davidanugraha/M4-RAG huggingface dataset:
Rock al Parque

Rock al Parque is a free rock music festival which has taken place in Bogotá, Colombia, since 1995. It typically gathers more than 50 bands and as many as 400,000 spectators. It is considered the largest rock festival in Colombia and one of the most important in Latin America. Its programme also includes ska, punk, hardcore, metal, and other genres.
The first edition of the Rock Al Parque festival was held in Bogotá, 26–29 May 1995. It started as a continuation of the 'Youth Music meetings' held at the city's planetarium in 1992. The people behind the organization were Mario Duarte, Julio Correal and Bertha Quintero. They initially sought to gain the support of Bogota's Institute of Culture and Tourism, to help establish the festival. It was held across several venues including 'La Media Torta', Simón Bolívar Park, the 'Olaya Herrera' stadium, and the 'Santa María Bullfighting' ring. The last venue asked for admission fees, and was excluded after 1996 to keep the festival free of charge.
The rock music festival gradually included other genres, such as punk, reggae, ska and blues music. Rather than grouping genres together, the festival's organizers promoted diversity by scheduling different types of musicians to participate alongside one another.
Nowadays the festival takes place over three days at Simon Bolivar Park and is broadcast live over public television channel Canal Capital and public radio network Radiónica.
Concertgoers are not allowed entry if they are wearing belts with metallic buckles, as these can be used as weapons. Furthermore, all concertgoers have to go through a routine security inspection before entering the concert grounds. Concerts are scheduled between 1:00 p.m. and 10:00 p.m.
The festival features national and international bands of different genres. After 1997, artists were selected by a jury after an open multi-stage process (pre-selection, presentation and live auditions). Prizes are awarded to the selected bands, who also gain media exposure and opportunity to share a stage with international bands. Some acts are directly invited by the organizing committee. In its first 15 years, the festival brought 473 artists to 3,092,000 attendees. The 1997 edition of the festival had the largest number of acts, with 87 bands, while the 2002 edition had the fewest, with 25. On average, 51.6 bands have performed annually at Rock al Parque. The 2004 edition, which marked the festival's 10th anniversary, had over 400,000 spectators.
The festival has hosted to a number of musical artists from other countries, including:
Vaho

Vaho or baho (both [ˈbao]) is a mix of meat, green plantains and yuca cooked in and served on banana leaves. It is a traditional Nicaraguan dish originated from the mix of cultures between the indigenous, mestizos and Afro-Nicaraguans of the country.
In Nicaraguan Spanish and some other dialects, the name is pronounced with /x/ between vowels as [ˈbaxo]. There is some controversy as to whether the correct spelling is vaho, baho, vajo or bajo.
Vaho is served with ensalada de repollo, a cabbage and tomato salad made with vinegar and lemon/lime juice. The salad tops the meat, yuca and plantains. The meat used to make this dish is typically beef brisket.
The dish requires long cooking. For some families, it is a traditional Sunday dish. It is also served in many restaurants.
Joy Onumajuru

Joy Osomiamhe-Onumajuru (amụrụ na 19 Febụwarị 1991), bụ nwa afọ Naijiria bụbu onye mmeri na asọmpi ịma mma na onye ọchụnta ego. Ọ bụ onye malitere African Scholars Care Initiative na Diamond Scholars Royal Academy.
Onumajuru malitere agụmakwụkwọ ya na Nursery na Primary School di na Festac Town, Lagos Steeti site na 1992 ruo 1995 na 5th Avenue Primary School di na obodo Festac, Lagos Steeti site na 1995 ruo 2000, ọ gara Rolex Comprehensive College, Iba Town, Ojo LGA, Lagos Steeti site na 2000 ruo 2003 na Barek Memorial High School, Iba Town. Site na 2008 ruo 2012, ọ gara Mahadum Imo State wee gụsịrị akwụkwọ na nzere na sayensị kọmputa. Site na 2014 ruo 2016, ọ gara Mahadum Greenwich ebe ọ nwetara MSC na teknụzụ ozi azụmahịa.
Onumajuru malitere ọrụ ya na 2011 mgba o meriri dika Nwanyi Eze nke Aso Naijiria . N'afọ 2014, ọ kwagara UK ebe ọ meriri asọmpi ọzọ, Miss Commonwealth Africa . Ọ laghachiri Naịjirịa wee soro Shakatawa na Africa Independent Television rụọ ọrụ na Personalities Places & Event All. Ka oge na-aga n'ọrụ ya, ọ malitere African Scholars Care Initiative (ASCI) na-enye nkwado agụmakwụkwọ na ihe enyemaka maka ndị na-enweghị ihe ùgwù gafee mpaghara ndọrọ ndọrọ ọchịchị isii na Naịjirịa. N'afọ 2020, ASCI debere otu narị ụmụ agbọghọ Naijiria na ọzụzụ ICT.
N'afọ 2014, Onumajuru nwetara ihe nrite Nigeria Goodwill Ambassador Award na African Leading Women Award n'afọ 2019.
Chibundu Onuzo

