Renaissance fair

A Renaissance Festival (medieval fair or ren faire) is an outdoor gathering that aims to entertain its guests by recreating a historical setting, most often the English Renaissance.
Renaissance festivals generally include costumed entertainers or fair-goers, musical and theatrical acts, art and handicrafts for sale, and festival food. These fairs are open to the public and typically commercial. Some are permanent theme parks, while others are short-term events in a fairground, winery, or other large spaces. Some Renaissance fairs offer campgrounds for those who wish to stay more than one day.
Many Renaissance fairs are set during the reign of Queen Elizabeth I of England. Some are set earlier, during the reign of Henry VIII, or in other countries, such as France. Others are set outside the era of the Renaissance; these may include earlier medieval periods such as the Viking Age or later periods such as the Golden Age of Piracy. Some engage in deliberate 'time travel' by encouraging participants to wear costumes representing several eras in a broad time period. Renaissance fairs encourage visitors to engage with costumes and audience participation, often renting outfits to fairgoers. Many welcome fantasy elements like wizards and elves.
Most Renaissance fairs are arranged to represent an imagined English village during the reign of Elizabeth I, often thought of as the height of the English Renaissance.
Within a modern Renaissance festival, there are stages or performance areas set up for scheduled shows, such as plays in Shakespearean or commedia dell'arte traditions, as well as anachronistic audience participation in comedy routines. Other performances include dancers, magicians, musicians, jugglers, and singers. Between the stages, the streets ('lanes') are lined with stores ('shoppes') and stalls where independent vendors sell themed handcrafts, clothing, books, and artwork.
Renaissance fairs typically feature a wide variety of foods inspired by both medieval cuisine and typical American fair foods like corn dogs. Some foods, like turkey legs, steak on a stick, and bread bowls have become iconic of Renaissance festivals. Beer, mead, and wine are also common.
Games include typical fair events, such as archery, axe-throwing, and dunk tanks. Rides are typically not machine-powered; various animal rides and human-powered swings are common, as are live animal displays and falconry exhibitions. Larger Renaissance fairs often include a joust as a main attraction. PETA and Born Free USA have protested the use of elephants and camels at the Maryland Renaissance Festival and Arizona Renaissance Festival.
In addition to staged performances, a major attraction of Renaissance fairs are professional and amateur crowds of actors who play historical figures, roaming the fairgrounds and interacting with visitors. Some allow visitors to bring peace-bonded weapons, while others only allow fair employees to wear them. The Renaissance fair subculture's word for costumed guests is 'playtrons,' a portmanteau of the words player and patron. This adds enjoyment to guests' experience by 'getting into the act' as Renaissance Lords and Ladies, peasants, pirates, belly dancers, or fantasy characters. However, many Renaissance fairs discourage interaction between the official cast and so-called 'playtrons.'
Most fairs have an end-of-the-day ritual parade, dance, or concert where all employees gather and bid farewell to the patrons.
Renaissance fairs are staged around the world at different times of the year. Fair vendors, actors, and crew often work by going from event to event as one fair ends and another begins.
In post-World War II America, there was a resurgence of interest in medieval and Renaissance culture. Folk musician and traditionalist John Langstaff gained popularity in the 1950s as part of an early music revival trend. In 1957, Langstaff hosted "A Christmas Masque of Traditional Revels" in New York City, and another the following year in Washington, D.C. A televised version was broadcast on the Hallmark Hall of Fame in 1966 which included Dustin Hoffman playing the part of the dragon slain by Saint George. In 1971, Langstaff established a permanent Christmas Revels in Cambridge, Massachusetts.
In 1963, Los Angeles schoolteacher Phyllis Patterson held a small Renaissance fair as a class activity, using the backyard of her Laurel Canyon home in the Hollywood Hills as the fairgrounds. On May 11 and 12 in the same year, Patterson and her husband, Ron Patterson, presented the first "Renaissance Pleasure Faire" as a one-weekend fundraiser for a radio station KPFK, drawing some eight thousand people. The Living History Center designed the fair to resemble a springtime market fair of the period.
Many original booths were free-of-charge reenactments of historical activities, including printing presses and blacksmiths. The first commercial vendors were artisans and food merchants, and had to demonstrate historical accuracy or plausibility for their wares. Volunteers were organized into "guilds" to focus on specific reenactment roles (musicians, military, Celtic clans, peasants, etc.). Both actors and vendors were required to stay "in character" while working by speaking with period language, accents, and mannerisms.
The original Renaissance Pleasure Faire of Southern California (RPFS) was held in the spring of 1966 at the Paramount Ranch located in Agoura, California, focusing on the practices of old English springtime markets and "Maying" customs. In 1967, the Pattersons created a fall Renaissance fair with a harvest festival theme at what is now China Camp State Park in San Rafael, California. The fall fair was moved in 1971 to the Black Point Forest in Novato, California. Both fairs developed into local traditions and began a movement that spread across the country.
Although historical reenactments are not exclusive to the United States, Renaissance fairs are largely an American variation on the idea of reenactments. European historical fairs, such as those held at Kentwell Hall in Suffolk, England, operate more on the living history museum model, in which an actual historic site is staffed by reenactors who explain historical life to modern visitors, rather than acting in a role.
In recent years, American-style Renaissance fairs have made inroads in other countries. Germany has seen a very similar phenomenon since the 1980s, and fairs have grown increasingly popular in Canada and Australia since the mid-1990s.
Spinoffs of Renaissance fairs also include fairs set in other time periods, such as Christmas fairs set in Charles Dickens' London.
Renaissance fairs have several variant names, many of which use old-fashioned spellings such as faire or fayre. These spellings originate from the Middle English feire (variant spellings include feyre, faire, and fayre), which comes from the Anglo-French word feire. They can also be referred to as Elizabethan, Medieval, or Tudor fairs or festivals.
A German Mittelaltermarkt (literally "medieval market") resembles a Renaissance fair. Many Catalan towns hold Mercats Medievals (literally "medieval markets") as part of their annual festivities.
Within the Renaissance fair community, there are different opinions on the desirability of 'authenticity' at festivals. Some believe fairs should be as authentic an experience as possible, supplemented with educational aspects similar to European living history museums. Others believe that entertainment is the primary goal. Richard Shapiro, who founded what later became the Bristol Renaissance Faire outside Chicago in 1972, favored entertainment, saying "we were so authentic back then it was almost painful." Festival organizers sometimes attempt a balance between authenticity and entertainment. In 1968, Phyllis Patterson, founder of the California Renaissance Pleasure Faires, also created the Living History Centre, a California-based educational and cultural foundation. The foundation's motto "we trick into learning with a laugh" reflects a belief in merging history and entertainment.