davidanugraha/M4-RAG huggingface dataset:
Archivo Nacional de la Imagen y la Palabra del Uruguay

El Archivo de la Imagen y la Palabra es una institución pública de Uruguay encargada de la custodia, preservación y difusión del archivo histórico audiovisual, fotográfico y sonoro del país. Es una dependencia del Servicio Oficial de Difusión, Representaciones y Espectáculos y su sede principal, así como su sala de exposiciones se encuentran ubicados en la Ciudad Vieja de Montevideo, sobre la Peatonal Sarandí 430.​
La existencia del hoy llamado Archivo de la Imagen y la Palabra, se remonta a dos instituciones: primero a la Sección Fotográfica del Ministerio de Industrias, creada en 1912 con el objetivo de documentar y contar con un archivo gráfico de los principales hechos y personalidades de la historia. Dicha sección fotográfica, pasaría a depender del entonces Servicio Oficial de Difusión Radioeléctrica, ya que se creía que sería de gran utilidad contar con todo ese archivo gráfico, a la hora de consolidar la señal de televisión nacional. Mientras tanto, en noviembre de 1959, había sido creado el Archivo de la Palabra, el cual contaba con un enorme archivo y registro sonoro con las voces más importante y destacadas de la historia oriental.
En 1985 la sección de fotografía se unifica con el departamento de Cine Arte y se convierte en el Archivo de la Imagen. Durante varios años, convivirán por separado el entonces Archivo de la Palabra y el Archivo de la Imagen, hasta que en 2012 son fusionados y pasan a denominarse como Archivo Nacional de la Imagen y la Palabra, unificando también su acervo.​
Como archivo parlante y fotográfico del país, atesora grabaciones de intelectuales, personalidades del arte, la cultura, la sociedad, la política, así como también produce, exhibe filmes y videos.
Entre su colección se encuentran: entrevistas a China Zorrilla y Alfredo Zitarrosa y del radioteatro "Barranca abajo" de Florencio Sánchez, así como el Archivo Presidencial.​​ El mismo fue declarado en 1999 por la Comisión del Patrimonio como Monumento Histórico.
En 2017 su sitio web fue dado de baja perdiendo de acceso la ciudadanía.​
Ernesto Negrín

Ernesto Negrín, San José de Mayo, Uruguay, 9 de julio de 1944 es un músico y empresario uruguayo dueño de un importante conjunto de música tropical uruguaya llamada Casino.​
Contrajo matrimonio con Teresa Martínez, sus hijos son Giselle y Diego.​
Con 45 años de trayectoria, con su conjunto Casino, recibió 27 discos de oro, platino y doble platino en Uruguay.​ Es por ejemplo «Azuquita pal café» una de las tantas interpretaciones conocidas por Ernesto Negrin y su Conjunto Casino, (primer video de la música tropical uruguaya).​
El 26 de diciembre de 2013, Ernesto Negrín y su Conjunto Casino fue homenajeado por la Junta Departamental de Montevideo, por su destacada trayectoria en la música tropical uruguaya.​
Aquilino Pío

Aquilino Pío (Salto, 19 de octubre de 1902 - ídem. 4 de abril de 1983) fue un peón rural, músico y acordeonista uruguayo.​
Aquilino Pío fue un músico callejero y popular, acordeonista autodidacta. Nació el 19 de octubre de 1902, en el barrio Artigas de Salto, según consigna su partida de nacimiento, del año 1953, año en que se procedió a su registro de oficio. Llevó el apellido de su madre, María Fausta Pío, vivió su infancia en Mataojo, cerca de los cerros de Carumbé.
Casi no asistió a la escuela, desde muy joven trabajó como peón rural. Fue allí, en una de las estancias en que trabajó, que recibió su primer instrumento musical, una verdulera de una sola hilera.​
Se casó con Flor de Liz Rodríguez, y de este matrimonio nacieron dos hijas María Eusebia y Santa Celeste (fallecida). La música fue cobrando mayor importancia en su vida hasta transformarse en su sustento básico. Tocaba en remates ferias de ganado, casamientos, bailes, carreras de caballos, etc. Figura como uno de los socios fundadores (número catorce) de la Asociación Salteña de Músicos y Afines (ASDEMYA).​
Su talento musical recibió el reconocimiento del musicólogo Lauro Ayestarán, quien realizó registros fonográficos del músico en su tierra. En su libro “El Folcklore Musical Uruguayo” menciona a Aquilino Pío y da cuenta de su testimonio.
En la ciudad de Salto, era frecuente encontrarlo con su tradicional verdulera y su casco de guerra verde, de juguete, alpargatas blancas y medias de seda hasta las rodillas. Quién haya estado en las fiestas de carnaval de la época, sin dudas tendrá recuerdo de su figura.
Fallece el 4 de abril de 1983, a la edad de 80 años en Salto.
Existe un álbum recopilatorio, editado en el año 2004, por el sello independiente Perro Andaluz. El trabajo, titulado «Aquilino y su acordeón», que consta de 12 temas.​ El instrumento que utilizaba puede ser visto en el Museo del Hombre y la Tecnología. Fue homenajeado póstumamente, una biblioteca lleva el nombre de Aquilino Pío y un busto del recordado músico salteño está ubicado en la puerta de entrada al salón principal de ASDEMYA en octubre de 2012.​
Olga Delgrossi

Olga Del Grossi Sosa, conocida como Olga Delgrossi o la Dama del Tango (Tacuarembó,​ 12 de julio de 1932)​ es una cantante de tango uruguaya.
Llegada a Montevideo cuando todavía era una adolescente, en 1957 ingresó en la popular orquesta de Donato Racciatti, con quien grabó dos tangos que tuvieron mucha difusión también en la Argentina: Tu corazón y Hasta siempre amor. También cantó en Buenos Aires y en otros países.​ Desde 1980 integró el equipo de “Grandes valores del tango” en la televisión argentina. Se ha presentado en el Teatro Solís. Pertenece a la Iglesia Nueva Apostólica.​
En 2015 Olga Delgrossi se encuentra entre los 12 artistas uruguayos en ser homenajeados por AGADU y el SODRE.​
1989

