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''NOFORN
INSCOM
GRILL FLAME
PROJECT
SESSION REPORT
CLASSIFIED BY;
Director,
DIA
REVIEW
ON:
30 Jun
EXTENDED BY:
Director,
DIA
REASON:
20301-C
(3)
(6)
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SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION LVIII
1.
(S)
This report provides documentation of
a remote viewing
session conducted for training purposes
to enhance
a remote
viewer's demonstrated ability.
2.
(S)
The target for this
session was building
2251,
a boiler
house located on Fort George
G.
Meade,
Maryland.
There was no
correlation with the target and the remote viewer's descriptions
during
the
session.
At the beginning of the session the viewer
appeared calm,
relaxed and in a positive state of mind.
Although
this viewer is seldom bothered by ambient room noise,
he stated
that the noise
level during this session had disturbed him
immensely.
The outbounder did not take any photographs of the
target as
the inside of this building
is quite dark.
3.
(S)
The protocol used for this session was
a modification
of the protocol detailed
in the document.
Standard Remote-
Viewing Protocol
(Local Targets)
by Harold
E.
Puthoff and
Russell Targ,
November
1978.
This session's protocol was
modified in that
a randomly generated preselected target was
not used.
In lieu of
a randomly generated,
preselected target
the
"beacon"
simply chose
a site which,
in his opinion,
was
unique and identifiable.
4.
(S)
Following
is
a transcript of the viewer's
impressions
during the remote viewing session.
At TAB A are drawings made
by the viewer reference his impressions of the target
site.
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# 19
- 5
:
+05
+06
# 14
:
# 19
. 5
:
+07
# 19.5
I
see what looks
like
some metal type structure.
Structure's
a bad word;
its
small.
Its
like
a
base
to
it,
you know,
like groups
of metal.
And
then
I
see
a slanted object.
.
.
Some kind of
picture depth to
it.
I
see
a
And
a .
,
There's
a
some words
small housi
PAUSE
I
feel
like
I'm inside
a room now,
PAUSE
picture with some very strange,
written on
it.
Kind of like
a
in the background.
PAUSE
It looks
like
a picture hanging on
a wall.
PAUSE
I keep goi
covered
obfj
its
an ove
light over
would cons
jig back to this.
.
this,
cloth
ject for
some reason.
I don't sense
rhang.
If
it
is,
its
a very,
very
lang.
Not something that
.
.
you
ider
(not audible)
.
(Not audib
see
.
Metal framework
PAUSE
Almost
looks
like.
I think th
building
i
pavement
i
type
seein
its
relatei
that
#66
wi
reason.
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PAUSE
he)
walk back and tell me what you
bent pipes.
PAUSE
building is
the target and that the
a red brick building.
.
with white
n the
front.
I'm having
a difficult
g this cloth covered object and how
to
the
target.
I
get the feeling
lent
in or out of the target,
for
some
PAUSE
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#19.5:
I
see what looks
like
an easy chair with
some
kind of
a pattern on
it.
PAUSE
I
see some
form of
a wood base or wood type
object that
looks
like
it was turned on
a
lathe.
A bowl,
or vase shape base
to
it.
Definitely
wood.
I get
a strong eeling of the color blue.
PAUSE
#14:
Find
#66.
Take
a couple steps back
(not
audible)
#66
and look straight ahead.
Tell
me what you see
.
PAUSE
+09
#19.5:
I
see
a wall with
a raised indentation on
it.
It seems
like
a raised something like somebody
would do when they patch,
when they patch
a
wall or they plaster over something on
the wall.
PAUSE
#14:
Look
to
#66*
s
right.
Tell me what you see.
PAUSE
#19.5:
I
see
a dark,
box type
shape.
PAUSE
I'm having
a terrible time
today.
I keep
hearing people
in
the hallway and
I hear cars
and
.
.
.
#14:
(Not audible).
Look
to your
left or
to #66's
left and tell me what you see.
PAUSE
#19.5:
I
see
a person.
Dark hair.
Male.
PAUSE
There seems
to be
some kind of
a cabinet there
as well.
I
feel
like
I've got my back to the
door
.