Imachibundu Oluwadara Onuzo Audio (help·info) FRSL (amuru ya na afọ 1991). Ọ bu onye ọdee akwụkwọ na Naịjirịa. Akwụkwọ mbụ ya bụ Nwa nwanyị Spider King, meriri onyinye Betty Trask, ka edepụtara aha maka Dylan Thomas Prize na ihe onyo Commonwealth Book Prize, ma bụrụkwa ndị tegoro aka e wepụtara aha ha maka Desmond Elliott Prize na Etisalat Nrite maka ọdee akwụkwọ. .
A mụrụ Chibundu Onuzo na Naịjirịa na afọ otu puku 1, nke ọdụdụ n'ime ụmụaka anọ nne na nna bụ ndị dọkịta, tolitere na Lagos. Ọ gakwara England mgbe ọ dị afọ ịrị na ano, ka ọ gaa gụọ akwụkwọ na ụlọ akwụkwọ ụmụ nwanyị niile na Winchester, Hampshire, maka GCSEs, na mgbe ọ dị afọ ịrị na asaa ka ọ malitere ide akwụkwọ mbụ ya, nke Faber bịanyere aka na akwụkwọ na ya na afọ abụọ mgbe e mesịrị Faber bipụtara ya bụ akwụkwọ mgbe ọ dị afọ ịrị abụọ na ọtụ. Ọ bụ ya bụ nwata nwanyị pekarichara mpe na ọrụ ọdee akwụkwọ nke na-ede akwụkwọ nke ndị na ebipụta akwụkwọ weghaara. Na ntule akwụkwọ ya nke abụọ, Nnọọ na Lagos (afọ puku abụọ na iri na isii), Helon Habila dere na The Guardian : "Ngosipụta nke Onuzo banyere agwa mmadụ na-abụkarị nchekwube, echiche ya banyere ndọrọ ndọrọ ọchịchị na ọha na eze na-enwe obi ebere; obodo Lagos, ikekwe agwa kacha mma na-adọrọ mmasị. "
Onuzo nwetara akara ugo mmụta bachelor nke mbụ na akụkọ ihe mere eme na King's College London (afọ puku abụọ na iri na abụọ), ma gaa n'ihu inweta ugo mmụta masters na iwu ọha na eze na Mahadum College London . N'ihe dị ka afọ puku abụọ na iri na asaa, ọ gụrụ akwụkwọ PhD na King's College London.
Ọ bụ onye ntinye aka na akwụkwọ anthology New Daughters of 2019, nke Margaret Busby deziri.
Nwa nwanyi Spider King meriri onyinye Betty Trask (afọ puku abụọ na iri na atọ), ma na afo puku abụọ na iri na abụọ ka edeputara aha ndi Dylan Thomas Prize na akwukwo ndi Commonwealth . Nke ozo bu na achọrọ akwụkwọ ọhụrụ maka Desmond Elliott Prize na onyinye Etisalat maka akwụkwọ na afọ puku abụọ na atọ.
Na Eprel afọ puku abụọ na iri na ato ka ahoputara Onuzo maka akwụkwọ ndi Hay Festival nke Afrịka iri atọ na itenanị nke ndi ode akwukwo iri ato na ato nke di Sub-Saharan ndi erubeghị afo iri ano nwere ikike ha bu iji akowaputa odi n’iru n’ederede ala Africa.
Na ọnwa Juun afọ puku abụọ na asatọ ka a họpụtara Onuzo ka ọ bụrụ onye otu ndị Royal Society of Literature na atụmatụ ya na “40 Under 40”.
Na afọ puku abụọ na iri abụọ American Black Film Festival, HBO Short Film Asọmpi nke meriri bụ Dolapo Is Fine, nke Onuzo dekọtara ya na ya bụ nke sitere na obere akụkọ ya bụ "Sunita". Ihe nkiri ahụ, nke Joan Iyiola bu na-agụsikwa ike maka ndị bafta Britain dị mkpụmkpụ.
Abimbola Alale

Abimbola Alale bụ onye Naijiria na-ahụ maka teknụzụ satịlaịtị. N'afọ 2016, a họpụtara ya dị ka onye isi nchịkwa maka Nigerian Communications Satellite Limited site Goodluck Jonathan, onye bụbu onyeisi oche nke Nigeria. Onye isi ala Muhammadu Buhari họpụtara ya ọzọ n'afọ 2019 maka afọ anọ ọzọ. Dị ka nke 2016, ọ guzoro dị ka onye mbụ na nanị nwanyị CEO nke nnukwu ụlọ ọrụ satịlaịtị na Africa, Europe, na Middle East. N'afọ 2021, Reset Global People depụtara ya dị ka otu n'ime ndị isi ụmụ nwanyị 100 kacha elu n'Africa.
Alale nwere akara ugo mmụta postgraduate na Space Studies na MBA site na International Space University, Strasbourg, France. O nwetara Ph.D. mmemme na Peace, Security and Strategic Studies sitere na mahadum steeti Nassarawa . O nwere asambodo na teknụzụ Innovation na Leadership na Massachusetts Institute of Technology, Boston, USA. Ọ gara asambodo ọzọ na World Financial Public Relations na Marketing Business School na Management School, London.
Ruo mgbe ọ ghọrọ M/D na CEO nke NIGCOMSAT, Alale bụ onye isi nchịkwa nke ahịa maka ụlọ ọrụ ahụ. N'afọ 2015, ọ nọchiri anya Injinia Ahmed Timasaniyu. dị ka onye isi ọrụ nke Nigerian Communications Satellite . Ọ rụrụ ọrụ dịka onye otu bọọdụ ndụmọdụ maka Space Generation Council (SGAC) site na 2018 ruo 2019. Emebere bọọdụ ndụmọdụ iji nye ntụzịaka na ndụmọdụ gbasara SGAC. O nyela aka n'ọtụtụ ọrụ mba dị ka ya NigComSat-1, NigComSat-1R oru na nguzobe nke National Direct-to-Home Digital Transmission Center.
Ọ bụ nne mụrụ ụmụ iri, itoolu n'ime ha ka e kuchiri.
Ụmụ nwanyị na Naịjirịa

Enweghị mmepe nke Naịjirịa banyere ọnọdụ ụmụ nwanyị ha, n'ihi ihe mere eme n'oge gara aga nke mmegbu na mmegide, emeela ka akụ na ụba, agụmakwụkwọ, okpukpere chi, ọdịbendị, mmekọrịta mmadụ na ibe ya, echiche na mmekọrịta mmadụ na eze. Ọrụ dịri ụmụ nwanyi.na Naịjirịa dịgasị iche iche na ụsoro okpụkpere chị, ọdịbendị na ihe gbasara odidi ala. Otú ọ dị, ọtụtụ ọdịbendị Naijiria na-ahụ ụmụ nwanyị naanị dị ka nne, ụmụnne nwanyị, ụmụ ada, na ndị nwunye. Dịka ọmụma atụ, ụmụ nwanyị nọ n'ebe ndida ugwu Naịjirịa nwere ike ịnọ naanị ha n'ụlọ karịa ụmụ nwanyị nọ na ndịda Naịjirị, ndị na-esokarị na ndụ ọha. Na Southern Nigeria, ndị inyom di ha nwụrụ na-enweta mmegbu dị iche iche site na ndị ọgọ ha nke gụnyere ịmanye ha ịṅụ mmiri eji saa di ha nwuru anwụ ahụ, ihi ụra n'ala nkiti, iyi uwe ojii, na ịjụ na ha ama keta oke na akụ na ụba nke di ha nwụrụ. anwụ nwere tupụ ownụọ Ihe ịma aka nke oge a maka ụmụ nwanyị Naịjirịa gụnyere alụmdi na nwunye ụmụaka, ibe ụmụ nwanyị ụgwụ ịdina ụmụ nwanyị n'ike, na imegbụ ụmụ nwanyị n'ụlọ. Enweghị ọhụha n' ebe nwoke na nwanyị nọ na Naịjirịa bụ nsogbu nọ anọ na Naijrira, steeti Naijirira gbara oke nke 168 n'ime mba 191 na Gender Inequality Index.
Alụmdi na nwunye ụmụaka bụ ihe a na-ahụkarị na Naịjirịa, na ihe dị ka 43% nke ụmụ agbọghọ na-alụ di tupu ha eruo afọ 18, na 17% tupu ha erue afọ 15. Otú ọ dị, mmụba ahụ dịgasị iche site na mpaghara. Ọnụ ọgụgụ ọmụmụ zuru ezu nke Naịjirịa bụ ụmụaka 5.07 / nwanyị. Ịmụ ụmụ ọtụtụ nke dị na Naịjirịa nwere nmekọta na nsogbu ngasara agahi n' iru nke akụ ana ụba obodo anyi ya na enweghị mmepe nke obodo.
List of Caribbean idiophones

Historically, idiophones (percussion instruments without membranes or strings) have been widespread throughout the Caribbean music area, which encompasses the islands and coasts of the Caribbean Sea. Some areas of South America that are not geographically part of the Caribbean, but are culturally associated with its traditions, such as Guyana, Suriname, French Guiana and parts of Brazil are also taken into account.
Although some idiophones such as the mayohuacán and probably the maraca already existed among the indigenous Taíno population of the Greater Antilles before the Spanish colonization of the Americas, most idiophones were introduced in the Caribbean between the 17th and 19th centuries by enslaved Africans, which were ethnically diverse (Yoruba, Ewe, Fon, Igbo, Efik, Mandinka and Kongo, among others). Because of the different materials present in the islands, African slaves had to construct their instruments differently, and thus new instruments began to be developed.
Abiodun Duro-Ladipo

Abiodun Duro-Ladipopronunciation (born 1941) is a Nigerian actress and singer of noble Yoruba birth. In 1963, she joined the theatre company of Duro Ladipo, whom she married the following year. Acting in her husband's epic plays, she was particularly successful in the role of Oya in Oba Koso and in the title role of Moremi. In the 1960s and early 1970s, she appeared across Europe at several international festivals. Since her husband's death in 1978, Abiodun has appeared in Nigerian television series and in films promoting African culture, once again playing Moremi in the 2009 film of the same name.
Abiodun was born into a royal family at Ijan-Ekiti in Nigeria's Ekiti State, thus making her an Omoba of the Yoruba people. Initially interested in becoming a nurse, on completing her secondary education in 1963, she joined the Mbari Mbayo Theatre Group run by Duro Ladipo, soon becoming head of the women's group. In 1964, she married Ladipo. A permanent member of the troupe, she gained fame as an actress, taking the main roles in all the plays performed by the company.
In the 1960s and 1970s, she performed as an actress or singer in theatre and music festivals, including Berlin's Festspiele (1964), London's Commonwealth Arts Festival (1965), the Festival mondial du théâtre de Nancy (1973) and the Yoruba Festival in Zürich (1973). She also appeared in Belgrade, in Iran's Shiraz Arts Festival and the Arts Festival in Rome.
Following her husband's death in 1978, Abiodun managed the theatre company, an unusual task for women at the time. While she preferred stage productions, she was increasingly forced to turn to television, appearing in the musical series Oya Sings (1979) and the drama series B'Inaku (1981). Other television productions included Oyinbo Ajele (1986), Esentaye (1997) and Ayelaagbe (1998), all in support of traditional culture when threatened by colonialism. Her film appearances are based on her earlier stage roles. They include Erelu in Aropin n'Teniyan, Iya Ewe in Ija Orugun and, above all, the title role in Moremi. In 2017, she directed a new version of Moremi, the film titled Moremi Ajasoro.
She is keen to ensure that significant work is documented and she has been collecting newspaper articles about Yorùbá travelling theatre and in particular the Duro Lapido Theatre since 1964. She has a large collection of costumes and memorabilia.
She has in the past commented on how Nigeria's leaders "renege on their promises", but in March 2018, when Duro Ladipo's play Ajagun Nla was presented at the National Theatre in Lagos, Abiodun thanked the government for their support and told Nigerian women that they needed to be patient as wives and mothers, bearing in mind that "our rich culture must be preserved and promoted".
Niyola

Eniola Akinbo (Listen; born 9 December 1985), known professionally as Niyola, is a Nigerian singer, songwriter, performing artist and actress.
Akinbo was born on 9 December 1985, in Lagos, Nigeria. The youngest of ten children, she sang in church with her siblings and was inspired to pursue a career in music after attending a Funmi Adams concert. Niyola emerged runner up in the Amen Starlet competition in 2000.
She began her professional music career in 2005 and was briefly affiliated with eLDee’s Trybe Records. Following her stint at Trybe, she signed a production deal with Make Sum Noise Entertainment. Niyola’s first three singles "Me n U (In Da Club)", "No More" and "Dem Say" were released under the imprint. In 2012, Niyola signed a record deal with Empire Mates Entertainment. On 22 May 2013, she released the single "Toh Bad", her first release under the label.
Temilayo Abodunrin

Temilayo Abodunrin (born 19 November 2009) is a Nigerian saxophonist. She is best known for her Duduke and Jowo cover versions.
Temilayo Abodunrin hails from Offa in Kwara State, central Nigeria. She has two brothers who also play musical instruments. She attended Parara Music School when her parents found out about her interest in music.
Temilayo Abodunrin started playing the saxophone at the age of six. She has performed at many concerts sharing the same stage with famous Nigerian artists like Johnny Drille, Tope Alabi, Makayla Malaka, Wole Oni and some others. Temilayo, the multi talented star has also made her debut in the film titled "The Weight" written by Tope Alabi. Temilayo is best known for her cover version of Duduke by Simi and Jowo by Davido which gained wide acceptance.
In an interview with Nigeria Tribune, Temilayo reviewed that she started as a keyboardist before she became a saxophonist. In the interview, she said she attended a concert where she was invited to play the keyboard and she met other kids like her playing the saxophone. She said, hearing the beautiful sound made her learn the saxophone. She debuted her first official single titled AYO in 2020. She teamed up with Grammy Award nominee Bankulli and award-winning music producer RotimiKeys. The Ooni of Ife cameo-ed in the music video.
In 2019, Temilayo Abodunrin was invited to perform at season 11 of the Channels International Kids Cup.
On 3 January 2021, she was part of the Ogo Yoruba Awards (O.Y.A) 2020.
Molo (lute)

Molo is the name given to a lute by the Hausa people of Niger and northern Nigeria and the Songhay people of Niger. In Ghana, it is called Mɔɣlo in Dagbanli.
Molo is the name used for a specific type of African lute, one that has a boat-shaped body or soundbox, carved from wood and a round dowel for a neck. The soundbox has an open top, covered by duiker hide or goatskin.
Molo has also has become a generalized term for "any plucked string instrument" among the Hauser people in Nigeria. As the name of a specific type of lute among the Hauser, the instrument is one of at least seven different Hausa lutes, also including the round bodied garaya (2-string. wood body), gurmi (3-string gourd bodied), gurumi (2-sting calabash bodied), the komo (2-sting gourd body), the kwamsa (or komsa, 2-string, gourd bodied) and the kontigi.
The instrument found some fame when it identified by Lorenzo Dow Turner as possibly being the instrument in The Old Plantation print, the earliest depiction of the banjo in the United States. However, the hypothesis has been disputed by researchers examining the details of both instruments. Where the molo has a boat shaped body, a round neck that only goes through the body at one end, and 2-3 strings tied to slip rings around the instrument's neck, the African-American banjo in the painting has a round gourd body, flat neck that goes through 2 sides of the body, and four strings attached to tuning pegs on the instrument's neck.
Victor Grauer, another who credited the instrument as a possible ancestor to the banjo, based his idea on the molo's short string, designed to play only one note being similar to the banjo's 5th string, which plays only one note).
Both the garaya and the molo have been used for religious ceremony, the "Bori spirit possession cult." All three are used today for entertainment and to accompany "praise singing."
Fondo Nacional para el Fomento de las Artesanías

