davidanugraha/M4-RAG huggingface dataset:
Marama tribe

The Marama, also known as Abamarama, are a Luhya tribe occupying Marama Location in Kakamega District of the western province of Kenya. The town of Butere is located in west Marama and is a significant trading centre in Kakamega. They are said to have assimilated the Abashikunga sub tribe.
There is this great history associated with the a marama people that on their way to Kenya from through Uganda they first settled at the current Luoland place called Kaugak. Actually the amarama believe that the name should be kwa Bukachi, one of their sons whom the left behind at this point. Luos being unable to pronounce the name kwa Bukachi just put it to Kaugak
The main group then moved forward to the present Shiatsala area from where they spread their wings. At Shiatsala they found the Abatere people who had settled here earlier. They overpowered the Abatere and it's from their powers that they aquired their clan name abamukhula and/ or abamukoyia
The origin of the name Marama came up at this point of settlement..Shiatsala and the father to that name was Muchelule
Muchelule had two wives. The first wife gave birth to Abashianda while the other wife gave birth to abashiatsala, abashibembe, abamauko and abashishebu. Those are the current five houses of abamukhula which is the dominant subclan of abamarama. Abamukhula therefore can dress their origin from the man Muchelule.
They are a calm people, welcoming and quite organized. Main activities include crop farming and small scale business. The current member of parliament (2018) for the area is Tindi Mwale, a Marama. The first Governor of Kakamega, His Excellency Opararanya, also hails from the community.
Marama people are said to have come to Kenya through Uganda. After the collapse of the Chwezi Empire of Uganda, a man named Wamoyi migrated to Tiriki with his three sons (Wanga, Khabiakala and Eshifumbi). Wanga migrated to Emanga, Eshifumbi migrated to Emahondo (he is the ancestor of the Abamuyira and Abakakoya clans). Angulu (Wanga's nephew) migrated to Butere. His offspring founded the Abakhuli, Abashiambitsi, Abakhongo and Abaseta. Martin Shikuku was from Abarecheya. With over 40% of the population, Abamukhula is the dominant clan with several subclans and they are the “real” Abamarama. Other big clans are the Abashirotsa, Abatere, Abashieni, Abamanyulia, Abalukhoba.
বিদ্যারম্ভ

বিদ্যারম্ভম (সংস্কৃত: विद्यारम्भम्, আইএএসটি: Vidyārambham) হল হিন্দুধর্মের প্রাচীন গ্রন্থে ষোড়শ সংস্কারের (আচার) দশম, যা ছোট বাচ্চাদের জ্ঞান, অক্ষর এবং শেখার প্রক্রিয়ার জগতে পরিচয় করিয়ে দেয়। এই অনুষ্ঠানটি ২-৫ বছরের মধ্যে শিশুর জন্য সঞ্চালিত হতে পারে। এই আচারটি সাধারণত নবরাত্রির শেষ দিনে, অর্থাৎ বিজয়াদশমীর দিনে পরিচালিত হয় প্রধানত কেরলে যেখানে শিশুদের আনুষ্ঠানিকভাবে সঙ্গীত, নৃত্য, ভাষা এবং অন্যান্য লোকশিল্প শেখার সাথে পরিচয় করিয়ে দেওয়া হয়। আচার-অনুষ্ঠান অনুসরণ করে শুভ সময়ে (মুহুর্তে) বাড়িতেও বিদ্যারম্ভম করা যেতে পারে। এটি পাঠ্যক্রমের অক্ষরের মধ্যে দীক্ষার অনুষ্ঠানের অন্তর্ভুক্ত। তামিলনাড়ুতে এটিকে মুতাল এলুট্টু বলা হয়। ওড়িশায় এটি খাদি চুয়ান নামে পরিচিত এবং প্রধানত গণেশ চতুর্থী এবং বসন্ত পঞ্চমীতে পালিত হয়।
বিজয়াদশমীর দিন হল নবরাত্রি উদযাপনের দশম এবং শেষ দিন, এবং যে কোনও ক্ষেত্রে শেখার শুরু করার জন্য এটিকে শুভ বলে মনে করা হয়। এই দিনে শেখার ও দীক্ষা নেওয়ার প্রক্রিয়াটিও আয়ুধ পূজার আচারের সাথে ওতপ্রোতভাবে জড়িত। সাধারণত বিজয়াদশমীতে পুজোর জন্য রাখা যন্ত্রপাতি আবার ব্যবহার করার জন্য নেওয়া হয়। এটিকে এমন দিনও বিবেচনা করা হয় যখন বিদ্যার দেবী, সরস্বতী এবং শিক্ষকদের (গুরু) গুরুদক্ষিণা দিয়ে শ্রদ্ধা করতে হবে। গুরুদক্ষিণা হিসেবে সাধারণত পান পাতা, সুপারি বাদাম, ছোট প্রতীক এবং নতুন পোশাক - ধুতি বা শাড়ি অন্তর্ভুক্ত থাকে।
শিশুদের জন্য বিদ্যারম্ভ অনুষ্ঠানটি মন্দিরে ও বাড়িতে অনুষ্ঠিত হয়। হাজার হাজার মানুষের জন্য তাদের সন্তানদের শেখার জন্য মন্দিরে যাওয়া সাধারণ অভ্যাস।
পাঠ্যক্রমের জগতে দীক্ষা সাধারণত এই মন্ত্র লেখার মাধ্যমে শুরু হয়,
প্রাথমিকভাবে, মন্ত্রটি বালিতে বা ধানের শীষের ট্রেতে শিশু দ্বারা লেখা হয়, পুরোহিত বা গুরুর তত্ত্বাবধানে যিনি অনুষ্ঠানটি পরিচালনা করেন। তারপর, গুরু সোনা দিয়ে শিশুর জিহ্বায় মন্ত্রটি লেখেন। বালির উপর লেখা অনুশীলন বোঝায়। শস্যের উপর লেখা জ্ঞান অর্জনকে বোঝায়, যা সমৃদ্ধির দিকে পরিচালিত করে। সোনা দিয়ে জিহ্বায় লিখলে বিদ্যার দেবীর কৃপা আসে, যার দ্বারা একজন প্রকৃত জ্ঞানের সম্পদ অর্জন করে। আচারে শেখার প্রক্রিয়ার শুভ সূচনার জন্য ভগবান গণপতির কাছে আমন্ত্রণও জড়িত।
জ্ঞান সরস্বতী মন্দির, বাসর

জ্ঞান সরস্বতী মন্দির (তেলুগু: శ్రీ జ్ఞాన సరస్వతి దేవస్థానము) ভারতের তেলেঙ্গানা রাজ্যের নির্মল জেলার গোদাবরী নদীর তীরে বাসারে অবস্থিত একটি হিন্দু মন্দির। এই মন্দির প্রধান দেবতা হলো জ্ঞান ও বিদ্যার দেবী সরস্বতী। এটি ভারতীয় উপমহাদেশের দুটি বিখ্যাত সরস্বতী মন্দিরের একটি, অন্যটি হল সারদা পীঠ ।
আস্ক্লেপিউস

