davidanugraha/M4-RAG huggingface dataset:
Museo de Arte Contemporáneo de Monterrey

Museo de Arte Contemporáneo de Monterrey (English: Museum of Contemporary Art, Monterrey), abbreviated as MARCO, is a major contemporary art museum, located in the city of Monterrey, in Nuevo León state of northeastern Mexico.
MARCO organizes major exhibitions with regional and international contemporary artists. The museum is in the Centro district of Monterrey, adjacent to the Macroplaza and to the Barrio Antiguo district.
MARCO was designed by Mexican architect Ricardo Legorreta, in a Minimalist Post-modern architectural style. The museum building opened in 1991.
The artworks are in spaces with balanced arrangements of natural and artificial light.
The museum occupies a 16,000 square metres (170,000 sq ft) structure, with 5,000 square metres (54,000 sq ft) for exhibitions in 11 gallery halls. There is an outdoor sculpture garden courtyard, the Central Patio courtyard with a water mirror fountain, and an auditorium, gift shop and restaurant.
A large outdoor bronze sculpture is a landmark at the museum's entrance plaza on the street. It is an abstracted dove, titled "La Paloma" (the dove), by sculptor Juan Soriano. The 4 ton modern sculpture rises 18 feet (5.5 m) above the plaza and street corner of Zuazua and Jardón streets.
The permanent collection of the museum is composed of paintings, sculptures, installations, and graphic artworks.
The collection is primarily contemporary Latin American artworks, by Mexican and Latin American artists. There are also works by artists in Europe, the United States, and Canada in the permanent collection.
Many Mexican artists have been exhibited in temporary shows at MARCO, including Frida Kahlo, Mathias Goeritz, Gabriel Orozco, Manuel Álvarez Bravo, Armando Salas Portugal, Julio Galán, Teodoro González de León, Enrique Guzmán, Ricardo Mazal, Ricardo Legorreta, Miriam Medrez, Rodolfo Morales, Paula Santiago, Alberto Vargas, and Hermenegildo Bustos.
Other nationalities of artists have also been exhibited in temporary shows, including Isamu Noguchi, Joseph Beuys, Jenny Holzer, Joan Brossa, Ana Mendieta, Paula Rego, Cory Hanson, Henry Moore, Antony Gormley, Jan Hendrix, Michael Ray-Von, Annette Messager, Ron Mueck, Ernesto Neto, and Claudio Bravo.
In 2019 MARCO launched its #MuseoDeTodos marketing campaign, inviting people from all walks of life to visit the museum and enjoy the art in exhibition; The campaign was awarded an A! design award for their advertisement design.
25°40′08″N 100°18′36″W﻿ / ﻿25.669°N 100.310°W﻿ / 25.669; -100.310
Monterrey Mexico Temple

The Monterrey Mexico Temple is the 110th operating temple of the Church of Jesus Christ of Latter-day Saints (LDS Church).
The Monterrey Mexico Temple was the LDS Church's 12th temple built in Mexico. It serves over 91,000 members in the city of Monterrey and the northeast of the country in general. Prior to the construction of the temple, members had to travel as long as 25 hours and cross the U.S.–Mexico border to attend Spanish-speaking sessions at the Mesa Arizona Temple.
Due to local resistance to the original site chosen, ground was not broken for five years following the announcement of the temple. Although the church won a three-year legal suit, officials decided to relocate the structure to appease neighbors of the original site. The new temple site is located in the Huajuco zone of Monterrey along the National Highway. Construction on the temple began on November 4, 2000.
A two-week open house prior to the dedication of the temple attracted about 40,000 people. Among the attendees were business, government, civic leaders, and officials from other religious faiths. On April 28, 2002, LDS Church president Gordon B. Hinckley dedicated the Monterrey Mexico Temple, the 75th he had dedicated.
The Monterrey Mexico Temple has a classic modern design with a single spire. The exterior is finished with white granite. It has a total of 16,498 square feet (1,532.7 m), two ordinance rooms, and two sealing rooms.
In 2020, like all others in the church, the Monterrey Mexico Temple was closed for a time in response to the coronavirus pandemic.
Masjid

Mesjid (utawi ing Basa Jawi tataran ngoko: Masjid lan ugi kadhang kapocapaken Mejid) punika, papan kanggé ngibadah tiyang Muslim. Sanèsipun masjid ugi wonten "langgar" kaliyan "langgar" ingkang mèmper Mesjid, namung langkung alit. Ing tanah Jawi kathah mesjid ingkang arsitèkturipun taksih mèmper Meru.
Tembung "mesjid" utawi "masjid" punika kapendhet saking basa Arab masjid ingkang tegesipun "papan pasujudan". Tembung punika saking tembung kriya sajada (oyot s-j-d ingkang tegesipun "sujud" utawi "jèngkèng"). Tembung masjid utawi sajada dipunserap saking basa Aram. Tembung "m-s-g-d" sampun wonten ing abad ka-5 SM lan sasampunipun uga kapanggih wonten prasasti-prasasti Nabatea lan tegesipun ugi "papan pasujudan".
Wonten ing ajaran Islam kasebataken manawi mesjid ingkang nomer satunggal punika Ka'bah ingkang dipundamel déning Nabi Ibrahim. Wangunan mesjid kados ingkang kasebat punika dipunwiwiti wonten ing Madinah nalika jaman Muhammad ingkang kasebat Mesjid Quba.
Mesjid ingkang kawentar wonten ing Indonésia inggih punika Mesjid Istiqlal ingkang dipunrakit déning Friedrich Silaban ingkang dunungipun wonten ing caket Silang Monas, Jakarta.
Masjid Sultan Suriansyah

Masjid Sultan Suriansyah utawi Masjid Kuin inggih punika masjid bersejarah ingkang kalebet masjid paling sepuh wonten ing Kalimantan Kidul. Masjid punika dipunyasa ing mangsa papréntahan Sultan Suriansyah (1526-1550), raja Banjar kapisan ingkang ngrasuk agama Islam. Masjid Kuin punika kalebet salah satunggalipun saking tiga masjid paling sepuh ingkang wonten ing Banjarmasin ing mangsa papréntahan Mufti Jamaluddin (Mufti Banjarmasin), masjid ingkang sanèsipun inggih punika Masjid Gedhé (Masjid Jami) lan Masjid Basirih. Wujud arsitekturipun kados konstruksi panggung lan dhuwuré tumpang, ingkang kalebet masjid ingkang wujudipun tradhisional Banjar. Masjid ingkang wujud tradhisional Banjar punika wonten ing pérangan mihrab gadhah atap piyambak lan pisah kaliyan yasan induk. Masjid punika dipundamel wonten ing pinggir lepen Lepen Kuin.
Masjid kuna punika saged dipuntingali wonten ing 2 inskripsi ingkang dipunserat wonten ing babagan ingkang wujudipun segi wolu ukuran 50 cm x 50 cm inggih punika wonten ing kalih ron lawang, Lawang Agung. Wonten ing lawang pérangan tengen wonten 5 baris inskripsi Arab-Melayu: " Ba'da hijratun Nabi Shalallahu 'alahihi wassalam sunat 1159 ing taun Wawu ngaran Sultan Tamjidillah Karajan Negeri Banjar."
Masjid Ikhsaniyyah

