davidanugraha/M4-RAG huggingface dataset:
Koh Tonsay

Koh Tonsay (Khmer: កោះទន្សាយ) is a Cambodian island located off the country's southern coast in the Gulf of Thailand. "Koh Tonsay" translates to Rabbit Island, it is being administered by Kep Province.
Koh Tonsay is located just 4 km (2 mi) south of Kep town, has an area of around 2 km (1 sq mi) and can be reached by ferry boat from the local port. The island is open for visitors and tourists, who value white sand beaches and the marine scenery. The surrounding sea is shallow, the sea bed gradually sloping, excellent for recreational activities. A number of coral reefs and a variety of habitats for animals and plants attract researchers and ecologists.
During Norodom Sihanouk's Sangkum Reastr Niyum regime (1953 to 1970), the island was a rehabilitation center for convicted criminals, who were in turn used to defend the island. Horse cart paths and wooden, thatched roof hotels were also constructed during this time. Most of this infrastructure has been destroyed by weather and decades of war.
Currently there are individually built and run guest houses on the main beach, attracting Cambodian and foreign tourists. Local settlers - fishermen and their families also live on the island, occupying other beaches around the shoreline.
In September 2021, the Try Pheap Koh Tunsay Resorts company owned by Cambodian tycoon Try Pheap began construction of a 144 hectare project on Koh Tonsay. The company was awarded a concession for 50 years to develop the island in 2019. The company has pledged to maintain 60 per cent forest cover on the island.
Tonsay (ទន្សាយ) is derived from the word "rumsay" (រំសាយ, "discharge"). While trying to avoid the commander's troops, Khmer prince Sakor Reach grew hopeless because his troops were exhausted. He led his remaining troops across the sea to an island in front of Kep city, where the troops spread out. Accordingly, the island was called Koh Rumsay (កោះរំសាយ), the name underwent a transformation towards Koh Tonsay (កោះទន្សាយ), as it is known today.
10°26′06″N 104°19′37″E﻿ / ﻿10.435°N 104.327°E﻿ / 10.435; 104.327
Red Curtain Trilogy

The Red Curtain Trilogy is a DVD boxed set, released in 2002, of the first three films directed by Baz Luhrmann:
The films do not form a trilogy in the traditional sense, as there is no relationship between the plot and characters of the three films. Rather, Luhrmann said that the three films followed a specific style of filmmaking. Each film contains a theatre motif that reappears throughout the film. Dance is used in the first film, poetry and language in the second, and song in the third.
Springfield Town Center

Springfield Town Center is an enclosed shopping center located in the Springfield census-designated place (CDP) of unincorporated Fairfax County, Virginia. It opened in 1973 as Springfield Mall, an enclosed shopping mall, which closed on June 30, 2012 as part of a multimillion-dollar redevelopment plan to turn it into a multifaceted "Town Center"-style shopping center with a main indoor area similar to the nearby Tysons Corner Center and Dulles Town Center, while transforming the exterior into a pedestrian friendly environment with restaurants with cafe style outdoor seating and entrances. It is located at the intersection of Interstate 95 and Franconia Road (Route 644), which is part of the Springfield Interchange, 1/4 mile north of Franconia-Springfield Parkway (State Route 289) and the Franconia-Springfield Metro station. The mall reopened on October 17, 2014 following its two-year renovation.
Original anchors were Lansburgh's (later E.J. Korvette), Garfinckel's (later Sports Authority), J.C. Penney, and Montgomery Ward (later Target). Macy's was added in 1991. The mall was notable for having one of the top two performing locations of the Time Out chain of amusement arcades, which featured in its mall rat culture during the 1980s golden age of arcades.
Prince Charles and Princess Diana visited the JCPenney store at the mall on November 11, 1985, during their famous American tour. However, the mall's fortunes declined in the 1990s and 2000s. Its DMV office was where Hani Hanjour and Khalid al-Mihdhar, two of the hijackers in the September 11 attacks, illegally obtained state identification. The mall also experienced two gang-related stabbings in 2005, two fatal shootings, one in December 2007 and one in June 2022 and a fatal carjacking in September 2008.
One of the largest malls in Northern Virginia, it was owned and operated by Vornado Realty Trust. In 2005, Vornado purchased an option valued at $36 million to buy the mall from the previous owners Franconia Two LP. In early 2006, Vornado purchased the mall for an additional $80 million along with plans to redevelop.
In March 2012, Vornado announced plans to close all but the three anchor stores starting on July 1, ahead of the two-year renovation and redevelopment, which is part of a decade-long plan intended to turn the Mall and its surrounding area into the new Springfield Town Center. Springfield Town Center re-opened on October 17, 2014.
In 2014, the center was sold to PREIT for $465 million. In late 2015, Dave and Buster's, a popular family owned entertainment and sports bar opened.
In August 2023, LEGO Discovery Center Washington DC opened at the property. The 32,000 square foot indoor attraction is co-created by Merlin & the LEGO Group and is located at the main entrance to the property.
Brick by Brick

Brick by Brick is the ninth studio album by American singer Iggy Pop, released in June 1990 by Virgin Records.
After attracting mixed reviews for much of his 1980s output, Pop hired producer Don Was, who was a longtime fan of Pop's band the Stooges, as producer and opted for a hard rock sound. Many songs on the album incorporate a lyrical theme of the United States facing dangers of cultural decay and implosion. Slash and Duff McKagan of Guns N' Roses fame were featured on the album as songwriters and performers. The cover was drawn by American cartoonist Charles Burns. The album's personnel includes studio musicians Waddy Wachtel and Kenny Aronoff. The album is the first studio album that features Pop contributing guitar. He plays a majority of the guitar parts along with Wachtel and Slash. Was would go on to produce Pop's album Avenue B (1999).
The album peaked at number 90 on the Billboard 200 and stayed on the charts for 37 weeks. The song "Livin' on the Edge of the Night" was released before the album as a soundtrack for the hit movie Black Rain starring Michael Douglas and Andy García. The song reached number 16 on Modern Rock Tracks. "Candy" reached number 30 on Mainstream Rock Tracks, number 5 on Modern Rock Tracks and number 28 on the Billboard Hot 100. The first single from the album, "Home", reached number 2 on Modern Rock Tracks.
The album gave Pop some of his strongest reviews since his David Bowie collaborations, and "Candy", with the B-52's vocalist Kate Pierson, became his first MTV hit. The video for the song found fairly heavy rotation on that station. Videos were also made for "Home", "Butt Town" and "Livin' on the Edge of the Night".
"Butt Town" received high praise from the MTV animated duo Beavis and Butt-Head; the latter stated, "This song has the best lyrics I've ever heard."
All songs written by Iggy Pop, except where noted.
Technical
Los Diablos Verdes

Los Diablos Verdes es una murga uruguaya fundada en 1939 en el barrio montevideano de La Teja. En 1942 se produjo su debut en el Concurso de Agrupaciones Carnavalescas, obteniendo siete primeros premios: 1959, 1961, 1965, 1981, 1999, 2001 y 2003.
El conjunto de murga los Diablos Verdes nació en 1939 gracias a un grupo de niños que lo conformaron, bajo la dirección del pequeño Antonio Iglesias. Las vecinas del barrio La Teja confeccionaron los trajes hechos de arpillera que lucían dichos niños.​ El nombre de la murga proviene de una de esas mujeres, Doña Carlota, quien llamaba a esos niños "diablos", y del color verde del color de la camiseta del Club Tellier.​ También colaboraron en la creación de la murga los vecinos Hernán Cejas y Santiago Campos. En el año de su debut, los Diablos Verdes deleitaron al barrio con sus canciones; algunas de las letras fueron escritas por los propios niños y sus padres.
Unos pocos años después, la murga recorre todo Montevideo gracias a la ayuda de Raúl Varela, quien ofreció transportar a sus integrantes con su propio vehículo. Las letras de sus canciones se ven enriquecidas debido a la colaboración de Manuel Pérez -autor de la retirada del 32 de Asaltantes con Patente-, quien será el letrista del conjunto; es así como los jóvenes murguistas pasaron a cantar exclusivamente sus repertorios.
Al transcurrir el tiempo, los niños se volvieron adultos y la murga realizó su debut en el Concurso de Agrupaciones Carnavalescas bajo la dirección de Rufino Cejas.
En 1947 y 1948, Santiago Campos fue el director de los Diablos Verdes, y recién en 1949 Antonio Iglesias se registra como director. En 1957, Julio César Gómez y "Cholo" García , y en 1958 Eduardo Gamero, se suman a Antonio Iglesias y la murga llega a los primeros puestos. Un año después, en 1959, los Diablos Verdes conquistan el primer premio. A partir de ese momento, la murga cosecha una seguidilla de éxitos, obteniendo siete veces el título mayor: en 1959, 1961, 1965, 1981, 1999, 2001 y 2003.
Desde el punto de vista social, los Diablos Verdes está identificado con La Federación de Obreros del Vidrio, lugar físico en el cual realizaban sus ensayos previos al Carnaval.
Debido al fallecimiento de uno de sus directores responsables Rafael González en 2018 la murga no pudo continuar con su nombre original.​ Es por ello que, para inscribirse en el Carnaval 2019 (y luego también en el del 2020), Los Diablos Verdes cambiaron su nombre a La Consecuente.​
Sin Información. Obtuvo el 1er Premio. No accedió a la liguilla. No participó. No se realizó el concurso oficial de carnaval debido a la pandemia de COVID-19.
Luis Trochón

Luis Trochón (Montevideo, 24 de noviembre de 1956-Ib., 3 de marzo de 2020)​ fue un músico, docente, compositor e intérprete uruguayo, reconocido por su labor como director escénico, por ser el autor de numerosas piezas musicales para teatro y por haber integrado el grupo Los que iban cantando.​
En 1977 participó de la creación del grupo musical Los que Iban Cantando, junto a Jorge Lazaroff, Jorge Bonaldi y Jorge Di Pólito.​ El mismo jugó junto a otros grupos de la época, un papel importante de resistencia cultural a la dictadura cívico-militar uruguaya.​
En 1978 comenzó su trabajo como docente de música popular en las ramas guitarra, canto y composición, así como música y comedia musical.​ En 1983 creó y cofundó el Taller Uruguayo de Música Popular (TUMP).
En 2001 fundó y dirigió la Escuela de Comedia Musical, primera institución privada en Uruguay dedicada a la formación integral de intérpretes en las áreas de actuación, canto y danza. Que en 2017, por ampliación de su oferta pedagógica, la institución cambió su denominación por Escuela de Acción Artística Luis Trochón, hasta el día de hoy.​
Falleció en Montevideo a los sesenta y tres años el 3 de marzo de 2020 a causa de un cáncer.​​
Música litoraleña

Música litoraleña es una expresión que se utiliza en Argentina para denominar a varios géneros y danzas populares de raíz folclórica característicos de la región del litoral argentino, definida por los ríos Paraná, Uruguay y Paraguay, e integrada por las tres provincias mesopotámicas ―Misiones, Corrientes y Entre Ríos y sus vecinas provincias de Formosa, Chaco y Santa Fe―.​
La música litoraleña argentina​ forma parte de una región musical más amplia que abarca también a la música paraguaya influenciada por el idioma guaraní, a la música gaúcha del sur de Brasil y a la música litoraleña del Uruguay. También recibió la influencia de las tradiciones de las comunidades de origen ruso-alemán o alemanes del Volga establecidas en Río Grande do Sul y en Entre Ríos durante el último cuarto del siglo XIX y el primer cuarto del siglo pasado. Aunque como todos los géneros folklóricos argentinos y rioplatenses tienen raíces principales en la música indígena, criolla y española.
Entre los estilos musicales y danzas que integran la música litoraleña se encuentran:
Entre los instrumentos característicos de la música litoraleña se destacan el acordeón y el arpa paraguaya, siendo también de gran importancia la guitarra criolla.​
La música del Paraguay es básicamente bilingüe, de igual forma que varias canciones de chamamé correntino, cantándose tanto en idioma castellano como en idioma guaraní. Otra característica específica de la música litoraleña es que todos los estilos se bailan con la pareja enlazada, generalmente con coreografía libre.
La música litoraleña tiene sus orígenes en la cultura guaraní prehispánica y en las características que adoptó el desarrollo musical en las misiones jesuitas instaladas por religiosos jesuitas, luego de la llegada de los españoles a la región. Allí, en Yapeyú y Loreto (Misiones) como centros musicales, se inventaron y rediseñaron instrumentos esenciales de la música litoraleña-paraguaya, como el arpa paraguaya y el acordeón.
Los guaraníes utilizaban la palabra purahjei para designar el canto; con los años ese término designó la música de estilo litoraleño-paraguaya.​
En Chile a pesar de no ser autóctona tomo enorme popularidad a mediados de la década del 60, luego de que muchas piezas de la música litoraleña fuesen interpretadas y popularizadas por varios grupos y cantantes del movimiento neofolklorico presente en el país durante la época. Algunos grupos que adoptaron temas litoraleños en ese país fueron "Los Cuatro cuartos", "Los de Santiago", "Los Paulos", "Las Cuatro brujas" y solistas como Ginette Acevedo o Lorenzo Valderrama.
Entre los artistas destacados de la música de la mesopotamia pueden mencionarse a:
Lisardo Plank
Itatí Barrionuevo Javier Corri
Teatro Florencio Sánchez (Paysandú)

El Teatro Florencio Sánchez es un cine y teatro uruguayo, ubicado en la ciudad de Paysandú, declarado monumento histórico nacional.​
En 1860 se conforma la Sociedad del Teatro con el fin de construir un espacio para la reunión artística, cultural y también social de la ciudad. Dicha sociedad encomendaría el diseño y construcción a los arquitectos Francisco Poncini y Bernardo Poncini.​
En 1876 el entonces Teatro Progreso es inaugurado y se abre el telón por primera vez, con el estreno de la obra teatral «Morte Civile». El 12 de octubre de 1915, se interpretó por primera vez la partitura completa del Himno Nacional Uruguayo.
En 1915 el teatro sería sometido a obras de remodelación en las que se modificaría totalmente su fachada, remplazando la original por una de estilo art déco. En sus interiores se llevarían adelante otras reformas, así como también la instalación de energía eléctrica. Estas obras culminarían en 1917 y estarían a cargo de los arquitectos Jacobo Vázquez Varela y Daniel Rocco.
En 1921 recibe su actual denominación en homenaje al eximio dramaturgo uruguayo Florencio Sánchez.​
En los tiempos posteriores se llevarían otras series de modificaciones en su estructura, primeramente para convertirlo también en una sala cinematográfica y segundo para adaptaciones a las demandas de las épocas.
En 1975 recibe la declaración de Monumento Histórico Nacional. Y en 1980 adquirido por la Intendencia de Paysandú.​
Han actuado en el mismo la compañía de ópera italiana de Lea Candini y Salvatore Sidivo; actores como Antonio, Jerónimo y Blanca Podestá, Ernesto Herrera, Enrique Muiño, Pedro Codiña, Luis Sandrini, Alberto Candeau, Atahualpa del Cioppo, y grandes nombres de la música como Carlos Gardel, Sacha Goudina, Luisa Terazzini, Oxilia, Gerardo Grasso, Novelli, Mimí Aguglia, Ariel Ramírez, entre otros.​
En 2011 se formó la Comisión de Amigos del Teatro; la integran varias personalidades sanduceras, entre otros, el exintendente Walter Belvisi.​ A inicios de 2012 se preparan nuevas obras de recuperación.​
Con motivo de la celebración del bicentenario, se realizó la ceremonia oficial por los 250 años de José Artigas, transmitido a todo el país por la señal de TNU.
Carlos Muñoz (actor uruguayo)

Carlos Muñoz (Rivera, Uruguay, 7 de febrero de 1924 – Buenos Aires, Argentina, 27 de octubre de 1992) fue un actor y director de teatro uruguayo de extensa carrera en su país y en Argentina. Desde los 13 años hasta su fallecimiento trabajó con continuidad en radio, teatro, cine y televisión, primero en su país natal y después en Argentina. Formó parte del elenco fundador de la Comedia Nacional de Uruguay y, a comienzos de la década de 1960 se radicó en Argentina, donde continuó su actividad.
Inició su carrera actoral a los 13 años en su país natal en el teatro estudiantil y perteneció al elenco fundador de la Comedia Nacional de Uruguay en 1947. Hasta 1952 actuó en ese ámbito bajo la dirección de prestigiosas figuras como Orestes Caviglia, Armando Discépolo, Esteban Serrador y Margarita Xirgu. Al año siguiente fundó la Compañía Florencio Sánchez, que fue la primera cooperativa profesional de teatro, y como director y actor presentó con éxito hasta 1960 un promedio de cuatro obras importantes por temporada. Entre ellas pueden citarse: El amante complaciente, Arsénico y encaje antiguo, Demanda contra desconocidos, El décimo hombre y Lluvia.
El Teatro Libre de Montevideo lo designó director invitado y entre las obras que dirigió allí se encuentran La cuadratura del círculo, El tiempo y los Conway y Vestir al desnudo. Posteriormente pasó a ejercer la dirección de la Comedia Nacional en la que presentó, entre otras, Yo estuve aquí otra vez y M'hijo el dotor.
A los 28 años ya dirigía su propia compañía radioteatral, primero en Radio Monumental y luego en otras emisoras. Trabajó en el Departamento Cultural del United State Information Service integrando el elenco artístico además de ejercer su dirección en varias temporadas. Fue premiado por la Voz de América por su realización de El hombre del Camino, de L. Fletcher. En el Servicio Oficial de Difusión Radioeléctrica fue director de montaje de radioteatro.
Fue uno de los primeros directores de la televisión de su país, después de realizar cursos de especialización.
A partir de 1962 continuó su carrera en Argentina y se presentó con la Compañía Rioplatense con 12 hombres en pugna. A continuación trabajó como primer actor en la compañía de Luisa Vehil y en 1964 se incorporó a la Comedia Nacional Argentina. Se recuerda su participación en la obra El Caballero de las Espuelas de Oro en el Teatro General San Martín, en la versión argentina de Amadeus de Peter Shaffer encarnando a Salieri, y en La noche de Oscar Wilde, un unipersonal sobre la vida de Oscar Wilde.
Se inició en cine con Primero yo (1964) y se destacó especialmente en El familiar (1972), Juan Moreira (1973) en el papel del Dr. Marañón y en La Patagonia rebelde (1974) personificando a Don Bernardo, y Camila (1984) como Monseñor Elortondo.
En Uruguay fue galardonado con el premio Casa del Teatro del Uruguay por la dirección de la obra Proceso a Jesús, recibió el Premio de la Crítica por su interpretación en 12 hombres en pugna y el Premio Círculo de la Prensa por el papel cumplido en El motín del Caine. Durante su carrera en Argentina fue galardonado con cuatro premios Martín Fierro y un premio Molière.
Mary da Cuña

Mary Isabel da Cuña Rodríguez (25 November 1942 – 24 September 2016) was a Uruguayan actress and theater director.
Mary da Cuña began her theatrical training at the school of the Theater Club, founded by Antonio Larreta, where she worked with Héctor Manuel Vidal, Nelly Goitiño [es], Roberto Jones [es], Roberto Fontana [es], Villanueva Cosse, and Juan Alberto Sobrino [es], among others. In that same space she made her debut as an actress in 1969 with Misia Dura al poder, a theatrical play with political content and writing credit shared by several authors, directed by Jorge Denevi [es]. Her professional debut was in 1971.
She worked under directors such as Sergio Otermin, Rubén Yáñez [es], Villanueva Cosse, Jorge Denevi, Carlos Aguilera, Alberto Rivero, Gloria Levy, and Ruben Coletto. She acted in works by Shakespeare, Woody Allen, Michael Frayn, Neil Simon, George Tabori, Harold Pinter, and Copi.
In 1975 da Cuña became the first woman to be part of a murga performance in the official contest, when she joined Los Diablos Verdes.
In television she was one of the most visible faces of the comic programs Telecataplúm [es] (where she worked on its second stage with Roberto Jones, Pepe Vázquez [es], and Imilce Viñas) and Plop!
In 1990 she began working as a teacher at Eduardo Ramírez's School of Dance, the La Gaviota School of Theater, the School of Musical Comedy, and her own school of acting training.
She won the 2005 Florencio Award [es] for best actress for the work Raspando la cruz by Rafael Spregelburd, and received seven other Florencio nominations.
Her state of health led her to stop acting and focus on theater direction. She died at age 73, due to the aftermath of a prolonged vasculitis, and was buried in the Cementerio del Norte, Montevideo.
She was divorced from actor and theater director Jorge Denevi, with whom she had a daughter, actress Julieta Denevi.
Juan Carlos Cáceres

Juan Carlos Cáceres (4 September 1936 – 5 April 2015) was an Argentine musician.
Born in the 1930s in Buenos Aires, Juan Carlos Cáceres became intimately involved with the existentialist movement that thrived in the city during the years of his youth. Cáceres was an accomplished jazz trombonist by his mid-twenties, and though he studied fine arts at the university rather than music, he quickly became a fixture in the Buenos Aires jazz community. He became a mainstay at the Cueva de Passarato jazz club, which was not only an important musical venue, but a gathering place for revolutionary and existential thinkers. In the late '60s Caceres relocated to Paris, where he engaged in a wide variety of artistic pursuits, including painting, producing, teaching, and above all, playing.
During this period, he became an expert on the music surrounding the Río de la Plata – styles such as tango, milonga, murga, and candombe. His musicianship flourished as he earned a reputation not only as a proficient trombonist, but as a pianist, vocalist, and songwriter as well. His debut record, entitled Sudacas, was released on the French/American label Celluloid Records. His second release, Tocá Tangó, was deeply influenced by his studies on the African origins of tango and its relationship with murga and candombe. It featured a non-traditional, fusion-oriented ensemble and the stunning candombe compositions "Tango Negro" and "Tocá Tangó." His fourth original release, Murga Argentina, found a home on the Mañana Music label. Caceres' 2007 release Utopia was the first to earn him the moniker The Lion, heralded as a triumph of both performance and musicology.
His interest in the various styles of tango led him to start other projects in widely different formats than his more percussion-guided solo records. He also founded the more traditional "golden age" tango group París Gotán Trío, along with Sedef Ercetin on cello and Sasha Rozhdestvensky on violin. He also started a project in the increasingly popular electronic tango genre, Maquinal Tango.
He died of cancer at his home in Paris on 5 April 2015 at the age of 78.
Santiago Chalar

Carlos Alfredo Paravís Salaverry, known as Santiago Chalar (September 25, 1938 – November 21, 1994), was a Uruguayan physician traumathologist, poet, songwriter, musician, guitarist and singer. He studied music and medicine. He used an alias Santiago to pay homage to a friend of his who died in a plane accident and Chalar was one of his ancestors last name. In his artistic career he achieved recognition and fame. He obtained some music awards. He is considered one of the best Uruguayan folk music songwriters and singers.
Chalar was born on September 25, 1938 in Montevideo, Uruguay. He married Adela Martínez Graña, and they had 4 children: Adela, Carlos, Santiago, and Isabel.
In 1974, he moved to Minas to be the public hospital director. He created a traditional music festival in Minas called Minas y Abril to raise funds to the public hospital, which is nowadays one of the most popular folk music festival in Uruguay.
Chalar died of cancer on November 21, 1994, in Montevideo.
Chalar was a folk music singer in Uruguay. He especially played and sang Milonga, Serranera, media Serranera, Valsesito criollo. The lyrics of the songs he wrote had to do with the everyday country man and everyday life.
At the age of 9, he started taking guitar lessons with professor Gregorio Rodríguez in Fernando Sor Institute in Montevideo.
When he was 15, he started to love country life and folk music. He started to compose his own songs with some Southern Brazilian music influence. He was later influenced by Atahualpa Yupanqui.
At the age of 17, he had his first gig, singing folk music songs and playing the guitar and the piano. He played in Bahia, Brazil in 1984, together with Hugo Marmolejo and Omar Sanz (keyboards). In 1958, he met Osiris Rodríguez Castillos.
In 1961 he recorded his first album, with the single "Gurí pescador". He took part in music festivals in Uruguay and Argentina, and he represented Uruguay in the World Folk Festival in Mexico in 1968.
In 1974, Jorge Cafrune invited him to the Cosquín Festival in Argentina. From 1978 on, he worked with Santos Inzaurralde, Wenceslao Varela, Lucio Muniz and Rubén Lena. He took part in many music festivals in Brazil, Argentina, Paraguay, Ecuador, Mexico, the United States and Spain.
In 1980, Omar Sanz talked Charlar into including a keyboard and join a music group with Hugo Marmolejo.
Chalar's most famous single is "Minas y Abril".
He composed several popular Uruguayan folk music songs such as:
In his 30 years of artistic career, he recorded 20 records.
Buenos Aires Carnival

The Buenos Aires Carnival (Spanish: Carnaval de Buenos Aires or Corso de Buenos Aires) is an annual event that takes place during the Carnival festivities, usually at the end of February, on the streets of Buenos Aires, Argentina. The two-day event features murga parades, colourful costumes, water bombs and many other amusement activities.
During the 20th century, the Carnavales at Avenida de Mayo (de Mayo Avenue) were very popular, but they were discontinued first during the military government of the 1970s, and then during the 1990s. Mayor Aníbal Ibarra promoted the comeback of carnival (mainly into the barrios) in the mid-2000s, and the Avenida de Mayo show returned in 2006.
Starting in 2012, Carnival dates are considered public holidays.
Mateo Chiarino

Mateo Chiarino is a Uruguayan actor, writer, and director of film, stage, and television. He is currently based in Buenos Aires, Argentina.
Chiarino was born in Montevideo, Uruguay. He began his formal acting studies in Montevideo at the Margarita Xirgu Multidisciplinary School of Dramatic Art completed in 2005 and the Escuela de Cine del Uruguay (Film School of Uruguay) completed in 2006.
Chiarino started his artistic career as a stage actor in his home country, Uruguay. He made his film acting debut in the drama Masángeles (2008). Subsequently, he was cast in various Spanish speaking films such as Cinco (2010), La culpa del cordero (2012), La máquina que escupe monstruos y la chica de mis sueños (2012), and Thesis on a Homicide (2013). Chiarino is known for his lead role in the Hawaii (2013) film in which he gained international attention from viewers.
In 2017, Chiarino made his directorial debut as theatre director for the Uz, el pueblo stage play production. His theatrical solo performance for the 2019's Nüremberg stage play garnered a nomination from Argentina's Asociación de Cronistas del Espectáculo (ACE) Awards for his excellent critical portrayal of a young skinhead. Chiarino currently resides in Buenos Aires, Argentina and is involved in various theatrical productions in his home town. Additionally, he teaches screenwriting via workshops.
Adwa 00KM Museum

The Adwa 00KM Museum (Amharic: አድዋ 00 ሙዚየም) is a public historical museum located in Piasa, Arada district, Addis Ababa, Ethiopia. Inaugurated on 11 February 2024, the museum is dedicated to the Battle of Adwa, the battle of the First Italo-Ethiopian War where Italian forces defeated by the Ethiopian Army in 1896. Part of Adwa Zero KM Project, the museum lies on 1.5 hectares of land.
The museum features peculiar architecture design involving an integrated bridge connecting the building to the Municipality of Addis Ababa Mayor’s Office, entrance with four cardinal gates associated with war motifs, and artistic design of the interior walls. The museum has eleven blocks and five floors.
The Adwa 00KM Museum project conceptualized during Takele Uma Banti's mayor ship. He ensures the museum should fit with the height of Statue of Menelik II. As part of Adwa Zero KM Project, the museum was inaugurated on 11 February 2024 and opened for public on 16 March. During the event, Mayor of Addis Ababa Adanech Abebe described it as "timeless edifice" by stating "Adwa Victory Memorial – with its eleven blocks and five floors- is built with architectural excellence in a way that matches the fruit of the patriot’s victory". Prime Minister Abiy Ahmed said to the project in the occasion of the event "Those of you who doubt… those of you who doubt our stand, who our speech, pause and pay attention. Do not let strangers take away your mind. we are not one who could not be stopped by strangers for we are the children of our fathers".
Adwa Museum is located in the border between Menelik's Monument and St. George's Cathedral in Piasa, Arada district. The museum is linked by a bridge, which connect it to the Municipality of Addis Ababa Mayor’s Office. The museum was built to honor the Ethiopian Victory of Adwa in 1896. Eskender Wubetu, the principal architect states that the museum was built in demand of client's objectives. The museum lies in 1.5 hectares of land, having eleven blocks and five floors.
The museum has four entrances leading to various areas of buildings with specialized features: Heroes of the South, Heroes of the North, Heroes of the East, and Heroes of the West are shown at entrance. According to Eskinder, the cardinal directions represents the nature of war from "all sides of directions". The main challenge during the construction was incorporating the Ethiopian symbols into design of a building. He also said that the Axum monument and Lalibela architecture are incorporated in corridor supports and staircase. The statue of Emperor Menelik II and Empress Taytu sit in flanking near the plaza where water fountain is located.
W. E. B. Du Bois Memorial Centre for Pan African Culture

W. E. B. Du Bois Memorial Centre for Pan-African Culture is a memorial place, a research facility and tourist attraction in the Cantonments area of Accra, Ghana, that was opened to the public in 1985. It is named in dedication to W. E. B. Du Bois, an African-American historian and pan-Africanist who became a citizen of Ghana in the early 1960s. He lived there in his last few years at the invitation of President Kwame Nkrumah, while compiling the Encyclopedia Africana. In 2023 the Ghanaian government announced a long-term agreement with the W. E. B. Du Bois Museum Foundation to restore, rebuild, and expand the facility into a major Pan-African historical, educational, and cultural complex.
The Du Bois Centre is located at No. 22 First Circular Road, in Cantonments, Accra, Ghana, the former residence of W. E. B. Du Bois. He died there on 27 August 1963. It was opened to the public on 22 June 1985 and was named a national memorial in November that year.
The Centre houses a small museum with part of Du Bois's personal library and a collection of his works, which are made available to researchers. An adjacent shrine shelters his grave and the ashes of his second wife, Shirley Graham Du Bois.
In 2023 the government of Ghana signed a Memorandum of Understanding with the W.E.B Du Bois Museum Foundation to develop, rebrand, operate and manage the Centre into a major new educational complex to preserve and continue Du Bois' legacy. In 2024, the Mellon Foundation announced a US $5 million grant to provide leadership funds for four years in Phase 1 of the new complex's development.
Yukio Hatoyama

Si Yukio Hatoyama (鳩山由紀夫, Hatoyama Yukio, ipinanganak noong 11 Pebrero 1947) ay isang politikong Hapones na naging Punong Ministro ng Hapon simula Setyembre 2009. Unang nahalal sa Kapulungan ng mga Kinatawan noong 1986, naging pangulo si Hatoyama ng Demokratikong Partido ng Hapon, ang pangunahing partidong oposisyon, oong Mayo 2009. Pinangunahan niya ang pagkapanalo ng partido sa pangkalahatang halalan noong Agosto 2009, kung saan tinalo nila ang matagal nang namamahalang Partido Demokratikong Liberal (LDP). Kinakatawan niya ang ikasiyam na distrio ng Hokkaidō sa Kapulungan ng mga Kinatawan. Si Hatoyama ang ikalawang Punong Ministro ng Hapon na ipinanganak matapos ang pagtatapos ng Ikalawang Digmaang Pandaigdig; ang una ay si Shinzō Abe.
Walang-pagpatay

Ang walang-pagpatay (nonkilling) ay tumutukoy sa kawalan ng pagpatay (ng tao), pananakot ng pagpatay, at pag-iral ng mga kondisyong nagiging daan sa patayan sa lipunan.
Ang lathalaing ito ay isang usbong. Makatutulong ka sa Wikipedia sa pagpapalawig nito.
Lalawigan ng Timog Hwanghae

Ang Lalawigan ng Timog Hwanghae (Hwanghaenamdo; Pagbabaybay sa Koreano: [hwaŋ.ɦɛ.nam.do]) ay isang lalawigan sa kanlurang bahagi ng Hilagang Korea. Binuo ang lalawigan noong 1954 nang hinati ang dating lalawigan ng Hwanghae sa Hilaga at Timog Hwanghae. Ang panlalawigang kabisera ay Haeju.
Nahahati ang Timog Hwanghae sa isang lungsod (si) at 19 na mga kondado (gun). Ang mga ito ay nahahati pa sa mga nayon (ri) sa pangkabukirang mga lugar at dong (mga komunidad) sa mga lungsod.
Lalawigan ng Hilagang Hamgyong

Ang Lalawigang ng Hilagang Hamgyong (Hamgyŏngbukdo Pagbabaybay sa Koreano: [ham.ɡjʌŋ.buk̚.t͈o]) ay ang pinakahilagang lalawigan ng Hilagang Korea. Binuo ang lalawigan noong 1896 mula sa hilagang kalahati ng dating lalawigan ng Hamgyong.
Nahahati ang Hilagang Hamgyong sa tatlong mga lungsod (si) at 12 mga kondado (kun). Ang mga ito ay nahahati pa sa mga nayon (ri) sa mga pangkabukirang pook at dong (neighborhoods) sa mga lungsod. Ilan sa mga lungsod ay nahahati rin sa mga purok na kilala bilang "kuyŏk", na pinangangasiwa sa ilalim ng antas-panlungsod.
41°54′11″N 129°24′29″E﻿ / ﻿41.903°N 129.408°E﻿ / 41.903; 129.408
2009

Ang 2009 (MMIX) ay isang karaniwang taon na nagsisimula sa Huwebes sa kalendaryong Gregoryano. Ito ang ika-2009 na taon sa pagtatalagang Karaniwang Panahon o Anno Domini, ang ika-9 na taon ng ikatlong milenyo at ika-21 dantaon, at ang ika-10 at huling dekada ng dekada 2000.
Itinalaga ang 2009 bilang:
Inagurasyon ni Benigno Aquino III

Ang Inagurasyon ni Benigno Aquino III bilang ika-labinglimang Pangulo ng Pilipinas ay magaganap sa ika-30 ng Hunyo, 2010 sa Luneta Grandstand ng Rizal Park sa Maynila. Manunumpa si Aquino sa harap ni Conchita Carpio-Morales, mahistrado ng Korte Suprema ng Pilipinas.
Padron:Jejomar Binay
Noy (pelikula)

Ang Noy ay isang Pilipinong malayang pelikula na ipinalabas noong 2010. Ang mga pangunahing gumanap ay sina Coco Martin at Erich Gonzales at ipinalabas sa ilalim ng Cinemedia at Star Cinema. Ang pelikula ay idinirekta ng isang award-winning na direktor na si Dondon Santos. Ang pelikula ah binigyan ng "A" ng Cinema Evaluation Board.
Napilitang maghanap ng isang trabaho bilang ang tagapagtaguyod ng kanilang pamilya, si Noy (Coco Martin) ay naging isang mamamahayag na ipinatratrabaho upang makagawa ng isang dokumentaryo na sumusunod sa kampanya ng kanyang kapangalan at nagungunang tumatakbo sa pagkapangulo na si Senador Noynoy Aquino para sa Pangkalahatang halalan sa Pilipinas noong 2010
Ang pelikula na nilagyan ng tunay na mga kuha ng kampanya, ay naipapakita na ang pangunahing tauahan ay nakikipagsapalaran sa mga tema ng kahirapan, pagiging ligtas, at pag-asa para sa pamilyang Pilipino.
Ang lathalaing ito na tungkol sa Pelikula mula sa Pilipinas ay isang usbong. Makatutulong ka sa Wikipedia sa pagpapalawig nito.
Ugnayang Nauru-Pilipinas

Ang Ugnayang Nauru–Pilipinas ay ang dalawahang pakikipagunayan sa pagitan ng Nauru at Pilipinas. Pinapanatili ng Pilipinas ang ugnayan nito sa Nauru sa embahada nito sa Canberra, Australia
Sa pamamagitan ng Nauru Phosphate Royalties Trust, ang Nauru ay namuhunan sa Pilipinas at ipintayo ang Manila Pacific Star Hotel, ngunit ang otel ay nalugi ng malaki. Sumabak ang Nauru at Pilipinas sa isang joint venture sa industriya ng posporo kung saan ang hilaw na posporo mula sa Nauru ay ipinaproseso sa mga planta na ipinatayo sa Pilipinas. 35 milyong dolyar ang ipinuhunan sa joint venture. Mamayang sinasabi ng Nauru na ang halaga na ipinuhunan ay 60 milyong dolyar. Nalugi ang proyekto ng 1.2 bilyong dolyar.
Gumawa ng pagbibisitang pang-estado sa Pilipinas ang pangulo ng Nauru na si Hammer DeRoburt. Ang kanyang unang opisyal na pagbisita ay nangyari noong Nobiyembre 22–23, 1978. Bumisita rin siya ng Mayo 1 at Agosto 29, 1980. Tinalakay nila De Roburt at pangulong Ferdinand Marcos ng Pilipinas ang mga maaring pakikipprospects for pakikipagtulungan sa larangan ng agrikultura, pataba sa lupa, pangingisda, at pabahay. Sa kanyang pagbisita noong Agosto 29, nangyari ang isang talakayan upang tapusin ang sa paggawa ng isang kasunduan ukol sa pagsuplay ng hilaw na posporo sa Pilipinas na tinatayang 20 milyong dolyar sa halaga noong panahon na iyon para sa susunod na sampung taon.
Noong termino ng pangulo ng Nauru na si Hammer DeRoburt, lumapit ang Nauru sa maraming bansa sa Pasipiko upang makabili ng isang pulo para sa mga mamamayan nito kapag naubos na ang posporo sa Nauru. Isa sa mga bansang nilapitan ay ang Pilipinas. Naiuulat na ang Pilipinas ay di interesado ukol dito.
Billy Bibit

Si Billy C. Bibit (Marso 10, 1950 – Oktubre 25, 2009) ay isang Pilipinong retiradong koronel at isang tinyente koronel sa Philippine Constabulary na namuno sa mga serye ng mga pagtatangkang kudeta laban sa dating Pangulo ng Pilipinas na si Corazon Aquino noong dekada 1980s. bilang miyembro ng Revolutionary Patriot Alliance (Rebolusyonaryong Alyansang Makabayan, RAM).
Si Bibit ay nagtapos sa Philippine Military Academy (PMA) noong 1972. Siya ay naging isang founding member pareho ng RAM at ng Guardians Brotherhood.
Inilarawan si Bibit bilang malapit na kaalyado ni Senador Gregorio Honasan, na nagtatag ng RAM at nanguna sa serye ng mga pagtatangka ng kudeta laban sa administrasyong Aquino. Noong Disyembre 1989, isa siya sa mga miyembro ng RAM na kumuha sa Pantalan ng Maynila kasama niya ang pamunuan ng mga tauhan ng RAM sa pagkontrol sa mga pangunahing pasukan at labasan ng North at South Harbors ng daungan. Siya ay sinentensiyahan ng siyam na taon sa bilangguan para sa pagrerebelde at pagpatay noong Hulyo 20, 1992.
Kalaunan ay hinirang ni Aquino si Bibit sa isang posisyon sa Bureau of Customs. Nangampanya siya para sa isang upuan sa Kongreso ng Pilipinas noong 1992, ngunit natalo sa halalan. Kalaunan ay nagtrabaho si Bibit sa Economic Intelligence and Investigation Bureau noong mga unang taon ng administrasyon ni Pangulong Gloria Macapagal .
Naospital si Bibit sa huling tatlong taon ng kanyang buhay. Namatay siya noong 9:52 ng hapon noong Oktubre 25, 2009, dahil sa komplikasyon ng stroke na nangyari tatlong taon bago ang kanyang kamatayan. Ang kanyang libing ay ginanap sa Chapel 6 sa Heritage Park sa Fort Bonifacio .
Palaro ng Timog Silangang Asya 1991

Ang 'Ika-16 na Palaro ng Timog Silangang Asya 1991' ay ginanap sa Lungsod ng Maynila, Pilipinas mula Nobyembre 24, 1991 hanggang Disyembre 15, 1991. Ito ikalawang pagkakataon na ginanap sa Pilipinas ang kaganapang pampalakasang ito. Ang opisyal na pagbubukas ay ginawa ng Pangulo ng Pilipinas si Corazon Aquino sa Rizal Memorial Stadium sa Maynila.
Ang opisyal na maskota ng palaro ay si Mabuhay, isang sarimanok, isang makulay na uri ng manok na namumuhay sa kabundukan. Ang sarimanok ang naging simbolo ng pagiging makulay ng palaro.
* Host nation (Philippines)
Padron:Sequence
Padron:SEAsianGames-stub
Herminio Teves

Si Herminio "Meniong" Guivelondo Teves (Abril 25, 1920 – Mayo 15, 2019) ay isang negosyante at mambabatas na mula sa Negros Oriental.
Ipinanganak si Herminio Guivelondo Teves kina Margarito Pinili Teves at Francesca Guivelondo noong Abril 25, 1920 sa Valencia, Negros Oriental.
Ikinasal si Tevez kay Narcisa”Sisay” Enrera Bustalino at nagkaroon sila ng tatlong anak na sina Margarito na ipinanganak noong 1943, Pamela na isinalang noong 1945 na sinundan ni Virginia noong 1946. Namatay si Narcisa noong 1949 dahil sa kanser. Ikinasal si Teves kay Victoria “Toring” Enrera Villamor, pinsan ni Narcisa, at nagkaroon sila ng limang anak.
Natapos ni Teves ang elementarya at sekundaryang edukasyon sa Negros Oriental High School at nakapagtapos siya ng maritime transportation na major sa nautical studies sa Philippine Nautical School.
Bago pumasok sa serbisyong pangpubliko si Teves, siya ay naging pangulo ng Unitrade Inc. sa Lungsod ng Dumaguete at direktor sa Tolong Sugar Milling Co. Inc. sa Sta. Catalina, Negros Oriental. Pinamahalaan din niya ang Tayasan Agricultural Farm sa Tayasan, Negros Oriental at San Antonio Cattle sa San Antonio, Sibulan, Negros Oriental.
Sa edad na 49 taong gulang, naging kongresista si Teves ng unang distrito ng Negros Oriental noong 1969. Itinalaga naman siya ni Pangulong Corazon Aquino bilang opisyal na namamahala sa opisina ng gobernador ng Negros Oriental noong 1987. Mula 1998 hanggang 2007, si Herminio Teves ay naging kinatawan ng ikatlong distrito ng Negros Oriental sa Kongreso.
Katulong si Teves sa pagsasabatas ng mga Batas Republika Bilang 8800, Batas Republika Bilang 8980, Batas Republika Bilang 8981, Batas Republika Bilang 9295 at Batas Republika Bilang 9361.
Yumao si Herminio Teves sa edad na 99 taong gulang noong Mayo 15, 2019 at naiwan niya ang kanyang walong anak na sina Margarito, Pamela, Virginia, Arnolfo Sr., Herminio Jr., Josel Roel, Janice at Lorna.
Intercontinental Broadcasting Corporation

Ang Intercontinental Broadcasting Corporation (IBC) ay isang Philippine-based media company at VHF television network ng Government Communications Group sa ilalim ng Presidential Communications Operations Office. Ang mga studio ay matatagpuan sa Broadcast City Capitol Hills, Diliman, Quezon City at ang transmitter sa San Francisco Del Monte, Quezon City.
Ang Inter-Island Broadcasting Corporation ay itinatag noong Oktubre 1959 nang ang DZTV Channel 13 sa Maynila ay nagpunta sa test broadcast. Noong 1 Marso 1960 at 6:30 ng hapon, ang DZTV-TV 13 ay sa wakas ay inilunsad at ito ay naging pangatlong istasyon ng telebisyon sa bansa. Ang orihinal na lokasyon nito ay nasa kanto ng P. Guevarra St. (dating Little Baguio) sa San Juan City mula 1960 hanggang 1978. Ang negosyanteng Amerikano na si Dick Baldwin ang unang may-ari at istasyon ng istasyon na binubuo ng karamihan sa mga dayuhang programa mula sa CBS at ilang mga lokal na palabas. . Si Andrés Soriano, Sr. ng San Miguel Corporation, ay makukuha ang network noong 1962. Si Soriano ay isa ring may-ari ng Radio Mindanao Network (RMN) at pahayagan ng Philippine Herald. Ang pinagsamang interes ng media ni Soriano ay nabuo ang unang samahan ng tri-media sa Pilipinas. Bilang braso ng telebisyon ng de facto ng RMN, nakipagtulungan ito sa mga istasyon ng radyo ng RMN para sa mga takip ng pangkalahatang halalan ng 1969 at 1971. Ang istasyon ay may mga relay na nagpapadala upang dalhin ang mga programa sa mga manonood sa Cebu at Davao, na may mga plano na magbukas nang higit pa sa iba pang mga lungsod.
Sa pagitan ng 1970 at 1972, inilunsad ng IBC ang sistema ng paghahatid ng kulay nito na pinangalanang "Vinta Colour" na pinangalanan ang vintas mula sa Zamboanga, na naging ikatlong network sa Pilipinas upang mai-convert sa lahat ng mga kulay na broadcast, pagkatapos ng ABS-CBN at RPN. Noong Setyembre 1972, idineklara noon ni Pangulong Ferdinand Marcos na batas martial sa buong bansa, na nagreresulta sa IBC at iba pang mga network sa telebisyon (maliban sa Kanlaon Broadcasting System na pag-aari ng isang crony ni Marcos, si Roberto Benedicto) ay pinilit na isara ng gobyerno. Gayunman pagkaraan ng ilang buwan, pinahintulutan ng pamahalaan ang IBC na bumalik sa hangin.
Ang beterano ng ABS-CBN na si Ben Aniceto ay naging tagapamahala ng istasyon ng DZTV Channel 13 mula 1973 hanggang 1976. [3]
Philippine Center for Investigative Journalism

The Philippine Center for Investigative Journalism (PCIJ) is a non-profit media organization specializing in investigative journalism. It is based in Quezon City, Philippines. Established in 1989 by nine Filipino journalists, the organization funds investigative projects for both the print and broadcast media.
It has published over 1,000 investigative reports and over 1,000 articles in Philippine newspapers and magazines, produced documentaries and published more than two dozen books on current issues. The center also offers writing fellowships to deserving reporters, journalists, and academics.
PCIJ is one of three Philippine organizations belonging to the Global Investigative Journalism Network.
Sheila Coronel, Petronilo Daroy, Lorna Kalaw-Tirol, Malou Mangahas, Horacio Severino, Rosario Tanedo, Rigoberto Tiglao, Marites Vitug, and Virgilio Vitug founded the Philippine Center for Investigative Journalism in 1989.
In 1990, PCIJ published Kudeta: the Challenge to Philippine Democracy, a joint collaboration with the Photojournalists' Guild of the Philippines. It examined the Philippine Military, its rebel factions, the civil government, and society. The book won a Best Book Award from the Catholic Mass Media Awards.
In 1999, PCIJ published Her Stories: Investigative Reports on Filipino Women in the 1990s. It presented articles from reputable newspapers across the nation, examining the viewpoints of women across various sectors.
In 2016, PCIJ organized a series of workshop on investigating election finance, funded by the National Endowment for Democracy.
In 2017, PCIJ launched the PCIJ Story Project. It provides grants for projects that expose human rights abuses, misuse of public funds, and threats to free expression and press freedom.
A board of editors, mostly composed of the center's founders, holds monthly meetings. A board of advisers also convenes to help determine the direction the center's endeavors will take. The center employs a 13-person staff headed by an executive director. The staff also includes five journalists, an office manager, a marketing coordinator, a researcher, and a librarian.
The PCIJ has been awarded nine National Book Awards, a Catholic Mass Media Award, and dozens of Jaime V. Ongpin Awards for Investigative Journalism.
The PCIJ has also won the Agence France-Presse's Kate Webb Award and the AJA Award for Press Freedom from the Asia Journalist Association.