, ne vez ket kempouezet ken ar gravitadur gant gwask disteradur an elektron (evit ar gorrez wenn), na gant hini ar proton (evit a sell ar steredenn neutronek). Didec'hus eo an disac'hadenn en degouezh-se hag e teu ar steredenn da vezañ un esparder.
Termenet e vez an toulloù du steredenn dre dri ferzh : o zolz, o c'harg tredan hag o momed korn (ar spin). War a soñjer o deus an toulloù du pep a vomed korn met n'eo ket bet kadarnaet ar soñj-se gant an evezherezh. Momed korn un toull du steredenn zo hini ar steredenn a oa en e raok.
Sir Robert Baden Powell (ship, 1957)

Sir Robert Baden Powell is a 42m steel-hulled schooner flying the Dutch flag. Her home port is Lemmer in the Netherlands. She is named after Lord Robert Baden-Powell, the founder of Scouting.
The schooner was built in Magdeburg, East Germany in 1957 and launched under the name Robert.
In 1991, she was refitted to give the appearance of a Baltimore Clipper and named after the founder of the scouting movement, Sir Robert Baden Powell.
She took part in the 2008 Brest Maritime Festival.
In 2024, she rescued the 15 survivors of the Bayesian sinking off Sicily.
Tour Tanguy

The Tour Tanguy, Bastille de Quilbignon or Tour de la Motte Tanguy is a medieval tower on a rocky motte beside the Penfeld river in Brest, France. Probably built during the Breton War of Succession, it faces the château de Brest and is now accessed by a road off the square Pierre Péron, at one end of the pont de Recouvrance. It now houses the Museum of Old Brest, a museum with a collection of dioramas that depict the city of Brest on the eve of World War II.
Probably built to protect or block crossings between the two banks of the river, the tower's origins cannot be precisely determined. It may have been built by the English during their occupation of the city in the 14th century, or earlier by lord Tanguy du Chastel, of the line of lords of Quilbignon which distinguished itself in battles against the English in Brittany and contributed to the development of the right bank. The name bastille de Quilbignon gives places to that of tour Tanguy, a forename held by members of this line. Their arms are engraved below the tower's gate. The family's powerbase was at the château de Trémazan at Landunvez.
Jean de Montfort handed it over to the English in 1341, but it was restored to his son John V, Duke of Brittany in 1397. Until about 1580, the tower was the seat of justice for the lords of Le Châtel, and it was neglected after that date, becoming the property of the Rohan-Guéméné family in 1786 before becoming a French royal possession and finally being sold to a Mr Gabon on the French Revolution.
In 1862, it was bought by the architect Barillé who turned it into his house, cutting windows and building on its top a sort of Chinese-style roof over a kiosk or pavilion. Its last occupant and private owner, doctor Joseph Thielmans, left it after it caught fire during the bombardment of 1944 (the bombing also destroyed the pavilion). It was acquired by the town of Brest on 15 July 1954 and summarily repaired, but its state worsened once more and its future was compromised by the redevelopment of the Recouvrance quarter. In 1959 the town finally charged the painter Jim Sévellec with evoking the town's past, of which few remains were left. The tower was restored and opened as the Museum of Old Brest on 25 July 1962. In 1971, a turret was added and the Neo Gothic cornice along the battlements replaced to restore the tower to its medieval shape.
The ground floor houses old plans of the city of Brest, the penal colony, the Saint-Louis church and fortifications; A collection of the coats of arms of various Brest corporations (34 listed); Old postcards and photographs.
On the first floor, Jim Sévellec has created dioramas of significant events and historical scenes of the city of Brest such as:
On the second floor, dioramas by Jim Sévellec offer views of significant events, and a walk through the picturesque streets and squares of Brest in the past, including:
The top floor is only accessible during certain events and exhibitions.
48°23′00.36″N 4°29′50.46″W﻿ / ﻿48.3834333°N 4.4973500°W﻿ / 48.3834333; -4.4973500
National Maritime Heritage Complex

National Maritime Heritage Complex (NMHC) is an under construction tourism complex near Lothal in Bhavnagar district of Gujarat, India which will present the maritime heritage of India. The complex will have museums, amusement parks, educational institute, hotels and resort. It will also recreate Dholavira and Lothal cities in the complex.
The NMHC is being constructed near Lothal, an ancient maritime port city of Indus Valley Civillisation. The construction is being done under the Sagar Mala scheme of the Ministry of Ports, Shipping and Waterways of Government of India. The masterplan was finalised in March 2019. The foundation stone was laid by Prime Minister Narendra Modi on 4 March 2019. The project is being built in phases.
The NMHC is estimated to cost ₹3,500 crore (US$410 million) to ₹4,500 crore (US$530 million). The Government of Gujarat allocated land; built road, water supply and electricity lines; and contributed ₹150 crore (US$18 million) for internal infrastructure. The major ports funded ₹209 crore (US$24 million).
Architecture firm Hafeez Contractor served as the principal management consultant. The Indian Port, Rail and Ropeway Corporation Limited was awarded the implementation work. The Phase 1A is being built by Tata Projects. The Phase 1A is expected to complete by March 2024.
The NMHC will be spread over an area of 400 acres (160 ha) including 375 acres (152 ha) for the complex and 25 acres (10 ha) for the staff residential facilities. The National Maritime Heritage Museum will have 14 galleries depicting maritime history of India from the Harappan era to present.
Under Phase 1A, the National Maritime Heritage Museum with 5 galleries and a naval gallery will be built at cost of ₹774.23 crore (US$90 million). It will be spread over a area of 35 acres (14 ha). Under Phase 1B, the rest of the National Maritime Heritage Museum galleries, Light House Museum, 5D dome theatre, gardens and other infrastructure will be built.
State pavilions depicting maritime heritage of each coastal state and union territory of India will be built. The Maritime Institute; four amusement parks including Maritime and Naval Theme Park, Monuments Theme Park, Climate Change Theme Park, Adventure and Amusement Theme Park; hotels and resort will be built under this phase. It will also to recreate Dholavira and Lothal cities as they were in ancient times.
Mel Fisher Maritime Heritage Museum

