davidanugraha/M4-RAG huggingface dataset:
Andrea Solari

Andrea Solari (also Solario) (1460–1524) was an Italian Renaissance painter of the Milanese school. He was initially named Andre del Gobbo, but more confusingly as Andrea del Bartolo a name shared with two other Italian painters, the 14th-century Siennese Andrea di Bartolo, and the 15th-century Florentine Andrea di Bartolo.
His paintings can be seen in Venice, Milan, The Louvre and the Château de Gaillon (Normandy, France). One of his better-known paintings is the Madonna with the Green Cushion (c. 1507) in the Louvre.
Solario was born in Milan. He was one of the most important followers of Leonardo da Vinci, and brother of Cristoforo Solari, who gave him his first training whilst employed extensively on work at the Milan cathedral, and at the Certosa di Pavia. In 1490 he accompanied his brother to Venice, where he seems to have been strongly influenced by Antonello da Messina, who was then active in the city. The fine portrait of a Venetian Senator (currently at the National Gallery of London) displayed Antonello's plastic conception of form and was probably painted about 1492. The two brothers returned to Milan in 1493. The Ecce Homo at the Poldi-Pezzoli Museum, notable for its strong modelling, may have been painted soon after his arrival.
Solari's earliest dated work is a Holy Family and St. Jerome with a fine landscape background, executed at Murano in 1495 and now in the Brera Gallery. The original work influenced Correggio's painting, The Holy Family with Saint Jerome in 1515. The Leonardesque type of the Madonna proves that Andrea after his return from Venice, became strongly influenced by the great Florentine artist, who was then carrying everything before him. To this period of Andrea belong a small Crucifixion (1503, at the Louvre) and the portrait of Charles d'Amboise (Louvre); the portrait of Giovanni Longoni (1505, National Gallery of London); the Annunciation (1506, Fitzwilliam Museum, Cambridge); and the Madonna with the Green Cushion (Louvre), for which a sensitive drawing of the Virgin's head is in the Biblioteca Ambrosiana at Milan; and the Head of the Baptist in a silver charger (1507, Louvre).
In 1507 Andrea Solari went to France with letters of introduction to the Cardinal of Amboise, and was employed for two years on frescoes in the chapel of his castle of Gaillon in Normandy. According to Giovanni Morelli's suggestion, the artist may have visited Flanders before returning to his native country, and this may account for the Flemish character of his later work.
The artist was back in Italy in 1515, the date of the Flight into Egypt (Poldi-Pezzoli Collection) with its harmonious and detailed landscape background. To this period belong the Procession to Calvary (Borghese Gallery, Rome); the portrait of the Chancellor Domenico Morone (Palazzo Scotti, Milan); and the Woman playing a guitar (at the National Gallery of Ancient Art, Rome).
Andrea's last work was an altarpiece representing The Assumption of the Virgin for the Certosa di Pavia, left unfinished at his death and completed by Bernardino Campi about 1576.
Magaalaa Shaashamannee

Magaalaan Shashemene (aka Shashemene Kenema ) kilabii kubbaa miilaa ogummaa Itoophiyaa yoo ta'u, magaalaa Shashemene, Misraq Shewa Zone, Oromia Region keessatti argama. Piriimiyerliigii Itoophiyaa, sadarkaa olaanaa kubbaa miilaa piroofeeshinaalaa Itoophiyaa keessatti taphatu.
North Shewa Zone (Oromia)

North Shewa (Oromo: Shawaa Kaabaa) is a zone in Oromia Region of Ethiopia. North Shewa takes its name from the kingdom of Shewa or former province of Shewa. North Shewa is bordered on the south by Addis Ababa on the southwest by West Shewa, on the north by North Shewa (Amhara), and on the southeast by East Shewa. Town include Ali Doro, Fiche and Gerba Guracha, Sheno.
Based on the 2007 Census conducted by the Central Statistical Agency of Ethiopia (CSA), this Zone has a total population of 1,431,305, of whom 717,552 are men and 713,753 women; with an area of 10,322.48 square kilometers, North Shewa has a population density of 138.66. While 146,758 or 10.25% are urban inhabitants, a further 9 individuals are pastoralists. A total of 314,089 households were counted in this Zone, which results in an average of 4.56 persons to a household, and 303,609 housing units. The largest ethnic group reported in North Shewa was Oromo (84.33%) and followed by Amhara (14.99%); all other ethnic groups made up 0.68% of the population. Oromo was spoken as a first language by 82.85% and 16.73% spoke Amharic; the remaining 0.42% spoke all other primary languages reported. The majority of the inhabitants professed Ethiopian Orthodox Christianity, with 92.43% of the population having reported they practiced that belief, while 5.34% of the population were Muslim and 1.61% of the population professed Protestantism.
The 1994 national census reported a total population for this Zone of 1,157,978 in 243,161 households, of whom 576,890 were men and 581,088 women; 86,289 or 7.45% of its population were urban dwellers at the time. The largest ethnic group reported in North Shewa was Oromo (79.53%), while Amhara (19.81%); all other ethnic groups made up 0.66% of the population. Oromo was spoken as a first language by 79.41%, and 20.42% spoke Amharic; the remaining 0.17% spoke all other primary languages reported. The majority of the inhabitants professed Ethiopian Orthodox Christianity, with 94.04% of the population reporting as practicing that belief, while 5.03% of the population said they were Muslim.
According to a May 24, 2004 World Bank memorandum, 7% of the inhabitants of North Shewa have access to electricity, this zone has a road density of 55.0 kilometers per 1000 square kilometers (compared to the national average of 30 kilometers), the average rural household has 1.1 hectare of land (compared to the national average of 1.01 hectare of land and an average of 1.14 for the Oromia Region) and the equivalent of 0.8 heads of livestock. 14.9% of the population is in non-farm related jobs, compared to the national average of 25% and a regional average of 24%. 62% of all eligible children are enrolled in primary school, and 12% in secondary schools. 41% of the zone is exposed to malaria, and none to tsetse fly. The memorandum gave this zone a drought risk rating of 510.
9°30′N 38°40′E﻿ / ﻿9.500°N 38.667°E﻿ / 9.500; 38.667
Tourism in Ethiopia

Tourism in Ethiopia accounted for 5.5% of the country's gross domestic product (GDP) in 2006, having barely increased 2% over the previous year. The government is proving its commitment and willingness to develop tourism through a number of initiatives. Tourism is a featured component of Ethiopia's Poverty Reduction Strategy Paper (PRSP), which aims to combat poverty and encourage economic development.
Tourist destinations include Ethiopia's collection of national parks (including Semien Mountains National Park), and historic sites, such as the cities of Axum, Lalibela and Gondar, Harar Jugol walled city, Negash Mosque, in Negash and Sof Omar Caves.
Developed in the 1960s, tourism declined greatly during the later 1970s and the 1980s under the Derg. Recovery began in the 1990s, but growth has been constrained by the lack of suitable hotels and other infrastructure, despite a boom in construction of small and medium-sized hotels and restaurants, and by the effects of drought and political instability.
One encouraging aspect is the growing popularity of ecotourism, with significant potential for growth in Ethiopia. Travel retail sales are expected to continue to grow, posting an increase of 7% in 2006 and with a forecast 5% increase in 2007. Sales are driven primarily by expanding interest in ecotourism packages, including adventure travel, trekking and walking safaris that are making up much of the tour operators' revenues.
Ethiopia has the following nine UNESCO World Heritage Sites:
September 12, 2007 marked the beginning of the year 2000 in the Ethiopian calendar. The Ministry of Culture and Tourism was embroiled in a controversy surrounding a beauty pageant in celebration of the Ethiopian Millennium. Allegedly the ministry failed to pay for promotional services from a UK based company for the Ethiopian Millennium, and is being sued for US$1 Million in the British courts.
Shewa Robit

Shewa Robit (Amharic: ሸዋ ሮቢት)also known as Robi, Shah Robit, Shoa Robit or Robit is a town in north-central Ethiopia. Located in the North Shewa Zone of the Amhara Region, this town has a longitude and latitude of 10°00′N 39°54′E﻿ / ﻿10.000°N 39.900°E﻿ / 10.000; 39.900 with an elevation of 1280 meters above sea level. Shewa Robit holds its market on Tuesdays. Ethiopia's largest prison is in this town.
In May 2009, a group of rebels claiming to belong to the Ethiopian Unity and Justice Movement allegedly attacked the police station and other targets in Shewa Robit.
On 21 March 2021, an ambulance carrying 12 Oromo people was attacked by Fano (militia), leading to the death of all 12 people.
On 21 November 2021, Shewa Robit was claimed to be controlled by the Tigray Defence Forces and Oromo Liberation Army
On 1 December 2021, ENDF and Amhara Militias recaptured Shewa Robit after defeating the TDF and OLA in the area.
Based on figures from the Central Statistical Agency in 2005, Shewa Robit has an estimated total population of 24,886 of whom 13,021 were men and 11,865 were women. The 1994 census reported this town had a total population of 5,360 of whom 2,553 were men and 2,807 were women. The inhabitants include members of the Argobba people. It is the largest settlement in Kewet woreda.
List of rulers of Shewa

This article lists the rulers of Shewa, a historical region of Ethiopia.
According to tradition, the Solomonic dynasty (1270–1974) was descended from king Solomon and queen Makeda via the kings of Axum. After Axum was destroyed by Gudit in the 10th century, the royal family fled to Shewa and reigned there for 330 years before the accession of Yekuno Amlak. A line of kings ruled at Shewa during the time of the Zagwe dynasty and claimed descent from Dil Na'od, the last king of Axum. The 1922 regnal list of Ethiopia includes eight unnumbered kings described as "8 generations of an Israelitish dynasty" who "did not mount the throne".
Claiming Solomonic descent, Nagasi Krestos established Shewa as an autonomous region of the weakening Ethiopian Empire in the 17th century before requesting the title of Meridazmatch, which would be adopted by his successors, and beginning a southern expansion of his realm that would culminate in the conquests of his descendant Menelik II.
El Águila (Villa Argentina)

El Águila, también conocida como Quimera, es una edificación situada en el balneario uruguayo Villa Argentina, el cual se encuentra a dos kilómetros de Atlántida. Se trata de un diseño realizado por Juan Torres, siendo su propietario Natalio Michelizzi, de nacionalidad italiana, quien se instaló en Uruguay dedicándose a negocios en ese país.
El Águila consta de una estructura artesanal de piedra, con cabeza de águila y cuerpo de delfín, carente de planos y diseño arquitectónico.
Al comienzo, Michelizzi visitaba Uruguay con frecuencia, hecho que le hizo adquirir tierras y comenzar la construcción de un hotel, El Planeta, uno de los primeros del balneario Atlántida.​
En 1945 Juan Torres comenzó la construcción bajo las órdenes de Michelizzi.​ La idea inicial de su creador consistió en erigir una capilla, proyecto que sin embargo nunca se concretó. Torres construyó una habitación de mayores dimensiones a lo indicado por Michelizzi, un pequeño baño, una pequeña cocina y un dormitorio. Posteriormente, Michelizzi le solicitó a Torres que construyera un águila encima. Dicha figura fue construida con materiales del lugar. Finalmente, Michelizzi le solicitó a Torres que edificara una gran terraza con forma de barco, sostenida por el barranco. Dicha proa tenía la forma de un delfín, y desde la terraza bajaba una escalera hacia la playa.​
Por tanto, pasó a ser un lugar de reuniones entre Michelizzi, sus amigos y familiares. Al fallecer el dueño de esta construcción, comenzó su deterioro debido a la erosión; el barranco y la escalera hacia la playa desaparecieron, y la terraza de desmoronó, lo que llevó a que la cabeza del águila comenzara a quebrarse. Debido al peligro inminente que representaba su posible derrumbe, se tuvo que clausurar el lugar.
Algunas leyendas se originaron luego de la muerte de Michelizzi. Las mismas giraban en torno a la utilización del lugar como escondite de espías nazis, templo, y centro de energía cósmica. También se piensa que fue un mirador.​ Ninguna de las ideas ligadas a lo místico fueron comprobadas.
En 1997 El Águila fue declarada de interés Departamental por resolución municipal, y desde el año 2007 se decidió su protección con medidas cautelares por parte de la Intendencia Municipal de Canelones.​
En el 2014 comenzaron las obras de restauración impulsadas por la ONG El Águila,​ que culminaron en el 2018.
Al año 2020 El Águila es un centro turístico y se ofrecen visitas guiadas. También es centro de exposiciones fotográficas y de pinturas, y de eventos culturales.​
Águila Blanca

Águila Blanca es una película argentina dirigida por Carlos Hugo Christensen sobre guion de Yamandú Rodríguez que se estrenó el 16 de abril de 1941 y que tuvo como protagonistas a Francisco Petrone, Pablo Palitos, Felipe Romito, Eduardo Cuitiño, Celia Podestá y Tito Alonso. Fue parcialmente filmada en la Colonia de Sacramento (Uruguay).
Un marino lleva a su hijo en un viaje en velero para probar su comportamiento.
La crónica de La Nación dijo:
Manrupe y Portela escribieron:
En Crítica opinó Ulyses Petit de Murat:
Edificio El Águila

El Edificio El Águila es un edificio modernista, situado en la Calle Colom de Palma de Mallorca, capital de las Islas Baleares, en España. Fue construido en 1908 por el arquitecto Gaspar Bennazar.
La estructura consta de cuatro plantas. En la fachada hay balcones con barandillas de hierro ondulado que dan un gran dinamismo, cerámicas policromas y una profusa decoración floral y vegetal según la técnica modernista del arte nuevo. Destaca el conjunto de un arco de medio punto decorativo.
El edificio del Águila tiene por objetivo lograr el máximo aprovechamiento del espacio y una buena iluminación natural al interior. La solución adoptada consiste en utilizar nuevos elementos constructivos, en este caso el hierro. También expuesto como recurso decorativo. Las columnas de hierro hacen de pesado menaje y permitieron la instalación de grandes vidrieras para obtener una mayor iluminación.
Algarrobo del Águila

Algarrobo del Águila es una localidad argentina, cabecera del Departamento Chical Co, provincia de La Pampa, ubicada a 314 km de la Ciudad de Neuquén, a 323 km de la capital provincial; Santa Rosa, y a 1082 de Buenos Aires. Sobre la RP 10 y la RN 151.
Se encuentra cerca del río Atuel, sobre su margen derecha.​
Contó con 539 habitantes (Indec, 2010), lo que representó un incremento del 250% frente a los 147 habitantes (Indec, 2001) del censo anterior.
El censo nacional 2022 arrojó 525 habitantes y 273 viviendas.​
Hay dos variantes de si era un algarrobo o un caldén, frente al edificio de la antigua comisaría. El águila, de pecho blanco.​
En el "Hemiciclo Seco "Provincia de La Pampa" 1920 a 1973: en 1929 tuvo el mínimo de lluvias con 309 mm.
En el "Hemiciclo Húmedo "Florentino Ameghino" 1870 a 1920, y 1973 a ¿2020?, en 1900: 1.330 mm, 1976 1.207 mm
Fábrica de cerveza El Águila (Albacete)

La fábrica de cerveza El Águila de Albacete fue una maltería de la empresa cervecera El Águila ubicada en la ciudad española de Albacete.
La factoría, de gran envergadura, fue construida por la cervecera española El Águila en 1959 y comenzó su actividad en 1962. Se dedicaba al procesamiento de cebada para maltería, por lo que fue conocida como maltería El Águila de Albacete.​ En 1970 fue doblada su capacidad convirtiéndose en la mayor maltería de España.​
Se trataba de un complejo de grandes dimensiones al norte de la capital albaceteña que incluía la fábrica y un edificio de oficinas, entre otras instalaciones, edificados con hormigón y ladrillo caravista rojo.​
El silo de 34 metros de altura y el edificio de oficinas de la misma envergadura fueron demolidos en 1997 con doce kilos de goma-2 para construir un nuevo barrio de la capital formado por grandes bloques de viviendas que recibió el nombre de Los Llanos del Águila.​
Facultad de Veterinaria (Universidad de la República)

La Facultad de Veterinaria es una institución pública de Uruguay, la cual forma parte de las quince facultades de la Universidad de la República.
Cuenta con 3681 estudiantes matriculados, según el VII Censo de Estudiantes Universitarios de Grado, 2012.​
La Facultad de Veterinaria otorga con los siguientes títulos de grado y postgrado:
También cuenta con anexo en el Departamento de Salto, calle Rivera 1350.
En 1906, el veterinario estadounidense Daniel Elmer Salmon tuvo una actuación decisiva para la constitución de esta casa de estudios.
A lo largo de los años la Facultad de veterinaria ha cambiado su ubicación y emplazamiento edilicio. "El 23 de noviembre de 1903, bajo el rectorado del Dr. Claudio Williman, el Presidente de la República, José Batlle y Ordóñez aprueba el Decreto que establece los estudios de Veterinaria anexos a la Facultad de Medicina... En 1906 se decreta la creación de las Escuelas de Veterinaria y de Agronomía, bajo la dependencia del Consejo Universitario. La Ley del 28 de diciembre de 1908, determina la separación de la Universidad y su incorporación al Ministerio de Industrias, bajo la denominación de Escuela de Veterinaria. Se crea el Consejo de Patronato y Administración... Este Consejo, en 1909 adquirió la Quinta propiedad de la Familia Taranco, predio de cinco hectáreas en el Camino Larrañaga (actualmente calle Alberto Lasplaces, ...). Al año siguiente, 1910, se pone en práctica un proyecto de edificación inspirado la Escuela Veterinaria de Alfort, Francia, desde donde trajeron todos los materiales para su construcción."​ El proyecto fue diseñado por el arquitecto Emilio Conforte.​
El diseño original de los jardines ornamentales fue del paisajista francés Carlos Racine.​
En septiembre de 2021, fue inaugurada la nueva sede de la Facultad, en la ciudad de Montevideo, sobre la ruta 8 en el barrio de Villa García. El predio cuenta con un total de 20.000 metros cuadrados.
El nuevo predio, se encuentra cercano al Estadio Campeón del Siglo, a Zonamerica y a los Laboratorios Veterinarios del Ministerio de Ganadería, Agricultura y Pesca.​
La facultad de Veterinaria cuenta además con sedes descentralizadas​ donde se realizan las prácticas de los estudiantes a lo largo de la carrera. Estos son los campos experimentales N° 1 (Ruta 108, Km 11 - Migues - 91004. Canelones) y N° 2 (Ruta 1, Km. 42.5 - Libertad - 80100. San José), el Instituto de Investigaciones Pesqueras - Laboratorio en el litoral atlántico (puerto de La Paloma – Rocha), Estación Experimental Dr. Mario A. Casinoni (Ruta 3 km 363 Paysandú), Policlinica Barrios Unidos (Aparicio Saravia y Timbúes)
También cuenta con otras sedes regionales de la carrera de Facultad de Veterinaria:
"En la facultad de veterinaria Fvet, las mujeres superan a los hombres en la cantidad de ingresos y egresos estudiantiles y en docentes, pero, igual que en el conjunto de la udelar, representan menos del 30% entre los profesores titulares."​
Monumento Histórico Municipal y Museo Regional El Porvenir