Masjid Ikhsaniyyah utawa kondhang kanthi jeneng Masjid Batu iku masjid tuwa dhéwé ing kutha Jambi, provinsi Jambi. Masjid iki dumunung ing sebrang pusat Kutha Jambi sing dibelah Kali Batanghari, persisé ing kawasan Olak Kemang, kacamatan Danau Lempongan, Jambi.
Masjid Agung Jawa Tengah

Masjid Agung Jawa Tengah yaiku masjid paling megah ing Indonésia. Masjid kanthi arsitèktur kang éndah iki wiwit diyasa nalika taun 2001 lan dadi ing taun 2006. Komplèks masjid yaiku gedhong utama ambané 7.669 m2 déné lataré ambané 7.500 m2. Masjid Agung Jawa Tengah mapan ing dalan Gajah Raya, ing Désa Sambirejo, Gayamsari, Semarang, Kacamatan Gayamsari, Semarang, Kutha Semarang. Masjid iki diyasa wiwit dina Jumat, 6 Septèmber 2002 kanthi dipasangé cagak pancang utawa saka sing sepisanan déning Mantri Agama Républik Indonésia Prof. Dr. H. Said Agil Husen al-Munawar, KH. MA Sahal Mahfudz lan Gubernur Jawa Tengah, H. Mardiyanto. Pemasangan cagak pancang pisanan iku uga dirawuhi pitu duta besar saka nagara-nagara sahabat, ing antarané Arab Saudi, Uni Emirat Arab, Qatar, Kuwait, Mesir, Palestina, lan Abu Dhabi.
Masjid iki bisa dienggo jamaah akèhé nganti 15.000 jamaah. Masjid iki diresmèkaké Prèsidén Republik Indonesia, Susilo Bambang Yudhoyono, ing taun 2006. Ing adicara kepyakan, Bapak Présidhèn napak asmani watu prasasti sing dhuwuré 3,2 m lan aboté 7,8 ton sing ana ing ngarep masjid. Prasasti iki digawé saka watu alam sing asalé saka lèrèng Gunung Merapi. Prasasti iki dipahat déning Nyoman M. Alim sing uga dipercaya nggawé miniatur candhi Borobudur ing Minimundus, Vienna, Ostenrik ing taun 2001. Saliyané napak asmani prasasti, ing tanggal 14 November 2006 iku Bapak Prèsidén uga mencét tombol serine. Saliyané kanggo panggonan ngibadah, Masjid Agung Jawa Tengah uga minangka obyèk wisata terpadu pendidikan, rèligi, punjer pendidikan, lan punjer aktivitas syiar Islam. Kanthi lumebu ing masjid iki, pengunjung bisa nonton apa kang dadi khasé arsitèktur masjid sing campuran arsitèktur Jawa, Roma lan Arab.
Arsitèktur Jawa bisa katitik saka sawènèhing pérangan, antarané ing pérangan ngisor saka utawa cagak masjid migunakaké motif bathik kaya ta tumpal, untu walang, kawung, lan parang-parangan. Tandhané arsitèktur Timur Tengah (Arab) katitik ing témbok masjid yaiku ana rerenggan kaligrafi. Kajaba iku, ing èmpèran Masjid Agung Jawa Tengah ana 6 payung hidrolik raksasa sing bisa mbuka lan nutup kanthi otomatis, payung iki minangka adopsi arsitèktur yasan Masjid Nabawi ing Kota Madinah. Masjid iki uga diwènéhi gaya arsitèktur Roma, katitik ing désain interior lan lapisan warna sing kanthil ing pojok-pojok yasan.
Saliyané kanggo ngibadah salat, masjid iki uga nyediakaké papan panggonan kanggo kaperluan liya, tuladhané:
Kanggo lumebu Kawasan Masjid Agung Jawa Tengah iki, pengunjung ora dijaluki biaya. Nanging, yèn pengen lumebu ing aréa tinamtu kaya ta Menara Asmaul Husna, pengunjung diwajibaké mbayar Rp 3.000 saben wong yaiku nalika tabuh 08.00-17.30 WIB. Nanging yèn lumebuné jam 17.30-21.00 WIB tarif iku mau munggah dadi Rp 4.000 saben wong. Déné katur pengunjung sing péngin nganggo teropong pandhang, cukup mbayar Rp 500,-saben menité.
Masjid Agung Demak

Masjid Agung Demak punika salah satunggaling masjid ingkang paling sepuh ing Indonésia. Masjid punika mapan wonten ing tengah kutha Demak, leresipun dhusun Kauman, Demak, Jawi Tengah. Masjid punika dipunpitadosaken naté dados panggénan kempal para ulama (wali) panyebar agami IslamIslam, ingkang kasebat Walisanga, kanggé ngrembag panyebaran agami Islam ing Tanah Jawi lan IndonesiaIndonesia. Miturut Babad Demak, Masjid Agung Demak madegipun taun 1399 Saka 477M, ingkang dipunpratandhani kanthi Candrasengkala ingkang ungelipun Lawang Terus Gunaning Janmi. Ing pérangan sanèsipun inggih punika ing mihrab masjid wonten gambar bulus, (ing basa latinipun kasebat Trionyx cartilagineus) lan dados perlambang taun 1401 Saka (1479 M). Wangunan ingkang dipundamel saking kajeng jati, ukuran 31 x 31 m. Lan serambinipun gadhah ukuran inggih punika wiyaripun 31 x 15 m lan kapérang dados sekawan (4) saka (cagak), ingkang kadamel saking kajeng lan asring kasebat Saka Guru. Payonipun kapérang dados tigang undhakan inggih punika ndadosaké perlambang Iman , Islam , kaliyan IhsanIhsan. Kori (lawang/senthong) ingkang cacahipun gangsal (5) nglambangaken gangsal rukun Islam lan cendhélanipun ingkang cacah ganep enem (enem) nglambangaken rukun iman.
Masjid punika gadhah yasan-yasan indhuk lan serambi. Wangunan indhuk gadhah sekawan saka utami ingkang dipunsebat saka guru. Saka punika cariyosipun kadamel saking tatalan - tatalan kajeng, pramila dipunwastani 'saka tatal' Wangunan serambi minangka yasan kabuka. Payonipun awangun limas ingkang dipuntopang déning wolu saka ingkang dipunsebat Saka Majapait. Wonten ing salebeting lokasi komplèks Masjid Agung Demak, wonten sawatawis makam raja-raja Kasultanan Demak lan para abdi. Ugi wonten satunggaling musiyum, ingkang isi manéka kolèksi ingkang magepokan kaliyan riwayat madegipun Masjid Agung Demak.
Senaos sampun naté dipunrénovasi sawatawis nanging dipunpercanten manawi kanthi umum taksih wetah wujud aslinipun. Masjid punika wujud tuladha klasik wangun masjid tradhisional Jawi. Bènten kaliyan masjid-masjid ingkang wonten ing Wétan Tengah masjid punika kadamel saking kajeng. Payonipun boten awujud kubah (ingkang dèrèng katingal ing masjid-masjid Indonésia ngantos abad kaping-19).
Soklat putih

