Approved For Release 2000/08/1 1
: CIA-RDP96-00792R000500390001-0
Roy “K” Bey, for support and encouragement
without which this book would not have been possible
Lee Liston, for his tireless efforts
within the Utah prison system
Warren Archer, for cover art
Charles F. McCusker, for abstract offindings
Richard Erickson, for layout
and book design
Second Edition
Other books by Eldon Taylor, Ph.D.,
availablefrom this publisher:
Subliminal Learning
Exclusively Fabricated Illusions
The Little Black Book
Subliminal Technology
Simple Things and Simple Thoughts
ISBN 0-940699-01-X
® 1990 Eldon Taylor
All Rights Reserved
Printed in the United States of America
Approved For Release 2000/08/11
: CIA-RDP96-00792R000500390001-0
Approved For Release 2000/08/11
: CIA-RDP96-00792R000500390001 -0
Contents
About the Author
1X
Preface
x*
Chapter
1. History
2. Mechanics
3. The Law and Subliminals
4. Testimonies
5. The Clinical Data
6. Subliminal Technology
7. Scientific Findings
8. Unanswered Questions
9. How to Create Your Own Subliminal Program. ...
10.
In Summary.
.
Appendixes
A. Cover Subliminal
B. Proposed 1986 Utah Legislation
C. Talk-Radio Discussion Highlights
D. Amendments to the Proposed 1986
Utah Legislation
E. Thurstone Measurement Table
F. Abstract of Findings
Recommended Readings
101
Approved For Release 2000/08/11
: CIA-RDP96-00792R000500390001-0
vii
Os
Approved For Release 2000/08/11
: CIA-RDP96-00792R000500390001-0
£
g |
» 2 ^
3 9 S
j§,
O
C/5
P«
*
*
CfQ
if
g-§.i
r^-
r*
h->
a*
rt> a
«
Hh »
» 2 o
** g
sS
O ^ O
S & p
R’ ^ !
Cl 00
RJ
•8f M?B
&e.g
a ^
b
a*c& 3
3. ^ § « &
5 gj s&
ctq n
rt a e*
C3
'A
%Cu^?>
g.
g.gXP'S
» a
g* s
**
3 O S 8*0
5f
rt
free 3 1 3 n O
o 3
rt S © p§
CL a ^
ST
Op-
—
* I
«* g
S
.* 8 ®
rc
C/5
a
. m
l|t Jl 1 £
^ltg*f
ft
Q* n ? h ^
2 3
r7 9 2
p
>»
*3 ^
rt 5 <g.
g.
o
£L a* 2
3 g
if 3 £&a
a S*§ *3 3
as
s* s-a
»1K§U
§ g
g. § 3
nl
B* ?T
s
S3
O 5
ST gfS«
S-
s l~sli
"t?*® s
L | § <g 8 s 5
-
‘ S & 3 S g &
P n
g\
i;
o, w
r*
c/2
c/> 3
2. ^
>5
rti
v>
sr
O* ^
C/2
6 § a
CL
rt
rt
C/5C
9 9
o* §
n ^
rt
rr£
C/2
cr
&
p
rt
PC
a
ffg
5‘ &
^ ^ g
Cft
rt
ff
o> w 5 5
Is ®-8« l&l IS
S 2 o p
rt
2s
£-» p
ft
jl 5 i
a
b'S8 $ &882
S i 2 i
= B S &1
§^£l
p. 04
rt
*
rt
C? 00
ft
3 9 nft
p*
rt
X
5£j
rt
2* C
rr 2
O- P
2 2
S 5 ^ 5
S
gs H
0 & 3. s
B* f 3
ft
p
rK ^
>
rt m
t-
a Sf
<*
rr
rt
rl
m
" do
HA.
£
o
cr
rtn
l V C
n O
®'
: 2 ^
3* 2 i 5* ^
rt
m
LJ
"S
_
s SI&rtf
' v
^
3“ 2 3
o
S
° U a
3.oS
rt
c
yr »
£*
ta
c«
rt
>
ON
VO
n
ss
>
*3
H
w
?*3
z
tfl
sa w
00792RMP500390001 -0
Approved For Release 2000/08/11 : CIA-RDP96-00792R000500390001-0 SUBLIMINAL COMMUNICATION Whatever the primary carrier, be careful of copyright infringe- ments! Another advantage is that the voice on the subliminal track can be your own. There is much research suggesting that one responds advantageously to his or her own voice in many cir- cumstances. The six steps to creating a custom program are these: 1. Select and obtain the equipment. 2. Write and record the script. 3. Record the white sound. 4. Mix the script recording with the white-sound recording. 5. Select the principal carrier. 6. Mix the product of step 4 with the principal carrier. Select and obtain the equipment. The equipment needed con- sists of three cassette players, of which one must have record- ing and external input capability and the other two must be equipped with external output functions, a two- to four-channel sound mixer, and a white-sound generator. Inexpensive mixers are readily available from such places as Radio Shack. White-sound units are available from a number of variety and hardware outlets. These units are simple and relatively inex- pensive devices that generate the sounds of running water, ocean surf, etc. Or you can substitute a recording of the sounds of ocean surf for the white-sound unit. You will also need at least four blank cassettes of the length of playing time you choose. Write and record the script. Write your affirmations in an all positive manner (see Chapter 8), then speak them slowly and meaningfully into one of the cassette recorders. Repeat the script over and over for the desired length of time. When fin- ished, rewind the audio track now containing the verbaliza- tion. Record the white sound. Now record another cassette with the chosen white sound, possibly ocean waves. This recording should be the same length as the audio-voice track; for exam- ple, thirty minutes. Mix the script recording with the white-sound recording. Using the players with external output, connect the mixer 70 THE HOMEMADE SUBLIMINAL PROGRA (mono: two channels; stereo: four channels). Adjust the mixin; volume so that you can barely perceive the spoken affirma tions when they are mixed with the white sound. Wren al adjustments are made, record the mix using the recorder witl external input for the desired length of the finished presiuct. Select the principal carrier. Select now the principal @arrier For your homemade version, music generally works best although you can remix white sound with white sound® Plac: this cassette tape—and if it is not already a cassette tajg@, con vert it into one—in the player that carried the voice reqyrding Mix the product of step 4 with the principal carrie} Plac the recorded product of your first mix in the player that for merly carried the white-sound-only recording, and mx you two recordings onto one new master. bf Good luck, and remember the Golden Rule! Before going to the time and expense involved in ¢yeatin: your Own, you may want to inquire of one of the establishe companies distributing subliminal products. Many cormpanic will provide custom subliminal work for substantially less that the cost of equipment to produce homemade tapes. AGRIDPY Approved For Release 2000/08/11 71