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P96-00788R000400270001 -9
SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION CD-92
1.
(S/NOFORN)
This report documents
a remote viewing session conducted
in
compliance with
a request for information
on
a target
of interest to USI.
The purpose
of this session was to describe the activity within
a target struc-
ture
in
a photograph.
2.
(S/NOFORN)
The remote viewer's impressions
of
the target are provided as
raw intelligence data and as such have not been subjected to any intermediate
analysis,
evaluation
or collation.
Interpretation and use of the information
provided
is
the responsibility
of the requestor.
3.
(S/NOFORN)
The protocol used for
this session
is detailed
in the document,
Grill Flame Protocol,
AMSAA Applied Remote Viewing Protocol
(S),
undated.
4.
(S/NOFORN)
Following
is
a transcript
of
the viewer's impressions during
the remote viewing session.
At TAB
A are drawings made by the remote viewer
reference his impressions
of the target site.
At TAB
B
is target cuing
infor-
mation provided the remote viewer.
NOT
RELEA:
MIONALS
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: CIA-RDP96-00788R000400270001-9
Approved For Release 2000/08/07
: CIA-RDP96-00788R000400270001-9
TIME
+04
+10
TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION
CD-92
#66:
This will
be
a
remote viewing
session
for
1000 hours,
July
1980.
PAUSE
#66:
Relax
and
concentrate
now.
Relax.
Relax
and
focus
your
attention.
Focus
your
attention
on
the
target
in
the photograph
in
the
sealed envelope
#8027.
Focus your
attention
on
the photograph
in
the
sealed
envelope
8027.
Focus
on
the
target.
Move now
to
the
target,
and describe
the
target
to
me.
PAUSE
#01:
Cog ... cogwheels
some kind
of
cogwheels
There’s
a
steel ... steel plates
The
open
end
of... some kind
of
a container...
two
tubes
stickin’
out
it’s
part
of
the metal
plate,,, part
of
the metal plates
There’s
a.,.,. it’s
like
a ... long ... shape ....
sort
of
like
a cigar
shape.... and
the,
uh,
the
cog
wheels
are
on one side...,
Get
an
impression
that
it’s
armored
in
some way...
There’s
a... special protections
#66:
You may have
focused
on
this
target
in
a perspective
which
is
not ... relative
for me
to understand.
I’d
like you
to
acquire ... the
target
again from
the
beginning.
Start
all
the way back
to
the beginning,
thinking
about
8027,
the picture
in
the
envelope.
Move
to
the picture,
and
then
through
the picture
to
the
target.
And
this
time
approach
the
target,
ask
for
information,
so
that
I might
be
able
to under-
stand
the
descriptions
you provide.
Ask
to
see
the
target,
so
that
I might understand your
descrip-
tion.
Look
for new target
imagery,
so
that
I might
understand
the
descriptions.
PAUSE
#01:
It’s
oblong with
glass ... something
that
looks
alot
like handlebars.
. .shaped
or bent
like handlebars.
.
#66:
Break
that
out
for me.
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#01:
Tubular ... object
,
bent
in
a modified,
uh
,
"U"
of
some kind...
It's
either attached
to,
or fronted
by glass.
Get
an impression
it’s... like
an oblong
or
egg
shaped piece
of
glass.
It may be
that,
uh
,
I’m looking
from
an
oblique.
#66:
Okay.
#01;
Could be
round.
#66:
Put your hand
on
it,
and
then
look around
the
immediate
area.
Tell me where you're
located when
you
look
at
this
thing...
Put your hand
on
it
so
you don’t
get
lost,
and
look
around,
tell me where
are you when you look
at
this.
+15
# 01
:
# 66
:
# 01
:
# 66
:
#01
#66
#01
# 66
:
# 01
:
Like
on
a
street
corner
# 66
:
# 01
;
# 66
:
When you
look
at
this
street
corner,
from what
perspective
do
you
see
it?
See
it
from like
on
a concrete pad
of
some
kind.
I'm standing
on
the edge
of
a concrete path.
Word
aluminum comes
to mind.
When you look
at
the intersection,
which
direction
do you have
to
look
to
look
at
the
intersection?
Over right
shoulder.
Look down
at
your
feet.
What's
under
you?
Sort
of
smooth,
white
concrete.
Only
it's not...
feels hot
to
touch,
I
guess not
stone,
but,
no...
coarse metal.
Okay...
Now turn
around
and
tell me what's behind
you
.
PAUSE
Some kind
of... tall
objects,
like pillars.
They
got
thin,
thin
lines
in
front
of me...
Get
a very
tall,
tall building with
long
thin
lines
that
come
down
in
front
.
.
.
Okay,
facing
that
same direction,
look down
to
the
ten
feet
right
in
front
of
you
and
tell me what
s
there .....
A black
car.
. .black metal.
.
•
Okay.
If
you
stand where
the black
car
is
and
look
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#66:
back from where you
came... what
do
you
see?
#01:
I
see
tubes
again,
fastened
together.
#66;
All
right.
Tell me about
the
tubes
fastened
together
.
#01:
It's
like,
uh,
they’re not... real
large,
they’re
like laying
on something
soft,
pliable.
I
get
a
lot
of ... container
of
some kind...Uh...
