Approved For Release -RDP96-00788R000900520001-6 SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION XXV 1. (S) This report provides documentation of a remote viewing session conducted for the purpose of orienting a remote viewer to the protocol which will be used in the remote viewing training program at Stanford Research Institute (SRI), Menlo Park, California. 2. (S) The impressions of the remote viewer during this session show only minor target correlation from an objec- tive point of view. The session, however, was very valuable in that the remote viewer learned a great deal about the dangers of "noise" or analytical/fantasy clutter in the remote viewing process. Because there are some very mean- ingful target correlations in this session the remote viewer is sure he "found" the right target but became disoriented by "noise". 3. (S) The protocol used for this session was modified from that which will be used in later training. The protocol to be used in later training is detailed in the document, Standard Remote-Viewing Protocol (Local Targets) by Harold E. Puthoff and Russell Targ, November 1978. This session's protocol was modified in that a randomly generated, preselected target was not used. In lieu ofa randomly generated, preselected target the “outbounder” or "beacon" simply chose a site which, in his opinion, was unique and identifiable. 4. (S) Following is a transcript of the viewer's impres- sions during the remote viewing session. At TAB A are the drawings made by the viewer reference his impressions of the target site. At TAB B are photographs of the target site. At TAB C is a post-session interview. Approved For Release rE era. opss-co7eerc00900520001-8
Approved For Release -RDP96-00788R000900520001-6 TRANSCRIPT REMOTE VIEWING (RV) SESSION XXV TIME #66: This will be a remote session. (Edited for security. ) PAUSE #66: Okay, #6.5 and #39 are now approaching the target. They are observing the target. . interactng with the target. . . Look at the target with them and describe the area to me. PAUSE #66: (not audible) PAUSE #44: The shape. .. that. . .is like .. the... curve shape of a...a.. . caterpillar 955 bucket loader bucket. On an arm. The shape is dark and the background is light. And it feels up and it feels heavy. Call that Drawing Number One. #66: Okay. PAUSE +04 #44: Hmm. Number Two: A shiney aluminum. .. a shiney aluminum shape that feels up as if it might be a lamp post, light post, or something that was ..a.. Ah. . . the same sort of a shape as the bell. of a trumpet. It feels vertical. PAUSE #44: The shapes are very hard to describe today. Number Three: a. . . The sort of a shape. I can't describe it. Ah. . Two half-round +06 devices that looks like it might be the top of a ladder. But a. . a chain ladder like in an escape ladder. Ah. . they're dark and they are Approved For Release ofA e-RDP96-00782R000900520001.6
Approved For Relea IA-RDP96-00788R000900520001 -6 on a white. .. edge of something. About . chest high. I conceive it. . I can see that there is a top surface to that. The white area. Now, I've lost it again. PAUSE +07 All right. I get the feeling that #6.5 has something in his hands that he's looking at. Not the camera. PAUSE Um. . . He seems to be standing with #39 to his. . . #39 on his left and he's holding something in his hands and talking to #39 about it. That may be analytical but I wish to drop that one. I had the feeling they were inside. PAUSE #66: You're doing very well. Go on. PAUSE #66: Tell me more about the target. #44: Now, I feel inside. . . It doesn’t feel outside. PAUSE #44: They would be standing against the left-hand wall of the inside of the place. #66: Um hm. #44: Then I got an impression. . I got a feeling that there's flourescent lights. White ceiling What number am f up to for drawings? #66: Four. #44: Four. Call Four an angle like a bench. But not a bench. It might be a display. It appears to be light colored. PAUSE +10 #44: Just for fun, I'm trying to go back to the one described as Number Three. PAUSE Approved For Release 20QQM@i2 Ug. 2DP96-00788R000900520001-6
Approved For Releas@yereetgrr't |A-RDP96-00788R000900520001-6 #44: See if I can find more about that one. PAUSE Okay, I feel like I need to back up from where I am. . . and go to the right. PAUSE +12 #66: Describe the area to me. PAUSE #44: I haven't found a thing yet. . . Moving around for me is. . in this area, is somehow like driving in one of those bumper cars. You don't. . you sort of . . its awkward to move. Its awkward to drive around. PAUSE #44: You don't always wind up where you're trying to go and right now I'm trying to back up and turn to the right. 'Cause that's where I think the thing was. PAUSE Okay. I think its still inside. I think its . Another piece of that Number Three puzzle. seems to be . . partition. . not very wide, that runs ac. . . across the table top. If you call this thing a table top. When I get to drawing, let's call that 3 and 3a because I'm not too certain that I have the same object. PAUSE Okay. I have another shape that I don't understand. Wonderful. . Um. . This one is. darn it! I don't have any trouble seeing the images. I have trouble describing the shapes. The geometrical shapes that I'm getting are not curvilinear more than rectangle solids. PAUSE +15 Okay. Let's just say a hand held in that position. Whatever. . . remember that gets up to the. . . But it is white. . . and it feels hard. Fairly good sized. I'm wondering Approved For Release 200@iU3/ “”A-RDP96-00788R000900520001 -6
Approved For Release -RDP96-00788R000900520001-6 if I'm up and that could be a canopy over something. I'd like to look at that. PAUSE I feel like I'm back out. . . of the target. Whatever the target was, I feel like I'm outside now. Now, I get a sensation of poles. As if there was a flat awning across something. But the awning has been removed and what we have is the canvas supports. It might be something like a trellis that doesn't have any «. vines on it. But it appears to be attached to a building. The building is on the left and the trellis stands up overhead. Made out of an seems to be made out of pipe. .. I get the feeling that you can see the sky through it. Oh boy, I hope this is all, not all nothing. PAUSE Another shape. Like the fist that Rodan's "Thinker" is resting his chin in. PAUSE +17 And that one feels dark. . Um, what's the time? #66: Umm, its 17 minutes after. PAUSE #44: Humph! It felt like the time I came back outside, was about the time he would have left. PAUSE +19 #44 (DRAWING) PAUSE #44: For Number One consider the drawing at the arrow. Not the first sketch made. You haven't noticed of what Number Two was? Approved For Release 2000 oly -RDP96-00788R000900520001-6