Approved For Release 2000/01/?^
y
SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION
CC31
[3
1.
(S)
This report documents
a Remote Viewing
(RV)
session
conducted
in compliance with
a request from SOD,
J3,
OJCS,
Pentagon,
Washington ,
D.C.
The purpose
of
the session was
to provide information relevant to the hostage situation
in
theU.S. Embassy compound in Teheran,
Iran.
2.
(S)
The remote viewer's impressions of the target
are
provided as raw intelligence data and
as such have not been
subjected to any
intermediate analysis,
evaluation or collation.
Interpretation and use of the information provided
is the
responsibility of the requestor.
3.
(S)
The protocol used for this session
is detailed in the
document.
Grill Flame Protocol,
AMSAA Applied Remote Viewing
Protocol
; (S)
,
undated.
4.
(S)
Following
is
a transcript of the viewer’s impressions
during the remote viewing session.
At TAB A are drawings made
by the remote viewer reference his impressions of
the, target
site.
At TAB B
is target cueing information provided the
remote viewer.
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TRANSCRIPT
REMOTE VIEWING
(RV) SESSION CC31
TIME
This will be
a remote
for security).
viewing session
(edited
PAUSE
For the past
few minutes now you've been study-
ing a photograph.
Focus your attention now on
the area designated as Area
H.
Just relax and
concentrate.
Focus your attention on Area H.
Relax and concentrate.
Describe the area to
me
.
PAUSE
+02
#49:
There are steps
at the far end of
it.
East end
of
it.
A doorway that
goes inside.
PAUSE
+04
I'm getting images of faces.
#66:
Tell me about
them.
PAUSE
#49:
I
saw
.
.
it
.
.
let me see.
The first
few
that
I saw looked American although
I don'tknow
what anyone looks like who's there.
Expression-
less.
One fellow seems
to be about
30 to
with
a moustache,
big moustache,
dark hair.
PAUSE
#66:
Tell me about the areas where these people
are located.
#39:
Yeah.
I'm getting an awful
lot
of clutter.
I
.
.
Its
as though I'm seeing these faces
superimposed over
a huge crowd of people.
PAUSE
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#66
:
Just
relax and concentrate
for a moment.
See
if you can't
focus more clearly.
PAUSE
#49:
It appears to be wood paneling.
Wood paneled
room.
The paneling
is
in squares.
PAUSE
There
looks
to be on the wall
some sort of
a
.
.
a
.
.
like
a mirror.
Very ornate.
Its
an oval piece.
Its surrounded by very ornate
gilding,
like
a gold.
.
.
framework.
PAUSE
Its very elaborate.
PAUSE
+09
#66:
And where
is this room in the building?
#49:
Its
.
.
.
Hmm.
PAUSE
Could you get
the lights?
#66:
Okay.
Okay,
now that
I've
got the lights off,
focus
your attention once again on Area H.
Just
relax and concentrate for
a moment
#39:
Okay,
this room seems
to be.
.
I
don't know
where
it
is
in the building yet.
.
it
seems
to be an elongated building,
room rather,
long
and narrow.
It appears to be furnished like
an
executive office.
It has
.
.
.
The far end wall
is the squared type of wood paneling.
There
seems to be like
a leather
couch.
Maybe
a two-
seater couch with
an end table and
a
.
.
lamp
on that.
I
don't see anybody
in the room,
however.
I
really don't know why I'm in this room.
PAUSE
#66
:
Okay
PAUSE
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+ 12
#49:
11 I'm
in
a darkened room
\\I mean
like the lights
now
.
are
Its very
dark.
/
off.
/
#66:
Okay,
good.
Tell me about
this
room.
PAUSE
#49:
It
seemed.
.
again,
it
seemed like heavy wood.
#66
:
#49:
+15
#66
:
#49:
#66
#49
You know,
wood.
Either wood paneling or wood
walls,
beautiful exposed type wood.
PAUSE
I'm getting flashing images of Persian rugs.
Red.
PAUSE
I'm getting the feeling
its very quiet
ever
I
am,
its quiet.
Where-
Okay
.
PAUSE
Move through the building searching
for- people.
Um hm.
PAUSE
I see what
appears
to be one guy moving around.
I'm sure he's not
a hostage.
Tell me the raw data that makes you say that
about him.
Well
,
he seemed to be looking
.
.
.
he was
.
.
like
.
.