El Fondo Nacional para el Fomento de las Artesanías (FONART) es un fideicomiso público del gobierno federal mexicano, sectorizado en la Secretaría de Cultura.​ Fue creado en 1974 para promover y difundir la artesanía mexicana y apoyar a los artesanos para que obtengan mejores ingresos por la venta de sus artesanías.​
El FONART apoya la elaboración de proyectos productivos artesanales mediante la entrega de apoyos que pueden ser utilizados en capacitación y/o asistencia técnica,​ apoyos a la producción​ para la compra de materia prima, la prevención de la salud​ de los artesanos a través de equipos de apoyo, el acopio de artesanías en comunidades a precio justo​ para su venta en tiendas FONART, ferias y exposiciones nacionales e internacionales que permiten ampliar los esquemas de comercialización de los artesanos, concursos de artesanías a nivel local, regional y nacional, proyectos estratégicos y la remodelación y promoción de talleres artesanales en puntos turísticos. ​
FONART benefició directamente a 48 748 artesanos en 2016. Cuenta con cuatro puntos de venta ubicados en la Ciudad de México así como la venta de artesanías en línea en las plataformas de Kichink y Amazon México.​
Cabeza ósea

La cabeza ósea, esqueleto de la cabeza o calavera, es el conjunto de huesos que forman el esqueleto de la cabeza (cráneo y huesos de la cara); y rodean y protegen al encéfalo y los órganos de los sentidos, y contienen al aparato de la masticación. Normalmente se encuentran 22 huesos en el esqueleto de la cabeza, en donde solo uno, la mandíbula, es móvil.
Huesos que lo forman:
Parque Buda

El Parque Buda es un parque religioso Budista, se encuentra a unos 25 km de la capital de Laos, Vientiane, en él se encuentran más de 200 estatuas de Buda y otras figuras religiosas.​
El Parque Buda se encuentra lleno de prados, bañados por el río Mekong. También es llamado Wat Xieng Khuan, y es considerado una ciudad espiritual. El parque fue construido en 1958.​ Luang Pu Bunleua Sulilat fue un sacerdote chamán que seguía las tradiciones y costumbres del hinduismo y del budismo, y encargado de la construcción del parque. Las estatuas están hechas de cemento y tienen unos diseños muy originales. Las estatuas parecen tener siglos de antigüedad, pero la verdad es que son relativamente modernas.​ Hay numerosas esculturas de Buda, y de numerosos personajes de la tradición hindú.
Las esculturas representan principalmente a seres humanos, dioses, animales y demonios. Una de las estatuas más llamativas, tiene la forma de una calabaza, y es particular porque tiene una leyenda, que dice, representa tres niveles de la vida espiritual: el infierno, el cielo y la tierra. También se encuentra una legión de tentáculos, cabezas de dragón, colas de pez y calaveras de distintas formas. Pero quizá la estatua más representativa del lugar, es la de un Buda enorme, de unos 40 metros de altura, que se encuentra recostado a lo largo.
Al parque se puede llegar en los llamados "tuk tuk", o en autobús público de la ciudad de Vientián. Los visitantes pueden ingresar a través de una apertura que es una boca de varios metros de altura, del demonio de la cabeza. Al final del parque se puede acceder a la cima de un monumento, donde se puede ver completamente el parque.
Rosario de Río Grande

Rosario de Río Grande -anteriormente conocida como Lote Barro Negro- es una localidad argentina ubicada en el Departamento San Pedro de la Provincia de Jujuy. Presenta el aspecto de una isla rodeada por cañaverales, 10 km al sur de San Pedro de Jujuy y 1 km al oeste de la Ruta Nacional 34.
La localidad cuenta con Destacamento Policial, escuela primaria, secundaria, club (Club Atlético Barro Negro) y comisión municipal. La principal actividad económica está vinculada con la actividad del Ingenio Río Grande y sus cañaverales.​ Todos los años se realiza,en el mes de febrero, una importante peregrinación que congrega a toda la zona por la aparición de una imagen de la Virgen María en una piedra.​
Oro entre barro

Oro entre barro es una película argentina en blanco y negro dirigida por Luis Bayón Herrera sobre su propio guion que se estrenó el 25 de abril de 1939 y que tuvo como protagonistas a Tito Lusiardo, Pedro Maratea y Severo Fernández. El filme también fue exhibido con el nombre de Entre el barro.
Un humilde mozo de café trata que su hermano, que es ministro, reconozca la paternidad del hijo de la mujer a la que abandonó hace años.
Manrupe y Portela comentan sobre este filme:
Alfonso Castillo Orta

Alfonso Castillo Orta (Izúcar de Matamoros, Puebla, 1944 - 2009) fue un artesano mexicano que destacó por sus trabajos en alfarería de cerámica policromada creando cráneos con flamas ardientes, dijes, mariposas, mariquitas, árboles de la vida y calaveras que evocan la figura de Frida Kahlo o con réplicas de sus pinturas.
Perteneció a la cuarta generación de una familia de artesanos. Aprendió el oficio de alfarería por su madre, Catalina Orta, quien a su vez lo había aprendido de sus padres. Inició fabricando árboles de la vida, candelabros, sahumerios y muñequitos. Tiempo después comenzó a fabricar cráneos con flamas, mariposas, dijes, máscaras, ollas. Tras leer la biografía de Frida Kahlo, comenzó a fabricar calaveras que evocaban su figura y cráneos conteniendo réplicas de sus pinturas. Para obtener el color en sus obras utilizó grana de cochinilla, palo de Brasil, índigo y la planta de muicle. Los árboles de la vida que fabricó han sido exhibidos en Alemania, Austria, España, Estados Unidos y en varios estados de la República Mexicana.​
Contrajo matrimonio con Soledad Martha Hernández, quien ha continuado la tradición de elaborar barro policromado, calaveras, árboles de la vida y formas de Frida Kahlo con sus hijos, el taller que utilizan fue nombrado Alfonso Castillo Orta.​ Sus obras se encuentran consignadas en el libro Grandes maestros del arte popular mexicano que publicó Fomento Cultural Banamex, por otra parte, su familia escribió el libro El arte de la familia Castillo que se vende en su taller.​
Museo del Barro

