davidanugraha/M4-RAG huggingface dataset:
Pradeep Jain Aditya

Pradeep Kumar Jain Aditya (born 8 September 1962), is an Indian politician from Indian National Congress (INC), who was Minister of State in Ministry of Rural Development in the 2009 Union Cabinet.
He was elected as a Member of Parliament in 2009 Indian general election and had represented the Jhansi constituency in 15th Lok Sabha.
He was born on 8 September 1962 in Jhansi, Uttar Pradesh to Vishnu Kumar Jain and Shanti Devi Jain.
His educational qualifications include degrees of M.A., M.Com., and L.L.B. from Bundelkhand University. He is an advocate by profession.
Pradeep was elected as a member of Uttar Pradesh Vidhan Sabha from Jhansi constituency twice, first in 2004 By-election by defeating the heavy-weight BJP politician and former Cabinet Minister of U.P. Ravindra Shukla and then again in 2007 by defeating Industrialist and the owner of Baidyanath Pharmaceutical Co. by a record margin of 26.6% . In 2009, he was elected to 15th Lok Sabha from Jhansi in the Indian general election of 2009 and thereafter became Union Minister of State, for Rural Development, and his inclusion in the ministry was seen as an indication of renewed importance given to Bundelkhand politics by the Congress party.
Pradeep is credited with installing statue of hockey legend from Jhansi, Dhyan Chand in the city. Pradeep wrote the letter with signatures of 81 MP's to then PM on 21 December 2011 for considering Bharat Ratna for Dhyan Chand. However Sachin Tendulkar and C.N. Rao were selected for the award.
Pradeep Jain contested Jhansi lok sabha seat in 2014 Indian general election but lost the seat to Uma Bharti of the BJP.
Pradeep Kumar Jain Aditya's dedication to the welfare of the people occasionally brought him into conflict with the state government. In his pursuit of the people's interests, he experienced periods of house arrest and faced legal proceedings. Despite these challenges, he remains committed to representing the interests of his constituents.
On 5 May 1992, Pradeep Kumar Jain Aditya married Snehalata Jain, and the couple has two children. His son, Gaurav Jain, is an advocate who practices in the Supreme Court and represents the Indian National Congress on TV debates. He has also been associated with the Indian Youth Congress in various roles. His daughter, Somya, is an artist and works with an NGO focusing on art therapy for children..
List of National Sports Award recipients in field hockey

The National Sports Awards is the collective name given to the six sports awards of Republic of India. It is awarded annually by the Ministry of Youth Affairs and Sports. They are presented by the President of India in the same ceremony at the Rashtrapati Bhavan usually on 29 August each year along with the national adventure award. As of 2020, a total of one hundred and twenty-three individuals have been awarded the various National Sports Awards in hockey. The four awards presented in hockey are Major Dhyan Chand Khel Ratna, Arjuna Award, Dhyan Chand Award and Dronacharya Award.
First presented in the year 1961, a total of ninety individuals have been honoured with the Arjuna Award in hockey for their "good performance at the international level" over the period of last four years, with seven individuals being awarded for their lifetime contribution. First presented in the year 2000, a total of thirteen coaches have been honoured with the Dronacharya Award in hockey for their "outstanding work on a consistent basis and enabling sportspersons to excel in international events" over the period of last four years, with five coaches being awarded in the lifetime contribution category. First presented in the year 1999–2000, a total of three sportspersons have been honoured with the Rajiv Gandhi Khel Ratna, the highest sporting honour of India, in hockey for their "most outstanding performance at the international level" over the period of last four years. First presented in the year 2002, a total of seventeen retired sportspersons have been honoured with the Dhyan Chand Award, the lifetime achievement sporting honour of India, in hockey for their "good performance at the international level and their continued contributions to the promotion of sports even after their career as a sportsperson is over." One awardee Surjit Singh Randhawa was honoured Arjuna Award posthumously in the year 1998.
List of National Sports Award recipients in Olympic sports

The National Sports Awards is the collective name given to the six sports awards of Republic of India. It is awarded annually by the Ministry of Youth Affairs and Sports. They are presented by the President of India in the same ceremony at the Rashtrapati Bhavan usually on 29 August each year along with the national adventure award. As of 2020, a total of eight hundred and twenty-seven individuals have been awarded the various National Sports Awards in Olympic sports. The four awards presented in Olympic sports are Major Dhyan Chand Khel Ratna Award, Arjuna Award, Dhyan Chand Award and Dronacharya Award.
First presented in the year 1961, a total of six hundred and twenty-nine individuals have been honoured with the Arjuna Award in Olympic sports for their "good performance at the international level" over the period of last four years, with twenty individuals being awarded for their lifetime contribution. First presented in the year 1985, a total of hundred coaches have been honoured with the Dronacharya Award in Olympic sports for their "outstanding work on a consistent basis and enabling sportspersons to excel in international events" over the period of last four years, with thirty coaches being awarded in the lifetime contribution category. First presented in the year 1994–1995, a total of thirty-one sportspersons have been honoured with the Rajiv Gandhi Khel Ratna, the highest sporting honour of India, in Olympic sports for their "most outstanding performance at the international level" over the period of last four years. First presented in the year 2002, a total of sixty-seven retired sportspersons have been honoured with the Dhyan Chand Award, the lifetime achievement sporting honour of India, in Olympic sports for their "good performance at the international level and their continued contributions to the promotion of sports even after their career as a sportsperson is over." Five awardees have been honoured posthumously including Sachin Nag, who was awarded Dhyan Chand Award posthumously in the year 2020 in the discipline of swimming.
List of men's field hockey players with 100 or more international goals

The top international goalscorer in classic field hockey is Dhyan Chand of India, he scored 570 goals in 185 international matches. However Balbir Singh Sr. of India only played 61 games in his career and scored 264 goals. The player who was the second top international goalscorer in hockey and the top goalscorer in modern hockey on artificial turf was Paul Litjens of Netherlands. He scored a total of 268 international goals in 177 matches. He remained the top international goalscorer on artificial turf for 22 years, from 1982 to 2004, until Sohail Abbas of Pakistan broke the record against India at Amritsar in 2004. Abbas became the sixth Pakistani to achieve 100 international goals in his career when he scored a hat-trick against Great Britain at the 2000 Summer Olympics. He scored a record 348 international goals. He also played the fewest matches to score 100 goals on artificial turf.
The first player from India to score 100 goals on artificial turf is Dhanraj Pillay, who scored a total of 170 international goals. Manzoor-ul-Hassan of Pakistan was the first player from Asia to score 100 international goals on artificial turf. The first player outside of Asia and Europe to score 100 international goals was Mark Hager of Australia. To date, thirteen players representing India, eleven from Netherlands, and ten from Pakistan each have scored 100 or more international goals, the most of any country. The Asian Hockey Federation, the European Hockey Federation, and the Oceania Hockey Federation has the highest number of players who have scored 100 goals in their international career, with 25 players from AHF, 22 from EHF, and 12 from OHF.
As of 5 January 2025 (UTC)
Saifai International Cricket Stadium

Saifai International Cricket Stadium is a cricket stadium of International Standard in Saifai (Etawah district), Uttar Pradesh, India. It is situated inside the Major Dhyanchand Sports College's campus. It has a seating capacity of 43,000 people and has one of the largest scoreboard displays for a cricket stadium in India. There is an All-weather Swimming Pool, Athletics Stadium and an Indoor Stadium in the campus of the Sports College along with this cricket stadium. It was inaugurated on 1 June 2018, along with the Etawah Safari Park and Abhinav Vidyalaya, Saifai at a function in Etawah city.
This stadium falls under jurisdiction of District Cricket Association Jalaun which is a district/zonal unit of Uttar Pradesh Cricket Association. Etawah district in which stadium is situated doesn't have a district cricket association approved by Uttar Pradesh Cricket Association and because of it, cricketers selection from Etawah district along with other cricket activities fall under District Cricket Association Jalaun.
This stadium's building Work was started by the Samajwadi Party government, in 2017. It is built in the native village of then Uttar Pradesh chief minister Akhilesh Yadav, he approved the building plan in August 2015 in his government's cabinate meeting. Its majority work was finished but The building work was halted due to monetary issues.
Osimiri Plantain

Osimiri Plantain (French: Rivière Plantain) bụ ọdụ ụgbọ mmiri nke Ọwara Saint Lawrence, na-eru na obodo L'Île-d'Anticosti, na Minganie Regional County Municipality, na mpaghara nchịkwa nke Côte-Nord, na mpaghara. nke Quebec, na Canada.
Plantain mosa

Plantain mosa bụ nri Naijiria nke bụ akụkụ nke obere mkpọ. Akụkụ ndị ọzọ nke obere mkpọ gụnyere ọkụkọ grilled, akwụkwọ mpịakọta mmiri, samosa na puff puff..
Mosa yiri Tatale Ghana ma e wezụga na a na-eji plantain, àkwá na ntụ ọka chara acha eme ya ebe nke ikpeazụ na-eji otu plantain, ginger na ngwa nri eme ya. Puff Puff na Mosa yikwara belụsọ na Mosa nwere uto nke Plantain
Ụfọdụ ihe ndị ọzọ eji eme plantain Mosa gụnyere yabasị, mmanụ ihe oriri, ose bonnet na yist. A na-eghe plantain a wụsara nke ọma ruo mgbe aja aja n'akụkụ ihe ndị ọzọ; Enwere ike iri Mosa dị ka nri ụtụtụ n'ụlọ.
Nigeria Institute for Oil Palm Research

Ụlọ ọrụ Nigeria Institute for Oil Palm Research (NIFOR), bụ ebe nyocha n'ime nkwalite mkpụrụ ndụ ihe nketa, mmepụta na nhazi nke nkwụ mmanụ, Raphia, ụbọchị, akị oyibo Shea na nkwụ ịchọ mma. Onye isi oche nke ụlọ ọrụ ahụ bụ Dr. Celestine Ebehiremhe Ikuenobe .
E hiwere ụlọ ọrụ Nigeria Institute for Oil Palm Research (NIFOR) na 1939, ka usoro ọgbakọ ọrụ ugbo nke West Africa gasịrị site na ngalaba ngalab ọrụ Ugbo nke Colonial,1927, 1930 na 1938. Emere mkpebi na nyocha gbasara ihe ọkụkụ ga-abụ nke mpaghara ma mee ya n'ókèala ya kwesịrị ekwesị. E guzobere Òtù Nnyocha nke West Africa n'afọ 1950 ma gbasaa n'ụsọ oké osimiri ọdịda anyanwụ.
A gbanwere aha akụkụ Naịjirịa ahụ ka ọ bụrụ Nigeria Institute for Oil Palm Research (NIFOR) site na Iwu 33 nke Research Institute nke 1964. N'otu afọ ahụ, a gbasaa ikike ụlọ ọrụ ahụ iji tinye akị bekee, raphia, nkwụ date na ụfọdụ ọrụ ọkpụkpụ na akị bọọlụ iji ghọta ọrịa akị bọrọ, nri akị bọn.
N'afọ 1967, nsogbu ndị metụtara nkwụ ụbọchị mere ka etinye nyocha na nkwụ ụbọchị n'ime iwu ya ma malite ịrụ ọrụ zuru oke n'afọ 1970. N'afọ 1992, e wegara nchịkwa nke ụlọ ọrụ ahụ na Federal Ministry of Agriculture.
Ụlọ ọrụ ahụ mepụtara mkpụrụ osisi nkwụ mmanụ Tenera na-amị mkpụrụ nke ukwuu. NIFOR na mmekorita ya na Institute of Agricultural Research and Training (IAR&T), Ibadan na-azụkwa ndị ọkà mmụta sayensị banyere otu esi agụ ozi ala nke ga-abụ nduzi maka nhazi nke fatịlaịza nke a na-ekwu maka ịzụlite mkpụrụ osisi nkwụ mmanụ. Ụlọ ọrụ ahụ na-arụkọkwa ọrụ ọnụ na Oil Palm Growers Association of Nigeria (OPGAN) nke guzobere odeakwụkwọ na NIFOR iji mechie ọdịiche dị n'etiti ndị ọrụ nkwụ mmanụ na nchọpụta na ihe ọmụma nke ndị ọkà mmụta sayensị nọ n'ụlọ ọrụ ahụ.
Benso Oil Palm Plantation

Benso Oil Palm Plantation bụ ụlọ ọrụ na-akụ nkwụ mmanụ na Ghana, nke dị na Adum Banso Estate na mpaghara ọdịda anyanwụ nke Ghana. E hiwere ya na 1978 wee depụta ya na Ghana Stock Exchange GSE na 2004 ma na-etinye aka na mmepụta na nhazi nke nkwụ mmanụ CPO maka nchacha na ọtụtụ ojiji nke ụlọ ọrụ mmepụta ihe.↵Benso Oil Palm Plantation Limited bụ ụlọ ọrụ Ghana. na-etinye aka na azụmahịa nke nkwụ mmanụ. Ụlọ ọrụ ahụ nwere ihe karịrị hectare 5,000 nke nkwụ mmanụ na Ghana. Ụlọ ọrụ ahụ bụ enyemaka nke Wilmar International Limited.
Templeeti:Economy of Ghana
Koshary

Koshary, kushari ma ọ bụ koshari (Egyptian Arabic: ) bụ nri mba Ijipt na nri okporo ámá a ma ama. Ihe oriri ọdịnala ndị Ijipt, na-agwakọta pasta, osikapa na lentils na-acha nchara nchara, ma jiri tomato sauce, galik vinegar na-acha anụnụ anụnụ chọọ ya mma ma jiri chickpeas na yabasị e siri esi. A na-ejikarị mmiri galik eme ya; vinegar galik na ofe ọkụ bụ nhọrọ.
Koshary malitere n'Ijipt oge ochie ana kpọọ ya "Kosheir" nke pụtara "Nri nke Chi". [ihe odide dị mkpa] Okwu ahụ enweghị njikọ na iwu nri ndị Juu a maara dị ka Kosher. Otu onye ụkọ Chukwu si Heliopolis kọwaa ya dị ka nri a ga-eri mgbe a buru ọnụ n'ụbọchị nke iri na otu nke Pachons, otu ọnwa na kalenda ndị Ijipt oge ochie. A maara Koshary dị ka "Nri nke ndị ogbenye", ọ na-agụnye yabasị, lentils, osikapa, macaroni na sauce lemon. Ọ nwere ihe jikọrọ ya na nri Mediterenian, mana nri ndị Ijipt nwere ihe dị iche iche na ụtọ dị iche iche, ọkachasị na ofe lemon nke Ijipt, nke na-enye ya ụtọ pụrụ iche nke nri ahụ na-ewu ewu.
A na-ere Koshary na ụgbọ nri n'afọ ndị mbụ ya, a kpọgakwara ya na ụlọ oriri na ọṅụṅụ mgbe e mesịrị.
Nri a na-ewu ewu n'etiti ndị ọrụ na ndị ọrụ na nri ahụ dabara adaba maka ihe omume nri dị ka nzukọ. Enwere ike ịkwadebe ya n'ụlọ, a na-enyekwa ya n'ebe ndị dị n'akụkụ ụzọ na ụlọ oriri na ọṅụṅụ n'Ijipt niile; ụfọdụ ụlọ oriri na ọ na-ahụ maka koshary ma ewepụghị nri ndị ọzọ, ebe ndị ọzọ na-egosipụta ya dị ka otu ihe n'etiti ọtụtụ. Dị ka koshary a kwadobere n'ụzọ ọdịnala enweghị ngwaahịa anụmanụ ọ bụla, enwere ike iwere ya dị ka vegan, ọ bụrụhaala na ọ bụla na-esi nri na-eji mmanụ akwụkwọ nri.
Koshary nke Alexandria dị nnọọ iche na usoro nri koshary ndị ọzọ, nke nwere ọdịiche dị ukwuu na ụtọ na ọdịdị. Usoro isi nri gụnyere lentils na osikapa na-acha odo odo, ọ na-ejikwa curry na cumin na osikà, nke na-enye koshary otu agba. A gụnyekwara àkwá ndị Ijipt, nke a na-esi esi ma sie ya na ghee ma ọ bụ bọta, yana tomato ndị a na-etinye obere pickled kama tomato sauce na French fries n'akụkụ.
Koshary enwetala ewu ewu na mpụga Ijipt n'afọ ndị na-adịbeghị anya, ọkachasị n'Ebe Ọwụwa Arebia na Yemen. E nwere ọdịiche na mba ma ọ bụ mpaghara ọ bụla, dị ka ịgbakwunye akwụkwọ nri e siri esi na iji osikapa basmati siri esi ma ọ bụ ọcha ma ọ bụ odo. Nchịkọta ndị ọzọ nke mpaghara ndị a gụnyere iji ụdị macaroni ndị ọzọ. Nchịkọta ahụ nwere ike ịgụnye ọkụkọ, na-eme ka ha dịkwuo nso na kabsa n'ọnọdụ ụfọdụ.
A na-enye nri ahụ n'ụgbọ ala ndị Japan ma nwee mgbakwunye ụfọdụ tinyere n'elu usoro nri mbụ. Ihe ndị ọzọ, nke a na-adịghị ahụkarị na ntụziaka ndị Ijipt, bụ anụ ọkụkọ basil, tomato a na-esighị esi, mmiri ara ehi, àkwá e siri esi, Cheddar sauce, avocado slices, na ntụ ntụ na jalapeño.
Instant koshary yiri instant noodles na nkwadebe.
Caponata

Caponata (Sicilian: capunata) bụ nri Sicilian nke nwere eggplant / aubergine na akwụkwọ nri ndị ọzọ, mmalite nke oliv, tomato sauce, celery, olive, na capers, na agrodolce sauce..
Ụdị dị iche iche nwere ike itinye karọt, ose, poteto, mkpụrụ osisi pine, na mkpụrụ vaịn.
Otu Palermo version na- achọta octopus, na usoro nri aristocratic lobster na swordfish e ji asparagus egbochi mma, tuna roe na shrimp hụrụ nkụ.[1] Ndị a bụ ndị na-akpa na iwu n'ozuzu nke nri akwụkwọ nri na-atọ ụtọ ma ọ bụ salad.
Taa, a na-ejikarị caponata eme ihe dị ka nri dị n'akụkụ maka nri azụ na mgbe ụfọdụ dị ka ihe na-eri nri, mana kemgbe narị afọ nke iri na asatọ, a na'ejikwa ya dị ka nri bụ isi.
A na-akpa Caponata na ndị ihe mere eme na obodo ndị Juu nke Sicily, a ka na-akpọkwa ya mgbe ụfọdụ caponata alla giudia. .
A na-akpọ nri Neapolitan yiri nke a "cyanfotta". Nri a na-ewu ewu na Nri ndị Tunisia.
A maghị aha ahụ. Ụfọdụ na-atụ aro na ọ sitere n'Asụsụ Katalan, ndị ọzọ na ọ sitere na caupone, ụlọ oriri na calaamad ndị ọrụ mmiri mmiri.[1] Nri ndị Wright ndị ga-atụ aro na n'oge gara aga, nri Sicilian yiri nke Genoese capponata..
Egusi sauce

Egusi soup bụ ofe e ji mkpụrụ egusi mee dị ka isi ihe. Mkpụrụ Egusi bụ mkpụrụ abụba na protein nke ụfọdụ osisi cucurbitaceous (squash, melon, gourd). Egusi soup bụ ihe a na-ahụkarị na mba Central Africa, a pụkwara inye ya n'elu osikapa, akwụkwọ nri e siri esi, ma ọ bụ anụ e siri esi nke ọma, dị ka ewu, ọkụkọ, anụ ehi, ma ọ dị ka azụ. A pụkwara inye ya n'elu akpu
, omelettes, amala, na eba, n'etiti nri ndị ọzọ. A na-eri ofe Egusi na West Africa, mgbe ụfọdụ na ọkụkọ.
A na-akwadebe ya site n'ịchịcha mkpụrụ egusi, nke a na-eji emepụta ihe. Ihe ndị a na-etinye na ofe nwere ike ịgụnye tomato, yabasị, ose chili, na mmanụ isi nri, dị ka mmanụ nkwụ. Mgbe ụfọdụ, a na-eji mkpụrụ pumpkin dochie anya mkpụrụ egusi.
Egusi soup bụ ụdị ofe e ji mkpụrụ ala mee ka ọ sie ike ma bụrụ ihe a ma ama na West Africa, yana nnukwu ọdịiche dị n'ógbè. E wezụga mkpụrụ, mmiri, na mmanụ, ofe egusi na-enwekarị akwụkwọ nri na akwụkwọ nri ndị ọzọ, ihe na-esi ísì ụtọ, na anụ.
Frikkadel

Frikkadel bụ nri ọdịnala Afrikaner nke na-ejikarị eme achịcha, ma mgbe ụfọdụ, a na-esi ya n'ọkụ, anụ e ji yabasị, achịcha, àkwá, vinegar na ihe na-esi ísì ụtọ. Enwere ike inye anụ anụ ndị a na-ekpo ọkụ ma ọ bụ na-ajụ oyi. Ọtụtụ ntụziaka emeela ka ihe dị egwu nke oge a dị ka ịgbanwe ọkụkọ na nwa atụrụ na anụ ehi ọdịnala. Frikkadel na-ewu ewu na nri Sri Lanka site n'aka ndị Burgher.
Dị ka omenala si dị, a na-eri frikkadels naanị ya ma ọ bụ na ofe a na-enye ya na poteto, osikapa na pasta.
Danish Frikadeller bụ ụdị anụ a na-esi esi, nke e ji anụ ezì mee.
Adalu (food)

Adalu bụ nri a na-eri na Naijiria nke a ma ama n'etiti agbụrụ ndị Yoruba. Ndị Igbo na-ejikwa ya dị ka nri ma ọ bụ nri. Ihe oriri bụ ọka na agwa.Ngwakọta nke carbohydrate na nri protein na-eme ka ọ bụrụ ihe ụtọ pụrụ iche.
A na-esi ọka 'Soft' maka nkeji ole na ole ka a na-ewepụta ọka. Ozugbo e siri ya nke ọma, a na-esi ya n'ime ite maka nkeji ọzọ.
A na-agbakwunye ihe ndị ọzọ dị ka mmanụ nkwụ, yabasị, ose na nnu iji mee ka nri ahụ nwee ụtọ pụrụ iche.
Enwere ike itinye Ojoko ma ọ bụ azụ a na-ese anwụrụ dị ka nri dị n'akụkụ.
Nri Naịjirịa
Mkpụrụ ọka na-atọ ụtọ
Ewa agoyin
Mkpat-Enin

Mkpat-Enin dị na mpaghara Ndịda-Ndịda nke Naịjirịa ma bụrụ obodo na mpaghara gọọmentị ime obodo (LGA) nke Steetị Akwa Ibom . Ọ nọ n'ebe dị elu nke ihe dịka mita 185 (607 ) n'elu oke osimiri.
Otu n'ime ụlọ akwụkwọ nke Akwa Ibom State University nke Technology dị na obodo a.
LGA a nwere agbụrụ anọ na obodo nta iri asatọ na asaa: Onye isi oche nke Mkpat Enin LGA bụ Hon. (Prince) Anieokpon E. Ekpo.
Ọ bụ akụkụ nke Ikot Abasi / Mkpat Enin / Eastern Obolo Constituency nke Ụlọ Ndị Nnọchiteanya Naịjirịa. Ọ dị n'ime Catholic Diocese nke Uyo.
Mkpat Enin LGA bara ọgaranya na ụlọ ahịa mmanụ ala na gas na-ere ọkụ na mmega ahụ nke ndị agbata obi na ụlọ ọrụ na-egwupụta mmanụ n'ụwa niile na LGA na-enye aka n'ụzọ dị egwu na ọganihu ego nke mpaghara ahụ. Ịkụ azụ bụkwa akụkụ dị mkpa nke akụ na ụba nke mpaghara mkpat enin na ụzọ mmiri na iyi ndị dị n'ógbè ahụ bara ọgaranya na azụ. Ịzụlite n'otu aka ahụ na mpaghara Mkpat Enin na owuwe ihe ubi, dịka ọmụmaatụ, ojoko na akwụkwọ nri jupụtara n'akụkụ.
Plantain mosa

Plantain mosa is a Nigerian snack which is a component of small chops. Other components of small chops include grilled chicken, spring roll, samosa and puff puff.
Mosa is similar to the Ghanaian Tatale except that it is made with over-ripe plantain, eggs and flour while the latter is made with same plantain, ginger and spices. Puff Puff and Mosa are also similar except that Mosa has the taste of Plantain.
Some other ingredients used in making plantain Mosa include onion, vegetable oil, bonnet pepper and yeast. The mashed plantain is deep fried until brown alongside other ingredients; Mosa can also be eaten as breakfast at home.
Palaver sauce

Palaver sauce or palava sauce or plasas is a type of stew widely eaten in West Africa, including Ghana, Liberia, Sierra Leone The word palaver comes from the Portuguese language and means a talk, lengthy debate or quarrel. It is unclear how this led to the name of the stew. One theory is that the spices used in the stew mingle together like raised voices in an argument. It has been thought of as having the power to calm tensions, or to cause them. Other names for the dish include kontonmire, kentumere, nkontommire and pla'sas.
It has regional variations and can contain beef, fish, shrimp, pepitas, cassava, taro (cocoyam) leaves, and palm oil. It is served with boiled rice, potatoes, garri, fufu or yams. Outside of Africa, spinach is often used as a substitute for other greens. The leaves used to make this soup in Liberia are called molokhia or mulukhiyah leaves.
The name "palava sauce" is said to originate from the people of Elmina.
Kontomire stew is a stew made from cocoyam leaves (known in the Akan language as "kontomire"), commonly prepared in the home and very popular in Ghanaian cuisine. In Ghana, kontomire stew is served with variety of dishes, including steamed rice, cooked yam and plantain.
The meat is first cut into small pieces and is fried in palm oil in a pan, and to the pan is added onion, pepper and chilli. Next is added the fish, dried or smoked, previously moistened and cut in chunks. The vegetables are sliced and incorporated into the cooking pan (spinach leaves or bean leaves, cabbage, kale, okra), and finally water is poured to help in the cooking and spices for seasoning. The mixture is kept on a low fire until all the ingredients are cooked and the water has reduced. It may be served with white rice.
In Ghana, the stew consists primarily of:
List of studio potters

This is a list of notable studio potters. A studio potter is one who is a modern artist or artisan, who either works alone or in a small group, producing unique items of pottery in small quantities, typically with all stages of manufacture carried out by themselves. Studio pottery includes functional wares such as tableware, cookware and non-functional wares such as sculpture. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium.
Plastic bans

Plastic bans are laws that prohibit the use of polymers manufactured from petroleum or other fossil fuels, given the pollution and threat to biodiversity that they cause. A growing number of countries have instituted plastic bag bans, and a ban on single-use plastic (such as throw-away forks or plates), and are looking to spread bans to all plastic packaging, plastic clothing (such as polyester and acrylic fiber, or any other form of unnecessary plastic that could be replaced with an easily biodegradable, non-fossil-fuel or non-polluting alternative. Plastics biodegrade over a long period of time, and may not biodegrade fully (so that they are absorbed into the ecosystemic) leaving traces of microplastics, ranging from 450 years for a PET plastic bottle (type 1) to thousands "never" for polypropylene-based products, including food containers (type 5).
The European Union Plastic Products Directive 2019 banned single-use plastic plates, cutlery, straws, balloon sticks and cotton buds; cups, food and beverage containers made of expanded polystyrene, and all products made of oxo-degradable plastic, and to fishing gear containing plastic. The fuller list of plastics banned are listed in the Annex to the Directive.
From October 2023, the UK government has banned "single-use plastics" in England, which are defined to include a range of products, but does not include "shelf-ready pre-packaged food items" found in most supermarkets.
China has a phased-in program of plastic bans from 2020 to 2025 on products from bags, to straws, to cutlery, to certain packaging, to items in hotels.
As of May 2024, 12 states in the United States (California, Colorado, Connecticut, Delaware, Hawaii, Maine, New Jersey, New York, Oregon, Rhode Island, Vermont and Washington) have banned single-use plastic bags.
In Nigeria, reports shows that over 60 million plastic sachets are used and disposed daily, and only about 12% is recycled. The potential hazards from these reports has prompted the ban of single use plastics in Nigeria from 2025.
There have been broader calls for bans on use of plastics in all packaging, particularly in supermarkets and products, and in clothing.
Gizdodo

Gizdodo is a Yoruba delicacy made of gizzard and dodo (plantain); this is a side dish eaten at home or for special occasions.
The combination is made using plantain, gizzard of chicken, spices, onion, bell pepper and rodo (habanero pepper), amongst others. Carrot can also be added.
The plantain and gizzard are fried separately in a frypan; afterwards, the two are added to sauce made from the remaining ingredients (chopped onion, sliced pepper, spices, Maggi cubes, and other ingredients). Gizdodo can be served alone or eaten with rice or spaghetti.
Boli (plantain)

Boli is a roasted plantain snack or meal in Nigeria. It is native to the Yoruba people of Nigeria but also eaten by Rivers people due to acculturation. It is referred to as 'boli' in South West Nigeria these people are known as the Yoruba people and is eaten with groundnuts. The Yorubas have been enjoying this delicacy for ages, it can be consumed as a snack or main meal which can be accompanied with pepper sauce filled with meat, roasted fish or fried chicken especially during the festive period. The word 'boli' is being pronounced as 'bole' due to a difference in accent in the south-south region in Nigeria. In South South Nigeria, it is called 'bole' and is eaten with roasted fish. Bole went from being eaten at Festivals to becoming a very popular street food. Originally it was roasted half ripped plantain and hot spicy sauce (made from palm oil, pepper and utazi leaves), however roasted potatoes and yam is now part of the dish. Aside from being a popular dish in Yorubaland, and Port Harcourt and environs, It is slowly becoming a staple food at homes of Rivers State people.
Dayo Adedayo

'Dayo Adedayo (born 1 July 1964) is a British-trained Nigerian documentary photographer, cultural anthropologist, and author. He is the author of Nigeria 2.0, a book that documents the story behind many important places in Nigeria. Within a space of 17 years, Adedayo has travelled and documented 36 states in Nigeria.
Adedayo had his primary education in Nigeria at Children's Home School, Molete, Ibadan, Oyo State, and Moslem Primary School, Idofe, Oke-Ife, Ijebu Ife, Ogun State. He passed his secondary school certificate at Ijebu Ife Community Grammar School. He went on to study Photography Arts at Westminster College and the University of Westminster, U.K. He is the author of Rivers State Our Proud Heritage, Tour Nigeria, and Lagos State, A Visual Portrait. He has archived more than 4 million images of Nigeria.
Adedayo started out as a social photographer, later freelancer for Ovation Magazine International, before venturing into documentary photography. He has travelled and visually documented all 774 local government areas in Nigeria, capturing landscapes, people, culture, flora, and food. His photographic works are watermarked on the pages of the Nigerian e-Passport, adorn the walls of the Lagos and Abuja international airports and decorate the walls of numerous public institutions both in Nigeria and in the diaspora. In 2014, to commemorate Nigeria's nationhood, he was commissioned to produce images for the centenary One hundred Naira note. He was a member of a committee saddled with the responsibility of setting up photography in the pilot project curriculum for the National Board for Technical Education (NBTE), the regulatory body for Nigerian Polytechnics.
In 2023, Adedayo opened the Dayo Adedayo Photography Experience Centre, located along the Lekki–Epe Expressway in Lagos. The multi-use public facility celebrates Nigerian culture through photography and includes a studio, green spaces, a cafe and a library.
He is the author of fourteen books including: Nigeria, Nigeria 2.0, Enchanting Nigeria, Nigeria The Magical, Lagos State - The Centre of Excellence, Ogun State - The Gateway State, Owe Yoruba, Nigerian Tourism Development Corporation - Tourism is Life, Nigerian National Petroleum Corporation 37 Years in Pictures, Rivers State - Our Proud Heritage, Tour Nigeria, Lagos State - A visual Portrait, Owe Yoruba 2.0 and Ogun State - A Visual Portrait.
Plaza de Pablo Picasso

La plaza de Pablo Picasso es una céntrica plaza de la ciudad española de Albacete.​​​​
Se trata de una de las plazas más concurridas del Ensanche de la capital albaceteña, ejerciendo de nexo de unión entre dos de sus vías más importantes, la calle Arquitecto Vandelvira y la calle Hermanos Jiménez, en la confluencia además de las calles Francisco Pizarro, María Marín y Donantes de Sangre, dentro del barrio de Fátima.​​​
La plaza lleva el nombre de Pablo Picasso en honor al pintor y escultor español, cocreador del movimiento cubista, fallecido en 1973.
En el centro de la plaza se ubica una rotonda elíptica ajardinada. Cuenta con varias terrazas al suroeste de la plaza.​ Es lugar de paso de varias celebraciones de la ciudad como la Semana Santa de Albacete.​
La danza (Picasso)

La danza del artista plástico español Pablo Picasso (1881-1973) es una obra pictórica realizada en el año 1925 cuando el pintor contaba con 44 años de edad. En ese momento el artista se encontraba casado con la bailarina rusa Olga Khokhlova, con la que había contraído matrimonio el 12 de julio de 1918 en París. Su etapa sentimental no estaba pasando por los mejores momentos, ya que una crisis en su matrimonio estaba abocando dicha relación a una separación futura.
Su relación con el movimiento de vanguardia surrealista durante este periodo era asimismo patente. Hechos todos que se reflejan en la obra pictórica.
El cuadro se encuentra ubicado actualmente en la Tate Modern de Londres, museo que alberga parte de la colección contemporánea de la National Gallery de Londres (Reino Unido).​
Se trata de un cuadro de formato amplio (215 x 142 cm), cuya temática la constituyen un grupo de mujeres desnudas dentro de una habitación burguesa con las paredes empapeladas, las cuales están enlazadas por las manos bailando una danza frenética y estrambótica frente a un balcón desde el que se divisa el cielo azul, el mar o ambos. Recortado a contraluz en el perfil de la ventana se observa la silueta de una imagen, que corresponde a Ramón Pichot, amigo del artista de los años del Bateau-Lavoir, del cual Picasso recibe la noticia de su muerte durante la realización de la obra, y decide incluirlo de esta forma ténebre en la composición del cuadro.
La obra responde a una concepción expresionista de la composición que juega con conceptos del surrealismo naciente en esa época. No en vano, André Breton en el número de julio de 1925 de la revista La révolution surréaliste, reproduce la obra junto a otra muy conocida del artista, Las señoritas de Avignon, en la que declara:
La obra parece una contraposición a una serie de dibujos clasicistas de bailarinas que el artista venía realizando por la misma época. La aplicación del color se encuentra estructurada en planos con tonos uniformes, amplios y proporcionados. Los cuerpos se encuentran descoyuntados violentamente en una atmósfera de humor cruel alejándose del cubismo decorativo practicado anteriormente (Los tres músicos, 1921). Es reiterativa la aparición de algo parecido a un ojo vertical en las figuras e incluso la de la izquierda presenta una boca dentada que se identifica con el simbolismo de una vagina dentata.
La Vie (pintura de Pablo Picasso)

La Vida (en francés :La Vie) es una pintura al óleo hecha por Pablo Picasso en 1903. La obra forma parte, si no es que el inicio, del período azul del artista .​​​
La pintura se encuentra en la exposición permanente del Museo de Arte de Cleveland.
La Vie (La Vida) fue pintada en Barcelona en mayo de 1903. Mide 196.5 x 129.2 cm y retrata a dos pares de personas, una pareja desnuda enfrente de una madre con un bebé en sus brazos. En el fondo de la pintura, aparentemente un estudio, hay dos pinturas dentro de la pintura, la superior mostrando una pareja desnuda agachada y abrazándose, mientras que la inferior muestra a una persona desnuda agachada y solitaria muy similar a Dolor de Vincent Van Gogh………………….. Francia
La pareja desnuda retrata a Carlos Casagemas, amigo de Picasso en su juventud y a Germaine Pichot, una modelo parisina. Casagemas viajó a París junto a Picasso para visitar la Exposición Universal de París de 1900. Fue allí dónde Casagemas se enamoró de Germaine Pichot. Su impotencia sexual hizo que la relación fracasara. «En aquella época las relaciones eran muy abiertas a nivel sexual para ellos. París suponía un contraste muy grande con lo que habían vivido en Barcelona y les abre unas puertas que habían tenido cerradas», asegura Artur Ramon, autor del libro «Nada es bello sin el azar», publicado por Editorial Elba.​ Al cabo de tres meses, Picasso intentó alejar a su inseparable amigo de París porque empezaba a tener malas sensaciones, y se lo llevó para Navidad a Málaga. Pero Casagemas estaba tan obsesionado por su modelo que volvería pronto a París.
Profundamente deprimido por el rechazo de Germaine, intentó matarla con una pistola en el parisino Café Hippodrome, hoy Palace Clichy.​ Tras fallar el tiro se apuntó a la cabeza y disparó, acabando con su vida a la edad de 20 años. Picasso se asombró con la noticia y Picasso, que se obsesionó con ese suicidio hasta el punto de dedicarle varios cuadros en los que recreaba a su amigo muerto o su entierro a la manera de aquel célebre que hizo El Greco para el conde de Orgaz. Artísticamente hablando, hubo un antes y un después en la obra de Picasso, quien a partir de este incidente inició su etapa artística conocida como el período azul. Las obras correspondientes a este periodo se caracterizan por la sombriedad de los tonos y temáticas oscuras como la prostitución y la pobreza.
La obra fue pintada en un tiempo en el que Picasso no tenía éxito financiero. Sin embargo, la pintura fue vendida apenas un mes después de acabada a Jean Saint Gaudens, un marchante de arte francés. La venta fue reportada en el periódico barcelonés Liberal. La pintura fue donada al Museo de Arte de Cleveland, Ohio en 1945 y está en su colección permanente desde entonces. Una radiografía de la pintura hecha en 1978 mostró algunas cosas:
​
Retrato del Abbé de Saint-Non

Retrato del Abbé de Saint-Non es una pintura del artista rococó francés Jean Honoré Fragonard, que data de 1769. Es una pintura al óleo sobre tela con unas dimensiones de 80 centímetros de alto y 65 cm de ancho. Se conserva en el Museo del Louvre de París, Francia.
Entre los diversos géneros que abordó el pintor Fragonard está el del retrato. Sus retratos son de rápida ejecución, predominando en ellos la captación de posturas instantáneas, en lugar de esforzarse por lograr el parecido o la penetración psicológica. Inventa la figura de fantasía, una nueva concepción del retrato. Son retratos libres y esbozados con brío, entre los que se encuentra este Retrato del Abbé de Saint-Non.
El llamado abad de Saint-Non (Jean-Claude Richard) era un hijo segundón de una familia noble francesa, que a falta de un título aristocrático (reservado al hermano mayor) emprendió la carrera de derecho y recibió un cargo de abad o subdiácono. Sin embargo, prefirió volcarse en el arte, trabajando como grabador. En Italia conoció a Hubert Robert y Fragonard, y de vuelta en París grabó diseños de ambos.
Este retrato es de pincelada suelta, ejecución rápida, «pintado en una hora». Se presenta al retratado de medio cuerpo, con la cabeza girada hacia atrás. Viste ricas ropas que ondean con gran dinamismo. Es una postura reiterada en muchos otros de sus retratos o figuras de fantasía.
Fragonard pintó al menos otro retrato de Saint-Non, Jean-Claude Richard, l'abbé de Saint-Non, vestido a la española, de cuerpo entero, que perteneció al político español Francesc Cambó y que pasó, junto con la mayor parte de su legado, al MNAC de Barcelona.
Otros retratos de la misma época, en los que puede verse idéntica postura:
Young British Artists

Young British Artists (Jóvenes Artistas Británicos) o YBAs (véase Brit artists o Britart) es un grupo de artistas contemporáneos del Reino Unido, muchos de ellos provenientes del Colegio de las Artes Goldsmith en Londres, Reino Unido.
La expresión «Young British Artist» procede de una serie de muestras expositivas y eventos con el mismo nombre, organizadas en la Galería Saatchi a partir de 1992, que lanzó a los artistas participantes al reconocimiento internacional. Destacaron por su «táctica de choque», el uso de materiales inusuales y de animales. Obtuvieron una amplia cobertura en los medios de comunicación y dominaron el arte británico durante los años 1990. De esta forma, YBA se ha convertido en una expresión histórica, aunque la mayoría de estos artistas alcancen hoy la cincuentena. Los artistas más emblemáticos y conocidos del grupo son Damien Hirst y Tracey Emin.
Steven Adamson | Fiona Banner | Christine Borland | Angela Bulloch | Simon Callery | Jake and Dinos Chapman | Mat Collishaw | Ian Davenport | Tacita Dean | Tracey Emin | Angus Fairhurst | Anya Gallaccio | Liam Gillick | Marcus Harvey | Damien Hirst | Gary Hume | Michael Landy | Abigail Lane | Steve McQueen | Lala Meredith-Vula | Chris Ofili | Sarah Lucas | Martin Maloney | Stephen Park | Cornelia Parker | Richard Patterson | Simon Patterson | Marc Quinn | Fiona Rae | Jenny Saville | Georgina Starr | Sam Taylor-Wood | Gavin Turk | Gillian Wearing | Mark Wallinger | Rachel Whiteread | The Wilson Sisters |
Autorretrato con sombrero

Autorretrato con sombrero es una pintura de Paul Gauguin, realizada a raíz de su viaje a Tahití en 1892 aunque el autor se muestra en su estudio de París. La obra se encuentra en el Museo de Orsay de París.​ Aparece en el catálogo de Wildenstein con el número 506.
En primer plano, aparece el artista, vestido de negro y con sombrero, representado hasta el pecho. Seguramente está sentado con los hombros hacia su derecha, la cabeza vuelta hacia su izquierda, de tres cuartos. Parece buscar la posición del espectador para revelar el contraste entre los hombros y la cabeza. El cuerpo se dirige hacia la derecha simbolizando el tiempo futuro, mientras que su rostro parece mirar a su pasado, aquí representado por objetos traídos de Tahití (la pintura Manao tupapau).
El fondo aparece verde claro, con una línea sólida de luz amarilla que separa la tabla en dos. A la izquierda del pintor, se encuentra el pasado marcado por los acontecimientos y los objetos. A su derecha hay un espacio (triángulo verde) intocable porque no puede predecir los eventos futuros en su vida. Este haz dibuja una línea entre el pasado, el presente y el futuro.
A su izquierda se ve un rectángulo azul con adornos florales amarillos pues cubre una mesa, se trata de un pareo.
En un tercer nivel se encuentra Manao tupapau: la pintura emblemática es el retrato de su amante en Tahití.
Retrato de Jaume Sabartés con gorguera y sombrero

El Retrato de Jaume Sabartés con gorguera y sombrero es una pintura al óleo sobre tela realizada por Pablo Picasso en el año 1939 en Royan y que forma parte de la colección permanente del Museo Picasso de Barcelona. Se muestra en el «Espacio Sabartés» del museo y había formado parte de la colección privada del mismo Jaime Sabartés. El cuadro está firmado como: Picasso / Royan 22-10-39 en la parte inferior derecha de la obra.​
El retrato de Sabartés hecho en Royan en 1939 representa un hito en la iconografía de Sabartés en la obra de Picasso. En el momento de realizar el retrato, sus vidas habían vuelto a converger y en aquel instante, no sólo les unía la amistad, sino que, además, Sabartés se había convertido en su secretario personal y en el testimonio más discreto y fiel de la biografía picassiana.​
Este último retrato al óleo significa la materialización de una antigua aspiración de Sabartés. Él mismo hace una minuciosa descripción del momento en que fue creado:
Esta escena tiene lugar en 1938, y el deseo de Sabartés de verse como un gentilhombre de los tiempos de Felipe II culmina con este retrato realizado en 1939; un retrato lleno de ironía, de aquella ironía mezcla de burla y afecto que era la base de su amistad.​
Los dibujos del año anterior,​ son un caldo de cultivo idóneo para que la caracterización deseada por Sabartés tome cuerpo definitivamente en este espléndido e interesante retrato. Es una obra que se ciñe a las pautas del momento del artista: la distorsión de los rasgos, el tratamiento de la nariz, la aparente dislocación facial, que no se desvía ni un ápice de las señas de identidad que conforman la fisonomía y el carácter del viejo amigo, a quien hará constantes alusiones en su obra, tanto de una forma literaria como gráfica.​
Rafart i Planas, Claustre (1998). Guia del Museu Picasso (en catalán). Barcelona: Ajuntament de Barcelona. ISBN 84-7609-869-3.
En el Moulin-Rouge, el baile

En el Moulin-Rouge, el baile o Baile en el Moulin Rouge (Dressage des nouvelles par Valentin-le-Désossé) es un cuadro del pintor francés Henri de Toulouse-Lautrec. Está realizado al óleo sobre lienzo. Mide 115 cm de alto y 150 cm de ancho. Fue pintado en 1890, encontrándose actualmente en el Museo de Arte de Filadelfia, formando parte de la colección McIlhenny, Filadelfia, Estados Unidos.
Fue expuesto en el año 1890 en el Salón de los independientes.
El recién inaugurado Moulin Rouge es visto por Lautrec en clave casi de caricatura, captado en un momento de frecuentación por parte de la sociedad parisina. Diversos personajes interactúan entre ellos, se apoyan en la barra del bar, discuten y observan a las bailarinas. Gracias a la línea pictórica que guía el ojo hacia los personajes en segundo plano a través de una hábil disposición de los elementos sobre la tela. Allí se entrevé a un hombre con la cara de calavera y a la pelirroja bailarina Jane Avril, musa del pintor. En ese segundo plano están retratados otros amigos del pintor, los también pintores M. Guibert, F. Gauzi y Marcellin Desboutin y el fotógrafo P. Sescau.
En frente de ellos, a la izquierda del cuadro, Valentin-le-Désossé (Valentín el descoyuntado), famoso vividor de la época, dirige a otra bailarina, anónima. Es pelirroja y fuerte, lo que hace pensar en La Goulue en una actuación en público. El movimiento de estos bailarines contrasta con la quietud del público. Una inscripción escrita en la parte posterior del cuadro por el artista descubierta en los años 1990 dice: "Dressage des nouvelles par Valentin le Désossé" (Instrucción de los nuevos por Valentín el Deshuesado), lo que significa que se representa al conocido bailarín aficionado dando clases a la última incorporación del local.​
En el primer plano, una llamativa dama con guantes negros, vestido rosa y sombrero. ¿Una dama aristocrática que se prestó a una noche de locuras en el cabaret o una prostituta? Los asiduos a esos ambientes no habrían dudado en reconocer a una cortesana: la sonrisa discreta, la pose conquistadora, la ropa patéticamente lujosa son detalles tan silenciosos como elocuentes.​
Arte y cultura

Arte y cultura son conceptos muy habitualmente emparejados​ para referirse a los productos artísticos y culturales que definen los rasgos más importantes de una civilización, especialmente en sus componentes más elitistas y subliminales de osoes (la alta cultura), pero también en lo que define su forma de vida y su manera de entender a sí misma y al mundo (cosmovisión, ideología).​
Mientras que el uso más habitual del término "arte" es mayoritariamente restringido en su uso bibliográfico a las denominadas tradicionalmente artes mayores (pintura, escultura y arquitectura), las bellas artes clásicas incluyen también la danza, la música y la literatura; y se han añadido "nuevas artes" (séptimo arte -cine-, octavo arte o noveno arte -fotografía, cómic, televisión, publicidad-). Otro tipo del arte es aquella que vemos en pinturas, música y en la teoría del arte de las vanguardias​ (de modo que pudo hablarse de que las artes no mueren).​
El concepto de cultura es aún más genérica e incluye todas las actividades humanas (desde la gastronomía hasta todas las manifestaciones del folclore, las tradiciones populares, las tendencias de la moda y las propuestas de todo tipo de subculturas -formas de ocio, tribus urbanas-).
Los aspectos ideológicos inseparables en el tratamiento del arte y la cultura hacen que en los estudios sobre ellas se refieran y a la religión, las doctrinas políticas y económicas, la ciencia y tecnología y todo tipo de relaciones sociales.<ref>
La Ilustración Artística

La Ilustración Artística (Ilustración Artística hasta el 4 de enero de 1886 y el número 210) fue una revista ilustrada publicada en Barcelona entre 1882 y 1916.
Su primer número apareció el 1 de enero de 1882.​ Su publicación corría a cargo de la editorial Montaner y Simón.​ En un principio dio prioridad al grabado frente a la fotografía pero en los últimos años del siglo XIX esta última empezó a imponerse en sus páginas.​
Según Sanmartín Bastida, «las imágenes de la revista [junto a las de La Ilustración Ibérica] se encuentran en la línea del "revival" medieval de la última vanguardia pictórica (como la de los pintores prerrafaelistas) y dan a conocer así la moderna pintura europea medievalista».​ También cuenta con la presencia de críticas y reseñas de obras estrenadas en el extranjero;​ por otra parte la revista fue pionera —y la publicación «más importante» en este aspecto— en la inclusión de traducciones de cuentos provenientes de Japón en España, hacia 1887.​​
Contó con la colaboración de escritores españoles como Emilia Pardo Bazán​ —que aportó principalmente contenidos de carácter periodístico—,​ Emilia Serrano de Wilson «la Baronesa de Wilson» —con relatos de corte «americanista»—,​ Emilio Castelar, Francisco Giner de los Ríos, Leopoldo Alas «Clarín», Francisco Pi y Margall, Benito Pérez Galdós o Manuel Ossorio y Bernard, entre otros muchos; así como con colaboradores extranjeros, en especial de Francia.​ Contaba con abundante material gráfico de los artistas del momento, como por ejemplo de escultores como José Campeny.​
Claude Picasso

Claude Ruiz Picasso (15 May 1947 – 24 August 2023) was a French photographer, cinematographer, film director, visual artist, graphic designer, businessman, and the third child of the artist Pablo Picasso.
Picasso was a child of Françoise Gilot and Pablo Picasso and the older brother of Paloma Picasso. By a wish on Gilot's part, he was named after Claude Gillot (1673–1722), a pioneering French Rococo artist and mentor to fellow artist Jean-Antoine Watteau. His name was Claude Gilot until age 12. In 1968 he met Sara Lavner (Schultz), a young woman from Brooklyn. Lavner and Picasso married in 1969 and divorced in 1972. He was a photographer in New York City when his father died. At the time, he had experienced a period of estrangement from his father due to his mother's 1964 memoir Life with Picasso. His father's legacy was important to him, and he established the Picasso Administration to look after copyright and other legal matters.
Picasso lived in New York from 1967 to 1974. He was Richard Avedon's photographic assistant for almost a year, and studied cinema and mise-en-scène at the Actors Studio. He also worked as a photojournalist for Time Life, Vogue, and Saturday Review.
Picasso also owned and raced vintage automobiles.
Claude Picasso died on 24 August 2023, at the age of 76, almost three months after his mother's death.
Claude Picasso was decorated with the Legion d'Honneur in 2011 for his personal work as photographer, cinematographer, and visual artist, as well as his efforts to administer his father's heritage.
He was survived by his wife, Sylvie Vautier Picasso, and his sons, Solal and Jasmin.