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SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION CCC-27
1.
(S)
This report documents
a Remote Viewing
(RV)
session conducted
in compliance with a request from SOD,
03,
OJCS,
Pentagon, Washington,
D.C.
The purpose of the session was to provide information relevant
to the
hostage situation
in the U.S.
Embassy compound
in Teheran,
Iran.
2.
(S)
The remote viewer's impressions of the target are provided as
raw intelligence data and as such have not been subjected to any
intermediate analysis,
evaluation or collation.
Interpretation and
use of the information provided
is the responsibility of the requestor.
3.
(S)
The protocol used for this session
is detailed in the document,
Grill Flame Protocol,
AMSAA Applied Remote Viewing Protocol
(S),
undated.
4.
(S)
Following
is a transcript of the viewer's impressions during
the remote viewing session.
At TAB
A is a drawing made by the remote
viewer reference his impressions of the target site.
At TAB
B is
target cuing information provided the remote viewer.
h.
(S)
The remote viewer was asked to locate and describe the
/surroundings of Elizabeth Ann Swift.
The viewer was aware of several
[other personnel at this location.
One was described as being
a female
[terrorist.
There seemed to be some confusion as to the identity of the
lother person.
The viewer was unsure whether this individual was male
or
\female,
but had the feeling that the person could possibly be a hostage.
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TRANSCRIPT
REMOTE VIEWING
(RV) SESSION CCC-27
TIME
+05
#14 s
This is
a remote viewing session for
18 March 1989
mission time
is
1830.
All right #24 the time now is 1830.
Mission for
today
is to locate Elizabeth Ann Swift.
I want you
to describe her surroundings and tell me about any
other personnel that you picture being there.
PAUSE
#24:
I
see
a room but it’s not... the room has... it has
some kind of wood.
It's wood,
maybe
2 or
3 feet high
and then plaster above that,
whatever you call that
design.
It's
a very dark wood.
She seems to be
sitting on a floor.
Everything
I
see is kind of
like eye level,
if you were sitting on the floor looking
around.
I
see Persian rugs.
These are white Persian
rugs with.. .some kind of design.
• .red/green design.
I
sense some apprehension in her.
It's like
a house.
I think
I'm going from room to room.
I
just was
in
a room that had
a large area rug.
Big rug.
The
room that she's in has small throw rugs.
Like
3 by
what
I
saw.
It looked like two or three of them next
to each other.
They were white background.
Whatever
good that does.
. .and.
. .design.
Then
I
was
in
a large
room.
Like
a dining room with
a big red Persian rug,
and there seemed to be
a heavy table sitting on top
of
that.
Heavy wood table.
Maybe
a dining table,
or
something... uh... something large,
it seemed.
Couple
chairs around
it.
-
—
This place seems furnished like
a house would be.
\
Uh...I'm sort of
like flitting from room to room,
I
\
\
think.
.
.
J
PAUSE
She most definitely is apprehensive.
#24:
PAUSE
She may be forced
to
sit on the floor.
That's all
I'm getting when I'm in the room that
I think she
s
w>.
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in.
Everything
I
see
is,
you know,
like you're
sitting on
the floor.
Uh...I don't see anybody else,
so
far.
I didn't get the feeling
of anybody else
around.
PAUSE
#24:
There
is somebody else there,
yes.
Somebody's like
+10
sitting,
sitting on the floor leaning against the
wall
or
a chest of some kind.
Looks like that
person's asleep.
I can't tell whether it's a woman
or a man.
Uh...on the floor,
doesn't
look very
comfortable.
It doesn't even look like there's
a
mat.
Just kind
of,
you know,
fell asleep against
leaning against the wall,
or something.
This person
had dark hair.
It might have been the other woman.
It had short dark hair,
but... I couldn't really tell
beyond that.
PAUSE
There seems
to be alot of furniture in this room.
I don't think it's
a bedroom or anything.
It's a
sitting room or something like that.
""
PAUSE
—
Looks like there's.
. .looks like
a little dog
in the
room.
PAUSE
I
just... I
got
a very quick glimpse of a woman;
I
thought it was
a num,
but
I wonder
if it's one of
those gales with the scarf affair,
you know.
Uh..
possibly
in the room.
At least
in the building,
+13
somewhere.
Yeah.
I
really think there is another
woman,
but not
a hostage.
One of the students.
I'm trying to get outside
to see where
it
is.
PAUSE
This woman,
I
think,
is assigned to take care
of,
at least Ann... sort of .. .whatever they do,
I... you
know.
PAUSE
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#24:
It appears,
if I'm at the outside,
I
think
I
am,
there
is... the doorway
is arched.
It appears
to
be
a wooden door set into
a cement wall kind of
...like
a high fence,
maybe.
It's inset into this.
It's
a very thick wall.
Very high.
It's probably
8 feet high.
It's
a wide door.
Very wide.
Maybe
half again
as wide as a normal door.
I
can't tell
if. it's a door
to
a building or whether it's
a fence.
PAUSE
There seems to be
in the vicinity of where
I
think
she is... like
a squared-off area that's surrounded
by...uh...it looks like
a picket fence,
but that
might be an overlay.
. .there's some kind of
a fence
around a squared-off area.
I don't think it's too
big,
like a garden plot... I
don't see anything
growing.
It's just a squared-off area.
That,
that
kind of idea.
It might even be a grave yard.
I...
PAUSE
I
keep getting images of small cars,
you know on the
other side of this plot.
Like
it's.. like here's the
building and
a plot in front of that and then
a parking
lot
in front
of that.
At
least in that area.
And,
I
see alot of land,
bushes,
you know,
sculptured area,
or landscaped area.
See alot of cars lined up... parked
rather
.
Keep getting a Volkswagen.
I don't know
what that means.
PAUSE
#14:
I want you to move back from the building,
far enough
to describe the building in its entirety.
Its shape
perhaps;
its color.
PAUSE
#24:
It's tall,
white,
2 story.
I think that what
I
saw
before was
a fence... a concrete wall sort of thing,
an^Jr--st±ii“see~~that gate ,
ok ,
or that doorway .
Maybe
^en feet behind that
is.
. .uh.. .looks like
2 stories.
It's
a modern apartment
building,
I
It has
alot of windows.
PAUSE
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+25
#24:
I,
I'm
I don't know.
I dgn 't-think-i-t-ls .aherejshe
is,
but
seeing- sritft''of big old houses.
All
I
residential area.
I
don’t think that's where
I
mean,
I
don't think she's in any
of those houses,
but
I
keep getting.
. .images of other homes.
It might
be
in the same vicinity,
but maybe not.
I can't tell.
#14:
I have no further questions.
#24:
I don't think
I'm going to get anything else.
#14:
Ok.
Is there anything else you can add before you
start drawing?
#24:
Not to what
I've said.
No.
#14:
#24:
Ok.
#14:
#24:
#14:
I'm going to redraw
it.
Ok.
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