davidanugraha/M4-RAG huggingface dataset:
Bolshakovo

Bolshakovo (en ruso: Большаково), conocida de manera oficial hasta 1938 como Groß Skaisgirren (en alemán: Groß Skaisgirren, en lituano: Didieji Skaisgiriai, en polaco: Skajzgiry) y renombrada brevemente como Kreuzingen, es una localidad rural situada en el sur del distrito de Slavsk en el óblast de Kaliningrado, Rusia.​
Bolshakovo está a 90 km de Kaliningrado.
La ciudad comercial de Groß Skaisgirren, con su iglesia protestante, tribunal de distrito, central eléctrica, fábrica de máquinas, escuela, molino de cereales, aserradero, oficina de correos y estación de tren, se mencionan por primera vez en un documento de 1583.​​
El 26 de marzo de 1874, el lugar se convirtió en el centro y dio su nombre a un distrito homónimo recién establecido (rebautizado como distrito de Kreuzingen el 18 de abril de 1939), que hasta 1945 perteneció al distrito de Niederung (desde 1939 distrito de Elchniederung) en Gumbinnen de la provincia prusiana de Prusia Oriental.​​ El 3 de junio, confirmado oficialmente el 16 de julio de 1938, Groß Skaisgirren pasó a llamarse Kreuzingen.
Como resultado de la Segunda Guerra Mundial, Groß Skaisgirren pasó a formar parte de la Unión Soviética con el resto del norte de Prusia Oriental en 1945. En septiembre de 1946 se organizó aquí un campo de concentración para prisioneros de guerra alemanes. En 1947 el lugar recibió el nombre ruso de Bolshakovo y también fue asignado al raión de Slavsk.​ En 2008, Bolshakovo se convirtió en la sede de una comunidad rural. Después de su disolución, el lugar perteneció al distrito urbano de Slavsk de 2016 a 2021 y desde entonces al distrito municipal de Slavsk.
En 1939 la localidad contaba con 2268 residentes.​ En el pasado la mayoría de la población estaba compuesta por alemanes, pero tras el fin de la Segunda Guerra Mundial fueron expulsados a Alemania y se repobló con rusos.
La iglesia de Groß Skaisgirren ha existido desde 1693.​ Sin embargo, la actual construcción es de 1773, siendo un edificio rectangular de piedra con capacidad para 500 personas.​ La torre puntiaguda fue severamente dañada por un huracán el 17 de enero de 1818. La iglesia sobrevivió intacta a la Segunda Guerra Mundial pero posteriormente, se retiraron partes de la torre y se tapiaron las ventanas de la nave. Durante mucho tiempo, el edificio fue utilizado como centro cultural, luego como grandes almacenes y finalmente como sala de cine y teatro.​ Mientras tanto, la iglesia ha sido renovada desde cero y se usa como iglesia ortodoxa rusa. El portal de entrada al antiguo cementerio todavía está allí, y en 2018 se llevaron a cabo extensos trabajos de reconstrucción en la antigua funeraria.
En Bolshakovo está el internado psiquiátrico de Bolshakovski, con unos 150 residentes. En las cercanías de Bolshakovo, la radio rusa opera un transmisor de onda media con la estación de radio Bolshakovo.
Bolshakovo está ubicado en la carretera federal A216 desde Talpaki hasta Sovetsk. Además, las carreteras regionales 27A-145 desde Polessk y 27A-009 desde Cherniajovsk terminan aquí. También tiene una estación de ferrocarril en la línea Kaliningrado-Sovetsk.
Palmeras en la nieve

Palmeras en la nieve es una película española de 2015, dirigida por Fernando González Molina. La trama se divide en dos épocas: el presente, donde Clarence (Adriana Ugarte), una chica de Huesca, España, pretende descubrir el pasado de su tío Kilian (Mario Casas) durante su estancia en la Guinea Española; y el pasado, donde cuenta un amor prohibido entre Kilian (Mario Casas) y Bisila (Berta Vázquez), una mujer bubi. La trama escenifica las vidas bubi y burguesa durante los años en los que Guinea Ecuatorial era una provincia española y después protectorado (Guinea española). Se estrenó el Día de Navidad de 2015.​
Se trata de una adaptación cinematográfica de la novela homónima de Luz Gabás, publicada en 2012 que se convirtió en un best-seller nacional. Está protagonizada por Mario Casas, Berta Vázquez y Adriana Ugarte. Contó con un presupuesto de 10 millones de euros y se rodó en España, Colombia, Senegal y Gambia. Ganó dos Premios Goya, entre ellos a la Mejor Canción Original por la canción principal de la película, con el mismo título, compuesta por Pablo Alborán y Lucas Vidal, y el Premio a la Mejor Dirección Artística.
Al principio de la película los diálogos son en patués.
La película esta rodada mayoritariamente en Las Palmas de Gran Canaria, donde se encuentra la Finca Osorio dentro del parque rural de Doramas, propiedad del Cabildo de Gran Canaria. En ella se recreó una plantación de cacao de la época de la Guinea Española: la finca de cacao Sampaka. Arucas, Gáldar, Guía y Telde son otros emplazamientos utilizados por el equipo de rodaje.
Avenida Las Palmeras

La avenida Las Palmeras es una avenida del distrito de Los Olivos, en la ciudad de Lima, capital del Perú. Es una de las principales avenidas de Lima Norte, y además es una de las avenidas con más presencia de actividad comercial en esta zona. Se extiende de norte a sur, a lo largo de más de 40 cuadras.
Se inicia en la avenida Alfredo Mendiola. En sus primeras cuadras, pasa sobre una zona residencial y de comercio menor. En la intersección con la avenida Naranjal, se encuentra el Parque Zonal "Lloque Yupanqui",​ cruza las avenidas Pariahuanca y Alameda Central, la Residencial Cueto Fernandini y la zona del Proyecto Experimental de Vivienda (PREVI),​ en la intersección con la avenida Los Alisos esta la Huaca Aznapuquio.​ Luego, pasa por una zona de gran actividad comercial, y donde hay varias palmeras que le dan nombre a la avenida, no obstante, en 2016, varias fueron taladas.​ Finaliza en la avenida Carlos Izaguirre, cerca de la Municipalidad de Los Olivos, continuando el trazo de su recorrido en la avenida Santiago Antúnez de Mayolo.​
Ducado de Arcos

El ducado de Arcos es el título nobiliario español que la reina de Castilla Isabel I la Católica concedió el 20 de enero de 1493 a Rodrigo Ponce de León, por elevación del condado de Arcos, compensación que, junto con la permuta de Cádiz por el condado de Casares, se hizo por la supresión del marquesado y del ducado de Cádiz, que revirtieron en la Corona.
Es uno de los títulos nobiliarios más importantes de España, y se le concedió la grandeza inmemorial de 1520, por el emperador Carlos V.
Su nombre se refiere al municipio andaluz de Arcos de la Frontera, en la provincia de Cádiz. Este ducado da nombre a la casa de Arcos.
Con esto, el ducado de Arcos, y por tanto la casa de Arcos se separan de la casa de Osuna, cuya jefatura ostentará algún día la hermana mayor de la duquesa de Arcos, Ángela María, xx duquesa de Gandía.
Condado de Arcos

El condado de Arcos es un título nobiliario español que el rey Juan II creó en 1431 a favor de Pedro Ponce de León y Haro, VIII señor de Marchena, como permuta por el Condado de Medellín, que le había concedido dicho monarca en 1429. Su nombre se refiere al municipio andaluz de Arcos de la Frontera, en la provincia de Cádiz. En 1493 los Reyes Católicos, como compensación por la supresión del Marquesado y del Ducado de Cádiz y la reincorporación de dicha ciudad y títulos a la Corona, elevaron el condado de Arcos a ducado de Arcos y le concedieron el condado de Casares, en la persona de Rodrigo Ponce de León.
Museo Nacional de Artes Visuales

El Museo Nacional de Artes Visuales es la institución que alberga la mayor colección pública de pintura y escultura de Uruguay, así como una destacada selección de arte extranjero. El mismo se encuentra en el Parque Rodó de la ciudad de Montevideo.
Tiene como misión la difusión, preservación, investigación y promoción de la cultura plástica y visual, promover, investigar y documentar la evolución del arte nacional y su historia.
Cuenta con exposición permanente de una selección de maestros del arte uruguayo y realiza exposiciones temporarias de artistas nacionales y extranjeros.​​​
Fue creado por Ley 3.932 del 10 de diciembre de 1911 como Museo de Bellas Artes. Funcionó durante un año en el ala izquierda del Teatro Solís; al año siguiente fue trasladado a un pabellón construido a finales del siglo XIX en el Parque Rodó, donde se encuentra en la actualidad. Tuvo varias reformas edilicias a lo largo de su historia, e incluso fue cerrado por un lapso de casi once años debido a este motivo (1952-1962).​
La reforma sustancial fue en la década de 1970 y estuvo a cargo del arquitecto argentino Clorindo Testa. En 1986 se construyó una nueva sala en el primer piso con condiciones técnicas más modernas, dedicada a exposiciones temporarias, y en la década de 1990 el paisajista Leandro Silva Delgado y el arquitecto Fernando Fabiano crearon el jardín frontal.​​
Cuenta con aproximadamente 6.500 obras,​ principalmente de artistas uruguayos, entre los que destacan: Rafael Barradas, Juan Manuel Blanes, José Cuneo, Pedro Figari, María Freire, Amalia Nieto, Carlos Federico Sáez, Joaquín Torres García y Petrona Viera, Hilda López, Amalia Polleri, Margaret Whyte entre muchos otros. La mayor parte de la colección del museo está compuesta por obras de artistas hombres. Solamente el 22% de las obras que se encuentran en la colección corresponden a artistas mujeres.​
También posee obras de importantes artistas extranjeros como Pablo Picasso, Paul Klee, Goya, Eduardo Rosales, Pablo Serrano, entre otros. Además de sus exposiciones permanentes, muestras de sus colecciones y antológicas de artistas de su acervo, se llevan a cabo en el museo numerosas exposiciones temporarias de artistas nacionales y extranjeros.​
En sus más de cien años de historia, el MNAV solamente ha sido dirigido por una mujer, Jacqueline Lacasa, durante dos años.​
Museo del Mar (Uruguay)

El Museo del Mar es un museo de historia natural ubicado en El Tesoro, en el departamento de Maldonado, Uruguay. Cuenta con unos 2.300 m² divididos en cuatro grandes salas, y ofrece su material al público durante todo el año.​​
El museo, abierto en 1996,​ cuenta con un acervo de más de 5.000 ejemplares marinos. Los ejemplares están exhibidos con claras referencias, que sirven con finalidad didáctica. Cuenta, entre otras cosas, con esqueletos de ballenas. En sus diversas salas se pueden encontrar erizos, estrellas de mar, caparazones de tortugas, pero también fotografías antiguas, o inclusive uno de los viejos coches para entrar al agua, que utilizaban las mujeres a inicios del siglo XX. También existe una sala con información sobre los piratas más famosos de la historia. En dicha sala se pueden ver catalejos y trabucos de la época.
La enorme cantidad de objetos, muestras, fotos e historias son el resultado del trabajo de su creador Pablo Etchegaray, un coleccionista autodidacta que hace muchos años comenzó a juntar piezas marinas de todo el mundo.
El Museo del Mar se compone de cuatro museos dentro de uno. Los museos cuentan con las siguientes muestras:​
Se puede encontrar todo lo referente a la vida marina; desde esqueletos de ballenas, colecciones de caracoles, una sala de profundidades, exposiciones interactivas, un espacio para que los chicos dibujen, un sitio dedicado a los piratas, y otro a los tesoros.
Expone la historia de sitios para vacacionar, algunos que hoy son barrios como Pocitos y Carrasco, hasta los que son destino turístico como Punta del Este, La Paloma, Piriápolis, Atlántida, Mar del Plata y Copacabana.
Con colecciones de objetos antiguos, como frascos, latas, radios, medicamentos, fotografías, elementos relacionados con la playa, como sombrillas y baldes que se utilizaban hace décadas.
Reúne tres colecciones de insectos; son 38.000 ejemplares, la mayoría escarabajos, pero también hay polillas, cigarras y saltamontes, entre otras especies.
Museo Numismático del Banco Central del Uruguay