Coklat putih minangka salah sawijining olahan gula-gula coklat, warna gading pucat, digawe saka mentega koko, gula, padatan susu lan kadang-kadang vanila . Coklat putih ora ngemot padatan koko, sing ditemokake ing jinis coklat liyane, kayata coklat susu lan coklat peteng . Padat ing suhu kamar 25 °C (77 °F) amarga titik leleh saka butter coklat, mung coklat kacang komponèn saka coklat putih, iku 35 °C (95 °F) .
Gula soklat

Gula coklat minangka salah sawijining produk gula sukrosa kanthi warna coklat khas amarga anane molase . Iki minangka gula alus sing ora ditapis utawa ditapis sebagian sing kalebu kristal gula kanthi isi molase residu (gula coklat alami), utawa diprodhuksi kanthi tambahan molase menyang gula putih olahan (gula coklat komersial).
Gethuk

Gethuk iku panganan nyamikan (kudhapan) kang mligi digawé saka ketéla pohung (singkong). Gethuk iku panganan kang gampang ditemoni ing Jawa Tengah lan Jawa Wétan.
Gethuk ana kang digawé saka téla. Rasané uga bisa warna-warna. Ana kang rasa kèju, coklat, vanila, stroberi. Sak liyané iki, ana uga gethuk lapis, tegesé gethuk kang rasané warna-warna lan didadèkaké siji. Umpamané gethuk lapis rasa coklat, vanila lan strobèri. Téla kang dipilih kuduné téla kang mempur lan ora njarot, ora ketuwan lan ora bongkrèken.
Gethuk racaké disajèkaké kanggo cemilan karo ngombé tèh. Salah sijining variasi gethuk iku carané karo digorèng. Uga ana kang luwih seneng mangan gethuk kang dienggo pacitan manawa lagi ana tamu.
Bédané gemblong karo gethuk yaiku, gemblong iku panganan saka pohung, lan gethuk saka téla. nanging ana ing daerah Jepara gemblong iku panganan kang asalé saka ketan utawa diarani Jadah Carané gawé iya améh padha, kang bedakake yaiku
Donga rosario

Donga Rosario yaiku salah sijining donga sing ana ing tradisi Gereja Katulik. Donga Rosario sanyatané yaiku donga renungan bab misteri kaslametan (wiwit Yesus dikandung nganthi dimuliaké ing suwarga lan ngutus Roh Kudus).
Konjuk ing asma dalem Hyang Rama,
saha Hyang Putra,
tuwin Hyang Roh Suci.
Kawula pitados ing Allah,
Rama Sang Mahakuwasa,
ingkang nitihaken bumi langit.
Saha ing Gusti Yesus Kristus,
Putra Dalem ontang-anting,
Pangeran Kawula.
Ingkang miyos saking Ibu Kenya Maria,
kagarba déning kuwasa Dalem Hyang Roh Suci.
Ingkang nandhang sangsara nalika jamanipun Ponsius Pilatus,
saha kapenthang,
séda sarta kasarèkaken.
Tedhak dhateng papan pangentosan,
tigang dintenipun wungu saking séda.
Mekrad dhateng suwarga,
pinarak ing satengen Dalem Allah,
Rama Sang Mahakuwasa.
Saking ngriku badhé rawuh ngadili para tiyang gesang utawi pejah.
Kawula pitados ing Hyang Roh Suci.
Pasamuwan Katulik ingkang suci,
lan panunggiling para Suci.
Pangapuntening dosa.
Tangining badan.
Saha gesang langgeng.
Amin.
Kanjeng Rama ing suwarga,
mugi asma Dalem kaluhurna,
Kraton Dalem mugi rawuha,
Karsa Dalem kalampahana,
Wonten ing donya kados ing suwarga.
Kawula nyuwun rejeki kanggé sapunika,
sakathahing lepat nyuwun pangapunten Dalem,
kados déné anggèn kawula ugi ngapunten dhateng sesami.
Kawula nyuwun tinebihna saking panggoda,
saha linuwarna saking piawon.
Amin.
Sembah bekti katur ing Putri Dalem Hyang Rama, Sembah bekti kawula, Dewi Mariah, kekasihing Allah. Pangeran nunggil ing Panjenengan Dalem. Sami-sami wanita Sang Dewi pinuji piyambak, saha pinuji ugi wohing salira Dalem, Sri Yesus. Dèwi Maria, Ibuning Allah, kawula tiyang dosa sami nyuwun pangèstu Dalem, samangké tuwin benjing dumugining pejah.
Amin. Sembah Bekti Katur ing Ibu Dalem Hyang Putra, Sembah Bekti Kawula Dewi Mariyah...
Sembah Bekti Katur ing Prameswari Hyang Roh Suci Sembah bekti kawula Dewi Mariyah...
Mugi linuhurna Hyang Rama, saha Hyang Putra, tuwin Hyang Roh Suci.
Kados ing mulabuka, sapunika, sarta ing salami-laminipun.
Pinujia Asma Dalem Sri Yesus, Dewi Maria lan Santo Yusup,
Sapunika sarta langgeng.
Amin.
Dhuh Gusti Yesus ingkang maha agung, sakathahing lepat nyuwun pangapunten dalem.
Kawula ugi nyuwun kersa Paduk nebihaké saking mawa neraka, tansah tuntun raga kawula wonten ing suwarga,
Ingkang utami kanggo sadhèrèk-dhèrèk kawula ingkang sanget butuhaké kerahiman Paduka.
Penjaringan, Jakarta Lor

