davidanugraha/M4-RAG huggingface dataset:
201 Dome Mosque

The 201 Dome Mosque is a large mosque in South Pathalia village, in Tangail District, in the Mymensingh Division of central Bangladesh. Completed in 2019, the mosque is open 24 hours every day.
Construction of the mosque began in 2013 on 15 bighas of land on the east bank of the Jhenai River in South Pathalia village, Nagda Simla Union, Gopalpur Upazila, Tangail District. It was built by the Heroic Freedom Fighter Mohammad Rafiqul Islam Welfare Trust. The estimated cost of construction was BDT 100 crore (US$12.3 million).
The mosque has the capacity to accommodate approximately 15,000 worshippers, with plans to expand the mosque to accommodate 30,000 worshippers.
The mosque is a square building. There are four 31-metre (101 ft) high corner towers, and four shorter 25-metre (81 ft) high towers at the corners of the square space covered by the 25-metre (81 ft) central dome. The central dome is surrounded by 200 smaller 5.2-metre (17 ft) domes. An adjacent 137-metre (451 ft) high minaret has been constructed immediately to the southwest and is the tallest concrete minaret in the world. The western wall of the mosque is inscribed with the entire Qur'an.
In addition to the main worship space, the mosque complex includes an orphanage, an elder care home, and a hospital with free treatment. The complex also features a helipad.
Media related to 201 Dome Mosque at Wikimedia Commons
Kocatepe Mosque

The Kocatepe Mosque (Turkish: Kocatepe Camii) is the largest mosque in Ankara, Turkey. It was built between 1967 and 1987 in the Kocatepe quarter in Kızılay, and its size and prominent situation have made it a landmark that can be seen from almost anywhere in central Ankara.
The idea of building the Kocatepe Mosque dates back to the 1940s. On December 8, 1944, Ahmet Hamdi Akseki, the vice-president of Turkish Religious Affairs, along with seventy-two founding members, established a society known as the "Society to Build a Mosque in Yenişehir, Ankara." In 1947 this society called for projects to be drawn up by architects, but none of the submitted projects was accepted. In 1956, through the efforts of the late Adnan Menderes, Prime Minister of the time, land was allocated for the project to build a mosque in Ankara, and a request for projects was made once again in 1957. This time thirty-six projects were evaluated, with the joint project of Vedat Dalokay and Nejat Tekelioğlu being chosen as the one to be implemented.
The accepted project was an innovative and modern design. The construction started, but due to heavy critique from conservatives for its modernist look, the construction was stopped at the foundation level. Vedat Dalokay later built a modified version of the Kocatepe Mosque after winning an international competition for the Shah Faisal Mosque in Islamabad, Pakistan in 1969. This mosque, which can accommodate 24,000 worshippers, is one of the largest mosques in the world, and accepted by many as the frontiers of modern Islamic architecture.
After a third architectural competition in 1967, a more conservative design by Hüsrev Tayla and M. Fatin Uluengin was chosen. It was completed in 1987, and was built in a neo-classical Ottoman architecture style. It was inspired by the Selimiye Mosque in Edirne, as well as the Shehzade and Sultan Ahmet mosques in Istanbul, which in turn, were influenced by the Eastern Roman architecture of the Hagia Sophia.
The Seven Mosques

The Seven Mosques (Arabic: المساجد السبعة, romanized: al-Masājid al-Sabʿa) is a complex of six small historic and often visited mosques in the city of Medina, Saudi Arabia. Despite only consisting of six mosques, the complex is called seven because some think it originally consisted of seven mosques. Another reason for the name is that many visitors usually visit Masjid Al-Qiblatayn among these mosques on their visit to Medina, making it seven. Some also consider Masjid al-Khandaq to be among one of those seven mosques.
The mosques here are linked to the Battle of the Trench (Ghazwat al-Khandaq), also known as the Battle of the Confederates (Ghazwat al-Ahzab). Muslims defending Medina were in these mosques and each mosque is named after the person who was stationed there.
These mosques are located in south of Mount Sela which was the scene of the Battle of the Trench.
This is the largest mosque of all, and it is located beneath of Mount Sala' on the western part. It is narrated that this mosque is named as "Al-Fath" due to the account of the prophet praying here during the Battle of the Trench, and the battle ended in Muslim victory (in Arabic, "Fath" or "Fatah" means "conquest" in Islamic context). The mosque was built during the time of the Caliph Umar bin Abdul Aziz, and renovated by the minister Saifuddin Abu al-Hija in 1154 during the time of the Sharifate of Mecca.
Located 20 metres (66 ft) south of Al-Fath Mosque, named after Salman Al-Farsi who led the construction of trenches during the Battle of the Trench. The mosque is built during the time of Caliph Umar bin Abdul Aziz, and renovated by the minister Saifuddin Abu al-Hija in 1154 during the time of the Sharifate of Mecca.
It is located 15 metres (49 ft) southeast of Salman Al-Farsi Mosque. These three mosques (Al-Fath Mosque, Salman Al-Farsi Mosque and Abu Bakr As-Siddiq Mosque) were demolished and renovated into one mosque with wider space.
It is located 10 metres (33 ft) south of Abu Bakar As-Siddiq Mosque. This mosque is situated on higher altitude, and its look is corresponding to Al-Fath Mosque, thus it is considered that they were built and renovated at the same time.
Located in the south of Fathimah Az-Zahra Mosque on a small hill. This mosque is 8.5 metres (28 ft) long and 6.5 metres (21 ft) wide. It is narrated that Ali joined the Battle of the Trench here. Today, local government of Medina is renovating this mosque while maintaining the original shape, and building a large park surrounding it as a decoration of the small building.
It is a small mosque attached to the others, with area of 4 by 3 metres (13.1 by 9.8 ft). This mosque was built in the Ottoman period of the Hejaz Vilayet during the reign of Sultan Abdulmejid I.
Media related to The Seven Mosques (Madinah) at Wikimedia Commons
La Santa Muerte (película)

La Santa Muerte es una película mexicana de 2007 de drama y suspenso, dirigida por Paco del Toro. Está protagonizada por Karla Álvarez y Harry Geithner. Fue estrenada el 28 de septiembre de 2007.
Tres historias se entrelazan en un trágico final a consecuencia de la Santa Muerte. Rubí es una madre angustiada que se entera de que a su hija le quedan pocos días de vida debido a que le detectan cáncer en el cerebro, por lo que se aferra a todos los remedios posible con tal de sanarla; incluyendo la ayuda de la Santa Muerte, por lo que comienza a tener problemas con su marido Pablo. Gustavo vive en carne propia lo que es ser un desempleado más, lleno de deudas y con una novia interesada. Su amigo Mauro lo alienta a convertirse en un devoto de la Santa Muerte, por lo que estará obligado a rendirle culto de por vida. Elena es la clásica esposa hogareña que se desvive por atender a su marido Mauricio, quien la engaña con su mejor amiga, por lo que ella acudirá a la Santa Muerte.​
Angelito negro (culto)