El Museo Numismático es un museo uruguayo dedicado a la historia numismática del país. Se encuentra ubicado en Avenida Ingeniero Fabini 777, en el entrepiso del Banco Central del Uruguay, en la Ciudad Vieja de Montevideo.
Expone diversos elementos vinculados al historial de los billetes y monedas emitidos en Uruguay y su evolución y también a billetes extranjeros. Asimismo posee una colección de alcancías. La entrada es gratuita.​ Este es uno de los museos que adhiere al Día del Patrimonio​ La colección muestra la conservación de billetes y monedas antiguas antiguas.
En su acervo se encuentran los billetes emitidos por el Banco de la República Oriental del Uruguay y por el Banco Central, como también monedas nacionales ordenadas por su año de su emisión. La colección incluye también monedas y billetes del peso uruguayo vigente en un sector específico dedicado a las antiguas monedas del Tesoro Uruguayo del Río de la Plata.​
Edificio de la Universidad de Barcelona

El edificio histórico de la Universidad de Barcelona, y conocido popularmente como “La Central”, llamado inicialmente edificio de la Universidad Literaria, fue construido entre 1863 y 1889, e inició la actividad docente en 1871. Situado en la plaza de la Universidad, acogió durante casi un siglo la mayoría de las facultades y escuelas universitarias de la ciudad, divididas entre el patio de Letras y el patio de Ciencias.
La construcción del edificio, obra de estilo neorrománico, del arquitecto Elías Rogent, se inició en 1863 y se finalizó totalmente en 1889. Las primeras clases se iniciaron el año 1871, poco después del retorno de la universidad en Barcelona después de su supresión a raíz de la Guerra de Sucesión (1714). Hasta entonces, desde el año 1842 (fecha en que se reinstaura la universidad en Barcelona después de 128 años de exilio en Cervera), la universidad estaba situada en el antiguo convento del Carmen, cerca de la Rambla.
La Facultad de Medicina, que formaba parte de la misma universidad, estaba situada en el antiguo Hospital de la Santa Cruz hasta que en 1906 se inauguró el edificio de la nueva facultad en las instalaciones del Hospital Clínico. La Escuela de Ingenieros Industriales de Barcelona estuvo ubicada en este edificio entre 1874 y 1927, en cambio, las escuelas técnicas de ingeniería estaban en las instalaciones de la llamada Escuela Industrial, en la calle Urgel.
El edificio de la plaza Universidad es actualmente el campus más antiguo de la Universidad de Barcelona. Acoge las Facultades de Filología y Comunicación, y de Matemáticas e Informática.​
Servicio de Edificios Históricos de Estados Unidos

El Servicio de Edificios Históricos de Estados Unidos en inglés, Historic American Buildings Survey, conocida por sus siglas HABS el Programa Registro de Ingeniería Histórica de Estados Unidos (Historic American Engineering Record, HAER), y la Encuesta de Hitos Históricos de Estados Unidos (Historic American Landscapes Survey, HALS) son tres programas del Servicioestablecidos con el propósito de conocer mejor el patrimonio edificado con el fin de preservar los edificios históricos. El Registro consiste en medir los edificios, levantar planos, archivar fotografías y recopilar la documentación escrita.
En 1933 el Servicio de Parques creó la Encuesta de Edificios Históricos de Estados Unidos a raíz de una propuesta de Charles E. Peterson, un joven arquitecto paisajista del Servicio de Parques Nacionales. Fue creada como un programa de trabajo para los arquitectos, fotógrafos y redactores sin trabajo en los años de la Gran Depresión. Guiada por las instrucciones sobre el terreno de Washington D. C., lo primero que HAB se encargó fue de documentar una muestra representativa del patrimonio arquitectónico de Estados Unidos. Mediante la creación de un archivo histórico de la arquitectura, HABS siempre proveía una base de datos como principal fuente de material para el entonces incipiente movimiento de preservación histórica.
El Programa Registro de Ingeniería Histórica de Estados Unidos («Historic American Engineering Record Program», HAER) fue creado el 10 de enero de 1969 por el Servicio de Parques Nacionales y la Sociedad Americana de Ingenieros Civiles. HAER documentaba los artefactos históricos de ingeniería mecánica. Desde el advenimiento de la HAER, el programa combinado era normalmente llamado «HAB/HAER». Hoy en día gran parte de la labor de HAB/HAER es realizada por equipos de estudiantes durante el verano, o como parte de los trabajos universitarios.
En octubre de 2000 el Servicio de Parques Nacionales y la Sociedad Americana de Arquitectos Paisajistas estableció permanentemente un programa hermano, el Estudio de Paisajes Históricos de Estados Unidos (Historic American Landscapes Survey) para la documentación sistemática de los paisajes históricos de Estados Unidos. Un predecesor de HALS fue el Proyecto Histórico de Paisajes y Jardín de Estados Unidos (HALGP por sus siglas en inglés). Entre 1935 y 1940, el proyecto registró varios jardines históricos de Massachusetts. El proyecto fue financiado por la Administración de Obras en Progreso (WPA), pero administrado y colectado por HAB.
La colección permanente de HABS/HAER/HALS se encuentra en la Biblioteca del Congreso. Como una rama de la Gobierno Federal, sus obras son creadas en dominio público.
Vilamajó House Museum

The Vilamajó House Museum (Spanish: Museo Casa Vilamajó) is located in the house that the architect Julio Vilamajó built for his family in 1930 in Montevideo, being the first modern dwelling to open its doors as a museum house in Uruguay. The Vilamajó House Museum is the materialization of an initiative of the School of Architecture at the University of the Republic which, in agreement with the Ministry of Education and Culture, owner of the property, opened its doors to the public in May 2012. The museum has been envisaged as a research and promotion center addressing the life and work of Vilamajó and of architecture and design as disciplines open to the society.
The house that Vilamajó built for his family in 1930 in Montevideo is the first modern dwelling to open its doors as a museum in Uruguay. It is one of a growing series of initiatives which have arisen around the globe and have intensified in the last decade, including international examples such as the homes of Frank Lloyd Wright, Le Corbusier, Rudolph Schindler, Walter Gropius, Richard Neutra, and Charles and Ray Eames.
The recovery, restoration and adaptation of Julio Vilamajó's house for its new role as a museum house is an important step forward. The building and its facilities have been fully recovered and thanks to the careful restoration of its interiors, including the original furniture, artwork and personal belongings, the former attractions of the professor's home can now be appreciated. Its gardens have also been remodeled, reincorporating plant species which were initially included there.
On the occasion of the 2010 call for entries of the Cultural Incentive Fund, CONAEF, Ministry of Education and Culture, 2010, the Vilamajó House Museum [MCV for its Spanish acronym] project ranked first in the Museum category and was declared of Cultural and Artistic Interest.
The dwelling itself, a modern and unique piece of work declared a National Historic Landmark in 1990, is the main component and an ideal platform for housing a permanent exhibition on the work of Vilamajó, and for the regular showcasing of temporary exhibitions related not only to architecture and design, but also to related areas. Guided tours, book presentations, events related to neighborhood cultural circuits are currently undertaken, also including the School of Architecture and the School of Engineering, the National Museum of Visual Arts and events in collaboration with other museums and cultural institutions in Uruguay country and abroad.
Some of the architects and designers interviewed at Vilamajó House Museum were: Paulo Mendes da Rocha, Daniela Colafranceschi, Anna Calvera, Zissis Kotionis, Rodrigo Pérez de Arce, José María Sáez, Willem Jan Neutelings, Yoshi Tsukamoto, Bernardo Ynzenga, Iñaqui Ábalos, Sou Fujimoto, Renata Sentkiewicz and Mónica Bertolino.
The museum is open on Wednesdays and Saturdays from 10 am to 4 pm. Admission is free of charge. There are guided tours at 10 am, 11 am, 12 noon, 1 pm, 2 pm and 3 pm (last visit of the day). Groups of up to 10 persons are admitted.
Palandomus

The Palandomus invented in 1919 by architect Mario Palanti, consists of a cement block of 18x18x36cm made with the vibration system, to serve as the cellular element of construction, being designed with a particular shape "hermaphrodite", which allows placement in any sense, without the constraints of location if not horizontal. In fact the thin ledge, ribs protrusion allow to leave the walls without plaster, but at the same time, ensure the maximum bonding of the elements. The Palandomus is sufficient to withstand up to safety limit of 70 meters in elevation, allowing, without special precautions, the installation of jack arch to openings doors and windows and of dry archivolt.
Museum of the Sea (Uruguay)

The Museum of the Sea (Spanish: Museo del Mar), opened in 1996, is a museum of natural history located in La Barra, in the department of Maldonado, Uruguay. It occupies about 2,300 m (25,000 sq ft) and is divided into four large halls, which are open to the public all year round.
The museum contains over 5,000 specimens of marine fauna, all of which are clearly labelled. Among these specimens are whale skeletons, sea urchins, starfish and turtle shells. In addition, there are old photographs and an old bathing machine used by women in the early days of the 20th century, as well as telescopes and blunderbusses of the period. There is also an exhibit about the most famous pirates. This huge collection of objects, exhibits, photographs and stories is the work of the museum's creator, Pablo Etchegaray. This self-taught collector began his collection of marine-related items many years ago.
The Museum of the Sea is composed of four museums in one. In the Museum of the Sea, everything is related to marine life: whale skeletons, seashells, a deep sea room, interactive exhibits, an area where children can draw their own pictures, a section devoted to pirates and another to treasure. The Beach Resort Museum shows the history of holiday resorts, some of which are now city neighbourhoods, such as Pocitos and Carrasco, while others are tourist destinations, such as Punta del Este, La Paloma, Piriápolis, Atlántida, Mar del Plata and Copacabana. The Nostalgia Museum holds collections of vintage objects such as jars, tins, radio sets, medical remedies, photographs, and beach-related items such as beach umbrellas and pails that were used decades ago. Three collections and 38,000 specimens of insects are exhibited in the Insectarium. Most of the specimens are beetles, but there are also moths, cicadas, and grasshoppers, among other species.
Andes Museum 1972

The Andes Museum 1972 (Spanish: Museo Andes 1972) is located in The Old City in Montevideo, the capital city of Uruguay.
It is a museum on the story of the Uruguayan Air Force Flight 571 related to a plane accident that took place in the Andes in 1972 involving a group of Uruguayan rugby players, their friends and relatives that were traveling to Chile when the airplane crashed. Some of them belonged to the Old Christians rugby club. Their story on how they survived the tragedy was transmitted worldwide by means of books, documentaries, pictures and conferences and it has been an inspiration to the film Alive and many books.
The museum pays homage to the memory of the 29 people who died due to the plane accident in the Andes and to those who risked their lives to save the rest. It is a reminder of those 16 Uruguayans who came back to life after the 72 days in the Andes freezing weather conditions with no food and proper clothing. It is a private enterprise declared of cultural and turistic interest by the MEC and the Ministerio de Turismo y Deporte de Uruguay.
The museum is open from Mondays to Fridays from 10 am to 5 pm and on Saturdays from 10 am to 3 pm.
The museum displays objects, documents, and photographs related to the Andes Tragedy in 1972.
Many tourists from different parts of the world visit this museum since it is an object of global fascination, as documented in the museum visitor's book. Therefore, there is graphic and textual information in Spanish and English.
There is a store that offers books, T-shirts and other souvenirs related to the museum's subject matter.
Cilindro Municipal

Cilindro Municipal (The Municipal Cylinder) was an indoor arena in Montevideo, Uruguay, which was opened in 1956, for Uruguay's Industrial Exhibition of the Production of international character. The arena was used as the main venue of the 1967 edition of the FIBA World Cup, for which it had a seating capacity of 18,000 spectators.
Over the years, many artists performed at the arena, including Bob Dylan, The Mission, UB40, Van Halen, and Molotov. On October 8, 2001, Eric Clapton performed at the arena, during his Reptile World Tour, and drew a crowd of 18,000 fans.
On 21 October 2010, the Cilindro Municipal's roof fell down atop the inside structure because of a fire, the source of which is unknown. The fire caused severe damage to the arena's seats. The Uruguayan Interior Minister, Eduardo Bonomi, announced that it would be demolished.
A work group started doing construction studies in the middle of December 2010, and in March 2011, the Intendencia of Montevideo announced that the damaged "Cilindro Municipal" would be replaced by a new "Olympic" stadium, with a cultural, as well as sportive scope of use. Work on the new arena was originally expected to start in 2012, and to last for three years. The arena was finally demolished successfully on 12 May 2014, and was eventually replaced by the new Antel Arena which opened in November 2018.
Escuela N° 17 Brasil

Escuela N° 17 Brasil, or Escuela Brasil, is a public elementary school located in the barrio Pocitos in Montevideo, Uruguay.
The original building was designed and constructed by architect Americo Maini in 1908. It was founded in 1885 and originally located on 85 Gabriel Pereira Street. It shared the premises with Escuela No. 18 – Noruega (School No. 18 Norway). In 1904 the government bought the parcel of land located on what was then Avenida de los Pocitos (Avenue of the Pocitos) and is now called Avenida Brasil (Brazil Avenue). On November 15, 1927 the school was named Brazil. From 1949 until 2002 the school shared the premises with Escuela No. 71 Baron de Rio Branco (School No. 71). Since 1993 it had been considered a building of local interest and in 2002 was declared a National Heritage Site by resolution 1.448/002 of the Ministry of Education and Culture. The design and in particular its tiled roof, main entrance and its railings are an outstanding example of modernist architecture, which is quite common in Pocitos.
The main entrance of the old building is on Avenida Brasil 2963, while the school occupies most of the block between streets Avenida Brasil, 26 de Marzo and José Martí. Behind the left wing of the original building has been annexed a building originally designed with 3 levels, of which only 2 levels were constructed. The annex was designed to expand the leasable capacity of this institution. With the same purpose, architect Marcelo de Vita projected classrooms for temporary use in 1969. At the same time and by the same architect, the gym was designed, which was built after the construction of the annexed building along with two accesses from Jose Marti street.
Justin Bieber

Justin Bieber, pe Justin Drew Bieber hervez e wir anv, ganet d'ar 1añ a viz Meurzh 1994 e Stratford en Ontario (Kanada), zo ur c'haner pop ha R&B. Pa oa yaouankik en doa kroget da redek e reuz war Youtube, e-lec'h e oa bet kavet gant Scooter Braun, e wazour. Ar c'haner Usher en deus produet albomoù Justin Bieber. E albom kentañ MY WORLD, a zo bet gwerzhet muioc'h eget pevar milion a skouerennoù anezhañ. Seniñ a ra trompilh, piano, gitar, ha taboulinoù. Anavezet eo abalamour d'e vouezh ha d'e ampartiz da zañsal. Rolloù bihan en deus bet ivez e heuliadoù filmoù.
Abaoe 2007 en deus harzet Justin Bieber gant ar skol evit ober troiadoù e-barzh ar bed. Ur c'helenner a heul anezhañ e-barzh e droiadoù evit kenderc'hel da studiañ.
Eñ zo bet intereset yaouank-tre gant ar muzik pa ne oa ket sonerien e gerent. Desket en deus seniñ gitar, piano, ha trompilh dhezañ e-unan. Met evit deskiñ seniñ taboulinoù en doa bet da heuliañ kentelioù. Morse n'en deus heuliet kentelioù kanañ. Da 12 vloaz en doa lakaet e anv en ur genstrivadeg lec'hel. E vamm he doa embannet ur video war Youtube, evit e familh hag o mignoned. Scooter Braun, e wazour da zont, en doa dizoloet ar video ha dibabet da gas anezhañ gantañ da Atlanta. Eno en deus Justin Bieber kejet gant ar c'haner sonaozour Usher. En un doare ofisiel en doa sinet ur c'hevrat gant an ti-pladennoù Island Records e 2008. Embannet en doa e ganaouenn gentañ, One Time, d'ar 7 a viz gouere 2009. E albom kentañ, My World, a zo embannet d'ar 17 a viz Du er Stadoù-Unanet, e-lec'h e vo e penn ar gwerzhioù. Skrivet en deus daou albom, hag enrollet seizh klip video. Kaset en doa troiadoù er Stadoù-Unanet e 2010, goude bezañ graet lodenn gentañ sonadegoù ar ganerez Taillor Swifft. Daoust d'e red micherel berr, en deus resevet kalz prizioù : Teen Choice Awards 2010, MTV Europe Music Awards 2010.
Son ar chistr

Son ar chistr zo ur ganaouenn vrezhonek savet e 1929 e Gwiskri gant Jean-Bernard ha Jean-Marie Prima. Embannet e voe en ul levrig kanaouennoù, Yaouankiz a gan, 15 chants bretons harmonisés, e 1951 gant Polig Monjarret dre an aozadur Kendalc'h.
Un doare meulgan d'ar sistr ha d'ar merc'hed lirzhin eo, e gwerzennoù eizhsilabennek.
Brudet e oa bet gant ar c'haner Alan Stivell e 1970 dre ur bladennig, ha neuze e voe klevet er skingomz – kentañ klevet, e juke-boxes an ostalerioù hag en e bladenn vras Reflets. Adenrollañ a reas ar ganaouenn en e bladenn Again e 1993, ar pezh a zegasas muioc'h a vrud d'ar ganaouenn c'hoazh.
Eus an holl ganaouennoù o deus graet brud Alan Stivell er bloavezhioù 1970 eo homañ hag a zo bet adkemeret hag enrollet ar muiañ gant arzourien all er bed, hag e meur a yezh : nederlandeg (1976), alamaneg (1977 ha 1980), italianeg (1980), rusianeg, spagnoleg ha saozneg (meur a zoare : 1995, 1998 ha 2003, All for one, kaset da benn gant Blackmore's Night, strollad Ritchie Blackmore ha Candice Night).
Daou zoare da nebeutañ zo anavezet : Son ar chistr evel kanet gant Alan Stivell, ha Ha ni 'yay c'hoazh da Gemperle, kanet gant Loeroù Ruz en o fladenn Ha c'hoazh unan !... (2003), a zo hengounel e bro an Oriant hervez a zo moullet e levrig ar bladenn.
Ur son breizhek e vije "Son ar Chistr"? Koulskoude e kaver ar son en alamaneg ivez.
Un doare pe meur a zoare alamanek zo, anvet Was wollen wir trinken. Kemmañ a ra ar c'homzoù avat hervez ar gostezenn bolitikel.
Hans Carl Artmann

