{ fF by. Approved For Release 206 2 DP96-00788R000600450001-7 SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION DCC-28 1. (S/NOFORN) This remote. documents a remote viewing session conducted in compliance with a request for information. 2, (S/NOFORN) The remote viewer's impressions of the target are provided as raw intelligence data, and as such, have not been subjected to any intermediate analysis, evaluation or collation. Interpretation. and use of the information provided ig the responsibility of the requestor. 3. (S/NOFORN) The protocol used for this session is detailed in the document Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated. 4. (S/NOFORN) Following is a transcript of the viewer's impressions during the remote viewing session. At TAB A are drawings made by the remote viewer reference his impressions of the target site. At TAB B is target cuing information provided the remote viewer. 5, (S/NOFORN) This remote viewer has worked against this target in the past (see DCC-16).. . NOT “eee NATIONALS Approved For Release 2000/08/07 : CIA-RDP96-00788R000600450001-7
re Approved For Release 2000/08/07 : CIA-RDP96-00788R000600450001 -7 7 : TIME +04 % Fa +10 #14: SG1A TRANSCRIPT REMOTE VIEWING (RV) SESSION DCC-28 This will be a remote viewing session for 21 April 1981; mission time is 900 hours. PAUSE All right #31 the. time is now 9 o'clock. Your mission for today is to locate MM I want you to focus SG1Aon | his work. Focus on at his work. SGI1A Relax, concentrate, focus on and describe his SG1A #31: #14; #31: #31: #14: SG1A #31; surroundings. PAUSE U HMMM. AM s ccccccvecceveceecly abeeesDUilt, milti-story building about.,...three or four stories, and, ah, it got an "L" in it and...interior corner. Somewhere.....somewhere in the "L" interior "L" was this feeling of a angled railing from left and to. the bottom right....the ribs or (mumble) ....in the Foreground. Then I was in a wooded. hillside up above and behind a building. As though I was looking. down. the..... forested . hillside on to. the back of this building.... seeing it's a roof. A lot of it I couldn't see though, because of the hill....being in the way. It's ias-though the... building is set at the bottom of a hill. Let me clear and then give me a.....target me again. Okay. Give me about a minute. PAUSE Okay. SG1A I want you now to focus on CBM Focus on a. describe his job. Describe the type of work this man does. PAUSE I keep getting this amphitheater feeling...an audience... and he's in the audience. The, that: slightly up on...up in back away from something that's happening, but he's not interested. He's...like....a person wholisclistening to a ...speech would be. He's not really interested. He's sort of..emind is wandering as he sits in a row seat, and that’s one impression. Only one impreSSiOnscecccsccesveseeveecse Approved For Release 2000/08/07 : CIA-RDP96-00788R000600450001-7
nar ceenenarenesimatiseniensinenaehe LT . +20 oo - Approved For Release 2000/08/@ae Ex #31: #31: #31: #31: #14: #31: FF96 -00788R000600450001 -7 Just a minute. PAUSE I....said show me some action regarding his work. Down a street andesseoedN Aveoe+eUP @ little stairwell, and into a.eeee9ide of a building to the left of....-some Pillars...eee- I keep seeing him sitting with his arms crossed across his stomach upright in a chair with his legs crossed.-cerss and usually musingly uninterested. PAUSE I...-looking at his hands. I'm not getting much interior type office place at all. I'm getting a -lot of movement. . Like the guy gi'.....has a base of operations.....that really much of his employment is done at other peoples offices.... doing other things. You know. Like.....1 watched his hands. veeeeHe..se. Seems tO carry a briefcase. I'm watching his hands.e.ee. I'm like walking along next to him down a street. He's- wearing a coat. A dark full-length coat, like a raincoat. It's a little cool yet, still he's got gloves on, I think. But, he doesn't have a hat on. I'm trying to get him to show me where he works. PAUSE I keep seeing him walking down a sidewalk. This feeling of big city....-buildings, cemented block building on my. left. I keep getting this big federal office building feeling...» type of situation. I'm going to get in the hip pocket and let him take me to work, and then, ANecceeve Okay. Very good. PAUSE I'm in a hallway now....outside a door....1 still have office type feeling...-having place type feeling....just get the feeling of a ...desk...umm...desk opposite the door and some sort of a high ceiling room....some sort of....nat tables and formally (phonetic) set chairs on the left and the right....like he sits at this table, his desk in the Front of the room. It's not very long. It's only about 20 feet long. He seems to sit up straight ina chair and he crosses his hands in his lap and he listens to people, and two which he looks at which are back sitting in the other chairs, and he looks at them..--slike they are giving tests and givihg:testimony, Or like they're asking a favor or like they. are explaining a problem and he sits and listens. He's sort of one step up above them, you know. He's Likessecees Now, I'm sitting on his shoulder Approved For Release 2000/08/07 : CIA-RDP96-00788R000600450001-7
Approved For Release 2000/0¢ ‘ #31: +25 #31: #31: #14: #31: #14: #31: +30 #14: #31: -00788R000600450001-7 f 8. .eeeand I look down at what he's reading, and it's a document weeeL could have sworn when I looked at it, it had ..like a book and...like document that had pullout. maps on the right side....something to do with Balkans, Balkans something or other. PAUSE I see ah....ehings again (phonetic) punching...and carefully moving keys on some sort of a machine that sits to the left, small, little machine about the size of a typewriter. (Mumble) is on the (mumble). PAUSE Feeling earlier that he was....had something to do with — translations. That he....seemed to have read these. documents »eelike this document on the Balkans and that he would read them and translate them, and that he would type them, and both a translator as well as a writer. He writes documents and works on some sort of a machine like a typewriter. I don't know. It's very, very difficult. It's a very difficult, non- action job, and it's difficult to discern the data within the non-activity. I mean, as if he was a jack hammer operator iseeeeteeceit would be easy, but this is a non-activity thing. Because it is, it resembles conditions...so many others, it's difficult to find out what it is. Okay. I have no further questions at this time. Well, let me spend a couple of more minutes and see what I get. Okay. PAUSE Ummm the ima' imagery I'm gettin' is some sort of a youngish woman, maybe...30 who has close bobbed hair, and it's sort of brown hair, page boy like, sort of a....stocky, solid body. Fleeting moment I saw the...-jail bars in the foreground. As though this woman was in jail, and that he had had something to do with it or with hNeLreceveerees That's all I'm getting. I don't know. I'm not getting anything. Okay. Well, sketch 1 is my opening imagery in this session. Some sort of a building in the background... I had the feeling I was outside this building on the edge of the sidewalk SEeRH Approved For Release 2000/08/07 : CIA-RDP96-00788R000600450001-7
a a i a Approved For Release 2000/08/07 : CIA-RDP96-00788R000600450001-7 #31: #14: ...and there was some funny slanted feature there. Slanted likes which...are in the foreground of sketch 1. And, these things...--1 don't know what they are. But, they were slanted lines like a set of hand rails would look like for escalators or staircases or something like that. And, that's just a possibility. I'm not saying that that's what it was. Because I didn't see any steps or anything. Then sketch 2, I believe were I was, was on the hills behind the building in sketch one. On the hillside up there. And, that the same structure nestles back into thehillside and there's a forest of trees in the foreground, and everything else, you know. Feeling like I'm on the edge of the city. You know. Sketch 3 we.got our guy is not at.a concert, but some sort of a public discussion. He's sitting in one of the seats; there are . people all around him, and it's like ina small shallow amphi-- theater. Like you might find in, well, now that I think about it, like you might find in a college, classroom type of thing. A very.small thing, and like all the professors might get together and have an administrative discussion using one of the zamphitheaters, uh....esomething like that. He's. there sitting, he's sort of board, you know. It's a boring speech or discussion. You know how people put their head in their hand, and just sort of ..ees you knou kike we are around here all of the time (ha, ha, ha, ha). Uh...4. God knows. I don't know what it is. Four is the guy, and I had. the feeling I was. looking over his shoulder reading a..eehe was reading a book which appeared to. be....some sort of a pamphlet. Like an official pamphlet. Like a trave log or like a DA..-it was in format like one of our-DA pamphlets you know, stapled thick, heavy, heavy bound staples, and there's a pullout. map in this thing, which I thought. had to. do with the Balkans, was the word that came. to me. And, he's sitting at a desk, and then in the foreground in front of him, which is the background of the picture there are like row like seats. Like pews there, as though people come in and they're...it's apen dis'...not open discussion, but people come in. with complaints or problems like counseling problems....l have no idea...ewhat and it just so happened that there wasn't anybody there now, and so he was. sort of goofing off. He was reading this brochure waiting for someone to come in. At this point in time, I thought. that maybe his job was translation until I looked past him into the foreground, I saw these seats looking the other way. It's not like he's in an office with everybody with their backs to him; they would look at him. And, there are no other desks in there. I just can't...1 can't figure out what the. guy does. It's something very low key, very academic. You described a key punch type machine. Approved For Release 2000/08/07 : CIA-RDP96-00788R000600450001-7
Approved For Release 2000/08/0 90788R000600450001-7 #51: Oh, yeah! That's something I forgot. When he was reading this it seemed like he might have been monkeying around with something with his left hand which looked like a.oees cal'...not calculator...».looked like a typewriter, maybe. Something with keys and things, and he would move and adjust those things. I don't know what... I can draw a sketch of that, if you want. #14: Yes. It might mean something to somebody . #31: Yeah. But, as far as I can figure out, the guy's got a non- active, he's non-active, he's...as I was trying to describe in the session, there are probably so many things that people do that are like this job anyway, youwknow. It's hard for him, it's hard for me to describe what it is.....to find out what it.is and describe it. The.....it's academic, it's quiet, it's reading and listening and talking to people. He does move about. He does carry a briefcase to and from work, I presume. Because, I kept seeing....-and I had the feeling that some certain aspect. of his work took him out on the streets. Like going from place to place, going from person to person or something, but not like a courier is. He's not like picking things up that are secret and carrying them. That's only a miscellaneous part of his job where he has to go somewhere and talk to somebody. It's about as important as somebody walking to the library. It's about as important as this job is...as that part of a job is...the walking part of it. And, for the life of me, I just can't figure out what it is he does. #14: Okay. #31: Okay. And added sketch 5, which is the typewriter device that sits on the left. It's operated with both hands. It's a.. gray, grown (whistle) brown, gray metallic casing and has push keys and then some sort of a slide thing on the right. And something that either appeared to be a hole or clear up top like, like a view port or something. I know that.it looks like an adding machine, but I believe that it's really more like a typewriter. Okay? #14: Okay. That is all. #31: Thank you. Approved For Release 2000/08/07 : CIA-RDP96-00788R000600450001-7
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Approved For Release 2000/08/07 : CIA-RDP96-00788R000600450001-7 TARGET CUING INFORMATION REMOTE VIEWING (RV) SESSION DCC-28 1. (S/NOFORN) At the start of this session the remote viewer was shown the attached photograph and targeting information. 2, (S/NOFORN) During the session the remote viewer was asked to find SC1A Mat bis job and describe his vork. NOT RELEASABLE TO FOREING NATIONALS Approved For Release 2000/08/07 : CIA-RDP96-00788R000600450001-7
SG1A Approved For Release 2000/08/07 : CIA-RDP96-00788R000600450001-7 Approved For Release 2000/08/07 : CIA-RDP96-00788R000600450001-7