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SUMMARY ANALYSIS
REMOTE VIEWING (RV)
SESSION XXXIX
1.
(S)
This report provides documentation of
a remote
viewing session conducted
for the purpose of orienting
a
remote viewer to an applied remote viewing protocol.
2.
(S)
The target correlation provided by the remote
viewer was moderate.
Many target correlation factors were
readily recognizable.
The remote viewer appeared to be
very relaxed,
in
a good mood,
and highly motivated through-
out the entire
session.
The viewer stated that the images
he was receiving appeared very clear and well defined.
At
one point the viewer expressed great concern over the
feel-
ing that he was
located several stories high on
a structure
and could not see
a railing that would act as
a retainer.
The remote viewer's
level of confidence was very high
during and after the session.
3.
(S)
The protocol used for this session was modified
from that which will be used in later training.
The protocol
to be used in later training
is detailed in the document,
Standard Remote-Viewing Protocol
(Local Targets)
by Harold
E.
Puthoff and Russell Targ,
November
1978.
This session's
protocol was modified in that a randomly generated,
pre-
selected target was not used due
to the unavailability of
the target pool.
In lieu of
a randomly generated,
pre-
selected target the
"outbounder"
or
"beacon"
simply chose
a site which,
in his opinion, was unique and identifiable.
4.
(S)
Following
is
a transcript of the viewer's impres-
sions during the remote viewing session.
At TAB A are
drawings made by the viewer reference his impressions of
the target site.
At TAB B are photographs of the target
site.
At TAB C
is
a post-session interview.
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TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION XXXIX
TIME
#14:
This
is
a remote viewing session.
(Edited for
security
.
)
PAUSE
#14:
Okay,
#44,
#66
is
at his target location.
Go
out there with
#66 and describe what you see.
PAUSE
+01
#44:
Lower case letter
"h".
.
.
I don't see
it attached
to anything.
I
just got the lower case letter
"h".
PAUSE
Hmmm.
PAUSE
+02
#44:
Why don't
I ever get easy ones
to draw?
There
is
a shape.
It begins
to
the left
and projects
to the right,
diagonally in front.
PAUSE
I have
to stop and draw this.
PAUSE
A very curve-a-linear
form.
It
is attached to
a number,
upright of some
sort.
.
whether the
upright
is
.
.
a pole or part of
a wall,
I
cannot
say.
The curve-a-linear form appears
to
project out perhaps
a little higher than table
+03
height.
.
.
to be about
.
.
to
20 inches
in
diameter at the maximum,
to
15 inches
in dia-
meter at the minimum.
It could be
.
.
made out
of something like fiberglass or drawn metal.
Possibly reinforced concrete but
it feels
too
light for that.
It feels too small
for
that.
Scratch and move
on.
PAUSE
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A diagonal moving
from.
.
upright to down
left.
It could be
the size of
a staircase
which would contain two
to three
steps.
It
+04
could be
a low ramp.
It appears
to be something
of the nature that you would walk down.
Its
low,
its no higher than
a foot off the ground
and it appears
to lead to
a lower area.
The
nature of
it
is that
if you were walking along,
you would look down to be sure of your footing
and see this diagonal.
Diagonal
is drawn in Number
and marked
"A".
PAUSE
#14:
He's been down at the target for five minutes.
PAUSE
+05
#44:
COMMENT:
While external noises don't usually
bother me,
there's
a defect of
some sort in
that cassette and that tape recorder and its
going:
tick,
tick,
tick and that
is getting
through
to me.
Move the tape recorder back
a
little bit.
I hope you can still hear it
(Typist)
.
PAUSE
Okay,
I got
a
.
.
.
Boy,
that one came
in sharp,
but
I can't understand
it.
#14:
Describe
it.
+06
#44:
Dark.
Vertical.
.
and it appears something like
a window.
Let's
go back to the object.
I
caught
an analytical overlay sneaking in on that one.
It appears to be
a black surface.
.
that seems
to
penetrate the light portion.
I would like
to say
window and wall but I'm not sure that that's what
it
is.
The area at
"A"
is bright and the area
in
"B"
is dark and feels
like it might.
.
.
It feels
like
its part of the building.
What the interior
surface.
.
be
.
.
is made out of.
I don't exactly
know.
It seems
to be smooth but does not seem to
+07
have much texture to
it.
The area at
"A"
seems
to
have
a window in
it.
A large,
glass,
like surface.
PAUSE
#14:
He's been at the target now for ten minutes.
PAUSE
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#44:
I'd like
to try and assess the kind of activity
that goes on at the target.
.
.
If
I
can.
PAUSE
+11
I got the feeling of people being around.
Not
a lot.
PAUSE
+13
The thought of food just came
to me.
I don't
know whether that is an answer
to the question.
The place that #66
is
at.
.
seems commercial.
PAUSE
#14:
Do you have
a feeling whether he
is inside or
outside?
#44:
Inside.
PAUSE
I've lost track of him.
.
like,
I seemed
to.
+14
I
just got an arch kind of shape.
.
and
it.
.
let me see
if
I can turn around.
.
.
Come on,
darn
it,
turn around.
PAUSE
+15
If
I ever figure out how to turn around in this
foolish game.
I'll be happy.
I want
to turn my
head but the picture doesn't move and I'm getting
terribly frustrated with
it.
All right.
PAUSE
#14:
Try moving the picture.
PAUSE
#44:
Take what
I
get.
A vertical.
.
this might be
a
standard or might be
a column.
It seems
to go
up further.
Okay,
now.
From that dark shape
I
think there
is one that goes up in that direction.
I think there
is also one that goes
up,
the one
that
I
see,
goes
up
in this direction.
And,
its
not
a round arch,
its parabolic.
In other words,
it would come up
to an apex and then drop off.
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That
is
a possibility.
The other possibility
is that
it
is not an arch but
it
is
a vertical
with something tipping out from
it.
Maybe
a
flag or a banner of some sort.
I
just got the most perfect perametal shrub.
Its
a good size
too.
Either
.
.
a.
.
blue
spruce
or
a carefully trimmed white
spruce or a hemlock.
Now
I
see
it.
There are more than one.
Now,
how in the world.
.
.
I
feel like I'm up in
the air looking down on this thing and the thing
itself
is
.
.
order or magnitude,
twelve feet to
fifteen feet high.
But
I seem to be looking down
on the thing.
Nice looking shrubs.
I don't see
a railing in front of the thing and that's begin-
ning to make me nervous.
PAUSE
#14:
Well,
as long as you're
up there,
look down at
it.
PAUSE
#44:
I wonder
if its possible to climb up inside this
building
- the target area.
.
.
and look out as
if from a second story.
I'd be looking out over
a
.
.
relatively flat
area that looks
something like farm land.
.
.
in
the sense that its not all trees and
.
.
farm land
parking lot?,
I don't know.
Flat.
PAUSE
#14:
We've been on target for twenty minutes now.
#66 has probably left the area.
But let's
see
if we can stick around and pick
up some more of
these pieces.
Form a picture of that lower case letter
"h"
that
you first saw.
If you can.
PAUSE
#44:
To go back.
.
.
#14:
Go back to where that was comfortable.
PAUSE
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