Approved For Release 2Q00/08107 : CIA-RDP96-00788R000800910001-4 SUMMARY ANALYSIS 14 pnese REMOTE VIEWING (RV) SESSION CCC 66 1. (S) This report documents a Remote Viewing (RV) session conducted in compliance with a request from SOD, J3, OJCS, Pentagon, Washington, D.C. The purpose of the session was to provide information relevant to the hostage situation in the U.S. Embassy compound in Teheran, Iran. 2. (S) The remote viewer's impressions of the target are provided as raw intelligence data and as such have not been subjected to any intermediate analysis, evaluation or collation. Interpretation and use of the information provided is the responsibility of the requestor. 3. (S) The protocol used for this session is detailed in the document, Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated. 4. (S) Following is a transcript of the viewer's impressions during the remote viewing session. At TAB A are drawings made by the remote viewer reference his impressions of the target site. At TAB B is target cuing information provided the remote viewer. .p- (S) The remote viewer was asked to locate Victor L. Tomseth and ‘ , describe his surroundings. The viewer described an unusual shaped light .{fixture and an old-fashioned telephone-like switchboard nearby. He als ‘Tdescribed a device he felt that was related to explosives and a heavy i machine gun near an entrance to this building. The viewer had an ‘fawareness of three hostages at this location. He was not able to ? identify the other hostages. Approved For Release 2000 UST = TTA-RDP96-00788R000800910001 -4 om
» CIA-RDP96-00788R00080091 0001-4 & Approved For Release S@@67e Utes Sb TRANSCRIPT REMOTE VIEWING (RV) SESSION CCC66 TIME #14: This will be a remote viewing session for Saturday, 19 April 1980. Mission time will be 0800 hours. PAUSE All right, #7, the time is now 0800 hours. Its 4:30 in the afternoon, Iran time. Your mission for today is to locate Victor Tomseth. I want you to briefly describe his surroundings and identify his location. PAUSE #7: I don't know. Not a lot. _ PAUSE +10 I'm having trouble finding. . . . finding him. PAUSE Now it looks like he... he's... . ». in a prone position. PAUSE Ona... abrovn... couch... . . facing the back of the couch. PAUSE The room seemed to have . . . massive structural support in the overhead. Visible from inside the room. PAUSE +13 Nearby, I sav. . . unusual shaped light fixture. Could be chandelier. It may identify the room. Also. « « « saw some kind of plug-in devices, like old-fashioned telephone switchboard. Cable. . plug- — in phone jack. Nearby. PAUSE OPT UTA RDP 96-00788R000800910001-4 a NE ee es nine ace
Approved For Release 2 -RDP96-00788R000800910001-4 - #7: Victor. . . has been. . . working part-time in the kitchen. I don't know if... its.... through to fight boredom or they make him do it - I don't know. PAUSE +16 I'm going to... Give me a minute with him. PAUSE Vic. .. Victor. . .. is sitting up. I tried to converse with him. He . . He seems to be physic! Very, Very intelligent. Very intelligent individual. He was trying . .. He was trying... to tell me . « « something. Something. Some things about the building. I don't know, I'm afraid to say this. PAUSE He's indicating something . . . (not audible) other wall their. I see wires leading . . . wires leading to mud-shaped (not audible) putty, and I saw one stick-like dynamite. Wires leading. . . Wires leading from building over a wall. It goes . .. It goes - . e « » e second story of a building nearby. I think its outside the compound. I... I have a feeling it... I think. ... . it can be. . maybe some kind of detonation device. . that can be activated from outside of the compound. PAUSE +20 I... . 1 saw someone in... had tan. . brownish tan uniform with... with... with..... officer's type cap on. .. . in the vicinity of Victor. I don't know what it means; supposed to be militants. Not uniform. Victor appears to be in this room alone. PAUSE I sense there's . . someone below him. Could be . « « I don't know, I think its . . someone in the basement. PAUSE I don't know what. . . something. I keep seeing a minature White House. I don't know what the hell that means. Miniature White House. Miniature White House. I get an awareness of three people and I was trying to. . . I don't know if Victor is one of those or if there's three people . .. . and Victor. PAUSE Approved For Release 2000/08/07 : CiecinioRGG=9O7 88R000800910001-4 at,
