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Whereas the history of gospel music can be traced to multiple 
and diverse influences and foundations, including Afri-
can-American spirituals that blended diverse elements 
from African music and melodic influences from Irish 
folk songs and hymns, and gospel music ultimately bor-
rowed from uniquely American musical styles including 
ragtime, jazz, and blues; 
Whereas that tradition of diversity remains today, as the in-
fluence of gospel music can be found infused in all forms 
of secular music, including rock and roll, country, soul, 
rhythm and blues, and countless other styles; 
Whereas the legacy of gospel music includes some of the most 
memorable voices and musical pioneers in the history of 
the United States, such as Thomas Dorsey, Mahalia 
Jackson, James Vaughan, Roberta Martin, Virgil 
Stamps, Diana Washington, Stamps Quartet, The High-
way QCs, The Statesmen, The Soul Stirrers, Point of 
Grace, Smokie Norful, Terry Woods, James Cleveland, 
Billy Ray Hearns, Rex Humbard, Joe Ligon and The 
Mighty Clouds of Joy, Kirk Franklin, V. Michael McKay, 
Theola Booker, Yolanda Adams, Edwin and Walter Haw-
kins, Sandi Patty, The Winans, Kathy Taylor, and Bren-
da Waters, Carl Preacher, Shirley Joiner of B, C & S; 
Whereas many of the biggest names in music emerged from 
the gospel music tradition or have recorded gospel music, 
including Sam Cooke, Al Green, Elvis Presley, Marvin 
Gaye, Aretha Franklin, Whitney Houston, Little Richard, 
Ray Charles, Buddy Holly, Alan Jackson, Dolly Parton, 
Mariah Carey, Bob Dylan, and Randy Travis; 
Whereas, regardless of their musical styles, those artists and 
so many more have turned to gospel music as the source 
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and inspiration for their music, which has blurred the 
boundaries between secular and gospel music; 
Whereas, beyond its contribution to the musical tradition of 
the United States, gospel music has provided a cultural 
and musical backdrop across all of mainstream media, 
from hit television series to major Hollywood motion pic-
tures, including ‘‘American Idol’’, ‘‘Heroes’’, ‘‘Dancing 
with the Stars’’, ‘‘O Brother, Where Art Thou?’’, ‘‘Sister 
Act’’, ‘‘The Preacher’s Wife’’, ‘‘Evan Almighty’’, and 
more; 
Whereas gospel music has a huge audience around the coun-
try and around the world, a testament to the universal 
appeal of a historical American art form that both in-
spires and entertains across racial, ethnic, religious, and 
geographic boundaries; and 
Whereas September 2012 would be an appropriate month to 
designate as ‘‘Gospel Music Heritage Month’’: Now, 
therefore, be it 
Resolved by the Senate and House of Representatives
of the United States of America in Congress assembled, 
That Congress supports the designation of ‘‘Gospel Music 
Heritage Month’’, which would recognize the contributions 
to the culture of the United States derived from the rich 
heritage of gospel music and gospel music artists. 
Æ 
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