Monumento Histórico Municipal y Museo Regional "El Porvenir" se encuentra al sur de la ciudad de Villa Elisa, provincia de Entre Ríos, Argentina; cercano del centro.
El solar fue construido aproximadamente en 1885, de estilo Colonial. Su primer propietario fue Juan Medina, dicho edificio constaba de dos pabellones, cada uno de ellos compuesto por tres salas, con techo de tejas francesas y depósito - barraca con techo de cinc.
Héctor de Elía, antes de fundar Villa Elisa, le compra a Juan Medina el casco de estancia que denominó “El Porvenir”, a principio de siglo XX le incorporó un artístico mirador de estilo Liberal, inspirado en el Renacimiento Italianizante. Esta Casona fue residencia del fundador Héctor de Elía, de su hijo Esteban, y luego de su nieto José María y por último de la familia de Amaranto Viollaz y sucesores.
Por Resolución N.º 55/80, el 2 de septiembre de 1980, la Municipalidad de Villa Elisa, adquiere este solar a Pascual Enrique Viollaz, por las siguientes razones:
El predio comprende 2 ha
El mismo en sus comienzos contaba con un solo pabellón para Museo, el otro cuerpo estaba destinado a casa de familia del cuidador.
Los primeros objetos museológicos exhibidos provinieron de un Museo temporario que se había realizado para el 75.º Aniversario de Villa Elisa. Estos elementos, que se hallaban en custodia en las escuelas de la localidad, fueron recopilados para iniciar la exhibición; carecían de un montaje museográfico adecuado, lentamente esto se fue perfeccionando, mediante la adquisición de vitrinas apropiadas y a través de nuevos conocimientos y la experiencia lograda.
Por este motivo, en 1983 se reacondicionó lo que originariamente se utilizaba como barraca, para exponer animales embalsamados de la fauna de la zona.
En 1985 se construyó la casa para el cuidador, lo que facilitó disponer de otras salas al efecto.
Por ordenanza Municipal N.º 646, Decreto 241/90 del 3 de septiembre de 1990, se declara al edificio del Museo “EL Porvenir” Monumento Histórico Municipal. Esto responde a la solicitud efectuada oportunamente por el Área Museo de la coordinación Municipal de Cultura,
Águila bicéfala

El águila bicéfala es un símbolo presente en la iconografía y heráldica de varias culturas indoeuropeas. En Europa, procede del águila bicéfala hitita, llegando a la Edad Media occidental a través de Bizancio.
La dinastía bizantina Paleólogo, que reinó en Constantinopla entre los siglos XIII y XV, tenía por lema familiar: «Basileus Basileon, Basileuon Basileuonton» («Rey de reyes, que reina sobre los que reinan») y utilizaba un escudo de armas al modo occidental: lucía un águila bicéfala exployada (es decir, con alas extendidas) en sable (negro heráldico) sobre campo de oro. Se le atribuía un sentido de superioridad y de integración de las dos herencias de Oriente y de Occidente, como sucesores del Imperio romano. También simbolizaba la existencia de dos Romas, la Vieja (la Urbs) y la Nueva, a saber Constantinopla, que se unirían para siempre.
En el siglo XVI d. C., el águila bicéfala era la marca heráldica más potente hasta ese momento, pues simbolizaba la unión de la dignidad imperial del Sacro Imperio Romano Germánico (el imperio de los Habsburgos) con la Monarquía española. El águila bicéfala será el emblema de los Habsburgos en Madrid y en Viena. En Madrid, el último Habsburgo fue el Rey Carlos II, que murió el 1 de noviembre de 1700. En Viena, siguió el águila imperial vigente hasta el tratado de Saint Germain (1919), en que se instaura la República austriaca y finiquita la monarquía austro-húngara; el último emperador, Carlos I de Austria y IV de Hungría, renuncia a la jefatura del Estado, pero continúa como jefe de su dinastía.
La imagen del águila bicéfala apareció en Rusia en el siglo XV d. C.. Una sobrina del último emperador bizantino Constantino XI Paleólogo, llamada Sofía Paleólogo, se casó con el zar ruso Iván III. Aquel matrimonio real otorgó a Iván III el derecho de usar junto con el antiguo escudo propio, que era un jinete, la imagen del águila bicéfala, que era el escudo representativo de la dinastía de los Paleólogo. El escudo de los zares sufrió varias transformaciones y adiciones hasta que en 1917, la revolución sustituyó el escudo imperial por la hoz y el martillo, que persistió hasta 1992. En agosto de ese año el águila bicéfala renació para ser el escudo de la Federación Rusa, junto con la bandera también de origen zarista: blanca, roja y azul.
El águila bicéfala está presente en el antiguo escudo de Armenia, por derivación del emblema ruso, y en el actual escudo de Armenia, en la esquina alta derecha, como el símbolo de la dinastía Artáxida; igualmente es el emblema del reino serbio desde la Edad Media, por influencia del símbolo bizantino, y también en Montenegro y Albania. No debe confundirse con el Águila de San Juan.
El águila bicéfala es asimismo el emblema del Grado 33º del Rito Escocés Antiguo y Aceptado en la Francmasonería. El simbolismo del águila bicéfala indica que una de sus cabezas mira hacia lo infinito del pasado, y la otra hacia lo infinito del futuro, mostrando con ello que el presente es apenas una fina línea de contacto entre dos eternidades. El águila de dos cabezas simboliza para la orden la sabiduría; una de las cabezas representa al progreso, la otra al orden.
Casapueblo