The Mel Fisher Maritime Museum is located at 200 Greene Street, Key West, Florida. The museum contains an extensive collection of artifacts from 17th century shipwrecks, such as the Henrietta Marie, Nuestra Señora de Atocha and Santa Margarita. Also included are the shipwrecks and artifacts of The Santa Clara, a Conquistador-era galleon (1564), The Guerrero & Nimble. A rotating gallery exists on the second floor of the museum and is currently displaying an exhibit or artifacts belonging to Cuban Rafters, Balseros, who arrive to Key West in hand-crafted vessels. Terrestrial archaeological sites include The African Cemetery of Key West, located on Higgs Beach. The museum is named for founder Mel Fisher and was created as a 501(c)3 non-profit charity organization, thus Fisher's fortune is not financially linked to the museum. It is a museum, a lab, and a nationally recognized research facility.
Within the museum is a fully operating Conservation and Archaeology lab, where guests are allowed admittance during a daily private Lab Tour and are able to touch the artifacts while learning about the various stages of artifact conservation. Some artifacts, depending on type and density, can take anywhere from weeks to years for full conservation before they are placed on display in the museum.
As of December 2015, the upstairs exhibits, in addition to the slave ship Henrietta Marie, included displays about a group of freed slaves in Key West in 1860, the preservation of items recovered underwater, and Caribbean piracy.
A popular tourist feature was a solid gold bar that could be lifted by visitors in a plexiglass case. This bar was stolen by two thieves, Richard Johnson and Jarred Goldman, in August 2010. Following the theft, the gold bar was then cut into pieces and sold off in Las Vegas. In 2018, the FBI arrested the two men after receiving an anonymous tip. Only a single piece of the gold bar was able to be recovered. Johnson was sentenced to 5 years and 3 months in prison with Goldman receiving 3 years and 4 months. Both men also had to pay $570,195 in compensation.
Falklands Maritime Heritage Trust

The Falklands Maritime Heritage Trust (FMHT) is a charitable organization in England and Wales, based in London. Led by a group of trustees, the FMHT's goal is to educate Falkland Islanders about maritime history.
The FMHT was incorporated on 6 October 2014 to educate the public in the Falkland Islands and neighboring seas about maritime history. It was registered with the Charity Commission for England and Wales on 18 November 2014.
The FMHT is run by a group of trustees who act as directors of the charity. The founding trustees when the charity was established were David Ainslie, Mensun Bound, William Featherstone, and Donald Lamont. Additionally, Alan Huckle was appointed as a trustee on 8 January 2015, but resigned on 31 December 2018.
The FMHT donated £50,000 to film the search for the Blue Jacket since full participation in the search was not possible.
The charity has also assisted in the search for German warships lost in the Battle of the Falkland Islands. The search began in December 2014 and was initially unsuccessful, but was resumed five years later. On 11 April 2019, under a contract with Ocean Infinity and using the vessel Seabed Constructor, a team, led by Mensun Bound, located SMS Scharnhorst. This search was filmed under a contract with TVT Productions and the film was titled "Lost Ships." Its premiere was held on 4 December 2019, and it was later sold to the Smithsonian Channel.
The Trust donated £2,000 to the SS Great Britain Trust to support the anniversary of the ship's return from the Falkland Islands.
The FMHT managed an expedition to the Weddell Sea using new equipment aboard S. A. Agulhas II to locate and film the wreck of Endurance, discovering it on 5 March 2022 in remarkably good condition.
Ortigueira's Festival of Celtic World

Ortigueira, a seaport and borough in County Ferrolterra (A Coruña) in Galicia, celebrates its patron saint day -Saint Martha of Ortigueira's Day- on 29 July.
Held during Saint Martha's day, Ortigueira's Festival of Celtic World (Festival Internacional do Mundo Celta de Ortigueira) is the highlight of the borough's summertime festival calendar. The festival lasts for four days, Thursday to Sunday, and is free.
The main stage is located in the port, and it has hosted performances by Celtic music groups of great level and international fame, such as Alan Stivell or The Chieftains, among many others. Since the 2000 edition in the surroundings of the port rises a smaller stage, the Runas stage, where a jury competition is held between new groups. The prize to the winner is the performance in the main stage in the edition of the following year. Free campsites are available on the beach of Morouzos and in the pine grove for people who go to the festival.
It is considered a Fiesta of International Tourist Interest and is one of the largest folk festivals in terms of number of attendees from all over Europe, having occasionally surpassed 100,000 attendees per edition.
The inaugural festival was organized on 30 July 1978 by the Escola de Gaitas de Ortigueira. It was held from 1978 to 1987 and has been held since 1995.
2017: Noreia (Slovenia), Gabriel G Diges (Ireland), Koji Koji Moheji (Japan), Skerryvore (Scotland), Crebisnky (Galicia), Bagad Kevren Brest Sant Mark, Escola de Gaitas de Ortigueira, Usher's Island, Scott Wood Band, Böj, The California and District Pipe Band, Oscar Ibañez & Tribo, Michael McGoldrick Band, Tejedor, Harmonica Creams, Gamelas e Anduriñas, Os Carecos e Amigos, Treixadura e Cantigas e Agarimos and A Roda.
2018: Brumafolk (Cantabria), The Taverners (Castela e León), Beltaine (Poland), Ímar (Scotland/Wales), Escola De Gaitas De Ortigueira (Galicia), The National Youth Pipe Band of Scotland (Scotland), Kila (Ireland), Rubén Alba (Asturias), Os D’abaixo (Galicia), Milladoiro (Galicia), Yves Lambert Project (Canada), Gabriel G Diges (Ireland), Airiños De Fene (Galicia), Lúnasa (Ireland), The Celtic Social Club (Brittany).
43°40′59″N 7°51′00″W﻿ / ﻿43.68306°N 7.85000°W﻿ / 43.68306; -7.85000
Hari Kebangsaan