1989 (MCMLXXXIX) fue un año común comenzado en domingo en el calendario gregoriano. En el horóscopo chino fue el Año de la Serpiente.
Este año marca un giro en la historia del mundo por las revoluciones que derrocaron a los estados comunistas del Bloque del Este. Son conocidas como las Revoluciones de 1989, que junto con la disolución del Telón de Acero en Europa y la caída del Muro de Berlín, símbolos de la Guerra Fría, anunciaron la desaparición de la Unión Soviética dos años después.
Todas las fechas pertenecen a los estrenos oficiales de sus países de origen, salvo que se indique lo contrario.
Leonardo Franco (músico)

Leonardo Franco Da Silva Zannier (Tambores, Paysandú, 7 de noviembre de 1942-Ciudad de Guatemala, 1 de diciembre de 2015) también conocido como Leoni,​ fue un músico, compositor y guitarrista uruguayo.​ Hermano mayor de Eduardo Franco y Raquel Franco.
Fue fundador del grupo uruguayo Los Iracundos, junto a su hermano el compositor, vocalista y arreglista Eduardo Franco (1945 – 1989). El grupo se formó en 1958 en Paysandú, Uruguay, y contaba con seis miembros: Eduardo Franco, 'Franco' (vocalista, compositor, arreglista), su hermano Leonardo Franco, 'Leoni' (primera guitarra), Juan Carlos Velázquez, 'Juano' (batería), Juan Bosco Zabalo, 'Bosco' (segunda guitarra), Hugo María Burgueño, 'Burgués' (bajo eléctrico, compositor y coros) y Jesús María Febrero, 'Febro' (teclados y compositor).​​ Inicialmente el grupo se llamó The Blue Kings y luego de su primer contrato internacional con la RCA Victor de Argentina en marzo de 1964 pasan a llamarse Los Iracundos. El grupo con más de cincuenta años en al música, actualmente tiene un estilo de música romántica y pop latino, y es famosa por canciones como "Puerto Montt", "Tú con él", "Apróntate para vivir" y "Te lo pido de rodillas".​​​
Leonardo Franco fue padre del músico y guitarrista Adán Franco, a cargo de la segunda guitarra al frente de la formación de Los Iracundos.​
Falleció el 1 de diciembre de 2015 a los 73 años en Guatemala, donde el grupo se estaba preparando para un concierto como parte de su gira.​​ Los integrantes del grupo comunicaron en conferencia de prensa que la gira prevista en el país continuaría con los tres conciertos que se tenían programados. El fallecimiento de Franco se dio en el Hospital Roosevelt de la capital guatemalteca.​
Delanuka

Delanuka fue una banda de rock uruguayo formada en 1988. Se caracterizó por un sonido abierto al funk y al jazz latino que la diferenció del rock uruguayo post dictadura.​
Delanuka fue conformada por Carlos Quintana, Marcelo «Taquini» Núñez y Coco Fernández, que tocaban en Salario Mínimo, una banda de jazz rock, César Martínez, que era vocalista en el grupo de rock Luz Roja y Nicolás Arnicho.​
En 1989 grabaron Montevideo mata, editado por el sello Orfeo y con arte de tapa de Rodolfo Fuentes.​ El álbum se distanciaba del rock uruguayo post dictadura, que estaba en retroceso. El rock de Delanuka presentaba raíces uruguayas conectando con la música de Hugo Fattoruso, Ruben Rada y Jaime Roos, cuidaba la calidad musical, transmitía una actitud positiva y en sus letras abundaban neologismos propios de su generación.​​
En 1992 grabaron Viaje sin retorno, editado por Ayuí / Tacuabé solo en casete (en Uruguay ya no se editaban vinilos y los CD no se habían popularizado), ahora con Ricardo Gómez suplantando a Nicolás Arnicho en batería y sumando la guitarra de Guillermo Hill. En el álbum participan como invitados Mariana Ingold, Osvaldo Fattoruso, Fernando Cabrera y Norma Galfetti, ex vocalista del grupo uruguayo de rock Quo Vadis.​ "Homenaje" es una canción dedicada al músico Eduardo Mateo, recientemente fallecido y "Negro" una versión de la canción de Ruben Rada (a mediados de los años noventa César Martínez conducirá junto a Rada el programa de radio Radar en X FM, participará en Miscelánea negra y Nicolás Arnicho y Carlos Quintana colaborarán en álbumes de Rada).​​
Luego de presentar en vivo dos veces Viaje sin retorno, la banda se disolvió debido a que varios de sus integrantes viajaron a Europa.​
En 2009 César Martínez grabó Ambiente familiar, con la participación de Coco Fernández, entre otros. Un álbum editado por el sello Ayuí.​
En 2018 la banda se reunió para tocar en La Trastienda de Montevideo, con Gustavo Montemurro en teclados y el sello Ayuí reeditó Viaje sin retorno en CD, con diferente arte de tapa.​
César Martínez: Voz
Coco Fernández: Teclados
Carlos Quintana: Guitarra
Marcelo Núñez: Bajo
Nicolás Arnicho: Batería (en el primer álbum)
Ricardo Gómez: Batería (en el segundo álbum)
Guillermo Hill: Guitarra (en el segundo álbum)
Larbanois – Carrero

