Lion Monument

The Lion Monument (German: Löwendenkmal), or the Lion of Lucerne, is a rock relief in Lucerne, Switzerland, designed by Bertel Thorvaldsen and hewn in 1820–21 by Lukas Ahorn. It commemorates the Swiss Guards who were killed in 1792 during the French Revolution, when revolutionaries stormed the Tuileries Palace in Paris. It is one of the most famous monuments in Switzerland, visited annually by about 1.4 million tourists. In 2006, it was placed under Swiss monument protection.
American author Mark Twain praised the sculpture of a mortally wounded lion as "the most mournful and moving piece of stone in the world."
From the early 17th century, a regiment of Swiss Guards had served as part of the Royal Household of France. On 6 October 1789, King Louis XVI had been forced to move with his family from the Palace of Versailles to the Tuileries Palace in Paris. In June 1791 he tried to flee to Montmédy near the frontier, where troops under royalist officers were concentrated. In the 10th of August Insurrection (1792), revolutionaries stormed the palace. Fighting broke out after the Royal Family had been escorted from the Tuileries to take refuge with the Legislative Assembly. The Swiss Guards ran low on ammunition and were overwhelmed by superior numbers. A note written by the King, half an hour after firing had commenced, has survived, ordering the Swiss to retire and return to their barracks. Delivered in the middle of the fighting, this was only acted on after their position had become untenable.
Around 760 of the Swiss Guards defending the Tuileries were killed during the fighting or massacred after surrender. This number is possibly too high, according to late 20th-century research. An estimated two hundred more died in prison of their wounds or were killed during the September Massacres that followed. Apart from about a hundred Swiss who escaped from the Tuileries, the only survivors of the regiment were a 300 strong detachment which had been sent to Normandy (under the king's orders) to escort grain convoys a few days before August 10. The Swiss officers were mostly amongst those massacred, although Major Karl Josef von Bachmann — in command at the Tuileries — was formally tried and guillotined in September, still wearing his red uniform of the Guard. Two surviving Swiss officers achieved senior rank under Napoleon.
Among the Swiss Guards in France who survived the insurrection and soldiers from the eleven disbanded Swiss line regiments, about 350 later joined the Revolutionary Armies of the French Republic, while others joined the counter-revolutionaries in the War in the Vendée. In 1817, the Swiss Federal Diet awarded the commemorative medal Treue und Ehre (Loyalty and Honor) to 389 of the survivors of the regiment.
Karl Pfyffer von Altishofen, an officer of the Guards who had been on leave in Lucerne at the time of the August fight, later wrote a book detailing the regiment of Swiss Guards during the French Revolution. This book created a strong reaction throughout conservative circles in Switzerland, which motivated him to organize a public subscription to finance a commemorative monument. He began collecting money in 1818, primarily from European Royal houses. He commissioned Danish sculptor Bertel Thorvaldsen to design the image, and contracted stonemason Lukas Ahorn to fashion the monument in a former sandstone quarry near Lucerne.
The monument is dedicated Helvetiorum Fidei ac Virtuti ("To the loyalty and bravery of the Swiss"). Carved into the cliff face, the monument measures ten metres in length and six metres in height. The dying lion is portrayed impaled by a spear, covering a shield bearing the fleur-de-lis of the French monarchy; beside him is another shield bearing the coat of arms of Switzerland. The inscription below the sculpture lists the names of the officers and gives the approximate numbers of soldiers who died (DCCLX = 760), and survived (CCCL = 350). The work was completed in 1821.
Even before the monument was built, there was concern for its political message glorifying the ancien régime. It immediately elicited a combination of praise, national pride, and public criticism, with some displeased that a monument was built to honor Swiss citizens dying for a foreign monarchy. Swiss liberals felt that the personification of Switzerland as a lion seemed to glorify a conservative, counter-revolutionary mindset, and some threatened to saw off one of the lion's paws in protest.
In 1880, Mark Twain wrote of the monument: