Approved For Release,
P96-00788R0008001 40001 -9
ORCON/NOFORN
GRILL FLAME
PROJECT
SESSION REPORT
CLASSIFIED BY:
Director,
DIA
DECLASSIFY ON:
5 Dec
1999
EXTENDED BY:
Director,
DIA
REASON:
2-301 C
( 3
)
(6)
Grillflame
Qcoro
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SUMMARY ANALYSTS
REMOTE VIEWING
(RV)
SESSION
CC20
1.
(S)
This report
documents
a Remote Viewing
(RV)
session
conducted
in compliance with
a request from SOD,
.13,
OJCS,
Pentagon,
Washington,
D.C.
The purpose of
the session was
to provide information relevant
to the hostage situation
in
the U.S
. Embassy compound
in Teheran,
Iran.
.
(
provi
The remote viewer’s
d
as raw intelligence
impressions
of
the target
data and as such have not
subjected
to any intermediate analysis,
evaluation or
Interpretation and use of the information provided
is
are
been
collation
,
the
responsibility of
the requestor.
3.
(S)
The protocol used for this session
is detailed
in the
document,
Grill
Fj arn.e Protocol
,
AMSAA Applied Remote Viewing
Protocol
' (S)
,
undated.
4.
(S)
Following
is
a transcript
during the remote viewing session,
by
the remote viewer reference his
of
t h e viewer's
irnp res s :i on
s
At TAB A are drawings made
impressions
of the target
site
.
At TAB
B
is target cueing information provided the
remote
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*66
This will
be
a remote viewing
session
(edited
for
security)
.
PAUSE
*66
For
the past
few minutes you have been studying
a
photograph.
Focus your
attention now on
designated
to you on
the photograph as apa CV^Tlove
now to area C focusing your
attention.
keKx and
concentrate and describe
the area
to me.
PAUSE
*31
I
a in
f e e ling
some
kin d of
ov e r h a ng
t ha t has
a wa 1 k
and
a drive
that comes out to
it.
Feel
a
long
(mumbling)
in
front
...a
long
front face of
this structure.
. .narrow thr$e
*or
four
feet
v;ide walk.
It goes up to
a main door.
T
think I'm on
the other
side
of
the thing
from the yard.
I
entered
the house
to the right.
There
is a... several
poles along
that
thing
too.
Give
it
the
looks of
a house
or
a.
. .something
like
that.
Perceive
a step up to get
on
that thing.
I
think
I’m
in
like
a carport
or
a...
a
something
like that.
It seems open
on
the front
side
but seems
black
in
the back and there’s
a
funny peculiar
jog
in
it.
Like
a box sticks out
into
it.
I’ll go
inside
.
£66
Alright.
Fine.
Relax and concentrate.
PAUSE
#31
I
feel that
I'm
in
a center portion going along
the
wa 1 1
.
I
pa s s o d
j a 1 1ou s e
wi. ndows .
I
thin k
t h e
en t r a
\ c e
to
this place seems
to be
a wooden door with small
g 1 a S 3
jailou s e
pa n e s
i. n
i t .
I
think
I'm
i n
t h e
rn a
i. r i
a r e a
n ow ,
S oine 1 1
i i n c j
i s
look in g
b t. i c k
towa r d s
1o
cl oo
r
I
came
through.
There appears
to
be
some wooden
c ou n t o r >
o r
s orae t h i 1
g
t o my
r i g h t
.
There
a ppe a r s
t o
be essentially empty area
between mo and
the windows.
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&.
#31
I
think
that’s
a hall down by that wooden
thing.
#66
Tell me what’s going
on there now
in
these early
morning hours ,
between one and two
in
the morning.
#31
i have not picked up any happenings yet
in
the
central area
here
#66
#31
#66
#31
i
# b b
#66
#31
#66
#31
Ok
.
Just relax.
.
.
or
on approach.
Doing very good.
Just relax and concentrate and
focus on
the target area.
PAUSE
I ... something
.
Bathroom on
the
left
(mumbling )
might
be two story.
I
had
a shot of
a...
I
had been
standing
with my back to
a staircase
out:
in
the main area
there.
But I’m down
the
h a 1 Iwa y
now .
I’m look i ng
a r ound
.
Passed
the bathroom there seems
to
be
a... think
it’s
a
ba t h r oom
anyway .
It's
a small
r oom .
C u bby-hole
type
room.
I’m getting more and more of
a house
flavor,
here.
I
really
arn
I don't
know.
Tell me what makes you
say house
flavor.
.»
I
have
the feeling
of
looking
in
the.
.
.
- .wg.lI somewhere
I
think
it was
the end of
this hall,
looking
in this
rather
large room
I had
the sudden
impression that
I was
looking
at
a
bed.
Something
big
and rectangular
and
sof t
.
Ck.
Also out
in the big area
there,
I
had
the feeling
I was
on carpeting,
back
in
the beginning.
But
I
still haven’t
picked
up any people.
0 k
.
S e a r c h
t h o
r e a t
o f
a r e a
C
for
poop 1 c :
-
rest of
tins area
for
people.
Search
the
Feel
that... hall
is not
in
there... goes around the
corner
90 degrees.
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j; 3
# 3
#6v
i 3 ].
if
#66
I
keep getting
somewhere
this
big open area feeling
...like... I
keep getting
this feeling
like
a place
under construction.
It
r s hard.
I'll explain
it
later.
I get this
feeling
I'm looking
through
raf ters ... through
wood.
Anyway
let me go on.
I'll try
to get upstairs,
if
there
is
one.
Ok.
We have plenty of
time.
I'm still not coming
up with any
folks.
Alright.
That's
fine.
We have plenty of
time.
Just
relax .and concentrate on
the target area now.
Go
ahead and move
through area
C.
Move through area C
and tell me more of
the area.
PAUSE
Staircase
is... I hate
to say this... I don't
know.
I
do want
to say there's
staircase
in
the
back
of
the
living
room,
and go upstairs.
. .or whatever
the
living
r com thing
is
there.
Go
u p s ta i r s
,
c ora fo r ta b ly wide
sta
—-Then- **yoit errter"
on
d
__ floo r
level and
tkS'hallway runs
from that... as you come
up"
your
left side.
Very uninhabited,
quiet feeling
the whole place.
—
PAUSE...
.
Now
I
am getting
a den
or
a
library ... empty
.
(mumbling)
a lot of
book
racks or something around
the walls.
I
got all
the way
to the end with no other door
on
that
side.
I
find
the place to be empty.
I
really got
no feeling
for anybody
in
there.
Ok.
At
this
time,
at this
time
focus your
attention
now,
outside this area.
Focus your attention outside
this area
and move to area
D.
Focus your attention
to o u t s i d e and movc
to area D and describe
this area
to
me
.
PAUSE
Ok.
I
hope
I'm
in
i: r on t
o f
t h e
r ig h t
c:mo
De s c ribo
i t
t o me
.
^ *-**'
'-.a-''
^
itH
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#31
(Mumbling)
trees
is
a
beacon but
it appears
••.I
think
I’m still
on
the other
side from the
big open
area because
I
feel that on my right.*,
I
feel that
in
front
of mo
is
a
(mumbling)
long
skinny porch on my right
is
n.
. .a.
. .hedge
tfiat
s ecms
to
come
bac k
to b eh i n d
ino
.
.
. 1 i k e
1 1 o dg e
o f
a
yard
or
something.
I
feel like I'm
in
those trees
or
something.
Like
I’m looking
at
the back
end of
the house
or
the building.
I*’ve got
a good feeling
that
it’s
two
in one... one end
of
the place
is
too
high. .. that
1 s
the left end... and the right end of
the place
is one high.
I
really feel these are
the
business ends of
the buildings ... out here,
on this
side
that
I
am.
(mumbling)
...don't see how you
can get
in
to them from this
side.
#66
Alright.
PAUSE
#31
Ok.
I’ll
try to get
in
the central area ... funny ..
this doesn’t seem to have
a jallouse door
on
it...
^eems
to be
a solid door.
I'm inside trying
to focus
on
the main area.
#66
Ok.
PAUSE
#31
I
just had
a thought of somebody moving outside
#66
Focus on him.
#31
I had the
idea
of making
rounds,
type of
thing.
Seems
to be
sentry type of work.
He’s outside.
He’s got a... some sort of
a weapon strung over
his
shoulder,
and he's walking
in
under
those
trees,
that
I
saw ear Her
.
.
.
. they
1 re
the ones out
front.
1 don’t
know
if
thore’s
a
1 i 1 1 1e pa t h there
or
no t
A p a fch or
a
strip
or
somo thing.
.
»
. seem s
to
b c wa 1 k i n
g
along
a
tour... and
I
had the... the
thought
of seeing
him turn
like his
tour
is about
300
feet
or
so
front
a bou t ... in
f r on t
of
this place ..
. look i ng
ou t
...300
f eo
to the right or
so.
Like
he
just strolls along
QuOsii,
I
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#31
Back
inside.
#66
Move back now
egad
about
this anda D
PAUSE
on
D ,
area
D.
Tell me more
#31
I
qot
a good
shot of
like
round
leather
stuff*.
.
like bean bag chairs.
Right before,
I
had
a feeling
there was
a ...that
I was at
the hallway entrance and
that there was
a
sofa
type thing,
black,
under
the
main
front window ,
and along
that, other wall. ......
I
had
a feeling of someone walking upstairs
not
upstairs
,
upstairs.
I’m up there now.
(mumbling)
save time and go through the ceiling
second. floor
when
I came
r
,
I
had the feeling
there was someone
walking down
the hallway,
right at me.
My first
impression was
it was
a woman.
Long skirt down to
mid-calf,
dark skirt and wearing
some
kind of cloggs
or
something.
I
had her
turned
into... down
the end
of
the hall.
. .describe
it
the other
end of
the
building and
I
saw her go
into... like she made
a
right
turn,
went
inside,
sat down
and crossed her
legs.
It was all one sweeping motion of
feeling,
you
know.
But,
now I’m down
there and trying
to find out what
is happening.
She didn
1 t
.
,
.
.
. she was not carrying
anything .... .she was empty handed when she came
over me
she
.
.
. uh
PAUSE
#31
I’ll describe
it as
though
it was
a room built
like
a
...the feeling
I
have
is
it's built
like
a restaurant
booth.
My feeling
the woman moved through the door,
shifted to her
left,
began
to turn and sit down
at
the
same time and avoided
a
table edge,
seated herself on
a bench next to
a wall,
with this
low thing
in
front
of
her which occupies much of
the room area and cross
her
legs
,
and God
knows what she’s doing,
or when she
was
ev a r
t here.
( t ur nod
ta p e ove r
)
To 1 1
rne
a
1 i 1 L 1 e
bi t
mo r e
a bout area D ,
h o r c
,
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#31
#66
#31
#66
#31
#66
#31
I'm afraid
I can't.
I don't
know.
I'm just not
getting anything.
Ok.
That’s
fine.
Let's stop now and do some drawing.
PAUSE
Ok.
First... here we go... first fleeting
impression..
I was looking at a.... what do
...want
to call.
Teat':
what made me think that
I was there,
because this was
Ok.
Make your
lines nice and dark
there.
Ok.
And
it was like... this has
a
low tile roof or
something.
. .and the second thing has
a
low tile
roof.
That was the
image
I was using
the target with but
that's the first thing
I
saw.
For what worth
it
is.
Then
f
thoug h ,
T got this
f o 6 j-
dr ive ,
and here on
the
rignt.
here... like
I was
looking out
Here on the
right side
of thi
here... like back
in here
I
1 ™
this was some kind of
a walkw
end of
the
inclosure.
ing
that some sort of
a
..there was
a big overhang
and under
this overhang,
s drive was
a wall.
In
in the
shade... and
that
ay.
That
is the hypothetical
like
a
front porch
Something
in here jogs
or what good
it
is
....that went down
to this door
and
I don’t
know what worth
it
...so much
for
floor
plan.
is,
This
is
a door... you know Florida jallouse.
. .Panama
jailouse windows
you
know what
I mean
jallouse
glass about
that thick.
Porch overhang
long porch...
that’s dark enough.
. .that's three.
Ok.
four.
What did
I
find
that
interest-nothing.
Inside
arcA\
C here....
i'll draw
tlijrncr^maller
;
they're not that
impressive.
Feeling wooden framed door, wooden
framed jallouse window
door,
ok,
like
that.
Didn't get any
feel
for
any typo
furniture but
that
there was something curved
here.
Li«o
I almost
felt
it was
a
bar,
or
something,
ok.
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#66
This
is on the
inside.
4| 3 j
This
is on
the
inside of the living
room*
.
* something
curved
there,
and
this
is
the hallway,
and to my back
is
the stairs,
here.
Those are stairs
up.
Just*.*
I don’t know
verify
if... I was there ... didn
1 1 see
anything ... this
is accurate.
I didn’t
see anybody
(mumbling) .. .Ok.
Loot
‘
kj
in
from the door... it’s
a
£ u nny
1a you t ,
th a t
1 s
w \ ia t
.i.
wa s
t: r y in g
to d e s c r i be .
.
.
stairs
there,
ok.
They’re comfortably wide stairs
v; i th
a ban i s te r
a long
them ..... a wa 11
tha t
goe s
back
in
there,
,
, ok.
. .there’s something back
there.
.
.
.
is what
I mean
out here
to
trie edge
ok
this comes along .... then there’s
a series of posts here....
which are
interesting because
this is almost as
though I’m looking
through
them.
And,
here
is
the curved
thing,
in
the foreground.
Hut,
it’s like
looking. ....
you
know how like
in
a modern kitchen they have posts
holding up
and
there’s actually
a serving counter
there
looks
like you’re
looking through posts
into
another
room... it was
as though this
thing was built
in
u n d
e
r
the
s ta i rway
and
it was room ...you
cou 1d
s c
e
into
it from the
living room and
it was
like
it was....
I
got the feeling,
you
know, when
a house
is just being
built and they have all the two by fours standing where
the walls
go,
it was
as
though
I was
looking
through
those
two by fours
into another
room.
That’s
the
idea
I’m trying
to get across.
Feeling
for white carpet,
here
in this area.
So where
did
I
go from there.
I went down that hallway...
drawing
a
floor plan of
the place would be sort of
like
this ... that
1 s
a supposed hallway there.
. .stairway
the curvy thing* ... .had
the feeling
small bathroom or
something
in here.
.
. .what did
I
do then.
.
. .then
I got
down
to the end of
the hall.*. I
hetd the feeling
that
at
the end of
the hall there was
a door
and there was
a room
shaped like
this. ..it was
a good size
room.
» .and
X
really
had
the
feeling
th e r €? was
a bed
in
1 1 .
.
* a
big wide bed.
I
d idn
’ t
gy-eti " g o down
the
o •: h e r
"
a t
tell
yo*ff
Here’s
the main door.
I ecu
f ee 1 :Lnq
1 1
1 a t
t h o o t h e r
p 1 a. c o
,
.
* o f
c ou r s e
overhead
for
targeting purposes.
. .and
i n
t nu s p 1a c o
.
all
I
can
,n't
shake
the
I
had
seen
the
Aih ... no people
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#66
#31
Jl
'
! 1
In area
C.
In area
C,
Didn
1 t get any feeling
at all
for anyone
in there r
i'll draw
a
line across here on six and
then what
I have
is the up staircase
for
the upstairs.
This
is downstairs ,
I'll draw upstairs.
That’ll keep
me from having
to draw them again when
I get
to area
D,
ok.
Conservation
of
energy.
Rooms ,
rooms,
jest about two rooms down
to one
side.
I- can’t remember
if
I went down
that.
It's
so non-
descript and by that time
I was
...I was trying
to
get up the stairway and
what; did
I
gut... I got
a feeling
for*
.
. .where was
I walking.
.
. .1 was walking oown
this way
and
I got
a feeling
for
a library somewhere along
the
right wall,
small skinny type library
type
room,
or
a
Uen
lot of books on shelves around.
I
had
a very
homey type feeling
for
the whole thing ... staircase.
.
ok,... where did
I go...
.
. then
I
ended up with.... what
did
I
end up with
ok... like
a hedge
line
PAUSE
The door
(mumbling)
was solid wood....
I'm at area D
now.
It starts with sketch seven.
That gives
the
idea
of
the front porch... like
a car port... ha If car port.,
half rooms
in
the back of
this
side,
hedge on
the right
and the central structure of two peaked
roofs,
one bigger
than
the ofher ... .that's more
like what
I wan
l.
to do.
.
.
like
that.
Behind me,
trees.
Did
the best
I
could,
I
had to
corne across
this way.
I didn’t want
to go mack
up.
I was
luiving such
a difficult time
I decided not
to go back up... try again... I might end up on the other
side of the globe.
So
I.
We have our
good days
and we have our
bad days,
I
suppose.
Alrigat,
what
did
get
in the living
room*
• .seven.
• .solid door.
• .but still
with
the jallouse windows...
Ok.
This
time you
seem to perceive
some furniture
in
the
front
room.
y e a h
.
The
d a r; k
c ou ch
.
.
. o f
some
kind... t h a t
1 s
th e
o f
f:
ha 1 1w a y
.
t h a t wa y .
0v e r
here on
t h e
r i g lit
,
again,
a r e
the
s t n i
s
c m
\
1 n g
up... a n d
the
i i v i ng
r oom
Bean
bag
chairs,
you
said you
saw.
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f31
Yeah.
I don’t know where
I got that
from,
though.
Whore was
I working
at that time?
That was when
I
wan
trying
to get
into the place.
We'll have
to check
the tape.
I wonder
if
that was
the time
I was
try.mg
to get
in
the place
the front door.
If
it was,
then there's also that
sort of smooth tan colorce
something
or
other,
somewhere
in
there.
#6G
J- O
*|
-.r
-h
#66
Ok.
Somewhere
else,
too,
is
a very leathery looking
thing.
I Had the feeling
too... it's hard to describe
it.
and
I have no
idea where
it goes
in the sketch anyway
so
but
it's one of
these.
. .belted leather
things...
felted like belted leather
you know what
I mean
^ by
belted
leather.
The style
looks
like it's got bom, on
it... belts holding the things on
like here's
the
arm of
the chair and there's
a belt
like
that, with
an
ornamental buckle on
it.
Something
like
that,
somewhere
in
there.
A beige color
is what
I
got.
Anyway, went
uo
the staircase and
I
saw.... for numoer
eight
You
said before you came up the staircase.
Did you
No.
I popped through the
floor.
Didn't go up
i.’ne
staircase.
Popped up through the
floor.
And you perceived....
1 perceived
a woman walking towards me just
as
I came
uo" through
the floor.
It was really weird.
It was
as
though
I was here and she was right there.
My head was
just’ through the floor.
I was just up through the
floor
coming
up and as
I came up and she
like.
. .walked right
on through me.
. .right on down the hall.
. .you
kno,.
-
•
•
•
because
it was just as flurry as
she was coming
at me,
she was gone.
I
turned around and
I perceived
her walking on passed me down the other
end
or
the hall.
It was
a weird fooling,
but
it was of no relevance.
Here
is
the stairway
as
I
see
it,
or
saw
it.
Here
wrt tne
left of
this sketch.
Feeling
is that
the hallway continue
on down
to the end down here,
hike
this.
Here
is
th
•
stairway,
up.’
I popped up around
living
room level....
and
f
saw
person. walking
that way.
I
tried
to follow
her and
I
think
I
followed her
all the way down
to the
last 'room on
the
right.
It's not too far,
feet,
maybe.
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The
last room down there.... the distinct
impression...
she goes
into the last room.
Now this room that
I
had
how do
I draw this,
guys... it was as though...
it was
like
I
just described
it on the
tape.
It was
as though
it was
a small room that was almost fully
taken up by a table... or pretty much taken up by
a table,
but,
I didn’t have anybody else
in
the room with her,
and
she walked
in... hard
to descr ibe.
.
. let' s
see... here's
door
jam. ..door
frame. ..like
this.
. .ok.
. .right here, m
the very front
is this
table: .. .and ... like there
s very
little clearance to get
in there.
So she's walking
down
the hall and she just sort of side-stepped,
bent
over,
and sat down
in one fluid motion.
And she
sat
down here.
Where X marks the
spot.
And an overhead of
that would be... there's this table
in
there... like this.,
she came right down and bent over... and that there
is
some sort of
a... I
had
the feeling
it was some sort
of
a cushioned seat along
the wall and
that she just sat.,
plunked herself right down on
it.
Weirc reeling.
Very tight place.
Tight,
closed
in
feeling.
#66
Anybody else
in the area.
I didn't perceive anyone
else.
I
find
it unlikely that
she "was alone,
but
I
still didn't see anybody else.
Didn’t feel anybody else there,
and
I
don't know what she
was doing... at one time,
I
thought she was
like reading
that she had manuscripts out on the desk,
scattered
out
in front of here and that she was reading
them.
Another
time,
I
had the feeling that she just sort
of
like
sat down and crossed her
legs and
(mumbling)
with her
fingernails,
or
something, you
know.
Didn’t really do
anything.
But the more
I looked at
it the more
she^
started
to do something
that was purposeful.
I don
t
what that
is
There,
put
a manuscript out there.
#66
Some sort of
a book.
But,
no,
I agree
#66
I w
flying
today.
Ok,
vou don't think you good
(murabling)
not
ho,
no,
I
don't
think
I
did.
I I ow do yo 1
f g o 3
.
a b c >u t
1o
i’on g o s
t h d t
o a
v c
^
^ .
i.. . i
.
.
Well,
what
I got was
ok.
I was getting very little
spontaniety on action or
detail.
I was getting only
the
ba s i o s
-
t> i k o
X got
a
b
a
ig
l c
>
o.u
c io
n o
a
> t
•
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7T t>C
It was unlikely as hell that some living
room,
or
whatever. .. .something with
a white carpet on
this
laige
living room
is going
to have no furniture
in
rt,
unless
it's been pilfered,
or
all thrown out.
Nuts
wil.l do
anything when they think they’ve got
a reason
to.
T was getting
the basics,
the contour
rignt,
but,
there’s ’uncertainty,
you
know.
When
I
looked .at
the
targets,
I
sort of said to myself,
this
is going
to be
a dooxic because all four
targets are identical
in
structure
form.
So that means only detail
is going
to
tell the difference,
when you get right down
to brass
tacks,-
you
know
*
just don't
a
g 0P0r 3
g oocl
£OG 1 ing
abou u
t h i s*?
No.
I don’t.
I didn't all the way through
it.
I
really had to work and with this game... the more^ you
work,
the more you'll
see.
The question
is whether
you're ranking
it up or
not.
The guy outside... if
I drew this cat hero... there are
some large trees out front... what
I call out front
of^
the place. .. .uh
I do think that's the front.
That's
the business
end
of
these buildings.
. the other
side...
the side where those trees. — and everything
are
Some small path,
or
something,
in under
those trees.,,
I
had this shot of somewhat open area, yardish type
thing,
.....not even yard.... just sort of black and white.
Let’s say that I'm looking out the front door,
in
this
view ...
T
had the very strong
feeling that on
the
other-
side of these trees ...
feet... like
in under
the trees
but
on the other side of these trunks was like
a small
foot path,
or maybe
a bicycle path,
something wry small.
wrier
this guy was walking.
He did have
a weapon
slung over his
arm.
. -wasn* t carrying
it at high port.
The dam thing was slung over his arm.
The peculiar
thing
about
it
is that
I had
it on his
left shoulder.
That's
something
that
I
remember.
It was on his left shouloei
.
Some sort of
black
cap,
black clothes.
1 was trying
to extrapolate what this guy’s patrol was ... trying
to
dig what his patrol was,
if that
is,
in
fact,
what
he
was doing.
I
had
the
impression that he had the area
.
where
the' four
buildings are,
but only about that muen.
had
this redundant pattern
I didn't see
^ anyooJ^
else
in
this redundant pattern. ... .but
I
had
the feexing
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that this guy was here walked on this road down
to about middle of this
what he war doing was....
he was going
to about middle of that building and
then he was coming back up and he was going
to just
about passed that building and then he was just turning
back.
In
a fleeting moment
I
saw him do about
a turn
here and
I
looked way down there and
I
saw him turn
there and then
I
saw him turn here again— I
looked
way down and slowly turn around
that's about
it.
X
is the sentry,
and
the line and dot
is his post.
That's
it.
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TAB
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ciA-Rnpgfi-nn78ftRnnnanni4nnni-fl
1.
(S)
The
remote viewer had been exposed
to open source news
media
information and overhead
imagery prior
to
the session.
He
knew he would
be working on
the hostage situation
in Iran.
2.
(S)
During
the session the viewer was shown overhead
imagery
of the Embassy compound
in Teheran ,
Iran and asked
to focus on
areas
n C"
and
"D n
.
The overhead imagery
is not included herein
due
to
its classification.
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