Approved For Release 2000/08/07 ¥ 00788R000900100001-2 SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION LXXXIV 1. (S) This report provides documentation of a remote viewing session conducted for the purpose of orienting a remote viewer to an applied remote viewing protocol. 2. (S) The remote viewer's impressions during this session correlated with the target very well if one uses only the viewer's sketches to guide him. The viewer's verbal description is very weak compared to his drawings. Although this viewer is seldom bothered by the ever present noises that constantly filter into the viewing room, today was an exception. The viewer was distracted several times during this session by outside noises. The viewer did not seem to be able to maintain his usual con- centration and focus during this session. The remote viewer began this session relaxed and with confidence of success. At the conclusion of the session he appeared mildly disturbed and was no longer confident about the results. 3. (S) The protocol used for this session and which will be used in later training is detailed in the document, Standard Remote Viewing Protocol (Local Targets) by Harold E. Puthoff and Russell Targ, November 1978. 4. (S) Following is a transcript of the viewer's impressions during the.remote viewing session. At TAB A are drawings made by the viewer reference his impressions of the target Site. At TAB B are photographs of the target site. Approved For Release 2000/08/07 : CIMSE )F88RO000900100001-2
Approved For Release 2000/08/07 TRANSCRIPT REMOTE VIEWING (RV) SESSION LXXXIV #66: This will be a remote viewing session (edited for security). PAUSE #11: All right, #24.5. Its now 10 o'clock. #66 is at the location. Find #66 and tell me what you see. PAUSE +08 #24.5: Well, I'm seeing . . light. On the bottom. (Not audible). . #66 is in the white. Standing ona. . Its a big square. PAUSE Its inside. Its lighted. Its open but its inside not outside. PAUSE +10 Has walls around it. PAUSE Let me focus some more. PAUSE #11: Focus on #66. Tell me what #66 is doing. PAUSE +15 #24.5: Looking in boxes. Boxes are. . . you can see in. Big boxes. Metal sides. Silver frames. Lights inside. Leaning over. Six feet. . on. . stuck on top. The floor is white and bright. PAUSE (Not audible) I can't get more. PAUSE I can't get much more. I want to try though. I want to try. Approved For Release 2000/08/07 : ome det terperosneret00 1.2
Approved For Release 2000/08/07 ORR GRA EERRITTEB 1000-2 #11: #24.5: #11: +19 #24.5: +22 +23 +25 +27 PAUSE Let me focus more. Okay. Go back to the. . Distractions. Go back to the big white square. Look around and describe the surroundings. PAUSE Wall on the left. Wall with a box. Long. You can see in it. Corner. . . with a wall in front. Funny shape. Door. Low door. Big square hole. Another room on the other Side. Black in the middle of the room. Dark. Its bright in the room. I feel a light gray or a light green rug in that room. Hall on the right. Stairway on the right. It goes up. PAUSE I don't feel good about this. I feel as though its familiar so I may have messed it up. PAUSE (Not audible) watches. Trinkets. Back to glass case. On the right. A line on the floor, dark on the otherside. Light in the front. A wood wall. . with curved places in it. Up high in . the back. I feel goid. Glass. Its curved things from the dark with stuff in it. Okay. The glass thing has a . . glass thing has a bend in it but its sharp - 90 degrees. But it | stops before the wall. The place is long. ’ (Not audible) more in the middle. Three tiers. Long things with more stuff on them. Three tiers. Square bottom. A break and another one. In the back on the right is a door. A big hole, no door. . into the back. Darker. PAUSE The back is round too. The back wall along to the hole. Its narrow and skinny. PAUSE 2 Approved For Release 2000/08/07 : REED pafesncorro0 10000. 5 am 8
Approved For Release 2000/08/Adaad aR fopreerere7200 100001-2 #24.5: Jesus! I don't know what I've done. Ha ha ha #11: Ha ha ha #24.5: I just don't know what I've done. #11: Well, go ahead and draw it. PAUSE #24.5: I have to go through this in two stages and the reason is because I stopped in mid-stride. One: Because when I started being concerned about where I was, it was too familiar, I stopped. And then I tried to get back to the . . anyway. I had this. . The first thing I had was a... I'll take a right. . I'll break it right down to just what I got. Okay, let's just look at this as being. . you a know, an aera that I can see in. And this was > white. And I had the impression that I was looking down on #66 from an angle and off and so to draw this out of proportion he was standing in the middle of this thing. Right. So his legs were real short. You know, his leqs were real small and everything. And his body just got much larger you know, because he was here. Or a person anyway. I don't know if it was #66. pe A person. PAUSE Being looked down at. . from above angle. Two then was. . this white thing was big and was square. Not perfectly square but squarish. And I had the immediate impression that there was stuff along the wall. #11: Are you still up above looking down? #24.5: Still up above, yeah. PAUSE Then. . I got. . These were glass. . Well, these were the cases. These were like cases. Okay. And I'm going to call them glass because I could see in them, but. . or see through them. I thought that they could be looked through. They might just be open boxes or something. Then I had what I think was here. . but I don't know. Three was .. was this. . Oh. . Okay. Was this Approved For Release 2000/08/07 : CIA-RDP96*0 RUU0900100001-2
Approved For Release 2000/08/07 : CIA- 000900100001-2 glass. . or this case. . one of these boxes. Okay. Damn it. Was one of these boxes and it was an angled perspective and I had a figure. Right. PAUSE Was leavning over it. Okay. PAUSE Okay. Figure was leaning over. Over the case looking in. But the case is... #11: 3% feet. #24.5: No. Its not that big, its only like . . this is out of proportion. This is only I'd say 30 inches. Okay. But its long. I'd say that's six feet. Okay. And then. . I'1l think of where I was, what was I doing. Okay, and I wanted to say. . . Okay. No. I think. No. It'd bea different short for me to do that. Let me go to 4 then. The. . a case. . has - how would I draw this thing to show it right? .... PAUSE And in here would be another one. And here would be another one. These are shelves inside the case. Okay. And the shelves have, you know, Mmmmmmm. . . stuff on them. I'11 just call it stuff. Just any. . small. . with . . with items. With stuff in them. Okay. Shelves in the case with .. this isn't yet the gold and the gold and stuff, okay. This is just shelves in case with things sitting on them. I'll say on display. All right. Then. After all of this, then I got. . how do I say it? Then, I tog the thing that made me worry about my Situation. Okay. Then I got the, I'll label it ~ I'll tell you precisely what I. . what I ended up with. Okay. Second floor landing, outside Command Group office. #11: Okay. #24.5: And that's sort of what bothered me. Okay. So here I went back down to the square and I ended up with no equipment or anything. That's what really threw me. I went back down to the square. 3 Approved For Release 2000/08/07 : Omentitof i refeowerem 0001-2
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