davidanugraha/M4-RAG huggingface dataset:
Pablo Picasso (song)

"Pablo Picasso" is a song written by Jonathan Richman for the proto punk group the Modern Lovers. The song was recorded in 1972 at Whitney Studios in Los Angeles, and produced by John Cale, but was not released until 1976, on the Modern Lovers' self-titled debut album. The recording featured Richman (lead guitar, vocals), Ernie Brooks (second guitar), Jerry Harrison (bass) and David Robinson (drums), with Cale playing the repetitive hammered piano part.
The central character of the song is the charismatic 20th century artist Pablo Picasso. With dry wit, the lyrics suggest that women never rejected Picasso's romantic advances, despite his short stature. "Well he was only five foot three but girls could not resist his stare / Pablo Picasso was never called an asshole / Not in New York". In a 1980 interview, Richman stated that the song was inspired by his own adolescent "self-consciousness" with women.
List of music artists by net worth

The following is a list of music artists with the highest recorded net worth (also known as wealthiest musicians or richest musicians), based on calculations by reputable publications such as Forbes and The Sunday Times Rich List. As of 2024, five music artists have reached the billionaire status on Forbes reports: Jay-Z leading the list with US$2.5 billion, followed by Taylor Swift and then Rihanna, the first female artist to become a billionaire.
When Forbes 400 Richest Americans debuted in 1982, Yoko Ono was the only musician listed, with a net worth of $150 million (equivalent to $489 million in 2024), largely due to the music royalties of her late husband's band the Beatles. In 1991, Forbes estimated Michael Jackson's net worth at $230 million (equivalent to $531 million in 2024), making him the wealthiest musician and the second wealthiest entertainer, behind comedian Bill Cosby. It is estimated that Jackson's estate is worth over $2 billion as of 2024.
Forbes lists are dominated by American artists, while musicians of other nationalities have built their wealth predominantly in the U.S., such as Celine Dion. Reports from others business-related publications such as Bloomberg L.P. could differ; for instance, they valued Kanye West at US$6.6 billion in 2021, while West himself measured at least US$3.3 billion in 2020. Outside of Forbes, net worth estimations could vastly vary amid same artists and different sources, as some media outlets have published estimations from various websites and lists such as CelebrityNetWorth, Bankrate and Sunday Times Rich List. Artists such as Bono and Paul McCartney have been claimed to achieve billionaire status, albeit denied by Forbes.
The following are music artists with a net worth of over $300 million (adjusted for inflation) according to Forbes. The artists are listed based on the nominal figure of their most recently available estimation.
The following are music artists from the United Kingdom with a net worth of over £300 million according to the Sunday Times Rich List.
The following are music artists with a net worth of over $500 million according to other reputable business-related publications, such as Bloomberg.
In 2020, one Elvis Presley's state executive told Rolling Stone magazine that artist's estate was worth between US$400–500 million. As of 2024, the estate of Michael Jackson has been valued over US$2 billion.
AfroCubism

AfroCubism is a Grammy-nominated album featuring musical collaborations between musicians from Mali and Cuba. It was released in 2010.
The album was recorded for the World Circuit label by producer Nick Gold and engineer Jerry Boys at Sonoland Studios, Madrid, Spain, in 2010. Mixing and mastering was done at Livingston Studios, London & FB Music and Media, Fareham.
The idea behind AfroCubism was the original concept for the Buena Vista Social Club album of 1997, which featured many of the same Cuban musicians. This concept however, was thwarted when the Cuban visas for the Malian musicians were delayed in the post, and producer Nick Gold instead called on the services of Ry Cooder, whom he had recorded with Ali Farka Touré for the 1994 World Circuit release Talking Timbuktu. The album captures the rhythmic and melodic patterns that are common to traditional West African and Afro-Cuban music. The musicians involved in AfroCubism already had successful careers through participation in the Buena Vista Social Club or as solo artists. The project has subsequently toured around the world as a successful live show.
The album was praised by AllMusic reviewer James Allen, who described it as "a true musical meeting of minds between the two cultures [Cuban and Malian]".
Newsboy cap

The newsboy cap, newsie cap, gatsby, jeff cap, or baker boy hat (British) is a casual-wear cap similar in style to the flat cap.
It has a similar overall shape and stiff peak (visor) in front as a flat cap, but the body of the cap is rounder, made of eight pieces, fuller, and paneled with a button on top, and often with a button attaching the front to the brim (as the flat cap sometimes has).
The style was popular in Europe and North America in the early 20th century among both boys and adult men. As the name suggests, this headwear was predominately worn by working-class boys, especially newspaper boys. The style was also preferred by the middle-class businessmen who disliked the bulkiness of top hats, also popular at the time.
Flat caps were very common for North American and European men and boys of all classes during the early 20th century and were especially prevalent during the 1910s and 1920s, particularly among the working "lower" classes. A great many photographs of the period show these caps worn not only by newsboys, but by dockworkers, high steel workers, shipwrights, costermongers, farmers, beggars, bandits, artisans, and tradesmen of many types. This is also well attested in novels and films of this period and just after. Eight-piece style caps are, stylistically, an offshoot of a Scottish tam o' shanter.
While they were worn by boys and men of all social classes, they were worn by the "upper" classes primarily for leisure activities, and the style became associated with well-to-do country sportsmen, drivers, and wealthy golfers.
Although traditionally a men's cap, it has recently seen a resurgence as it has become popular with affluent women and fashion houses in the 2000s. It has also become popular among the hipster subculture. Baker boy hats are now seen in many high street retailers. For summer, many girls and women are choosing soft cotton options as the brim offers sun protection. In winter, wool blend baker boy hats are a popular option for those who want to wear a natural material. In 2011, floral cottons became a trend following a renewed interest in home sewing.
Roots Canada outfitted the Canadian Olympic team at the 1998 Winter Olympics in Nagano, Japan. The outfit's most popular item was the red "poorboy" cap (or poor boy cap), worn backwards.
Harry Hibbs, a Newfoundland accordionist, wore this style of hat as his trademark headgear. Brian Johnson of the rock band AC/DC is frequently photographed wearing this style of hat. Athlete David Beckham is frequently photographed wearing his signature baker boy hat from James Lock & Co. WWE Sami Zayn wears this style of hat. Impractical Jokers's Brian Quinn commonly wears this style of hat in many of episodes. The hat is worn by the Shelby family and their associates in the British TV series Peaky Blinders.
Ascot cap

The Ascot cap, also known as the Coffey cap or Lippincott cap, is a men's hard cap similar to the flat cap, but distinguished by its hardness and rounded shape. Ascot caps are typically made from fur or wool felt and worn in the fall or winter, but straw Ascots also exist for warmer weather.
Unlike the flat cap, the inside is not lined with silk but the closed-in design and softness of felt still provides comfort and warmth. The style dates back to 1900.
Cap