Approved For Release 2 -RDP96-00788R000800910001-4 +25 #7: Nearby, I see this ..... PAUSE Nearby. . . + » Nearby... . there's a door that leads into this building. About 10 or 15 feet off the ground is a big... . . machine gun. It commands entrance or exit. Angle... . . covering far almost all the way across the compound. Tree seems to block to the right. PAUSE I just saw something... . I think is symbolic. Looked like . .. looked like a... . and oil well blowing its top out there in the center of the grass. Something just exploded. . below . . below dirt. Black, straight up in the air. At the time I saw this, I was looking at the grass to see... see if there was any mines. I saw turf cut and laid back and. . then this thing went off to my right. I don't know. I think the broad grassy area. . .I think its... I think its mined. _ PAUSE #14; I want you to tell me now, which building is Victor located in. PAUSE +30 #7: In the White House. PAUSE In the White House. PAUSE Victor has his hand. . . or his feet on the floor. His elbows on his knees. His forehead in his palms. PAUSE There is something. . . There's something . .. . about - » « He believes .... . there's something very simple ing him confined to a space. He has been made to lieve if .. . booby trapped. If he ...... If he attempts to pass through simple barrier, booby trap. Apparently, takes very little to keep him confined. . » - for fear of setting off explosion. PAUSE Approved For Release 2000/08/07 3 Often RGn00Z38R000800910001-4
hil Approved For Release 200@iA@iGtutsbakdteR DP96-00788R000800910001-4 +35 #7: Three hard bound books near Victor. Trying to see title. #14; Its very important that we know Victor's exact location. Ask him, the building that he's in. Ask him what is it called. PAUSE #7: The image he gives me is miniature White House. Looks somewhat like . . White House in Washington. Small. Smaller than White House. PAUSE This building has elegant lobby. PAUSE +40 I see a lot of trees. Surrounding. PAUSE I think I know which building it is. Its near the ~ wall. I don't know what its called. PAUSE I think that's where . . . the building where dignitaries are greeted. PAUSE #14: I want you now to go back inside this building and focus on the other hostages at this location. IT want you to identify these hostages and describe their location. PAUSE +42 #7: They should be downstairs, but... . and one should be other side of the hall, but I don't see anybody. PAUSE I have awareness of people downstairs and one across the hall, but I looked there and I don't see anyone. I don't understand. PAUSE 4 Approved For Release 2000/0 2sQsamlebbaladd P96 -00788R000800910001-4
Approved For Release &@es@Gvéiiaiue |A-RDP96-00788R000800910001-4 #7: Maybe gone to eat, PAUSE #14: I have no further questions. Is there anything else that you can add at this time? PAUSE #7: At this moment, there appears to be. . . only two guards, people. Concerned about watching Victor. They are very bored. PAUSE I have the feeling that most of the guards inside are more concerned with keeping people out than keeping hostages in. Hostages are afraid to attempt escape. Don't require a lot of security. . to prevent escape. That's about it. PAUSE #14: Okay. ~ PAUSE TURN OVER TAPE #14: Okay, we're now ready for debrief. PAUSE #7: Need a desk in here. #14: Or at least a drafting table. #7: Ha ha. PAUSE #7: Okay, we don't need a picture of him on the couch. Gh, somehow associated with him, or in the vicinity, or something, was something that looked like an old-fashioned ~ what do you call it - #14 Switchboard. oe #7: Switchboard. . Telephone switchboard, It had the old-fashioned big, three inch long phone jacks. We don't need that. Oh, and the overhead was . . I had the feeling it was something that projected out from the . . out from the wall rather massive. Approved F For Release 2000/08/07 sCidieRnAinliiZ56000800910001-4