Larbanois – Carrero is a Uruguayan folk music duo consisting of Eduardo Larbanois and Mario Carrero. Created at the end of 1977 and with a history that stretches to the present, is concerning artistic several generations of Uruguayan musicians .
Mario Carrero was born in Florida on May 16, 1952. From an early age he settled in Montevideo and developed his acting career as a soloist. It was at the Festival of Paysandú, where he earned the award for best voice, that he first met Eduardo Larbanois, who was performing as part of the duet The Eduardos.
Eduardo Larbanois was born in Tacuarembó on August 11, 1953. He was a pupil of Abel Carlevaro and Esteban Klisich, among others. He joined the duo Los Eduardos with Eduardo Lago, with whom he recorded 3 LPs and achieved some recognition at regional level, touring Uruguay and part of Argentina. He also performed on the collective album "Troves por Leandro Gómez" with Carlos Maria Fossati, Carlos Benavides and Julio Mora, released in 1978.
In 1977, Larbanois and Carrero decided to form a duo, performing for the first time in a recital organized by university students in the Colegio San Juan Bautista in 1978.
Over 30 years of performances, the duo has toured around the world, having given recitals in Australia, New Zealand, United States, Canada, Cuba, Paraguay Brazil, Argentina, among others.
He edited some 30 Lps. And shared the stage with a number of Uruguayans and foreign artists, which include: Santiago Feliú, Leon Gieco, Paco Ibanez, César Isella, Joan Manuel Serrat, Daniel Viglietti, Alfredo Zitarrosa, The brothers Carlos and Enrique Mejia Godoy and Pablo Milanés.
Uruguayans in Spain

Uruguayans in Spain are people born in Uruguay who emigrated to Spain. As of 2022, there are over 80,000 Uruguayans living in Spain, mostly in Catalonia.
Two centuries ago, Uruguay used to be part of the Spanish Empire. Since attaining independence, Uruguay has always considered Spain as the Madre Patria, and cultivated intense cultural and economical links between both countries. During the last decades of the 20th century and first years of the 21st, there have been thousands of Uruguayans travelling to live and work in Spain, many of them thanks to their Spanish passports.
During the civic-military dictatorship of Uruguay (1973-1985), some expatriates spent their exile years in Spain. There are as well a number of Spanish-born people of Uruguayan descent.
As of 2011, there were over 40,000 Uruguayans living in Spain. Current data put the figure of Uruguayans in Spain at 80,000.
Expatriate Uruguayans have their own associations in Spain, notably the Uruguayan Center of Madrid and several Consultative Councils. Official information consider that there are at least 50 Uruguayan-run organizations in Spain.
Carmelo, Uruguay

Carmelo is a city located in the department of Colonia of western Uruguay, noted for its wineries.
Route 21 passes through the city, joining it with Nueva Palmira to the northwest and Colonia del Sacramento to the southeast.
During the beginning of the Conquest of the 16th century, the Spanish founded the Fuerte de San Lázaro (April 7, 1527 - October 1530). In 1611, Hernando Arias de Saavedra, governor of Asuncion, landed cattle near the mouth of the Arroyo de las Vacas. A populated centre was established here which had reached the status of "Pueblo" (village) before the Independence of Uruguay. The present city was founded by José Gervasio Artigas on 12 February 1816. Its status was elevated to "Ciudad" (city) on 17 August 1920 by the Act of Ley Nº 7.257. It is the only city founded personally by the Uruguayan national hero, and it still holds this office proudly.
In 2011 Carmelo had a population of 18,041.
Source: Instituto Nacional de Estadística de Uruguay
There are two squares in the city. The one is Plaza Artigas, with a monument to the foundation of the city, the church Templo Histórico del Carmen and the city museum and archive. The other, more central square is the commercial centre of the city. The main commercial street is 19 de Avril, which at its south ends at the bridge, after which it becomes Route 21 which joins it with Colonia del Sacramento and also forks towards other destinations.
The river Arroyo de las Vacas runs along the east and south part of the city. This river serves as a port for the town. On its north bank there is the Puerto Carmelo-Tigre, where small catamaran boats carry passengers across the Río de la Plata to Argentina. A swing bridge, the Puente Giratorio de Carmelo, which opened on 1 May 1912, passes over the Arroyo de las Vacas. The bridge joins the north part of the city with its small southern part, where another port along the southern banks of the river accommodates private boats and the Yacht Club Carmelo. In the same part, along the coast there is beach Playa Seré, a park, a small zoological garden and a Casino Hotel.
Between Nueva Palmira and Carmelo there is a stretch along the Río Uruguay of great tourist importance. Points of interest in this area are Punta Gorda, Zagarzazú and Colonia Estrella. In Zagarzazú there is a small airport and a luxury hotel, the Four Seasons Carmelo Hotel, with an important golf course.
Just northwest of Carmelo is Juncal Island which once held a notorious prison. The city is a few kilometers from the town of Las Víboras.
Sodre National Auditorium

The National Auditorium of Sodre Dr. Adela Reta is a venue located in Montevideo, Uruguay. It is named after the lawyer, former minister and president of the Official Service of Broadcasting, Television and Entertainment, Adela Reta (1921–2001).
On August 29, 2019, the Ministry of Education and Culture, through the National Cultural Heritage Commission, designated the Auditorio Nacional del Sodre as a Historical Monument of Uruguay.
It is located in the old Urquiza Theater building, which caught fire on September 18, 1971. In addition, it is the home of the National Ballet of Uruguay.
Established in the historic downtown corner of Andes and Mercedes, on an approximate area of 25,000 m², it has two halls, "Eduardo Fabini" and "Hugo Balzo", prepared to host shows, an amphitheater, exhibition areas and large circulation areas, in addition to rehearsal rooms and workshops.
The "Eduardo Fabini Hall" has approximately 2000 seats. It is intended for lyrical, symphonic and ballet shows. Its pit can house more than 100 musicians, organized into three modules with movements, based on an automated lifting system. The stage, the largest in the country, has a free height of 27 meters and an adjustable stage opening that can reach a maximum of 15.5 meters wide by 12 meters long.
The "Hugo Balzo Hall" has a capacity of approximately 280 seats and offers great technical and scenic flexibility, ideal for its transformation. Destined for chamber music, today it is presented as a multipurpose room, capable of taking on the stage challenges of small-format shows. Annex to this room are the audio and video recording venues, both for the shows that take place in the Balzo room and in the other rooms.
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Meanings of minor-planet names: 17001–18000