A cap is a flat headgear, usually with a visor. Caps have crowns that fit very close to the head. They made their first appearance as early as 3200 BC. The origin of the word "cap" comes from the Old French word "chapeau" which means "head covering". Over time, the word has evolved and changed its meaning, but it still retains its association with headwear. Caps typically have a visor, or no brim at all. They are popular in casual and informal settings, and are seen in sports and fashion. They are typically designed for warmth, and often incorporate a visor to block sunlight from the eyes. They come in many shapes, sizes, and are of different brands. Baseball caps are one of the most common types of cap.
Caps might have started off as a way to keep people shaded from the sun, but now they are much more than that. Caps have been made a staple in both the sports and fashion industries, one leading into the other.
As stated earlier, caps are typically designed with a visor which makes it perfect for keeping a person cool from the heat and sheltering a person's eyes from the sun, so it was a matter of time before they made it to the sports industry. The first sport to adopt wearing caps was baseball, the hats were made out of straw and were worn on April 24, 1849, by the New York Knickerbockers. However, within a few years time the team began to wear a cap made of fine merino wool, that featured a crown and an attached visor. This design became the prototype for caps of that time and still the most popular in present day. It's also not the only design for baseball hats but other sports as well, such as cricket, golf and tennis.
Sportswear found its way to fashion in the nineteenth century and on the contrary to what many believe it began to actually cater to the wants and needs of women. Sports cap however made an impact on the fashion industry around the 1980s when the company New Era, who had been designing hats for sports teams, began designing and selling hats to the general public. Baseball caps, fitted caps, snapback caps and truckers hats would then be seen in music videos, films, runways and even on Princess Diana's head, which helped nurture her appearance as the "people's princess." Along with hats, sports jerseys also became available in the 1980s as well, and now licensed apparel is a multi-billion dollar industry.
Joget

Tarian Joget , Joget , Ronggeng (Jawi: ‏تارين جوڬيت‎‎,جوڬيت‎,روڠڬيڠ‎) merupakan sejenis tarian Melayu tradisional yang lazim di Malaysia, terutamanya di negeri Melaka. Tarian ini biasa dipersembahkan ketika upacara Mandi Safar.
Tarian ini dipercayai berasal daripada tarian orang Kristang iaitu Branyo yang sendirinya daripada suatu tarian tradisi masyarakat Algarve di Portugal iaitu Coridinho.
. Ketika itu Joget diiringi lagu-lagu khusus seperti "Jingkling Nona" tetapi sekarang banyak lagu-lagu dihasilkan seperti Joget Serampang Laut, Joget Rentak 106, Joget Johore Sport Club, Joget Pucuk Pisang dan lain-lain lagi. Tarian ini begitu terkenal sebagai acara bagi memeriahkan majlis-majlis perkahwinan dan keramaian.
Joget juga dikenali sebagai ronggeng yang mengambil nama daripada perkataan “wrong gang” kerana ditarikan secara berpasangan lelaki dan wanita.
Dalam tarian joget, gerak geri kaki lebih penting daripada gerakan tangan. Tempo tarian joget yang sederhana ialah langkah 2/4 dan langkah 3/8 untuk pergerakan yang pantas. Tarian Joget ditarikan dalam satu kumpulan pergaulan yang terdiri orang tua, muda, lelaki dan wanita secara berpasangan. Orang yang sedang menari dikatakan berjoget atau bertandak sementara pengiring tarian dikatakan pencak joget.
Dalam pesta-pesta keramaian, penari lelaki berjoget akan mengembing atau mempelawa (menjemput) penari wanita agar berjoget dengannya tetapi dalam persembahan joget di atas pentas terdapat 3 atau 4 pasangan penari joget dalam satu-satu persembahan.
Pakaian penari lelaki ialah sepasang baju Melayu lengkap bersongkok dan bersamping sementara penari wanita berbaju kebaya labuh serta sanggul atau bunga di atas kepala. Warna-warna pakaian lelaki dan wanita biasanya seragam untuk menimbulkan keserasian dan kesenian tarian joget.
Tarian Gamelan

Joget Gamelan merupakan salah satu tarian Melayu klasik. Tarian ini konon mula dipersembahkan di Istana di empayar Riau dan Lingga dalam kurun ke-19. Ia mula di persembahkan buat pertama kali di khalayak ramai di Pekan, Pahang dalam tahun 1811 dalam upacara persandingan Tengku Hussain, putera kepada Sultan Abdul Rahman yang memerintah Lingga, dengan Wan Esah yakni adik perempuan kepada Bendahara Ali dari Pahang. Ia mula diperkenalkan di babi anu selepas Tengku Mariam iaitu seorang puteri di Pahang, mengahwini Tengku Sulaiman yakni putera kepada Tengku Zainal Abidin dari Terengganu.
Menurut Tengku Mariam, pada asalnya repositori tarian ini terdiri daripada 77 jenis gamelan. Tetapi pada hari ini hanya tinggal 33 jenis sahaja lagi kesan daripada ketiadaan tenaga pengajar jenis tarian itu lagi. Antara 33 jenis tarian yang masih tinggal itu adalah seperti Timang Burung, Ayak-ayak, Lambang Sari, Ketam Renjung, Geliung, Lantai Lima, Kending Gajah, Togok Rompin, Kunang-kunang Mabuk, Galuk Merajuk, Silatin, Lolo dan Monab.
Tarian ini yang dipersembahkan secara eksklusif oleh penari wanita boleh dipentaskan secara dalaman ataupun persembahan terbuka. Unsur Jawa boleh dilihat dari segi seni tarian tersebut. Secara estetikanya, tarian ini adalah sangat cantik dan merupakan bentuk tarian yang paling kaya dari segi jenisnya dalam kebanyakan adat tarian Melayu.
Kampung Batu Berangkai

Orang Asli suku Semai telah lama tinggal di Kampung Batu Berangkai, Kampar, Perak. Suku ini mempunyai keunikan dari segi bahasa,masakan,komuniti dan aspek kehidupan. Pendapatan utama suku kaum ini adalah dengan mencari hasil hutan seperti mencari buluh, rotan dan herba semulajadi. Selain bercucuk tanam,ada penduduk yang telah bekerja di bandar Kampar malah ada yang menjadi penjawat awam.
Setiap akhir bulan bulan Februari pada setiap tahun , mereka merayakan perayaan yang di panggil Genulang. Perayaan ini merupakan hari memperingati nenek moyang dan pembukaan ladang baru. Hari ini dirayakan dengan majlis rumah terbuka di mana setiap rumah suku kaum ini akan menyediakan juadah seperti lemang,kuih muih, lauk pauk yang pelbagai. Di waktu malam, pesta keramaian diadakan , persembahan pentas live band dan tarian joget menjadi kegemaran suku kaum ini.
Jika anda melihat rencana yang menggunakan templat {{tunas}} ini, gantikanlah dengan templat tunas yang lebih spesifik.
Kebudayaan Jepun

