davidanugraha/M4-RAG huggingface dataset:
2025 in professional wrestling

2025 in professional wrestling describes the current year's events in the world of professional wrestling.
These promotions are holding events throughout 2025.
Raw and SmackDown each exclusively have a world and secondary championship for both the men and women, as well as a tag team championship for men.
NXT exclusively has a primary and secondary championship for both the men and women, as well as a specialty and tag team championship for men.
These titles are non-exclusive, available to wrestlers from Raw, SmackDown, and NXT.
The WWE Independent Development (ID) program will have two championships, one each for men and women, which are defended exclusively across partner independent promotions.
Beatragus antiquus

Beatragus antiquus, the ancient hirola, is an extinct species of alcelaphine antelope that lived in Africa during the Plio-Pleistocene.
Beatragus antiquus was first described by Louis Leakey in 1965 from material discovered at the Olduvai Gorge (Beds I and II) in Tanzania. Other remains dated slightly earlier have also been found in the Omo valley and possibly at Elandsfontein in South Africa.
The ancient hirola was larger than the modern day hirola, and the two together may represent a chronospecies. Other differences with the hirola include horn cores diverging immediately from their bases, a lessening of distal divergence, more upright insertions in side view and wider and more convex frontals of the horn cores.
It lived in vast savannas alongside other alcelaphine antelopes, such as a small species of Damaliscus and Parmularius. The ancient hirola probably declined as a result of diminished habitat preferences, and the modern species, with its smaller size and less energy demands, eventually evolved to cope with the new ecologically impoverished landscape.
Somali Acacia–Commiphora bushlands and thickets

The Somali Acacia–Commiphora bushlands and thickets is a semi-arid tropical grasslands, savannas, and shrublands ecoregion in the Horn of Africa. It is home to diverse communities of plants and animals, including several endemic species.
The Somali Acacia–Commiphora bushlands and thickets ecoregion occupies most of the Horn of Africa east and south of the Ethiopian Highlands, including eastern Ethiopia's Haud plateau and adjacent parts of Somaliland, Somalia and northeastern Kenya.
It also extends along the floor of the East African Rift, bisecting the Ethiopian highlands, and along the northeastern edge of the highlands into Eritrea and Sudan.
The ecoregion is bounded on the southwest by the Northern Acacia–Commiphora bushlands and thickets and the Masai xeric grasslands and shrublands. To the south, it is bounded by the humid Northern Zanzibar–Inhambane coastal forest mosaic in the lower Shebelle–Jubba River valley. The Hobyo grasslands and shrublands occupy a narrow strip of coastal dunes along Somalia's central Indian Ocean coast. To the northeast, the Somali montane xeric woodlands occupy the Ogo Mountains along Somaliland's northern coast, and the Ethiopian xeric grasslands and shrublands occupy the lowlands along the Red Sea. Between 1100 and 1500 meters elevation in the Ethiopian Higlands, the Acacia–Commiphora woodlands transition to the Ethiopian montane forests.
The ecoregion has a hot semi-arid to hot desert climate. Rainfall ranges from below 100 mm annually in the Ogaden to 600 mm on the lower slopes of the Ethiopian Highlands. Rainfall can be erratic and vary widely from year to year.
The plant communities include woodlands, shrublands, grasslands, and thickets. The predominant trees are deciduous species of Acacia and Commiphora, with a low herbaceous understory. Dactyloctenium aegyptium and Panicum turgidum are the principal grass species. Where rainfall is lower, the Acacia–Commiphora woodlands yield to low bushlands and grasslands.
The ecoregion is home to many species of gazelle, including the endemic dibatag (Ammodorcas clarkei, VU), beira (Dorcatragus megalotis, VU), hirola (Damaliscus hunteri, CR) and Speke's gazelle (Gazella spekei, VU).
10.88% of the ecoregion is in protected areas. Protected areas include Yangudi Rassa National Park, Nechisar National Park, Awash National Park, Omo National Park, Mago National Park, Borena National Park, Chelbi Wildlife Reserve, Babille Elephant Sanctuary, Senkelle Swayne's Hartebeest Sanctuary, and Yabello Sanctuary in Ethiopia, Malka Mari National Park in Kenya, and the Alifuuto Nature Reserve in Somalia.
Omo Child: The River and the Bush

Omo Child: The River and the Bush is a documentary film by John Rowe. It is about a young man who is on a quest to get tribes to change their beliefs and traditions. Namely their beliefs about curses. One tribe in particular had a custom of killing children that were believed to be cursed.
The film is set in the Omo River valley in Ethiopia. Children that are thought to be cursed are killed because it is believed that they can bring disease, famine and death to the tribes. Lale Labuko, an educated man decided to challenge the tradition that had been around for a long time.
As of October 2015, the film had managed to pick up 24 awards around the world.
Journeyman Pictures, a London-based distributor has the worldwide rights to the film.
Director John Rowe and Lale Labuko founded the Omo Child Organization to house rescued children. As of September 2015, they had housed 33 of these children.
Mingi

Mingi is the traditional belief among the South Omotic-speaking Karo and Hamar peoples of southern Ethiopia that children with perceived and true physical abnormalities are ritually impure. An example of perceived abnormalities include the top teeth erupting before bottom teeth. Children born out of wedlock (marriage) are also considered impure and therefore capable of bringing curses upon the people.
The fear of curses or bad luck for the tribe leads to the killing of many children. These children are disposed of either through drowning, putting soil in their mouths and strangling or leaving infants in the forest. The elders make the decision to brand a child mingi but the deaths are carried out by various members of the tribe. The Karo tribe officially banned the practice of mingi in July 2012, but it remains an active part of the belief system in others. It is believed as many as 686,000 individuals secretly practice it in other Omotic communities.
Among the Karo and Hamar, physically deformed or mingi individuals have traditionally been considered to exert an evil influence upon others, so disabled infants have traditionally been disposed of without a proper burial. Such a child was historically killed by forced permanent separation from the tribe by being left alone in the jungle or by drowning in the river.
Reasons for being declared impure include birth out of wedlock, the birth of twins, the eruption of teeth in the upper jaw before the lower jaw, and chipping a tooth in childhood. Some who were separated have been reported to shadow the tribe at a distance until eventually succumbing to hunger or predators.
When Italy occupied Ethiopia as part of its colony from 1936 to 1941, the Italian East Africa colonial government banned mingi practice because it was considered a crime.
A feature story in 2011 points out that there has been a dearth of academic scholarship on the subject, but "some observers have speculated that it might have started many generations ago as a way to purge people who are more likely to become a burden or who cannot contribute to the propagation of their people."
The Karo officially banned the practice in July 2012, while around 50,000 individuals secretly continue to practice it in other Omotic communities.
In 2008, Karo tribesman Lale Labuko began rescuing children deemed "mingi." The 2011 award-winning documentary film Drawn From Water chronicles Mr. Labuko's early mingi rescue activities. Together with California filmmaker and photographer John Rowe, Mr. Labuko founded Labuko's Omo Child Organization. To date, 37 children ages 1–11 have been rescued. The children live in a home built with the help of John Rowe.
An additional film about Mingi practices called Omo Child: The River and the Bush was released in 2015.
Mekan people

The Mekan or Me'en are a Surmic ethnic minority group inhabiting southwestern Ethiopia. The 1998 census lists them as consisting of 56,585 individuals. In Ethiopia, ethnic communities speaking Nilo-Saharan languages are referred to as "Nilotic", but this is not exactly the same meaning as the Nilotic language family. The Mekan traditionally participate in a unique festival known as Ka'el, during which the Mekan women sexualize the process of Mekan men gaining weight, and assist and encourage them in becoming as fat as possible. Mekan women will often select partners during this festival, typically from among the men they assisted in becoming larger.
The Mekan or Me'en speak the Me'en language, which is a member of the Surmic language family. The population is subdivided into two groups: the highland Tishena, who are agriculturalists, and the lowland Bodi, who are pastoralists.
In 2020, photographer Joey Lawrence (photographer) traveled to a village in Southern Ethiopia's Omo Valley to photograph the Kael competitors and make a behind the scenes documentary.
• 2021 winners: Oypocha and Gontidi
Okemesi

Okemesi-Ekiti is the local Government Headquarters of Okemesi/Idoile Local Government of Ekiti State, Nigeria, whose headquarters is the Ekiti town of Okemesi. Its population according to 2006 population census is 56,000 residents.
Okemesi-Ekiti is in the South-West of Nigeria, located within the tropical hinter-land in the rain forest area. It is located on latitude 7.82° North and longitude 4.92° East and an altitude of about 541 meters above mean sea level. Okemesi is bounded on the East by Ikoro-Ekiti and Ijero, on the South of Efon Alaaye, on the North of Imesi-ile and on the West by Esa-Oke both in Osun State. The town lies between two ridges running approximately north - south which cojoin close to the northern boundary and form the east and west limits of the undulating valley and low lands that make Okemesi. The unique terrain creates a scenic view of great tourism potential and value as well as provides below average temperatures during the cooler harmattan season. The low lands are rich in fertile soils which are good for agriculture, while the ridges are rich in quartzites and other minerals of economic value.
Okemesi Ekiti originated from Ife, the ancient and ancestral home of the entire Yoruba race. Ooye-lagbo, the founder of the town, was the eldest daughter of Olofin, the last king on the line of Oduduwa, whom is regarded as the father of the Yoruba. She was the eldest sister of Ajibogun founder of the town of Ilesa. They were of the same mother, by name, Seputu.
When the children of Olofin were to leave Ile-Ife in their sojourns to found their own kingdoms, their father, Olofin, told them to share his royal paraphernalia and properties consisting crowns and their deities among themselves. Ooye -Lagbo being the eldest daughter and the princess who knew more about the royal treasures and the secret of these deities, was the one tasked with sharing the patrimony. She gave them a crown each. She understandably chose the best of the crowns for herself together with one AJASE sword and some other local orisha of the Yoruba religion; such as: Obalufon, Oduduwa, and Ogun. These deities, or orisha, are regarded as deified ancestors of the Yoruba race. Olofin, himself, was afterwards also deified and is worshiped up till today in Oke-Mesi and other Ekiti towns like Ilara-Mokin.
Okemesi Ekiti is renowned for her deep historical connection with Ekiti and Ijesha Kingdoms and their people in general.
Okemesi is most famous for being the hometown of the prince, Fabunmi of Okemesi, whom was a warrior and a leader of the Ekiti-parapo forces in Kiriji War.
The current king of the town is HRM Oba Michael Gbadebo Adedeji CON Ariyowonye II. He is one of the 16 highest ranking kings of Ekiti, whom make up the council known as the Pelupelu.
Nyangatom people

The Nyangatom also known as Donyiro and pejoratively as Bumé are Nilotic agro-pastoralists inhabiting the border of southwestern Ethiopia, southeastern South Sudan, and the Ilemi Triangle. They speak the Nyangatom language.
The Nyangatom are members of the Ateker or Karamojong cluster that also contains the Turkana, Toposa, Karamojong, Iteso people (Kenya AND Uganda), Ibo People (Nigeria) and Jie who speak closely related languages. They number approximately 30,000 with populations in both South Sudan and Ethiopia. Many Nyangatom are nomadic, residing in mobile livestock villages that may migrate several times a year. A substantial number of Nyangatom also reside in semi-permanent villages. It is common for individuals to move between mobile cattle camps and semi-permanent villages.
The Nyangatom have intermittent conflict with many of their neighbors, especially the Turkana, Dassanetch, and Suri. Despite the risk of intergroup conflict, many Nyangatom have bond friends with members of other groups and there are trade relationships between the Nyangatom and many of their neighbors.
Along with other groups in the Lower Omo Valley, the Nyangatom face challenges to their future subsistence and cultural traditions due to large-scale agricultural projects occurring in their territory.
Isiagu

The Isiagu ([Leopard head] In English), also called Chieftaincy, is a highly prestigious attire that is worn by the Igbo people which signifies power, authority, and pride. It holds a significant cultural and symbolic value for the Igbo people. It is usually worn on special occasions like weddings and coronation ceremonies. The shirt may be long or short sleeved. Some shirts have gold buttons that are linked by a chain. There is usually a breast pocket on the front. Traditionally, the Isiagu was given to a man when he received a chieftaincy title. The shirt is usually worn with a red fez hat or the Igbo leopard cap. The leopard cap is known as Okpu Agu in the Igbo language.
Omø

Omø is a Danish island in the Great Belt. The island covers an area of 4.52 km (1.75 sq mi), with a 12-kilometre (7-mile) coastline, and has 168 inhabitants, of which the majority inhabit Omø village, which has a church, and Kirkehavn, a small harbour with a ferry boat berth, along with a newly built marina, made for the purpose of promoting fishery, which, along with agriculture, conforms the island's main economic activity. Some of the island's natural features are its lake and its bog; also, it is characterized for its varied bird life.
Omø maintains a lighthouse and cabins, along with a campsite, in order to invite tourism.
Basa Betawi

Basa Betawi atawa Melayu Dialék Jakarta atawa Melayu Batavia (bew) (Aksara Sunda Baku: ᮘᮞ ᮘᮒᮝᮤ) nyaéta salah sahiji basa anu mangrupa basa ti Melayu. Mararehna anu ngagunakeun basa ieu disebut urang Betawi. Basa ini hampir saumur jeung ngaran daérah tempat basa ieu dikembangkeun, nyaéta Jakarta.
Basa Betawi nyaéta basa kreol (Siregar, 2005) anu didasarkeun dina basa Melayu Pasar ditambah jeung unsur-unsur basa Sunda, basa Bali, basa ti Cina Kidul (utamana basa Hokkian), basa Arab, sarta basa ti Eropa, utamana basa Walanda jeung basa Portugis. Basa ieu mimitina dipaké ku kalangan masyarakat mangengah ka handap dina masa-masa awal parkembangan Jakarta. Komunitas budak sarta padagang anu paling sering ngagunahkeun. Sabab barkembang sacara alila, euweuh struktur baku anu jelas ti basa ieu anu ngabedakeun ti basa Melayu, lantaran aya sabaraha unsur linguistik diciri anu bisa dipaké, misalna ti sakabéh awalan me- (sapetos halna basa Melayu, kaasup basa Indonésia), panggunaan akhiran -in (sarua saperti basa Bali), sarta ngalihan bunyi /a/ dibuka di akhir kecap jadi /e/ atawa /ɛ/ dina sabaraha dialék lokal.
Tokoh-tokoh basa Betawi modérn:
Sakabéh tokoh di luhur nyumbang kana SASTRA ANYAR, nyaéta "Sastra Betawi" (Betawi Literature). Jadi tokoh sastra akademik anu perjuangkeun "Sastra Betawi" nyaéta:
Buku-buku anu jadi patokan "Sastra Betawi" nyaéta:
Acara TV (Televisi) anu jadi patokan "Sastra Betawi" nyaéta:
Topéng Betawi

Topéng Betawi nyaéta salah sahiji hasanah budaya seni ibing anu aya di pulo Jawa tebéh kulon ngawengku Bogor, Depok, Bekasi, Jakarta jeung sabagéan wilayah Banten. Topéng Betawi mangrupa gabungan musik, teater jeung visualisasi gerak improvisasi sarta nu jadi ciri, nyaéta pangibing maké topeng.
Topéng anu tina basa Kawi hartina kedok, mangrupa hiji ti loba kasenian anu hirup di Indonesia. Mimitina seni ibing di Betawi atawa Jakarta dipangaruhan ku kasenian ibing Sunda jeung kasenian ibing Cina nyaéta jaipong jeung ibing topéng Cina. Mimitina, topéng Betawi dipintonkeun kalawan kostum jeung aksésoris anu sarua saperti kasenian topéng di Cina. Tapi ka dieunakeun, kasenian ieu rada ngagésér ku parobahan-paroban anu signifikan tina mimiti kostum nepi ka rupa topéng anu dipakéna. Pangibing topéng Betawi ayeuna biasana maké topéng anu sarua saperti kasenian topeng Banjét di Karawang. Anu ngabédakeun nyaéta makéna basa, topéng Betawi maké basa Batawi.
Unsur di dieu nyaéta unsur anu nyusun kapintonkeuna kasenian topéng Betawi. Kasenian ieu kasusun ku 3 unsur anu baris ditataan ieu di handap:
Sedengkeun intsrumén anu dipaké dina kasenian ieu nyaéta:
Topéng Betawi mangrupa gabungan tilu unsur anu geus dipedar di luhur. Nalika dipintonkeun, sababaraha pamaén maké kostum anu husus sangkan némbongkeun ciri has tina kasenian ieu saluyu jeung bagéana saperti papasingan ieu di handap.
Pintonan dikawitan ku instrumén-instrumén, tuluy dikawitan ku ibing kedok nyaéta ibing Ronggéng Topéng anu dina prak-prakna maké tilu topéng sacara gantian. Baheula Ronggéng Topéng dijadikeun ibing pamungkas, tapi mangsa ayeuna dibalik. Pintonan dilajengkeun ku munculna ibing Kembang Topéng sarta dibarung ku bodor kalawan dipirig ku lagu Aileu, Lipet Gandes, Enjot-enjotan, jeung sajabana. Tuluy diteruskeun ku lakon bobodoran, biasana diangkat carita ngeunaan Bapak Jantuk. Lakon séjéna nyaéta Benguk, Pucung, Lurah Karsih, Mursidin dari Pondok Pinang, Samiun Buang Anak, Murtasik, jeung sajabana.
Dina lalampahan kamekaran kasenian ieu, biasana kelompok topéng nambahan sababaraha lakon panjang sapeuting jeput saperti: Jurjana, Dul Salam, Lurah Barni dari Rawa Katong, Asan Asin, Lurah Murja, Rojali Anemer Kodok, Waru Doyong, Daan Dain, Kucing Item, Aki-aki ganjen jeung sajabana. Cara makéna topéng nyaéta di gégél di bagéan anugeus disadiakeun di tukang kedok. Saperti kasenian buhun di Sunda, kasenian topéng Betawi ogé aya anu narepkeun tradisi saperti meuleum purukuyan, jeung disadiakeun sajén lengkep anu eusina béas, kalapa ngora, kainuman, rujak 7 rupa, bakakak, endog atah, sangu jeung deungeuna, sarta carutu atawa roko.
Basa Betawi Parung

Basa Betawi Parung mangrupakeun dialék ti basa Betawi. Dialék ieu kaasup kana cabang basa Betawi Pinggiran. Basa Betawi Parung loba kasaruaan kecap jeung cara nuturkeun ti basa Sunda Bogor. Malah basa Betawi Parung kacatet dina karya tulis, "Bukan Jakarta. Tapi Parung, Madam. Orang Parung tidak persis Betawi, tapi seperti campuran antara Betawi dan Sunda, karena memang Parung terletak di tengah-tengah." (Fira Basuki (2004) dina novel Rojak halaman 44).
Kekecapan dina basa Betawi Parung dipangaruhan pisan ku basa Sunda Bogor lantaran ayana padeukeut tempat panuturan, dihandap ieu conto kekecapan basa Betawi Parung;
Basa Parung Betawi dipaké di wewengkon Kabupatén Bogor beulah kalér, umumna di wewengkon Parung jeung sabudeureunana. Di Kacamatan Parung, bahasa Betawi Parung dituturkeun ku mayoritas pendudukna kajaba dibeberapa desa anu dibatesan langsung ku Kacamatan Kemang jeung Kacamatan Ciseeng. Di Kacamatan Ciseeng, basa Betawi Parung umumna dituturkan di wilayah Désa Ciseeng jeung Désa Parigi Mekar sedengkeun di desa-desa sejen mayoritas pendudukna nyarita basa Sunda. Di Kacamatan Gunungsindur, basa Betawi Parung téh dipaké di sakumna désa, iwal di Désa Gunungsindur jeung Désa Jampang nu mayoritas pendudukna nyarita basa Sunda. Sedengkeun di Kacamatan Kemang, Basa Betawi Parung umumna ngan ukur diucapkeun di sababaraha désa nu wates jeung Kacamatan Parung sedengkeun désa lainna lolobana nyarita basa Sunda
Soto Batawi

Soto Batawi (Aksara Sunda Baku: ᮞᮧᮒᮧ ᮘᮒᮝᮤ) nyaéta kadaharan wujudna soto anu mibanda ciri mandiri ti daérah Jakarta. Eusina méh sarua jeung soto Madura atawa soto sulung, sagigireun bahan dasarna tina daging ogé maké daging jeroan. Dina Kuahna soto Batawi, taya lian ti campuran cipati jeung susu, nya ku campuran ieu pisan anu ngabédakeun soto batawi jeung soto-soto séjéna nu aya di Indonésia.
Sebutan soto Batawi sorangan mimiti katelah kurang leuwih taun 1977-1978, tapi lain hartina saméméh éta taun can aya soto. Baheula mah soto anu kiwari disebut soto Batawi téh, dijual ngan wungkul maké ngaran anu ngajualna, saperti soto Pak "pulan" atawa sebutan séjén pikeun ngabédakeunna. Kiwari soto Batawi geus loba dijual di saluareun kota Jakarta, tur geus jadi bagéan anu penting dina widang kuliner Indonesia.
Yuhana

Yuhana (Achmad Bassach) éjahan heubeul Joehana nyaéta salah saurang pangarang Sunda. Salian éta manéhna ogé pamingpin rombongan sandiwara sarta kelompok Tembang Cianjuran. Romanna anu mimiti Carios Eulis Acih (Cerita Eulis Asih, 1923) sukses pisan, népi ka dicetak ulang ogé difilmkeun. Kisah roman ieu abus kana repertoar sandiwara Sunda, terus ogé repertoar lénong betawi anu katelah ku judul Anémér Bangkong. Yuhana ngadirikeun "romans bureau" (biro nulis roman) anu dingaranan "Yuhana" ogé, nyaéta ngaran anak angkatna.
Néng Yaya (1923)
Kasuat ku Duriat (1923)
Carios Agan Permas (1926)
Kalepatan Putra Dosana Ibu Rama (1927)
Rasiah nu Goréeng Patut (1928)
Gunung Gelenyu (1928)
Lalampahan Pangéran Nampabaya sareng Pangéran Lirbaya (1930)
Sajadah Pamijahan (1929)
terjemahan Al-Fur'qan juz III (1929)
Betawi language

Betawi, also known as Betawi Malay, Jakartan Malay, or Batavian Malay, is the spoken language of the Betawi people in Jakarta, Indonesia. It is the native language of perhaps 5 million people; a precise number is difficult to determine due to the vague use of the name.
Betawi Malay is a popular informal language in contemporary Indonesia, used as the base of Indonesian slang and commonly spoken in Jakarta TV soap operas and some animated cartoons (e.g. Adit Sopo Jarwo). The name "Betawi" stems from Batavia, the official name of Jakarta during the era of the Dutch East Indies. Colloquial Jakarta Indonesian, a vernacular form of Indonesian that has spread from Jakarta into large areas of Java and replaced existing Malay dialects, has its roots in Betawi Malay. According to Uri Tadmor, there is no clear border distinguishing Colloquial Jakarta Indonesian from Betawi Malay. Naimul Karim
The origin of Betawi is of debate to linguists; many consider it to be a Malay dialect descended from Proto-Malayic, while others consider it to have developed as a creole. It is believed that descendants of Chinese men and Balinese women in Batavia converted to Islam and spoke a pidgin that was later creolized, and then decreolized incorporating many elements from Sundanese and Javanese (Uri Tadmor 2013).
Betawi has large amounts of Hokkien Chinese, Arabic, Portuguese, and Dutch loanwords. Especially the Indonesian Arabic variation which greatly influences the vocabulary in this language. It replaced the earlier Portuguese creole of Batavia, Mardijker. The first-person pronoun gua ('I' or 'me') and second-person pronoun lu ('you') and numerals such as cepek ('a hundred'), gopek ('five hundred'), and seceng ('a thousand') are from Hokkien, whereas the words ane ('I' or 'me') and ente ('you') are derived from Arabic. Cocos Malay, spoken in the Cocos (Keeling) Islands, Australia and Sabah, Malaysia is believed to have derived from an earlier form of Betawi Malay.
Betawian Malay is divided into two main dialects;
Another Suburban Betawi variant is called Betawi Ora, which was highly influenced by Sundanese and Cirebonese.
Betawi is still spoken by the older generation in some locations on the outskirts of Jakarta, such as Kampung Melayu, Pasar Rebo, Pondok Gede, Ulujami, and Jagakarsa.
There is a significant Chinese community which lives around Tangerang, called Cina Benteng, who have stopped speaking Chinese and now speak Betawian Malay with noticeable influence of Chinese (mostly Hokkien) loanwords.
Examples:
The ending of every Betawi word that ends with an "a" is pronounced "e" like in the English word net. The "e" is pronounced in a way different from the way Johor and Riau Malays pronounce it.
Nasi kebuli

Nasi kebuli (kabuli rice; Arabic: الرز الكابلى; Arabic pronunciation: [ka:buli:]) is an Indonesian variation of pilaf. It consists of rice cooked in goat meat broth, goat milk, and clarified butter (most often ghee). It is popular among the Arab community in Indonesia (most prominent in Arab-descent Betawi in Greater Jakarta). Nasi kebuli was influenced by Arab culture and its origin can be traced to Middle eastern cuisine, especially Yemeni Arabian influence (mandi rice or kabsa), Indian cuisine influence (biryani rice), and Afghan influence (kabuli palaw).
In Betawi culture, nasi kebuli is usually served during Islamic religious festivities, such as Eid al-Fitr, Eid al-Adha or Mawlid. Outside Jakarta, nasi kebuli is mainly popular in regions with significant population of Arab Indonesians, such as West Java, Banten, Surakarta, Surabaya, Gresik and Banyuwangi.
The name kebuli is derived from kabuli palaw, which is an Afghan variety of pilaf, similar to Indian biryani, but with heavy influence of Hadhrami and Indian cuisine such as Mandi and Biryani in the cooking methods and seasoning.
The Middle Eastern version of kabuli rice is more similar to kabuli palaw than Indonesian nasi kebuli. The word pilaf, palau or palaw simply means a rice dish cooked with a seasoned broth. According to history, the dish was brought to the Middle-East from the Indian subcontinent and Central Asia. One distinction is the presence of shredded carrots and perhaps grapes in the Middle-east or Afghan version of Kebuli.
Nasi kebuli is made by cooking rice soaked in goat meat broth with milk or coconut milk instead of water. The goat meat is later cooked and mixed with sauteed spice mixture in a clarified butter (often with ghee, locally known as minyak samin). The spice mixture is made from ground garlic, shallot, ginger, black pepper, clove, coriander, caraway, cardamom, cinnamon, nutmeg, salt, and ghee. Then the goat meat, spices and sliced tomatoes are boiled together with half cooked rice in milk until completely cooked.
Nasi kebuli is usually served with asinan nanas (pineapple in spicy and sour sauce) or sometimes also topped with sambal goreng hati (cow liver in spicy sambal sauce) and sprinkled with raisins and sometimes nuts. In Indonesian Hadhrami community, sometimes it is served along with maraq soup (spice lamb/goat soup of Arab origin).
Kerak telor

Kerak telor (English: Egg crust) is a Betawi traditional spicy omelette dish from Indonesia. It is made from glutinous rice cooked with egg and served with serundeng (fried shredded coconut), fried shallots, and dried shrimp as toppings. Kerak telor is considered a snack and not a main dish. The dish has become popular at the annual Jakarta Fair.
Kerak telor is made freshly in front of customers. A small amount of glutinous rice is placed on a small wok and heated over a charcoal fire. Then, an egg (either chicken or duck) is added and mixed in with spices. No cooking oil is used, so the omelette sticks to the wok and allows the vendor to hold it upside down toward the fire, until it is cooked. Afterward, serundeng, dried salted shrimp, and fried shallots are sprinkled on top.
Kerak telor originates from the Dutch colonial era, when the quality of glutinous rice was poor, and eggs and other toppings were added to make it more palatable.
ශ්‍රී ලංකා පිළලිච්චා

ශ්‍රී ලංකා පිළලිච්චා (Dicaeum vincens) යනුවෙන් හඳුන්වන්නේ කුඩා රිටිලගු පක්ෂියෙකි. මෙම පක්ෂියා ශ්‍රී ලංකාවේ ආවේණික නේවාසික සුවැදියෙකි. මෙම පක්ෂියා නම්කොට ඇත්තේ ඕස්ට්‍රේලියානු පක්ෂි විද්‍යාඥයකු වන විලියම් වින්සන්ට් ලෙග්ගේ නාමය ඇසුරෙනි.
ශ්‍රී ලංකා පිළලිච්චා වනාන්තර සහ උද්‍යාන ඇතුළු වෙනත් වනවැස්ම සහිත වාසස්ථානවල දක්නට ලැබෙන පක්ෂියෙකි. ගසක එල්ලා වැටෙන පරිදි තැනූ පසුම්බියක හැඩැති කැදැල්ල තුළ බිත්තර දෙකක් දමයි.
මෙම පක්ෂියා ඉතා කුඩා, පිළලිච්චන් විශේෂයකි. 10 cm පමණ දිගැති පක්ෂියාගේ වලිගය කෙටි අතර, කෙටි ඝනකම් වක්වූ හොටයක් සහ නාලයක් වැනි දිවක් සහිත ය. මෙම ගුණාංග හේතුවෙන් පිළිලිච්චනට මල්පැණි උරාබීමට හැකියාව ලැබී ඇත. මීට අමතරව කුඩා ගෙඩි වර්ග, මකුළුවන් සහ කෘමීන් ආහාර ලෙස ගනියි.
පිරිමි ශ්‍රී ලංකා පිළලිච්චන්ගේ උඩුකය නිල්-කළු පැහැති අතර, ගෙල සහ ලයේ ඉහළ කොටස සුදු පැහැති ය. පහළ ‍ලය සහ උදරය කහ පැහැති ය. ගැහැනු පිළලිච්චන් අඳුරු පැහැති අතර, උඩුකය ඔලිව්-දුඹුරු පැහැති ය.
ශ්‍රී ලංකාවේ රුපියලේ තැපැල් මුද්දරයක් තුළ මෙම පක්ෂියාගේ රුව දක්නට ලැබේ. මෙම පක්ෂියා ඉංග්‍රීසි බසින් Legge's flowerpecker හෝ White-throated flowerpecker ලෙස හැඳින්වේ.
සැකිල්ල:Dicaeidae
මාළු (ආහාරය)

මාළු යනු මානවයන් ඇතුළු බොහෝ ජීවී විශේෂයන් විසින්පරිභෝජනය කරන්නාවූ ආහාරයකි. "මාළු" යන වචනය සත්වයාට මෙන්ම උගෙන් පිළියෙල කෙරෙන්නාවූ ආහාරයටද භාවිතා වේ. වාර්තාගත ඉතිහාසය තුල මානවයන්ට වැදගත් ප්‍රෝටීන් ප්‍රභවයක් ලෙසින් මාළු පැවැතිණි.
සමහරක් භාෂා වල, මාළුවා යන සත්වයා සහ උගෙන් පිළියෙල කරගන්නාවූ ආහාරයට භාවිතා කරන්නාවූ වචන අතර වෙනස් කම් ඇත (ඉංග්‍රීසියෙන් මෙම කරුණ සත්‍ය වන්නේ ඌරු මස් වලට භාවිතා වන පෝක් යන වචනය සහ හරක් මස් වලට භාවිතා කරන බීෆ් යන වචනයේදී වන අතර කුකුළු මස් වලට භාවිතා කරන චිකන් හිදී එසේ නොවේ). ස්පාඤ්ඤ වැනි භාෂා සත්‍ය වශයෙන්ම මෙම වෙනස හුවා දක්වන අතර (පෙස් යන පදය සත්වයාට හා පෙස්කාඩෝ යන පදය ආහාරයට) ඉංග්‍රීසි හෝ ප්‍රංශ වැනි අනෙකුත් භාෂා එසේ නොකරන අතර, මුහුදෙහි හෝ ගංගා වල ජීවත් වන සජීවි මාළු මෙන්ම ආහාර ලේඛනයෙහි සිටින මාළු සඳහාද භාවිතා කරන්නේ එකම පදයකි. සිංහලයෙන්ද, සත්වයාට හා ආහාරයට එකම පදයක්, එනම් මාළු යන්න භාවිතා වේ.
මුහුදු ආහාර විවිධාකාර වලින් පිළියෙල කර ගත හැක. එය ඉවීමෙන් තොරව (අමුවෙන්) පරිභෝජනය කල හැක(උදා. ෂෂිමි).
මාළු

මාළු යනු ජලජ ජීවීන් කොට්ඨාශයක් වේ.ඔවුන්ට සාමාන්‍යයෙන් කරමල්, යුගල වරල් සහ කොරපොතු වලින් වැසී ඇති දිගු ශරීරයක් ඇත. මසුන් ප්‍රදාන කොටස් තුනකින් යුක්ත වේ. එනම් අස්ථි මාළු (Osteichthyes), හකු රහිත මාළු (Agnatha) සහ කාටිලේජ මාළු (Chondrichthyes). දැනට සොයගෙන ඇති ආකාරයට, විවිධ වර්ගයේ මත්ස්‍ය විශේෂ 33,000කට අධික සංඛ්‍යාවක් ඇති අතර පෘෂ්ඨවංශී සතුන්ගේ වඩාත් විවිධාකාර කාණ්ඩය වන්නේ මාළු ය.
සත්‍යය වශයෙන්ම ලෝකයේ විවිධ මාළු වර්ග කීයක් සිටීදැයි කිසිවෙකු දන්නේ නැත, තවත් බොහෝ දේ නිරන්තරයෙන් සොයා ගැනේ. අපට ඉක්මනින්ම විශේෂ 35,000කට වඩා වැඩි ප්‍රමාණයක් හෝ දන්නා විශේෂ 40,000ක් පමණ සොයාගත හැකිවනු ඇත.
මත්ස්‍යයන් ලෙස වර්ගීකරණය කළ හැකි පැරණිතම ජීවීන් වූයේ කේම්බ්‍රියානු යුගයේදී ප්‍රථමයෙන් දර්ශනය වූ මෘදු ශරීර සහිත චෝඩේට් (chordates) ය. ඔවුන්ට සැබෑ කොඳු ඇට පෙළක් නොතිබුණද, ඔවුන්ගේ අපෘෂ්ඨවංශික සගයන්ට වඩා කඩිසර වීමට ඉඩ සලසන නොටෝකෝඩ් (Notochord) ඔවුන් සතුව තිබුණි. මත්ස්‍යයන් පැලියෝසොයික් යුගය (Paleozoic Era) හරහා අඛණ්ඩව පරිණාමය වෙමින් විවිධ ආකාරවලට විවිධාංගීකරණය විය. පැලියෝසොයික්හි බොහෝ මසුන් විලෝපිකයන්ගෙන් ආරක්ෂා කරන බාහිර සන්නාහයක් නිපදවා ඇත. හකු සහිත පළමු මත්ස්‍යයා සිලුරියන් යුගයේදී දර්ශනය වූ අතර ඉන් පසුව බොහෝ (මෝරුන් වැනි) බලවත් සාගර විලෝපික මසුන් බිහිවිය.
මත්ස්‍යයන් බොහෝ ජල මූලාශ්‍ර වල බහුලව දක්නට ලැබේ. උස් කඳු වල ඇති ඇළ දොළවල සිට, ගැඹුරුම සාගරවල ගැඹුර දක්වා සෑම ජලජ පරිසරයකම පාහේ මසුන් ජීවත්වේ. මසුන් චලතාපීන් (Ectothermic)වේ. එනම් පරිසර උෂ්ණත්වය වෙනස් වන විට ඔවුන්ගේ ශරීර උෂ්ණත්වය වෙනස් කිරීමට ඔව්න්ට හැකිය.
මාළු ලොව පුරා මිනිසුන් සඳහා වැදගත් සම්පතක් වේ . විශේෂයෙන් ආහාර සඳහා මසුන් යොදාගන්නා අතර වාණිජ හා යැපුම් ධීවරයින් මසුන් ඇල්ලීම හෝ සාගරයේ පොකුණුවල (ජලජීවී වගාවේ) මසුන් දඩයම් කිරීම රිම කරනු ලබයි . මීට අමතරව මිනිසුන් විනෝදාස්වාදය සඳහා මසුන් ඇල්ලීම, සුරතල් සතුන් ලෙස තබා ගැනීම ආදී දේවලටද මසුන් යොදාගනී. මෙහි මත්ස්‍ය පලනය(Fish keeping සංරක්ෂණය කළ පිටපත 2022-06-26 at the Wayback Machine) වැදගත් කර්මාන්තයක් වන අතර සුරතල් මසුන් සඳහා විශාල ඉල්ලුමක් ඇත . එසේම මත්ස්‍යයන් දෙවිවරුන්, ආගමික සංකේත සහ චිත්‍ර, පොත්පත් සහ චිත්‍රපට ආදී විෂයයන් වලදී විශාල සංස්කෘතික කාර්යභාරයක් ඉටු කර ඇත.
එන්ජල් මාළුවා

මසුන් ඇති කරන්නන් අතර ජනප්‍රිය ඇති කිරීමට අපහසුවක් නැති මාළු වර්ගයකි.මෙම මාළු වර්ග කිහිපයක් දැකිය හැකිය.එම වර්ග නම් Black Veil Angel , Marble Veil Angel , Blue Angelfish , Black Angel වේ.මෙම මසුන් වර්ගයේ නිජබිම දකුණු ඇමරිකාවේ amazon නදිය වෙයි.මෙම මසුන් සෙන්ටිමීටර් පහත් අටත් අතර ප්‍රමාණයක් දක්වා වැඩෙනු දැකිය හැකිය.
එන්ජල් මාළුවන් විශාල රංචු වසයෙන් ජිවත් වීමට කැමැත්තක් නොදක්වන අතර දෙදෙනා තුන් දෙනා බැගින් ජිවත් වීමට කැමැත්තක් දක්වයි.ඔවුන්ගේ ටැංකියක උෂ්ණත්වය 78 - 83 F අතරද PH අගය 6.4 - 6.9 අතරද පවත්වා ගැනීම සුදුසු වේ.මොවුන් කුඩා ටැංකි වලට වඩා ලොකු ටැංකි වලට ප්‍රියතාවයක් දක්වයි.මෙම මාලුන් සියලු දේ ආහාරයට ගන්නා නිසා කෑම ලබා දීම පහසු වේ.මෙම මසුන් බිත්තර දැමීමෙන් පැටවු බිහි කරනු ලබයි.ඕනෑම මාළු වර්ගයක් මෙන්ම මෙම මාළු ටැංකියක් සඳහා ද වැඩිපුර කෑම දැමීමෙන් වැලකීම වඩාත් හොඳ වෙයි.
මෙම ගොනුවට තොරතුරු ඇතුලත් කළේ Freshwater angelfish නමින් පහත මුලාශ්‍රයේ දත්ත පරිවර්ථනය කිරීමෙන් බව සලකන්න.
Thattai (Indian food)

Thattai (Tamil - தட்டை) is a deep fried snack from Tamil Nadu, India made with rice flour and commonly prepared during Pongal and Deepavali festival. It can be salted or sweet. It is known as Nippattu in Karnataka and Chekkalu in Andhra Pradesh/Telangana.
Thattai is a popular snack from the southern regions of India and also in Sri Lanka. Typically made for festivals and holidays such as Krishna Jayanthi and Deepavali, this treat can also consumed throughout the year. The Thattai has been idolized to be the perfect snack during teatime throughout the monsoon seasons. Thattai can be bought in specialty sweets and bakery shops, but many choose to make the delicious treat at home. The process of making Thattai can be time consuming, but it is easy to make, especially when compared to other traditional snacks.
Thattai is disc-shaped and is also called Thattu (plate) Vadai. The physical description of the Thattai is to be flat, round, and 2 inches in diameter. It is fried until golden-brown. Ingredients can vary as the snack differs in texture and taste across South Indian regions. Thattai Vadai is also popular among the Sri Lankan Tamil community, where it is known as Paruthithurai Vadai, named after the northernmost Sri Lankan village Paruthithurai (also referred to as Point Pedro) where the snack originated.
The typical ingredients are rice flour, urad daal, peanuts, fried gram, chana daal and other seasoning which are mixed in their respective proportions and deep fried in oil. It is available in various flavors including butter, ginger and masala.
Journey to the West (2010 TV series)

Journey to the West is a Chinese television series adapted from the 16th-century novel of the same title. The series was directed and produced by Cheng Lidong and starred Zhenxiang, Victor Chen, Xie Ning and Mou Fengbin in the leading roles. It was first aired on Zhejiang Satellite TV (ZJSTV) in China on 14 February 2010. This version is not to be confused with the 2011 television series of the same title produced by Zhang Jizhong.
One Fish, Two Fish, Red Fish, Blue Fish

One Fish, Two Fish, Red Fish, Blue Fish (stylized as One fish two fish red fish blue fish) is a 1960 children's book by Dr. Seuss. As of 2001, over six million copies of the book had been sold, placing it 13th on a list of "All-Time Bestselling Children's Books" from Publishers Weekly. Based on a 2007 online poll, the United States' National Education Association labor union listed the book as one of its "Teachers' Top 100 Books for Children".
It is a simple rhyming book for beginning readers, with a freewheeling plot about a boy and a girl named Jay and Kay and the many amazing creatures they have for friends and pets. Interspersed are some surreal and unrelated skits, such as a man named Ned whose feet stick out from his bed, a creature who has a bird in his ear, and one man named Joe who cannot hear the other man's call because of a mouse cutting the line.
Rik Mayall narrated this story as part of a HarperCollins audiobook that also includes The Lorax, Dr. Seuss's ABC and How the Grinch Stole Christmas!.
In the animated adaptation of Green Eggs and Ham, the titular fish are featured in the beginning of the episode "Train". When Sam, Guy and the Chickeraffe make their escape from a car barreling down a cliff, it lands in a lake where it promptly crushes a house belonging to a family of fish. Later in the episode as the mother checks on her own children, she specifically lists them off as "one fish, two fish, red fish and blue fish".
A preschool animated series based on One Fish, Two Fish, Red Fish, Blue Fish is in development for Netflix.
In the 2022 horror film adaptation The Mean One, based on How the Grinch Stole Christmas!, the red fish and blue fish made an appearance in a fishbowl at the hospital.
The book was the basis of a theme park attraction located at Universal Islands of Adventure in the Seuss Landing area of the park, called "One Fish, Two Fish, Red Fish, Blue Fish".
قهوة الفيشاوى

قهوة الفيشاوى ، قهوه فى خان الخليلى فى القاهره فى مصر . بتعتبر من اشهر وأقدم قهاوى القاهره ، فتحها الحاج فهمى علي الفيشاوى سنة 1772 فى العصر العثمانى فى عهد والى مصر محمد بك ابو الدهب. اشتهرت القهوه بتقديم الشاى الاخضر بالنعناع الطازه.
قهوة تدارت

قهوة تدارت هوا دوار فى المغرب.
قهوة تدارت موجود فى منطقه اداريه اسمها اجواطيم الشماليه.
لم يتم العثور على روابط لمواقع التواصل الاجتماعي.
الصفحه دى فيها تقاوى مقاله, و انت ممكن تساعد ويكيپيديا مصرى علشان تكبرها.
قهوه بورصه مصر

قهوه بورصه مصر هوا فيلم سينما من نوع دراما اتعمل سنة 2019 فى مصر.
قهوه بورصه مصر على موقع قاعدة بيانات الأفلام المصريه (العربية)
لم يتم العثور على روابط لمواقع التواصل الاجتماعي.
الصفحه دى فيها تقاوى مقاله, و انت ممكن تساعد ويكيپيديا مصرى علشان تكبرها.
جبق

الجبق أو الشبق Chibouk (او بالتركية الحديثة: çıbık أو çubuk، ومعناها العصا) هو أداة لتدخين التبغ، عياره عن قصبة طويله، استخدمت فى تركيا والولايات التابعة ليها فى العصر العثماني.
كان طول قصبة الجبق حولى 3 أذرع، وكان البعض يتخذونها من عود الياسمين، و غالى فيها الأغنياء فجعلوا فى فم القصبة حلمة من الكهرمان بحجم بيضة الحمام مرصعة بالأحجار الكريمة.
ومن الشخصيات اللى كانت بتدخن الجبق انور باشا، والمعلم جرجس الجوهرى، والشيخ عبد اللطيف فتح الله (مفتي بيروت فى القرن التسعتاشر)، اللي قال فيه اما جات له هدية من عكا سنة 1813:
قصيدة|قصباتُهُ أبزازُهَا مِن كَهربَا|أَحسِنْ بهَا قَوَّى الإلهُ جنانَها
قصيدة|كالأُمَّهاتِ المُرضِعاتِ رَضيعَهَا|أفَلا تَراهَا أرضَعَتهُ دُخَانَهَا
سالفاتور شيكوريل

سالفاتور شيكوريل (3 مارس 1893 - 15 فبراير 1975) كان من ابطال المبارزه المصريين ، و كان رئيس جالية السفارديين اليهودية فى القاهرة من سنة 1946 لغاية سنة 1957. هو ابن مورنيو شيكوريل مؤسس محلات شيكوريل الشهيره واللى ليها افرع فى كل محافظات مصر . شقيقه هو يوسف بك شيكوريل من مؤسسين بنك مصر.
فى المبارزة انه تنافس فى الفردى والفريق épée وفريق أحداث احباط فى دورة الالعاب الاولمبية الصيفية سنة 1928.
فى اجتماع مع اللجنة اليهودية الامريكانيه فى نيو يورك فى اكتوبر 1948، كرئيس للجاليه اليهودية السفارديه فى القاهرة، أعرب عن اعتقاده بخصوص تفجيرات القاهرة فى سنة 1948 "إن الفاشيات المعادية لليهود الأخيرة مرتبطة بوجود إسرائيل وهزايم الجيش المصرى هناك ".
وبالرغم من أنه بعد ثورة يوليه 1952 حرص سالفاتور على مد كبارى علاقات طيبة مع الظباط الأحرار، خصوصاً أنه كان معروف كرياضى سابق وكابتن منتخب مصر للمبارزة اللى شارك فى دورة أمستردام الاولانىيمبية سنه 1928.
يوسف شيكوريل

يوسف (بك) شيكوريل Cicurel من مؤسسين بنك مصر (سنه 1920)، كمان كان أخوه سالفاتور (بك) شيكوريل عضو فى مجالس إدارة الكتير من الشركات وعضو فى مجلس إدارة ال اوضه التجارية المصرية وبعدها بقى ريس لها. و كان ضمن البعثة الاقتصادية المصرية اللى سافرت السودان علشان يعمقو العلاقات التجارية بين البلدين ويفتحو مجالات جديدة قدام رؤوس الاموال المصرية فى السودان
وشيكوريل كان محل للارستقراطيه المصريه والعيلة الملكيه،اسسه ابوه مورنيو شيكوريل لكنه اتحرق بكور من نار اترمت عليه ايام حرب فلسطين سنه 1948.. واتحرق مره تانيه فى حريق القاهرة سنه 1952.. و فى المرتين أتعاد بناؤه بمساعدة الحكومة.. وبقى على حاله لغايه ماتحط تحت الحراسة بعد حرب السويس 1956.. لاكن اتخلى اصحابه عنه ببيع أسهمه لرجال اعمال.
لحق بباقى افراد أسرته فى اوروباسنه 1957 بعد ما نقل أرصدته الى الخارج وباع أهم شركاته:Les Grands Magasins Cicurel & Oreco S.A.E ذات رأس المال البالغ 600 الف جنيه واللى كانت بتعتبر جوهرة التاج فى شارع فؤاد اللى اتغير اسمه لشارع 26 يوليو، وسط القاهرة
قهوه

القهوه (نطق: [(ʔ)æhwæ]; انجليزى: Coffee, نطق امريكانى: /ˈkɑː.fi/, نطق بريطانى: /ˈkɒf.i/; فرنساوى: Café, نطق: /kafe/) هيا نبات اسمه العلمى (Coffea arabica) و المشروب اللى بيتعمل من الحبّايات المتحمصه بتاعته (بيتقال عليه بُن).
القهوه النهارده من اشهر المشاريب فى العالم كله. القهوه اكتشفوها فى اثيوبيا و من هناك انتشرتلاليمن ولمكة و مصر و منهم لبقية الدنيا.
القهوه لما ظهرت كانت من المحرمات على المسلمين و خرجت فتاوى عن شيوخ من الازهر فى مصر بتحريمها. لكن اضطهاد شريبة القهوه ماوصلش لدرجة اضطهاد شريبة الدخان. الاتراك العثمانيين كانو بيعاقبوا اللى تثبت عليه جناية التدخين بالاعدام.
فيه كتاب اسمه " عمدة الصفوة فى حل القهوة " كتبه فى القرن العاشر الهجرى واحد اسمه عبد القادر الحنبلى حكى فيه ان فى سنة 917هـ افتى شيخ فى مكه اسمه الخطيب بتحريم شرب القهوه ، فابتدا والى مكه يعاقب اللى يشربها او يبيعها. و بيقول الكتاب ان فى سنة 939هـ الشيخ العلامه و واعظ العصر شهاب الدين احمد سال : " ما قولكم رضى الله عنكم فى شراب يسمونه القهوة يجتمع عليه الجماعة ليشربوه ويزعمون انه مباح مع انه يترتب عليه مفاسد كثيرة، فهل ذلك جائز ام حرام ؟ فاجاب بحرمتها و انها مسكرة ... " و لما سمعت الناس الكلام اتحمست منهم اعداد فخرجوا للاسواق و كسروا اوانى القهوه و دلقوا البن فى الشوارع و قامت خناقات كتيره و كانت حاتحصل فتنه كبيره. و بيقول المؤلف ان " فى سنة 945 فى الوقت نفسه جماعة فى بيوت القهوة فى شهر رمضان بعد العشاء وافهم صاحب العسس، اما من تلقاء نفسه واما بامر اوحى اليه، واخرجهم منها على هيئة شنيعة بعضهم بالحديد وبعضهم مربوط بالحبال. فباتوا فى منزل السوباشاعه بعدين اطلقوا الصبح بعد ان ضرب كل منهم 17 ضربة ... "
شاى
قهوة الزباد

قهوة الزباد (بالإندونيسية: Kopi luwak) وتقرأ كوبي لواك، هي قهوة إندونيسية نادرة وباهظة الثمن، لها طعم ورائحة فريدين مميزين لها، وتعد من أغلى أسعار القهوة في العالم، ويصنعها حيوان زباد النخيل (luwak) لإنتاج قهوة الزَّبَاد (Kopi luwak) بإطعامه حبوب البن ثم استخدامها لعمل القهوه بعد خروجها من جسم الحيوان وتنظيفها من المخلفات الأخرى.
يتم إنتاج القهوة الخاصة بإطعام حيوان زباد النخيل حبوب البنّ، لتختمر في جهازه الهضمي ثم تلتقط من مخلفاته وتنظف من المخلفات الأخرى لعمل قهوة باهظة الثمن اسمها قهوة الزباد
يجمع المزارعون إندونيسيا والفليبين حبوب البن لدى خروجها من جهازه الهضمى وطرحها خارج جسمه بعنايه، ثم تُغسل وتحمص تحميصًا بسيطًا لتفادي تحطم التركيب المعقد لنكهتها المتميزة وطعمها.
Knee highs

Knee highs are hosiery that cover the feet and legs up to the knee. A fashion accessory for casual and classic cool or warm weather apparel. Typically worn by women in many societies, they are sometimes worn with modern semi-formal attire. Unlike ordinary socks, they are generally made of nylon or other stocking materials. There were also different types and uses of knee highs for women.
Knee highs became popular during the 1960s and 1970s, worn in regular knee high length or top of the knee length so they could be folded over at the top, with the increase in popularity of the mini dress and miniskirt. This style continued throughout the 1980s with above the knee and at the knee length dresses. And in the '80s they were worn not only with boat shoes and flats but also with sneakers that could be worn both dressy or casual. They come in many colors and patterns and transparency levels. They are more popular in cold weather, because they keep the feet and lower legs warm. They are sometimes worn with dresses or skirts whose hemline is below the knee, and with trousers and leggings to keep the feet warm, and with boots to catch perspiration; and sometimes form part of girls' school uniforms.
The Greeks, Egyptians, Romans, and Europeans wore articles of clothing similar to knee highs. It was during the Roman Empire that the first type of knee highs was introduced. At the time women wrapped their feet with cloth and bind leather straps around their feet up to the calves. It was done in order for warmth and protection. Later on, knee highs were bought and sold and became a fashion accessory. During the 1920s knee highs become popular in America. In the 1960s they became a fashionable accessory which lasted through the 1970s and 1980s and made a comeback in the mid to late 90s thanks to the movie Clueless They are still seen as part of many school uniform requirements. They have also been used in advertising for Nehi, a brand of soda that is pronounced the same way.
The British Army and the Navy required men to wear long woolen knee highs. They were to be worn for protection in the trenches, preventing foot rot. Many women sent long knitted socks to the troops during both World Wars.
Lattice stool

The lattice stool was the most popular type of stool in ancient Egypt. It is rectangular in form with a combination of features. These features would include: square section legs connected by a perimeter stretcher, a single cove, double cove or flat seat, vertical and diagonal struts joining the stretcher with the seat rail, and a seat surface material that consisted of woven reeds, wooden slats or various natural fibers. Holes were drilled into the seat rails in order to pass the woven material through the holes during the weaving process for a stronger integrity of the seat. Stools were one of the earliest types of seating and were used by all levels of society.
Egypt (1991 video game)

Egypt (エジプト, Ejiputo) is a puzzle video game released for the Family Computer in 1991 by Human. It was released only in Japan. It is an object elimination type puzzle game. A player controls a spherical jewel and jumps from tile to tile. Stepping on an arrow shifts a row or column in the direction of the arrow. Placing two or more of the same object next to each other will erase them from the board, and this must be repeated until all the objects have been eliminated from the board.
An Indiana Jones style explorer is trapped inside an ancient Egyptian temple. He meets a goddess who is so low in power that she can only take the form of a large, spherical jewel. He enters the jewel to restore her power by clearing each level.
The game is played on an 8x8 tiled grid. The player controls the large spherical jewel and can move around with the directional pad. The player can step on any type of tile except a wall. A tile can be either an empty space, a wall, an object, or an arrow.
When the player steps on an arrow, the row or column of the map is shifted in the direction of the arrow. For example, stepping on an up-arrow shifts the column containing the arrow, while stepping on a right-arrow shifts the row. Shifting a row or column does not move the player, so it appears that the map is shifting beneath the player. Arrows can be stepped on multiple times. When a tile is pushed off the edge of the map, it wraps around to the other side.
When a row or column is shifted, the objects are shifted as well. If two or more objects come into contact, they are eliminated. Eliminating all the objects moves the player to the next level. If there is only one object of any type remaining, the level is unfinishable, since there is no other object with which to eliminate it.
On the two easier levels of the game, the player can use items to assist with solving the levels. Items do not exist on the Hard difficulty mode. The use of items is not necessary to complete the game, as every level is solvable without items.
A translation group named "Dodgy Translations" has produced an English translation patch.
Egypt's Ten Greatest Discoveries

Egypt's Ten Greatest Discoveries is a documentary on the Discovery Channel, written and directed by Ben Mole and hosted by Zahi Hawass, featuring a list of the top ten discoveries of Ancient Egyptian sites and artifacts which are of cultural significance to the country. The list was compiled by Hawass with the assistance of some of the world's leading Egyptologists. Each discovery has a theme centered on a part of everyday life in Ancient Egypt. For six of those discoveries, a certain emphasis is placed on how some of their themes have managed to influence modern life. The documentary concludes with a short segment on how the practice of mummification influenced modern surgery, with both procedures sharing much of the same techniques.
The list of discoveries presented on the show. The discoveries are listed in the order they were presented.