davidanugraha/M4-RAG huggingface dataset:
Veneto

Veneto este o regiune în nord-estul Italiei cu o suprafață de 18.391 km² și 4,5 milioane de locuitori. Capitala regiunii este Veneția.
Se învecinează la est cu Friuli - Venezia Giulia și Marea Adriatică, la nord cu Austria, la nord-vest cu Trentino - Alto Adige, la vest cu Lombardia i la sud cu Emilia-Romagna. Un aspect geografic interesant este, fără îndoială, Laguna Veneția. Este traversata la sud de râurile Po și Adige, în centru de Brenta și la nord de Piave. În vest este Lacul Garda iar în nord-vest întâlnim Alpii.
Regiunea este subîmpărțită în șase provincii și o metropolă.
Regiunea este foarte bogată din punct de vedere artistic și cultural. Patrimoniul său artistic include clădiri unice și poduri venețiene, dar și multe vile Andrea Palladio. Vilele din regiunea Veneto realizate de Andrea Palladio în secolul XVI au fost înscrise în anul 1996 pe lista patrimoniului cultural mondial UNESCO.
Arena din Verona este un vechi amfiteatru roman, în mod tradițional rezervat operei. Băile termale de la Abano Bagni sunt de asemenea o atracție.
Economia regională, care obișnuia să depindă în mod general de agricultură, este acum orientată spre industria high-tech și spre modă (Benetton este un mare angajator), împreună cu turismul cultural.
Grădină la Sainte-Adresse

Grădină la Sainte-Adresse este o pictură în ulei pe pânză realizată în 1867 de pictorul francez Claude Monet. Pictura a fost achiziționată de Metropolitan Museum of Art după o vânzare realizată de casa de licitații Christie's în decembrie 1967, sub titlul francez La terrasse à Sainte-Adresse. Pictura a fost expusă la cea de a 4-a expoziție impresionistă de la Paris, 10 aprilie-11 mai 1879, ca nr. 157 sub titlul Jardin à Sainte-Adresse.
Monet a petrecut vara anului 1867 în stațiunea Sainte-Adresse de pe Canalul Mânecii, lângă Le Havre, Franța. Acolo a pictat acest tablou, într-o grădină cu vedere a Honfleur la orizont, combinând zone netede, redate în mod tradițional, cu pasaje strălucitoare de tușe rapide, separate și pete de culoare pură.
Modelele au fost, probabil, tatăl lui Monet, Adolphe, în prim plan, soția vărului lui Monet, Jeanne-Marguerite Lecadre, la gard; Adolphe, tatăl ei; și poate, Sophie, sora ei, femeia așezată cu spatele la privitor. Deși scena pare să fie una domestică, nu este în niciun caz un portret de familie. Relațiile lui Monet cu tatăl său au fost tensionate în vara respectivă, din cauza dezaprobării de către familie a legăturii tânărului artist cu însoțitoarea sa, Camille Doncieux, viitoarea sa soție.
Schitul Luna Șes

Schitul Luna Șes sau Schitul Sfântul Arhidiacon Ștefan este un complex monahal, format dintr-o biserică de lemn în stil maramureșean cu troiță, o casă monahală din lemn și gard împletit în stil tradițional oșenesc. A fost construit in perioada 2008-2012, iar biserica a fost târnosită de PS Justin Hodea Sigheteanul la 5 mai 2012.
Preot slujitor este Pr. Robas Nicolae (preot de mir)
Puukko

Puukko-ul (din finlandeză puu, copac, lemn) este un tip tradițional de cuțit finlandez. Este caracterizat de o lamă scurtă, cu un singur tăiș și un spate plat. În mod tradițional, mânerul nu include nici o gardă de protecție și plăsea este făcută din lemn sau din scoarță de mesteacăn. Se poartă la centură într-o teacă din piele.
Puukko-ul se folosește pentru diverse activitate în aer liber – îndepărtarea pielii la vânătoare, eviscerarea peștelui la pescuit, tăierea unor ramuri de copac, șamd –, pentru cioplirea în lemn, precum și ca topor de gheață când purtătorul cade prin gheață. Este considerat o parte integrantă din patrimoniul cultural finlandez.
Țara Almăjului

Țara Almăjului (maghiară Almási-medence, "livadă cu meri") este o regiune rurală izolată din Banat, situată în partea central - sudică a județului Caraș-Severin.
Este o depresiune intramontană mărginită la vest de Munții Aninei (maghiară az Aninai-hegység, germană das Anina-Gebirge), la sud și la est de Munții Almăjului (maghiară az Almás-hegység, germană Almasch-Gebirge) iar la nord de Munții Semenic (maghiară a Szemenik-hegység). Este străbătută de râul Nera.
Aceste masive muntoase, acoperite cu păduri seculare, se sprijină, la est și spre vest, pe dealuri cu o inălțime de 800 m (capul dealului Țărova, 788 m) si dealul Stăncilova, la vest (înalt de 576 m). Cele două dealuri se prelungesc spre valea Nerei și pierd treptat din înalțime pana la altitudine de sub 300 m.
A fost unul dintre cele opt districte medievale bănățene privilegiate.
În zonă nu se găsește nici o așezare urbană, localitatea Bozovici suplinind rolul acesteia. Nici o cale ferată nu străbate regiunea, care are totuși acces la o șosea națională. Din punct de vedere etnografic și folcloric zona este deosebit de bogată, complexul mulinologic de pe Valea Rudăriei fiind un exemplu concludent
Populația Țării Almăjului numără 13.473 de locuitori.
Arhitectura în România

Arhitectura în România prezintă aspecte diferențiate pentru fiecare provincie istorică în parte.
În Țara Românească începuturile arhitecturii se caracterizează prin adoptarea unor tehnici de construcție și a unor tipuri planimetrice de origine bizantină. Existența la Niculițel a unei bazilici bizantine, cu fațadele decorate cu înalte arcaturi (sec. XII-XIII) a contribuit la precizarea raporturilor artistice cu Bizanțul în epoca de cristalizare a Țării Românești. Cele mai vechi monumente păstrate datează din sec. al XIV-lea, când, în timpul primilor Basarabi, s-au dezvoltat curțile domnești de la Câmpulung și Curtea de Argeș. În acea perioadă au fost înălțate cetățile de refugiu și de pază de la Poenari, Cetățeni și Rucăr.
În Moldova este cert că în sec. al XIV-lea au existat curți întărite în principalele orașe de reședință: Baia, Rădăuți, Siret și Suceava. În epoca lui Petru Mușat au fost puse bazele unui sistem defensiv bine organizat, cu cetăți de piatră la Suceava și Neamț. Cele mai vechi biserici de zid din Moldova sunt Biserica Sf. Nicolae din Rădăuți (1359) și Biserica Sf. Treime din Siret (după 1374).
În Transilvania și Banat începuturile unei arhitecturi de tip feudal datează din secolele X-XI, concretizate în cetățile de la Biharia și Satu Mare, precum și cele de la Cenad, Cluj și Făgăraș. La sfârșitul secolului al XI-lea a fost construită la Alba Iulia o primă catedrală, sub forma unei bazilici romanice cu trei nave.
Cele mai vechi biserici păstrate din acea epocă sunt Bazilica de piatră de la Cisnădioara, precum și bazilicile de la Cisnădie, Ocna Sibiului, Chirpăr etc., toate de factură romanică.
Cele mai vechi biserici ortodoxe sunt monumente din sec. XII-XIII, precum Biserica din Streisângiorgiu, Biserica din Densuș, cele din Gurasada, Sântămărie-Orlea, Strei, care vădesc confluența dintre arhitectura balcanică și cea romanico-gotică.
Grigore Ionescu

