Approved For Release 2000A
88R000300820001 -9
#46:
in and out,
some wear fatiques,
and so
on.
I think the
cordon
I described would be in effect,
is
in effect....
Get the impression that, . .escorting
a whole bunch of people
off,
for
a reason... (mumbling)...
#66:
In this time period,
what goes
on here on the first floor?
#46:
They're omitting the first floor,
they're all going to the
second.... the first floor is reserved for something else...
#66:
And what is it on the second floor?
#46:
Oh,
I think this is where they're escorting all those people,
(mumbling)
.
#66:
All right.
I'd like you to take
a few minutes now on your
own to examine the target without responding.
#46:
I think your guard command force is on the third floor,
in
the center someplace
is where duties are assigned,
shifts
are determined,
people come and go...
#66:
Tell me what makes you have that feeling.
#46:
(mumbling)
#66:
Okay,
I have no further questions now about this particular
target.
Return your focus now to present time,
here in the
room with me.
Let's prepare to draw.
#46:
Okay.
The first sketch is of the entrance.
I'll draw the
entrance now
These are big slabs
(mumbling)
Okay,
these are the revolving,
not revolving doors,
but
spring doors.
This is all glass,
and this is the adjoining
panes to the doors.
Cement stairs.
Okay,
then on the
second floor there was a huge type window here......
It was
possibly tinted or smoked, black orangy
like.
Okay?
That’s
what it really was.
#66:
Okay,
now,
then
I asked you to go through the doors.
Gan you tell me what you saw when you went through the doors?
#46:
Yeah.
As soon as
I went through the doors on the first
floor,
there's a flight
of stairs next to a wall,
kind of
dead swamp,
and this led to the second floor,
okay?
Let
this, be the second floor,
and the hallway there.
#66 :
Okay
.
#46:
And this is where,
this huge window... I thought it was funny
when you asked me if the lights were on
'cause
it didn't
need lights,
the whole place was pretty well
lit
up,
except
for inside the offices.
Approved For Release 2000/08/07
: CIA-RDP96-00788R000300820001-9
#66:
On the second floor you said
it was somewhat different,
less plush than the first floor?
#46:
Yeah,
the initial impression
I
got from entering into the
first floor was that there was wood that was stained and
very well done,
kind of plushy type walls,
at least half
if not the entire wall.
But as you went into the second
floor
it was clean and neat but it was,
you
know,
asbestos
type finishing with paint,
no wood or anything else.
#66:
Somewhat
. plain.
#46:
Yeah,
much,
much plainer.
#66:
Okay,
and you stated then that the building as you perceived
it at this time was vacant,
or empty?
#46:
There was about three or four people working.
I forget where
I placed them,
I think
I picked up one or two of
’em on top,
there was one on the first floor,
definitely the guy with the
green chair.
And,
uh,
perhaps two on the second floor and one
on the third floor.
I was looking for light when you men-
tioned light,
but light turned out to be activity,
people
doing something,
being active.
And there was
a,
there was a
salient lack of activity for type and size of building,
and
the number of people that were
in.
#66:
Now,
being that there was
a lack of activity,
how do you
perceive the building to be secured?
What's the status of
security?
#46:
The security of the building during periods
of activity
seemed to be very minimal,
like one
or two,
I still see only
one inside the building,
and maybe one or two outside the
building,
but that quickly changed as the building became
active.
But it was also, security was assured by personnel
as opposed to anything else,
barricades or anything else,
it was
a cordon like effect of people when the building
became very active.
#66:
Is there anything else that you think you'd like to add?
#46:
No,
not unless you want to elaborate on...
#66:
Yeah,
I want you to tell me
a little about this,
when
I
ask you to broaden your horizons and ask for information
relevant to the second floor.
What communication is that
you received?
#46:
Okay,
yeah...
#66:
You had some word or something that you reported that
I
couldn't understand you-
Approved For Release 2000/08/07
: CIA-RDP96-00788R000300820001-9
Approved For Release 2000/08^^^^^^J^788R000300820001-9
#46:
I probably can't even repeat it as it
u/as on the tape,
because
even then
I certainly don't
recognize it,
it sounded like
aremala,
ayamala,
or something.
And that is supposed to be
I
guess a key to the identification
of the activity
or the
building
or the purpose of the building or the activity,
but
I don't know-
#66:
Now,
is this word communication reference,
I can't even
pronounce what you said,
uh,
is it written,
could you write
the letters down?
#46:
No,
I heard it,
and then
I was tryin'
to make it out syllable
by syllable
so that
I could repeat
it,
#66:
I
see,
it's something that you heard,
so you don't know how
it might be spelled,
or-
#46:
No,
there's
"M's"
and "R's"
and a lot of "A 's",
aremala,
ayamala,
something of this nature.
And that's supposed to
give an indication of the nature of the activity for the
building,
I
got that impression.
#66:
Okay.
I
have no further questions.
Is there anything that
you
' d like to add?
#46:
No.
6C001TE
Approved For Release 2000/08/07
: CIA-RDP96-00788R000300820001-9
Approved For Release 2000/08/07
: CIA-RDP96-00788R000300820001-9
CEGRET
TARGET CUING INFORMATION
REMOTE VIEWING
(RV)
SESSION D-13
1.
(S/NOFORN)
Prior to this session the remote viewer was shown the
attached photograph.
He was told that he would be questioned about the
building during the session.
This viewer has worked this target previously.
2.
(S/N0F0RN)
During the session the viewer was encouraged to elaborate
on
his findings.
ATI0NALS
0RC0N
Approved For Release 2000/08/07
: CIA-RDP96-00788R000300820001-9