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SUMMARY ANALYSIS
REMOTE VIEWING SESSION #918
(S/NOFORN)
This report provides documentation of
a remote viewing
session conducted for training purposes
only.
o
('Q/MnmRN')
The protocol used for this session is detailed
"n
document GRILL FLAME Protocol,
AHSAA Applied Remote Viewing Protocol
(S)
,
undated.
3.
(S/N0F0RN)
Post session analysis
on target viewing was not possible
at this time.
The viewer's attitude was positive.
4.
(S/N0F0RN)
Following
during the remote viewing
reference his perceptions.
is
a transcript
of the
session.
At TAB
A are
viewer
'
s
drawings
impressions
and a narrative
NOT RELEASABLE TO FOREIGN NATIONALS
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TRANSCRIPT
REMOTE VIEWING SESSION #918
#66 :
#25:
#66 :
#25:
#66 :
#25:
#66 :
#25:
#66 :
This will be remote viewing session for 1400 hours
2 June 1982.
Following
is
a pre-session briefing to
the remote
viewer.
At this time
I provide you with
a
sealed envelope containing a photograph
of an indiyidua
.
This
is
a search problem on which we have been working.
Your target date for today will
be
1 June .1982,^1 June
2,
Your task event
is to locate the individual
in the
photograph
in the envelope,
locate him on
1 June
19B2
and then describe his location to
me.
Do you have any
questions about your
task for today?
Any particular time?
The time
of
1 June
should be sufficient until we get
into the session and then we may move around during the
day.
But the
1 June time window that
24 hour period,
which
is
known as
1 June
1982,
should be sufficien
.
Any other questions?
No.
All right.
Then prepare yourself then for today's task.
Relax,
relax,
relax and let go of all your worries and
concerns.
For
it's time to focus your attention
solely
and completely
on today's target.
So relax.
Relax your
body and open your mind.
Focus now.
Seeiin your mind,
the individual
in the photograph.
Move your perceptions
now with your mind through time and space to
1 June
1982.
Think only
of the individual,
only
of the individual
in
the photograph.
Relax,
let
go,
perceive.
Moving
through time and space
to
1 June 1982,
the location
of
the individual.
Observe now,
you are the observer.
Relax.
/
I have
a memory
trace.
Tennessee
Ri^ver ,
boats,
boat harbor,
bridge.
Image
in your mind the individual and describe his immediate
surroundings
to me.
I
don't
know,
sliding
doors,
dark,
daytime,
but it's dark
in the room,
damp feeling,
musty smell.
Focus on the individual and describe his activity to me.
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#25:
Memory trace of a baseinerit
, down,
u/hite. .. .can
1 1 tell,
sewing,
don't think
that's right,
something like sewing.
#66:
Describe this room to
me.
#25:
Long,
longer than
it
is wide,
feels like
a motel
room,
all purpose room.
#66:
Colored?
#25:
I
can't seem
to single one
xout ,
all
of them are coming
together,
blues,
oranges and brown patterns.
#66:
Move outside and above and describe the building
in
which this room
is
located.
#25:
Long building,
concrete block.
#66:
And the
surrounding area?
#25:
Trees.
#66:
Describe the size of the building.
/
-S
.
,
|
#25:
Over again,
they! re
in the drawings,
and
I can't think.
]
Ten^mes lengths,
length
is
10 times the width.
i
#66:
Move back into the room now,
Move back into the room and
as you move to the room,
describe how you arrived there.
#25:
I got
a river
again.
Two story building,
I went
to the
roof.
#66:
All
right.
Move back up through the roof,
high above,
high
above,
now up to satellite view,
looking down
at the target,
describe its location
to
me.
#25:
Overlay,
T.V
(mumble)
#66:
Describe.
#25:
Florida,
sticking out
in the
(mumble)
off Florida.
#66:
Now,
from your altitude,
dive,
dive at the target.
#25:
Target sounds severe.
#66:
Describe the area within 100 miles
of the target,
describe
the surrounding area within
100 miles of the target.
#25:
Mountains,
snakey type river,
viny plants below,
mountains,
rural area,
out
in the open,
farmer,
not used land,
two
cities,
big,
now
I
keep having overlay,
this time Alabama ,
northern Alabama,
Huntsville, Decater.
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#55 :
Okay.
Focus
now back
on
the
room.
Move back to the
building,,
and move into the room.
Describe
it
to me.
#25:
Right now,
we have some equipment
in the room.
#66:
Describe.
#25;
Like teletypes,
it's like
a.
Work area, ©ig
gtiay'
boxes
,
they, cgy^r, machines,'
1 - -
,
#66:
Okay,
now stand
on the roof.
Move up and stand on the roof.
