davidanugraha/M4-RAG huggingface dataset:
Bisbol

Bisbol utawa kondhang kanthi jeneng baseball iku ulah raga kang dimainaké déning rong tim. Pitcher) saka tim kang nguncalaké, nyoba nguncalaké bal kang dijenengi bal bisbol, déné juru main (batter) saka tim kang nggebug bal nyoba nggebug bal nganggo slah (bat). Tim kang nguncalke bal kudu bisa nyekel bal kang digebug déning tim lawan supaya bisa gantian nguwasani dolanan. Tim kang nggebug olè angka kanthi cara lumayu nglawan arah jarum jam banjur balik manèh ' menyang home plate sawisé ngidak marka ing lapangan bisbol kang dijenengi base. Bisbol uga dijenengi hardball kanggo mbedakake karo ulah raga sofbol. Lapangan bisbol wujudé bujur sangkar (baseball diamond) karo base kang manggon ana ing telung pojokan. Let antara base siji karo base kang liyané ya iku 27,432 mèter (90 kaki). Slah kanggo nggebug bat) wujudé silinder dawa lan alus kang digawé saka kayu (persyaratan pemukul bisbol profésional) utawa bahan logam. Peraturan ana ing permainan iki dikembangake ing Amérikah Sarékat saka permainan kang nganggo pemukul lan bal kang dimainake ing Inggris. Bisbol ya iku ulah raga kang dimainaké kanthi tim lan populèr ing Amérika Lor, Amérika Latin, Karibia, lan Asia Wétan.
Xacuti

Xacuti utawa Xacutti ( Konkani ) minangka kari sing disiapake ing Goa, India, kanthi spice kompleks, kalebu wiji poppy putih, klapa irisan utawa parut lan cabai abang sing gedhe-gedhe garing. Biasane disiyapake nganggo pitik, wedhus, utawa daging sapi. Uga dikenal minangka chacuti ing basa Portugis. Xacuti utawa Shagoti kaya umume dingerteni ing Goa asale saka Harmal (saiki Arambol) ing Pernem Taluka saka Goa. Ing kene para nelayan ing jaman biyen entuk iwak utawa iwak lokal sing seger lan nyiapake saos kanggo panganan iki. Kuah biasane digunakake rempah-rempah lokal kayata lada ireng (meerya), lombok, kunir, bawang, pala, kayu manis, cengkeh, lsp. Pahlawan kasebut yaiku kernel klapa sing dibakar kanthi lembut sing parut lan dibakar kanthi alus.
Kuwé bal

Bal Cake minangka salah sawijining olahan roti cilik malih cake crumbs, ditutupi karo coklat utawa frosting. Iki digawe kanthi nyampur remah-remah kue kanthi lapisan es, dibentuk kanggo nggawe bal banjur dicelupake ing lapisan, kayata coklat cair. Bola kue asale digawe saka remah turahan utawa kue basi kanggo nyegah reged.
Mont di

Mont di ( Burma: မုန့်တီ [mo̰ʊɴ tì] ) minangka istilah kolektif kanggo sajian masakan Burma sing digawé saka mie sing lancip . Mi digunakake seger, amarga kanthi cepet mateng ing iklim tropis Myanmar. Ana sawetara Mont di pasugatan, lan Rakhine Mont di saka Arakanese saka kulon Myanmar sing paling populer. Mandalay mont di minangka sesuguh liyane sing kawentar.
Bubur ayam

Bubur ayam (Indonesian and Malay for "chicken congee") is a chicken congee dish served in Southeast Asia. It is rice congee with shredded chicken meat served with some condiments, such as chopped scallion, crispy fried shallot, celery, tongcay or chai poh (preserved vegetables), fried soybean, crullers (youtiao, known as cakwe in Indonesia and cakoi in Malaysia), both salty and sweet soy sauce, and sometimes topped with yellow chicken broth and kerupuk (Indonesian-style crackers). Unlike many other rice dishes, the dish is not spicy as the sambal or chili paste is often served separately. It is a favourite breakfast food, served by humble travelling vendors, warung (small local shops), fast food establishments, and five-star hotel restaurants. Travelling bubur ayam vendors frequently pass through residential streets in the morning selling the dish.
The origin of bubur ayam was derived from Chinese chicken congee. The traces of Chinese cuisine influences are the use of cakwe (youtiao), tongcay or chai poh and soy sauce. Bubur ayam employs a wide range of poultry products, such as shredded chicken meat for the main dish and many other dishes made with chicken offal as side delicacies. Bubur ayam is often eaten with the addition of boiled chicken egg, chicken liver, gizzard, intestines and uritan (premature chicken eggs acquired from butchered hens), served as satay. There are some variants of bubur ayam, such as bubur ayam Bandung and bubur ayam Sukabumi, both from West Java. The later variant uses raw telur ayam kampung (lit. "village chicken egg", i.e. free-range eggs) buried under the hot rice congee to allow the egg to be half-cooked, with the other ingredients on top of the rice congee. The recipe and condiments of bubur ayam served by travelling vendors and warung are also slightly different with those served in fast food establishments or hotel restaurants.
Because this food is always served hot and with a soft texture, like soto ayam and nasi tim, bubur ayam is known as comfort food in Indonesian culture. The soft texture of the rice congee and boneless chicken also makes this dish suitable for young children or adults in convalescence. Because of its popularity, bubur ayam has become one of the Asia-inspired fast food menu items at McDonald's Indonesia and Malaysia, and also at Kentucky Fried Chicken Indonesia. Although almost all recipes of bubur ayam use rice, a new variation, called bubur ayam havermut, replaces rice with oats. In grocery stores, bubur ayam is also available as instant food, requiring only the addition of hot water.
Ayden Mayeri

Ayden Mayeri (born October 1, 1990) is an Iranian-American actress, comedian, and writer, known for her work in both television and film. On television, she had a recurring role in Homecoming (2018) and starred in the Peacock comedy Mr. Throwback. Mayeri has appeared in the films Somebody I Used to Know (2023), Confess, Fletch (2022), I Love That for You (2022), and Jackpot! (2024).
Ayden Mayeri was born on October 1, 1990, in Oakland, California. She studied dramatic theater at California State University, Fullerton. In 2000, at age 11, Mayeri formed the amateur preteen pop group X-Cetra in Santa Rosa, California, with friends Jessica Hall and siblings Janet and Mary Washburn. Their first and only album, Stardust, later gained a cult following after circulating online.
Mayeri began her acting career in the early 2010s with minor roles in television shows. Her breakout came with appearances in TV series Harder Than It Looks. She guest-starred in the Fox sitcom New Girl. Around the same time, she joined the cast of the Apple TV+ murder-mystery comedy The Afterparty, playing a pregnant mean girl who goes missing.
In 2019, Mayeri appeared in multiple episodes of the political satire Veep on HBO, She also made guest appearances on Larry David's iconic show Curb Your Enthusiasm. In 2024, Mayeri was a main cast member on the Peacock comedy series Mr. Throwback.
Mayeri appeared in the films Home Again (2017), Spin Me Round (2022), Confess, Fletch (2022), Cora Bora (2023), Grown Ups (2010), Random Tropical Paradise (2017), Into the Dark: Midnight Kiss (2019), Alex Strangelove (2018), Before You Know It (2019), Concerning the Bodyguard (2015), and We Are Your Friends (2015).
In August 2024, Mayeri was cast in the Amazon MGM Studios 2024 film Jackpot!.
In addition to her work on screen, Mayeri is also a writer and has contributed to various comedy sketches and digital content.
Mayeri married screenwriter and producer M. Miller Davis in 2018. She is a fan of American basketball player Stephen Curry.
Igisoro

Igisoro ni umwe mumikino gakondo mu Rwanda ni umukino ahanini umenyerewe ko ukinwa n'abasaza
bataramye cyane cyane igisoro gikinwa mumasaha ya nimugoroba barimo basangira banaganira
Igisoro ni umukino ukinwa hagati y'abantu babiri (2) ni umukino umenyerewe gukinwa mu bihugu
by'Afurika birimo nku Rwanda ni umukino ufatwa nkumwe mumikino y'umuco mu Rwanda
siho gusa no mugihugu cy'abaturanyi cya Uganda Burundi naho baina Igisoro cyane
Igisoro kibaba kigizwe n'Imirongo 2 y'imyobo kuri buri mukinnyi ndettse n'imbuto 64
buri mukinnyi attangirana umukino n;imbuto 4 muri buri cyobo kandi aba yemerewe gukina kumurongo
ashaka mu mirongo 2 yiwe.
Umuringa Karemera Carole

Inyandikorugero:Merge
Umuringa KAremera Carole ( yavutse 1975 ) ni umukinnyi akaba ari umunyarwandakazi w’u Rwanda wavukiye mu Bubiligi, umukinnyi w'afilimi wa saxofhone umuyobozi w’ikinamico, umuhanzi utegura ibirori ndetse n’inzobere muri politiki y’umuco.
Yavutse mu 1975 i Buruseli, umukobwa w’abanyarwanda bari mu buhungiro. Nkumwana, Carole Karemera yari indashyikirwa mu mibare kandi arota gufungura imigati. Carole Karemera yize muri Royal Conservatory of Theatre na Muzika mu Bubiligi Muri 1994, ise, umunyamakuru, yasubiye mu Bubiligi biturutse kuri Jenoside yakorewe Abatutsi mu 1994. Carole Karemera yavumbuye u Rwanda mu 1995.
Yakinnye mu makinamico menshi, nka Battlefield ya Peter Brook na Marie-Hélène Estienne, Twise urukundo na Felwine Sarr, Jaz na Koffi Kwahulé, Scratchin 'imbere imbere" na Wim Vandekeybus Umugore wa Bogus' na Kay Adshead, na Anathema na Jacques Delcuvellerie, kandi icyarimwe batangira umwuga we wa sinema Hagati ya 2000 na 2004, yagize uruhare runini mu ikinamico ya Groupov Rwanda 94. Se wabo, Jean-Marie Muyango, umwe mu bahanzi bakomeye bo mu Rwanda gakondo, yahimbye amanota kuri iki gitaramo.
Mu 2005, Carole Karemera yagize uruhare runini hamwe na Idris Elba muri filime ya Raoul Peck Rimwe na rimwe muri Mata, hafi ya jenoside yakorewe abatutsi mu 1994. Muri uwo mwaka, yahisemo gutura i Kigali . Carole Karemera amaze kwimukira mu gihugu, yagize uruhare mu mishinga y’umuco, harimo isomero rya mbere rigendanwa ry’u Rwanda, ikigo cy’ubuhanzi cya mbere cy’u Rwanda i Kigali ISHYO, Espace Madiba isomero ryeguriwe ubuvanganzo nyafurika na Karayibe ryateguye udukino twifashisha mu tubari no mumihanda yimijyi yu Rwanda, murwego rwo guteza imbere abumva bashya hamwe nabaturage mubuhanzi. Mu 2007, Carole Karemera n'abandi bagore barindwi bashinze ikigo cy’ubuhanzi cya Ishyo i Kigali kugira ngo bashyigikire iterambere ry’ubuhanzi n’umuco mu Rwanda.
Karemera yabaye Umuyobozi w'Inama y'Ubutegetsi mu Kigega Nyafurika cy'Umurage Nyafurika, nk'umunyamabanga mukuru wungirije wa Arterial Network, ndetse n'uhagarariye igihugu cya Arterial Network mu Rwanda. Yakinnye mu mukino wa Battlefield wa 2016 wa Peter Brook, ashingiye kuri Mahabharata . Muri 2018, yahawe igihembo muri Les Journées théâtrales de Carthage, yishimira ibikorwa bye mu ikinamico mu Rwanda no muri Afurika.
Ubucuruzi bwambukiranya Imipaka

Abanyarwanda bakora ubucuruzi bwambukiranya imipaka bagaragaje ko hari imbogamizi bari guhura nazo ndetse zikanakoma mu nkokora ubucuruzi bwabo biturutse ku bibazo by’umutekano muke uri mu Burasirazuba bwa Congo.
U Rwanda rufite ibikorwa bitandukanye biri gushyirwa hirya no hino bigamije guteza imbere ubucuruzi birimo nk’amasoko yambukiranya imipaka, kubaka ibyambu no gukora ibiganiro n’inzego zitandukanye hagamijwe kurebera hamwe uburyo abakora ubu bucuruzi bakoroherezwa.Muri iyi minsi muzi ko bitameze neza ariko ubucuruzi burakorwa, iyo tubaganiriza biba ari ukugira ngo tubereke ko nk’igihugu tubari hafi bagomba kugenda bagacuruza, ntibateze imvururu ariko nabo bakumva ko ibyo twifuza ari amahoro.uRwanda rufite amasoko atandukanye arimo amasoko abiri yubatswe mu Karere ka Rusizi, isoko nyambukiranyamipaka riri muri Nyamasheke, Isoko rya Cyanika, Rubavu, Karongi, Rusumo, n’iriri kubakwa ku mupaka wa Kagitumba.
Carole Karemera

Carole Umulinga Karemera ni umunyarwandakazi wavutse 1975 n'umukinnyi wa filimi umubyinnyi, umucuranzi w'inanga gakondo ya saxofone ndetse akaba n'umwanditsi. Karemera yashinze ikigo k'imyidagaduro ndetse akaba akibereye n'umuyobozi Ishyo Art Center.
Umilinga yavutse mu 1975 i Buruseli mu bubirigi, n'umukobwa w’abanyarwanda bari mu buhungiro. Akiri umwana, Karemara yari umuhanga mu mibare kandi arota gufungura ubucuruzi bw'ihariye bwo gukora imigati. Karemera yize muri National Conservatory of Theatre and Dance i Buruseli. ninaho yarangirije amashuri ye ya kaminuza mu 1994, ise,yari umunyamakuru, yasubiye mu Bubiligi biturutse kuri Jenoside yo yakorewe abatutsi yabereye mu Rwanda . Karemera yavumbuye u Rwanda kuri moto mu 1996. Yakinnye mu makinamico menshi, nka The Trojan Women by Euripides, Umugore w'umuzimu ya Kay Adshead, na Anathema, mbere yo gutangira umwuga we wa film. Hagati ya 2000 na 2004, yagize uruhare runini mu Rwanda muruganda rwa sinema.
Mu 2005, Karemara yakinnye nka Jeanne muri filime ya Raoul Peck Rimwe na rimwe muri Mata, ivuga kuri jenoside yabereye mu Rwanda. Muri uwo mwaka, yahisemo gutura i Kigali . Amaze kwimukira mu gihugu, Karemara yagize uruhare mu mishinga y’umuco, harimo no gukina amakinamico mu tubari no mu mihanda yo mu mijyi y’u Rwanda, kugira ngo amateka rusange akomeze amenyekane kandi asigasirwe. Afatanije na Cécilia Kankonda, yashyizeho "katedrali yumvikana" yaririmbwe mu majwi yo kwibukwa aho abitabiriye amahugurwa bashoboraga kuvuga ibyo bibuka ku Rwanda mbere ya 1994.
Mu 2006, Karemara n'abandi bagore barindwi bashinze ikigo cy’ubuhanzi cya Ishyo i Kigali kugira ngo bashyigikire umuco mu murwa mukuru, utari ufite ikinamico kugeza icyo gihe. Karemera niwe muyobozi mukuru wiki kigo gifite byinshi mu guteza imbere umuco harimo ibitabo, kwiga kuyina, gukina ikinamico ndetse nibindi.
Karemara yakinnye nka Beatrice muri film ya Juju Uruganda 2007. Yabonye igihembo cyumukinnyi witwaye neza muri Festival Sinema Africano mu Butaliyani. Yanditse ikinamico "Chez l'habitant", ivuga ku byabaye ku bagore i Buruseli, Kigali na Sevran.
Karemara yabaye umunyamabanga wungirije w’urusobe rwa Arterial, ndetse n’uhagarariye umuryango wa Arterial Network mu Rwanda. Yakinnye mu mukino wa Battlefield wa Peter Brook mu 2016, ashingiye kuri Mahabharata . Muri 2018, yahawe igihembo muri Les Journées théâtrales de Carthage, yishimira ibikorwa bye mu ikinamico mu Rwanda.
Hagenimana Benjamin Gicumbi

Hagenimana Benjamin ni Umunyamakuru w'Imikino akaba Umusesenguzi mu Rwanda kuri radio B&B FM Umwezi
Benjamin Gicumbi ni umunyamakuru wakoze kuri Radio 10 mu biganiro by’imikino no kogeza imipira y’i Burayi, mbere gato y’uko agera kuri Radio 10 yabanje gukora kuri Radio Ishingiro ikorera mu mujyi wa Gicumbi ari naho yakuye izina Gicumbi unungubu akaba abarizwa kuri B&B FM. Uyu mugabo wamenyekanye cyane guhera mu mwaka wa 2016 ubwo yari avuye i Gicumbi agiye gukora kuri Radio 10, akundirwa bikomeye uko yogeza imikino y’i Burayi n’uburyo ageza amakuru y’imikino ku bakurikira ikiganiro yumvikanamo.
Hagenimana yavukiye mu karere ka Nyamasheke mu ntara y’Iburengerazuba mu mwaka 1989, aba ari naho akurira. Amashuri abanza yayize ahitwa Rwabidege, aza kwiga icyiciro rusange cy’amashuri yisumbuye muri College Intwari de Mwezi hafi y’iwabo.Arangije icyiciro rusange cy’amashuri yisumbuye nibwo yagiye mu karere ka Rusizi, aho yari agiye kwiga ahitwa mu Gishoma, biba ubwa mbere yagiye mu modoka ndetse ananyura mu mujyi wa Kamembe.Nk’umwana w’imfura mu muryango wakuze adafite Se agasigarana na nyina na barumuna be batatu, yafashe icyemezo cyo kujya gushakisha ubuzima mu mujyi wa Kigali, yawugezemo muri 2010 acumbikirwa na mubyara we wari warahamutanze.Hagenimana avuga ko kuva yagera i Kigali yari umuntu ukunda umupira w’amaguru, ku buryo amafaranga make yakoreraga icyo gihe yayifashishaga ajya kureba imipira yaba iyo mu Rwanda ndetse no hanze.Kenshi iyo yabaga areba umupira yanabaga ari mu mpaka zikomeye, anabikundirwa bikomeye n’abo barebanaga umupira cyane cyane wo hanze.byo kuganira ku mupira mu tubari byatumye hari umuntu (yagize ibanga) wamubonyemo impano, amufasha kujya kuri Radio.Hagenimana atangira itangazamakuru yahereye kuri “Radio Amazing grace”, nuko uwari umuyede yinjira mu itangazamakuru mu mwaka 2012.Mu mwaka 2013 nibwo Hagenimana yagiye kuri radiyo Radio Ishingiro y’Igicumbi, iki gihe yari agikorera no kuri Amazing Grace.Igikombe cy’Isi cya 2014 yacyogeje ari umwe cyose arakirangiza, iki gihe nibwo izina rye ryatangiye gukomera mu matwi y’abakunzi be.Icyo gihe Radio Rwanda yari ifite Rutamu, Flash ifite Rugangura na Rugimbana, Radio10 ifite ba Fuadi, Castar, Bayingana na Jean Luc ariko byampaye imbaraga zo gukora cyane kugira ngo mbashe kwigarurira abakunzi b’imikino b’i Gicumbi.”Muri 2016 nibwo Radio 10 yaje gushima uyu musore bahita bamurambagiza, bamujyana gufatanya na Fuadi Uwihanganye mu kiganiro cy’imikino cyitwa “10 Zone” ndetse no kogeza imipira itandukanye.Fuadi ni we wamuhamagaye ambwira ko hari umuntu uri bumuhamagare ngo baganire, nyuma y’akanya Castar na we yaramuhamagaye amubwira ko amushaka, yaje kujya kumureba baremeranya atangira akazi gutyo.Mu mwaka 2019 amaze imyaka ibiri kuri Radio10, uyu wari umusore yaje kubona imwe mu nkumi zari zije mu mirimo kuri iki gitangazamakuru, Umuhoza Delphine, bemeranya kubana, bararushinga. Hagenimana Benjamin yagize ati “Nyuma y’imyaka ine ndashimira Radio/TV10, mwampaye amahirwe yo gukoresha impano yanjye no kugaragara kurushaho. Mu minsi mike iri imbere turahurira mu kindi gitangazamakuru cy’imikino nikokijya kuri B&B FM.
Igisoro

Igisoro is a two-player variant of the mancala family. It is a variant of the Omweso game of the Baganda people (Uganda), and it is played primarily in Burundi and Rwanda. Igisoro, like Omweso and other mancalas from Eastern Africa such as Bao (game), is played with a 4×8 board of pits and 64 seeds. A player's territory is the two rows of pits closest to them.
The usual starting position is shown below. Each player starts with 4 seeds in each pit in the back row of their territory. However, any player may decide to start with seeds in their front row, or with some seeds in either row depending on their wishes.
On his turn, a player chooses a pit containing seeds in their territory and sows them placing one seed in each pit as they move counter-clockwise around their territory. The board below shows the state after the first player moved the seeds from the pit highlighted in yellow.
At the end of a turn, there are two ways in which the players turn may continue:
Only for a direct pick or catch, a player starting from, or arriving at the pits highlighted in yellow below may choose to move counter-clockwise. Starting from any other pit, they may only move counter-clockwise.
The game is over and a player has lost when they cannot sow any of their seeds.
1961 Rwandan monarchy referendum

A referendum on the monarchy was held in Rwanda on 25 September 1961, concurrent with parliamentary elections. The referendum asked two questions: whether the monarchy should be retained after independence the following year, and whether the incumbent, Kigeli V, should remain King.
The result was a "no" to both questions from 80% of voters, with a 95% turnout. King Kigeli claimed the vote had been rigged.
2017 Jeux de la Francophonie

The 2017 Jeux de la Francophonie, also known as VIIIèmes Jeux de la Francophonie (French for 8th Francophone Games), informally known as Abidjan 2017, took place in Abidjan, Ivory Coast, from July 21–30. This was the first edition of the games to be hosted in Ivory Coast.
Since 2011, it was the third international competition held in Abidjan, after the 2013 World Cup Taekwondo Team Championships and the 2013 AfroBasket.
Ten cultural and sports venues will be situated in three geographic zones in Abidjan :
Of the 48 delegations participating, Kosovo and Ukraine were participating for the first time, while Laos returned to the Games for the first time since 2009. Countries that participated in 2013 that did not return in 2017 were Andorra, Austria, Cyprus, Equatorial Guinea, Estonia, Guinea-Bissau, Montenegro, Poland, Rwanda, Saint Lucia, and Slovakia.
Final medal tally below.
* Host nation (Ivory Coast)
NBA Africa

NBA Africa is the African branch of the U.S.-based National Basketball Association (NBA) basketball league organization, which focuses on its business interests on the African continent. The entity was established in 2021 and co-organizes the Basketball Africa League (BAL), together with FIBA, among other activities.
The National Basketball Association (NBA) had already been active on the continent, and opened its first African office in Johannesburg, South Africa, in 2010. The league had already established a youth academy with the NBA Academy Africa, which opened in 2017, and is located in Senegal. The NBA organized exhibition games in Africa in 2015, 2017 and 2018, with African players competing in the friendly games.
The initial strategic investors included the Yinka Folawiyo Group, Helios Fairfax Partners Corporation (HFP), and Helios Investment Partners. Other investors include former NBA players Joakim Noah, Luol Deng and Grant Hill, among others. Former U.S. president Barack Obama is a minority partner and strategic advisor for the organization. The NBA valued the organisation at $1 billion in 2021.
NBA Africa has since then opened offices in Nairobi, Kenya,
It also invests in infrastructure projects on the continent, investing in outdoor courts as well as the construction and renovation of indoor arenas. It opened it first basketball school in Giza, Egypt, in 2024.
Europa: The Last Battle

Europa: The Last Battle is a 2017 English-language Swedish ten-part neo-Nazi propaganda film created by Tobias Bratt, a Swedish far-right activist associated with the Nordic Resistance Movement, a European neo-Nazi movement. It promotes antisemitic conspiracy theories, many in relation to World War II including Holocaust denial. The film has been promoted across multiple social media platforms by individual users, particularly white nationalists and other conspiracy theorists.
Europa: The Last Battle promotes various antisemitic conspiracy theories, claiming that Karl Marx was part of a centuries-long plan by Jews to spread communism and take over the world and that Jews control the world's money supply and are conspiring to engineer the downfall of the white "Aryan" race by encouraging immigration and interracial relationships. It includes out-of-context quotes from Marx and Moses Hess's book Rome and Jerusalem to promote the idea that Jews are behind the evils of the world, and claims that Soviet leader Joseph Stalin supposedly having Jewish wives proves that Jews were controlling him.
The film also engages in historical revisionism to claim that Jews started World War I and II as part of a plot to establish Israel by provoking the Nazis into acting in self-defence. It also claims that Jews caused Germany's defeat in World War I, which is commonly referred to as the stab-in-the-back myth, and that Adolf Hitler was fighting against a global Jewish plot.
Gregory Davis, a researcher at the United Kingdom-based anti-racism group Hope not Hate, said the film "denies the proven reality of the Holocaust whilst providing justifications for the violent antisemitism that fuelled it", adding, "Its mix of blatant falsehoods and slanted portrayal of real events gives it no historical legitimacy whatsoever, and it serves only to demonise the Jewish people and whitewash the crimes of the Nazi regime."
The film has been promoted by white supremacists and antisemitic conspiracy theorists, the British conspiracy newspaper The Light and QAnon conspiracy theorists on Telegram. It has also been shared on platforms such as Instagram, BitChute, Rumble, TikTok and the Telegram chat of Disclose.tv, a German disinformation outlet with a following that includes Holocaust deniers and neo-Nazis. YouTube and Facebook have blocked the film from being uploaded, but links to the film on other sites can be shared.
Traditional games of South Africa

South Africa has some traditional games.
Some traditional South African games are played annually at the National Indigenous Games Festival in September.
In this game, players stand upright against a wall while opponents try to jump on their back to make them collapse.
Drie stokkies resembles the triple jump event: it involves participants trying to jump three times between three sticks, with the person who can jump the furthest beyond the last stick winning.
It is believed that kho-kho arrived in South Africa with the importation of indentured Indian servants by the British.
Dibeke is a game similar to football and dodgeball; in this game, the attacking team attempts to kick a ball down the length of the field in order to score points, while the defending team is allowed to pick up the ball with their hands and throw it at members of the attacking team to eliminate them.
In dithini, players attempt to stack up various tin cans into a predetermined shape, while opponents can eliminate stacking players by hitting them with a ball.
Two players stand on either side of the playing area, and attempt to eliminate players by throwing the ball at them. The last remaining player wins.
Traditional games of Nigeria

Nigeria has several traditional games, though they have faded away due to lack of support and the dominance of Western sports. Traditional games historically played a significant role in teaching Nigerian children about the structure of their societies.
Several traditional Nigerian games are played at the National Sports Festival of Nigeria.
Abula is similar to volleyball, except that participants hit the ball with a wooden bat.
After singing a song with the opening line "after round one", players have to display a number from one to five using their fingers; the person who displays the lowest numbers of fingers has their palm slapped by all the other participants.
Langa is played in rounds; in each round, one player from each team, known as the Ruwa (point-scorer), attempts to reach a designated area on the opponent's side in order to score a point for their team. The Ruwas and all other players have to hop on one foot, while holding their other foot with one hand. If a player's hand is dislodged from their held foot by an opponent, then they are eliminated from that round.
Two participants stand opposing each other, and then lift one of their legs up; if a player lifts the same leg up as the opponent, then the opponent wins a point.
Kpokoro is a version of Ten Ten which involves multiple players, and also resembles follow the leader.
Arin is similar to billiards, except that it is played using seeds as the items that are maneuvered around.
Traditional games of Venezuela

Venezuela has some traditional games and activities, though many are fading away because of foreign influences.
Participants compete to throw heavy metal balls as close as possible to a smaller metal ball.
Participants compete to race on the streets in the city of Caracas on sleds known as carruchas.
In coleo or colos torreados, four participants ride on horseback and try to bring down a bull as fast as possible.
Gurrufío is a 400-year old game.
Pelotica de goma (transl. little rubber ball) is a variation of baseball in which the only equipment used is a rubber ball. The batter starts off with the ball, hits it with a hand, and then begins running the bases, with the rest of the gameplay being similar to baseball. Baseball5 is a similar sport created by the World Baseball Softball Confederation which was partially inspired by this game. Pelotica de goma is also used to close the hueco del desagüe.
Owela

Owela, also referred to by the Khoekhoe language loanword ǁHus, is the Oshiwambo name of a traditional mancala board game played by the Nama people, Herero people, Rukwangali speakers, and other ethnic groups from Namibia (and its Southern African neighbours). It is related to the Omweso family of mancala games played in Eastern and Southern Africa. Although this is an abstract strategy game, the consequences of individual moves are so hard to predict that it can be considered, to some extent, a game of chance.
Owela is typically played on a board with 4 rows of 6 to 24 pits. In addition, a number of undifferentiated seeds are needed depending on the size of the board. Owela can also be played without a board by digging rows of pits in sand.
The winner is the last player to be able to make a legal move, possible by capturing all an opponent's stones or reducing the opponent to no more than one seed in each pit.
Two seeds are placed in each of the outer pits. Two seeds are also placed in each of the four rightmost inner pits for each player.
A player moves by selecting a pit with at least two seeds, and sowing them one by one around their side of the board in a counter-clockwise direction from the starting pit. The player may only sow from one of the sixteen pits in their territory, and the sowing proceeds around this territory, not directly involving the opponent's side.
If the last sowed seed lands in a previously occupied pit, all seeds in that pit, including the one just placed, are immediately sown, before the opponent's turn. This is called Relay sowing and continues until the last sowing ends in an empty pit.
If the last seed sown lands in one of the player's eight inner pits, which is occupied, and furthermore both the opponent's pits in this same column are occupied, then all seeds from these two pits are captured and sown starting from the player's next pit in the sowing.
Censor bars

Censor bars, also known as black bars, are a basic form of text, photography, and video censorship in which "sensitive" information or images are occluded by black, gray, or white rectangular boxes. These bars have been used to censor various parts of images. Since the creation of digital editing software which can apply less obtrusive effects such as pixelization and blurring, censor bars are typically used for satire, although they remain in contemporary use to address privacy concerns. Censor bars are also used in art forms such as blackout poetry.
Censor bars may also have the words 'censored', 'redacted', 'private information', 'sensitive information', etc. to indicate their presence.
Sometimes, censor bars are replaced by images instead of just bars.
Scannánaíocht na Gaeilge

Is éard is Scannánaíocht na Gaeilge ná scannáin ina bhfuil an chaint, nó cuid shuntasach di, i nGaeilge. Cé nár deineadh an oiread sin scannán Gaeilge tar éis Oidhche Sheanchais, a tháinig amach sa bhliain 1935, tháinig borradh faoin réimse sna 2020idí nuair a bhunaigh TG4 an scéim Cine4 faoinar forbraíodh agus faoinar deineadh na scannáin An Cailín Ciúin, Foscadh, Arracht, Róise & Frank, Tarrac agus eile.
Déantar dubáil Ghaeilge ar roinnt mórscannán freisin, scannáin Bhéarla do pháistí go príomha.
https://www.youtube.com/watch?v=7cSAwODR-YY&feature=youtu.be
Maratón Átha Cliath

Maratón bliantúil a ritear i mBaile Átha Cliath is ea Maratón Átha Cliath. De ghnáth, tionóltar é ar an Luan deireanach de mhí Dheireadh Fómhair (is lá saoire é in Éirinn) cé gur tionóladh an maratón an lá roimhe sin sa bhliain 2015.
Leanann an maratón bealach atá réasúnta mín. Tosnaíonn na reathaithe ag Cearnóg Mhic Liam, i lár na cathrach, agus críochnaíonn siad i gCearnóg Mhuirfean. Ní athraítear cúrsa an mharatóin ach beagáinín ó bhliain go bliain. Le tamall de bhlianta anois, téann an rás i dtreo tuathalach timpeall na cathrach, píosa de trí Pháirc an Fhionnuisce.
Noel Carroll, fear gnó, a chuir an chéad mharatón ar bun sa bhliain 1980.
Sa bhliain 2007 ghlac timpeall is 11,000 duine páirt ann, a leath díobh ó thíortha eile.
Sa bhliain 2015, ba é Alemu Gemuchu, ón Aetóip, a bhuaigh rás na bhfear. 2:14:02 an t-am a bhí aige. Ba í Nataliya Lehonkova, ón Úcráin, a bhuaigh i measc na mban agus 2:31:09 aicise.
Cuireadh maratón na bliana 2020 ar cheal de bharr na ráige COVID-19.
TradFest, Baile Átha Cliath

Is í TradFest an fhéile cheoil traidisiúnta is mó in Éirinn. Reáchtáiltear TradFest i mBaile Átha Cliath ag deireadh mí Eanáir gach bliain.
Tugann TradFest ardán do cheoltóirí as Éirinn agus as áiteanna níos faide i gcéin.
Tá tábhacht ar leith ag baint leis an bhféile mar go mbíonn ceoltóirí traidisiúnta i lár an aonaigh ar phríomh ardáin na cathrach ar feadh cúpla lá gach bliain.
Sa bhliain 2024, reáchtáladh 100 ceolchoirm in ionaid éagsúla i mBaile Átha Cliath i gcaitheamh na féile.
Thosaigh Tradfest i mBarra an Teampaill, Baile Átha Cliath sa bhliain 2006 mar fhéile nideoige le ceiliúradh a dhéanamh ar cheol traidisiúnta agus ceol tíre.
Tá tuilleadh eolais ar fáil ar chuntais mheáin shóisialta Tradfest: Instagram @tradfestdublin, Twitter @trad_fest, TikTok @tradfest agus Facebook Tradfest.
Dùn a' Bhàis

Is baile suite i gComhairle na h-Eaglaise Brice é Dùn a' Bhàis. Tá an sráidbhaile 10.1 km ó dheas ó Shruighlea agus 8.5 km siar ó thuaidh ón Eaglais Bhreac. Tá an sráidbhaile suite ar bhruach thuaidh na habhann an Abhainn Carrann, agus buailte ar an Daingneach, ó dheas den abhainn. Is cuid de chontae stairiúil Siorrachd Sruighlea é Dùn a' Bhàis.
Is é an príomhbhóthar trí Dhún a' Bhàis na an bóthar A872 idir an Daingneach agus Sruighlea. Bunaithe ar dhaonáireamh 2001, thuairiscigh Comhairle na h-Eaglaise Brice gur 2,444 duine a bhí ina gcónaí i nDùn a' Bhàis.
Pionós an bháis

Is éard atá i gceist le pionós an bháis nó marú na ndaoine a bhfaightear ciontach as coireanna áirithe, trí próis bhreithiúnach. Tá stair an nóis seo ar fud an domhain ag dul i bhfad siar roimh thús na staire scríofa. Tá go leor conspóide ag baint leis anois, áfach. Is iomaí tír nach n-úsáideann pionós an bháis anois.
Dar le lucht tacaíochta an chleachtais, is pionós maith é agus díspreagann sé coireanna eile.
Deir an lucht fhreasúra nach ceart pionós an bhás a ghearradh ar aon duine, nach mbíonn sé éifeachtach agus go maraítear daoine neamhchiontacha.
Ar 25 Márta 1964, chuir an tAcht um Cheartas Coiriúil, 1964 teorainn mhór ar phionós an bháis.
Ón lá sin amach in Éirinn, ní dhlífear duine a chur chun báis mar gheall ar aon chion seachas
Bás

Bás a thugtar ar an riocht atá ar neach éigin nuair a bhíonn deireadh le gach gníomhaíocht cheallach atá riachtanach don bheatha, buille an chroí is an riospráid, agus nach féidir na córais sin is an duine a athbheochan.
Níl sainmhíniú beacht buan ar an mbás, agus tagann an dlí, an mhíochaine is infhaighteacht gartharrthála is meaisíní áirithe san áireamh. Feictear an éiginnteacht seo go soiléir i gcás duine atá ar mheaisín tacaíochta beatha ar feadh i bhfad gan aon athrú chun feabhais.
I dtíortha áirithe sainmhíníonn an dlí gurb ionann bás is bás na hinchinne.
Sna tíortha forbartha, is iad galair chorónacha croí agus ailse na cúiseanna is coitianta le bás daoine. Ach i dtíortha bochta atá i mbéal forbartha, is ionfhabhtuithe (maláire, eitinn, SEIF) na cúiseanna is coitianta.
Bíonn garghaol idir rátaí báis i dtír ar bith agus bochtanas, dífhostaíocht, tithíocht, oideachas is caighdeán an chóras sláinte.
Robert Erskine Childers

Údar agus náisiúnaí Éireannach ab ea (Robert) Erskine Childers (25 Meitheamh 1870 - 24 Samhain 1922), a thóg lastas de ghunnaí agus armlón i dtír faoi cheilt i mBinn Éadairar an mbád Asgard, chun chur i gcoinne na nÓglach Uladh. Cuireadh chun báis é ag rialtas nua an tSaorstáit le linn Chogadh Cathartha na hÉireann.
Mac an fhir léinn Sasanaigh Robert Caesar Childers a bhí ann, col ceathrar le Hugh Childers agus Robert Barton, agus bhí a mhac Erskine Hamilton Childers ar cheathrú Uachtarán na hÉireann.
Tháinig Robert Erskine Childers chun saoil i Mayfair Londain, an dara mac a saolaíodh i gclann de bhunadh Angla-Éireannacha. Cailleadh a athair agus é ina bhuachaill sé bliana d'aois agus seoladh na leanaí go léir go áras na mBartons i nGleann Dá Loch in Éirinn.
Cothaíodh féiniúlacht Éireannach sa bhuachaill óg agus Gael go smior a bhí ann as seo amach, cé go raibh sé mar chuid den Chinsealacht Phrotastúnach.
Throid Childers sa Chogadh Boer.
Sa bhliain 1914, thóg Childers airm chuig Éirinn ina bhád, airm a úsáideadh i rith Éirí Amach na Cásca i 1916.
Throid Childers i gCogadh na Saoirse in Éirinn agus i gCogadh Cathartha na hÉireann, cogadh ina maraíodh é.
D'ionadaigh Childers Éire i gComhdháil Síochána Versailles, tar éis an Chéad Chogaidh Dhomhanda.
Bhí Childers i láthair i Londain i rith plé an Chonartha Angla-Éireannaigh. Ach bhí sé dian ina choinne agus bhí sé ar thaobh na bhfrith-chonratheoirí sa Chogadh Cathartha.
In Eanáir 1922, d'éirigh Childers ina eagarthóir ar Phoblacht na hÉireann, bileog nuachta phoblachtach. Tugadh nuacht faoi eachtraí laethúla an Chogaidh Chathartha ó dhearcadh poblachtach. Ní gá a rá nár thaitin an bolscaireacht leis an Saorstát ar chor ar bith.
Cuireadh Childers chun báis tar éis do chúirt mhíleata é a chiontú i seilbh ar arm tine gan cheadúnas (ina chás-sa, piostal leath-uathoibríoch amháin). Rinneadh cion báis de trí Rún um Chumhachtaí Éigeandála an Airm ar ghlac an Dáil leis roinnt míonna roimhe sin.
Rinne a dhlíodóirí tréaniarracht cruthú nach raibh an dlínse chuí ag an gcúirt mhíleata inar cuireadh Childers ar a thriail. Dhiúltaigh Máistir na Rollaí Cathal Ó Conchúir d'iarratas ar eascaire habeas corpus ar son Childers, toisc go raibh staid chogaidh ann agus, mar sin, ní raibh aon dlínse ag na cúirteanna sibhialta ar gníomhartha an airm i gcaitheamh na cogaíochta.
Ina theannta sin, bhí conspóid ar leith ag baint le bású Childers toisc gur cuireadh chun báis é as seilbh mhídhleathach ar phiostal leath-uathoibríoch de chalabra beag in áit a bhí geall lena bheith ina áras teaghlaigh.
Ar an 24 Samhain 1922, cuireadh Childers agus ochtar eile chun báis cé go rabhthas ag fanacht le hachomharc i gcoinne bhreithiúnas Mháistir na Rollaí.
Lámhachadh é, gníomh a bhain stangadh as an bpobal ag an am.
De réir an rialtais, ní raibh ann ach bolscaire, ach bhí Childers i mbéal an phobail.
Scríobh sé an t-úrscéal The Riddle of the Sands.
Guns N' Roses

Tháinig an grúpa Guns N' Roses le chéile sa bhliain 1985 as baill Hollywood Rose - Axl Rose (guth) agus Izzy Stradlin (giotár rithime) - agus baill de chuid L.A. Guns - Tracii Guns (príomhghiotár), Ole Beich (dord), agus Rob Gardner (drumaí). Rinneadh ainm an bhanna as ainmneacha an dá bhanna seo a chur le chéile. Níos déanaí chaill Ole Beich a áit sa bhanna agus thóg Duff McKagan a áit. Tar éis tamaill, bhí Tracii Guns ionadaithe ag Slash mar ní raibh Tracii ag freastal ar na seisiúin chleachtaidh. Tháinig an líne-suas go tapaidh, ach tar éis a smaoineamh chun dul ar “turas” ó Sacramento, California go dtí baile Duff, scoir Rob Gardner (drumaí) agus bhí ionadaithe ó cara Slash, Steven Adler. Uaireanta giorraítear ainm an bhanna mar GN'R nó GnR.
Seo trí amhrán as an méid a rinne Guns N’ Roses:
Is é am t-amchomhartha san amhrán seo ná 4/4. Scríobh Axl Rose, Slash, Izzy Strandlin, Duff McKagan agus Stenen Adler é. Scríobhadh é d’Erin Everly, bean a raibh Rose mór léi ag an am (phós siad ní ba dhéanaí). Gléas mór atá le cloisint ó na liricí agus ón gceol féin. Tá na nótaí casta cruinn. In D mór atá sé. Is iad na huirlisí atá ann ná an giotár, drumaí, agus an dordghiotár. Is iad na príomhchordaí san amhráin seo ná D mór, B, agus A. A B A B an fhoirm atá air. Tá an fonn áthasach méar agus 14 mír ann.
Is iad na príomhnótaí san amhrán seo na G mór, D, agus A beag. Scríobh Bob Dylan an t-amhrán seo agus scríobh sé an ceol freisin. Fuair na Roses an cóipcheart uaidh. Tá an tonúlacht mall mionchruinn mar tá líricí brónacha ann. Tá an gléaschomhartha i G mór. Tá an t-amcomhartha in 4/4. Tá sé i bhfoirm A B A B. Tá an fonn brónach agus an luas mall. Réim an amhráin na D-F’ (re-fa’). meadracht ann na 4. Méad mír ná 16. Tá na giotár, dordghiotár, méarchlár, agus drumaí. Tá ciall sna liricí; tá sé éasca canadh leis agus tá an fonn deas suaimhneach ar na cluasa.
Scríobh Axl Rose an ceol agus na liricí i gcomhar an amhráin seo. Tá an gléaschomhartha i C mór. Is é I 4/4 an t-amchomhartha. A B A A an fhoirm atá ann. Tá an fonn brónach ach tapaidh. Réim an amhráin ná C-F’ (do-fa’) meadracht ann na 4. Mead mír ann na 46. Is iad C, F agus G na príomhnótaí san amhrán seo. Is iad na huirlisí atá á seinm anseo ná giotár, dordghiotár, drumaí, agus méarclár. Tá an luas go deas mall ag an tús agus ansin éiríonn sé níos tapaidh!
Sochraid Dhiarmada Uí Dhonnabháin Rosa

Tharla sochraid Dhiarmada Uí Dhonnabháin Rosa ar an 1 Lúnasa 1915; d'éag an réabhlóidí Éireannach as Iarthar Chorcaí ar 29 Meitheamh, 1915 i Nua-Eabhrac.
Ba mhór an tábhacht shiombalach a bhain lena thórramh. Tugadh a chorp ar ais go hÉirinn agus cuireadh é i Reilig Ghlas Naíon. Bhí Éirí Amach na Cásca á bheartú ag an am agus d’úsáid Bráithreachas na Poblachta an ócáid chun an náisiúnachas a ghríosadh sa phobal.
Ba é Pádraig Mac Piarais a thug an óráid os cionn uaighe, ceann de na hóráidí ba cháiliúla i stair na hÉireann. Seo a leanas téacs na hóráide Gaeilge a thug an Piarsach ar an lá úd sa bhliain 1915:
Lean sé ar aghaidh i mBéarla, agus mar fhocal scoirː
Nairciseas

Ba phearsa bainte le miotaseolaíocht na Gréige Nairciseas. B'ógánach álainn é a bhí a áilleacht chomh mór sin gur thit na mná óga go léir i ngrá leis nuair a chonaic siad é. Ach ní raibh suim ar bith aige iontu agus chuaigh sé tharstu go neamhchúiseach, is cuma cé mhéad a rinne siad iarracht a aird a tharraingt. Ní dheachaigh a gcríonna briste i bhfeidhm air, fiú amháin cás brónach na nimfí ab áille, Echo. Bhí sé istigh le Artaimís, bandia na gcoillte agus na n-ainmhithe fiáine, ach tháinig sí faoi mhíshásamh bandia níos cumhachtaí fós, Héire, a bhí ag iarraidh (mar ba ghnách) a fháil amach céard a bhí ar siúil ag Séas. Bhí drochamhras uirthi go raibh sé i ngrá le ceann de na nimfeach agus chuaigh sí chun féachaint orthu chun fháil amach cé acu. Caitheadh a hamhras ar Echo agus chuir Héire mallacht uirthi, ionas nach mbeadh sí in ann labhairt seachas an méid a dúradh léi a athrá. Dúirt Héire go mbeadh an focal deireanach aici i gcónaí, ach ní bheadh sé ina cumas tús a chur le comhrá. Céasadh ab é seo d'Echo, a bhí i ngrá le Nairciseas, cosúil leis na nimfeacha eile. D’fhéadfadh sí é a leanúint, ach níorbh fhéidir léi labhairt leis.
Lá amháin, áfach, ba chuma ar an scéal go raibh a seans tagtha. Bhí Nairciseas ag glaoch ar a chompánaigh, "An bhfuil aon duine anseo?" agus bhí Echo in ann a fhocal deireanach "anseo, anseo" a thabhairt ar ais dó mar fhreagair. Bhí sí fós i bhfolach taobh thiar na crainn agus scairt sé, "Tar!" - go díreach cad ba mhian léi a rá leis. D'fhreagair sí go lúcháireach, "Tar!" agus tháinig sí amach ó fholach agus a lámha sínte amach. Ach chas sé thart uathí le déistin. Ach dúirt sé "B'fhearr liom an bás féin ná mo chroí a tabhairt duit". Ní raibh Echo in ann rud ar bith a rá ach "...mo chroí a tabhairt duit" arís agus arís eile, ach bhí sé imithe. Chuir sí i bhfolach í i bpluais uaigneach le náire, agus níorbh fhéidir sólás a fháil riamh ina dhiadh sin. Deirtear go maireann sí fós féin in áiteanna mar sin, agus gur mheath sí nó go raibh sí imithe as radhairc ionas nach bhfuil fágtha aici anois ach a guth.
Mar sin lean Nairciseas ar a bhealach cruálach, ag déanamh bheag de ghrá. Ach faoi dheireadh chuir ceann de na nimfeach a ghoill sé mallacht air: "Go dtuga an té nach bhfuil grá ag daoine eile grá dó féin." Chuir an bhandia mhór Neimisis (rud a chiallaíonn fearg cheartaiseach) é seo i gcrích. Mar a chrom Nairciseas thar linn le haghaidh dí agus chonaic sé ann a mhachnamh féin, thit sé i ngrá leis féin. "Tá a fhios agam anois," a dúirt sé, "cad a d'fhulaing daoine eile mar gheall orm, óir is fada liom an grádhúlacht san uisce agus ní féidir liom é a bhaint amach nó é a fhágáil. Níl saoradh ar bith ann ach amháin bás." Agus mar sin a tharla sé. D'imigh sé as agus é ina chrom thar an linn, agus fuair sé bás faoi dheireadh.
Edith Hamilton, Mythology: Timeless Tales of Gods and Heroes, Little, Brown and Company, 1942.
Annie Moore (immigrant)

Anna "Annie" Moore (April 24, 1874 – December 6, 1924) was an Irish émigré who was the first immigrant to the United States to pass through federal immigrant inspection at the Ellis Island station in New York Harbor. Bronze statues of Moore, created by Irish sculptor Jeanne Rynhart, are located at Cobh in Ireland and Ellis Island.
Moore arrived at Ellis Island from County Cork, Ireland, aboard the Guion Line steamship Nevada on January 1, 1892. Her brothers, Anthony and Philip, who journeyed with her, had just turned 15 and 12, respectively. As the first person to pass inspection at the newly opened facility, she was presented with an American $10 gold piece from an American official.
Moore's parents, Matthew and Julia, had come to the United States in 1888 and were living at 32 Monroe Street in Manhattan. Annie married a son of German Catholic immigrants, Joseph Augustus Schayer (1876–1960), a salesman at Manhattan's Fulton Fish Market, with whom she had about eleven children. She died of heart failure on December 6, 1924, at age 50 and is buried in Calvary Cemetery, Queens. Her previously unmarked grave was identified in August 2006. On October 11, 2008, a dedication ceremony was held at Calvary which celebrated the unveiling of a marker for her grave, a Celtic Cross made of Irish Blue Limestone. She had 11 children of whom five survived to adulthood, and three of them had children. The rest all died before the age of three.
A woman named "Annie Moore" who died near Fort Worth, Texas, in 1924 had long been thought to be the one whose arrival marked the beginning of Ellis Island. Further research, however, established that the Annie Moore in Texas was born in Illinois.
Annie Moore is honored by two statues sculpted by Jeanne Rynhart. One stands near Cobh Heritage Centre (formerly Queenstown), her port of departure, and another at Ellis Island, her port of arrival. The image is meant to represent the millions who passed through Ellis Island in pursuit of the American dream.
Annie Moore's life also inspired the song "Isle of Hope, Isle of Tears", which was written by Brendan Graham after visiting Ellis Island. The song has been performed by Ronan Tynan, The Irish Tenors, Sean Keane, Dolores Keane, Daniel O'Donnell, Celtic Thunder, Celtic Woman, Tommy Fleming and The High Kings.
Things named in honour of Moore include the Annie Moore Award, presented annually by the Irish American Cultural Institute, a utility vessel operated for the National Park Service, and a software program developed at Worcester Polytechnic Institute in Massachusetts, Lund University in Sweden, and the University of Oxford in Britain which uses a "matching algorithm" to allocate refugees with no ties to the host country to their new homes.
Our Lady of Dublin

Our Lady of Dublin is a statue of the Madonna and Child in Whitefriar Street Carmelite Church in Dublin, Ireland, that represents the Black Madonna of Ireland.
Local legend with tenuous documentary support suggests that the statue originated in St. Mary's Abbey on Mary Street in Dublin which was dissolved as part of the Henrician reforms in 1539 (see: Dissolution of the Monasteries).
The first concrete historical mention dates from 1749 in a survey of the Catholic Chapels of Dublin, which refers to a statue in St. Mary's Lane Parochial Chapel. The chapel was torn down in 1816 to make way for a new school and no further mention of the statue is recorded until it was found by Father John Spratt, a member of the Carmelite order, in 1824.
The restored statue has been on display near the high altar of the church in a purpose built shrine since 1915.
The feast-day of Our Lady of Dublin is celebrated on 8 September.
Stylistically, the statue resembles early 16th-century wooden statuary and probably dates from that period. It is a life-size figure carved in oak.
53°20′23.08″N 6°15′59.37″W﻿ / ﻿53.3397444°N 6.2664917°W﻿ / 53.3397444; -6.2664917