#14:
Is
#66 interacting with this person?
PAUSE
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#19.5:
I think he was talking with somebody,
but
that was.
.
.
that's not now.
It was
a few
minutes
ago.
There's somebody else,
I
think,
+10
in this room that
I know real well.
But
I
don't see who it
is.
I think that's who
#66
was talking
to.
I sense
two open windows.
PAUSE
+12
Some kind of
a pamphlet or magazine or some-
thing laying on
a desk
top.
Directly
to
#66 's
front.
.
with his back
to the door.
PAUSE
+13
I don't think he went very
far.
I think he's
in this building somewhere.
I
(not audible)
get that sensation.
PAUSE
That's about
it
#14.
+14
+15
PAUSE
I
see
a fairly good picture
of
this office.
PAUSE
I
see
a picture with
a car
in
it.
Its
a gray
car with
a black
top.
That's
(not audible).
PAUSE
Some kind of
a silver object.
Almost like the
reflector on the flash attachment of
a camera.
That's not what
it
is,
that’s
just what it looks
like
PAUSE
That's
it.
I better.
.
.
#14:
Okay.
Why don't we
.
.
.
#19.5:
I'm not too
sure about that early data.
But
the latter part of this
seems
to be fairly
good
#14:
(Not audible)
Would you like
a little more
light?
4 t*rr#-nrT
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#19.5:
#14:
#19.5:
#14:
#19
. 5
:
#14:
#19.5:
#14:
#19.5:
#14:
#19.5:
Yeah.
That's good.
PAUSE
The
first thing that you mentioned was
the
cross piece of angle
iron.
PAUSE
Put that on Page
1.
I will draw it as
I
saw
it.
PAUSE
It didn't feel
like
I
saw the
.
.
the
(not
audible)
inside very well.
PAUSE
Call that
"A".
And there was
a can.
.
something
canvas
.
Cloth covered framework you mentioned.
PAUSE
And perspective wise that looks more
like
this.
This was
cloth.
Like
it was over some kind of
a framework.
Call that
"B".
And
"C" was
.
.
.
Let's
see.
The next thing you had,
you had
a feeling that
he wasn't outside and he wasn't inside.
You know like maybe he past
(not audible)
.
And then you mentioned windows.
They were
the
shape of windows.
I'm not entirely
sure
they were windows.
Oh.
Okay.
Looking back
at them now,
I
see
some kind of
a
I want
to
say black enamel decorative pattern
but I'm not sure
if that's what
it
is.
That's
what it looks
like.
And that's associated with these black,
these
two black squares
that look
like they are
in
the
shape of windows.
Call them
"C".
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#19.5
#14:
#19.5
#14:
#19.5
#14:
#19.5
PAUSE
:
Side by side they looked
like
this.
PAUSE
Next came a metal
type structure
that had
a
base
.
PAUSE
I
saw what appeared
to be
like
a metal type
object.
Some kind of metal hoops.
What
is
really strange about this,
these hoops
I was
seeing from outside and inside at the same
time.
So there was some kind of a cross pattern there
of some
sort.
But
its hard to see the other
end.
It was
a cross pattern.
Page
2.
"E"
.
PAUSE
Next you mentioned
a picture fastened
to
a
slanted object.
And then you went on to
describe;
went on to describe
a picture
that
you saw with stream,
woods.
.
.
The slanted object was
this.
There appeared
to be
.
.
it was sitting on something like
this.
And on this
side there appeared
to be
(not
audible)
of some
sort.
I don't know the
picture.
On the wall
in this room which
I
believe was inside
the building,
per
se and it
was red brick.
It was
a nice picture,
decorative
type picture.
.
.
of
a stream and sort of
like
mountains
type
things
in
it.
Woods
.
A small
house of some
sort
in the background of the
picture.
Like
a
log or something.
PAUSE
Item
"G"
.
Something.
I
saw magazines.
No.
Next you went back to
the cloth covered
object.
Then from there you mentioned that
you saw
a red brick building with white pavement.
Right.
White pavement.
Steps.
Four steps
going up
to the door.
Kind of white concrete
blocks
are
inside.
Red brick.
