Approved For Release 2000/08/07
:
0788R001 4001 30001 -3
SUMMARY
ANALYSIS
REMOTE
VIEWING
SESSION
861
1.
(S/NOFORN)
This
report provides
documentation
of
a
remote
viewing
session
conducted
for
training
purposes
only.
2.
(S/NOFORN)
The
protocol
used
for
this
session
is
detailed
in
the
document.
Standard
Remote
Viewing
Protocol
. (Local
Target)
by Harold
E.
Puthoff,
and
Russel
Targ,
November
1978.
3.
(S/NOFORN)
Following
is
a.transcript
of
the
viewer's
impressions
during
the
remote
viewing
session.
At
TAB
A
are
drawings
made
by
the. remote
viewer
reference
his
impressions
of
the
targeted
site.
At
TAB
B
is
the
target
cuing
information.
4.
(S/NOFORN)-
Post
session
analysis
of
target
viewing
indicates
the
viewer
had
a
considerable
amount
of
correlation.
Viewer
verbalization
of
target
images
improved
during
this
session.
-The
viewer
was
confused
by
his
inability
to
differentiate
between
overlay
and
target
sensations.
This
situation
will
improve
with
increased
viewer
confidence.
NOT
RELEASABLE
TO
FOREIGN
NATIONALS
Approved For Release 2000/0
96-00788R0014001 30001 -3
Approved For Release 2000/08/07 :XJA-RPP?6-00788R001 4001 30001 -3
TRANSCRIPT
REMOTE
VIEWING
SESSION
861
#66:
This
will
be
a
remote
viewing
session
for
1400
hours,
February
1982.
Relax
now,
relax,
relax,
relax,
concentrate,
concentrate
and
focus your
attention,
focus
solely
and
completely
on
the
target
for
this
afternoon.
Focus,
focus
now
on
#01
and
#63.
Explore
the
target
with
#01
and
#63
and
describe
the
target
to
me.
PAUSE
#25:
Person
outdoors .. .on
a
hill.
Pine
trees,
skyline
PAUSE
#66:
Report.
#25:
Symbol
of
a
cjjc.
Symbol
on
a
car.
. .shield,
a
s h i e 1 d
.
.
. c a r s
aIX ar ou n d
.
#66:
Describe your
position
of
observation.
#25:
Northwest.
. .corner...of
a.
. .there
is
a
big
tree...
#66:
Describe
#01
1 s
activity
to
me.
#25:
Standing
in
a
(mumble)
fence
post
lo oking
at
cars
#66:
Describe
#63's
activity
to
me.
PAUSE
#25:
Hand
on
a
tree
earlier.
Now
he
l s
walking
along
that
same
fence.
#66:
Move
up
over
the
target
and
describe
the
area
to
me
PAUSE
Approved For Release 2000/08/07
Approved For Release 2000/08,
00788R001 4001 30001 -3
#25:
# 66
:
#25:
# 66
:
#25:
# 66
:
#25:
y
Tnt.prsp.rt.inn.
Target's
in
the
southwest...
corner
of
the
intersection .. .white
building
.
. .old
,
gray
roof
Go
on
.
PAUSE
Gravel
Describe
your
present
position
of
observation.
PAUSE
Northwest
corner
of
the
i ntersection.,.
Move
up
in
the
air
now,
feet. ..up
in
the
air
now
feet,
face
the
target
and
describe
the
target
to
me
from
feet
up
.
.
. descr i be
the
target
to
me.
>
..
"
..
Tnt.prsp rt ion
..
,
.wirlp
road,
small
road .. c.wi de
road ^
f
oes
north,
sou t hi
I nme an
south,
north....*. ‘.‘777*.
rvdther
road
cuts
across
it.
. .northeast,
southwest
#66:
The
target,
tell
me
about
the
target.
#25:
Wood
fence
shabby
building,
white,
cars
(mumble)
front,
woods
behind
it,
field
on
southeast
corner.
#66:
Describe
the
size
of
building.
#25:
Small,
not
square.
I
can't make
out
the
shape.
#66:
Describe
the
height
of
building.
#25:
One
story.
#66:
I
have
no
further
questions
concerning
the
target.
At
this
time
feel
free
to
comment without
direction
concerning
the
target.
#25:
During
the
cool
down
earlier
heard
somebody
say
something
about
buying
one
of
these.
#66:
All
right.
Anything
further?
#25:
Nope.
#66:
All
right.
Let's
prepare
now
to
draw
the
perceptions
you
have.
Approved For Release 2000/08/07
:
0788R001 4001 30001 -3
Approved For Release 2000/08/07
: CIA-RDP96-00788R001 4001 30001 -3
Approved For Release 2000/08/07
: CIA-RDP96-00788R001 4001 30001 -3
Approved For Release 2000/08/07
00788R001 4001 30001 -3
REMOTE
VIEWING
SESSION
861
(DRAWING
NARRATIVE)
#25:
Okay.
I'll
begin
with
a
description ofthe
drawings.
Drawing lisa
very
general
image
of
what
I
first
felt
like
was
the
target
area.
There
were
trees
at
the
top. ..sort
of
a ridge
line
that went
around
in
an
L
shaped,
at
least
from
my
perspective,
which
was
an
X
will
be
or
an
asterisk
will
be
where
I
believe
I
was
located.
The
target
was
in
a
lower
elevation
and
it
was
on
the
side
of
the
ridge
line
or
hill
because
there
was
an
even
lower
elevation
down
over
to
the
left
of
the
page
here.
The
second
drawing
is
a
shield
that
I
thought!
saw
on
the
front
of
the
car.
It
had
small
animal
figures
over
to
one
side.
And,
now
that
I've
drawn
this
shield
it
doesn't
really
look
like
what
I
saw,
and
I'm
not
really
sure
I
could
draw
it..
At
this
time
I
thought
I. ..when
I
saw
the
shield,
I
thought
I
heard
someone
talking
about
buying
one
of
these.
I
think
they
said
something
about
buying
one
of
these.
Drawing
is
the
intersection
that
was
described
with
the
cars
in
the
lot.
The
gray
roof
of
the
white
funny
shaped
building. ..I
still
don't
know^
the
shape
of
the
building
with
the
woods
behind
it.
A
big
tree
and
a
fence,
wooden
fence
drawn
in
in
the
southwest
corner
of
the
intersection.
On
the
top
of
the
page
in
the
southeast
corner
was
an
open
field,
and
I
must
have
described
what
was
on
the
other
corners,
but
I
don't
remember
now what
they
were.
But,
they're
probably
on
the
tape
from
the
session.
#66:
Okay.
Going
back
to
picture
1,
you
have
a
ridge
line
there,
and
what
was
it you
said
about.
. .something
about... that
....a
ridge
line. ..did
you
look
up
to
the
trees..
I
don't
understand
how
you
say
that's
ridge
line.
What
was
your
perception?
Approved For Release 2000/08/07
: CIA-RDP96-00788R001 4001 30001 -3
i
'
'
Approved For Release 2000/08/07
: CI<^BBBfifc£0788R001 4001 30001 -3
# 25
:
# 66
:
# 25
:
# 66
:
# 25
:
I
was
probably
looking
up
because
all
I
saw
behind
the
trees
was
horizon,
but
that's
analysis.
I
don't
know.
All
I
saw
was
the
upper
trees
in
the
upper
portion
of
my frame
of
vision
I
guess
or
frame
of
perception.
Okay.
Let
me
talk
for
just
a minute
to
explain
to
you
the
situation
here.
During
the
remote
viewing
process
your
responsibility,
of
course,
is
to
report
what
you
perceive,
and
part
of
my
responsibility
during
operational
remote
viewing
will
be
to direct you
towards
those
critical
intelligence
estimates
that
are
necessary.
To
do
that
during
a
session
I
have
to
know
from where
you
are
looking.
That's
why
during
our
training
exercises
we
always
try
to
practice
that,
and
eventually
we
will
be
able
to
communicate
those
things.
So,
now
as
the
training
continues
here
during
this
concept
see
if
you
can't
elaborate
on
it
just
a
1 ittle
bit.
Okay.
I
don't
believe
I
ever
got
an
aerial
view.
I
tried
my
best
to
get
an
aerial
view
and
I
think
I
created
one
and
I
don't
really
believe
that
I
saw
anything
in
an-aerial
view.
I
think
I
saw
these
trees
about
the
level
that
they were.
In
other
words,
I
was
at
about
the
same
level
of
the
trees,
but
I
knew
that
in
front
of
me
there
was
lower
elevation.
It
was
downhill.
The
target
was
in
front
of me.....
in
between
me
and
the
trees,
and
my
location
is
identified
on
drawing
by
the
asterisk.
There
with
a
field
of
view
arrows
sort
of
drawn
in,
but
I
think
it
was
a
ground
elevation.
But,
there
was
some
sort
of... ...I
have
to
take
from your
statement
that
there
was
a
change
of
elevation
at
the
target. ..a
sloping
of
the
ground,
a mountain,
a
valley,
type
th i ng ..... because
you
have
said
to
me
that
you
look
up
or
you
look
down.
Is
there
anything
else
you
can
add
to
that
concept?
Nothing,
except
I
believe
I
was
at
a
higher
elevation
than. ..in
this
view. ..that
my
view
was
at
the
same
level
of
the
trees
which
was
higher
than
the
target,
but,
behind
the
target,
and
the
target
was
at
a
lower
elevation.
. .not
the
lowest
of
the
area. ..that
it
was
sloping
on
the
side
of
Approved For Release 2000/08/07
: CIA-RDP96-00788R001 4001 30001 -3
Approved For Release 2000/08/07
r 0*A-RDP^6-OO788ROO1 4001 30001 -3
#25;
No.
I
don't
have
any
impression
of
any
sound
except
for
someone
talking
that
once.
#66;
I'm trying
to
get
you
to
kind
of
identify
with
the
type
of
thing
that
you
sense,
feel
and
see,
and
so
forth.
#25;
It
was
a
sensation
of
something
going
by
fast.
Also,
during
the
cool
down
period
I
had
this
sensation
of
things
floating
down
in
front
of
me
like
a
Elm
tree
seed
flutters
down.
Something
like
that.
I
don't
know what
they. were.
I
didn't
want
to waste
time
and
energy
looking
at
those
things.
#66;
Okay.
Now,
this
drawing you've
done
in
3.
Several
times you've
mentioned
that
drawing
to
me.
I
mean
several
times
you
mentioned
that
word
intersection.
#25;
Yes.
I
think
the
intersection...!
got
a
clear
aerial
of
that,
I
guess.
But,
again
like
it
wasn't
the
sight
type
of
aerial.
I
mean,, .I've
even
drawn
here
where
I
think
the
road went.....
one went
off
to
angle
and
one
came
into
it. straight
off
the. same
road.
Which
I
think
now
is
kind
of
strange.
I
don't want
to
change
the
drawing
to
make
it match
wi th symmetry because
it doesn't
match
with
symmetry.
It's
not
supposed
to
be
that
way.
I
don't
believe
that
I
can
identify
any
of
this
as
a
vision
except where
you
asked
me
where
the
outbounders
was,
one
of
the
outbounders,
and
I
said
by
a fence
post,
and
I
will
now
draw
a
arrow
to
that
point where
I
saw
him
and
a
star.
#66:
In
terms
of
looking
now
at your
drawings
remembering
what your
image
say,
and
you
had
to
chose
what
was
he
looking
at?
Where
was
he
facing?
#25:
End
of
the
target.
#66:
Now,
I'm forcing
you
into
analysis.
What would
you
name
as
being
the
target
then,
giving
your
drawing
.
#25:
Okay.
Now,
I
want. to
report
some
overlay
that
I
had
in
the
session.
I
didn't
report
it
in
the
session,
because
I
was
trying
hard
to
fight
against
getting
it.
I
had
a
great
problem fighting
off
Approved For Release 2000/08/07’TeiA-RDpg8
,-00788R001400130001-3
Approved For Release 2000/08/07
: CIA-RDP96-00788R001 4001 30001 -3
the
image
of
the
foreign
car
dealer
out
here
on
198,
and
that's
what
I
think
this
is.
But......
that's
drawing
that
I
just
hit
on
the
table.
So,
I'm tempted
to
name
the
target
as
a
car
lot.
#66:
Okay.
You
named
the
target
as
a
car
lot
because
of your
overlay.
Armed
only with
your
drawings...
#25:
It's,
a
building.
I
have
no
idea
as
to
function
except
that
it
relates
to
cars.
It might
be
a
car
lot,
it
might
be
a
garage.
It might
be
something
to
do
with
cars.
That's,
all
I
can
think
of.
I
don't
know what
that
is.
I
tried
to
say.....
#66:
Okay.
Look
at
the
position
of
the
beacon.
Where
is
he
in
your
picture?
#25:
He's
in
the
upper.
#66:
And
what's,
he
doing?
What's
he
near?
What's
he
next
to?
#25:
A
fence.
#66:
Okay.
What's
on
the
other
side
of
the
fence?
#25:
Cars.
#66:
What's. ...going
the
other way?
