Approved For Release 2000/08/07
: CIA-RDP96-00788R000400550002-7
#31:
Well,
now that
I'm,
now that
I'm up
I can
do
it. .. .better
,
I
think.
SG1A
#66:
Okay,
at the point
in
t i
eK
very first focused there
place and you had to step backwards
in time a little bit so that
you could see
it
in it's place?
#31:
So
I could see how it fit
in
there.
#66:
Okay,
how much time?
How much time was
it-
#31:
How much time did
I
go back?
I
felt that even was just
a little
bit,
but... I
don't have
a time correlation
for backwards.
#66:
All right.
#31:
But
I know
it was back
in
time,
that
it- just before my arrival
it had been
in
it's proper place.
#66:
We're talking about hours as opposed to days?
#31:
Yes,
hours
as opposed to days.
#66:
All right.
#31:
Maybe fractions of hours as opposed
to days.
#66:
All right.
#31:
But- and
I never realized that
it was right
down here beside
me on this
table,
on this bottom of this wall unit thing.
SGI A
#66:
#31:
#66 :
#31:
#66
:
Okay.
Okay.
Approved For Release 2000/08/07
: CIA-RDP96-00788R000400550002-7
Approved For Release 2000/08/07
: CIA-RDP96-00788R000400550002-7
I might only be-
I might only be calibrating
in
an hours time
frame.
SG1A
Okay.
A1
in some chunk of time
in and aroun
Simultan-
yes,
also same chunk
of time.
The teletype
is going
and nobody's reading
it,
and the guy is down at the end of
the
hall
in
the back room.
The only who's there
is puzzled,
cha-
grined,
uh,
I
don't
know.
Okay.
Okay,
let's revert
to drawing some of the things that
you've seen now
Huh,
I
apologize for that.
It just.
. .sitting here trying
so
hard
to describe what
I'm doing and
(haha)
I got caught
in
the
old
•
•
•
Okay,
well we'll turn the tape over now and then we'll
draw the
perceptions that you've had.
Okay.
Urn,
the first sketch here
is,
urn imagery from
13 November.
I was,
uh,
I acquired the target as though
I was standing
with my back to the elevator shaft looking down
the hallway
,
down the rooms there.
So
on sketch one
I've drawn
a sketch
of
the. ..of the perceived
layout
just
in generality,
so there won't
be much detail here,
'cause
I wasn't concerned with detail.
Anyway, activity^^^^^^^^^^^^^^^^^l
^
had,
uh,
three people
like,
uh,
casually going to work,
just getting started.
On the
left side
of the hall from the elevator shaft had one person
who was like
late for work and was
just washing his hands and
getting ready
to walk across the hall...
On the right side
of
the hall
I
had
a
guy about halfway down
the block of room,
standing at
a desk reading sheafs
of paper as though they were
printouts,
computer printouts,
or,
like
I
had the feeling of
like
reading
the morning build-up.
. .traffic that came in during the
night.
And down at the far end there was
a,
another individual,
male.
All these are males
as far as
I
know.
Uh,
in
a business
environment,
and then
like
a
desk and that type of thing,
official feeling.
But
I couldn't detect what
it was he was
doing.
.
.
then
I,
uh,
at
that time gave you guidance to move
on two
Yes.
And you told me keep
in the back of my mind the|
and the printout- uh,
the,
uh,
teletype.
Well,
before
Approved For Release 2000/08/07
: 6lA-RDP96-00788R000400550002-7
Approved For Release 2000/08/07
: CIA-RDP96-00788R000400550002-7
#31:
SG1A
Okay,
I... I talked about
that and then
I went
on
to the 27th.
X think this was
in and around the
27th,
but
I'm not sure.
The activity level on the 27th was much higher
in sketch three.
I
had the feeling like everybody had gotten
to work
on
time.
There were no dawdlers.
Everybody was
in there,
they were all
spiffy,
snappy,
they were all sorta busy.
There were five
to
six people working in various rooms on the right.
Hmm,
the guy
down at the end of the hall there appears
to be like the
leader.
He's had... it seems like whenever there was
a question
of where
people met,
they always met in the
end room down
there like and
talked with that
guy.
Okay,
urn... I don't know what they were
doing.
The activity level was definitely more intense,
like
they were getting ready for something,
something_was about to
happen,
you
know,
and so they could- had to get
in, worked
a
little
late maybe and they had to work all through the
day.
And sketch four you moved me to,. .one day
(hahahaha).
II December you-
it was- you moved me on
sketch
four here.
On
11 December
I
had like,
uh,
hell,
it was like no activity.
I
had one guy sitting
in the end room,
his feeling were like he
was chagrined.
It was like they had tried
to call
a shot and the
thing had boloed.
Like they'd embarrassed themselves,
they'd
done something wrong.
Uh,
a bad estimate,
or something
like
that.
Or
got caught with their shorts down,
something like
that.
Okay.
Something that made the guy sitting there very
chagrined,
philisophical,
embarrassed,
sort of like with his
head
in his hands saying,
well,
you know,
it was bound
to happen
one day.
You know,
that type
of thing.
Isn't
that
cute,
look
at what we went and did.
Urn,
as
I was walking up and down this hall on top
of the rooms,
I was moving up and down,
trying to find out where everybody
was,
there
was nobody there except
the one guy.
This was
a
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SG1A
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