(tosto213-0ttt oe eon ~ ar) FROMESSIPES AC Ting ARAED GR STE otra | Ciuef af Station, ‘Tepucigalpa POD FPIME RNS ELSIE ED EF. Cleel of Stalion, Mexico CHLY QUALIFIED CESK CAN FUDGE Wing £imeS ms" Deputy Chief, WH/SA SPIICAF 0 Le SACROP LAA oo sexcr Operational TY PIC, eee AMNUG-I Mexican Iam Radio Operator in Touch with ACTION REQUIRED - REFERENCES HNTA-3762, 17 June 1964 For Your Information 4 ' t i os 7 eee aemnmentin ements ¢ + seme ferme mem mer . . 4 5 3° . . ip! a 3° ec gi Bde - wets os 1, The following information was obtained from AMMUG-1 when questioned concerning his knowledge of songs used in radio communication: in connection with reference: AES, KERALOS eam, died "AUGUSTO" personally came to the National Liberation Building and held a meeting with the officers of that section. He instructed those individuals who maintained communications-with organiza- lions of their 1espective countries, as well as with some agent, to prepare 2 system of communication using some Song, lecture, con:mercial, etc. ; which could le transmitted by Pidio Havana, Cuba, and could be used to send easily understood ciphered messages, emi nae mem, See Renee hee stom sctte omen seer atte win amuses ore b. ANMMUG-1 believes that Norberto HERNANDEZ Curbelo chose the musical recording of "Las Seis Lindas Cubanas" [Six Beautiful Cubans), or something similar. He believes this song was written in the 1920's hy Antonio Maria ROMEU, who leads his own orchestra; however, the sung _ was made popular by the "ARAGCN' orchestra during the "Cha Cha Cha era." : (Comment: FPOREU is approximately 80 years old and undoubtedly is identical ‘ with the individual referred to as Antonio Maria ROMERO in reference. ) 2. “AUGUSTO” or "Agusto" was previously identified by AMMUG-I as Deputy Chief of the DGI, and is probably identical with Carlos Sixto CILAIN Soler, Deputy to Manuel PINEIRO, -Chief of the DGI. - 3. It is not known whether there is any Connection between the son: . titles mentioned in reference as "tres lindas Cubanas" and the AMMUG-1 CONTINUED CROSS REFERENCE 10 DESPATCH SYMBOL AND MUMSER _| BATE i | | ‘ <p ° amen wae ees . A + et reemameertapete em tate diptor ee SECRET 200-5-38 3 . | ° Y- File’ a mre “Wil SA /CI ga 1- WH/SA/JESEC “ : | 1 ~ WH/SA/CI Chrono|., besice srmmot | CAIE | 1 - FI/D/CSB _K cywevsal-ci panics | i j- 4/2 2B ms / Ease in Fionn | ; | a C/WH/2 | etree SRA ie ae tee of & . g i ! FID/CS SRA TeesL in drat
14-00000 lends additional credence to the Station's suspiciofis regarding the unusual nature of the intercepted conversation. Headqdaters would appreciate receiving any further information which a wmay be able to develop ’ on other conversations between “Alfonso” and his Cuban counterpart, as well as any comments or information which Mexico City may be able to provide on the personalities mentioned in reference. > : , CONTINUATION OF ae | DISPATCH ‘ information reported in paragraph 1, b above, However,-the similarity : j of the titles is obvious, and the tentative identification of the composer Distribulion: 3 ~- COS, Tezu 2-COS, Mexi Note: There it a strong possibility that the songs referred to in paragraphs 1 b and 3 are the same since the Spanish words Tres (three) and seis (six) are often confused when heard by non-Spanish speakers. Tne en devas eee eme.ns aint rneaRt m= ee ranean ante «ene CONE cn eset ae PR STE ie 8 as : & mma Sues & - . cv : pe a ae eee EE een SER OT EREEIME o 6 prtene me emerteenprmen ne ten ~ renew oeteeeererenrcrsere eee -——EENTeERERiE “err em eon | <AAERAMERANReRUONIRRET cit +