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SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION
CCC 58
1.
(S)
This report documents
a remote viewing session conducted
in
compliance with a request for information
on
a target area of interest.
2.
(S)
The viewer was able to achieve
a better than usual state of
relaxed concentration.
He was disturbed by ambient room noise initially
but
as the session progressed and the noise subsided he was able to
focus his attention on the task at hand.
He expressed confidence
in his
imagery and was generally satisfied with the session.
3.
(S)
The protocol used for this session
is detailed
in the document,
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol
(S),
undated.
4.
(S)
Following
is
a transcript
of the viewer's impressions during the
remote viewing session.
At TAB A are drawings made by the viewer reference
his impressions of the target site.
At TAB
B are analyst comments.
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TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION CCC
TIME
#66:
This will be a remote viewing session for 1400 hours,
15 April 1980.
PAUSE
SG1A
SG1A
SG1A
Relax and concentrate now.
Relax.
Relax.
Relax.
Relax.
Relax and focus your attention on
your target for this afternoon.
Return your awareness to the area you have described
before as
a Motor Pool area in the vicinity of
.
.
.
Become aware of that area again.
Focus your attention
again on this Motor Pool area and describe the area
to me briefly and move from this point to the area
designated as ^^^^^^^^^^escrihirig as you move
from the Motor Pool
Relax now and concentrate on your imagery.
Focus
your attention clearly,
concisely and report your
perceptions to me.
PAUSE
+07
#11:
I
seem to be able to get back to the motor pool area
all right.
SG1A
PAUSE
I see ...
a gate and a double fence where
I didn't see
any before.
#66:
All right.
Hold your concentration
on the motor pool
area and now,
move your perceptions in time to 1000 hours
15 April 1980.
Move all perceptions
from this point onto
1000 hours
15 April
1980.
Poceed now from
the motor
park area to ^^^f^^^^^^^describing as you
go.
PAUSE
+10
#11:
The next thing
I see
is
a piece
of field artillery.
PAUSE
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#11:
It appears to be ...
.
122 milometer,
Soviet D-30.
I'm not having much luck in trying to see ....
Trying to move smoothly
.
.
remain.
.
continuity.
PAUSE
SG1A
Having difficult time.
Constantly being interrupted by
noise.
#66:
Simply relax and concentrate
at this point.
Simply relax
and concentrate.
#11:
I ...
I feel that
.
.
.
this piece of artillery is in
another area adjacent to the vehicle park.
If
I
u/as
moving
in that straight Northwest direction.
.
.
it
seems to be a part of another separate area.
#66:
llia^j^^Tf^^Move on now approaching
the target area,
Hove towards the target area.
PAUSE
+14
#11:
I find myself now.
.
.
I
feel as if I'm inside
.
.
large
building.
PAUSE
Very
large building.
Light coming in from ....
the roof.
A
(not audible)
type building where there are
windows up by
the roof.
I feel
as
if
.
.
.
I
.
.
.
am standing near some sort of assembly
line.
Machinery
and tools working all around me but
in the center
of the
building seems to be conveyor type assembly.
I seem to
associate
it with
.
.
.
some type
of
vehicle.
PAUSE
#66:
Describe your relative position inside this structure.
PAUSE
#11:
I feel as
if
I'm
.
.
.
exactly center.
#66:
Move to the Northeast most end of this structure.
Move
to the Northeast most end of this structure and
describe your location to me.
PAUSE
+21
#11:
Confusing.
I
don't.
.
.
I
don't really get a whole
lot.
There appears to be
.
. .a large door,
garage type door
that leads outside
to where material
is stored.
And
this door is used to move material
in.
PAUSE
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#11:
Lot
of pallots,
lot of stuff,
stacked up and piled
all over
- that kind of area.
I had
a picture.
.
ofi
a cradle.
I'm not sure the
picutre's important,
but
I think cradle
is.
Then.
.
.
I
seemed to move beyond this area
- perhaps
there's a
.
.
.
. .a lip or kind of
L shape to this
building because.
.
.
.it appeared
to move into
a big
open area and in the Northeast corner was
a large
building inside this large,
large building.
Like
an
office dr
a quality control center.
PAUSE
#66:
Describe the function
of this particular area of the
building.
PAUSE
#11:
I get the feeling that this is
.
.
.
where equipment
is finalized,
is completed,
.
.
. Whatever was being
put together
is finished
at this point.
#66:
All right.
Listen very carefully now.
Move to the
area where you were perceiving your first entry into
this building,
an area where you described some activity.
Move once again to that area and describe the activity
to me.
PAUSE
+25
#11:
Its like
an assembly
line.
There
is a
a conveyor
or something that moves.
.
.
.
and ....
appears
to be people.
I don't see people but
I
get
this assembly line atmosphere.
Something moving down
tis conveyor assembly line that is slowly being put together
at each station.
And on both sides of me.
.
.
is
a multitude
of machinery.
People operating this machinery and stuff
and final finishing and assembling of parts that are
to
go into making up this
.
.
.
product,
whatever it
is.
#66:
Move on down the process that you perceive and describe
the finished product
to me.
PAUSE
#11:
I have
.
.
.
.
PAUSE
+27
I feel its
a vehicle.
I don't
.
.
I
feel more for
.
.
a vehicle with very large tires.
I
don't feel for a
tracked vehicle.
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#66 :
#11 :
#66 :
#11 :
#66:
#11
:
Visualize this vehicle very clearly
so that you may
draw it for me later.
It looks very much like
a BTR-60.
At this time
I have no further questions about the
target area.
If there's anything you'd like
to add,
please do so now.
PAUSE
No,
there's nothing
I
can add at this point,
the debrief it would be a lot easier.
During
All right at this time,
return your perceptions to
the room where I'm located.
Move your arms,
move
your legs and prepare to draw those perceptions you've
had.
PAUSE
Now once
I acquired the motor pool area
.
.
and my first
goal was to move into the direction towards Grid Square
E7 and
I found myself at ground level next to this fence.
I couldn't see over it and
I was going down this wall.
I
said,
that,
you
know.
.
.
that wasn't doing me any
good.
So,
I went back to the motor pool and
I believe that's
when the noise started interrupting me and
I would move
a little bit and be drawn back
.
.
.
as.
.
when the.
.
as soon as
I
got away from
it,
and something bothered me,
it was like
an automatic keying device
-
I went back to
my point of origin.
I finally
got past in that direction
in the motor pool there seemed to be another area over
here
- well,
maybe I'll put that down on paper
- Number
1.
I had this feeling here.
.
I had
a feeling there was an
opening here and then there was a
.
.
another fence with
a
gate and here was the motor pool and then we had these
buildings
over here.
There seemed to be some type of
dividing line
over here and there was an area where the
X
is where
I pictured this artillery piece.
Or what
I
.
It was
a very clear picture,
it may have been overlay or
whatever,
maybe
it was there.
But
in this area where the
X
is
and it was
a 122 millometer D30 Soviet type.
And
then
I- tried to move over and keep moving down and
I
couldn't.
And there is one point where
it finally got
rather quiet and all of
a sudden
I
seemed to be locked
into
a position where
I was looking down
on
a building.
And this is in Drawing
2.
This building,
probably not much
to scale.
PAUSE
and its
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#11:
The
X marks the hatching.
There may have been an
appendage to this building.
And
I don't know why,
I
just drew it that way.
I'm not sure that's the way
I
saw it.
There was
something
in the center.
It had windows.
PAUSE
It could have had appendages overhere also.
Could have
been
in here.
But
I'm positive
of,
. .is the one with
the
X
on
it,
was definitely appendage there,
whether
it
was an
L shape
-
an
I
shaple or somewhere inbetween.
In Drawing
3,
i .
is more close
to my original,
perspective with of course with all the possible appendages
etc.
An
X marks the spot where
'I
just went,
I
just dove right
into
it.
Now,
that's Drawing
3.
I think the reason
I drew Drawing
2 the way
I did as a clear story type building with the
appendage on top is because
of once
I
got inside,
I felt
that or saw that.
There appeared to be a
.
.
when
I was
standing there there appeared
to be a roof overtop of me
and there was
a space up there with windows and then it
went down alongside again and
on each side,
each side
is
where all the machines were located and they were making
things and final assembling things and down the middle
of this thing is where the assembly line ran.
#31:
In your tape,
you did use the term clear story.
#11:
Yes.
That's the outside of the building.
#31:
Okay and the impression
of the clear story structure came,
originated from the light coming
in.
.
.
#11:
Once
I
got inside.
Drawing #3 is basically what
I
saw
from up above and
I
just zoomed right in on
it.
And
once
I
got inside,
I came up with Drawing #2.
#31:
Okay.
#11:
That type of building.
#31:
Okay.
#11:
So there's two different impressions.
An outside look
and
a look from inside.
PAUSE
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#11:
1—w
i \ 1
|
Once
I got inside,
Whew!
This is going to be tough.
PAUSE
What you might want to do is put the tape
on hold now
until
I
get this thing drawn now and then explain
it.
#66
:
We have plenty
of tape.
Go ahead and continue to draw.
#11:
Okay,
cause this
is.
.
.
I'm sitting here trying to
picture and draw at the same time and its pretty hard.
Difficult for me
to.
.
.
#31:
Okay,
this will be
just transcribed as scratch,
scrath
scratch,
scratch.
#11:
I'll
just run my mouth off while I'm doing
it.
Okay,
these angle lines going up to the center
line are kind
of like rafters.
Okay,
that gives the angle
of the roof.
These
.
.
.
then
I saw the windows here.
Would
it do me
any good,
help
if
I used different colors?
#31:
Whatever you feel best with
it,
it would help.
#11:
Well,
the light is the blue coming in from the windows up
here.
They seem specifically
to be lighting up this
center area.
Okay,
and the
.
.
.
this of course was dark and shaded.
Now,
out front here seemed to be some type
of,
Oh,
for
lack
of anything better
to call
it
- a conveyor or
something.
Something sat on
it and was moved very slowly
down through here and this big blob
.
.
.or whatever,
this was there
on the conveyor line.
#31:
What you're saying then is the dark which looks like the
back end
of the hall is
in actuality something blocking
your view that
.
.
.
#11:
Yes.
Well,
that's something that was on the conveyor
line and moving.
At that time,
I didn't know what it
was
- couldn't make
out what it was and really
I tried
to
at that time.
It was difficult but there were activity
and
I perceived that there were stations along here that
people,
you know,
are responsible for.
And
.
.
.
are you getting
a feel for
it?
#31:
Yes Yes.
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#11:
And there was
.
.
.
there seemed to be airhoses and
stuff hanging down here,
you
know,
a conglomerate
of stuff.
Okay.
Now this.
.
.
there's
a little aisle
on other side and ...
up
to each side there wasn't
there appeared
to be very heavy supports.
PAUSE
Okay.
Back behind here
it was dark but this is where
-
and I'll see if
I
can color this in an even
tone.
It
was dark and it wasn't dark.
It was darker than the rest
.
.
of this particular central area.
But there was
activity going on behind there
in the form of machinery
and people operating
machines it appeared.
PAUSE
I wish
I could just take
a photograph from my head because
it would have been much easier.
Behind there as the roof went down there was another
row
of windows but they were way
off.
There were lights and stuff over these machines but it was
just dark in this area.
And there was
a lot of machining
activity.
Like
(not audible),
getting things ready for
assembly line.
It was
just,
you
know,
lots of equipment.
I don't know.
Parts equipment.
Activity.
Stuff like that.
Okay,
that's
#31:
Okay,
that's in the closer
in from the outer portion
closer
in alongside the conveyor area is where those
things are.
#11:
Yes.
Well,
there's stuff all over the place.
#31 :
Okay
.
#11:
It was
a very confusing situation.
Very difficult
.
.
'
It would be very difficult to describe
in detail.
Although
it would be
.
.
it would
be very time consuming
to describe
in detail but
not all that difficult.
Okay,
this point here
is where
I
entered,
right in the
center.
#31:
You had a feeling somewhere through the session here,
let me
see,
Okay.
.
.
.
Associated with some
type
of vehicle you were asked
to describe the relative
position,
you said the exact center.
Okay.
All right
so that's our first cut at that so let me go on down
later
in the session when you were directed back to that
beginning
point.
O
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#31:
Okay,
towards the end of the session,
you were directed
to move back to this area?
#11:
The end.
.
I believe
it was the end of the building
where the
X
is.
The small
X.
Referring to Drawing
3*
#31:
I'm a little confused here.
Drawing
2.
#11 :
Drawing
.
#31:
I'm trying to keep the continuity of your imagery here
and disregarding this continuity of the session.
Am
I
right that this is your first into here.
#11:
Right.
#31:
Okay,
here Sketch
is your first into review.
Then
you were directed to the Northeast section of the building.
#11:
Right.
#31:
Okay.
Then you were directed back to this area.
#11:
I went right back to the same spot.
#31:
Okay,
in continuity
of the same spot and location
of the
building that part of the session you were directed to move and
describe the finished product.
Okay,
you had the feeling
that this part
of the session,
that
it was
a vehicle with
large tires,
you didn't have
a feeling for tract type
vehicle though.
#11:
No,
definitelly not.
#31:
Okay,
and you had the association that was like
a BTR-60.
Okay.
Did you acquire.
.
adequate input during that second
half of the session to do a vehicle sketch?
#11:
I
can give some pretty generalized stuff.
TURN OVER TAPE
#11:
Just
a crude side view.
The tires were very large and
tractor like.
PAUSE
I
keep ...
I
keep wanting
to say larger.
It looks like
a BTR-60 but larger than
a BTR60 .
It ...
If
I had to
put a stick person next to
it,
say average
6 foot person,
those tires appeared to be about
to
7 foot
in diameter,
maybe that's why
I
get the feeling that it's larger.
Than
a BTR
60.
And the thing that comes to mind is that
now that
I've drawn
it and
I
felt the shape and everything,
I want to say SA-8.
Or something similar to that.
That's
.
.
and I'm not that familiar with the SA-8 myself.
But that's
.
.
its about that size.
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#11:
And
it
is definitely
a wheeled,
wheeled type vehicle.
Large tractor,
tractor like wheels.
In fact,
at first
I thought
I was looking at a tractor rolling off the
assembly line.
#31:
Okay,
in your Sketch
4 view there,
in your earlier part
of the session,
I realize you were absorbing many data
bits coming in,
did you have
a feeling possibly more
defined than what is
.
.
.
than what apparently would be
a
(not audible).
#11:
The blue
-
I have just a blob.
#31:
Just
a blob or did you get any more refinement
of that
imagery.
#11:
No.
At that point,
I was either.
.
.
I was either looking
at
it form that or was right up on it and was not seeing
anything like this.
No,
at that point.
.
.
And
I really thought
I was going
to have a difficult time figuring out what the heck was
going
on there because of that particular time when
I
was at the assembly
line,
all
I knew was there was some-
thing big being put together.
And
I did not see the
vehicle and
in fact
I
did not get a side shot
I got an
angle shot from the back.
There seemed to be ...
.
#31:
Okay,
since you did get an angle shot from the back,
could
you
.
.
.
could you give me one of those.
#11:
Urn hm.
#31:
That will be on
6,
I
guess,
yes.
#11:
There seemed to be
a big set of doors right here and
to the right there was a building within this building
whether this was a quality control building,
or whatever,
offices,
you know like there may have been a door here
with windows and stuff around
it.
But this .....
was at the end point.
And
there was
a large
door over here that was open and
I
got
a silhouette.
.
.
PAUSE
At this big door over here was closed.
Okay?
#31:
That's fine.
That's fine.
A lot of help.
#11:
And again,
that's approximately about the size,
this door
here in relationship to
.
.
.
#31:
to vehicle magnitude.
Okay.
Well good,
all right.
.
.
I think we've sort
of jumped
a little bit here but
just let me go through
Okay,
we
have the exact center.
You were told to move to the
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had a cradle like affair;
large garage type door;
feeling
that
it went outdoor to storage;
things moved out to store;
moved into the big open area and then the Northeast corner,
large building inside large building like
a office or
quality control.
So we do have
a little bleed over on Sketch
6 apparently.
#11:
Right.
#31:
From that imagery
do you have any more than what you've
already done on Sketch
6 that would
.
.
.??
#11:
No,
but what
I
talked about,
the other door,
and the
(not audible)
was in a different position.
And I'll try to draw
a kind of
an overhead.
See
I don't
know if there's an appendage on that building or not,
but I'll
just draw a straight building.
Kind of like
.
.
PAUSE
And the square here is the building within the building.
Now,
over here
is the door
I was talking about the first
time.
And,
yes,
there is an appendange on this building
because
I remember it coming out here.
I
don't know where
it goes here,
maybe
it,
.
.
where the dotted line
is,
but
there
is an appendage or
a wall
or something where the
solid line
is because
.
.
.
where this red line
is
forklifts and stuff move back and forth in and out of here
and they bring material for some reason that's being
stored out here,
outside.
Okay,
I don't know what material
this
is,
what form its in or whatever.
But they move in
and out,
this material is stored out here.
I had
a feeling
that there may be another building over here.
Somewhere.
And that this is an open area for storage.
And
this is way out
of scale but this is where
I had this cradle type thing.
Okay
it was located
approximately there.
And it was
a lot of .....
.
storage
in here and storage along here.
The ......
The assembly line came like that down the center of the
building and you had machines lined up here and over here
throughout the building.
What type machines they were,
I don't know.
I
just put
an M in here.
And there was
all kinds of material stacked and stored about these
machines.
Solid scribbles.
PAUSE
And that was on both sides of the assembly
line.
And
at the point where
I moved,
where
I was directed to
the North,
Northeast end
of the building
I stopped
right about where that red arrow is and
I saw that door
going out and
I explored out there.
I looked out there.
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#11:
That's where
I had that feeling.
This is ...
.
a building,
inside building.
And the vehicle ....
I'll put right here.
#31:
Okay on the red arrow,
the red double arrow you have
there would you
just make some small annotation regarding
the feeling about movement and activity there.
Like
forklift activity
or
.
.
.
PAUSE
Okay.
And this isn't sketchable but my last question is
did you have.
.
would you give me some groups if you will
regarding your feelings and impressions
on function.
§66
asked you to describe the function
of the building.
#11:
Function?
Industrial.
#31:
Without being redundant necessarily with what you'd said,
what you had mentioned during the session was where the
stuff
is finalized or completed at this point.
Whatever
is being put together is finished at this point.
Did you
have any other associative.
.
.
ahh
.
.
.
feelings?
#11:
No,
this whole building
is like the final assembly line
at
a
.
.
.
you know,
Ford Motor Company,
or Case Tractor
Company
or
.
.
.
Very,
very typical manufacturering.
#31:
Okay. That's all
I have.
Do you have anything you'd like
to
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#11:
No.
Approved For Release 2000/08/07
CIA-R
li
00390001-8
Approved For Release 2000/08/07
: CIA-RDP96-00788R000200390001-8
Approved For Release 2000/08/07
: CIA-RDP96-00788R000200390001-8
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Approved For Release 2000/08/07
: CIA-RDP96-00788R000200390001-8
Approved For Release 2000/08/07
: CIA-RDP96-00788R000200390001-8
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Approved For Release 2000/08/07
: CIA-RDP96-00788R000200390001-8
Approved For Release 2000/08/07
: CIA-RDP96-00788R000200390001-8
Approved For Release 2000/08/07 : CIA-RDP96-00788R000200390001-8 ee Approved For Release 2000/08/07 : CIA-RDP96-00788R000200390001-8 i)
Approved For Release 20
96-00788R000200390001 -8
ANALYST COMMENTS
REMOTE VIEWING
(RV)
SESSION CCC 58
1 .
2 .
(U)
Reference;
City Plan,
(S/NOFORN)
CUING DATA:
SG1A
Stock No.
SG1A
a.
This was #14’ s fifth session against this target.
Previous sessions
were CCC
(cancelled due to noise),
CCC38,
CCC45,
and CCC49
(cancelled due
to noise).
Due to previous involvement,
$66 was generally aware of target
area parameters
(city,
valley,
industrial complexity)
and was specifically
aware of geo coordinates,
the photo grid system used,
and the very germane
imagery of session CCC38
(Sketch #3)
and session CCC45.
Approved For Release 200
'6-00788R000200390001 -8