davidanugraha/M4-RAG huggingface dataset:
Shinshiro

Ang Shinshiro (新城市, Shinshiro-shi) ay isang lungsod na matatagpuan sa Prepektura ng Aichi, Hapon. Magmula noong 1 Oktubre 2019 (2019 -10-01), may tinatayang populasyon ito na 44,581 katao sa 17,691 mga kabahayan, at may kapal ng populasyon na 89.3 mga tao sa bawat kilometro kuwadrado. Ang kabuoang lawak ng lungsod ay 499.23 square kilometre (192.75 mi kuw).
Ang lugar ng kasalukuyang Shinshiro ay bahagi ng mga lupain ng angkang Okudaira, ang mga sinundan ng mga angkang Matsudaira at Tokugawa noong panahong Sengoku. Ang kanilang kuta, ang Kastilyo ng Nagashino sa hilagang bahagi ng kasalukuyang Shinshiro, ay ang kinaroroonan ng Labanan sa Nagashino sa pagitan ng mga hukbo ni Oda Nobunaga at ng angkang Takeda. Ang Kastilyo ng Noda na kung saang nasugatan si Takeda Shingen sa Paglusob ng Noda ay matatagpuan din sa mga hangganan ng Shinshiro. Noong panahong Edo, karamihan ng nasasakupan na ito ay isang teritoryong tenryō na tuwirang pinamunuan ng kasugunang Tokugawa sa pamamagitan ng mga tagapangasiwang hatamoto.
Kasunod ng pasimula ng panahong Meiji, itinatag ang bayan ng Shinshiro sa Distrito ng Minamishitara, Prepektura ng Aichi noong Oktubre 1, 1889 kasabay ng pagtatag ng makabagong sistema ng mga munisipalidad. Lumawak ang teritoryo ng bayan nang idinugtong nito ang mga karatig nayon noong 1955 at 1956. Itinaas ito sa katayuang panlungsod noong Nobyembre 1, 1958.
Noong Oktubre 1, 2005, sinanib sa lungsod ng Shinshiro ang bayan ng Hōrai at ang nayon ng Tsukude (kapuwang buhat sa Distrito ng Minamishitara). Kasalukuyang sumasaklaw ang Shinshiro sa kabuoan ng dating Distrito ng Minamishitara.
Matatagpuan ang Shinshiro sa gitnang-silangang bahagi ng Prepektura ng Aichi. Malaking bahagi ng hilaga at silangang bahagi ng teritoryo ng lungsod ay nababalutan ng mga bundok at kagubatan, at karamihan ay nasa loob ng mga hangganan ng Aichi Kōgen Quasi-National Park
Ayon sa datos ng senso sa Hapon, bumababa ang populasyon ng Shinshiro sa nakalipas na 20 mga taon.
Ang Shinshiro ay bahagi ng pandaigdigang pagpupulong ng mga lungsod na may pangalang "New Castle" noong 1998, kasama ang:
Kiyosu

Ang Kiyosu (清須市, Kiyosu-shi) ay isang lungsod na matatagpuan sa Prepektura ng Aichi, Hapon. Magmula noong 1 Oktubre 2019 (2019 -10-01), may tinatayang populasyon na 69,687 ang lungsod sa 29,477 mga kabahayan, at kapal ng populasyon na 4,017 mga tao sa bawat kilometro kuwadrado. Ang kabuoang lawak ng lungsod ay 17.35 square kilometre (6.70 mi kuw).
Ang Kiyosu ay kinaroroonan ng isang hintuan (Kiyosu-juku) sa panulukan ng Nakasendō at Minoji na nag-uugnay ng Kamakura sa Kyoto at sa Dambana ng Ise noong panahong Kamakura. Noong panahong Muromachi, pinalakas ang depensa ng lugar sa pamamagitan ng pagtatayo ng Kastilyo ng Kiyosu, na paglaon ay naging baluwarte ng angkang Oda at base kung saang pinagsama ni Oda Nobunaga ang kaniyang kapangyarihan sa Lalawigan ng Owari noong panahong Sengoku. Pagkaraan ng pasimula ng panahong Edo, kinalas ang Kastilyo ng Kiyosu sa utos ni Tokugawa Ieyasu, at inilipat ang karamihang populasyon sa Nagoya. Pagsapit ng pasimula ng panahong Meiji, isang rural na lugar ito na binuo ang mga nayon sa loob ng Distrito ng Nishikasugai ng Prepektura ng Aichi. Itinatag ang bayan ng Kiyosu noong Agosto 1, 1889 kasabay ng pagtatag ng makabagong sistema ng mga munisipalidad.
Noong 2003, may tinatayang populasyon na 19,409 katao ang bayan ng Kiyosu, at kapal ng populasyon na 3,696.95 mga tao sa bawat kilometro kuwadrado. Ang kabuoang lawak nito ay 5.25 kilometro kuwadrado.
Itinatag ang kasalukuyang lungsod ng Kiyosu noong Hulyo 7, 2005 mula sa pagsasanib ng dating bayan ng Kiyosu sa mga bayan ng Shinkawa at Nishibiwajima (lahat mula sa Distrito ng Nishikasugai).
Noong Oktubre 1, 2009, sinanib sa Kiyosu ang kalapit na bayan ng Haruhi (mula rin sa Distrito ng Nishikasugai).
Matatagpuan ang Kiyosu sa kanlurang bahagi ng Prepektura ng Aichi, sa kanlurang bahagi ng Kapatagan ng Nōbi sa Ilog Shōnai. Hinahangganan nito ang Nagoya metropolis sa silangan. Karamihang bahagi ng lungsod ay may taas na mas-mababa sa 10 metro sa ibabaw ng lebel ng dagat.
Ayon sa datos ng senso sa Hapon, tuluy-tuloy na tumataas ang populasyon ng Kiyosu na nakalipas na 60 mga taon.
May kaugnay na midya ang Kiyosu, Aichi sa Wikimedia Commons
Kalye Carriedo

Ang Kalye Carriedo (Ingles: Carriedo Street) ay isang kalye sa Quiapo, Maynila, Pilipinas. Hango ang pangalan nito kay Francisco Carriedo y Pedero (1690–1743), isang Kastilang pilantropo na nagtatag ng Carriedo Waterworks (ngayon ay Metropolitan Waterworks and Sewerage System o MWSS). Kabilang sa mga kilalang lugar na matatagpuan rito ay ang Simbahan ng Quiapo at Estasyong Carriedo ng Linyang LRT-1.
Ang lathalaing ito na tungkol sa Transportasyon at Pilipinas ay isang usbong. Makatutulong ka sa Wikipedia sa pagpapalawig nito.
List of oldest buildings and structures in Metro Manila

This article lists the oldest buildings and structures in Metro Manila, the Philippines that were constructed before 1900. Majority of the oldest extant buildings in the capital region are religious buildings built during the Spanish colonial period. Several buildings in the list have been reconstructed a few times with only a fraction of their original structures remaining. The buildings are sorted according to the year they were first built as inscribed on their historical markers installed by the National Historical Commission of the Philippines. The list excludes ruined buildings, monuments and road structures.
SM Quiapo

SM Store Quiapo (also known as SM Clearance Outlet and SM Carriedo) was the first SM store, opened in 1972. The store was owned by the Chinese-Filipino billionaire Henry Sy and it is currently being managed by SM Investments's foundation, SM Department Store Inc. The store has been renovated and relaunched under the name SM Clearance Outlet.
Henry Sy established shoe stores in Manila which were Plaza, Paris and Park Avenue which started with letter "P" prior to establishing the store that would be known as SM Quiapo. In 1958, he established a shoe store in Carriedo, Manila, which he named Shoemart after he was not able to come up with a name starting in "P".
The store was later expanded and began to sell clothes and accessories aside from just shoes. In 1972, Shoemart was expanded and became the first SM Department Store.
Quezon Bridge

Quezon Bridge is a combined arch and prestressed concrete girder bridge crossing the Pasig River between Quezon Boulevard in Quiapo and Padre Burgos Avenue in Ermita in Manila, Philippines.
Quezon Bridge was built to take the much greater and heavier 20th-century vehicular traffic than the 19th-century Puente Colgante, which it replaced. It was constructed in 1939 under the supervision of the engineering firm Pedro Siochi and Company. The bridge was designed as an Art Deco-style arch bridge inspired by the design of the Sydney Harbour Bridge. It was named in honor of Manuel Luis Quezon, the President of the Philippines at the time of its construction.
It was damaged during World War II and subsequently rebuilt in 1946. Due to increasing utilization, age, and, at one point, fire damage in 2014, it has been subject to frequent repairs, reinforcement, and retrofits through the years. As a result, the bridge became restricted only to light vehicles. Its last major reconstruction was done in 1996. In February 2022, new LED lights were installed on the bridge.
The bridge is the establishing location in the first episode and appears in other episodes of the Philippine action series FPJ's Batang Quiapo starring Coco Martin.
Mary Therese Vicente

Mary Therese Vicente (March 23, 1921 – June 7, 1995) was a Filipino religious sister whose devotion to the Holy Face led her to the foundation of Sisters of the Holy Face of Jesus.
Victorina was born on March 23, 1921, in Quiapo, Manila. She was the seventh and the only daughter among the eleven children of the sculptor Maximo Vicente Sr., and Crispina Laxamana. At age four, Vicente experienced an almost fatal fever. However, according to the Memoirs of Mary Therese, she was given Lourdes water by a Celador of Lourdes Church, which she claimed had saved her life.
From 1928 to 1938, Victorina had formal schooling at the Colegio de Santa Rosa, Intramuros, where she finished with honors. While at the Colegio de Santa Rosa, her family's household often brought her medicine, and the nuns at the institution often gave her extra food due to her poor health. She graduated in 1941 with a degree in commerce from the University of Santo Tomas.
Victoria was among the earliest members of the Legion of Mary in the Philippines. In 1942, Vicente was made Curia President. As president, she traveled in different locations in Manila from Quiapo, Binondo and Santa Cruz despite the Japanese invasion and occupation. She organized the Inter Parish Catechetical Convention, also extending the Legion in Pampanga.
Victoria entered the Discalced Carmelites. On February 2, 1947, at the Carmelite convent in Lipa, Batangas, she received the religious name Mary Therese of the Sacred Heart after her favorite saint, Therese of Lisieux. During her stay at the convent in Lipa, she witnessed the miracles and the said apparitions of the Blessed Virgin as Our Lady Mediatrix of All Graces to the postulant, Teresita Castillo. In 1956, she was sent to the convent of Angeles City and appointed as sub-prioress.
Arriving in Naga City on August 5, 1966, she assisted Archbishop Teopisto Alberto as first superior and formator of the Daughters of Mary, Mother of the Church. She was actively engaged in social action apostolate of the archdiocese when she was assigned to the convent of Quiapo, which was to become the Holy Face center.
In 1977, she assisted Bishop Pedro Bantigue in forming the Missionaries of the Holy Face. She was likewise the first formator of the Daughters of Saint Joseph of Masbate and the organizer of the Crusaders of the Holy Face, a lay organization. In order for her to be in better service in Quiapo, she left the Daughters of Mary, and on October 1, 1986, she founded the Sisters of the Holy Face, taking the religious name Mary Therese of the Holy Face of Jesus, and served as its superior until her death.
Vicente got seriously ill in April 1995 due to diabetes complications, affecting her heart. She died on June 7, 1995. There have been calls for her to be canonized as a saint.
Nazarene Catholic School

The Nazarene Catholic School is a private Catholic school located in Quiapo, Manila. It was formerly known as the Quiapo Parochial School (QPS) from 1951 until 2005, when its name was changed to Nazarene Catholic School in honor of the Black Nazarene.
- The school also offered kindergarten, complete elementary and high school classes, and adult education night classes with the seven-year elementary course.
- On October 7, 1978, Jaime Sin delegated Leonardo Legaspi to bless and inaugurate the newly built three-storey concrete edifice of QPS.
- Another lot which is across QPS was bought and another school building was constructed to house the grade school pupils.
- The high school department had its Preliminary Survey Visit on November 18–19, 2004.
In 2005 the leaders of the school administration adopted a new name, the "Nazarene Catholic School".
As of press time, both elementary and high school departments of the school are accredited by PAASCU.
As in most private high schools in the country, the students wore uniform school apparel. A boy's attire was white collared polo buttoned shirt with attached school patch, and black slacks with matching black shoes. A girl's attire was white blouse with ribbon hung in the middle, and maroon skirt with the approved pleats and design.
The informal term for the school is "Parochial," i.e. "Sa Parochial ako nag-aaral" (I am studying in Parochial).
The main responsibility of the Office of the Prefect of Discipline is to monitor and reprimand, and sometimes discipline, students who misbehave, as laid down by the "Student Handbook". Deportment is included in the overall rating of a student's performance, in the case of deadlocks in academic grades.
The Office of the Guidance Counselor principally deals with students' performance in academic subjects.
The school is under the administration of Saint John the Baptist Parish in Manila, commonly known as Quiapo Church, the seat of the Black Nazarene; appointments are usually given by the Manila Archbishop of the day. From time to time, the school - through the different student organizations like the Social Community Service Club - coordinates with the parish leadership and personnel to provide various assistance to residents within the vicinity.
14°35′57″N 120°59′13″E﻿ / ﻿14.59922°N 120.98703°E﻿ / 14.59922; 120.98703
Manilyn Reynes