Kebudayaan Jepun merangkumi interaksi antara budaya asli Jomon yang kukuh dengan pengaruh dari luar negara. Pada mulanya, China dan Korea telah mempengaruhi kebudayaan di Jepun ketika bermulanya perkembangan budaya Yayoi iaitu sekitar 300 SM. Selain itu, kesenian dan keagamaan di Jepun telah dipengaruhi oleh gabungan tradisi di antara budaya masyarakat Greece dan India pada abad ke-6. Oleh hal yng dimikian, perkara tersebut telah mendedahkan masyarakat Jepun kepada pengenalan agama Buddha seperti Mazhab Mahayana. Seterusnya, pada abad ke-16 pengaruh dari Eropah mulai menonjol dan disusuli dengan pengaruh Amerika Syarikat yang telah mendominasi Jepun setelah akhirnya Perang Dunia Kedua.
Dalam pada itu, Jepun turut mengembangkan budaya asli mereka ke seluruh dunia dalam pelbagai bidang. Antaranya ialah bidang kesenian (ikebana, origami, ukiyo-e), kraftangan (pembuatan anak patung, penghasilan tembikar), persembahan (boneka bunraku, tarian tradisional, kabuki, noh, raku-go), dan tradisi (permainan Jepun, onsen, sento, majlis teh, kebun Jepun), serta makanan Jepun yang unik dan sedap.
Kini, Jepun merupakan salah sebuah negara pengeksport budaya popular yang terbesar. Anime, manga, fesyen, perfileman, kesusasteraan, permainan video dan muzik Jepun memberi sambutan hangat di seluruh dunia, terutamanya di negara-negara Asia yang lain. Pemuda Jepun lebih gemar mencetus trend baru dan mengikut gaya mereka yang mempengaruhi fesyen dan trend di seluruh dunia. Pasaran muda-mudi yang amat cemerlang membawa ujian getir kepada pengguna barangan elektronik yang baharu. Gaya dan fungsinya ditentukan oleh pengguna Jepun, sebelum dipertimbangkan untuk di edar ke seluruh dunia.
Baru-baru ini Jepun telah mula mengeksport satu lagi komoditi budaya yang bernilai iaitu ahli sukan. Sebagai contoh, populariti pemain besbol Jepun yang terkenal di Amerika Syarikat telah mengubah perspektif dan sekaligus meningkatkan kesedaran warga negara Barat seperti Amerika Syarikat terhadap segalanya mengenai Jepun. Di samping itu, terdapat juga pemain bola sepak, pemain bola keranjang, pemain tenis (seperti Naomi Osaka) dan ramai lagi pemain yang bermain di luar negara turut menyumbang kepada kesedaran warga di negara seluruh dunia terhadap budaya yang terdapat di Jepun.
Kebiasaannya,masyarakat Jepun gemar memakan makanan tradisi mereka sendiri. Selain makanan tradisi, mereka juga menikmati makanan negara lain seperti negara Eropah, Korea, Cina, dan Asia tenggarah. Makanan Jepun berjaya mencipta nama di seluruh dunia dengan sushi, yang biasanya diperbuat daripada pelbagai jenis ikan mentah yang digabungkan dengan nasi sejuk dan pes wasabi. Sushi amat digermari oleh penduduk seluruh dunia. Kita boleh lihat di Malaysia, terdapat banyak restoran yang menyajikan makanan sushi seperti Sushi King, Empire Sushi, Papa Sushi dan banyak lagi. Makanan Jepun menumpu kepada peralihan musim, contohnya dengan menghidangkan mi sejuk pada musim panas, manakala ramen panas atau shabu-shabu disediakan pada musim sejuk.
Keranda: Tradisi Dan Misteri

Buku Keranda: Tradisi Dan Misteri merupakan sebuah buku dalam bahasa Melayu yang diterbitkan pada tahun 2011. Ia memiliki nombor ISBN 978-967-9935-94-3 dan berharga RM$31.00 . Buku Keranda: Tradisi Dan Misteri ini diterbitkan oleh Jabatan Muzium Negara.
Buku ini membincangan mengenai tradisi dan misteri keranda dalam pelbagai budaya dan dari seluruh dunia. Buku Keranda : Tradisi & Misteri ini merupakan sebuah penerbitan yang memuatkan koleksi keranda yang dipamerkan semasa Pameran Keranda : Tradisi & Misteri yang diadakan di Muzium Negara sepanjang bulan April – Ogos 2010. Buku ini juga mengupas pengertian keranda dan kegunaanya dalam sesebuah masyarakat, termasuk melayu, cina, india, beberapa etnik pribumi Sabah dan Sarawak, orang asli serta masyarakat lain di Nusantara.
Buku ini boleh didapati dari:-
Tanjung Pura, Langkat

Tanjung Pura merupakan sebuah kecamatan yang terletak di Kabupaten Langkat, Sumatera Utara. Terletak sekitar 60 km dari Kota Medan, Tanjung Pura merupakan salah satu titik merupakan sebuah kota kecil yang juga merupakan kota penuh kenangan bagi sebahagian orang yang pernah tinggal di sana, selain terkenal sebagai kota pendidikan. Sejak zaman dahulu Tanjung Pura juga dikenal sebagai kota budaya. Kesemuanya itu terbukti dengan adanya pahlawan nasional republik Indonesia, seorang pujangga besar Tanah Melayu, Tengku Amir Hamzah. Tengku Amir Hamzah seorang penyair handal yang disemadikan di Kompleks Pemakaman Umum Masjid Azizi Tanjung Pura.
Budayawan Melayu yang berasal dari Langkat, Zaenal AK, mengatakan karya sastera Amir Hamzah lebih dikenal dan dihargai di Malaysia berbanding di tanah kelahirannya sendiri.
"Di Malaysia karya Tengku Amir Hamzah sudah dimasukkan dalam kurikulum wajib pendidikan mulai tingkat rendah hingga ke universiti," kata Kepala Museum Langkat itu kepada wartawan dalam rangka Peringatan 100 Tahun Tengku Amir Hamzah 28 Februari 1911 – 28 Februari 2011 di Medan.
Tengku Azwar Aziz (Ketua Umum Acara Peringatan 100 Tahun Tengku Amir Hamzah) juga mengakui Amir Hamzah sangat dikenali di Malaysia. Bahkan di beberapa negara lain seperti Belanda, Jerman, London dan Amerika Syarikat, sudah terbentuk komuniti Amir Hamzah.
Tanjung Pura ialah pusat kerajaan lama Kesultanan Langkat, yang kini hanya meninggalkan bangunan sejarah, dilingkupi budaya Melayu pesisir.
Penduduk Tanjung Pura kebanyakannya datang dari Siak, Kedah, Selangor, Petani dan dari beberapa daerah di tanah Malaysia, Sehingga lingkungan tradisi budaya Melayu Malaysia masih berhubungan kuat dengan kota ini, meskipun kini telah banyak sekali perbezaan adat budayanya.
Dalam sejarahnya, ramai nama-nama besar yang pernah menimba ilmu di tanah Langkat, seperti Amir Hamzah, Adam Malik, Chairil Anwar, Armin Pane dan lain-lain.
Joget Malaysia

Joget Malaysia ialah lagu nyanyian P. Ramlee dan Saloma. Lagu ini menceritakan P. Ramlee bertanya pada Saloma, apakah nama negara kita dan apa nama ibu negara kita.
Datuk Panglima pergi membajak Ke tanah rata senja pulangnya Kalau Saloma orang yang bijak Negeri kita apa namanya
Ikanlah keli di dalam perahu Oranglah buta tangkap buaya Kalau Cik Ramlee ingin nak tahu Negara kita nama Malaysia
Ramalah rama dipohon duri Mati ditimpa si buah nangka Kalau Saloma orang bestari Bulan berapa Malaysia merdeka
Anak benggali di kebun nyonya Petiklah gambus anak Melaka Wahai Cik Ramlee ini jawabnya Tiga puluh satu Ogos merdeka
Ke pasar lama membeli serai Singgah bertanya Datuk Menteri Kalau Saloma orang yang pandai Di mana letak ibu negeri
Anaklah bilal dari Mentakab Pergi ke Johor buat kenduri Cik Ramlee soal mudah dijawab Kuala Lumpur ibu negeri
Joget Berhibur

"Joget Berhibur" ialah single ketiga daripada album Cindai oleh Siti Nurhaliza, dan juga satu daripada dua lagu baru yang digubah khas untuk album tersebut selain lagu "Cindai". Lagu ini digubah oleh Rahim Jantan dengan liriknya oleh Siso.
Muzik video untuk lagu Joget Berhibur telah difilemkan di Istana Lama Seri Menanti di Seri Menanti, Negeri Sembilan. Siti mengenakan dua busana adat tradisional Indonesia, iaitu busana adat Minangkabau dan busana tradisional Jawa.
Kampung Joget

Kampung Joget merupakan sebuah kampung yang terletak di Sik, dalam Kedah, iaitu sebuah negeri di Malaysia.
Negeri Kedah Darul Aman, iaitu negeri di utara di Malaysia, dan yang bersempadan dengan negara Thailand di timur lautnya, dan bersempadan dengan negeri Perak di tenggara, Pulau Pinang di barat daya dan Perlis di bahagian utara.Negeri Kedah merupakan sebuah negeri yang terkenal sebagai sebuah negeri pertanian yang maju di Malaysia, terutamanya sebagai pengeluar padi terbesar, menghasilkan 70% pengeluaran hasil padi. . Salah satu makanan tradisi istimewanya adalah laksa Kedah.
Poskod yang digunakan di Kampung Joget, Sik, Kedah ialah 08210.
Kementerian Pelancongan, Seni dan Budaya Malaysia

Kementerian Pelancongan, Seni dan Budaya adalah kementerian yang berada di bawah kerajaan Malaysia. Menterinya masa kini ialah Dato Sri Tiong King Sing.
Kementerian Pelancongan, Seni dan Budaya Malaysia merupakan warisan dari Bahagian Kebudayaan yang diwujudkan di bawah Kementerian Kebajikan Masyarakat dalam tahun 1953. Pada tahun 1964, Bahagian Kebudayaan dipindahkan pula di bawah naungan Kementerian Penerangan.
Menyedari akan betapa pentingnya kebudayaan diberi pemerhatian khususnya untuk perpaduan setelah mengalami pengalaman pahit peristiwa 13 Mei 1969 dan ekoran penggubalan Dasar Kebudayaan pada 1971,maka pada tahun 1972, Bahagian Kebudayaan diletakkan di Kementerian Kebudayaan, Belia dan Sukan.
Pada 20 Mei 1987, komponen 'kebudayaan' dipisahkan dari Kementerian Kebudayaan, Belia dan Sukan dan digandingkan pula dengan Perbadanan Kemajuan Pelancongan Malaysia. Seterusnya sebuah Kementerian baru diwujudkan bergelar Kementerian Pelancongan dan Kebudayaan. Lima tahun kemudian pada 22 Oktober 1992 struktur Kementerian ini diperkemaskan lagi dan diberi nama baru Kementerian Kebudayaan, Kesenian dan Pelancongan.
Ekoran dari penyusunan semula Kabinet pada 27 Mac 2004, kedua-dua komponen utama iaitu 'kebudayaan' dan 'pelancongan' telah dipisahkan dan diletakkan di bawah Kementerian berasingan iaitu Kementerian Pelancongan dan Kementerian Kebudayaan, Kesenian dan Warisan.
Bermula dari penyusunan semula Kabinet pada 18 Mac 2008, Jabatan Perpaduan Negara dan Integrasi Nasional di Jabatan Perdana Menteri (JPM) telah diserap ke Kementerian Kebudayaan, Kesenian dan Warisan (KEKKWA) dan kini dikenali sebagai Kementerian Perpaduan, Kebudayaan, Kesenian dan Warisan.
Sebelum ini Kementerian ini hanyalah salah satu cabang daripada Kementerian Kebudayaan dan Kesenian menjadikannya Kementerian Kebudayaan, Kesenian dan Pelancongan. Namun semenjak Perdana Menteri Malaysia Ke-6, Dato' Seri Najib mengambil alih, ia dijadikan satu kementerian yang khusus iaitu Kementerian Pelancongan. Sebelum ini tugas ini digalas oleh Dato Seri Ng Yen Yen dan Dato Seri Azalina Othman Said. Selepas pengumuman Kabinet Menteri 2013-2018 oleh Dato' Seri Najib, kementerian ini kembali digabungkan dengan Kementerian Kebudayaan menjadi Kementerian Pelancongan dan Kebudayaan.
Menteri Pelancongan, Seni dan Budaya

Menteri Pelancongan yang terkini ialah Yang Berhormat Dato Sri Tiong King Sing sejak 3 Disember 2022.
Individu berikut telah dilantik memegang portfolio pelancongan, atau mana-mana gelaran terdahulu
Individu berikut telah dilantik memegang portfolio kesenian, atau mana-mana gelaran terdahulu:
Individu berikut telah dilantik memegang portfolio kebudayaan, atau mana-mana gelaran terdahulu:
Individu berikut telah dilantik memegang portfolio warisan, atau mana-mana gelaran terdahulu:
Jabatan Kebudayaan dan Kesenian Negara