Hari Kebangsaan atau Hari Nasional adalah suatu hari yang dirayakan di suatu negara berdaulat atau yang tidak berdaulat. Hari kebangsaan dapat diperingati karena meraih kemerdekaan, berubahnya bentuk negara, atau ulang tahun raja, penjatuhan penguasa sebelumnya, dan sebagainya.
Sebagian besar negara memiliki tanggal nasional yang tetap, tetapi beberapa memiliki tanggal yang dapat dipindahkan. Contohnya adalah Jamaika, yang hingga 1997 merayakan hari nasionalnya pada hari Senin pertama bulan Agustus. Hal ini memperingati kemerdekaan dari Britania Raya yang dicapai pada hari Senin, 6 Agustus 1962, Senin pertama pada bulan Agustus tahun itu. Hari Kemerdekaan Israel tidak ditetapkan relatif terhadap kalender Gregorius sipil, yang secara resmi dikaitkan dengan 5 Iyar pada kalender Yahudi, tetapi juga dapat dipindahkan ke hari apa pun antara 3 dan 6 Iyar untuk menghindari persiapan atau merayakan Hari Kemerdekaan atau Peringatan Hari (yang segera mendahului Hari Kemerdekaan) pada Shabbat; efek praktisnya adalah Hari Kemerdekaan dapat dirayakan setiap hari antara 15 April dan 15 Mei.
Sebagian besar hari nasional dapat dikategorikan dalam dua blok besar:
Denmark dan Britania Raya adalah dua di antara sedikit negara yang tidak menetapkan hari nasional (meskipun Hari Konstitusi memiliki banyak fitur yang sama dari hari nasional dalam kasus Denmark)
Anak Ajaib (seri televisi)

Anak Ajaib adalah serial televisi Indonesia produksi Tripar Multivision Plus yang ditayangkan perdana 27 Januari 1999 pukul 20.00 WIB di SCTV. Serial ini disutradarai oleh Yazman Yazid dan Cuk FK dan dibintangi oleh Joshua Suherman, Leony, Meidiana Hutomo, dan Gracia Indri.
Tomi si android yang sangat baik. Tomi diciptakan oleh seorang pencipta Robot yang bernama Pak Bernard. Tomi diciptakan persis dengan almarhum anak Pak Bernard yang telah meninggal dunia akibat kecelakaan hingga membuat kakak almarhum Tomi (Mimi) selalu bersedih. Akhirnya demi putrinya, Pak Bernard mendesain kulit luar si robot yang telah diprogramkan dengan sangat canggih hingga menyerupai almarhum anaknya Tomi. Setelah Tomi tercipta oleh Pak Bernard malah Pak Blangkon, seorang pembantu di rumah Pak Bernard sempat merasa kaget dan takut karena Tomi dikira bangkit lagi menjadi hantu. Makanya Pak Bernard meminta Mimi agar merahasiakan identitas Tomi sebagai robot agar tidak dijadikan bahan penelitian di seluruh dunia.
Bersepeda

Bersepeda adalah sebuah kegiatan rekreasi atau olahraga, serta merupakan salah satu moda transportasi darat yang menggunakan sepeda. Sepeda pertama kali diperkenalkan pada abad ke-19 Masehi.
Banyak penggemar bersepeda yang melakukan kegiatan tersebut di berbagai macam medan, misalnya perbukitan, medan yang terjal maupun hanya sekadar dipedesaan dan perkotaan saja.
Orang yang mempergunakan sepeda sebagai moda transportasi rutin juga dapat disebut komuter. Penggunaan sepeda sebagai moda transportasi rutin tidak hanya dilakukan oleh pekerja yang bekerja di sektor non-formal, tetapi juga dilakukan oleh pekerja yang bekerja di sektor formal.
Para pekerja di sektor formal yang menggunakan sepeda sebagai moda transportasi rutin ini sebagian besar tergabung dalam komunitas pekerja bersepeda atau yang dikenal dengan nama Bike To Work Indonesia (B2W Indonesia).
Selain para pekerja, sepeda juga banyak digunakan oleh anak sekolah. Selain karena menggunakan sepeda tidak membutuhkan biaya tambahan, bersepeda juga dapat dilakukan di jalan yang kurang bagus sekalipun. Bersepeda bagi anak sekolah juga dapat mengurangi bahaya kecelakaan dalam berkendara.
Bendera dan lambang Majapahit

