Approved For Release 2000/08/07 : onopigterberc0200100001-2 #11: #24.5: #11: #24.5: I ended up with . . that's wrong to draw that there. Okay. And I ended up. . Ha ha - with. . PAUSE This is coming back, in perspective. Okay, this isn't going sideways in perspectives. This is coming back in perspective. That's the wrong angle. I want to just draw this thing here. Okay. This is, this is, you know what it is, its the side of the stairway. Okay. This is white, white, white, and in. . carpet line. . and in here its light. Light in here. Dark object in here. (Not audible) Okay. Um hm. And. . . here would be 6. I got something other than the sides of this. This is what's really a curious thing for me. As 6 looking that way is . . and then, PAUSE Okay. How do I want to do this thing here? PAUSE But. . from where, from where I started here, this was supposed to be on the right. That's . what I can't figure out. This was supposed to be. . feel leaning over glass case looking in on right side. Supposedly, in the live per- spective. Depending on where I was winking to would have been over here, this case on the right, right. Um hm. So, to put the whole composite together, then, if I am to rely on that part as being valid and the Command Group as being valid. Then that means that there's a glass case here some- where. I'm just going to draw it in in a dotted line. Okay. PAUSE 4 Approved For Release 2000/08/07 : CIA R000900100001-2
Approved For Release 2000/08/07 : ei GED Fecireree00100001-2 But then, this is when I said to you, you know, I said, something's funny here. I'm off the beam or whatever words I sued. That's when because I knew where I was. I said its familiar. Right. And so, because its familiar, I was afraid of it because I was afraid of it. So for my learning experience let me go on to what TI got. . after that. Which this may be entirely true. And I may have fabricated the second part. #11: Right. #24.5: Okay. So Seven is going. . Seven is after conscious acknowledgement of familiar target. PAUSE Then I got back to .. Okay, then I got ~ how am I going to do this properly? Seven. Then I got, Okay, end up with the same glass case. Okay. I had that thing; it was looking right. Now, its screwed all up. Okay, the top of the case and the front of the case. . okay, that's 90 degrees but it doesn't look like it in the sketch. A dark line here. Light on this side. Dark carpet. And shortly behind it then, I got as though this was a sales counter. Okay. And . ..a little shelf. #11: I think we better flip the tape here before we run out. #24.5: Okay. TURN OVER TAPE #1l: Okay, we're back on record. PAUSE #24.5: Okay. These are the long curved things behind this sales counter or whatever it would be. And this has stuff in it. Okay. These are like dis, dis . . what would it be an enclave? #11: Um hm. Something like that. #24.5: You know. Dark wood paneling. These are dis. . I'll call them display enclaves. Okay. With stuff on shelves. And in here like are the shelves right. And at this point, the shelves took on . . have gold and glass, jewelry and Approved For Release 2000/08/07 : CIA-RD| 0001-2
Approved For Release 2000/08/07 SO rr 1000012 stuff. Okay. And then trying to go to the back which was to 8, I ended up with . This is the counter. Its amazing what perspec- tive does to you. And this is the back wall. Okay. This is dark. In here is like its a back passageway into the back storeroom. The only. .. the main thing here is that I got now was that its taking on a more rectangular shop shape. And that here are these three tiered things. Okay. PAUSE Does that look pretty good there? #11: Um hm. At least to me anyhow. #24.5: They're free standing almost like an ice palace or something. You know, very, very modern glass- everything clean and sterile and all the rest of it. And meanwhile over here is the so-called standard display. Okay. #11: Um hm. PAUSE #24.5: I'11 write in the back here, storeroom. certainly could be a lesson in... TAPE STOPPED. 6 Approved For Release 2000/08/07 : cin. ROPER popreereee 01.2
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