As minor planet discoveries are confirmed, they are given a permanent number by the IAU's Minor Planet Center (MPC), and the discoverers can then submit names for them, following the IAU's naming conventions. The list below concerns those minor planets in the specified number-range that have received names, and explains the meanings of those names.
Official naming citations of newly named small Solar System bodies are approved and published in a bulletin by IAU's Working Group for Small Bodies Nomenclature (WGSBN). Before May 2021, citations were published in MPC's Minor Planet Circulars for many decades. Recent citations can also be found on the JPL Small-Body Database (SBDB). Until his death in 2016, German astronomer Lutz D. Schmadel compiled these citations into the Dictionary of Minor Planet Names (DMP) and regularly updated the collection.
Based on Paul Herget's The Names of the Minor Planets, Schmadel also researched the unclear origin of numerous asteroids, most of which had been named prior to World War II. This article incorporates text from this source, which is in the public domain: SBDB New namings may only be added to this list below after official publication as the preannouncement of names is condemned. The WGSBN publishes a comprehensive guideline for the naming rules of non-cometary small Solar System bodies.
Uruguayans in Mexico

Uruguayan Mexicans are people born in Uruguay who live in Mexico, or Mexico-born people of Uruguayan descent.
There are many Uruguay-born persons living in Mexico for a number of reasons. Both countries share the Spanish language, the historical origins of both nations is common (part of the Spanish Empire until the early 19th century), Mexico has a much bigger economy which attracted Uruguayans in search of opportunities, and, from the political point of view, during the civic-military dictatorship of Uruguay (1973-1985) ideological affinity made Mexico attractive as an exile destination for Uruguayans.
Uruguayans living in Mexico have their own institutions such as the Consultative Councils in Mexico City, Cancun, Puebla, and Toluca.
Erika Büsch

Erika Büsch Guadalupe (born 22 October 1974) is a Uruguayan popular music composer, guitarist, and singer.
Büsch's first artistic studies took place at the National Dance School, where she took classes in the history of dance, body expression, music reading, choreography, traditional popular culture, introduction to social sciences, and history of culture.
Later she began guitar studies with the concertists Alfredo Escande [es], Eduardo Yur, and Cristina Zárate. After joining the Uruguayan Popular Music Workshop (TUMP), she studied with Ney Peraza, Jorge Schellemberg [es] and Guilherme de Alencar Pinto.
Büsch continued her studies at the University School of Music [es], where she specialized in guitar and choral conducting. She also studied harmony with the composer Esteban Klísich [es].
Subsequently, she worked on the creation of the music group workshop for children "Tucanción", and the children's animation group "Tungaitá".
In 2002, Büsch independently released her first adult album, entitled Tocando el tiempo. This album, that contains 14 original songs by the artist, is framed in an experimentation stage, with songs that have rhythmic bases as dissimilar as pop, tango, and bossa nova.
In 2004 and 2005, Büsch performed a series of shows with Numa Moraes entitled "Por el gusto de cantar" (for the love of singing), during which they performed at the Zitarrosa Hall in Montevideo and made a tour of the interior of Peru. The repertoire of the shows, in addition to including themes of both artists, incorporated works by different Latin American authors such as Silvio Rodríguez, Violeta Parra, Atahualpa Yupanqui, and Carlos Puebla.
In 2006, she traveled to Chile to represent Uruguay at the 47th Viña del Mar International Song Festival, where she participated in the folkloric competition. In that category she performed her song "Sinfonía Nocturna".
Together again with Numa Moraes, in 2008 she started a tour of Canada that led her to give performances, talks, and workshops in cities such as Montreal, Ottawa, Toronto, Calgary, Quebec, Vancouver, and Edmonton.
In addition to Numa Moraes, Büsch has shared stages with important Uruguayan artists such as Pepe Guerra [es], Mauricio Ubal [es], Daniel Viglietti, and the duo Larbanois – Carrero, as well as groups from other countries, such as Quilapayún.
Rodolfo Santullo

Rodolfo Santullo (born 19 November 1979, in Mexico City) is a Mexican-born Uruguayan writer, journalist, comic book writer, and editor.
Santullo moved to Montevideo and has lived there since 1984.
He is the author of the graphic novels “Los últimos días del Graf Spee” (2008), “Cena con Amigos” (2009), “Acto de Guerra” (2010), "Valizas" (2011), "Dengue" (2012), "El Club de los Ilustres" (2012), "Zitarrosa" (2012), "40 Cajones" (2012), "Etchenike" (2013), "Far South" (2013), "Misterios de Cuarto Cerrado" (2014), "Malandras" (2014), "El Club de los Ilustres: Conspiración en las Sombras" (2014), "Merlín: El Druida" (2015), "El Oro del Zar" (2015), "HOUNDS" (2016), "Banda de Orcos" (2016), "Reflejo" (2016) and "El Dormilón" (2016) among others. He wrote a monthly column for the Argentine magazine Fierro and writes weekly for the Argentine website Historietas Reales. He is the author of the short story book “Perro Come Perro” (2006) and the novels “Las Otras Caras del Verano” (co-written with Martín Bentancor, 2008), “Cementerio Norte” (2009), “Sobres Papel Manila” (2010), "Aquel Viejo Tango" (co-written with Martín Bentancor, 2011), "El Ultimo Adiós" (2013), "Matufia" (2014) and "Luces de Neón" (2016). He was awarded the Solano López Prize for best writing for his graphic novel "Cena con Amigos". In 2008 he was awarded a grant by the Ministry of Education and Culture of Montevideo, in the Graphic Story category. In 2009 he shared the First Prize in the JC Onetti Contest with the comic book artist Matías Bergara.
In 2015 "Dengue" was published in United States by Humanoids and "Forty Coffins" by Space Goat Publishing.
He is currently the editor of the publishing house Grupo Belerofonte, which specializes in the publishing of comic books.
Plaza Fabini

Plaza Fabini (Spanish for 'Fabini Square') also known as Plaza del Entrevero, is a public square in the central business district of Montevideo, Uruguay. Located on 18 de Julio Avenue, on its north side starts Libertador Avenue.
Its main fountain has a bronze sculpture of José Belloni called 'El Entrevero', which acts as the monument to the unknown soldier. Under the square, there is a municipal exposition area called Subte Municipal.
Edificio Lapido

Edificio Lapido is a building on 18 de Julio Avenue in Centro, Montevideo, Uruguay.
It is a multifunctional building, built in 1933 and designed by architect Juan Aubriot. It is a beautiful illustration of Uruguay's early 20th-century international architectural renewal. It is a National Heritage Site since 1989.
34°54′23″S 56°11′45″W﻿ / ﻿34.90639°S 56.19583°W﻿ / -34.90639; -56.19583
Libertador Avenue

Libertador Avenue is a major avenue in Montevideo, Uruguay. It stretches north from the Legislative Palace in Aguada to Plaza Fabini in Centro, and is named after Juan Antonio Lavalleja, revolutionary figure and politician, who led the group of the Thirty-Three Orientals in the insurrection for the independence of Oriental Province.
In its beginnings it was called Agraciada Avenue, but in the 1920s the Agraciada Diagonal project was carried out, which consisted of widening the road, which required the demolition of buildings such as the original façade of the Church of Our Lady of the Mount Carmel. The new diagonal joined the Legislative Palace, which was inaugurated in 1925, with the central business district. In the 1940s, buildings such as the headquarters of the State Insurance Bank and the National Administration of Fuels, Alcohol and Portland (ANCAP) were erected.
Despite being 1.5 kilometres (0.93 mi) long, it carries a large amount of traffic, as it serves as an entrance to the barrio Centro and Ciudad Vieja from the north of the city. Libertador Avenue crosses Isabella I of Castile Square, located one block from the General Artigas railway station, and is where the President and Vice President parade to Plaza Independencia after taking the oath at the General Assembly in each inauguration.
The main landmarks across this avenue are:
34°54′11″S 56°11′35″W﻿ / ﻿34.9031°S 56.1931°W﻿ / -34.9031; -56.1931
City Hall of Montevideo

The Palacio Municipal de Montevideo (City Hall of Montevideo) is the seat of Montevideo government, located on 18 de Julio Avenue, in barrio Centro. It was designed by Uruguayan architect Mauricio Cravotto.
In the 1930s, a tender was called for the construction of a building to house the then executive and legislative bodies of Montevideo, the Board of Directors, and the Representative Assembly, although with the constitutional reforms these original institutions would be modified. It had to be built on the old property of the English Cemetery, a property acquired several years ago by the state in which it was originally intended to build a building to house the Executive branch of the government and the Judiciary. The City Hall esplanade constitutes a busy meeting place, and is where relevant events such as the matches of the Uruguayan national football team are broadcast on a big screen located in the building opposite.
Construction began in 1935 and was inaugurated on July 16, 1941, although the actual building differs from the original 1929 Cravotto model; his main tower measured 114m, which would have become the tallest building in the city, for financial reasons rose to only 78m, remaining in second place after the Palacio Salvo. It also lacked the brick siding. The side wings, the underground concourse, and the garage were built later, giving the building its current appearance. While not the tallest building in Montevideo, its location on 18 de Julio Avenue, built on the crest of a ridge or long hill, makes the building look more impressive. The area of the building had begun development in at least 1867.
In front of the main entrance is an impressive bronze replica of David of Michelangelo. The atrium of the building hosts exhibitions of art, craft, and varied cultural expressions, while on the right side there is a copy of the statue of Nike of Samothrace. In the late 1980s the hall hosted a retrospective of the work of the ceramicist Eva Díaz Torres.
The west wing of the building hosts the Museum of History of Art. The Municipal centre of Photography includes the Photographic Archive of Montevideo, which is a service where the public can acquire copies from the material of the archive. On the back side of the building, there is an external elevator taking the public to floor 22 of the building where there is a city observatory. Also on the back of the building is the Direccion de Necropolis which supervises the cemeteries of the city.
Duerme Negrito

Duerme Negrito ("Sleep, little black one") is a popular Latin American folkloric lullaby, originally from an area near the Colombian and Venezuelan border. The song was compiled by Atahualpa Yupanqui when visiting this region and popularized by him and other musicians, such as Victor Jara, Mercedes Sosa, Jayme Amatnecks, Alfredo Zitarrosa, Daniel Viglietti, and Natalia Lafourcade when touring around the world.
The song tells the story of a mother who leaves her child in the care of a friend or neighbor while she goes out to work hard in the fields for no pay. It is sung by this lady to the little black child who has been left in her care. This lady tells the child to fall asleep, because his mother is working in the fields. The lady promises that the child's mother will bring him treats, such as quails and pork, if he falls asleep. The mother is a slave, as she works without pay. The caregiver tells the boy, if he doesn't fall asleep, the white devil, meaning the slave driver, will come to eat his little feet. His mother continues to work hard; as she works, she is coughing, and in mourning.
In 2015 the interpretation of the arrangement for the choir of Jayme Amatnecks's of Emiglio Solé's arrangement of the song Duerme Negrito was included in the Spanish short film "Paseo de los melancolicos, 9-3-B-28005-Madrid" of the eminent Spanish director Miguel Trudu, nominated for the Cannes Festival 2017.
This lullaby is sometimes confused with the Afro-Cuban song, Duerme Negrita.
Duerme Negrito
Vocal arrangement Emiglio Solé
Camerata Ars Musica – Jayme Amatnecks
Сладък кестен

Сладкият кестен (Castanea sativa) е широколистно дърво. Расте предимно в кафяви горски почви, богати на хранителни вещества. Сладкият кестен е влаголюбив дървесен вид. Той има добре развита на дълбочина и ширина коренова система, което го предпазва от щети при силни ветрове. Сладкият кестен (наричан още Обикновен кестен) достига до височина 35 – 40 метра.
Листата на сладкия кестен са прости, цели и на дължина достигат до 25 см, а на ширина – до 8 см. Характерен за листата на сладкия кестен е тъмнозеленият цвят на горната им страна и силно назъбеният ръб на листото. Листните петури се прикрепят с немного дълга листна дръжка. Листата на сладкия кестен са богати на витамин K.
Сладкият кестен е еднодомно растение. Мъжките цветове са събрани в съцветия. Всеки отделен цвят има 5 – 6 околоцветни листчета, които са жълто-зелени на цвят. Всеки цвят разполага с 10 до 20 тичинки.
Плодовете му узряват от 4 до 5 месеца след цъфтежа на растението. Оптималния си плодоносен капацитет дървото от сладък кестен достига, когато е на около 50 години. Плодовете му са богати на скорбяла, захари и мазнини, поради което се използват за храна от човека.
Предполага се, че сладкият кестен произхожда от Азия. Среща се в Южна Европа, Северна Африка, Кавказ, Мала Азия. В България образува естествени насаждения в южната част на страната – по северните склонове на Беласица, Славянка, Пирин и Огражден. Най-компактни и големи са насажденията в Беласица. За кестеновите гори край Берковица в Западна Стара планина се смята, че имат изкуствен произход.
Сладкият кестен обикновено живее до 150-годишна възраст, а пределната му възраст е около 500 години. По-ранната гибел на сладкия кестен обикновено се причинява от гъбно заболяване, характерно за вида.
Кипърска трета дивизия

Кипърската трета дивизия (на гръцки: Γ 'Κατηγορία) е третото ниво на футбола в Кипър.
Дивизията е полупрофесионална, съдържа 16 отбора. Играят два пъти един срещу друг, веднъж като домакин и веднъж като гост, общо 26 мача за отбор. Първите три отбора печелят промоция за втора дивизия, а последните три изпадат в СТОК елитна дивизия.
Трета френска република

Третата република (на френски: La Troisième République) е политическият режим във Франция от 1870 година до 10 юли 1940 година. Той е установен след Френско-пруската война и провала на Втората империя на Наполеон III през 1870 година. Оцелява до германското нахлуване във Франция по време на Втората световна война, след което върху част от нейната територия се установява Режимът от Виши, а останалата е поставена под пряко германско управление.
Ранната френска политика била определена от големите репарации след края на Френско-пруската война. Това довело до загубата на Елзас и североизточната част на Лотарингия. След войната се създава и Парижката комуна, която управлявала Париж за 72 дни. Ранните правителства на републиката обмисляли връщането на монархията, но не било постигнато споразумение за формата на управление и кой трябва да получи трона и затова разговорите били прекратени. Поради тази причина, Третата република, която била създадена като временно управление, станала постоянната форма на управление във Франция. Първото френско правителство се е състояло от 638 депутати-222 републиканци, които се делят на леви и либерали, и 416 монархисти (подкрепящи различни династии).
Mirabelle plum

Mirabelle plum (Prunus domestica subsp. syriaca) is a cultivar group of plum trees of the genus Prunus. It is believed that the plum was cultivated from a wild fruit grown in Anatolia.
The mirabelle is identified by its small, oval shape, smooth-textured flesh, and especially by its red, or dark yellow colour which becomes flecked in appearance. They are known for being sweet and full of flavour. The fruit is primarily used in fruit preserves and dessert pies, and its juice is commonly fermented for wine or distilled into plum brandy. Some 90% of mirabelle plums grown commercially are made into either jam (70%) or eau de vie (20%).
The mirabelle reaches maturity and is harvested from July to mid-September in the Northern Hemisphere. The traditional method of shaking the trees is now mechanized, but the principle remains the same: the ripe fruits are shaken loose and collected in a net under the tree.
The following cultivars are considered part of the Mirabelle cultivar group:
The mirabelle is a speciality of the French region of Lorraine, which has an ideal climate and soil composition for the cultivation of this fruit. This region produces 15,000 tons of mirabelle plums annually, which constitutes 80% of global commercial production.
There are two main cultivars grown for fruit production, derived from cherry plums grown in Nancy and Metz. The Metz type is smaller, less hard, and less sweet, and has no small red spots on the skin. It is very good for jam, while the Nancy type is better as fresh fruit as it is sweeter.
Since 1996 the mirabelle de Lorraine has been recognized and promoted by the EU as a high-quality regional product, with a Protected Geographical Indication (PGI). This label guarantees a minimum fruit size (22 mm) and sugar content, and can only be used in a specific geographical zone of production.
The city of Metz dedicates two weeks to the Mirabelle plum during the popular Mirabelle Festival held in August. During the festival, in addition to open markets selling fresh prunes, mirabelle tarts, and mirabelle liquor, there is live music, fireworks, parties, art exhibits, a parade with floral floats and competition, and the crowning of the Mirabelle Queen and a gala of celebration.
Import of mirabelles to the United States is generally restricted.
Prunus mexicana

Prunus mexicana, commonly known as the Mexican plum, Inch plum, and Bigtree plum, is a North American species of plum tree that can be found in the central United States and Northern Mexico.
Prunus mexicana has a single trunk, an open crown, and reaches a height of 15–38 feet (4.6–11.6 m). It has dark green, simple ovate leaves 2–4.5 inches (5.1–11.4 cm) long and 1.25–2 inches (3.2–5.1 cm) wide. In the early spring it is covered with five-petaled fragrant white or pale pink flowers 0.75–1 inch (19–25 mm) wide. Its dark gray bark is banded with horizontal lenticels. The dark red or purple fruit ripens late in the fall.
Prunus mexicana is very similar to Prunus americana, and they intergrade along a broad contact zone centered around Arkansas and Missouri. These intermediate individuals may be impossible to assign to a specific species.
Prunus mexicana is included in the section Prunocerasus.
The native range of the species stretches from South Dakota east to Wisconsin, Ohio, Kentucky, and Georgia, and south to the Mexican states of Coahuila and San Luis Potosí.
It is usually found on woodland edges or in open fields. It is adaptable to a wide range of soil pH and is drought-tolerant. The trees are hardy in U.S. Department of Agriculture zones 5 to 9.
The fruit is eaten fresh by both mammals and birds.
The fruit is made into preserves, and the tree can serve as a rootstock for grafting on other plum cultivars.
Road signs in Bulgaria

Road signs in the Republic of Bulgaria were introduced by the Road Traffic Act and are regulated by:
Both normative documents are harmonized with the Vienna Convention on Road Signs and Signals (1968), which was ratified by Bulgaria on December 28, 1978 (This Convention was not published in the State Gazette). Bulgaria made two declarations upon signature, one reservation upon ratification and one declaration upon ratification. One reservation made upon ratification is regarding transliteration into Latin characters solely to indicate the terminal points of international routes passing through Bulgaria and places of interest to international tourism. This is because the Cyrillic script is used in the writing system of the Bulgarian language, the official language of Bulgaria.
Road signs in Bulgaria use the SNV typeface, which is also used in neighboring countries in the Balkans such as Romania, Serbia and North Macedonia. Inscriptions on road signs are usually written in both Bulgarian and English (Cyrillic and Latin scripts respectively), including settlement names.
Today there are some differences between the two documents regarding road signs. The latest changes in Ordinance No. 18 were promulgated in the State Gazette No. 13, dated February 14, 2020. These changes are not reflected in the Regulations for the Implementation of the Road Traffic Act.
Tree of 40 Fruit

A Tree of 40 Fruit is one of a series of fruit trees created by the Syracuse University Professor Sam Van Aken using the technique of grafting. Each tree produces forty types of stone fruit, of the genus Prunus, ripening sequentially from July to October in the United States.
Sam Van Aken is an associate professor of sculpture at Syracuse University. He is a contemporary artist who works beyond traditional art making and develops new perspective art projects in communication, botany, and agriculture. Aken was a 2018 Artist-in-Residence at the McColl Center for Art + Innovation in Charlotte, NC.
His family is Pennsylvania Dutch, and he grew up on the family farm.
In 2008, while looking for specimens to create a multicolored blossom tree as an art project, Van Aken acquired the 3-acre (1.2 ha) orchard of the New York State Agricultural Experiment Station, which was closing due to funding cuts. He began to graft buds from some of the over 250 heritage varieties grown there, some unique, onto a stock tree. Over the course of about five years the tree accumulated branches from forty different "donor" trees, each with a different fruit, including almond, apricot, cherry, nectarine, peach and plum varieties.
Each spring the tree's blossom is a mix of different shades of red, pink and white.
The tree of 40 fruits was originally conceived as an art project, and Sam Van Aken hoped that people would notice that the tree has different kinds of flower in spring and has different types of fruit in summer. However, the project also introduces the changes in agricultural practices over the centuries.
As of 2014, Van Aken had produced 16 Trees of 40 Fruit, installed in a variety of private and public locations, including community and university gardens, museums, and private collections. Locations include Newton, Massachusetts; Pound Ridge, New York; Short Hills, New Jersey; Bentonville, Arkansas; and San Jose, California. He has plans to populate a city orchard with the trees.
Guyuk

Guyuk is a town and Local Government Area in Adamawa State, Nigeria. Guyuk has many limestone deposits. Guyuk is located along the Numan–Biu road.
The rainy season in Guyuk is humid and overcast, whereas the dry season is hot and partially cloudy. Throughout the year, the temperature normally ranges from 62°F to 103°F, with temperatures rarely falling below 57°F or rising over 108°F.April
Guyuk experiences a period of high temperatures lasting 2.4 months, starting from February 6 and ending on April 18, during which the average daily high temperature remains above 99°F. March stands out as the hottest month of the year in Guyuk, with an average high of 103°F and a low of 75°F.
On the other hand, the cooler season persists for 3.4 months, spanning from July 2 to October 13, with an average daily high temperature below 88°F. December marks the coldest month in Guyuk, characterized by an average low of 62°F and a high of 94°F.
In Guyuk, as autumn progresses, there is a notable reduction in cloud cover, with the portion of time when the sky is overcast or mostly cloudy declining from 71% to 56%.
The most unclouded day during the fall season is observed on November 26, featuring clear, mostly clear, or partly cloudy conditions approximately 44% of the time.
To provide context, on May 6, which is the cloudiest day of the year, the likelihood of overcast or mostly cloudy conditions reaches 80%, while on January 4, the clearest day of the year, there is a 57% chance of experiencing clear, mostly clear, or partly cloudy skies.
The Yellow Leaves