He
is
outside
of
the
fence
and
he
would
look
over
the
fence
and
he
would
see
some
cars
over
there.
And,
if
he
would
look
the
other
way what would
he
see?
#25:
Aha
(affirmative)
A
road. ..an
intersection
If
he
looked.
. .looking
into
the
target
from.....
#66:
If
he
looks
down
across
the
fence which you're
calling
the
target
something
on
the
other
side
of
the
fence,
and
if
he
looked
the
other way what would
he
see?
#25:
An
intersection.
And what's
up
in
this
northeast
corner ...... got
me. .....I
hope
I
said
that
on
the
tape
because
I
don't
remember
now
what
was
there.
#66:
Okay.
You
had
an
overlay. ..you
thought
you
might
be
looking
at
a. used
car
lot. ..a foreign
car
lot
on
highway
198...
Approved For Release 2000/08/07
: CIA-RDP96-00788R001 4001 30001 -3
Approved For Release 2000/08/07
: CIA-RDP9&-00788R001 4001 30001 -3
#25:
# 66
:
#25:
# 66
:
#25:
# 66
:
#25:
# 66
:
#25:
Yeah.
Then
it
changed
to
a
car
lot
down
in
Crofton.
But,
I
don't
know.
Okay.
You,
of
course,
know what's
happening
inside your
head
when
that
goes
on.
You're
comparing
data
of
known
car
lots
which
you've
seen
all
over
the
world.
Yeah.
Well,
there-'s
just
two.
Yeah. ..those
two.
I
think
I
have
a
vague
impression
of
the
one
in
Crofton.
Okay.
You
call
that
overlay.
That's, viable
to
you
to
identify with
your
feelings
here.
That's
what
I'm
trying
to
do. is
get you
aware
of what's
going
on
in your
head.
I
didn't
have
any problem with
language
today.
I
felt
that
was
fairly
easy.
I
was
surprised
that
I
had
difficulty
speaking
today,
because.
felt
like
I. was
much
more
alert
than
my..
I
think
my
voice
indicated.
I
was
not
getting
anything most
of
the
time
today
I
was
trying
to
think
nothing
to
push
out
overlay
so
that
an
image
something
that
I
could
cling
to
would
come
in
and
nothing
came
in
except. the.
ridge
line
here
with
the
trees
the
shield
on
the
car
and
then
all
this
was,
I
think,
made
from. .... ...going
back
and
samplying,
going
back
and
samplying,
going
back
and
samplying
coming
back,
going
back,
coming
and
going
to
the
area
and
samplying...
And,
part
of
it's
a
lot
of
it's
overlay.
I
am
sure.
Other
than
the
overlay
of
your
parking
lot what
goes
on
at
the
intersection
at
the
target
what
goes
on
in
drawing
3?
Cars
go
by.
That's
the
only
action.
And,
people
look
in
here
for
some
reason......
There's
somethin
to
do
with
cars
here
and
people
are
interested
in
looking
at
these
cars.
They might
be
for
sale
and
they might just
be
there
for
people
to
look
at
or
to
be
repaired.
Anything
else?
No.
I
wanted
to
report
the
overlay.
I
didn't
like
the
session.
I
had
a
tough
time.
Approved For Release 2000/08/07
: "€1A-RDP96-00788R001 4001 30001 -3
Approved For Release 2000/08/07
?
400130001-3
# 66
:
# 25
:
# 66
:
Okay.
You
didn't
like
it
but you've
identified
with
your
feelings
and
know
some
of
the
things
that
went
on.
Yeah.
Okay.
That'll
do
it.
Approved For Release 2000/08/07
: CIA-RDP96-00788R001 4001 30001 -3
Approved For Release 2000/08/07
: CIA-RDP96-00788R001 4001 30001 -3
)y \
\
Approved For Release 2000/08/07
: CIA-RDP96-00788R001 4^130001 -3
Approved For Release 2000/08/07
: CIA-RDP96-00788R001 4001 30001 -3
Approved For Release 2000/08/07
: CIA-RDP96-00788R001 4001 30001 -3
Approved For Release 2000/08/07
: CIA-RDP96-00788R001 4001 30001 -3
^
C^Ar^,
'V't
Vv«y>^
0\)<LV
Mil
"'v&h
"%l
-M\ ’--utf
ii' v -V
*
•>.'>'•
'
fe»l
11s
iii
111
«-?a
•] •] i •
•WwM*
iii
|TlTl