National symbols of Catalonia

The national symbols of Catalonia are flags, icons or cultural expressions that are emblematic, representative or otherwise characteristic of Catalonia or Catalan culture.
The oldest Catalan symbol is the coat of arms of Catalonia, based on the royal arms of the Crown of Aragon, though a number of theories trace its origin to even older times. It is one of the oldest coats of arms in Europe. A legend says that the four red bars (Quatre Pals or Quatre Barres) are the result of Charles the Bald, known also as Charles II, king of West Francia, smearing four bloodied fingers over Wilfred the Hairy's golden shield, after the latter had fought against the Normans. Owing to a common history and shared experiences, some of the traditional Catalan symbols overlap with those of Aragon, Valencia and the Balearic Islands. This is often cause of controversies regarding differing perceptions of the culture, the history and the language issues surrounding the former Crown of Aragon and the culturally Catalan geographic areas.
Catalonia's national symbols as defined in the Statute of Autonomy of Catalonia are the flag, Catalonia's day, and the anthem. These symbols have often a political and revindicative significance. Other symbols may not have official status, for different reasons, but are likewise recognised at a national or international level. One of the highest civil distinctions awarded in Catalonia is the St George's Cross (Creu de Sant Jordi).
In former times the existence and very survival of Catalonia depended on being victorious in the constant battles against the Saracens. Therefore, many ancient Catalan symbols are of a warlike nature, like Otger Cataló, also known as Pare de la Pàtria ("Father of the Country"), the Nou Barons de la Fama, James the Conqueror, the Almogavars, Bernat de Rocafort and the Comte Tallaferro. Present-day "moros i cristians" popular festivals still commemorate the battles against the Moors (or Muslims) that allowed the Catalans to endure the invasions.
Aside of the symbols of a historic, political and religious character, there are other popular Catalan symbols which are more or less serious according to the case and the context.
Many of these symbols come from the local folklore, like the sardana dance, the Castellers and the gegants i capgrossos, as well as the dragon, and its derivations, the cucafera, the vibria and the bat. The choosing of a "Pubilla" in the summer fairs comes from an old tradition based on the transmission of hereditary patrimony in rural Catalonia.
Still, certain traditional and "typical" symbols deserve mention, like Patufet, the St George's Day red rose, the Nit de Sant Joan bonfires, the correfoc, the barretina traditional hat, the porró, the Tió de Nadal and the caganer.
One of the most famous international symbols of Catalonia is FC Barcelona. The area's footballing branch is supported with a passion by its fans, the culés. Each season Barça engages in one of La Liga's most famous rivalries, El Clàssic against long-time rivals Real Madrid. To a lesser extent the USAP Perpignan rugby team is also considered, especially by some Catalan nationalists, as an unofficial national team of Catalonia.
Ancestral symbols, like the Virgin of Montserrat, Saint George, other Virgins and Saints, as well as the Pessebre, the Nit de Reis and the Christmas celebrations, are derived from the Christian doctrine. These symbols were fruit of a time when churches or cathedrals were in the centre of Catalan towns and respect for priests was not questioned. The Christian cross and the colors of the sacrifice of Christ, white and red for "body and blood", inspired a great part of the Catalan traditional emblems. Some old Christian symbols are now subject to controversy, for present-day society in Catalonia is in a state of Postchristianity, seeing itself as more secular than its traditional ancestry.
The names of many villages, cities and mountains all over Catalonia, like Santa Susanna, Sant Sadurní d'Anoia, or Sant Llorenç del Munt, as well as a great number of chapels and hermitages spread all over the territory, remain as a testimony of the ancestral faith of the Catalans. In recent times, however, these symbols have seen their meaning much reduced. While until the 19th century all Catalans felt represented by their symbols of Christianity, nowadays only a few consider them relevant. Already in 1905 writer and bishop Josep Torras i Bages (1846–1916), convinced that the Catalan nation had to be Christian in order to establish itself as something enduring and meaningful in the future, strongly criticized the secularism displayed by the "militant nationalism" of Enric Prat de la Riba (1870–1917).
According to Torras i Bages, the seny (a kind of good sense and wisdom), another Catalan symbol, was based in ancient Catalan traditions. Analyzing this controversy, Mossèn Gaietà Soler i Perejoan (1863–1914) came to the conclusion that "there are two "opposing visions" in Catalonia, from one side the Catholic (one), based on "seny" and tradition, aiming to promote benevolent social restoration ... of the faith and social and legal customs of Catalonia...", and on the other side "the unconcerned (vision), based on what is politically convenient, in order to achieve, rather than social improvement, (merely) the political prestige of a nation-state."