Approved For Release 2000/08/07
: CIA-RDP96-00788R0004001 50002-1
SECRET
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY:MSG,DAMI-ISH
DATEDjl
05I630ZJUL78
.NATIONALS
REVIEW ONi^VJLi QnpQ
NOT RELIABLE
Approved For Release 2000/08/07
: CIA-RDP96-00788R0004001 50002-1
Approved For Release 2000/ft8/J
-00788R0004001 50002-1
SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION CD-68
1.
(S/NOFORN)
This report documents
a remote viewing session conducted
in compliance with a request for information on
a target of interest.
2.
(S/NOFORN)
The remote viewer's impressions of the target are provided
as raw intelligence data,
and,
as such,
have not been subjected to any
intermediate analysis,
evaluation or collation.
Interpretation and use
of the information provided is the responsibility
of the requestor
3.
(S/NOFORN)
The protocol used for this session
is detailed in the document,
Grill Flame Protocol,
AMSAA Applied Remote Viewing Protocol
(S),
undated.
4.
(S/NOFORN)
Following is a transcript of the viewers impressions during
the remote viewing session.
At TAB
A are drawings made by the remote viewer
reference his impressions of the target site.
At TAB
B
is the target cuing
information provided the remote viewer.
NOT RELEA
TIONALS
Approved For Release 2000/08/07
:
-RDP96-00788R0004001 50002-1
Approved For Release 2000/08/07
: CIA-RDP96-00788R0004001 50002-1
TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION CD-68
TIME
#66 :
This will
be
a remote viewinq session
for 1130 hours,
26 June
1980.
PAUSE
#66:
Relax and concentrate now.
Relax.
Relax.
Relax and concen-
SG1C
PAUSE
#08:
There's
a.
.
.
there's
a.
.
.
there's
a perceptible line
of
juncture which leads to the same picture you're
interested
in.
This thing
is.
.
.
this thing
is covered.
There
is
a.
.
.
(mumble).
.
.
horizontal aperture with an opening that leads
to
this thing.
I'm getting
it's under cover.
.
.(mumble).
.
.
it's black metal.
.
.
shining.
.
.
it's
got
a pointed jack
of
sorts.
#66:
Lay your hand
on
it and tell me what
it feels
like.
#08:
Metal,
hard steel metal,
like
a gun barrel.
#66:
Does
it feel hot
or cold to the touch?
+07
#08:
It's cool,
but not
cold.
It's cool because
it's protected
from the
sun.
There.
.
.it's comprised
of circular plates.
#66:
Make sure that
you stick to your raw imagery.
Just tell me
the imagery
you
get.
Be very careful about the conclusions
you
draw;
just give me the raw imagery.
#08:
It's like
gun barrel,
hard steel,
dark grey,
black almost,
very smooth.
#66:
And what's
it's shape?
Steel,
dark grey,
black maybe,
metal,
very smooth,
what's it's shape?
#08:
It's like
a tube,
it's circular,
it's got
a diameter,
it's not
a small diameter.
It would be
like,
the dimensions escape me,
but
it would be like,
like
a sewer pipe,
except
very,
very
smooth.
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#66:
All right.
Explain
the texture to me.
#08:
Of the tube?
#66:
Yes.
#08:
Again,
very smooth,
very hard,
and metal.
I think there's
a
hardness of the metal,
like there
u/as
a special effort made to
make
it especially hard,
it's not your run-of-the-mill steel,
some stuff,
like
you would great,
go
to great pains
to make
a
very hard,
again
gun barrel,
like
on
a rifle,
that
kind
of
steel.
Very smooth
to the hand.
#66:
All
right.
Look from
one end
of this to the other end of this
and tell me about
it.
#08:
Say again.
I would have
to walk.
PAUSE
#08:
It's lying
on
it's side,
it's not
as.
.
.barely see where
it's
open ended now.
.
.
I
only say twenty feet,
I don't know.
Sixteen,
twenty
feet,
I don't know.
#66:
Is this
a length measurement?
#08
:
Huh?
#66:
Are you telling me
a length measurement?
#08:
Yeah.
#66:
How about
a diameter?
#08:
The diameter
is lying
on 'it's side.
It keeps changing but.
.
.
give you
the impression
it's
18,
I
can see over
the top
if
I
stand
on
tippy toe
or something.
PAUSE
#66:
All right.
I'm going to help you perceive now.
At
this
time,
broaden your perspectives
out.
Interest yourself only
in this
that you see,
only
in
this that you
see.
Broaden your perspec-
tives
out,
you have no limitations.
No limitations through all
space,
all
time,
all dimensions.
Move your perception
inside
this target and describe the
inside
to me.
#08:
Yeah,
I was
just doin'
that.
PAUSE
#08:
It's so polished,
it's like gleaming.
Even
though
it's dark,
it's so gleaming it's like silver.
Highly,
highly polished.
PAUSE
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#08:
There
is
a set of grooves.
.
.
but they go
on,
they,
they,
they
run.
.
.
lengthwise.
They're parallel
rows.
#66:
Broaden your perspectives
to all receptive modes.
Broaden your
perspectives
to all receptive modes.
Expand your awareness,
and become
one with this
total target.
Become
one yourself
with this total
target.
Through all
time,
through
all space,
and all dimensions become
one,
and knowledgable
on
this target.
#08:
Okay,
it's still
a very,
very hard alloy
of
sorts.
Steel
alloy.
Just very hard metal.
PAUSE
#66:
Tell me what
you
perceive.
#08:
Well,
I was taking
the form
of
a submarine.
I was trying to
determine the use.
#66:
What makes you say submarine?
#08:
Don't know.
It's from,
from identifying with the metal.
I
wanted to know what
it was used
for.
#66:
What visual imagery do you have?
#08:
The picture
of
a submarine.
#66:
Inside
or out?
#08:
Just as
I was determining the use,
the damn thing transformed into
a submarine.
#66:
Recapture your original
imagery.
It's made to look very much
like
a submarine.
Is this,
explore the target,
here.
Explore
this,
and determine such things as
is it electronic,
is
it
mechanical,
does
it vibrate,
is
it still.
#08:
Okay.
Well,
it's as
if
it hadn't been
outfitted.
It's
as
if
it had not been culminated into
a use yet.
It's as
if
it was
waiting.
#66:
Tell me the thing that makes you say that.
#08:
Because
it's.
.
.
it's
the.
...it's
the basis
of something,
but
it's.
.
.it simply hasn't been accomplished
in this time
frame.
#66:
Okay,
now describe
it for me
once again for me from the exter-
ior.
#08:
Remains the same,
it's
just-
#66:
Tell me about
it.
#08:
Dark,
hard,
black metal,
with interior with
a very,
very,
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#08:
resilient material with the
interior very shining gleam,
like
the looks
of
a clean
gun barrel.
#66:
Okay.
#08:
But it's
a bigger thing than
a gun barrel.
#66:
Now when you're outside
of
it,
what
is
it?
Is it
a square,
rectangle-
#08:
No,
it's
a,
it's like
an oversize sewer pipe,
much bigger,
wide
as
a man.
#66:
I didn't understand what you had.
#08:
It's
like
a oversize sewer pipe.
#66:
Oversize sewer
pipe.
#08:
Yeah,
drainage,
like
you put
in
a drainage ditch.
#66:
As
wide
as
a man.
#08:
Yes.
#66:
Does
it have any appendages?
#08:
It has two cable straps,
one
in front and one
in back,
to keep
it
in place,
I guess.
#66:
Are the ends closed or open?
#08:
The ends are covered but they're
open.
The ends are covered
with
a soft material,
but it's tubular.
The ends are covered
to protect
it but it's open.
#66:
And
on
the
inside,
is there any apparatus
on the inside?
PAUSE
#08:
In the center,
on
the top,
is
a protrusion.
.
.
a protruding
piece
of metal
or something,
it's
just there.
I don
t see
anything.
I
just
got' the effect
of
a highly polished interior.
#66:
What
is the thickness
of this,
outside to the inside?
PAUSE
#08:
Well,
first impression
is
an
inch,
inch and a half.
It's not
that thick.
#66:
I want you
to hold your focus
on
the target
for
a moment,
I
have
to turn the tape over.
Hold your
focus onthe target for
just
a moment while
I
turn
the tape
over.
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#66:
I'd like
to check with you
to see
i f
I understand that which
you
perceive.
You see before
you
a cylindrical shaped object-
#08:
Yes.
#66:
Black metal,
dark metal,
fee t long-
#08:
About.
#66:
It's as thick
or
as wide as
a man.
#08:
Yes.
#66:
The ends are closed but
it appears to be
a protective-,
are
the ends pointed are tapered?
#08:
No,
they
just.
.
.
#66:
Are the ends identical?
#08:
Yes.
#66:
All
right.
On the inside you see only
a very shiny
interior.
#08 :
Yes
#66:
You see no apparatus,
electronic,
mechanical?
#08:
No.
#66:
Okay.
PAUSE
#66:
What
is the specific density
of the object?
#08:
I can't
tell you
that,
except to tell
you
an impression
, that
it's very highly compressed and tough and resilient.
#66:
What makes you say this?
#08:
Cause that's what it is.
#66:
Could you repeat the statement for
me,
"it's highly compressed".
#08:
Yeah.
It's very
tou'gh metal.
It's
a very tough alloy.
It's,
it's main purpose
is to be very extremely compressed,
extremely
resilient,
and extremely tou^h,
and at the same time highly
polished.
.
.
When
you daid density,
I
got the impression
of
highly compressed material,
specifically metal.
#66:
All right.
Didlyou say something before about panels,
or
sections?
#08:
That was
just,
that was,
that came and went.
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#08:
Right now
it
looks to me
like
it's
one big piece.
#66:
Okay.
Is there any energy associated with this?
#08:
Yeah,
it's gonna be
filled with energy but
I
don't know what
form.
PAUSE
#08:
I
get
the,
uh,
impression
of the
gun barrel,
remains
as to it's
function,
as to it's comparative construction,
even
as to it's
purpose.
Bu t I can't get
a.
.
.
I can't get
a result
on the
picture
of what
it.
.
-
.
#66:
Okay.
#08:
I'll keep pushing to find
it.
.
.
a
gun barrel coming back,
or
a rifle barrel,
whatever
you want
to call
it.
#66:
Okay.
This thing has
the diameter
of
a man,
it's
20 feet
long,
approx imately-
#08:
Yeah,
and it's
(mumble).
.
.
very approximately.
#66
:
Okay
.
#08:
Get
a cleaner impression
of
a diameter than the length.
I
tried
to walk
the length but-
#66:
Okay.
#08:
It changes
on
me.
I
can't
do
it.
.
.
#66:
I understand that
you were reminded
of
a
gun barrel when
you
look
at
this,
and that-
#08:
By comparison.
#66:
By comparison.
It's
obviously,
from your description,
much too
large to be any kind
of
a gun barrel.
#08:
Yeah.
#66:
I
think that,
to access
the information we require,
we'll require
that
you. to go to a higher level
of consciousness than that
which you have not,
for the object doesn't make any sense
at
this level
of consciousness.
So
I wish now for you
to obtain
a higher level
of consciousness,
and become one with the
object,
and describe
the object's origin
to me.
PAUSE
#08:
Out
of that basis.
.
.
it has acquired
a nosecone,
it has ac-
quired fins,
and
it
is
out
in
the black space someplace.
Can't
tell you
the origin.
o r—/> r% r*"T*
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SG1C
#66:
Explain
the imagery
to me,
in detail.
#08:
That's what it is,
it's
just been...
.lifted
out.
It's against
a dark background,
it's got
a nose,
and it has
fins.
#66:
All
right.
#08:
And,
uh.
.
.it's as
if
it were
in
the
sky,
there are lights,
very distant lights.
Like
it were
in the perspective
of space,
if you wish.
PAUSE
#08:
There; is no sense
of proportion.
It's as
if were traveling
in
a orbit
of sorts.
I
don't.
.
.
I don't see
a destructive pur-
pose.
#66:
I
didn't hear you.
#08:
I
don't have
a feeling of
a destructive purpose.
#66:
All
right.
#08:
And
I don't have
a feel for
a.
.
.wind mass
or ocean destination,
it
just keeps
going.
.
.
pushing
it.
#66:
Any response
to the question
of origin?
You have come
i up with
space imagery.
I want. you to extend your
awareness once again
beyond,
even further beyond the space imagery,
even beyond this,
expand your awareness even further,
and search once again for the
origin.
Further and further.
PAUSE
#08:
There's just
a.
.
.
just a...
.like this was
a.
.
.just traveling
to this,
this,
black and blue space with various floating
objects going by.
It's like
an Illusion
of space
travel.
#66:
All right.
Let's turn around now and go the other direction.
What
is
the destination
of this?
PAUSE
#08:
Well.
.
.
it's
gonna be
a.
.
.
gonna be
a.
.
.
wanna say
a
planet
is gonna be
a.
.
.something
like that planet characterized
by
a great deal
of
red,
red,
orange and yellow.
And that's
gonna be characteristic
on
one side
of that
orb,
gonna be red
turning into yellow,
petering
out into white and blue,
I
guess.
The other portions are mountainous,
rocky,
very
rocky,
dark,
black,
craggy.
#66:
All right.
Move your perception back now to the specific
imagery
#08:
All right.
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#66:
Tell me
vi/hat the target
is.
#08:
God,
I don't
know.
.
.
I
think.
.
.1
think it's three times
removed.
.
.
Okay.
.
.
It's not
the first which has been
done,
it's not
the second,
just being done
or has been recently
completed,
it's the third.
That's all
I
can tell
you.
#66:
Describe the process
in which this
is the third
in the process.
#08:
Because the
first
orb that's known has been
seen,
has been done,
the second
one,
done,
but more recently,
and this supposedly
the
third.
This
is exploration.
.
.
#66:
All right.
I have no further questions about the
target.
If
there’s anything you'd like
to add please
do so now.
#08:
No.
#66:
All right,
fine.
Turn your perspectives now to me and the room
here,
remembering clearly,
concisely
in every detail
all
of your
imagery.
Let's prepare
to draw.
#08:
All right.
#1:
Before we start to draw^ I
think we better change
the tapes,
cause we're
just
aboutjfof tape here.
#01:
Okay,
before we start drawing,
there doesn't appear
to be
a
whole lot that you could
draw,
from everything that you said,
but
I would like you
to start drawing with
a,
as clear
an
impression
as you can render,
you
know,
three views of this
target,
top,
bottom,
side,
or
top,
bottom,
side,
you know on
a different page your perspective.
#08:
Yeah.
#01:
I'd very much
like to have your perspective as well.
#08:
I
know you'd need
a first
impression,
and then maybe
the second
impression where
I
can put
in-
#01:
Okay.
That'd be very
good.
#08:
Cause it's very simple.
I'll draw this one where
I picked
it
up,
whatever you have
on that thing here,
and
I'll just draw
an imaginary
line.
This,
this
is your thing
in here,
and some-
where
in here
is an aperture,
an opening someplace here,
and
you
get
a decipherable thing here.
This
is all covered,
okay,
and this
is more
in the middle,
and where
I picked
it up
I'll
just draw dotted
lines,
and
I'll make this
a solid
line.
Where
I picked
it up
it '.s something
like
this.
Because
it
was covered.
And believe me that stayed with me for
one hell
of
a long time.
Okay.
#01:
Let me see
if
I
can understand what you're saying now.
What
is
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#01:
this
large square that you drew
on the page?
#08:
Probably what you
got
in here,
where it belongs.
#01:
You're saying that that's the photograph,
then.
#08:
When,
when
I,
I don't know how you,
what we call how,
we framed,
what we targeted
on,
but
I found something
like you would have
photo imagery,
where there was an opening and we could kind
of
perceive
a portion
of something,
or something going
on,
if not
the object
itself.
And under this
one,
I went under there,
then
I
saw this big tube,
this big,
cylindrical tube.
Okay.
#01:
All right,
now,
let me
get,
I'm still not clear.
This solid
line
in the center
of this box,
what you're calling
an aperture-
#08:
Yeah,
an
opening.
#01:
Is that
an opening In the photograph,
or
is that an opening
on
the photograph?
#08:
That's where
I went
in.
It's
an opening under
a cover where
something here can be perceived,
and
I
just went under there.
#01:
Okay.
#08
:
Okay
.
#01:
Okay.
#08:
That'll be number
1,
that's how
I-
#01:
So what you're saying then
is
the object
is under something.
#08:
Yes.
#01:
Okay.
You don't perceive what that thing
is
it's under.
#08:
No.
I
know something that blends
in with wherever
it
is.
#01:
Okay,
good.
Can
you render any views
of
the object,
the target?
#08:
No,
it's
like camouflaged green-brown
if you wish.
#01:
You don't have
a feel for outline
or anything?
#08:
No.
No,
because
I was concentrating
on
this little mother.
#01:
Well,
that's what
I'm talking about.
#08:
Oh,
oh,
yeah,
big piece
of pipe.
#01:
Okay,
on
page two could you draw that?
#08:
Yeah.
This
is what
is was as
I described
it.
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#08:
Okay,
this was the diameter,
and a couple
of times
I had the
impression
that
if
I stepped
on tippytoe,
I could just about
see
the
top
of this thing.
So
I would assume
this
is about
feet.
About,
I
don't
know.
The length-
#01:
Could you label that diameter?
#08:
Sure.
