Yin and yang

Yin and yang (English: /jɪn/, /jæŋ/), also yinyang or yin-yang, is a concept that originated in Chinese philosophy, describing an opposite but interconnected, self-perpetuating cycle. Yin and yang can be thought of as complementary and at the same time opposing forces that interact to form a dynamic system in which the whole is greater than the assembled parts and the parts are important for cohesion of the whole.
In Chinese cosmology, the universe creates itself out of a primary chaos of material energy, organized into the cycles of yin and yang, form and matter. 'Yin' is retractive, passive and contractive in nature, while 'yang' is repelling, active and expansive in principle; this dichotomy in some form, is seen in all things in nature—patterns of change and difference. For example, biological and seasonal cycles, evolution of the landscape over days, weeks, years and eons (with the original meaning of the words being the north-facing shade and the south-facing brightness of a hill), gender (female and male), as well as the formation of the character of individuals and the grand arc of sociopolitical history in disorder and order.
Taiji is a Chinese cosmological term for the "Supreme Ultimate" state of undifferentiated absolute and infinite potential, the oneness before duality, from which yin and yang originate. It can be contrasted with the older wuji (無極; 'without pole'). In the cosmology pertaining to yin and yang, the material energy which this universe was created from is known as qi. It is believed that the organization of qi in this cosmology of yin and yang has formed the 10 thousand things. Included among these forms are humans. Many natural dualities (such as light and dark, fire and water, expanding and contracting) are thought of as physical manifestations of the duality symbolized by yin and yang. This duality, as a unity of opposites, lies at the origins of many branches of classical Chinese science, technology and philosophy, as well as being a primary guideline of traditional Chinese medicine, and a central principle of different forms of Chinese martial arts and exercise, such as baguazhang, tai chi, daoyin, kung fu and qigong, as well as appearing in the pages of the I Ching and the famous Taoist medical treatise called the Huangdi Neijing.
In Taoist metaphysics, distinctions between good and bad, along with other dichotomous moral judgments, are perceptual, not real; so, the duality of yin and yang is an indivisible whole. In the ethics of Confucianism on the other hand, most notably in the philosophy of Dong Zhongshu (c. 2nd century BC), a moral dimension is attached to the idea of yin and yang. The Ahom philosophy of duality of the individual self han and pu is quite similar to yin and yang of Taoism. The tradition was originated in Yunnan, China and followed by some Ahom, descendants of the Dai ethnic minority.
The Chinese characters 陰 and 陽 are both phono-semantic compounds, with semantic component 阝 'mound', 'hill', a graphical variant of 阜—with the phonetic components 今; jīn (and the added semantic component 云; yún; 'cloud') and 昜; yáng. In the latter, 昜; yáng; 'bright' features 日; 'the Sun' + 示 + 彡; 'sunbeam'.
The Standard Chinese pronunciation of 陰 is usually the level first tone as yīn with the meaning 'shady', 'cloudy', or sometimes with the falling fourth tone as yìn with the distinct meaning 'to shelter', 'shade'. 陽; 'sunny' is always pronounced with the rising second tone as yáng.
Sinologists and historical linguists have reconstructed Middle Chinese pronunciations from data in the (7th century CE) Qieyun rhyme dictionary and later rhyme tables, which was subsequently used to reconstruct Old Chinese phonology from rhymes in the (11th–7th centuries BCE) Shijing and phonological components of Chinese characters. Reconstructions of Old Chinese have illuminated the etymology of modern Chinese words.
Compare these Middle Chinese and Old Chinese reconstructions of 陰; yīn and 陽; yáng:
Schuessler gives probable Sino-Tibetan etymologies for both Chinese words.
yin < *ʔəm compares with Burmese ʔum 'overcast', 'cloudy', Adi muk-jum 'shade', and Lepcha so'yǔm 'shade'; it is probably cognate with Chinese àn < *ʔə̂mʔ 黯; 'dim', 'gloomy' and qīn < *khəm 衾; 'blanket'.
yang < *laŋ compares with Lepcha a-lóŋ 'reflecting light', Burmese laŋ 'be bright' and ə-laŋ 'light'; and is perhaps cognate with Chinese chāng < *k-hlaŋ 昌; 'prosperous', 'bright' (compare areal words like Tai plaŋ 'bright' & Proto-Viet-Muong hlaŋ). To this word-family, Unger also includes 炳; bǐng < *pl(j)aŋʔ 'bright'; however Schuessler reconstructs 炳; bǐng's Old Chinese pronunciation as *braŋʔ and includes it in an Austroasiatic word family, besides 亮; liàng < *raŋh 爽; shuǎng < *sraŋʔ 'twilight of dawn'; míng < *mraŋ 明 'bright', 'become light', 'enlighten'; owing to "the different OC initial consonant which seems to have no recognizable OC morphological function".
Yin and yang are semantically complex words.
John DeFrancis's ABC Chinese-English Comprehensive Dictionary gives the following translation equivalents.
The compound yinyang 陰陽 means "yin and yang; opposites; ancient Chinese astronomy; occult arts; astrologer; geomancer; etc."
The sinologist Rolf Stein glosses Chinese yin 陰 as "shady side (of a mountain)" and yang 陽 as "sunny side (of a mountain)" with the uncommon English geographic terms ubac "shady side of a mountain" and adret "sunny side of a mountain" (which are of French origin).