Manilyn Reynes-Manaloto (born Manilyn Villamor Reynes on April 27, 1972), professionally known as Manilyn Reynes, is a multi-awarded Filipina actress, singer and television presenter. She is regarded as a Philippine pop culture icon and dubbed as the Star of All Decades. She has achieved mainstream success across film, music and television. She is currently an exclusive talent of GMA Network. She has received accolades from the FAMAS Awards, Awit Awards, and Metro Manila Film Festival. She is the fourth actress with the most wins (3) at the PMPC Star Awards for TV in the "Best Comedy Actress" category.
Reynes married Aljon Jimenez or AL John Manaloto in real life in 1996.
Lacson Underpass

The Arsenio H. Lacson Underpass, also known as the Victory Lacson Underpass, is a pedestrian underpass and retail area in Quiapo, Manila, Philippines. First opened in the 1960s, it is regarded as the first pedestrian underpass in the Philippines.
The Lacson Underpass was originally known as the Quiapo Underpass. The construction of the underpass began in 1962 during the term of Manila Mayor Arsenio Lacson who would die in office within the same year. The underpass would be completed in 1964, during the tenure of Lacson's successor, Antonio Villegas. The facility which was renamed as "Arsenio H. Lacson Underpass" in honor of Mayor Lacson is regarded as the first pedestrian underpass in the Philippines.
Upon its opening, the Lacson Underpass had an air-conditioning system installed but the condition its facilities deteriorated over the years after Villegas' mayoral tenure.Vendors operating inside the underpass have left little space for pedestrian traffic, the homeless have taken shelter in the underpass, and have become a criminal hotspot.
In early 2014, the Lacson Underpass was closed for renovation under the administration of Mayor Joseph Estrada. The city government entered a joint agreement with White Scope Property Management, the owner of the Victory Malls shopping chain for the renovation works. Among the changes include a new air-conditioning system, lighting, renovated restrooms, and new commercial stalls. The underpass was renamed as Victory Lacson Underpass with White Scope securing the right to operate the underpass and its retail space for 25 years due to its deal with the Manila city government. The underpass was reopened in October 2014.
The Lacson Underpass under White Scope was only accessible to pedestrians for a limited time per day, until June 2019, when the underpass was made accessible 24 hours a day in compliance with then-Mayor-elect Isko Moreno's orders.
The Victory Lacson Underpass has seven entrances accessible along Quezon Boulevard, Hidalgo Street, Arlegui Street and the Quiapo Church. The underpass also provides connection to the Islamic worship.
In terms of retail space, the Lacson Underpass has an allocated space for 200 booths.
National Register of Historic Places listings in Pasadena, California

This is intended to be a complete list of the properties and districts on the National Register of Historic Places in the city of Pasadena, California, United States. The locations of National Register properties and districts for which the latitude and longitude coordinates are included below, may be seen in an online map.
There are more than 500 properties and districts listed on the National Register in the county, including 21 National Historic Landmarks. Pasadena is the location of 130 of these properties and districts, including 5 National Historic Landmarks; they are listed here. The other properties and districts elsewhere in the county, including 5 National Historic Landmarks, are listed separately. A single district, the Arroyo Seco Parkway Historic District, is split between Pasadena and other parts of the county.
The first sites in Pasadena to be listed on the Register were Greene and Greene's American Craftsman masterpiece, the Gamble House (built from 1908 to 1909), the Pasadena Playhouse (built in 1924) and Frank Lloyd Wright's textile block structure, the Millard House (built in 1923). Greene and Greene also built the Robert R. Blacker House, Dr. W. T. Bolton House and Cordelia A. Culbertson House, all examples of their innovative Craftsman-style bungalow houses and larger-scale ultimate bungalows. Other architects of note who have designed buildings in Pasadena include Myron Hunt (the Rose Bowl and California Institute of Technology) and Welton Beckett (Bullock's Pasadena).
Pasadena is the home of many leading scientific and cultural institutions, including the California Institute of Technology (Caltech), the Jet Propulsion Laboratory, the Pasadena Playhouse and the Norton Simon Museum of Art. Several sites relate to Pasadena's long connection with astronomy and space exploration, including the Space Flight Operations Facility, the Twenty-Five-Foot Space Simulator, and Hale Solar Laboratory. Also, the Edwin Hubble House, home to famed astronomer Edwin Hubble, is located in the adjacent community of San Marino.
Two of Pasadena's historic bridges, the Colorado Street Bridge, built in 1913 and known for its distinctive Beaux Arts arches, light standards, and railings, and the La Loma Bridge, built in 1914, are among the sites listed on the Register.
Thirty-one of Pasadena's listings are historic districts, which include multiple contributing properties. Among these historic districts is Old Town Pasadena, a thriving historic district of shops, bars and restaurants in well-preserved turn-of-the-century buildings with its center at Fair Oaks Avenue and Colorado Boulevard. Other historic districts include the Pasadena Playhouse Historic District, the Pasadena Civic Center District, the Bungalow Heaven Landmark District, the Civic Center Financial District, the Lower Arroyo Seco Historic District, the Orange Heights-Barnhart Tracts Historic District, the Park Place-Arroyo Terrace Historic District, the Prospect Historic District and the South Marengo Historic District.
This National Park Service list is complete through NPS recent listings posted April 4, 2025.
Aloo chap

Aloor Chop (Bengali: আলুর চপ, Odia: ଆଳୁ ଚପ, Hindi: आलू चप) a snack originating from the Indian subcontinent made out of boiled potatoes and various spices. It is available widely in the Indian states of Bihar, Odisha, Assam, Jharkhand and West Bengal, and in Bangladesh. "Aloo" means potato, and the word "chap" means a small cutlet fritters or croquette in Bengali. It is served hot and warm along with muri (puffed rice), green chilies, and sometimes sauce and salads. Aloor chop is a Ramadan staple in Bangladesh along with beguni. It is a vegetarian alternative, and an equivalent of aloo tikki.
Menchi-katsu

Menchi-katsu (メンチカツ) is a Japanese breaded and deep-fried ground meat patty; a fried meat cake. The meat is usually ground beef, pork, or a mixture of the two. It is often served in inexpensive bento and teishoku.
The ground meat is mixed with chopped onion, salt, and pepper, and made into patties. Flour is applied on both sides of these patties. They are coated with beaten eggs, further coated with bread crumbs, and deep fried until golden brown. The bread crumbs, called panko, are specially dehydrated and have a coarser texture than other bread crumbs. Katsu are usually served with Japanese Worcestershire sauce or tonkatsu sauce (a variant of Worcestershire thickened with fruit and vegetable purees) and sliced cabbage.
Menchi and katsu are phonologically modified versions of the words "mince" and "cutlet". Katsu may refer to any deep-fried meat cutlet coated with flour, egg, and bread crumbs. It is an example of yōshoku, or foods adapted from western cuisine. Katsu by itself usually refers to tonkatsu, which is made with pork cutlets.
While menchi-katsu is used prevalently in eastern Japan, in western Japan it is more commonly called minchi-katsu (ミンチカツ).
Plaza de Aragón