Casapueblo is a building constructed by the Uruguayan artist Carlos Páez Vilaró. It is located in Punta Ballena, 13 kilometres (8 mi) from Punta del Este, Uruguay. Initially, it was the artist's summer home and workshop, and includes a museum, an art gallery, a cafeteria and a hotel in its facilities. It was the permanent residence of its creator, who worked and spent his last days there.
Casapueblo began to be built in 1958 around a wooden box made with planks found on the coast, called La Pionera (The Pioneer), by Carlos Páez Vilaró. This box was his first atelier. Casapueblo was designed with a style that can be compared to the houses on the Mediterranean coast of Santorini, but the artist used to refer to the hornero's nest, a typical bird of Uruguay, when referring to this type of construction. The building, which took 36 years to complete, has thirteen floors with terraces that allow an optimal views of the sunset over the waters of the Atlantic ocean.
It houses a tribute to Carlos Miguel, the artist's son and one of the sixteen survivors, all of whom were Uruguayan, of flight 571 of the Uruguayan Air Force plane crash, which crashed in the Andes on October 13, 1972.
Carlos Páez Vilaró has received some of the most important personalities from the cultural and political field, such as the writer Isabel Allende, the ambassador Mercedes Vicente, the sexologist Mariela Castro, the artist Vinícius de Moraes, among others.
The building was built of whitewashed cement and stucco. It was built in an artisanal way and without previous plans, in the form of a maze, does not have straight lines inside and the color white predominates. It was expanded and modified from year to year as a residence in "unpredictable ways".
To 2020 the Casapueblo Hotel has 20 rooms and suites and 50 apartments, hot pool, sauna, bar, and restaurant. The high season is from December to February. The apartment hotel called Hotel Casapueblo or Club Hotel Casapueblo has a restaurant called Las Terrazas (The Terraces) that follows the style of the original construction.
In the main dome of Casapueblo are the museum and workshop, where one can see part of the work of the late painter, potter, sculptor, muralist, writer, composer and builder Carlos Páez Vilaró. It has four exhibition rooms: Nicolás Guillén Room, Pablo Picasso Room, Rafael Squirru Room, Sala José Gómez-Sicre, projection room, the Terrace of the Mermaid, the Mirador del Hipcampo (Hippocampus Lookout), the Taberna del Rayo Verde (Tavern of the Green Ray) cafeteria and a boutique. The museum can be visited every day from 10 am to 6 pm.
Every afternoon since 1994 the Sun Ceremony has been held on the museum's terraces. Minutes before sunset, the artist's voice from a recording, dedicates a poem to the sun to bid farewell to it.
34°54′31.93″S 55°2′41.66″W﻿ / ﻿34.9088694°S 55.0449056°W﻿ / -34.9088694; -55.0449056
Sarai Bareman

Dame Sarai-Paea Bareman DNZM (born 1980 or 1981) is a New Zealand association football administrator and former player. She played for the Samoan national football team, and is the current chief women's football officer for FIFA.
Bareman was born in Auckland in 1980 or 1981 to a Dutch father and a Samoan mother, and has three brothers, including the MMA trainer Eugene Bareman. She grew up in West Auckland and from 1994 to 1998 was educated at Massey High School, where she was a member of the school's 1xt XI football team.
As a player, Bareman played club football in Auckland for Waitakere, Glenfield and North Shore United, before moving to Samoa and representing the Samoa women's national football team.
As a football administrator, Bareman also started her journey in Samoa after leaving a 10-year career in the banking and finance industry in New Zealand. She was first employed as the finance manager for the Football Federation of Samoa, responsible for all financial matters of the national association. This appointment came at a critical time in the association's history, as they had recently been suspended by FIFA for misuse of funds by the previous administration.
After a short time in the role, Bareman was promoted to chief executive officer (CEO), where she took over the reins of the national governing body and played an instrumental role in rebuilding the sport in the country. Bareman became a prominent figure in the Pacific sporting landscape after speaking at the Pacific Youth and Sports Conference held in 2013 about her experiences as female leader in a male-dominated industry. In 2014, Bareman moved back to Auckland to take up a role as the operations manager of the Oceania Football Confederation.
After the 2015 FIFA corruption case, Bareman was appointed as the only women on the FIFA Reforms Committee. As part of the reform, Bareman advocated strongly for increasing the number of women in leadership roles within FIFA and football organisations, as well as more resourcing and prioritisation of the women's game. The reforms were approved in February 2016 at the FIFA Congress and later in the year, she was appointed as FIFA's first chief women's football officer.
In 2018, Bareman conducted the draw for the 2018 FIFA U-20 Women's World Cup in France, her first World Cup at the helm of global women's football. Later that year, Bareman also oversaw the FIFA U-17 Women's World Cup in Uruguay. In 2019, Bareman played a key role in the delivery of the 2019 FIFA Women's World Cup in France.
Bareman also led the development of FIFA's first ever global strategy for women's football, which was launched in October 2018.
In 2023, Bareman went on record to encourage federations to properly invest FIFA allocated funds towards their women's national teams. In the 2024 New Year Honours, Bareman was appointed a Dame Companion of the New Zealand Order of Merit, for services to sport.
List of Ford factories

