Approved For Release -RDP96-00788R000800140001-9 ORCON/NOFORN GRILL FLAME PROJECT SESSION REPORT a“ ny Coy? CLASSIFIED BY: Director, DIA DECLASSIFY ON: 5 Dec 1999 EXTENDED BY: Director, DIA REASON: 2-301 C (3) (6) GRILL FLAME Approved For Release son : CIA-RDP96-00788R000800140001-9 a a
Aue a EST Approved For Release 2000/08/07 : CIA-RDP96-00788R000800140001-9 SUMMARY ANALYSTS REMOTE VIEWING (RV) SESSION cc20 1. (S)} This report documents a Remote Viewing (RV) session i in compliance with a request from SOD, J3, CJCS, Washington, D.C. he purpose of the sceasion was information relevant to the hostage situation in Baibassy compound in Teheran, Iran. be viewer's dimressions of the tergoet are as raw intelli ig~ence data and aS Such have not been to any intermediate analysis, evaluation or collation, Interoret ation and use of the information provided is the responsibility ot the requestor. yt The protocol used for this session is detailed in the rill Flame Pretocol, AMSAA Applied Remote Viewing docu: S) Following is a transcript of the viewer's impressions ing the remote viewing session. At TAB A are drawings made py the remote viewer reference his impressions of the target site. At TAs Bis target cueing information provided the remote viewer 108/07 ~ €IA-RDP96-00788R000800140001-9 Be te Ee ae : . ame coe Approved For Release 200
Approved For Release_2000/08/07.; CIA-RDP96-00788R0008001A0001-9 #66 Can teed Approved For Release 2000/08/07": ‘ TRANSCRIPT Q REMOTE VIEWING (RV) SESSTON CC20 This will be a remote viewing session (edited for security). PAUSE For the past Few minutes you have been studying a photegraph. Focus your attention now on tl designated to you on the photograph as aye -. now to area C focusing your attention. aItx. and concentrate and describe the area to me. PAUSE eling some kind of overhung that has a walk and a ive that comes out to it. Peel a long (mumbling) in front ...a long front face of this structure...narrow thr@e ry feet wide walk. & goes up to a main door. I nk I'm on the other side of the thing from the yard. tered the house to the right. There is a...several Oles along that thing too. Give it the looks of a house yr a...something like that. Perceive a step up to get mn that thing. I think I'm in like a carport or a...a something like that. It seems open on the front sice but seems black in the back and there's a funny peculiar O jog in it. Like a box sticks out into it. i'll yo JOS S inside. Alright. Fine. Relax and concentrate. PAUSE tT feel that I'in in a center portion going along the wall. passed jallouse windows. I think the entrance to this place seems to be a wooden door with small TE glass jallouse panes in it. I think I'm in the area now. Soamething is looking back towards T came through. Tnere appears to he some ywoode! counter; or something to my right. There appears to be essentially empty area between me and the windows. IA-RDP96-00788R000800140001-9
Approved For Release 20 #31 I think that's a hall dewn by that wooden thing. 766 Tell me what's going on there now in these early morning hours, between one and two in the morning. { have not picked up any happenings yet in the central area here...-+--+- #66 Ok. Just relax... #231 eeeee OF ON approach. #66 Doing very good. Just relax and concentrate and focus on the target area. PAUSE #31 T...something. Puathroom on the left (mumbling) might be two story. I had a shot of a...I had been standing with my hack to a staircase out in the main area there. But I'm down the hallway now. I'm looking around. Passed the bathroom there seems to be a...think it's a bathroom anyway. It's a small roon. Cubby-hole type room. I'm getting more and more of a house flavor, here. I really am......I don't know. #66 Toll me what makes you say house flavor. . ¥ ¥ #32 L have the feeling of looking in thce.....well somewheve I think it was the end of this hall, looking in this rather large room I had the sudden impression that I was looking at a bed. Something big and rectangular and soft. #66 Ck. #34 Also out in the big area there, I had the feeling I was on carpeting, back in the beginning. But i still haven't picked up any people. FOG Ok. Gearch the rest of area C For people. Search the Lb 3 rest of this area for people. Feel that..-hall is not in there...goes around the corner. ..,...90 degrees. PON Ee] Approved For Release 2000/08/07 : CIA-RDP96-00788R000800140001-9 -
Approved For Release red ' oO a te ois fad bee 96-00788R000800140001-9 I keep getting somewhere this big open area feeling weelike...1 keep getting this feeling like a place under construction. It's hard. I'll explain it later. I get this feeling I'm looking through rafters...through wood. Anyway let me go on. I'll try to get upstairs, if there is one. Ok. We have plenty of time. TI'm still not coming up with any folks. Alright. That's fine. We have plenty of time. Just relax and concentrate on the target area now. Go ahead and move through area C. Move through area C and tell me more of the area. PAUSE Staircase is...I hate to say this...I don't know. I do want to say there's staircase in the back of the living room, and go upstairs...or whatever the living room thing is there. Go upstairs, comfortably wide ui oy --—-Fhen-you “enter -thesecond floor level and hallway runs from that...as you come up = left side. Very uninhabited, quiet feeling feminine PAUSE Now I am getting a den or a library...empty. (mumbling) a lot of book racks or something around the walls. Tf got all the way to the end with no other door on that side. I find the place to be empty. I really got no feeling for anybody in there. Ok. At this time, at this time focus your attention now, outside this area. Focus your attention outside this area and move to area PD. Focus your attention to outside and move to area D and describe this area to mn de PAUSH Ok. T hepe I'm in front of the right one. fe ) Nese a bs Approved For Release 2000/08/07 : CIA-RDP96-00788R000800140001-9 4
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800140001-9 #31 He an [o> she WW fea at: er, ion Approved For Release 2000/08/07 : cd sie TA wy i (Mumbling) trees is a beacon but it appears -.-t think I'm still on the other side from the big open area because I feel that on my right... I feel that in front of me is a (mumbling) long skinny porch on my right is a...a...hedge that seems to come back to behind mo...like hecge of a yard or something. I feel Like I'm in those trees or something. bike I'm looking at the back end of the heuse or the building. I've got a good feeling that it's two in one...one end of the place is too high...that's the left end...and the right end of the place is one high. I really feel these are the business ends of the buildings...out here, on this side that I am. (mumbling) ...don't see how you can get in to them from this side, Alright. Ok. I'll try to get in the central area...funny... this doesn't seem to have a jallouse door on it... geems to be a solid door. I’m inside trying to focus on the main area. i ? . PAUSE I just had a thought of somebody moving outside Focus on him. I had the idea of making rounds, type of thing. Seems to be.....sentry type of work. He's outside. He's got a...some sort of a weapon strung over his shoulder, and he’s walking in under those trees, that I saw earlier....they're the ones out front, iI don't know if there's a litble path there or not. A path or a strip or something. ...seems to be walking along a tour...and I had the...the thought of seeing him turn Like his tour is about 306 feet or so from about...in front of this place...looking out ...300 feat to the right or so. Like he just strolls alony e “4 CIA-RDP96-00788R0008001 40001-9
a Approved For Release 2000 5) )P96-00788R000800140001-9 #31 Back inside. cote aon » a va #66 Move back now and focus on D, area D. Tell me more about this aréa D. PAUSE tt a be I got a good shot of....-like round leather stuff... Like bean bag chairs. Right before, I had a feeling there was a...that I was at the hallway entrance and that there was a sofa type thing, black, under the main front window, and along that other wall....... TI had a feeling of someone walking upstairs.....no=t ipstairs. T'm up there now. (inumbling) and oo through the ceiling second floor T came t , I ha@ the feeling there was someone sing down the hallway, right at me. My first ression was it was a woman, Long skirt down to 1£, dark skirt and wearing some kind of cloggs or something. ZI had her turned into...down the end fF the hall...describe it.....the other end of the building and I saw her go into...like she made a right turn, went inside, sat down and crossed her legs. all one sweeping motion of feeling, you know. But, now I'm down there and trying to find ont what is happening. She didn't.....she was not carrying ing.....she was empty handed when she came over me......she...uh ~ PAUSE dts ae) FH I'll describe it as though it was a room built like a ».ethe feeling I have is it's built like a restaurant booth. My feeling the woman moved through the door, shifted to her left, beqan to turn and sit down at the same time and avoided a table edge, seated herself on _a bench next to a wall, with this low thing in front “of her which occupies much of the room area and cross her Legs ind God knows what she's doing, or when she (kxurned tape over) BGG Voll me a viktle bit more about area D, here. Approved For Release 2000/08/07 : CIA-RDP96-00788R000800140001-9 ar
t Approved For Release 2000/08/07 : CIA-RDP96-00788R000800140001-9 #31 I'm afraid I can't. TI don't know. I'm just not getting anything. CN a Ok. That's fine. Let's stop now and do some Crawing. PAUSE #31 Ok. First...here we go...first fleeting impression.. as looking at a....what do w.ewant to call. That's what made me think that IT was there, because this was #66 Ok. Make your lines nice and dark there. #31 Ok, And it was Like...this has a low tile roof or omething...and the second thing has a low tile roof. That was the image I was using the target with but that 's the first thing I saw. For what worth it is. 1 Then, though, I got this feeling that some sort of a drive, and here on the right...there was a big overhang here... Like I was looking out and under this overhang. Here on the right side of this drive was a wall. In nere...like back in here I'm in the shade...and that this was some kind of a walkway. That is the hypothetical end of the inclosure. ..2eeLike a front porch....that went down to this door. Something in here jogs and I don't know what. worth it is, or what good it iS5....+++-50 much for £ioor plan. Thig is a door...you know Florida jallouse...Panama jallouse windows....--you know what I mean....jallouse glass about that thick. Porch overhang.....long porch... that's dark enough...that's three. Ok. four. What did I find that yge oF amg interes! —nothins: C here....- #66 Inside arga 7 — a a . 231 TUL draw there’fMhaller; they're not that impressive. Feeling wooden framed door, wooden franed jallouse window door, ok, Like that. Didn't get any feel for any type furniture but that there was something curved here. Like bo ~ almost felt it was a bar, or somethina, Ok. Eo aes /GIA-RDP9 Approved For Release 2000/08/0: 0788R000800140001-9
a ae Approved For Release 2000/08/07. GIA-RDP96-00788R000800140001-9 #66 g3l Approved For Release 2 This is on the inside. This is on the inside of the living room...somethin curved there, and this is the hallway, and to my ba ig the stairs, here. ‘Those are stairs up. dust... i don't know....-verify if...I was there...didn't s anything...this is accurate. I didn't see anybody Gnumbling)...Ok., Loob ig in from the door,...it's a funny layout, that's what 4 was trying to describe. stairs there, ok. They're comfortably wide stairs with a banister along them.....a wall.....that goes back in there,,,ok...there's something back there.. wee. Out here to the edde.....ok.... aitong....then there's a series of posts which are interesting because this is almost as though I'm looking through them. And, here is the thing, in the foreground, But, it's like looking... ¥y holding up..-.and there's actually a serving counte there....looks like you're looking through posts 1 another room...it was as though this thing was buil i £ was room...you could s into it from the living room and it was like it was I got the feeling, you know, when a house is Just boilt and they have all the two by fours standing w the walls go, it was as though I was looking throug those two by fours into another room, That's the i Tim trying to get across. my 5 aL Feeling for white carpet, here in this area. 50 wh did I go from there. I went down that hallway... drawing a floor plan of the place would be sort of this...that's a supposed hallway there...stairway.. the curvy thing.....had the feeling small bathroom something in here....what did I do then....then I g down to the end of the hall...I had the feeling tha the end of the hall there was a door .nd there was shaped like this...it was a good size room...and I had the feeling there was a bed in it...a big wide I didn't ever go down the een en all I tell yout? Here's the main door. I cou ‘ feelifiq that the other place...of course T had seen ead for targeting purposes...and. #uh...no peo in this place. wn g ck ec of here... curyed i nto t goyp Qe being here h dea ere like Or ot ct at a room really bed. aoe my ) e oe STIG, 6-00788R000800140001-9
Approved For Releas ' (07. ::CIA-RDP96-00788R0008001 40001-9 In area C. sth a oO atts 31 In area C. Didn't get any feeling at all for anyone. in there. I'll draw a line across here on Six and then what I have is the up staircase for the upstairs. This is downstairs, I'll draw upstairs. TYhat'1ll keep me from having to draw them again when I get to area D, ok. Conservation of energy. Rooms, rooms, just about two rooms down to one side. Lean't remember if I went down that. It's so non- descript and by that time I was ...] was trying to get up the stairway and what did T got...IP gota feeling For....where was I walking....I was walking down this way and I got a feeling for a library somewhere along the right wall, small skinny type library type room, or a den.....lot of books on shelves around. I had a very homey type feeling for the whole thing...staircase... ok....where did I go.....then I ended up with....what did I end up with.....ok...like a hedge line...... PAUSE The door (mumbling) was solid wood.... I'm at area D now. it starts with sketch seven. That gives the idea of the front porch...like a car port...half car port.. half rooms in the back of this side, hedge on the right and the central structure of two peaked roofs, one bigger than the other....that's more like what I want to do... Like that. Behind me, trees. Did the best I could. I had to come across this way. JI didn't want to go back up. I was having such a difficult time I decided not to go back up...try again...I might end up on the other side of the globe. So I...... We have our good days and we have our bad days, I suppose. Alright, what dia I get in the living room,..seven...solid door...but still with the jallouse windows... #56 Ok. This time you seem to perceive some furniture in the front room, aans Yeah. The dark couch...of some kind...that's the of f hallway, that way. Over here on the righl, again, are the stairs coming up...and the living room. £OHG6 Rean bag chairs, you said you sav. Approved For Release.2000/08/07 : CIA-RDP96-00788R000800140001-9
Approved For Release 2000/08/07 : CIA-RDP96-00788R0008001 40001 -9 et #31 Yeoh. I don't know where £ got that from, though. Where was I working at that time? That was when If was trying to get jnto the place. We'll have to check the tape. I wonder if that was the time I was try ang to get in the piace...--the front door. If it was, then there's also that sort of smooth tan colored something or other, somewhere in there. £66 Ok. Sonowhere else, too, is a very leathery looking thing. LT had the feeling too...it's hard to describe it...- and I have no idea where it goes in the sketch anyway.--- so...e.but it's one of these.,.-belted leather things... felted like belted leather.....you know what T mean by belted leather. The style looks Like it's got belts on it...belts holding the things on,...Like here's the arm of the chair and there's a belt like that, with an ornamental buckle on it. some thing like that, somewhere in there. A beige color is what I got. Anyway, went up the staircase and 1 saw...-for number elght...... jt BED You said before you came up the staircase. Did you.... #oL No. I popped through the floor. Didn't go up the etaircase. Popped up through the floor. And you perceived.... #31 lL perceived a woman walking towards me Just as T came up through the Floor. It was really weird, It was as though I was here and she was right there. My head was just through the floor. I was just up through the floor coming up and as I came up and she Like...walked right on through me...right on down the hall...you know....- because it was just as flurry as ,.ee-She was coming at me, she was gone. lf turned around and I perceived her walking on passed me down the other end of the hall. It was a weird foecling, but it was of no relevance, Here is the stairway as I see it, or saw it. Here on the Left of this sketch. Feoling ie that the hallway continues wy to the end down here. Like this. Here is ths stairway, up. I popped up around Living room level...- person.walking that way. T tried to follow her and IT think I followed hex all the way down to the last room on the right. It's not too Far, 25 feet, maybe. Approved For Release a 0788R000800140001-9
Approved For Release 2 -RDP96-00788R000800140001-9 #31 The last room down there....ths distinct impression... she goes into the last room. Now this room that I had...-how do I draw this, guys...it was as though... it was..-like I just described it on the tape. Tt was as though it was a small room that was almost fully taken up by a table...or pretly much taken up by a table, but, I didn't have anybody clse in the root with her, and she walked in...bard to describe...let's see..-here's door jam,..door frame...like this...ok...right heres in the very front is this tabl:..-and...like there’s very little clearance to get in there. So she's walk ing down the hall and she just sort of side-stepped, bent over, and sat. down in one fluid motion, And she sat down here. Where X marks the spot. And an overhead of that would be...there's this table in there..-like this.. she came right down and bent over...and that there is some sort of a...I had the feeling....1t was some sort of a cushioned seat along the wall and that she just sat... : plunked herself right down on it. Weird feeling. Very tight place. Tight, closed in feeling. #66 Anybody else in the area. | i #31 I didn't perceive anyone els I find it unlikely that she wos alone, but I still didn't see anybody else Didn't feel anybody else there, and I don't know what she was doing...at one time, I thought she was like reading... that she had manuscripts out on the dosk, scattered out in front of here and that she was reading then. Another time, £ had the feeling that che just sort of Like sat down and crossed her legs and (mumbling) with her fingernails, or something, you know. Didn't really do anything. But the more f Looked at it the more she started to da something that was purposeful. I don't know what that is There, put a manuseript out there. Some sort of a bock. But, no, I agree #66 I was not flying today. 3 5 t a t #66 Ok, you don't think you good (mumbling) £32 No, no, I dontt think T did. #66 How do you feel about the that vou've seen? POL Well, whet IT got was ok. FT was gettLing very Little spontaniety on action or detail. Ing onlv i $) * the basics. Like I got a bare :'CIA-RDP96-00788R000800140001-9 Approved For Release 2000/08/07
Approved For Relea 7 mt mi 107. -CIA-RDP96-00788R000800140001-9 It was unlikely as hell that some Living room, OF whatever... something with a white carpet on this large living room is going to have neo furniture in it, uniess it's been pilfered, or ali thrown out. Nuts will do anything when they thi: they've got a reason to. sts Ww hw I was getting the basics, the contour right, buat, there's uncertainty, you knov. When I looked ak the targets, I sort of said to myself, this is going to be a doozie because all four targets are identical in tructure form. So that means only detail is going tell the difference, when you get right down to bra tacks, you know. ae oY ron just don't have a general good feeling about this? } t don't. I didn't all the way through it. I really had to work and with this game...the more you work, the more you'll see. The question is whether rou're making it up or not. at tnt pet > guy outside...if 1 drew this cat here...there are me Large trees out fFront...what I call out front of place....uh....I do think that's the front. That's business end of these buildings..the other side... the side where those trees....and everything......are small path, or something, in under those trees.,, this shot of somewhat open area, yardish type thing. .-2.enot even yard....just sort of black and white. et's soy that I'm looking out the front door, in this view...l had the very strong feeling that on the other side of these trees...4 feet..-iike in under the trees but. on the other side of these trunks was like a small foot path, or maybe a bicyele path, something vury small. That's where this guy was walking. He did have a weapon slung over his arm.,..wasn Te carrying it at high port. The dam thing was slung over bis arm, The peculiar thing about it is that T had it on his left s houlder. That's something that I remembe:, It was on his 1 Some sort of black cap, black clothes. J was try n iJ corr wy io) x i) rm to extrapolate what this guy's patrol was... ce ing did what his patrol was, LE that is, in fact, what was doing. £ had the impression that he Rad the areca where the four buildings are, hut only ab Y had this redundant pattern...--T didua!t Q . else in this redundant pattern....-but f had the feeling il Approved For Release 2 o Je oT CIA-RDP96-00788R000800140001-9
Approved For Release 20004 ME ae " cereal ‘5 Z..CIA-RDP96-00788R000800140001-9 » that this guy was here walked on this road down to about middle of this.....what he we. doing was.... he was going to about middle of that building and then he was coming back up and he was going to just about passed that building and then he was just turning back. In a fleeting moment I saw him do about a turn here and I looked way down there and I saw him turn there and then I saw him turn here again...1 looked way Gown and slowly turn around......that's about: it. x is the sentry, and the Line and dot is his post. That's it. ft ee ee go> Ft ae Re Approved For Release 2000/08/07 **CIA-RDP96-00788R000800140001-9
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~ os Approved For Release 2@00/03/6? {OIK-RPP96-00788R000800140001-9 TARGET CUING INFORMATION REMOTE VIEWING (RV) SESSION CC20 1. (S) The remote viewer had been exposed to open source news media information and overhead imagery prior to the session. He knew he would be working on the hostage situation in Iran. 2. (S) During the session the viewer was shown overhead imagery of the Embassy compound in Teheran, Iran and asked to focus on areas "C" and "D". The overhead imagery is not included herein due to its classification. Approved For Release 2000/08/07 : CIA-RDP96-00788R000800140001-9