La plaza de Aragón es una plaza del centro de Zaragoza que se sitúa en uno de los extremos del paseo de la Independencia (que la separa de la plaza de España). En esta plaza se encuentran el Monumento al Justicia de Aragón y el edificio de Capitanía General.
Preside la plaza el monumento en homenaje a Juan de Lanuza, justicia de Aragón ejecutado en 1591 por el episodio conocido como las Alteraciones de Aragón.
Hippolyte Heizler

Hippolyte Heizler fue un escultor de animales francés, nacido el año 1828 y fallecido el 1871.
Nacido en París en 1828. Comenzó a exponer en el Salón de París de 1846.​ No dejó de exponer en los salones hasta su muerte en 1871.​
Trabajó a cuenta de otros escultores en la decoración del Louvre, de las Tullerías y del Palacio Garnier.​
Es el autor de dos esculturas de leonas, que adornan el frente de la Hacienda de Pachingo, hoy Universidad Autónoma Chapingo. Estas piezas hacen pareja con dos leones de Paul Edouard Delabrierre -León con caimán y León con serpiente- y fueron reproducidas por la fundición de Le Val d´Osne.​. El presidente Manuel González Flores encargó la remodelación de su hacienda al arquitecto Antonio Rivas Mercado que hizo traer diferentes estatuas para la decoración. Las tropas de Emiliano Zapata las requisaron para fundirlas y posteriormente las abandonaron en Amecameca. Hoy siguen allí adornando las cuatro esquinas de la plaza principal. En fechas recientes se hicieron copias para su reposición en la Universidad.​
Entre las mejores y más conocidas obras de Hippolyte Heizler se incluyen las siguientes:
Cala del Pino (Cartagena)

La Cala del Pino es una playa localizada en La Manga del Mar Menor, dentro del municipio español de Cartagena (Región de Murcia), y bañada por las aguas del Mar Menor.
Es una playa urbana dotada de servicios que se extiende entre el Camino Noray y el Camino Sextante, y que dispone de las calificaciones de Q de Calidad Turística y la Bandera Azul desde 2008.​​
En 1987, una excavación arqueológica de urgencia verificó la presencia de un asentamiento sobre el cerro de Calnegre, el promontorio que domina la cala. Los restos cerámicos y otros materiales recogidos permitieron datar el yacimiento entre los siglos XIII y XI a. C. (Bronce tardío-final), que consistía en un poblado dotado de murallas de piedra y un bastión. En 2011, la Dirección General de Bellas Artes y Bienes Culturales adoptó una resolución dotándolo de protección jurídica, publicada en el Boletín Oficial de la Región de Murcia.​
Escultura en la India

Las primeras esculturas en la India datan de la época de la cultura del valle del Indo (c. 3300 a. C. hasta c. 1300 a. C.), de la cual se han hallado objetos de bronce y roca tallada, que de hecho, se hallan dentro de las esculturas más antiguas del mundo. En épocas posteriores, tan pronto como se desarrollaron el hinduismo, el budismo y el jainismo, la India produjo algunas de las muestras escultóricas en bronce más elaboradas, así como insuperables obras talladas en sus templos. Algunos santuarios, como el encontrado en Ellora no fueron construidos usando bloques, sino que en su lugar se excavó y esculpió directamente sobre la roca, convirtiéndose quizás, en parte de las esculturas más grandes y complejas conocidas.
Durante los siglos primero y segundo a. C. en la parte más septentrional de la India, en lo que es ahora el sur de Afganistán y el norte de Paquistán, las esculturas se tornaron más explícitas, representando episodios de la vida de Buda y sus enseñanzas. Aunque la India conservaba una larga tradición escultórica y un rico dominio de la iconografía, Buda nunca fue representado en su forma humana antes de esta época, sino solamente a través de símbolos. Esto puede ser porque la escultura de los budistas de Gandhara en la moderna Afganistán muestra una influencia artística de los griegos y persas. Artísticamente hablando, de la escuela de escultura de Gandhara se dice que ha contribuido el cabello ondulado, el ropaje que cubre ambos hombros, zapatos y sandalias, ornamentos de hojas de acanto, etc.
Lanceros del Pantano de Vargas

Los Lanceros del Pantano de Vargas o Monumento a los Lanceros es un monumento del escultor colombiano Rodrigo Arenas Betancur ubicado en Paipa, departamento de Boyacá (Colombia) como homenaje a la batalla del Pantano de Vargas ocurrida el 25 de julio de 1819.​
Es el monumento más grande de Colombia y en él se destaca la carga de los 14 lanceros al mando del coronel Juan José Rondón. El monumento de 33 m de alto se erigió con motivo del sesquicentenario (150 años) de la independencia en 1969. Su diseño estructural estuvo a cargo de Guillermo González Zuleta. Fue declarado Monumento Nacional por medio del decreto 1744 del 1 de septiembre de 1975.​ Su figura fue presentada en el reverso de una serie de billetes de 1.000 pesos colombianos lanzada al mercado en 1987.​
En julio de 1819 en su marcha hacia Santafé, sede del poder virreinal de la Nueva Granada, el ejército libertador, al mando de Simón Bolívar, que acaba de cruzar el páramo de Pisba, se enfrenta en el altiplano cundiboyacense, en el sitio conocido como Pantano de Vargas, con las fuerzas realistas comandadas por José María Barreiro.
Los realistas tenían mejores posiciones, lo cual se evidenció en el campo de batalla. El coronel venezolano Juan José Rondón presenta a Bolívar la idea de realizar una carga de caballería ligera. A la voz de Bolívar de «Coronel, ¡Salve usted la patria!», Rondón, seguido inicialmente por 14 lanceros que respondieron de inmediato a la voz de «¡Que los valientes me sigan!» y de cerca por el resto de los llaneros, realizó una carga de caballería que se considera decisiva para desequilibrar la batalla a favor del ejército libertador.
Los 14 lanceros (15 con Rondón) que participaron en la acometida inicial fueron:​
La actuación del sargento Inocencio Chincá fue destacada, en medio de la batalla mató al capitán español Ramón Bedoya de un lanzazo, pero fue mortalmente herido por este, falleciendo tres días después.​
El monumento del escultor Rodrigo Arenas Betancourt y del ingeniero Guillermo González Zuleta es una escultura de bronce, acero y concreto que muestra a los catorce jinetes llaneros en sus cabalgaduras en plena carga. Mide 100 metros de largo, 30 de ancho y 33 de alto, los 15 caballos son de bronce y pesan cada uno 3 t; toda la estructura pesa aproximadamente 235 toneladas, la parte elaborada en concreto tiene treinta y seis (36) escalones en memoria a los 36 años que Simón Bolívar tenía el día de la batalla (cumplió 36 años el día anterior a la batalla, el 24 de julio). El monumento se encuentra en el sitio donde se desarrolló la batalla del Pantano de Vargas, en jurisdicción del municipio de Paipa, departamento de Boyacá.
Archivo de la Palabra y de la Imagen de Cartagena

El Archivo de la Palabra y de la Imagen de Cartagena es un proyecto promovido por la Concejalía de Cultura, en colaboración directa con el Archivo Municipal de la ciudad de Cartagena, en la Región de Murcia, España. Nace de la necesidad de conservar tanto el patrimonio cultural material como inmaterial de este territorio recogiendo una información que, de no capturarse y conservarse adecuadamente, corre el peligro de desaparecer, y con ella la memoria oral de colectividades no apoyadas en la historia escrita.
Si el investigador desea conocer el pasado no debe recurrir tan solo a una parte de la información: a la Historia tradicional escrita; sino que debe alimentarse de las referencias orales con la voluntad de englobar distintas áreas del comportamiento humano integrando métodos y técnicas que tengan como finalidad la consecución de la denominada "Historia Total"; la idea de reconsiderar el campo de acción y las fuentes de las que se obtienen los datos.
Esto se traduce en un patrimonio cultural correspondiente a una sociedad tradicional en trance de extinción arraigada en la memoria de los más mayores, siendo considerados como el último eslabón de una cadena de generaciones que han mantenido durante siglos un extraordinario acervo transmitido exclusivamente de forma oral.
Los objetivos del proyecto, son:
En la actualidad el número de entrevistas llevadas a cabo supera las 800 aproximadamente; el material fotográfico ronda las 4.000 imágenes; más de 60 grabaciones en vídeo, así como unas 10 grabaciones en DVD.
El Archivo de la Palabra y de la Imagen ha realizado dos exposiciones públicas en La Puebla y en Perín, donde se mostró a todos los visitantes los resultados obtenidos durante varios meses de trabajo en dichas localidades.
Campo de Cartagena (vino)

Campo de Cartagena es una indicación geográfica protegida, utilizada para designar los vinos de la tierra elaborados con uvas producidas en la zona vitícola que comprende los municipios de Cartagena, Torre-Pacheco, La Unión, Fuente Álamo, Los Alcázares, San Javier y San Pedro del Pinatar, integrante de la Comunidad Autónoma de la Región de Murcia, España, y que cumplan unos requisitos determinados.
Esta indicación geográfica fue reglamentada en 2003.
Plaza de toros de Cartagena

La plaza de toros de Cartagena fue una plaza de toros en Cartagena, Región de Murcia, en España.
Parece ser que fue construida por iniciativa de Miguel Caballenas. El 11 de julio de 1853 comenzaron las obras, siendo Jerónimo Ros Jiménez el encargado y director del proyecto y los presos del penal de Cartagena la mano de obra. La inauguración tuvo lugar con una corrida celebrada el 5 de agosto de 1854 con los toreros Francisco Arjona “Cuchares” y Manuel Arjona Herrera, que lidiaron toros de Justo Hernández.​
Además de corridas de toros se celebran otros eventos culturales como veladas de cante jondo o deportivos como boxeo, así como toreo bufo con los toreros cómicos Blay y los Carthagos, Ramper Torero, el Gran Arango, Tomasín o Ángel el Camoto.​ La vida de la plaza de toros de Cartagena terminó cuando, por motivos no se sabe muy bien si económicos o de infraestructuras, fue clausurada por el gobernador civil de Murcia Eduardo Ferrera Kétterer, en los años 1980. El último festejo fue el 30 de marzo de 1986, en el que participaron como espadas Raúl Aranda, Julio Robles y José Ortega Cano con toros de El Chaparral.
Figuras relevantes en el mundo taurino en Cartagena fueron "Aranguito", "Triviño", "Morito", José Ortuño Palacio, "Loquillo", "Calero", Antonio Arango "Aranguito Chico", Jesús Navarro, Pepe Blázquez, Enrique Cano "Gavira", Rafael Jiménez Márquez o José Ortega Cano. Últimos aspirantes a torero salidos en la ciudad de Cartagena fueron Manolo Guillén en la década de los años 1990 -que después ha sido periodista y escritor taurino con varios libros publicados, como "Toros en La Condomina", "Toreros murcianos del ayer" o "Ahora que todos somos morantistas"- y en la década de los 2000 Raúl Sáez y Esteban Pérez "El Cuco". También como rejoneadores formaron historia del toreo a caballo en Cartagena Pedrin Sánchez, Soledad Sánchez, Agustín Solano, Pedro Hernández, José Cámara o Pencho Solano.
La plaza de toros de Cartagena se construyó apoyando su estructura sobre las ruinas del antiguo anfiteatro romano de Cartagena. Se empleó para su construcción roca tabaire, arenisca procedente de la diputación de Canteras. Contaba con un aforo de 8.000 espectadores distribuidos en tres pisos.
El ruedo de la plaza tenía entre unos 40 y 50 metros de diámetro. Contaba con dependecias auxiliares como las caballerizas, corral, chiquero o desolladero, además de un aljibe.
En 2008 comenzó el derribo parcial de la plaza de toros para permitir la excavación de los restos del Anfiteatro Romano y su conversión en un museo, según el proyecto de los arquitectos Atxu Amann y Alcocer, Andrés Cánovas Alcaraz y Nicolás Maruri.
Monumento de Ipiranga

