Veiled Prophet Parade and Ball

The Veiled Prophet Parade and Ball was a yearly ceremony in St. Louis, Missouri, over which a mythical figure called the Veiled Prophet presided. The first events were in 1878 and were organized and funded by the Veiled Prophet Organization, an all-male anonymous society founded in 1878 by a highly select group of the city’s business and governmental leaders.
The parade and ball were organized and funded by the Veiled Prophet Organization, an all-male anonymous society founded in 1878 by prominent St. Louisans, a highly select group culled from the area's business, civic and governmental leaders. The organization chooses a member to be a Veiled Prophet who conducts meetings and oversees activities.
Historian Thomas Spencer considered that the VP parade was created in part to displace the parades regularly held by the trade unions, and believes that the event generally revealed rather than soothed class conflicts. Occasionally, unions would stage events intended to mock the pretensions of the VP Ball. The leading socialist and working-class newspaper, St. Louis Labor, "wrote negatively" about the VP event and its organizers between the early 1900s and 1930.
In 1995, the name of the riverfront celebration was changed to Fair Saint Louis, though the street procession was still called Veiled Prophet Parade. The date was fixed for Independence Day. It continued to be funded by the Veiled Prophet Organization.
In 2003, the organization created a Community Service Initiative, through which members participate in a wide variety of projects in and around the city of St. Louis. In 2016, it secured a trademark for the name America's Birthday Parade.
More recently, the event was protested by Black Lives Matter supporters, as well as the St. Louis-based group Missourians Organized for Reform and Empowerment, which linked St. Louis's wealthiest one percent to the VP organization.
In 2021, the "Veiled Prophet Parade" was replaced by the "American Birthday Parade" as to assuage concerns that the pageant was "a symbol of wealth, power, and to some racism."
In early 2024, the society removed the "Veiled Prophet" figurehead in an effort to move away from its troubled history. It was revealed that the Veiled Prophet was replaced with a new figurehead called the "Grand Oracle". This figure lacks the veil of the original VP, but instead has a golden mask and long beard. In addition, the mythological backstory behind the Veiled Prophet has been changed from the fictional kingdom of Khorasan to Lemuria.
Before World War II, the African-American community in St. Louis crowned its own "Veiled Prophet Queen," who included Ernestine Steele in 1939 and Blanche Vashon (later Sinkler), Georgia Williams, and Evelyn Hilliard. A 1940 newspaper column said that for years the official VP Parade had drawn
Walter W. Witte, rector of St. Stephen's Episcopal Church, set forth the first widely circulated postwar opposition to the VP ball in a letter printed in the Post-Dispatch on September 30, 1966. He wrote:
Protests against the VP Parade began in 1966 after police shot a black robbery suspect and Percy Green, head of the Action Council to Improve Opportunities for Negroes (ACTION) passed out leaflets urging that the annual VP parade be "stopped" in response to the killing, calling it "the personification of St. Louis racism and white supremacy."
The next year, ACTION scheduled a "City Dwellers Week" to coincide with Veiled Prophet activities. It was code named Target 84, a reference to the Prophet's 84th visit. The aim was to force an end to the VP, which William L. Matheus said was "a symbol of racial and economic oppression."
On September 30, 1967, ACTION sponsored a "Black Veiled Prophet Ball" in parody of the VP Ball, the latter which was said to be fostering "racial discrimination and segregation." The group planned the selection of a Queen of Human Justice, who would be chosen according to the number of tickets sold on her behalf.
On October 1, 1967, a "small group of marchers," led by Patrick Dougherty, a St. Louis University professor, contended in the suburb of Clayton, Missouri, that the VP Ball and Parade were "offensive to the Negro community" and should be transformed into a children's event.
The next weekend, some fifty demonstrators were in a sidewalk protest across the street from the VP Ball in Kiel Auditorium. Leaders, who had no tickets, demanded entry to the hall, and on October 6 three of them were arrested on charges of disturbing the peace and failure to obey the commands of a police officer; they were released on bond. They were Precious Barnes, in regalia as the "Black Veiled Prophet," Esther Davis, who was the Queen of Human Justice, and Witte. Journalists said the newspeople were shoved and jostled by police and that some officers held hats and hands in front of cameras to prevent photos. Ron Gould, an 18-year-old seminary student, said he took a photo of a policeman beating a black woman, and another officer smashed his camera with a baton, then stepped on the exposed film. He later filed a complaint against the police department, which ruled he had no case. (Charges against Barnes, Davis, and Witte were dropped on January 23, 1968, because of insufficient evidence.)
The next day, Barbara Torrence, Ruth Poland, and Mary Ann Kerstetter were arrested for lying in the street in front of the Veiled Prophet Parade in protest of alleged racial discrimination. They were sentenced to thirty days in jail for resisting arrest but were placed on probation for a year.
In October 1967 Bishop George L. Cadigan asked Witte and William Matheus, St. Stephens Church curator, to resign their positions because of "misunderstandings about procedural matters and the seeming inability of Mr. Witte to relate to the program of the diocese." The activities of the two in demonstrations, particularly against the Veiled Prophet Ball, had "incurred the wrath of many Episcopal laymen," a newspaper report said.
Witte said he and Matheus regarded the annual VP ceremonies as symbols of social bigotry and economic discrimination. Cadigan responded that he "holds no brief for the Veiled Prophet Ball and Parade, and it may well be a serious affront to the nonaffluent members of the St. Louis community," but, he said, the two clergymen "vastly overrated" the VP's significance, devoting "great energy, but little skill, in attacking it."
In 1968, ACTION threatened to stage protests against musician Count Basie unless he canceled an agreement to play in the VP Parade, whose theme that year was "Music for Everyone." Basie agreed on September 25 to withdraw, "for personal reasons."
In 1968, United Press International reported that "ACTION has staged demonstrations at the ball and parade in recent years to protest that the ball was for whites only and that the parade flaunted white wealth down a route that skirted Negro neighborhoods. The route of this year's parade has been shifted to avoid some of the poorer neighborhoods."
Percy Green, William Brown, and William Mitchell were arrested on September 27, 1968, when they were denied entry to the ball. They ignored orders to stop marching directly in front of Kiel Auditorium. Sarah Jones and Barbara Jean Saper were arrested and fined after they chained themselves to one of the floats.
In 1969 Carl Jackson (that year's Black Veiled Prophet), Madame Carol (the Black VP queen), Lois Greer (Queen of Human Justice) and George Johnson were arrested after Jackson and Carol presented a slip of blue paper at the Kiel Auditorium door which they said was an invitation and refused to leave. Judge G. Johnson, Sharon Hall, and Rita Scott were arrested in 1970 when they tried to enter the VP Ball by presenting a written statement in lieu of tickets.
Percy Green, Melvin Carr, Florence Jarrett, Ralph Brown, and Gina Scott were arrested on December 22, 1971, on a charge of general peace disturbance when they attempted to enter Kiel Auditorium with no tickets.
A convention of the Episcopal Diocese of Missouri in October 1969 adopted a resolution stating that "Actions of the Veiled Prophet Society are such to be a source of constant irritation to the black communities" in the diocese.
On December 23, 1972, six women with tickets provided by debutantes and two of them, white women Gena Scott and Jane Sauer, walked together into Kiel Auditorium. Then Charles Reed, that year's Black Veiled Prophet went to the entrance with Beverly Crosby and Florence Jarrett, presented the gatekeeper with three tickets and a statement demanding entrance. They were denied entry because they were not "dressed properly." Refusing to leave, they were arrested and taken to a police station.
Sauer and Scott took balcony seats on opposite sides of the house. During the program, Sauer began dropping leaflets into the audience, then "threw the rest of the leaflets over the railing" as two men converged on her and began to pull her away.
Meanwhile, Scott was rappelling on a rope from a balcony when she tumbled hard to the floor, climbed to her feet, rushed to the stage, grabbed the crown and veil and yanked it from that year's VP. The Post-Dispatch reported that "the Veiled Prophet, whom everybody could see was bald, and very angry, struggled gallantly to restore the veil and its 95-year-old tradition [of anonymity] to its proper place." The VP was later to be revealed as Monsanto executive Tom K. Smith Jr.
Scott said: "The chairman of the VP committee, Alexander Cornwell Jr., had wanted to press charges, but when he was informed that the Veiled Prophet would have to appear in open court to do so, the whole matter was dropped." Scott's ribs were diagnosed as bruised and possibly broken.
In early 1973, Gena Scott was awakened when her car was bombed outside of her apartment. Her apartment was vandalized numerous times. In 1975, ACTION member Patrick Dougherty unfurled a banner on stage reading "ACTION Protests Racist VP," and in 1976, two ACTION members sprayed what Green called "commercial tear gas" at VP audience members along the stage.
In November 1973, a class-action suit was filed on behalf of all black St. Louisans by Percy Green, George (Judge) Johnson and Melvin Carr, claiming the VP organization's rental agreement for Kiel was illegal and that blacks viewed the VP Committee as an "antiblack, semisecret organization made up of members of the economic, political and social white power structure" of St. Louis.
The parade was first telecast over station KSD in 1977.
In 1979 the Veiled Prophet Organization admitted its first black members, three physicians.
In 1987, fair officials and St. Louis Metro Police Department were confronted with accusations of racism when they closed the Eads Bridge to pedestrian access, which reduced the ability of attendees from East St. Louis to reach the VP fair, where predominantly black residents were blamed for the crime that had been occurring there. Judge John F. Nangle ordered the bridge to reopen, saying that there was no proof that the crime was caused by East St. Louisans.
Some thirty people protesting police shootings in Ferguson, Missouri, and elsewhere in 2014 marched and chanted outside the Hyatt Hotel, St. Louis, where the ball was taking place.
The VP organization was founded by prominent St. Louisans who had been invited to a meeting in a letter signed by John B. Maude, John A. Scudder, George Bain, John G. Priest, and D.P. Rowland.
The organization had its roots in the St. Louis Agricultural and Mechanical Fair, an annual harvest festival since 1856. Featuring agricultural crops, crafts, and demonstrations, it attracted people from throughout the region. Spencer wrote that city boosters devised the Veiled Prophet Fair in an attempt to reclaim from the rapidly growing city of Chicago the fading pre-eminence for St. Louis as a manufacturing center and agricultural shipping point.
On March 20, 1878, Charles Slayback, a grain broker who had spent several Reconstruction years in New Orleans after the Civil War and become acquainted with its Mardi Gras traditions, called a meeting of local business leaders at the Lindell Hotel. He and his brother Alonzo, a former colonel with a Missouri Cavalry Regiment which fought for the Confederates, created a mythology for a secret elite society, whose public demonstrations would coincide with the annual St. Louis Agricultural and Mechanical Fair. Alonzo wrote The First Panorama of Progress of the Veiled Prophets. The brothers borrowed the name "the Veiled Prophet of Khorassan" from Irish poet Thomas Moore's Lalla Rookh; they also incorporated features from the Comus of New Orleans. In Moore's poem, the Veiled Prophet was a disfigured man who considered himself a prophet with a "veil'd and awful face".
The first visit of the Prophet was thus in 1878, after the Great Panic of 1875, when business needed reviving and St. Louis needed development.
In a 1956 promotional book by Vincent H. Sanders and Theodore D. Drury Jr., the Prophet was a world traveler who chose to bless St. Louis; reporter Walter E. Orthwein of the Globe-Democrat wrote in 1958 that the VP was conceived as "a kind of Santa Claus for grownups."
The VP organization has traditionally attempted to keep its membership rolls secret. In his Centennial History of Missouri, Walter B. Stevens wrote: "Mystery as to preparations greatly enhances public interest" and means "that the membership must be moved by altruistic motives in giving their fellow Missourians this annual pageant; that no public limelight could be focused on the doers."
The VP was sometimes referred to as the Grand Oracle, as in 1880. The identity of a given year's leader has ostensibly been a secret, but the earliest members of the Veiled Prophet organization (in 1878) were reported in 1964 to have included Alonzo W. Slayback, Frank Gaiennie, John A. Scudder, Henry C. Haarstick, George Bain, Robert P. Tansey, George H. Morgan, Wallace Delafield, John B. Maude, D. P. Rowland, Leigh I. Knapp, David B. Gould, Henry Paschell, H. I. Kent, E. Pretorious, William H. Thompson, and William A. Hargadine, H.B. Loudermann, and George D. Capen.
As for the leadership, public records showed in 2021 that "the executive officers remain some of the region's most powerful businessmen and dynastic patricians[,] with surnames such as Schnucks (grocery stores), Desloge (lead mining), Maritz (employee incentives and corporate travel) and Kemper (banking)." The prophet crowned "a queen every year; their last names include Kemper, Busch, Danforth, Schnuck, Schlafly, Chouteau, Cabanne, Niedringhaus, Desloge and other historic St. Louis families.The identity of Maids of Honor, one of whom was tapped as Queen, was also kept secret until they were introduced at the Ball."
The only person ever identified in connection with the VP administration was Jane Lindemann, who in 1999 was the first woman to hold the post of "exec director."
The first parade and ball were held on Tuesday, October 8, 1878. The Prophet was selected secretly from among the members, who were made up of St. Louis's business and civic elite. The first Prophet was John G. Priest, a member of the city's Board of Police Commissioners.
The Veiled Prophet was represented on the final float of the 1878 parade as:
In 1882 the Globe-Democrat described the same giant dummy as a "huge masked figure staring sphinx-like at the crowd." It had been used in previous parades until it was retired and replaced that year by a [human] "being with face masked and a long, white beard."
On Sunday, October 6, the Missouri Republican had captioned a woodcut of a masked, armed, and hooded man posing in Ku Klux Klan garb (previously used in the newspaper on August 23, 1875) as "the original Veiled Prophet himself," adding that "It will be readily observed from the accoutrements of the Prophet [a pistol, a shotgun, and a billy club] that the procession is not likely to be stopped by street cars or anything else." Historian Thomas M. Spencer interpreted the Republican's reference to "street cars" as related to the Great Railroad Strike of 1877. "Newspaper feature stories since the 1950s have described the 'first Veiled Prophet parade' as a way of healing the wounds of a bitter labor-management fight," the 1877 St. Louis general strike, he wrote. He added, however, that the first Veiled Prophet parade was "more a show of power than a gesture of healing." (The Republican's Oct. 6, 1878, article was largely satire, accompanied by a number of fanciful, previously published illustrations, raising questions about Spencer's interpretation.)
The initial ball in 1878 was held in the festively decorated Grand Hall of the Merchants Exchange, beginning in the late evening after the completion of the Parade. Its official start was a quadrille of costumed men from the floats of the parade and the women who awaited them. After two dances, the first being J.S. Bach's Royal Quadrille, the men retired to replace their disguises with formal wear for the rest of the evening.
Suzanne (Susie) Slayback was chosen by the first Veiled Prophet, John G. Priest, to be the "belle" of the ball.
Normally the Prophet was introduced to the public either as a real person or as a giant replication when his parade exited the "gloomy-visaged" Den, where the organization had its headquarters. But he also arrived via a different method, as follows:
For the first time, the Prophet came to St. Louis by boat on October 1, 1892, on the upriver steamer War Eagle. (See note.)' A group of civic leaders sailed to Jefferson Barracks via the Republic and the Paul Tulane to greet him. The First Regiment marched from St. Louis, and then everybody went back to St. Louis in fifty carriages or marched there in a special afternoon parade through crowded streets; a reception was held at the Exposition Building.
"A wagonette drawn by four horses went down to the staging," the Post-Dispatch reported, "and the Prophet took his seat on a raised cushion so that he might be seen by the curious and admiring multitude which he was to pass." At the St. Louis wharf, Samuel Kennard, an organizer of the Saint Louis Exposition, presented the Prophet with the keys to the city, and a band played "Hail to the Chief."
The VP arrived again via upriver boat Spread Eagle on October 1, 1900, at the foot of Vine Street, to be escorted to the Coliseum, where thousands had gathered.
The Prophet arrived by airplane four times, from 1924 through 1927, followed by an informal parade to the Den.
The custom of singling out a young woman for special attention began with the first Veiled Prophet Ball in 1878, when Suzanne (Susie) Slayback was chosen by the first Veiled Prophet, John G. Priest, to be the "belle" of the ball at the age of 16. According to a 1958 article in the St. Louis Globe-Democrat, in those earlier times it was "the custom of the Prophet to select a girl for his partner in the first dance at the ball."
In 1884 the title of this honoree was changed to Queen of Love and Beauty. She was to "act as regent" between the Prophet's yearly visits and to "be in charge of the social life of the city."
In 2021 and 2022, two celebrities were denounced in social media for having been Veiled Prophet Queens when young.
The Veiled Prophet selected the Queen from among the young women who had been invited as candidates. Beginning in 1894, those not selected were retained as Maids of Honor. A number of married women were known as Ladies of Honor, to act as chaperones. In that year, residents of the wealthy West End, St. Louis, were treated to the appearance of
The custom by 1940 was that:
By 1883, the ball had become known as "the social event of the year," with funding "poured out like water," the result in bringing visitors to St. Louis "more than" justifying the cost, the Post-Dispatch commented. People wanting to attend had to apply for tickets. The recipients were then chosen by a secret committee. In 1881, nearly four thousand invitations to the Veiled Prophet Ball were issued, and in 1885 there were more than seven thousand, of which some six thousand were used.
The Post-Dispatch wrote in September 1887 that the "Grand Oracle of the Veiled Prophets began the distribution of his favors yesterday, and to-day the mails are burdened with big yellow packages. By 6 o'clock to-morrow evening several thousand people who have been waiting in anxious expectation . . . will have their suspense relieved[, while others] will suffer a grievous disappointment at seeing the postman trot by their door without stopping."
