davidanugraha/M4-RAG huggingface dataset:
Bacolod Public Plaza

The Bacolod Public Plaza, officially the Plaza del 6 de Noviembre, named after the day of the Spanish surrender of Negros Island to the Negros revolutionaries, is one of the notable landmarks of Bacolod, the capital of Negros Occidental, Philippines. It is located in the heart of the downtown area, near the old city hall and across from the San Sebastian Cathedral. The plaza is a trapezoidal park with a belt of trees around the periphery and a gazebo at the center. Scattered within the trees are four circular fountains.
When Bacolod was declared as the capital of Negros Island in 1846, the Spanish Colonial Government in Negros set to work in creating a public plaza fronting the current Banco de Oro branch, which used to be the "Casa Real" or the official residence of the Spanish governor. However, the plaza was too small to be constituted that Don Jose Vicente Locsin Gonzaga donated a portion of his property to expand the plaza. These two lots continue to be owned by the City Government of Bacolod, while the other half was only added when the extension of Rizal Street towards San Juan Street cut off a portion of the churchyard of San Sebastian Cathedral.
His Excellency James McCloskey, Bishop of Jaro, which Bacolod previously belonged, in behalf of Monsignor Maurice Foley, the parish priest of Bacolod, granted a perpetual usufruct to the Municipal Government of Bacolod for the management of the property cut off from San Sebastian, on March 22, 1922. The gazebo/bandstand was constructed in 1926 and inaugurated in 1927, as part of the plaza's reorganization to its current form as a place for recreation, political, spiritual and cultural activities. The bandstand is inscribed along the sides of the roof with the names of Western classical music composers Beethoven, Wagner, Haydn, and Mozart.
The plaza is the heart of the MassKara Festival celebration. The MassKara Festival is a month-Cebration held each year in Bacolod Every 4th weekend of October, The Bacolod public plaza used to be the final destination of MassKara street dancing competition which is the highlight of the celebration.
Teru teru bōzu

A teru teru bōzu (Japanese: てるてる坊主 or 照る照る坊主, lit. 'shine, shine monk') is a small traditional handmade doll hung outside doors and windows in Japan in hope of sunny weather. Made from tissue paper or cloth, teru teru bōzu charms are usually white, ghost-like figures with strings tied around their necks.
The words teru (照る) meaning 'to shine' and bōzu (坊主) referring to a Buddhist monk, the doll is said to represent a monk's bald head, which would shine during sunny weather. The doll therefore calls to a monk's magical powers to stop or prevent rain. Traditionally, if the weather does turn out well, a libation of holy sake is poured over them, and they are washed away in the river.
In particular, teru teru bōzu charms are popular among Japanese children, who are introduced to the charms in kindergarten or daycare through a famous warabe uta (nursery rhyme) released in 1921. The song calls teru teru bōzu to bring back the sunny days, promising lots of sake if the wish is fulfilled, but decapitation if not. The nursery rhyme is usually sung by children as they make the doll.
Teru teru bōzu became popular during the Edo period among urban dwellers, whose children would make them the day before the good weather was desired and chant, "Fine-weather priest, please let the weather be good tomorrow."
The tradition of weather-watchers and a rich folk culture of hiyorimi (日和見) can be traced with certainty to the Heian period (749–1185) continuing through the Edo period (1603–1867). Teru teru bōzu weather-watching practice tradition originated and was adapted from a Chinese practice during the Heian period. The practice, called saoqing niang (掃晴娘) in China, involved putting the teru teru bōzu on the end of a broom to sweep good spirits your way, and rather than bōzu being a monk, but a young girl with a broom. As the story unfolds, a girl was sacrificed to save the city during a heavy rainfall by ascending symbolically to the heavens and sweeping rain clouds from the sky. Since then, the people have commemorated her by making paper cutouts of her and hanging them outdoors in the hopes of good weather.
Teru teru bōzu as a Japanese practice seems to have originated from the similarity between origami dolls and names described in the literature in the middle of the Edo period. A reference to teru teru bōzu is written in Kiyū Shōran (嬉遊笑覧) by Nobuyo Kitamura, a scholar of Japanese classical literature in 1830. It is written, "If the weather becomes fine, I write my pupils on the paper, offer sake to the gods, and pour it into the river."
Weather house

A weather house is a folk art device in the shape of a small German or Alpine chalet that indicates the weather. A typical weather house has two doors side by side. The left side has a girl or woman, the right side a boy or man. The female figure comes out of the house when the weather is sunny and dry, while the male (often carrying an umbrella) comes out to indicate rain.
In fact, a weather house functions as a hygrometer embellished by folk art. The male and female figures ride on a balance bar, which is suspended by a piece of catgut or hair. The gut relaxes or shrinks based on the humidity in the surrounding air, relaxing when the air is wet and tensing when the air is dry. This action swings one figure or the other out of the house depending on the humidity. Some variants function as a barometer: low pressure indicates bad (rainy) weather, high pressure good (sunny) weather.
The first written mention is in 1726, Theatrum Aerostaticum by Jacob Leupold, who describes a (hygrometer type) weather house he constructed many years before. An encyclopedia entry by 1735 (Zedlersches Lexikon) mentions weather houses as commonly available on markets.
Weather houses are associated in the popular mind with Austria, Germany or Switzerland, and are often decorated in the style of a cuckoo clock. They are often sold as "typical German" souvenirs to travellers from other countries. Many weather houses also bear a small thermometer on the part between the two doors that conceals the gut suspension, and many also contain a piggy bank.
In contrast, the term "weather house" in the United States referred to buildings built by the U. S. Signal Service and then the U. S. Weather Bureau to house the instruments and Chief Weather Observers so that they could do their job. The National Weather Service, the successor to the U. S. Weather Bureau, now uses the term "shelter".
A one-act English comic opera called Weather or No, about the male and female figures in a weather house falling in love, became popular when it was played as a companion piece to The Mikado in 1896-97.
The Brollys is an animated television series about a boy who is magically transported every night into the weather house on the wall of his bedroom.
Weather houses are mentioned in the novel Wintersmith by Terry Pratchett.
Set and setting