Jabatan Kebudayaan dan Kesenian Negara (Tulisan Jawi: جابتن كبودايان دان كسنين نڬارا; singkatan: JKKN) merupakan sebuah agensi di bawah Kementerian Pelancongan, Seni dan Budaya Malaysia (MOTAC) yang bertanggungjawab melaksanakan aktiviti-aktiviti kesenian dan kebudayaan di Malaysia.
Tahun 1953 : Bahagian Kebudayaan ditubuhkan di bawah Kementerian Kebajikan Masyarakat
Tahun 1964 : Bahagian Kebudayaan diletakkan di Kementerian Penerangan
Tahun 1972 : Bahagian Kebudayaan di Kementerian Kebudayaan, Belia dan Sukan
Tahun 1987 : Bahagian Kebudayaan di Kementerian Pelancongan dan Kebudayaan
Tahun 1992 : Bahagian Kebudayaan di Kementerian Kebudayaan, Kesenian dan Pelancongan
Tahun 2004 : Bahagian Kebudayaan di Kementerian Kebudayaan, Kesenian dan Warisan (KEKKWA)
22 Mac 2005 : Di naik taraf kepada JKKN ( Waran bil. S20 Tahun 2005)
1 Feb 2007 : Pewujudan bahagian baru iaitu bahagian perancangan , penyelidikan dan pembangunan ( waran bil.S40 tahun 2007)
18 Mac 2008 : JKKN sebagai salah satu agensi di bawah Kementerian Perpaduan Kebudayaan Kesenian dan Warisan (KPKKW)
April 2009 : JKKN bernaung di bawah Kementerian Penerangan Komunikasi dan Kebudayaan (KPKK).
Mulai 16 Mei 2013, JKKN menjadi satu agensi di bawah Kementerian Pelancongan dan Kebudayaan.
Pada 2 Julai 2018, Kementerian ini telah dinamakan semula sebagai Kementerian Pelancongan, Seni dan Budaya Malaysia seperti yang diumumkan oleh YAB Perdana Menteri dalam pembentukan kabinet selepas pilihanraya umum yang ke-14.
Peneraju Seni Budaya dalam mendukung Seni untuk Seni, Seni untuk perpaduan dan Seni Budaya untuk Penjanaan Pendapatan kepada pemain industri ke arah pembentukan jati diri dan kesejahteraan masyarakat.
MISI
1) Memantapkan usaha memulihara, mengekal, mengembang dan menyemarak seni budaya warisan Negara;
2) Menggembleng elemen seni budaya untuk meningkatkan jati diri, kesejahteraan dan perpaduan Negara;
3) Menggalakkan aktiviti seni budaya yang inovatif bagi meningkatkan pendapatan pemain industri; dan
4) Menyumbang kepada pertumbuhan aktiviti pelancongan budaya.
Ketua Pengarah: YBRS. Encik Mohd Amran bin Mohd Haris
Timbalan Ketua Pengarah (Dasar dan Perancangan): Tuan Mohd Radzi bin Omar
Timbalan Ketua Pengarah (Kebudayaan dan Kesenian): YBRS. Encik Rosnan bin Nordin
Terdapat 14 pejabat JKKN di setiap negeri di Malaysia . Kawasan ini juga termasuk Wilayah Persekutuan Kuala Lumpur.
JKKN Perlis
JKKN Kedah
JKKN Pulau Pinang
JKKN Perak
JKKN Selangor
JKKN Kuala Lumpur
JKKN Negeri Sembilan
JKKN Melaka
JKKN Johor
JKKN Pahang
JKKN Terengganu
JKKN Kelantan
JKKN Sabah
JKKN Sarawak
Tarian rakyat

Tarian rakyat merujuk kepada sesuatu seni tari yang telah diamalkan selama beberapa keturunan di sesuatu tempat oleh orang kebanyakan atau orang ramai. Tarian rakyat biasanya termasuk ke dalam hak umum (public domain) dan tidak dimiliki oleh sesuatu pihak yang tertentu disebabkan ia melepasi tempoh pendaftaran.
Sesuatu tarian rakyat tidak boleh dipatenkan kerana ia bukannya sesuatu yang baru, kecuali sekiranya pengubahsuaian dilakukan padanya. Bagaimanapun, dengan pengubahsuaian tersebut, ia tidak lagi dikelaskan sebagai tarian rakyat kerana tidak menjadi milik umum.
Tarian rakyat biasanya mempunyai beberapa ciri penting, antaranya adalah:-
Tarian rakyat biasanya dipentaskan semasa keraian sosial oleh mereka tanpa latihan menari profesional. Penari baru biasanya belajar dengan cara melihat penari lama dan/atau tunjuk ajar rakan sepenari. Tarian rakyat dianggap sebagai aktiviti sosial dan bukannya satu pertandingan, sungguhpun terdapat kumpulan penari rakyat yang profesional atau separuh profesional.
Istilah ras dan tradisional digunakan apabila ia perlu memberi penekanan kepada asal kebudayaan sesuatu tarian. Dari segi ini, hampir kesemua tarian rakyat merupakan berasakan ras. Sekiranya sesuatu tarian merentasi sempadan, perbezaan ras masih cukup penting untuk disebut, contoh polka Czech vs. polka Jerman.
Tidak semua tarian ras dianggap tarian rakyat; sebagai contoh, tarian berasal dari sesuatu upacara tidak dianggap tarian rakyat. Tarian sesuatu uapcara biasanya dikenali sebagai tarian keugamaan disebabkan matlamat tariannya.
Tarian Asli

Tarian Asli MERUPAKAN kumpulan tarian yang dicipta berasaskan lagu-lagu asli Melayu. Wujud daripada rentak dan irama lagu Dondang Sayang tetapi Tarian Asli tidak diiringi dengan adegan berbalas pantun seperti dalam Dondang Sayang. Perkembangan seterusnya ialah kemunculan tarian-tarian asli yang dicipta daripada lagu-lagu seperti lagu Makan Sireh, Gunung Banang, Asli Sapu Tangan, Asli Selendang, Bentan Telani, Asli Abadi dan lain-lain lagi. Tarian Asli boleh didapati di seluruh Malaysia terutama Semenanjung Malaysia.
Tarian Mongigol Sumundai

Tarian Mongigol Sumundai merupakan sejenis tarian masyarakat Rungus di utara Sabah. Ia sebenarnya merujuk pada dua jenis tarian iaitu yang ditarikan oleh kaum lelaki dan yang ditarikan oleh kaum perempuan.
Tarian Mongigol merupakan tarian bagi lelaki sementara tarian sumundai pula bagi perempuan, namun tarian ini dipersembahkan secara serentak iaitu lelaki akan mendahului tarian dan diikuti oleh empat atau lebih penari perempuan.
Tarian mongigol sumundai ini biasanya diiringi dengan paluan gong yang dimainkan oleh pemalu gong yang terdiri daripada sekumpulan enam atau tujuh orang pemain muzik. Alat muzik tradisi kaum Rungus adalah gong dan masih digunakan sehingga kini. Gong masyarakat Rungus terdiri daripada tujuh jenis iaitu, koritikon (canang), sandangau (canang), pompom, soludon, tongikon (tavag), hungkodonan (tavag) dan bimbingan (Tavag).
Tarian Mak Inang

Tarian Mak Inang dicipta semasa zaman Kesultanan Melayu Melaka. Tarian ini amat terkenal pada masa dahulu sebagaimana ianya terkenal pada hari ini.
Tajuk lagu Mak Inang yang mengiringi tarian ini telah dititahkan ciptaannya oleh Sultan Mahmud Shah yang sangat gemarkan kesenian.
Arahan ini telah dikeluarkan oleh Sultan kepada ketua inang atau ketua dayang untuk diajar kepada para dayang bagi dipersembahkan kepada Sultan semasa majlis keramaian.Lagu dan tarian ini sungguh mempesonakan dan mempunyai kualiti persembahan istana.
Tarian ini juga dipanggil sebagai Tarian Si Kembang Cina.
Kini tarian Mak Inang yang juga dikenali sebagai Tarian Inang (versi yang lebih moden daripada tarian Mak Inang) dipersembahkan pada majlis-majlis keramaian dan perkahwinan
Joget

Joget (Jawi: جوڬيت) is a traditional Malay dance that originated in Malacca in the colonial era. It was influenced by the Portuguese dance of Branyo which is believed to have been spread to Malacca during the spice trade. In Malacca, joget dance is better known as Chakunchak. The dance is one of the most popular folk dances in Malaysia that is normally performed by couples in cultural festivals, weddings and other social functions. Joget gained popularity among the Malay community in Singapore after its introduction in 1942.
The dance is of the Portuguese roots and is accompanied by an ensemble consisting of a violin of Western world, a knobbed gong of Asia, a flute (optional), and at least two rebana or gendang of Maritime Southeast Asia. The tempo of Joget music is fairly quick, with a feeling of teasing and playing between the partners. The music emphasizes duple- and triple-beat division, both in alternation and simultaneously, and is sung in the northeast Malaysian style.
One of the most popular types of Joget is called "Joget Lambak" which is usually performed by a large crowd together at social functions. In Indonesia, the term 'joget' is usually applied to any form of popular street dance, such as that to dangdut music. Joget, an open source workflow software built in Malaysia, is named after this dance.
Sri Lankan Kaffiringna music style and Joget has some related melodic variations. Both styles have a Portuguese influence, according to Sri Lankan musicologist Ruwin Dias.
Joged dance

Joged dance (Balinese: ᬚᭀᬕᬾᬤ᭄) is a style of dance from the Island of Bali derived from the traditional Gandrung dance. The term joged or joget is also a common word for dance in Indonesia. The dance is typically accompanied by a gamelan ensemble of bamboo instruments, called a gamelan joged bumbung. Its dancers usually wear attire consisting of a Kebaya and Sarong. Unlike most Balinese dances, joged is not a religious or ritual one. It is more of a secular social dance for entertainment purposes only. During a joged performance, a single or several female dancers will perform for usually predominantly male audience to dance with them. Dancers may often invite a spectator to join in the joged using a fan and sash. which unlike many dances has no set moves and is largely improvised. It is considered impolite to refuse such an invitation.
The dance often involves movements that are erotic and teasing, showing various interactions between the dancers and their male counterpart, ranging from humorous to seductive. The more provocative nature that this dance can have was called "[incompatible] with the ethics of Balinese culture" by Putu Beratha, head of Bali Province's Cultural Affairs Department, with a youth-led movement Stop Joged Jaruh attempting to remove recordings of the dance from YouTube. In 2016 Governor Made Mangku Pastika attempted to ban the dance, calling it "pornographic". In August 2017, the Bali Provincial Government held a joged bumbung festival to attempt to improve the dance.
The dance is quite comparable with other Indonesian dance traditions, such as those of Javanese ronggeng and Sundanese jaipongan.
Corridinho

The corridinho is a form of Portuguese folk dance, namely in the Algarve region. The origin of the dance itself is unclear and believed older, although it gained popularity in the 1800s. The name derives from correr, to run which partly describes this type of dance. The dance was performed in a round (dança de roda) in the open air. The oldest musical instruments recorded were small flutes or fifes (pífaro) and harmonicas, (harmónica) until the accordion was implemented and dominated ever since.
Corridinho has left a legacy and is still popular in some former Portuguese colonies like Goa, Daman and Diu, Dadra and Nagar Haveli, Mangalore in India and a small part of Ceylon (Sri Lanka) where it is called Baila. In Macau China, it is known as Portuguese-Macaense folk dance. The Branyo, a folk dance of the Kristang people in Malaysia, derives from the Corridinho, and further developed into the popular Malay Joget dance.
In Portugal today, the dance is mainly found in the southern region of Faro in the Algarve and is often performed by the ranchos folcloricos (folk groups) as part of the municipality's tourist attraction.
The corridinho is considered a product of history and performance that represent Algarvian contexts (e.g. Algarve life depicted in plain sound and loud talking). It is danced by couples who always move together. They form a circle with the girls inside and the boys on the outside. By rotating the circle, the pairs move side by side. Corridinho is composed of three parts: o corrido, o rodado e an escovinha (the run, the rotation, and cropped). The "Run" starts with a circle, made up of pairs of men and women. When the music starts, the pairs begin to spin. To start the "Rotation", the beat gets more lively and intense, the pairs begin to perform a "fast-paced waltz". When said is done, the dancers return to their original positions and can either end there or continue. The "Cropped" is a shorter version of the dance done again after a complete round cycle.
Although bearing some resemblance to the polka and mazurka, corridinho is a very traditional Portuguese dance where people challenge each other's fitness and enjoy social entertainment in groups.
Branyo

The Branyo is a form of dance from Malaysia traditionally danced by the original Portuguese colonists of Malacca and their present-day descendants in Malaysia. It is a development of the Portuguese folk dance corridinho from the Algarve. Branyo has been an integral part of the Malaccan Portuguese festival of Introdu since the early 16th century. Introdu is known as Shrove Sunday or Quinquagesima to the non-Portuguese speaking world and is the Sunday just before Ash Wednesday which marks the season of Lent. This dance has enriched Malay culture and has influenced the later Malay dance known as the Joget.
There are 4 rhythms in Branyo. They are Jingli Nona, Canji Papa, Che Corte and Sarampeh.
Joget Workflow

Joget Workflow is an open-source web-based workflow software to develop workflow and business process management applications.
It is also a rapid application development platform that offers full-fledged agile development capabilities (consisting of processes, forms, lists, CRUD and UI), not just back-end EAI/orchestration/integration or the task-based interface.
Joget Workflow is implemented using Java Spring Framework and is deployed on Apache Tomcat server.
Bulkang Mayon