গ্রিক পুরাণে, আস্ক্লেপিউস ছিলেন চিকিৎসাবিদ্যার দেবতা। যাকে বলা হয় চিকিৎসা বিদ্যার দেবতা। তবে তিনি স্বর্গীয় দেবতা ছিলেন না ,ছিলেন ডেমি গড বা ২য় স্তরের দেবতা।কেননা তার মাতা ছিলেন একজন মরনশীল মানুষ।আর স্বর্গীয় দেবতাগন ছিলেন অমর।মুলত অসীম ক্ষমতাধর স্বর্গীয় দেবতাগন মননে এবং শরীরে ছিলেন সম্পূর্ণ মানবীয়,অর্থাৎ তাদের জন্ম,বিয়ে আবেগ, বেড়ে ওঠা সবই ছিলো মানুষের মতন কিন্তু ছিলনা কেবল মৃত্যু।অ্যাসক্লেপিয়াস এর পিতা ছিলেন নিখুত শরীরী সৌন্দর্য্যের অধিকারী চিকিৎসা ও সংগীতের দেবতা এপোলো এবং মাতা থেসালীর রাজকন্যা করোনিস।অ্যাসক্লেপিয়াস এর অর্থ – কেটে বের করা হয়েছে এমন কিছু।অ্যাসক্লেপিয়াস গর্ভে থাকাকালীন সময়ে পিতার অনুপস্থিতিতে তার মাতা অন্যেকজন মরনশীল মানুষের সাথে প্রনয়ে জড়িয়ে পড়েন।এ খবর এপোলো জানতে পারলে তিনি করোনিস কে তীরবিদ্ধ করেন এবং আগুনে জ্বালিয়ে দেন।কিন্তু এমন সময় এপোলোর মনে অনুশোচনার জন্ম নিলে তিনি করোনিস এর শরীর কেটে অনাগত সন্তানকে বের করেন বলে তার এমন নামকরন করা হয়।অ্যাসক্লেপিয়াস তার পিতার অনেক গুনের মাঝে সুস্থ রোগীকে সুস্থ করে তোলার ক্ষমতা ভালভাবে রপ্ত করেন।অ্যাসক্লেপিয়াস ওর স্ত্রী-এপিনিও ছিলেন ব্যাথা উপশমকারী দেবী। তার পুত্রদের মাঝে ম্যাকাওন আর পোডালেইরিওস ছিলেন বিখ্যাত শল্যবিদ এবং ছয় কন্যা একসাথে ছিলেন সুস্বাস্থ্যে র দেবী।তার কন্যাদের মাঝে হাইজিয়া ছিলেন পরিছন্নের দেবী, ল্যাসো ছিলেন অসুস্থ থেকে পুনরুদ্ধারের দেবি, অ্যাগিয়া হচ্ছেন সুস্বাস্থ্যে র অভ্যাসের দেবী,আসেসো ছিলেন নিরাময় পদ্ধতির দেবী, মেডিট্রিনা ছিলেন ওষুধপত্রের দেবী এবং প্যানাসিয়া ছিলেন সার্বজনীন প্রতিকারের দেবী।অ্যাসক্লেপিয়াস এর জ্ঞানে খুশি হয়ে দেবী এথেনা তাকে গর্গন মেডুসার রক্ত উপহার দিয়েছিলেন।মেডুসার মস্তিষ্কের বাম দিকের শিরা থেকে প্রবাহিত রক্ত মানবকূলের জন্য ক্ষতির কারন হয় কিন্তু ডান দিকের শিরা থেকে প্রবাহিত রক্ত দারুন সঞ্জীবনী শক্তি সঞ্চার করে মানব শরীরে। এই রক্ত এতটাই শক্তিশালি ছিল যে মৃত মানুষকেও জীবন ফিয়িয়ে দিতে লাগল।দেবী আর্টেমিসের প্রিয়ভাজন থিসিয়াসের সন্তান হিপ্পলিটাস এর মৃত্যু হলে আসক্লেপিয়াস তাকে দেবী আর্টেমিসের অনুরোধে জীবিত করে তোলেন।শুধু তাই নয় তিনি জিউসের বধ করা কিছু শত্রুকে পুনঃরুজ্জীবিত করে জিউসের ক্ষমতাকেও প্রশ্নবিদ্ধ করে তোলেন ফলে ক্ষুব্ধ হয়ে দেবতা জিউস তাকে বজ্রাঘাতে মেরে ফেলেন।নিজ পুতের হত্যার প্রতিহিংসায় এপোলো জিউসের বজ্র তৈরীকারী সাইক্লোপকে হত্যা করেন ।এতে জিউস রাগান্বিত হয়ে এপোলোকে মর্তে এক বছরের জন্য দাসত্ব করতে পাঠান।সাজার মেয়াদ শেষে এপোলোকে অলিম্পাসে ফেরত আনেন জিউস এবং সাইক্লোপস কে জীবিত করে তোলেন।তখন এপোলো অ্যাসক্লেপিয়াস কেও জীবিত করার প্রস্তাব দিলে জিউস এতে রাজী না হয়ে অ্যাসক্লেপিয়াস কে নক্ষত্রমন্ডলীতে স্থাপন করেন যেখানে অ্যাসক্লেপিয়াস অরফিউকাস নামে পরিচিত।
আস্ক্লেপিউস ছিল সূর্যদেবতা আপোল্লো ও করোনিসের সন্তান।
এপিওন।
মাকাওন ও পোদালেইরিউস।
ইয়াসো, আগলাইয়া, পানাকেয়া ও হাইগিএইয়া।
জিউস আস্ক্লেপিউসকে বজ্র নিক্ষেপ করে হত্যা করে কারণ সে মৃত লোকদের আবার জীবিত করে তুলতেন।
ইন্দিরা দেবী চৌধুরানী

ইন্দিরা দেবী চৌধুরাণী (২৯ ডিসেম্বর ১৮৭৩ – ১২ আগস্ট ১৯৬০) সঙ্গীতশিল্পী, লেখক ও অনুবাদক। ঠাকুরবাড়ির মেয়েদের মধ্যে তিনিই প্রথম বি.এ পাশ করেন। ইন্দিরা দেবী’র সবচেয়ে বড় পরিচয় তিনি একজন অনুবাদক।
ইন্দিরা দেবী চৌধুরাণী সত্যেন্দ্রনাথ ঠাকুর ও জ্ঞানদানন্দিনী দেবীর মেয়ে। ২৯ ডিসেম্বর, ১৮৭৩ সালে ইন্দিরা দেবীর জন্ম তৎকালীন বোম্বাই প্রদেশের কারোয়ারে (বর্তমান কর্ণাটক রাজ্যে)। পৈতৃক নিবাস কলকাতা জোড়াসাঁকো ঠাকুরবাড়ি। তাঁর মাতা জ্ঞানদানন্দিনীও ছিলেন একজন ব্যতিক্রমী, বিদুষী ও প্রগতিশীল মহিলা। একমাত্র দাদা সুরেন্দ্রনাথ ঠাকুর তাঁর চেয়ে দেড় বছরের বড়। ইন্দিরা দেবী ১৮৯৯ সালে তিনি তাঁর স্বনির্বাচিত পাত্র প্রমথ চৌধুরীর সঙ্গে পরিণয়সূত্রে আবদ্ধ হন।
১৮৮১ সালে প্রথমে সিমলার অকল্যান্ড হাউজে এবং পরে কলকাতার লরেটো হাউজে পড়াশোনা করেন। ১৮৮৭ সালে তিনি এন্ট্রান্স ও পরে এফএ পরীক্ষায় উত্তীর্ণ হন। ১৮৯২ সালে কলকাতা বিশ্ববিদ্যালয়ের বিএ পরীক্ষায় মেয়েদের মধ্যে প্রথম স্থান লাভ করে তিনি ‘পদ্মাবতী’ স্বর্ণপদকে ভূষিত হন।
বাদ্রিদাস মুকুলের নিকট উচ্চাঙ্গসঙ্গীত শিক্ষা গ্রহণ করেন। কিছুদিন সেতার বাজানও শিখেছিলেন। অনুবাদক হিসেবে ইন্দিরা দেবী অল্পবয়সেই খ্যাতি অর্জন করেন। কৈশোরে তিনি রবীন্দ্রনাথ ঠাকুর পরিচালিত ও মাতা জ্ঞানদানন্দিনী সম্পাদিত বালক পত্রিকায় রাস্কিনের রচনার বাংলা অনুবাদ প্রকাশ করেন। পরে ফরাসি শিখে তিনি রেনে গ্রুসের ভারতবর্ষ, পিয়ের লোতির কমল কুমারিকাশ্রম এবং মাদাম লেভির ভারতভ্রমণ কাহিনী অনুবাদ করেন। রবীন্দ্রনাথ ঠাকুরের বহু কবিতা, গল্প ও প্রবন্ধসহ জাপানযাত্রীর ডায়রী-র ইংরেজি অনুবাদও তিনি প্রকাশ করেন। পরবর্তীকালে বামাবোধিনী, বঙ্গলক্ষ্মী, সাধনা, পরিচয়, সবুজপত্র প্রভৃতি পত্রিকায় সঙ্গীত ও সাহিত্যবিষয়ে তার অনেক মৌলিক রচনা প্রকাশিত হয়। বঙ্গনারীর শুভাশুভ বিষয়ে তার মতামত নারীর উক্তি নামক প্রবন্ধটি ছাপানো হয়।
ইন্দিরা দেবীর কয়েকটি মৌলিক রচনা হলো:-
তার সম্পাদিত গ্রন্থের মধ্যে রয়েছে:-
১৯৪৪ সালে কলকাতা বিশ্ববিদ্যালয় তাকে ‘ভুবনমোহিনী’ স্বর্ণপদক, ১৯৫৭ সালে বিশ্বভারতী ‘দেশিকোত্তম’ এবং ডি-লিট ডিগ্রী লাভ করেন এবং ১৯৫৯ সালে রবীন্দ্রভারতী সমিতি প্রথমবারের মতো ‘রবীন্দ্র পুরস্কার’-এ ভূষিত করে।
১৯৬০ সালের ১২ আগস্ট তিনি মারা যান।
মাধ্যমিক ও উচ্চ মাধ্যমিক শিক্ষা বোর্ড, বরিশাল