Penjaringan iku kacamatan ing Kutha Jakarta Lor, Daerah Khusus Ibukota Jakarta, Indonésia.
Ing kacamatan Penjaringan iki dumunung siji masjid misuwur yaiku Masjid Luar Batang kang dibangun taun 1739 déning Sayid Husein Abubakar Alaydrus<ref>Enjoy Jakarta: Luar Batang Mosque Archived 2011-04-19 at the Wayback Machine. (diaksès 3 Mèi 2011)</ref>
Masjid Niujie

Masjid Niujie ya iku sawijining masjid bersejarah kang dumunung ing Beijing, Republik Rakyat Cina. Masjid kang wis direnovasi bola-bali iki minangka pusat komunitas Muslim Beijing kang cacahé ngancik 200 èwu jiwa. Arsitekture ngatonake campuran désain kas Cina-Islam. Masjid kang gedhé dhéwé ing Beijing iki uga dadi titik wiwitan mlebune Islam ing daratan Cina.
Masjid Niujie kang dibangun taun kaping 14 masa pamaréntahan Tonghe saka Dinasti Liao (taun 996) déning wong loro asal Arab, minangka masjid kang gedhé dhéwé saka 68 masjid kang ana ing Beijing. Masjid iki diambakake nalika mangsa Dinasti Yuan, Ming lan Qing (abad kaping 13 nganti 19). Taun 1442 (Dinasti Ming), yasan masjid direnovasi lan ing 1696 (Dinasti Qing) diambakake. Sawisé Republik Rakyat Cina ngadek taun 1949, Masjid Niujie wis ngalami renovasi kaping3, ya iku ing taun 1955, 1979 lan 1996.
Masjid Niujie kang dumunung ing Niujie (Jalan Sapi), Distrik Xuanwu, Beijing, ya iku masjid kang tuwa dhéwé lan gedhé dhéwé ing Beijing. Niujie ya iku wewengkon padat kang ngemot 13.000 warga Muslim kang mbentang saka lor tekan kidul, sakiwa-tengené 1 mil ing sisih kulon Kuil Surga. Kawasan iki dikebaki déning toko-toko kang ngedol masakan Muslim déning bakule kang nggunakaké peci putih. Diarani Niujie amarga warga ing wewengkon iki ngedol masakan halal, mligi daging sapi mula diarani Niujie utawa "Dalan Sapi".
Parodi

Parodi, ya iku siji asil karya kang kanggo mlesetake, mènèhi komentar awit karya asli, judhul utawa ngenani pengarange kanthi cara kang lucu utawa kanthi nggunakaké basa satire. Kaya déné pangandikane Linda Hutcheon siji teoris literatur (2000: 7) puts it, "parody … is, not always at the expense of the parodied text." Sawijining kritikus liyané, Simon Dentith (2000: 9), negesi minangka "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice."
Parodi lumrahé ana ing karya-karya kagunan, kalebu literatur, musik, lan filem biyoskup. Tuladhané Parodi kang ditulis déning Samuel Mulia kang kapacak ing harian Kompas saben dina Minggu.
Cithakan:Kagunan-stub
Nikosia

Nikosia (basa Yunani: Λευκωσία; basa Turki: Lefkoşa) iku kutha ing Siprus lan minangka kutha krajan Siprus. Sing ndunungi cacahé 206.200 jiwa (2001). Kutha iki dipérang dadi loro: wewengkon lor (dikuwasani déning Républik Turki Siprus Lor) lan wewengkon kidul (Siprus). Nikosia iku siji-sijiné kutha krajan nagara ing donya kang dipérang dadi loro. Kutha iki dumunung ing cedhak pusat pulo, ya iku ing gisiking Kali Pedieos. Nikosia iku kutha paling padhet lan dadi pusat budaya, indhustri, komersial lan transportasi kang paling wigati ing Siprus.
Cithakan:Kutha krajan ing Asia
Guillermo De La Peña

Guillermo De la Peña ya iku ahli antropologi saka Guadalajara, Jalisco, Meksiko, kalairan taun 1943. Guillermo naté olèh pendhidhikan sarjana ana ing Instituto Libre de Filosofiay Ciencias, Meksiko (1967), MA taun 1970 lan Ph.D. taun 1973 ana ing University of Manchester. Guillermo naté nglakoni panlitian antropologis ana ing komunitas Gypsy, Madrid, Spanyol (1969), Meksiko (1970), Meksiko City (1974), lan Jalisco, Meksiko (1976-2000). Saka panlitiané, Gullermo nulis werna-werna karya akademis, antarané iku A Legacy of Promises (1980), ‘Ideology and practice in southern Jalisco: peasants, rancheros, and urban entrepreneurs’ ana ing buku Kinship Ideology and Practice in Latin America (1984), ‘Populism, regional power, and political mediation: southern Jalisco, 1900– 1980’ ana ing buku Mexico’s Regions: Comparative History and Development (1992), lan ‘La ciudadanía étnica y la construcción de ‘los indios’ en el México contemporáneo’ (Jawa: Warga Etnik lan Konstruksi Bebrayan Indian ing Mèksiko kontemporèr) taun 1995. Dhéwéké fokus ing bab struktur regional, kakuwasan, lan nagara. Dhéwéké uga ngadegaké institusi antropologi ing Méksiko.
William F. Hanks

William F. Hanks ya iku ahli antropologi saka pulo Rhode, Amérikah Sarékat, kalairan ing taun 1952. William naté olèh pandhidhikan pawiyatan luhur saka Georgetown University (BS) ing taun 1975. Sabanjuré ana ing University of Chicago lan olih gelar MA ing taun 1979 lan Ph.D. ing taun 1983. Panlitian lapangan kang linakoni naté ana ing wewengkon Oxkutzab, Yukatan (taun 1977) lan Merida Yukatan (taun 1993). Karya-karya antropologis kang sinerat déning dhèwèké ya iku antarané Referential Practice: Language and Lived Space among the Maya (taun 1990), Language and Communicative Practices (taun 1995), lan Intertexts: Writings on Language, Utterance and Context (taun 1999). Pakaryan William fokus ing bab hubungan natara basa lan urip sosial sajroning linguistik lan antropologi. Dhèwèké uga wis ngembangaké sosiolinguistik.
Leopoldo J. Bartolomé

Leopoldo J. Bartolomé ya iku ahli antropologi saka Posadas, Argèntina kalairan 6 Dhésèmber 1942. Dhéwéké ngerampungké pandhidhikan èlmu antropologi saka Buenos Aires University, Argentina. Sabanjuré Bartolomé nerusaké kuliyah ing University of Winconsin, Madison, Amérikah Sarékat taun 1971. Dhèwèké olèh gelar Ph.D. saka pawiyatan luhur mau taun 1974. Bartolomé ngayahi panalitèn lapangan ing Chaco (1968), Apóstoles (1973-1974), lan Posadas (1978, 1985) Argentina. Bartolomé uga nyerat werna-werna karya tulis kaya ta The Colonos of Apóstoles: Adaptive Strategy and Ethnicity in a Polish-Ukrainian Settlement in Northeast Argentina (1991), ‘The Yacyretá experience with urban resettlement: some lessons and insights’, in Michael M.Cernea and Scott Guggenheim (eds), Anthropological Approaches to Resettlement Policy, Practice, and Theory (1993). Ing panlitèné kang kapisan ing Indian Chaco, Bartolomé nganalisis sistem tani kang stagnan (tetep) kang dhedhasar sistem prodhuksi yerba-mate, sistem tani lokal ing kana. Ing lakon kariré, dhèwèké naté dadi ketua program transmigrasi kutha lan aksi sosial Ente Binacional Yacyretá (1979–1989) ing Posadas Argentina lan Encarnación paraguay. Bartolomé ngolèhi nggabung terapan lan panalitèn dhasar ing jurusan antropologi Misiones.
Haji Ali Dargah

Haji Ali Dargah yaiku mesjid lan dargah utawi monumen Pir Haji Ali Shah Bukhari sing wonten ning sawijine pulo cilik ning sagara pantai Worli ning bagian kidul Kutha Mumbai, India. Mesjid iki minangka tujuan pariwisata agama sing populer kanggo umat Islam ing India lan uga para pengikut agama liyane. Haji Ali Dargah minangka landmark penting ing India utamane ing kutha Mumbai lan saubengé, mesjid iki dumunung ing pesisir kutha udakara 500 meter saka kutha Mumbai ing tengah Samodra Hindia. Bangunan iki minangka kompleks makam utawa monumen saka Sayid Pir Haji Ali Shah Bukhari, dheweke minangka sufi, Haji lan sudagar sugih sing asale saka Uzbekistan.
Wong saka kabèh penjuru jagad tanpa kasta, akidah lan wates agama ngunjungi Dargah kanggo ndedonga lan ngaturake kekarepan kanthi ngarepake berkah saka Sayid Pir Haji Ali Shah Bukhari. Sawetara wong ndedonga babagan kasugihan, kesehatan, bocah, omah-omah lan liya-liyane. Panggonan iki wis diadegaké wiwit abad kaping 19 lan minangka papan sing bersejarah tumrap umat Islam ing India.
Haji Ali Dargah dibangun ing taun 1431 minangka tugu kanggo ngelingake saudagar Muslim sing sugih, Sayid Pir Haji Ali Shah Bukhari sing sampun ngibahake kabèh harta lan benda duniyawi sedurunge hijrah menyang Mekah. Pramila tempat iki digawé minangka masjid sing didegake ing tengah sagara kanthi akses ing dalan sing sempit supados bisa menehi kesan sing unik. Ing pasang dhuwur banyu laut, dalan akses menyang masjid iki bakal ditutupi banyu sagara kados ngupai kesan manawa papan iki ngambang ing ndhuwur sagara.
Struktur bangunan iki nduwe kubah putih lan menara sing ngelingake arsitektur saka Kesultanan Mughal ing wektu kasebut. Didominasi kanthi cat werna putih, mesjid iki minangka tujuan sing apik kangge para pengunjung. Udakara 10-15 ewu wong ngunjungi Haji Ali Dargah saben dinane. Jumlah pengunjung bakal nambah kanthi dramatik dadi 20-30 ewu wong ning akhir minggu. Udakara 100.000 jemaah ngunjungi tempat iki kaya sagara wong ing preinan dinten utawi dina raya muslim, kaya ta ing dina Ramadan lan bakal nambah dina Idul Fitri lan Idul Adha.
Kajaba dadi landmark lan tujuan pariwisata, fungsi utamane ing mesjid iki mesthi kangge ndedonga (salat) lan peribadatan liyane, ruangan pandonga digawé kanthi kapisah kanggo para lanang lan wadon supados njaga pakurmatan ing mesjid iki. Sanajan sadurunge, suwene 5 taun wanita dilarang ngunjungi papan iki nganti larangan diangkat tanggal 26 Agustus 2016.
Dumunung 500 yard sisih kulon pesisir kutha Mumbai, India. Mausoleum iki ana ing cedhak arena olahraga Mahalakshmi.
Masjid Camii Tokyo

Masjid Camii Tokyo, Tōkyō-jāmii (東京ジャーミイ, Tōkyō-jāmii) uga karan Masjid Tokyo, punika masjid kang dibangun wonten kompleks Pusat Kabudayan Turki ing Ōyama-chō, Shibuya-ku, Tokyo, Jepang. Masjid iki kalebu masjid paling gedhé ing Jepang. Masjid iki dibangun bebarengan karo sekolah ing tanggal 12 Mei 1938 déning wong Bashkir lan Tatar kang ngungsi menyang Jepang sawisé Revolusi Oktober. Pambangunané diawasi karo Abdürreşid Ibrahim (imam kapisan masjid) lan Abdülhay Nikolay Ali.
Ing taun 1986, masjid kasebut kudu dibongkar amargi karusakan struktural kang gedhé. Kanthi arahan lan sengkuyungan saka Türkiye Cumhuriyeti Diyanet Işleri Başkanlığı (Kamantrian Agama Republik Turki), pambangunan wangunan anyar dipunwiwiti ing taun 1998. Arsitek pambangunan ya iku Muharrem Hilmi Senalp. Arsitektur masjid digawé adhedasar gaya ottoman, mula wujudé masjid arep madani masjid ing Turki. Watara pitung puluh tukang saka Turki ngurus masalah finishing, lan mayoritas bahan baku marmer ditekaké saka Turki. Pambangunan masjid iki rampung ing taun 2000 kanthi biaya kira-kira 1,5 milyar yen. Paresmian dianakaké ing tanggal 30 Juni 2000.
Tokyo Camii punika ngadek ing lemah kang jembaré 734 meter persegi lan nduweni petang lantai (telung lantai nduwur lan siji lantai basement) kanthi jembar total 1.477 meter persegi. Kubah utama dhuwuré 23,25 mèter lan enem cagak utama, saben-saben cagak dhuwuré 41,48 metèr.
Nalika lumebu/ngunjungi masjid iki, panjenengan kudu manut paugeran ingkang wonten. Yaiku:
Masjid Tokyo diurusi déning Tokyo Camii Foundation lan masjid iki dinobatké sebagai salah siji saka 20 obyek wisata gratis apik dhéwé ing Jepang 2017 déning Tripadvisor.
Tembung camii punika dijipuk saka Basa Turki ne jami'. Tembung jami' ing Basa Arab tegesé "papan ngumpul jemaat."
Bruwang coklat

Beruang coklat utawa Bruwang coklat (Ursus arctos) minangka spésies bruwang gedhe sing ditemokake ing Eurasia lan Amérika Utara. Ing Amérika Lor, populasi bruwang coklat diarani bruwang grizzly, dene subspesies sing manggon ing Kapuloan Kodiak, Alaska dikenal kanthi jeneng bruwang coklat Kodiak.
Soklat peteng

Coklat peteng (uga dikenal minangka coklat ireng, coklat ireng peteng, coklat polos, utawa coklat asem) minangka salah sawijining coklat sing ngemot padatan koko, mentega koko, tanpa susu utawa mentega sing ana ing coklat susu . Standar papréntahan lan industri babagan produk sing bisa diwenehi label "coklat peteng" beda-beda miturut negara lan pasar. Sanajan coklat peteng duwe reputasi minangka alternatif sing luwih sehat kanggo jinis coklat liyane, kaya ta coklat susu, bukti-bukti bermutu tinggi kanggo mupangat kesehatan sing signifikan, kaya ta tekanan getih, durung kabukten.
List of mosques in Indonesia

This is a list of mosques in Indonesia. The Indonesian term Masjid Agung is translated as "Great Mosque", while Masjid Raya is translated as "Grand Mosque." Masjid Keramat is translated as "Holy Mosque." Masjid Jami is translated as Jami Mosque which refers to the congregational mosque where the weekly Friday prayer takes place. These lists only include notable mosques.
As of 2020, a government team led by Fakhry Affan has registered 554,152 mosques in Indonesia. This consists of 258,958 congregational mosques and 295,194 small mosques which fit 40 people or fewer. The government estimates total number of mosques at more than 740,000 nationwide. To be included in this list, the mosque has to be a landmark of a particular region and historically notable.
Below is a list of large mosques of Indonesia. To be listed here, the building capacity has to accommodate at least 15,000 people.
Sheikh Zayed Grand Mosque, Solo

The Sheikh Zayed Grand Mosque, Solo (Arabic: جَامِع ٱلشَّيْخ زَايِد ٱلْكَبِيْر، سوْلو‎, romanized: Jāmiʿ Aš-Šaykh Zāyid Al-Kabīr, Sōlō; Indonesian: Masjid Raya Sheikh Zayed, Solo) is a mosque in Solo, Indonesia, which is a smaller replica of the grand mosque in Abu Dhabi, the U.A.E. Built at a cost of US$ 20 million (Rp 313.1 billion), it is named in honour of the UAE's founder, Sheikh Zayed bin Sultan Al Nahyan.
Sheikh Mohamed bin Zayed Al Nahyan, who was then the Crown Prince of Abu Dhabi, visited Indonesia in July 2019 and offered the mosque as a gift to President Widodo. Construction began on Monday, 8 March 2021.
On November 14, 2022, President Widodo and his Emirati counterpart, Sheikh Mohamed, inaugurated the grand mosque [id]. It was completed on Tuesday the 28th of February, 2023.
The mosque occupies an area of 8,000 square metres (86,000 sq ft), and can accommodate about 10,000 worshippers. It has 4 minarets and 82 domes in total. Of these, a large central dome is surrounded by 4 smaller ones. The main prayer area has 32 columns. There is also a center for training clerics, which is sponsored by the UAE.
Prayer callus

A prayer callus, prayer bump, zabiba or zebiba (Arabic: زبيبة zabība, "raisin") is a callus on the forehead present in some devout praying Muslims. Owing to its societal significance it is also known as the "devout sign". Among notable Egyptian leader Anwar Sadat's reputation for personal piety was evidenced by a callus on his forehead from repeated prostration in prayer.
Islam requires its adherents to pray five times a day (known as salat), which involves kneeling on a prayer mat and touching the ground (or a raised piece of clay called turbah by the Shia) with one's forehead. When done firmly for extended periods of time, a callus – the "prayer bump" – can develop on the forehead which may be considered as a sign of piety and dedication. Some Muslims believe that It is referred to in the Quran as:
Some Muslims also believe that on the Day of Resurrection, this callus will fluoresce with an immense white light. With the growing popularity of the zabiba in Egypt, its visibility can enhance societal standing and reflect an individual's commitment to prayer, creating a favorable first impression. In some cases, the callus can be thick enough to create a noticeable bump that protrudes from the forehead.
My Salah Mat

My Salah Mat is an interactive prayer mat which was created by Kamal Ali. It is a prayer mat for Muslims which has been described as a 'first ever' by ITV News. In 2022, it went viral in the Middle East.
My Salah Mat was founded and created in 2018 by Kamal Ali and the business is headquartered in Newport, South Wales. According to Wales Online, the concept for this interactive prayer mat originated from Kamal Ali's personal experience with his son, who was struggling to learn how to pray.
As per report of the Nation.Cymru, My Salah Mat has contributed a significant portion to the export economy of the Wales. Following which the Wales's Economy Minister, Vaughan Gething visited their headquarter to congratulate them. The Welsh Government also funded their virtual trade trips to Qatar, the UAE and Malaysia in order to helped them determine the best routes of entry into these territories.
In 2022, it was featured in the Nuremberg International Toy Fair through My Salah Mat Deutschland.
Kamal Ali

Kamal Ali is a British Bangladeshi entrepreneur and the founder of the educational product, My Salah Mat. He is known for his contribution to the field of Islamic education by inventing the smart interactive Muslim prayer mat.
After completing his studies, Kamal began to develop an anti-theft ihram belt in 2008. This was designed for people traveling for the Islamic Hajj pilgrimage, and led to him launching the brand Hajj Safe, a company that designs and manufactures anti-theft ihram belts. At this time he was a teacher by profession.
After the success of Hajj Safe, Kamal Ali started working on an educational tool that would help young children learn about Salah in an engaging and interactive manner. This led him to conceptualize and create the My Salah Mat which is a prayer mat designed for children that uses interactive technology to teach children to learn to pray in a fun and interactive way. The prayer mat utilizes touch-sensitive sensors and built-in audio to guide children through the various steps of Salah, including positions and recitations.
Ali's product gained widespread recognition and popularity within the Muslim community, both locally and internationally.
In 2014, Ali campaigned to renovate Pill Park for his son's safety. Despite some cleanup by Newport City Council, Ali remained disappointed due to lingering broken glass. He emphasizes the need for CCTV and monitoring. The council acknowledges the concerns and planned to revise park inspections. In 2022, Ali was a finalist for the Welsh Global Entrepreneur Of The Year Award. In 2023, Kamal was selected as a finalist by the Welsh First Minister for the St David Awards in the category of Innovation, Science and Technology.
Al Noor Mosque (Sharjah)

Al Noor Mosque (Arabic: جَامِع ٱلنُّوْر‎, romanized: Jāmiʿ An-Nūr) is a mosque in Sharjah, the U.A.E., located on the Khaled lagoon at the Buhaira Corniche. It is of Turkish Ottoman design and was influenced by the Sultan Ahmed Mosque in Turkey. It is one of the mosques open to the public in Sharjah, which has over 600 total.
In 2014 the mosque set a Guinness World Record for the "World's largest wooden charity box" for their Ramadan donation campaign.
Douk-Douk

The douk-douk is a French-made pocket knife of simple sheet-metal construction. It has been manufactured by the M. C. Cognet cutlery firm in Thiers, France, since 1929.
The external engraving of the douk-douk was created in 1929 by Gaspard Cognet of Cognet, Antoine & Gaspard for sales to France's colonies in Oceania. The handle depicts a "douk-douk", or Melanesian spirit incarnation. Cognet based the design on an engraving in an illustrated dictionary. Later other designs such as the "El Baraka" and "Tiki" were developed for other regional markets, particularly in French Algeria, and even south into Sub-Saharan Africa.
Originally intended as an inexpensive utility pocket knife for the ordinary working man, the popularity of the douk-douk caused it to be pressed into service as a weapon when necessary. During the 1954-1962 FLN-led revolt in Algeria, the douk-douk was used as weapon of assassination and terror; Algerians who ran afoul of the FLN frequently had their noses removed with a knife, many of them douk-douks (or more properly the El Baraka model which was sold in Algeria, due to Muslim ideals on what sorts of images were appropriate). It could easily be converted from a folding-blade pocket knife into a useful fixed-blade knife by the simple expedient of hammering the ends of the sheet-metal handle together behind the blade's bolster, locking the blade into the full-open position.
The douk-douk is a very simple slipjoint knife, having no locking mechanism, but only a very strong backspring to bias it towards the open, closed and 90 degree positions. This intermediate position is to help prevent the blade from snapping shut on the users fingers if the user accidentally folds the blade while cutting. The knife consists of only six parts:
The cutlery firm of M.C. Cognet has continued to produce the knife up to the present day, using the same simple methods. Today they are offered with several decorative designs, stainless or carbon steel blades, in three different sizes.
Current variants
Mercator K55K

The Mercator K55K is a type of pocketknife produced in Germany since around 1867. Mercator knives were primarily produced by Hy. Kauffmann, which was operational from 1856 to 1995. The Mercator K55K knife is still produced in Germany by Mercator, now a division of Otter-Messer.
The Mercator K55K is of very simple construction: The handle consists of a folded piece of sheet metal, usually painted black, engraved with the outline of a leaping cat and the legend "K55K", with the second "K" being backwards. The blade has a nail-nick by which it may be grasped to pull it open, and it locks in the open position (a lockback knife), after which it may only be closed by depressing a lever at the back of the knife. As of 2013, the knife can be purchased with a stainless steel or carbon steel blade.
The Mercator's construction is similar to that of the later appeared French Douk-Douk knife, in terms of the simple folded-metal handle. However, the Douk-Douk is a slipjoint knife, whereas the K55K is a lockback knife and has a different blade geometry.
The designation "K55K" with the inversed second K is a code for the original producer's main office in Solingen and the knife model designation. The correct code deciphering according to the website of the current manufacturer would be: "K" for "Kaufmann" (the name of the original producer), "55" for "Hochstraße 55" (the address of the original company residence in Solingen, Germany), and the inversed second "K" (for "Katze" which translates to "cat" - the knife's main emblem).
This knife gained popularity in the United States following World War II, as returning servicemen brought Mercator knives home from Germany. Though some believe that the Mercator K55K was issued to German troops, no evidence of this exists. However, it is probable that many German soldiers privately purchased these knives for their own use.
The Mercator knife also found some popularity with delinquent youths, and by the mid-1960s the "K55K" or "K55" was described as the "weapon of choice among the older teenagers of the South Bronx."
Silent mode

Silent mode is a setting available on mobile phones and pagers that, when activated, disables the ringtones and, in some cases, also the vibrating alerts or alarm. Unlike the airplane mode, the silent mode still allows the device to receive and send calls and messages. This quiet option may be useful in meetings, speeches, libraries, museums, or places of worship. In some places it is mandatory to use the silent mode or to switch off the device.
As mobile technology has evolved, so has the functionality of silent mode. Modern smartphones now allow users to customize silent mode with more granularity, such as enabling vibration alerts for specific contacts or allowing certain types of notifications (e.g., alarms or emergency alerts) to bypass the silent setting. Additionally, some devices integrate automated silent mode features, activating it based on location, time of day, or during calendar events. This automation helps users maintain phone etiquette in social or professional environments without manual input.
Silent mode also plays a significant role in accessibility, particularly for individuals with hearing impairments. By utilizing vibration or visual notifications (such as flashing lights), devices in silent mode can still alert users to incoming calls or messages without relying on sound. Additionally, many devices allow integration with accessibility features, ensuring that users can customize notifications in ways that best suit their needs. This ensures that silent mode remains functional and inclusive for a wider range of users.
Modern smartphones allow users to customize silent mode settings. For example, users can allow specific notifications, such as alarms or calls from priority contacts, while silencing all other alerts. Many devices also offer automated features, where silent mode activates based on location or calendar events. This enhances convenience, ensuring silent mode is applied automatically during meetings or at specific times.
Airplane mode | Mobile phone features
Silent mode has accessibility features that benefit users with hearing impairments. By relying on vibration or visual notifications, such as flashing lights, users can still be alerted without sound. Devices also offer integration with broader accessibility settings, ensuring customization for individual needs.
Accessibility features
Islamic toilet etiquette

Islamic toilet etiquette is a set of personal hygiene rules in Islam that concerns going to the toilet. This code of Islamic hygienical jurisprudence is called Qaḍāʾ al-Ḥāǧa (Arabic: قضاء الحاجة).
Personal hygiene is mentioned in a single verse of the Quran in the context of ritual purification from a minor source of impurity, known as the Wuḍūʾ verse; its interpretation is contentious between different legal schools and sects of Islam. Further requirements with regard to personal hygiene are derived from a Hadith, and these requirements also differ between sects.
A Muslim must first find an acceptable place away from standing water, people's pathways, or shade. It is advised that it is better to enter the area with the left foot, and it is prohibited to face directly towards the Qibla (direction of prayer towards Mecca) or directly opposite from it. It is reported in the collection of hadith, Sahih al-Bukhari, that just before entering the toilet, Muhammad said: (Arabic: اللَّهُمَّ إِنِّي أَعُوذُ بِكَ مِنَ الْخُبُثِ وَالْخَبَائِثِ, romanized: Allāhumma ʾinnī ʾaʿuḏu bika mina al-Ḫubuṯi wa-al-Ḫabāʾiṯi, lit. '"Oh God, I seek refuge in You from that which is evil (m.) and that which is evil (f.)")'. Following his example, Muslims are advised to say this Dua before entering into the toilet.
While on the toilet, one must remain silent. Talking and initiating or answering greetings are strongly discouraged. When defecating together, two men cannot converse, nor look at each other's genitals. Eating any food while on the toilet is forbidden.
After defecating, the anus must be washed with water using the left hand, or an odd number of smooth stones or pebbles called jamrah or hijaarah (Sahih Al-Bukhari 161, Book 4, Hadith 27). Many jurists agree that toilet paper suffices in place of these stones. Similarly, the penis or vulva should be washed with water using the left hand after urinating, a procedure called istinja. It is commonly done using a vessel known as a Aftabeh, Lota, or bodna.
When leaving the toilet, one is advised to exit with the right foot and say the Dua for leaving bathroom/toilet: "'الحمد لله الذي أذهب عني الأذى وعافاني'Alhamdu lillahil lazi azha-ba annill Aza Wa AA Fani. "Praise be to Allah who relieved me of the filth and gave me relief."
Brown-brown

Brown-brown is a purported form of cocaine or amphetamine insufflation mixed with smokeless gunpowder. This powder often contains nitroglycerin, a drug prescribed for heart conditions, which might cause vasodilation, permitting the cocaine or amphetamine insufflation to move more freely through the body. This, in turn, is believed to allow for a more intense high. The term may also refer to heroin.
Brown-brown is reportedly given to child soldiers before West African armed conflicts. One former child soldier, Michel Chikwanine, has written a graphic novel with Jessica Dee Humphreys called Child Soldier, about the experience of being captured at the age of 5 by rebel fighters in the Democratic Republic of Congo, including being given brown-brown. "The rebel soldier who had hit me used a long, jagged knife to cut my wrist and rubbed powder into the wound. They called it Brown Brown – a mixture of gunpowder and a drug called cocaine. Right away, I began to feel like my brain was trying to jump out of my head."
According to Brendan I. Koerner, the use of cocaine mixed with gunpowder may be less prevalent than reports indicate, as cocaine would be difficult to source during armed conflicts, especially in the African continent. Brown pills that were referred to as cocaine were most likely amphetamine. The first actual documentation of the term "brown-brown" was a 2005 Norwegian NGO report that stated the term refers to heroin.
Brown & Brown

Brown & Brown, Inc. (Brown & Brown) is an insurance brokerage firm, specialising in risk management. Headquartered in Daytona Beach, Florida, Brown & Brown has 450+ locations worldwide.
In 2021 the company ranked as the fifth largest independent insurance brokerage in the U.S. and sixth largest in the world by Business Insurance magazine.
Brown & Brown was co-founded by J. Adrian Brown in 1939. His son, J. Hyatt Brown, became CEO in 1961, a position he held until 2009. Under Hyatt, Brown & Brown expanded from a small local, family-owned insurance agency with a single office in Daytona Beach to one of the nation's largest insurance brokerages with offices nationwide.
In March 2022, it was announced Brown & Brown had completed the acquisition two property-focused insurance companies - Florida-based Orchid Underwriters Agency and Texas-based CrossCover Insurance Services.
In June of 2022, Brown & Brown acquired Profits Creation, a vehicle dealer supplier, for an undisclosed sum. Brown & Brown extended their reach in the United Kingdom when they acquired Global Risk Partners in 2022.
In December 2023, Brown & Brown announced an agreement to acquire Caton-Hosey Insurance. This transaction strengthened Brown & Brown’s footprint in Florida. The deal went through on 2 January 2024.
Rumah makan Padang

Rumah Makan Padang atau Ampera Padang atau Restoran Padang adolah sabuah bisnis kadai makan/rumah makan/restoran nan manjua atau manghidangkan babagai macam kuliner atau masakan Minangkabau nan barasa dari Sumatera Barat.
Rumah makan Padang marupoan tampek makan nan tanamo di Indonesia, indak ado hanyo tadapek di Indonesia, rumah makan Padang ko tadapek pulo di babagai negara di dunia, dan disukai oleh berbagai kalangan serta bermacam etnis dan bangsa karano masakan/makanannyo nan lamak bana sarato jo adaptasi rasonyo nan bisa manyasuaian diri jo lidah atau salero masyarakaik di mano rumah makan iko barado. Rumah makan Padang nan barado di lua daerah Sumatra Baraik biasonyo manghidangkan masakan nan indak talalu padeh, babeda jo rumah makan nan baraado di tanah asanyo, Sumatera Barat.
Asa usua panamoan 'Restoran Padang' atau rumah makan padang ko nan dikatahui paliang awa bahasia dilacak malalui sabuah panalitian nan dilakuan dek Surya Suryadi, saurang filolog dari Universitas Leiden, Balando. Inyo manamuan bukti historis-empiris, yaitunyo sabuah iklan restoran Padang nan banamo PADANGSCH-RESTAURANT "Gontjang-Lidah" di Cirebon nan dikalola dek saurang parantau Minang, B. Ismael Naim, dimuek salamo babarapo bulan pado tahun 1937 di harian Pemandangan nan tabik di Batavia.
Panamoan 'Rumah Makan atau Restoran Padang' iko sabananyo indaklah baaitu tapek, karano asa dari masakan dan palaku bisnis iko indak hanyo dari kota Padang, akan tapi justru labiah banyak barasa dari wilayah lainnyo di Sumatera Barat, sarupo Agam, Lima Puluh Kota, Padang Pariaman, Tanah Datar, dan babagai wilayah lainnyo. Satiok wilayah itu manghasiaan raso jo ragam masakan nan agak babeda antaro ceik jo nan lainyo.
Usaho rumah makan iko tasadio dalam bantuak babagai tingkekan sosial, mulai dari ampera Padang kaki limo nan haragonyo tajangkau dek kalangan bawah, rumah makan nan targetnyo adolah kalangan manangah sabagai sasaran pambalinyo, hinggo restoran mewah nan menargetan kalangan ateh jo harago nan cukuik tinggi sasuai jo fasilitas nan disadioan.