El Angelito negro es una figura de culto popular mexicano el cual es una representación del Diablo. Es venerado como un santo popular y narcosanto,​ en el catolicismo y neopaganismo popular mexicano.
El culto surgió a principios del siglo XXI en Pachuca, Estado de Hidalgo, en torno a la llamada Catedral de la Santa Muerte.​
Su figura es representada como una escultura de un diablo de color negro o rojo con enormes cuernos. Usualmente sentado y vestido con esmoquin o con atuendo de mariachi.​
Sus devotos suelen rendirle culto con ofrendas cada primer viernes del mes. Si bien, su fecha más importante es el 1 de noviembre. Su culto frecuentemente aparece vinculado al de la Santa Muerte, otra santa del culto popular mexicano.​
En la actualidad su devoción se ha extendido por todo el territorio nacional mexicano, así como otros países de Latinoamérica. Además de Pachuca, otro de los epicentros de su culto es el barrio bravo de Tepito en la Ciudad de México, que también es el epicentro del culto a la Santa Muerte.​​
Se trata de un culto condenado por la Iglesia católica y otras denominaciones cristianas.
Festival del Cantar Mexicano

El Festival del Cantar Mexicano Guadalupe del Carmen, es un importante festival que a pesar de su nombre se realiza en Chile, en la ciudad de Chanco, provincia de Cauquenes, Región del Maule. Se organiza desde 1980 y acoge a la multitud de músicos y cantantes que le rinden tributo a la música mexicana en gran parte de Sudamérica.
La música ranchera o mexicana tuvo una gran difusión en Chile especialmente con el cine mexicano entre los años 40 y 60, Actualmente mantiene un gran predominio en las zonas rurales, donde tiene una vasta tradición arraigada en decenas de artistas, grupos de charros, radioemisoras especializadas y festivales, de los cuales el más importante es el de Chanco.[1]
El festival nace en febrero de 1988 organizado por el Municipio local, como una forma de homenajear a la más famosa hija Ilustre de la ciudad de Chanco la artista "Guadalupe del Carmen", nombre artístico de Esmeralda González Letelier, (fallecida en 1987), quien llegó a ser la cantante de rancheras más popular de Chile y récord de ventas [2]. Su seudónimo artístico surgió de la fusión de la Virgen de Guadalupe, patrona de México, y la Virgen del Carmen, Señora de Chile.
Según algunas fuentes la idea original era hacer un único festival en homenaje a la ese momento recién fallecida cantante, pero el éxito y la presión popular pudo más y se transformó en un evento anual. [3]
Durante la primera etapa el festival se realizaba en el gimnasio Municipal de Chanco, pero en 1995 y ante el éxito de la iniciativa debió ser trasladado hasta la medialuna de rodeo.
En 2008 al cumplir los 20 años de existencia tuvo como invitada de honor a la ministra de Cultura de Chile.[4] (enlace roto disponible en Internet Archive; véase el historial, la primera versión y la última).
En 2020 se transmite por primera vez el festival en La Red conducido por Michael Roldan, Montserrat Torrent, Eduardo de la Iglesia y Julia Vial.
Ofrenda 4 de La Venta

La Ofrenda 4 de la Venta es una ofrenda olmeca compuesta por 16 figurillas antropomorfas masculinas, talladas en distintas piedras, así como 6 hachas, constituye uno de los más extraordinarios descubrimientos siendo considerada una de las creaciones más distinguidas del mundo prehispánico, y es una de las primeras representaciones de una procesión en Mesoamérica.
Esta escena representa un evento político religioso, probablemente una ceremonia en un espacio ritual.​ Fue encontrada en el complejo A, plataforma norte del sitio arqueológico de La Venta ubicado en el estado de Tabasco, México, enterrada en varias capas de arcilla de distintos colores que hacían referencia a los distintos niveles del cosmos.​
Dicho descubrimiento fue realizado por el arqueólogo Eduardo Contreras en 1955, en la excavación codirigida por Philip Drucker y Robert Heizer, patrocinada por el Instituto Smithsoniano y supervisado por el Instituto Nacional de Antropología e Historia.​
Entre las décadas de 1940 y 1950 se llevaron a cabo una serie de investigaciones arqueológicas en el Complejo A de La Venta, un conjunto de plataformas al norte de la antigua ciudad que data del 1000 al 600 a. C., mismo que ha sido considerado por diversos especialistas en el campo como un recinto ceremonial de la civilización olmeca, además de ser el más explorado por los arqueólogos.​ Éstas, fueron financiadas por la National Geographic Society y el Instituto Smithsoniano, y encabezadas por investigadores de la Universidad de Berkeley.
Durante la temporada de 1955, en que se pudo conocer a profundidad el recinto y se fechó su construcción en cuatro etapas: fase I (1000-900 a. C.); fase II (900-800 a. C.); fase III (800-700 a. C.) y fase IV (700-600 a. C.). La ofrenda en cuestión, fue localizada dentro de la parte norte del complejo, misma que fue ubicada cronológicamente en la fase III. Ésta se encontró de pie, clavada en arena café rojiza y cubierta por arena blanca, en un espacio que comprende unos 50 cm de largo y 35 de ancho, y cubierta en el sector exterior por cuatro capas de arena blanca, amarilla, rosada y anaranjada. Debido a esto y a los problemas climáticos de la zona, el registro arqueológico de las piezas tuvo complicaciones que llevaron a varias interpretaciones.​
Como parte del convenio existente entre el Smithsoniano y el INAH, tres de las figurillas que constituyen el conjunto quedaron en custodia del primero por tiempo indefinido, y el resto quedaron en México en la sede del Museo Nacional, que en ese momento se encontraba en el Centro Histórico. Dichas piezas fueron reemplazadas con una reproducción. El 25 de diciembre de 1985, en que fueron robadas algunas piezas de las salas de exhibición, la Ofrenda 4 de La Venta fue tratada de sustraer de su vitrina, rompiéndose una de las copias; ante ello, pensaron que el conjunto en su totalidad era una reproducción, de ahí que ésta permaneciera en el Museo.​
El 29 de mayo de 2012, el Smithsoniano devolvió las piezas a México, por lo que, desde esa fecha, la Ofrenda se encuentra completa en el Museo Nacional de Antropología.​
España sagrada