মাধ্যমিক ও উচ্চ মাধ্যমিক শিক্ষা বোর্ড, বরিশাল বাংলাদেশের বরিশাল বিভাগের মাধ্যমিক ও উচ্চ মাধ্যমিক পর্যায়ের শিক্ষা প্রতিষ্ঠানগুলোর নিয়ন্ত্রক কর্তৃপক্ষ হিসেবে কাজ করে।
বোর্ডের অধ্যাদেশ অনুসারে, উত্তরাঞ্চলের মাধ্যমিক ও উচ্চ মাধ্যমিক পর্যায়ের শিক্ষা প্রতিষ্ঠানসমূহের তদারকি, মাধ্যমিক ও উচ্চ মাধ্যমিক স্তরের এস. এস. সি এবং এইচ. এস. সি পরীক্ষা পরিচালনা ও উন্নয়নের জন্যে ক্ষমতাপ্রাপ্ত শিক্ষা প্রতিষ্ঠান, যা ১৯৯৯ সালে সরকারী আদেশে (Barisal Education Board (SR and no 250 law -99) Branch -11/(1) 98- ISEO))প্রতিষ্ঠিত। এটি ১৯৯৯ সালে কার্যক্রম শুরু করে। বর্তমানে এই বোর্ড-এর অন্তর্গত রয়েছে বরিশাল, পটুয়াখালী, ভোলা, বরগুনা, ঝালকাঠি ও পিরোজপুর জেলার শিক্ষাপ্রতিষ্ঠান।
সৌদি আরবে শিক্ষা ব্যবস্থা

প্রথমিক শিক্ষা থেকে কলেজ পর্যন্ত সকল সরকারি শিক্ষা প্রতিটি সৌদি নাগরিকের জন্য উন্মুক্ত। সৌদি আরব এর মোট দেশজ আয়ের ৮.৮% শিক্ষাখাতে খরচ করে, শিক্ষাখাতে বৈশ্বিক গড় ৪.৬% এর তুলনায় এটি প্রায় দ্বিগুণ। ইসলাম শিক্ষা হল এই শিক্ষাব্যবস্থায় বৈজ্ঞানিক শিক্ষা ও সমাজবিজ্ঞানের পাশাপাশি একটি অংশ যা অন্যান্য শিক্ষা প্রতিষ্ঠানগুলো থেকে আলাদা।
১৯৫৭ সালে যখন বাদশাহ সৌদ বিশ্ববিদ্যালয় প্রতিষ্ঠিত হয়, তার আগপর্যন্ত বহু সৌদি আরবীয় শিক্ষার্থী বিশ্ববিদ্যালয়ে ভর্তি হতে অন্য দেশগুলোতে পাড়ি জমাতো।
এই নিবন্ধটিতে Library of Congress Country Studies থেকে পাবলিক ডোমেইন কাজসমূহ অন্তর্ভুক্ত যা পাওয়া যাবে এখানে । [১]
ইসলামে সবুজ রঙ

সবুজ রঙ (আরবি: الخضر, প্রতিবর্ণীকৃত: 'al-khdir') ইসলামের বেশ কিছু ঐতিহ্যের সাথে সম্পর্কিত এবং ইসলামে এর বিশেষ তাৎপর্য রয়েছে। দ্বাদশ শতাব্দীতে শিয়া ফাতিমীরা সবুজ রঙকে রাজবংশের প্রতীক হিসাবে বেছে নিয়েছিল। এতে তারা সুন্নি আব্বাসীদের ব্যবহৃত কালো রঙের বিরোধীতা প্রকাশ করে। তাদের পরেও শিয়া আইকনোগ্রাফিতে সবুজ রঙের জনপ্রিয় রয়ে গিয়েছে। তবে সবুজ কেবল শিয়াদের প্রতীক নয়; বরং এটি ইসলামে তাৎপর্যপূণ রঙ। তাই সুন্নি দেশেও এর ব্যাপক ব্যবহার দেখা যায়। যেমন: সৌদি আরব, পাকিস্তান ও বাংলাদেশের পতাকায় সবুজ রঙ আছে।
আল-খিদর বা আল খিযির (সবুজ ব্যক্তি) হলেন এমন একজন কুরআনি ব্যক্তিত্ব, যার সাথে সাক্ষাৎ করার জন্য মূসা আ. সমুদ্র ভ্রমণ করেছিলেন। সুলতান আবদুল হামিদ দ্বিতীয় (১৮৭৬-১৯০৯) এর আদেশে ঐতিহ্যবাহী স্থান মুহাম্মদ সাল্লাল্লাহু আলাইহি ওয়া সাল্লামের সমাধির ওপর সবুুজ গুম্বজ ব্যবহার করা হয়েছে।
ঐতিহাসিক শিয়া ফাতিমীয় খিলাফতের পতাকা ও ব্যানারের রঙ হিসাবে সবুজ ব্যবহার করা হয়েছিল। সবুজ রঙে তাদের ব্যবহৃত পতাকা ১১৭১ অবধি ছিল।
গদা

গদা (সংস্কৃত: गदा, কন্নড়: ಗದೆ, তেলুগু: గద, তামিল: கதை, মালয়: গেদক) হল ভারতীয় উপমহাদেশের মুগুর বা দণ্ড বা ভোঁতা গদা। কাঠ বা ধাতু দিয়ে তৈরি, এটির মূলত দণ্ড বসানো গোলাকার মাথা থাকে, যার উপরে গজাল থাকে। ভারতের বাইরে, গদা দক্ষিণ-পূর্ব এশিয়াতেও গৃহীত হয়েছিল, যেখানে এটি এখনও সিলতে ব্যবহৃত হয়। অস্ত্রটির ইন্দো-ইরানীয় উৎপত্তি হতে পারে কারণ পুরাতন ফার্সিও ক্লাব অর্থে গাদা শব্দটি ব্যবহার করে।
গদা হল হিন্দু দেবতা হনুমানের প্রধান অস্ত্র। বিষ্ণু তার চারটি হাতের একটি হাতে কৌমোদকী নামে গদা বহন করেন। মহাকাব্য মহাভারতে, যোদ্ধা বলরাম, ভীম, দুর্যোধন, জরাসন্ধ ও অন্যান্যদেরকে গদার প্রভু বলা হয়।
Saraswati Samman