The "handsome and artistic" invitations, matching a different theme for each year, looked like this:
1880. Theme: The Four Seasons. On one side of the engraved bid was a picnic scene, surrounded by representations of spring, summer, autumn, and winter. On the other side were the initials V.P. and four additional scenes — summer in Germany, spring in England, autumn in France, and winter in Russia. To insure that the "strictly personal" invitations would not be transferred at the ball:
1881. Theme: A Day-Dream in the Woodland or Insect Life
Fifteen hundred tickets were printed in Paris, France, with "friends of the order" each able to reserve ten of them, and "a lady counts for as much as a gentleman in the list of names." The tickets were inside a coarse, outside enclosure, an imitation-leather second envelope and, finally, a peagreen envelope, the edge bordered in gold and the center bearing the face of the Veiled Prophet and the initials "V.P." Within it was yet another envelope, with a highly polished gold or silver paten, containing a pink or pale blue card, the former "for ladies" and the latter "for gentlemen." With them were dance cards for the women, "a huge butterfly which is placed in harp-shaped envelopes of transparent linen covered with figures of gold."
1885. Theme: An Arabian Night
The invitations for 1885 were in "what seems to be a strong metal box," which, when opened, revealed a satin bag bound with silk, which contained "the coveted bidding." Five scenes from the Arabian Nights were "successfully disclosed by the turning aside of a leaf hinged on a pivot, or the opening of a leaf[,] book fashion. . . . Accompanying . . . were beautifully engraved admission cards to the ball, and the dancing programme."
1888. Theme: Child Lore
The six thousand invitations, again printed in Paris, included "a spectacular view of Mother Goose, on a blue ray-lit sky . . . . The goose is very white and the old woman on its back is very red. She carries a broom in her left hand and in right holds the reins of her feathered steed. There is a friendly grin on the old lady's face . . . ."
Each invitation was inside a separate envelope, "even more gorgeous than its inclosure. Its . . . principal pictorial feature is a regulation fairy queen of the modern stage in a decollete bodice, transparent skirts and ravishing pink tights. A diadem adorns her flowing yellow hair[,] and two rows of pearls shine upon her splendid throat. . . . She is seated on the backs of a pair of flame-tongued, red-tailed dragons, and the sky in the immediate vicinity is blazing with glory."
An enclosed ticket for the dance consisted, according to the same story, "of a "rabbit's foot growing out of a rabbit's head" [see accompanying image].
1902. From the Discovery of the Mississippi to the World's Fair
The invitation included "a map of the Louisiana Purchase, supported by the palm branch, with intertwined shields of the United States and the Republic of France, [see note] with the Veiled Prophet's seal," along with, "in colors," scenes and incidents in the Louisiana Purchase.
1904. Theme: Art and Architecture
Recipients had to open three boxes, one inside another, to reach the souvenir,
1920. There were two thousand fewer invitations sent out that year, to avoid "the crowding that had so often in the past made balls uncomfortable," the Globe-Democrat reported, but that fact "did not make it any less democratic, for the invitations included all sorts and conditions of worthy St. Louisans."
The first year of the ball, 1879, "A great many ladies were in full evening dress, while others were attired in calling or reception toilets, and a few, seated, wearing their street suits and bonnets."
The rules required "full evening dress" for attendees, which for women meant that "low neck and short sleeves" would not be "insisted upon, but the wearing of hats or bonnets will not be countenanced... it is expected that ladies will appear in an elaborate coiffure." The "orders" that year were that women in hats or bonnets "will be required to go into the gallery [and] . . . will not be permitted to dance."
For men, the rule was swallow-tailed, black broadcloth, or Prince Albert coats, but not "light-colored, bob-tailed or business suits." Military uniforms were okay.
"A peculiar thing" about the ball in 1881, a Kansas City Times reporter averred, is that "the committee lays down a law that no lady in bonnet or gentleman not in full dress shall be admitted." Full dress for men was defined as "Black swallow-tail coat, black low-cut vest, black pants, white cravat and light gloves." Nevertheless, the reporter wrote, "Despite this... ladies were seen on the floor with bonnets. Gentlemen were there in light coats, the tails of which were pinned back, thus making an improvised swallow tail."
St. Louis Mayor Henry Ziegenhein refused to wear a dress suit when he was invited to attend the Veiled Prophet Ball and "welcome" the Veiled Prophet to his city in 1898. He said he had never worn one and never would, preferring a Prince Albert coat (frock coat), which he wore on all state occasions.
In the 1870s and 1880s, a carpet of linen was laid upon the floor for dancing, "to protect ladies' dresses."
A Globe-Democrat reporter noted in 1920 that "short gowns and no gloves were the order of the day" for women at the VP Ball that year. "It was like a big reception at which all were friends, and they went about visiting with one another and nodding gayly." In 1921, ten of the seventy-five Maids of Honor wore their hair in a bobbed fashion. Strict dress rules were still in effect in 1930.
By 1935, men and women in the "floor seating and standing spaces, the boxes and balcony," were to be in "full evening dress," but gallery viewers were expected only to be "neatly dressed."
In summer 1986, Jennifer Knight, that year's Queen of Love and Beauty, headed a group of her court members in a fund-raising fashion show at Buder Park. The dress code was "sporty Sunday clothes, fun skirts — certainly not blue jeans," spokeswoman Ginny Orthwein said. A Post-Dispatch fashion writer advised in 1992 that for the Veiled Prophet, Fleur de Lis and St. Louis Charitable Foundation balls "white tie" for women can mean "a genuine ball gown, more opulent than most [other] formal attire worn" in St. Louis.
In 1883 the organization began a series of tableaux, which was "not to be an exclusive affair, nor to be confined to the members of the Veiled Prophets. . . . Any person, of respectable character" could send for tickets, which were limited so that they should "not fall into the hands of improper or disreputable characters." Seats at the Olympic Theater were five dollars each, and there would be "no discrimination." In addition to the tableaux, musical attractions were on the bill. There would be no requirement for "full dress."