The following is a list of current, former, and confirmed future facilities of Ford Motor Company for manufacturing automobiles and other components. Per regulations, the factory is encoded into each vehicle's VIN as character 11 for North American models, and character 8 for European models.
The River Rouge Complex manufactured most of the components of Ford vehicles, starting with the Model T. Much of the production was devoted to compiling "knock-down kits" that were then shipped in wooden crates to Branch Assembly locations across the United States by railroad and assembled locally, using local supplies as necessary. A few of the original Branch Assembly locations still remain while most have been repurposed or have been demolished and the land reused. Knock-down kits were also shipped internationally until the River Rouge approach was duplicated in Europe and Asia.
For a listing of Ford's proving grounds and test facilities see Ford Proving Grounds.
List of World Heritage Sites in Costa Rica

The United Nations Educational, Scientific and Cultural Organization (UNESCO) World Heritage Sites are places of importance to cultural or natural heritage as described in the UNESCO World Heritage Convention, established in 1972. Cultural heritage consists of monuments (such as architectural works, monumental sculptures, or inscriptions), groups of buildings, and sites (including archaeological sites). Natural features (consisting of physical and biological formations), geological and physiographical formations (including habitats of threatened species of animals and plants), and natural sites which are important from the point of view of science, conservation, or natural beauty, are defined as natural heritage. Costa Rica ratified the convention on 23 August 1977. It has four World Heritage Sites and one site on the tentative list.
The first site in Costa Rica listed was the Talamanca Range-La Amistad Reserves / La Amistad National Park, in 1983. In 1990, the site was expanded to include the sites across the border in Panama. The most recent site listed was the Precolumbian Chiefdom Settlements with Stone Spheres of the Diquís, in 2014. This is the only cultural site in Costa Rica, the other three are listed for their natural properties. There is one site on the tentative list.
UNESCO lists sites under ten criteria; each entry must meet at least one of the criteria. Criteria i through vi are cultural, and vii through x are natural.
In addition to sites inscribed on the World Heritage List, member states can maintain a list of tentative sites that they may consider for nomination. Nominations for the World Heritage List are only accepted if the site was previously listed on the tentative list. Costa Rica has one property on its tentative list.
Meanings of minor-planet names: 6001–7000

As minor planet discoveries are confirmed, they are given a permanent number by the IAU's Minor Planet Center (MPC), and the discoverers can then submit names for them, following the IAU's naming conventions. The list below concerns those minor planets in the specified number-range that have received names, and explains the meanings of those names.
Official naming citations of newly named small Solar System bodies are approved and published in a bulletin by IAU's Working Group for Small Bodies Nomenclature (WGSBN). Before May 2021, citations were published in MPC's Minor Planet Circulars for many decades. Recent citations can also be found on the JPL Small-Body Database (SBDB). Until his death in 2016, German astronomer Lutz D. Schmadel compiled these citations into the Dictionary of Minor Planet Names (DMP) and regularly updated the collection.
Based on Paul Herget's The Names of the Minor Planets, Schmadel also researched the unclear origin of numerous asteroids, most of which had been named prior to World War II. This article incorporates text from this source, which is in the public domain: SBDB New namings may only be added to this list below after official publication as the preannouncement of names is condemned. The WGSBN publishes a comprehensive guideline for the naming rules of non-cometary small Solar System bodies.
Fly Like an Eagle (album)

Fly Like an Eagle is the ninth studio album by American rock band Steve Miller Band, released on May 14, 1976, by Capitol Records in the United States, Canada and Japan and Mercury Records in Europe. The album was a commercial success, spawning three hit singles: the title track, "Take the Money and Run" and "Rock'n Me", and was later certified 4x Platinum by the Recording Industry Association of America (RIAA).
Fly Like an Eagle was voted number 400 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000). In 2012, the album was ranked number 445 on Rolling Stone magazine's list of the "500 Greatest Albums of All Time." It remains a staple of rock, with its singles having remained in constant rotation on classic rock radio in the United States and worldwide.
On the album's cover, Miller is posing with a black left-handed Fender Stratocaster that Jimi Hendrix had originally ordered, but Miller ended up claiming it from Manny's Music and re-strung it right-handed, as Hendrix had died after it was ordered. However, the guitar was stolen after the album's release.
Stephen Thomas Erlewine in a retrospective review for AllMusic felt that "the focus brings about his strongest set of songs (both originals and covers), plus a detailed atmospheric production where everything fits." However, he said that "it still can sound fairly dated", but concluded the review by saying that "its best moments [...] are classics of the idiom." Rolling Stone voted it 1976's Best Album. Jay Cridlin of the Tampa Bay Times described "Dance, Dance, Dance" as "the best John Denver song John Denver never recorded".
* Contains a brief sample from Cheech & Chong's comedy routine "Championship Wrestling" (from Cheech & Chong's Wedding Album, 1974), inserted after the first verse. The sample includes the words "...c'mon, don't be nervous!"
A Quadraphonic mix of the album was available on the Quadraphonic 8-Track cartridge format (in which Track 1 - "Space Intro" is edited into "Fly Like an Eagle" as one track, and Track 6 - "Take the Money and Run" intro repeats twice).
On the U.K. original vinyl release "Space Intro" does not appear on track listing. A 40-second track called "Space Odyssey" segues into "Wild Mountain Honey".
In 2006 the album was re-released to celebrate its 30th anniversary. The CD is digitally remastered and includes three bonus tracks and a bonus DVD features a concert performance at Mountain View, California's Shoreline Amphitheatre in 2005 with over two hours of music in 5.1 Surround Sound (Note this surround mix is not based on the QUAD mix as track 1 and 6 are not different from the standard releases). Guest musicians include George Thorogood and Joe Satriani. The DVD also features a lengthy interview with Steve Miller, archive footage, never-before-seen photographs, and early demo recordings.
Live at Shoreline Amphitheatre
September 17, 2005
Dyords Javier