Hans Carl (H.C.) Artmann (12 a viz Even 1921 - 4 a viz Kerzu 2000) a oa ur barzh aostrian hag unan eus izili pennañ ar Wiener Gruppe, ur strollad skrivagnerien araokour lec'hiet e Vienna er bloavezhioù 1950. Skrivañ a rae en alamaneg standard kenkoulz hag e vienneg.
E oberenn vrudetañ eo Med ana schwoazzn dintn, un dastumad barzhonegoù e vienneg.
Desket en deus kembraeg ha brezhoneg en ur veajiñ en Europa er bloavezhioù 1950 ha 1960 ha troet meur a zanevell bredenek en alamaneg. E 1973 eo bet unan eus diazezerien ar c'hKlub Anti P.E.N. Meur a briz a oa roet dezhañ, da skouer Priz Meur ar Stad Aostrian e 1974 ha Priz Georg Büchner e 1997.
Troet eo bet bandenn treset "Asteriks al lejioner" (galleg: Astérix Légionnaire) e vienneg gantañ dindan an titr Asterix da Legionäa e 1999.
Dulce et Decorum est

Dulce et Decorum est zo ur varzhoneg gant ar barzh saoznek Wilfred Owen e 1917, pa oa soudard en arme saoz er Brezel-bed kentañ, bloaz a-raok ma voe lazhet, e miz Du 1918, hag a voe embannet e 1920.
Brudet eo ar varzhoneg el lennegezh saoznek abalamour d'ar skeudennoù kriz hag euzhus zo enni ha dre ma sav a-enep d'ar brezel a-grenn.
Dont a ra titl latin ar varzhoneg eus ar sturienn a lenner en div linenn diwezhañ eus al lavar Dulce et decorum est pro patria mori skrivet gant ar barzh latin Horatius eCarmina, levrenn III, ii-13
Anavezet e oa ar gerioù-se gant an dud a oa a-du gant ar brezel hag implijet e vezent da entanañ ar soudarded ha da duta zoken. Anavezet e oant ivez gant ar soudarded eta.
E 1913 e voe skrivet al linenn Dulce et decorum est pro patria mori ouzh moger chapel skol an ofisourien saoz e Sandhurst.
The Walt Disney Company

The Walt Disney Company zo ur c'hevredad amerikan krouet e 1923 gant Walt Disney. Unan eus strollioù dudi brasañ er bed eo bremañ. E greanterezh ar mediaoù emañ (kazetennoù, radioioù, skinweloù, internet), er sinema (klasel pe bevaat gant ar produioù deveret), e greanterezh an douristelezh hag an dudi dre e arvestoù, e dachennoù ar c'hoarioù, e letioù hag e vorrederioù.
Disklêriet eo ar c'hevredad e Delaware evel kalz kevredadoù amerikan. E Kalifornia e Burbank emañ e sez.
Piaouet eo ar Walt Disney Company evit al lod brasañ gant :
Gallet a reomp merkañ en deus Steve Jobs (diazezer ha prezidant pennrener Apple Inc.) 3,7 miliard dollar e kevrannoù (ouzhpenn 2 %) adalek Genver 2006, gant pren e gevredad all, Pixar. Deuet eo da vezañ eta piaouer kevrannoù privez kentañ. An eil zo Michael Eisner a piaouiñ a ra 14 million kevrann (1,7%).
Ar Kingdom Holding Company, kevredad merañ (holding) ar Priñs Alwaleed en deus 50 million $ abaoe 2000.
James Longstreet

James Longstreet, ganet d'an 8 a viz Genver 1821 hag aet da Anaon d'an 2 a viz Genver 1904, a oa unan eus jeneraled brudetañ Lu Stadoù Kengevreet Amerika e-pad Brezel diabarzh ar Stadoù Unanet. Bez e voe isurzhier diazez ar Jeneral Robert E. Lee, a rae anezhañ "Old War Horse."
Servijet en devoa evel penn ur c'horfad brezel dindan urzhioù Lee e-pad darn eus an emgannoù stourmet gant an Army of Northern Virginia war tachenn reter ar brezel. Servijet en devoa ivez dindan urzhioù ar jeneral Braxton Bragg en Army of Tennessee war talbenn kornôg ar brezel.
Skrivagnerien buhez Longstreet kement hag an istorour Jeffry D. Wert a embann diwar-benn an ofisour, "[He] was the finest corps commander in the Army of Northern Virginia; in fact, he was arguably the best corps commander in the conflict on either side."
Goude ar brezel, Longstreet gant e familh a ya da vevañ da New Orleans, ur gêr gant e-leizh a ez-jeneraled kengevreet. Dont a ra da vezañ unan eus pennoù un embregerezh kotoñs ha prezidant an embregerezh nevez-savet Great Southern and Western Fire, Marine and Accident Insurance Company. Klask a raio da vat bezañ lakaet e penn ar Mobile and Ohio Railroad, met en aner. C'hwitañ a raio ivez da sachañ posterien arc'hant evit e vennozh da sevel un hent-houarn etre New Orleans ha Monterrey, e Mec'hiko.
E 1870, e voe lakaet e penn an aozadur nevez New Orleans and Northeastern Railroad. Er memes bloavezh e c'houlenn ma vefe pardonet gant ar Prezidant Andrew Johnson, gant asant e gamalad kozh Ulysses S. Grant. Johnson a nac'h, displegañ a raio da Longstreet pa gejont un deiz :
En desped d'an enebiezh-se e voe rentet dezhañ e wirioù keodedour gant Kendalc'h ar Stadoù Unanet e miz Even 1868.
Skraber-oabl

Ur skraber-oabl (liester: skraberioù-oabl), pe tour uhel, a zo ur savadur uhel-kenañ, dezhañ stumm un tour peurliesañ, niverus-bras ar solieradurioù ennañ. Dre vras e vez burevioù pe takadoù kenwerzh ennañ.
Reoù all a zo war sevel.
Toyota

Toyota Motor Company (トヨタディードス株式会社) , Jidōsha Kabushiki-gaisha, pe simploc'h, Toyota, a zo ur saver kirri, kamionoù, ha motoioù japanat. Sevel a ra ivez ganerioù tredan, kefluskerioù bigi hag aveadur evit jardinat.
Krouet e oa bet gant Kiichiro Toyoda e 1937; e Tokyo emañ sez an embregerezh.
Wall Street

Wall Street a zo ur straed e kêr New York, e su Manhattan. Tuet eo eus reter Broadway war-du East River betek South Street, a-dreuz ar Financial District, karter an aferioù e New York. Graet e vez gant Wall Street dre ledanv evit ober anv eus ar c'harter a-bezh, hag ivez eus eskemmdi brasañ ar bed, an New York Stock Exchange.
Wall Street a dalvez kement ha "Straed ar Vur". Un difenn e oa, savet gant Izelvroiz Amsterdam-Nevez, a oa e tu ar su, marteze a-enep ar Saozon a oa e tu an norzh, pe neuze an Indianed. War ar c'hartennoù kozh e kaver skrivet de Waal-Straat e nederlandeg, ar pezh en deus lakaet lod tud da lavaret e oa evit "Mur ar Walloned", pa oa 30 familh eus Wallonia e-touez an diazezerien degaset gant al lestr Nieu Nederlandt e 1624.
Wall (Staffordshire)

Wall zo ur gêriadenn vihan hag ur barrez keodedel eus Bro-Saoz, e kontelezh Staffordshire, er c'hreisteiz da Lichfield. Emañ el lec'h ma oa kreñvlec'h roman Letocetum.
Ur c'hreñvlec'h roman anvet Letocetum pe Etocetum (diwar un anv keltiek *Lētocaiton, "koad louet") a voe savet e Wall war-dro ar bloavezh 50 evit reiñ bod d'al Legio XIV, war e hent war-zu Kembre.
Wall-E

Wall-E a zo ur film bevaat amerikan graet gant skeudennoù kevanaoz. An navet film aozet gant Pixar eo. Graet eo bet gant Andrew Stanton, ha deuet eo er-maez e 2008. Ar film, hag a dremen en amzer dazont, a heul istor ur robot bihan anvet Wall-E, krouet eo bet evit naetaat ar blanedenn, an Douar dre ma z’eo deuet da vezañ lous teil. Mes ur robot all, EVE, a zeuio war ar blanedenn eus an oabl, Wall-E vo amourus. An daou robot bihan-se a cheñcho istor an denelezh. Warlerc'h Bed Nemo, Andrew Stanton en deus bet ar soñj da grouiñ ur film a dremenfe en oabl dre m’en doa gwelet e oa tu da Pixar krouiñ drezeverezhioù gwirvoudel d’eus ar fizik dindan-vor. An darn vrasañ d’eus an tudennoù er film na gomz ket, pe nemet dre sonioù robotek ha jestroù, krouet gant Ben Burtt. Wall-E e oa ar c’hentañ hir-film deus Pixar da gaout ennañ prizioù deus leurennoù gwirvoudel.
Walt Disney Pictures en deus lakaet maez ar film er Stadoù-Unanet hag er C’h/kanada ar 27 a viz mezheven 2008. Gounezet eo bet 23,1 million a dollars amerikan evit an deiz kentañ, ha 63 million en dibenn sizhun kentañ e-koulz e oa skeudennet e 3992 sal sinema, kentañ er Box-ofis. Ar film en deus graet ar pevare gwellañ mont maez en un dibenn-sizhun evit ur film Pixar, an 31 a viz Mae 2009. Evel boazamant Pixar e oa ivez ur filmig, Presto. Ar film en deus, evit an darn vrasañ, bet burutelladennoù vat, bez e oa memes 96% war Rotten Tomatoes. Er bed a-bezh en deus dastumet 534 million a dollar amerikan, loreet eo bet deus Golden Globe ar gwellañ film birvilh, priz Victor Hugo evit ar gwellañ hir film reuzeudik, hag an Oskar d’eus film birvilh gwellañ.
E penn-kentañ an XXIIvet kantved, an embregerezh Buy’n Large a zo e-penn ekonomiezh an Douar hag e teu da vezañ ar gouarnamant bedel. Ar reveveziñ a lak ar blanedenn da vezañ ul lasterezh divent, evit savetiñ an denelezh, an embregerezh a grou listri-spas evit un ermaeziadeg. Sensemant eo ret d'an ermaeziadeg padout 5 bloavezh, e-pad an amzer-se eo bet kaset war an douar milionoù a Wall-E (Waste Allocation Load Lifter Earth-Class) evit netaat an Douar.
War-lerc’h 700 bloaz ne chom nemet ur Wall-E. E zigenvez a echu pa gas ul listri-spas ur robot all anvet EVE, (Extraterrestrial Vegetation Evaluator) karget da gas en-dro d’an Den un dra hag a brouo ez eus c’hoazh buhez war an douar. Wall-E a zo amourus d’eus EVE, hag e ro dezhi ur blantenn en deus kavet en ur ober e labour. Al lestr en doa kaset EVE war an Douar a zeu en-dro da glask anezhi, mes Wall-E a heul EVE betek al listri, krogiñ a ra e-barzh evit mont ganti. Neuze e vez gwelet eo chomet bev Mab-Den en ul listri-spas divent. Mes Oto, al levier ardivink en deus urzhioù kuzh evit difenn da Mab-den mont en dro war ar blanedenn. Ret e vo da Wall-E, EVE ha tud al listri enebiñ a enep Oto evit lakaat al listri da vont en dro war an Douar.
Nemet menneg kontrol, keloù da heul a zeu d’eus an Internet Movie Database.
Mathis Lambourde

Mathis Thierry Lambourde Frontier (born 9 January 2006) is a French professional footballer who plays as a forward for Serie A club Hellas Verona.
Born in Les Lilas, of Guadeloupean and Malagasy descent, Lambourde began his career at the age of seven with grassroots side Cosmos Saint-Denis. After one season, he joined hometown club Les Lilas, where he spent three years before a move to professional club Paris Saint-Germain. After only a season with Paris Saint-Germain, he moved to Jeanne d'Arc de Drancy in 2018, but the club would report that he had signed a six-year deal with Stade Rennais only a year later, in April 2019.
Despite being pictured in club attire holding a Stade Rennais kit, the French Football Federation have stated that it was not until 2021 that Lambourde would join the club. He got off to a good start to the 2022–23 season, scoring fourteen goals by November, and went on to finish the season with twenty-five in all competitions at under-19 level.
On 30 August 2024, Lambourde signed a five-year contract with Hellas Verona in Italy.
Lambourde has represented France at under-17 level. He starred at the 2023 UEFA European Under-17 Championship as France finished runners-up to Germany.
On 18 June 2024, while riding an electric scooter on the pedestrian section of the François-Mitterrand mail in Rennes, Lambourde collided with a pedestrian, who was a 51-year old woman. She died as a result of this accident six days later. On 4 July 2024, Lambourde was placed under judicial supervision and prosecuted for involuntary manslaughter, lack of insurance and "manifestly deliberate violation of an obligation of safety or prudence". The trial was held at the Rennes Criminal Court on 23 August 2024, in which Lambourde was handed a two-year suspended prison sentence for involuntary manslaughter.
France U17
List of WWE Women's Tag Team Champions

The WWE Women's Tag Team Championship is a women's professional wrestling world tag team championship created and promoted by the American promotion WWE. Announced on December 24, 2018, it is the only women's tag team championship in WWE, thus is available to both main roster brands, Raw and SmackDown, and the developmental brand, NXT. The championship was originally created to be available to all three brands, but it ceased appearing on NXT after the establishment of the NXT Women's Tag Team Championship in 2021. In June 2023, the WWE Women's Tag Team Championship became available to NXT again after the NXT Women's Tag Team Championship was unified into the WWE Women's Tag Team Championship.
The championship is generally contested in professional wrestling matches, in which participants execute scripted finishes rather than contend in direct competition. The inaugural championship team was Bayley and Sasha Banks from Raw, who at the time went by the team name of The Boss 'n' Hug Connection and won the title in a tag team Elimination Chamber match at the 2019 Elimination Chamber event. Liv Morgan and Raquel Rodriguez from Raw are the current champions in their record-setting third reign as a team (first as members of The Judgment Day), while individually, it is Morgan's third reign and Rodriguez's record-tying fourth reign. They won the title by defeating Bianca Belair and Naomi on the February 24, 2025, episode of Raw.
As of April 6, 2025, there have been 28 reigns between 20 teams composed of 34 individual champions and two vacancies. As a team, Liv Morgan and Raquel Rodriguez have the most reigns at three, while individually, Rodriguez and Asuka are tied at four reigns. As a team, The Kabuki Warriors's (Asuka and Kairi Sane) first reign is the longest reign at 171–172 days (180 days as recognized by WWE due to tape delay), while the team of Bliss and Asuka have the shortest reign at 5 days (4 days as recognized by WWE). As a team, The Kabuki Warriors have the longest combined reign at 270–271 days, while individually, Asuka has the longest combined reign at 317–318 days. Lita is the oldest champion, winning the title at 47 years old, while Rhea Ripley is the youngest, winning it at 24.
As of April 6, 2025.
Manitoba Public Insurance

Manitoba Public Insurance Corporation (MPI; French: Société d'assurance publique du Manitoba) is the non-profit Crown corporation which administers public auto insurance, motor vehicle registration, and driver licensing in Manitoba. Established by the Government of Manitoba in 1971, it is headquartered in the provincial capital Winnipeg.
MPI has 21 claim centres, two customer service centres in 13 locations across Manitoba. Driver and Vehicle Licensing (DVL) is available through 147 agents in 123 communities, including 100 photo licensing agencies, and mobile testing units that service 69 communities. MPI partners with more than 300 independent insurance brokers in Manitoba.
As of fall 2014, MPI offers a Winter Tire Financing Program that allows policy holders to finance new Winter Tires and Rims (along with other approved services) up to a maximum of $2,000.00 for a repayment period of one to four years.
The basic automobile insurance product offered by MPI is known more informally as Autopac. Basic automobile insurance is compulsory in Manitoba and is only available through MPI. Extension insurance products (lower deductibles, increased insurance coverage, etc.) are sold in competition with the private sector.
In 2011, a typical workday saw approximately CAN$2.4 million in Autopac claims, and 1,109 reported Autopac claims.
In 2019, MPI was a defendant in two lawsuits financed by the Justice Centre for Constitutional Freedoms. The first challenged the revocation of an "ASIMIL8" license plate on the basis of a single complaint. Its owner, Nicholas Troller, testified that the plate was a reference to Star Trek. The second aimed to reinstate an "NDN CAR" license plate, previously issued to Bruce Spence to celebrate his "Indian" heritage.
Commercial vehicle

A commercial vehicle is any type of motor vehicle used for transporting goods or paying passengers. Depending on laws and designations, a commercial vehicle can be any broad type of motor vehicle used commercially or for business purposes.
In the United States, a vehicle is designated "commercial" when it is titled or registered to a company. This is a broad definition, as commercial vehicles may be fleet vehicles, company cars, or other vehicles used for business. Vehicles that are designed to carry more than 15 passengers are considered a commercial vehicle. Variations may exist from state-to-state on which "commercial vehicles" are prohibited on certain routes and lanes and between homeowner associations, which may employ broader definitions than their municipalities with regard to their own parking restrictions.
Broadly defined, a vehicle may be considered a commercial vehicle if it:
A vehicle can be used for a business, if not exclusively, and remain privately licensed, depending on the amount of time used for business.
In the United States, the Federal Motor Carrier Safety Administration defines a "commercial motor vehicle" as any self-propelled or towed vehicle used on a public highway in interstate commerce to transport passengers or property when the vehicle:
The federal definition, though followed closely, is meant to accommodate and remain flexible to each state's definitions.
The European Union defines a "commercial motor vehicle" as any motorized road vehicle, that by its type of construction and equipment is designed for, and capable of transporting, whether for payment or not:
Commercial trucks are classified according to the gross vehicle weight rating (GVWR). Commercial vehicles are divided into eight classes based upon the gross vehicle weight (GVW). The United States Department of Transportation classifies commercial trucks with eight classes:
Commercial vehicles are sometimes sought after for historic preservation as classic cars. News about preservation can be found in magazines such as Hemmings Motor News and Heritage Commercials.
Commercial vehicle accidents and injuries are often more complex than regular car accidents, often involving additional concerns, background checks on operator driving records, and corporate maintenance records.