In conjunction with the 1889 removal of the VP Ball from the Merchants Exchange to a new site at the Music Hall, the program was changed that year from a March and Veiled Prophet's Quadrille to "a series of magnificent tableaux" with "elegantly costumed" participants. The tableaux, with scenery and costumes echoing the theme of the parade floats, continued at least until 1890.
In 1898, St. Louis was one stop for a large group of visitors on tour from Mexico, and Mrs. Otto F. Forster of St. Louis arranged for the women of that group to be "given an insight into the high social life" of the city, but she could not find "enough society women who can speak Spanish to form a reception committee." From the local Latin-American Club she received a list of women who could speak the language, but, as the Post-Dispatch reported, "it didn't suit. The ladies were all stenographers and probably not one of them figured as a maid of honor at a Veiled Prophet's Ball or acted as a lady patroness at a swell function. They were all nice and good, no doubt, Mrs. Forster argued, but they didn't represent what is conceded to be society in St. Louis."
Before 1915, the newly crowned Queen was taken by family and friends to a fashionable hotel for a "light cotillion," or light refreshments, and then escorted home. In that year, the supper was supplanted by an elaborate party, first at the St. Louis Country Club, then over time at the Chase Hotel and next the Jefferson Hotel (for 27 years).
Gus O. Nations, chief prohibition agent in St. Louis, announced in 1922 that his agents would patrol hotels "where guests at the Veiled Prophet Ball will congregate" after their departure from the dance. If liquor comes "within the gaze of a prohibition enforcement agent," the bearer could be arrested under the Volstead Act, he warned.
In 1926, as in "past years" and after "a ceremony of allegiance to the new Queen," the custom for her and some others was to leave the venue "and spend the rest of the evening in hotel ballrooms or dining rooms." In 1940, twenty-two young men were invited to attend such a supper dance at the Hotel Jefferson (St. Louis, Missouri); with a blue carnation in their lapels, they would "have the privilege of dancing with any of the ladies present whether or not they have been formally introduced."
In 1928, Mary Ambrose Smith, who was selected as Queen, was found to have secretly married Dr. Thomas Birdsall days earlier, violating the rule that the Queen of Love and Beauty must be a "maiden." The Post-Dispatch quoted a man "high in the councils of the Veiled Prophet organization," who said: "We have no precedent to guide us. The disclosure is most extraordinary, astounding, to be exact."
In a 1979 interview with the St. Louis Times, Smith recalled how the Veiled Prophet:
In 1880, "armed attendants" accompanied the presentation of the Veiled Prophet in a ceremonial procession before the Ball. An honor guard for the VP continued around 1922 with uniforms modeled after those of a British first life guard; then, over time, a West Point cadet and, next, a cavalier. In 1935 the men were fitted with a new look: that of a Bengal lancer of India, with a royal blue turban, a scarlet tunic, white breeches, white gauntlets and black jackboots with silver spurs. The Globe Democrat reported that year:
In 1930, the team had been costumed "in uniforms of the period of the Restoration in England," with "quaint arms in keeping with the costumes."
Each year, the guard performed an exhibition drill before the introduction of the Prophet to the assemblage. As time passed, their movements drew laughter:
In 1960, the Lancers rode horseback during the Parade, just ahead of the Prophet's float.
By 1986, laughter was expected, with Patricia Rice of the Post-Dispatch observing that the Lancers'
The first ball, in 1878, began with a quadrille of costumed men from the parade and the women who awaited them. After two dances, the first being J. S. Bach's Royal Quadrille, the men retired to replace their disguises with formal wear for the rest of the evening. The next year, 1879, the Veiled Prophet and retinue entered the room and proceeded to execute a grand march, followed by a quadrille with "fair ones of the earth as partners." In 1890 the music was the Coronation March by Giacomo Meyerbeer. The Royal Quadrille was on the program as late as 1921.
The first VP Ball in 1878 was in the "beautiful precincts of the Chamber of Commerce," also known as the Merchants Exchange, the largest hall in the city, with some 1,400 seats. But much of the space was taken up by a rostrum, a fountain, telegraph desks and tiers of seats around the sides.
The ball began after the parade was over and the participants had returned to the dance venue. "The festivities lasted to the early dawn."
In 1889 and 1890 the venue was switched to the Grand Exposition Music Hall, with a gallery of 1,100 seats and a dress circle of 1,400. There, "the Prophets will be able to give a tableau on the stage before the ball, as is done in New Orleans."
In the first part of the 20th century, the ball was held at the St. Louis Coliseum. Beginning in 1936 it took place at the Municipal Auditorium (which had been renamed the Kiel Auditorium) until a lawsuit was brought against the Veiled Prophet organization for shutting down the public auditorium for weeks at a time, arguing that the common taxpayers did not have access to the event. In the 1950s, the Chase Park Plaza Hotel constructed the opulent Khorassan Ballroom specifically to host the annual debutante ball, and the event was formally moved there in December 1975.
The Matrons of Honor in 1920 received as gifts black moiré bags lined with white, with clasps and trimmings of gold. The Maids of Honor received gold bar pins embellished with designs in filagree.
The Queen in 1930 was given a diadem set with 71 diamonds, two pearls and two sapphires, with the crown designed so it might be removed from the platinum bandeau and worn as a brooch or pendant. An 8-inch plume was of spun silver. The Maids got coronets, "small-scale duplicates" of the one worn by the Queen, with only 51 diamonds.
In 2018, two "jewel-encrusted" gold and silver Veiled Prophet tiaras, worn by a Special Maid in 1894 and the Queen of Love and Beauty in 1896, were stolen from the Missouri History Museum. They were never recovered.