Set and setting, when referring to a psychedelic drug experience or the use of other psychoactive substances, means one's mindset (shortened to "set") and the physical and social environment (the "setting") in which the user has the experience. Set and setting are factors that can condition the effects of psychoactive substances: "Set" refers to the mental state a person brings to the experience, like thoughts, mood and expectations; "setting" to the physical and social environment. This is especially relevant for psychedelic experiences in either a therapeutic or recreational context.
According to the 2018 book How to Change Your Mind by Michael Pollan, the concept of set and setting was observed by the "Johnny Appleseed" of LSD, Al Hubbard, visiting mushroom ceremonies in Mexico. The terms were used at least as early as 1958 by Ludwig von Bertalanffy and popularized by Timothy Leary in 1961, and became widely accepted by researchers in psychedelic therapy. Norman Zinberg also extensively discussed this in Drug, Set, and Setting: The Basis for Controlled Intoxicant Use (1984).
Due to the importance of setting in early psychedelic therapy, Hubbard introduced a "treatment space decorated to feel more like a home than a hospital", which came to be known as a "Hubbard Room".
In 1966, Timothy Leary conducted a series of experiments with dimethyltryptamine (DMT) with controlled set and setting. The aim was to see whether DMT, which had then been mostly thought of as a terror-inducing drug, could produce pleasant experiences under a supportive set and setting. It was found that it could.
Set and setting has also been investigated from a religious perspective.
The concept of set and setting has more recently been extended beyond psychedelics. Zinberg "sought to integrate the ideas of set and setting into a theory of harm reduction which examined not only psychedelic use but also drugs such as alcohol, cocaine, and heroin" and, more recently, the concept has been used to understand the circumstances of opioid overdoses.
Social support networks have shown to be particularly important in the outcome of the psychedelic experience. They are able to control or guide the course of the experience, both consciously and subconsciously. Stress, fear, a disagreeable material, social, and cultural environment, including situations of racism or discrimination, may result in an unpleasant experience (bad trip). Conversely, a relaxed, curious person in a warm, comfortable and safe place is more likely to have a pleasant experience.
Research has shown that a curated music playlist can be part of a favourable setting. Set and setting are critical in the design of psychiatric facilities and modalities of psychedelic-assisted psychotherapies.
Sitz im Leben

In Biblical criticism, Sitz im Leben (German pronunciation: [ˈzɪts ʔɪm ˈleːbm̩]) is a German phrase roughly translating to "setting in life". It stands for the context in which a text, or object, has been created, and its function and purpose at that time. The Sitz im Leben is also used to refer to the social, ethnic and cultural setting of a site at a particular era. When interpreting a text, object, or region, the Sitz im Leben has to be taken into consideration in order to allow a proper contextual interpretation.
The term originated with the German Protestant theologian Hermann Gunkel and originally was stated in the Bible. The term Sitz im Volksleben ("setting in the life of the people") was employed for the first time in 1906 and the term Sitz im Leben in 1918. The term Sitz im Leben was used by classic form critics, as discussed by Chris Tuckett, "...it has been pointed out that the term Sitz im Leben was used in a rather peculiar way by the classic form critics. In fact the term is a sociological one, describing a typical situation within any community" so that the meaning of the text is bound up with its function in the community, and social context. Some have noted that it is also used in Biblical language.
Polish Institute of Arts and Sciences of America

The Polish Institute of Arts and Sciences of America (PIASA) is a Polish-American scholarly institution headquartered in Manhattan (New York City), at 208 East 30th Street.
The Institute was founded during the height of World War II, on 12 May 1942, by Polish scholars, including historian Stanisław Kot, anthropologist Bronisław Malinowski, poet Jan Lechoń, and historians Oskar Halecki and Rafał Taubenschlag, to continue the work and tradition of the prewar Polish Academy of Learning (Polska Akademia Umiejętności), headquartered in Kraków, Poland, which had been destroyed by Nazi Germany in 1939.
Since World War II, the Institute has continued its work of promoting Polish and Polish-American excellence in learning, and of advancing the knowledge of Polish history and culture in the English-speaking world. Since Poland's resumption of a more complete sovereignty following the collapse of communism in central and eastern Europe, the Polish Institute has established collaborative scholarly relations with the restored Polish Academy of Learning and numerous other Polish academic and cultural centers.
Since its creation, the Institute has included some 1,500 scholars and artists, including Zbigniew Brzeziński, Jan Henryk De Rosen, Stanisław Skrowaczewski, Aleksander Wolszczan, Hilary Koprowski, Waclaw Szybalski, Michael Novak, Bohdan Pawłowicz and Nobel Prize winners Roald Hoffmann, Czesław Miłosz and Frank Wilczek.
One of the major areas of the Institute's research has been the history of Poles in the United States.
The Institute maintains a library and archives, and publishes a peer-reviewed scholarly quarterly, The Polish Review.
The Houston Chapter founded the journal Houston Sarmatian in 1981. In 1988 it was renamed the Sarmatian Review.
Chautauqua, Illinois

Chautauqua is a populated place in Jersey County, Illinois. Also known as the New Piasa Chautauqua Historic District which is a private semi-gated summer resort that started as a 19th-century tent settlement. The name Piasa is taken from a nearby Native American painting of a mythical bird, called the Piasa Bird, which was painted on the bluffs high above the Mississippi River. Chautauqua is located between Elsah and Grafton in Jersey County. Today, it is bordered by and has access from the Great River Road (Illinois Route 100). It has functioned as a private non-denominational Christian summer resort for over a century.
Founded in 1885 by Methodist leaders, Piasa Chautauqua attracted thousands of people from the St. Louis area and other places in Illinois. Arriving first by packet boat, and later by automobile or the trains that ran by as often as six times a day, the vacationers were entertained, educated, and inspired by guests including William Jennings Bryan, evangelists Sam Jones, Billy Sunday and Gypsy Smith, the Swiss Bell Ringers, John Philip Sousa’s band and "Sunny Jim," reputed to be one of the Theodore Roosevelt’s Rough Riders.
The physical situation of the settlement added to its appeal as the hottest summer days had cool valley breezes and some evenings might require a jacket. Before the days of air-conditioning, this offered a welcome relief from the heat of the city. An early swimming pool, that used to be filled with cold spring water, remains a popular attraction.
A 1912 brochure described the area:
In an Illinois tourists' guide in 1932, the author celebrates the region's "grandeur... [surpassing] that of the Palisades on the Hudson."
The New Piasa Chautauqua Historical Society, founded in 1983, is working to integrate the Chautauqua history with that of the surrounding area. It has been designated as the New Piasa Chautauqua Historic District, which was added to the National Register of Historic Places in 1982.
Today, there are over two hundred cottages and substantial homes at Chautauqua. Many are occupied by the descendants of earlier owners.
Southwestern High School (Piasa, Illinois)