Bendera dan lambang Majapahit mengacu pada warna kebesaran dan simbol yang digunakan untuk merepresentasikan kerajaan Majapahit. Akan tetapi, sifat dari bagaimana warna dan lambang itu digunakan dan direpresentasikan masih menjadi subjek studi dan perbedaan pendapat di antara para sejarawan.
Paduan warna merah-putih dikibarkan oleh TNI-AL dalam Kapal Republik Indonesia (KRI) sebagai bendera maritim (lencana perang dan tanda/pennon), dengan masing-masing nama "Lencana Perang" dan panji "Ular-Ular Perang".
Panji merah putih tercatat dalam prasasti Kudadu dengan angka tahun 1294 M. Dalam prasasti tersebut diceritakan bahwa panji-panji merah putih dikibarkan oleh pasukan Jayakatwang dari Daha yang sedang mengejar pasukan Raden Wijaya. Piagam Merah Putih adalah sebutan nama lain dari prasasti Kudadu. Disebutkan bahwa Raden Wijaya sedang dikejar oleh pasukan Jayakatwang yang membawa bendera tersebut, ketika tiba-tiba "panji-panji musuh terlihat di sebelah timur Hanyiruh, warnanya merah dan putih" (hana ta tuṅgulniṁ atru layū-layū katon·vetani hañiru[h], bāṁ lāvan putiḥ varṇnanya). Ini terdapat pada prasasti Kudadu 4v baris ke-3.
Saat raja Hayam Wuruk melakukan lawatan ke seluruh negeri Majapahit, warna merah putih dicatat digunakan sebagai penanda rombongan. Dicatat pada Nagarakretagama pupuh 18 bait 2–4:
Terjemahannya:
Dari terjemahan, warna dan lambang-lambang yang digunakan Majapahit dapat diklasifikasikan sebagai berikut:
Warna merah dan putih digunakan sebagai warna kajang—berarti tirai samping kereta atau atap berbentuk setengah silinder, terbuat dari daun lontar yang direkatkan atau dianyam. Kombinasi merah-putih dianggap sebagai yang paling mulia.
Lobheng lewih adalah nama motif hiasan untuk lukisan, gambar, atau tekstil. Motif ini berwarna merah dan putih, kombinasinya disebut gula-kalapa, yang merupakan lawan dari pare-anom, yaitu warna hijau dan emas, yang digunakan Daha. Kombinasi merah dan putih dianggap paling agung di Jawa.
Gringsing juga merupakan nama dari motif dekorasi, terutama untuk tenunan dan batik. Mungkin warnanya putih dan hitam, berbintik-bintik atau bertitik.
Pada Nagarakretagama pupuh 84 bait 4 juga disebutkan panji-panji (bahasa Jawa kuno: dwaja atau dhwaja). Warnanya tidak disebutkan, Pigeaud berpendapat panji-panji seperti itu memiliki warna simbolis, dengan merah-putih (gula-klapa) menjadi kombinasi yang paling luhur.
Soekarno menggambarkan panji maritim Majapahit dengan garis selang-seling warna merah dan putih, dengan nama Sang Getih-Getah.
Lambang negara Majapahit (rajasa lancana) disebutkan dalam Nagarakretagama pupuh 18 bait 4. Dicatat bahwa saat raja Hayam Wuruk pergi ke Lumajang, kereta sang raja memiliki cihna, yakni tanda pengenal. Lambangnya adalah wilwa (bahasa Sanskerta untuk buah maja—Aegle marmelos). Bentuk buah maja yang bulat mungkin diasosiasikan dengan posisi raja dan ibukota Majapahit sebagai pusat dari mandala Majapahit.
Bendera dengan bentuk serupa:
Daftar ibu kota provinsi di Indonesia

Indonesia adalah sebuah negara kesatuan yang berbentuk republik yang memiliki 38 ibu kota provinsi. Meskipun frasa ibu kota menggunakan kata kota, pada kenyataannya, tidak semua ibu kota provinsi di Indonesia berupa kota. Hal ini terjadi pada ibu kota negara, Jakarta, yang menjadi ibu kota Provinsi Daerah Khusus Ibukota Jakarta (DKI Jakarta) dan juga merupakan Provinsi DKI Jakarta itu sendiri. Selain itu, ibu kota provinsi yang bukan merupakan kota terdapat pula di beberapa provinsi lainnya, yaitu Sulawesi Barat, Papua Barat, Papua Pegunungan, Papua Selatan dan Papua Tengah yang beribu kotakan kabupaten, Kalimantan Utara yang beribu kotakan kecamatan, dan Maluku Utara yang beribu kotakan kelurahan.
Selama sejarah berdirinya Indonesia, telah terjadi beberapa kali pemindahan ibu kota negara, begitu pula yang terjadi di Maluku Utara yang ditandai dengan perpindahan ibu kota dari Ternate ke Sofifi pada 2010. Pemindahan ini dilakukan karena menurut dasar hukum Maluku Utara, UU Nomor 46 Tahun 1999, ibu kota Maluku Utara ialah Sofifi. Namun, karena keterbatasan infrastrukur Sofifi, Ternate dijadikan ibu kota sementara. Provinsi Kalimantan Barat pun telah merencanakan pemindahan ibu kota dari Pontianak dengan melakukan studi kelayakan. Selain itu, sempat ada upaya pemindahan ibu kota Maluku dari Ambon ke Makariki, namun tidak terwujudkan.
Jakarta yang sekaligus berperan sebagai ibu kota Provinsi DKI Jakarta dan negara merupakan ibu kota provinsi terbesar di Indonesia dengan penduduk sebesar 10.177.924 jiwa pada 2015, sedangkan ibu kota terkecil adalah Sofifi dengan penduduk sebesar 1.783 jiwa pada 2013.
Daftar ibu kota provinsi di Indonesia ini mengandung peringkat ibu kota, nama provinsi, nama ibu kota, data kependudukan ibu kota (jumlah penduduk, pertumbuhan penduduk, dan kepadatan penduduk), luas wilayah ibu kota, Indeks Pembangunan Manusia (IPM) ibu kota, dan kepala daerah ibu kota. Di samping itu, daftar ini memiliki fitur warna dan simbol yang maknanya bisa dilihat di tabel keterangan. Setelah itu, ada hal-hal yang perlu diperhatikan saat melihat daftar yang akan disebutkan berikut ini.
Hari libur di Korea Selatan