Si Dyords Javier (George Javier) ay isang artista, mang-aawit, at "hip-hop rapper" sa Pilipinas. Kapatid sya ni Danny Javier na miyembro ng APO Hiking Society at may-ari rin ng napakasarap na Andok's Lechon Manok. Nasasabing, ngunit hindi kumpirmado, na siya ang unang "hip-hop rapper" sa Pilipinas.
Bahagi siya ng isang apatang pangkat ng mang-aawit na nagngangalang ANG4 o ANGForgettables (kasama sina Isay Alvarez, Bimbo Cerrudo, Pinky Marquez). Ngayon, isa siya sa mga pinuno ng Organisasyon ng Pilipinong Mang-aawit o OPM.
Si Javier ay isa sa mga naging miyembro ng pinaka-unang sikat na 80's noontime show na Student Canteen
Base sa mga di-opisyal na artikulong inilathala sa Internet ang awitin nyang "Na Onseng Delight" and pinaka-unang awiting "Rap" na inilabas sa Pilipinas
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Estasyon ng Blumentritt (LRT)

Ang Estasyong Blumentritt ng LRT (Ingles: Blumentritt LRT Station) ay isang estasyon ng Manila LRT (LRT-1). Katulad ng iba pang mga himpilan ng LRT-1, nakaangat sa lupa ang himpilang Blumentritt. Nagsisilbi ang himpilan para sa Sampaloc sa Maynila. Ang mismong estasyon ay matatagpuan malapit sa Daang Blumentritt, kung saan ipinangalan ang himpilan. Ipinangalan naman ang daan kay Ferdinand Blumentritt, punong-guro sa isang paaralan sa Bohemya na isa sa mga pinakamatalik na kaibigan ni Jose Rizal at isa sa mga nagkikiisa sa Kilusang Propaganda.
Nagsisilbi bilang panmpitong estasyon ang estasyong Blumentritt para sa mga treng LRT-1 na patungo sa Dr. Santos at panglabing-siyam estasyon para sa mga treng patungo sa Fernando Poe Jr.. Isa rin ito sa limang estasyon ng LRT na naglilingkod sa distrito ng Santa Cruz, ang iba pa ay Tayuman, Bambang, Doroteo Jose, at Carriedo.
Ito ang ikalawa sa huling himpilan sa Abenida Rizal bago lumipat sa Karugtong ng Abenida Rizal sa himpilang Abad Santos.
Ang estasyon ng Blumentritt ay isa sa limang blast locations kung saan sumabog ang bomba sa loob ng tren ng LRT sa araw ng Rizal Day bombings noong Disyembre 30, 2000 na ikinamatay ng 22 katao at ikinasugat ng marami.
Malapit ang estasyon sa Parokya ng San Roque De Manila, Tiyanggihan ng Blumentritt, at Chinese General Hospital and Medical Center. Katulad ng estasyong Tayuman sa timog, malapit ang himpilan sa lumang Hipodromo ng San Lazaro, na kinaroroonan ngayon ng SM City San Lazaro, Avida Towers, Celadon Residences at Vertex One. Malapit din ang estasyon sa Sementeryo Norte at La Loma ng Lungsod Quezon, na sinasabing "Lechon Capital of the Philippines".
May Pambansang Daangbakal ng Pilipinas na himpilan na malapit sa himpilan, na kilala rin bilang himpilang Blumentritt. May mga dyipni, taksi, at mga bus na dumadaan sa Abenida Rizal na humihinto malapit sa himpilan.
14°37′22.05″N 120°58′58.57″E﻿ / ﻿14.6227917°N 120.9829361°E﻿ / 14.6227917; 120.9829361
Pieta (seryeng pangtelebisyon)

Ang Pieta ay isang serye ng ABS-CBN na pinalabas noong 27 Oktubre 2008. Binatay ito sa pelikulang Pieta ni Carlo J. Caparas. Nagkaroon na espesyal noong Mahal na Araw sa tatlong bahagi: Huwebes Santo, Biyernes Santo at Sabado de Gloria. Inawit ni Ciara Ana Sotto ang tema ng palabas na pinamagatang Kapalaran at If You Love Me.
Kean Cipriano

Si Kean Cipriano ang mang-aawit ng grupong Callalily. Ipinanganak siya sa Pasig City noong ika-11 ng Hunyo 1987. Ang tunay niyang pangalan ay Kean Edward U. Cipriano. Nag-aral siya sa Unibersidad ng Santo Tomas.
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Bahay Mo Ba 'To?

Ang Bahay Mo Ba 'to ay isang palabas na komedya na mapapanood sa GMA Network. Mapapanood ito tuwing martes ng gabi pagkatapos ng GMA Telebabad. Ang palabas ay bahagi ng mga programa sa GMA KiliTV.
Ang mga MULINGTAPANG
Ang mga BENOITS
Ang iba pa
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1973

Ang 1973 ay isang karaniwang taon na nagsisimula sa Lunes sa kalendaryong Gregoryano.
August 10 - Javier Zanetti, manlalaro ng putbol sa Argentina August 11 - Carolyn Murphy, modelo ng Amerikano August 12 - Richard Reid, teroristang Ingles August 13 - Ryoko Shinohara, artista ng Hapon
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Kalamares

Ang kalamares o pritong pusit, (Kastila: calamares, Turko: Kalamar Tava, Ingles: squid rings) ay isang uri ng lutuing hinaluan ng harina ang mga hiwa ng pusit.
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Humba

Ang humba o pata humba, humbang bisaya, (Ingles: pork with black bean sauce o pork hocks stew) ay isang lutuing katutubo sa Pilipinas na may pata ng baboy, inasnang maitim na munggo, saging na saba, dahon ng laurel, kalamansi, bawang, kayumangging asukal, sili, mani, toyo, oregano, suka, itlog at tubig.
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Siling labuyo

Ang siling labuyo o labuyo (Ingles: wild chili) ay isang uring-linang (cultivar) ng maliliit na sili na karaniwang makikita sa Pilipinas. Ang iba pang lokal na tawag dito ay chileng bundok, siling palay, pasitis, pasite (Tagalog), katumbal, kitikot, siling kolikot (Bisaya), silit-diablo (Ilocano), lada, rimorimo (Bicolano), and paktin (Ifugao).
Ang halamang labuyo ay isang pangmatagalang halaman na may maliliit, maanghang at patulis na mga bunga, karaniwang 2-3 sa isang buko. Ang mga bunga ng karamihang uri ay kulay pula, may ilang uri na kulay dilaw, lila o itim.
Sa mga supermarket sa Pilipinas, mayroon na ring mga pulang Thai pepper o siling bird's eye na karaniwang pinapangalanang siling labuyo sa mga etiketa nito, subalit ang mga ito ay ibang uri ng sili (espesyeng Capsicum annuum) na nagmula sa Taiwan. Sinasabing mas mahina ang taglay nitong anghang kumpara sa siling labuyo subalit mas pinipili ito ng mga magtitingi dahil mas mahaba ang tinatagal o shelf life nito.
Maliit man ang siling labuyo, nagtataglay naman ito ng matinding anghang. Naitala ito dati bilang ang pinakamaanghang na sili sa Guiness Book of World Records hanggang sa natuklasan na ang iba pang mas maaanghang na mga uri ng sili. Ang sukat ng anghang ng siling labuyo ay 80,000-100,000 yunit ayon sa Scoville scale subalit ito ay lubhang mababa kumpara sa sukat ng higit na maanghang na siling habañero.
Bagaman hindi pangunahing sangkap sa mga lutuing Pinoy, madalas pa rin naman itong ginagamit na pampaanghang sa ilang ulam. Kadalasan din itong ginagamit sa suka para sa maanghang na sawsawan, ang mga dahon naman nito ay karaniwang ginagamit bilang gulay, gaya na lang sa lutong tinola.
Sa panggagamot, ang siling labuyo ay dating ginagamit bilang halamang lunas para sa pananakit ng buto, rayuma, impatso, kabag at sakit ng ngipin.
Maaari rin itong gamiting pantaboy ng insekto (insect repellent) o pamatay-insekto kapag inihalo sa tubig.
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Pandesal

Ang pandesal ([pan de sal] Error: {{Lang-xx}}: transliteration of latn script (help), lit. "tinapay na may asin") ay isang tinapay sa Pilipinas na karaniwang kinakain sa almusal. Gawa ito sa harina, pampaalsa, asukal, mantika, at asin.
Sikat na tinapay sa Pilipinas ang pandesal. Ang mga indibidwal na piraso ay hinuhubog na maging mahahaba at malabaston, at iginugulong sa mga dinurog na tinapay. Pagkatapos, hinahati, pinapaalsa, at niluluto sa hurno.
Kadalasan itong hinahain nang mainit at maaaring kainin nang mag-isa, o isawsaw sa kape, tsokolate, o gatas. Maaari rin itong palasahan ng mantikilya, margarin, keso, halaya, peanut butter, chocolate spread, o iba pang palaman kagaya ng itlog, sardinas at karne.
Kahawig ang lasa at tekstura nito sa pan de agua ng Porto Riko, baguette ng Pransiya, at bolillos ng Mehiko. Salungat sa pangalan nito, medyo matamis ang pandesal sa halip na maalat. Sa umaga gumagawa ng pandesal ang karamihan ng mga panaderya bilang pang-almusal, pero buong araw gumagawa ng pandesal ang mga iba.
Ang ibang pandesal sa mga supermarket at panaderya ay di-gaano magaspang at mas maputi. Wari bang mas marami ang asukal nito kaysa sa tradisyonal na pandesal na may 1.75% asukal lamang.
Sa Isla ng Siargao, mayroong pandesal na hugis-itlog na tinatawag na "pan de surf" dahil kahawig nito ang isang surfboard. Sikat ito katulad ng mga surfing spot. Niluluto ito sa mga hurno na pinapagana ng bunot ng niyog, at kadalasan ibinebenta kasama ng pan de coco.
Minsan hinahalo ang pinatuyo at tinadtad na malunggay sa harina para maging mas masustansya; tinatawag itong "malunggay pandesal" o "malunggay bread". Isang sikat na bagong uri ng pandesal ang ube cheese pandesal, na may ube at palamang keso. Kulay-lila ito katulad ng mga ibang pagkaing may ube. Kasama sa iba pang mga kontemporaryong uri ang lasang tsokolate, matcha, istoberi at blueberry.
Ang pasimula ng pandesal ay pan de suelo ("tinapay sa sahig"), isang lokal na Espanyol-Pilipinong uri ng baguette ng Pransiya na iniluto sa sahig ng pugon. Gawa ito sa harinang trigo at mas matigas at masgaspang ito kaysa sa pandesal. Dahil hindi katutubong gawa ang trigo sa Pilipinas, lumipat ang mga panadero sa paggamit ng mas mura ngunit mas mababang uri ng harina, kaya mas malambot at malamasa ang tekstura ng pandesal.
Yumabong ang pandesal noong panahong Amerikano sa umpisa ng dekada 1900, kung kailan madaling kunin ang trigo mula sa Amerika. Mula noon, naging pangunahing tinapay ito pang-almusal sa Pilipinas.
Nabawasan ang pagbeyk ng pandesal sa pugon dahil sa pambansang pagbabawal sa pagputol ng mga bakawan para sa gatong, at lumipat ang mga panandero sa paggamit ng hurnong ginagatungan ng gas.
Lechon manok

Lechon manok is a Filipino spit-roasted chicken dish made with chicken marinated in a mixture of garlic, bay leaf, onion, black pepper, soy sauce, and patis (fish sauce). The marinade may also be sweetened with muscovado or brown sugar. It is distinctively stuffed with tanglad (lemongrass) and roasted over charcoal. It is typically eaten dipped in a toyomansi or silimansi mixture of soy sauce, calamansi, and labuyo chilis. It is paired with white rice or puso and commonly served with atchara pickles as a side dish. It is a very popular dish in the Philippines and is readily available at roadside restaurants.