Approved For Release 2000/08/07^^^^^5^0
20001-4
REMOTE VIEWING
(RV)
SESSION XLIV
TIME
#66:
This will be
a remote viewing session.
(Edited
for security.)
PAUSE
The on-target time
is now changed +
30 minutes.
(Edited
for security.)
PAUSE
#100
is now
(not audible)
.
PAUSE
#31:
Ah.
.
.
Going down.
.
.
+04
#66:
Describe
.
. what you see.
#31:
Looking
.
.
at the
.
.
something of
a
(not
audible)
.
.
something long,
in the air.
White
.
PAUSE
(Not audible)
at this.
PAUSE
+06
#66:
Describe your images.
PAUSE
+09
#66:
Look at the target with
#100.
Look around
the area and describe the area
to me.
PAUSE
#31:
(Not audible
-
or
3 phrases.)
PAUSE
#31:
There's
a
.
.
.
#66:
(Not audible)
PAUSE
OJTpflpp
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#31:
+12
#66:
#31:
+14
#66:
#31:
+15
#66:
#31:
+17
#66:
#31:
#31:
+19
#66:
#31:
# 66
:
#31:
I
see.
.
.
(not audible).
.
.
Go
on.
Dark.
.
.
(not audible).
. white,
white,
silhouette
PAUSE
Tell me more.
PAUSE
(Not audible)
outside.
.
.
Go on.
PAUSE
White.
.
.
White.
.
.
column.
.
.
Describe your position
in relationship to this
white
stuff.
PAUSE
Nine.
.
.
PAUSE
A
.
.
large.
.
building.
Round roof.
.
I
saw
it,
it had
a round top.
PAUSE
(Not audible)
back here.
.
.
PAUSE
Is your perception inside or outside?
PAUSE
It's outside.
I tried and
I
.
.
.
How would you like
to,
.
.
its twenty minutes
after now,
how would you like to draw some
and
look at the drawings and maybe you can
go
from there.
I'll
try.
PAUSE
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#31:
The first thing
I said it was
dark.
The
perspective on this ...
I was
.
.
It goes
like
this.
That was
up.
It was here and it
was
down.
.
it was down there.
And this was
.
.
.
I
don't know what the shape of it was.
PAUSE
This
is
light.
Large.
Patio.
.
.
or white
large brick,
stone.
Flat.
.
.
patio or like
a.
.
. My immediate impression
I was
looking
down a flag pole.
#66:
Did
this.
.
.
You were looking down the pole
down onto
the patio or an open.
.
.
#31:
Yes,
open,
like big,
big blocks.
#66:
Okay,
now, was this.
.
.
Since you could
see
the
top of
it.
.
.
#31:
There's no flag on
it.
#66:
Okay, but since you can see
the top of
it,
it would mean that it isn't supporting some-
thing.
You can look down hill and you can
see
the end of that.
#31:
It felt like
I was about fifty
feet.
.
.
#66:
Yeah.
#31:
Looking at.
.
miscellaneously,
I happen to be
off.
.
slightly off center of the top of this
pole
.
#66:
Yeah.
#31:
And
I was
looking down past the top which was
here.
First it was wobbling around like that.
#66:
Okay.
#31:
Which
is
important,
it was wobbling.
Okay?
Like it was wobbling around,
like in the breeze
or in the wind or something.
#66:
Okay.
#31:
But down past
it,
it was connected all the way
down far into
the perspective and
I had the
distinct impression that
I was looking down.
#66:
Okay.
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#66:
So you are saying the ground that it was
on or the thing that went down to was
a large,
light,
stone area.
#31:
Yes,
but they were
like big stones,
big flat
—
all.
.
.
They weren't bricks;
they weren't
stones.
They were carved huge blocks.
.
that
were
like laid in there.
They were oversized.
They were bigger than that coffee table
in
size
.
#66:
Okay.
#31:
Large.
#66:
Put
a Number One by that.
#31:
And the next one
I had was
.
.
the angle was
sort of
like this
.
.
.
The angle was
.
.
This
one
I'll call Number Two here.
And this
is
also from an aerial.
This
is
light.
This
is
dark.
This
is
dark.
Okay,
and this
is
like
a
light.
.
.
I'm not even going to say its light,
dome.
This
is
from,
also,
like high
up,
look-
ing down at an angle at this
thing.
#66
:
Um hm.
#31:
From the air.
#66:
Um hm
.
#31:
And then
I said
it was curved,
right?
I said
it was
curved.
I had the distinct feeling
.
.
that there were many of these things
around.
Okay?
#66
:
Um hm.
#31:
This was dark here.
These are
.
.
.
#66:
What did you have
(not audible)?
#31:
White poles.
#66:
White poles.
PAUSE
#31:
That one
(not audible).
.
.
PAUSE
rmnrr-
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#31:
Now,
the
four,
let me go back.
I want to do
a couple more.
I remember sitting there
cogitating, waiting for our new target time,
I had,
that’s
one.
I know this isn't really
appropriate
for me to do,
but
I.
.
I'll get
back
to those other ones,
I want
to do this
one
first.
This
is not
a wall.
This
is like
a ledge
along
a bank.
This
is black.
This
is
.
.
.
I have.
.
Its not like those walls,
something
like that,
I have
.
.
going that way and this
is
up hill.
And this
is distance.
This was during the
"wait"
okay?
#66:
Can you guess how much prior
to.
.
.?
#31:
Ah.
.
.
ten minutes.
I'd say about ten minutes
before
#66:
Okay.
#31:
I'll call
it minus
ten minutes,
okay?
#66:
Okay.
#31:
Okay.
And then
I had that about minus
five
minutes
#66:
Urn hm
#31:
Okay.
This being the Jefferson.
Okay.
#66
Um hm.
#31:
And
I had the
flag.
And then they were
just
fleeting thoughts,
I wasn't concentrating,
you
know,
I was
just relaxing.
But then
I had this
you know.
.
.
#66:
That,
that Jefferson thing,
.
.
.
did you have
any colors associated with
it or
(not audible)
?
#31:
I had the association of dark.
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#31:
Overhanging darkness,
okay,
like
I was
look-
ing at
it through the trees and foilage and
something.
Something in the foreground that
was causing
a shaded effect.
PAUSE
All right.
#66:
But you haven't labeled that the Jefferson?
#31:
Urn hm
.
PAUSE
Those are white.
Then this was,
I'd say at
about plus,
well
it's on the tape now.
I'd
say this was about plus two and one-half or
three,
maybe
four.
#66:
Urn hm
.
#31:
But this was totally different,
you know,
that's why
I
sort of trust this reasonably
well
.
Was.
.
you know.
.
And this was sort of dark,
but it was wobbly,
you know,
like
a flag pole
and with no
flag.
There was nothing on
it.
And this thing was
as though it was
a circular
drive or
a pull-in parking area or something
like
that.
And
I don't know what the overlay of
flag poles was
legit'.
If
I asked what else
was there and
I ended up with my first flag
pole and that
(not audible)
built around
it.
But that was
the first impression like
that.
#66:
Horse shoe?
#31:
No,
not
a horse
shoe.
A curve,
but.
.
I didn't
say on the tape,
but the ends were definitely
flattened off.
And that's all
I
have.
Then,
after that,
then
I got back to
I
think
left brain.
It was
left brain,
I think,
from
there
on.
I ended up with.
.
.
big.
.
.
stair-
cases
.
PAUSE
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And this
is the big brick or
the big stone
I
said.
Brick or stone stairs.
.
and that.
.
That didn't.
.
yeah.
.
that's about
it.
No other big impression.
You see,
this
is
it,
you know,
I'm downtown D.C.
and I've got
all
this other crap behind me
to,
so this
time
I ended up with
a place
like
the Lincoln
Memorial,
something like
that.
Big,
stone
structure in the background.
PAUSE
With
a curved roof.
#66:
Does the Lincoln Memorial have
a curved roof?
PAUSE
#31:
I
don't know.
Off hand,
I don't know if
its
like the Jefferson.
See,
the Jefferson does
have
one.
I'm sure of that.
But off hand,
I've never paid much attention
to
it.
#66:
Urn hm.
I think
its
flat but
I couldn't swear
to
it.
PAUSE
#31:
This
is
like.
Three.
#66:
Um hm.
#31:
That's all
I
got really.
#66:
Okay.
#31:
I'll make
this
stone.
And I'll make
this;
no I'm not going to make it anything.
#66:
Okay
.
#31:
I
got this definite.
.
you know,
if
I
could
say what they were,
that was him leaving the
Pentagon down that side ramp,
south parking.
And that was when he was trying feverous ly
to get
to the target.
He was driving
in
around the Mall.
You know,
he was entering
in the Mall off of the road.
And then.
.
.
if he actually does make
it to the target.
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that's
the
.
.
One and Two
is
it.
And then,
probably Three
is
left brain,
you know,
over-
lay.
Going back
to this,
reminising of
.
.
.
#66:
Well,
I notice.
.
.
you've got,
of course,
we're always wondering about what
in Washington,
you're picking a famous place
in Washington,
but isn't this the flags around the Washington
Monument.
The
flags
are circular shape around
the Washington Monument.
.
a bunch of
flag
poles
.
#31:
Yeah.
#66:
You wouldn't know,
right.
#31:
No.
I may have been by there.
I may know that
but.
.
.
#66:
And obviously,
these other things
are
famous
places or whatever.
Interesting.
#31:
What sort of precog did you get before?
TAPE STOPPED.
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f^T
imu
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TAB A
Approved For Release 2000/08/07
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4§l^or ^[ease 2000/08/07
: CIA-RDP96-00788R000900720001-4
TARGET:
100
TAPE:
T-47
r
Approved For Release 2000/08/07
: CIA-RDP96-00788R000900720001-4
SESSION:
XLIV
AvPENBlljFor Release 2000/08/07
: CIA-RDP96-00788R0009®
TARGET:
100
1-4
TAPE:
T-47
/
n
STen£ Fcffi
f'#T’o/0 y. ^>/)Lk
h(l<l
c*
n
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