davidanugraha/M4-RAG huggingface dataset:
Драматичен театър „Адриана Будевска“

Драматичен театър „Адриана Будевска“ се намира в град Бургас.
Театралното дело в Бургас се корени в последната четвърт на XIX в., когато местни учители показват на сцената „Изгубена Станка“ на Илия Блъсков, „Ловчански владика“ на Теодор Икономов и „Многострадална Геновева“ на Добри Войников. Този „училищен театър“ продължава и след Освобождението. В края на XIX в. В Бургас гостуват първите софийски театрални трупи – „Основа“ и др. През това време естествено място за театрална дейност стават просветните дружества „Милосърдие“, „Заря“, „Отечество“ и „Напредък“. Театралните изяви на тези дружества очертават един по-значим репертоарен интерес към автори като Вазов, Толстой, Хауптман, Ибсен и др. Проектират се и се осъществяват целогодишни театрални сезони.
Така естествено се стига до общинско решение от 1914 г. в Бургас да се създаде субсидиран постоянно действащ театър. Но едва през есента на 1918 г. е сформирана актьорска трупа, която започва репетиции на няколко пиеси, първа от които – на 1 февруари 1919 г. – е показана „Сватбата на Кречински“ от Сухово-Кобилин. Следват „Женитба“ от Гогол, „Кин“ от Ал. Дюма-баща, „Бащата“ от Стриндберг, „Доходно място“ от Островски и др.
Създатели на театъра са: Антон Попов, Трайко Антонов, Любомир Кереков, Атанас Христов, А. Зидаров, Надя Станиславска, Мара Пенкова, Иван Пенков и др. Бургаските зрители са имали възможността да се наслаждават на играта на такива колоси в театралното изкуство като: Кръстьо Сарафов, Константин Кисимов, Сава Огнянов и др. Високата художественост, умелото съчетаване на класическия и съвременен репертоар, постигането на добър баланс между жанровете, новаторската режисура и ярката актьорска игра утвърждават марката на Бургаския театър като еталон за театралното изкуство в България.
На сцената на театъра през годините осъществяват своите най-значими спектакли режисьорите:Тачо Танев, Вили Цанков, Леон Даниел, Юлия Огнянова, Методи Андонов, Асен Шопов, Гриша Островски, Младен Киселов, Йордан Саръиванов, Людмил Стайков, Красимир Спасов, Иван Добчев и др. Своите най-добри роли изиграват актьорите: Георги Попов, Милка Туйкова, Наум Шопов, Стоян Стоев, Ани Бакалова, Сава Хашъмов, Цено Кандов, Ицхак Финци, Йосиф Сърчаджиев, Пламена Гетова и др. Творили са театралните художници: Младен Младенов, Тодор Станилов, Вечеслав Парапанов и др. Театърът разполага с голяма сцена и зрителен салон с 400 места.
Бургаският театър е съорганизатор на Международния театрален фестивал „На брега“, който се провежда всяка година през месец септември.
През 2011 се извършва ремонт, при който театърът е ремонтиран, подменени са електрическата и ВиК инсталации, поставено е ново отопление. След ремонта театърът разполага с две зали, главна с 298 места и камерна зала „Апостол Карамитев“ с до 105 места.
Театър „София“

Театър „София“ е драматичен театър в град София.
Театър „София“ съществува от 1966 година. Първоначално е наречен „Театър на поезията и естрадата“, а с настоящето си име е известен от края на 1969 година. Първият му директор е Андрей Чапразов, първият режисьор – Леон Даниел. Директор на Театър „София“ понастоящем е актьорът Ириней Константинов. Сградата му се намира на бул. „Янко Сакъзов“ 23 А.
Театър „София“ е най-старият общински театър в столицата. Той е вторият театър (след Народния театър „Иван Вазов“) със специално построена за театрална дейност сграда, намираща се в парка „Заимов“ до булевард „Мадрид“. Конкурсът за проект на театъра през 1969 г. е спечелен от арх. Жеко Жеков. Строителството продължава до 1977 г.
Сградата има две театрални зали – голяма зала с 314 места и камерна зала 60 до 74 места (в зависимост от спектакъла), с пространства, пригодни за експериментална театрална дейност.
Работи една актьорска трупа, поддържана финансово от Столична община. Театърът е домакин на гостувания на спектакли от страната и чужбина. В афиша си има представления за деца и младежи.
Залите и фоайетата се използват и за провеждане на семинари, презентации и изложби.
В Театър „София“ са работили:
Леон Даниел, Вили Цанков, Николина Томанова, Юлия Огнянова, Васил Луканов, Пантелей Пантелеев, Младен Киселов, Любен Гройс, Крикор Азарян, Красимир Спасов, Елена Цикова, Здравко Митков, Стоян Камбарев, Николай Ламбрев, Александър Морфов, Бойко Богданов, Георги Михалков, Николай Поляков, Стайко Мурджев и Неда Соколовска;
Георги Иванов, Георги Ножаров, Божидар Йонов, Стефан Савов, Варя Узунова, Светлана Цветкова, Красимир Вълканов, Невяна Кавалджиева;
През 2016 г. на щат към театъра са актьорите:
Драматичен театър „Стефан Киров“

Драматичен театър „Стефан Киров“ се намира в град Сливен.
Първото театрално представление в Сливен се е състояло през 1868 година.
Първата постоянна театрална трупа в града е създадена през 1918 г. Тази година се счита за начало на професионалния театър в Сливен. От 1948 година театърът е държавен. През 1987 година се открива нова театрална сграда с Камерна зала, Голям салон, Балетна зала и Зала за един актьор.
В своята 90-годишна история театърът е представил на публиката над 400 постановки. В репертоара са както класически творби на автори от световната драматургия (Уилям Шекспир, Молиер, Николай Островски, Виктор Юго, Карло Голдони, Николай Гогол, Антон Чехов, Пиер дьо Бомарше, Бранислав Нушич, Едуардо де Филипо, Оскар Уайлд, Бертолт Брехт, Артър Милър, Тенеси Уилямс, Славомир Мрожек), така и множество български класици (Иван Вазов, Ст. Л. Костов, Антон Страшимиров, Йордан Йовков, П. К. Яворов, Валери Петров и др).
Театърът е гостувал в Германия, Австрия, Чехословакия, Грузия, Словения, Северна Македония и др.
Драматично-куклен театър „Иван Радоев“

Драматично-кукленият театър „Иван Радоев“ се намира в град Плевен.
Театърът е държавно учреждение със смесено финансиране от Министерството на културата на Република България и Община Плевен. Разполага със собствена трупа от 26 актьори и 4-ма режисьори.
Като професионален театър съществува от 1919 година. От 1998 година към театъра е открит куклен отдел, който е продължител на плодотворните традиции на бившия Плевенски държавен куклен театър.
Сградата, която обитава плевенската трупа, е построена в края на XIX век. Разполага с 4 сцени: голяма сцена, камерна сцена, сцена „Фоайе“ и Арт-клуб (кафе-театър).
В жанрово отношение театърът е широкоспектърен – поставя от класическа драма до съвременна драматургия. Годишно прави около 10 нови постановки и играе около 200 представления.
Драматичен театър „Йордан Йовков“

Драматичен театър „Йордан Йовков“ се намира в град Добрич.
Театърът е наследник на първата театрална полупрофесионална трупа „Студия“, основана от добричкия интелектуалец Атанас Попов (1894-1980) през 1928 г. По това време Добрич и цяла Южна Добруджа са под румънска власт.
През 1938 г. театралната студия е закрита, но веднага след връщането на Южна Добруджа на България през 1940 г., театралната дейност в града е възобновена, като е формиран Общински народен театър. Това отново става под ръководството на Атанас Попов, който е негов художествен и административен ръководител до преместването си в София през 1958 г.
За своето над 75-годишно съществуване театърът в Добрич прави над 350 постановки. През неговата сцена са преминали над 300 актьори, 50 режисьори и десетки други театрални дейци.
Първи творчески стъпки в театъра правят известни български актьори и актриси като Сотир Майноловски, Коста Карагеоргиев, Катя Паскалева, Жоржета Чакърова, Климент Денчев и др. В театъра са поставяли режисьори като Николай Ламбрев, Стефан Димитров, Румен Сурджийски, Боян Доновски, Николай Поляков, Любомир Малинов, Атанас Ганев и др.
Съвременното състояние на театъра е значително под възможностите му. В съответствие с рестриктивната политика в областта на културните институции, театърът е със силно редуциран състав, а сградата е по-скоро база за гостуващи спектакли.
Ocean Machine - Live at the Ancient Roman Theatre Plovdiv

Ocean Machine – Live at the Ancient Roman Theatre Plovdiv is the third live album from Devin Townsend Project. It was released on 6 July 2018. The album features a full live performance of Ocean Machine: Biomech, as of the 20th anniversary of the album as well as a set of fan-requested tracks with the Orchestra and Choir of Plovdiv State Opera. The concert was filmed at the Ancient Roman Theatre in Plovdiv, Bulgaria on 22 September 2017.
Regarding the release of the album, band leader Devin Townsend commented:
Architecture of the Bulgarian Revival

The architecture of the Bulgarian Revival is an Ottoman style architecture developed between 1770 and 1900.
Plovdiv's Old Town is a living museum of the type of National Revival architecture that developed there (there were regional differences) in the early to mid-1800.
The roots of the houses of Bulgarian Revival follows a tradition of buildings from the architecture of the Second Bulgarian Empire. There are cities in Bulgaria with preserved Revival architecture are:the old town of Plovdiv, the mountain towns of Tryavna, Kotel, Sopot, Koprivshtitsa, Elena, the old Bulgarian capital - Veliko Tarnovo and others.
Small Basilica, Plovdiv

42°08′47″N 24°45′29″E﻿ / ﻿42.146407°N 24.757954°E﻿ / 42.146407; 24.757954
The Small Basilica of Philippopolis (Bulgarian: Малка базилика на Филипопол, Malka bazilika na Filipopol) is one of Plovdiv's most distinctive landmarks. The basilica is located on Maria Louisa Blvd in the central part of Bulgaria's second-largest city. The ruins of the early Christian church were found during construction works in the area in 1988. The three-nave basilica is an example of the exceptional skill of mosaic builders in ancient Philippopolis.
The basilica was built in the second half of the 5th century AD and contained rich architectural decoration including a marble colonnade between the naves, a marble altar screen, a pulpit, and a synthronon in the altar apse. The total length of the building is 20 m and its width is 13 m. Originally, it was built as a three-nave basilica with one apse and a narthex. The floors are covered with colorful Roman mosaics with geometrical motifs. A small chapel is built against the south end of the basilica and a baptistery is attached to the northern part of the building. The total length of the church is 20 m and its width is 13 m. The baptistery has a square plan, and contains a cruciform baptizing pool and polychromatic mosaics. Deers, pigeons, and other Christian symbols were depicted on them.
Plovdiv Regional Historical Museum

The Plovdiv Regional Historical Museum (Bulgarian: Регионален исторически музей Пловдив, Regionalen istoricheski muzey Plovdiv) is a historical museum in the city of Plovdiv, Bulgaria. Established in 1951, it covers the history of Plovdiv from the 15th century until today (the older history is presented in the Plovdiv Archaeological Museum). It has three departments, each occupying a separate historic building.
The Regional History Museum in Plovdiv was established in 1951 as a research and cultural organization for investigation, study, preservation and display of cultural assets from the past of the city of Plovdiv and its region in the period 15th–20th century.
The History Museum in Plovdiv manages four expositions.
42°8′59″N 24°45′16″E﻿ / ﻿42.14972°N 24.75444°E﻿ / 42.14972; 24.75444
Odeon of Philippopolis

The Odeon of Philippopolis (Bulgarian: Одеон на Филипополис) was the house of the city council of citizens (known as bouleuterion) of ancient Plovdiv.
It was also used as a theatre due to its appropriate structure. The Odeon buildings had four construction periods: from the 2nd century AD (during the reign of Hadrian) when it was initially built to the 4th century AD when it was abandoned. The existence of such a building in ancient Plovdiv is a sign of the importance of Philippopolis as a cultural and political center.
Evidence of the 250/1 destruction by the Goths has been discovered around the Odeon.
The Odeon of Philippopolis was discovered near General Gurko Street in the northeastern corner of the Roman forum in Plovdiv. The natural connection between the odeon and the forum was destroyed during the construction of Maria Luiza Blvd. and the tunnel under the main pedestrian street of Plovdiv.
The Odeon was a rectangular building which comprised typical elements for roofed theatres like skene, orchestra and cavea. The skene is narrow and its length spreads through the entire width of the cavea. The proskenion (the podium in front of the skene) was 1,5m higher than the level of the orchestra. The skene was two stories high and built in the Corinthian order which was typical for the period. Typically for theatre buildings, vertical grooves were found in the skene's wall which indicate that a structure for raising and lowering a curtain probably existed. The height of the construction that bears the cavea was considerable.
The orchestra had a horseshoe shape which was typical for Roman provinces. In the last construction period of the Odeon, however, size of the orchestra was reduced and its shape became semicircular. The floor was made of large marble slabs surrounded by marble orthostates near the cavea. A wall around the Eastern end of the orchestra supported the lowest part the cavea.
The cavea surrounds the Eastern side of orchestra and had between 300 and 350 spectator seats arranged in step-like shape for better visibility. A vaulted structure with numerous vaulted spaces in truncated cone shape supported the cavea. A similar structure was used for the construction of the spectator area of the Colosseum in Rome. The cavea is separated from the skene via parodoi.
The Odeon of Philippopolis was discovered in 1988 by the archeologist Z. Dimitrov and Maya Martinova. In 1995 the ancient monument was listed as a cultural value of national significance. Conservation works were carried out in 2002 with financial support from the Leventis Foundation.
Ancient Theatre of Fourvière

The Ancient Theatre of Fourvière (French: Théâtre antique de Lyon) is a Roman theatre in Lyon, France. It was built on the hill of Fourvière, which is located in the center of the Roman city. The theatre is part of a UNESCO World Heritage Site protecting the historic center of Lyon.
The theatre was built in two steps: around 15 BC, a theatre with a 90 m (98 yd) diameter was built next to the hill. At the beginning of the 2nd century, the final construction added a last place for the audience. The diameter is 108 m (118 yd), and there were seats for 10,000 people.
Today the theatre is primarily a tourist site, but it is still used as a cultural venue. Each year, the Nuits de Fourvière festival takes place in the theatre.
45°45′35″N 4°49′11″E﻿ / ﻿45.75972°N 4.81972°E﻿ / 45.75972; 4.81972
Parts of a theatre

There are different types of theatres, but they all have three major parts in common. Theatres are divided into two main sections, the house and the stage; there is also a backstage area in many theatres. The house is the seating area for guests watching a performance and the stage is where the actual performance is given. The backstage area is usually restricted to people who are producing or in the performance.
The area of the theatre in which the performance takes place is referred to as the stage.
In order to keep track of how performers and set pieces move around the space, the stage is divided up into sections oriented based on the performers perspective to the audience. Movement is choreographed by blocking which is organized movement on stage created by the director to synchronize the actor's movement onstage in order to use these positions.
For performance spaces with audiences in more than one orientation, typically one direction is arbitrarily denoted as "downstage" and all other directions reference that point.
In the dressing room there is a makeup bench, chairs and mirrors.
The house can refer to any area which is not considered playing space or backstage area. Outside the theatre itself this includes the lobby, coat check, ticketing counters, and restrooms. More specifically, the house refers to any area in the theatre where the audience is seated. This can also include aisles, the orchestra pit, control booth, balconies and boxes.
The areas of a theatre that are not part of the house or stage are considered part of backstage. These areas include dressing rooms, green rooms, offstage areas (i.e. wings), cross-overs, fly rails or linesets, dimmer rooms, shops and storage areas.
Hucha

Hucha (galicismo: del francés huche), cerdito y chanchito son nombres tradicionales de un recipiente destinado a la acumulación y el almacenaje de monedas, usado en especial por los niños. Tradicionalmente se fabrican huchas con forma de cerdo, antes en barro sin esmaltar y luego en compuestos cerámicos y otros materiales (madera, metal, plásticos, etc). En gran parte de Hispanoamérica y en Andalucía, el mismo objeto se designa con el término de origen árabe alcancía.​ En Bolivia, Costa Rica y Cuba, se le llama huaca.​
Las huchas se han utilizado para estimular el ahorro en los niños: el dinero se puede introducir fácilmente por una ranura, pero hay que romper la hucha para sacarlo.​​ También existen huchas mecánicas en las que, poniendo la moneda en un punto determinado, se acciona un mecanismo (manual o automáticamente) para «engullirla».
En Occidente, el hallazgo arqueológico más antiguo de una hucha o “caja de dinero” data del siglo II a. C. en la colonia griega de Priene (Jonia central, en la actual Turquía) durante la excavación de un edificio residencial, y representa la forma de un templo griego en miniatura con una hendidura en el frontón. Se han encontrado diversos recipientes hechos de arcilla cocida en excavaciones de las ciudades romanas de Pompeya y Herculano y otras provincias del Imperio romano, sobre todo de la época tardía, particularmente en la Gran Bretaña romana y a lo largo del Rin.​
En la Inglaterra del siglo XV, para fabricar artículos y utensilios de cocina se utilizaba un tipo de arcilla, de color casi naranja, que se conocía como "pygg". En aquel tiempo también se empezaron a usar ollas y jarras para guardar (ahorrar) monedas, por lo que comenzaron a llamarse "pygg jar". Más tarde, en el siglo XVIII se le dio a aquel recipiente el nombre que ha llegado hasta nuestros días: piggy bank.​ El nombre evoca el juego de palabras con los nombres en inglés de la arcilla y del cerdo ("pygg", arcilla rosada, y pig, "cerdo") y los conceptos asociados a la riqueza y la abundancia).​
En el Lejano Oriente, existen figuras con un simbolismo relacionado con la fortuna, como el Chan Chu (sapo o rana del dinero) o el gato de la fortuna japonés, Maneki Neko, de color amarillo, asociado a la economía de quien lo posee y modernamente convertido en alcancía. Otro objeto similar es el jabalí indonesio («celengan o celeng»), usado como símbolo en los bancos nacionales de aquel país. Algunos estudios sitúan el origen de estos recipientes en la época del emperador Wu (141 a. C. - 87 a. C.) de la dinastía Han. Eran fabricados en cerámica, porcelana o bambú para facilitar que una vez llenos de monedas, pudieran abrirse/romperse para recuperar el dinero, de ahí que sean pocos los ejemplares conservados. Se denominaban, de forma genérica "pumān" (en chino : 扑满 ; pinyin: mǎn pū) y el más antiguo es un ejemplar de Ge Hong (葛洪, Gehong) de la dinastía Jin (266-420).
Greda

Greda (del latín creta —no debe confundirse con la llamada "creta" o "caliza de Creta"—) es una denominación ambigua que comparten diferentes rocas.​
Un tipo de greda es la roca detrítica mixta compuesta a partes iguales (no inferiores al 20 % cada una) de componentes de distinta granulometría: arena, arcilla y limo. En el diagrama triangular de Shepard​ ocupa la parte central. En inglés se la denomina loam y en francés limon.
Un segundo tipo son las arcillas blanco-azuladas, arenosas y esmécticas​ o blancas y bituminosas, empleadas para quitar manchas y desengrasar (la tierra de batán, en francés terre glaise, que también se emplea para la cocción —terracota, fayenza—).
Otro tipo de rocas a la que a veces se denomina "greda" son las escorias volcánicas o piroclastos de entre 2 y 64 mm (el lapilli o la puzolana).
La greda es una arcilla utilizada principalmente para alfarería, se origina de rocas arcillosas que son las rocas sedimentarias más abundantes sobre la Tierra. Se utiliza principalmente en platos y artesanías.
Las rocas arcillosas se forman a partir de acumulación de láminas de partículas microscópicas, compuestas de sílice y de aluminio, elementos que vienen a su vez de la alteración de rocas ígneas y metamórficas.
Para encontrar greda, hay que fijarse en el color de la tierra. Muchas veces la tierra de color rojizo indica la presencia de greda. Tierra con gran cantidad de greda puede encontrarse en una cantera o en los cortes de los cerros alrededor de las carreteras (talud).
Para reconocer la presencia de una roca arcillosa (que contiene greda) se pueden hacer dos pruebas:
Biblioteca Clásica Gredos

La Biblioteca Clásica Gredos es una colección de la editorial española Gredos compuesta por obras de la cultura clásica grecorromana.
Inaugurada en 1977, la edición se caracteriza por estar encuadernada en cartoné, con similpiel de color azul oscuro y letras capitales doradas.
Las traducciones al español, basadas en las ediciones críticas más acreditadas de los originales, van acompañadas de introducciones, notas explicativas e índices. El proceso de edición incluye siempre la presencia de un revisor que, tras el trabajo de los especialistas correspondientes, sugiere posibles retoques. La colección, que fuera impulsada por Julio Calonge, está actualmente coordinada y dirigida por Carlos García Gual (para la sección griega) y José Javier Iso y José Luis Moralejo (para la sección latina). En la traducción y edición de los volúmenes han participado los mayores especialistas de la filología clásica de España.
La característica fundamental de esta colección radica en su carácter exhaustivo, pues junto a los grandes autores ya conocidos, incorpora a autores menores, obras de carácter más científico que literario, textos extraídos de fuentes marginales, como papiros o inscripciones murales, e incluso fragmentos.​​​
Tras la pertenencia de la editorial Gredos al Grupo RBA en 2006, la colección cesó gradualmente su publicación de nuevos títulos sin llegar a alcanzar la pretendida totalidad de la obra conocida de los clásicos grecolatinos y restando aún por editarse algunos volúmenes de las obras completas de ciertos autores.​ El número total de títulos publicados en 2017 era de 415.​​
RBA inauguró en 2019 la reedición revisada de 150 obras del catálogo, en un formato similar pero en tapa dura de menor calidad, bajo la denominación Nueva Biblioteca Clásica Gredos.
Paila

A paila (Spanish pronunciation: [ˈpajla]) is a type of cookware that in several Spanish-speaking South American countries refers to a large shallow metal pan or earthenware bowl which oftentimes is also used as a serving plate for the foods prepared in it. Dishes served in clay pailas are often prepared in the paila itself by way of baking in an oven.
By extension, the word paila is also used for the dishes that are eaten from it, such as paila marina and paila de huevo. An advantage of the clay paila is that clay retains heat well and keeps foods warm. Its Valencian equivalent is the paella, which is simply referred to as arroz (rice) by the locals.
Paila derives from Old French paele, from Latin patĕlla. It is first attested in Spain in the 16th century, and both is diminutive (pailita) and aumentative (pailón) appeared at the time. Its cognates include modern French poêle and Catalan paella. Nowadays, the use of the term is widespread in Latin America but relatively rare in Spain, where the doublet padilla survives as paílla in Andalusia.
In addition to being used to prepare the traditional pork fritada, the large shallow and heavy copper paila from Ecuador is also used throughout the country and in the department of Nariño in Colombia as an "ice pail." This is performed by placing the bowl on ice and adding ingredients such as fruit, which is stirred to form a variety of ice creams and sorbets.
In Chile and Peru, clay pans are used to cook cornbread and other specialties such as pan or "pan marina."
In Bolivia, especially in the Cochabamba region, paila is used to cook chicharrón (pork cracklings).
Museo Chileno de Arte Precolombino

The Chilean Museum of Pre-Columbian Art (Spanish: Museo Chileno de Arte Precolombino) is an art museum dedicated to the study and display of pre-Columbian artworks and artifacts from Central and South America.
The museum is located in the city centre of Santiago, the capital of Chile. The museum was founded by the Chilean architect and antiquities collector Sergio Larraín García-Moreno, who had sought premises for the display and preservation of his private collection of pre-Columbian artefacts acquired over the course of nearly fifty years.
With the support of Santiago's municipal government at the time, García-Moreno secured the building and established the museum's curatorial institution. The museum first opened in December 1981.
The museum is housed in the Palacio de la Real Aduana, which was constructed between 1805 and 1807. It is located a block west of the Plaza de Armas and close to the Palacio de los Tribunales de Justicia de Santiago and the Former National Congress Building.
In January 2014, as a result of a partnership with Minera Escondida and BHP Billiton, the museum inaugurated a new phase designed by Chilean architect Smiljan Radic which involved a 70% expansion of the area, increasing exhibition spaces, storage, and the conservation laboratory.
Items in the museum's collections are drawn from the major pre-Columbian culture areas of Mesoamerica, Intermediate / Isthmo-Colombian, Pan-Caribbean, Amazonia and the Andean. The museum has over 3,000 pieces representing almost 100 different groups of people. The collection ranges from about 10,000 years. The original collection was acquired based on the aesthetic quality of the objects, instead of their scientific or historical context. The collection is broken up into four areas:
Los Dominicos Village

Pueblito Los Dominicos (Los Dominicos Village) is a crafts market and popular tourist shopping destination in a heritage zone of Santiago, Chile. It is located at the end of Avenida Apoquindo in Los Dominicos Park, to the side of San Vicente Ferrer Church (also known as Los Dominicos Church).
In 1544, the lands that now hold the ‘’pueblito’’ were bestowed upon the female Spanish conquistador Inés de Suárez by the governor of Chile, Pedro de Valdivia, and from then were passed several times to different families. During the Chilean War of Independence, it was a favourite hiding place for the independence leader Manuel Rodriguez, and later the well-known Chileans Diego Barros Arana, José Manuel Balmaceda and others would occupy these lands for the same purpose.
Finally, the lands fell into the possession of the Cranisbro family, who were great benefactors of the Dominican order that had a monastery on one side of San Vicente Ferrer Church. The church is characterized by the copper domes that top its two towers, built in memory of the death of two Cranisbro children. The church was declared a National Monument in 1983 and the surrounding area was listed as a traditional heritage site.
The modern market in Pueblito Los Dominicos was born in the late 70s and early 80s to house the workshops and stores of craft workers and artists. Over the years, and after having been named a traditional heritage zone by the Chilean government, the place became popular among Chilean and international tourists.
The park that holds the modern market was once part of a “fundo”, which gives the market its rural, rustic look. In the 80s, artists and artisans took over the farm’s old cellars and stables and built more small shops using traditional, colonial-style adobe.
In the near 200 stores can be found all kinds of traditional goods, including leather work, wood craft, sculptures, paintings, copper cookware, fine jewellery, pets, flowers, medicinal herbs, Chilean plants (as well as some foreign plants such as bonsais), and also some traditional foods such as typical Chilean empanadas and Pastel de choclo.
33°24′29″S 70°32′30″W﻿ / ﻿33.40806°S 70.54167°W﻿ / -33.40806; -70.54167
San Juan Bautista, Chile

San Juan Bautista is the main town on Robinson Crusoe Island, part of the Juan Fernández Islands, Valparaíso Province, Chile, and is the primary human settlement within the island chain. Some sources say the town was founded in 1877, while others give an earlier date of 1750. It is located at Cumberland Bay, on the central northeastern coast. Ship Logs from American whalers report transporting prospective colonists and their baggage to the Island on June 19th, 1844.
Although the community maintains a "rustic" serenity, and is largely dependent on the spiny lobster trade, residents do use vehicles, maintain a satellite internet connection, and own television sets. At the 2012 census, the town had a population of 800 people, living in an area of 0.31 km (0.12 sq mi).
There is a football pitch at the north end of the village, near the Dresden School—named after the German light cruiser SMS Dresden, sunk there during World War I; the street it is located on bears the name Dresden, as well. The names of other (generally unpaved) streets in the village include Larraín Alcalde, Ignacio Carrera Pinto, El Sándalo, Vicente González, Teniente Cortés, and La Pólvora.
Overlooking San Juan Bautista are Las Cuevas de los Patriotas (the patriots' caves), where 42 Chilean creole independence activists lived in-exile, as ordered by the Spanish authorities, after the Battle of Rancagua (October 1814). The exiles included historical icons such as Juan Egaña and Manuel de Salas.
Since early 2010, a pair of ships, operated by the Chilean Navy, arrives each month from the mainland. The number of passengers is limited, so arrangements must be made a month or more in advance; reservations are first-come, first-serve until capacity is reached, with preference going to the locals. A one-way trip by boat takes approximately 2–4 days, or around 48–96 hours, depending on maritime conditions.
There is a small, 885 m (2,904 ft) airstrip, Robinson Crusoe Airfield, at the southwest of the island, the only reasonably flat part of the landmass. The airfield typically can only accommodate smaller, twin-engine craft with no more than around seven passengers (and with very light luggage). The average flight-time from the mainland is about 2.5 hours, followed by a roughly 90-minute ferry ride to the town proper, located at the opposite end of the island.
San Juan Bautista has a subtropical with mediterranean influence climate (Köppen Cfa), with rainfall intermediate between that of Valparaíso and Concepción. Temperature is influenced by the cold Humboldt Current, which flows northward to the east of Robinson Crusoe Island, and the southeast. A city with similar climatic parameters to San Juan Bautista is Vila do Corvo in the Azores islands.
On 27 February 2010, at least eight people lost their lives when a tsunami caused by the Chilean 8.8 earthquake hit the island and inundated the town. Most of the buildings in the community were destroyed. The disaster could have been worse if not for a timely warning from a 12-year-old girl named Martina Maturana which saved many of her neighbors from harm.
33°38′S 78°50′W﻿ / ﻿33.633°S 78.833°W﻿ / -33.633; -78.833
List of Guy's Grocery Games episodes

Guy's Grocery Games is an elimination cooking game show that is hosted by Guy Fieri. It airs on the Food Network and Food Network Canada. As of July 24, 2024, 480 episodes of Guy's Grocery Games have aired.
From this season forward, the show moved filming to a new, specially built supermarket set located in a warehouse in Santa Rosa, CA. This season included episodes that were produced during Season 3 production but carried over to this season.
The shopping spree format was tweaked with contestants no longer being able to pick and choose which item on the list to grab. Starting in aisle 1 and ending at aisle 10, they had 2 minutes to find 10 items, winning $2,000 for every item they got into their cart. If they couldn't find an item, they were allowed to skip it and move on to the next aisle.
Delivery episodes made up the majority of this season - due to the Covid-19 pandemic in the United States, which made it impossible for chefs and judges to travel to the Flavortown Market set, due to the travel restrictions that were imposed.
Delivery episodes made up the majority of this season.
Modelling clay

Modelling clay or modelling compound is any of a group of malleable substances used in building and sculpting. The material compositions and production processes vary considerably.
Ceramic clays are water-based substances made from clay minerals and other raw materials. They are baked at high temperatures in a process known as firing to create ceramics, such as terra cotta, earthenware, stoneware, and porcelain. Paper clay produced by pottery clay manufacturers is a clay body to which a small percentage of processed cellulose fiber has been added. When kiln-fired, the paper burns out, leaving the clay body. Consequently, the firing temperatures and glazes selection should be the same on those used with the clay body.
Oil-based clays are made from combinations of oils, waxes, and clay minerals.
Unlike water, the oils do not evaporate and oil-based clays remain malleable even when left in dry environments for long periods. Articles made from oil-based clays cannot be fired, and thus are not ceramics. Because rising temperature decreases oil viscosity, the malleability is influenced by heating or cooling the clay. Oil-based clay is not water-soluble. As it can be re-used, it is a material commonly used by stop motion animators who need to bend and move their models. It is available in a multitude of colors and is non-toxic. Readily worked in fine detail, oil-based clays are also suitable for the creation of detailed sculptures from which molds can be made. Castings and reproductions can then be produced from much more durable materials. Cars and airplanes may be created using industrial design-grade modelling clay.
Oil-based clays are referred to by multiple of genericized trademarks.
Polymer clay is a modelling material that cures when heated from 129 to 135 °C (265 to 275 °F) for 15 minutes per 6 millimetres (1⁄4 in) of thickness, and does not significantly shrink or change shape during the process. Despite being called "clay", it generally contains no clay minerals. Polymer clay is sold in craft, hobby, and art stores, and is used by artists, hobbyists, and children. Polymer clay is used in animation, since it allows static forms to be manipulated frame after frame. Leading brands of polymer clay include Fimo, Kato Polyclay, Sculpey, Modello and Crafty Argentina.
Paper clay is handmade or commercially available clay to which a small percentage of processed cellulose fiber is added. The fiber increases the tensile strength of the dry clay and enables dry-to-dry and wet-to-dry joins. Commercial paper clays air-dry to a firm, lightweight sculpture, with minimal shrinking during the drying process.
Paper clay can be used as an unfired body in craft and doll-making. It is used in ceramic art studios as sculptural and functional studio pottery.
Handmade jewelry

Handmade jewelry/jewellery, or handcrafted jewelry/jewellery, is jewelry that has been assembled and formed by hand rather than through the use of machines.
The oldest handmade jewelry trademark is in Florence, Italy.
According to the guidelines of the U.S. Federal Trade Commission, in order to be stamped or called "handmade" in United States, the work must be made solely by hand power or hand guidance. This means that jewelry may be made using drills, lathes, or other machinery, but it must be guided by the human hand.
This precludes the use of mass production procedures such as punch presses, CNC machinery, and casting, to name a few processes the use of which would make the jewelry not qualify as "handmade". Beyond that, handmade jewelry can be made out of any material and with a wide variety of techniques. Advantages It allows exclusivity as each item is unique It exhibits the individuality and exclusivity of craftsmen
Handmade jewellery and handicrafts are a part of culture in many parts on the world. Handmade jewelry can be made using any materials and techniques provided they are manually done. Some of these handmade jewels are quite popular around the world. Based on the materials used and styles adopted, there are many types of handmade jewelry,
Awards for handmade jewelry include:
Clay Jam

Clay Jam is a claymation mobile game created by UK developer Fat Pebble and published by Zynga for iOS and Android mobile devices. It was released on November 29, 2012 on iOS and Android. The handmade, stop-motion game was created in a UK garage by Fat Pebble developers. In the game, players guide a clay ball over a series of hills with the objective of squashing monsters on the way down. As of November 2018 the game is no longer available on the Google Play Store, along with Play-Doh Jam, their Play-Doh-related sequel, which is still unavailable on the App Store.
The goal of the game is to squash as many clay monsters as possible. As the clay ball rolls down a hill, the ball grows larger and rolls faster as it squashes beasts. As the ball nears the end of the course, players try to flick it as far as possible. The further the ball goes, the more points a player scores, enabling them to unlock new levels, themes and monsters. The game includes a total of 130 quests and five hills to master.
The base game is free to play, and all the content can be unlocked by playing the game or through in-app purchases.
Clay Jam is Brighton, England-based developer Fat Pebble's first game as an independent studio. To produce the game's graphics, art director Chris Roe modeled monsters out of 44 pounds of clay and used 400 toothpicks to scaffold the designs. Roe created the claymation scenes in his garage, taking 2040 stop-motion frames. Everyday objects were used to create the sound effects and local musicians were employed to produce the game's music. Zynga published Clay Jam on November 29, 2012, for iOS and Android as its first claymation title. The game is the fifth title in the Zynga Partners for Mobile program, Zynga's effort to help third parties publish mobile games while increasing Zynga's presence on mobile devices. Launched in June 2012, the partnership includes Fat Pebble, Atari, Crash Lab, Phosphor Games Studio and Sava Transmedia.
List of universities in Chile

This is a list of universities and other higher education institutions in Chile, namely Professional Institutes (IP) and Technical Training Centers (CFT).
In the Chilean higher education system, there are 61 universities, with over 750.000 students. Of these, 46 are accredited by the Chilean National Accreditation Commission, representing 94% of the total student registration.
Universities founded before 1981, or which can be traced before that year, are known as Traditional Universities. Two Universities, Universidad de O'Higgins and Universidad de Aysén, are two public universities created in 2015, receiving their first students in 2017.
Niuheliang

Niuheliang (Chinese: 牛河梁) is a Neolithic archaeological site in Liaoning Province, Northeast China, along the middle and upper reaches of the Laoha River and the Yingjin River (presently on the border of Chaoyang and Jianping County). Discovered in 1983, the Niuheliang site belongs to the Hongshan culture (4700–2900 BC). It includes evidence of religion, such as a temple, an altar and a cairn.
Niuheliang is a large burial site scattered over hill tops over a 50 square kilometer area. The altitude of Niuheliang ranges between 550 meters and 680 meters above sea level.
Niuheliang dates to 3,500–3,000 BCE. It was a burial and sacrificial center in the late Hongshan period. No residential settlements have been discovered here so far.
The site features a unique temple on a loam platform, with an altar and cairn complex, covering an area of around 5 km. The altar at Niuheliang was made of stone platforms, supported by painted, clay cylinders. A north–south axis connects this temple complex with a central peak of the Zhushan (猪山) mountains, otherwise known as "Pig Mountain". The subterranean ritual complex was built on a ridge and decorated with painted walls, referred to by Chinese archaeologists as the Goddess Temple, due to the discovery of a clay female head with jade inlaid eyes.
Pig dragons and large, nude, clay figurines were also found at Niuheliang. Some of the figurines are up to three times the size of real-life humans; the interior of the figurines was structured from wood and straw.
Six groups of cairns were discovered nearby, south and west of the temple site. The primary burial goods accompanying the graves were jade artifacts, although most of the excavated graves had already been looted.
According to archaeologist Guo Dashun, who was in charge of excavating this site, there are in fact two varieties of animals represented in the jades. One is a boar with narrow eyes and flat snout; the other is a bear, represented by round eyes and short perky ears. He also found similar boar and bear symbolism in the vessels found at Xiaoheyan site.
The bear has been widely worshipped in Northeast Asia, such as by the Ainu in northern Japan, and in Siberia. Thus, Guo Dashun sees this site in the wider Northeast Asian context.
Some similarities with Xinglongwa culture (6200–5400 BC) of northeastern China have also been pointed out.
One year after the temple-cairns complex was discovered nearby a pyramidal structure "disguised" as a hill known as Zhuanshanzi (轉山子), which was included during the Han dynasty (−206~220) in a section of the Great Wall. Built with earth and imported stone, its structure is more elaborate than the cairns.
This site contains some of the essential elements, temples, cairns and platforms, present in later ancestor worship of the Chinese such as the Ming tombs 5000 years later.
41°19′19″N 119°30′47″E﻿ / ﻿41.322015°N 119.513190°E﻿ / 41.322015; 119.513190
The Red Clay Strays

The Red Clay Strays is an American country rock band formed in Mobile, Alabama. They are best known for their 2022 single "Wondering Why", which saw success in late 2023 after going viral on the social media platform TikTok. The song became their first song to chart on the Billboard Hot 100, reaching number 71.
The Red Clay Strays formed as the successor to a cover band in Mobile, Alabama in 2016, consisting of lead singer Brandon Coleman, bassist Andrew Bishop, and guitarist Drew Nix. As the group started to perform more original material, they regrouped and formed the Red Clay Strays, adding drummer John Hall and guitarist Zach Rishel in the process. The group continued to perform locally in smaller venues across the southeastern United States and built up a local following, signing with management company Ontourage Management in 2019. In November 2019, they released the single "Good Godly Woman", which was featured in the film Doctor Sleep. They followed this with the singles "No Way to Know" and "Will the Lord Remember Me" in 2020. However, the group had to step back from touring due to the COVID-19 lockdowns.
Funded primarily by crowdfunding efforts spurred by manager Cody Payne, the group recorded their debut studio album Moment of Truth in Huntsville, Alabama. The group self-released the album in April 2022, but did not see much commercial success initially. In 2023, the group signed with talent agency WME and began talks with labels. While they initially wanted to remain independent, the group signed with Thirty Tigers in May 2023. This was followed by performances at festivals including Lollapalooza and CMA Fest. In August 2023, they released their first live EP as part of media platform Western AF's YouTube series Live AF.
Throughout 2023, the Red Clay Strays started building traction on social media, culminating in "Wondering Why" going viral on TikTok in September. "Wondering Why" was initially released in March 2022 as a single from Moment of Truth and saw a boost on streaming services in late 2023 due to the Live AF performance of the song going viral. The song became the group's first song to enter a Billboard chart when it debuted on the Hot Rock & Alternative Songs chart at number 33 on the chart dated November 25. In December, it became their first Billboard Hot 100 entry when it debuted at number 93. This coincided with their Way Too Long headlining tour, which concluded in March 2024. Also in March 2024, the group signed a record deal with RCA Records, followed by a global publishing deal with Warner Chappell Music in April 2024. They also added keyboardist and organist Sevans Henderson around the same time. In August 2024, the group embarked on a five-show tour in Europe. Additionally, the group released their second studio album, Made by These Moments, on July 26, 2024, which was produced by Dave Cobb. The lead single from this album, "Wanna Be Loved", was released on May 22, 2024. They also appear on the Twisters soundtrack with the song "Caddo County".
Headlining
Opening
Naqamte

Naqamte magaalaa Oromiyaa dhihaatti argamtu keesaa ishee tokkodha. Magaalaan Naqamte naannoo Oromiyaa Godina Wallagga Bahaa kessatti argamti. Iddon itti argama ishee ol ka’iinsa lafaa meetira 2,088 kan qabu yoo ta’u latitude fi longitude 905’N 36033E qaba. Naqamte aanaa Guutoo Waayyuu keessatti argamti.
Naqamte magaalaa guddoo Kutaa Bulchiinsaa Wallaggaa kan durii kan turte yoo ta’u amma immoo magaalaa guddoo godina Wallagga Bahaati. Akka lakkoofsa uummata bara 2005 godhame agarsiisutti, uummata 84,506 ta’utu magaalaa kana keessa jiraata. Akka lakkoofsa uummata bara 1994 godhameetti, Naqamte uummata 47, 258 qabdi turte.
Naqamte keessa iddoowwan seenaa kan akka Masaraa Kumsaa Morodaa, awwaala Onesmoos Nasib (Abba Gammachiis), godaamba Wallaggaa fi kkf jira. Dhaabbata gurguddoo Naqamte keessatti argaman keessa tokko Yuunivarsiitii Wallaggaati. Istaadiyeemin sadarkaa isaa eeggate Naqamte keessatti qarshii miliyoona dhibba lamaa ol ta’uun ijaarramaa jira. Istaadiyeemin kun Istaadiyeemii Wallaggaa jedhamee moggaafame. Naqamte nyaata aadaa wallagga keessatti bekkamaa kan ta’e Ancooteedhan beekkamti. Hoteellonni fi manneen nyaata hedduun nyaata kana keessummoota isaaniif ni dhiyeessu.
Naqamte kan ishiin hundoofte jaarraa 19ffaa gara gidduu keessa. Yeroo san magaala guddoo Mootummaa Wallaggaa turte. Bakaree Godaanaa fi ilmi isaanii Morodaa Bakaree Naqamte magaalaa guddoo Mootummaa Wallagga godhatanii akka turan seenaan ni dubbata. Boodarras, ilmi Morodaa, Kumsaa Morodaa achuma qubatee Wallagga bulchaa akka ture ni dubbatama City|
Qonqo fi Video

Afaan oromoo yeroo kanatti godinootii hedduu keessatti du bbatama. baroota hedduuf cunqurfamus baduu hin dan deenye. ammas yoo rabbi jedhe gara fuulduraaf afaan biyyoolessaa tahuu nidandaha . garuu ummanni keenya haala inni keessa darbee as gahe hin beeku.
Zalaalam Abarraa

Zalaalam Abarraa (1953 - ) waloo fi qabsaawaa mirga Oromoo beekkamaa fi jaalatamaadha. Zalaalam walaloo miyaawaa Afaan Oromootin barreessuu fi dhimma hawaasummaa Oromoorratti xiyyeeffatuun beekkama.
Zalaalam Abarraa Lixa Oromiyaa magaalaa Naqamtee bakka Waachaa jedhamutti abbaasaa Abarraa Tasfaa fi harmeesaa Qanaatee W/yesuus irraa bara 1953 dhalate. Yeroo inni umuriinsaa waggaa shanii maatinsaa waan gargar bahaniif irra caala akkoosaa biratti guddate.
Barnootasaa achuma magaalaa Naqamtee keessatti barate.
Lafa Gujii

Oromiyaan kutaalee biyti Itoophiyaa jedhamtu qabdu saglan keessaa tokkodha. Ballinaa lafa bahaa hanga kibba-dhihaa biyya keessatti 600,000 km² ta'ee qabatee, baayyinaa ummataa tilmaamaan afurtamii shan (45) qabdi, kunis ballina lafaa fi baay'ina ummataan biyyaa Ityoophiyaa jedhamtu keessaa tokkofaa ishee tasisaa. Isheenis kan ofii keessa qabduu: kutaa Arsii, Gujii, wallagga, Baalee,Boorana,Shawaa, Harargee, Iluu Abbaa Booraa faa qabdi. Magaalaan guddoon Oromiyaa durii Finfinnee yoo tatuu, cuunqunsaa sirnoota darbeeti gara Adaamati akka jijjiraamtuu taasifame turee.
Garuu bara booda gaaffii mirgaa sabni Oromoo gaafateen booda gara Finfinneetti deebbite. Magaallan gugguddoon biraa Oromiyaa keessatti argaman Adaamaa, Amboo, Asallaa, Bishooftuu, Dambidoolloo, Fiichee, Gimbii, Gobbaa, magaalaa Jimmaa, Mattuu, Nagallee Gujii,Bulee horaa, Naqamtee, yaabal'oo( yaaballo) Shaashamannee fi Walisoo dha.