Approved For Release 2003/09/95 Gy prbe-oo7esr001 00010001-0 #66: #31: #663 #31: #66: #31: It was just a wreck is all I got. I can't figure out. . . its mostly hidden by the trees. Its like the damn thing hit this big flat top rock and skidded up and under the trees and God knows why it didn't flash off and burn but it didn't that much. PAUSE That's all I can get at this time. That's just fine. Can you draw me a little bit now with your situation? Yeah. PAUSE Would you like any more light? Yeah, better have some light. PAUSE I'll go images, all right? Okay. We're about to the end of this tape so I'm going to go ahead and turn it over now. PAUSE All right. . . . The first image I had was of this irregular inverted "V". A white slash, "Vv" shape slash against a .. the side of a ridge. You know, in this sketch, I've drawn a rock fall. Or something that looked like an irregular "V" shape thing along the ridge line with trees around, green trees, heavy . . heavy foilage around it. All right... The next image I had was of being inside and under the side and up . . in the side of the ridge line and I had this image of standing on pine needle carpet. Standing on pine needle, soft and cool carpet. PAUSE 10 Approved For Release 2003/09/1 eChET 00010001-0 S ‘ H
STAT Approved For Release soos SE LA bodes. corsarcoo 00010001-0 With a big pine tree right in front of me. And its almost like . .. its almost like... damn near like a cultured forest because there's not a whole bunch of scrub. Its either an old section of forest or a cultured forest, a con- trolled forest because there's not a whole bunch of underbrush because the. .. the canopy... double canopy or single, well would be single canopy, is so thick that it blocks out all of the. . a lot of the sunlight from underneath. And... PAUSE And these trees are in there everywhere. And its cool and dark. And its . . This is on the North slope of the hill. And they're everywhere. PAUSE But they're high up. What I mean is like... the man . . you can almost . . can nearly walk in under them without banging his head on the limbs. PAUSE Pine needle carpet is an over dominant feeling here. I wanted to say it was almost exclusively pine but I don't want to say that. It could be desiduous as well. Its at least cool and dark and its at least a stand up overhead, almost. And its on this semi .. . semi-steep North slope of this thing. PAUSE I talked about two on the tape before I went STAT back to one on the rockfall. Three is a first impression. . of one of the two. I got that very early. Then I tried. . | .PAUSE I'm working back at two, the view across. . it seems that the view across and out from this . . this is a slope here. Okay. It seems as though looking out drifting above the trees, the view is one of ... . of that. Approved For Release 2003/09/10 : GIA-RDP96-00788R000100010001-0 > ie
Approved For Release -003/0 0K Lela Eid oe-co7eero00% 00010001-0 #66: #31: To a double bunked ridge; one higher than the other. PAUSE All heavily. . all equally forested. Covered. All over. PAUSE All right? Um hm. PAUSE Everywhere is trees. The whole thing is trees. And that down here in the foreground, I didn't want to say there's a creek or anything down there. PAUSE In the valley. I didn't. . . I didn't get that. I didn't want to say that because you usually find creeks in valleys and this might be one without one. PAUSE This is looking . . to, as I call it, merely the Northeast. Its a single ridge though. These two things are connected. They're not two different hills, they're connected. But its trees all the way down into the valley. Okay. PAUSE Looking to . . Northwest, I have again in the distance, this bump and we have in the distance this bigger bump or in the foreground the bigger bump. Okay. PAUSE And here - how do I describe this? Here... and then it takes a turn around and that view is blocked by something. But this is .. the ridge line shape, it curves. Okay. PAUSE Approved For Release 2003/09/10 : GJA-RDP96-00788R000100010001-0 CEPRET
Approved For Release soosiee SEL bebs.corsercoo: 00010001-0 I'll call it the South ridge and this the North ridge. The perspective's a little bit off. Its not really right. Let me change it. This will be misleading on a map trace. Here is .. the first hump and here is the second hump of the ridge, like this. Okay. Its more linear. They're both going together but one curves around the other one like that. PAUSE Its really not that steep either. More gentle sloping, like that. Okay. PAUSE I want to say §outh ridge curves to . . the North. PAUSE Okay, now somewhere along the South ridge... T'1ll just stick with the images. If I had to draw this sucker from a easy contour map, contour type situation... #66: I'm going to have you look at the map in a few minutes. #31: Okay. Well, . . . And these . . This contour line (not audible) like this. Okay. And then here, this being the bigger peak would have several more - or not peak but the higher bump on the ridge - would be like this. This one, though, is .. like that. That's what I'm trying to get down to. And then it goes like that, okay. This line is pretty gentle. Like this. I have to reflect a slope here. All right and this one is a little bit steeper. Like that. Okay. #66: Now where is the target? #31: The target is on this here. All right. Its on . . Its in. . I want to say, its back up here from this perspective and its somewhere in here. Okay. #66: Okay. Approved For Release 2003/09/10 : ¢IA-RDP96-00788R000100010001-0 eo te