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SUMMARY ANALYSIS
REMOTE
VIEWING
SESSION
863
1.
(S/NOFORN)
This
report
provides
documentation
of
a
remote
viewing
session
conducted
for
training
purposes
only.
2.
(S/NOFORN)
The
protocol
used
for
this
session
is
detailed
in
document
GRILL
FLAME
Protocol,
AMSAA Applied
Remote
Viewing
Protocol
(S),
undated.
3.
(S/NOFORN)
Post
session
analysis
of
target
viewing
indicated
the
viewer
had
a considerable
amount
of
correlation.
The
viewer's
attitude
was
positive.
Training
goals
were
achieved.
4.
(S/NOFORN)
Following
is
a
transcript
of
the
viewer's
impressions
during
the
remote
viewing
session.
At
TAB
A
are
drawings
and
narrative
by
the
remote
viewer.
At
TAB
B
is
the
target
cuing
information.
Also
included
is
available
target
data.
NOT
RE LEASAB L E Pg
NATIONALS
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TRANSCRIPT
REMOTE
VIEWING
SESSION
863
#66:
This
will
be
a
remote
viewing
session
for
0900
hours,
February
1982.
PAUSE
Relax,
relax
and
concentrate,
concentrate
solely
and
completely
on
today's
target:
degrees,
minutes,
seconds
North
085
degrees,
15 minutes,
seconds
East
Again:
degrees,
minutes,
seconds
North
085
degrees,
15 minutes,
seconds
East
Focus
now
on
the
target
area,
closer,
clear,
precise
and
describe
the
target
to
me.
PAUSE
#25:
River,
mountains
on
both
sides
of
river. . .really
.
curvy river... it's
on
the
side
of
the mountain....
stone................
#66:
Go
on.
#25:
(Mumble)
#66:
Describe
your
position
of
observation
as
you
look
at
the
target,
#25:
I'm standing
in
it-on
it.
#66:
Move
up
above
feet,
now
100
feet. ..look
down
and
describe
only
the
target
to
me.
#25:
Squares,
several
squares,
connected,
stone,
made
out
of
stone,
carved
stone.
#66:
Describe
the
time
of
day
at
the
target
now.
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# 25
:
# 66
:
# 25
:
# 66
:
#2 5
:
# 66
:
# 25
:
# 66
:
# 25
:
# 66
:
# 25
:
# 66
:
# 25
:
# 66
:
# 25
:
# 66
:
# 25
:
Afternoon.
Describe
the
impressions,
the
raw
data which
makes
you
say
afternoon.
Position
of
the
sun,
high.
Describe
the
weather
to
me.
Cloudy.
Look
down.
Describe
the
target
to
me.
Courtyard.
Garden...
Go
on
.
PAUSE
Can
see
a
great
distance
from
the
target.
Can
look
out
and
see
over
a
valley
or
a
plain
or
some-
Describe
the
terrain.
Momtai nous. aro u n d
the
target.
Target's, on
the
mountai n
.
.
.
. s i de
of
the mountain.
Describe
the
foliage.
PAUSE
Green
*-
Focusing
solely
on
the
target,
solely
and
completely
on
the. target,
right
now,
right
now,
describe
the
activity
at
the
target.
PAUSE
Not
much
going
on
there.
It's. cold.
People,
ah...
people
are
there
to
take
care
of
the
target.
Describe
the
people
to
me.
Old
man,
blue
hat.
He's
got
a
shovel
or
a
broom.
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#66:
His
race.
#25:
White,
Caucasian,
German.
He
has
some
(mumble)
.
equ i pment
#66:
Is
he
#25:
His
job's
outdoors.
#66
:
Describe
the
outdoors.
PAUSE
#25:
Courtyard,
big,
football
field
size,
of
it,
managers
it
now,
gardener
like.
Takes
care
#66:
I
have
no
further
questions
concerning
th i s
target.
However,
I
would
like
to
allow you
the
freedom
to
explore
the
target
and
comment
on
the
perceptions
you
have.
Do
this
now.
PAUSE
#25:
.....thick
stone
. .look i ng
at
plane
sort
of
left
from
my position,
and
a
river,
mountains
on
the
other
side
of
it,
way
high..
I
mean
really
close
to
the
river
to
the
right.
Target
is
something
aside
the mountains
(mumble)
There's
just
snow
on
the
ground,
stone
floors
_
It's
on
floors.
That's
it.
v''
#66:
Remembering
all
that you've
perceived
about
the
target,
remembering
all
the
pictures,
all
the
sensations
of
all
the perceptions
let's
prepare
now
to
draw
those
perceptions
which
you
have."
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REMOTE
VIEWING
SESSION
863
(DRAWING
NARRATIVE)
#25:
Okay.
This
is
the... .following
is
the
description
of
the
drawings.
Drawing
is
the
image
that
I
first
received
when
I
said
valley with mountains
on
the
side
and
river
in
the middle.
My
perspective
is
sort
of
in. ..where
the
asterisk
is
on
the
page.
#66:
Okay.
At
this
point
in
the
session
you
said
it's
on
the
ridge
and
I
thought
you
said,
you
said
it’s
on
the
ridge
or
on
the mountain,
and
I
thought
you
were
saying
the
river
is
on
the
ridge
or
on
the
mountain.
I
was
somewhat
confused.
Did
you
mean
at
that
time
that
you
were
perceiving
that
the
target
was
on
the
ridge
or
something?
#25:
Yeah.
The
target,
I
think.
I
don't
remember
that
that
well.
But,
I
think
I
was
talking
about
the
target
was
here.
But,
the
river,
itself,
is
sort
of
in
between
the mountains
there.
At
least
in
the
drawing
there,
and
as
I
recall.
There
is
something
down
here,
but
I'm
not
going
to
draw
anything
in
because
I
don't
know what
it
was.
But,
I
think
it
was
buildings
in
this
area.
Drawing
is
the
overhead
view with
the
asterisk
roughly
in
the
same
place. ..just
turning
it
overhead
And,
I
noticed
now
that
I
didn't
draw
some
stuff
in
here
that
should
have
been
on
the
drawing
1.
I
can't
remember
what
it
was.
The
square
shapes
are
the
double
squares
in
the
center
of
drawing
2,
and
the
asterisk
is
my
sort
of perspective
of where
I
tried
to
look
at
things
from.
This
is
a
mountain
behind
and
above
the
target,
and
this
is
a
valley
below
the
target.
It
sort
of
goes
out
for
miles.
Almost
like
turns
into
plains
(phonetic).
At
least
it
looked
like
it.... .a
lot
of
flat
land.
The
target
itself
was
on
the
side
of
the mountain.
Relatively
high
up.
I
keep
wanting
to
draw
in
some
very
steep
elevation
here,
but
I
don't
know
how
to
draw
it
in.
By
that
I
mean,
here
I
mean
to
the
left
of
the
stone
building
as
you
look
at
the
drawing.
Didn't
get much
on
this
building.
I
drew
it
as
a
square,
but
I
kind
of
think
there's
much
more
detail
to
the
outline
of
the
building
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#66:
Okay.
Sometimes
at
the
end
of
the
session
we
look
at
five
gestaltic
descriptors.
How would
you
categorize
the
target
today?
#25:
Okay.
It
was
definitely
land
mass
..
What
were
the...
#66:
The
actual
target
or
are
we
dealing
with
#25:
Oh,
no.
The
target
itself
was
made
out
of
stone.
But,
it
sat
on
the
side
of
the mountain.
We
should
write
this
down
here.
#66:
Well
no.
It
depends
on
the
particular
target.
Here
you
have. ..let
me
phrase
it
this
way.
If
I
understand
you
correctly you
have
a man-made
structure
of
some
type
which
you
feel
is
made
out
of
stone.
Do
you
have
an
inside
or outside
perspective
as
to
the
target?
#25:
Well,
my whole
perspective while
I
was
there
was
outside.
So,
I
assume
from
that
that
it
was
an
outside
target.
The
target
was
intended
to
be
looked
at
from
the
outside.
#66:
Okay.
But,
by
the
inside,
outside
thing
is
if we're
talking
about
an
oil
well,
you
can't
get
inside
an
oil
well.
But,
if we're
talking
about
a
farm,
one
can
go
theoredi cal ly
inside
a farm
too
#25:
Yeah,
and
a
house.
I
don't
know.
I
guess
you
could
in
this
thing,
but
I'm
going
to
still
say
that
even
now,
that's
your
description
of
inside
target.
I'm
not
sure
enough
about
it
to
say
that.
I
think
it's
an
outside
target.
#66:
Your
perceptions
were
of
an
outside
situation.
#25:
Yeah.
Ruins
mostly
is
what
I
thought
they were.
And,
that
might
be
analysis.
I
thought
that
was
analysis
and
overlay.
But,
it's
old,
I
know
that.
I
don't
know
if
they're
ruins
or
not,
but whatever
it isis
really
old.
#66:
An
old,
man-made
stone
structure primarily
outside
Now
tell
me
about
the
surrounding
area.
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#25:
Uh... there's
something
here
that's
higher
in
elevation,
and
that's
in
the
upper
left
corner
of
the
building.
The
man
with
the
blue
hat
is
indicated
in
the
drawing.
I
think
his
responsi-
bility was
to
take
care
of
this
courtyard
right
here.
At
first
I
thought
he
was
shoveling
or
sweeping
snow
and
then
I
tried
to make
the
snow
go
away
and
I
figured
if
it
stayed
away
it wasn't
there.
But,
it
didn't
stay
away.
The
courtyard
I
think
has
trees. in
it.
It's, sort
of
like
a
manicured
thing. ...uh
this
guy,
all
he
does
is
do
that.
Over
here
is
another
square
shape
that
was
in
the
image
but
I
don't
know what
it
is.
I
think
it might
be
another
courtyard,
but
I
don't
know
that
for
sure.
And,
this
is
just
a
grassy
lawn.
These
arched
shapes
were
there.
#66:
Arch
shapes
at
the
top
of
the
paper
drawing
2?
#25:
Yeah.
Yeah.
They're
stone
and
they're. ..I
don't
know. ..see
if
I
can
draw
in
a
recess
area.
I
can't
draw
in
too
much
shadow
because
there
wasn't
too
much
shadow.
It
was
early
afternoon.
When
you
asked
me
about
time
I
think
it
was
around
o'clock.
And
that's
all
I
got
to
say
about
the
drawings.
#66:
What
overlay
problems
did
you
experience
in
this
session?
#25:
Okay.
When
I
came
upon
the
image
that's
drawn
on
drawing
1,
I
thought
I
recognized
that
place
as
being
the
:
: Nie;c:kar 'River
i!n
lie i^d.e.l berg.
...1.
Germany,
and
the
target
itself
has
a
castle
in
Heidelberg.
. .the
Heidelberg
Castle
which
is
sort
of
a
famous
in
the
area
there.
Probably,
since
I've
been
there
and
walked
around
the
castle
once
there's
a
lot
of
overlay
here.
I
think maybe
the
squares
might
be
after
it,
and
the
terrain
description
might
be
after
it,
but
I
don't
know where
it
was.
I
think
the
Germany part
is
probably
overlay.
That's
it.
#66:
Okay.
How
do
you
feel
about
this
session?
#25:
It wasn't
hard.
It
was
easier
than
I
expected.
I
just
don't
know.
As
far
as
my evaluation
of
the
accuracy
of
the
viewing
today,
I
got
no
idea.
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#25:
Okay
.
#66:
Are
we
in
the
middle
of
the
desert..
Are
we
in
the mountains.
Are
we
near
a
lake.
#25:
We're. in
the middle
of
the
mountains
near
a
river.
There's
no
problem with
water.
The
climate
i s
humid
.
It
was
col d
.
#66:
Okay.
Good.
Those
are
the
group
fo
descriptors
that
are
nice
to
know
about
the
target.
Okay.
Anything
else?
#25:
No.
#66:
Okay.
Fine.
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