Grigore Ionescu (n. 11 ianuarie 1904, Florești, Prahova – d. 26 iunie 1992, București) a fost un arhitect român, membru titular (1992) al Academiei Române. A fost profesor la Institutul de arhitectură „Ion Mincu” din București. Printre lucrările sale se numără Spitalul „Emilia Irza” din București, clădirea facultății de drumuri și poduri a Institutului de construcții din București, sanatoriul TBC Bârnova, Iași, etc.
Activitatea sa majoră s-a desfășurat în jurul istoriei arhitecturii și a patrimoniului național românesc. Este autorul unei istorii a arhitecturii românești, prima lucrare de acest gen apărută în literatura română de specialitate.
A fost bursier al Școlii române din Roma între anii 1931-1933.
A fost distins cu Ordinul Meritul Științific clasa I (1971) „pentru merite deosebite în opera de construire a socialismului, cu prilejul aniversării a 50 de ani de la constituirea Partidului Comunist Român”.
Transfer de imagine

Produsele sau serviciile de calitate întăresc imaginea pozitivă a unei firme. Acest proces este numit în literatura de specialitate transfer de imagine. Transferul de imagine poate fi realizat și între două mărci, între un star care face o reclamă pentru un produs sau pentru un brand și produsul său brand-ul respectiv. Aici, problema compatibilității personalității publice cu produsul sau al brand-ului pentru care își utilizează imaginea publicitară este cunoscută în literatura de specialitate sub numele de ego-marketing și management. Transferul de imagine se realizează cu succes atunci când cele două categorii de elemente componente ale unei mărci sau ale unui produs, cele obiective și cele emoționale sau subiective sunt compatibile. Trebuie să precizăm că nu orice produs este brand. Pentru ca un produs să devină brand, acestea trebuie să fie cunoscute pe o scară largă și să fie distribuit dincolo de granițele unei singure regiuni. Produsul respectiv trebuie să aibă o calitate similară indiferent de locul în care este distribuit sau produs, să fie într-o cantitate relativ constantă. Brand-ul are un nume profilat și un semn de marcă sau un simbol (exemplu: vaca violet pentru ciocolata Milka, ursulețul pentru Cocolino, etc.) Imaginea înseamnă personalitatea unei mărci și așa cum personalitatea unei persoane se formează în timp și este influențată de mai mulți factori, la fel și imaginea unui brand se dezvoltă pe termen lung. În cartea lui Ingomar Kloss găsim menționat că în procesul de achiziționare a unui produs imaginea îndeplinește trei funcții principale:
1. Auto-aprobare – clientul cumpără acel produs pentru a-și demonstra lui însuși că merită acel produs.
2. Funcția de exprimare a unui sistem de valori (ecologiștii vor cumpăra mașini cu consum mai mic de carburant, etc.)
3. Funcția de adaptare – apartenența la un anumit grup impune o anumită presiune de adaptare și duce la cumpărarea unor produse similare celor cumpărate de ceilalți membri ai grupului.
Catherine's Gate

Catherine's Gate (Romanian: Poarta Ecaterinei, German: Katharinentor, Hungarian: Katalin-kapu) in Brașov, Romania, was built by the Tailors’ Guild, in 1559 for defensive purposes to replace an old gate destroyed by a flood in 1526. It is named after St. Catherine's Monastery that was situated here in former times. It is the only original city gate to have survived from medieval times. In fact the central tower is only a part of the original gate; documents talk about the existence of a wooden structure which was demolished in 1827. The original structure can be seen at the Weaver's Bastion where the large model of Brașov in 1600 is displayed.
Old documents mention it under the name of Porta Valacce, the Vallah's Gate because it was the only entrance for the Romanians living in Șcheii Brașovului. They were not allowed to use the other four entrances. During the Saxon rule of the 13th to 17th century Romanians were forbidden from owning property inside the fortress walls and such they settled outside the wall in the neighborhood named Șcheii Brașovului. Romanians could only enter the town at certain times and had to pay a toll at the gate for the privilege of selling their produce inside the citadel.
The four small corner turrets (also seen in other Transylvanian towns) symbolize the fact that the town had judicial autonomy, and the "right of sword" (ius gladii), which was the right to decide on capital punishment. Above the entrance the tower bears the city's coat of arms, a crown on an oak tree trunk and roots.
At the present time Catherine's Gate houses a museum.
Șchei Gate
45°38′22″N 25°35′10″E﻿ / ﻿45.639528°N 25.586092°E﻿ / 45.639528; 25.586092
Cluj Arena

Cluj Arena (Romanian pronunciation: [ˈkluʒ aˈrena]) is a multi-purpose stadium in Cluj-Napoca, Romania. It serves as the home of Universitatea Cluj of the Liga I and was completed on 1 October 2011. It is also the home of the Untold Festival. The facility, owned by the county council of Cluj, can also be used for a variety of other activities such as track and field events and rugby union games. It replaced the Stadionul Ion Moina, which served as Universitatea Cluj's home from 1919 until the end of the 2007-08 season.
The stadium seats 30,355, making it the sixth largest stadium in Romania by seating capacity. It has four two-tiered stands, all of them covered. The seats of the stadium are grey.
The building is located west of Central Park, and next to the Someșul Mic river and the BT Arena.
The first stadium for football and track and field was built from 1908 to 1911. The Stadionul Ion Moina was opened in 1911, consisting of a single wooden stand with a capacity of just 1,500. The first game at the new stadium was a friendly against Turkish team Galatasaray, which Cluj won 8–1.
New wooden stands were built in 1961, increasing the capacity to 28,000. Demolition of the Stadionul Ion Moina officially began on 20 November 2008. Construction of the new Cluj Arena began on July 16, 2009 The stadium opened its gate for the public on 1 October 2011. Eight days later, Scorpions performed at the stadium. The show was sold out with a crowd of 45,000. The next day, Smokie played at Cluj Arena. The first match at the stadium was a game played between Universitatea Cluj and Kuban Krasnodar. The first official match was Universitatea Cluj vs. FC Brașov on 17 October 2011, which finished 1–0.
Taipei North Gate