The Yellow Leaves: a miscellany is a collection of sermons, essays, short stories, and poetry authored by Frederick Buechner. Published in 2008 by Westminster John Knox Press, The Yellow Leaves is Buechner's sixteenth non-fiction work.
The title for the anthology is derived from William Shakespeare's Sonnet 73. In his introduction, the author reveals that, at eighty years of age, he 'no longer has the right kind of energy' to write books, and that what follows is a collection of short pieces. The pieces in question are varied in nature. A number are brief memoirs. In his description of a year spent in Europe, the author recalls meeting Princess Margaret and Alice B. Toklas, and witnessing Pope Pius XII conduct a Christmas Eve mass at St. Peter's Basilica. Additionally, he reflects on the success enjoyed by his first novel, A Long Day's Dying, and the composition of his second novel, The Season's Difference. Elsewhere, Buechner also remembers a journey with his mother late in her life, his friendship with Maya Angelou, and briefly meeting Dwight D. Eisenhower, Franklin D. Roosevelt, and Harry S. Truman.
The anthology also includes a short story that was initially intended to form part of a fifth installment of the Bebb tetralogy, a brief reflection on Charles Dickens's A Christmas Carol, and a series of 'Family Poems'.
Buechner debuted several of the pieces featured in The Yellow Leaves at the inauguration of the Buechner Institute at King University (now the Institute for Faith and Culture). Publishers Weekly called the volume 'distinctly elegiac', while the reviewer for the Sewanee Theological Review noted that 'much of the book is about death'.
Euonymus japonicus

Euonymus japonicus (evergreen spindle or Japanese spindle) is a species of flowering plant in the family Celastraceae, native to Japan and Korea.
Euonymus japonicus is an evergreen shrub or small tree growing to 3 m (10 ft) tall, with opposite, oval leaves 3–12 cm (1.2–4.7 in) long, more usually 6–10 cm (2.4–3.9 in) long, with finely serrated margins towards the end of the leaves. The flowers are inconspicuous, greenish-white, 5–6 mm (0.2 in) across. The fruit capsule is brown, or yellow- to red-brown. The seeds have an orange-red aril.
Euonymus japonicus is very similar to Euonymus fortunei, particularly in cultivation. In the wild, E. japonicus has an erect habit, whereas E. fortunei is climbing or procumbent.
Euonymus japonicus was first described by Carl Peter Thunberg in 1780. A large number of varieties and forms have been named, none of which were accepted by Plants of the World Online as of November 2024.
Euonymus japonicus is a popular ornamental plant for parks and gardens, both in its native area and also in Europe and North America. In particular the numerous cultivars which have been selected (often with variegated or yellow leaves) are widely grown in all soil types in sun or shade. Some of the more distinctive cultivars are:
(those marked agm have gained the Royal Horticultural Society's Award of Garden Merit)
Tel Baruch

Tel Baruch is a luxury neighborhood dating back to 1947, located on the northern side of the Yarkon River, in the northeast of Tel Aviv, Israel.
The neighborhood is divided into two parts:
The two parts of the neighbourhood are considered luxurious and combine large areas of public parks and woods, and a beach.
"תל ברוך - תל אביב 100. האנציקלופדיה העירונית" [Tel Baruch]. Tel Aviv 100. The Municipal Encyclopedia.
32°07′N 34°49′E﻿ / ﻿32.117°N 34.817°E﻿ / 32.117; 34.817
HIT: The Third Case

HIT: The Third Case is an upcoming Indian Telugu-language action thriller film written and directed by Sailesh Kolanu. Produced by Prashanti Tipirneni and Nani, under Wall Poster Cinema and Unanimous Productions. The third installment in the HIT Universe and the sequel to HIT: The Second Case (2022), the film stars Nani and Srinidhi Shetty in the lead roles, alongside Adil Pala, Rao Ramesh, Brahmaji, and Maganti Srinath.
The film was officially announced in December 2022. Principal photography commenced in September 2024. Filming took place in Hyderabad, Visakhapatnam, and Jammu and Kashmir. The film has music composed by Mickey J. Meyer, cinematography handled by Sanu John Varghese and editing by Karthika Srinivas.
HIT: The Third Case is scheduled to release worldwide on 1 May 2025.
Arjun Sarkaar, an SP in HIT at Visakhapatnam, gets assigned to a high priority case for the HIT in Jammu and Kashmir to catch a group of serial killers responsible for the gruesome murders of several people.
In December 2022, HIT: The Third Case was announced during the credits of HIT: The Second Case with Nani in the lead role. In February 2024, it was announced that #Nani32 was going to be directed by Sujeeth and produced by D. V. V. Danayya under DVV Entertainment. However due to production delays for OG, the film was postponed and in September 2024, it was announced that #Nani32 was going to be HIT: The Third Case directed by Sailesh Kolanu with Prashanti Tipirneni and Nani returning to produce the film under Wall Poster Cinema and Nani's newly announced production house, Unanimous Productions.
Principal photography commenced for the film in September 2024 in Hyderabad. The second schedule commenced in October 2024, in Visakhapatnam. Filming resumed in December 2024 in Jammu and Kashmir. In February 2025, it was reported that filming was scheduled to be finished by March 2025.
The soundtrack is composed by Mickey J. Meyer, in his second collaboration with Nani after Shyam Singha Roy (2021) and first collaboration with Sailesh Kolanu.
HIT: The Third Case is scheduled to release on 1 May 2025 in Telugu, Tamil, Kannada, Malayalam and Hindi languages.
The digital distribution rights of the film were acquired by Netflix.
Pico Torres

El pico Torres o picu Torres es una cumbre de 2104 metros de altura​ enclavada en la cordillera Cantábrica, en el Principado de Asturias. Se ubica en la divisoria de los concejos de Aller y Caso. Forma parte de la sierra de Valverde, dentro del parque natural de Redes. La vía normal de ascenso es desde el puerto de San Isidro (1520 m).
La cara sur del pico que presenta un característico color oscuro debido a su naturaleza cuarcítica, presenta algunas de las vías de escalada más interesantes de la Cordillera. La forma puntiaguda y afilada de su cima lo hace muy reconocible desde varias montañas de Asturias, León e incluso desde alguna cumbre de la Montaña Palentina.​