davidanugraha/M4-RAG huggingface dataset:
Пасинджър

Майкъл Дейвид Роузенбърг (на английски: Michael David Rosenberg), по-известен със сценичното си име Пасинджър (на английски: Passenger), е английски музикант, певец и текстописец. Роузенбърг основава групата „Passenger“, но след дебютния им албум започва солова кариера, приемайки името за свое сценично име. Най-известният му хит е песента „Let Her Go“ от 2012 г.
Роден е на 17 май 1984 г. в Брайтън, Англия в семейство на англичанка и американец. Започва да взема уроци по класическа китара и в ранните си тийнейджърски години пише свои собствени песни. Напуска училище на 16-годишна възраст, за да преследва музикална кариера, и прекарва няколко години, обикаляйки Англия и Австралия като уличен музикант.
След срещата му с мултиинструменталиста и продуцент Андрю Филипс през 2002 г., сформират „Passenger“, включвайки басиста Маркъс О'Дейр, барабаниста Алън Коен и Ричард Бринклоу на клавишни. През 2007 г. издават своя пълнометражен дебютен албум „Wicked Man's Rest“ и сингъла "Walk You Home". През 2009 г., след като Филипс напуска групата, Розенберг издава (като Пасинджър) своя втори албум – „Wide Eyes Blind Love“. След разпадането на групата „Passenger“ записва още няколко албума, преди да пробие със сингъла „Let Her Go“ от албума си „All the Little Lights“ от 2012 г. Песента оглавява класациите в няколко страни, достигайки до номер едно в класацията Billboard Adult Top 40. Песента му печели номинация за Brit Award за британски сингъл на годината, както и наградата Ivor Novello за най-изпълнявана творба. Оттогава той присъства постоянно в много класации, издавайки поредица от лирични албуми, като „Whispers“ от 2014 г., „Young as the Morning Old as the Sea“ от 2016 г., „Runaway“ от 2018 г. и „Birds That Flew and Ships That Sailed“ от 2022 г.
Grammy Award for Best Pop Performance by a Duo or Group with Vocals

The Grammy Award for Best Pop Performance by a Duo or Group with Vocals was awarded between 1966 and 2011 (in its final year, it was awarded for recordings issued in 2010). The award had several minor name changes:
The award was discontinued from 2012 in a major overhaul of Grammy categories. From 2012, all duo or group performances in the pop field were shifted to the newly formed Best Pop Duo/Group Performance category.
A similar award for Best Performance by a Vocal Group was awarded from 1961 to 1968. This was also in the pop field, but did not specify pop music.
Years reflect the year in which the Grammy Awards were presented, for works released in the previous year.
Music of Tajikistan

Tajik music is closely related to other Central Asian forms of music. The classical music is shashmaqam, which is also distinctive in Uzbekistan. Southern Tajikistan has a distinctive form of folk music called falak, which is played at celebrations for weddings, circumcisions and other occasions.
Tajik folk music is traditionally divided into three styles, Pamir (Mountain-Badakhshan province), Central Kuhistoni (Hisor, Kulob, Gharm provinces) and Sogdiana's northern style; the latter is part of the same musical culture as the adjacent regions of Uzbekistan (Kashkadarya Province and Surkhandarya Province). There are many kinds of songs, both lyrical and instrument, including work songs, ceremonial, funeral, wedding and musical epics, especially the central Tajik heroic legend Gurugli also known as "Omar Sham Sham".
Gharibi is the song of a stranger, an early 20th-century innovation of poor farm laborers and other workers who had to leave their land.
Gulgardoni is a springtime holiday (also called Boychechak) which includes carolling celebratory songs accompanied by the dutar and doira.
Sayri Guli Lola is the holiday of tulips, which includes accompanied choral and dance music. The most important song of this holiday is called "Naqshi Kalon".
The birth of a child is cause for special musical celebration. Traditional puppeteers play on the doira, qayroq, surnay and nag'ora. There are other variations, and folk songs like "Na`at" and "Munojot", performed at the circumcision ceremony of a male child.
Traditional Tajik wedding music is played by sozanda, professional musicians, mostly female, who are part of ensembles called the dasta.
Badakhshan is a region inhabited by Tajik Ismailis, known for their sung spiritual poetry called madah. Lutes are a major part of Ismaili folk music.
Dumb Blonde (Dolly Parton song)

"Dumb Blonde" is a song written by Curly Putman and recorded by American singer-songwriter Dolly Parton. It was released as a single on November 7, 1966, by Monument Records. It would be included on Parton's 1967 debut album, Hello, I'm Dolly. It was Parton's first song to chart on the Billboard Hot Country Singles chart, peaking at number 24. Parton re-recorded the song with Miranda Lambert in 2018 for the Dumplin' soundtrack album.
In a positive review, Cashbox said, "Pretty Dolly Parton lets the world know that she's nobody's fool in this catchy lid." They said the song has "a cute, stompin’ sound" and "could very well be the biggie that will establish her." Record World called Parton a "not-so-dumb blonde" and said she should "get lots of mileage out of this tune." They concluded by saying that it "sounds like blondes have more fun." Billboard did not review the single, but they did include it in their Spotlight Singles section, predicating that it would chart on the Hot Country Singles chart.
"Dumb Blonde" debuted at number 64 on the Billboard Hot Country Singles chart, becoming Parton's first song to appear on the chart. It would eventually peak at number 24 and spend 14 weeks on the chart.
Meng'er Zhang

Meng'er Zhang (Chinese: 张梦儿; pinyin: Zhāng Mèng'er; born April 22, 1987) is a Chinese actress best known for portraying Xu Xialing in the 2021 Marvel Cinematic Universe (MCU) film Shang-Chi and the Legend of the Ten Rings.
Zhang is the daughter of an actor and a stage designer. She grew up heavily-devoted to theater arts in order to follow in her mother's footsteps. Prior to becoming a professional actress, she starred in stage and musical productions in Nanjing, where she was born and raised, and Shanghai. In 2009, she graduated from Nanjing University of the Arts with a bachelor's degree. She attended the East 15 Acting School in Essex and the Russian Institute of Theater Arts in Moscow.
In 2009, Zhang participated in China's Super Girl TV singing contest and was amongst the top 20 participants nationwide before withdrawing as her parents had arranged further schooling overseas for her. She later starred in numerous theatre productions. In 2013, in a Chinese stage adaptation, titled Finding Destiny (寻找初恋), of the Korean musical, Finding Mr. Destiny, Zhang played the female lead Luo Yan. In 2017, she starred in the Chinese musical adaptation of The Street of Dawn (黎明之街) where she played Nakanishi Akiba (仲系 秋叶), and in Oliver Twist where she played Dodger. In 2019, she was in In the Mood for Sorrow (马不停蹄的忧伤) where she was nominated for the Best leading Actress Award at 13th Daegu International Musical Festival.
Shang-Chi and the Legend of the Ten Rings was her debut mainstream film role. Before being cast, she sent an audition-tape for an unknown role in an unknown film for women who could speak both Mandarin Chinese and English. After being cast for Shang-Chi, she received intense martial arts stunt training. During production of Shang-Chi, she took advice from co-star Ben Kingsley on the distinction between stage- and camera-acting, and director Destin Daniel Cretton also coached her in on-screen acting as she had little experience working with camera framing. Her casting in the film was revealed at the Disney Investor Day 2020 in December of that year. Zhang joined the cast of The Witcher for its third season as a human hunter named Milva.
On May 10, 2021, Zhang married Yung Lee, an action designer on Shang-Chi, whom she met on the set of the film. The Shang-Chi cast and crew, including her costars Simu Liu and Awkwafina, hosted a surprise wedding reception for them at Disneyland.
Wedding breakfast

A wedding breakfast is a feast given to the newlyweds and guests after the wedding, making it equivalent to a wedding reception that serves a meal. The phrase is still used in British English.
Nowadays the wedding breakfast is not normally a morning meal, nor does it look like a typical breakfast, so its name can be confusing for Americans.
The name is claimed to have arisen from the fact that in pre-Reformation times, the wedding service was usually a Eucharistic Mass and that the newlyweds would therefore have been fasting before the wedding in order to be eligible to receive the sacrament of Holy Communion. After the wedding ceremony was complete, the priest would bless and distribute some wine, cakes, and sweetmeats, which were then handed round to the company, including the newlyweds. This distribution of food and drink was therefore a literal "break fast" for the newly married couple, though others in attendance would not necessarily take Communion and therefore would not necessarily have been fasting. Since usage of the phrase cannot be shown to date back earlier than the first half of the 19th century however, a pre-16th-century origin seems unlikely.
The Oxford English Dictionary does not record any occurrences of the phrase "wedding breakfast" before 1850, but it was used at least as far back as 1838.
The author of Party-giving on Every Scale (London, 1880) suggests the phrase may have evolved fifty years earlier:
The Compact Oxford Dictionary lists the phrase as only "British", and the Merriam-Webster online dictionary does not list it at all.
The custom of the wedding breakfast is occasionally spotted in non-English-speaking countries that market themselves as wedding destinations, e.g. Poland.
Tradisi lisan

