Approved For Release 2OM0|i0||^lBDP96-OO788ROOO6OO45OOO1-7
SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION DCC-28
(S/NOFORN)
This remote, documents
a remote viewing session conduc
compliance with a request for information.
2.
(S/NOFORN)
The remote viewer's impressions “^^^^ed^o any^^
as raw intelligence data,
and as such,
h_
Interpretation and use
of
(S/NOFORN)
The protocol used for this cession
is detailed^
0000^1
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol
(S),
undated.
/
rq/NnrnRNV
Followinq
is
a transcript of
the viewer’s impressions during
the remote viewing session.
At TAB A are drawings made by
viewer
reference his impressions
of
the target site.
At TAB
B is target cuing
information provided
the remote viewer.
5.
(S/NOFORN)
This remote viewer has worked against this target in
the
past
(see DCC-16).
Approved For Release 2000/08/07
: CIA-RDP96-00788R000600450001-7
Approved For Release 2000/08/07
: CIA-RDP96-00788R000600450001-7
icrmrr
Taroin
TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION DCC-28
TIME
#14:
This will be
a remote viewing session for 21 April 1981;
mission time
is 900 hours.
PAUSE
.
All right #31
the time is now
9 o’clock .
Your mission for
bolA today
is
to
I want you
to focus
SGI Aon ^^^^^|at his work.
Focuson^^^^^Jat his work.
SGI A
Relax,
concentrate,
focus on ^^^^^^pn^describe his
SGI A
surroundings.
+04
#31:
#14:
#31:
Hmmm.ah.
I,
ah. ...built,
milti-story building
about, , ..three
or
four stories,
and,
ah,
it got an
"L"
in
it
and... interior corner.
Somewhere
somewhere
in the "L"
interior "L" was this feeling of
a angled railing from left
and
to the bottom right. ...the ribs
or
(mumble)
....in
the
foreground.
Then
I was
in
a wooded hillside up above and
behind a building.
As
though
I was looking down
the
forested
hillside
on
to
the back
of this building....
seeing it's a roof.
A lot of it
I
couldn't see though,
because of
the hill. .. .being in
the way.
It's .as though the...
building is set at the
bottom of
a hill.
Let me clear and
then give me a..... target me again.
Okay
.
Give me about a minute.
PAUSE
#31:
#14:SG1A
Okay.
SG1A
I want you now
to focus on
Focus on
^£jm£|and describe his
job.
Describe the
type
of work
this man
does.
PAUSE
+10
#31:
I
keep getting this amphitheater feeling... an
audience...
and he's
in the audience.
The, that: slightly
up on... up
in
back away
from something that's happening, but he's not
interested.
He's.
. .like. .. .a person wholistliaitening to
a
...speech would be.
He's not really
interested.
He's sort
of... mind is wandering as he sits in a row seat,
and that's
one impression.
Only one impression
ATAIiBjU
TTOTCu
Approved For Release 2000708/07
: CIA-RDP96-00788R000600450001-7
Approved For Release 2000/08/'
6-00788R000600450001 -7
#31:
#31
Just a minute.
#31:
+15
#31:
PAUSE
1..
.. said show me some action regarding his work.
Down
a street and... ...in
a
up
a little stairwell,
and into
a
....side of a building
to the left of
some pillars. .....
.
I
keep seeing him sitting with his arms crossed across his
stomach upright in
a chair with his legs crossed
and usually musingly uninterested.
PAUSE
1..
.. 100king at his hands.
I'm not getting much interior
type office place at all.
I'm getting a lot of
Like the
quy
gi
'
has a base of operations. .. ..that really
much of his
Y
employment is done at other peppies offices ...
.
doing other things.
You know.
Like
I watched his han
.
...... He
seems
to carry
a briefcase.
I m watching his
hands
I'm like walking along next to him down
a street.
He's wearing a coat.
A dark full-length coat,
like a raincoat.
It's
a little cool yet,
still he's got gloves on,
I
think.
But! he doesn ' t have a hat on.
I'm trying to get him to show
me where he works.
PAUSE
I keep seeing him walking down
a sidewalk.
This feeling of
biq city..... buildings,
cemented block building on my
left.
I
keep getting this big federal office building feeling....
type of situation.
I'm going to get m the hip pocket and
let him take me
to work,
and then,
ah
#14;
Okay.
Very
good.
+20
#31:
PAUSE
I'm in
a hallway now. .. .outside
a door.... I still have office
type feeling.... having place type feeling.
. :;Just qet
the feeling of
a
.. .desk.
. .umm.
. .desk opposite the door
and some sort of
a high ceiling room.... some sort
tables and formally
(phonetic)
set chairs on the left and the
rinht
like he sits at this table,
his desk
in the fron
the room!
It's not
very
long.
It's only about 20 feet long.
He seems
to sit up straight in
a chair and he crosses his hands
in his
lap and he listens
to people,
and two which he looks
at which are back sitting in the other
or
of
fhpm
like
they are giving tests and giving testimony ,
or
like^they
' re^askinga favo? or like they are explaining a problem
and he St! and listens.
He's sort of one step up above
them,
$ So“
He's like
How,
I'm sitting on his shoulder
Approved For Release 2000/08/07
: CIA-RDP96-00788R000600450001-7
Approved For Release 2000/'
-00788R000600450001 -7
#31:
+25
#31:
#31:
#14:
#31:
#14:
#31:
+30
....and
I
look down at what he's reading,
and it
s
a document
....I
could have sworn when
I
looked at
it,
it had
..like
a
book and... like document that had pullout, maps on the right
side. .. .something to do with Balkans,
Balkans something or
other.
PAUSE
I
see ah
hings again
(phonetic)
punching.
. .and carefully
moving keys
on some sort of a machine that sits to the
left,
small,
little machine about the size of
a typewriter. (Mumble)
is on
the
(mumble).
PAUSE
Feeling earlier
that he was.... had something
to do with
translations.
That he.... seemed to have read these documents
...like this document on
the Balkans and that he would read
them and translate
them,
and that he would type them,
and
both
a translator as well as
a writer.
He writes
_ documents
and works on some sort of
a machine like
a typewriter.
I
don
know.
It's
very,
very difficult.
It's
a very difficult,
non-
action
job,
and
it's difficult
to discern
the data within the
non-activity.
I mean,
as
if he was
a jack hammer operator
*
it would be easy,
but this
is
a non-activity
thing.
Because
it
is,
it resembles conditions.
. .so many others,
it's
difficult
to find out what it
is.
Okay.
I
have no further questions at this
time.
Well,
let me spend a couple of more minutes and see what
I
get.
Okay.
PAUSE
Ummm the
ima'
imagery
I'm gettin'
is some sort of a youngish
woman,
maybe... 30 who has close bobbed hair,
and it
s
of brown hair,
page boy
like,
sort of a.... stocky,
solid bo
y.
Fleeting moment
I
saw the.... jail bars
in
the foreground.
As though this woman was
in jail,
and that he had had something
to
do with it or with her
That's all
I
m getting.
I
don't know.
I'm not getting anything.
#14:
Okay.
#31:
Well,
sketch
1 is my opening imagery
in this session.
Some
sort of a building
in the background...
I
had
the feeling
I was outside this building on
the edge of the sidewalk
Approved For Release 2000/08/07
: CIA-RDP96-00788R000600450001-7