España sagrada. Teatro geográfico-histórico de la Iglesia de España es una obra de historia eclesiástica española, de importancia extraordinaria por el caudal de documentos, noticias, ilustraciones y antigüedades de todo género que presenta. Fue concebida y en gran parte realizada por el fraile agustino español Enrique Flórez en el siglo XVIII.
La monumental obra es notable por la crítica atinada y objetiva, empleada en el esclarecimiento de cuestiones geográficas y cronológicas, de autenticidad de fuentes y de hechos históricos, representando una excelente muestra de la Ilustración en España. Aún en la actualidad España sagrada sigue siendo una verdadera enciclopedia de historia eclesiástica de España y una obra clásica en la historiografía española.
El germen de la idea de publicación de la monumental obra del Padre Flórez hay quizá que buscarlo en otras que por entonces estaban publicándose en Europa sobre historia de la Iglesia: se inspiró claramente en la Gallia christiana (París, 1715–1785, 13 vols.) de Denis de Sainte-Marthe y la Italia sacra (Venecia, 1717–1722, 10 vols.) de Ferdinando Ughelli, dos de los más ambiciosos empeños historigráficos de su tiempo, así como en los Acta Sanctorum de los bolandistas en Bélgica.
En 1747 apareció el tomo primero de la obra. El padre Flórez preparó los veintiocho siguientes, contando desde 1749 como colaborador y ayudante con el bibliógrafo Francisco Méndez (1725–1803). Publicados los cinco primeros tomos, el rey Fernando VI acogió en 1750 bajo su real protección la gigantesca obra.
A la muerte de Flórez (1773), la Orden Agustiniana continuó la publicación y encargó a Manuel Risco (1735–1801) la edición de los dos tomos (XXVIII–XXIX) preparados por Flórez, y prosiguió la obra investigadora hasta el tomo XLII. Tras la muerte de Risco se encargó su continuación a Juan Fernández de Rojas, que no avanzó mucho. Nuevo impulso tomó con Antolín Merino (1745–1830), que después de la Guerra de la Independencia publicó, juntamente con José de la Canal, los tomos XLIII y XLIV. Este último, ya anciano y elevado al cargo de Director de la Real Academia de la Historia, logró prolongar la obra hasta el tomo XLVII.
Continuaron la obra sucesivamente Pedro Sainz de Baranda, Vicente de la Fuente, Carlos Ramón Fort y Eduardo Jusué, que avanzaron hasta el tomo LII, aparecido en 1918. Tras éste fueron nombrados Guillermo Antolín, que murió poco después, Julián Zarco, que fue fusilado durante la guerra civil y el benedictino Luciano Serrano, que también murió antes de poder avanzar en la obra. Tras más de cuarenta años sin que se hubiera podido dar a la imprenta un volumen, otro agustino, Ángel Custodio Vega, preparó y publicó los últimos tomos de la España sagrada, hasta el LVI.
La Editorial Agustiniana publicó una nueva edición completa de la España sagrada (2000–2012), con actualización ortográfica y modernización de grafías, tareas realizada por su editor literario, Rafael Lazcano.
La editorial Órbigo ofrece desde el año 2007 los cincuenta y dos primeros tomos con el siguiente desarrollo:
Hijos de la Sagrada Familia

Los Hijos de la Sagrada Familia, Jesús María y José, son un instituto religioso católico, fundada en España en el siglo XIX por el sacerdote Diocesano José Manyanet y Vives (1833-1901). Su principal función es dedicarse a la formación pedagógica de las familias cristianas por medio de la formación educativa de los niños, niñas y jóvenes, siguiendo el modelo y el ideal, que, desde su fundación, el padre Manyanet, fijo en la Sagrada Familia de Nazaret. La Congregación de Hijos de la Sagrada Familia tuvo la aprobación canónica por parte del Papa León XIII el 22 de junio de 1901, meses antes de la muerte de su fundador.
Los Hijos de la Sagrada Familia fueron fundados por el sacerdote español José Manyanet como respuesta a la crisis por la que atravesaba la institución familiar en el siglo XIX español, siendo Manyanet sacerdote de la diócesis de Urgel. Comenzó su obra en un modesto edificio que abrió las puertas el 19 de marzo de 1864 y al que llamó Colegio San José, en Tremp (Lérida). Posteriormente, a medida que la Congregación fue creciendo y nuevos miembros se fueron incorporando, nuevos centros educativos fueron abiertos en toda Cataluña, y las escuelas del Padre Manyanet fueron ganando buena fama entre la población.
Los Hijos de la Sagrada Familia se encuentran en ocho países: España, Estados Unidos, Italia, Argentina, Colombia, México, Brasil y Venezuela. Desempeñan su misión a través de colegios, parroquias, casas de espiritualidad, residencias universitarias, y a través de colaboración a diversos movimientos de Pastoral Juvenil y Familiar. La Curia General del Instituto se encuentra en Barcelona (España), y el superior general actual (desde 2017) es el P. Luis Picazo, sf.
La congregación de hijos de la sagrada familia tiene en su historia varios curas "mártires" de la guerra civil. .
Tradiciones y Leyendas de la Colonia

Tradiciones y leyendas de la Colonia fue una revista de historietas lanzada en 1963 por Editorial Gutemberg y continuada luego por Ediciones Latinoamericanas. Con su tremendo éxito, supuso el resurgir del cómic de terror en México, dando pie a otras publicaciones de la misma temática como El Caballo del Diablo (1969), El Jinete de la Muerte (1974) o El Carruaje Divino.​​
Al igual que Memín Pinguín y Lágrimas y Risas estaba impresa en tinta café y en algunas ocasiones en tinta negra.​
Se inspiraba en Las calles de México (1921) de Luis González Obregón,​ pero su estilo y estructura era la de los relatos de tradición oral:​
En cada número, un hombre de avanzada edad y que por sus rasgos físicos recordaba al actor Boris Karloff​ narraba una historia truculenta que supuestamente había tenido lugar en una calle de la Ciudad de México durante el pasado colonial.
Paliacate

El paliacate es un pañuelo con un dibujo característico cuyo origen, la cachemira, llegó de la India. Los paliacates están muy arraigados en las tradiciones mexicanas.
La RAE considera que la etimología proviene del náhuatl "pal" (color) y "yacatl" (nariz), pero lo más probable es que el vocablo provenga de Paliacate, el nombre antiguo de un pueblo en el estado de Tamil Nadu, India, hoy conocido como Pulicat. De este pueblo provenían los pañuelos de paliacate​, que es como se les conocía, hasta que finalmente terminaron llamándose paliacates. Se usan para proteger los cuellos de las camisas de manchas, para secar el sudor, como decoración o como accesorio en muchos trajes regionales.​ Se pueden utilizar también para cubrirse del sol, como adorno, para el estilo, etc.
Misión Permanente de México ante la Santa Sede

