Colombian Spanish

Colombian Spanish (Spanish: español colombiano) is a grouping of the varieties of Spanish spoken in Colombia. The term is of more geographical than linguistic relevance, since the dialects spoken in the various regions of Colombia are quite diverse. The speech of the northern coastal area tends to exhibit phonological innovations typical of Caribbean Spanish, while highland varieties have been historically more conservative. The Caro and Cuervo Institute in Bogotá is the main institution in Colombia to promote the scholarly study of the language and literature of both Colombia and the rest of Spanish America. The educated speech of Bogotá, a generally conservative variety of Spanish, has high popular prestige among Spanish-speakers throughout the Americas.
The Colombian Academy of Language (Academia Colombiana de la Lengua) is the oldest Spanish language academy after Spain's Royal Spanish Academy; it was founded in 1871.
Although it is subject to debate by academics, some critics argue that El desierto prodigioso y prodigio del desierto, written in the New Kingdom of Granada during the 1600s by Pedro de Solís y Valenzuela, is the first modern novel of the Spanish America.
As most other Spanish dialects, standard Colombian Spanish has five vowels: two high vowels (/i, u/), two mid vowels (/e, o/) and one open vowel (/a/). Colombian Spanish, like most other Spanish varieties, tends to resolve vowels in hiatus as diphthongs. There is regional differentiation as, in formal speech, Caribbean speakers are more likely to diphthongize than those from inland areas. However, there is no difference in informal speech.
Slang speech is frequent in popular culture. In the Paisa Region and Medellín, the local slang is named "Parlache." Many slang expressions have spread outside their original areas and are now commonly understood throughout the country.
Many of the words have been popularized by the Colombian media, such as Alonso Salazar's book, No nacimos pa' semilla, Victor Gaviria's movie Rodrigo D: No Future, or Andrés López Forero's monologue La pelota de letras ("The Lettered Ball") as well as many other cultural expressions, including telenovelas, magazines, news coverage, jokes, etc..
Some slang terms, with their literal translations and meanings, include the following:
John M. Lipski groups Colombian dialects phonologically into four major zones. Canfield refers to five major linguistic regions. Flórez proposes seven dialectal zones, based on phonetic and lexical criteria. Still others recognize eleven dialect areas, as listed below.
The Caribbean or Coastal (costeño) dialect is spoken in the Caribbean Region of Colombia. It shares many of the features typical of general Caribbean Spanish and is phonologically similar to Andalusian Spanish. Word-final /n/ is realized as velar [ŋ]. Syllable-final /s/ is typically pronounced [h] and sk costa ("coast") is pronounced [ˈkohta] and rosales ("roses") becomes [roˈsaleh]. The most notable and distinguishable varieties of Atlantic Colombian accents are Samario (considered the most articulated Atlantic Colombian accent and rhotic), Barranquillero (mostly rhotic), Cartagena (mostly non-rhotic and fast-spoken) and Montería (Sinú Valley Accent, strictly non-rhotic, plosive and very marked wording like Received Pronunciation in British English).
This is the dialect spoken on the islands of San Andrés, Providencia, and Santa Catalina in Colombia's Caribbean Region. It is marked by a mixture of Caribbean Spanish with some features of English. Syllable-final /r/ can be realized, in addition to the flap [ɾ], the trill [r], and the lateral [l], as the alveolar approximant [ɹ], the last being thought to be an influence of British English. Thus, verso ("verse") becomes [ˈbeɹso] (alongside [ˈbeɾso], [ˈberso], or [ˈbelso]); invierno ("winter") becomes [imˈbjeɹno] (alongside [imˈbjeɾno], [imˈbjerno], or [imˈbjelno]), and escarlata ("scarlet") becomes [ehkaɹˈlata] (alongside [ehkaɾˈlata], [ehkarˈlata], or [ehkaˈlata]).
Word-final /r/, when followed by a vowel-initial word, is usually realized as a tap, an approximant, or the lateral [l], as in amo[ɾ~ ɹ ~ l] eterno ("eternal love"). If it is followed by a consonant or a pause, it may be realized as any of those sounds or as a trill or elided, as in amo[r ~ ɾ ~ ɹ ~ l ~ ∅] paterno ("paternal love").
That phonetic characteristic is not exclusive to Colombians, whose ancestry is traced back to the Spanish period before the British invasion, under British territorial rule, and the recovery of Spanish control. It is also used by Raizals, by whites of British descent, and by descendants of mainland Colombians. The dialect of native Spanish-speakers in the area is closer to the Nicaraguan dialect of the Caribbean coast, reflecting the geographical location of the archipelago, off the coast of Nicaragua. Similar to Chocano and Isleño, there is a strong African influence in this dialect, owing to a large population of Afro-descendants in the region.
This dialect extends beyond the Department of Chocó throughout the Pacific coast and is said to reflect African influence in terms of intonation and rhythm. Characteristically, syllable-final /s/ is frequently either debuccalized and pronounced as [h] or omitted, as in the Caribbean dialect (see above). Like the Caribbean dialect, word-final /n/ is realized as velar [ŋ], /d/ is replaced by /r/ in some words, and syllable-final /l/ and /r/ are often merged, as in Caribbean Spanish. This dialect is also spoken by Afro-Colombians living inland in the departments of Cauca and Valle del Cauca.
The Cundiboyacense dialect is spoken mainly in the departments of Cundinamarca and Boyacá (Cundiboyacense High Plateau). It uses the expression sumercé or su merced (literally "your grace") often as a formal second-person singular pronoun. The pronoun usted is used when two people speak in an informal situation. Tuteo (the use of the pronoun tú) is usual in conversation between a man and woman of similar ages. Occasionally, the pronoun usted may be used briefly in extremely-informal speech between couples or family members or to reprehend someone, depending on the tone of voice.
"Rolo" (a name for the dialect of Bogotá) is also called cachaco. It is an area of strong ustedeo, the familiar use of the pronoun usted. The dialect follows many patterns similar to those of the Cundiboyacense dialect (preservation of syllable-final [s], preservation of /d/ in the -ado ending, preservation of the ll/y contrast (i.e., no yeísmo), etc.), but it has only marginal use of the formal second-person pronoun sumercé. This dialect is the basis of standard Spanish of Colombia.
Llanero covers a vast area of the country with a low population density. It is spoken in the eastern plains of the country from the Cordillera Oriental (the eastern mountain range of the Andes). It has a characteristic influence of inland Colombian settlers, the difference is that syllable-final /s/ is typically aspirated [h] like Caribbean and Pacific dialects, even /s/ before vowels is aspirated.
The Opita dialect is spoken mostly in the departments of Tolima and Huila, mostly in the central and southern parts of the Magdalena River Valley. It is said to show strong influence of indigenous languages and is noted for its slow tempo and unique intonation. As in most of the Americas, the dialect has yeísmo and seseo. The dialect is traditionally characterised by the use of the second-person pronoun usted (or vusted in some rural areas) in formal circumstances but also in familiar ones (in which most other dialects would use tú, see "ustedeo" above). However, tú is gaining ground with young people. The use of voseo is rare.
The Paisa dialect is spoken in the Colombian coffee production areas, such as Antioquia, Quindío, Risaralda, Caldas, and the northernmost parts of Tolima and Valle del Cauca. Paisa Spanish has an apicoalveolar [s̺], between [s] and [ʃ], as in northern and central Spain. Paisa Spanish, a "voseante" dialect, often uses vos, rather than tú, for the familiar singular "you" pronoun. The role of that voseo usage in forming the distinct Paisa linguistic identity was reinforced by its use in the works of several Paisa writers, including Tomás Carrasquilla, Fernando González Ochoa, Manuel Mejía Vallejo, Fernando Vallejo, and Gonzalo Arango.
The Pastuso dialect is spoken in the southwest ll of the country. One feature is apicoalveolar [s̺], between [s] and [ʃ], as in northern and central Spain. However, unlike Paisa, speakers typically conserve the "ll"/"y" distinction (the dialect has no yeísmo), and in some areas, the r is pronounced as a voiced apical sibilant. Contrary to the usual tendency in Spanish to weaken or relax the sounds /b/, /d/, and /ɡ/ between vowels, Pastuso-speakers tend to tense those sounds with more emphasis than in other dialects.
Santanderean is spoken mostly in the northeastern part of the country in Santander and Norte de Santander Departments. There is a strong use of ustedeo in both informal and formal contexts.
The Valluno dialect, or español vallecaucano, is spoken in the valley of the Cauca River between the Western and Central cordilleras. In Cali, the capital of Valle del Cauca, there is strong use of voseo (the use of the pronoun vos instead of other dialects, which use tú), with its characteristic verb forms.
The Valluno dialect has many words and phrases not used outside of the region. People commonly greet one another with the phrase "¿Q'hubo vé, bien o qué?". Also, it is common to be asked "¿Sí o no?" when assessing agreement to rhetorical statements. Thong sandals are referred to as chanclas, and plastic bags (bolsas elsewhere) are called chuspas. As in other areas, a chocha is another crude word for "vagina", and chucha refers to an opossum. A pachanguero is someone who dances or parties all night long.
Andrés Caicedo was the main writer to depict the vernacular usage of language accurately.