El Museo del Barro, oficialmente llamado Centro de Artes Visuales Museo del Barro, es un museo situado en las afueras de Asunción, capital de Paraguay.
Fue fundado en 1979 como una institución privada. También se lo conoce como el museo de la arcilla, porque gran parte de su colección son las piezas de arcilla y barro hechas por indígenas. El museo contiene piezas de cerámica precolombina y trabajos en madera, encajes y materiales de arte contemporáneos.​​
Es una institución de acceso libre y gratuito cuyo objetivo principal es poner a disposición diversas expresiones visuales del Paraguay e Iberoamericana, poniendo de manifiesto la diversidad cultural y étnica del país.​
Algunos hitos vinculados a la historia del Museo son:
El Museo del Barro se construyó en 1979, bajo el proyecto de Carlos Colombino en Isla de Francia. La primera sala conocida como: “Josefina Plá”, fue inaugurada en 1984. A finales de los 80 y en los 90, se va ampliando edilicia-mente, incorporando la sala de arte indígena, las salas permanentes de las colecciones de cerámicas y talla popular y la sala de arte urbano.​
"La suya es una intervención modernista en el paisaje cálido, húmedo, terroso a veces y otras veces verde intenso del ambiente paraguayo, traducida en líneas rectas netas, planos blancos o de colores vibrantes (hay un azul que se descubre aquí y allá). Introduce moderadas dosis de violencia rectilínea en ese paisaje, aunque rara vez presenta ángulos rectos. Diagonales, ángulos agudos, puntas que se elevan exentas de los muros, filos, aberturas trapezoidales, rajas altísimas, introducen algo de irracional, algo de desmesura expresiva en sus formas arquitectónicas que –dimensiones y color mediante- vibran en armonía con el entorno.”"​
The Angel of Death Victorious

The Angel of Death Victorious, commonly known as the Haserot Angel, is a bronze sculpture located in the Cleveland Heights, Ohio portion of Lake View Cemetery. It depicts an angel seated on a polished marble base holding a inverted torch, and was created by artist Herman Matzen. The sculpture has become a tourist destination in part for the black "tears" apparent on the angel’s face resulting from oxidation of the metal over time.
The statue was commissioned by industrialist Francis Henry Haserot, president of the Haserot Company of Cleveland, after the death of his wife in 1919. Herman Matzen, an Ohio-based sculptor from Denmark was commissioned to create the grave marker, which was initially made in clay. The angel has in recent years become a haunted attraction, with reports of tourists seeing, hearing, or otherwise experiencing strange paranormal phenomena.
Doña Rosa

Doña Rosa, full name Rosa Real Mateo de Nieto, was a Mexican ceramics artisan from San Bartolo Coyotepec, Oaxaca, Mexico. She is noted for inventing a technique to make the local pottery type, barro negro, black and shiny after firing. This created new markets for the ceramics with collectors and tourists.
The origins of barro negro pottery extend over centuries, with examples of it found at a number of Mexican archeological sites, fashioned mostly into jars and other utilitarian items. It has remained a traditional craft of the Zapotecs and Mixtecs of the Central Valleys area to the present day. Originally all barro negro pottery was matte and grayish due to the qualities of the clay and the firing process. In this form, the pottery is very sturdy, allowing it to be hit without breaking. The barro negro pottery of Doña Rosa’s hometown of San Bartolo has been traditionally used to make large “cántaros”, tall vessels used for storing and transporting liquids, including mezcal.
In the 1950s, Doña Rosa discovered that she could change the color and shine of the pieces by making some changes to how the clay piece is handled. Just before the formed clay piece is completely dry, it is polished with a quartz stone to compress the surface. It is then fired at a slightly lower temperature than traditional pieces. After firing, the piece emerges a shiny black instead of a dull gray. This innovation makes the pieces more breakable, but it has made the pottery far more popular with Mexican folk art collectors, which included Nelson Rockefeller, who promoted it in the United States. The popularity stems from the look, rather than durability, so many pieces such as containers, whistles, flutes, bells, masks, lamps and animal figures are produced now for decorative purposes rather than utilitarian.
Doña Rosa died in 1980, but the tradition of making the barro negro pottery is being carried on by Doña Rosa’s daughter and grandchildren who stage demonstrations for tourists. The workshop is still in the family home, where shelves and shelves of shiny black pieces for sale line the inner courtyard. Despite being the origin of black polished clay, the pieces at the Doña Rosa Workshop are less expensive than in other parts of Mexico.
The Triumph of Science over Death

The Triumph of Science over Death, also known as Scientia, is a clay sculpture made by José Rizal as a gift to his friend Ferdinand Blumentritt.
The statue depicts a young, nude woman with flowing hair, standing on a skull while bearing a torch. The woman symbolizes the ignorance of humankind during the Dark Ages of history, while the torch she bears symbolizes the enlightenment science brings to the world. The woman stands atop a skull, a symbol of death, to signify the victory that humankind aims to achieve by conquering the bane of death through scientific advancement.
The original sculpture is now displayed at the Rizal Shrine Museum at Fort Santiago in Intramuros, Manila. A large replica, made of concrete, stands in front of the Fernando Calderón Hall, which houses the University of the Philippines College of Medicine, inside the University of the Philippines Manila campus in Ermita, Manila. Another replica is found outside the old Department of Health's Biological Production Service (BPS) research facility in Muntinlupa and is sculpted by Genaro Sy-Changco. The facility is now incorporated into the expanded Festival Alabang.
The motif of the statue is also used by various medical associations in the Philippines as their symbol, the most notable of which is the Philippine College of Surgeons.
Nizamabad, Uttar Pradesh

Nizamabad is a town and a nagar panchayat in Azamgarh district in the Indian state of Uttar Pradesh. The city is well known for its black clay pottery.
Nizamabad is located at 26°03′N 83°04′E﻿ / ﻿26.05°N 83.06°E﻿ / 26.05; 83.06. It has an average elevation of 72 metres (236 ft).
As of the 2001 Census of India, Nizamabad had a population of 12,096. Males constitute 52% of the population and females 48%. Nizamabad has an average literacy rate of 60%: male literacy is 68%, and female literacy is 51%. In Nizamabad, 20% of the population is under six years of age. Nizamabad has one of the prominent gurdwaras of India where Guru Nanak visited and left his sandal, and hence the gurdwara is called Gurdwara Guru Nanak Charan Paduka. The town is on the Ballia–Shahganj broad gauge railway.
The black clay pottery of Nizamabad is a unique type of clay pottery known for its dark shiny body with engraved silver patterns. It was registered for a Geographical Indication tag in December 2015.
According to the 2011 Census, Kolpur village in Nizamabad Tehsil of Azamgarh district, Uttar Pradesh, has a population of 1,849 residents. The gender distribution is 903 males and 946 females, resulting in a sex ratio of 1,048 females per 1,000 males, which is higher than the state average of 912.
Children aged 0-6 comprise 16.01% of the population, with a child sex ratio of 862 girls per 1,000 boys, slightly below the Uttar Pradesh average of 902.
The village has a literacy rate of 65.23%, with male literacy at 76.21% and female literacy at 55.13%. This overall rate is slightly below the state average of 67.68%.
Kolpur encompasses an area of 101.62 hectares and consists of approximately 290 households.
ሙርሲ

ሙርሲ የኢትዮጵያ ብሔር ነው። ሙርሲ ጨከወወጠጀጨወቀጠገጨ ወአወወኘወበኘመሰቀኘጀወቀወዘቀጠኘ ቀአኸዘሰኘኸኸዘ ቀአወበአኘሰበኘጀጮ ወኸአወዘገኸሸኘኘኘወ ቀአወቀኘረአአወሰቀቀአኘ በከጠኸዘአኘኸአቀወኘሠዘሰኘኸከ ከአምላክ ኸኙአ ከባድ ወጪ ረኘኸኸ ረኘኸኸ ኻጨ አመት ሰዎች ዃኽከ ረኘኸኸ ሥራዎች መሆን ሰላም ሥርዓት ቀደም ቮ ኻጨ መሆን ነዉ የሚሉ
Clitoris piercing

A clitoris piercing is a genital piercing placed directly through the head (glans) of the clitoris itself. It is a relatively uncommon piercing by choice because of the potential for nerve damage, and because many may find it too stimulating to allow the constant wearing of a small ring or barbell. Most piercing studios will refuse to do a clitoral piercing. It is often confused with the more common clitoral hood piercing, which pierces only the hood covering the clitoral glans, allowing the jewelry to make only occasional contact with the most sensitive area.
Depending on the anatomy of the individual, a clitoris piercing can be oriented either vertically or horizontally. The clitoris is endowed with a very high concentration of nerve endings, and like male genital piercings which penetrate the glans penis, clitoral piercings can be extremely sexually stimulating when subjected to gentle manipulation, or vibration. Thus, they have popularity in certain BDSM cultures, where small heavy ornaments are often fitted to increase the sensation.
Piercer Elayne Angel stated that of the "very small number of women who genuinely desire a clitoris piercing (rather than the more common clitoral hood piercing), 90 to 95 percent are not suitably built to accommodate jewelry through the clitoral head." The piercee must have a large enough clitoris to prevent piercing migration and subsequent loss because a slightly thicker gauge of jewelry is usually used to prevent the 'cheese-cutter' effect if it becomes caught on clothing, or is pulled too hard during sexual activity.
This piercing is of contemporary origin and is uncommon. In 1989, piercer Jim Ward, interviewed by Andrea Juno in Modern Primitives, stated "I've been in the business for over 10 years and I haven't done more than half a dozen clit piercings."
Both captive bead rings and barbell style jewelry can be worn in this piercing, both as initial jewelry and in the long term.
List of ethnic groups of Africa

The ethnic groups of Africa number in the thousands, with each ethnicity generally having their own language (or dialect of a language) and culture. The ethnolinguistic groups include various Afroasiatic, Khoisan, Niger-Congo, and Nilo-Saharan populations.
The official population count of the various ethnic groups in Africa is highly uncertain due to limited infrastructure to perform censuses, and due to rapid population growth. Some groups have alleged that there is deliberate misreporting in order to give selected ethnicities numerical superiority (as in the case of Nigeria's Hausa, Fulani, Yoruba, and Igbo peoples).
A 2009 genetic clustering study, which genotyped 1327 polymorphic markers in various African populations, identified six ancestral clusters. The clustering corresponded closely with ethnicity, culture, and language. A 2018 whole genome sequencing study of the world's populations observed similar clusters among the populations in Africa. At K=9, distinct ancestral components defined the Afroasiatic-speaking populations inhabiting North Africa and Northeast Africa; the Nilo-Saharan-speaking populations in Northeast Africa and East Africa; the Ari populations in Northeast Africa; the Niger-Congo-speaking populations in West-Central Africa, West Africa, East Africa, and Southern Africa; the Pygmy populations in Central Africa; and the Khoisan populations in Southern Africa.
As a first overview, the following table lists major groups by ethno-linguistic affiliation, with rough population estimates (as of 2016):
The following is a table of major ethnic groups (10 million people or more):
Media related to Ethnic groups in Africa at Wikimedia Commons
Mursi language

Mursi (also Dama, Merdu, Meritu, Murzi, Murzu) is a Southeast Surmic language spoken by the Mursi people who live in the South Omo Zone on the eastern side of the lower Omo valley in southwest Ethiopia. The language is similar to Suri, another Southeast Surmic language spoken to the west of the Mursi language area. It is spoken by approximately 7,400 people.
Mursi is classified as belonging to the Southeast Surmic languages, to which the following other languages also belong: Suri, Me'en and Kwegu. As such, Mursi is also part of the superordinate Eastern Sudanic family of the Nilo-Saharan languages.
The vowel and consonant inventory of Mursi is similar to those of other Southeast Surmic languages, except for the lack of ejectives, the labial fricative /f/ and the voiceless stop /p/.
Both Mütze and Firew agree that there are only two underlying tone levels in Mursi, as opposed to larger inventories proposed by Turton and Bender and Moges.
The Mursi grammar makes use of the following parts of speech: nouns, verbs, adjectives, pronouns, adverbs, adpositions, question words, quantifiers, connectors, discourse particles, interjections, ideophones, and expressives.
Nouns can be inflected for number and case. The number marking system is very complex, using suffixation, suppletion or tone to either mark plurals from singular bases, or singulatives from plural bases. Mursi preverbal subjects and all objects are unmarked, whereas postverbal subjects are marked by a nominative case. Further cases are the oblique case and the genitive case. Modified nouns receive a special morphological marking called construct form by Mütze.
Abu al-Abbas al-Mursi Mosque

The Abu al-Abbas al-Mursi Mosque (Arabic: جامع أبو العباس المرسي) is an Egyptian mosque in the city of Alexandria. The historic mosque is named after the 13th century mystic Abu'l Abbas al-Mursi, who is also buried in the same place along with members of the Ashraf family.
Abul Abbas al-Mursi died in 1286 and was buried in a small cemetery within the locality of Bab al-Bahr. Later, a small qubba was built over it, which was developed into a shrine. In 1307, a mosque was built over the shrine, with funding from Zain al-Din al-Qattan, a merchant and Sufi shaykh of Alexandria. The Mamluk emir of Alexandria then rebuilt the mosque in 1477.
In 1934, King Fouad I ordered the construction of a mosque square with a capacity of about 3,200 square metres, to include the mosque-shrines of Al-Busiri and Yaqut al-Arshy, with the mosque of Abu Al-Abbas Al-Mursi standing in the middle. The building was then renovated and extensively rebuilt. Italian architect Mario Rossi was involved in planning the design and decor of the mosque, and construction took sixteen or eighteen years.
The final structure of the mosque also served as a key source of inspiration for the much larger Sheikh Zayed Grand Mosque in Abu Dhabi, which was finally completed in 2007 after more than a decade of building work.
The mosque interior is approximately 22–26 metres tall, and the floors are covered with white marble. Its walls are made of a combination of artificial stone and mosaic. Several Arabic inscriptions, arabesque interlacing, mosaics, mashrabiyas, and ventilation openings that surround the mosque from all directions are present on the interior of the roof.
The pillars of the mosque are made of granite, with four of them being made from harder granite that was designed in Italy to support the heavy dome. A bronze chandelier hangs from the ceiling as well. The minbar of the mosque is made of both teak wood and walnut wood. The top of this minbar has verses from the Holy Qur'an, which are written in French gold. The mihrab is encased in a marble frame decorated with a mosaic with the inscription of the Shahadah on it. The prayer hall for women is on the western section of the mosque. Towards the end of the mosque is the tomb of Abu'l Abbas al-Mursi and three of his disciples. The tombs of three mystics from the Ashraf family, Muhammad Salah al-Deen, Muhammad Mas'ud and Muhammad al-Manqa'ee are within the building as well.
A large dome tops the mosque, followed by four smaller domes meant to represent the saint and his disciples. The minaret of the mosque is approximately 73 metres high. The mosque as a whole rises approximately three meters above the level of its surroundings, which was said to be a strategic move against air raids during wartime.
Midhat Mursi

Midhat Mursi al-Sayid Umar (Arabic: مدحت مرسي السيد عمر), also known as Abu Khabab al-Masri (Arabic: أبو خباب المصري; 29 April 1953 in Egypt – 28 July 2008 in Pakistan) was a chemist and alleged top bomb maker for al-Qaeda and part of Osama bin Laden's inner circle. The United States had a $5 million bounty on his head. Although reported to have been killed in a U.S. attack in January 2006, he survived and intelligence officials believe he went on to attempt to resurrect al-Qaeda's program to develop or obtain weapons of mass destruction. On 28 July 2008, Mursi was killed in an American drone attack in South Waziristan, Pakistan.
Umar is believed by U.S. authorities to have run the infamous Derunta training camp in Afghanistan where he is reported to have used dogs and other animals for his chemical experiments. He is also alleged to have written an explosives manual, and to have personally trained Richard Reid, the so-called "shoe bomber", as well as Zacarias Moussaoui. The manual is still in use by al-Qaeda operatives today.
The CIA acknowledged on 26 January 2006 that they had been using a photo of Abu Hamza al-Masri in their wanted photo for Midhat Mursi, who shared the similar alias "Abu Khabab al Masri". Mursi's poster at the Rewards for Justice Program was changed to a different photo.
He was reported to have been killed in the Damadola airstrike in Pakistan on 13 January 2006 along with several other al-Qaeda operatives. The target of the strike was Ayman al-Zawahiri, al-Qaeda's then-number 2 man. Pakistani intelligence originally confirmed Mursi's death in the airstrike along with al-Zawahiri's alleged son-in-law, Abdul Rehman al-Maghribi, but on 8 September 2007, the Washington Post, citing "U.S. and Pakistani officials", said that all the dead in that raid had been locals.
On 28 July 2008, the Pentagon confirmed al-Masri was killed in a missile strike in Pakistan that also killed five other militants including Ibrahim, the son of Ahmad Salama Mabruk.
Mursi's son, Mohammed al-Masri, was born in 1980 in Aqaba, Jordan. He has been associated with the Islamic State of Iraq and the Levant as well as al-Qaeda, though he has expressed dissatisfaction with the conduct of the former.
آہیر

آہیر یہ نام سنسکرت کے ابھیر سے ماخوذ ہے ہے جس کا مطلب گوالا ہے۔ آہیروں کی اپنی روایت ہے کہ ایک مرتبہ کسی برہمن نے ایک ویش لڑکی سے شادی کی اور ان کی اولاد کو امت سنگیہ ( ذات باہر )قرار دیا گیا پھر امت سنگیوں کی ایک بیٹی نے ایک برہمن سے شادی کی اور اس کی اولاد ابھیرکہلائی یعنی گوپی یا چرواہا اور بعد میں یہ لفظ بگڑ کر آہیر بن گیا آہیر بالخصوص دہلی کے جنوب گڑگاؤں اور روہتک کے علاوہ پھلکیاں ریاستوں سے ملحقہ علاقوں میں بھی ملتے ہیں وہ مغل دور میں دہلی سے آکر یہاں آباد ہوئے پنجاب میں ایک قبیلہ جس کی اصلیت کے حوالے سے مختلف قیاسات ہیں، نسب ان کا قطب شاہ سے ملتا ہے جن سے اعوان اور کھوکھر قبائل بھی ہیں۔ بعض محققین نے انھیں ہن بھی قرار دیا ہے۔ گوجر خان میں ان کے دو گاؤں بھیر آہیر اور آہیر ان کے گاؤں ہیں۔
مذکر اور مونث

مذکر: نر اسم ہوتا ہے جیسےمرد، باپ، بیل، بیٹا جبکہ مونث: مادہ اسم ہوتا ہے جیسے عورت، ماں، گائے، بیٹی بے جان اسماء میں نر اور مادہ کا کوئی فرق نہیں ہوتا اس لیے ان کی تذکیر و تانیث کا تمام تر درارومدار اہل زبان پر ہوتا ہے جیسے قلم کو اہل زبان مذکر بولتے ہیں اور گیند کو مونث اسی لیے ایسے اسماء کی تذکیر و تانیث کو غیر حقیقی تذکیر و تانیث کہا جاتا ہے۔ جبکہ حقیقی تذکیر و تانیث وہ ہوتی ہے جس میں نر کے مقابلے میں مادہ اور مادہ کے مقابلے میں نر ہو جانداروں میں کیوں کہ قدرتی طور پر نر اور مادہ کا فرق موجود ہوتا ہے اس لیے اس لیے ان کی تذکیرو تانیث حقیقی ہوتی ہے جیسے مرد، عورت۔ بیل، گائے وغیرہ
مُذکّر (Male) ایک اصطلاح ہے جو نَر جنس (مادہ کی ضد) کے لیے استعمال کیا جاتا ہے۔ ہر وہ چیز جو مردانہ جنس کی حامل ہو، مُذکّر کہلاتی ہے۔
قواعد میں مُذکّر اُس لفظ (فاعل، مفعول یا فعل) کو کہاجاتا ہے جس کا استعمال بصورتِ تذکیر ہو یا جس میں تذکیر کا صیغہ استعمال ہو۔ مثلاً ‘‘کام’’ یعنی نراسماء کو مذکر کہا جاتا ہے
مُؤنّث، عربی زبان کا لفظ ہے جو مادہ جنس (نَر کی ضد) کے لیے استعمال کیا جاتا ہے۔ ہر وہ چیز جو مادہ جنس کی حامل ہو مؤنث کہلاتی ہے۔
قواعد میں میں مُؤنّث اُس لفظ (فاعل، مفعول یا فعل) کو کہاجاتا ہے جس کا استعمال بصورتِ تانیث ہو یا جس میں تانیث یا مادہ جنس کا صیغہ استعمال ہو۔ مثلاً لفظ ‘‘محنت’’. یعنی مادہ اسماء کومونث کہا جاتا ہے۔
اسم مشترک اس اسم کو کہتے ہیں جو مذکر اور مونث دونوں کے لیے بولا جاتا ہے جیسے یتیم، مسافر، کھلاڑی، بچہ، ساتھی، مہمان، صدر، وزیراعظم، وزیر، دوست، دشمن وغیرہ
بے جان اسماء میں نر اور مادہ کا کوئی فرق نہیں ہوتا اس لیے ان کی تذکیر و تانیث کا تمام تر درارومدار اہل زبان پر ہوتا ہے جیسے قلم کو اہل زبان مذکر بولتے ہیں اور گیند کو مونث اسی لیے ایسے اسماء کی تذکیر و تانیث کوغیرحقیقی تذکیر و تانیث کہا جاتا ہے
حقیقی تذکیر و تانیث وہ ہوتی ہے جس میں نر کے مقابلے میں مادہ اور مادہ کے مقابلے میں نر ہو جانداروں میں کیونکہ قدرتی طور پر نر اور مادہ کا فرق موجود ہوتا ہے اس لیے اس لیے ان کی تذکیرو تانیث حقیقی ہوتی ہے۔ جیسے مرد، عورت۔ بیل، گائے وغیرہ
کوکسٹاد