Describe the most prominent terrain
feature.
#25:
Lawn big.
My headache's better.
Fair size,
mountain area
all under cover,
sticks up.
#66:
Stand
on
it.
Move to the top of hill.
How can
I best
find this hill?
#25:
I'm not getting anything.
#66:
All right.
#25;
Name of
a Redstone,
but
I think
I had an imagery
of Redstone,
the arsenal
in Alabama.
Overlay.
#66:
Let's concentrate now
on today's target.
Just relax now,
relax and regain control
of your perceptions.
Take
a few
moments
to relax,
relax,
relax.
It's time now to move
beyond the confines of my questions,
beyond the limits
of your descriptions.
Focusing
on the individual
in
his location
of
1 June 1982.
Expand,
observe,
discover
the name of this place.
#25:
I
just get overlay from Decater.
Everytime you say target,
I
go to the boat harbor and the pier,
on the Tennessee River.
.It's like one shore
is way higher than the other
one,
buildings,
brick buildings are up there.
#66:
All right.
Now listen very carefully to the sound
of my
voice.
Listen very carefully to the sound of my voice.
We will now assume that the perceptions are coming
through correctly and that
you've' processed them to a
familiar place
in your memory.
Tell yourself,
communicate
with your
own mind,
your higher
self,
that you are willing
to accept the information and
it
is not necessary for
memory to
interfere.
Go now,
and report this place you
are perceiving.
#25:
Low land.,
lots of water,
shacks,
(mumble)
round to the left,
(inambie)
(mumbles)
Indian head- penny
.
-
PAUSE
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Go
on.
Metals,
(mumbles) not precious metals , ironed copper
& about
that^?^ (mumble
1 don’t feel pood,
sick feeling.
Describe your visuals.
Got. •ksorie'
:
stepping,
back, blocking everything.
I don't
want
to
...that’s
it*
ftsk^yourself
‘
this place for
you.
F-R-E-L-A-N-0...1
don't
knov. about the "L"
or about the
L-A-N-D.
I.Eiael ,
I
just felt
I had.
Read the printing
to me.
PAUSE
I'm not getting anything.
Images of Ft Meade.
Okay
.
That's all
I
can add.
I have no further questions concerning the target.
Let
s
noS prepare to dJ the images that you have had.
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DRAWING NARRATIVE
REMOTE VIEWING SESSION #918
#25:
#66 :
#25:
#66 :
#25:
Okay.
The description of
the drawings follow.
Drawing # 1
is an area that
I described during the
session,
is
the boat,
harbor area,
the
little,
sort
of oval shaped things,
squared sides are the boat
houses,
that
later reminded me
of casket like things.
I
mean they are all over
the place and there are more
there than
I .drew.
They're inland too,
on this road
and little man made peninsula.
This also got them
in there too.
I
don't know
if that's cars
or not.
You would think that's where people would park their
cars,
if that were
a boat harbor,
with water all
around
it,
with
a road going by:,
with water
on both sides
of the road, water
on three sides of the roads.
Any
questions about that?
No.
Drawing #2
is the building that was longer than
it was
wide.
It
10 times
longer than
it was wide.
It had
a
gray colored.
It had a first
floor and a second floor.
The first floor didn't seem to extend all the way
out
to,
I mean the second the second floor
didn't extend
the distance
of the first
f lbor .
I had the
idea
it was
concrete block,
painted
a
light color.
I
don't know what
color.
That's
the building
I
saw when
I went outside the
room.
„jc»
Drawing #3
is the
impression
of the all ptupose room,
without any
of the fixtures,
that
I
saw,
which
I thought
were all overlay,
near the glass doors
at the end and
I
feel like now,
that maybe now,
that the glass doors
are too big, now that there
is more of
a wall there and
the glass doors are considerably smaller
.
And
if that
s
true,
then that would make that
room look smaller.
So
I
really
don't know how that
looks,
to me now.
Okay.
At one time
I asked you
to try to associate
a name
with this whole target place you were perceiving.
Yes,
I'll spell that
again,
so that,
because
it probably
wasn't clear
in the session.
F-R-E-L-A-N-D,
f reland,
I
guess that's the way to pronounce
it.
It
may have
letters missing and
it may not. Being there,
and
I
felt
like,
during the session the maybe the L-A-N-D was just
a fill
in the blanks thing, where
it was created by
overlay,
where my mind filled
in the blanks for that,
because
I didn't have an ending to
it.
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#66:
But you have confidence
in F-R-E?
#25:
I think
so.
And then,
you
know confidence
in L-
is not completely
dismissed,
you know
I
couldn
tell about
it.
#66:
Okay.
Anything else?
#25:
No.
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N—D too,
, really
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