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SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION LXXXII
1.
(S)
This report provides documentation of
a remote
viewing session conducted for training purposes
to enhance
a remote viewer's demonstrated ability.
2.
(S)
On the surface
it would appear that the viewer's
impressions
in this session show no target correlation but
there may be more
to
this session than can be presently
understood.
The randomly generated preselected target
(#32 A)
from the target pool was
a trailer used as office
space
which has been parked near
the PX at Fort Meade
for
a long
period of time.
When the
"beacon"
arrived at the site on
the day of
the session the trailer was
gone.
There was no
target
.
The
"beacon" drove around in search of the trailer
which he never located and eventually selected an alternate
target,
an early warning radar site.
He was at the alternate
target at the appropriate
"on target"
time.
The fact that
the preselected target no longer existed
is interesting given
that,
at one point,
the viewer states
"I
seem to be
in a void.
There's
just absolutely nothing.
No feelings.
No impressions.
No images
. "
The ambient room noise at the beginning of the
session was unbearable and actual remote viewing was not
attempted until
the noise subsided approximately five minutes
after the designated
"on target"
time.
3.
(S)
The protocol used
for this session is detailed in
the document.
Standard Remote Viewing Protocol
(Local
Targets)
by Harold
E.
Puthoff and Russell Targ,
November
1978.
4.
(S)
Following
is
a transcript of the viewer's imrpessions
during the remote viewing session.
At TAB A are drawings made
by the viewer reference his impressions of the target site.
At TAB
B are photographs of the target site.
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TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION LXXXII
TIME
#28:
#28:
+10
#14:
#28:
#14:
This will be
a remote viewing session
(edited
for security)
PAUSE
Okay,
#14,
its now 1305 hours.
#7
is at
the target location and he
is interacting with
the target.
Relax,
concentrate.
Relax,
concentrate.
Let your awareness move
to #7's
location.
See the target with
#7.
Describe
the target to me
PAUSE
I've only had two images
so
far,
but
I couldn't
possibly try to translate
it.
I
seem to be
in
a void.
There's
just absolutely nothing.
No
feelings.
No impressions.
No images.
PAUSE
What are these
images that you can explain?
That's
just
it,
I can't explain them.
Perhaps
I could draw them.
But there's no explanation
for them.
In fact,
I'm not even sure
I
can draw
them now.
#28:
Let yourself focus on
#7.
Form a picture of
#7
in your mind.
As you do,
simply describe
the area where he's
located.
PAUSE
If you perceive nothing about the target,
its
important for you to realize that that's
all
right.
PAUSE
You can just let it go at that.
PAUSE
+15
Describe your impressions.
orpnrT-
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#14:
Well,
there's only three things that stand out.
The two shapes that
I
saw.
The
first one
just
can't be described in words.
The second one
seemed
like
a wooden yoke with
a wooden axle
in it.
A third impression was the face of
a
woman.
I'd say anywhere from
to
30 years
old.
PAUSE
#28:
Okay,
how about drawing the impressions you
have and we'll see what we get with those
impressions and we'll talk about those for
a
minute and see
if we want to do some more.
PAUSE
(DRAWING)
#14:
Does that make any sense?
I mean as
far.
.
I
drew the lines to give
a three dimensional
quality and
I put in with blue pencil
to
indicate shade or
a darker area back there.
#28:
All right.
#14:
Number
is that feeling or the picture,
the
image of that yoke
I
saw.
I have
a feeling it
was wood for some reason.
And there was
a round
shaft resting on
it.
#28:
Okay.
#14:
Where
there.
.
projected beyond,
I don't know.
PAUSE
The third one
I won't even try to draw.
Like
I
saw all
it was, was
the
face of a woman.
Olive
complected or well suntanned or whatever.
All
I
saw was
a face and that was just momentarily.
#28:
Okay.
#14:
And that's
it.
#28:
Any other feelings,
sensations,
or impressions
that you'd like
to add?
#14:
No.
Except that
I was
just completely.
.
in
a
void.
There was
just
.
.
I
seemed.
.
There was
just nothing coming to me,
nothing going on.
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#28:
Okay.
Did you perceive any inside or outsideness
to what was going on here?
#14:
I tried to do
that.
But
I
couldn't.
When
I
think of these two images,
I
feel outside.
But
when
I
think about
the whole
session,
I
feel
inside.
Yeah,
when
I
go back and try to recall
all
the feelings and impressions that
I had.
#28:
Anything else you want to add then?
#14:
Well,
let me
.
.
.
PAUSE
I think that's
it.
#28:
Okay.
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TAB A
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