African textiles

African textiles are textiles from various locations across the African continent. Across Africa, there are many distinctive styles, techniques, dyeing methods,decorative and functional purposes. These textiles hold cultural significance and also have significance as historical documents of African design.
Some of the oldest surviving African textiles were discovered at the archaeological site of Kissi in northern Burkina Faso. They are made of wool or fine "short" animal hair including dried skin for integrity. Some fragments have also survived from the thirteenth century Benin City in Nigeria. Historically textiles were used as a form of currency since the fourteenth century in West Africa and Central Africa. Below is an overview of some of the common techniques and textile materials used in various African regions and countries.
Stripweaving, a centuries-old textile manufacturing technique of creating cloth by weaving strips together, is characteristic of weaving in West Africa, who credit Mande weavers and in particular the Tellem people as the first to master the art of weaving complex weft patterns into strips. Findings from caves at Bandiagara Escarpment in Mali propose its use from as far back as the 11th century. Stripwoven cloths are made up of narrow strips that are cut into desired lengths and sewn together. From Mali, the technique spread across West Africa to Ivory Coast, Ghana, and Nigeria. raffia fiber from dried stripped leaves of raffia palm was commonly used in West Africa and Central Africa since it is widely available in countries with grasslands like Cameroon, Ghana, and Nigeria. Cotton fibers from the kapok tree has been extensively used by the Dagomba to produce long strips of fibre to make the Ghanaian smock. Other fiber materials included undyed wild silk used in Nigeria for embroidery and weaving, as well as barkcloth from fig trees used to make clothes for ceremonial occasions in Uganda, Cameroon, and the Congo. Over time most of these fibers were replaced with cotton. Textiles were woven on horizontal or vertical looms with variations depending on the region.
Ethiopian Cotton: With the exception of Ethiopia, textile weaving is less common in East Africa. In the 1st century, cotton was imported into Ethiopia by Arabs. Ethiopia has conditions that are good for growing cotton thus cotton was then locally grown and woven into cotton fabric on horizontal pit-looms mainly used by those with high social status.
Dyeing is the main method of colouring fabrics. From the Tuareg nomads of the Sahara to Cameroon, clothes dyed with indigo, the most common dye in West Africa, signified wealth and abundance. The Yoruba of Nigeria and the Mandinka of Mali are recognized as experts in indigo dyeing. Natural dyes such as vegetable and mineral dyes were widely used including blue from indigo which is obtained from a stream that runs from the Senegal River down to the Cameron border rich in Lonchocarpus cyanescens( a species of shrub from family Fabaceae. It is commonly known as elu in Yoruba, anunu by Igbo people as talaki in Hausa, sauru in Tiv and as ebelu by the Edo people) the main plant for indigo dyeing. Other natural dyes include Morinda brimstone tree for yellow, white from kaolin clay, black from charcoal or black clay, brown from mud, and red from Camwood. Some dyes like camwood need to be heated before use. The camwood is grated into a powder, then boiled before adding the fiber to be dyed. However, other dyes like the Kola nut do not need heat. Resist techniques such as tie-dye, stitched and folded resist, wax batik, and starch resist are typical dyeing methods used to introduce patterns and color on the cloth.
Embroidery was used for both decorative and functional purposes. The embroidery techniques, such as buttonhole stitch and cut-pile embroidery, are often simple, but their intricate effects are a result of the skill-level and final pattern design used. For example, hemmed appliqué is a simple technique still used today where raffia cloth pieces are cut into designs and sewn onto the base fabric. The decorative pattern depends on the region and the imagination of the embroiderer. The Asante in Ghana use non-figurative patterns representing proverbs while the Ewes use figurative weft patterns also representing proverbs. The Yoruba introduce rows of holes lengthwise in the woven cloth strip. Beadwork is common in East Africa and Southern Africa although it is still used in other parts of Africa including Nigeria and Ethiopia.
Weaving is of great importance in many African cultures. The Dogon, for example, believe that spinning and weaving thread can be likened to human reproduction and the notion of rebirth. The color of cloth is often of significance and is representative of specific qualities and attributes. For example, among the Ewe and Ashanti, black and white Kente cloth is typically worn at funerals of elderly people to signify both a celebration of life and the mourning of death. In most cases end up with a widow wearing her late husband's apparel for several days.
African textiles can be used as historical documents. cloth can be used to commemorate a certain person, event, and even a political cause. Much of the history conveyed had more to do with how others impacted the African people, rather than about the African people themselves. The tapestries tell stories of Roman and Arab invasions, and how the impact of Islam and Christianity affected African life. The same is true of major events such as colonialism, the African Slave Trade, even the Cold War.
African textiles also have significance as historical documents, offering perspectives in cases where written historical accounts are unavailable: "History in Africa may be read, told and recorded in cloth."
Western African demand for cotton textiles fueled early South-South exchange during colonial times.
Some examples of African textiles are the following: