davidanugraha/M4-RAG huggingface dataset:
Stephen Tulloch

Stephen Michael Tulloch (amụrụ na Jenụwarị 1, 1985) bụ onye bụbu onye na-agba bọọlụ bọọlụ nke Amerika. Ndị Tennessee Titans họpụtara ya na agba nke anọ nke 2006 NFL Draft. Ọ gbara bọọlụ kọleji na Ugwu Steeti Carolina. Ọ bụkwa onye otu Ọdụm Detroit na Philadelphia Eagles.
Mgbe ọ gụsịrị akwụkwọ na Ụlọ akwụkwọ sekondri Miami Killian, Tulloch gbara bọọlụ kọleji na Ugwu steeti Carolina ma bụrụ MVP nke Meineke Car Care Bowl na mmeri 2005 na Mahadum nke Ndida Florida. Mgbe obere oge ya gasịrị, ọ mara ọkwa na ọ ga-ahapụ oge okenye ya wee banye na 2006 NFL Draft.
Templeeti:NFL predraftTennessee Titans họọrọ Tulloch na agba nke anọ (116th n'ozuzu) nke 2006 NFL Draft. Ọ gbara ha bọọlụ site n'afọ 2006 ruo n'afọ 2010, na-edekọ tackles nari anọ iri ise na asaa 4.5 sacks na interception abụọ.
Tulloch bịanyere aka na ọdụ ọdụm Detroit na Julaị 31, 2011.N'ime afọ mbụ ya na ọdụm ọ malitere egwuregwu iri na isii niile, na-edekọ ihe mgbochi otu narị na iri na otu, akpa atọ na ntinye abụọ.. Ọ bịanyere aka na nkwekọrịta afọ ise na ndị Ọdụm na Maachị 20, 2012. 2012, Tulloch kpọrọ onye nnata nke Detroit Lions-Detroit Ndị na-agbasa mgbasa ozi egwuregwu / Pro Football Writers Association's Media-Friendly "Good Guy Award" maka mmekọrịta ya na mgbasa ozi na Detroit. Na Septemba 21, 2014, Tulloch dọwara ACL ya mgbe ọ na-eme ememe akpa nke Aaron Rodgers na nkeji mbụ nke izu 3 egwuregwu megide Green Bay Packers. Edebere ya na ebe nchekwa mmerụ ahụ na-agwụcha oge na Septemba 22, 2014.
N'abalị iri abụọ na otu n'ọnwa Ọgọstụ n'afọ 2016, Tulloch bịanyere aka na nkwekọrịta otu afọ, $ 3 nde na Philadelphia Eagles, na-ejikọta ya na onye nhazi nchebe Jim Schwartz, onye ọ gbara na Tennessee, site na 2006 ruo 2008, na Detroit, site na 2011 ruo 2013.
N'April 18, 2017, Tulloch kwupụtara ezumike nká ya na NFL mgbe oge 11 gasịrị. Ọ nọgidere na-arụsi ọrụ ike na obodo Detroit mgbe ọ lara ezumike nká, ma soro ndị otu mbụ ya gaa ihe omume Lions alumni.
Ụlọ ọrụ Tersano

Ụlọorụ Tersano bụ ụlọ ọrụ nke.mmadu nkịtị nweere onwe ya nke dị na Oldcastle, Ontario nwere ọfịs na ebe nke na Canada, USA, Latin America, APAC na EMEA.
Emepere ya na afo 2001, Tersano na-emepụta ma na-emepụta ngwaọrụ ndị na-emepụta Stabilized Aqueous Ozone (SAO) maka iji onwe onye na ọkachamara. Ọ na-ejere ndị ahịa ozi na ụlọ ọrụ dịka nlekọta ahụike, agụmakwụkwọ, mmepụta, na ile ọbịa. Tersano bụ ụlọ ọrụ mbụ natara ma Green Seal 37 (maka Industrial and Institutional Cleaners) na Green Seal 53 (maka Biologically Active Cleaning Products).
N'afọ 2006, ngwaahịa ahụ dị njikere maka mmalite ya mgbe United steeti. Steeti na ahu maka nchekwa gburugburu nke ana akpọ (EPA Establishment #: 89093-CAN-1), mpaghara mba US na ahụ maka nhazi na ndozi nri nke ana akpọ (FDA), nakwa mpaghara mba Canada nke na ahụ.maka.nkwudo nke ana akpọ (CSA) na nke ndị odee akwụkwọ kwadoro ya. Kemgbe ahụ Tersano ewepụtala ngwaahịa azụmahịa na nke obibi dịka ProScrub degreaser, ProBowl descaler, akwa ákwà, na ákwà microfiber.
Magazin nke ndi Taim kwupụtara na ọ bụ otu n'ime ihe kachasị mma e mepụtara na 2006. Ọ nwetakwara nlebara anya mgbasa ozi telivishọn mgbe e gosipụtara usoro ahụ na otu ihe omume nke "The Big Idea with Donny Deutsch".
Sally El Hosaini

Sally El Hosaini bụ onye Welsh-Egyptian na-eduzi ihe nkiri na onye edemede ihe nkiri.
Ihe nkiri izizi ya nke a kpọrọ My Brother the Devil meriri ihe nrite mba ụwa, nke gụnyere na 2013 Evening Standard Film Awards, 2012 Sundance Film Festival, 2012 Berlin International Film Festival na 2012 BFI London Film Festival Awards, n'etiti ndị ọzọ. Ọ na-egosi Fady Elsayed, onye mmeri BIFA Award James Floyd na onye na-eme ihe nkiri a họpụtara maka César Award Saïd Taghmaoui. E mere ya na Hackney, London.
A mụrụ El Hosaini na Swansea, Wales, nye nne na nna Welsh nke Ijipt, ma zụlite ya na Cairo, Egypt. E bipụtara akụkọ mbụ ya mgbe ọ dị afọ asaa.
El Hosaini gara Atlantic College, otu n'ime United World Colleges. Ọ gara n'ihu gụọ Arabic na Middle Eastern Studies na Mahadum Durham. Tupu ọ malite ime ihe kiri ọ kụziri akwụkwọ Bekee na ụlọ akwụkwọ ụmụ nwanyị na Sana'a, Yemen ma rụọ ọrụ maka Amnesty International. Ọ bụ onye biri ogologo oge na Hackney, London.
El Hosaini bụ onye a na-enye ọzụzụ site n'aka onye nduzi ihe nkiri nke onye nnupụisi, John Sichel. Ọ malitere ọrụ ya na-arụ ọrụ na Middle East documentaries wee kwaga na ihe nkiri onwe ya, ebe ọ bụ onye nhazi mmepụta ruo ọtụtụ afọ. O kwuru na ọrụ ya na ihe ngosi telivishọn Britain dị ka "usoro", nakwa na ọ chọpụtara na ọ nwere ike ịbụ eziokwu karịa na akụkọ ifo.
Ọ bụ onye nchịkọta edemede na onye nyocha ọkachamara nke BAFTA na Emmy Award nke mere ka ọ na-emeri HBO Films / BBC Drama mini-series House of Saddam. Ọ nọrọ afọ abụọ na ọnwa isii na nnyocha maka usoro ahụ, nke meriri Grierson Award maka ihe nkiri kachasị mma.
Ọ natara mpaghara (Welsh) BAFTA maka ihe nkiri mkpirikpi ya nke afọ 2008, The Fifth Bowl .
N'afọ 2009, a họpụtara ihe nkiri ya dị mkpirikpi Henna Night maka London Lesbian and Gay Film Festival. Ọ nọ na asọmpi na International Film Festival Rotterdam na Raindance Film Festival.
El Hosaini sonyere na 2009 Sundance Directors and Screenwriters Labs, na-emepụta My Brother the Devil.
A kpọrọ ya otu n'ime Screen International's UK Stars of Tomorrow maka afọ 2009.
A tọhapụrụ My Brother the Devil n'ụzọ ihe nkiri na obodo iri na abụọ na US, May 2013 ma wepụta ya n'ụzọ sara mbara na UK sinima, November 2012. A tọhapụrụ ya ọzọ na Canada, Australia, New Zealand na Germany. Ihe nkiri ahụ gosipụtara na ihe karịrị ememe ihe nkiri mba ụwa ịrị anọ, ebe ọ natara onyinye ịrị na abụọ, nhọpụta ịrị na asaa na aha nsọpụrụ.
Dị ka onye edemede / onye nduzi nke ihe nkiri ahụ, El Hosaini meriri ihe nrite kachasị mma na 2013 Evening Standard Film Awards, Best Screenplay na 2013 Writer's Guild of Great Britain Awards, Best Newcomer Award na 2012 BFI London Film Festival na UK New Talent Award na British Women in Film and Television Awards na 2012. A họpụtakwara ya maka onyinye BIFA Douglas Hickox maka Best Debut Film na British Independent Film Awards na Sutherland Trophy (Best First Film) na BFI London Film Festival .
N'afọ 2014 ọ bụ otu n'ime ndị nduzi abụọ Danny Boyle họọrọ iduzi Babylon, usoro telivishọn ọ kwadoro ma mepụta maka Channel 4 na SundanceTV.
The Guardian, BBC America, IndieWire na Variety akọwaala ya bụ ndị kpọrọ ya 'Brit to Watch' nke afọ 2014.
National Institute of Renewable Natural Resources and Environment (Colombia)

National Institute of Renewable Natural Resources and Environment, nke a makwaara dị ka INDERENA, bụ ụlọ ọrụ gọọmentị gburugburu ebe obibi nke Colombia nke e guzobere na 1968 iji mezuo iwu gburugburu ebe obibi ma kwalite mmepe akwụkwọ ndụ akwụkwọ ndụ na Colombia. INDERENA nwere ihe ịga nke ọma n'inyere aka mepụta gburugburu ebe obibi na gọọmentị na nnabata n'etiti ọha mmadụ iji mee ka nchedo gburugburu ebe obibi banye n'ime atụmatụ mba, nke a dugara n'ịmepụta ụlọ ọrụ ụmụaka dị ka National Natural Parks System, na mgbanwe n'ime Ministry of Environment na 1993.
Odeakwụkwọ nke Gburugburu Ebe Obibi na Ihe Ndị Dị Ndụ

Secretary of Environment and Natural Resources of the Philippines
Kalihim ng Kapaligiran at Likas na Yaman
Official seal of the Department of Environment and Natural Resources
Incumbent
Maria Antonia Yulo-Loyzaga
since July 12, 2022
Style Mister/Madam Secretary (informal)
The Honorable (formal)
Member of The Cabinet
Reports to The President
Seat Visayas Avenue, Diliman, Quezon City
Appointer The President with the consent of the Commission on Appointments
Term length No fixed term
Inaugural holder Galicano Apacible
Formation January 1, 1917
Website denr.gov.ph
Odeakwụkwọ nke gburugburu ebe obibi na akụrụngwa (Filipino: Kalihim ng Kapaligiran na Likas na Yaman) bụ onye isi nke Ngalaba Na-ahụ Maka Gburugburu Ebe Obibi na Akụrụngwa nke Philippines. Security rizal San Mateo Bukas 1pm
Templeeti:Smalldiv
National Water Resources Board

National Water Resources Board
Agency overview
Formed 1974
Annual budget ₱122.25 million (2021)
Agency executive
Sevillo D. David Jr. Ph.D, Executive Director
Parent department Department of Environment and Natural Resources
Website www.nwrb.gov.ph
National Water Resources Board (NWRB) bụ ụlọ ọrụ nke Gọọmentị nke Philippines na-arụ ọrụ na mmiri na mmiri ọṅụṅụ. Ọ nwere iwu, nhazi na ọrụ ikpe.
NWRB bụ ụlọ ọrụ dị na Ngalaba Na-ahụ Maka Gburugburu Ebe Obibi na Ihe Ndị Dị n'Otu nke na-ahụ maka ijide n'aka na a na-eji ya eme ihe, ojiji, mmepe, nchekwa na nchedo nke ihe ndị dị na mmiri nke mba ahụ, kwekọrọ na ụkpụrụ nke "Nchịkwa Mmiri".
Ndị NWRB Board nwere ndị odeakwụkwọ ise, tinyere onye nnọchi anya agụmakwụkwọ na onye isi nchịkwa NWRB ma bụrụ nke odeakwụkwọ nke gburugburu ebe obibi na akụrụngwa na-eduzi.
Onye bu NWRB ụzọ bụ National Water Resources Council ("NWRC"), nke e kere na 1974 n'okpuru Iwu Onye isi ala No. 424, nke a makwaara dị ka "Integrated Reorganization Plan". A gbanwere aha ya ka ọ bụrụ NWRB n'okpuru Executive Order No. 124-A. N'okpuru iwu ahụ, a na-enye NWRB ọrụ n'etiti ndị ọzọ, iji hazie ma jikọta ọrụ mmepe mmiri nke mba ahụ; ịhazi ụkpụrụ, usoro na ụkpụrụ maka nchịkọta data, nyocha ọrụ, nhazi, atụmatụ na nyocha, na ụkpụrụ maka iji mee ihe na njikwa mmiri kachasị mma; nyochaa ma kwado atụmatụ mmepe mmiri ndị ọzọ, na-eme nyocha nke ụlọ ọrụ ndị ọzọ; iji mee ihe onwunwe ndị ọzọ; nyochaa ihe na nchekwa mmiri ma mee ihe na-eme nchedozi ma mee ihe; mee ihe na nyocha zuru oke ma mee ihe gbasara nchekwa mmiri ma mepụta ihe na ụlọ ọrụ ndị metụtara mmiri ma mee ka ọ dị iche iche iche iche ma mee ihe ma mee ihe dị iche iche ma mepụta nyocha zuru oke; mee ihe; mepụta ihe; mee ka ụlọ ọrụ ndị dị iche iche na nyocha zuru ezu.
NWRB na-adụ ndị National Economic and Development Authority ("NEDA") ọdụ n'ihe gbasara ọrụ na mmemme mmepe mmiri.
N'afọ 1976, e wepụtara Iwu Onye isi ala nke 1067, nke a makwaara dị ka Iwu Mmiri nke Philippines. Dabere na ụkpụrụ ndị: (a) "mmiri niile bụ nke steeti"; na (b) steeti nwere ike ikwe ka ojiji ma ọ bụ mmepe nke mmiri ya site na ikike nchịkwa", e guzobere NWRB dị ka "onye na-achịkwa mmiri" nke e nyere ọrụ ịchịkwa ma chịkwaa ojiji, mmepe, nchekwa na nchedo nke ihe niile dị na mmiri.
Ọrụ ndị a kapịrị ọnụ nke NWRB, dị ka "Onye na-achịkwa Mmiri", [Nkwupụta a chọrọ ntinye aha] gụnyere n'etiti ndị ọzọ, (a) ikike mmiri maka nnweta, na ojiji nke mmiri; na (b) ikpebi esemokwu metụtara nnweta, ojiji, mmepe, njikwa na nchekwa, nchedo nke mmiri.
N'afọ 1977, e wepụrụ Board of Power and Waterworks (BPW) dịka Iwu Onye isi ala No. 1206 si dị. Ọrụ nke BPW nke e ketara site na Kọmitii Ọrụ Ọha n'ihe gbasara usoro ọrụ mmiri ka e mesịrị nyefee na NWRB, na-eguzobe NWRB dị ka "onye na-achịkwa akụ na ụba" [Nkwupụta a chọrọ ntinye aha] nke usoro ọrụ mmiri.
N'afọ 2002, e nyefere nkwado nke ụtụ isi maka mpaghara mmiri na NWRB site na Local Water Utilities Administration (LWUA), dịka Executive Order No. 123. N'otu usoro ndị isi, a gbanwere ndị otu NWRB Board ka ha bụrụ ndị mejupụtara ya ugbu a.
Kọleji Ọhịa Zambia

E guzobere kọleji Zambia Forestry (ZFC) na 1949 iji nye ọzụzụ teknụzụ na ọrụ ọhịa. Notu afọ ahụ, ọ mepụtara ndị nche ọhịa mbụ.
Nafọ sochirinụ, a zụrụ ndị Forest Rangers. Kemgbe ahụ, kọleji ahụ anọwo naeto eto iji nagide mgbanwe nke ọchịchọ maka ndị ọrụ a zụrụ azụ. Ka ọ naerule 1963, a zụrụ ihe karịrị ndị Forest Rangers 300 (ndị nwere asambodo) na ndị naeche ọhịa nche.
Ọzụzụ maka ndị naelekọta ọhịa (ndị nwere diplọma) malitere na 1963 na ụmụ akwụkwọ itoolu. Ka ọ naerule ngwụcha afọ 1977, ndị ikom 131 na otu nwanyị naazụ ahịa mechara ọzụzụ ha. E melitela kọleji ahụ ugbu a na ngwá ọrụ, ihe owuwu na ndị ọrụ.
Gọọmentị naagba mbọ imeziwanye nka na ihe ọmụma teknụzụ e guzobere ụlọ akwụkwọ nke akụrụngwa na Mahadum Copperbelt
Nafọ 1995, School of Natural Resources malitere ịrụ ọrụ dị ka otu nime ụlọ akwụkwọ nke Mahadum Copperbelt iji nye mmemme nzere na Agroforestry, Fisheries and Aquaculture, Forestry, Wildlife Management na, Wood Science and Technology.
Nafọ 1996, e debara aha ụmụ akwụkwọ mbụ maka nzere bachelọ nke sayensị na Forestry naanị. E mechara webata mmemme nzere ndị ọzọ dị ka ndị a; - Sayensị osisi na teknụzụ na 2002, Agrofrestry na 2006, Wildlife Management; Fisheries and Aquaculture na 2009 na Bioenegry Science, Plant and Environmental Sciences yana Sustainable Natural Resource Management na Climate Change na 2016.
Nafọ 2011, e webatara mmemme Post Graduate na ndị a bụ nzere M.Sc. na Natural Resource Management, nzere M. Sc. na mmepụta ọrụ ugbo na-adịgide adịgide na PhD. na Natural resources.
Ụlọ akwụkwọ ahụ naenye ọrụ nkuzi, nyocha na ndụmọdụ na ọrụ ugbo, gburugburu ebe obibi na njikwa ihe onwunwe. Ụlọ akwụkwọ ahụ naetinye aka na nsogbu nke njikwa gburugburu ebe obibi na mmepe. Ọ sonyere ma naaga nihu naekere òkè na mba na mba ụwa nihe gbasara mgbanwe ihu igwe, nchekwa dị iche iche, ahia carbon, njem gburugburu ebe obibi na njikwa akụ na ụba maka mmepe mmekọrịta mmadụ na ibe ya.
Onye Ikpeazụ e merụrụ ahụ (ihe nkiri 1975)

Templeeti:Infobox film
The Last Victim (Templeeti:Lang-ru) bụ 1975 Ihe nkiri ịhụnanya Soviet nke Pyotr Todorovsk duziri. Dabere na egwuregwu nke otu aha nke Alexander Ostrovsky.
Nwanyị hụrụ n'anya dị njikere ịchụ àjà maka nzọpụta nke onye ọ hụrụ n'ọrụ na akụ ya niile. Kedụ ka Vadim Dulchin, nwoke mara mma na onye ọkpụkpọ, ga-esi zaa nke a? ebe nwanyị hụrụ ya n'anya ga-esi gaa.
Vanessa Nakate

Vanessa Nakate (amụrụ na 15 Nọvemba 1996) bụ onye na-ahụ maka ikpe ziri ezi na ihu igwe na Uganda.
Nakate tolitere n'isi obodo Uganda, mpaghara Kampala. Ọ tolitere na Kampala ma ghọọ onye ama ama na Disemba 2018 mgbe ọ malitere ichegbu onwe ya banyere oke okpomọkụ dị elu na mba ya. Nakate gụsịrị akwụkwọ na nchịkwa azụmahịa na nzere ahịa na Makerere University Business School.
N'ịbụ onye Greta Thunberg kpaliri ịmalite usoro ihu igwe nke ya na Uganda, Nakate malitere ọgbaghara naanị ya megide enweghị ihe ọ bụla na nsogbu ihu igwe na Jenụwarị 2019. Ruo ọtụtụ ọnwa ọ bụ naanị onye na-eme ngagharị iwe n'èzí ọnụ ụzọ ámá nke Nzukọ Ndị Omeiwu nke Uganda. N'ikpeazụ, ndị ntorobịa ndị ọzọ malitere ịzaghachi oku ya na mgbasa ozi mmekọrịta maka ndị ọzọ iji nyere aka dọta uche na ọnọdụ nke oké ọhịa mmiri ozuzo nke Congo. Nakate guzobere Youth for Future Africa na otu Rise Up Movement nke dị n'Afrịka.
N'ọnwa Disemba 2019, Nakate kwuru okwu na nnọkọ COP25 na Spain, ya na ndị na-eto eto na-ahụ maka ihu igwe Greta Thunberg na Alejandro Martínez.
Na mbido Jenụwarị 2020, ọ sonyeere ihe dị ka ndị ntorobịa 20 ndị ọzọ na-ahụ maka ihu igwe si gburugburu ụwa iji bipụta akwụkwọ ozi nye ndị sonyere na World Economic Forum na Davos, na-akpọ ụlọ ọrụ, ụlọ akụ na gọọmentị ka ha kwụsị ozugbo ịkwado mmanụ ala. Ọ bụ otu n'ime ndị nnọchiteanya mba ụwa ise nke Arctic Basecamp kpọrọ ka ha soro ha mara ụlọikwuu na Davos n'oge World Economic Forum; ndị nnọchite anya ahụ mechara sonye na njem ihu igwe n'ụbọchị ikpeazụ nke Forum ahụ.
N'ọnwa Ọktoba 2020, Nakate kwuru okwu na Desmond Tutu International Peace Lecture na-agba ndị isi ụwa ume ka ha "na-eteta" ma kweta mgbanwe ihu igwe dị ka nsogbu, na-ejikọta ya na ịda ogbenye, agụụ, ọrịa, esemokwu na ime ihe ike megide ụmụ nwanyị na ụmụ agbọghọ. "Gbanwee ihu igwe bụ ihe egwu na-emetụta akụkụ ọ bụla nke ndụ anyị", ka o kwuru. "Olee otu anyị ga-esi kpochapụ ịda ogbenye n'eleghị nsogbu a anya? Kedụ ka anyị ga-esi nweta agụụ efu ma ọ bụrụ na mgbanwe ihu igwe na-ahapụ ọtụtụ nde mmadụ na-enweghị ihe ọ bụla ha ga-eri? Anyị ga-ahụ ọdachi mgbe ọdachi gasịrị, ihe ịma aka mgbe ihe ịma aka gasịrị, nhụjuanya mgbe ahụhụ gasịrị (...) ma ọ bụrụ na emeghị ihe ọ bụla banyere nke a. " Ọ kpọkwara ndị isi ka ha wepụ ebe ntụsara ahụ ha ma hụ ihe ize ndụ anyị nọ na ya ma mee ihe banyere ya. Nke a bụ ihe gbasara ndụ na ọnwụ.
Nakate malitere Green Schools Project, atụmatụ ike na-agbanwe agbanwe, nke na-ezube ịgbanwe ụlọ akwụkwọ na Uganda na ike anyanwụ ma tinye stovu na-ahụ maka gburugburu ebe obibi n'ụlọ akwụkwọ ndị a. Ka ọ dị ugbu a, ọrụ ahụ emeela nrụnye na ụlọ akwụkwọ iri atọ.
Boris Nzebo

Boris Nzebo, amụrụ na Port-Gentil na 1979, bụ onye na-ese ihe nkiri nke bi ma na-arụ ọrụ osise ihe na Douala, Cameroon.
Ọmụmụ ihe praịmarị Boris Nzebo mere na Libreville na Gabon. Mgbe o rutere na Cameroon, ọ malitere site na ịse ihe ịrịba ama omenala maka ịkpụ isi na ịchọ mma. Mgbe ahụ, ọ hapụrụ nke ahụ iji tinye onwe ya kpamkpam na nka na mbido afọ 2000. Ihe osise maka mgbasa ozi na mbụ ahapụla akara ya na njirimara nka ya.
Dị ka onye na-ese ihe n'onwe ya, ọ nwetara ọzụzụ na Douala na ndị na-ese egwu Koko Komégné, otu n'ime ndị ọsụ ụzọ nke nka oge a na Cameroon, Hervé Yamguen na n'ọmụmụ ihe nke Goddy Leye haziri na ArtBakery na Bonendale dị nso na Douala, ebe o biri na 2007. N'oge obibi a, ọ na-ejikọta onwe ya na usoro dị iche iche: vidiyo, foto, ntinye na arụmọrụ. O tinyekwara onwe ya n'ime ọrụ Roy Lichtenstein, Jack Mitchell, Jean-Michel Basquiat, Banksy na Takashi Murakami, onye ọ hụrụ n'anya karịsịa. N'ebe nka, ọ nyeere ndị na-ese ihe dịka Faouzi Laatiris (2007), Ato Malinda, Tracy Rose na Mariela Borello (2009), ndị gbakwunyere na agụmakwụkwọ Nzebo na mgbanwe ha, mkparịta ụka na ọrụ nka. N'ikpeazụ, ọ na-ekwu na isiokwu ya pụrụ iche bụ ịchọpụta ụdị ntutu isi n'ime obodo. N'ime ha, ọ na-ahụ ihe ịrịba ama nke ọkwa ọha na eze, nke ngosipụta nke echiche, nke ọdịbendị. Kedụ ka anyị si ghọta na gburugburu ebe obibi anyị adịghị mma dị ka isi anyị? Mgbe ntutu isi anyị na-arịa ọrịa, anyị na-elekọta ya, mana anyị anaghị eme ihe ọ bụla iji lụso nrụrụ aka ọgụ, mmebi ego, wdg. Anyị na-etinye mgbalị dị ukwuu n'ịgwọ ntutu isi anyị, gịnị mere anyị ji ghara ime otu ihe ahụ maka nsogbu ndị na-enye anyị nsogbu? Boris na-agwakọta profaịlụ doro anya nke ụmụ agbọghọ mara mma na ihe ịchọ mma nke ebe obibi dị ize ndụ.
N'ọnwa Eprel afọ 2008, o gosipụtara ọrụ ya nke mbụ ya n'ogige ndị na-ese ihe na Douala, ya na otu ndị omenkà isii na isiokwu Lady, Ọ na-ekwu na m bụ Lady, nke sitere na mkpali nke onye na-agụ egwu Naijiria bụ Fela Ramson Kuti banyere nnwere onwe ụmụ nwanyị.
N'ọnwa Juun afọ 2009, o sonyere n'ihe ngosi Jeunes Regards Urbains na doualzar, ya na ndị ọzọ na-eto eto Cameroon na-ese ihe, Landry Mbassi na Man Faust. Site na 2010, o sonyere n'ọtụtụ ihe ngosi ndị ọzọ, na Cameroon nakwa na mba ofesi: na 2010 Maison Revue Noire (Paris) na Savvy Contemporary (Berlin), na 2011 na Blachère Foundation (Apt), mgbe ahụ na 2011 na 2012 na Art Paris Art Fair na Ifa-Galerie (Berlin). E gosipụtara ihe osise ya bụ Tête en l'Hair' na ngosi 30 ET PRESQUE-SONGES nke Joël Andrianomearisoa na doualńart.
E gosipụtara ọrụ ya na ihe ngosi mmadụ abụọ, otu, In & Out of my head, na SUD2010 na Douala, na nke ọzọ, na mmemme Vil-Vissages, na Institut Français na Yaoundé na 2011. N'ọnwa Eprel afọ 2013, ndị doualzar gosipụtara ihe osise ya na ngosi nka nke oge a ART DUBAI, ebe a nabatara ha dị ka nnukwu ihe ịga nke ọma. Jack Bell Gallery nke London hụrụ ya, nke nyere ya ohere n'ọtụtụ ihe ngosi (na London na New York).
Kpasam language

Kpasam (Kpasham; Nyesam) bụ asụsụ obodo Adamawa nke ndị Demsa LGA, di na Adamawa Steeti, Naịjịrịa.
Ndị na-asụ asụsụ a na-akpọ ya Nyesam [ɲé sàm], agbụrụ ha bu Isam [ísàm], ókèala ha bu Asam [ásàm]. A na-asụ Nyesam n'obodo Kpasham, Dakli, na kwa Dem.
Kọleji nke Mmụta Ȯra Jigawa

Kọleji nke Mmụta Ȯra Jigawa bụ ụlọ ọrụ Ȯra gọọmentị agụmakwụkwọ di elu dị na Gumel, Ȯra Jigawa, Naijiria. Ọ jikọtara ya na Mahadum nke Bayero maka mmemme nzere ya. Onye ndọrọndọrọ ọchịchị ugbu a bụ Saidu Barau Ahmad.
E hiwere Kọleji nke Mmụta Ȯra Jigawa na 1976.
Ụlọ ọrụ ahụ na-enye nkuzi ndị a;
Ụlọ ọrụ ahụ jikọtara ya na Mahadum nke Bayero iji nye mmemme na-eduga na Bachelor nke Mmụta, (B.Ed.) na;
Wala'a Essam al-Boushi

Walaa Issam ElBoushi (nakwa: Wala'a, Walla, Isam, Essam, al-Bushi, al- Boushi, el-Boushi; Arabic) bụ onye Sudanese na-eme ihe ike nke ghọrọ Minista Sudan nke Ndị Ntorobịa na Egwuregwu na mbido Septemba 2019 na Kọmitii Mgbanwe nke Praịm Minista Abdalla Hamdok, n'oge mgbanwe Sudan na 2019 na ọchịchị onye kwuo uche ya.
A mụrụ Al-Boushi na 1986 na Wad Madani . O nwere nzere masta na Advanced Engineering Mechanics site na Imperial College London.
Al-Boushi tinyere aka na mmegide gọọmentị na Sudan n'oge onye isi ala Omar al-Bashir, onye a chụpụrụ n'ọchịchị Sudan n'April 2019.
Na mbido Septemba 2019, al-Boushi ghọrọ Minista Sudan nke Ndị Ntorobịa na Egwuregwu na Kọmitii Mgbanwe nke Praịm Minista Abdalla Hamdok, n'oge mgbanwe Sudan nke 2019 gaa na ọchịchị onye kwuo uche ya. Ndị isi nwanyị ndị ọzọ nke Sudan n'oge mgbanwe ahụ gụnyere Chief Justice Nemat Abdullah Khair, na ndị otu Sovereignty Council Aisha Musa el-Said na Raja Nicola. Al-Boushi kọwara nhọpụta ya dị ka "Ministry of the Revolution". O gosipụtara ịnụ ọkụ n'obi ya maka ọnọdụ ahụ, na-ekwu,
N'abalị iri atọ n'ọnwa Septemba n'afọ 2019, a malitere otu egwuregwu bọọlụ ụmụ nwanyị iri abụọ na otu n'okpuru ozi al-Boushi, ebe al-Bushi na Aisha Musa nọ na egwuregwu dị n'etiti ndị otu Eltahadi na Eldifaa, nke ndị inyom na-ekpe ikpe.
Onye nkwusa Islamist na onye na-akwado onye bụbu onye isi ala Omar al-Bashir, Abdal Hai Youssef, boro al-Boushi ebubo nkwulu na ndapụ n'ezi ofufe maka iweghachi bọọlụ ụmụ nwanyị na Sudan. N'okpuru Nkeji edemede 126.2 nke mbipụta 1991 nke Iwu Mpụ Sudan, a na-ata ndapụ n'ezi ofufe ahụhụ site na ikpe ọnwụ ma ọ bụrụ na onye a na-ebo ebubo echegharịghị. Al-Boushi tinyere akwụkwọ mkpesa megide Youssef. Minista na-ahụ maka ozi Faisal Saleh kwuru na nkwupụta Youssef bụ mwakpo megide ikike ụmụ nwanyị ma kwuo na ndị kansụl Sudan rịọrọ Minista Ikpe Ziri Ezi ka ha mee "ihe iwu dị mkpa" megide Youssef.
Egusi

Egusi, also spelled egushi (Yoruba: Ẹ̀gúṣí), are the protein-rich seeds of certain cucurbitaceous plants (squash, melon, gourd), which, after being dried and ground, are used as a major ingredient in West African cuisine. Egusi is a Yoruba word, and the popular method of cooking it is deeply rooted in Yoruba culinary traditions.
Egusi melon seeds are large and white in appearance; sometimes they look brownish or off-white in color but the main egusi color is primarily white.
Scholars disagree whether the word is used more properly for the seeds of the colocynth, those of a particular large-seeded variety of the watermelon, or generically for those of any cucurbitaceous plant. Egusi seeds are in a class of their own and should never be mistaken for pumpkin or watermelon seeds. In particular the name "egusi" may refer to either or both plants (or more generically to other cucurbits) in their capacity as seed crops, or to a soup made from these seeds and popular in West Africa.
The characteristics and uses of all these seeds are broadly similar. Major egusi-growing nations include Nigeria, Burkina Faso, Togo, Ghana, Côte d'Ivoire, Benin, Mali, and Cameroon.
Species from which egusi is derived include Melothria sphaerocarpa (syn. Cucumeropsis mannii) and Citrullus lanatus.
The egusi stew delicacy is now widely eaten across large portions of West and Central Africa where it is known by various local names, many of which are variants of the word egusi itself. Some of the other names egusi goes by across the region include;
Egusi seeds are used in making egusi soup; the soup is thickened with the seeds. Melothria sphaerocarpa, which egusi seeds are from, grows throughout central to western Africa and is used by different ethnic groups in these regions to prepare the soup, and the origins of the soup are deeply rooted in the Yoruba culinary Egusi soup is a very popular soup in West Africa, with considerable local variations. Besides the seeds, water, and oil, egusi soup typically contains leafy greens, other vegetables, seasonings, and meat. Leafy greens typically used for egusi soup include Efo Tete, scentleaf, okazi/afang (wild spinach), bitterleaf (onugbu), pumpkin leaf (ugu), uziza leaf, celosia and spinach. Other commonly used vegetables include tomatoes, okra and bell peppers. Typical seasonings include chili peppers, onions, salt and locust beans. Also commonly used ingredients are beef, goat, chicken, fish, periwinkle, shrimp or crayfish as sources of protein.
In Nigeria, egusi is common throughout the country, and the seeds are used in making stews and soups. The Igbo refer to it as "egwusi," a borrowed term from the original Yoruba word "egusi."
In Ghana, egusi is also called akatoa, egushi or agushi, and is used for soup and stew, most popularly in palaver sauce.
In the late 1980s, the Government of Canada funded a project intended to develop a machine to help Cameroonians shell egusi seeds. A machine has also been developed in Nigeria to shell egusi.
Egusi seed oil contains linoleic acid (53%) and oleic acid (19%).
Itoman, Okinawa

Itoman (糸満市, Itoman-shi, Okinawan: いちゅまん ʔIcuman) is a city located in Okinawa Prefecture, Japan. The city occupies the southern tip of Okinawa Island. As of 1 October 2020, the city has an estimated population of 61,007 and a population density of 1,308.32 inhabitants per square kilometre (3,388.5/sq mi). The total area is 46.63 km (18.00 sq mi).
Itoman sits on a flat tableland with craggy rolling hills of Ryukyuan Limestone which range between Cape Baron Bryan to the south and the sugar cane fields in front of Yozadake to the north. The south of the town is known for its steep sea cliffs around Cape Kyan and the Mabuni Cliffs.
The city includes forty-two wards.
Itoman has a long history as a fishing port. In the pre-modern period, its fisherman ventured as far as the Indian Ocean. Records indicate that the fisherman made contact with Australia and New Guinea. By 1908 the village of Itoman numbered 8,000 residents, almost all involved in the fishing industry. Men of Itoman worked on fishing boats, and women worked at the transport and sale of fish in the prefectural capital of Naha. In 1918 Naha and Itoman were connected by a horse-drawn tram. The line spanned 12 kilometres (7.5 mi). The Okinawa Prefectural Railways Itoman Line was established in 1924 and operated until 1945.
Itoman was the final front of the Battle of Okinawa in World War II. The area saw enormous casualties to both military forces and civilians. Itoman is noted for the Himeyuri Butai, a field hospital nursing corps of 221 high-school students who committed suicide at the end of the battle.
Itoman was established as a town in 1908. In 1961 it absorbed the villages of Kanegusuku, Takamine, and Miwa. Itoman was elevated to city status on December 1, 1971.
Itoman is administered from the city hall in Shiozaki. The Itoman Board of Education oversees the preschool, elementary, and middle school, community education centers, and sports facilities of the city. The Itoman City Council consists of 23 members who serve a four-year term and are led by a chairperson (Isao Uehara) and vice-chairperson (Isao Tokuzato) of the council.
Fishing remains the primary industry of the city of Itoman.
Japan National Route 331, which connects Itoman and Ōgimi along the eastern coast of Okinawa Island, runs through Itoman and connects the city to other municipalities in Okinawa.
List of ships built by Harland & Wolff (1930–2002)

The following is a list of ships that were built by Harland & Wolff, a heavy industrial company specialising in shipbuilding and offshore construction. It is based in Belfast, Northern Ireland, and had yards at Govan (1914–1963) and Greenock (1920–1928) in Scotland. The 1,600 ships are listed in order of the date of their launch. This list covers the period 1930–2002.
List of ships built by Harland & Wolff (1859–1929)
What Child Is This?

"What Child Is This?" is a Christmas carol with lyrics written by William Chatterton Dix in 1865 and set to the tune of "Greensleeves", a traditional English folk song, in 1871. Although written in Great Britain, the carol today is more popular in the United States than its country of origin.
The first verse poses a rhetorical question in the first half, with the response coming in the second half. The second verse contains another question that is answered, while the final verse is a universal appeal to everyone urging them "to accept Christ". The carol's melody has been described as "soulful", "haunting and beautiful" in nature.
The context of the carol centres around the Adoration of the Shepherds who visit during the Nativity of Jesus. The questions posed in the lyrics reflect what the shepherds were possibly pondering to themselves when they encountered Jesus, with the rest of the carol providing a response to their questions.
At the time he was writing the lyrics to "What Child Is This?" in 1865, William Chatterton Dix was working as the manager of an insurance company. He was afflicted by an unexpected and severe illness that resulted in him being bedridden and suffering from severe depression. His near-death experience brought about a spiritual renewal in him while he was recovering. During this time, he read the Bible comprehensively and was inspired to author hymns like "Alleluia! Sing to Jesus!" and "As with Gladness Men of Old". The precise time in 1865 when he wrote the poem "The Manger Throne" is disputed. While the St. Petersburg Times details how Dix penned the work after reading the Gospel for Epiphany that year (Matthew 2:1–12) recounting the journey of the Biblical Magi; Singer's Library of Song: Medium Voice contends that it was actually authored during the Christmas of 1865.
Although written in 1865, "What Child Is This?" was only first published six years later in 1871, when it featured in Christmas Carols New and Old, a "prestigious" and "influential" collection of carols that was published in the United Kingdom. The hymnal was edited by Henry Ramsden Bramley and John Stainer; even though it is not known with certainty who paired the three stanzas from "The Manger Throne" with the music from "Greensleeves", the third edition of The Christmas Encyclopedia by William D. Crump and Stories of the Great Christmas Carols both suggest that Stainer – who was also responsible for "harmoniz[ing] the musical setting" – may have done so.
Periwinkle (color)

Periwinkle is a color in the blue and violet family. Its name is derived from the lesser periwinkle or myrtle herb (Vinca minor) which bears flowers of the same color.
The color periwinkle is also called lavender blue and light blue violet. The color periwinkle may be considered a pale tint of purple-blue in the Munsell color system, or a "pastel purple-blue". The color can represent serenity, calmness, winter, and ice. It can also symbolize blossoming friendships, womanhood, sentimental memories, and everlasting love.
The first recorded use of periwinkle as a color name in English was in 1922.
Nang talung

Nang talung (bahasa Thai: หนังตะลุง, pengucapan [nǎŋ tā.lūŋ]) adalah sebuah gaya tradisional dari pertunjukan wayang kulit dari Thailand bagian selatan. Kesenian serupa ditemukan di Kamboja, Malaysia, dan Indonesia. Nang artinya "kulit" (dalam kasus ini "wayang kulit"), dan talung adalah singkatan dari Pattalung, sebuah kota di Thailand bagian selatan dimana tradisi sandiwara bayangan tersebut telah lama populer. Nang yai menampilkan wayang ukuran manusia, sementara wayang nang talung berukuran lebih kecil.
Sumarsam

Sumarsam (lahir 1944) adalah musisi asal Jawa dan sarjana gamelan.
Sumarsam lahir di Dander, Bojonegoro, Jawa Timur, Indonesia. Dia pertama kali membawakan gamelan pada usia tujuh tahun. Dia mulai mengenyam pendidikan formal gamelan pada tahun 1961 di Konservatori Karawitan Indonesia (KOKAR, sekarang Sekolah Menengah Karawitan Indonesia) di Surakarta. Dia lulus pada 1964 dan mulai mengajar, dan pada tahun 1965 mulai kuliah di Akademi Seni Karawitan Indonesia yang baru dibuka (ASKI, sekarang Sekolah Tinggi Seni Indonesia di Surakarta).
Barongan

Barongan (bahasa Jawa: ꦧꦫꦺꦴꦔꦤ꧀; bahasa Bali: ᬩᬭᭀᬗᬦ᭄) merupakan salah satu jenis kesenian tradisional khas masyarakat Jawa, Sunda, Bali,dan Madura yang berkembang di wilayah Jawa Tengah dan Bali, tetapi sebagian barongan berasal-usul dari daerah Ponorogo di Jawa Timur yang memiliki bentuk Harimau Singa dan Naga. Kesenian ini biasanya juga dilengkapi dengan iringan instrumen gamelan (seperangkat alat musik) yang berirama rancak.
Kesenian Barongan ini telah ditetapkan secara resmi oleh pemerintah Republik Indonesia sebagai salah satu Warisan Budaya Takbenda khas Indonesia, terutama bagi Barongan khas Kabupaten Kudus maupun daerah Mlangsen di Jawa Tengah.
Kemudian Barongan Ponorogo ditetapkan sebagai Warisan Budaya Takbenda UNESCO pada 3 Desember 2024. Penetapan ini dilakukan dalam Sidang Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage Sesi ke-19 di Asunción, Paraguay. [1]
Seiring perkembangan jaman, kesenian Barongan kini bukan hanya saja berfungsi sebagai sebuah ritual namun juga bermanfaat sebagai salah satu hiburan rakyat. Sarat dengan spiritualitas yang kental, masyarakat etnis Jawa dan Bali selalu memulai pertunjukan barongan dengan melakukan ritual permohonan perlindungan, seorang pawang biasanya bertugas untuk dengan membacakan rapalan doa (mantra) dalam ajaran agama Kejawen dan Gama Tirta agar Barongan terhindar dari segala halangan selama proses pertunjukan maupun seusai pertunjukan.
Andi Sopiandi

Andi Sopiandi Lahir di Bandung, 12 Februari 1968. Sejak kecil gemar menggambar dan belajar secara otodidak. Sebagian lukisannya telah dikoleksi di dalam dan luar negeri seperti Belanda, Jepang, Australia, USA, Perancis, dan lain-lain. Bekerja di salah satu perusahaan asing bagian Enggraver (1989). Menjadi desainer di Pusat Pendidikan Komputer Widyaloka Bandung (1990).
Heyi Ma'mun

Heyi Ma'mun (22 April 1952 – 7 Januari 2019) adalah pelukis asal Indonesia. (Terlahir: Herry Rochwati Bratamanggala). Sosoknya lekat dengan lukisan abstrak kaya tekstur. Ia bereksplorasi mengerjakan karya dengan memadukan berbagai elemen estetis yaitu mural, embossed, dan kolase dengan tetap berdasar pada karya lukis.
Perempuan dengan nama asli Herry Rochwati Bratamanggala. Heyi disiplin dalam hidupnya. Dia sangat dipengaruhi oleh pendidikan ayahnya, yang bekerja di militer. Tidak seperti rekan seniman lain yang bekerja lebih emosional, Heyi mengambil langkah yang disengaja dalam karya kreatifnya. Hal ini membuatnya selalu siap menampilkan karyanya di pameran maupun galeri.
Sejak SMA, Heyi ingin menjadi seorang pelukis, yang menginspirasinya. Dia juga suka menggambar, yang menangkap imajinasinya. Pada tahun 1981, Heyi lulus dari Fakultas Seni Rupa dan Desain Institut Teknologi Bandung. Dia adalah satu-satunya perempuan dari enam mahasiswa di jurusan seni lukis pada awal tahun 1970, dan satu dari hanya dua seniman perempuan yang membuat terobosan penting dalam karir mereka. Yang lainnya adalah Umi Dachlan. Pameran bersama pertamanya dilakukan pada awal tahun 1990-an dengan kritikus seni Sanento Yuliman di Galeri Bandung.
Heyi termasuk di antara artis wanita Indonesia gelombang kedua setelah Emiria Soenassa dan Kartika Affandi. Rekan perempuan pelukisnya di Bandung antara lain Erna Garnasih Pirous, Nunung WS, Rita Widagdo dan Umi Dachlan, kelompok wanita yang mempengaruhi seni rupa modern Indonesia.
Lukisannya dari Heyi Ma’mun dipamerkan di beberapa Galeri Nasional, antara lain di Indonesia, Singapura, dan Yordania.
Mamannoor

Maman Noor (Mamannoor), lahir di Losari, tanggal 21 Agustus 1958 dan meniggal dunia di 23 Oktober 2007 di Bandung, dikenal sebagai penulis artikel, esai, dan kritik seni rupa yang sangat produktif. Mamannoor juga merupakan seorang pelukis ekspresionis yang menciptakan seni mural jalanan, sketsa dan lukisan cat minyak.
Mamannoor merupakan lulusan S-1 dan Program Magister dari Fakultas Seni Rupa dan Desain Institut Teknologi Bandung (FSRD-ITB). Ia pernah menjadi staf pengajar tetap di Sekolah Tinggi Seni Rupa dan Desain Indonesia (STISI) Bandung.
Sebagai seorang penulis dan kritikus seni, Mamanur menulis banyak buku dan artikel:
Mamannoor manjadi kurator di Festiva Istiqlal I tahun 1991 dan II tahun 1995, dan Museum Istiqlal tahun 1996. Di tahun 1999, dia kurator untuk Galeri Nasional Jakarta dan Dewan Juri Philip Morris Indonesian Art Award.
Sebagai pelukis, Mamannoor juga membuat mural dan lukisan, yang sejak tahun 1979 ditampilkan dalam beberapa pameran:
Koleksi lukisannya dijual dalam lelang pada tahun 2011, dan itu menunjukkan persahabatan dan koneksi mendalamnya di kancah seni rupa Indonesia.
Hari Batik Nasional

Hari Batik Nasional adalah hari perayaan nasional Indonesia untuk memperingati ditetapkannya batik sebagai Warisan Kemanusiaan untuk Budaya Lisan dan Nonbendawi (Masterpieces of the Oral and Intangible Heritage of Humanity) pada 2 Oktober 2009 oleh UNESCO. Pada tanggal ini, beragam lapisan masyarakat dari pejabat pemerintah dan pegawai BUMN hingga pelajar disarankan untuk mengenakan batik.
Batik pertama kali diperkenalkan kepada dunia internasional oleh Presiden Soeharto saat mengikuti konferensi PBB. Batik Indonesia didaftarkan untuk mendapat status intangible cultural heritage (ICH) melalui kantor UNESCO di Jakarta oleh kantor Menko Kesejahteraan Rakyat mewakili pemerintah dan komunitas batik Indonesia, pada 4 September 2008. Pengajuan itu pun membuahkan hasil bagi pemerintahan Presiden Soesilo Bambang Yudhoyono. Pada 9 Januari 2009, pengajuan batik untuk Warisan Kemanusiaan untuk Budaya Lisan dan Nonbendawi UNESCO diterima secara resmi. Batik dikukuhkan pada sidang keempat Komite Antar-Pemerintah tentang Warisan Budaya Nonbendawi yang diselenggarakan UNESCO di Abu Dhabi pada 2 Oktober 2009. Pada sidang tersebut batik resmi terdaftar sebagai Warisan Kemanusiaan Karya Agung Budaya Lisan dan Nonbendawi di UNESCO. Sebelumnya selain batik, UNESCO juga sudah mengakui keris dan wayang sebagai Warisan Kemanusiaan Karya Agung Budaya Lisan dan Nonbendawi .
Badan PBB untuk kebudayaan atau United Nations Educational, Scientific and Cultural Organization, (UNESCO) kemudian menetapkan batik sebagai Warisan Kemanusiaan untuk Budaya Lisan dan Nonbendawi (Masterpieces of the Oral and Intangible Heritage of Humanity).
Pemerintah Indonesia menerbitkan Kepres No 33 Tahun 2009 yang menetapan hari Batik Nasional juga dalam rangka meningkatkan kesadaran masyarakat terhadap upaya perlindungan dan pengembangan batikIndonesia. Sekretaris Jenderal Menteri Dalam Negeri Hadi Prabowo menandatangani Surat Edaran Nomor 003.3/10132/SJ tentang Pemakaian Baju Batik dalam Rangka Hari Batik Nasional 2 Oktober 2019. Berdasarkan surat edaran tersebut, Kementerian Dalam Negeri mengimbau seluruh pejabat dan pegawai di lingkungan pemerintah daerah provinsi dan kabupaten/kota untuk menggunakan baju batik pada Rabu (2/10/2019).
Malaysia pernah mengklaim batik adalah milik mereka. Polemik pun muncul akibat klaim Negeri Jiran terhadap batik ini. Kemiripan kultur budaya antara Indonesia dan Malaysia menjadi salah satu bibit penyebab perseteruan terkait perebutan hak milik. Garis histori yang sama serta kemiripan bahasa menjadi penyebab lainnya.
Tensi yang terjadi antara Malaysia dan Indonesia sebenarnya bukan sekadar masalah batik, persoalan lainnya seputar budaya, sosial dan politik membuat hubungan keduanya menjadi semakin rumit. Perdebatan serupa ternyata tak hanya terjadi karena batik saja, setelah itu Indonesia dan Malaysia juga berdebat perihal lagu daerah Rasa Sayange yang digunakan oleh Malaysia dalam iklan promosi pariwisatanya.
2 (angka)

2 (dua) adalah sebuah angka, sistem bilangan, dan nama dari glif yang mewakili angka tersebut. Angka ini merupakan bilangan asli di antara 1 dan 3.
Dalam teori bilangan, bilangan bulat yang habis dibagi oleh 2 disebut bilangan genap. Contohnya: 0, ±2, ±4, ±6, ±8, dst. merupakan bilangan genap karena habis dibagi dua.
2 juga merupakan bilangan prima karena faktornya terdiri dari 1 dan 2 saja. 2 merupakan bilangan prima genap, yang pertama dan yang terkecil. 2 juga merupakan bilangan prima Sophie Germain, bilangan prima faktorial, bilangan prima Lucas, dan bilangan prima Ramanujan yang pertama.
Pangkat dua atau disebut juga kuadrat, yang berarti untuk suatu bilangan bulat sembarang dikalikan sebanyak dua kali. Contohnya, 5 2 = 5 × 5 = 25 {\displaystyle 5^{2}=5\times 5=25} .
Akar pangkat dua atau akar kuadrat merupakan kebalikan dari kuadrat, yang berarti mencari bilangan yang jika dikuadratkan akan menghasilkan bilangan dalam akar tersebut. Contohnya, akar kuadrat dari 4 adalah 2 (baik bernilai positif maupun negatif).
Dalam geometri, geometri dua dimensi atau bangun datar merupakan suatu bangunan geometri yang hanya terdiri dari panjang dan lebar.
Sistem bilangan biner merupakan sistem bilangan yang hanya terdiri dari angka 0 dan 1. Sebagai contoh, 2 {\displaystyle 2} dapat dikonversikan dalam bentuk sistem bilangan biner sebagai 10 2 {\displaystyle 10_{2}} .
Dalam tabel periodik, 2 merupakan nomor atom Helium.
Pengguna lain mengenai angka 2 adalah sebagai berikut:
Qodrat 2

Qodrat 2 adalah film horor aksi Indonesia tahun 2025 yang disutradarai oleh Charles Gozali. Film produksi Magma Entertainment serta Rapi Films ini dibintangi oleh Vino G. Bastian, Acha Septriasa, dan Della Dartyan. Qodrat 2 tayang perdana di bioskop pada tanggal 31 Maret 2025.
Setelah pertempuran sengit melawan Assu’ala di film pertama, Ustadz Qodrat (Vino G. Bastian) melanjutkan perjalanannya mencari istrinya, Azizah (Acha Septriasa), yang mengalami depresi setelah menyerahkan dirinya pada kekuatan jahat demi menyelamatkan putra mereka, Alif. Azizah yang sempat dirawat di rumah sakit jiwa akhirnya keluar dan bekerja di sebuah pabrik pemintalan. Namun, pabrik tersebut menyimpan rahasia kelam.
Teror mulai terjadi, satu per satu pekerja hilang secara misterius. Tersebar gosip bahwa pemilik pabrik melakukan ritual iblis dan bahwa para pekerjanya terikat kontrak darah. Bahkan, pernah terjadi kesurupan massal di dalamnya. Ustadz Qodrat harus kembali menghadapi kekuatan gelap yang lebih kuat dari sebelumnya, membawanya pada pertarungan iman dan fisik yang jauh lebih berat.
2

2 (II) adalah tahun biasa yang diawali hari Minggu dalam kalender Julian, tahun ke-2 dalam sebutan Masehi (CE) dan Anno Domini (AD), tahun ke-2 pada Milenium ke-1, tahun ke-2 pada Abad ke-1, dan tahun ke- 3 pada dekade 0-an. Mulai awal tahun 2, kalender Gregorian terhitung 2 hari sebelum kalender Julian, yang merupakan kalender dominan pada saat itu.
Higantes Festival

The Higantes Festival is a local festival held annually In Angono, Rizal, Philippines, where hundreds of giant papier-mâché puppets are paraded, representing the common people's mockery of the bad hacienda (land) owners of the past during Spanish colonial rule.
The origin of the festival dates back to Spanish colonial rule, around the late 1800s, where the wealthy ruling class who ruled Angono as their hacienda strictly prohibited the common people from celebrating, except for one single festival in the entire year. The hardworking common people used the higantes puppets in their once-a-year festival, rendering the papier-mâché giants to look like the hacienderos, mocking the owners throughout the festivity. The art of papier-mâché was said to have been learned by the common folk from Spanish friars through unstated means. The giant puppets depict a man or woman in multiple costumes, with their faces making commands, while their hands on their waist.
In present celebrations, the Angono townsfolk continue to build higantes to represent each barangay (village) for the festival's parade. Many forms of the puppets have been made, in accordance to the specialization of a village. For example, a village famous for their balut delicacy, would create a higante with a duck-shaped head. Majority of the giant puppets, however, continue to have human heads, with varying size and shapes. Over time, the number of puppets used during the parade have increased to more than a hundred.
Possibly the earliest form of puppetry in the Philippines, higante-making has been supported by the government to keep the festival and its related traditions alive. A three-meter-tall puppet usually takes about an entire month to make, where the most difficult part to create is the head, which is made of paper strips. The body of a higante puppet is made up of bamboo or rattan strips, to make it easier for a puppeteer to carry it during the long procession, which normally takes hours to finish. The handle's height is adjusted to see its legs when it is raised by 30 centimetres from the ground.
A related tradition with the higante puppets is the basaan, where people are sprinkled water during the parade to gain good fortune and blessings. Among Christians, the water is said to symbolize San Clemente, patron of fisherfolk. Shouting for water is an aspect of the tradition. Another tradition is the parehadores, a marching band and a group of young girls in colorful costumes with wooden slippers. They are responsible for holding the sagwan, wooden boat paddle, a symbol of the devotees of San Clemente. While marching, the band and the group of girls shout, "Viva San Clemente"!" The girls are always in front of the band as they parade. Other traditions are also known during the festival and its preparations.
Glove puppetry

Glove puppetry (Chinese: 布袋戲; pinyin: bùdàixì; Pe̍h-ōe-jī: pò͘-tē-hì) is a type of opera using cloth puppets that originated during the 17th century in Quanzhou or Zhangzhou of China's Fujian province, and historically practised in the Min Nan-speaking areas such as Quanzhou, Zhangzhou, the Chaoshan region of Guangdong, and other parts of southern China. It had since established itself contemporarily as a popular art form in Taiwan.
The puppet's head uses wood carved into the shape of a hollow human head, but aside from the head, palms, and feet, which are made of wood, the puppet's torso and limbs consist entirely of cloth costumes. At the time of the performance, a gloved hand enters the puppet's costume and makes it perform. In previous years the puppets used in this type of performance strongly resembled "cloth sacks," hence the name, which literally means "cloth bag opera."
Glove puppetry (pò͘-tē-hì) performances, similar to some types of Chinese opera, are divided into a first half and a second half show. During the first half, known as the "show platform" (戲台), the audience is shown a demonstration by a master puppeteer on the stage. The second half consists of the puppet master, the orchestra, and the spoken parts. Several key points of a show to be appreciated include: the dexterity of the master puppeteer's manipulation of the puppet, the accompaniment of the orchestra, and the poetic spoken parts of the voice actors. With few exceptions, from traditional pò͘-tē-hì to modern performances, human vocal music and operatic singing is rarely heard.
In Indonesia, glove puppetry was popular within Chinese communities around Sumatra and Java. In Java, the interaction between Chinese and Javanese culture gave birth to new style of puppetry, called Peranakan Potehi. Today, glove puppetry is called with the term "Wayang Potehi" (Wayang means "puppet" in Javanese). The Wayang Potehi tradition is mainly preserved in Central Java (Semarang) and East Java's (Gudo, Jombang [id]) Chinese communities. Most of the dialog parts of Wayang Potehi have been narrated using Indonesian and Javanese language.
In Taiwan Yunlin County is the center of glove puppetry with most major studios having a presence in the county.
Since 1984, Pili has been adding computer animations to their glove puppetry TV shows. Their shows continue to be popular, with the Thunderbolt Fantasy series being a collaboration with Gen Urobuchi that combines Pili style glove puppetry with anime style narrative.
Zapin

Zapin (Jawi: زافين) is one of the most popular dance and musical forms in traditional Malay performing arts. Dance movements are choreographed to melodies, which are performed using musical instruments such as the gambus (short-necked lute), accordion, and rebana. It is believed to have been introduced by Persian and Arab Muslim missionaries from the Middle East to the Malay Archipelago around the fourteenth century, where back then only males were allowed to perform; nowadays, female dancers are included. It used to be performed exclusively for religious ceremonies but through the years it has become a form of traditional entertainment, hence the participation of female dancers is allowed.
The dancers usually perform in pairs and are accompanied by musicians playing the Accordion, Violin, Gambus, Gendang, Marwas/Marawis, and Rebana.
Presently, zapin remains an integral part of the regional Malay performing arts scene, particularly in Brunei Darussalam, Malaysia and Singapore. In Malaysia, Zapin is mostly associated with the Malaysian southern state of Johor. In Indonesia, Zapin is mostly associated and classified as part of Malay cultures especially in terms of traditional dances and traditions in Malay-populated areas in Sumatra, Riau Islands, Bangka Belitung Islands, and Kalimantan.
There are numerous types of Zapin, and each type varies by the movement and style of dance: