Bi BGT Sa NT RS TA Approved For Release 2000/08/07 : CIA-RDP96-00788R000601050001-0 INSCOM GRILL | FLAME i PROGRAM .— SESSION REPORT CLASSIFIED BY: MSG, DAMI-ISH 051630Z JUL78 REVIEW ON: Lpt AOD J NOT RELEASABLE TO /FOREIGN NATIONALS —: aun GRILL FLAME Approved For Release 2000/08/07 : cia ROR FFA p0501050001-0
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SUMMARY ANALYSIS
REMOTE VIEWING SESSION 884
(S/NOFORN)
This report documents
a remote viewing session
conducted
in compliance with
a request for information.
(S/NOFORN)
The remote viewer's
impressions of-the target are
provided
as riw intelligence data
and
as
have not
eensubge ted
to any intermediate
analysis,
evaluation
or
co Tlation.
Interpretation
and
use
of the information provided
is the responsibilty of the requesto
.
(S/NOFORN)
The protocol used for this session
is detailed
in the
document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol
(S)
undated.
(S/NOFORN)
Following
is
a transcript of the viewer's
impressions
rii*irina the remote viewing session.
At TAB A are drawings
and narrative
provided^ the remote viewer.
At TAB
B
is target cuing information
furnished
the remote viewer.
NOT RELEASABLE
TO
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TRANSCRIPT
REMOTE VIEWING SESSION #884
#66 :
#03lx:
#66
:
#01 :
#66
:
# 01 :
#66
:
# 01 :
This will be
a remote
viewing session
for
0900 hours
6 April,
1982.
Following
is
a pre-session briefing to
the remote viewer.
At this
time
I
show you photographs which you
have seen
before.
This individuals are involved
in incident
that
we are investigating.
Your
last session we attempted
to
locate and identify
the residence and place of employment
of
the female
in the photography.
This week we will do
the place
of employment and residence
of
the male
in
the
photograph.
So we want to focus
our attention today
on
the male identified
in
the photograph.
Do you have any
questions pertaining
to your mission today?
Nope.
All right you have approximately
twenty minutes
in which
to prepare yourself for
this morning's work.
Relax and concentrate now.
Focus your attention solely
and completely
on
the individual
in
the photograph
live shown you.
Picture
him
in your
mind.
Move now through
space
to his everyday work place,
to his place
of
employment.
And describe this area
to me.
Itys sideways
cones*; likesframes
.
.
. .X overhang. .circular
step,
steps.
It's electronics.
Describe the raw impression
that makes you
say
this.
Car radios,
speakers
ah,
stereo, shelves
im the sun...
white... it's
a like second floor.
Look outvon the second floor and down and describe what you
see.
I see
a boat and pavement,
hollow stones ... .building walls
hollyy green
, something green..
#66
:
Okay
.
#01:
leafy.
#66;
Yee^
Focusing
on this individual's principal
job,
his
employment,
is his principal time spent outside
or
inside?
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#01:
#66 :
#01:
#66
:
#01 :
#66 :
#01
:
#66
:
#01 :
#66 :
# 01 :
#66 :
# 01 :
#66 :
#01 :
#66
:
#01 :
# 66 :
#01 :
Ydur automobile,
like
driving,
travel,
outside.
Describe this outside place.
It's giving me flashes
of highway.
outside.
Some kind of
Can you describe this area to
me.
Benches,
table,
water running somewhere. .very old
fashioned
,
place for
music.
Keep seeing park
like walks,
by
a narrow walk areas,
many brown benches.
Okay.
White rails.
Focus
on this place that's outside and yet
covered,
Just
relax now
for
a moment.
Relax and concentrate on this
place.
Now watch the individual work and describe his
activity
to me.
PAUSE
See him carrying something,
flat.
Watch his activity and describe
it to me.
Moving hands,
go wiping motion... I
don't understand it.
Moving hands,
like
a windshield wiper,
left,
right.
Stand behind him and
look.
Polishing
,
cleaning something,
moving
left,
carrying
something.
Seeing him carrying something,
rubbing
something.
All right.
See
a reflected light,
like
a through glass,
some glass
everywhere.
Serves.
Break this out.
Keeps giving something to someone. .... It's like
a transference
of object.
Describe the object.
Get the glass again,
glints of glass.
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2% Kitm
#66 :
#01 :
#66 :
#01 :
#66 :
#01
:
#66 :
#01 :
#66 :
#01 :
#66
:
#01
:
#66 :
All
right.
Relax and concentrate now and
let's change
your focus and move to the area
of residence.
The area
where
this individual
lives
at the present time.
Move
through space now to this area and describe
it
to me.
PAUSE
It's like
a three story brick building.
Impression
of
dormitory
or
no,
it's wrong,
it's
like corridor with many
doors,
single rooms.
Describe the outside.
Yellow stucco
on brick,
three floors,
plain box.
buildings alike
Describe the neighborhood.
Ah,
kin d of
run
down industrial area.
Get
a feeling for
many single male worker feeling.
Describe for me how
I
can best locate this residence.
It's near s®^^^^S^e~^eer garden,
old trees,
like high
hedges ,
old trees.
Describe this beer garden
to
me.
Arched,
arch wood entrance,
trees are pruned high, three
square,
blocky roof type, trees for cover,
high hedges
around outside.
See
the benches again,
outdoors...
Building
in corner,
very old.. I think that's his place
of employment.
Residence and place of employment
is
very close.
All right.
I have no further questions about
this target.
However,
I would now like
to give you
a few minutes to
explore and comment as you
see fit.
Do
so now.
PAUSE
'his guy's
..just
a minute.,
got
an impression
of
a
Hwd of some kind,
very close by,
a large railyar d.
^
, I^^gEJOpsn area
for*
it's
like used
for
f
n
.
. >
ififir fest around
that's all
I
get.
All right.
Remembering the impressions you have now
Let's prepare to draw the perceptions
of
yoiiir session.
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I
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: CIA-RD,
REMOTE VIEWING SESSION 884
(DRAWING NARRATIVE)
#01:
Okay.
First
I
have
to explain that
I
think that this guy
is. ..I'm getting
an
impression
of two different jobs,
but
he's not working
both.
Which means
he either just quit
or was just fired from the first one.
Page
is
his first place
of employment.
I
perceive
it to
be
a spec
shape type ofdslffi^dover
;h ano with
recessed glass
doors,
circular stair eTrErance^ngiong ffat
bui'tding with
a row of windows denoting
a second
flooi*.
It's
some kind of
electronic firm.
I
get
an impression
of two cone shaped
objects
kind of off-set
as
an emblem to one side.
I
don't
think
he's employed there
any longer.
He's just recently
been employed there.
Page
is
the
impression
I
get of his residence
and either
place of current employment
or place that he hangs out on
a
day-to-day basis.
I'm not real
on
the employment angle.
I
don't know
if he's helping out there for money
or what.
But,
I
don't get the employment feeling very stron g.
But,
t hat's
where
he
spends
the_.ma.iori tv of his
ti me,
i hat’s the old
#66:
So,
I
see
in number
2 here you
have
his residence building
indicated.
Then
across
the
intersection down
the
stree t
a
little
bit,
we
have this
...what you
gall
Will
you explain
to me what that
is.
What do youao
at
a Gasthaus?
#01:
This
little Gasthaus place
is
like where you
drink
beer
and
all
that.
It's really old fashioned.
I
get
a
feeling
like this building might be
150 years
old.
It's
surrounded with these very high,
well
manicured,
blocked cut
trees
that you
actually sit under the
trees.
You know,
they're
cut
like
big pedestals,
and you
sit under these trees.
And,
surrounding this whole thing
are these huge
12 foot squared
off edges that have
been
there forever.
You know... in
a Koons
age.
And,
the entrance
is
like this. ..just flat,
carved wood
and overhang type entrance.
Underneath
all
these trees
are
all
these old pipe,
benches
and tables where, you
know,
the
old
beer drinking kind of place where
this. ..all
this work
I'm feeling,
and you
actually are outside,
but
inside sort of.,
in this
old Gasthaus. . .where you eat
the old German meals and
swirl
(phonetic) with German
beer,
and whatnot.
It's
a place
where
on
Saturdays they would
have the Ompa band
(phonetic)
you
know,
sitting
in
the corner.
That
kind of thing.
ra
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:
#66:
So,
you
are saying
I
can
identify his residence place by
its
proximity to this other building?
#01:
Correct.
#66:
And,
what
is unique about this other building that
I
could
identify this from
all
others
like
it?
#01:
Just the hedges,
the trees,
the. entranceway.
Its
age.
It's
directly across from
a,
what
I
call,
fest grounds.
It's
like
a clear,
giant cleared
area where
the
grass
is kept nice
and
everything.
Where they have
sort of
a
layout of asphalted
walkways
for carnivals
and things
like that.
And,
to the other
side
a
little farther distance
away
is
a
large railyard,
and
I
got
a feeling down
the other
side
is light industry and
I've
indicated with
an
arrow where the center of the town
is...
I
don't have
a very strong feeling about this
town for
some
reason.
I
don't
know.
Didn't
get any strong feelings
about the
town.
#66:
Okay.
Anything else you would
like
to
add?
#01:
No.
That's
it.
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