The length was more elusive,
I was trying to pace
it
off
with
3 feet,
3 foot paces.
I couldn't do
it all
the way and
back,
but
I
got the impression of something like 20+ feet.
Okay?
Now,
I had
a
I was looking at
it was open
on both ends,
and then
it was covered,
like with
a tarp,
a tarpulin,
on both sides,
or
a very soft material,
to protect
it.
As
far as density and
composition
of
the metal
I
think
I described that.
There was
a very strong recurring image which was
for comparison purposes,
of that of a
gun barrel.
#01:
The elongated portion.
#08:
Yeah,
yeah,
like
it was extremely hardened metal.
#01:
Can
you
label those ends that you've drawn
there soft covering
or something so
I know what that
is.
I'm assuming by the way
you sketched that that they are open
on the bottom edge,
just
kind of hanging
over.
#08:
Yeah,
lapping
over.
PAUSE
#08:
I'll label that
"A" because there were two
of them.
#01:
Okay.
You
later mentioned that once
inside there was
a p^trudence
or something.
#08:
Yeah,
oh yeah.
That little gimmick.
There's something here,
it was
like
a,
like
a pVtruding piece
of metal,
like
a nickel
or something.
Okay.
#01:
So
it portruded into the interior and not the exterior.
#08:
Not to the exterior.
I was inside.
Okay.
I was really
trying
to find
if there were any grooves
in. there because
of the gun
barrel imagery,
where there was circular,
winding and so
on,
and
I
found
a groove
on top here,
and
a groove below here.
But
I
don't know
if
it extends all the way,
but
it seemed
to.
#01:
You continually reiterated that it was cool,
hard,
black metal.
You also mentioned black metal grating,
and you mentioned
"comprised
of circular plate".
Do you remember?
#08:
That was initially,
initially,
like
it was going to be assembled
in plates somehow,
but
I,
I
don't have
a feel for
it.
#01:
You don't know how
to express that
in
a drawing
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#08:
No.
No.
.
.the rivets,
and
the rivets were
there,
and then
they weren't
there,
and
it was extremely smooth.
#01:
How about grating,
the metal grating?
#08:
Well,
you
know,
I don't know what you mean by
grating,
it's
a,
again
I have to come back as
a very strong,
hard,
resilient
alloy.
#01:
You had stated black,
metal grating,
and
I was
just wondering-
#08:
Okay,
and the inside was highly,
highly polished,
like ydu
would be after
a rifle
inspection,
you
look at a damn
rifle,
it almost looks white from being so polished.
Okay,
now that
was the
inside,' lhat never left me,
that
impression was pre-
dominant thoughout the entire thing.
And the grooves were
extremely precise.
#01:
Okay.
Look at my notes here
just for
a minute.
So then
other
than the grooves you didn
' t perceive any seams
or anything like
that?
#08:
No,
no there was emptiness,
hollowness.
And when
I was looking
for something
inside the only thing
I saw wasthis
metal object
p^truding inside.
#01:
Okay.
You stated that it was as
if
it has not been outfitted
or culminated for use.
#08:
Yeah.
#01:
It's waiting,
it
is
a basis for something,
something which hasn't
been accomplished
in this time
frame.
Do
I
take that
to mean
that there
is something else that will accompany this,
or
go
with
it,
or
go
in
it,
or be used with
it
or-
#08:
Yeah,
yeah.
#01:
Do you have
a feel
for what that might be?
#08:
Sure.
When we pushed us
to how it was going to be used and
when
it was going to be used,
somehow,
then
this picture
appeared,
okay,
then
I got fins,
then
I
got the cone,
okay.
And my metal tube was
in here,
and this was outfitted with
fins and cone,
and so
on.
And this was very dark background
like purple and black.
Just like this was hanging
on
the wall
and
I could see
it.
And they were glimmers
of
light,
or objects,
and this was going psheeew!
through
it.
Okay.
They were
spherical,
spherical,
I
don't know whether they were spherical
or not.
#01:
What color was
the target?
#08:
I haven't
got
to
it.
The target.
The target was that thing
that was three times removed,
let's face
it,
from earth.
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#01:
I mean the,
u/hat you
just depicted there,
with
the cone and
the-
#08:
These thing?
#01:
No,
the cone and
the
fin.
#08 :
What color?
#01:
Yeah.
#08:
Black.
Extremely black.
Everything was black.
#01:
Uh,
let me look down through my notes again,
here.
Okay,
you
said
,
uh,
what specific density was asked,
and you quoted
"very compressed,
tough,
and resilient".
I almost,
you
know,
it's like there's something unsaid there.
#08:
If
I would have had the mathematical formula for density you
would have had
it.
.
.
#01:
I'm not concerned about the density,
but
I'm concerned about
what you
said,
"very compressed,
tough,
and resilient".
Does
that imply
then
that
it would need to be,
or-
#08:
Yeah,
it was made
for that specific purpose,
sure.
It's not
an ordinary piece
of metal.
Extremely refined,
extremely com-
pressed,
extremely hard,
extremely resilient.
#01:
Do you have
a feel for compressed,
tough and resilient
to ex-
terior
or interior requirements?
#08:
Well,
the only ws^
I can answer that
is by going over
the imagery
and say that the
inside.
.
.
Now,
there was
a,
there
was,
inside
was extremely shiny,
extremely polished,
and
it had,
it was
going
to be filled with some kind of energy but
I don't know
why
or how.
I don't
know.
#01:
Okay.
#08:
But
it,
you
know,
it's
not,
I
did not perceive
the impression
of wires,
or electronic
gear,
or seats,
or anything like that.
It was like
it was
a container
to be packed with energy.
#01:
Okay.
Let me look at my notes again,
here.
When you were
asked for
an
origin,
you. said that
it was traveling through
a black and blue space,
various floating objects
going
by,
an illusion
of
space:
travel.
Okay.
When
you,
I,
in
our
day and time and age and everything space travel compasses
a wide definition
By that what do you
imply?
What extent
of space travel?
#08:
Just that there was no evident means
of propulsion,
there was
no,
there was no after burn effect,
there was no fire,
there
was no smoke,
it was
just traveling through space.
And it's
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#08:
ultimate destination was this thing here,
and here was red,
orange,
ane this was bluish-white.
And all
of this seemed
on
the other side
of perception,
and
it was all mountainous,
dark,
craggy,
and rock.
My problem was
I didn't know
if
it
originated from earth
or
if
it originated from someplace else,
so where
it was going,
it was between
the
two,
and
I couldn't
tell the difference.
#01:
So you don't have
a feel
for distance.
#08:
Oh,
hell no.
I
just know it's
three,
number
three.
.
.
#01:
Going to there,
or coming from there?
#08:
To there.
#01:
When you were asked about these three
times removed that
you
mentioned,
and
you were describing the process whereby you
were explaining it's
three removed,
you said that you saw the
first
orb
as seen and done.
What did you mean by
orb?
#08:
Yes.
Well-
#01:
What
is your definition
of orb?
#08:
When
you
ask me where
it's
going,
this
is where we
left from,
this was done previously,
this was recently done,
and that was
the target.
#01:
Could you label those for me?
#08:
Sure,
one,
two,
three,
four,
I don't know,
I
don't
know,
I
would assume this
is earth.
What
I
got was
a planetary vision-
#01:
Well,
I
don't want you to assume anything,
I
mean,
point
of
origin?
#08:
Okay,
this would be the origin.
Okay,
this was previously
done,
maybe
five,
seven years ago.
This was more recently
done,
one,
two years ago,
and this was
the ultimate target
for this
one.
And this was all within
our cosmic perception.
#01:
Okay.
So point
of origin and other three locations
- are they
directly related,
or are they unrelated?
#08:
Yes,
no they're similar,
because
the activity that's going to
be done here has been done here which
is closer.
The other one
that's been done here more recently and this
one
is going there
#01:
I guess what
I'm asking
is,
are they all relative
to the same
solar system?
#08:
I
don't
know.
#01:
Okay.
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‘ Approve For Release 2008908/07 : CIA-RDP96-00788R000400150002-1 = Ri a Approved For Release 2000/08/07 : CIA-RDP96-00788R000400150002-1
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0788R0004001 50002-1
TARGET CUING
INFORMATION
REMOTE VEIWING
(RV)
SESSION CD-68
1.
(S/NOFORN)
The facilitator knew the target of interest was contained
SG1B
r
directly from the remote viewer comments as they were made.
2.
(S/NOFORN)
The remote viewer was provided with only
the information
contained
in the following statement:
ls^^T^otne^informa^^r^i/a^provJ^e^r^theremote viewer during
or prior
to this session.
The photograph
is not attached due
to it's security class-
ification.
NOT RELEA^-BEE~'TO*FpREfG^ NAT-IQ NALS
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R
:
C©Ia-RDP96-00788R0004001 50002-1