It's
got,
uh...two predominant
sections.
#66:
When you
say
container,
what
size
are you
talking
ab out ?
#01:
Long
and,
uh,
narrow,
like something you
could hold
in your hands.
•
•
No,
much larger,
I
think.
•
.
#66:
Are we
talking
about
a
suitcase,
a
table
or
a house,
or
a building?
#01:
No,
we’re
talking about
tubes ... Uh ... two
feet...
two
feet,
I
think... tubes.
#66:
Okay,
you
see
tubes
connecting
together,
and
the
feeling
is
something
like
two
feet?
#01:
There's
one
tube
on
top
of
the
other.
#66:
One
tube
on
top
of
the
other,
uh-huh.
#01:
Side,
you know,
like
side
to
side.
#66:
Okay.
#01:
Perhaps
two
feet
in
length.
#66:
Okay...
What material
is
it?
#01-
Uh
,
something
shiny
like,
uh
,
aluminum,
polished
aluminum ... or stainless
steel,
light,
I
think
polished
aluminum.
# 66
:
What
do
you
see
is
the function
of
these
tubes
fas-
tened together?
Uh....T
think
it’s,
uh. .. something
to
do with,
uh
,
pictures.
. .pictures
or,
uh,
something viewed,
some-
thing
seen.
. .like
something
targeted.
.
.
#66;
Break
that
out
for me.
#01:
Like he would
target
something
on
the
tubes,
but
it
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#01:
I
feel
like,
uh. ..making
some kind
of
picture.
I
don't,
X
don't understand this,..
It's
like
you
look through
it,
in some way.
Uh,
some...
It
concentrates,
uh
,
light,
or
something.
#66:
These
tubes
serve
to
concentrate
something.
#01:
Yes.
#66:
Okay,
Now you've talked-
#01:
Like,
like
a... a... a,
they
spread something...
Like
light
or
something.
#66:
Okay.
You've talked about
tubes
on
top
of
each
other,
connecting,
and
then you talked
at
one
time
about
a peculiar bend,
a horseshoe
like bend,
I
believe?
#01;
Yes.
#66:
You explain
a little bit more how
this
fits
together
•
#01:
Uh
.
.
. dif f erent
pieces,
I
suppose.
The bent,
the
bent bars
go
one way and
the
tubes
go
the
other way.
#66:
All right.
Have bent bars
one way
and
tubes
the
other way?
#01:
Correct .......
Seems
to be bands
or something
on
this
as well.
#66:
Break
that
out
for me.
# 01
:
# 66
:
# 01
:
# 66
:
# 01
:
Uh,
some kind
of
strips
or
stripes
or something
goin'
around
the
side .. .grooves maybe,
lines
of
some
kind
going
around
the
side... going
around
the
sides
of
the
tubes...
There's,
I still
see
glass
there
some way ... something reflecting
light,
like
glass.
Okay.
Do you
see personnel associated with
this?
Two... two people...
I
don't,
I
don't know how they
fit,
it's
just
two
people.
Okay,
stand where
this
is,
stand
in
the
same point
in space where
this
is,
and
look
out
from
this.
[here's
a... I'm looking
through like
a prism...
;lass
prism,
or
something...
It's
like,
uh,
I
can
see
three different ways by
looking
front,
all
at
:he same
time...
There's,
uh,
person
in
front
of
ae
on my
left,
sitting
like,
uh,
looks
like
the
lashboard
of
a
car,
or
something.
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#66:
Break
that
out
for me.
#01:
There's
dials
and
things
in front
of
him,
and he's
sitting
in
like
a
car
seat,
seat
like
in
a
car...
#66
:
Okay.
.
.
#01:
Have
a hot
feeling,
for
some reason,
being where
I'm
at
.
. .now.
#66:
Yes...
Step back away
from your position ,
and
look
back again
at what you described before
these
tubes.
Interconnecting ... tubes
,
horseshoe
shaped
tubes...
Do you recognize
this
to be similar
to
any other
shape
or
form
in your memory?
#01:
No...
I
can't, uh,
I
can't make
this
into
anything.
I
can't
overlay
this with anything.
#66:
Okay
Is
this
object
or
apparatus
stationary
or mobile?
#01:
think
it's
stationary.
#66:
Okay.
In performing
the
function
it
performs,
does
it
require movement
to perform it's
function?
#01:
Yes,
it
does.
#66:
Describe
this movement
to me.
#01:
Ocular ... uh ..
.
#66:
Break that
out
for
me.
#01*
Uh ,
gyroscopic,
up
and
down,
vertically,
horizontally,
side
to
side,
and
tilt,
front
to
rear,
possibly
all
at
the
same
time.
It's what
I
call ocular movement,
the movement
of
the
eye,
the human
eye.
#66:
And
for what
reason
does
it move?
# 01 :
# 66
:
# 01
:
Precision.
Uh.
. .maintain
a
fixed,
uh,
adherence
to
something .. .but
I
don't know what.
All right.
Is
this
apparatus ... or
object
electrical
in any way?
I
get
a... yes,
but
I
also
get
a
feeling
for,
uh
,
for,
uh
,
kilojoules,
like,
uh
,
some kind
of
light
power.
I
don't know
if
it
absorbs
light
or...
expresses
light
in
some way.
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