La Misión Permanente de México ante la Santa Sede es la embajada que representa a los Estados Unidos Mexicanos ante la Santa Sede. Se encuentra ubicada en Roma, en Italia.
Como parte de las Reformas durante la administración de Carlos Salinas de Gortari fue el de reconocimiento del Estado a la Iglesia cuando se expidió en 1992 la Ley de Asociaciones Religiosas y Culto Público la cual reconocía y daba carácter jurídico a las iglesias. Con ello, México pudo plantear su relación con la Santa Sede.
Durante la Revolución mexicana crearon un conflicto profundo entre ambas naciones, el más profundo fue la Guerra Cristera, pero este conflicto ya existía desde tiempos de Benito Juárez y en la única ocasión antes de 1862 que hubo un nuncio papal fue en el Segundo Imperio Mexicano, pero este se retiró de México tras el regreso de Juárez a México, poco antes de la muerte de Maximiliano.
La Santa Sede tiene un carácter jurídico internacional al ser uno de los pocos estados teológicos con las características que el jefe de una iglesia fuera jefe de Estado de un país, con antelación los conflictos de México y la Santa Sede no permitieron una relación entre ambos hasta la nueva ley.
Esto pudo abrir la oportunidad de que el Papa Juan Pablo II visitara México en calidad de jefe de Estado y por lo tanto rendirle honores de líder de nación.
Antes de existir relaciones oficiales, el entonces presidente Carlos Salinas envió a Agustín Téllez Cruces como su agente oficioso hasta el establecimiento de relaciones formales.
Mexico in the OTI Festival

The participation of Mexico in the OTI Festival first began at the second OTI Festival in 1973 held in Belo Horizonte and continued continuously until the last edition in 2000 held in Acapulco. Televisa, member of the Organización de Televisión Iberoamericana (OTI), was responsible for the Mexican participation. During the contest’s run, it was one of the most successful countries with a record six wins, including a back-to-back victory in 1989 and 1990, and fourteen top 3 finishes.
Mexico had initially expressed its desire to take part in the first OTI Festival in 1972 held in Madrid. In fact, Telesistema Mexicano, had selected Alberto Ángel "El Cuervo" as their representative with the song "Yo no voy a la guerra" composed by Roberto Cantoral, but the entry was disqualified because both the OTI and some voices in Francoist Spain felt that the song had political intentions, which made it unsuitable to compete in the contest.
So Televisa, Telesistema Mexicano's successor, entered the contest for the first time the following year in the second edition of the contest. Mexico was the most successful country of the history of the festival along with Spain, with six victories each. Apart from the victories, the country ended in the top 10 on nineteen occasions.
The first Mexican victory came in its first participation, in 1973 in Belo Horizonte, with the song "¡Que alegre va María!" sung by Imelda Miller [es]. Two year later, in 1975, the country won again the contest in San Juan with the song "La felicidad" sung by Gualberto Castro. One decade later, in 1985, México won again with the song "El fandango aquí" sung by Eugenia León. This was a very controversial victory, which was attributed to the solidarity with the country because of the 1985 Mexico City earthquake, that destroyed the capital city. In 1989 and 1990 Mexico got two consecutive wins with "Una canción no es suficiente" sung by Analí and "Un bolero" sung by Carlos Cuevas. The last Mexican victory came in 1997 in Lima with the song "Se diga lo que se diga" sung by Iridián.
Televisa hosted the OTI festival six times, in 1974 and 1976 in the Ruiz de Alarcón Theatre in Acapulco. In 1981 and 1984 in Mexico City, being the National Auditorium the venue. In 1991, Acapulco hosted again the festival in the Convention Centre, the same venue where the last edition of the contest was held in 2000. It was also going to host the contest in 1999 in Veracruz, but it had to be cancelled due to floods in the host city.
The Mexican OTI Song Contest trajectory is known for its popular national final, the "National OTI Contest", which was passionately followed every year by the Mexican audience and known by its surprises and frequent scandals. This selection process is usually compared with its Swedish Eurovision Song Contest counterpart, the Melodifestivalen, due to the interest that it created and the big names who tried to represent México in the main OTI Festival.
Naasón Joaquín García

Naasón Merarí Joaquín García (born on 7 May 1969) is a convicted sex offender, and the third leader of the La Luz del Mundo church, succeeding his father, Samuel Joaquín Flores. In 2020, he pled guilty in California to three charges related to sexually abusing children and was imprisoned for 16 years 8 months.
Joaquín García was born on 7 May 1969 in the Mexican city of Guadalajara, Jalisco, the fifth of seven children to Samuel Joaquín Flores and Eva García.
Before succeeding his father as head of La Luz del Mundo at 45, he was a minister for the group in Santa Ana, California; he had previously served as minister for other congregations in cities throughout California (Huntington Park, San Diego, East Los Angeles, Santa Maria) and Arizona.
On 3 June 2019, Joaquín García was arrested and charged by prosecutors from Los Angeles County with sexual abuse charges involving minors. Susana Medina Oaxaca and Alondra Ocampo were also charged. Joaquín García was held on $50 million bail, Ocampo on $25 million, and Oaxaca remained free on bail. A fourth defendant, Azalea Rangel Melendez, who was previously charged with rape, remained at large. In addition, a federal lawsuit against the church and Joaquín García alleging that he and his father regularly sexually abused a Southern California girl from the time she was twelve until she was eighteen was still pending as of July 2020.
Two days before his trial in June 2022, Joaquín Garcia pleaded guilty to three charges related to sexually abusing children. On 8 June 2022, he was convicted and sentenced to 16 years and 8 months in prison.
He was transferred to North Kern State Prison for evaluations to determine his placement within the prison system. He was to also undergo a civil trial on charges including human trafficking and forced labor; a RICO suit named him, the organization called Light of the World, his mother, his wife, his brother, and many of the leaders of the organization. Federal criminal investigations were pending in both the United States and Mexico. As of April 2023, he is held in the California Institution for Men in Chino, California.
In October 2023, Joaquín Garcia was indicted by a federal grand jury on charges relating to the production and possession of child pornography.
Joaquín Garcia is married to Alma Zamora; they have three children.
José Reyes Vega

José Reyes Vega was a Mexican priest who participated in the Cristero War as a general. He was known as "Father Vega".
On April 19, 1927, an event took place that almost succeeded in extinguishing the revolution. He led a raid against a train in La Barca, Jalisco, said to be carrying a shipment of money. In a shootout that followed with the army escort, Vega's younger brother was killed. Maddened with grief, he had the wooden cars doused with gasoline, and 51 civilian passengers were burned alive. After one engagement, he had federal prisoners stabbed to death to save ammunition. The atrocity helped to turn public opinion against the Cristeros.
The Cristeros mounted an attack on Guadalajara in late March. Though it failed, the rebels won a smashing victory at the Battle of Tepatitlán against Saturnino Cedillo, in the heart of Los Altos, on April 19. Vega, who designed the plan that won the victory, was killed in the engagement.
Juan Arricivita

Juan Arricivita was a Catholic missionary.
He was a native of Mexico in the eighteenth century. Little more is known of his life than that he was Prefect and Commissary of the College of Propaganda Fide, at Querétaro, in New Spain (Mexico), a missionary, and a member of the Franciscan Order.
Arricivita was the author of the second volume of the Chronicles of Querétaro (continuing the work of Isidro de Espinosa). The Chronicles give an account of the missions and colonization of northwestern Mexico, including the modern-day U.S. states of Arizona and California.
This article incorporates text from a publication now in the public domain: Bandelier, Adolph Francis Alphonse (1907). "Juan Arricivita". In Herbermann, Charles (ed.). Catholic Encyclopedia. Vol. 1. New York: Robert Appleton Company.
Death in Holy Orders

Death in Holy Orders is a 2001 detective novel by P.D. James, the eleventh book in the Adam Dalgliesh series.
The novel is mainly set in and around an Anglo-Catholic theological college, Saint Anselm's, on the windswept coast of East Anglia.
Dalgliesh visits Saint Anselm's in a semi-official capacity to follow up the death of a student some time previously as the student's father was not satisfied with the verdict. Whilst there, a visiting archdeacon is murdered. Dalgliesh is assigned the investigation, summoning DI Miskin and DI Tarrant from London to assist, as well as local officers. Initial suspicion falls on one of the priests who run the college and teach there, as the archdeacon was known to be recommending the closure of the college and disposal of its art treasures.
Another murder follows and, after all present have been questioned, several secrets become known - including the fact that one of the students is unknowingly the son of one of the lay teachers and that, through his mother, he will inherit the property, should it be closed and sold. Forensic evidence clinches the case against the lecturer and he confesses. The college is closed and the student inherits the proceeds.
In this novel, Dalgliesh meets and begins a relationship with Dr Emma Lavenham, a visiting teacher from the University of Cambridge.
The Daily Telegraph reported on reviews from several publications with a rating scale for the novel out of "Love It", "Pretty Good", "Ok", and "Rubbish": Times, Independent, Sunday Telegraph, Observer, Sunday Times, and Spectator reviews under "Love It" and Daily Telegraph, Guardian, and New Statesman reviews under "Pretty Good" and TLS review under "Rubbish".
In a 2001 book review for The New York Times, Sarah Ferrell wrote: "Even for P. D. James, the plot is complicated, and purists might complain that its resolution depends on the most Dickensian of coincidences. Most of the rest of us will marvel that a story of such baroque intricacies can be resolved in any way at all, and will be dazzled by the way James keeps all her characters moving with only deliberate collisions." Kirkus Reviews compared the book to A Certain Justice and Original Sin, writing: "... except for an uncharacteristically dewy-eyed portrait of a Cambridge don, each suspect and subplot is handled with all the penetration you'd expect in an apotheosis of the triple-decker whodunit. As in Original Sin (1995) and A Certain Justice (1997), James's achievement is not to pin down individual guilt, but to show the place of crime and guilt and sin in a whole culture."
The novel was adapted for television in 2003 as a two-part BBC mini-series starring Martin Shaw, which was also released on DVD.
In 2024, Acorn TV released Season 3 of Dalgliesh starring Bertie Carvel as the poet-detective. Carvel's performance has been well received by legacy and online media, with Barbara Ellen describing his Season 3 performance in The Observer (December 22, 2024) as "meticulously subtle, dignified and steeped in underlying melancholy".
Ụlọ ọrụ osisi na Naijiria

Ndị ọrụ osisi dị na Naijiria na-enwe nhazi nhazi n'ime afọ iri isii gara aga, dabara na uto na mmepụta na-iche n'ime akụ na nna .
E mkpakọ Nigeria dị ka onye mbụ na-ahụ osisi n'Africa site na àjà owuwe ihe ubi nke awụ ọ ALA ekpere 100 nde cubic mita na 1998.
Osisi sitere na ụlọ ọrụ dị na Naijiria na-arụ n'ime ụdị nhazi osisi dị iche, lilọ ngwá ụlọ ụlọ, ụlọ ọrụ ịhịa aka, ụlọ ọrụ plywood, ụlọ ọrụ pulp na akwụkwọ, yana igwe ihe.
Igwe igwe mpempe akwụkwọ na Nigeria echewo ihe ịma aka dị iche iche ihu n'ime afọ ndị gafeworonụ, dị ka enweghị nhazi, akụrụngwa oge ochie, enweghị ọkụ zuru oke, na ụkọ akụrụngwa. N'ihi ya, ha aghọọla moribund ma ọ bụ na-arụ ọrụ na obere ikike.
Naijiria na-adabere na ngwaahịa akwụkwọ ndị a na-ebubata.
Patti Boulaye

Patricia Ngozi Komlosy OBE (née Ebigwei ; amuru 3 May 1954), onye amara dika Patti Boulaye, bu onye British-Nigeria na- abụ abụ, onye na-eme ihe nkiri na onye na-ese ihe bụ onye bilitere n'ọkwa mgbe o meriri New Faces na 1978 wee so na ndị isi ojii Britain. ndị na-eme ihe nkiri na 1970 na 1980. Na obodo ya Nigeria, a na-echeta ya nke ọma maka ịgba egwu na mgbasa ozi Lux na Bisi, Nwa nke Osimiri, yana usoro nke ya, The Patti Boulaye Show .
Ekwuru na aha ogbo ya sitere n'ike mmụọ nsọ onye na-eme ihe nkiri Evelyn "Boo" Laye .
A mụrụ Boulaye mgbe nne ya batara n'ime ụgbọ tagzi nke na-agafe obodo abụọ dị na Mid-Western Nigeria ma zụlitere ya na ezinụlọ ndị Katọlik siri ike nke nwere ụmụ itoolu, gụnyere onye na-anya ụgbọelu Tony Ebigwei, onye nwụrụ n'ihe mberede ụgbọelu Nigeria Airways. nke 1978. Ọ bụ onye Igbo . Mgbe Boulaye dị afọ iri na ụma lanarịrị agha Biafra nke 1967–70 wee kwuo na o di ndu maka okwukwe ya siri ike.
Mgbe ọ dị afọ 16 ọ hapụrụ Nigeria gaa United Kingdom ebe o kpebiri ịghọ onye nọn mana, n'oge njem nlegharị anya na London, Boulaye guzoro n'ahịrị maka ihe ọ chere na ọ bụ Madame Tussauds mana ọ ghọrọ ihe ngosi maka mmepụta ntutu nke London mbụ na n'oge na-adịghị anya ọ meriri otu akụkụ, nke malitere ọrụ ya na ịgụ egwu. Nna ya, bụ́ onye na-akwadoghị ịzụ ahịa ihe ngosi, gọnarụ nwa ya nwanyị ma mesịa gbaghara ya.
Mgbe ntutu gasịrị, o gosipụtara na The Two Gentlemen of Verona, ma ruo ọrụ mbụ ya dị ka Yum Yum na Black Mikado n'okpuru aha ọmụmụ ya, Patricia Ebigwei.
Na 1978, ugbu a na ọtụtụ afọ nke ahụmahụ ya, Boulaye pụtara na New Faces, ebe ọ bụ nanị onye na-asọmpi n'usoro nke a ga-enye ndị ọkàikpe isi ihe kachasị mma, ma mesịa merie All Winners Final Gala Show. Boulaye rụrụ akụkụ nke Charlotte n'ihu Lenny Henry na The Fosters, Dempsey na Makepeace, na Ụmụnna na Ụmụnna nwanyị . Na 1984, o nwere usoro nke ya, The Patti Boulaye Show na Channel 4 . Ihe pụrụ iche Krismas, nke gosipụtara Cliff Richard, bụ ihe ịga nke ọma nke ọkwa na e wepụtara albom na njikọ na nyocha nke usoro.
Na Julaị 2018, Boulaye chepụtara wee kwado usoro ihe ngosi nkata TV ya "Life With Patti Boulaye" nke e dekọrọ ma na-agbasa Worldwide site na Disruptive Live TV. Ndụ na Patti Boulaye bụ nsonaazụ nke nchegbu Boulaye banyere ọnọdụ dị egwu nke ahụike uche na ọnụ ọgụgụ igbu onwe n'etiti ndị ntorobịa. Ndị ọbịa na ihe nkiri a sitere na ụdị ndụ dị iche iche, a na-agbakwa ha ume ịkọrọ ụfọdụ nsogbu ndị ha chere ihu na ịkọwa otu ha si merie ha.
Boulaye mere ihe nkiri n'ime ihe nkiri Afrịka , Bisi, Daughter of the River (1977), bụ nke ekwuru na ọ bụ ihe nkiri Afrịka kacha enweta ego emere, na-agba na sinima na Naijiria afọ atọ. Ọ gbara The Music Machine- akwụ ụgwọ dị ka British Saturday Night Fever - na 1979, ma pụtakwara dị ka onye na-agụ cabaret na 1980 Helen Mirren nkiri Hussy .
Onye Roman Katọlik ji okpukpe kpọrọ ihe, Boulaye nwere ụmụ abụọ na ụmụ ụmụ abụọ ya na di Stephen Komlosy.
biography autobiography
Ogu na Ofo

Ofo bu mkpara nke ndi ndu Igbo ahọpụtara bu - okachanjoi ndi ukochukwu, ndi eze, onyishi, na ufodu masquerader - nke gosiputara ikike, ikike inye iwu, ikike ochichi na/ma obu inye onye isi na ike nke chi di iche iche nyere. Ọ na-adịkarị sentimita isii ruo sentimita asaa n'ogologo ma jiri ọla, ọla, ma ọ bụ osisi mee ya.
Vernantius Emeka Ndukaihe dere n'akwụkwọ ya "Achievement as Value in the Igbo/African Identity: The Ethics", na ngalaba 'Ofo' dị ka ihe nnọchianya dị nsọ nke ofufe : "Ihe kachase mkpa ' Ofo 'bụ agbụrụ ' Ofo ', kwenyere na onye malitere ' Umunna nwetara ' (otu ezinụlọ), dị ka onye isi. N'onwu onye isi di otu a, ozo ' Okpara ' (Nwa nwoke mbụ) ketara ya. Ya mere, ọ na-aga, aka site n'ọgbọ ruo n'ọgbọ. Enwekwara onwe ' Ofo ' . Nwa okorobịa nwetara ' Ofo mbụ ya ' mgbe a malitere ya n'aha ' Ozo ' nke mbụ ya (ụlọ ọrụ dị nsọ edobere maka ndị okenye na-asọpụrụ obodo). Ka mmadụ na-aga n'ihu n'ọkwa ọzọ ' Ozo ', otu na-enweta nke kwekọrọ' Ofo ' . Ya mere, inwe ' Ofo ' bụ ihe nnọchianya nke nnukwu mmezu ọha, okpukpe na omume. Onye ' Ofo ' nke ' Ozo ' aha nwoke nwere ike ketara naanị ọkpara ya ka emechara emume nerai. A na-ewere ya dị ka ihe ọjọọ mgbe nna nwụrụ anwụ enweghị nwa nwoke ga-eketa ' Ofo ya '"
A na-eso ofo na ogu, mkpirisi mkpirisi e ji akwụkwọ nkwụ kechie ka ọ nọchite anya udo na ịdị ọcha. Ogu na-eje ozi dị ka akara ngosi iji achupụta ọchịchọ maka mmezii udo na esemokwu. Mgbe ndị na-ese okwu na-ekwekọrịtaghị na mkpebi, a na- ewepụ ogu ahụ ma gosi nke ahụ n'ọnọdụ ya, iji gosi na ọ ga-abawanye.
Na ntọala odinala Nsukka, ofo a na-akpọkarị ohoo ma were osisi si ukwu ohoo osisi. A na-eji ya naanị ndị onyishi (okenye obodo) dị ka ma akara njirimara na ihe nnọchianya nke ofufe, ebe ọ bụ na onyishi . na-eji ofo/ohoo n'aka na-ekpe ekpere.
N’ihi mkpa omenaala ya n’ebe ndị Igbo nọ, ọ bụ naanị ndị ikike (ma ọ bụ ikike ọzọ) nwere ike ijikwa ya. A na-ewere ya dị ka ihe nketa a ga-ebufe site n'ọgbọ ruo n'ọgbọ.
Nke ofo ekwenyere na ọ bụ akara ngosi njikọ dị n'etiti ndị nwe ya na Chineke. Ọ bụ ọwa n’etiti ndị dị ndụ, ndị nwụrụ anwụ, na ndị a ka ga-amụ. [6] Nke ofo ya mere ọ na-ekere òkè n'ekpere, àjà ememe, ịkpọtụrụ ndị na-akwado mmụọ, anwansi, ememe ịkpọ aha, ikpebi usoro ihe omume, na-akwado izi ezi omume, akara ọgbụgba ndụ, ịkwado steeti ma ọ be hi ọfịs, ime mkpebi, dozie esemokwu, ịṅụ iyi nchịkwa, na ịkpọsa na ịmanye iwu. [7]
General Ofo nke ala Igbo dị gbo a n'obí Gad dị n'Agulueri, steeti Anambra .
A ka na-eji Ofo eme ihe, n'agbanyeghị na mgbasa nke Iso Ụzọ Kraịst na ọchịchị ebelatala uru ọ pụtara. Ndị na-eme okpukpe ọdịnala Igbo na-eji ofo kwenye na ọ na-arụ ọrụ.
Margaret Joan Roberts