This might be
the entrance
to the
target.
As
"G"
,
I'll
just
kind of do
a quick sketch of
it.
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#19.5:
#14:
#19.5:
#14:
#19.5:
#14:
#19.5:
#14:
#19.5:
#14:
#19.5:
PAUSE
Double doors,
white pavement.
Sort of
like
that.
Page
.
.
.
And there you had a feeling of going inside
and saw an easy chair with
a pattern?
I only saw
a portion of that.
I'm really
making
a gross assumption that it was
an easy
chair
.
Okay,
Well,
draw the.
.
.
It was
a.
.
a
.
.I'll draw
it as
"H",
Page
2.
It was
like
a.
.
this type of thing.
Just draw the
shape.
Yeah.
This was
a
.
.
it was
like looking at the
forward edge of
a chair or cushion of some sort.
I had the feeling that there was
(not audible)
running this way.
But
.
.
.
PAUSE
Then you had
a ball shape wood mounting.
That was interesting.
Like
a portion or
a
piece of
a support.
Its decorative and
it
looked
like something that might be turned out
of
a
lathe.
And all
I get
is
this sort of
pattern.
I
just,
I
just
.
.
I
sense the
lathe
-
the actual cutting tool marks
in
it for some
reason
.
Call that
"I".
Then you said you had
a
strong,
strong color
feeling of
the color blue.
Blue.
For some reason.
Definitely a
lot of
color blue.
PAUSE
I
can't.
.
I can't see what
it
is
that's blue
there.
I have
to
say paper when
I
say blue.
Its blue paper.
PAUSE
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#14:
Then you looked straight ahead and then to
the right.
Straight ahead you described
a
plaster wall.
#19.5:
It looks
like
a plastered wall with something
that was on
it when
it was plastered over
so
that there's
like
a raised spot on the wall.
#14:
And on your right,
you have
a large box type
shape.
#19.5:
Just
a chin level dark box type
shape.
Kind
of hard
to describe.
It was
just
a box.
#14:
And to the
left,
you mentioned that you
perceived that there was
a person there.
Male.
Dark
hair.
Back to the door.
And you also
made mention of
a cabinet.
#19.5:
Okay.
I
saw,
saw what appeared to be
like
a
table top or something with
a magazine.
That
entire side of
the room was fairly clear for
some reason.
I'll sketch that.
#14:
Yeah.
Desk top with the magazine.
#19.5:
That's all
together.
Its
in the
same room.
#14:
Good.
#19.5:
There's
a
.
.
two windows.
Ledge.
Shelf or
something at the bottom.
What appeared to
be
two desks,
table,
like
so.
Appeared to be,
for some reason,
I
felt like there was
a wall
here.
A wall started here.
Somewhere in here
it was
a cabinet with the top drawer open.
And
it has
files and stuff in
it.
Over here there
was
a third desk or table
top.
And
(not audible)
a pamphlet or
a magazine.
Something laying just
like.
.
keep wanting to say
a magazine
for
some
reason
.
PAUSE
(Not audible)
funny then because.
.
.
PAUSE
The word SAMPSON sticks
in my mind for
some
reason when
I
see the file cabinet.
SAMPSON
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#14:
#19.5
#14:
#19.5
#14:
I
get the feeling its
just like the floor
is
(not audible).
.
.
There's
so much
in
the room that
I don't decipher
#66.
Page
3:
I'm going to divide these
two articles
off with
a dotted
line.
They are not associated
That's really
it.
Then
I
just feel
like
up
until
the
last part,
I don't
feel
like that
I
was getting real clear.
There were
a lot of
distractions but the
last part
(not audible)
But
it was close
by,
very close by.
By distraction you mean.
.
.
People walking
up and down
the hallways out
here and cars going up and down the road.
For
some reason
I
just tuned in all the distractions
Somebody's walking around upstairs with high
heels
on.
PAUSE
Talking
like we're hearing now.
Probably
picked that up on the tape
Metal buckets being banged.
Okay.
I think that'll do
it.
How do you feel
about the session?
I
feel lousey about the
session.
The
last ten
minutes or
so
(not audible)
Okay
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TAB A
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