SG1A
Approved For Release 2000/08/07
: CIA-RDP96-00788R000600380001-5
SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION DCC-25
(S/NOFORN)
This report documents a remote viewing
in compliance with a request for information concerning
(S/NOFORN)
The remote viewer's impressions of the target are provided
U raw intelligence data, and aa such, have net been subjected te any
intermediate analysis, evaluation or collation,
tnterpretation a
the information provided is the responsibility
of
the requestor.
3.
(S/N0F0RN)
document Grill
undated.
The protocol used for this session is detailed in the
.
Flame Protocol,
AMSAA Applied Remote Viewing Protocol
(5;
(S/NOFORN)
Following is
a transcript
of the viewer's impressions
during the remote viewing session.
At TAB A are drawings made by
e
remote viewer reference his impression of
the target site.
At TAB
target cuing information provided the remote viewer.
NOT RELEASABLE TO FOREIGN NATIONALS
SG1A
Approved For Release 2000/08/07
: CIA-RDP96-00788R000600380001-5
Approved For Release 2000/08/07
: CIA-RDP96-00788R000600380001-5
oconrr—
TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION DCC-25
TIME
#66:
This will be
a remote viewing session for 0900 hours,
10 April
1981.
SG1A
SG1A
This will be
a pre-session briefing to the remote viewer.
This morning we will be doing some work that you have
worked
on previously.
At this
t ime
I show you a photograph
of
whom
have
his job and his personal
status
is what we are interested
in.
Of note
is the fact
that you seem to feel there was
a significant female
in
his
life,
perhaps his mother,
that had died.
It's quite
possible that the mother is near death
or has died.
She
has been
ill for some time.
You also accurately described
some of his hobbies and some
QP1A
will be focusing once again on
bUIA
in attempting to further identj^^tn^^^caWroua^^^O^^^^
you have any questions prior to the beginning of the session?
#27.5:
No.
#66:
At this time now you have 25 minutes to prepare yourself
for todays mission.
0900
Relax and concentrate now.
Relax, re^^an^focu^youi:
attention solely and completely
on HHIHHflHSVPi
whose picture
I have shown you.
Focus once agair^r^Tte
bGIA present time on^^^^Hand his job.
Focus on
describe.
. .his
job activity,
his occupation to me.
land
PAUSE
+02
#27 . 5
:
+03
+04
#66 :
#27.5:
+05
Oh,
in
a big room. .. tables ,
wooden, wooden cabinets.
He
s,
uh,
he's at a table.
He's got papers spread out...
Going over
papers..
Looks like he's cutting and pasting. .cutting some-
thing and putting it on paper.
Bits,
pieces...
He's reading
and combining things..
Looks like figures, numbers
on the
papers. .finances,
numbers,
dollars. .some kind of figures...
Blue
lines,
red lines....
And what does he do with these papers?
Describe the activity
you perceive as he's at his
job...
Some form
of,
uh. .. .some form of accounting or accountability..
Some original work,
uh...he compiles, combines,
compiles....
keeps
data,
organizes it... with a particular regard to money
or amounts.
OCOREf
Approved For Release 2000/08/07
: CIA-RDP96-00788R000600380001-5
Approved For Release 2000/08/J
[000600380001-5
G1A
#66:
Al^riaht.
Focus now on
himself,
closer now on
himself,
and describe his health to me....
#27.5:
+07
+08
Okay,
just
a minute...,...
Get impression,
two things.
Get him
real health and perceived health.
He's,
uh...real health
is...
just
a minute
He's outta shape.
Don't,
don't perceive
any problems.
Uh,
perhaps the blood pressure problem.
Some
wear and tear on his.. liver,
kidney....
His perceived health
is worse.
He perceives that he has a very severe problem
with his,
with his heart,
but he's wrong..
Worries
a lot
about his heart..
Think,
uh,
most serious problem.. his kidney.
I think he had
a,
he's unaware...
#66:
Okay.
I'm ready to change your focus now.
Let me know when
you are ready...
#27.5:
Okay.
#66:
Okay.
Just relax and concentrate now.
Relax and concentrate.
Move through time plus one year from today,
move thj^^rt^^une
plus one year from today.
