96-00788R000700080001-7 Approved For Release 2000/08/07 : GIA SUMMARY ANALYSIS REMOTE VIEWING SESSION 835 1. (S/NOFORN) This report documents a remote viewing. session conducted in compliance with a request for information. 2. (S/NOFORN) The remote viewer's impressions of the target are provided as raw intelligence data, and as such, have not been subjected to any intermediate analysis, evaluation or collation. Interpretation and use of the information provided is the re- sponsibility of the requestor, 3. (S/NOFORN) The protocol used for this session is detailed in the document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol (S) undated. 4, (S/NOFORN) Following is a transcript of the viewer's impressions during the remote viewing session. At TAB A are drawings made by the remote viewer reference his impressions of the target site. No discussion was made by the remote viewer - about the drawings. At TAB B is target cuing information provided the remote viewer. NOT RELEASABLE TO FOREIGN NATIONALS Approved For Release 200 DP96-00788R000700080001-7
Approved For Release 2000sa0i8 +03 +05 +09 #72: #O7: #72: #O7: #72: O73 (FR DP96-00788R000700080001-7 TRANSCRIPT REMOTE VIEWING SESSION 835 This will be a remote viewing session for 13 December 1981 with a start time O915, PAUSE It is now 0915 hours. Our target.for today is contained in a sealed envelope. Concentrate, concentrate, describe to me the target. PAUSE Front of _building....overhang ce ceeccceeeece canopy overhang extending from building. PAUSE Stand at the front of the building. Tell me about the front of the building. Masonry, glass doors, green fabric canvases... canopy, round top, black, 2 inch iron post supporting metal frame work, supports canvas... canvas has light tone trim, white, white, maybe... on edge. Reminds me.of a hotel. I don't think office buildings have this type of entrance. Walk straight in from street; no steps. Seems. like something on each side of the door like... big...emust be. some kind of containers here.... plants or shrubs or something. That's about it on.this. entrance here. Something about one room.e....above the entrance and to the right, about three stories up....,I1t recently had a small fire or is going to. See the room that's got some black, smudge there...damageecsevsee All right. At the front of the hotel, go inside. Describe what's inside the doors of the hotel. PAUSE There's something straight ahead...comes to the .door...blocks my movement. Can't walk straight ahead. Could be...Bell Captain hangs out here slightly to the right...entrance Approved For Release 2000/08/07: ClA- 966-00788R000700080001-7
Approved For Release 2000/08/07 : CIA-RDP9 #07: #72: #07: #72: #07: #72: #07: #72: #07: #72: +15 #O7: #723 #O7:3 #72: #O7: 6-00788R000700080001-7 I'm over tu the left... .structure....s+--very large room. All right. That's fine. Go to the place where people would register....-e- , That's over to the right over there......over to the right......on my right. Okay. Whow!l.eeeeeeeWhat do you want me to do here? I want you to go to the center of the room, and look around and tell me what you see. Well, overhead is...-stack of circles, circles within circles....very large. Wait a minute. Stairs...l expect there's a good (mumble) but, the room I'm in I see some stairs. It....go down. Must be going below street level, for some reason. All right. Look down at the floor. What do you see on the floor? Describe it. I'm seeing perimeter...some kind of...the main floor is marble squares but there's some kind of rug, carpet. Describe the rug for me. There's a fringe on the rug pointing towards the entrance. That's funny, I would have feit the whole thing was covered, but I'm seeing some marble near the entrance. It's some kind. of radiating design in the carpet. This isn't...pretty fancy place. All right. Look at the walls. Look around the room at the walls; tell me, or describe what it is. Describe what? What do the walls look like? There's a horizontal pattern of some kind. Some big, fancy wall hanging pictures. I think some of them have small lights on 'em. Must be very important. This place doesn't seem to have the activity, right now, but.....a hotel. should ee ee ee em ee eee wetter eee ee ee reer erserereerererereese Approved For Release 2000/08/07 : CIA2RD8680789R000700080001-7
Approved For Release 2000/08/07 : £9 #72: #O7: #72: #07: . #72: #O7: #72: #07: #07: #72: O73 #72: #O7: ah 00788R000700080001-7 How many people are there? About six, maybe seven. I would have thought I would have seen 50, 75. What are the people talking about? I don't know. I hadn't had them up yet. © Seems to be some kind of important get CLogether, meeting. What type of language are they talking? Oh! 1 dontt listen to language. I'm just aware of their thoughts. I never thought about language. Okay. Why don't you just walk up and ask them what they are talking about. I don't know, but I see some writing. I can't make out the let terSssccceccescccceceerevvcers Let me try it your way. PAUSE Okay. _I'tm going to drop this and come back. I'm having trouble....overlay brought on by the face of the individual in the photo. That face says some kind of Spanish, but I seem to be in something that sounds more like some kind of Arabic tongue, or something....-in a battle with.ses. facial expressions. Okay. Just relax, relax, concentrate, concentrate. Is the man in the photograph there at the meeting? I'm not at the meeting. These people are just standing around. I don't think this is a meeting. It's very casual, if it is. They're standing around, making contacts, jocking for positions be advantageous at meeting. I don't see our friend, round faced individual. : If the man in the photo vould want to come and meet these individuals standing there, how would he get there? I dontt understand the question. Approved For Release 2000/08/07 : CIA-RDP96-00788R000700080001-7
a ea Approved For Release 2000/08/07 : CIA-RDP96-00788R000700080001-7 ~~,’ #72: Locate the man in the photo. Where is the man in the photo? Go to the man in the photo. PAUSE —* #O7s When L face the front of the door, the man in the photo is.....my left....outside, outside this building...be in a room by street level wees . This side of the street..-building I'm in I am beginning to feel....1 don't see people coming and going. More like an Embassy than +22 a hotel. It...-people standing around seem to be very responsible people with a lot on their minds...eimportant. Not casual, transientSe.ces. might expect hotel. Has tension feeling..... Delegate, delegate carefUulessereceensereccces #72: Concentrate on the man in the photo. Where is he? Where is he? PAUSE #O7: Just a minute. I'm having trouble locking on to him. PAUSE ane’ #O7s He's further away than, further away than what I thought. My position of observing him a moment ago was up and to my left somewhat. I'm not sure what my point of observation was from. I just a, assumed it was from this big room. +30 #723 All right. Just relax, just relax. The Embassy type building, the Embassy type building....- describe any impressions about the language spoken there. PAUSE #O7: All I can say is that I saw examples of writing that looked Arabic or squiggles like that. #72: That's fine, that's fine. I now want you to_relax, relax. I want you to move ahead in time, move ahead in time to 17 December, 17 December. It is growing dark, growing dark. Locate the man in the photo. Describe where he is. PAUSE Approved For Release 2000/08/07 : CIA-RDP96-00788R000700080001-7