Ang Bulkan Mayon o Bundok Mayon ay isang aktibong bulkan sa lalawigan ng Albay, sa pulo ng Luzon sa Pilipinas. Bantog ang bulkan dahil sa halos "perpektong hugis apa" nito. Ang Mayon ang naging hilagang hangganan ng Lungsod ng Legazpi, ang pinakamataong lungsod sa despacito Kabikulan. Unang hinihayag bilang isang pambansang liwasan at isang nakaprotektang lupain ng bansa noong 20 Hulyo 1938. Inuri itong muli at pinangalanang Mayon Volcano Natural Park noong 2000.
Ayon sa mga volcanolohigo, isa itong stratovolcano o kompositong bulkan. Ang tila simetriko niton kona ay nabuo sa pamamagitan ng pagkapatong-patong ng mga daloy ng lahar at lava. Dahil umaabot nang halos 50 beses na ang mga pagsabog nito sa nakaraang 400 taon, itinuturing itong ikalawa pinaka-aktibong bulkan noong 2020 sa buong bansa. Matatagpuan ito sa isang convergent plate boundary sa gitna ng Platong Eurasian at ng Plato ng Pilipinas.
Ang bulkang Mayon ay may 47 pagsabog sa kasaysayan; ang una ay sa taong 1616 at nasundan pa ng ilan pang pagsabog o pagputok hanggang sa kasalukuyan. Ang pinakamalakas na pagsabog ng bulkang Mayon ay noong 1 Pebrero 1814. Natabunan ng lava ang bayan ng Cagsawa at may 1,200 taong namatay. Ang bell tower ng simabahan ng bayan ang nakikita na lamang sa ibabao ng lupa. Pyroclastic flows, ang mainit na abo ang nakapatay sa 77 katao, karamihan magsasaka, sa huling malakas na pagsabog ng Mayon noong 1993. Sa taong 1984, mahigit 73,000 katao ang pinaalis sa 'danger zones' ayon sa mga scientists ng Philippine Institute of Volcanology and Seismology, wala naman naulat na may namatay.
Pangunahing palatandaan sa lalawigan ng Albay ang Bulkang Mayon na may taas na 2,462 metro (8,077 tal) mula sa baybayin ng Golpo ng Albay. Ang bulkan ay heograpikal na hinahati ng walong lungsod at mga bayan na kinabibilangan ng Lungsod ng Legazpi, Daraga, Camalig, Guinobatan, Lungsod ng Ligao, Lungsod ng Tabaco, Malilipot, at Santo Domingo.
Nagbuga ang Bulkang Mayon ng abo dakong 8:00 ng umaga noong 7 Mayo 2013 na nagdulot ng pagkamatay at pagkasugat ng ilang mga dayuhang turista.
Pinakaaktibong bulkan sa Pilipinas ang Bulkang Mayon, at ang mga aktibidad nito ay palagiang minamanmanan ng PHIVOLCS mula sa kanilang panlalawigang tanggapan sa Lignon Hill, tinatayang nasa 10 kilometro (6.2 mi) timog silangan mula sa bulkan.
Bundok Bulusan

Ang Bundok Bulusan o Bulkang Bulusan ay ang bulkanng nasa pinakatimog ng Pulo ng Luzon sa Republika ng Pilipinas. Nakalagay ito sa lalawigan ng Sorsogon sa rehiyon ng Bikol, 70 km (43 mi) sa katimugang-silangan ng Bulkang Mayon at tinatayang nasa 250 km (160 mi) katimugang-silangan ng Maynila, ang kabisera ng Pilipinas. Isa ito sa pinakamasisiglang mga bulkan sa Pilipinas.
Ang lathalaing ito na tungkol sa Heograpiya at Pilipinas ay isang usbong. Makatutulong ka sa Wikipedia sa pagpapalawig nito.
Kan-Laon

Si Kan-Laon ay ang diyosa ng mga sinaunang mga Bisaya, partikular ng mga Hiligaynon. Bago pa man dumating ang mga Kastila sa Pilipinas, sinamba ng mga Bisaya si Kan-Laon bilang kanilang Kataas-taasang Pinuno. Sa wikang Bisaya, ang Kan-Laon ay nangangahulagang "Siya na Pinuno ng Panahon."
Ang Bundok Kanlaon na matatagpuan sa pulo ng Negros, ay ang pinakamalaking aktibong bulkan sa Pilipinas at ang pinakamataas na bundok sa rehiyon ng Kabisayaan. Sinasabing na sa bundok na yaon pinapadama ni Laon ang kanyang presensya sa mga tao. Noong sinaunang panahon, may mga babaylan na umaakyat sa bundok at gumagawa ng mga rituwal tuwing may magandang ani o kung may natatanging seremonya. Nag-aalay din sila ng mga kaloob bilang tanda ng paggalang.
May katumbas na diyos si Kan-Laon sa ibang bahagi ng Pilipinas. Ilang lamang sa mga ito ay sina Bathala ng mga Tagalog, Gugurang ng mga Bikolano, at Kabunian ng mga Ilokano at mga Ifugao.
Si Kanlaon, na kilala bilang diyos ng bulkan, apoy, at pagkawasak sa mitolohiyang Pilipino, ay isang nilalang na iginagalang at kinatatakutan. Nakatuon ang mga kwento tungkol sa kanya sa Bundok Kanlaon, ang pinakamataas na bundok sa rehiyon ng Visayas. Ang mga alamat tungkol sa makapangyarihang diyos na ito ay nagpapakita ng dalawahang katangian ng mga bulkan—bilang tagapaghatid ng pagkawasak at simbolo ng muling pagsilang.
Sa mga kasulukuyang alamat, si Kanlaon ay inilalarawan bilang isang sinaunang at kapritsosong diyos na ang damdamin ay nagdidikta sa kapalaran ng mga naninirahan sa paligid ng bundok. Ang pagsabog ng Bundok Kanlaon ay itinuturing na pagpapakita ng galit o dalamhati ng diyos. Bilang "tagapagdala ng apoy," hawak ni Kanlaon ang hilaw na lakas ng kalikasan, kayang baguhin ang anyo ng lupain gamit ang daloy ng lava, abo, at usok. Para sa mga naninirahan malapit sa bulkan, ang mga mapanirang pagpapakita ng lakas na ito ay paalala ng kapangyarihan ni Kanlaon, na nagdudulot ng paggalang at pag-iingat.
Sa mga popular na kwento, at mga makabagong kwentong bayan lalo na sa mga pasalitang tradisyon, sinasabing may isang demonyo na naninirahan sa bulkan. Ang demonyong ito ay nagtatapon ng apoy at bato, nagdadala ng takot at pagkawasak sa mga naninirahan malapit dito. May mga nagsasabing ang demonyo ay tagapaglingkod ni Kanlaon, tumutupad sa mapanirang kagustuhan ng diyos. Ang iba naman ay naniniwalang ang demonyo ay isang nakakulong na nilalang na pilit kumakawala, na ang bawat pagsabog ay tanda ng kanyang galit at paghihirap.
Para sa mga Bikolano si Kanlaon ay ang masamang lalaking diyos ng bulkan at pagkawasak na katungali ni Gugurang ang diyos ng Bulkang Mayon.
2009 sa Pilipinas