Focus your attention
on
SG1A
and describe his surroundings
to me.
One year from today.
PAUSE
+10
#27.5:
I don't get anything.
I
get
a empty box. .white walls.
#66:
Okay..
Focus your attention now,
change your focus and focus
your attention now on
two years from today^twcryears from
SG1A today ,
two years from today. ^^^^^|two years from
today , an^aescribe his surroundings
to me.
SG
PAUSE
+12
#27.5:
Get like
a white haze.. very fine wires or strings.
. .shaped
like a... like they're runnin'
through a oval,
glistening,
+13
like wet...
Glass, wall like glass,
thin transparent,
no
reflection.
. .apparently suspended...
That's all
I get...
Don't see him...
#66:
Okay...
Look into this environment you've discovered.
Expand
your horizons through time and space.
Loo[^^r^^tW.s environ-
ment,
expand,
expand,
expand.
Focusing on
two years SG1A
from today,
and ask your expanded greater awareness . .
.
SG1A
PAUSE
+15
#27.5:
Get
a. ...get a split globe of transluscent wire...
I
got
switch being thrown.
That's all
I
get.
#66:
Okay.
Let's return now, to the present
time.
Focusing
in
present time and the sound of my voic^^y^^gjit time,
I
have no further questions concerning
I would like
SG1A
OCGRCT
Approved For Release 2000/08/07
: CIA-RDP96-00788R000600380001-5
Approved For
#66 :
+17
#27 . 5 :
+18
#66 :
#27 . 5 :
#66 :
#27 . 5 :
#66:
#27 . 5 :
Release 2000/08^^W^^ggp000600380001-5
you now to explore on your own his job and occupation area
which you have previously described,
and comment as you see
fit. ...........
.
These numbers. . .these numbers
are,
uh. ..apparently other than
financial.
The decimal point occurs everywhere.
. .decimal
point,
it. moves.
Strange symbolology
(phonetic) with
it.
It's not,. not just financial symbols,
other symbols...
That’s
all
I
got.
All right.
Remembering now everything that you have perceived.
Move your arms,
and move your legs,
take
a few deep breaths,
and let's prepare to draw the perceptions that you've had.
Okay.
Page one is real time.
And,
uh,
what
it
is
is a room
With a lot of tables,
big flat,
open tables.
He's sittin'
at one of
'em,
he has papers all out in front of him.
On the
papers are caricatures
of numbers.
Uh,
there's wooden cases
with flat like drawers in
'em,
uh, all over
the place.
Seemed
to be in groups of threes or fours.
Uh,
his,
he's very pre-
occupied with numbers or..uh,
control symbols or something.,
of that nature.
Does he work with others
in this area?
Uh,
yeah,
there's other people there but,
you know,
I'm focus-
ing on him so I'm not seein'
a whole lot of anything else
really.
I was really fascinated by the characters on the
pages and everything.
It just seems
to be like a jumble of
numbers.
He has a extreme interest
in the numbers,
but
I
can't ascertain whether
it's
a math interest or an occupational
interest.
But he's like compiling these numbers.
These bits
and pieces
of paper with these numbers on
'em,
he's actually
cutting them out and pasting them in sequential order and
Stuff on different sheets.
And sorta like piece compiling
things together here..
Uh,
he doesn't appear to be doing any
kind of adding or formula,
so to speak.
But the numbers are
important for some reason.
He's puttin'
'em together.
More like a research type thing than anything else.
On,
uh,
page two this is like
the corner of one of those pages.
And
I
really focused hard on it because
I
got
a real clear
impression- this is upside down and backwards- got a real clear
impression of this being exactly what
I was seeing.
Uh*
these,
uh,
character
like numbers.
. .and
the,
uh,
decimal point was...
was in different places on different sheets.
And,
uh,
sybolology
was
on there.
And then they had these
lines like,
and these
lines were different colors..
It's
like this groupd of lines
all in
a row down the sheet.
These lines that go down the sheet,
are-
You
know,
I'm just,
I focused very deliberately on this number
or symbol or whatever
it
is.
And everything else was peripheral
DEGREE
Approved For Release 2000/08/07
: CIA-RDP96-00788R000600380001-5