Taipei North Gate (Chinese: 臺北府城北門), formally Cheng'en Gate (Chinese: 承恩門), is a historical gate in Taipei, Taiwan, and a national monument. Constructed in 1884, it is the best-preserved gate of the historical Walls of Taipei. Its design is a two-story closed blockhouse of solid construction with traditional Chinese wooden roof truss and streamlined carved ornamentations. Important in the Qing layout of the city, restoring it to visual prominence in the city has been a feature of recent urban planning. It gives its name to Beimen metro station.
National Register of Historic Monuments in Romania

The National Register of Historic Monuments (Romanian: Lista Monumentelor Istorice (LMI)) is the official English name of the Romania government's list of national heritage sites known as Monumente istorice. In Romania, these include sites, buildings, structures, and objects considered worthy of preservation due to the importance of their Romanian cultural heritage. The list, created in 2004, contains places that have been designated by the Ministry of Culture and National Patrimony of Romania and are maintained by the Romanian National Institute of Historical Monuments, as being of national historic significance.
A Monument istoric ("Historic monument") is defined as:
Monumente istorice cultural properties include listed Romanian historical monuments from the National Register of Historic Monuments in Romania. They may also include places that are not specifically listed in whole, but which contain listed entities, such as memorial statues and fountains in parks and cemeteries.
As of 2015, there are 30,148 designated monumente istorice (historical monuments) entries listed individually in Romania. This number increased from the previous 29,540 listings in 2010.
Of these, 2,651 are in Bucharest; 1,791 in Cluj County; 1,634 in Iași County; 1,237 in Dâmbovița County; 1,073 in Prahova County; 1,053 in Sibiu County; 1,022 in Argeș County; 1,018 in Mureș County; 986 in Brașov County; 869 in Buzău County; 832 in Caraș-Severin County; 791 in Vâlcea County; 768 in Bistrița-Năsăud County; 758 in Olt County; 742 in Harghita County; 730 in Ilfov County; 700 in Dolj County; 694 in Constanța County; 686 in Alba County; 610 in Maramureș County; 594 in Covasna County; 574 in Tulcea County; 570 in Mehedinți County; 546 in Sălaj County; 540 in Giurgiu County; 537 in Neamț County; 518 in Hunedoara County; 518 in Suceava County; 510 in Botoșani County; 503 in Gorj County; 455 in Bihor County; 438 in Vaslui County; 427 in Vrancea County; 417 in Arad County; 393 in Teleorman County; 366 in Bacău County; 340 in Timiș County; 310 in Satu Mare County; 285 in Călărași County; 263 in Galați County; 227 in Ialomița County; and 172 in Brăila County.
The LMI code (List of the Historical Monuments code) identifies uniquely an historical monument or archaeological site, and includes, in this order:
For example, IS-II-a-A-03806 is the LMI code for Cetățuia Monastery. IS indicates the site is in Iași County. II indicates it is an architectural monument, a that it is an ensemble, A that it is of national interest, and 03806 is its unique code. The ensemble has six individual sites, so for instance the monastery's bell tower, the fifth site listed, has code IS-II-m-A-03806.05.
Sites may also have a RAN Code, indicating they are part of the National Archaeological Record (Repertoriul Arheologic Național), a register including sites with archaeological potential, sites where archaeological excavations have taken place or ruined archaeological sites.
Taj-ul-Masajid

The Taj-ul-Masajid (Arabic: تَاجُ ٱلْمَسَاجِد, romanized: Tāj-ul-Masājid, lit. 'Crown of Mosques'), also known as the Tāj-ul-Masjid (Arabic: تَاجُ ٱلْمَسْجِد), is a Sunni mosque, affiliated with Tablighi Jamaat, part of the Deobandi movement, located in Bhopal, in the state of Madhya Pradesh, India. With capacity for c. 175,000 worshippers, it is the largest mosque in India and, as of 2014, was the ninth largest mosque in the world.
The construction of the Taj-ul-Masajid was started by Nawab Shah Jahan Begum of Bhopal, in the newly built walled suburb of Shahjahanabad. The exact year when construction was started is unclear; Sharma estimated it to be 1871. The Bhopal-based journalist and the author of Masajid-e-Bhopal (transl. The Mosques in Bhopal), Aarif Aziz stated the date as 1887.
After Shah Jahan Begum died in 1901, the mosque continued to be built by her daughter, Sultan Jahan Begum, till the end of her lifetime. The structure was planned in the midst of three water bodies, namely: Munshi Hussain Talab; Noor Mahal Talab; and Motia Talab. Hamidullah Khan helped construct one gate of the mosque on the suggestions of Shah Jahan Begum.
The construction work was later on led by Islamic scholar Imran Khan Nadwi, whose brother Salman Khan Nadwi, supervised the constructions. The construction was complete by 1958 at an expenditure of 20 million Indian rupees. The entrance of the mosque was renovated with motifs from 13th century Syrian mosques donated by the Emir of Kuwait in memory of his late wife.
During the COVID-19 pandemic, the mosque was used as a vaccination center.
The Taj-ul-Masajid largely takes inspiration from Mughal architecture. The mosque has a pink facade topped by two 18-storey high octagonal minarets with marble domes, an impressive main hallway with attractive pillars, and marble flooring resembling the likes of Jama Masjid in Delhi and the Badshahi Mosque of Lahore. It has a courtyard with a large ablution tank in the centre. It has a double-storeyed gateway with four recessed archways and nine cusped multifold openings in the main prayer hall. The massive pillars in the hall hold 27 ceilings through squinted arches of which 16 ceilings are decorated with ornate petalled designs.
The mosque also features a zenana, rare given that prayer from home was the norm for women at the time of the mosque's construction.
Bhopal Tablighi Ijtema, an annual three-day congregation of the Tablighi Jamaat was hosted in the Taj-ul-Masajid between 1948 and 2001. It was shifted to Intkhedi. outside the city due to shortage of space.
Memorial gates and arches

Memorial gates and arches are architectural monuments in the form of gates and arches or other entrances, constructed as a memorial, often dedicated to a particular war though some are dedicated to individuals. The function, and very often the architectural form, is similar to that of a Roman triumphal arch, with the emphasis on remembrance and commemoration of war casualties, on marking a civil event (the country's independence, for example), or on providing a monumental entrance to a city, as opposed to celebrating a military success or general, though some memorial arches perform both functions. They can vary in size, but are commonly monumental stone structures combining features of both an archway and a gate, often forming an entrance or straddling a roadway, but sometimes constructed in isolation as a standalone structure, or on a smaller scale as a local memorial to war dead. Although they can share architectural features with triumphal arches, memorial arches and gates constructed from the 20th century onwards often have the names of the dead inscribed on them as an act of commemoration.
Bill Gates's house

Bill Gates designed and owns a 66,000-square-foot (6,100 m) mansion that is on Lake Washington in Medina, Washington. In 2009, property taxes were reported to be US$1.063 million on a total assessed value of US$147.5 million.
The house was designed collaboratively by Bohlin Cywinski Jackson and Cutler-Anderson Architects of Bainbridge Island, Washington. The mansion is a modern design in the Pacific lodge style, with classic features such as a private library with a dome-shaped roof and oculus. The house features an estate-wide server system, a 60-foot (18 m) swimming pool with an underwater music system, a 2,500-square-foot (230 m) gym, and a 1,000-square-foot (93 m) dining room. There are six kitchens and 24 bathrooms, ten of which contain bathtubs.
The house was made fun of in Dilbert in January 1997 when the lead character was forced to become a towel boy after his failure to read an end-user license agreement over purchased Microsoft software. Some online news articles call the house Xanadu 2.0, a reference to the motion picture Citizen Kane, which was itself a reference to the opening lines of Samuel Taylor Coleridge's classic poem Kubla Khan.
Gates of Harvard Yard

Harvard Yard – the oldest part of the Harvard University campus in Cambridge, Massachusetts – is bounded by a perimeter fence punctuated by a series of gates, all built since 1880.
The Johnston Gate was completed in 1889 after a Georgian Revival design by McKim, Mead, and White, it opens onto Peabody Street (often mistaken for Massachusetts Avenue, from which Peabody Street diverges nearby) just north of Harvard Square. Costing some $10,000, it was the gift of Samuel Johnston (Harvard College class of 1855). Each Harvard Commencement Day for several hundred years, the sheriffs of Middlesex and Suffolk Counties have arrived at Harvard Yard on horseback, preparatory to the Middlesex Sheriff's ritual calling of the celebrants to order. It has become traditional for them to enter via the Johnston Gate.
The inscription on the Class of 1881 Gate invites the reader to "come within its gates, in order that in whole-hearted service to the truth, they may enter into life and so be free". It has been locked for many years.
The Class of 1876 Gate is also known as Holworthy Gate; Holworthy Hall, a freshman dormitory, is immediately inside it. A plaque at its apex reads, "In Memory of Dear Old Times."
Meyer Gate was given by George von Lengerke Meyer in 1901. Like the Holworthy Gate, it connects the Yard to the Science Center Plaza. The words on a plaque set in the gate's brickwork are from Ralph Waldo Emerson's journal for 1836:
Bradstreet Gate is a wrought-iron gate across Quicny Stree and Cambridge Street from Memorial Hall. In 1997 it was dedicated to Anne Bradstreet on the 25th anniversary of female students living in Harvard's freshman dormitories. A plaque with a quote from one of Bradstreet's poems was added in 2003.
The 1857 Gate (or Class of 1857 Gate) is a triple-arched gate which Harvard Magazine called "a very touching memorial to the unbroken bonds of friendship that this class had" despite the fact that its members had fought on both sides of the American Civil War. Students on both sides helped fund the gate. It has a Latin inscription from Horace's Odes.
The gate was relocated 40 feet in 1924, and is now on axis with the 1876 Gate.
مركز قلين

مركز قلين مركز فى مصر و هوا بيتبع لـ محافظة كفر الشيخ.
المدينه الرئيسيه فى مركز قلين هيا قلين.
بيتبع ليه مدينه واحده و 26 قريه
حسب الاحصا اللى اتعمل سنه 2006 وصل عدد السكان 207,120 نسمه.
الصفحه دى فيها تقاوى مقاله عن مركز فى مصر. و انت ممكن تساعد ويكيپيديا مصرى علشان تكبرها.
القليين

القليين هوا دوار فى المغرب.
القليين موجود فى منطقه اداريه اسمها القليين.
لم يتم العثور على روابط لمواقع التواصل الاجتماعي.
الصفحه دى فيها تقاوى مقاله, و انت ممكن تساعد ويكيپيديا مصرى علشان تكبرها.
قلين

قلين هى مدينه كبيره و بيتبعها قرى كتيره, منها حصة الغنيمي، المنشاه الكبيره، شباس عمير و نشرت و فيها محطة قطر. و المركز مشهور بالزراعهة و طيبة اهله و هو من المراكز المؤثره فى القرار فى محافظة كفر الشيخ.
الصفحه دى فيها تقاوى مقاله, و انت ممكن تساعد ويكيپيديا مصرى علشان تكبرها.
جيهان فاضل

جيهان فاضل (11 مارس 1973 -)، ممثلة مصرية.
والدها مهندس معمارى ووالدتها أستاذة جامعية، تخرجت من الجامعة الأمريكية، الاكشتاف الفعلى ليها مع المخرج خيرى بشارة اللى أختارها هيا لسه فى الجامعة وقدمها فى فيلمه «آيس كريم فى جليم» بعام 1992 مع الفنان عمرو دياب، عملت فى الكتير من الأعمال التلفزيونية مع قلة عملها السينمائى.
هى أرملة مصمم الأزياء «عمرو حمدي» اللى توفى بسن صغيرة، وانجبا 3 ولاد هما أدهم، زياد، عالية.
ماجده زكى

ماجده زكى (12 ديسمبر 1962) ممثله مصريه.
ماجده زكى معاها شهادة البكالوريوس من «المعهد العالى للفنون المسرحية», ابتدت مشوارها الفنى بالتمثيل بالادوار الصغيرة اللى حققت بيها نجاح كبير فى التلفزيون و الى ماكانش نفس النجاح فى السينما بسبب قلة عملها فيها و اتجهت بعدين للادوار الكوميدىه.
هيا اخت الممثل و نقيب الفنانين المصريين اشرف زكى المتجوز من الممثله روجينا. سنة 1988 اتجوزت من الممثل كمال ابو ريه و خلفو 3 اولاد هما احمد، كمال حبيبه و انفصلو سنة 2014.
فن رومانى

