Approved For Release 2000/08/07 :C
6-00788R000300820001 -9
SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION D-13
1.
(S/NOFORN)
This report documents a remote viewing session conducted in
SGI A
request for information on
a building of interest
in
2.
(S/NOFORN)
The remote viewer's impressions of the target are provided
as raw intelligence data and as such have not been subjected to any inter-
mediate analysis,
evaluation or collation.
Interpretation and use of the
information provided is the responsibility of the requestor.
3.
(S/N0F0RN)
The protocol used for this session
is detailed in the document,
Grill Flame Protocol,
AMSAA Applied Remote Viewing Protocol
(S),
undated.
4.
(S/N0F0RN)
Following is a transcript of the viewer's impressions during
the remote viewing session.
At TAB
A are drawings made by the remote viewer
reference his impressions of the target site.
At TAB
B
is target cuing
information provided the remote viewer.
5.
(S/N0F0RN)
This session was conducted concurrently with session D-12.
NOT RE^SA|L^^j^pG^JATI0NALS
Approved For Release 2000/08/07
: CIA-RDP96-00788R000300820001-9
TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION D-13
TIME
#66:
This will be a remote viewing session for 1030 hours,
28 August 1980,
Relax,
now.
Relax.
Relax and focus your attention.
Relax
and focus your attention on the building in the photograph
I
have shown you.
Relax and focus your attention.
Relax
and focus.
Focus on the building
in the photograph
I have
shown
you.
Move now to the building and describe the entrance
on the south side.
#46:
Okay,
it's
a modern type entrance.
It's got
a,
kind of
a
straight canopy that leaves from the recessed entrance
and the ceiling
of that canopy is... ..and there's
a dark,...
that goes to the canopy,
dark blue and black
#66:
Tell me about the activity.
Oust relax now.
Tell me about
the activity today,
right now,
at this building.
#46:
I gotta finish something else,
here.
#66:
Fine.
#46:
There's a... cement stairs with kind of concrete slabs leading
up to the recessed entrance here.
The lights are in front
of the door,
within the recessed part,
I
see two lights on
the ceiling,
and then there are. ..there are kind of double
doors
like,
uh,
you would have when you go into a bank...
rectangular.
.
.
#66:
Describe the construction of the doors.
#46:
It's like,
uh,
very modern,
swing
or swivel type,
you push
and return.
. .they're single doors,
it's not an entry with
double doors,
single. .. .into the building.
#66:
Of what material are these doors?
#46:
Hard metal.
. .metal,
in
fact,
next to the doors there's...
again,
small panels like glass,
but they're much narrower
than the doors,
but they're part of the frame,
I
guess sort
of,
I would say they're about.
. .they' re two and a half foot
wide or something.
. .it' s dark,
I don't know
if it's tinted
or,
it might be smoked or tinted,
I'm not sure,
it's very
modern looking...
#66:
Go on through the door,
now,
and describe as you
go.
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: CIA-RDP96-00788R000300820001-9
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-8EGRCT
#46 :
Yeah... the floors are big tiles... very
shiny, white floor,
very clean. .... .indoor outdoor. . .carpeting. ... .to the left
attracts my attention there,
there's
a.
. .wooden. .. .type wall,
kind
of a divider,
but it's made of wood,
it's brown...
painted,
and not clear .. .divided into rooms
I
get the
impression the entire thing is quite,
uh... plush,
modern...
glossy,
dark...
#66:
Describe the activity around you now,
right now.
#46:
It's empty... it's empty... it's a conference type room...
#66:
Return to the main entrance and tell me-
#46:
Just a minute.
There's another room adjoining this one,
with a desk in the center.
. .metal chairs
okay...
#66:
Did you
say there was a couple of people here?
#46:
Yeah.
#66:
Describe them.
#46:
Business suit...uh,
like an executive
of a... of a business
or
a bank... very few papers on the desk,
like
a manager
or
something. . .dark suit and
a tie.... kind of short... 5'
5"
at
the most,
except he's bald. ... ...secretary
like a 20
year old secretary.
. .secretary stenographer type
strict business.
. .good business relationship
#66:
Move to the entrance.
Stand with your back to the entrance
and describe what's in front of you.
#46:
A stairwell,
to the left side
of this... a left stairwell
going downstairs,
a right stairwell going up... it's
in two
portions,
you can go up,
and it's like a half
a stairwell,
a little walk to the
left,
and go up and you're on the second
floor.
#66:
Move now to the second floor.
Move up the stairs to the
second floor.
#46:
Yeah,
big window
as you come up the stairs.... to the window,
I don't know
if you'd call it.... to the floor,
but seems to
be tall as the wall
Okay,
now the... vision of offices
there,
but it's all. ..it's not wood on the floor,
it's....
like asbestos or something.
. .light yellow... an ashtray
sticking off the wall... now
I
see an elevator next to the
ashtray next to the stairway ... .the walls are like
yellow,
green,
maybe.
. .then,
go beyond that down the hall-
way there's rectangular windows,
and the upper portion of
the wall.
And there are doors leading to offices.
Approved For Release 2000/08/07
: CIA-RDP96-00788R000300820001-9
#66:
What makes you say offices?
#46:
Just an impression.
This portion is not as plush as the
first floor
(mumbling)
....
There's an absence of activity.
#66:
You say that this second floor is less plush than the first
floor,
#46:
Yeah,
it would be like compared to the first floor it would
be like the entrance to
a bank building with hardwood shined
and stained,
and then the second floor would be
a
lot of
offices of asbestos and cement,
clean but not as plush.
The
floor
is the same as the hallway floor...... I think there
are hallways at either
or both ends on the second floor...
Absence of activity,
as if .. .activity had stopped about...
three weeks ago,
or something.
#66:
Where
do you perceive a lack of activity?
#46:
All over.
#66:
Okay,
I would like to address that problem now.
In expanding
your awareness beyond one spacial point
in the building,
determine how this building without activity
is secured.
#46:
Right now it's limited to like
a caretaker activity,
you got,
like
a. ..one or two people.
, .....periodically.
From the
outside
(mumbling)
building is secured by people when it is
active,
and when it is not active.
. .they either have one or
two persons or no persons. .. .combine.
. .and
in that inactive
period you don't have more than four people
(mumbling)....
When there is activity,
it's heavily cordoned off.
#66:
As you perceive the building now,
in it's inactive state,
are there lights on throughout the building?
#46:
There are no lights
in the corridors,
they're not
on,
there's
plenty of light coming from the windows,
you would have to
put the lights on individually
in the rooms.
Let me take an
overall look here.
#66:
I'll wait.
#46:
Looking for lights,
there are two offices on the third floor
there's one on the second floor,
and
I
can only see.......
..it's either light or activity .. .has to be activity
on this floor... the other portion is sombre,
dark.
#66:
I have
a particular point of focus now.
Moving up the
stairs from the first floor,
up the stairs,
stand at the
top of the stairs, what
is immediately to your left?
#46:
A hallway.
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88R000300820001 -9
#66:
Move down this hallway please.
Is this hallway lit?
#46:
No,
it's,
there's light,
though.
I think it comes from
the outside.
#66:
Describe what you see as you move down the hallway.
#46:
Just an empty hallway.
The light,
or cream... off white,
colored walls
on the left and windows on the right,
evidently,
I would say there are about three or four rooms on the left
side,
and the same thing...
The hallway leads to
(mumbling)
There's another hallway. . .it's not clear.
#66:
Take
a moment now to relax and concentrate,
so that you
might describe one of these rooms off of the hallway to me.
#46:
One of those
in the front hallway?
#66:
Yes.
#46:
Well,
what you should have is business offices
(mumbling)
It's as
if
it were in a transition period.
. .general.
.
.
atmosphere
of something being taken out
(mumbling)
#66:
Move now on down the hallway,
move on down the hallway,
and
ask yourself, ask the question of yourself,
for information
pertaining to this second floor and describe what you dis-
cover.
#46:
What kind of information do you want?
#66:
Simply ask the question and see what you discover.
#46:
I don't know what's connected with the word.......
Something about
mala,
mala something like that,
I
don't know what that is...
Ayamala,
or something,
don't
know ...
#66:
All right......
Move now back down to the first floor,
move to the first floor,
and take up
a position of observation,
and tell me when you're ready.
#46:
Okay.
At the entrance,
facing the stairway.
#66:
Stand to the side of the entrance,
so that you may watch
what's gonna go
on.
#46:
All right.
#66:
Move now in time 48 hours from right now.
Move
in time
hours from now and describe for me.
#46:
There's
a lot of night activity....
A lot of people shuffling
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