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#47.5:
I
think,
perhaps,
I
had better start
drawing.
Before
I
forget
all
this
input that
I
am
getting
.
#28:
Okay.
Before you start
drawing,
I want you
to think about
the images you've
had;
think
about the
images you've had;
that you told me
about and the ones
that you want
to
draw;
think about
all
of them;
and
.
.
.
describe
the target
area from
a distance so that these
various
images are
in relation
to one another.
PAUSE
#47.5:
(Long sigh)
PAUSE
+12
#28:
Tell me about
the
images
and the area.
#47.5:
(Long sigh)
They don't seem to
fit.
At
first
I
saw
a large tree shape like
I
said.
It
appeared to be
a large oak tree.
#28:
Good.
#47.5:
Next,
ah,
.
.
.
The next
image
I had was of
a
part
of
a rectangle and
I
felt somehow
it may
have something to
do with
a window.
And then
I moved over and
.
.
.
that's
just
a corner
of
it.
Then
I moved over to another corner of
it
.
Then
I
had an image of another corner but
around
it.
A rounded shape within that
corner.
Then
I
had the ...
an
image that
I
had yester-
day,
I
think two triangles meeting point
to
point but this time there's no line through
it.
Ah.
.
.
then
I had
an
image
of
.
.
.
the only way
I
could describe
it would be
a church-type window.
It was
a long
line and then
a cane type shape
over
it.
And,
when
I
tried to step back,
and
I
tried to
get
an overall view of the
thing,
I
really didn;t form any
images or
ideas.
But,
I will try to continue
if we still have
time
.
#28:
We have plenty of
time.
.
.
I would like you
to do something that you haven't done before.
You've given me some very good data;
the shapes
and forms
in the target
area.
What
do you
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#47
. 5
:
#28
:
#47.5
#28 :
#28
:
#47.5
#28
:
#47.5
#28
:
feel?
Other than visualize?
What
do you
feel about
the target
area.
What
do you
feel
goes on there?
PAUSE
I'm not
feeling per
se;
but
I'm getting another
image.
Describe this
image.
I
see kind of
a round ...
I
get
the impression
its
a structure of some
kind.
.
.
almost
like
a
fountain type structure.
But
that's just
a
blatant
description.
Or perhaps
the feeling of
water has something connected with
it.
PAUSE
Let's search for
a communication
in the form of
imagery.
(PAUSE)
Ask
in your mind.
Ask the question about
the
target
area;
what
goes on there.
Ask that
question
in your mind and look for an answer.
An imagery answer.
PAUSE
Tell me what you
see.
PAUSE
It almost
looks
like
I'm getting
a nose
to nose
view with
a cat.
Describe
it.
PAUSE
I
get the impression
I
am looking right
at
the nose of
a
cat.
I
see the nose,
the split
under the nose
to the
lip and the puffy cheeks
(not audible).
Okay
.
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PAUSE
#28:
Okay,
its about
20 minutes after
now.
Take
a quick look again and turn and sit
up and
draw
(not
audible).
#47.5:
A
cat,
maybe
a squirrel.
PAUSE
#47.5:
There are
so many
images.
#28:
That's
fine.
Can you talk to me while you
are drawing and the number you are drawing.
.
.
.
tape.
Would you like to have the
lights on?
#47.5:
Its not necessary.
PAUSE
#47.5:
Number One
as
I
said
is
a tree.
A very large
red oak,
and
it was
a single tree that
stood
out
all by
itself
and
it
appeared that
I was
at
a lower
level
looking up
at
it.
PAUSE
#47.5:
Here's where
I
had the
impression
I was looking
in
a corner.
That's the only way
I
can describe
it
.
.
.
is
a window sill.
Inside/outside.
And then
I
had another impression of the other side,
(not
audible).
PAUSE
ADMIN NOTE:
Tape recorder failure
at
this point.
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Approved For Release 2000/08/07
: CIA-RDP96-00788R000900940001-0
TAB A
Approved For Release 2000/08/07
: CIA-RDP96-00788R000900940001-0