Southwestern High School is a high school for grades 9–12 students located near Piasa, Illinois. It serves students from southwestern Macoupin and eastern Jersey counties in Illinois. Towns served by the high school are Brighton, Medora, Shipman, Piasa, Fidelity, Royal Lakes, Kemper, Plainview, and Summerville.
The school is commonly referred to as SWHS and is home to the Southwestern Piasa Birds. Southwestern is a member of the South Central Conference (Illinois).
The baseball team plays during the spring. The team has won ten IHSA Regional Titles and two IHSA Sectional Titles. In 1990, the Piasa Birds finished fourth in the IHSA Class A State Tournament.
The SWHS boys' basketball team has won 15 IHSA Regional Titles and two IHSA Sectional Titles.
Bowling is played during the winter.
Cross Country is a club sport at SWHS and its season is in the fall.
Soccer is offered, but a team has not been organized since 2019 due to lack of student interest. Soccer was added during the 2013–14 school year.
The boys' track team competes in the spring. The SWHS track program has won one IHSA Class A Sectional Title in 2009.
The football team plays during the fall. SWHS has qualified for the IHSA State Playoffs 11 times, but has yet to win a playoff game.
The SWHS girls' basketball team has won 18 IHSA Regional Titles and three IHSA Sectional titles. In 1991, the Lady Piasa Birds placed third in the IHSA Class A State Basketball Tournament.
Bowling is played during the winter.
Cross Country is a club sport at SWHS and its season is in the fall. SWHS won an IHSA Class A Regional title in 2007.
Girls at SWHS play soccer during the spring season. Soccer was added during the 2013–14 school year.
The girls' track team competes in the spring. The SWHS track program has won three IHSA Class A Sectional Titles in the years: 2001, 2010, and 2011.
Golf competes on the team in the fall. Boys' and girls' teams are organized based on the level of interest.
Softball is a girls' spring sport at SWHS. The Lady Piasa Birds have won nine IHSA Regional Titles and five IHSA Sectional Titles. In 2003 and 2009, SWHS finished second in the IHSA Class A State Tournament. In 2006, the team finished third in the IHSA Class A State Tournament. In 2008, the Lady Birds finished fourth in the IHSA Class 2A State Tournament.
Volleyball is a girls' fall sport at SWHS. In 2010, the Lady Piasa Birds won the South Central Conference Championship.
The Scholastic Bowl team plays from August to May. The SWHS team has won 11 IHSA Class 1A Regional Titles, and one IHSA Class 2A Regional Title. The Piasa Birds won the NAQT Small School State Championship in 2017. They have also placed second in the NAQT Small School State Championship Tournament five times. SWHS has placed fourth, fifth (twice), seventh (three times), and eleventh at the NAQT Small School National Championship Tournament, which has been hosted in Minneapolis, Atlanta, and Chicago.
Tarree Eebba Oromoo

Eebba dhimmaa ayyaanaaf Waaqa kadhatanii fi galata galchanii ittiin jalqaban ykn xumuraniidha. Eebbi gaafa akka muudaa, irreechaa, gaa'elaa, duulaa fi araaraa ni raawwatama. Eebba kanas kan eebbisuu manguddoota umuriidhaan ykn hidda dhalootaan hangafa ta'aniidha.
Kutaaleen Oromoo hundinuu qabiyyee fi haala eebbaa adda addaa qabu. Eebba Booranaa qaamolee hawaasaa, mukeen, looniifi lafa hundaayyuu dabareedhaan caqasuun “nagaa” kadhataaf. Macci immoo balaawwan dhufuu malan yaadachiisuun Waaqni akka oolchu kadhata. Oromoon Gujii ammoo kan Tuulamaa fi Booranaa giddu-gala taasifachuun Waaqaa fi Nagaa walitti qabee waammata. Walumagalatti, bakkeen adda addaatti eebbi akka garagaraan dhiyaata.
Eebba lataa Oromoo fi eebba waqtiilee adda addaatti godhaman muraasni armaan gadi tarreeffaman.
Ethio-jazz

Ethiopian jazz, also referred to as Ethio-jazz, is a blend of traditional Ethiopian music with jazz, combining the pentatonic scale-based melodies of Amharic music with the 12-tone scale and instrumentation of western music. Over time the genre has grown to include elements from other genres such as afrofunk, soul, Armenian jazz, and Latin rhythms. The genre originated in the 1950s with Armenian refugees such as musician Nerses Nalbandian, who created a fusion of Ethiopian and Western music while working at the National Theatre. Ethiopian jazz was revolutionized by Mulatu Astatke in the late 1950s. Astatke is considered the father of Ethio-jazz music.
The origin of Ethio-jazz can be traced to the 1950s with Nerses Nalbandian, a musician of Armenian descent whose family migrated to Ethiopia in 1915. Nalbandian became the leader of Ethiopia's National Opera after his uncle, Kervok Nalbandian, retired. When Emperor Haile Selassie commissioned Nalbandian to compose music for the Ethiopian National Theatre, he created a fusion of traditional Ethiopian music and Western instrumentation. This was considered the basis of the evolution of Ethio-jazz music.
Multi-instrumentalist Mulatu Astatke has been considered the father of Ethio-jazz. He was born in 1943 in Jimma and developed an interest in music while studying aeronautical engineering in Wales. He went on to pursue a formal education in music at Holy Trinity College in London. Astatke was interested in promoting traditional Ethiopian music to Western audiences. Beginning in 1958, he also studied jazz at Berklee College of Music in Boston. There, he successfully combined Ethiopian music with Western jazz and rhythms, conceiving "Ethio-jazz".
Ethiopian International Film Festival

The Ethiopian International Film Festival (EIFF) is an Ethiopian film festival that began in 2005 and organized by Linkage Arts Resource Center annually in Addis Ababa. Like to Addis International Film Festival, the EIFF aimed toward Ethiopian and African film industry.
Linkage Arts Resource Center established in April 2000. Since the establishment in 2005, the festival has been grown into dealing with international film firms.
During week of screenings in November, appropriately 100 feature, shorts, fiction, documentary, animation, experimental, classics and contemporary films around the world shown. All screenings are in public space and filmmakers introduce their work and organize workshops and seminar in practice or theory. Best films of the year have 10 categories and the nominees are presented in opening ceremony, and the winners announced in closing ceremony. The Ethiopian International Film Festival is considered equivalent version of the American Academy Award.
The 7th Ethiopian International Film Festival was held in Addis Ababa from 26 November to 2 December 2012. The theme of the festival "Many Dreams, One Vision" coined after 50th anniversary of the establishment of the African Union. Following announcements and calls for participation in FM radios and private newspapers, films from Africa, Europe, Asia, North and South America have participated on the festival. The festival was sponsored by AMA Art Moves Africa, Hubert3 Balls Fund, Cinema Mondial Tour & Jan Vrijmann.
Kebero

A kebero (Amharic and Tigrinya: ከበሮ) is a double-headed, conical hand drum used in the traditional music of Eritrea, Sudan and Ethiopia. A piece of animal hide is stretched over each end of the instrument, thus forming a membranophone. A large version of the kebero is also used in Ethiopian and Eritrean Orthodox Christian liturgical music, while smaller versions are used in secular celebrations. The kebero is primarily used in weddings, funerals and other ceremonies. The instrument is made from the hollowed out section of a tree trunk and then hard particles are inserted into it. The shell is then covered with two cow leather membranes, so that one can be tuned higher than the other. A kebero is also used in a worship called wereb. It is mostly done in Eritrea and Ethiopia.
Angkot

Angkot utawa Angkutan kota ya iku tetumpakan (alat transportasi) penumpang nganggo mobil minibus sing duwé rute saubenging kutha. Beda karo bis sing liwat nang pinggiran kutha lan dalan gedhe, angkot duwé rute liwat nang njero kutha lan dalan-dalan cilik nang tengah kutha.
Gunung Sibayak

Gunung Sibayak inggih punika salah satunggaling gunung ingkang madhep kitha Brastagi ing Sumatra Utara. Estunipun, Gunung Sibayak dumunung ing kalih kabupatèn, inggih punika kabupatèn Karo lan kabupatèn Kaban Jahe ing Sumatra Utara. Miterat cathetan koordinatipun, gunung Sibayak dumunung ing koordinat mountain 3.20°12′00″N 98.522°31′0″E﻿ / ﻿3.40000°N 99.03867°E﻿ / 3.40000; 99.03867Argumen-argumen yang tidak sah telah diberikan kepada fungsi {{#coordinates:}}. Masarakat Batak Karo nyebat gunung Sibayak kanthi sebatan "gunung Raja". Gunung Sibayak kalebet pratélan gunung geni ing Indonésia ingkang pungkasan njeblug ing taun 1881. Gunung Sibayak dumunung ing sisih kilèn radi kidul kitha Medan kirang langkung 50 kilomèter, dumunung ugi ing sisih wétan radi kidul Bukit Lawang, lan mapan ing sisih lor Dano Toba lan Air Terjun Sipiso-piso. Gunung Sibayak ingkang mapan ing Kabupatèn Karo punika inggih kalebet salah satunggaling gunung ingkang asring dipundadosaken tujuan pendakian déning para komunitas pecinta alam amargi kaendahaning sesawangan alam ingkang saé sanget lan ugi amargi rute kanggé ndaki gunung sibayak punika boten patiya angèl, sanajan kanggé para pendaki ingkang taksih énggal. Gunung Sibayak punika dhuwuripun kirang langkung 2.094 mèter saking nginggiling toya laut. Saking gunung Sibayak punika saged katingal rentengan sesawangan Bukit Barisan ingkang ugi éndah sanget.
Manawi badhé ndhaki dhateng Gunung Sibayak punika saged medal kathah rute pendakian ingkang asring fipun liwati déning para pendaki, ing antawisipun inggih punika kados makaten:
Jalur-jalur punika inggih jalur dhateng gerbang dhaki Gunung Sibayak. Saking tigang jalur kasebat, ingkang asring dipunpilih déning para pendaki, inggih punika jalur II, amargi dalan saha medanipun boten awrat saha gampil dipunlangkungi. Kangge dhateng jalur kasebat saged nitih angkot utawi bus tumuju dhateng Brastagi. Lajeng dipunterasaken dhateng désa Jaranguda kanthi mlampah utawi nitih angkot ugi. Dangunipun mlampah dhateng désa punika udakawis 20 dumugi 30 menit.
Patrialis Akbar

Patrialis Akbar (lair ing Padang, Sumatra Kulon, 31 Oktober 1958; umur 66 taun). Patrialis Akbar iku advokat lan pulitikus kang njabat dadi Mantri Ukum lan Prawenanging Manungsa Indonésia wiwit tanggal 22 Oktober 2009. Patrialis Akbar éntuk gelar sarjana hukum saka Universitas Muhammadiyah Jakarta. Sawisé iku, Patrialis Akbar banjur duwé karir dadi advokat. Patrialis Akbar banjur dadi anggota DPR periode 2004-2009 saka Parté Amanat Nasional.
Nalika jeneng Patrialis Akbar kepilih dadi salah sijiné calon mantri ing Kabinet Indonésia Bersatu jilid II, kaanan iki ndadèkaké kembang lambe ing Sumatra Barat (Sumbar). Patrialis Akbar wis nglakoni uji kepatutan lan kelayakan (fit and propert test) kanggo syarat dadi calon mantri kang ditandhangi langsung karo Présidhèn RI kang kapilih yaiku Susilo Bambang Yudhoyono lan Wakil Présidhèn kang kapilih yaiku Boediono. Kagiyatan iki kaleksanan ing Cikeas, Bogor, Jabar. Patrialis Akbar uga tau dadi sopir angkudan kutha (angkot) jurusan Pasar Senen-Jatinegara Jakarta, lan sopir taksi ing kutha krajan. Sawisé éntuk gelar sarjana hukum (SH) ing Universitas Muhammadiyah Jakarta, mantan anggota DPR-RI periode 1999-2004 lan 2004-2009 iki banjur duwé profesi dadi pengacara.
Angkudan

Angkudan utawa transportasi iku pamindhahan manungsa utawa barang saka siji papan nuju papan liyané kanthi migunakaké siji wahana sing diobahaké déning manungsa utawa mesin. Transportasi dipigunaaké kanggo nggampangaké manungsa nglakoni aktivitas saben dina. Ing nagara maju lumrahé migunakaké sepur ngisor lemah (subway) lan taksi. Pandunung ing kana langka sing nduwé kendharaan dhéwé amarga sapérangan gedhé migunakaké angkudan umum minangka transportasiné. Transportasi kapérang dadi 3 ya iku, transportasi dharat, laut, lan udara. Transportasi udara wujud transportasi sing mbutuhaké akèh dhuwit kanggo panggunaané. Saliyané amarga duwé tèknologi sing luwih canggih, transportasi udara wujud piranti transportasi paling rikat katimbang piranti transportasi liyané.
Gondola

Gondola ing Cara Inggris /ˈɡɒndələ/, palafalan jroning basa Italia: [ˈɡondola] ; Venetian [Ɡoŋdoɰa] ) punika tradisional, warata-bottomed Venetian kayaking boat, uga cocog kanggo kahanan ing laguna Venetian . Punika biasanipun propelled dening gondolier, sing migunakake kayaking kayaking, kang ora fastened menyang awake, ing sculling proses lan uga tumindak minangka rudder . Keunikan gondola kalebu ora simetris ing sadawane dawane propulsi oar siji luwih efisien. Wis pirang-pirang abad, gondola minangka alat transportasi utama lan kapal layar sing paling umum ing Venesia . Ing jaman saiki, kapal-kapal kasebut tetep duwe peran ing transportasi umum ing kutha kasebut, dadi traghetti ( feri cilik) liwat Terusan Agung sing dioperasikake karo rong pendayung. Pirang-pirang taun ana pitung traghetti, nanging ing taun 2017, cacahe wis mudhun dadi telu.
Jusman Syafii Djamal

Jusman Syafii Djamal (miyos ing Langsa, Acèh Wétan, 28 juli 1954) inggih punika tilas Mantri Perhubungan, ingkang njabat nalika tanggal 9 Mèi 2007 minangka gantosipun mantri perhubungan ingkang sadèrèngipun dipunjabat déning Hatta Rajasa wonten ing Kabinét Indonésia Bersatu. Sasampunipun lulus Teknik Mesin Jurusan Panerbangan Institut Teknologi Bandung taun 1982, Jusman nyambut damel ing IPTN (sapunika PT. Dirgantara Indonésia) minangka "Junior Aerodynamist" ing babagan komputasional kanggé ngétang dhistribusi gaya Aerodynamika motor miber jinis CN-235. Jusman lajeng dipuangkat minangka insinyur Aerodinamika. Salajengipun ing taun 1989-1995, Jusman dados Project Engineer motor miber jinis N-250.
Sasampunipun 13 taun dados insinyur kanthi spésialisasi aerodinamika lan parencanaan motor miber, Jusman njabat dados Kepala Divisi Aircraft Technology (1994-1996), Direktur Sistem Senjata, Sistem Hankam, lan Helikopter (1996-1998). Ing wulan september 2000, Jusman dipunangkat dados Dhirektur Utama Dirgantara Indonésia ngantos taun 2002. Panjenenganipun ugi dados anggota Komite Nasional keselamatan Transportasi saking wulan Januari ngatos April 2007.
Jusman boten naté nginten badhé dipunangkat dados Mantri perhubungan Kabinet Indonésia Bersatu nggantosaken Hatta Rajasa. Nanging lelabuhanipun minangka anggota Tim Nasional Evaluasi Kecelakaan lan Keselamatan Transportasi (DKTT) ndadosaken Jusman dipunangkat malih dados Mantri Perhubungan ing reshuffle kabinét, 7 Mèi 2007. Panjenenganipun gadhah janji badhé mrioritasaken kaslametan jasa transportasi umum, mliginipun transportasi massal kados sepur.
Jusman Syafii Djamal
Cidomo

Cidomo utawi wonten ugi ingkang mastani kaliyan Cimodok inggih punika salah satunggaling piranti transportasi darat ingkang taksih tradhisional wonten ing Pulo Lombok. Anggenipun mlampah cidomo punika ngginakaken tenaga kéwan wujud jaran khas saking Pulo Lombok. Manawi wonten ing Jawa cidomo punika langkung mirib kaliyan dhokar / andhong. Wonten ing Gili Trawangan, Lombok Nusa Tenggara Barat, cidomo punika satunggaling piranti transportasi ingkang wonten ing Gili Trawangan. Boten kaginakaken kendaraan bermotor awit supados boten wonten polusi dhateng papan pariwisata ingkang dados icon Pulo Lombok .
Ingkang mbédakaken antawisipun cidomo kaliyan andhong utawi délman inggih punika manawi cidomo ngginakaken ban saking ban mobil bekas lajeng manawi andhong ngginakaken ban dhedhasar bahan kayu. Dumugi sapunika piranti transportasi punika taksih dados piranti utama mliginipun wonten ing laladan-laladan ingkang boten karambah déning angkudan transportasi umum saha laladan-laladan kanthi pusating kegitanékonomi rakyat punika kados pasar.
Cidomo punika sajatosipun singkatan saking tembung cikar, dokar, lan mobil (wonten ing basa Sasak dipunarani montor) .
Asaling cidomo piyambak kirang mangertos awit kapan wonten ing Pulo Lombok. Wiwitanipun piranti transportasi punika kawiwitan saking cikar utawi ingkang kawéntar minangka kendaraan tradhisional ingkang dipuntarik déning kudakan nanging dipun-khususaken kanggé ngangkud barang nanging sanès penumpang.Kala rumiyin piranti transportasi tradhisional punika dipuntarik kaliyan jaran nanging mirunggan kanggé ngangkud barang kémawon. Nanging sapunika sampun kanggé penumpang lan barang. Wonten ing cidomo punika sengaja dipun-atur anggènipun nitih piranti transportasi punika ingkang kathah piyambak namung sekawan tiyang kemawon. Lajeng ingkang ngajeng kanggé kusir ingkang ngendalikke jaran supados mlampah kanthi saé.
Wujud saking cidomo punika katingal biyasa kemawon ugi bahan-bahan kanggé damel. Kanthi umum bahan ingkang kaginakaken kanggé damel cidomo punika kapérang dados tiga inggih punika wesi minangka cagak kanggé nyangga omah-omahan cidomo, plastik terpal, seng, utawi kayu kanggé atap cidomo, kulit sapi utawi mendha kanggé tali jaran, lan tali gagang jaran kusir ; kayu kanggé bahan cidomo; lan ban mobil bekas kanggé roda .
Babagan prosès damel cidomo punika èwet saéngga kedah dipundamel déning ahli lan mbetahaken wekdal ingkang radi dangu ugi. Padatanipun ingkang damel cidomo sapunika punika keturunan tiyang ing damel cidomo .
Papan Anggegana Tegel Berlin

Papan Anggegana Tegel Berlin "Otto Lilienthal" (IATA: TXL, ICAO: EDDT) ya iku papan anggegana internasional ing Berlin, Jerman. Papan Anggegana iki mapan ing Tegel, Reinickendorf, 8 km (5.0 mi) arah barat laut saka pusat kutha. Taun 2010, papan anggegana iki nglayani 15 yuta penumpang luwih German AIP at EUROCONTROL lan dadekake papan anggegana gedhé dhéwé kang kang nglayani kutha Berlin lan paling sibuk kaping papat ing Jerman. Papan Anggegana Tegel kutha fokus tumrap Lufthansa.
Proton Iriz

Proton Iriz yaiku salah sawijining jinis mobil saka prodhusèn mobil Malaysia sing jenengé Proton. Mobil iki dibabaraké déning perdana mentri Malaysia Najib Razak tanggal 24 Sèptember 2014 ing Kutha Proton Malaysia. Jinis mobil iki yaiku mobil lawang lima lan kursi penumpang lima, mobil iki uga dadi penerus saka sèri mobil sadurungé yaiku Proton Savvy.
Ing babagan wangun rangka, Iriz ukurane 3,905mm dawane tinimbang sajinisé 3.690mm (Myvi); iku uga luwih gedhe ing 1,720mm (Myvi: 1,665mm) lan 5mm luwih dhuwur tinimbang Myvi (1,550 kanggo Iriz lan 1,545 kanggo Myvi). Iriz duwe rodha roda luwih gedhé 2,555mm nglawan Myvi kanthi 2,440mm. Mobil Iriz kapasitas 1,3 liter iku diukur tenagané ing 70 kW (95 PS) ing 5,750 rpm, lan torsi 120 Nm ing 4,000 rpm, déné sajinisé mobil Myvi 1,3 liter duwe daya (67 kW ing 6,000 rpm lan torsi 117Nm ing 4,400 rpm). Proton Iriz uga nggunakaké mesin 1.6 liter daya 109PS ing 5,750 rpm lan torsi 150 Nm, sing uga luwih dhuwur tinimbang mesin Myvi 1.5 liter sing dayané 104PS ing 6.000 rpm lan 136 Nm torsi ing 4.000 rpm.
Proton Iriz migunakaé mesin papat silinder ing jinis 1,3 liter utawa 1,6 liter. Kaloro unit kasebut bisa dadi wektu katup variabel (VVT) lan duwe blok, piston, lan katup anyar. Mesin VVT sing anyar uga wis kalebu aturan Euro 5 nanging tetep sing dadi standar Euro 4 kanggo pasar domestik. Proton ngumumaké rencana kanggo menehi lisensi mesin turbodiesel saka pabrikan asing, supaya isa luwih saingan ing pasar Eropa.
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Speaker

Lumrahé pangertènan speaker ya iku prangkat èlèktronok kang digawé saka logam kang duwé membran, kumparan sarta magnèt minangka pérangan kang nglengkapi antarané siji lan liyané. Tanpa anané membaram, speaker ora bakal bisa ngetokaké suwara. Fungsi speaker kanthi sekabèhane ya iku ngubah gelombang listrik dadi prangkat penguat audio dadi gelombang suwara utawa getaran. Prose pangubahan gelombang elektromagnet dadi gelombang suwara mau bisa kadadéan amarga ilèn listrik saka penguat audio dialirake marang kumparan lan kena prabawa gaya magnet ing speaker, Jumbuh karo kuwat lan orane arus listrik kang ditampa, mangka getaran kang dihaselake ing membran bakal meloni lan dadi gelombang suwara kang bisa dirungokake.
Ing lumrahé jinis speaker ana telu warna, andhedhasar dhuwur endeke suwara kang dikaselake. Speaker kanti suwra nada endek racaké ingaran woofer, speaker kang ngasilaké suwara vokal utawa nada tengah ingaran midrange, anata speaker kanti suwara nada dhuwur ingaran twitter.
speaker kang racaké ditemoni ing prangkat komputer lumrahé wis dipirantèni kanti audio sistem kang ana ng jerone. Nanging speaker kang ana ing radhio, TV, lan prangkat liyané racaké wujud speaker pisah tanpa ana audione.
Speaker aktif ya iku tranduser kang ngubah sinyal elektrik marang frekuwensi audio kanti cara nggeterake komponèn kang wujudé selaput. Rekaman kang apik, dikedekake marang sajrone piranti penyimpen kang kuwalitase dhuwur., lan dimaenake kanti deck lan pengeras suwara kelas dhuwur , tetep waé hasile suwra bakal èlèk yèn dikaitake karo speaker kang kuwalitase endek.. Sistem ing speaker ya iku salah sijiné komponèn kang nggawa sinyal elektronik, nyimpene ing CDs, tapes lan DVDs, Banjur ngebalekake maning ing wujud suwaraktual kang bisa dirungokake.
Alexander Graham Bell mtenake loudspeaker elektrik kang pertamakaline ing taun 1876 kang dipasang ing telepon duwée. Ernst Siemens ndandani ing taun 1877. Nikola Tesla nyatakake yèn dhèwèké nggawe prangkat kang padha ing taun 1881 nanging ora éntuk hak paten. Kasunyata sakwene iki Thomas Edison wis ngabarake yèn ing Inggris mematenake salah sijiné sistem kang migunakaké kompresor angin minangka mekanisme kanggo cylinder phonograps awalan, nanging dhèwèké ahire migunakaké logam kang disurung déning selaput kang nempel ing stylus. Ing taun 1898, Horace Short ngumumake salha sijiné design speaker kang migunakaké kopresor angin kang banjur didol marang CharlesParsons. Bnjur olèh pira-pira tambahan hak paten ing Inggris sadurungé taun 1910. Pirang-pirang perusahaan, kalebu Victor Talking Machine Companyand Pathe nggawe records players kang migunakaké compressed airloudspeaker. Nanging, désain iki kurang signifikan amarga endeke kuwalitas suwara.
Piranti kasar

Piranti kasar komputer iku kabèh pérangan fisik komputer, lan dibédakaké karo data kang ana ing sajeroné utawa kang lumaku ing jeroné, lan dibédakaké karo piranti alus (software) kang nyadiakaké instruksi marang piranti kasar sajeroning ngayahi tugasé.
Wates antara piranti kasar lan piranti alus bakal rada kurang cetha nalika kita wicara ngenani firmware, amarga firmware iki wujud piranti alus kang "digawé" ing sajeroning piranti kasar. Firmware iki wujud wewengkon ing babagan èlmu komputer lan tènik komputer, kang arang dikenal déning umum.
Komputer lumrahé wujud komputer pribadi, (PC) sajeroning wangun desktop utawa menara kotak kang dumadi saka pérangan:
Minangka tambahan, piranti kasar bisa nglebokaké komponèn njaba liyané. Ing ngisor iki wujud komponèn standar utawa kang umum dipigunakaké.
Nalika nggunakake unit kontrol manual, output regulator disambungake menyang aktorator liwat unsur-unsur pengalihan unit kasebut. Kanthi menet tombol ing blok, awak eksekutif dipindhah.
Basa Inggris

Basa Inggris iku basa Jermanik Kulon, sing asalé saka Inggris. Basa ini sawijining kombinasi saka pirang basa lokal sing ditrapaké déning wong-wong Nurwègen, Dhénemarken, Saxon lan Angel saka abad kaping 6 nganti 10. Banjur ing taun 1066, Inggris dibedhah déning William the Conqueror, sang panakluk saka Normandia, Prancis Lor. Mula sabanjuré basa Inggris kena prabawa intènsif basa Latin lan basa Prancis. Saka kabèh kosakata basa Inggris modhèren, diperkirakaké kurangluwih 50 % asalé saka basa Prancis lan Latin.
Perkembangan basa Inggris lumrahé dibagi dadi telung mangsa:
Basa Inggris kagolong kulawarga basa Jermanik, lan mligi saka cabang Jermanik Wétan. Kerabaté sing paling cedhak iku basa Frisia. Saliyané iku basa Walanda (lan uga basa Jerman ngisor liyané) uga isih cedhak. Basa Jerman (Basa Jerman dhuwur) rada luwih adoh manèh.
Anging saka kabèh basa Jermanik, basa Inggris iku basa sing liya dhéwé tatabasa lan kosakatané.
Basa Inggris iku basa pratama ing Amérikah Sarékat, Australia, Bahama, Barbados, Bermuda, Karajan Manunggal, Guyana, Jamaika, Niu Selan, Antigua, Saint Kitts dan Nevis lan Trinidad lan Tobago.
Saliyané iku basa Inggris uga salah sijining Basa resmi ing akèh nagara liyané ing donya. Antara liya ing Afrika Kidul, Belize, Kanada, Filipina, Hong Kong, Irlandia, Singapura lan sabanjuré
Ing donya basa Inggris iku basa kaping loro sing pratama disinaoni. Basa Inggris bisa nyebar amarga déning prabawa pulitik lan imperialisme Inggris banjur Karajan Manunggal ing donya. Salah sijining paribasa Inggris jaman mbiyèn bab karajan Inggris sing diarani Kakaisaran Karajan Manunggal (British Empire) iku ya papan sing “Srengéngéné ora tau sumurup” (“where the sun never sets”).
Cithakan:Basa resmi Uni Éropah
Piranti weton

Piranti weton (Basa Inggris: output device) iku piranti kasar komputer kang dianggo komunikasi asil pamrosèsan data déning siji piranti pamrosèsan data kaya déné komputer, menyang donya njaba.
Sajeroning babagan komputer, piranti leon/weton input/output, utawa piranti I/O, tegesé komunikasi antara sistem pamrosèsan data kaya déné komputer lan donya njaba. Lebon utawa input iku sinyal utawa data kang dikirim menyang sistem, lan weton utawa output wujud sinyal utawa data kang dikirim saka sistem menyang manungsa kang nganggo sistem mau.
Conto piranti weton:
Setatsiyun Kandhangan

Setatsiyun Kandhangan (KDA) yaiku setasiun kelas III / stasiun sepur cilik sing papane ing Banjarsugihan, Tandes, Surabaya ; ing dhuwur +2 m; kalebet ing Kawasan Operasi VIII Surabaya . Sanajan diwenehi jeneng "Kandangan", stasiun iki ora dununge ing wilayah Desa Kandangan, nanging dununge ana ing sisih wetan wilayah kasebut. Stasiun iki udakara 300 meter sisih lor saka Jalan Raya Kandangan lan jejer karo Food Junction, papan wisata kuliner ing wilayah Grand Pakuwon.
Stasiun Kandangan duwe limang jalur sepur, wiwitane jalur 2 yaiku garis lurus tumuju Surabaya lan Semarang, dene jalur 3 garis lurus saka lan menyang Stasiun Indro, Gresik. Sawise garis dobel menyang Stasiun Babat dioperasikake wiwit Mei 2014 banjur menyang Stasiun Surabaya Pasarturi tanggal 3 September 2014 , baris 2 digunakake minangka garis lurus kanggo arah Surabaya Pasarturi, baris 3 digunakake mung garis lurus kanggo arah Semarang, lan cabang kasebut dipindhah menyang baris 4. Kajaba iku, sistem signaling diganti saka sistem mekanik dadi sistem sinyal listrik.
Stasiun iki digunakake kanggo ngangkut transportasi ternak lokal kanthi kreta khusus kanggo transportasi ternak ( VR utawa VVW ) ing rute Kandangan - Cipinang, nanging operasi transportasi kasebut mandeg amarga ana krisis 1997 . Ana garis khusus kanggo ternak menyang Pusat Karantina Kewan Menteri Pertanian Indonesia, sing dununge ana ing sisih kidul stasiun, nanging wis ora digunakake maneh. Biyen, ing sisih kulon stasiun iki, sadurunge Stasiun Benowo, ana Stop Semimi sing saiki wis ora aktif.
Transportasi kontainer / wadhah, menyang Jakarta ( Tanjung Priuk / Jakarta Gudang ) lan menyang Indro.
Itel Mobile

itel Mobile yaiku perusahaan manufaktur telpon seluler China sing didegake dening Lei Weiguo lan Shenzhen Transsion Holdings Co Limited ing Maret 2014, lan kantor pusat ing Shenzhen, China.
Produk kasebut utamane didol ing macem-macem negara berkembang, kalebu bagean Afrika, Asia Kidul, Asia Kidul-Wétan (kalebu Indonesia), Eropa, lan Amerika Latin. Perusahaan kasebut utamane nawakake smartphone murah, telpon fitur, pesawat televisi, lan laptop.
ꦆꦠꦺꦭ꧀ꦩꦺꦴꦧꦻꦭ꧀

꧋ꦆꦠꦺꦭ꧀ꦩꦺꦴꦧꦻꦭ꧀ꦪꦲꦶꦏꦸꦥꦼꦫꦸꦱꦲꦄꦤ꧀ꦩꦤꦸꦥ꦳ꦏ꧀ꦠꦸꦂꦠꦺꦭ꧀ꦥꦺꦴꦤ꧀ꦱꦼꦭꦸꦭꦺꦂꦕꦶꦤꦱꦶꦁꦢꦶꦢꦼꦒ꧀ꦒꦏꦺꦢꦺꦤꦶꦁꦭꦺꦲꦶꦮꦺꦲꦶꦒꦺꦴꦲꦸꦭꦤ꧀ꦯꦺꦤ꧀ꦗ꦳ꦺꦤ꧀ꦠꦿꦤ꧀ꦱꦶꦪꦼꦤ꧀ꦲꦺꦴꦭ꧀ꦢꦶꦁꦏꦺꦴꦭꦶꦩꦶꦠꦺꦢ꧀ꦲꦶꦁꦩꦉꦠ꧀꧇꧒꧐꧑꧔꧇꧈ꦭꦤ꧀ꦏꦤ꧀ꦠꦺꦴꦂꦥꦸꦱꦠ꧀ꦲꦶꦁꦯꦺꦤ꧀ꦗ꦳ꦺꦤ꧀꧈ꦕꦶꦤ꧉
꧋ꦥꦿꦺꦴꦝꦸꦏ꧀ꦏꦱꦼꦧꦸꦠ꧀ꦲꦸꦠꦩꦤꦺꦢꦶꦢꦺꦴꦭ꧀ꦲꦶꦁꦩꦕꦼꦩ꧀ꦩꦕꦼꦩ꧀ꦤꦒꦫꦧꦼꦂꦏꦼꦩ꧀ꦧꦁ꧈ꦏꦊꦧꦸꦧꦒꦺꦪꦤ꧀ꦄꦥ꦳ꦿꦶꦏ꧈ꦄꦱꦶꦪꦏꦶꦢꦸꦭ꧀꧈ꦄꦱꦶꦪꦏꦶꦢꦸꦭ꧀ꦮꦺꦠꦤ꧀(ꦏꦊꦧꦸꦆꦤ꧀ꦝꦺꦴꦤꦺꦱꦶꦪ)꧈ꦌꦫꦺꦴꦥ꧈ꦭꦤ꧀ꦄꦩꦺꦫꦶꦏꦭꦠꦶꦤ꧀꧉ꦥꦼꦫꦸꦱꦲꦄꦤ꧀ꦏꦱꦼꦧꦸꦠ꧀ꦲꦸꦠꦩꦤꦺꦤꦮꦏꦏꦺꦥꦺꦴꦤ꧀ꦱꦺꦭ꧀ꦥꦶꦤ꧀ꦠꦼꦂꦩꦸꦫꦃ꧈ꦥꦺꦴꦤ꧀ꦱꦺꦥ꧀ꦥ꦳ꦶꦠꦸꦂ꧈ꦥꦼꦱꦮꦠ꧀ꦠꦺꦭꦺꦮ꦳ꦶꦱꦶ꧈ꦭꦤ꧀ꦭꦥ꧀ꦠꦺꦴꦥ꧀꧉
Nokia 5330 Mobile Tv Edition

Nokia 5330 Mobile Tv Edition ya iku tilpun sélulèr kang diprodhuksi déning pabrikan Nokia. Sèri iki kawanuhaké ing Novèmber taun 2009, wiwit dipasaraké Mèi taun 2010 wis ora diprodhuksi manèh lan duwé ukuran 101 x 48 x 14 mm déné boboté 113 gram. Layaré TFT, 16M werna ukuran 2.4 inchi kanthi résolusi 240 x 320 piksel. Kanggo sesukan, uga ana game ya iku '. Nokia 5330 Mobile Tv Edition dipirantèni kodhak 3.15 MP lan fitur LED flash,. Ringtone ing tilpun iki jinis uga saka MP3. Kanggo sesambungan lewat tulisan, bisa nggunakaké sarana SMS, MMS, email. Batréné bisa dicopot, nganggo jinis Li-Ion kapasitas on 1000 mAh kanthi nomer sèri BL-4U lan bisa kanggo nganti 350 jam nalika standby lan tahan 7 jam 42 menit nalika kanggo nélpon. Déné kanggo sesambungan, tilpun iki nggunakaké jaringan GSM.
IPhone

iPhone iku sawijining smartphone ("tilpun pinter") utawa tilpun genggam multimédia gawéané Apple. iPhone ora nduwé kibor fisik lan namung nduwé kibor virtual sing muncul ing "kelir demok" (touch screen). Piranti iki duwé fungsi kodhak lan juru main média (mèmper iPod). iPhone kapisan diumumaké ing tanggal 9 Januari 2007 lan dirilis ing Amérika Sarékat tanggal 29 Juni 2007. Nganti sepréné iPhone isih kudu dibabar ing donya sajabané AS.
1G

1G utawa First Generation (cara Jawa: Génerasi Pisanan) iku tèknologi sistem komunikasi sèlulèr gènerasi pisanan. Tèknologi iki nggunakaké sistem analog, sing kasuwur kanthi jeneng AMPS (Advanced Mobile Phone System) lan TACS. Tèknologi 1G diawiti ing taun 1980. Tèknologi sistem analog ana ing 1G nggunakaké Digital Signaling (cara Jawa: Sinyalan Dhigital). Analog mono sawijining cara mindhah informasi lumantar jaringan télékomunikasi. Tèknologi 1G namung bisa nglayani komunikasi lumantar swara. Tèknologi iki panggunané wis digantèni déning 2G, 3G, 4G, lan 5G.
Tèknologi 1G ana kurangé, kaya ta winatesé momotan sistem. Masalah mangkono amarga 1G isih nganggo FDMA kanggo aksès dhobel, kamangka FDMA matesi kanalé mung kanggo palanggan siji. Sanajan palanggan ora lagi ngirim informasi, kanalé ora bisa digunakaké palanggan liyané. Iku dumadi terus-terusan nganti pungkasé obrolan. Tèknologiné kang ngrembaka ora cocog siji karo liyané, prakara iku mulané matesi obahing palanggan awit mung bisa nganggo ing jaringan sing padha (ora bisa ngambah jaringan liya). Masalah liyané ya iku 1G mung mènèhi fasilitas komunikasi swara. Sistem kamanané uga kurang amarga isih nggunakaké modhulasi analog (FM).
The Wolf of Wall Street (filem)

The Wolf of Wall Street nggih punika filem biografi komedi saking Amérikah Sarékat ingkang kadamel ing taun 2013. Filem punika dipunarahaken déning Martin Scorsese adhedhasar saking skénario anggitanipun Terence Winter, dipunangkat saking buku The Wolf of Wall Street pakaryanipun Jordan Belfort. Juru damel filem punika kapasrahaken dhumateng Martin Scorsese, Leonardo DiCaprio, Riza Aziz, Joey McFarland lan Emma Tillinger Koskoff. Juru paraga ingkang kadhapuk maragani filem punika antawisipun Leonardo DiCaprio, Jonah Hill, Margot Robbie, Matthew McConaughey, Kyle Chandler, Rob Reiner, Jon Bernthal, Jon Favreau lan Jean Dujardin.
Filem The Wolf of Wall Street kagiyaraken kaping pisan wonten Ziegfeld Theatre ing surya 17 Desember 2013. Salajengipun kababar wonten ing Amérikah Sarékat ing surya 25 Desember 2013. Sinaosa mboten nguciwani, pangalembana saking para juru kritik dhumateng filem punika mboten patosa kathah.
Filem The Wolf of Wall Street namung pikantuk tanggapan rerata saking para juru kritik. Adhedhasar Rotten Tomatoes, filem punika nggadhahi pandhemenan 78%, saking 264 pangulasan, kanthi rata-rata 7.8/10. Sawetawis miturut Metacritic, filem nampi sekor 75 saking 100, adhedhasar pambijinipun 47 juru kritik.
Filem The Wolf of Wall Street kasil ngempalaken arta dumugi $116,900,694 saking pamirsa Amerika Ler, lan $275,100,000 saking negari sanèsipun, kanthi gunggung $392,000,694, nglangkungi saking ardhana ingkang sampun medal kagem kabetahan pandamelan, nggih punika $100 juta.
Orlando Bloom

Orlando Bloom ya iku aktor Hollywood kang lair ing Canterbury, Kent, Inggris ing tanggal 13 Januari 1977. Dhèwèké duwé jeneng asli Orlando Jonathan Blanchard Bloom. Orlando duwé lelara dislèksia dadi dhèwèké angèl mèlu wulangan ing St. Edmund School ing Centerbury. Ing umur 16, dhèwèké pindhah ing London lan mèlu National Youth Theatre. Dhèwèké laiè béasiswa akting saka British American Drama Academy.
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2005 European Film Awards: "Jameson People's Choice Award as Best European Actor" kanggo Kingdom Of Heaven
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