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SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION CD-93
SG1A
SG1A
(S/NOFORN)
This report documents
a remote viewing session
compliance with
a request for
information
on
a target building
H
The mission was to describe the function
of the building and deter-
Irdn^he building security posture from 2400 to 0600 hours.
2.
(S/N0F0RN)
The remote viewer's impressions
of the target
are provided
as raw intelligence data and as such have not been subjected to any
inter-
mediate analysis,
evaluation
or collation.
Interpretation and use
of
the
information provided
is the responsibility
of
the requestor.
3.
(S/N0F0RN)
The protocol used for this session
is detailed
in the docu-
ment,
Grill Flame Protocol,
AMSAA Applied Remote Viewing Protocol
(S),
undated
(S/N0F0RN)
Following
is
a transcript
of
the viewer's impressions during the
remote veiwing session.
At TAB A are drawings made by the remote viewer refer-
ence his
impressions
of
tine target
site.
At
TAB
B
is target cuing
information
provided the remote viewer.
NOT RELEASABLE
TO FOREIGN NATIONALS
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&
TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION CD-93
TIME
+06
+10
#66:
This will be
a remote viewing session for 0900 hours,
23 July
I960.
PAUSE
#66:
Relax and concentrate,
now,
Relax and concentrate.
Relax
and focus your attention
on the building
in the photograph
I have shown you.
Focus your attention solely and completely
on the target building
in the photograph
I have shown
you.
Move your focus forward
in time
to midnight tonight
at
the
target building.
Move your focus forward
in time
to mid-
night tonight
at the target building.
Focus.
Focus.
Focus.
And describe the target to
me.
PAUSE
#07:
I've been looking at
the building.
. .over,
get
over...
I was able to get through the
inside
of part
of
it...
It's very confusing.
I
saw elevators
in the building,
but
also saw broad stairway
on what
I believe
to be the ground
floor...
There's some kind of...
There's some kind of...
I think
it's
a. ..small dish antenna.
I
think
it's about
one meter
or smaller.
Had the feeling
it was portable.
.
.
Try to see how it was mounted.
It was not
on the
roof,
it
was...
inside the building...
on top floor right...
my point
of view.
.
.
it was
I
saw residue
of film processing.
. ffbaterials,
paper.
I
don't
know...
#66:
Scan the entire building and tell me what goes
on
in this
building.
What
is the function of this building?
#07:
It's official building
of some kind...
There are
offices....
there are people...
United States
(mumble)...
Americans...
#66:
What makes you say
this?
#07:
Guess the way the furniture...
it
looks...
. like familiar
to
me...
There's
at
least one...
third floor,
left side
I
feel there's an American
there.
I haven't
looked at
the rest
of
it.
#66:
What does he do
in this building?
#07:
I don't see,
I
see his office...
Very nice desk
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#07:
There's
a
(mumble)
chandelier...
while
the room's torched.
One
of the lower rooms... that gives
it some kind
of***
this
could be overlay ,
with all
the...
I wanna say this
is
a...
performs
a Embassy type function...
I
don't know whose.
PAUSE
#66:
What makes you say Embassy type function?
#07:
I don't
know,
I
saw...
a pennant
of
a staff.
I was trying
to read
it.
I
just feel that this
is
a building that has
to do with affairs
of state,
not business...
#66:
Okay...
#07:
...
not commercial
#66:
Okay.
I want you to reinsure that your focus
is
on the mid-
night hour,
now.
I'm interested
in the time period midnight
to six
in the morning.
I'd
like you
to report now
on the
time period midnight
to six a.m.
Interest
in the security
status and things relevant to the security
of the building
during those hours.
#07:
A moment ago
I
saw ...
two vehicles leave
the vicinity
of
this building with headlights
on.
I thought
one
of them came
from under the building.
I
assumed
it was midnight because
it was dark.
#66:
All right.
#07:
I
felt that there was activity
in the upper right...
upper
right corner...
upper right corner,
near corner
if you look
at the photograph...
The building seems rather quiet,
but...
top floor
is active.
#66:
In what way?
#07:
I
feel tension...
getting a lot of tension.
I
think
there's a...
like
a...
a mission...
like transmission from
the upper part of this building right
now.
.
.
Range
is limi-
ted to two
or three kilometers...
#66:
Tell me about the activity
in
the upper corner
of
the build-
ing.
#07:
There's three
of four people there...
What they're doing
doesn't seem to have
as much impact as my feeling about
it.
#66:
Explain your feeling about
it?
#07:
People seem...
scurrying around,
rushing,
but my awareness
tells me that...
they're trying
to convey information to
some other place...
and tension
is extremely high.
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#66:
Explain the nature
of this tension.
#07:
They don't have
the,
feel they don't have
the information,
or
they feel they don't have
the right information
They're uptight about...
about that transmission,
like...
like maybe they feel they shouldn't
be doing
it...
I
don
t
know
if this nervous feeling
is based on moral grounds
or
fear
of detection...
My strongest feeling
is that they
are
afraid of... of detection.
#66:
All right,
fine.
#07:
There
is,
there
is
a some kind of security on the ground
floor...
but...
#66:
Explain the nature
of this security.
#07:
I'm aware
of three people
but...
I
feel
it's routine.
#66:
Are they aware
of the activity
on
the top floor?
#07:
I
feel that one
does,
but the other two have no
idea.
Just
bored
on their
job...
Two of them doesn't really know what
their function
is.
#66:
Are they armed?
#07:
There's
a weapon there,
but
I don't know,
I was trying to
figure
if it's
loaded...
Yes,
I
think
they are armed.
#66:
How are they dressed?
#07:
They are...
Well,
one
guy civilian clothes,
two seems
to be
in uniform.
#66:
Which one
is aware
of the activity on the upper floor?
#07:
Civilian clothes.
#66:
All right,
I have no further question concerning this target
area,
however,
I'd like to provide you
the opportunity at
this time to continue your explorations and report any infor-
mation which you feel
is pertinent.
PAUSE
#07:
Just
a feeling of
the whole building
is...
one
of tension.
I
don't think this
is any kind of overlay because.
.
.
I've
never noticed this feeling
in any work
I've done before.
That's about
it.
#66:
Okay.
One last question.
Two questions,
I'm sorry.
What
do
you feel
is the nature
of this tension?
Explore this feeling
of tension for it's
roots.
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PAUSE
#07:
It's
an awareness that
something.
. .has
or
is going
to
occur,
but there's... a great deal
of misinformation
feeling
of vulnerability
in regards
of many unknown factors.
I
feel there's two
or three
people
that are very comfortable
with the situation because
of .. .knowledge.
Many others are
aware but they're not supposed
to be,
and they 're.
. .feeling
of vulnerability .. .because
of .. .confusion.
. .unknown factors.
There are
some who feel that.
. .something extremely important
i8..*M«*>uS«a-.-....It'8
a. ..it doesn't. ..it doesn't feel like
a hostage situation at all...
I
thought
I might be...
per-
suing hostages,
but it doesn't feel that way.
#66:
In what area
of
the world
is this?
#07:
I have no idea....
#66:
All right.
I
have no further questions,
and
if you have no
further comments return your focus
to the present time and
to
me,
and let's prepare
to draw the perceptions you have had.
Okay,
fine.
#07:
Uh,
I was viewing the building close
up,
and backing off and
seeing
it from
a few hundred yards away.
All
the images
seemed daylight.
And
I
tried relaxing and all of a sudden
I
could see the building from about
a thousand,
fifteen hun-
dred feet,
night scene,
I've seen
it from above.
Uh,
I saw
two vehicles leave the vicinity
of the building with head-
lights piercing through the darkness,
and one of them seemed
to come from under...
It'd
be,
looking at the photo from
the left
side,
either under
an overhang
of the building,
or
out of
a ramp from underground parking,
I couldn
' t tell.
But
it came from under the building from my viewpoint.
I found myself then viewing inside,
I think somewhere around
the ground floor.
The floor was either tile
or carpeted in
geometric pattern,
reds and
tans.
And to my right was
a
stairway which
I thought was very broad and kind of elegant.
I found myself wondering why
the stairway was there
if they
had a elevator off
to my
left,
which
I thought
I
saw.
I
found myself
in
an office
I
think about the middle
of the
building
on
the second floor,
and
it didn't seem very
inter-
esting.
Then
I moved on down to the
left side
of the build-
ing.
On either
the second or third floor
I
felt
I was
in
an American's office.
#66:
Okay,
this was kind
of immediately after
I asked you
to ex-
plain the function
or
the activity
of the building,
see what
the building
is.
I
asked you
to freely explore
the building
and determine what the function was.
So you found yourself
wound up
in
an American's office,
or what you thought was
American?
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#07:
I,
I
just felt,
I felt this was
an American's office
and
it was
at this time
I thought,
well,
gee,
you know,
I
m
not looking for hostages,
this
is an American's office.
And
I can’t put my
finger on exactly what,
I
guess
it was
the way
the place
looked,
I
felt comfortable
in there
or
something.
It didn't feel foreign to me.
#66:
You
did not-
#07:
And right as
I-
#66:
Let me see
if
I
can get this
- understand you.
You didn't
actually see an American there-
#07:
I
did not,
but
I was aware
of someone rather tall and slim,
I'd say about
6'
1"
or
2"
and slim,
about 170-180 pounds,
but
I
did not see them,
it was an awareness
of this person,
it wasn’t
a clear
image.
#66:
Okay.
It was more
a comfortable feeling
in the room itself,
as opposed
to seeing an American,
or
an American flag
or
something
like that?
#07:
I
did not see any American symbols,
flags,
etc.
It was
a
comfortable feeling that
I,
I
felt very comfortable with,
I
felt very friendly.
And
I was,
I was aware
of this person
just standing
in space.
I
tried to see them
in the room.
I
felt they belonged in the
room,
but
I
did not see them
in
the
room,
but
I was aware
off
to my
left,
of this person.
When
I'd
look,
they'd disappear...
Uh,
it was dark hair not
black hair.
Very tall.
About 35-38.
Where 'd
I
go from
there?
#66:
At one point,
and
I don't remember when
it was,
you mentioned
something about
a dish something and then some film or some-
thing?
#07:
Okay,
I was aware
of this dish antenna,
it was about a meter
in diameter
, perhaps a little bit smaller.
#66:
And where was this located?
#07:
I don't know,
I...
The other thing that
I felt and saw
I
felt
it probably ended up on the top floor.
#66:
Okay,
could you draw me
a picture
of that dish antenna,
please?
#07:
Yeah...
PAUSE
#66:
Okay.
You
just
said that you thought this might be
on-
did you
say the
third floor?
#07:
Third
or fourth floor,
I,
I'm not sure which...
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#66:
Which ever
the top floor
is,
or something?
#07:
Yeah.
#66:
Okay.
#07:
lih,
and
I
had the feeling,
I don't know,
I don't know any-
thing about this sort
of
thing,
but
I had the feeling the
thing was,
uh,
pointed out
a window.
#66:
Okay.
#07:
Uh,
and
it,
you
know,
it could be,
uh,
it could be electronic,
it could be acoustical,
uh,
I
don't
know.
It was about that
big around.
Uh,
I
didn't. see any cables leading
_ to
it,
but,
uh,
sometime
later,
and
I
don't know the right time frame,
I
saw a
lobe,
like
a mathematical
lobe that you'd develop
of
radio energy,
measuring half power points.
It looked like
a big teardrop shape,
and
I
felt
it didn't reach all the way
out
of
the city.
Uh,
for this reason
I thought
that,
you
know,
something electronic,
some kind
of emissions
or trans-
missions,
uh,
was
or was about to occur.
#66 :
Okay.
#07:
Uh,
I saw
a room which
I
thought might be
a darkroom,
and
because of my interest
in photography
I thought,
hey
this
garbage
is overlay.
But the
image kept persisting,
so
I
allowed myself
to look
at
it,
and
it was,
it
looks
like
pieces
of paper that had been wadded up
in
a film canister.
Small
(mumble)
were lying about as though they were
just
yanked out
of the canister and thrown away.
Uh,
I
saw empty
film reels,
it had bits
of film attached,
as though someone
had probably
just developed some film.
I
thought,
also
thought that was up around the third or fourth floor,
and to
the right of center
on the way you view the photograph.
Third floor,
I felt
a great deal of excitement,
I don't know,
three
or four people scurrying around.
#66:
Okay,
again
I
ask you,
do you mean top floor
or third floor,
here?
I believe during
the session
I
thought you said
top
floor.
#07:
I mean top floor.
#66:
Okay,
I,
I
am-
#07:
Did
I
say third floor?
I meant top floor.
#66:
Just now you did and
I'm assuming the building
is
a four
story building,
cause
I've been told
that,
and
so when you
say third floor
I want to be sure whether you mean top floor
or third floor.
o
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#07:
I felt this was top floor.
#66:
Okay.
You- during the session you had said top floor.
#07:
Now, there was some,
something was happening right
in third
floor below,
just below the
top floor,
part
of
it.
But,
uh,
the tension,
excitement that
I felt was top floor, wherever
that
is.
#66:
Okay,
okay.
What kind
of
a scene was
it?
What kind
of
a
room was
it where
they,
where this tension was?
#07:
Uh,
it was,
one time
I thought that there was a shielded
room.
I
toyed with
it,
and it didn't come through strong.
But
I
felt there was no windows.
Uh,
and this was
in
some
distance from the extreme right end of the building.
Uh,
there was nothing unusual about
it,
except there was some
equipment around.
It wasn't
a regular business office.
There was
a desk,
a table and some things around,
but there
was equipment sitting around,
and
one item was
a camera.
They say
I was trying to cause
involvement
in cameras the
last few days.
I was trying to discourage that cause
I
thought
it might be overlay.
#66:
What did this camera look like to you?
Can you describe
it to
me?
#07:
I
just recognized
it as
a small photomatic,
I didn't even
look close,
I
assumed
it was-
#66:
With what type
of lens was it equipped?
#07:
Short lens.
I assumed
it was probably
a
35,
I
didn't even
think about
it.
#66:
Okay.
#07:
But
I
thought,
since
I
like cameras,
I thought
it was
a,
you
know,
definitely overlay.
#66:
Okay.
If you would,
I'd like you
to give
it an attempt here
in drawing,
too,
to see
if you can't draw this room and
some
of
the things around here.
I
know that,
I didn't ask
you for
a description
of the room during the session,
and
you were more tied up
in your feelings at that
time,
but
if
you could
try,
I'd
like you to try
to draw that room where
this activity was taking place.
#07:
Okay,
just
a minute.
PAUSE
#07:
There was different items sitting
on
this,
I,
you
know,
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#07:
I
don't remember what the,
what
it was...
There was some,
uh,
cabinets
or lockers over
in this area against the wall
with equipment
in
it.
Somehow this is inboard
a little bit
from where
I
felt the people were
in the corner
of the room,
the corner
of the building.
#66:
You're saying this
other,
the room where
the activity was
is kind of like-
#07:
I
think,
well
this,
there's
a lot
of act-,
a
lot
of things
going on here.
But
I think one-
#66:
There's another room somewhere?
#07:
Yeah,
I
think one room,
this
is building,
room here
is towards
the end
of the building.
#66:
Okay.
#07:
Uh,
I
don't know where
the door was,
I don't remember seeing
where
it was,
into that area.
#66:
So this room would be
one
in from the corner?
#07:
Yes.
PAUSE
#66:
Okay.
#07:
And there was some,
there was some elecronic boxes,
uh,
I
don't know,
I have no
idea what they were.
Just some knobs
and things...
#66:
Okay.
#07:
But
I
think,
I think this room here with the
"X"
is where
some transmission was going
on,
uh,
going out from.
#66 :
Okay
.
#07:
Wasn't long range.
#66:
Something was,
something that concerns this building and
this equipment
is not long range.
It
is within the city
someplace.
Okay?
#07:
Two kilometers
at the most.
#66:
And you said,
of course,
before you don't know where
this
might be
in the world,
you didn't have
a feeling for
this.
#07:
I hadn't even thought about it till you asked me,
and
I
didn't feel particularly interested for some reason about
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#07:
where
it was.
#66:
Okay,
the only reason
I asked that
is you seemed to bring
up near
the end
of
the session something about hostages,
and
I wondered what made you say that,
because
I
don't-
#07:
I have worked practically nothing but hostages
in
the
last
few weeks,
like every time
I work
I'm going after someone
or something to do with hostages.
And
I
just naturally
assumed
it was another hostage session,
I was primed for
that,
and
it didn't feel that way.
#66:
You have no attachment to hostages with whatever this building
is?
Is that what
I hear you saying?
#07:
I was looking around the
inside
of the building for hostages,
and
I
didn't see any,
or didn't have
that feeling
of hostages,
that impression.
#66:
Although you did have affairs
of state and embassy feeling
of some kind.
#07:
Yeah,
but
it didn't seem to connect...
#66:
I'd like now to address,
I
don't know
if you can draw any
pictures
or not,
but
to address the security situation.
Refresh your recollection
it was three guards downstairs.
#07:
There's nothing to draw,
I
didn't,
I
saw them...
There's
one that,
one
in civilian clothes gonna be towards
the
left
to center
of the building,
and
I wasn't sure he was
a guard,
though he had something to do with security.
He was
in
civilian clothes and seemed to have much more of an awareness
and alertness than the other
two.
The other two didn't seem
to be really sure what they was doing,
other than to stay
awake and report anything that seemed unusual to them.
More
like strictly
a guard rather than
a strong security force to
protect something,
know what
the heck they're doing.
Two
security personnel that seemed to be
in some type of
uniform and did not seem to be particularly alert,
they were
just performing
a function...
#66:
Okay.
#07:
...without any great interest
in what they were
doing.
#66:
Do you have any feeling for,
uh,
any guard personnel
on the
grounds around the building?
#07:
I,
uh,
I didn't look.
I
only
looked at the building.
#66:
Okay.
#07:
I
did feel that there was at least
at this time there was not
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