Tradisi lisan merujuk kepada segala bentuk warisan dan tradisi yang lahir dalam sesuatu kelompok masyarakat. Penyampaian tradisi ini berbentuk perantaraan lisan. Ia merupakan satu cara masyarakat menyampaikan sejarah lisan, kesusteraan, perundangan dan pengetahuan lain menyeberangi generasi tanpa sistem tulisan. Contoh yang menggabungkan kesusteraan lisan dan sejarah lisan, sebelum ditulis, adalah Sejarah Melayu.
Dari segi umum, "tradisi lisan" merujuk kepada penyampaian bahan budaya melalui sebutan lisan, dan telah lama dikatakan sebagai gambaran cerita rakyat (kriteria yang tidak lagi dipegang kemas oleh kesemua pencerita rakyat). Sebagai bidang akedemik, ia merujuk kepada kedua-dua kaedah saintifik dan objek yang dikaji oleh kaedah tersebut.
Kajian tradisi lisan adalah berbeza dengan bidang akademik sejarah lisan, yang merupakan rakaman ingatan peribadi dan sejarah oleh mereka yang mengalami era sejarah atau kejadian tertentu. Ia juga berbeza dengan kajian kelisanan (orality) yang boleh ditakrifkan sebagai pemikiran dan gambaran lisan dalam masyarakat di mana teknologi kesusteraan (terutamanya tulisan dan cetakan) tidak meluas dikalangan penduduknya.
Tradisi lisan merupakan bidang kajian yang diketahui permulaannya dalam karya cendikiawan Serbia Vuk Stefanovic Karadzic (1787-1864), sezaman dengan Brothers Grimm. Vuk mengejar projek seumpamanya dalam "salvage folklore" dalam tradisi kognat di daerah selatan Slav yang kemudiannya bergabung sebagai Yugoslavia, dan dalam campuran yang sama minat romantik dan nasionalis. Terkemudian, tetapi masih dalam pengajian yang sama, turkologi Vasily Radlov (1837-1918) akan mengkaji lagi di Kara-Kirghiz yang kemudiannya membentuk Kesatuan Soviet.
Tradisi Lisan dalam Alam Melayu
Tradisi Lisan atau Budaya Lisan merupakan amalan turun temurun masyarakat Melayu dalam menyampaikan pantang-larang, nasihat, cerita dan maklumat. Sebagai contoh, masyarakat Melayu gemar menceritakan cerita rakyat atau dongengan bagi menarik minat anak-anak mendengar nasihat atau pantang-larang yang tersirat dalam kisah tersebut. Wayang kulit, pantun, syair dan sajak merupakan antara dari khazanah budaya lisan alam Melayu yang banyak memberi sumbangan dalam keintelektualan orang Melayu. Undang-undang tidak bertulis seperti Adat Temenggung dan Adat Perpatih juga disampaikan oleh ibu bapa kepada keturunannya melalui interaksi lisan.
Baju lamina

Baju lamina (juga dikenali sebagai lamena oleh orang Bugis, sa 'dan oleh orang Toraja, lamina atau laminah oleh orang Melayu) adalah sejenis zirah rantai dan plat dari kepulauan Nusantara (Indonesia, Malaysia, Brunei, dan Filipina).
Baju lamina adalah baju besi rantai yang dibentuk menjadi bentuk rompi. Bahagian belakangnya terdiri dari plat loyang segi empat panjang kecil, bahagian depan terdiri daripada cincin loyang. Beberapa plat loyang segi empat melekat pada cincin loyang, yang meluas dari ketinggian tulang selangka ke sekitar tepi bawah sangkar rusuk terakhir. Plat loyang berfungsi untuk menguatkan rantai baju besi di bahagian dada dan panggul yang lebih rentan. Baju lamina tidak memiliki lengan atau kolar. Salah satu rujukan awal untuk zirah ini adalah selepas penaklukan Melaka oleh Portugis (1511). Putra Afonso de Albuquerque menyebutkan persenjataan Melaka: Ada senapang matchlock besar (arquebus Jawa), sumpitan beracun, busur, panah, baju berlapis besi (laudeis de laminas), tombak Jawa, dan jenis senjata lainnya. Tidak diketahui sama ada baju berlapis besi Melaka digunakan dalam pertempuran, atau hanya digunakan oleh golongan elit dan bangsawan, atau jika ia adalah pakaian upacara semata-mata. Rui de Araújo melaporkan bahawa sangat sedikit askar Melaka yang memakai baju zirah.
Sekitar abad ke-17, orang Bugis mula menggunakan zirah rantai dan plat dan ia masih digunakan sehingga abad ke-19.
Bibliografi Warisan Budaya Melayu

Buku Bibliografi Warisan Budaya Melayu merupakan buku yang diterbitkan oleh Perpustakaan Negara Malaysia, dengan nombor ISBN 967-931-136-8.. Ia terdiri daripada 95 halaman dan berharga 15.00.
Buku Bibliografi Warisan Budaya Melayu ini diterbitkan pada tahun 2003.
Bibliografi Warisan Budaya Melayu mengumpul maklumat berkaitan warisan kebudayaan masyarakat Melayu dari pelbagai aspek kehidupan merangkumi adat resam, kesenian, pakaian dan perhiasan, peralatan tradisional, permainan tradisional, perubatan tradisional, seni bina, seni halus dan senjata tradisional.
Kebudayaan Brunei

Kebudayaan Brunei pada asasnya merupakan budaya Melayu dan amat hampir dengan kebudayaan jirannya Malaysia dan Indonesia.
Kebudayaan di Brunei dipengaruhi dengan agama Islam dan Hindu. Ia juga dipengaruhi demografi penduduknya, di mana dua per tiga penduduknya orang Melayu. Selebihnya orang Cina, India dan orang asli seperti Dayak dan Kadazan-Dusun.
Berikut merupakan antara budaya yang unik di Brunei:
Jika anda melihat rencana yang menggunakan templat {{tunas}} ini, gantikanlah dengan templat tunas yang lebih spesifik.
Alam Melayu

Alam Melayu ialah istilah yang lazim dipakai di Malaysia untuk merujuk kepada Asia Tenggara Maritim. Penggunaan yang paling menonjol bagi konsep ini adalah pada awal abad ke-20, yang dianuti secara irredentist, oleh nasionalis Melayu dalam bentuk "Malaya Raya" (Melayu Raya), sebagai aspirasi untuk sempadan "semula jadi" atau diingini bangsa Melayu moden. Istilah "Alam Melayu" tidak wujud sebelum abad ke-20. Kesusasteraan Melayu klasik seperti Sejarah Melayu dan Hikayat Hang Tuah tidak menyebut istilah seperti ini. Istilah ini hanya berkembang selepas tahun 1930, dengan contoh direkodkan pertama datang dari Majalah Guru, majalah bulanan negeri Malaya, dan surat khabar Saudara, yang diterbitkan di Pulau Pinang dan diedarkan di seluruh Negeri-Negeri Selat. Istilah "Alam Melayu" berkembang dan popular selepas kemunculan gerakan nasionalisme Melayu pada suku kedua abad ke-20.
Tidak ada rekod sejarah pasti asal-usul dan penerangan kawasan yang termasuk "Alam Melayu". Tetapi mengikut beberapa rujukan abad ke-21 asal Malaysia, istilah ini lazim dipakai untuk merujuk kawasan yang berkait Nusantara.
“Bahasa serumpun di Alam Melayu mempunyai perkaitan dengan bahasa etnik peribumi. Persamaan ini boleh dikenal pasti melalui kata-kata tertentu. Apabila membuat perbandingan bahasa-bahasa serumpun ini, terdapat pertalian kekeluargaan bahasa-bahasa ini dengan Bahasa Melayu”, Profeser Emeritus Dato' Dr. Asmah Haji Omar, tokoh bahasa.
“Bahasa Melayu telah digunakan secara meluas di Alam Melayu sejak awal masihi lagi. Sifat orang Melayu yang gemar belayar telah mengembangkan lagi bahasa Melayu ke Alam Melayu. Tambahan pula sifat bajasa Melayu yang sederhana dan mudah dipelajari membolehkan bahasa ini diterima di alam Melayu”, Sutan Takdir Alisjahbana, tokoh bahasa.
“Sejak awal lagi, budaya di Alam Melayu ini telah berkembang maju dengan munculnya beberapa kepandaian tertentu dalam bidang kesenian. Antaranya termasuklah pembuatan gangsa dan seni mempertahankan diri. Kedua-kedua kepandaian ini merupakan ciptaan asli di Alam Melayu. Selain itu, nilai-nilai serumpun wujud dalam masyarakat Alam Melayu terutamanya gotong-royong. Dalam aspek seni persembahan pula, muncul wayang kulit di Kelantan dan Pulau Jawa”, Dato' A. Aziz Deraman, budayawan.
Pesak

Pesak ialah kain yang dijahit pada kelangkang atau depan seluar (tempat kancing) atau di ba­wah ketiak baju. Ia bertujuan memberi kelonggaran pada rekaan baju. Dalam rekaan baju tradisional Melayu, jahitan pesak banyak digunakan terutama pada rekaan baju Melayu dan baju kurung.
Jika anda melihat rencana yang menggunakan templat {{tunas}} ini, gantikanlah dengan templat tunas yang lebih spesifik.
Patadyong

The patadyong (Tagalog pronunciation: [pɐ.t̪ɐˈd͡ʒoŋ], also called patadyung, patadjong, habol, or habul), is an indigenous rectangular or tube-like wraparound skirt worn by both men and women of the Visayas and the Sulu Archipelago of the Philippines, similar to the Malong, or Sarong. It was also historically worn in parts of Luzon like Pampanga and Sorsogon.
In the precolonial Philippines, it was usually worn with a barú or bayú, a simple collar-less shirt or jacket with close-fitting long sleeves. During the Spanish period, this evolved into the kimona, a variant of the baro't saya worn by Christianized lowland Visayans consisting of a loose translucent blouse, an undershirt, and a patadyong or a patadyong-patterned skirt.
The patadyong is identical to the malong used in mainland Mindanao, but is longer than the tapis of Luzon; it is also identical to the sarong of neighboring Indonesia, Brunei, and Malaysia, for which only the designating name changes (patadyong in Bisayan languages vs. sarong in Malay language). Its name means "straight [in shape]" in Bisayan languages, from the root word tadlong, "[to go] straight"; its alternative name "habol" or "habul" means "woven [textile]", though it usually means "blanket" in modern Bisayan.
The Bugasong Loom Weavers Association was founded in 2008 to revive the traditional loom of patadyong. As a cultural treasure, it is so versatile that it has been used as room divider, baby sling, and for rice harvest bundling.Cebu Pacific introduced its QR Flight codes patterned after traditional weaving of Antique Province's checkered Patadyong to promote local tourism.
华为支付

华为支付（英語：Huawei Pay）是华为终端设备的移动支付和电子钱包服务，集成在华为钱包应用中，可以应用在公交出行、绑定银行卡支付、HUAWEI AI PASS、电子证件等。提供与Apple Pay、Samsung Pay、Mi Pay等类似的服务。 目前华为支付仅与中国银联合作。
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Tap & Go 中銀香港 工銀亞洲
大西洋銀行 工銀澳門 中國銀行澳門分行
GazprombankRussian Agricultural Bank
中国工商银行
中国工商银行 Aleta Planet
中国工商银行
National Bank Of Pakistan
Zapper
Bluecode
华为和银联合作，支持将信用卡、金融卡加入到HUAWEI PAY中，使用NFC使实体商户读取并使用。
同时也在部分手机应用中支持应用内付款
支持和移动应用连接，通过付款条码或NFC付款
在中国大陆支持支付宝、京东闪付、美团闪付（银联标准）的支付二维码/条码及京东/美团闪付NFC感应付款。
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中国大陆，香港，迪拜（阿联酋）
可在华为钱包内开通交通卡。开通后交通卡储存在华为手机的安全芯片中，可通过HUAWEI PAY绑定的银行卡及微信/支付宝为交通卡充值。
根据华为手机/可穿戴设备安全芯片空间决定交通卡/银行卡开通总数，可迁移至云端
注意：每台手机只能开通一张交通联合交通卡（可将卡片转移至云端之后再开通）
城市一卡通
交通联合卡
注：北京市政交通一卡通升级为京津冀互联互通卡；苏州市民卡被江苏交通一卡通·苏州取代；吉林通升级成为交通联合卡
八达通
Nol Card
HUAWEI AI PASS的设计理念是从用户智慧生活全场景出发，追求极致用户体验，对各类卡、证、钥匙的刷卡服务进行评估认证，旨在为用户提供更加智能、便捷和安全的刷卡服务。
当前，HUAWEI AI PASS已首先完成部分产品认证，包括模拟门钥匙、邻里邻外社区门禁卡、青稞智能锁门卡、杭州安朴酒店门卡，即使是忘带钥匙，也能通过一台手机熄屏刷卡开门，为用户提供更加便捷和安全的刷卡服务。
公安部公民网络电子身份标识(eID)是以密码技术为基础、以智能安全芯片为载体、由公安部第三研究所承建的“公安部公民网络身份识别系统”签发给公民的网络电子身份标识，能够在不泄露身份信息的前提下在线远程识别身份。可以为互联网用户提供网络身份认证、个人信息保护、网络账号保护和网络交易保护等服务。
华为在2018.08.22启动了移动端试点（全球首次），在Mate20 系列发布会上宣布正式支持
中国大陆目前仅支持航空会员卡
陆路交通管理局

陆路交通管理局（英語：Land Transport Authority；縮寫：LTA），简称陆路交通局或陆交局，是新加坡政府的法定機構，係隸屬新加坡交通部管理下的独立机构。
在建国初期，公共基础设施是由公共工程部(PWD)管理的。其中包括停车场，桥梁，污水处理系统，房屋，图书馆甚至公交候车亭的建设。随着运输计划范围的扩大，需要一个新的实体。
1995年9月1日由时任新加坡总理吴作栋宣布：新加坡地铁公司、车辆管理所、车辆登记处、前公共工程局道路交通处以及前通讯部的陆路交通处四方合并，成立陆路交通管理局。
在1900年代初，到新加坡旅行是一个挑战。那些没有开车的人必须使用人力车，出租车或缓慢而又不可靠的公交车服务。
1971年，国家计划和城市规划项目（SCP）的完成成为了新加坡的第一个概念计划，该计划设想了高速公路系统和公共交通（MRT）系统，以提升全岛交通的贯通性。 1970年代，成立了道路运输行动委员会，以规划不断发展的运输系统并管理交通拥堵的问题。
陆路交通管理局负责建设新加坡的轨道交通包括新加坡地铁（MRT）和轻轨（LRT）。陆交局计划到2030年新加坡的轨道交通总长度翻番。随着2009年竣工的东西线（绿线）文礼延长线、2011年竣工的环线（黄线）以及2012年竣工的环线滨海湾支线的相继通车，新加坡地铁的总里程从2008年的138公里增加到180公里。2014年，南北线（红线）从滨海湾地铁站延长一站到滨海南码头地铁站。滨海市区线（蓝线）的第一期与第二期工程分别于2013年和2015年通车。目前正在建设中的线路包括滨海市区线第三期、汤申－东海岸线（棕线）和大士延长线。未来计划中的线路包括跨岛线和裕廊区域线（轻轨）。
从2012年开始，陆交局开始在36个高架地铁站（elevated stations）安装半高安全门以保证乘客安全、减少因站台乘客拥挤而导致的延误。 从2012年6月1日开始到2013年1月6日，全部高架地铁站都陆续安装了超大型工业节能风扇（HVLS fans）。
2013年6月24日起，为了缓和上班高峰压力，乘客早晨7点45以前可以免费乘坐新加坡地铁（限市中心区域）；而在2018年12月29日起，乘客早晨7点45以前可以乘坐新加坡地铁更改為可享SGD$0.5折扣，並擴展至所有区域。
陆路交通管理局在2009年开始负责制定中心巴士网络规划。这项计划参与者包括新捷运和SMRT巴士。
陆路交通管理局投资新建道路及配套设施，为新加坡经济提供支持与保障。其中的一项位于市中心和港湾区域的工程叫做“停车引导系统”(PGS)，可以职能地帮助司机找到附近合适的停车位。
無現金社會

無現金社會或無現金化社會（英語：Cashless society）是一種以數位資訊進行的交易，而並非以實體紙幣或硬幣進行交易（通常是電子貨幣形式）。而無現金社會從人類社會出現的時候就存在了，基於以物易物或其他交換方式，無現金交易在現代也成為可能，舉凡信用卡、借记卡、行動支付和比特币等數位貨幣進行無現金交​​易等。
使用非现金交易和结算的趋势始于1990年代的日常生活，当时电子银行服务开始流行。到了2010年代，数字支付方式在许多地區得到广泛应用，例子包括贝宝（PayPal）这样的中介机构，电子钱包系统如蘋果公司运营的Apple Pay，通过电子卡片或智能手机进行的非接触式和NFC支付，以及电子账单和电子银行服务，都在被广泛使用。于这一年代，现金变得在一些历史上极平常地以实体法偿支付的交易中极不受欢迎；在某些情况下，大额现金受到怀疑对待，因为它在洗钱和资助恐怖主义方面用途广泛和易于使用，而且受到一些供应商和零售商的主动禁止，以至于产生了“向现金宣战”的表述。据报道，在2016年，英国每7人中就有1人不再携带或使用现金。2016年美国用户消费者调研（United States User Consumer Survey Study）称，75%的受访者偏好信用卡或借记卡作为支付方式，而只有11%的受访者偏好现金支付。数字支付自Venmo和Square两家公司于2009年成立以来可通过其服务或类似的方式进行。Venmo允许个人直接向其他个人转账，而无需取用现金。Square是一项允许主要是小企业从客户那里收款的创新服务。
衡量一个地區有多接近成为“无现金社会”的一个常见标准是无现金支付或个人间交易的数量。例如，北欧国家的银行比大多数欧洲国家经办更多的无现金交易。流通中的现金水平在两个无现金交易衡量标准类似的国家之间可能存在很大差异。例如，丹麦流通中的现金量是瑞典的两倍以上，且最大面额钞票1000克朗的占比要高得多。
尽管无现金社会得到了广泛讨论，大多数地區却正在增加货币供应。南非作为特例，其纸币供应量波动较大，而瑞典则自2007年以来大幅减少了货币供应量。
韩国已决定于2020年结束硬币作为法偿（法定货币）的只能，届时现金零钱将仅以复数单一小面额纸币存在，即1000韩元（约合不足1美元）。
无现金支付可以消除几种风险，包括假币（尽管被盗的卡片仍是一种风险），和针对现金的员工监守自盗、入室盗窃或抢劫。 一旦业务实现完全无现金运作，物理安全、实体现金处理（从银行提款、运输、点算）的成本也会降低，缺乏足够现金供找赎的风险也会降低。
美国连锁餐厅“甜绿”（Sweetgreen）（英语：Sweetgreen）发现无现金运作的地点（顾客使用支付卡或该餐厅的手机应用）处理交易的速度快15%。
支持者所援引的无现金社会显著优势之一在于，洗钱、逃税、进行非法交易和资助非法活动的难度。许多国家已经规管、限制或禁用比特币等私人数字货币，部分是为了防范非法交易。高价值资产的存储方式亦可为房地产、古董，或大宗商品如钻石、黄金、银和铂金。
一些人提出了一个“减少现金”体制：小面额纸币和硬币可用于日常匿名交易，但高面额纸币将被淘汰。这将使得转移大量价值所需的现金数量在物理上变得棘手，且更容易被发现。大面额钞票对假钞而言也是最有价值的。由于对纳粹伪造钞票的担忧，英国在第二次世界大战后宣布只有面值为5英镑或以下的钞票可作法偿。1969年，美国联邦政府宣布，面值超过100美元的纸币仍将是法偿（法定货币），但政府手中的所有纸币都将销毁，且今后不会再印刷此等面值的新钞。美国上一次印刷此类钞票是1945年。加拿大于2000年对1000加元钞票采取了同样的做法。瑞典在1939年和1958年印制了10,000克朗纸币，但已宣布其在1991年12月31日后无效。新加坡最近宣布，他们将不再生产10,000新元钞票。欧洲中央银行宣布，下一版的欧元纸币将不包括500欧元面值。
相比进行昂贵的定期调查和对现实世界交易抽样，从公民支出花销收集的真实数据，可以帮助设计和施行从实际数据中推理出来的政策。有了记录在案的交易，政府可以通过金融记录更好地掌握资金的流动情况，从而能够追踪黑钱和国内发生的非法交易。
随着数字支付的使用，金钱交易便记录在案。无现金支付便于跟踪支出和记录资金的流动。交易记录可以帮助公民更有效地改善他们的花费预算。
数字化的经济中，款项转移将可被追踪。交易可追踪时，金融机构即可能获得这些信息。随着这些数字痕迹的遗留，数字交易变得脆弱。此类交易令企业可根据消费者的消费模式建立其个人档案。伴随各国迈向无现金社会，数据挖掘问题也应运而生。无现金交易随某人发起支付在相关公司的数据库中留下记录，这些信息成为预测未来事件的一种方式。通过大量记录，数据挖掘允许组织机构通过数据库中的记录编制个人侧写档案。
通过全数字化，这些从交易中检索到的数据可以导致广泛性的监控，个人可以被企业和政府追踪。这些记录也可能因数据泄露被黑客获取和公之于众。
实施无现金体制对某些人群形成（社会）排斥，如穷人、接近贫困的人、老年人、非法移民和年轻人。走向无现金社会的过程中，没有掌握发起数字交易的权力或知识的公民，将会被抛下。为了使用电子支付进行交易，公民需要持有一个可存放其金钱的银行账户。许多穷人没有银行账户。在美国，几乎三分之一的人口缺乏全面的基本金融服务。根据美国联邦存款保险公司（FDIC）的数据，在年收入低于15,000美元的家庭中，近25.6%没有银行账户。
对于老一辈，特别是对技术和数字应用不太熟悉的退休长者来说，他们会很难适应数字体制。新加坡即是一个例子。作为一项智慧国家（Smart Nation）（英语：Smart Nation）行动，新加坡已在向无现金系统迈进。在新加坡，至少有50万65岁以上的老人，占新加坡总人口的14.4%。新加坡的大多数老年人仍然使用现金作为他们唯一的支付方式，而无现金支付方式的整合为他们制造了一个障碍。由于不习惯数字化支付方式，解决诸如处理遗失卡片、忘记密码以及管理开支等问题可能会给这些老人带来潜在的麻烦。
当支付交易存储在服务器上时，它增加了黑客未经授权入侵的风险。金融网络攻击和数字犯罪在转向无现金时也形成了更大的风险。许多公司已经受害于数据泄露，包括多个支付系统。电子账户易受未经授权的访问、资金转账或购买行为的侵害。
反对者指出，一个完全无现金的系统，除可跟踪所有交易外，将令中央政府能够：
消费者对其每日通过刷卡交易花费的金钱数额的觉察程度，不如使用钱包中预算金额内的现金支付。
卡片支付

卡片支付，俗稱刷卡、碌咭，指利用記錄了使用者的支付戶口的塑膠卡片來作支付用途的過程。這些用於支付的卡片是支付系統的一部分，一般由金融机构（例如銀行或財務機構）發行，讓他們的客戶能夠存取指定銀行帳戶或由發卡機構提供的信用額度來支付、以及透過利用自動櫃員機（ATM）轉帳而進行电子支付。
「刷卡」或「碌咭」這種叫法源於最初使用過底紙將卡上資料壓在收據的動作（也是卡上資料要造成凸出來的原因）；後來改由磁條讀取資料，也是必需要刷過卡槽才可以將卡片中的資料讀出。雖然現在已經使用了晶片信用卡或非接觸式付款，那台機器還是習慣稱為刷卡機（不會叫成「插卡機」）。
在門禁卡領域上常見「刷卡機」這種稱呼；也有玩具商做出一些魔法卡之類的玩具，那台讀卡設備也被叫刷卡機。然而，其中最出名的還是信用卡的讀卡設備支付終端。
借记卡

借记卡（英語：debit card）是银行卡的类型之一，其特點是可以刷卡消費，但其支付方式與信用卡不同，是以圈存的方式從連結的銀行帳戶內扣款，因此不会产生超刷、透支或动用循环利息的情形。其他如轉帳、提款、存款等功能則與一般金融卡相同；也同樣會分為普卡、金卡、白金卡或商務卡等幾種類型。
由於申辦信用卡往往會要求持卡人出示財力證明，造成特定職業別或在學學生無法申辦；簽帳金融卡便成為其替代選項，讓僅持有金融卡者也能進行刷卡消費。
借记卡与信用卡的使用在消费操作上完全一致，能刷信用卡的POS机一般可刷借记卡。
购物时需输入个人密码。密码式借记卡只适用于安装了連線POS机的商户，此终端设备提供输入个人密码的装置。
目前，几乎所有中国银联借记卡、Maestro（Mastercard旗下的借记卡品牌）、香港的易辦事和已停用的Visa Interlink（英语：Interlink (interbank network)）是以此模式運作。
像使用大部分信用卡一样，购物时需在收据上签名。签名式借记卡可用于安装了连线或离线POS机的商户。有些借记卡只适用于密码操作，有些则密码和签名两用。
签名式的借记卡更具弹性，即使在没有安装密码POS机的商户也可使用。不论借记卡属于哪种类型，你购物时金额都会自动从你的账户中扣除。两种借记卡都需用个人密码在自动柜员机上提款。银行在发卡时会给你一个初始的密码。
目前以Visa运作的借记卡（即「Visa金融卡」）就是以此模式运作，亦有少部份万事达卡借记卡（主要为跟信用卡一样卡上的地球激光全息图置于卡背的版本）亦是以此模式运作。
有些借记卡以「密码加签名」模式运作，交易时须输入密码并于收据上签名核实交易。
大部份中国银联的借记卡、大部份万事达卡借记卡（主要为卡上的地球激光全息图置于卡面万事达卡标志之上），以及已停用的Visa Electron（英语：Visa Electron）均以此模式运作。
芯片借记卡在通过拍卡进行支付时，满足一定条件下，如银联闪付卡消费金额不足1000元，卡片及POS及允许小额免密，可免密支付。
德国的银行发行的借记卡一般同时有密码和签名两种方式，但是验证的时候只会要求使用其中一种。
簽帳金融卡與信用卡雖然都可以進行刷卡消費，但是兩者的支付方式並不相同。信用卡是銀行提供固定期間的一定消費額度，持卡人在此額度內可以預先消費，等期限屆至時再繳費；簽帳金融卡則是綁定活期存款帳戶，並以圈存交易的方式扣款，消費的額度僅限當下帳戶內的可用餘額。因此，簽帳金融卡不會像信用卡一樣有超刷及卡債的問題。
簽帳金融卡的好處在於可以確保持卡人不會因為購買力小於可刷額度而超刷，導致無法償還消費金額的情形；但同樣有著缺點，即能使用的通路較信用卡來得少，部分消費僅供信用卡刷卡而不開放簽帳金融卡（例如微信支付僅開放綁定中国境外信用卡刷卡消費，目前暫不開放境外簽帳金融卡）。
目前國際上主要的簽帳金融卡發卡組織有Visa、万事达卡、中国银联和JCB。
万事达卡提供三种品牌的借记卡，包括万事达卡借记卡（Debit Mastercard）、万事顺卡（Maestro）和顺利卡（Cirrus（英语：Cirrus (interbank network)））。现时主要使用的是Debit Mastercard，而Maestro在欧洲地区比较常见。
JCB在日本、蒙古、緬甸、臺灣和越南等地與當地銀行合作發行JCB Debit。其中在臺灣，華南銀行是唯一發行JCB Debit的銀行。
中國銀聯除中国大陆和港澳地區外，也在部分国家有发行借记卡，海外发卡机构早期主要为中资银行分支机构。
不过目前在韩国，东南亚地区等地，也有不少本地银行发行银联借记卡。
中国大陆各商业银行早期有发行带银联和Visa、万事达标志的双标借记卡，可同时在银联和Visa/万事达网络使用（中国大陆以银联通道清算，境外则视卡片情况而定），均为磁条卡，部分卡种仅限在中国大陆境内使用。 2016年12月中国人民银行发文决定停止新发行双标卡后，各大银行陆续停止发行双标借记卡。
而在俄罗斯，韩国，泰国，缅甸，马来西亚等地也有发行银联双标借记卡，主要是银联与Mir，BC卡等地域性卡组织的双标卡。
Carte Bleue是法國的借记卡支付系統。其卡片现均以visa/万事达之间的双标卡出现。
Smart Pay是台灣財金公司的簽帳金融卡支付系統。但現時台灣國內交易網路以Mastercard、Visa等國際組織網路為主流，惟因費用較低，仍有少數商家支援Smart Pay網路（例如中華郵政、全聯福利中心）。
Visa金融卡

Visa金融卡（英語：Visa Debit）是指以Visa公司為發卡組織所發行的借记卡，在美国又可稱為「支票卡」（cheque card），是一種取代現金的塑膠貨幣。
Visa金融卡與Visa信用卡使用方式相同，皆透過Visa網路完成交易。Visa金融卡可以在自動櫃員機（ATM）提款，也可以直接在商店刷卡消費，刷卡後直接由存款帳戶扣款，非使用信用額度。
自動櫃員機（ATM）提款，使用銀行提款卡機制，所以必須有對應的存款帳戶。目前，台灣法令依產品特性，限制Visa金融卡所對應的存款帳戶不得具有類似現金卡或循環動用等透支功能。
刷卡消費實際運作上使用信用卡交易機制，所以有對應的信用卡卡號。交易款項需店家向信用卡公司申請支付時，才會由銀行從帳戶扣款。在扣款之前，會於刷卡交易發生時，依照交易金額進行「圈存交易」。存款戶於交易之後，僅能動用超過圈存金額部分的存款。一般圈存的存款，不影響其存款利息的計算，故有類似信用卡延遲付款的特性。但有部分銀行將此Visa金融卡交易，所造成的圈存區分出來，不計算利息。
Visa金融卡的卡片設計與Visa信用卡一樣，包括Visa標誌與16碼卡號。和信用卡不同的是，這是一個存款帳戶的產品，所以卡片上還會有銀行帳號。同時，很多發卡機構都會在卡片正面或背面加上「Visa金融卡」、「Visa Debit」或「Debit Card」字樣，作為區別。
芯片类的Visa金融卡与信用卡一样使用EMV芯片。
需要到發行Visa金融卡的銀行開戶或換發，即可申請Visa金融卡。Visa金融卡的使用方式與Visa信用卡一模一樣，持卡人刷卡時需要簽名確認。與信用卡不同的是，使用Visa金融卡，商店刷卡及ATM提款都會直接從存款帳戶扣款，所以帳戶有多少錢，才能用多少錢，不會透支或刷爆。
Visa金融卡在全世界所有接受Visa信用卡的商店（包括一般實體商店、網路商店、電話訂購、傳真郵購或電視購物服務）都可使用。
持卡人也可以在全球有Visa標誌的自動櫃員機提領當地貨幣，款項會從存款帳戶中扣除。
加载EMV芯片的Visa金融卡可选择性支持payWave。
Visa簽帳金融卡有時間限制，一張卡為六到七年，持卡人到期前前往原發卡銀行，換領新的簽帳金融卡繼續使用。
在臺灣，Visa簽帳金融卡稱為「Visa金融卡」。截至2022年4月止，在臺灣境內發行Visa金融卡的金融機構計有24家：
在中国大陆，Visa借記卡稱為「Visa借记卡」。目前中国大陆正在发行Visa借记卡的银行有：
以上银行发行的Visa借记卡均只设有外币账户，无人民币账户，且只能在中国大陆境外使用。
中国大陆各商业银行早期均有发行带有银联和Visa、万事达标志的双标借记卡，境内交易通过银联网络以人民币结算，境外交易视情况通过银联或境外卡组织网络分别以人民币或美元结算。2016年12月中国人民银行决定停止新发行双标卡后，各大银行陆续停止发行双标借记卡。
在香港和澳門，Visa借記卡稱為「Visa扣賬卡」（前称：Visa户口扣賬卡）。目前在香港和澳门发行的卡片有：
花旗銀行曾于2013年6月推出Visa扣賬卡及自动柜员机卡；後來改為與萬事達卡合作，以万事达卡借记卡取代Visa扣賬卡。富邦銀行亦曾发行Visa扣賬卡，但自2013年7月31日起停用并改为PLUS提款卡。
Ministry of Transport (Singapore)

The Ministry of Transport (MOT; Malay: Kementerian Pengangkutan; Chinese: 交通部; Tamil: போக்குவரத்து அமைச்சு) is a ministry of the Government of Singapore responsible for the administration and regulation of land, sea and air transportation in Singapore.
The Ministry of Transport was formed on 23 November 2001 out of the then Ministry of Communications and Information Technology. Its previous portfolio of information technology and telecommunications were then transferred to the then Ministry of Information, Communications and The Arts, now known as the Ministry of Digital Development and Information.
Currently, the ministry commissions and regulates four individual government statutory boards: the Civil Aviation Authority of Singapore (CAAS), the Land Transport Authority (LTA), the Maritime and Port Authority of Singapore (MPA) and the Public Transport Council (PTC), which implement the ministry’s policies and tactical directions.
The Ministry has ten divisions with staff strength of nearly 200 staff. These are Air Hub Division, Aviation Relations and System Division, Public Transport Division, Private and Future Mobility Division, Sea Transport Division, International Relations and Security Division, Corporate Communications Division, Corporate Development Division, MOT Technology Office and the Transport Safety Investigation Bureau of Singapore (TSIB).
The Ministry is headed by the Minister for Transport, who is appointed as part of the Cabinet of Singapore.
Azusa Inaba

Azusa Inaba (稲葉あずさ, Inaba Azusa) is a Japanese professional wrestler. She is signed to Professional Wrestling Just Tap Out (JTO) and World Wonder Ring Stardom, where she is a member of H.A.T.E. and a former New Blood Tag Team Champion.
Azusa made her professional wrestling debut at JTO Tournament 2023 Finals on March 3, where she fell short to her sister Tomoka Inaba in singles competition.
During her time with the promotion, she chased for various championships promoted by JTO, and by other promotions from the Japanese independent scene. At JTO GIRLS House on September 26, 2023, she teamed up with Tomoka Inaba and unsuccessfully challenged Misa Kagura and Sumika Yanagawa for the International Ribbon Tag Team Championship. At the JTO 1 Day Mixed Tag Tournament from December 13, 2023, Azusa unsuccessfully challenged Kagura for the JTO Girls Championship. At a house show promoted JTO three days later on December 16, she unsuccessfully challenged Sumika Yanagawa for the Princess of Pro-Wrestling Championship.
Azusa made her debut in World Wonder Ring Stardom in the New Blood series of events specially created for rookies and newer wrestlers. She made her first appearance at Stardom New Blood 8 on May 12, 2023, where she teamed up with Tomoka Inaba and wrestled Hanan and Hina into a time-limit draw. At the very next New Blood event from June 2, 2023, Azusa and Tomoka unsuccessfully challenged Bloody Fate (Karma and Starlight Kid) for the New Blood Tag Team Championship. A couple of months later at Stardom New Blood 11 on September 28, 2023, Azusa unsuccessfully challenged Rina for the Future of Stardom Championship.
Azusa made her first appearance in Stardom's main pay-per-views at Stardom Dream Queendom 2023 on December 29, where she teamed up with Miyu Amasaki and Yuzuki to defeat Hanako, Kurara Sayaka and Ranna Yagami in a Six-woman tag team match. At Stardom Flashing Champions 2024 on May 18, she teamed up with Oedo Tai (Rina and Fukigen Death) to defeat Empress Nexus Venus (Mina Shirakawa, Xena and Waka Tsukiyama) in the same type of bout. Azusa returned to the New Blood series of events at Stardom New Blood 13 on June 21, 2024, where she teamed up with Rina to defeat Queen's Quest (Miyu Amasaki and Hina). At Stardom Nighter in Korakuen II on July 23, 2024, Azusa teamed up with Rina and defeated wing★gori (Hanan and Saya Iida) to win the New Blood Tag Team Championship.
Alone season 1

The first season of Alone premiered on June 18, 2015 on History and concluded on August 27, with 10 episodes and 1 special recap/behind-the-scenes episode. Each season follows the self-documented daily struggles of 10 individuals as they survive alone in the wilderness for as long as possible using a limited amount of survival equipment. With the exception of medical check-ins, the participants are isolated from each other and all other humans. They may "tap out" at any time, or be removed due to failing a medical check-in. The contestant who remains the longest wins a grand prize of $500,000.
The first season was won by Alan Kay, who lost over 46 pounds during the course of the season. His staple foods were limpets and seaweed. He also consumed mussels, crab, fish and slugs.
Lucas Miller enjoyed his time on the show and was selected based on his work as a wilderness therapist. His most difficult experience with the show was making honest confessions to the camera. Sam Larson described his time on the show as "playing in the woods". He set a goal for himself to last 50 days. After he reached his goal, a large storm hit the island, which Larson described as being larger than any he had seen and prompting his decision to leave the island. Larson said that the loneliness and solitude took the most time to adjust to, and that his preparation for the show mostly consisted of mental preparation.
The season was shot in Quatsino Territory, located near Port Hardy, British Columbia.
Quatsino is a small hamlet of 91 people located on Quatsino Sound in Northern Vancouver Island, Canada, only accessible by boat or float plane. Its nearest neighbour is Coal Harbour, to the east, about 20 minutes away by boat, and Port Alice, to the south, about 40 minutes away by boat. The largest town in the region, Port Hardy, is located about an hour northeast by boat and vehicle.
Home care

Homecare (home care, in-home care), also known as domiciliary care, personal care or social care, is health care or supportive care provided in the individual home where the patient or client is living, generally focusing on paramedical aid by professional caregivers, assistance in daily living for ill, disabled or elderly people, or a combination thereof. Depending on legislation, a wide range of other services can also be included in homecare.
Homecare can be organised by national or local government, by volunteer organizations or on a market basis.
Homecare is an alternative to institutional care such as can be provided at group accommodations and nursing home. Research shows that clients receiving home health care may incur lower costs, receive equal to better care, and have increased satisfaction in contrast to other settings.
The services included vary vastly between jurisdictions, volunteer organizations and markets. Some examples of homecare services are:
Caregivers can range from qualified nurses and advanced medical staff to nurses and nursing aids. Some caregivers travel to multiple homes per day and provide short visits to multiple patients, while others may stay with one patient for a certain amount of time per day.
Malaysian Electronic Payment System

The Malaysian Electronic Payment System (MEPS) is an interbank network service provider in Malaysia. In August 2017, MEPS merged with Malaysian Electronic Clearing Corporation Sdn Bhd (MyClear) to form Payments Network Malaysia Sdn Bhd (PayNet).
With the result of the merger, PayNet is now the holding company for the PayNet Group which comprises two main subsidiaries, namely Malaysian Electronic Payment System Sdn Bhd (MEPS) and MEPS Currency Management Sdn Bhd (MCM). The PayNet Group is Malaysia's premier payments network and central infrastructure for financial markets.
MEPS plays an integral role in the implementation of smart cards for automated teller machine (ATM) cards, which are an upgrade to chip-based cards from previous magnetic-stripe cards issued to all banks' customers.
The card is called a Bankcard, a card with multiple functions. Three main functions can be used, namely ATM (with various combinations of banking transactions), e-debit (online purchase payment) transactions at participating merchants and MEPS Cash (a stored-value card that can be used to pay at participating merchants).
MEPS is a member of the Asian Payment Network (APN).
In brief, MEPS’ role encompasses:
MEPS provides the following services through its network to all participating banks:
Listed below are the participating banks. However, some participating banks provide only a selected few of the services offered by MEPS as mentioned above.
MEPS is accredited with the following:
MAS Electronic Payment System

The MAS Electronic Payment System, or MEPS in short, is an SGD-only online interbank payment and fund transfer system in Singapore. It went online in July 1998, and is owned and operated by the Monetary Authority of Singapore (MAS). The irrevocable transfer of funds and the real-time nature of transfers are some of the key features of MEPS.
As of 9 December 2006, the system was upgraded to MEPS+, which includes improved features such as the use of SWIFT message formats and network and automated gridlock detection and resolution.
የኢትዮጵያ ብሔራዊ እግር ኳስ ቡድን

የኢትዮጵያ ብሔራዊ እግር ኳስ ቡድን ፣ በቅፅል ስሙ ዋሊያ ፣ ከዋልያ በኋላ፣ በወንዶች ዓለም አቀፍ እግር ኳስ ውድድር ኢትዮጵያን የሚወክል ሲሆን የሚቆጣጠረው በኢትዮጵያ እግር ኳስ ፌዴሬሽን የበላይ አካል ነው። ቡድኑ ከተመሰረተ ከ1943 ዓ.ም ጀምሮ ኢትዮጵያን በመወከል በአህጉራዊ፣ አህጉራዊ እና አለም አቀፍ ውድድሮች ላይ ሲሳተፍ ቆይቷል ዋሊያዎቹ የሜዳቸውን ጨዋታ በአዲስ አበባ ስታዲየም ያደርጋሉ። በአሁኑ ጊዜ መለጠፊያ:As of 44 ኛ .
በ 1957 በተጀመረው የአፍሪካ ዋንጫ ላይ ከተሳተፉት ሶስት ቡድኖች ( ከግብፅ እና ሱዳን ጋር) ኢትዮጵያ አንዷ ነበረች። ውድድሩን በ 1962 አሸንፏል, አስተናጋጁም ነበር. ይሁን እንጂ ስኬት ከ 1960 ዎቹ መጨረሻ ጀምሮ በጣም አስቸጋሪ ነበር. በአሰልጣኝ ሰውነት ቢሻው መሪነት ቡድኑ ከ31 አመታት ቆይታ በኋላ ለ 2013 የአፍሪካ ዋንጫ ማለፍ ችሏል።
የአፍሪካ እግር ኳስ ኮንፌዴሬሽን

የአፍሪካ እግር ኳስ ኮንፌዴሬሽን (ካፍ) በአፍሪካ ውስጥ የማህበራት እግር ኳስ ፣ የባህር ዳርቻ እግር ኳስ እና ፉትሳል አስተዳደራዊ እና ቁጥጥር አካል ነው። እ.ኤ.አ. የካቲት 8 ቀን 1957 በካርቱም ፣ ሱዳን በግብፅ ፣ ኢትዮጵያ ፣ ደቡብ አፍሪካ እና ሱዳን ብሔራዊ የእግር ኳስ ማህበራት በተጠቀሱት ማህበራት መካከል በፊፋ ኮንግረስ መደበኛ ውይይት በተደረገበት ግራንድ ሆቴል ] ተቋቋመ። ሰኔ 7 ቀን 1956 በሊዝበን ፣ ፖርቱጋል በሚገኘው አቬኒዳ ሆቴል ተደረገ።
የአፍሪካን የፊፋ ኮንፌዴሬሽን በመወከል CAF በየአመቱ ወይም በየሁለት ዓመቱ የብሔራዊ ቡድን እና የክለብ አህጉር አቀፍ ውድድሮችን በማዘጋጀት የሽልማት ገንዘቡን እና የስርጭት መብቶችን ይቆጣጠራል። CAF ከ 2026 ጀምሮ በፊፋ የዓለም ዋንጫ 9 ቦታዎች ይመደባል እና የመጨረሻውን 2 የፊፋ የዓለም ዋንጫ ቦታዎች (46+2) የሚወስኑ 6 ቡድኖች የሚሳተፉበት የኢንተር አህጉር አቀፍ የጥሎ ማለፍ ውድድር ሲጨመር 10 ቦታዎችን ማግኘት ይችላል።
የ CAF ዋና መሥሪያ ቤት በመጀመሪያ በካርቱም በሚገኘው የሱዳን እግር ኳስ ማህበር ቢሮዎች ውስጥ የእሳት ቃጠሎ እስኪያጋጥመው ድረስ እና ከዚያም በግብፅ ካይሮ አቅራቢያ ወደምትገኝ ከተማ እስከ 2002 ድረስ ተዛወረ። የሱፍ መሐመድ የመጀመሪያው ዋና ጸሐፊ እና አብደል አዚዝ አብደላ ሳሌም የመጀመሪያው ፕሬዚዳንት ነበሩ። ፕሬዝዳንት ፓትሪስ ሞቴፔ ከደቡብ አፍሪካ እ.ኤ.አ. ማርች 12 ቀን 2021 በሞሮኮ ራባት ውስጥ በተካሄደው ያለ ተቀናቃኝ ምርጫ ተመርጠዋል።
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ረመዳን ዩሱፍ

ረመዳን ዩሱፍ መሀመድ ( የካቲት 12 ቀን 2001 ተወለደ) የኢትዮጵያ ፕሪሚየር ሊግ ክለብ ቅዱስ ጊዮርጊስ እና የኢትዮጵያ ብሔራዊ ቡድን በግራ ተከላካይነት የሚጫወት ኢትዮጵያዊ ፕሮፌሽናል እግር ኳስ ተጫዋች ነው።
ኢት ቋንቋ

የኢትዮጵያ ቋንቋዎች በኢትዮጵያ ውስጥ የሚነገሩ እና የሚጻፉ ቋንቋዎችን፣ እና የምልክት ቋንቋን ያጠቃልላል። በአገሩ ውስጥ ፺ የሚሆኑ ቋንቋዎች አሉ። በአሁኑ ወቅት በአብዛኛው ኢትዮጵያውያን የሚነገሩት ቋንቋዎች አማርኛ እና ኦሮምኛ ሲሆኑ፤ አማርኛ በተለያዩ የሀገሪቱ ክፍል ያሉ ነዋሪዎች የመማሪያ፤ የመገበያያ እንዲሁም የስራ ቋንቋ ሆኖ የቆየ በመሆኑ በአሁኑ ወቅት የስራ ቋንቋ ነው። በኢትዮጵያ ውስጥ የሚነገሩት ቋንቋዎች አፍሮ-ኤስያዊ እና ናይሎ ሳህራዊ በሚባሉ ሁለት ዋና የቋንቋ ክፍሎች ሊካተቱ ይችላሉ። በአፍሮ-ኤስያዊ የቋንቋ ቤተሰብ ውስጥም ኩሻዊ፣ ኦሞአዊ እና ሴማዊ የሚባሉ ንዑስ ክፍሎች አሉ።
አፍሮ እስያዊ ቋንቋዎች
ናይሎ ሳህራዊ
ለውረን ዳይጎል

ለውረን አሽሊ ዳይጎል (ላቲን፡ Lauren Ashley Daigle) (የተወለዱት እ.ኤ.አ መስከረም 9፣ 1991 ዓ.ም ነው) የአሜሪካ ዘመናዊ የክርስቲያን ሙዚቃ ዘማሪና እና የዜማ ደራሲ ናቸው። ወደ ሴንትሪሲቲ ሙዚቃ ከተሰየሙ በኋላ "ኻው ከን ኢት ብ" የተባለውን የመጀመሪያ አልበማቸውን እ.ኤ.አ በ2015 አወጡ። መዝሙሩም በቢልቦርድ ከፍተኛ የክርስቲያን አልበሞች ገበታ ላይ ቁጥር 1 ሆኗል፣ በአር.አይ.ኤ.ኤ(RIAA) ፕላቲነም የምስክር ወረቀት ያስገኘ ሲሆን ክርስቲያናዊ ኤርፕለይ ቢልቦርድ ገበታ ላይ የመጀመሪያ የሆኑትን ሌሎች ነጠላ ዜማዎችንም አፍርቷል፤ እነርሱም ፌርስት፣ ትረስት ኢን ዩ እና ኦ ሎርድ ናቸው።
የዳይጎል ሦስተኛው የስቱዲዮ አልበም የሆነው “ሉክ አፕ” በመስከረም ወር 2018 ተለቋል። ይህም “ዩ ሰይ” በሚለው ነጠላ ዜማ የፖፕ ክሮስ-ኦቨር ስኬት አመጣና በቢልቦርዱ 200 ዝርዝር ውስጥ ሦስተኛ ሊሆን ቻለ። በተጨማሪም ከ 20 ዓመት በላይ ሴቶች ምድብ በብዛት የተሸጠ የክርስቲያን አልበም የተባለ ሲሆን በመጀመሪያዎቹ ሳምንታት ወደ 115 ሺህ የሚጠጋ ጊዜ በመሸጥ በብዛት የተሸጠ የክርስቲያን አልበም ለመሆንም በቅቷል። የአልበሙ መሪ ነጠላ ዜማ የሆነው "ዩ ሰይ" በብዛት የተሸጠ በሚል በቢልቦርድ 100 ስር 29ኛ ደረጃ የያዘ ሲሆን ለ101 ሳምንታት በቢልቦርድ "ሆት ክርስቲያን ሶንግ" ቻርት ላይ አንደኛነቱን አስጠብቋል። አልበሙና ነጠላ ዜማው ዳይጎልን ለግራሚ አዋርድስ አብቅቷቸዋል።
ዳይጎል የተወለዱት በሌክ ቻርልስ ሉዊዚያና ውስጥ ሲሆን እድገታቸው ደግሞ የሉዊዚያና ግዛት ላፋዬቴ ነው። በአካባቢያቸው ዚዴኮ ፣ ብሉዝ እና ካጁን ሙዚቃ ተጽዕኖ አድርጎባቸዋል። ሁለ ከመዘመራቸው የተነሳ እናታቸው የሙዚቃ ሳጥን ይሏቸው ነበር።
ማልትኛ

ማልትኛ የሴማዊ ቋንቋዎች ቤተሠብ አባል ነው። በሜድትራኒያን ባሕር ውስጥ በሚገኘው ደሴት አገር በማልታ ላይ ይናገራል። መንስኤው ከቅርብ ዘመዱ ከአረብኛ ነው። ከሁሉ የሚመስለው የቱኒዚያ አረብኛ ሆኖም ከማልታ ቅርብ ጊዜ ታሪክ የተነሣ ብዙ ቃላትና ድምጽ ከጣልኛ እና ከእንግሊዝኛ ወስዷል።
ከሴማውያን ቋንቋዎች ሁሉ ማልትኛ ብቻ በላቲን አልፋቤት የተጻፈ ነው። በ1928 ዓ.ም. ማልትኛና እንግሊዝኛ የደሴቱ መደበኛ ቋንቋዎች ተደረጉ። ከዚያ ዓመት በፊት መደበኛው ቋንቋ ጣልኛ ነበር። ዛሬ የተናጋሪዎቹ ቁጥር 371,900 ነው። ከነዚህም ውስጥ በአውስትራሊያ፥ አሜሪካና ካናዳ የሚችሉት ይገኛሉ።
በማልትኛ ከሁሉ መጀመርያው ሰነድ በ1460 ዓ.ም. አካባቢ በፔትሮ ካሻሮ የተቃኘው ግጥም ካንቲሌና ነው። ይሁንና ለረጅም ዘመን ማልትኛው ስነ-ጽሑፋዊ ሳይሆን በብዛት የመነጋገርያ ቋንቋ ነበርና ጽሕፈት የተደረገው በአረብኛ በኋላም በጣልኛ ነበር።
የማልትኛ ስዋሰው መሠረት ከአረብኛ ሲሆን ከሮማንስ ቋንቋዎች በተለይ ከሲሲልኛና ከኖርማንኛ ቀበሌኞች ጽኑእ ተጽእኖ ይገኛል።
ቅጽል በስም ይቀደማል። እንደ አረብኛ ወይም እንደ ዕብራይስጥ መስተፃምሩ በስምና በቅጽል ይታያል። ለምሳሌ It-tifel il-kbir ኢት-ቲፈል ኢል-ክቢር = ትልቁ ልጅ። ይህ ደንብ ግን ከሮማንስ ቋንቋዎች ለተበደሩ ስሞች ወይም ቅጽሎች አይደለም።
የስም ቁጥር የሚታይበት ዘዴ ለሮማንስና ለሴማዊ ቃላት ይለያያል። እንደተለመደ ለሴማዊ ስሞች ብዙ ቁጥር ለማመልከት -iet ወይም -ijiet (-የት, -ኢየት) ይጨመር። ለምሳሌ art፥ አርት (መሬት) => artijiet፥ አርቲየት (መሬቶች) ይሆናል። ደግሞ እንደ ሴማውያን ልሣናት ለአንዳንድ ስሞች 'ሰባራ ብዙ ቁጥር' ይገኛል፣ ለምሳሌ ktieb ክትየብ (መጽሐፍ) => kotba ኮትባ (መጻሕፍት)፣ raġel ራጀል (ሰው) => irġiel ኢርጅየል (ሰዎች)።
ለሮማንስ ስሞች ግን የብዙ ቁጥር ባዕድ መነሻ -ኢ (-i) ሊሆን ይችላል. ለምሳሌ lingwa፥ ሊንጓ (ቋንቋ) => lingwi, ሊንግዊ (ቋንቋዎች)።
ግሦች እንደ ሌሎች ሴማውያን ቋንቋዎች ይመስላሉ። ከተናባቢዎች ሥር ይሠራሉ ማለት ነው። ለምሳሌ 'እኛ ጻፍን' በማልትኛ ktibna 'ክቲብና'፥ በአረብኛ 'ካታብና'፥ በዕብራይስጥም ካታቭኑ ይባላል። ከሮማንስ ለተበደሩ ግሦች ቢሆንም የአረብኛ ባዕድ መነሻ ይጨመራል፥ ለምሳሌ iddeċidejna (ኢደቺደይና) 'እኛ ወሰንን'።
ማልትኛ:
አጠራር:
አማርኛ:
የማልትኛ ፊደል ከላቲን አልፋቤት መጥቶ እንዲህ ነው።
A B Ċ D E F Ġ G Għ H Ħ I Ie J K L M N O P Q R S T U V W X Ż Z
a b ċ d e f ġ g għ h ħ i ie j k l m n o p q r s t u v w x ż z
(Y, y) የሚለው ላቲን ፊደል በማልትኛ የለም።
የለጥ ቅዱስ ጊዮርጊስ

የለጥ ቅዱስ ጊዮርጊስ ቤተ ክርስቲያን በሰሜን ሸዋ ሀገረ ስብከት፤ በከሰም ወረዳ ውስጥ የሚገኝ ቤተ ክርስቲያን ነው።
ማረጋገጫ ጽሑፍ ባይገኝም፤ አፈ ታሪኩ፣ የጊዮርጊስ ታቦት በቡልጋ የለጥ የተተከለው በዓጼ ዮሐንስ ዘመን ነው ይላል። እስከ ፲፱፻፵፫ (1943) ዓ.ም. ድረስ የቤተ ክርስቲያኑ ሕንጻ ክብ የሳር ክዳን ሕንጻ እንደነበር ይነገራል። እስከ እዚያም ዘመን የሰማእቱ ቅዱስ ጊዮርጊስ ታቦት ከድንግል ማርያም፣ ቅዱስ ፋሲለደስ እና መድሃኔ ዓለም ታቦታት ሌላ 13 ታቦታት እዚያው እሳር ክዳን ቤተ ክርስቲያኑ ውስጥ እንደነበሩ ይነገራል።
በ ፲፱፻፵፫ ዓ.ም ንቦች ጣሪያው ውስጥ ሰፍረው ኖሮ ከሳር ክዳኑ ውስጥ ሲገቡ ሲወጡ ይታዩ ነበር። የጊዜውም ካህናት በምስጢር ይሸራረሩኩና ማሩን በድብቅ ለመቁረጥ ይስማማሉ፣ ከዕለታት አንድ ቀን በምሽት ፍም ይዘው ሳር ክዳኑ ላይ ይወጡና ማሩን ቆርጠው ይወርዳሉ፣ ያልተገነዘቡት ግን ፍሙ ለካ እጣራው ወራጅ ላይ ወድቆ ኖሮ አንድ ሳምንት ሙሉ ካፈጋ በኋላ ተያይዞ ቤተ ክርስቲያኑን ያቃጥለዋል። ቤቱ ሲቃጠል የዋንዛ ዋልታው እመንበሩ ላይ ይወድቃና ታቦቱን ሸፍኖ ቀብሮ ያድነዋል። በየለጥ አካባቢ ሀዘንና ትካዜ ሰፈረ፣ ሕዝቡ ታቦታቱን ሲፈልግ ሰንብቶ በዚያ ጊዜ ከነበሩት አሥራ ሰባት ታቦታት ውስጥ የጊዮርጊስ ታቦትና የማሪያም፣ የመድሃኔዓለም፤ የፋሲለደስ ታቦታት ብቻ ሳይቃጠሉ ድነው ተገኙ ይላሉ ቄስ ሰርጸወልድ ተሰማ።
ይኸኔ ልዩ ስሟ ቡሄ አምባ በምትባለው የየለጥ መንደር በ ፲፱፻፯ (1907)ዓ.ም ተወልደው በአምስቱ የኢጣሊያ ዘመን በአርበኝነት ተሰማርተው ሀገራቸውን ያገለገሉት ደጃዝማች ኪዳኔ ወልደመድኅን ቤተ ክርስቲያኑን እንዲያሰሩላቸው ጠይቀዋቸው ደጃዝማች ኪዳኔም ቤተ ክርስቲያኑን አሰርተው ከጨረሱ በኋላ ሕንጻው አሰራሩ ቅሬታ ስላሰማቸው አስፈርሰው እንደገና አሰርተው ታቦቱን ሚያዝያ ፳፫ ቀን ፲፱፻፵፱ (1949) ዓ.ም አዲሱ ቤተ ክርስቲያን ሊያስገቡ ቻሉ። ይኼ ቤተ ክርስቲያን በዘማናዊ መልክ በአራት ማእዘን ተሰርቶ በአካባቢው ቡልጋ ውስጥ በቆርቆሮ የተሰራ የመጀመሪያው ሕንጻ ነበር።
በ ፲፱፻፺፭ ዓ.ም ለሚያዝያ ጊዮርጊስ በዓል በተደረገው የሕንጻ ምርመራ ቤተ ክርስቲያኑ አርጅቶ ተሰናጣጥቆ፣ ተበላሽቶ ስለነበር ሕንጻውን አፍርሶ እንደገና በዘማናዊ መልክ ለማሠራት ተወሰነ። ለዚኽም ሥራ:-
አዲሱ ቤተ ክርስቲያን ባለ ስምንት ማእዘን ሕንጻ ሲሆን፤ የመሬቱን ገደላማነት በመጠቀም ግምጃ ቤትና ቢሮ የሚሆን ምድር ቤት ተሠርቶለታል። ሕንጻው ሙሉ በሙሉ በድንጋይ የተገነባ ሲሆን፤ ጣራውን በዘመናዊ ሸክላ መሰል ቆርቆሮ ተደፍኗል። ከአካባቢውም ጋር በቀለም እንዲዋሃድ አረንጓዴ ቀለም ተመርጧል። ደጃዝማች ኪዳኔ ያሠሩት ቤተ ክርስቲያን ተገጥመው የነበሩት የሙገሬ ጽድ መዝጊያና መስኮቶች ከታደሱ በኋላ አዲሱ ቤተ ክርስቲያን ሕንጻ ተመልሰው ሊገጠሙ ችለዋል። ሥራው በሁለት ዓመት ተኩል ተጠናቆ ቅዳሜ ጥቅምት ፳፫ ቀን ፳፻ ዓ.ም ታቦታቱን አዲሱ ቤተ ክርስቲያን አስገብተናል። በዚህም ዕለት ጸበሉን አስባረክን።
ኢትዮጵያዊ የገጠር ሕዝብ በአንድነት የጋራ ኃይማኖቱን፤ ባህሉንም ሆነ ሰብዓዊ ሕይወቱን የሚኖረው በኃይማኖቱ ማስተናገጃ ቤት ነው። እነሆ በጋራ የዚህን ገጠር ሕዝብ "የለጤ" እና ሕዝበ ክርስቲያን አስብሎ የሚያስጠራውን የየለጥ ቅዱስ ጊዮርጊስ ቤተ ክርስቲያን በቅድሚያ ተሠርቶለታል፤ ከዚህ በኋል ትምህርት ቤት፤ ክሊኒክ፤ ወዘተ. ሊከተል ይችላል። ይኼንንና የመሳሰሉትንም ተግባራት ለማስፈጸም እግዚአብሔር ፈቃዱ ይኹን።
ሞጣ ጊዮርጊስ

ከተማዋ የተቆረቆረችዉ በ1747 ዓ/ም በልዕልተ ወለተ እስራኤል እንደሆነ ይነገራል፡፡ ልዕልተ ወለተ እስራኤል የጎንደር ንግስት የነበሩት የእቴጌ ምንትዋብ ልጅ ሲሆኑ ለጎጃሙ ባላባት ለደጅ አዝማች ዮሴዴቅ አቤዴብ ተድረዉ ከጎንደር ወደ ጎጃም መጡ፡፡ልዕልቲቱ ቤተክርስትያን ማሰራት ትወድ ስለነበርና ራዕይ ስላየች የሞጣ ደብረገነት ቅዱስ ጊዮርጊስ ቤተክርስትያንን እንዲመሰረት እንዳደረገች አባቶች ይናገራሉ፡፡ቅዱስ ጊዮርጊስ ቤተክርስትያንን የተከለችበትን ምክንያትም አባቶች ሲገልጹ ልዕልቲቱ በራዕይ "ቅዱስ ጊዮርጊስን ካስደበርሽ ከተማዋ ታድጋለች የአንች ህይወት ግን ያልፋል ነገርግን መድሃኔዓለምን ቤተክርስትያንን ካስደበርሽ የአንች እድሜ ይረዝማል ከተማዋ ግን አታድግም" የሚል ራዕይ አይታ ስለነበር ከተማዋ ብታድግና የኔ ህይወት ቢያልፍ ይሻላል በማለት የቅዱስ ጊዮርጊስ ቤተክርስትያንን እንደደበረች አባቶች ይናገራሉ፡፡ የሞጣ ቅዱስ ጊዮርጊስ ቤተ ክርስትያን በምስራቅ ጎጃም ዞን በሞጣ ከተማ አስተዳደር ዉስጥ ይገኛል፡፡ቤተ ክርስትያኑ በ1747 ዓ/ም በልዕልተ ወለተ እስራኤል እንደተደበረ የሃይማኖት አባቶች ይናገራሉ፡፡ቤተክርስትያኑ እንደ አብዛኛዉ የጥንት አብያተ ክርስትያናት አሠራር ክብ ሆኖ የተሠራ ባለግርማ ሞገስ ቤተክርስትያን ሲሆን ጥንታዊ የቅርስ ይዘቱን ሳይለቅ በቅርቡ ጥገና ተደርጎለታል፡፡ በቤተክርስትያኑ የዉስጥ ግድግዳ ላይ ረዥም እድሜን እንዳስቆጠሩ በእይታ የሚታወቁ የግድግዳ ላይ ስዕሎች ይገኛሉ፡፡በቤተክርስተያኑ በተለይ የመጽሀፍት ጉባኤ በዘመናዊ መልኩ መማሪያ ክፍል እና መኖሪያ ቤት በመስራት በጥሩ ሁኔታ እየተሰጠ ይገኛል፡፡ ቤተክርስትያኑ የበርካታ ቅርሶች ባለቤት እንደመሆኑ መጠን እነዚህን ቅርሶች ለጉብኝት ክፍት ለማድረግ ይመች ዘንድ ዘመናዊ ሙዝየም በመገንባት ቅርሶችን ለማስጎብኘት ስራ ተጀምርዋል፡፡
Ethiopian Higher League

The Ethiopian Higher League (Amharic: የኢትዮጵያ ከፍተኛ ሊግ), also called the Ethiopian Super League, is the second division of association football in Ethiopia. Regulated by the Ethiopian Football Federation, the league is divided into three groups (Group A, Group B, and Group C) with 12 clubs in each group. It operates on a system of promotion and relegation along with the Ethiopian Premier League (first division) and the Ethiopian First League (third division). The champions of Group A, B, and C will be automatically promoted to the Premier League. The bottom two teams (11th and 12th) of each respective group at the season's end will be relegated to the First League, the third division of Ethiopian football.
After the 2016-17 season, Welwalo Adigrat University earned promotion to the Premier League by winning group A on 68 points with Mekelle City coming in second at 60 points. Jimma City won group B on 53 points and also earned promotion to the top league with Hadiya Hossana finishing second on 53 points. Mekelle City and Hadiya Hossana played in a one-game playoff to decide the third and final promotion out of the league, the game was won by Mekelle City (the club's first promotion into the Ethiopian Premier League).
The Ethiopian Football Federation (EFF) restructured the league into two groups A and B in the 2015/16 season. Group A comprises clubs from northern and central Ethiopia and Group B comprises clubs from Southern Ethiopia.
Fasil Kenema were crowned champions of the league after the 2015-16 season.
Bahir Dar Kenema and Debub Police S.C. were automatically promoted to the 2018-19 Ethiopian Premier League after winning their respective groups. Shire Endaselassie became the third and last club to be promoted to the 2018-19 Ethiopian Premier League after beating Jimma Aba Buna in a playoff match in Hawassa.
During the 2020-21 season, some team were for forced to forfeit their matches due to unpaid payments to the league.
The following 32 clubs will compete in the Higher League during the 2020-21 season.
Group A (የምድብ ሀ)
Group B (የምድብ ለ)
Group C (የምድብ ሐ)
Clubs with stadiums with a capacity of at least 10,000:
Abubeker Nassir

Abubeker Nassir Ahmed (Amharic: አቡበከር ናስር አህመድ; born 23 February 2000) is an Ethiopian professional footballer who plays as a forward for SuperSport United in the Premier Soccer League, on loan from Mamelodi Sundowns, and the Ethiopia national team.
Nassir was born on 23 February 2000 in Addis Ababa, Ethiopia.
Nassir left his first club Harar City in 2016 (2009 E.C.) to join perennial powerhouse Ethiopian Coffee. Nassir initially played with the club's B team before quickly working his way into the senior team. In 2020, Nassir signed a contract extension with Ethiopian Coffee that would keep him at the club until 2025.
In 2021, Kaizer Chiefs and Mamelodi Sundowns of the DStv Premiership have reportedly stepped up the chase for Ethiopian wonderkid Abubeker Nassir. Furthermore, both Chiefs and Sundowns are not the only teams interested in Nassir as clubs from Algeria and Egypt are also keeping an eye on him. According to KickOff, Coffee have already turned down offers from Tanzanian club Azam after they had tabled concrete offers for the striker. The publication reports that Nassir also has offers in Georgia and in lower divisions of Spanish football. Mamelodi Sundowns coach Manqoba Mngqithi confirmed Abubeker Nassir's move to rivals SuperSport United.
Scores and results list Ethiopia's goal tally first.