Approved For Release 2000/0:
RBMiH
101-0
SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION CCC-94
1*
(S)
This report documents
a remote viewing session conducted in
compliance with
a request from SOD ,
J3,
0JCS
Pentagon,
Washington,
DC,
Ihe purpose of the session was to provide information relevant
to the
hostage situation
in the U.S.
Embassy compound in Teheran,
Iran,
2,^
(5)
The remote viewer's impressions
of
the target are provided as raw
intelligence data and as such have not been subjected
to any intermediate
analysis,
evaluation or collation.
Interpretation and use of the information
provided
is the responsibility of
the requestor,
2.
(S)
The protocol used for this session is detailed in the document,
Grill
I lame Protocol,
AMSAA Applied Remote Viewing Protocol
(5),
undated.
4.
(S)
Following is
a transcript of the viewer's impressions during the
remote viewing session.
At TAB
A are drawings made by the remote viewer
reference his impressions of the target site.
At TAB
B
is target cuing
information provided the remote viewer.
5.
(S)
The remote viewer was asked
to locate Thomas
L.
Ahern and describe
hia surroundings.
The viewer described Ahern as being in a small room which
appeared to be something like
a prison cell.
He stated that Ahern appeared
to be in goad physical condition,
but somewhat frustrated with his situa-
tion.
The viewer did not
"see"
any other hostages,
but the names Johnson
and
Thornton came to mind.
Approved For Release
TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION CCC-94
TIME
#14:
This will be
a remote viewing session for
2 May 1980.
Mission time is 1400 hours.
PAUSE
All right #10.5 the time is now 1400 hours.
Your mission
for today is to find Thomas Ahern.
I want you to identify
his location and describe his physical and mental condition.
I
also want you
to identify any other hostage personnel
at
this same location.
PAUSE
I want you to relax,
relax and focus your attention
on
Tom Ahern.
PAUSE
+05
#10.5:
I have a feeling of
a carved out notch in the side of a
structure.
Notch contains
a flat ...some sort of
a flat open
area and there are bushes or something around
3 sides,
and
structure around
3 sides.
It's several storied; has essentially
a flat roof with only
a minor peak in
it.
Very minor.
Seems
to divide at
one end like
a
"Y".
And it's... has two wings...
it goes straight on.
PAUSE
+07
Get
a feeling that I'm looking at Ahern through two vertical
lines between, he -and me... sitting
there right inside the
vertical lines. ... .appears
a small round table with
a almost
lounge chair along side cross-legged,
casual.
PAUSE
Back
to a wall.
Something by my head that sticks out from
the wall.
PAUSE
+13
Keep getting this cell feeling
‘tong box,
barred in
(phonetic)
Approved For Release 2
Oh!
This is ridiculous
i
#10.5;
This
is
#14:
Tell me about
it.
#10.5;
I wish somebody could
to see me sitting here like this.
This is ridiculous.
PAUSE
#10 . ^ ;
Sort
of
...(mumbling)
frustrated and Johnson has come
twice
to me.
Once
1 discarded it and
it came back later.
PAUSE
#10.5;
This.
. .uh. . .top floor just
inside the notch.
The notch has
some sort of a round pattern
in it.
This has other
spiderweb pattern.
Ia possibly
a second window,
right above
the notch.
.
. .about
a second,
possibly
a third.
It
seerns
high but it may not be that high.
PAUSE
#10.5;
All I'm getting.
.
. hallway.
Its long but blank.
I'm
going up and down it real fast.
I
can't seem to get there.
I don't see anything. ....
PAUSE
I
only got
the one
.
.
. named Johnson,
PAUSE
Thornton.
PAUSE
Thornton
.
PAUSE
Okay.
PAUSE
Well,
that's that for what its worth.
#14;
We are now ready
for debrief.
The first thing that you
described was a carved out notch inside of
a structure.
#10.5;
Yeah,
its not the first thing
I
saw.
It was the first
thing
I
talked about.
iSttS Hi
Approved For Release 2000/08/08
090001-0
#10.5;
I had a light colored,
a light reflective
type building.
And
I had a real close-in shot about as even with the
roof line.
PAUSE
And
I had the feeling that the roof dt his building had
a very,
very slight peak in it.
But the thing
that
I
remember from it
.
.
.
was the feeling that this thing
had a
.
.
.somewhat of a
.
.
something that went
diagonally across it like that.
You know what
I mean
.
Like the tar-paper had this
X chape,
something.
#14:
Urn hm.
#10.5:
Anyway.
This is the forward edge with the dotted all the
way along and there's some sort
of
.
.
there's
a little
edge around the building.
Its essentially flat topped.
Dark roof.
Okay.
Out here is the horizon.
Okay and then
here
is the forward face of the building.
This is forward
•
•
But from the perspective that
I
saw
it.
This is the
roof,
you know,
this
is
a 90 degree angle here.
Okay.
Like that.
Okay.
Anyway that was the first thing that
I
saw.
But,
the
next, thing
I
saw was
.
.
.
this type of a
again
I wasn't getting the whole thing.
I had the feeling
it was a rather large building.
Okay,
but ......
Okay.
And this was the carve out that
I'm talking about
okay and then here's again,
building structure along
there
I can't.
.
I couldn't figure
it
out.
This is
like
a carve out plaza.
This is what
I
referred to as
carve out.
This
is an aerial
view.
Okay.
Then
I
got this idea.
There was another one along there somewhere.
Something
like that.
And that the
.
.
this is the side of the
building here.
And in here.
.
.
is
the plaza.
Its got
a round thing in
it.
Its got
a cross thing in
it and its got ...
something like hedges that
go around it.
I'll draw
a
close-up of
.it.
Its closer.
And the dark line that's
U shaped like that is is the hedges.
The feeling that there
' 3
a nitch
in the side
of the
building that
it has got
.
.
.
Okay.
#14:
#10.5:
Did that circular thing you described there
in the nitch
have any significance
to you?
No,
other than
a patlgj^
or
a plaza
.
.
.
other than jusj^a^attern on the ground^"Kdidn
' t
get any feeling for real dimensions.
But
it)was..like
a
plaza
in
j*here.
Carved out.
A
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: CIA-RDP
R002 100090001-0
Approved For Release 2000/08/08
: C
jClIT
#10.5'.
Okay,
so then
a close-up
of
that.
Which
is what
I
.
.
The reason that
think it has relevance
is because
I think that where
I
was overlooks that.
That's where
the X is on Sketch
3 is where
I
think
I ended up being.
After
I went to him and
I
came back out of the wall,
I
looked down and there was this plaza below.
All right.
Then
I had the
.
,
this type of a feeling.
Okay and there
are.
.
.
this thing that
lines the plaza
is like
a hedge
row,
okay.
That's what the idea
I was
trying to get across.
Its like hedges or bushes
.
.
.
that match that contour.
And its
.
.
I'm drawing this
.
.
I
don't know,
its only
.
.
.
two or three stories,
I didn't get a.
.
.
Its not
some sort of
a massive thing.
Only two or three.
I'll
put in three,
but its only
two or three.
And
I had the feeling that that was the
.
.
.
the second
one from the left side of this notch is where
I had been.
X marks the spot.
Okay.
And that in here.
.
was
a
,
.
some sort of a cross pattern and it had something round in
it.
Its not that big.
The damn thing is only.
.
.
maybe 40 feet across
is all.
From my feeling anyway.
That’s the layout.
And there are other windows and this
goes off like that.
All right.
Okay.
All right.
Somewhere associated with this.
.
,
again,
I had the
same damn feeling
I had once before.
Somewhere here
on
,
the Sketch
1.
For some peculiar reason ,
I can remember
now,
because
I didn't talk about
it,
it registered,
but
for some peculiar reason
I had
a
.
. .a thing that stuck
up
in the air
like ...
a not
a tower so much as
a.
.
not a what
is it on the top of
a church.
#14:
A spire?
#10.5:
Yeah.
But big and
.
.
more like
a.
,
I'll draw it as
an insert.
Okay.
On Sketch Number
1.
And
I had the
feeling that it was
to the right of this view.
This
.
.
I
! ll label this insert.
Okay.
Tht it was ....
something like this that protruded up.
.
somewhere near
the roofline because in Sketch Number
I was still up
around the top of this building.
Okay,
What
it reminded me of is
a
. .a tiled,
you know this
cotillian tile roof you'll see down in Miami
or down
in the Spanish countries?
Sort of like
that.
Like
almost orange tile or something very,
very like
that.
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