Flightplan

Flightplan is a 2005 mystery psychological thriller film directed by Robert Schwentke from a screenplay written by Peter A. Dowling and Billy Ray. It stars Jodie Foster as Kyle Pratt, a recently widowed American aircraft engineer living in Berlin, who flies back to the U.S. with her daughter and her husband's body. She loses her daughter during the flight and must struggle to find her while proving her sanity at the same time. It also features Peter Sarsgaard, Erika Christensen, Kate Beahan, Greta Scacchi, Sean Bean, and Matt Bomer in his film debut.
Distributed by Touchstone Pictures and released theatrically on September 23, 2005, the film received mixed reviews from critics, who praised the direction, performances of the cast (particularly Foster's), and the thriller elements of the film but criticized the screenplay. It was also a major commercial success, grossing over $223 million worldwide against a $55 million budget, and received two nominations at the 32nd Saturn Awards; Best Action or Adventure Film, and Best Actress (for Foster).
Recently widowed Berlin-based American aviation engineer Kyle Pratt takes her husband David's body back to the United States with her 6-year-old daughter Julia, aboard an aircraft she helped design, a brand new double-decker Elgin E-474 operated by Aalto Airlines. Awakening from a nap, Kyle finds Julia is gone, and none of the passengers or crew recall seeing her. Flight attendant Stephanie tells Kyle there is no record of her daughter boarding the flight, and Kyle is unable to find Julia's boarding pass and backpack. At a panicked Kyle's insistence, Captain Marcus Rich conducts a search of the aircraft, while sky marshal Gene Carson monitors her. Kyle accuses two Arab passengers of stalking her daughter the night before, resulting in a fight breaking out and Kyle being handcuffed.
Kyle reveals that her husband died falling from the roof of an avionic manufacturing building, which she doubts was suicide. Captain Rich receives a message from a Berlin hospital that Julia died with her father, and is convinced that Kyle, unhinged by her husband's and daughter's deaths, imagined bringing Julia on board. The increasingly erratic Kyle is confined to her seat, where a therapist, Lisa, consoles her. Kyle doubts her own sanity until she notices the heart Julia drew in the condensation on the window next to her seat.
Kyle asks to use the bathroom, where she climbs into the overhead crawl space and sabotages the aircraft's electronics. In the ensuing chaos, she rides a dumbwaiter to the lower freight deck and unlocks David's casket, suspecting Julia to be inside, but finds only her husband's body. Carson escorts her to her seat in handcuffs, and explains that the flight is making an emergency stopover at Goose Bay Airport, in the Canadian province of Newfoundland and Labrador, where she will be taken into custody.
She pleads with Carson to search the aircraft's hold, and he sneaks down to the freight deck. Removing two explosives and a detonator concealed in David's casket, he plants the explosives in the avionics section. It is revealed that Carson, Stephanie, and the Berlin mortuary director have conspired to hijack the aircraft for a $50 million ransom and frame Kyle; they abducted Julia to cause Kyle to unlock the casket. Carson lies to Rich that Kyle is threatening to bomb the aircraft unless the ransom is wired to a bank account and a G3 aircraft is readied upon landing. He then plans to detonate the explosives, killing Julia, and leave Kyle dead with the detonator in her hand.
Landing in Newfoundland, the airliner is surrounded by FBI agents as the passengers exit the aircraft. Kyle confronts Rich, who angrily declares that the ransom has been paid. Realizing that Carson is the perpetrator, she quickly assumes the role of hijacker, commanding Carson to remain aboard and the crew to leave. After the plane's door closes, she strikes Carson unconscious with a fire extinguisher, handcuffs him to a rail, and takes the detonator from his pocket. Carson quickly regains consciousness, frees himself and pursues Kyle, who locks herself in the cockpit, but she manages to draw Carson away by throwing a binder out a hatch door to the upper level as a ruse so she can escape. After an altercation with Kyle, a guilt-ridden Stephanie flees the airliner in a panic.
Kyle finds the unconscious Julia but Carson arrives, revealing that he murdered David in order to smuggle the explosives inside his casket and gagged and dumped Julia into the food bin, believing that neither the passengers nor the crew would care enough to notice. Kyle escapes with Julia into the aircraft's non-combustible hold as Carson shoots at her. She detonates the explosives, killing Carson and damaging the aircraft's landing gear, but she and Julia emerge unscathed as the crew realize she had been telling the truth all along. The next morning, in the passenger waiting section of the airport, Captain Rich apologizes to a seated Kyle holding Julia in her arms as Stephanie is led away by FBI agents, while another agent informs them that the Berlin mortuary director has also been arrested, adding that they are tracking down another accomplice who erased Julia's record from the flight manifest. Kyle silently redeems herself by carrying Julia through the crowd of passengers who realize the truth. As one of the Arab passengers assists Kyle in loading her luggage onto a waiting van, Julia awakens and sleepily asks "Are we there yet?" as they drive away.
Peter A. Dowling had the idea for Flightplan in 1999 on a phone conversation with a friend. His original pitch for producer Brian Grazer involved a man who worked on airport security doing a business trip from the United States to Hong Kong, and during the flight his son went missing. A few years later, Billy Ray took over the script, taking out the terrorists from the story and putting more emphasis on the protagonist, who became a female as Grazer thought it would be a good role for Jodie Foster. The story then focused on the main character regaining her psyche, and added the post-September 11 attacks tension and paranoia. There was also an attempt to hide the identity of the villain by showcasing the different characters on the plane. Both Dowling and Ray were allowed to visit the insides of a Boeing 747 at the Los Angeles International Airport to develop the limited space set for the story. The film also draws on Alfred Hitchcock's The Lady Vanishes, in which an older woman goes missing on board a train and only one passenger remembers her, especially in the scene where Kyle discovers the heart drawn by her daughter on the plane window.
Schwentke said that to make Flightplan as realistic as possible, he wanted naturalistic, subdued performances. One example was Peter Sarsgaard, whom he described as an actor "who can all of a sudden become a snake uncoiling". First-time actress Marlene Lawston was cast as Foster's character's daughter Julia. Sean Bean was cast to subvert his typecasting as a villain and mislead audiences into thinking he was part of the villainous plot. The director also picked each of the 300 passengers through auditions.
Schwentke described Flightplan as a "slow boiling" thriller, where the opening is different from the faster ending parts. The director added that sound was used to put audiences "off-kilter".
The art direction team had to build all the interiors and the cockpit of the fictional Elgin E-474 from scratch, basing both the interior design and layout on the Airbus A380, with its aircraft's classification number similar to the 747. The amount of dead space within the cabin, cargo and avionic areas of the E-474 did not reflect the actual amount of dead space within any aircraft. BE Aerospace provided various objects to "stage the scene"; "many of the interior sets used real aircraft components such as seats and galleys."
To allow for varied camera angles, the set had many tracks for the camera dolly to move, and both the walls and the ceiling were built on hinges so they could easily be swung open for shooting. The design and colors tried to invoke the mood for each scene. For instance, a white room for "eerie, clinical, cold" moments, lower ceilings for claustrophobia, and wide open spaces to give no clues to the audience. Most exterior scenes of the E-474 involve a model one-tenth of the aircraft's actual size, with the images being subsequently enhanced through computer-generated imagery. The explosion in the nose involved both life sized and scaled pieces of scenery. A one-half scale set of the avionics area was constructed to make the explosion and fireball look bigger.
The score for Flightplan was released September 20, 2005, on Hollywood Records. The music was composed and conducted by James Horner, and the disc contains eight tracks. Horner stated that film's score tried to mix the sound effects with "the emotion and drive of the music", and the instruments were picked to match the "feelings of panic" Kyle goes through. These included Gamelan instruments, prepared piano, and string arrangements. No brass instruments are used in the soundtrack.
Flightplan opened at #1 in US and Canada, grossing $24.6 million in its opening weekend. It grossed $89,707,299 at the domestic box office and $133,680,000 overseas for a worldwide total of $223,387,299. It also grossed $79,270,000 on DVD rentals.
On Rotten Tomatoes the film has an approval rating of 37% based on 179 reviews, with an average rating of 5.3/10. The site's critics consensus states: "The actors are all on key here, but as the movie progresses, tension deflates as the far-fetched plot kicks in." On Metacritic, it has a weighted average score of 53 out of 100 rating, based on 33 critics, indicating "mixed or average reviews". Audiences surveyed by CinemaScore gave the film an average grade B+ on an A+ to F scale.
Film historian Leonard Maltin in Leonard Maltin's 2012 Movie Guide (2011) described Flightplan as "suspenseful at first, this thriller becomes remote and un-involving; by the climax, it's just plain ridiculous."
Roger Ebert gave it 3 and a half out of 4 stars, praising its "airtight plot" and the acting performances. Other reviewers including The Christian Science Monitor criticised "plotholes the size of an Airbus in the script".
Aviation film historian Simon D. Beck in The Aircraft-Spotter's Film and Television Companion (2016) noted that Flightplan was careful in setting the scene. "The aircraft is a fictional mammoth airliner called the 'E-474', a double-deck jumbo modeled strongly after the Airbus A-380, the large size being suitable for the missing-person plot of the film."
The Association of Professional Flight Attendants called for an official boycott of the film, which they said depicts flight attendants as rude and unsympathetic towards a distressed passenger; the flight attendants and the pilot viewed Foster's character as delusional and barely attempted to help her, in addition to one flight attendant revealed to be an accomplice to terrorists (as part of a strategy to extort a ransom from the airline). As such, the group postulated that the film could spread distrust of their members among airline passengers.
Tommie Hutto-Blake, president of the Association of Professional Flight Attendants stated, "Should there be another 9/11, it would be critical for the cabin crew to have the support of their passengers, not the distrust that this movie may engender...Our fellow crew members who perished in the line of duty deserve more respect". Two other organizations — the Association of Flight Attendants and Transport Workers Union, Local 556 also called for a boycott.