The Saraswati Samman is an annual award for outstanding prose or poetry literary works in any of the 22 languages of India listed in Schedule VIII of the Constitution of India. It is named after the Hindu goddess of knowledge, Saraswati.
The Saraswati Samman was instituted in 1991 by the K. K. Birla Foundation. It consists of ₹15,00,000, a citation and a plaque. Candidates are selected from literary works published in the previous ten years by a panel that included scholars and former award winners. The inaugural award was given to Harivanshrai 'Bachchan' for his four volume autobiography, Kya Bhooloon Kya Yaad Karoon, Needa Ka Nirman Phir, Basere Se Door and Dashdwar se Sopan Tak.
ISKCON Temple, Vrindavan

ISKCON Vrindavan, also called Sri Krishna Balaram Mandir, is one of the major ISKCON temples in the world. It is a Gaudiya Vaishnava temple located in the city of Vrindavan, Mathura district, in the Indian state of Uttar Pradesh. The temple is dedicated to the Hindu gods Krishna and Balarama. The other deities of temple are Radha Krishna and Gauranga Nityananda.
A. C. Bhaktivedanta Swami Prabhupada, founder–acharya of the International Society for Krishna Consciousness, inaugurated the Krishna Balaram Mandir and installed deities (murtis) of Krishna–Balaram, Radha–Shyamasundar, the gopis Lalita Devi and Vishakha Devi, and Gaura–Nitai on Ram Navami (April 20) 1975.
The presiding deities of the temple are Krishna and Balarama at the central altar. On the right altar are Radha Krishna as Sri Sri Radha Shyamsundar with the gopis Lalita and Vishakha. On the left altar are Chaitanya Mahaprabhu with Nityananda, and ISKCON founder A. C. Bhaktivedanta Swami Prabhupada and his guru Bhaktisiddhanta Sarasvati.
Near the temple, at the entrance to the complex, is the samadhi mandir of Prabhupada, built of white marble.
27°34′21″N 77°40′40″E﻿ / ﻿27.5724194544°N 77.6777527878°E﻿ / 27.5724194544; 77.6777527878
Radha Madan Mohan Temple, Vrindavan

Shri Radha Madan Mohan Temple, is a Hindu temple situated in Vrindavan of Indian state of Uttar Pradesh. It is one of the oldest and highly revered temple of Vrindavan. The presiding deity of the temple is Madan Mohan, a form of the god Krishna who is present in the central altar of the temple with his consort goddess Radha and Lalita gopi on either sides of him. The temple is one of the earliest temples of Vrindavan which has architectural influences from existing Mughal architecture as well as Kalinga Nagara Style of Indian Temple Architecture.
The temple is built in the Nagara style of architecture. On the bank of Yamuna River, Radha Madan Mohan Temple stands at a height of 50 feet near Kaliya Ghat. It is also one of the most popular Goswami shrines in Uttar Pradesh.
According to popular folklore, Shri Radha Madan Mohan temple in Vrindavan is 5000 years old. It was first believed to be constructed by that the great-grandson of Krishna - Vajranabh. However, with the passage of time, deities were lost. Later, the deity of Madan Mohan was discovered at the base of an old banyan tree by Advaita Acharya, when he visited Vrindavan. He entrusted the worship of Madana Mohan to his disciple, Purusottama Chaube, who then gave the deity to Sanatana Goswami.
According to historical sources, it was in 1580 AD that this temple was rebuilt under the guidance of Sri Sanatana Goswami by a Multan trader Kapur Ram Das. As the temple was invaded by Mughal emperor Aurangzeb in 1670 AD, the original idol of Madan Mohan was secretly shifted to Jaipur by King Jai Singh overnight before the attack of Aurangzeb on Vrindavan and Mathura temples. Later, the deities are shifted to Karauli by King Gopal Singh. The original deities of Shri Radha Madan Mohan temple are presently installed in Madan Mohan temple of Karauli, Rajasthan.
The original deity of Madan Mohan is said to exactly resemble Krishna from the waist down. In 1748 AD, a replica of Madan Mohan was established in the Madan Mohan temple, Vrindavan. In 1819 AD, Nanda Kumar Basu, a zamindar from Baharu rebuilt the temple at the foot of the hill near Yamuna river. Presently, Shri Radha Madan mohan temple of Vrindavan houses the replica of original deities which are installed in the Madan Mohan temple, Karauli.
Shri Radha Madan Mohan temple has Nagra style of architecture. It is built in oval shape with red sandstone. The temple is 20 meters high and is situated near river Yamuna.
The time zone (UTC+05:30) observed through India by the priest.
Winter Timings : Morning 7:00 am to 12:00 pm, Evening 4:00 pm to 8:00 pm.
Summer Timings : Morning 6:00 am to 11:00 am, Evening 5:00 pm to 9:30 pm.
Madan Mohan Temple, Karauli

Shri Radha Madan Mohan Ji Temple is a Hindu temple situated at Karauli, in the Indian state of Rajasthan. The temple is located on the banks of the Bhadravati River, a tributary of the Banas River in the hills of Aravali. It is located in the braj region. The temple is dedicated to Madan Mohan form of Krishna. In the central altar, Krishna is flanked with the icons of his consort Radha and Lalita on either side.
The temple is dedicated to Krishna. It is believed that one night, King Gopal Singh was instructed by Krishna in his dream to bring his Madan Mohan idol from Vrindavan to Rajasthan before the attack of Mughal emperor Aurangzeb on Vrindavan temples. As instructed, the king of Karauli brought the original idol of Madan Mohan with him overnight and got this temple constructed Karauli.
It is also said that to protect idols of Krishna from Mughals, two idols were brought from Vrindavan and placed one at Karauli and another at Jaipur. It is said that to complete the Govardhan Yatra, it is mandatory to visit Madan Mohan temple and Govind Dev Ji Temple.
It is one of the Char Dham of Karauli District. Other three are Kaila Devi Temple, Mehandipur Balaji Temple and Shri Mahavirji.
Devotees used to put the Prasad. Jugal Prasad is a kind of Bhog in which devotees offer Laddu and Kachauri. It is put once in a day by one person only. The queue for the same is around two year long.
On the festivals like Krishna Janmashtami, Radhashtami, Gopashtami and Holi, temple witness large number of devotees visiting from across the Rajasthan for the "Darshan" of deities. Temple premises are decorated with huge amount of flowers on occasion of important festivals.
Ranila Jain temple

Ranila Jain temple is a Jain temple in Ranila village in the Charkhi Dadri district of Haryana.
Ranila was an important Jain center during the medieval period with royal patronage of Tomara dynasty and Chahamanas dynasty.
Bhagwan Adinath Digambar Jain Temple is located at Adinath Puram, Ranilla. The magnificent temple is considered very miraculous. Ranila has two important red sand stone Jain idols. These idols are dedicated to Adinatha and Goddess Chakreshwari Devi were excavated by Ranjit Singh while working on his field. These images dates back to 6th-7th century. The idol of Adinatha is richly carved with image of Adinatha in center and images of 24 tirthankar in both padmasan and kayotsarga posture. Adinath is depicted with Shrivatsa on chest and carving of bull below the pedestal. The idol has carvings of yaksha, flask bearer, flying couple with garland, asoka tree, tricchatra, elephant and aparaharyas. The idol of adinath is placed inside the temple as mulnayak of the temple and chakreshvari devi is housed inside a smaller shrine. Chakreshvari is depicted in Lalitasana seated on garuda, with multiple hands holding various attributes. There is an image of tirthankar on the head and two attendants on either side of the Chakreshvari image. The temple also has a dharamshala equipped with all modern facilities along with a bhojanalya.
The Finding of the Saviour in the Temple

The Finding of the Saviour in the Temple (1854–1860) is a painting by the English artist William Holman Hunt intended as an ethnographically accurate version of the subject traditionally known as "Christ Among the Doctors", an illustration of the child Jesus debating the interpretation of the scripture with learned rabbis. The passage illustrated is from the Gospel of Luke, 2:41, which states:
Hunt depicts the moment at which Mary and Joseph find Jesus, while the rabbis in the temple are reacting in various contrasting ways to his discourse, some intrigued, others angry or dismissive. This depiction of contrasting reactions is part of the tradition of the subject, as evidenced in Albrecht Dürer's much earlier version. Hunt would also have known Bernardino Luini's version of the subject in the National Gallery. At the time this was ascribed to Leonardo da Vinci.
Obsessed with the idea of revitalising religious art by emphasising ethnographical accuracy combined with detailed Biblical symbolism, Hunt had travelled to the Middle East to create the picture, using local people as models and studying ancient Judaic customs and rituals. Progress on the painting was delayed by difficulties with models, and eventually Hunt postponed it to work on another project, The Scapegoat. He eventually completed it in 1860, back in England. His friend Frederic George Stephens wrote a pamphlet containing a detailed explanation of the content and the characters. It was then shown in a series of popular travelling exhibitions at which visitors could buy the pamphlet and subscribe to an engraved reproduction. These were organised by the dealer Ernest Gambart, and proved a great financial success.
Hunt sold the painting to Charles Dickens for £5,500.
Thomas Carlyle gave his thoughts in a letter:
Sjalusi (Edvard Munch)

«Sjalusi» er flere malerier av Edvard Munch. Maleren vendte stadig tilbake til dette tema gjennom hele livet. Det første maleriet kom ut i 1895 og det siste på 1930-tallet. Han laget også fire litografier om temaet. Modell for maleriet skal ha vært Munchs forhold til norske Dagny Juel Przybyszewski som var gift med den polske kunstneren Stanisław Przybyszewski..
Et forfalsket maleri av Sjalusi, tidligere utgitt for å være en ekte Munch hang ved siden av et ekte eksemplar i Munchmuseet i februar 2019. En amerikaner hadde kjøpt forfalskningen i New York og fikk det undersøkt i Norge. Da det viste seg å være en forfalskning, gav han det bort til museet.
Det syke barn

«Det syke barn» er et maleri av den norske billedkunstneren Edvard Munch (1863–1944). Første versjon av maleriet ble malt mellom 1885 og 1886. Det forestiller kunstnerens søster Sofie, som døde av tuberkulose, og tanten ved siden av. Munch malte senere en rekke versjoner av motivet.
Axwell

Axwell eller Axel Christofer Hedfors (født 18. desember 1977 i Lund) er en svensk DJ, remixer, musikkprodusent og eier av plateselskapet Axtone. Han er en av de tre medlemmene i gruppen Swedish House Mafia. I DJ Magazines årlige ranking ble han en av «Top 100 DJ», på slutten av 2011 var han på en 12.-plass. Axwell har også tittelen «Sveriges bästa dj 2010» av Svenska DJ Top 100, som arrangeres av Sajiten clubstockholm.se årlig.
Sammen med Sebastian Ingrosso har han gitt ut fem singler under artistnavnet Axwell Λ Ingrosso.
Liste over førsteplasser på Billboard Hot 100 i 2000-årene

Denne artikkelen handler om den amerikanske Billboard Hot 100 hitliste i løpet av 2000-årene.
Billboard Hot 100 er en hitliste som presenterer de 100 mest populære singlene i USA for øyeblikket. Listen er basert på avspillinger på radio og platesalg.
♪ – årets sang
Impresjonisme

Impresjonismen var en retning innen kunsten på 1800-tallets siste halvdel, og startet som en løs samling av Paris-baserte malere som stilte ut sammen fra 1860-årene. Bevegelsen fikk sitt navn etter Claude Monets maleri Impression, soleil levant fra 1872, etter at kritikeren Louis Leroy i en satirisk kritikk av blant annet dette maleriet brukte betegnelsen «impresjonisme» i en nedlatende betydning.
I utgangspunktet var de impresjonistiske malerne i sterk opposisjon til den dominerende og akademiske salongkunsten, som var underlagt strenge regler og definerte motiver. Karakteristisk for de impresjonistiske malerne er tydelige penselstrøk, lyse farger, løse og åpne komposisjoner, hverdagslige motiver, gjerne sett fra uvanlige vinkler, og fremfor alt en ambisjon om å fange det skiftende lyset i alle dets ulike fasetter. For impresjonistene ble det en ideologisk føring å gå ut av atelierene og arbeide i friluft, for å konfrontere naturen mest mulig impulsivt og direkte.
Impresjonismen i billedkunsten spredte seg raskt til litteraturen og musikken. Særlig komponistene Claude Debussy, Erik Satie og Maurice Ravel blir sett som fremstående impresjonister.
Inspirert av malerkunsten er impresjonisme er også brukt om en stilretning innen dikterkunsten. Man kan for eksempel studere impresjonistiske stiltrekk hos den danske dikter Herman Bang og andre, eller hos norske diktere som Jonas Lie eller Hans E. Kinck.
«Impresjonistisk» betegner også annen kunst som er utført i denne stilen, men utenfor perioden rundt siste halvdel av 1800-tallet.
Viktige impresjonistiske kunstnere:
Musée d'Orsay i Paris har i dag den største samlingen av malerkunst fra impresjonismen og postimpresjonismen.
Impresjonisme (musikk)

Impresjonisme er i musikksammenheng et begrep brukt på en periode innen musikk fra sent 1800- til tidlig 1900-tall. Begrepet er knyttet til impresjonisme i kunst, det vil si en kunstretning som vektla lyse farger og å fange stemninger og lyssettinger ved å male dem rett på lerretet i stedet for å bruke skisser. Øyeblikket blir viktigere enn formen, og konturene ble ofte droppet. Også symbolismen innen litteratur, især poesi, var viktig. Symbolistiske dikt skulle ikke forstås, men oppleves, og det fantes ingen presis forklaring av et symbolsk dikt.
Claude Debussy var toneangivende i definisjonen av impresjonisme innen musikk, enda han selv mislikte uttrykket og anså seg selv nærmere symbolismen enn impressjonismen. Navnet «impresjonist» fikk Debussy, som Claude Monet før ham, som en fornærmelse, i Debussys tilfelle av Paris-konservatoriet. Der het det at Debussy hadde «en overdreven sans for musikalsk koloritt som lett får ham til å glemme betydningen av linjene og formens presisjon. Det ville være svært ønskelig at han tok seg i akt mot denne vage impresjonismen, som er en av de farligste fiendene av sannheten i kunstverkene».
Impresjonist eller ikke, Debussy var opptatt av å gi sitt inntrykk av en handling heller enn å komme med en betydningsfull tittel fra programmusikken. I tillegg ble akkorden verdifull i seg selv, og ikke som del av en harmonisk struktur. Maurice Ravel var elev av Debussy, og ivaretok arven. Også Paul Dukas og Aleksandr Skrjabin regnes blant impresjonistene.
Édouard Manet

Édouard Manet (født 23. januar 1832 i Paris, død 30. april 1883 i Paris) var en fransk maler. Han var en markant kunstner i overgangen mellom akademikunst, realisme og impresjonisme og regnes blant den kunstneriske modernismens tidligste profiler.
Manet ble født i Paris i en velstående familie. Hans far var advokat, og faren så for seg at sønnen ville velge samme retning i livet. Han føyet seg såpass at han dro ut på et treningstokt med et av den franske marinens skoleskip, men klarte ikke opptaksprøvene til å komme videre. Faren ga da etter, slik at han fikk begynne å studere ved Thomas Coutures atelier, der han var fra 1849 til 1856. Han tilbragte også mye tid med å studere, tegne og male etter verker som hang i Louvre. Der var det spesielt spansk og italiensk kunst som fanget interessen og ga seg utslag i senere bilder.
I 1863 giftet seg han seg med den nederlandske pianisten Suzanne Leenhoff.
Manet ble tidlig påvirket av den realistiske fremstillingen av verden, slik han så det i arbeidene til tidligere kunstnere som Diego Velázquez, Frans Hals og Francisco Goya. I 1860-årene begynte Manet å male urbane bilder, med motiv fra samtida. Sositetslivet i Paris går igjen i flere av disse maleriene. Dette var et miljø Manet kjente godt til. Det begynte i 1862, med «Konsert I Tuileriene». Dette var hans første samtidsmaleri.
Disse samtidsmotivene var også noe som skulle komme til å karakterisere de senere impresjonisters kunst som helhet. Han var en av de første kunstnerne som brøt mot den dominerende akademiske tradisjonen i 1800-tallets Frankrike, og malte i realismens ånd. Flere av hans arbeider, som «Frokost i det grønne» (1861–1863), «Olympia» (1863–1865) og «Nana» (1877) ble mottatt med stor debatt i den franske offentligheten. De to første brukte kjente positurer og oppstillinger fra tidligere malere, men var tydelig lagt til samtiden, med tidsriktig staffasje og antrekk. I tillegg var modellene gjenkjennelige. Derimot viste «Nana» en anonymisert scene med riktige antrekk, men situasjonen med en ung kvinne i undertøy og en herre i flosshatt og frakk i høyre billedkant lot ingen i tvil om hva situasjonen gikk ut på.
Fra 1870-årene møtte Manet impresjonistiske kunstnere som Claude Monet, og Berthe Morisot, og han ble i sterkere grad påvirket av den nye retningen impresjonismen som brøt med de tradisjonelle kriteriene for hvordan kunst skulle være. Han samarbeidet med impresjonistene og deltok i forberedelsene til deres første gruppeutstilling, men stilte ikke ut sammen med dem. Han mente at drakampen om anerkjennelse måtte komme i Salonen, og ikke i gruppeutstillinger annetsteds.
Mot slutten av sin levetid konsentrerte han seg for en stor del om stilleben av blomster. «Baren på Folies-Bergère» («Un bar aux Folies-Bergère») fra 1882, ble et av hans siste store verker. For siste gang viser Manets urbane side i et svært moderne og tidsriktig maleri av barpiken Suzon, i et av Paris mest elegante revyteatre.
Manets arbeider finnes i mange museer, blant annet:
James Brolin

James Brolin (født 18. juli 1940) er en amerikansk skuespiller, produsent og regissør, kjent fra sine mange roller i spillefilmer og fjernsynsfilmer, inkludert TV-komedier («sitcom») og såpeoperaer. Han er far til skuespiller Josh Brolin og ektemann av sanger og skuespiller Barbra Streisand.
James Bruderlin var den eldste av to brødre og to søstre. Han var sønn av Helen Sue (født Mansur), husmor, og Henry Hurst Bruderlin, som var entreprenør. Familien bosatte seg i Westwood kort tid etter hans fødsel. I en alder av 20 år skiftet han etternavn fra Bruderlin til Brolin.
Brolin fikk en kontrakt med filmselskapet 20th Century Fox, og han hadde sin første store rolle i filmen The Cape Town Affair fra 1967, men filmen ble ingen suksess i kinosalene. Brolin fikk til slutt sparken av 20th Century Fox.
I 1985 spilte Brolin rollen som James Bond i parodi-filmen Pee-Wee's Big Adventure. Han hadde også en rolle som guvernør og presidentkandidat Robert Ritchie i TV-serien The West Wing. I 1968 ble Brolin overført til Universal Studios der han prøvespilte for en birolle sammen med den erfarne skuespilleren Robert Young i den medisinske dramaserien Marcus Welby. Brolin fikk rollen som doktor Steven Kiley, en ung og nyutdannet lege som arbeider sammen med en mer erfaren lege.
I sin første sesong av TV-serien Marcus Welby i 1970, ble Brolin tildelt en Emmy Award som beste skuespiller i en birolle, og han ble senere nominert til denne prisen tre ganger til. Brolin ble også nominert til en Golden Globe tre ganger i kategorien beste mannlige birolle, og vant denne utmerkelsen to ganger mellom 1971 og 1973. Brolin har hatt en rekke biroller i store kinofilmer siden 2000. Disse inkluderer blant andre en rolle i den Oscar-vinnende filmen Traffic (2000), som Jack Barnes i Catch Me If You Can (2002), en mindre rolle i komedien A Guy Thing fra 2003. I 1985 møtte Brolin skuespiller Jan Smithers og de giftet seg i 1986. Paret fikk en datter, Molly Elizabeth i 1987. Jan Smithers søkte om skilsmisse fra Brolin i 1995.
I 1996 møtte Brolin sangerinne, skuespiller og regissør Barbra Streisand gjennom en felles venn, og Brolin og Streisand giftet seg den 1. juli 1998. Brolin og Streisand er bosatt i Malibu i California.
Angèle

Angèle Joséphine Aimée Van Laeken (født 3. desember 1995 i Uccle), bedre kjent under artistnavnet Angèle (fransk uttale: ​[ɑ̃ʒɛl]), er en belgisk sanger-låtskriver og musiker. Hun var en av de største nykommerne innen fransk og belgisk pop i 2018. Singelen «Tout oublier», som broren Roméo Elvis medvirket på, lå ni uker som nummer én på den belgiske Ultratop-listen. Dette var ny rekord for en belgisk artist; tidligere var det sangeren Stromae som hadde ligget lengst på toppen av den samme hitlisten.
Angèle er datter av sangeren Marka og skuespilleren Laurence Bibot. Broren hennes er rapperen Roméo Elvis. Takket være faren startet hun tidlig å spille piano. Som barn gikk Angèle på en streng katolsk skole, før hun begynte på École Decroly, en skole som ga henne mulighet til å utfolde seg kunstnerisk. Hun begynte også på en jazzskole før hun sluttet seg til farens band.
Angèle startet karrieren ved å opptre på ulike kafeer i Brussel. I 2017 var hun oppvarmingsartist for Ibeyi og den belgiske rapperen Damso. Hun medvirket også på Damsos album Lithopédion. Hennes første singel, «La Loi de Murphy» (som betyr Murphy's Law), ble utgitt i slutten av 2017 og fikk millioner av visninger på YouTube. Hennes andre singel, «Je veux tes yeux», ble utgitt tidlig i 2018. Videoene til de to sangene ble regissert av den belgiske fotografen Charlotte Abramow.
I mai 2018 spilte Angêle sin første konsert i Paris, sammen med MC Solaar. Der fremførte hun sin egen coverversjon av hans hitlåt «Victime de la mode». Sommeren 2018 opptrådte hun på en rekke festivaler i Belgia, Frankrike og Sveits.
I 2018 ga hun ut sin tredje singel, «La Thune», og i august 2018 annonserte hun lydsporet på hennes første album, Brol. Albumet ble gitt ut 5. oktober 2018, samme dag som singelduetten med broren Roméo Elvis ble utgitt. Dette albumet ble svært vellykket og resulterte i invitasjoner til å opptre på en rekke franske TV-programmer. 8. november 2019 ga hun ut en nyutgivelse av Brol ved navn Brol La Suite som, i tillegg til de originale sangene, også inkluderte syv nye lydspor.
I 2019 ble Angèle en av de mest ettertraktede artistene i Frankrike og Belgia, og bekreftet sitt feministiske ståsted gjennom sangen «Balanse ton quoi», en referanse til den franske #metoo-bevegelsen Balanse ton porc («Angi svinet ditt»). Skuespilleren Pierre Niney gjorde en opptreden i videoen sammen med flere av Angèles venner hvor de diskuterte utfordringer hennes kvinnelige venner har opplevd rundt menn. Ifølge Angèle handler ikke filmen om å latterliggjøre menn, men om å lære alle å leve i et mer aksepterende samfunn.
Angèle er fan av Ella Fitzgerald og Hélène Ségara. Hun finner inspirasjon i mange musikalske sjangere, fra fransk musikk til elektronisk musikk og rap, som hun selv mislikte som tenåring. Hun ble spesielt påvirket av rap da hun opptrådte med sin bror Roméo Elvis og rapperne Caballero og JeanJass. Hun er også påvirket av den belgiske rapperen James Deano, kjent for sin sans for humor, og Sheryfa Luna, Zaho, Vitaa og Diam's.
Skrik

«Skrik» er et av Edvard Munchs mest berømte bilder og en av Norges sentrale kunstskatter. Teknikken er fettstift på papp, og bildet er datert til 1893. Bildet finnes i flere originalversjoner, hvorav tre tilhører Munchmuseet og ett Nasjonalgalleriet.
Den norske ekspresjonistiske maleren Edvard Munch (1863–1944) laget bildet etter en angstfylt naturopplevelse han fikk mens han gikk fra Ekeberg i Oslo, og han skriver i sin dagbok datert Nice 22. januar 1892:
Tre amerikanske astronomer har satt Munchs valg av rød himmel i bildet i sammenheng med at et vulkanutbrudd i Indonesia forårsaket sterkt rødfarget himmel ved soloppgang og solnedgang i Europa fra november 1883 til februar 1884.
Den eneste privateide originalversjonen av bildet ble solgt 3. mai 2012 på auksjon hos det amerikanske auksjonsfirmaet Sotheby’s for 119,9 millioner amerikanske dollar, hvorav 107 millioner i salgssum med 12,9 millioner i kommisjon. Dette tilsvarte i 2012 689 millioner norske kroner. Selger var Petter Olsen. Kjøperen var anonym, men det ble etter hvert kjent at det var den amerikanske investoren og kunstsamleren Leon Black som kjøpte maleriet.
«Skrik» er et av verdens mest kjente bilder og har blitt et ikon i den internasjonale populærkulturen der det gjengis i stadig nye varianter og versjoner i vitsetegninger, reklame og annet.
Jasper Johns

Jasper Johns (født 15. mai 1930) er en amerikansk kunstner.
Johns har vært en av de mest innflytelsesrike kunstnerne i USA fra slutten av 1950-tallet. Han blir sett som en forgjenger for popkunsten, og arbeidene hans har fått karakteristikken neo-dada på grunn av slektskapet med dadaistene. Han er særlig kjente for Flag; et maleri av det amerikanske flagget, fra 1954. Ifølge The Guardian er Flag "one of the most iconic of all American paintings". Han fikk sitt store gjennombrudd i 1958 ifølge Dagsavisen.
Han ble tildelt Wolfprisen i 1986.
Johns er begeistret for Edvard Munchs arbeider og siterer ham ofte i egne verk. I 2016 hadde Munch-museet en utstilling der Johns og Munch blir satt opp mot hverandre. Samme utstilling ble vist på Virginia Museum of Fine Arts i november 2016. Johns har ellers vært sammenlignet med Marcel Duchamp og Pablo Picasso.
Hyundai Ioniq 6

Hyundai Ioniq 6 (koreansk: 현대 아이오닉 6) er en elbil sedan produsert av Hyundai Motor Company. Det er det andre kjøretøyet som markedsføres under det elektriske Ioniq-undermerket, og den fjerde modellen utviklet på Hyundai Electric Global Modular Platform (E-GMP). Bilen ble først solgt i Sør-Korea sent i 2022, med leveranser i USA som begynte i mars 2023.
Ioniq 6 ble lansert 12. juli 2022. Den produseres ved Asan-anlegget i Sør-Korea, som også produserer Sonata og Grandeur, som startet i tredje kvartal 2022. Forhåndsbestillinger startet i juli 2022. Leveranser startet i Sør-Korea og utvalgte europeiske markeder sent i 2022. For det amerikanske markedet startet produksjonen i januar 2023, med salg som startet i mars.
Den 14. juli 2022 ble Ioniq 6 avduket på 2022 Busan International Motor Show i Sør-Korea. Forbedring av ytelser, virtuelle kjørelyder og aktivt lyddesign for elbiler ble demonstrert. Kjøretøyets programvare kan forbedres med over-the-air updates (OTA), inkludert bilens fjæring, bremser og kollisjonsputer. I tillegg er førerassistanseteknologier som navigasjonsbasert smart cruise control, motorvei kjøreassistanse og fjernstyrt parkeringsassistanse tilgjengelig.
I november 2022 oppnådde Ioniq 6 den høyeste samlede vurderingen i Euro NCAP, inkludert voksenbeskyttelse, barnebeskyttelse, fotgjengerbeskyttelse og sikkerhetshjelpesystemer.
Kari Stefansen

Kari Stefansen (født 1971) er en norsk sosiolog. Hun er forsker I ved Velferdsforskningsinstituttet NOVA ved Oslomet – storbyuniversitetet.
Stefansen ble cand.polit. i sosiologi ved Universitetet i Oslo i 1998 og ph.d. samme sted i 2011. Hun forsker på familie, foreldreskap, seksuell vold, Statens Barnehus og vold i nære relasjoner. Stefansen er en av tre ledere for voldsprogrammet Arkivert 11. november 2019 hos Wayback Machine. ved NOVA. Fra 2012 til 2016 var hun ansvarlig redaktør for tidsskriftet Sosiologi i dag sammen med May-Len Skilbrei, og fra 2017 til 2018 var hun en av tre ansvarlige redaktører for Norsk sosiologisk tidsskrift.
Hun var samboer med professor i sosiologi, Ketil Skogen (1955–2023).
Ty Burrell

Tyler Gerald Burrell (født 1967) er en amerikansk skuespiller og komiker, best kjent for sin rolle som Phil Dunphy i komedieserien Modern Family. Han har vunnet to priser for sin rolle i Modern Family, Primetime Emmy-prisen for beste støtteskuespiller i 2011 og 2014 og Screen Actor Guild-prisen for framragende opptreden av mannlig skuespiller i en komedieserie.
Burrell ble født den 22. august 1967 i Grants Pass i Oregon, som sønn av Sheri (født Hauck), en lærer, og Gary Burrell, en familieterapeut. Han er av engelsk, tysk, skotsk, irsk og fransk avstamning. Burrell vokste opp i den lille sørlige byen Applegate, Oregon, nær grensen til California.
Burrell og hans kone Holly giftet seg i 2000. De bodde i New York helt til de flyttet til Salt Lake City i 2008. Paret har siden de flyttet til California arbeidet med En moderne familie. 18. mars 2010 ble det annonsert at Burrell og hans kone hadde adoptert en jente . I mars 2012 adopterte Burrell og hans kone en datter nummer to.
Burell begynte sin skuespillerkarriere som stand-in i filmer som Black Hawk Down og i re-produksjonen av Dawn of the Dead. Han dukker også opp i Broadway produserte Macbeth.
Etter noen opptredener på Law and Order, startet Burrell med situasjonskomedier som Out of Practice og Back to you, der han spiller med skuespillere som Patricia Heaton og Kelsey Grammer. Burrell har også opptredener i filmer som The Incredible Hulk og National Treasure: Book of Secrets.
I 2009 fikk han tilbudt en rolle som Phil Dunphy i det som skulle vise seg å være en braksuksess av en tv-serie, En moderne familie. For hans opptredener i tv-serien har han blitt nominert hele fem ganger til Emmy for fremragende mannlige birolle i en komedie, som han vant i 2011 og 2014.
Burrell har allerede avslørt at han vil dukke opp i animasjonsfilmen «Finding Dory» i 2016.
Mellomklassebil

En mellomklassebil er den europeiske betegnelsen for en bil som er større enn en kompaktbil, men mindre enn en stor mellomklassebil. I Storbritannia kalles klassen Large family cars. Modeller laget av produsenter av luksusbiler betegnes også som små luksusbiler, mens en MPV basert på en stor mellomklassebil gjerne kalles en stor MPV.
ICPC-2

ICPC-2 er den andre versjonen av ICPC som er den internasjonale klassifikasjonen for sykdommer og symptomer som brukes i den norske primærhelsetjenesten.
Den første versjonen ICPC (International Classification of Primary Care) er en diagnoseliste fastsatt første gang i 1987 av en komite WICC som ble nedsatt i 1972 av WONCA, (World Organization of National Colleges, Academies and Academic Associations of General Practitioners/Family Physicians).
Norge har sin egen oversatte liste som vedlikeholdes av KITH, (Kompetansesenter for IT i helse- og sosialsektoren).
Trygdeetaten/Nav krever at diagnosekoden etter ICPC skal påføres alle legeregninger, sykemeldinger og legeerklæringer om arbeidsuførhet.
Kodene i ICPC består av en bokstav og to sifre. For enkelte spesielle diagnoser er det tre sifre. Bokstaven angir et organsystem. Sifrene 00-29 angir symptomdiagnoser, mens 70-99 angir sykdomsdiagnoser.
Kodene 30-69 er terapi, behandling, prosesskoder som er felles for alle organkapitler.
I Norge bruker sykehusene diagnoselisten ICD-10
Ramme Gaard

Ramme er en kulturdestinasjon utenfor Hvitsten i Vestby kommune i Akershus, hvor det drives økologisk gårdsbruk med grønnsaker og dyrehold. I tillegg har gården et besøksområde med hotell, kro, restaurant samt kombinert kafé og «Diversehandel». Sommeren 2021 åpnet også et eget kunstgalleri. Gården eies og drives av Petter Olsen.
Petter Olsen kjøpte i 2010 eiendommen Nedre Ramme for å restaurere og åpne eiendommen, som hadde vært i privat eie, for publikum. Edvard Munch kjøpte eiendommen Nedre Ramme i 1910, og beholdt den til sin død i 1944. Etter mange års restaurering er villaen nå satt tilbake i opprinnelig stand.
«Det Sted jeg har er næsten det vakreste langs hele kysten.» – Edvard Munch, 1911.
Utescenen ligger i Havlystparken, et barokk hageanlegg med skulpturer, dammer, fontener og kaskader. Her tilbys det også guidede turer og omvisninger.
I juni 2006 ble En midtsommernattsdrøm og Romeo og Julie oppført på utescenen av British Shakespeare Company.
I juni 2007 var også British Shakespeare Company på Ramme Gaard, med blant annet forestillingen Henry VI.
I juni 2009 ble igjen En midtsommernattsdrøm og Stor ståhei for ingenting oppført på utescenen av British Shakespeare Company, denne gangen med Kåre Conradi som gjestespiller.
I juni 2021 gjestespilte Nationaltheateret Fruen fra Havet i Havlysttheateret.
Det foregår også andre kulturprosjekter her, f.eks. Ramme Rokk festival hvor CC Cowboys, Deadaheads, Young Neils og mange andre deltok.
I perioden 2011 til 2020 ble det gjennomført et omfattende byggeprosjekt på Ramme gård. Eksisterende bygg ble utvidet. Det ble også oppført to nybygg på tre og fire etasjer over bakkenivå, beregnet på hotelldrift med 42 gjesterom, med flere etasjer under bakkenivå til kunstmuseum og annen utstilling. Petter Olsen krevde fradrag for inngående merverdiavgift og fradrag i inntekt for kostnadene med byggeprosjektet.
I 2019 fattet skatteetaten vedtak for årene 2012 til 2016 om tilbakeføring av inngående merverdiavgift på nærmere 104 millioner kroner og inntektsøkning på om lag 43 millioner kroner.
Stridens kjerne var om Ramme Gård var «næringsvirksomhet» i skatte- og avgiftsrettslig forstand. Hvis ikke Ramme Gård var næringsvirksomhet, ville de heller ikke ha rett på fradrag for inngående merverdiavgift og fradrag i inntekt for kostnadene med byggeprosjektet. Skattekontoret begrunnet endringsvedtaket med at inntektene som Ramme Gaard vil få av hotellet og museumsdriften, ikke kunne dekke kostnader, avskrivninger og forrentning av investert kapital, og at det dermed ikke var egnet til å gå med overskudd, noe skatteetaten mente var et grunnvilkår for å anses som næringsvirksomhet.
Saken ble prøvd for retten; først i Oslo tingrett, hvor Petter Olsen vant i 2020. Staten anket saken, og Petter Olsen tapte først i Borgarting lagmannsrett i januar 2022 og deretter tapte han i Høyesterett i desember 2022. Både SMB Norge, Norges Gründerforening og NHO Reiseliv var partshjelpere i saken, da de fryktet negative konsekvenser for næringslivet hvis Petter tapte saken.
I 2022 ble Ramme Gaard tildelt Arkitekturopprørets hederspris.
Jan Gunnar Hoff

Jan Gunnar Hoff (født 1958) er en norsk jazzmusiker (piano), komponist, arrangør og professor ved Universitetet i Tromsø og ved Institutt for rytmisk musikk ved Universitetet i Agder.
Hoff er utdannet ved jazzlinja ved Norges teknisk-naturvitenskapelige universitet under Terje Bjørklund (1986–1989) og i komposisjon fra Norges musikkhøgskole (2001). Han debuterte på Ad Lib Jazzklubb (1976) i Bodø med egen trio. Han spilte også med artister som Jon Christensen og Jon Eberson i 1977–78, i lokale jazzprosjekter. Med Finn Sletten og Kåre Garnes / Terje Venaas spilte han i Trio Nord 1990–92, som også turnerte med Marit Sandvik og Karin Krog i Skandinavia. Han debuterte ved Festspillene i Nord-Norge 1992) med egen suite. Hoff ga ut soloplatene Syklus (Odin Records, 1993), Moving (Curling Legs, 1995) og Crosslands (Curling Legs, 1998). Hoff var med på å starte The Groove Valley JazzCamp i Beiarn sør for Bodø, og var kunstnerisk leder 2005–09. Videre initierte han Bodø Jazz Open i oktober 2010, og var festivalsjef i perioden 2011-2020.
Jan Gunnar Hoff Group med Audun Kleive, Bjørn Kjellemyr, Knut Riisnæs, Trond Kopperud, Tor Yttredal og Celio de Carvalho, debuterte ved Nordland Musikkfestuke i 1993 som kvartett. Med Per Jørgensen debuterte de ved Vossajazz i 1995, da også Tore Brunborg ble med, samt Mathias Eick og Børge Petersen-Øverleir. De ga ut In town (Curling Legs, 2003) og spilte på Den europeiske kringkastingsunions konserter, TV fra Moldejazz i 1996 og i 2001 med Pat Metheny på Moldejazz.
Hoff turnerte 2007–08 Ukraina og Estland med gitaristen Mike Stern, og ga ut plater og konserter med Maria Joao. Med slagverkeren Alex Acuna fra Weather Report og bassisten Per Mathisen har han turnert og laget plater siden 2009.