Margaret Joan Roberts (1937 – 4 Maachị 2017) bụburu Dibia Mkpọrọgwu na Mkpaakwụkwọ nke mba South Africa na onye dere akwụkwọ karịrị 40 gbasara ahịhịa na isiokwu ndị metụtara ya. Margaret Roberts wetara ahịhịa na South Africa ihe karịrị afọ 60 gara aga wee nye nkuzi gbasara uru mkpuru akwụkwọ na ibi ndụ ahụike, ebumnuche ya bụ 'Kụziere na kpate mmuo'. Margaret Roberts Herbal Center na De Wildt, North West Province bụ Margaret mepụtara ma kpọọ ya aha ya, nke a na-aga n'ihu na nwa ya nwanyị Sandy Roberts bụ onye ya na Margaret rụkọrọ ọrụ ruo afọ 32. Margaret agbazinyela aha ya n'ụdị ngwaahịa gụnyere usoro nri, ụlọ mposi, onyinye, ngwa kichin, ngwa akwụkwọ, akwa akwa, mkpụrụ na akwụkwọ. A maara Margaret Roberts Herbal Center dị ka otu n'ime ubi iri kacha elu na South Africa.
A maara Margaret nke ọma maka Margaret Roberts lavenders nke ọ na-agafe ihe karịrị afọ 15 na nke dị na South Africa, nke a makwaara maka Ginger Rosemary, High Hopes Basil na Margaret Roberts Rose, ụdị ndị a niile bụ aha ya.
Ọ bụ onye dibia bekee tozuru oke wee nweta ihe nrite Laureate site na Mahadum Pretoria maka ịbụ otu n'ime ndị ọrụ ugbo mbụ na South Africa.
Margaret Roberts dere ihe karịrị akwụkwọ iri anọ gbasara ahịhịa na isiokwu ndị metụtara ya.
Ndị a gụnyere:
Antoinette Pienaar

Antoinette Pienaar (a mụrụ ya n'afọ 1961). Ọ bụ onye omere, onye na-agụ egwú na onye edemede nke mba South Africa.
Otu n'ime ụmụnne nwanyị ise, a mụrụ Antoinette Pienaar na Beaufort West, tolitere na Carnavon, o wee mụọ ihe nkiri na Mahadum Stellenbosch na Mahadum Cape Town.
Ọ malitere ọrụ ime ihe nkiri na ihe nkiri Shakespeare ma mechaa tụgharịa n'ịbụ abụ, ide na ịkọ akụkọ, na-eme ikwa-emo ya dị nro na National Arts Festivals nke Grahamstown, Oudshoorn na ụlọ ihe nkiri South Africa ndị ọzọ. Dị ka onye na-akọ akụkọ, a maara ya nke ọma maka akụkọ ya nke ndị dike Africa mere eme dị ka Krotoa nke Cape. Kemgbe afọ 2001 ọ na-amụ n'aka Oom Johannes Willemse (onye Griqua Shaman) na ebe ezumike miri emi nke Karoo. A na-egosikwa ya na "Van Nature", ihe ntinye oge niile na ihe nkiri nri ụtụtụ Afrikaans Dagbreek.
Asụgharị site na Afrikaans: "Iwu ahịhịa." Nkebi ahịrịokwu ahụ na-egwuri egwu na ndị Afrịka ochie na-ekwu na mkpuru osisi bụ ọgwụgwọ okike maka ọrịa ọ bụla.' Ebe ọ bụ na 2003, Pienaar na Oom (nwanne) Johannes Willemse (a Griqua Shaman na njedebe 1990s bụ ndị na-eme ihe ngosi n'ehihie Amore Bekkers (Tjailatyd) na National Afrikaans Radio Station (Radio Sonder Grense, (RSG))) ma na-aza ajụjụ ndị na-ege ntị kwa izu site n'ebe dị n'ime obi Great Karoo nke South Africa.
Pienaar nwetara otuto dị ukwuu na mpaghara Afrikaans ekele maka mbọ Amore Bekker na RSG na mmemme a. Akwụkwọ Pienaars: Kruidjie roer my / The Griqua's Apprentice na usoro ọgwụgwọ ndị mmadụ sitere na obodo Griqua na Afrikaner (Boer) ka ebipụtara site n'enyemaka nke RSG. N'okwu nke ya, mbipụta nke The Griqua's Apprentice bụ "nzọụkwụ mbụ n'ichekwa ihe nketa ahịhịa Karoo maka South Africa na ụwa"
Mgbe ọ nwesịrị ọrịa ịba ụbụrụ na njem na Mali dị na West Africa na 2001, ike gwụrụ ya nke ukwuu, o wee kpebie ịnọ na Theefontein (ugbo nke nwa nwanne ya nke abụọ Jacques Pienaar). Ọ na-ekwu na Karoo na ahịhịa ya gwọọ ya. Pienaar alụghị di.
Wasawasa