I
could be conjuring this
up
,
I'm not sure
.
That's
fine.
Just
feel
free
to report your
impressions
.
There was one
guy.
He had
.
.
. You know,
I was
looking down
at
him,
but he seemed to have sort
of longish dark hair.
And then there was
a
round table
at which he was looking
at
a paper
or something.
I mean
some sort of document.
8 w k
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#49:
And
.
.
he appeared to be
alone.
I
just didn't
have
a feeling he was
a hostage.
You know,
he
seemed intent on planning something or doing
something
PAUSE
#66:
Okay.
PAUSE
#49:
I
can
see,
I
think,
rows of people sleeping like.
Again,
you know,
.
.
it seems
like they're all
out
in the open.
Just
sort of like right next
ito each other.
Lying right on the
floor.
Or on
....
mattresses,
I
can't
really tell.
#66:
Okay,
tell me about
the room where these people
are
PAUSE
#66:
Is
the room lit?
#49
:
No
PAUSE
I
can't
tell.
#49:
Okay
PAUSE
*
I think
it
is exaggerated
in my mind,
it
looks
f
very long and narrow.
It
looks
like there are
two
.
.
.
rows of people
in the sleeping positions
and they're very,
I mean there's only about two
t
| feet between the feet
of one
and the head of
the
c one down from him.
Or across from him,
whatever.
«
PAUSE
I see
a baldish,
much older
guy, with glasses.
Wow
PAUSE
#66:
Where
do you see him?
#49:
I
just saw his
face sort of like he was sitting
bold upright
in this
room.
PAUSE
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#49:
I most definitely think there are
a lot of
people
in this one room.
I
can't tell
if
there's activity or not.
#66:
How many people are there?
#49:
Oh.
.
.
PAUSE
|~T*'m sure I'm prejudicedby what the man said on TV
last night
as
far as number.
How many do you feel there are?
I Its hard to
say.
I mean,
its
a lot.
It looks^^
/
,
I would say more than
30.
#66
:
Okay
.
#66
:
#49:
PAUSE
#49:
And they look like they're all
in an open area
to me
.
#66:
Okay.
Tell me
a little bit more about -where
this open area
is located in the greater build-
ing.
PAUSE
#49:
I
can't
tell.
#66:
Okay.
These people in the room that
you perceive,
who are they?
PAUSE
#49:
Looking
at
it now,
I
think the lights are
out.
PAUSE
The fellow
I
saw with the glasses,
I
think
is
in that
room.
He
looked American to me.
Seemed
to be ....
PAUSE
Its
crazy.
Looks like one guy
is waking up and
looking around.
I would guess they're Americans.
I
don't
get
a feeling that,
you know,
that they’re
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being watched over or there's
any kind of a
guard
(not
audible).
PAUSE
(Not audible)
or anything like that.
#66
:
Okay
Let’s work on attempting to identify where this
room is
in the building now.
Tell me about how
you get
into this room.
Tell me about
the door-
way.
Tell me about how you get
into this room.
Describe that
to me.
PAUSE
+27
#49:
Down
a hallway.
PAUSE
I
think
its
at the end of
a long hallway.
#66
:
Okay
#49:
I don’t know what
floor.
I think
its
at the
end of
a long hallway and the doorway
is- facing
you as you're walking to the end of the hallway
as opposed to being on your left or right
#66
:
Okay
PAUSE
#49:
There seems
to be
a carpet
in the hallway,
too.
Another.
.
like
a Persian.
It seems like
a
long,
narrow,
hallway.
#66:
Okay and what's the lighting
in the hallway?
PAUSE
#49:
Dim,
but enough that one can
see.
#66:
Any personnel
in the hallway?
PAUSE
#49:
Yeah.
I
think there are
a couple people stand-
ing out
there,
Oh ,
the one person
I
saw,
had
.
seemed -to have on
a
.
Wow!
A white loose
fitting outfit.
Like some sort of native garb.
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TARGET CUING INFORMATION
1.
(S)
The viewer has been exposed to open source news media information
as well as classified overhead imagery.
The viewer knew that the session
was going
to involve working against the hostage situation
in
Iran.
2.
(S)
At the time of the session the viewer was shown overhead imagery
of the US Embassy compound
in Teheran,
Iran.
The area designated as
Area H was pointed out to the viewer by the interviewer.
The imagery
is
not included herein due to its classification.
Approved For Release 2000/08/07
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