Approved For Release 2000/08/07 : CIA-RDP96-00788R000200480001-8 / INSCOM GRILL FLAME PROGRAM SESSION REPORT SECRET a CLASSIFIED BY:MSG,DAMI-ISH DATED: 051630ZJUL78 NOT RELEASABLE TO FOREIGN NATIONALS REVIEW ON: : RCON Approved For Release 2000/08/07 : CIN RBS or aBRoONzoOOHRE LAME
Approved For Release 2000/08/07 : G3 fiES FR fEoPoz00420001-8 SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION CD-53 1. (S/NOFORN) This report documents a remote viewing session con~ ducted in compliance with a request for information on a target of interest. The purpose of this session was to determine the Location of an area in the attached photograph. An effort was also to be made to determine the point of manufacture of the equipment depic- ted in the photograph. 2. (S/NOFORN) The protocol used for this session is detailed in the document, Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (8S), undated. 3. (S/NOFORN) At TAB A is a transcript of the data present by the remote viewer during the session. At TAB B are drawings made by the remote viewer reference his impressions of the target site. At TAB C is target cuing information provided the remote viewer, At TAB D is analyst memorandum regarding prior involvement of RVer in related Project 8003 sessions. 4.  (S/NOFORN) Interpretation and use of the information provided is the responsibility of the requestor. CLASSIFIED BY; MSG, DAMI-ISH - 051630Z..JUL..78 REVIEW ON: . GRILL FLAME NOT RELEASABLE TO FOREIGN NATIONALS ORCON Approved For Release 2000/08/07 : SECRET 7 / 7 Z a
Approved For Release 2000/08/07 : CIA-RDP96-00788R000200480001-8 TRANSCRIPT REMOTE VIEWING (RV) SESSION CD 53 #66: This will be a remote viewing session for 1400 hours, . 17 June 1980. PAUSE #66: Relax and concentrate now, relax and focus your attention on the target for this afternoon. Focus your attention on the photograph which I have shown you. Focus your attention on the photograph which I have shown youe Move in space and time to the area of the photograph, when the photograph was taken, and describe the area to me. PAUSE +04, #07 I've been winkin' very fast. It might be logical overlay. I cannot seem to. « - something that I felt was important. I thinkits near ae . . some (mumble). . . something of a gun. A ball on a tower, and there's three, three smaller ones around it. I thought, I thought that (mumble) PAUSE +06 #07 T don't know how this comes out where it is if. . » I thought it was important, I just. . . appears to be a big long field. very long race track like- PAUSE (mumble)not. . » not taken at a regular track testing gruond. #66: Explain the raw data. +10 #07: I saw someone I can identify with. . . developing the picture, and I felt that... he felt very comfortable with. « . no pressure. « » no pressure. I. . . Allright, I see a vehicle running, it does not look like. . . does not look like, uh, the pictures I've seen of test grounds. #66: Allright. Focus your attention on the area of the picture, now. Focus your attention on the area of the picture, and move now, with your attention focused on the area of the picture. Move now to a position of observation one hundred @0789R000200480001-8 Lan A xs 22 Approved For Release 2000/08/07» ClIA-RDPUG:
Approved For Release 2000/08/ #66: #07: #66: +15 #07: #07: #66 oe #66: Approved For Release 2000/08/07 nautical miles above this location, and describe for me in terms of geography, the location of this area. PAUSE I got ae . . awinkingthing again. Relax and concentrate. PAUSE I can't stay up there. I keep coming back downe Just a minute. Then we'll wait. I kept seeing a very faint. . . faint picture of what I think is trees and mountains and, kind of non-descript. I seem to be a point just south of. . . south of a very big city. Describe the distance to this city. I don't know, sixty. . - sixty miles, I guess. Do you recognize this city? I had been wantin' to say something, but I don't want to. I think I. . . keeps coming to me. Just let it go. I dontt know what's logic and what's not. That's fine, that's not your responsibility to sift it out. I seem to be just south of Moscow. Allright, fine. Now, lower your altitude and go back through space and time to the time of the picture. Lower your altitude and go back in time to the space/time of the picture. Move over next to the tank and put your hand on the tank. Through space/time to the time of the picture. Move to the tank and place your hand on the tank, tell me when you've done so. I gote - « after this picture. I think it was done at about 30 miles an hour. You can stop time, just freeze time. You can stop time, just freeze the time and place your hand on the tank. I got ite Okay, I got it. Allright, listen very carefully. Very carefully, now. It's )0480001-8
Approved For Release 2000/08/0Z. CiA- »/ BEFRRQON 200480001-8 #06: very important that you keep your hand on the tank. We're going to follow the tank through space/time, therefore for continuity it's very important that you keep your hand on this tank. Keep your hand on this tank. Do not let go of this tank. Now listen very carefully. Move backwards through space/time to the point of final assembly of this tank. Move back through space/time to the point of final assembly of this tank. Keep your hand on the tank. Move now. And describe for me this location. PAUSE — #21 #07: I'm inside a. . . inside a foundry like a building, big pour— ing ladel, bucket like. I went outside, I see stacks, but this is not. . « (mumble) down that way. I got rid of the tracks. .. somthing peculiar. . . something peculiar about the tracks. .. it's cold and grey outside. .. #66: Where is your tank? #O7: It's over there. . » without the tracks on. #66: Allright. Now, once again, focusing your attention solely on this area right where that tank sets over there move up to an altitude of 100 nautical miles and describe for me in terms of geography this location. PAUSE #07? It's, uhe « « about 30 miles from where I was before. Thirty miles to the northeast, and it's near the city. » . it's ae. . a big factory complex. #66: Describe it's position to me once again. #07: ‘It's about 30 miles northeast from where I was about... about 30 miles southeast of the big city. #66 Allright. Now, move back down to this point of manufacture. Now, at this point I have no further questions about the target, but I'd like to give you the opportunity to comment on any thing you think is important at this time. ae #07: Something funny about the person who took the photograph. They did not feel tension or pressure (mumble) they could take the photo again if it wasn't good. #06: Tell me the raw data which makes you say this. #07: I looked at the guy. (mumble) He was not tense. It was routine. Approved For Release 2000/08/07.2°G lAeR 2m p-p0en eae 00480001-8
Approved For Release 2000/08/Q7.-ClA- RDP96"0e7BHi3600200480001-8 #66: How was he dressed? #07: Very dark grey or black clothing, black rubber apron. #06: Is this the one who took the photograph? #07: I. . . I tried to figure that out, I just, saw the person take the photograph, his back. I looked for, I thought that he wasn't supposed to be being hiding, looking through or over a fence, I didn't see a fence. I saw no restrictions of his taking pictures. #06: What was he wearing at the time of taking the picture? #07: It was a soft, full cap, like, I guess it was dark loose wool, not black (mumble) wool, some kind of, some kind of dark jacket, not a suit, work jacket, could be denim. #66: Okay. Is there anything you'd like to add now before we draw? #07: The originof the photo is known, for some reason, I don't know. #O6: Allright. #07: That's about all. #66: Anything else. #07: I don't think so. #O6: Okay, if you have nothing further to add, then, let's go ahead and draw. #O7: Are we on tape? #66: Yeah, I'll have the tape off for a minute hile I turn the lights on, now. #31: Okay, uh, for depriefing why don't we start the portion right at the beginning, uh, you had some words regarding a ball on a tower, three small ones in front of it, the long racetrack- like field, not a regular track testing ground, you're doing a, just a general sketch of the-— #07: To explain it I ought to draw more than one picture, what I assume the track would look like, I mean a ground should look like, and:what this track—like thing looked like. PAUSE #07: I didn't get to look at the three small ones to see if they 4 Approved For Release 2000/08/07:?-CIA-RDR 26-00% 00200480001-8 rd Seen tas i % Saves