El Monumento a la Independencia de Brasil, también llamado el Monumento de Ipiranga o Altar de la Patria (en portugués Monumento à independência do Brasil, Monumento do Ipiranga y Altar da Pátria), es un conjunto de esculturas en granito y bronce. Se levanta en el Parque de la Independencia en São Paulo, a orillas del Riacho Ipiranga, en el sitio histórico donde Don Pedro I proclamó la independencia del país el 7 de septiembre de 1822. Su construcción se inició en 1884 y finalizó en 1926 aunque fue inaugurado como parte de las celebraciones por el centenario de la independencia, en 1922.
Manfredo Manfredi fue el responsable de la arquitectura del Altar de la Patria y quien escupió fue Ettore Ximenes, ambos italianos que trabajaron en conjunto.​ Es parte del conjunto arquitectónico del Parque de la Independencia formado por el monumento, el Museo Paulista y la Casa do Grito.
El monumento está formado por un conjunto de esculturas en granito y bronce representando tres esferas del poder ejecutivo (federal, estadual y municipal).
En su parte lateral izquierda, hay una estatua que representa la Inconfidência Mineira (liderados por Tiradentes), que ocurrió en 1789, en el lado derecho hay otra que exibe a los Revolucionarios Pernambucanos de 1817. En el área central del monumento hay una interpretación de la famosa obra del pintor Pedro Américo Independência ou Morte que recrea el grito de independencia.​ En 1952 se inauguró una fogata con una llama simbólica.
En el sótano del monumento se encuentra la capilla imperial donde descansan los restos mortales de Pedro I, María Leopoldina y Amelia de Leuchtenberg, también hay exposición de objetos relacionados con la independencia de Brasil y detalles de la familia imperial.​
Con el objetivo de albergar los restos de la Familia Imperial, la capilla fue construida en 1953 en un espacio vacío existente en el subsuelo del monumento.​ Al año siguiente se depositaron en él los restos de la emperatriz Leopoldina desde Río de Janeiro durante la celebración del cuarto centenario de la ciudad de São Paulo. En 1972, los del emperador Don Pedro I desde el Panteón de los Braganza, en el Convento de São Vicente de Fora, Lisboa, en 1972, durante las celebraciones de los ciento cincuenta años de la independencia de Brasil. Finalmente, en 1984, los de la emperatriz Doña Amélia desde el Panteón de los Braganza. En el 2000 se proyectó por el Departamento de Patrimonio Histórico (DPH) un acceso al interior del monumento donde está la cripta en la que yacen los restos mortales también conocida como "Capilla Imperial".​ Tanto la cripta como el monumento son administrados por la Secretaria Municipal de Cultura de São Paulo, por el Museo de la ciudad de São Paulo y por el Departamento de Patrimonio Histórico.​
Lafitte's Blacksmith Shop

Lafitte's Blacksmith Shop is a historic structure at the corner of Bourbon Street and St. Philip Street in the French Quarter of New Orleans, Louisiana. Most likely built as a house in the 1770s during the Spanish colonial period, it is one of the oldest surviving structures in New Orleans.
According to legend, the privateer Jean Lafitte, aka John Lafitte, owned a business here in the early 19th century. As with many things involving the Lafittes, including the possibility that they used the structure to plot illegal seizures and the sale of contraband, no documentation exists (it was only after the Lafitte brothers were long gone that Jean's signature was found on a document, finally ascertaining how their family name was spelled: LAFFITE).
It is purported to be one of the more haunted venues in the French Quarter. The name Blacksmith Shop may not be coincidental. Lafitte's associates may have operated a smithy here during the days of reliance upon horses, who had to be shod. Jean's older brother Pierre Lafitte was a blacksmith, and their associate Renato Beluche may have once owned this building.
The current business traces its roots to Roger 'Tom' Caplinger, who in the mid-1940s turned the old abandoned shop into Café Lafitte. The cafe became a popular night spot that attracted a bohemian clientele, including the gay community and celebrities like Noël Coward and Tennessee Williams. However, Caplinger never held clear title to the property and the building was sold in 1953. He soon opened a second cafe at the other end of the same block named Café Lafitte in Exile, which maintains that it is the oldest gay bar in the U.S.
The building was declared a National Historic Landmark in 1970. It is a rare extant example of briquette-entre-poteaux construction.
Lafitte's Blacksmith Shop is featured in the historical novel Anthony Adverse by Hervey Allen. As depicted in the novel, the "blacksmith shop" was mainly a cover for maintaining a gang of exceptionally tall and strong black slaves – who were ostensibly engaged in shoeing horses while being used by the Lafitte brothers for intimidation, extortion and other criminal activities in and around New Orleans.
Punic wall of Cartagena

The Punic wall of Cartagena (Spanish: Muralla púnica de Cartagena) is an archaeological site from the 3rd century BC in which can be seen the first defensive wall of Cartagena, built by the Carthaginians.
This is an important site because it is one of the few remains of Carthaginian civilization in Spain, and the walls bear witness to one of the most important events of Ancient history in the Mediterranean Sea: the Second Punic War.
In 227 BC, the Carthaginian general Hasdrubal the Fair founded the city of Qart Hadasht, probably on an early Iberian settlement called Mastia. The new city was located on a peninsula in the middle of a bay and had five high hills, two of which were at the entrance of the isthmus, so it had a great position for the military defense.
In this context, during the brief period of Punic domain upon Cartagena (227-209 BC), the Carthaginians decided to fortify the Barcid capital in Iberia with a wall that surrounded the settlement. The presence of this fortification was crucial to prevent a Roman assault led by the brothers Gnaeus and Publius Cornelius Scipio in 216 BC, when the Second Punic War had broken.
However, with the arrival of General Scipio Africanus, the walls were able to contain the enemy only for a short time. The Romans besieged the place by land and sea, and taking advantage of their numerical superiority dodged the defenders stationed in the walls and conquered Qart Hadasht after a tough battle, signifying the beginning of the end of Carthaginian power in the south of the Iberian Peninsula.
The wall used Hellenistic models: is composed of a double parallel paramento of tabaire (sandstone from local quarries) which retains a height of three meters.
The ruins of the Punic walls that can be seen today belong to the lienzo of the section that extended to the entrance of the isthmus, between the hills of San José and Monte Sacro (in Antiquity called Aletes and Baal, respectively). During the archaeological excavations were found indications of a fire, possibly during the battle or the looting that followed.
Currently the wall can be visited thanks to the Interpretation Center of the Punic Wall, part of the touristic consortium Cartagena Puerto de Culturas. The building protects the site and recreates their original elevation with contemporary architecture.
37°36′15″N 0°58′43″W﻿ / ﻿37.60417°N 0.97861°W﻿ / 37.60417; -0.97861
Castillo de San Julián

The Castillo de San Julián, also known as Saint Julian's Fort, is a fort in Cartagena, Spain. It was built between the 18th and 19th centuries, incorporating a tower which had been built by the British in 1706. The fort remains intact today, but it is in a rather dilapidated state.
The Castillo de San Julián is located on and takes its name from the Monte de San Julián. In 1706, the British captured Cartagena during the War of the Spanish Succession, and they built a cylindrical tower on the hill. Following the end of the war, the Spanish began to build a fort on the hill in order to protect the mouth of Cartagena's harbour. The new fort incorporated the British tower, and construction took a very long time, being completed in 1883.
The fort was used as a military prison during the Spanish Civil War.
Today, the fort is still intact but it is in a rather dilapidated state. It is listed on the Bien de Interés Cultural, and is currently owned by Telefónica, who have installed a number of antennas within the fort. The city administration is attempting to acquire and restore the fort.
The Castillo de San Julián is essentially a bastioned fort, but it also contains tenailles and caponiers, which are typical of polygonal forts. It is built in neoclassical architecture.
Despeñaperros Castle