Hari raya di Korea Selatan terdiri dari tiga jenis hari raya: Hari Perayaan Nasional (국경일, 國慶日), Hari Pengibaran Bendera (국기게양일, 國旗揭揚日), dan Hari Libur Resmi (공휴일, 公休日). Masing-masing jenis hari raya ditetapkan oleh dasar hukum yang berbeda. Semua hari perayaan nasional adalah hari pengibaran bendera.
Sebagian besar hari raya tradisional Korea mengikuti kalender lunar. Pada hari libur resmi, kantor dan bank tutup, tetapi toko serba ada, rumah makan, museum, istana, dan taman bermain tetap buka.
Suzzanna: Malam Jumat Kliwon

Suzzanna: Malam Jumat Kliwon merupakan film hantu thriller Indonesia tahun 2023 yang dirilis pada tanggal 3 Agustus 2023 serta dibintangi oleh Luna Maya dan Achmad Megantara. Film ini merupakan film kedua dari seri film Suzzanna Reborn setelah film Suzzanna: Bernapas Dalam Kubur yang dirilis pada pada tahun 2018 serta merupakan adaptasi bebas dari Malam Jum'at Kliwon yang dirilis pada tahun 1986.
Berlatar tahun 1986 di sebuah desa yang letaknya di Jawa Timur, Suzzanna dan Surya adalah sepasang kekasih yang akan segera menikah. Namun karena utang yang dimiliki oleh orangtua Suzzanna terhadap Raden Aryo, orang terkaya di desa mereka, membuat hubungan keduanya kandas. Raden Aryo akan menganggap utang orangtua Suzzanna lunas apabila Suzzanna mau dijadikan istri keduanya.
Karena tak ada pilihan lain, Suzzanna pun menyetujui perjodohan tersebut dan memutuskan hubungannya dengan Surya. Tidak lama setelah pernikahannya, Suzzanna langsung mengandung anak pertama Raden Aryo. Minati, istri pertama Raden Aryo yang tidak bisa memiliki keturunan merasa cemburu dengan kehadiran Suzzanna. Dia dibantu dengan dukun kepercayaannya, mencoba menyantet Suzzanna yang sedang hamil besar. Suzzanna pun tewas akibat santet tersebut tepat pada Malam Jumat Kliwon.
Soraya Intercine Films menyelenggarakan gala premiere film ini di bioskop Plaza Senayan XXI, Jakarta pada 29 Juli 2023. Di hari yang sama, penjualan tiket film ini mulai dijual secara pre-sale melalui daring khusus untuk penayangan di hari pertama di beberapa bioskop. Film ini mulai ditayangkan serentak di semua bioskop Indonesia mulai 03 Agustus 2023. Film ini juga tayang di Timor Leste mulai tanggal 12 Agustus 2023 dan di Malaysia mulai tanggal 31 Agustus 2023. Film ini akan dirilis di platform streaming Netflix mulai 07 Desember 2023.
Jumlah penonton film ini pada hari pertama penayangan di bioskop Indonesia meraih 193.623 penonton. Pada akhir pekan pertama, film ini memperoleh penonton sebanyak 765.396 penonton. Film ini berhasil mendapatkan lebih dari satu juta penonton pada hari keenam, tepatnya sebanyak 1.020.550 penonton. Film ini juga berhasil memperoleh lebih dari dua juta penonton pada pekan ketiga, tepatnya di hari ke-23 sebanyak 2.016.658 penonton. Tepat empat pekan penayangan, film ini telah mendapatkan 2.132.087 penonton. Setelah 6 pekan penayangannya di bioskop Indonesia, film ini meraih total 2.189.363 penonton.
Film Suzzanna: Malam Jumat Kliwon berhasil memperolah total jumlah penonton sebanyak 2.188.836 di satu bulan lebih penayangannya. Hal tersebut menjadikan film ini masuk Daftar film Indonesia terlaris sepanjang masa pada saat itu dirilis pada 27 Juli 2023 dengan momen spesial HUT RI yang ke 78 tahun itu. Film ini juga menjadi film terlaris yang disutradarai oleh Guntur Soeharjanto.
Suzzanna: Malam Jumat Kliwon di IMDb
My Country, 'Tis of Thee

"My Country, 'Tis of Thee", also known as "America", is an American patriotic song whose lyrics were written by Samuel Francis Smith. The song served as one of the de facto national anthems of the United States (along with songs like "Hail, Columbia") before the adoption of "The Star-Spangled Banner" as the official U.S. national anthem in 1931. The melody is adapted from the de facto national anthem of the United Kingdom, "God Save the King".
Samuel Francis Smith wrote the lyrics to "America" in 1831 while a student at the Andover Theological Seminary in Andover, Massachusetts. The use of the same melody as the British royal anthem is a contrafactum which reworks this symbol of British monarchy to make a statement about American democracy.
Composer Lowell Mason had requested that Smith translate or provide new lyrics for a collection of German songs, among them one written to this melody. Smith gave Mason the lyrics he had written, and the song was first performed in public on July 4, 1831, at a children's Independence Day celebration at Park Street Church in Boston. The first publication of "America" was in 1832.
An abolitionist version was written, by A. G. Duncan, 1843, with lyrics mentioning white and black races. For Washington's Centennial celebration, another verse was added to the original version.
Marian Anderson performed the song at the Lincoln Memorial on Easter Sunday, April 9, 1939. Anderson, an African American singer, had been forbidden to perform at the DAR Constitution Hall due to its whites-only policy. After a national outcry, and with support from Eleanor Roosevelt, the concert was held on the steps of the memorial, and attracted a crowd of more than 75,000 in addition to a national radio audience of millions.
Martin Luther King Jr. recited the first verse of the song toward the end of his famous "I Have a Dream" speech at the Lincoln Memorial during the March on Washington for Jobs and Freedom on August 28, 1963.
Crosby, Stills & Nash performed the song on the first episode of The Tonight Show with Jay Leno that aired after the September 11 attacks in 2001.
On January 20, 2009, Aretha Franklin sang the song at the first inauguration of Barack Obama. Kelly Clarkson sang it at his second inauguration.
Other texts set to the same music:
Organ variations by Charles Ives:
La Anunciación (El Greco, Museo del Prado, 1570)