Ang artikulong ito ay nagbibigay ng isang pangkalahatang-ideya sa mga pinakamahahalagang mga kaganapang nangyari sa taong 2009 sa Pilipinas.
Mga okasyon sa italiko ay "special holidays," mga nasa bold ay ang "regular holidays."
Sa karagdagan, inoobserbahan ng maraming lugar ang mga lokal na pista opisyal, tulad ng pagkakatatag ng kanilang bayan. Ito rin ay "espesyal na araw. "
Legazpi, Albay

Ang Lungsod ng Legazpi (R.A. 02234) ay isang lungsod na matatagpuan sa Lalawigan ng Albay sa Rehiyon ng Bicol, Pilipinas. Ayon sa senso ng 2020, ito ay may populasyon na 209,533 sa may 46,445 na kabahayan.
Nahahati ang Lungsod ng Legazpi sa 70 barangay.
Ang lathalaing ito na tungkol sa Pilipinas ay isang usbong. Makatutulong ka sa Wikipedia sa pagpapalawig nito.
Albay

Ang Albay ay isang lalawigan ng Pilipinas na matatagpuan sa Rehiyon ng Bicol sa Luzon. Ang Lungsod ng Legazpi ang kabisera nito. Ang lalawigan ay pinalilibutan ng mga lalawigan ng Camarines Sur sa hilaga at Sorsogon sa timog. Sa hilagang-silangan ay ang Golpo ng Lagonoy patungong Dagat Pilipinas at sa timog-kanluran ay ang Burias Pass.
Ang lalawigan ng Albay ay nahahati sa 15 bayan at 3 lungsod
Ang lathalaing ito na tungkol sa Pilipinas ay isang usbong. Makatutulong ka sa Wikipedia sa pagpapalawig nito.
Distritong pambatas ng Albay

Ang mga Distritong Pambatas ng Lalawigan ng Albay, Una, Ikalawa at Ikatlo ang mga kinatawan ng lalawigan ng Albay sa mababang kapulungan ng Pilipinas.
Ang Albay ay dating nahahati sa tatlong distritong pambatas mula 1907 hanggang 1931, nang madagdagan ng isang distrito ang lalawigan.
Noong panahon ng Ikalawang Republika, nagpadala ng dalawang assemblymen at-large ang lalawigan sa Kapulungang Pambansa. Nang manumbalik ang Komonwelt, muling hinati ang lalawigan sa apat na distritong pambatas noong 1945.
Ang noo'y sub-province ng Catanduanes ay naging ganap na lalawigan sa bisa ng Kautusang Komonwelt Blg. 687 na naaprubahan noong Setyembre 26, 1945. Hiniwalay ang buong ikaapat na distrito ng Albay upang buuin ang solong distrito ng Catanduanes na nagsimulang maghalal ng kinatawan noong eleksyon 1946. Mula apat, nabawasan sa tatlo ang mga distrito ng lalawigan.
Bahagi ito ng kinakatawan ng Rehiyon V sa Pansamantalang Batasang Pambansa, mula 1978 hanggang 1984. Mula 1984 hanggang 1986, nagpadala ng tatlong assemblymen at-large ang lalawigan sa Regular Batasang Pambansa.
Sa ilalim ng bagong Konstitusyon, muling hinati sa tatlong distritong pambatas ang lalawigan noong 1987.
Notes
Notes
Tiwi, Albay

Ang Bayan ng Tiwi ay isang unang klaseng bayan sa lalawigan ng Albay, Pilipinas. Ayon sa senso ng 2020, ito ay may populasyon na 56,444 sa may 12,657 na kabahayan.
Pangunahing dinadayo ng mga turista ang mga maiinit na batis. Subalit ang katanyagan nito ay umunti dahil sa pagkakagawa ng plantang geothermal sa pook.
Ang bayan ng Tiwi ay nahahati sa 25 mga barangay.
Ang lathalaing ito ay isang usbong. Makatutulong ka sa Wikipedia sa pagpapalawig nito.
Malinao, Albay

Ang Bayan ng Malinao ay isang ika-4 klaseng bayan sa lalawigan ng Albay, Pilipinas. Ayon sa senso ng 2020, ito ay may populasyon na 47,395 sa may 10,928 na kabahayan.
Ang bayan ng Malinao ay nahahati sa 29 na mga barangay.
Ang lathalaing ito ay isang usbong. Makatutulong ka sa Wikipedia sa pagpapalawig nito.
Bulkang Taal

Ang Bulkang Taal, na tinagurian din bilang Pulong Bulkan, na nasa Lawa ng Taal sa Batangas, Pilipinas. Ito ang pinakamaliit na bulkan sa buong mundo. Ang bulkan na ito ay isinasaalang-alang din bilang pinakanamatay sa mga aktibong bulkan ng Pilipinas. Ang Bulkang Taal ay mayroong taas na 984 na mga talampakan o 300 mga metro, na naglalaman ng isang maliit na bunganga o crater na pinangalanang Lawang Dilaw. Sumabog ang bulkan nang 25 mga ulit magmula noong 1754, at ang pinaka-kamakailan ay Enero 12, 2020 na kasalukuyang nangyayari ngayon.
Ginagawa itong pangalawang aktibong bulkan sa Pilipinas. Ito ay isa sa pinakamagagandang aktibong bulkan saan man sa mundo. Makikita sa Pulo ng Luzon sa Pilipinas, ang marangal na bulkan na ito ay nakaupo sa gitna ng Taal Lake. Ang ginagawang higit na kakaiba ay ang Taal Volcano na mayroon ding sariling lawa. Nasa gitna ng Taal Volcano ang Crater Lake. Ang bulkan na ito ay isa sa natatanging lokasyon ng turista sa buong mundo.
Taon 1911 ay ang unang pagputok ng bulkang Taal.
Taon 1977 ay ang ikalawang pagputok ng bulkan
Ika 13 Enero 2020 ang ikatlong pagputok ng bulkan, ilang karatig lalawigan ang mga naapektuhan.
Ika buwan ng 21 Setyembre 2023 ay muling nagbuga ng Asupre ang Bulkang Taal na sa taas na 31 (kl) above, ilang mga karatig bayan at lungsod ang nakaras sa Tagaytay, Silang, Calamba, Sto. Tomas at Tanauan.
Ika 18, Agosto 2024 ng muling naglabas ng asupre ang bulkan, nag suspinde ng mga klase sa elementarya at sekondarya sa mga ilang karatig bayan at lalawigan sa Cavite at Laguna, isinailalim sa state of calamity ang lalawigan ng Batangas bunsod ng pagaalburoto.
Ang lathalaing ito na tungkol sa Heograpiya at Pilipinas ay isang usbong. Makatutulong ka sa Wikipedia sa pagpapalawig nito.