Despeñaperros Castle, also known as San José Castle, is a castle built in the 11th century in the historic center of Cartagena, Murcia Region in Spain. It was declared a cultural site on 7 August 1997. The walls are composed of masonry and generally flat. The interior of the fortification is divided in two perimeters, the lower with rooms for the occupants and a water reservoir, and an upper space occupied by the cannons, and which has lost gunships.
37°36′09″N 0°58′43″W﻿ / ﻿37.6026°N 0.9785°W﻿ / 37.6026; -0.9785
Dorking Cockerel

51°14′08.6″N 0°19′20.5″W﻿ / ﻿51.235722°N 0.322361°W﻿ / 51.235722; -0.322361
The Dorking Cockerel is a sculpture on Deepdene roundabout in Dorking, Surrey, England. It depicts a male Dorking chicken, which were historically an important part of the town's economy. The 3-metre (10 ft) tall cockerel was sculpted by Peter Parkinson and erected in 2007. The sculpture is a local landmark and has been subject to guerrilla knitting campaigns to mark special occasions.
The town of Dorking in Surrey, has a long connection with the poultry trade. The Dorking chicken was bred locally and sold to London consumers. The chicken is a popular local symbol and has featured in the logos of local clubs and societies, including Dorking Wanderers F.C., and on road signs. Dorking councillor Neil Maltby proposed that the town commission a piece of modern art to sit in Deepdene roundabout and represent the town, and a cockerel was decided upon.
The sculpture was created by Peter Parkinson of the Fire and Iron Gallery in nearby Leatherhead. He built an extension to his house to allow him to work on the sculpture indoors. It was modelled on Glen Two, a former exhibition and stud cockerel, owned by local poultry breeder Lana Gazder. It includes the distinctive fifth toe of the Dorking breed. There were some difficulties in the process, as Glen Two was moulting at the time and had lost his tail feathers. The sculpture took eight months to build and was erected in the roundabout on 5 February 2007. There was some opposition to the statue during its design and construction, but it has since become a popular local landmark.
The sculpture is the subject of frequent guerrilla knitting operations. A local group, based out of knitting shop The Fluff-a-Torium, are responsible. The cockerel is dressed with knitted decorations to mark holidays and festivals, including a heart for Valentine's Day, a bonnet and egg for Easter and a red coat and Santa hat for Christmas. The sculpture has also been dressed to reflect current events, including a crown for Elizabeth II's 90th birthday, a gold medal during the 2012 London Olympics, a mask during the COVID-19 pandemic, baby shoes to mark the birth of Prince George, and a floral crown to mark the wedding of Prince Harry and Meghan Markle. To mark the visit of comedian Lee Mack to the town to perform a comedy gig, the sculpture received a knitted traffic cone on its head.
Anna Livia (monument)

Anna Livia is a bronze monument located in Croppies' Acre Memorial Park in Dublin, Ireland. It was formerly located on O'Connell Street.
Designed by the sculptor Éamonn O'Doherty, the monument was commissioned by businessman Michael Smurfit, in memory of his father, for the Dublin Millennium celebrations in 1988.
The monument is a personification of the River Liffey (Abhainn na Life in Irish) which runs through the city. Anna Livia Plurabelle is the name of a character in James Joyce's Finnegans Wake who also embodies the river. In the monument's original location, the river was represented as a young woman sitting on a slope with water flowing past her. Dubliners nicknamed it the "Floozie in the Jacuzzi", a nickname that was encouraged by the sculptor.
The monument was removed from its site on O'Connell Street in 2001 to make room for the Spire of Dublin. In late February 2011, partly reworked and refurbished, the statue was relocated to Croppies Memorial Park next to the Liffey, near Heuston station.
紅燈區

紅燈區（英語：Red-light district），又稱風化區，是指以性交易為主要產業的區域 。中國古代至近代稱為花街、花柳巷、煙花巷、煙花之地、花街柳巷，如北京著名的八大衚衕、南京的秦淮河、廣州的陳塘等，但傳統上妓女不一定是性工作者，與現代紅燈區的性質並非完全相同。
「Red-light district」這個詞語首先出現於1890年代的美國，因為當時妓女會將紅色的燈放在窗前，藉此吸引她們的顧客。而对于为什么“红灯”会获得这种特别的含义，则有不同的解释。一种理论认为，这种含义是基于圣经裡喇合的故事。而喇合是耶利哥的一名妓女，她帮助了約書亞的侦查人员并且用一条红色的绳索标示了自己的房子。另外一些人则认为，它来自铁路工所持的红色灯笼。当他们光顾妓院时往往把灯笼留在外面。
18至19世紀时期的法国巴黎物欲横流，描写这段时间的文学作品对金钱与性有着充分的哲学思考，代表著作如《茶花女》、《红磨坊》等，罗曼蒂克与现实主义的取舍离合使得这些文学著作至今不朽，成为永恒的主题。台灣部分則有《風化台北：性產業的第二人稱敘事》、《手槍女王》、《性感槍手》等著作。
青紗燈籠

青紗燈籠（諺文：청사초롱）是韓國傳統的燈籠，它通常是加入由紅色和藍色絲綢所組成的色調，裝上掛具，蠟燭放在燈籠裡面。雖然歷史上在婚禮儀式中使用，今天的韓國它被廣泛出現在各種文化展覽上。
一種風格化的青紗燈籠已經成為2010年二十國集團首爾峰會的徽標。
曾盈富

曾盈富（1969年9月11日—），台灣黑道成員，綽號「曾鐵霸」或「曾鐵豹」，台灣台北市人，為天道盟第五任盟主、天道盟太陽會第五任會長，是歷任天道盟最年輕的盟主，受外界關注。2000年間在「大胖勇」蘇倫養擔任太陽會長期間成立太陽會捍衛隊，並且為太陽會「虎牌殺手」的負責人，曾經直接或間接涉及多起暴力、槍擊、槍殺等傷害事件與命案，造成社會治安動蕩不安。2019年間由天道盟太陽會創會會長吳桐潭的推舉，繼任天道盟盟主一職，並將帶領天道盟轉型，未來不再有各會之分，一律以天道盟稱呼，展現其整合天道盟的野心。
曾盈富出身於台北「崁頂」角頭團體，早年以「阿富」的綽號出道，並且跟隨綽號「臭甫」的崁頂角頭經營賭場。在1992年間因涉及恐嚇及槍砲案件於台北監獄入獄期間，結識了同在監獄裡的天道盟發起人之一的太陽會會長吳桐潭，自此拜入吳桐潭門下。因為曾盈富行事作風剽悍，而被吳桐潭取綽號為「鐵豹」，因為「豹」與「霸」的台語發音相同，往後在江湖上便以「鐵霸」自居。
1994年吳桐潭出獄後，與時任第二任太陽會會長的「庫洛」施春成（現名為施萬浤）形成新舊派系鬥爭。隨後在1996年「治平專案」全國大掃黑期間，吳桐潭與施春成分別躲避至中國大陸福州及上海等地。2000年4月間，施春成在上海市將太陽會會長之職交棒給予手下「當利」閻當利，並被擁立為「新太陽會」領袖，此舉造成吳桐潭的不滿，不承認閻當利的繼任地位。吳桐潭於同年6月間，在柬埔寨金邊市自任為太陽會總會長，並宣佈由手下「大胖勇」蘇倫養為新任會長，因而被外界視為是「舊太陽會」，自此太陽會正式一分為二。
2001年間，吳桐潭為了鞏固自己的派系勢力，從太陽會內部挑選十名精英成員，並將所挑選之成員送往柬埔寨進行專業軍事訓練，訓練成為專業殺手，主要為了制裁新太陽會派系以及捍衛吳桐潭的派系勢力。吳桐潭賦予這群專業殺手寫有虎字稱之為「虎牌」的銀牌，代表其江湖的身份地位，而被外界稱呼為「虎牌殺手」。「鐵霸」曾盈富為這群精英殺手的負責人，並同時擔任太陽會捍衛隊隊長，與親弟「太保」曾盈進、「飛龍」陳長齡、「小鄧」鄧永燃、「東港」何木生等人，合稱為「五虎」。組織再擴大之後，這群殺手便被稱為「第一代虎」。翌年2002年間相繼成立「第二代虎」及「第三代虎」，殺手成員至少高達22人。
2001年到2002年間，發生多起與新太陽會有關的命案，包含會長「當利」閻當利在內前後有九人遭到槍殺，當時在江湖盛傳這些命案幾乎都是曾盈富在幕後操盤搖控「第一代虎」的殺手所為，也因此台灣情治單位對於曾盈富展開監控及緝捕行動。
直到2002年底，台灣警方實行俗稱「后羿專案」針對太陽會的全面掃黑行動，逮捕了以曾盈富為首的「第一代虎」、「第二代虎」以及「第三代虎」等太陽會殺手，以及舊太陽前會長吳桐潭、現任會長蘇倫養等數十名幹部相繼遭到逮捕落網，太陽會勢力遭受警方重擊逐漸瓦解。曾盈富也因涉擊多起命案，一度遭臺灣基隆地方法院檢察署求處死刑，最終入獄八年於2010年間假釋出獄。
2011年間，天道盟第三任盟主「瘋濟公」蕭澤宏退位，由前太陽會會長「庫洛」施萬浤繼位擔任第四任盟主，此次盟主更迭也被外界視為吳桐潭、蕭澤宏、施萬浤等人互有默契並且已經化解恩怨，成功整合了太陽會。出獄後的曾盈富也在整合後的太陽會裡，晉升擔任台北分會會長，並再於2016年間接下太陽會第五任會長。
2019年2月，實際上幕後掌權天道盟的前盟主「瘋濟公」蕭澤宏因病去世，天道盟各大老原推舉吳桐潭出面接任新盟主，但吳桐潭以年事已高為由，改為推舉「鐵霸」曾盈富上位。並在同月16日籌辦蕭澤宏治喪委員會，由曾盈富擔任治喪委員會主任委員，接任天道盟第五任盟主，成為天道盟成立以來最年輕的盟主。
曾盈富於2000年間擔任太陽會捍衛隊隊長，以及相繼成立「虎牌殺手」之後，涉及多起槍擊案件。2001年至2002年，與新舊太陽會之爭有關的新太陽會成員「徐明德槍殺案」、新竹三環幫幫主「賴增財槍殺案」、同心會成員「蕭英旭槍擊案」、新太陽會會長「閻當利槍殺案」、桃園角頭新太陽會成員「呂學義槍殺案」、太陽會元老的司機「張誡麟槍殺案」、新太陽會成員「溫欽煌槍擊案」、台北市議員「陳進棋槍殺案」等多起暴力槍擊、槍殺等刑事案件，被台灣情治單位認定與「鐵霸」曾盈富有直接或間接關係，並且皆為虎牌殺手所為。
2010年間，曾盈富因覬覦大台北地區都更整合蘊含的龐大利潤，於新北市成立「德億豪企業有限公司」，於台北市士林區、大安區、大同區和新北市新莊區等地向建商勒索保護費並且強包工程，以合法公司名義作為掩護進行多起暴力、恐嚇、傷害、勒索等犯罪。
第78屆威尼斯影展

第78屆威尼斯电影节於2021年9月1日至9月11日舉行。評審團主席由南韓導演奉俊昊擔任，是首次由南韓導演擔此職位。
以下電影被選定為競賽片，並依首映日期排序，可角逐最高榮譽金獅獎：
以下電影選定為非競賽片放映：
以下電影被選定為地平線單元，並依首映日期排序，可角逐該單元最高榮譽地平線獎：
以下電影被選定為競賽片，可角逐該單元最高榮譽評審團大獎：
以下電影被選為威尼斯經典：
以下電影選定為雙年展學院電影：
以下影片入選第36屆威尼斯國際影評人週單元 ：
以下影片入選第18屆威尼斯日單元：
正式競賽
地平線
地平線附加
VR競賽
路易吉·德·勞倫蒂斯-未來獅子獎
特別獎
平行單元
國際影評人週
威尼斯日
會外獎項
酷兒獅獎
帕西內蒂獎
ARCA喬瓦尼電影獎
40歲以下作家獎
布萊恩獎
瓦比之家-曼塔拉亞獎
CICT - 聯合國教科文組織“恩里科·富爾奇尼奧尼”獎
俄狄浦斯重新獎
使人工作環境基金會獎
粉絲之心獎
義大利電影俱樂部聯合會獎
義大利綠十字－綠滴獎
促進宗教間對話國際電影獎
燈籠魔法獎
萊昂奇諾金獎
利扎尼獎
米莫·羅特拉基金會獎
新伊瑪伊人才獎
黃金電影獎
RB選角獎
1932斯費拉球獎
天主教世界傳播協會獎
史密瑟斯基金會“希望大使”獎
不一樣的微笑獎
原聲明星獎
地中海大學聯盟獎
運動協會公平競爭獎