کوکسٹاد جنوبی افریقہ کے صوبہ کوازولو-نتال کی ہیری گوالا ڈسٹرکٹ میونسپلٹی کا ایک قصبہ ہے۔ کوکسٹاد کا نام گریکو کے سربراہ ایڈم کوک III کے نام پر رکھا گیا ہے جو 1863ء میں یہاں آباد ہوئے تھے۔ کوکسٹاد مشرقی گریکولینڈ علاقے کا دار الحکومت ہے کیونکہ یہ اس خطے کا سب سے بڑا قصبہ بھی ہے۔ اسے شہر کے بانی ایڈم کوک III نے ماؤنٹ کری کے آس پاس تعمیر کیا تھا جس کے لیے اس شہر کا نام رکھا گیا ہے۔ سٹاد "شہر" کے لیے ڈچ اور افریقی زبان کا لفظ ہے۔
نجابولو نکوبے

نجابولو نکوبے (پیدائش: 14 اکتوبر 1989ء) زمبابوے کا ایک کرکٹ کھلاڑی ہے۔ وہ مقامی طور پر میٹابیلیلینڈ ٹسکرز کی نمائندگی کرتا ہے، جو پہلے ویسٹرن کرکٹ ٹیم تھی انھوں نے ایک روزہ بین الاقوامی میں زمبابوے کی نمائندگی کی ہے۔ وہ مکھایا نتینی کو اپنی جارحیت اور کھیل سے وابستگی کے لیے اپنا رول ماڈل مانتا ہے۔
نکوبے نے سب سے پہلے بولاوایو گوالا لنڈا ٹاؤن شپ کی سڑکوں پر کرکٹ کھیلی، ملٹن ہائی اسکول کی نمائندگی کرنے سے پہلے مغربی انڈر 19 اور بی ٹیموں میں جگہ حاصل کرنے کے لیے جا رہا تھا جہاں متاثر کن کارکردگی نے اسے زمبابوے انڈر 19 کرکٹ میں جگہ حاصل کرنے میں مدد کی۔ ٹیم انھوں نے ملائیشیا میں 2008ء کے آئی سی سی انڈر 19 کرکٹ ورلڈ کپ میں زمبابوے کی نمائندگی کی تھی جہاں انھوں نے نیوزی لینڈ انڈر 19 کے خلاف میچ میں 7 اوورز میں 12 رنز دے کر 1 وکٹ حاصل کی تھی۔ وہ زمبابوے میں کلب لیگ میں اماخوسی کرکٹ کلب کے لیے کھیلتا ہے۔
انھوں نے 2009ء میں زمبابوے کے کرکٹ ڈھانچے کی اصلاح تک میٹابیلینڈ میں مقیم مغربی باشندوں کے ساتھ کچھ سیزن گزارے۔ انھوں نے ان کے لیے فرسٹ کلاس ڈیبیو، لسٹ اے ڈیبیو اور ٹوئنٹی 20 ڈیبیو کیا۔
انھیں 2011-12ء ایک روزہ سیریز میں زمبابوے میں نیوزی لینڈ کرکٹ ٹیم کے لیے منتخب کیا گیا تھا۔ اس کے بعد انھوں نے اپنا ایک روزہ ڈیبیو تیسرے ون ڈے میں کیا جہاں انھوں نے اپنے ڈیبیو میچ میں 3 وکٹیں حاصل کیں۔ وہ ڈیبیو پر 3یا اس سے زیادہ وکٹیں لینے والے صرف 8 زمبابوے بولرز میں سے ایک بن گئے۔ زمبابوے نے اننگز کی آخری گیند پر 1 وکٹ سے کامیابی حاصل کی کیونکہ اس نے اپنا اب تک کا سب سے کامیاب رن کا تعاقب ریکارڈ کیا۔
انھوں نے 1 نومبر 2011ء کو بلاوایو میں نیوزی لینڈ کے خلاف اپنے ٹیسٹ کرکٹ کا آغاز کیا۔ انھوں نے اپنی پہلی ٹیسٹ وکٹ راس ٹیلر کو آؤٹ کر کے وکٹ کیپر ریگس چکابوا کے ہاتھوں کیچ کرا کر حاصل کی۔ اگرچہ یہ اس فارمیٹ میں ان کا پہلا آؤٹ تھا، یہ ٹیسٹ کرکٹ میں چکابوا کا پہلا آؤٹ بھی تھا۔ یہ نکوبے تھا جس نے کفایتی اوورز کروائے، نظم و ضبط کی لائن اور لینتھ کو برقرار رکھا اور ابتدائی حالات کے زیادہ تر فوائد اٹھائے۔ جولائی 2016ء میں انھیں نیوزی لینڈ کے خلاف سیریز کے لیے زمبابوے کے ٹیسٹ سکواڈ میں شامل کیا گیا۔
نکوبے عام طور پر 128-135 کلومیٹر فی گھنٹہ کی رفتار سے بولنگ کرتا ہے۔ اپنے دن وہ تیز گیند بازی کر سکتے ہیں اور قدرتی طور پر ڈیک باؤلنگ ان سوئنگ کٹرز کو مار سکتے ہیں لیکن اپنے آؤٹ سوئنگرز پر سخت محنت کر رہے ہیں تاہم اب وہ زمبابوے کے لیے اس ڈیبیو ون ڈے اور ٹیسٹ میچوں میں اپنے ان سوئنگرز کے ساتھ مل کر عمدہ آؤٹ سوئنگرز کو باؤلنگ کرتے ہیں۔