"Miniature" Veiled Prophet balls were scheduled with children, an early one in May 1936 at the Independent Evangelical Church and another at Greeley Presbyterian Church in October 1938, with the crowning of a "Queen." A Prophet and Queen were crowned at Lowell School in 1940. The first after World War 2 was at the Zion Methodist Church in June 1946. Villa Duchesne High School held Miniature VP events both before and after the war.
In 1879, George Soulie, who had been living in New Orleans engaged in work on the annual Mardi Gras celebration, sought to do similar work for the second Veiled Prophet Parade in St. Louis. He was placed in touch with businessman John G. Priest, known as a kind of "boss" Prophet. The two signed a contract for Soulie "to paint, decorate, and fix up generally in first-class style twenty-one chariots, or floats" for $630. He worked for three weeks, then was discharged by Superintendent Daniel E. Carroll.
Because the Prophets were supposed to be nameless, "every effort" was made to keep the matter quiet, but Soulie filed suit against Priest, president; Frank Galennie, secretary; Daniel Carrol, superintendent; Charles E. Slayback and Preston T. Slayback. The Daily Globe Democrat reported that after "the indignant artist threatened to reveal all he knew concerning the Prophets and their identity," a "consultation of the high-muck-a-mucks of the V.P.'s was held," they offered $200, Soulie withdrew the suit, "the bounced artist promised to remain true to his plighted word not to squeal, and the awful mystery which surrounds the Prophets remains as impenetrable as before."
1879. In the second year of the pageant, the Post-Dispatch reported that the "dazzling display" would cost some seventy thousand dollars, that "seats are being erected at every available corner, and [that] fabulous prices are being paid for rooms along the proposed route. . . . At the Court-house the grand procession will come to a halt and there will be a splendid display of fire works."
The paper reported that "The corner grass plots in the Court-house square have been boarded over and will, it is said, accommodate 3,500 people just at the very turning point in the procession. . . . Fire-works will be displayed at frequent intervals, and the fiery shower from the dome of the Court-house . . . will be one of the grandest sights ever seen by any public."
But, according to the Post-Dispatch, that venture "created a great deal of dissatisfaction and discussion as to the right of the city to allow the public square to be used for a private enterprise." Leslie Moffett, a member of the Board of Police Commissioners, "understanding that some trouble might ensue to the police, owing to the general popular opinion that the people had a right to the Court-house square and might try to force their way into the enclosing" tried to find out who was behind the idea. Contractor E.C. Simmons responded that the seats were "for the benefit of the Veiled Prophets" and that they were "not a private enterprise or speculation in any sense whatever." The tickets were on sale for a dollar each in a stand at a local department store.
The Post-Dispatch added:
Further dissension arose when it was reported that Mayor Henry Overstolz and city officials would view the pageant from a room in the courthouse, thus "controlling the Court-house" on the evening of the parade. Overstolz countered that he had simply "asked Judge [Amos Madden] Thayer for a window in his court-room, and he gave me his private room. I merely suggested that the invitations be extended by the heads of the apartments [departments?] so that the right parties will assemble there, as there are a number of valuable papers in the building. All sorts of rumors are flying about."
On the evening of this second parade, a "stream of lights, red and blue, burst forth upon the cornice of the Court-house . . . . A flight of pigeons . . . sprang out of their suddenly illuminated nests, and fled from their time honored homes in dismay. . . . A cataract of flame [fireworks] flowed down the ashen-colored roof of the dome . . . [looking like] a flood of molten lava."
1894. The courthouse steps "looked like a giant anthill" they were so jammed with people.
The second parade and ball were postponed for one day in 1879, until Wednesday, October 7, because of a "miserable, penetrating and thoroughly unpleasant rain." The St. Joseph (Missouri) Gazette said: "The interest in this affair is simply amazing. Excursion trains on all the railroads leading into the city have been crammed to excess all day[,] and not less than forty thousand people came into the city."
The Den has been a building or complex of buildings where the floats and costumes have been prepared for the VP and America's Birthday Parade activities.
On parade night in 1879, the Den was described by a reporter as a "great black building running along the side of Twelfth Street, from Market to Chestnut. It stood dim and grim against the evening sky, with not a luminous line or brilliant knot-hole to be seen against its gloomy walls until 7 o'clock, when the yard gate to the east of the building suddenly opened and displayed to view an array of torch-bearers ready to march forward at a moment's notice."
In 1880, design of the floats was done by artist Carl Gutherz, and his drawings were sent to Paris, France, where the costumes were made. The next year, 1881, St. Louis artists Thomas C. Noxon and Richard Halley did the work.
The Den was at 12th and Chestnut in 1883. The Den land on the northeast corner of 12th and Market was sold in June 1884 by Charles L. Hunt to Thomas T. Turner, bundled with other property.
In 1890 through 1924, the floats were prepared in a "large building" between 21st and 22nd at Walnut street. In 1893, it was written that:
The Stroh Brothers purchased the Walnut Street property in 1924, to replace the Den with a large garage for "trucks and passenger cars."
Burglars entered the Den at 102 Rankin Avenue on January 26, 1931, hammered the combination off the safe and escaped with $2,700 worth of jewelry, $250 in cash and a .32-caliber automatic pistol.
In 1932, the Den was on "dingy Rankin Avenue," the Post-Dispatch reported, number 102 South at LaClede, where it remained until at least 1958, when a fire damaged five floats being prepared for the VP Parade. Five firemen were overcome by dense, acrid smoke. The victims received bouquets and notes from the Veiled Prophet which said, "With deep appreciation and gratitude."
In the year of the fire, the St. Louis Post-Democrat claimed that the Den "becomes an ordinary warehouse as soon as the parade is over. Having no visible abiding place, the order is not subject to influence in other social and business clubs, and this again constitutes an important fact in its longevity."
The South Rankin building was demolished in April 1960 for redevelopment of Mill Creek Valley, and the Den was resurrected in a warehouse on Prospect Avenue.
The Post-Dispatch in 1981 described the Den as "a complex of former Falstaff brewery warehouses at 301 Prospect Avenue that serve as a combination workshop, storage facility and archives for VP parades and balls." In February 1991 the Den was a large cinderblock building near Spring Avenue and Forest Park Boulevard.
Brook Marion was the leading float painter of a six-man crew in the Den in 1999.
1881: A "gang of roughs" pelted the floats with mud and stones. On the other hand, during the same parade "Several young ladies in the windows of 1630 Pine" who attracted the attention of men on one of the floats "received quite a pelting at their hands with nuts and other missiles."
1883: The Post-Dispatch reported that "The large and overwhelming majority" of the crowd were . . . visitors to the city who were enjoying their first holiday since last Christmas." This over,
1884: At Broadway and Fourth Streets "there was a mob . . . of the most unruly character. A dozen policemen fought them back, but they crowded up to the very wheels of the floats."
1911: According to Marguerite Martyn in the St. Louis Post-Dispatch:
1920: "Ordinarily reserved young ladies used the 'Coney Island ticklers,' sold by countless vendors, upon the chins and faces of every young man who came within an arm's length," the Globe-Democrat reported. "And the favor was reciprocated."
1926: Slapsticks, rolled newspapers and feather ticklers were used "to tease and torment." Women reported dresses torn and hair rumpled. Police confiscated more than a hundred slapsticks and arrested six vendors. Chief Joseph A. Gerk said: "I am opposed to the use of slapsticks and heartily approve of the beating of one man who used a slapstick on a woman." He thought some of the enthusiasm stemmed from the excitement of the World Series being played that week in St. Louis — the Cardinals against the Yankees.
1930s: Some onlookers used pea-shooters, rocks and other missiles against the floats. Confectioners' shops stocked the pea-shooters in anticipation of the parade, according to Robert Tooley, who identified himself as VP "den superintendent" in that era. Pea-shooters were again active in 1947, and in that same year "the new plastic bubbles" were evident.
1937:"For the first time in years," the Globe-Democrat reported, "great volumes of paper were dropped from windows." Some of it was ignited when it came in contact with sparks from trolley wires. Downtown merchants played safe either by "boarding up windows or lining the window sills with boards in which nails were upended" to prevent crowds from pushing against plate-glass windows. "Youths with bean shooters were active, as always."
1966: A judge sentenced an 18-year-old man to sixty days in the city workhouse after convicting him of throwing stones at a police car during the weekend VP Parade.
In 1882, the parade theme took a new direction, which led to controversy over the inclusion of a float criticized for its portrayal of Irish people. The theme illustrated "the leading characteristics of the principal nations of Asia, Europe and Africa, and giving a special tableau of American scenes, representing the ballot box, the Indian on the plains, life on southern plantations and the western rivers. . . . The tableau came more directly within the comprehension of the average citizen than the mythological representations of previous years and was cheered to the echo."
But St. Louis members of the Irish Land League were incensed over one of the floats, and "it was universally agreed there that there would be a grand and frightful riot unless the Irish float was taken out of the procession." The Irishmen who drove the parade's teams and wagons said they would "withdraw their services" if the float was included, so the entry was removed.
Figures aboard the planned float included shillelagh-wielding men and a woman in "peasant costume" dancing to a fiddle. A "drinking booth with the Irish harp" is nearby. "A pig sty, with a couple of grunters anxiously peering over the side, stands to the left, a bushel basket of potatoes evidently tempting them."
Alonzo Slayback replied that the message of the "first procession" in 1878 had gone "over the heads of the spectators" and since then "we found that a float which aimed rather to convey a pleasant bit of fun pleased the people much better[,] and we have carried out this idea ever since. . . . Let them raise a finger against any part of the pageant, if they dare. I feel sure that there will be on hand a sufficiently large number of people . . . to prevent any attack. Yes, sir, just let them try it." The day this quotation appeared in the morning Post-Dispatch, Slayback stopped in the office of managing editor John A. Cockerill to request that the latter "suppress all mention of the action of certain citizens regarding the Irish float. . . . Our meeting was pleasant and he went away in good feeling," Cockerill said.
The offending scene was eliminated, and other props were used on the refurbished float.
In 1938, an Irish-descended group headed by Circuit Judge O'Neil Ryan protested the imagery on a float with the title of a popular song, "Has Anybody Here Seen Kelly?" The name of the float was soon changed to "The Sidewalks of New York." In addition, a statement from the Veiled Prophet organization said: "At the same time the Order announces that the float entitled 'Schnitzelbank' has been changed to 'Harvest Moon,'" which the Star-Times said was done "to forestall possible criticism arising out of the recent European developments."
St. Louis Protestant minister S.J. Nichols castigated the Old Testament theme of the 1887 VP Parade. In a sermon on September 18, he made a "sweeping condemnation," particularly condemning the printed invitation to the ball, which included representations of the Ark of the Covenant and the Ten Commandments. He also denounced floats depicting Moses and Elijah.
Nichols said:
He was soon answered by David Swing, a widely known progressive minister from Chicago, who wrote:
The first parade was lit by a thousand torchbearers, all dressed in brown habits, with cowls, "priest fashion," walking beside the floats, carrying gasoline lanterns with three burners each,
Each man carried "a quadruple gasoline torch with a reflector behind the flame, [flanking it on either side] . . ., respectable but disagreeable flambeaux." The lamp bearers wore protectors to keep their wrists from burning.
In the second year, 1879, Daniel Carroll was in charge of the six hundred men hired to lead the horses and carry beacons and torches. He told his men
Each float in 1879 was drawn by six horses, "covered with snow-white trappings, on which two cabalistic letters, 'V.P.,' were wrought in deep red color." Two mounted horsemen rode before and two behind, and "at each side were four bearers of reflector torches and an equal number of flambeaux carriers." In 1887, these torchbearers were "mostly colored men" dressed in red robes. In 1890, a newspaper said that they were "chiefly negroes of the steamboat type."
In at least two locations in 1878 locomotive headlights lit up the streets. "The Court-house was the center of the grandest illumination along the entire route," being lit "and covered with Chinese lanterns," the St. Louis Evening Post said. "'Red fire' was made and placed behind the fountains and caused the water to take the appearance of being sparkling blood." An electric light in front of Tony Faust's building at Fifth and Elm made the block "as bright as day."
The Daily Commonwealth of Topeka, Kansas, said the 1878 procession, under the
Some business owners "expended large sums of money" in 1878 to furnish lighting in front of their properties by natural gas, using it "as extravagantly as though it were to be found on the streets for nothing," but they found that their attempts were "so eclipsed" by the "gorgeous dazzle" of the VP Parade "that they became disgusted" and vowed not to do it again the next year. Nevertheless, in 1879, "Fifth street was light as day with its many pyramids of gas jets that had taken the place of the every-day lamp-post illuminations. . . . At each end of the Washington avenue corners of Samuel C. Davis & Co.'s dry goods building, a calcium light shone down upon the multitude."
In 1881, a line of gas pipe was run down Fourth Street, "broken only at the cross streets, from which myriads of jets surrounded by white globes poured forth their effulgence. . . . Swung high in the air at [a] distance of about every thirty feet[,] tall branch lights had been placed, which when fully ablaze resembled . . . a row of beautiful trees hung with brilliant lanterns. The effect was magical." Gusts of wind from the river, however, blew out the lights, which were relit by workers with oakum torches. "Taken as a whole, the effect was very brilliant and will long be remembered by the thousands who witnessed it." After the main gas pipe was opened in the early evening, merchants and businessmen along the route were responsible for lighting the gas jets themselves with torches provided by the gas company.
The 1883 parade was held in conjunction with the 23rd St. Louis (Agricultural) Fair. Twenty-five thousand globes, nineteen arches, and "miles of gas jets" were newly installed, and "many of the business houses will be brilliantly lighted up by gas and electric lights."
In March 1885, Charles H. Lewis and his wife received $283 from the city for the injuries they had received from the falling of a gas pipe at Broadway and Washington Avenue during the VP Parade.
In 1881, lighting the line of the parade with electric lights suspended from the telegraph poles was discussed but abandoned because, a newspaper report said, "the intense white flames of the electric lamps would interfere with the colored lights." Still, a string of electric lamps were "stretched from the St. Louis Club-house down along Washington avenue to Samuel C. Davis' store on Fifth street." As well, other establishments promised to provide enough electric lights in their vicinities "to turn night into day." And, torch-bearers were "three times as numerous" as they were in previous processions.
In 1894, illuminations were considerably reduced, the rural visitor perhaps being unhappy with the lack of "even the usual number of gas jets and incandescent globes," the Globe-Democrat said, but the floats "and their attendant illuminators had no glare and glitter from street lamps to dim their luster," and the "innovation proved to be a decided success."
The 1903 parade was the first in which the floats, with more than forty thousand mounted electric lights, moved along the streetcar tracks with everything powered by the overhead electric trolley wires. "The pageant will be more clearly seen," The Republic predicted in an advance story. "There will be no dull patches in it. . . . The floats will move much more easily on the streetcar tracks" than they had done before on the asphalt or granite streets. Each float was to be supplied with "300 to 400 incandescent bulbs . . . to produce every effect of lighting that can devised, . . . vivid and full of color." Horses, however, still pulled the floats, "it having been deemed inartistic and impractical to supplant the gallant steeds with buzzing motors," the Post-Dispatch said.
The St. Louis Daily Globe-Democrat noted in 1906 that "The nightly street illumination will remind all who witness its strange and brilliant combination of the wonderful recent advance in lighting the avenues and in rendering the darkness eloquent with various devices. This is one of the triumphs of the new century."
In 1919, a United Railways employee walked behind each wagon, carrying the "trolley rope." The trolley on the Prophet's float was accidentally torn off at 7th and Olive, so it had to be lighted by torches the rest of the way.
In 1969, the parade was shifted to daylight hours and incorporated into a larger civic celebration. That year was the first in which the Prophet did not appear in the parade.
President Grover Cleveland and his wife, Frances Folsom, attended in 1887 and Margaret Truman, the author and daughter of President Harry S. Truman, in 1969. At the former, the number of invitations to "perhaps the most exclusive ball of them all" had been "somewhat limited" and the guest list "carefully scrutinized," the St. Louis Republic recalled in 1900.
In 1893, sixty representatives from 34 countries or colonies exhibiting at the World's Fair in Chicago arrived by train and were escorted in carriages to the Southern Hotel. They were feted at a dinner, witnessed the parade, and taken to the Ball. The next day featured a tour of St. Louis sights.
The governors of fifteen U.S. states participated in the annual VP festivities in 1907. It was the largest number of state executives ever assembled up to that time in one city. They met with President Theodore Roosevelt and accompanied him on a voyage down the Mississippi River.
Poet Edgar Guest and wife Ellen attended the 1921 ball. Guest authored a poem titled "The Veiled Prophet."
Robert Wadlow, the tallest person in record history, of nearby Alton, Illinois, was a guest in 1937, attracting crowds.
A printed description for the first parade in 1878 was done by Alonzo Slayback, who wrote in his diary that it was "the nearest thing to a stroke of genius that I ever produced." His story, he said, was a "prose poem" which had "brought order and identity out of some very gorgeous but very meaningless representations," the floats in the parade. "For next year, and the year after, and so on for a hundred years . . . the strangers who visit our October fairs can be entertained . . . ."
In 1881, the organization's "official publication" was printed by the Compton Lithographic Works, St. Louis. In the "principal illustration," representing the "hall of the Veiled Prophets, . . . Three or four fire-glowing planets wandering in and out among gleaming pillars send a shower of gold down upon the radiant raiment of the assembled Prophets and light up the picture in a manner that makes a circus poster look like a postage stamp."
A lady's program for each ball listed individual dances for the evening, with spaces for the names of men with whom she would dance. In 1890, for example, it was designed in the form of a shield, with a heavy black cord and hook to attach to a coat or a dress, with a miniature pencil.