Many Chinese place names or toponyms contain the word yang 'sunny side', and a few contain yin 'shady side'. In China, as elsewhere in the Northern Hemisphere, sunlight comes predominantly from the south, and thus the south face of a mountain or the north bank of a river will receive more direct sunlight than the opposite side. Yang refers to the "south side of a hill" in Hengyang 衡陽, which is south of Mount Heng 衡山 in Hunan, and to the "north bank of a river" in Luoyang 洛陽, which is located north of the Luo River 洛河 in Henan. Similarly, yin refers to "north side of a hill" in Huayin 華陰, which is north of Mount Hua 華山 in Shaanxi province.* Li, Zhuqing (2024). "Chinese Place Names". In Jiao, Liwei (ed.). The Routledge Handbook of Chinese Language and Culture. Routledge. pp. 179–180. ISBN 978-1-315-16780-0.
In Japan, the characters are used in western Honshu to delineate the north-side San'in region 山陰 from the south-side San'yō region 山陽, separated by the Chūgoku Mountains 中国山地.
English yin, yang, and yin-yang are familiar loanwords of Chinese origin.
The Oxford English Dictionary defines:
For the earliest recorded "yin and yang" usages, the OED cites 1671 for yin and yang, 1850 for yin-yang, and 1959 for yang-yin.
In English, yang-yin (like ying-yang) occasionally occurs as a mistake or typographical error for the Chinese loanword yin-yang—yet they are not equivalents. Chinese does have some yangyin collocations, such as 洋銀 (lit. 'foreign silver') "silver coin/dollar", but not even the most comprehensive dictionaries (e.g., the Hanyu Da Cidian) enter yangyin *陽陰. While yang and yin can occur together in context, yangyin is not synonymous with yinyang. The linguistic term "irreversible binomial" refers to a collocation of two words A–B that cannot be idiomatically reversed as B–A, for example, English cat and mouse (not *mouse and cat) and friend or foe (not *foe or friend).
Similarly, the usual pattern among Chinese binomial compounds is for positive A and negative B, where the A word is dominant or privileged over B. For example, tiandi 天地 "heaven and earth" and nannü 男女 "men and women". Yinyang meaning "dark and light; female and male; moon and sun", is an exception. Scholars have proposed various explanations for why yinyang violates this pattern, including "linguistic convenience" (it is easier to say yinyang than yangyin), the idea that "proto-Chinese society was matriarchal", or perhaps, since yinyang first became prominent during the late Warring States period, this term was "purposely directed at challenging persistent cultural assumptions".
Joseph Needham discusses yin and yang together with Five Elements as part of the School of Naturalists. He says that it would be proper to begin with yin and yang before Five Elements because the former: "lay, as it were, at a deeper level in Nature, and were the most ultimate principles of which the ancient Chinese could conceive. But it so happens that we know a good deal more about the historical origin of the Five-Element theory than about that of the yin and the yang, and it will therefore be more convenient to deal with it first."
He then discusses Zou Yan (鄒衍; 305–240 BC) who is most associated with these theories. Although yin and yang are not mentioned in any of the surviving documents of Zou Yan, his school was known as the Yin Yang Jia (Yin and Yang School). Needham concludes "There can be very little doubt that the philosophical use of the terms began about the beginning of the 4th century, and that the passages in older texts which mention this use are interpolations made later than that time."
Yin and yang are a concept that originated in ancient Chinese philosophy that describes how opposite or contrary forces may create each other by their comparison and are to be seen as actually complementary, interconnected, and interdependent in the natural world, and how they may give rise to each other as they interrelate to one another.
In Daoist philosophy, dark and light, yin and yang, arrive in the Tao Te Ching at chapter 42.
It is impossible to talk about yin or yang without some reference to the opposite, traditionally it is said that Yin and Yang are known by the comparison of each other, since yin and yang are bound together as parts of a mutual whole (for example, there cannot be the bottom of the foot without the top). A way to illustrate this idea is to postulate the notion of a race with only women or only men; this race would disappear in a single generation. Yet, women and men together create new generations that allow the race they mutually create (and mutually come from) to survive. The interaction of the two (Heaven and Earth) gives birth to humans and therefore the ten thousand things.
Yin is the black side, and yang is the white side. Other color arrangements have included the white of yang being replaced by red. The taijitu is sometimes accompanied by other shapes, such as bagua.
In turn, the concepts are also applied to the human body. In traditional Chinese medicine, one's health is directly related to the balance between yin and yang qualities within them. The technology of yin and yang is the foundation of critical and deductive reasoning for effective differential diagnosis of disease and illnesses within Taoist influenced traditional Chinese medicine.
The principle of yin and yang is represented by the Taijitu (literally "Diagram of the Supreme Ultimate"). The term is commonly used to mean the simple "divided circle" form, but may refer to any of several schematic diagrams representing these principles, such as the swastika, common to Hinduism, Buddhism, and Jainism. Similar symbols have also appeared in other cultures, such as in Celtic art and Roman shield markings.
In this symbol the two teardrops swirl to represent the conversion of yin to yang and yang to yin. This is seen when a ball is thrown into the air with a yang velocity then converts to a yin velocity to fall back to earth. The two teardrops are opposite in direction to each other to show that as one increases the other decreases. The dot of the opposite field in the tear drop shows that there is always yin within yang and always yang within yin.
Tai chi, a form of martial art, is often described as the principles of yin and yang applied to the human body and an animal body. Wu Jianquan, a famous Chinese martial arts teacher, described tai chi (Taijiquan) as follows: