Isle of the Dead (painting)

Isle of the Dead (German: Die Toteninsel) is the best-known painting of Swiss Symbolist artist Arnold Böcklin (1827–1901). Prints were very popular in central Europe in the early 20th century—Vladimir Nabokov observed in his 1936 novel Despair that they could be "found in every Berlin home".
Böcklin produced several different versions of the painting between 1880 and 1886, which today are exhibited in Basel, New York City, Berlin, and Leipzig. A sixth version, begun in autumn 1900 with the help of Böcklin's son Carlo Böcklin and finished by Carlo in 1901, is part of the Hermitage Museum's collection in Saint Petersburg.
All versions of Isle of the Dead depict a desolate and rocky islet seen across an expanse of dark water. A small rowing boat is just arriving at a water gate and seawall on shore. An oarsman maneuvers the boat from the stern. In the bow, facing the gate, is a standing figure clad entirely in white. Just ahead of the figure is a white, festooned object commonly interpreted as a coffin. The tiny islet is dominated by a dense grove of tall, dark cypress trees—associated by long-standing tradition with cemeteries and mourning—which is closely hemmed in by precipitous cliffs. Furthering the funerary theme are what appear to be sepulchral portals and windows on the rock faces.
Böcklin himself provided no public explanation as to the meaning of the painting, though he did describe it as "a dream picture: it must produce such a stillness that one would be awed by a knock on the door". The title, which was conferred upon it by the art dealer Fritz Gurlitt in 1883, was not specified by Böcklin, though it does derive from a phrase in an 1880 letter he sent to the painting's original commissioner. Not knowing the history of the early versions of the painting (see below), many observers have interpreted the oarsman as representing the boatman Charon, who ferried souls to the underworld in Greek mythology. The water would then be either the River Styx or the River Acheron, and his white-clad passenger a recently deceased soul transiting to the afterlife.
Isle of the Dead evokes, in part, the English Cemetery in Florence, Italy, where the first three versions were painted. The cemetery was close to Böcklin's studio and was also where his infant daughter Maria was buried. (In all, Böcklin lost 8 of his 14 children.)
The model for the rocky islet was perhaps Pontikonisi, a small, lush island near Corfu, which is adorned with a small chapel amid a cypress grove, perhaps in combination with the mysterious rocky island of Strombolicchio near the famous volcano Stromboli, Sicily. (Another less likely candidate is the island of Ponza in the Tyrrhenian Sea.)
Böcklin completed the first version of the painting in May 1880 for his patron Alexander Günther but kept it for himself. In April 1880, while the painting was in progress, Böcklin's Florence studio had been visited by Marie Berna, née Christ (widow of financier Georg von Berna (1836–1865) and soon-to-be wife of the German politician Waldemar, Count of Oriola (1854–1910)). She was struck by the first version of this "dream image" (now in the Kunstmuseum Basel), which sat half completed on the easel, so Böcklin painted a smaller version on wood for her (now in the Metropolitan Museum of Art in New York City). At Berna's request, he added the coffin and female figure, an allusion to her husband's death from diphtheria years earlier. Subsequently, he added these elements to the earlier painting. He called these works Die Gräberinsel ("Tomb Island"). (Sometimes the Basel version is credited as the first; sometimes the New York version is.) It was acquired by the Gottfried Keller-Stiftung in 1920.
The third version was painted in 1883 for Böcklin's dealer Fritz Gurlitt. Beginning with this version, one of the burial chambers in the rocks on the right bears Böcklin's initials, "A.B." In 1933, this version was put up for sale, and noted Böcklin admirer Adolf Hitler acquired it. He hung it first at the Berghof in Obersalzberg and then, after 1940, in the New Reich Chancellery in Berlin. It is now at the Alte Nationalgalerie, Berlin.
Financial imperatives resulted in a fourth version in 1884, which was ultimately acquired by the entrepreneur and art collector Baron Heinrich Thyssen and hung at his Berliner Bank subsidiary. It was burned after a bomb attack during World War II and survives only as a black-and-white photograph.
A fifth version was commissioned in 1886 by the Museum of Fine Arts, Leipzig, where it still hangs.
In 1888, Böcklin created a painting called Die Lebensinsel ("Isle of Life"). Probably intended as an antipole to the Isle of the Dead, it also shows a small island, but with all signs of joy and life. Together with the first version of the Isle of the Dead, this painting is part of the collection of the Kunstmuseum Basel.
A sixth version, allegedly created in 1901 and acquired in 2022 from a private collection, can be found at the State Hermitage (General Staff building) in Saint Petersburg. It bears the signatures A. Böcklin invenit ("devised by A. Böcklin") and Carlo Böcklin fecit 1901 ("executed by Carlo Böcklin 1901"), and can therefore be assumed to be the version mentioned by the Thieme-Becker biographical dictionary which was started by Arnold Böcklin together with Carlo in autumn 1900.
The painting has attracted a wide variety of admirers. Freud kept a reproduction in his office; Lenin had one above his bed; Hitler bought one of the originals. Vladimir Nabokov wrote that reproductions of the painting could be “found in every Berlin home”.
The German survival horror video game "SIGNALIS" by rose-engine studio references all versions of the painting several times, as it plays a crucial role in understanding the relationship between the main character and her lover.
"Destiny 2: The Witch Queen" developed by Bungie features an alien depiction of the Isle of the Dead in both a cinematic appearance as well as a playable location during a fight in the throne of Savathûn, goddess of trickery (voiced by Debra Wilson).
In a promotional video for the Japanese mobile role-playing game "Fate/Grand Order", a depiction of the Isle of the Dead can be seen alongside Artoria Pendragon.
A demo version of the Japanese indie game Brutal Complex features the painting among other pieces, such as those by Salvador Dalí and Leonardo da Vinci, as part of its environments.
In Kentucky Route Zero, the mushroom-picking island in the Echo River uses the painting as a visual reference.
The painting is featured in the 2024 remake of Silent Hill 2 by Bloober Team as an environment prop.