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SUMMARY
ANALYSIS
REMOTE
VIEWING
SESSION
864
1.
(S/NOFORN)
This
report
provides
documentation
of
a
remote
viewing
session
conducted
for
training
purposes
only.
2 .
(S/NOFORN)
The
protocol
used
for
this
session
is
detailed
in
the
document
Standard
Remote
Viewing
Protocol
(Local
Target)
by Harold
E.
Puthoff,
and
Russel
Targ,
November
1978.
3.
(S/NOFORN)
Following
is
a
transcript
of
the
viewer's
impressions
during
the
remote
viewing
session.
At
TAB
A
are
drawings
and
a
narrative
by
the
remote
viewer.
At
TAB
B
is
the
target
cuing
information.
i
(S/NOFORN)
Post
session
analysis
of
target
viewing
indicates
the
viewer
had
a
considerable
amount
of
correlation.
Training
objectives
set
for
this
session
were
achieved.
NOT
RELEASAB
NATIONALS
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TRANSCRIPT
REMOTE
VIEWING
SESSION
864
#66
#63
#66
#63
This
will
b e
a
remote
viewin g
sessi on
for
1400
hours
,
February
1 982 *
Focu s
your
attention
now
sol ely
and
only
on
#72
and
#25
.
Think
only
of
them.
As your
atte ntion
c omes
to
bear
n arrow
your
focus
,
even
narrower
on
only
#72
an d
#25.
PAUSE
And
now
the
target.
Explore
the
target
with
#72
and
#25.
Be
at
the
target
with
them
and
describe
the
target
to
me.
White
walls
PAUSE
PAUSE
#66:
#63:
Report.
y
Dark
and
wh i te
.
-i/
#66:
From
what
perspective
do
you
perceive
#63:
Ground
level,
indoor,
tall,
two
side-by-side
1 arge
,
near
windows
,
a
corner
#66:
Find
#25.
#63:
Looking
out
window.
PAUSE
Look
up
and
describe.
Small,
square
pattern.
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# 66
:
#63:
# 66
:
#63:
# 66
:
#63:
# 66
:
#63:
# 66
:
#63:
# 66
:
#63:
# 66
:
#63:
# 66
:
#63:
# 66
:
#63:
# 66
:
#63:
# 66
:
Put your
back
to
the
window
and
describe
the
target
to
me.
PAUSE
Corner
something.
Listen
and
describe.
PAUSE
Quiet.
Smell
and
describe.
Nothing
peculiar.
Touch
and
describe.
PAUSE
x
Hard,
smooth.
//
Look
and
descr i be
.
Dividers
divided
like
halls,
right.
Find
#72.
Accordian
door,
stairs,
shelves,
glass
wall..
Move,
go
on.
Strange
feeling
like
an
office,
but
different.
'V'
Descr i be--
Comfortable
(mumble).
Move
outside
up
and
oblique.
Describe
the
tarqet
to
me.
Long,
low.
Color.
Man-made
structure,
white,
large windows
with
dark
square
.
Describe
the
entrance
to
the
target.
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#63:
Dark
door
,
small
recess.
#66:
Put your
back
to
the
entrance
PAUSE
#63:
Dark,
wet
•
#66
:
Further
.
#63:
Cars
,
snow ,
tree
.
#66:
Further
.
PAUSE
#63:
Like
a
hallway.
#66:
Where
is
the
entrance
now?
#63:
Middle
of
the
building.
\/
#66:
Face
the
entrance,
slowly move
#63
#66
#63
#66
#63
#66
entrance,
stop.
The
entrance
now
is
to
the
back
of
you
as you've moved
through
it.
Now,
look
forward
and
describe.
Large,
gray,
almost
empty,
artificial
light.
All
right.
Relax
for
a moment
and
listen
to
the
sound
of
my
voice.
Focus
your
attention
on
the
target
as you're
perceiving
it
now.
Focus
your
attention
on
the
target.
See
the
target
clearly
as
you
see
it
now.
I'm
going
now
to
count
off
the
hours
of
the
day.
Watch
the
target
and
watch
the
hours
of
the
day
go
by.
Watch
the
target
and
watch
the
hours
of
the
day
go
by.
Seven
a.m,
a.m.,
9,
10,
11,
12,
p.m.,
p.m,
p.m,
p.m,
p.m, stop.
Carefully
now,
with
discipline,
describe
the
normal
activity
that
takes
place
during
the
day. at
the
targej
Quiet,
little
act i vi
waiting.
Good
.
Some
people,
few
coming
and
going,
not
staying.
I
have
no
further
questions
concerning
the
target.
I
want
to
provide
you
now
to
add
anything
you
wish
at
this
time.
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#63:
Many
chair
dividers,
#66:
All
right.
you
have
r
those
perc
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di spl ays
a t
1 s
all.
Remembering
perfectly everything
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REMOTE
VIEWING
SESSION
864
(DRAWING
NARRATIVE)
#63:
Now,
about
my drawings.
Drawing
is
the
windows
and
I
have
the
walls
labeled
A
and
B.
The windows
on
wall
A
or
the
windows
that
I
felt
I
saw
#72
and
#25
standing
here
looking
out
of
and
they
were
looking
in
this
direction.
And,
they were
standing
just
about
shoulder-tto-shoulder
as
I've
got
drawn
here.
And,
I
had
a feeling
of
curtains
here.
And,
these
curtai ns . .
. may
be
some
over
here
somewhere
too. ..these
curtains
I
had
a
feeling
were
for
wall
A
and
not
for
wall
B.
I
don't
think
wall
B
has
any
curtains
of
its
own.
I
don't
know
why.
I
had
a
light
feeling
here.
This
is
the
place
where
I
got
the
office
feeling,
but
not
the
office.
Kind
of
a
light
feeling.
Got
a
quiet
feeling.
That
was
drawing
number
1.
Drawing
number
2,
X
marks
the
spot
where
I
was
standing.
Have
a feeling
of
to
my
right
of
a
counter,
plants
or
something
big
there.
Maybe
some
plants
back
over
here.
#66:
Okay.
When
you're
describing
the
picture
and
saying
here
and
there,
for
the
tape
record
purposes
if
you'd
tell
us
where
it
is
-in
the
drawing
that
makes
us
understand.
#63:
Okay.
To
the
right,
by
the
counter,
and
then
off
to
the
left
wall,
I
had
a
feeling
of
dividers
or
shelves.
I
don't
know.
I'm
not
going
to
speculate
whether
there,
one
or
the
other.
But,
I
had
a
divided
feeling
like
the
room
was
divided
into
smaller
cubicles.
Perhaps
smaller
office
buildings.
It
had
an
artificial
light
feeling
to
it
and
it
was
kind
of
a
light
or
grayish
color
in
here.
I
don't,
know
if
that
was
the
walls
or
a
carpet
or
a
combination
of
the
surroundings.
And,
the
furniture,
I
had
a
feeling
of
browns
like
artificial
wood
grains
and
dark
grays
or
blacks.
Drawing
number
is
a
bit
difficult
to
describe,
and
a
bit
difficult
to
understand
when
you
look
at
it
too.
This
is where
I
said
display.
I
felt
like
I
was
seeing
displays
off
of
the
left
wall.
And,
again
over
here
on
the
right wall.
And
it
had
light
brown
or
straw
colored
carpeting
in
here.
There
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--was
something
sitting
in
this
area
on
the
floor
although
I
didn't
get
it.
And,
these
little
patches
you
see
drawn
in
front
of
each
display
was
the
light
that
was
being
cast
from
the
display window.
The
room was
very
dimly
lit
so
that
the
bright
lights
in
the
display windows were
actually
casting
a
brighter
light. out
in
this
area.
And,
there
were
lights
in
the
ceiling
like
fluorescent
and
they
were
sort
of
over
top
of
the
display
close
to
the
walls.
Number
4,
drawing
number
was
the
wall
that
I
saw
When
you
told
me
to
put
my
back
to
the window which
was
drawing
number
1,
and
look
in.
I
saw
short
shelves
Not
like
the
kind
of
shelves
you
see
in
a
library
which
extend
all
the
way
through
the
room.
They
came
out
or
feet
and
inside
of
each
one
of
those
was
a
little
cubby
hole
which
may
be
office
spaces.
They
were
about
this
sort
of
size
like
you
divide
office
spaces
in
one
large
room,
and
I
got
a warm
feeling
and
sort
of
cluttered
feeling
of
a
lot
of
things
on
the
shelves
or
on
the
walls.
Something
like
this.
And,
drawing
number
5,
I
asked
#25
to
give
me
something
that
was
significant
to
indicate
to
me
where
I
was,
and
I
don't
know why
he
gave
me
this.
It
was
just
a
kind
of
fleeting
thing
and
that's
why
I
drew
it
in
number
because
I
almost
forgot
to
draw
it.
It's
just
kind
of
a
star
shaped
pattern
with
ray
emanating
from
it.
#66:
Okay.
Now,
on
drawing
four
there
was
a
point
in
time
which
I
was
trying
to-I
was
trying
to
get
you
to
stand
and
look
out
away
from
the
target .and .we
became
confused
as
to whether
we
were
looking
in
or
looking
out
of
the
target.
And,
I
understood
that
that
was
happening-right during
the
session
that
there
was
some
confusion
about
it.
#63:
Well,
I
understood
that
you
wanted
me
to
look
away
from
the
target
and
I
turned
my
back
to
the
door.
I
looked
out
and
like
I
say
the
door
was
indented
inside
the
building.
So,
I
was
looking
out
of
a
short
hallway
sort
of
thing,
and
I
saw what
I
said
black,
shiny,
which
appeared
to
be wet
asphalt.
Now,
that's
because
of
the
snow
and everything
I
feel
like
it
could
have
been
a
lot
of
overlay.
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# 66
:
# 63
:
# 66
:
# 63
:
# 66
:
# 63
:
# 66
:
# 63
:
--And,
I
thought
I
saw
cars
which
outside
of
any building you'd
expect
to
see
cars,
and
I
saw
a
large
tree
out
to
the
side
there.
And,
I
didn't, see
anything
beyond
that,
and
you
said,
to
look
beyond
that,
and
I
felt
like
I
was
looking
down
a hallway.
I
don't
know
if
that
was
a
hallway
of
a
other
building
nearby
or
if
that
was
the
same
hallway,
but,
it
had
the
same
similar
appearance,
as
standing
right
here
and
looking
down
along
this
road
in
picture
number
1.
And,
so
that
brought
me
back
into
this
building
again.
Okay.
How
about when
you
were
up
and
away
and
oblique
looking
at
the
building
from
the
outside.
Okay.
That would
be
drawing
number
and
I
didn't
get
an
exceptionally
good
picture
of
it.
It
was
a
low
building,
one
floor,
very
low,
and
it
was
long,
and
then
when
I
told myself
to
go
even
higher
above
it
so
that
it
wasn't, quite
as
much
as
an
oblique
that's
when
I
got
the
square
feeling.
And,
that's
it.
Of what material
is
this
building made
of?
I
got
a
corregated
feeling
along
this
area
here
which
I
will
mark
A.
As
though
it
may
have
been
a
corregated
steel
or
something..
And,
this
is
the
entrance
way
here.
Like
I
say,
it was
sort
of
a
indentation.
Door
was
back
in
a ways
and
it's
towards
the
center
of
the
building.
And,
the walls
were
light
colored
around
it. ..A,
and
then
I
had
a feeling
of windows
all
the
way
around
the
building
which
I'll
label
B
and
doorway
label
C
and
the
building
was
generally
square ... fl at
roof.
That's
all.
Okay.
How
do
you
feel
about
this
session?
I
saw
somethings'.
. .like
drawing
number
pretty
clearly.
Most
of
it wasn't
all
that
clear,
and
because
of
#72 mentioning
going
to
the
library
and
because
of
the
feeling
I
got
of
library
or
museum
type
of
area
I
think
a
lot
of
it might
be
overlay
.
Okay.
Anything
else?
That's
it.
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