La Anunciación es uno de los temas más repetidos en el corpus pictórico del Greco, de quien se conservan tres versiones realizadas en Italia, cuyo antecedente es uno de los paneles del Tríptico de Módena.​
El episodio de la Anunciación relata la aparición del arcángel Gabriel, con el fin de anunciar a la Virgen María que sería la madre de Jesús por obra del Espíritu Santo. Este episodio está narrado en el evangelio de Lucas (Lc 1:26-39).​
La iconografía de las Anunciaciones del Greco en Italia se basa en la escuela veneciana de pintura, aunque sin reproducir ninguna obra en concreto. Hay antecedentes colocando a Gabriel en una nube, por ejemplo en La Anunciación de Tiziano, de la Scuola Grande di San Rocco, o en La Anunciación de Tintoretto, del Museo Nacional de Arte de Rumanía.​También se han sugerido obras como una Anunciación, en Santa María degli Angeli en Murano, la Santa Catalina de Alejandría del Museum of Fine Arts de Boston, o bien grabados de Giulio Bonasone o de Giorgio Ghisi. En el fondo destaca una monumental arquitectura clásica, que recuerda ciertas propuestas de Vitruvio, presentes también en La curación del ciego (El Greco) y en La expulsión de los mercaderes (El Greco).​
La presente obra se considera un boceto muy acabado de la versión de La Anunciación (etapa italiana) actualmente en el Museo Nacional de Arte de Cataluña. El estilo, la técnica y el marco arquitectónico son propios de escuela veneciana. La Virgen María está vestida con túnica rosa y manto azul, y Gabriel con ropaje amarillo y forro rojo.​
La perspectiva está conseguida a través de la arquitectura y del suelo embaldosado, también inspirados en la escuela veneciana. El juego de miradas entre María y Gabriel refuerza la diagonal empleada para organizar la composición. En la parte superior, el pintor representa un rompimiento de gloria, destacando los ángeles en diferentes escorzos, que otorgan un mayor dinamismo a la escena.​
Monumento a Velázquez (Madrid)

La estatua de Velázquez es un ejemplar de arte público ubicado en Madrid. Levantado frente a la puerta principal del Museo del Prado, el monumento consiste en una estatua sedente de bronce del pintor Diego Velázquez obra de Aniceto Marinas que se alza sobre una peana pétrea.
La idea de erigir una estatua a Velázquez fue una idea del Círculo de Bellas Artes.​ La estatua fue fundida por la Casa Masriera y Campins en Barcelona,​ empleando bronce suministrado por el Estado español. Diseñada por Aniceto Marinas, la estatua representa a una figura sedente de Velázquez, con su paleta y pincel en posición de descanso.​ El gesto de mano del Velázquez imita al del autorretrato del pintor en Las Meninas.​​
El pedestal fue obra de Vicente Lampérez y fue financiado por la Sociedad de Arquitectos;​ consiste en un cubo de piedra blanca de Monóvar de 1,90 metros de altura.​ En su cara delantera, aparece inscrito el nombre «Velázquez» surmontado de una estrella.​ Las caras laterales del pedestal muestran inscritos los años de nacimiento y muerte del pintor, «1599» y «1660», respectivamente.​ Entretanto la cara trasera del cubo reza «los artistas españoles por iniciativa del círculo de bellas artes — 1899».​
El monumento fue inaugurado el 14 de junio de 1899,​ con ocasión de los fastos del 300.º aniversario del nacimiento del pintor. Entre los asistentes a la ceremonia se encontraron la Familia Real (incluyendo la reina regente María Cristina y el rey Alfonso XIII),​ los ministros de Fomento y Marina, Santiago de Liniers, Francisco Romero Robledo, Repullés y Vargas, Benlliure y Ruiz Guerrero.​ Entre los intervinientes que impartieron unas palabras se encontraron los pintores franceses Carolus-Duran y Jean-Paul Laurens, y Edward Poynter, presidente de la Real Academia británica.​
Premio Velázquez de Artes Plásticas

El Premio Velázquez de Artes Plásticas es un galardón creado en el año 2002 por el Ministerio de Cultura de España en reconocimiento a los méritos en cualquier manifestación de las artes plásticas de un artista iberoamericano. Toma su nombre del pintor Diego Rodríguez de Silva y Velázquez, y es el equivalente dentro de las artes plásticas al Premio Cervantes de literatura.​
El premio se concede por la totalidad de la obra de un creador en el ámbito de las artes plásticas en cualquiera de sus manifestaciones y pueden ser candidatos al premio los nacionales de España y de los Estados americanos de la Comunidad Iberoamericana de Naciones.​
Las candidaturas pueden ser presentadas por las Academias de Bellas Artes, los Museos de Arte Moderno y Contemporáneo, las asociaciones de críticos de arte, los autores premiados en anteriores convocatorias, los miembros del jurado y otras instituciones vinculados a las artes plásticas en España e Iberoamérica.
El premio está dotado con una cuantía de 100.000€ y no puede ser otorgado a título póstumo. Además de la dotación económica, el Ministerio de Educación, Cultura y Deporte organizará, a través del Museo Nacional Centro de Arte Reina Sofía, una exposición antológica de la obra del artista premiado.​
Puerta de Velázquez

La puerta de Velázquez del Museo del Prado es la principal entrada al Museo y emblema de éste. Toma su nombre de Diego Velázquez, pintor sevillano afincado en la corte de Felipe IV y que produjo importantes obras —Las Meninas, Las hilanderas y varios retratos de la familia real, entre otras—, que hoy se conservan en el Prado. Alberga un gran salón de acogida al público y es la vía de flujo más importante en el Museo, pues a través de ella se puede visitar todo el edificio de Villanueva. El friso sobre la puerta representa a Fernando VII como protector de las artes y las ciencias, junto a varios dioses de la mitología griega, como Atenea y Apolo.​
La escultura que está frente a la entrada representa a Velázquez, fue construida en 1899 por Aniceto Marinas. Esta puerta fue uno de los ejes centrales de las restauraciones de 2006 y 2007: al pavimentarse las calles Ruiz de Alarcón, Casado del Alisal y Alberto Bosch, se necesitaba construir una ampliación para dotar de mayor espacio a la zona, para lo que se gastaron €42.636.006. Se adaptaron varias taquillas y servicios de seguridad en la puerta, que hasta entonces había estado cerrada al público y sólo se usaba para actos solemnes. Entre las obras de la restauración destaca la protección de la estatua de Velázquez, llevada a cabo por la empresa Ferrovial.​
Finalmente, la mañana del 1 de noviembre de 2007, alrededor de las nueve de la mañana (CET), se abrió la puerta al público. A través de ella los visitantes pueden contemplar en primer plano varias obras del romanticismo español, especialmente de José de Madrazo y Francisco Pradilla.​
En la actualidad, la Puerta ha abandonado su carácter público y solo se permite el acceso a través de ella en actos solemnes e instrumentos como visitas oficiales.
José María Velázquez

José María Velázquez-Gaztelu (Cádiz, 1942) es un poeta y cineasta español. Cofundador de la revista Liza, de Arcos de la Frontera. Escritor y poeta, ha sido coguionista, entrevistador, redactor de textos y flamencólogo de las series de 115 capítulos de TVE, Rito y Geografía del Cante y Rito y Geografía del Baile. Es colaborador asiduo del sello discográfico RTVE Música, para el que dirige la colección Nuestro Flamenco.​​
Ha pronunciado conferencias en universidades, centros culturales y conservatorios de España, Marruecos, Inglaterra, Jordania, Egipto, Estados Unidos, Líbano, Siria, Francia, Japón y Alemania.​
Desde 1984, escribe, dirige y presenta el programa de Radio Clásica, RNE, Nuestro Flamenco. Recibió el Premio Nacional de la Cátedra de Flamencología en 1972 por la serie de televisión Rito y Geografía del Cante; en 1979 por sus artículos y reportajes sobre flamenco, publicados en diarios y revistas, y en 1997 por su programa de radio Nuestro Flamenco.​
En 2019 es elegido para leer el Manifiesto en defensa del flamenco en Jerez de la Frontera.​
Destacan su obras La ceniza, Ritos y Los límites del desierto.
Recibió el III Premio Internacional de Investigación del Flamenco.​
Isidro González Velázquez

Isidro González Velázquez (Madrid 15 de mayo de 1765-Madrid, 9 de diciembre de 1840)​ fue un arquitecto español de los siglo XVIII-XIX. Hijo segundo del pintor Antonio González Velázquez, y, de acuerdo con las inclinaciones de la copiosa dinastía artística a que pertenecía, ingresó en 1778 en los estudios de arquitectura de la Academia de San Fernando, siendo discípulo de Juan de Villanueva.​
Acabada su formación española, en 1790 es pensionado extraordinario de Carlos IV y viaja por Francia, por toda Italia e incluso por Grecia, estudiando y midiendo monumentos y objetos de la Antigüedad clásica. Regresa a España en 1795.
En 1799 es académico de San Fernando y consta como «Teniente de arquitecto mayor de los reales palacios y casas de campo del Rey». Se ignora hasta qué extremo, y en razón de dicho cargo, sea autor de la Real Casa del Labrador (ca. 1803), de Aranjuez. Si no lo fuera de toda la estructura, sí lo sería de la fachada, con dos cuerpos laterales salientes, todo ello articulado con suma gracia, con la mejor discreción ornamental y con un rico sentido del color. También intervino en el proyecto del Real Canal del Manzanares.
Tras la guerra de la Independencia, las obras del gran arquitecto casi no pasan de proyectos. Fue él, renovando la vieja idea de José Bonaparte y de Silvestre Pérez, el autor que preveía una felicísima ordenación de la Plaza de Oriente, a modo de una majestuosa semiexedra, su radio principal el comprendido entre la mole del Palacio Real y el Teatro de los Caños del Peral. Si ello no pasó del plan -y, congruentemente se lamentaba González Velázquez de no ser requerido sino para obras menores (el puente entre Palacio y la Casa de Campo, un cuartel en El Pardo, etc.)- sí fue realidad su notable monumento a las víctimas del Dos de Mayo, en el Campo de la Lealtad, decretado en 1822 y no concluso hasta 1840. Es un obelisco muy bien diseñado, con tres cuerpos, el inferior con urnas sepulcrales.
Luis de Morales

Luis de Morales (1509 – 9 May 1586) was a Spanish painter active during the Spanish Renaissance in the 16th century. Known as "El Divino", most of his work was of religious subjects, including many representations of the Madonna and Child and the Passion.
Influenced by Raphael Sanzio and the Lombard school [fr] of Leonardo da Vinci, especially in his early work, he was called by his contemporaries "The Divine Morales" because of his skill and the shocking realism of his paintings, and because of the spirituality transmitted by all his work.
His work has been divided by critics into two periods, an early stage marked by the influence of Florentine artists such as Michelangelo, and a more intense, more anatomically correct later stage with similarities to the works of German and Flemish Renaissance painters. The Prado Museum in Madrid holds around 22 paintings by Morales. Some of his works can also be seen at Salamanca's Cathedral and Museum in Plasencia and the Real Academia de Bellas Artes de San Fernando in Madrid.
Coronation of the Virgin (Velázquez)

The Coronation of the Virgin is a 1635–1636 painting on oil on canvas by Diego Velázquez of the Holy Trinity crowning the Blessed Virgin Mary, a theme in Marian art. It is now at the Museo del Prado.
It was probably commissioned for the oratory of the court of Elisabeth of France, queen consort to Philip IV of Spain, in the Real Alcázar of Madrid. There it joined others on Marian religious festivities by the Naples painter Andrea Vaccaro which had been brought to Madrid by cardinal Gaspar de Borja y Velasco. The model for Mary may be the same as he used for the Rokeby Venus.
Velázquez's coronation of the Virgin is exceptional for being a rare religious work by an artist better known for his portraits, and for the air of naturalness and simplicity not found in works by other Baroque religious painters. Its composition is based on an inverted triangle, giving a sense of great equilibrium and harmonious lines and reminiscent (both in its colour and form) of a heart. The main figure is the Virgin Mary, with a modest, reverential, and emotional expression, lowered eyes, a straight nose and curved lips. The sense that the inverted triangle is meant to refer to a heart is reinforced and the viewer's piety invoked by Mary pointing to her own heart.
To the viewer's right is God the Father, represented as a dignified old man, whilst to the left is the long-haired figure of Jesus Christ - together they hold Mary's crown above her head. In the centre the Holy Spirit is represented in the form of a white dove. The figures' heads and the dove are level, on the line of the triangle's base, representing their equality within the Holy Trinity. Also notable are the cherubs round the Virgin at the base of the painting - their pictorial quality rivals that of Murillo, famous for his cherub-themed works.
Velázquez uses mainly blues and violets, and as carmines (especially Venetian carmine) instead of traditional reds following the advice of his tutor Pacheco as written down in his book Arte de la Pintura, despite Velázquez already being an acclaimed artist by the time of producing this painting.
Noting the resemblance of the model in these paintings, the art historian José López-Rey wrote in 1999 that "obviously, Velázquez worked in both cases, and, for that matter, in the Fable of Arachne and Arachne, from the same model, the same sketch, or just the same idea of a beautiful young woman. Yet, he put on canvas two different images, one of divine and the other of earthly beauty". However, Neil MacLaren does not endorse these suggestions; they would probably argue that the painting was not produced in Italy. The Prado "Coronation" is dated to 1641–42; the present image is "stretched" vertically compared with the original.
Velazquez

Velázquez, also Velazquez, Velásquez or Velasquez (/vəˈlæskɛz/, /-ˈlæz-/), is a surname from Spain. It is a patronymic name, meaning "son of Velasco".
References to "Velazquez" without a first name are often to the Spanish painter, Diego Velázquez.
Notable people with this surname include:
Las Hilanderas

Las Hilanderas (Spanish pronunciation: [las ilanˈdeɾas]; "The Spinners") is a painting by the Spanish painter Diego Velázquez, in the Museo del Prado of Madrid, Spain. It is also known by the title The Fable of Arachne. Most scholars regard it as a late work by the artist, dating from 1657-58, but some argue that it was done c. 1644-48. Velázquez scholar Jonathan Brown writes that Las Hilanderas and Las Meninas are arguably Velázquez's "two greatest paintings.... [T]hey are the largest, most complicated compositions executed between 1640 and 1660, a period during which Velázquez painted mostly portraits of single figures".
Traditionally, it was believed that the painting depicted women workers in the tapestry workshop of Santa Isabel. In 1948, however, Diego Angula observed that the iconography suggested Ovid's Fable of Arachne, the story of the mortal Arachne who dared to challenge the goddess Athena to a weaving competition and, on winning the contest, was turned into a spider by the jealous goddess. This is now generally accepted as the correct interpretation of the painting.
It was painted for Don Pedro de Arce, huntsman to King Philip IV. It entered the Spanish royal collection in the eighteenth century, and was probably damaged by the fire at the Royal Alcazar of Madrid in 1734. New sections were added at the sides (37 cm in total) and over 50 cm to the top of the canvas. The painting remains at the extended size but is currently (in November 2013) displayed behind a screen with a frame added over a cut-away section revealing only the original dimensions.
Stylistic elements, such as the lightness, the economical use of paint, and the clear influence of the Italian Baroque, have led most scholars to assert that it was painted in 1657-58. Others place it between 1644–48, perhaps because certain aspects of its form and content recall the bodegones Velázquez painted in his early career.
In Las Hilanderas, Velázquez developed a layered composition, an approach he had often used in his earlier bodegones, such as the Kitchen Scene with Christ in the House of Martha and Mary. In the foreground is the contest. The goddess Athena, disguised as an old woman, is on the left and Arachne, in a white top facing away from the viewer, is on the right. Three helpers assist them. In the background, a raised platform (perhaps a stage) displays the finished tapestries. The one visible to us is Arachne's, showing The Rape of Europa — another Greek myth. This is in fact a copy of Titian's painting of the subject, which was in the Spanish royal collection.
The painting has been interpreted as an allegory of the arts and even as a commentary on the range of creative endeavor, with the fine arts represented by the goddess and the crafts represented by Arachne. Others think that Velázquez' message was simply that to create great works of art, both great creativity and hard technical work are required. Other scholars have read political allegories into the work and interpreted it through popular culture.