Wasawasa bụ nri na-ewu ewu, nke a na-eri na Dagbon na akụkụ ndị ọzọ nke Northern Ghana . A na-erikwa ya na ụfọdụ mba ọdịda anyanwụ Afrịka, dị ka Burkina Faso, Benin, Nigeria wdg. A na-esi na peeling ji akpọnwụ akpọnwụ akpọ jaling eme ya, bụ́ nke a kụnyere ntụ ọka na uzuoku. A na-erikarị Wasawasa na ofe ndị na-esi ísì ụtọ na mgbe ụfọdụ a na-eji akwụkwọ nri chọọ ya mma, na-esonyere ya na shea butter ma ọ bụ mmanụ ala ahịhịa na azụ e ghere eghe. A na-eji agwa, pasta, na salad na-enye Wasawasa mgbe ụfọdụ.
Enwere ihe dị iche iche a ga-eji kwadebe efere Wasawasa n'agbanyeghị na ihe ndị a nwere ike ịdabere na nhọrọ nke ndị ga-erite uru mana ihe ndị a na-ahụkarị ma ọ bụ ndị bụ isi gụnyere; ntụ ọka ji, nnu, ose e ghere eghe ọhụrụ, mmiri a ga-eji na-esi nri, eyịm, mkpuru ọka ma ọ bụ mmanụ shea bọta. A na-esi ya na ite ụlọ ma sie ya ruo mgbe ọ dị njikere. Ọ na-atụgharịkarị oji ka esichara nri.
Ọ na-enye protein na carbohydrates n'ime ahụ.
Bristle

A bristle is a stiff hair or feather (natural or artificial), either on an animal, such as a pig, a plant, or on a tool such as a brush or broom.
Synthetic materials such as nylon are also used to make bristles in items such as brooms and sweepers. Bristles are often used to make brushes for cleaning purposes, as they are strongly abrasive; common examples include the toothbrush and toilet brush. The bristle brush and the scrub brush are common household cleaning tools, often used to remove dirt or grease from pots and pans. Bristles are also used on brushes other than for cleaning, notably paintbrushes.
Bristles are distinguished as flagged (split, bushy ends) or unflagged; these are also known as flocked or unflocked bristles. In cleaning applications, flagged bristles are suited for dry cleaning (due to picking up dust better than unflagged), and unflagged suited for wet cleaning (due to flagged ends becoming dirty and matted when wet). In painting, flagged bristles yield more even application.
Bristles are found on pig breeds, instead of fur. Because the density is less than with fur, pigs are vulnerable to sunburn. One breed, the Tamworth pig, is endowed with a very dense bristle structure such that sunburn damage to skin is minimized. Animals named for their bristles include bristlebirds, the bristle-thighed curlew, the bristle-spined porcupine, and the Trinity bristle snail. Bristles also anchor worms to the soil to help them move.
Edible plant stem

Edible plant stems are a part of plants eaten by humans. Most plants are made up of stems, roots, leaves, flowers, and produce fruits containing seeds. Humans most commonly eat the seeds (e.g. maize, wheat), fruit (e.g. tomato, avocado, banana), flowers (e.g. broccoli), leaves (e.g. lettuce, spinach, and cabbage), roots (e.g. carrots, beets), and stems (e.g. asparagus of many plants. There are also a few edible petioles (also known as leaf stems) such as celery or rhubarb.
Plant stems have a variety of functions. Stems support the entire plant and have buds, leaves, flowers, and fruits. Stems are also a vital connection between leaves and roots. They conduct water and mineral nutrients through xylem tissue from roots upward, and organic compounds and some mineral nutrients through phloem tissue in any direction within the plant. Apical meristems, located at the shoot tip and axillary buds on the stem, allow plants to increase in length, surface, and mass. In some plants, such as cactus, stems are specialized for photosynthesis and water storage.
There are also many wild edible plant stems. In North America, these include the shoots of woodsorrel (usually eaten along with the leaves), chickweeds, galinsoga, common purslane, Japanese knotweed, winter cress and other wild mustards, thistles (de-thorned), stinging nettles (cooked), bellworts, violets, amaranth and slippery elm, among many others. Also, some wild plants with edible rhizomes (underground, horizontal stems) can be found, such as arrowhead or cattail. Wild edible stems, like their domestic relatives, are usually only good when young and growing. Many of these also require preparation (as do many domestic plants, such as the potato), so it is wise to read up on the plant before experimenting with eating it.
Typical stems are located above ground, but there are modified stems that can be found either above or below ground. Modified stems located above ground are phylloids, stolons, runners, or spurs. Modified stems located below ground are corms, rhizomes, and tubers.
Венцислав Мутафчийски

Венцислав Методиев Мутафчийски е български военен лекар хирург, професор от Военномедицинска академия (ВМА), генерал-майор от Военномедицинската служба, началник на ВМА, главен лекар на въоръжените сили на Република България и ръководител на Националния оперативен щаб за борба с коронавируса в България.
Роден е на 20 август 1964 г. в Дупница. През 1990 г. завършва медицина в Медицинския университет в София. От 1989 г. е офицер в българската армия. От 1991 г. до 1993 г. началник на медицинската служба към поделение IV километър − Генерален Щаб. През 1996 г. завършва „обща хирургия“. Между 1997 и 2002 г. е асистент в Клиниката по съдова хирургия на ВМА (КСХ-ВМА). От 2000 до 2003 г. е старши асистент в Клиниката по обща хирургия (КОХ-ВМА). От 2003 до 2008 г. е главен асистент в Клиниката по жлъчно-чернодробна и панкреатична хирургия на ВМА. През 2005 г. специализира „Военна хирургия“ и същата година става докторант. Защитава дисертация на тема „Взривна травма – обща характеристика, диагностичен и лечебен алгоритъм“ през 2011 г. От 2012 г. е доцент в професионално направление Медицина във ВМА. През 2014 г. става началник на катедрата по хирургия във ВМА и защитава дисертация на тема „Съвременна концепция за отворения корем“ за научната степен доктор на медицинските науки. Същата година става заместник-началник на академията. От 2015 г. е професор по хирургия.
От 2017 г. е временно изпълняващ длъжността началник на Военномедицинска академия. На 7 февруари 2018 г. с указ на президента на Република България и със заповед № КВ-65/12 февруари 2018 г. на министъра на отбраната е назначен за началник на ВМА и главен лекар на въоръжените сили на Република България. С Указ № 96 от 30 април 2019 г. на Президента на България е удостоен с висше офицерско звание генерал-майор, считано от 6 май 2019 г. На 24 февруари 2020 г. е назначен за ръководител на Националния оперативен щаб за борба с коронавируса в България.
На 9 септември 2024 г. „за неговите големи заслуги за развитието на науката и практиката в сферата на военната медицина и здравеопазването“ е награден с орден „За военна заслуга“ 1-ва степен.
Мутафчийски е семеен – съпругата му Елена е психиатър и имат двама синове близнаци – Марк и Александър (родени 1994 г.). Двамата са завършили във Великобритания: Марк – икономика, а Александър – право.
През 2021 г. се ражда първородният му внук Виктор.