يشمل فن روما القديمة ، و أراضى جمهوريتها وإمبراطوريتها اللاحقه، الهندسة المعماريه والرسم والنحت و أعمال الفسيفساء . تعتبر الأشياء الفاخره من الأعمال المعدنيه ، ونقوش الأحجار الكريمه ، والمنحوتات العاجيه ، والزجاج فى بعض الأحيان أشكال ثانويه من الفن الروماني ، رغم أنها ما كانتش تعتبر كمان فى ذلك الوقت. ممكن كان النحت يعتبر أعلى أشكال الفن عند الرومان، لكن الرسم على الشخصيات كان يحظى بتقدير كبير كمان. نجا عدد كبير جد من المنحوتات من القرن الاولانى قبل الميلاد فصاعدا، رغم قلة اللى اتبقا على ايد ذلك، لكن القليل جدا من اللوحات بقي، ويمكن مافيش شيء يعتبره المعاصرون من أعلى مستويات الجودة.
[[ملف:Galla_Placidia_(rechts)_und_ihre_Kinder.jpg|يمين|تصغير| تفاصيل الميدالية الزجاجية الذهبية فى بريشيا ( متحف سانتا جوليا )، على الأرجح الإسكندرية ، القرن التالت الميلادى <ref name="howells 2015 p7">Daniel Thomas Howells (2015). "[http://www.britishmuseum.org/pdf/Late_Antique_Gold_Glass_online [[ملف:Roman_fresco_from_Boscoreale,_43-30_BCE,_Metropolitan_Museum_of_Art.jpg|تصغير| لوحة جدارية رومانية من فيلا بوسكوريال ، 43-30 قبل الميلاد، متحف متروبوليتان للفنون]]
حفنى احمد حسن

حفنى أحمد حسن او الريس حفنى هو مغنى شعبى مصرى صعيدى من فرسان الموال الصعيدى كان بيغنى فى إذاعة اسكندريه المحلية من بدايه الستينات و كان ليه جمهور كبير من محبينه و قدم كتير من الأغانى.
الفنان حفنى كان متجوز من المطربه الشعبيه السكندريه "روح الفؤاد" صاحبة اغنيه (سوق بينا يا اسطى على الكورنيش) و هى بتعتبر علامه من علامات الفن البلدى الشعبى زى بدريه السيد, بنت الشاعر الشعبى حنفى البنجاوى و ابنه احمد المغنى الشعبى.
اتولد حفنى فى محافظة قنا و نقلت أسرته للإسكندرية و استقر فى عدد من البيوت فى منطقة بحرى ما بين المنشية و الأنفوشى, اشتغل فى مجال المعمار فى بداية حياته, ابتدا بتقديم الكتير من الأغانى كهاوى و التقطه زكريا الحجاوى زى كتير من رواد الغنا الشعبى فى مصر بس رفض يغنى من تأليف الحجاوى أو غيره و فضل أنه يغنى على طريقته الخاصة, قبل ثورة 23 يوليه بشويه انتشرت اغانىه اللى كتبها بنفسه على نمط «التربيع الصعيدى» و بلحن واحد متكرر مأخوذ من الفولكلور.
و فى فترة الخمسينيات اتفاجئ مره الصبح بواحد بيخبره بأن الرئيس جمال عبد الناصر موجود فى استراحته بالإسكندرية و عاوز يشوفه و اعتبرها هزار بس فى اليوم التانى لاقى نفسه وش لوش قدام الرئيس و غنا مقطع من أغنية و اتفاجئ بأن ناصر بيبكى و قله بأن الأغنيه دى كانت ونيسه فى الفالوجا لحرب فلسطين, و أنه بيحب صوته و طلب منه أنه يسجل اغانىه على أسطوانات, و من هنا ابتدت أغانيه تنتشر فى كل مصر.
منير بشير

منير بشير (1928 - 28 سبتمبر، 1997) موسيقار عراقى الاصل و عازف عود كبير، و هو يعتبر من أهم عازفين العود فى القرن العشرين.
يعتبر منير بشير الابن التانى لعيله بشير القس عزيز، بعد أخوه الاكبر جميل، وقبل أخوه الأصغر فكرى ، الى جانب أخواته التلاته.
أتولد فى الموصل فى عيله بتحب المزيكا او بمعنى أصح كلها مسيقيين، بيعزفوا على العود، فكان أبوه عازف كبير أوى و كان بيصنع شوية الات الوترية ، و كان ما بينها العود, وغنائى، كان أبوه له صوت حلو أوى، و كان يتمتع بصوت رخيم وشفاف اللى ساعده كتير فى اداء تراتيل كنيسته السريانية الأرثوذكسية شماساً فى خدمتها.
من لما كان صغير، كان منير بيحب المزيكا أوى، خصوصاً كان شقيقه الاكبر جميل،كان بيعزف على الكمانجه و العود فى البيت، قبل ما مشى لـبغداد دخل بدراسة المزيكا فى المعهد المزيكا اللى سموه بعدين بمعهد الفنون الجميلة. وانتقال (تأثير) أجواء البيت المزيكا لكل افراد العيل.الحمد ان رجل من مصر الشقيقة تكلم عن حقيقة ده الفنان المبدع وكونه من مدينة الموصل وبالحقيقة كان احسن عازف عود على الصعيد العالمي.
دخل منير فى معهد الفنون الجميلة سنه 1939 ، علشان يدرس العود مع الشريف محى الدين حيدر (مدرس وعازف كويس للعود والجلو) ويتخرج فيه عام 1946. و أتأثر كتير بمدرسه حيدر، واتعلم منه اساليبه التقنية المتقدمة فى العزف . زى ما كان الموضوع مع أخوه عندأخوه جميل. وكمان أتأثر زمايله سلمان شكر و غانم حداد و سركيس آروش بالروح الشرقية التقليدية.
مارس العمل الفنى فى إذاعة بغداد ، وفى تلفزيون العراق بعد تأسيسه سنه 1956، وبقى عازف ورئيس لفرقتها المزيكا و مخرج مزيكا، و بعد كده رئيس لقسم المزيكا . كما مارس التدريس فى المعهد. و أتعمله له معهداً خاصا باسم (المعهد الاهلى للمزيكا)، وبقى رئيس لجمعية الموسيقيين العراقيين.
سافر الى هنغاريا فى سنة 1962 ، ودرس لعلوم المزيكا المقارنة (Comparative Musicology) وجاب درجة الدكتوراه فى كده.
وجولاته الكتيره والمتكررة فى معظم اماكن العالم، وزاد فى المعرفة والخبرة، وعرف أن لازم يكون عنده قناعة وضرورة الحفاظ على التقاليد المزيكا بكل طقوسياتها، وتقديمها علشان تتوافق مع روح العصر، من غير الخروج من لبس المزيكا العربية هوية انتماءٍ و إصالة مفاهيم وتعبير جمالى وشعرها وجمالها.
كان على خلافٍ مع اساليب ملحنى القرن العشرين من العرب، المصريين و اللبنانيين و العراقيين المتأثرين بها، واللى ابتعدوا عن الهوية القومية للمزيكا العربية ، علشان بيستعيرو اساليب الغير شكل وبنيةً وتعبيراً. و كان جريئاً جداً فى (أنه يتصدى) للاساليب ديه الاساليب عن طريق منابر الصحافة واللقاءات الإذاعية والتلفزيونية والمحاضرات.
وجاهد جهاد للخروج بالالة المزيكا العربية من قلة استعمالاتها بشكل ثانوى فى مصاحبة الغناء. و أكد قدراتها الواسعة غير القليلة فى الاداء والتعبير. ومشى من تطوير اسلوب التقسيم التقليدى لغاية سياحة آفاقية من الارتجالات الحرة المؤسسة على الانتقالات المقامية العربية، و بعد عن التطريب المفتعل. فبقى – فعل – صاحب مدرسة متفردة فى ده المجال، مشى فيها بكتير من معاهد المزيكا فى العالم العربي، وبقى اسلوبه واضح فى اداءات معظم عازفى العود المحدثين العرب. فتحول أداؤه من شكل العزف المتوسِّل للإعجاب، الى منطلقاتٍ تأملية وجدانية، كأنك داخلٌ صومعة متعبد لازم فيها الإنصات التام بكل خشوعٍ.
توفى منير بشير فى 28 سبتمبر 1997 علشان نوبة قلبية قبل رحلة فنية ليه للمكسيك.
http://www.mawaly.com/music/Munir+Bachir نسخة محفوظة 2011-05-02 على موقع واي باك مشين.
http://www.youtube.com/watch?v=HcAk8d9vES0
1948

السنه دى بتوافق فى التقويمين القبطى و المصرى 1665(قبطى), 6190(مصرى)
1948 كانت سنه كبيسه فى التقويم الجريجورى .
لم يتم العثور على روابط لمواقع التواصل الاجتماعي.
فورست ويتيكر

فورست ستيفن ويتيكر (من مواليد 15 يوليه 1961) هو ممثل و مخرج و منتج امريكى. اخد جوايز كتير، بما فيها جايزة الاوسكار و جايزة جولدن جلوب و جايزة الاكاديمية البريطانية للافلام و جايزتين نقابة ممثلى الشاشة. بعد ما ظهر فى فيلم لاول مرة فى Fast Times فى Ridgemont High (1982) ، واصل ويتيكر اكتساب سمعه طيبه فى دراسة الشخصيات المكثفة لافلام، زى Platoon (1986) ، Good Morning ، Vietnam (1987) ، Bird (1988) ، لعبة البكاء (1992) ، الظاهرة (1996) ، Ghost Dog: The Way of the Samurai (1999) ، The Great Debaters (2007) ، The Butler (2013) ، الوصول (2016) ، والاحترام (2021). و ظهر كمان فى افلام زى Panic Room (2002) ، Rogue One: A Star Wars Story (2016) فى دور Saw Gerrera ، و Black Panther (2018) فى دور Zuri . عن تصويره للديكتاتور الاوغندى عيدى امين فى فيلم الدراما التاريخى البريطانى The Last King of Scotland (2006) ، كسب ويتيكر جايزة الاوسكار احسن ممثل . ظهر ويتيكر لاول مرة فى الاخراج مع الفيلم التلفزيونى Strapped (1993) ، و اخرج افلام Waiting to Exhale (1995) ، و Hope Floats (1998) ، و First Daughter (2004). من سنة 2019 ، قام ببطولة دور Bumpy Johnson فى مسلسل الدراما الاجرامية Epix Godfather of Harlem .
بصرف النظر عن حياته المهنيه فى التمثيل ، و يتيكر كمان بيشتهر بعمله الانسانى و نشاطه. سنة 2011 ، تم تعيينه كسفير لليونسكو للنوايا الحسه و المبعوث الخاص للسلام والمصالحة و بيشغل منصب الرئيس التنفيذى لمبادرة ويتيكر للسلام و التنميه (WPDI) ، و هوا برنامج توعيه مش هادف للربح.
ويتيكر ليه تاريخ طويل من الشغعل مع المخرجين و الممثلين المشهورين. فى اول اداء له على الشاشه كان ليه دور مساعد لعب لاعب كورة قدم فى المدرسه الثانويه فى نسخة فيلم 1982 لكاميرون كرو فى سن المراهقه فاست تايمز باثر رجعى فى Ridgemont High . سنة 1986 ، ظهر فى فيلم The Color of Money للمخرج Martin Scorsese و Oliver Stone 's Platoon . فى العام اللى بعد كده ، شارك فى بطولة الفيلم الكوميدى صباح الخير فيتنام مع روبن ويليامز . سنة 1988 ، ظهر ويتيكر فى فيلم Bloodsport ولعب دور البطولة الاولانى فى دور جاز التو عازف الساكسفون تشارلى "بيرد" باركر فى فيلم طائر كلينت ايستوود . لتحضير نفسه للدور ، ويتيكر اخد دروس فى الساكسفون وعزل نفسه فى دور علوى مع سرير و اريكة وساكسفون التو ، بعد بحث مكثف و كلم اشخاص عدى يعرفو باركر. ادائه ، اللى سماه "المتعالي" ، اكسبه جايزة احسن ممثل فى مهرجان كان السينمائى سنة 1988 وترشيح جولدن جلوب .
جبل قلة الخراب

جبل قلة الخراب (Jabal Qullat al Kharāb) هوا جبل فى اليمن.
جبل قلة الخراب موجود فى منطقه اداريه اسمها مديريه مجز.
لم يتم العثور على روابط لمواقع التواصل الاجتماعي.
جبل قلة الصخيره

جبل قلة الصخيره (Jabal Qullat aş Şukhayrah) هوا جبل فى اليمن.
جبل قلة الصخيره موجود فى منطقه اداريه اسمها مديريه مجز.
لم يتم العثور على روابط لمواقع التواصل الاجتماعي.
قلة ادب

الوقاحة او قلة الادب او قلة الذوق هى عدم الاحترام وعدم التصرف فى اطار قواعد السلوك للمجتمع او القوانين الاجتماعية لمجموعة من الناس . القوانين دى الاساس لحدود السلوك المقبولة فى العاده بيبقا معناها جعل سلوك واحد معروف لعامة السكان سلوك مقبول اجتماعيا.
كلمة وقاحة او قلة الادب مرتبطة بالكلمات دى :
جبل قلة المدارات

جبل قلة المدارات (Jabal Qullat al Madārāt) هوا جبل فى اليمن.
جبل قلة المدارات موجود فى منطقه اداريه اسمها مديريه منبه.
لم يتم العثور على روابط لمواقع التواصل الاجتماعي.
Hand drill (hieroglyph)

The Hand drill is a hieroglyph, (and tool), used in ancient Egypt from the earliest dynasties. As a hieroglyph, it can also be used as a determinative for words related to the profession of vase, bowl, pot-making, etc., typically from fine-grained, colorful rare stone, for example unguent jars. The size of drills was small-to-large, small for small unguent jars, and large for more massive, grain-storing pottery. The original jars found in tombs were more often used for ceremonial usages, presumably the reason they are found as grave goods or tomb offerings.
The hand drill was a vertical type of weighted, and counterbalanced boring bar, (used today in horizontal lathe-work boring, for example: rifle tubes). The hieroglyph shows the weights used as pictured on temple reliefs; the weight of the stones does the tool work, and the artisan simply supplies the rotational motion of the tool, for boring the hole.
Of note: with the weighted device, the Egyptians were performing a lathe operation long before the invention. Instead of the lathe-(massive metal: weight and forces) doing the work, essentially the Egyptians were using a form of a vertical lathe-using gravity-weights, with the boring bar doing the cutting.
Media related to Stone drill (hieroglyph) at Wikimedia Commons
Paper craft

Paper craft is a collection of crafts using paper or card as the primary artistic medium for the creation of two or three-dimensional objects. Paper and card stock lend themselves to a wide range of techniques and can be folded, curved, bent, cut, glued, molded, stitched, or layered. Papermaking by hand is also a paper craft.
Paper crafts are known in most societies that use paper, with certain kinds of crafts being particularly associated with specific countries or cultures. In Caribbean countries paper craft is unique to Caribbean culture which reflect the importance of native animals in life of people.
In addition to the aesthetic value of paper crafts, various forms of paper crafts are used in the education of children. Paper is a relatively inexpensive medium, readily available, and easier to work with than the more complicated media typically used in the creation of three-dimensional artwork, such as ceramics, wood, and metals. It is also neater to work with than paints, dyes, and other coloring materials. Paper crafts may also be used in therapeutic settings, providing children with a safe and uncomplicated creative outlet to express feelings.
The word "paper" derives from papyrus, the name of the ancient material manufactured from beaten reeds in Egypt as far back as the third millennium B.C. Indeed, the earliest known example of "paper folding" is an ancient Egyptian map, drawn on papyrus and folded into rectangular forms like a modern road map. However, it does not appear that intricate paper folding as an art form became possible until the introduction of wood-pulp based papers.
Origami is also a Folded paper art.
The first Japanese origami is dated from the 6th century A.D. In much of the West, the term origami is used synonymously with paper folding, though the term properly only refers to the art of paper folding in Japan. Other forms of paper folding include Chinese zhezhi (摺紙), Korean jong'i jeopgi (종이접기), and Western paper folding, such as the traditional paper boats and paper planes.
Papel picado, as practiced in Mexico and other places in Latin America is done using chisels to cut 50 to a hundred sheets at a time, while Chinese paper cutting uses knives or scissors for up to 8 sheets. Wycinanki and other European forms usually are done on one single sheet. In either of these traditions, paper sheets are folded prior to cutting to achieve symmetrical designs.
A technique in which you can recreate a 3d model. The polygons of a 3d mesh are unfolded to a printable pattern. With the help of glue tabs, cutting lines, mountain fold lines and valley fold lines the pattern comes together.
Images built using colored paper pulp are a form of paper art that started in the 20th century. Chuck Close, Lynn Sures are among contemporary artist developing this medium. Paper pulp craft is widely used in rural India for making kitchen utility baskets.
10. ↑ Learn wide variety of Foldes and let your fingers craft Magic with Origami Finger Mage
Kerdasa

Kerdasa (Arabic: كرداسة, Arabic pronunciation: [keɾˈdæːsæ], Coptic: ⲭⲟⲣⲧⲁⲥⲁ) is a markaz in Giza Governorate, Egypt. It is famed for its hand-made textile crafts, woven carpets, and wall hangings in native traditional patterns. Kerdasa is a great place to find embroidered cotton, silk dresses (galabeyas) and other products. It is famous for trading fabrics nationwide, with traditional crafts, and handcrafted clothes and textiles, from dresses, galabiyas, etc., and is a popular destination for Egyptians before Arab and foreign tourists to purchase these products.
According to statistics in 2006, the total population of Kerdasa was 69,317 people, including 35,519 men and 33,798 women. The name "Kerdasa" was adopted from a Berber Tribe, who still exist in the town with the same name. Who migrated as conquerors during the Habib migration.
Swiftships

Swiftships is a shipbuilding and marine engineering company headquartered in South Louisiana, USA. Company operates globally and specialized in the construction of small to medium sized vessels made of steel, aluminum or fiberglass. Swiftships is involved in ship design, construction, repair and maintenance activities.
Founded by Fred Sewart in 1942, Swiftships began as Sewart Machine Works and then as Sewart Seacraft in 1946. Company became a supplier of “Swift Boats” to the US Navy during the Vietnam War (Swiftships delivered 193 Fast Patrol Crafts to the US Navy throughout the conflict). The mission objective of the Swift Boat was to provide the Navy with a fast boat that could patrol the river shores for enemy soldiers.
In 1969 the company was renamed as Swiftships.
Since 2004 and for the next years, Swiftships built ships for the oil and gas industry of the Gulf of Mexico and restored vessels for the Dominican Republic.
Company has created its first fully unmanned surface vehicle in 2015, called Anaconda (AN-1), and later the Anaconda (AN-2), for which Swiftships teamed with the University of Louisiana at Lafayette and augmented technology developers.
Since 1942 Swiftships has designed and built over 600 naval vessels and commercial platforms.
In 2008 the company signed a contract with the Egyptian Navy, initiating a co-production program, building vessels in-country. The partnership includes a yard in Alexandria, where the company produces patrol crafts.
In 2009, Swiftships was awarded a contract by the U.S. Navy to provide Follow on Technical Support on behalf of the Iraqi Navy that included the establishment of a Ship Repair Facility in Umm Qasr, Iraq.
In 2020, Swiftships operates 3 yards in USA and 1 co-production yard (JV) with Egyptian Navy in Alexandria, Egypt:
Ship types include:
List of Intangible Cultural Heritage elements in Egypt

The United Nations Educational, Scientific and Cultural Organisation (UNESCO) identifies intangible cultural heritage as the "non-physical traditions and practices that are performed by a people". As part of a country's cultural heritage, they include celebrations, festivals, performances, oral traditions, music, and the making of handicrafts. The "intangible cultural heritage" is defined by the Convention for the Safeguarding of Intangible Cultural Heritage, drafted in 2003 and took effect in 2006. Inscription of new heritage elements on the UNESCO Intangible Cultural Heritage Lists is determined by the Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage, an organisation established by the convention.
Egypt ratified the convention on 3 August 2005.
Un gauchito gil

Un gauchito gil es una película de Argentina dirigida por Joaquín Pedretti filmada en blanco y negro con algunas escenas en color, sobre su propio guion escrito en colaboración Milton Roses que se estrenó el 7 de noviembre de 2019 y que tuvo como actores principales a Horacio Fernández, Celso Franco, Jorge Román y Cristian Salguero.
Héctor, un joven peón de campo, despierta en un territorio místico después de un accidente en el cual perdió a un niño al que debía estar cuidando. Lo busca acompañado por Quiroz, quien lo viste de héroe y lo consagra al destino de un elegido, atravesando todo un pantano en el cual va encontrando diferentes entidades que lo confunden con el héroe popular Antonio “Gauchito Gil”, a quien debe terminar encarnando. ​ ​
Participaron del filme los siguientes intérpretes:​​
Paula Vázquez Prieto en La Nación escribió:
Horacio Bernades en Página 12 opinó:
Gauchito Gil (película)

Gauchito Gil es una película de Argentina filmada en colores dirigida por Fernando Del Castillo sobre su propio guion que se estrenó el 4 de junio de 2020 y que tuvo como actores principales a Roberto Vallejos, Claudio Da Passano, Paula Brasca y Éstel Gómez.
Otros filmes sobre el personaje Gauchito Gil fueron el cortometraje La cruz Gil, dirigido por Víctor Benítez, con fotografía de Tristán Bauer; la película El gauchito Gil: La sangre inocente (2006) de Ricardo Becher y Tomás Larrinaga; el documental Antonio Gil (2013), de Lía Dansken, el largometraje Gracias Gauchito (2018), de Christian Jure y la también reciente película Un gauchito gil (2020), de Joaquín Pedretti.
En Corrientes, en 1870, el exsoldado Antonio Gil vuelve de luchar en la Guerra de la Triple Alianza y cuando fue obligado a alistarse en las filas del liberalismo correntino, Gil -que se identifica con bando opuesto de los autonomistas- huye, comienza a ser perseguido por desertor y cuatrero y se refugia en el monte donde forma una cuadrilla de asalto.​ ​​
Participaron del filme los siguientes intérpretes:​​​
Paraná Sendrós en Ámbito Financiero escribió:
Juan Pablo Cinelli en Página 12 opinó:
Adolfo C. Martínez en La Nación escribió:
Gracias Gauchito

Gracias Gauchito es una película documental coproducción de Argentina y Paraguay filmada en colores dirigida por Christian Jure sobre su propio guion que se estrenó el 8 de noviembre de 2018. El filme tiene como tema central la vida de Antonio Gil y la veneración popular que nació hacia su figura y está protagonizado por Diego Cremonesi, Lali González y Jorge Sienra.
La vida del gaucho Antonio Gil, su defensa de los más pobres y algunos sucesos que se suponen milagrosos, dio origen a una leyenda y a la construcción de un mito son los ejes del filme. Testimonios de esa leyenda son los altares rojos que aparecen día a día al costado de las rutas en devoción al Gauchito Gil, venerado en Argentina, Paraguay y Brasil, santo pagano de los desposeídos, degollado en el siglo XIX. ​ ​
Participaron del filme los siguientes intérpretes:​​
Adolfo C. Martínez en La Nación escribió:
Isabel Croce en La Prensa escribió:
La cruz Gil

La cruz Gil es un cortometraje argentino filmado en colores en 16 mm, dirigido por Víctor Benítez sobre su propio guion. Integró junto a otros tres cortometrajes de distintos directores la película De este pueblo, que se estrenó el 28 de noviembre de 1985.
El mito de Antonio Mamerto Gil Núñez, conocido como Gauchito Gil, que nació en Pay Ubre, cerca de Mercedes, en la provincia de Corrientes, alrededor de 1840 y fue asesinado el 8 de enero de 1878 a unos 8 kilómetros de Mercedes. Con el tiempo se convirtió en una figura religiosa,​ objeto de devoción popular en la Argentina, que no está comprendido dentro de la liturgia católica.
Jorge Abel Martín opinó en Tiempo Argentino: «Víctor Benítez se ha enamorado del material que filmó…es una propuesta acertada, clara en su exposición que se estira innecesariamente.»​
Consejo Federal del Folklore de Argentina

El Consejo Federal del Folklore de Argentina (COFFAR) es un organismo creado para difundir y preservar el folklore en Argentina. Su sede se encuentra en la ciudad de Salta y es conducido por un director nacional que coordina con el resto de los directores y preside al consejo.​
El Órgano Ejecutivo del Consejo Federal del Folklore en Argentina estará a cargo de un Directorio, integrado por las personas elegidas a simple pluralidad de sufragios de entre los miembros del Directorio de cada Provincia.
Son miembros del Consejo Federal del Folklore en Argentina organizaciones (sean asociaciones de primer grado, federaciones, fundaciones e institutos) que tengan dentro de su objeto la difusión y el fortalecimiento de nuestro Patrimonio Cultural Inmaterial, Intangible y Folklórico y de la Cultura Popular, siempre que se encuentren con su personería jurídica al día y tengan domicilio legal constituido dentro de la República Argentina.
integran el Consejo Federal del Folklore de Argentina las personas físicas cuyos antecedentes vinculados al enriquecimiento, defensa y difusión de nuestro Patrimonio Cultural Inmaterial, Intangible y Folklórico y de la Cultura Popular hayan sido aprobados por su Directorio Provincial, pudiendo ser investigadores, estudiosos, artistas, periodistas, como así también todos los hombres y mujeres que por su trayectoria cumplan con estos requisitos.
Lazo rojo

El lazo rojo es un símbolo internacional ideado para mostrar apoyo a la lucha contra el sida y solidarizarse con las víctimas de la enfermedad y los portadores del VIH.​ Consiste en un trocito de cinta roja doblado que se prende en la pechera o la solapa del traje.
Fue creado en 1991 por Frank Moore como una iniciativa del Visual Aids Artists Caucus,​ un grupo caritativo de artistas de Nueva York. Los artistas que formaban el grupo querían crear un símbolo visible para mostrar solidaridad con las personas afectadas por el VIH, las fallecidas por el sida y sus allegados. Se inspiró en el lazo amarillo que algunas familias de soldados estadounidenses en la Guerra del Golfo colgaban en las puertas de sus casas, como símbolo de la esperanza en su regreso sanos y salvos. Se eligió el color rojo por su conexión con la sangre y el concepto de pasión; y se concibió para portar cerca del corazón simbolizando el amor. El lazo rojo enseguida se extendió entre los colectivos de lucha contra el sida. La primera figura pública que lo portó fue Jeremy Irons en la 45 edición de los premios Tony de 1991.​ Pronto pasó a ser el símbolo de la prevención y lucha contra el sida, convirtiéndose en un emblema políticamente correcto y accesorio de moda en las solapas de los famosos.​ El lazo rojo se extendió por el mundo como símbolo de los esfuerzos para combatir la enfermedad y prevenirla. Sigue siendo el principal símbolo elegido por los gobiernos y ONGs en sus campañas informativas contra el sida y las fundaciones que recaudan fondos para la investigación y asistencia a los enfermos.