ger +26 Approved For Release 2000/08/0 Approved For Release #19.5: | | #66: #19.5: #68: #19.5: its PAG mm © sy an ch A GD Pe pee a Z Paces ‘ a Lr erie, 2 1IA-RDP96-00788R000800090001-5 Its main .. . not a main road, but its south of the main road. Main road. . . Now wait. the main road goes .. . north and south and this is a west road from the main road. You can walk, walk to the Embassy compound. . from there. Its .. . go to the main road and you go about six blocks to the Embassy compound. Its ( east, east, southeast of the Embassy compound. | East, southeast. PAUSE Six blocks. Okay. Now tell me a little bit more about the actual raw information that makes you Say east, southeast and six blocks, tell me about the very raw impressions that makes you say those things. All right. PAUSE I see. . . I see coming out of the building and going left for two, maybe two blocks. And I see going right. . . maybe four blocks, the compound. After the right, its a large street. Many, many people on the street. And traffic, but it doesn't move. Okay. Remembering clearly now all that you've seen its time to sit up and draw those impressions that you've received. PAUSE My arms hurt. PAUSE Page 1, I'm going to draw a picture of the build- ing as it looks in the front. PAUSE I got the feeling that I was looking down at the front doors from about a second floor height. Fifty feet or so from the front of the building. There's two heavy doors like a .. a recess, going back to the doors. PAUSE tenia gi -00788R000800090001-5 wb abt SR SD Sera we
Approved For Release 2000/08/07" CIA-RDP96-00788R000800090001-5 There was decorative locks of . . something. concrete or masonary or something. - that went around the sides. PAUSE Like that. And it was like three steps. . coming down the front like this. Then the rest of the building was . . poured concrete or something. Very heavy construction. And this block pattern appeared to be on the front of the building as well. And I don't recollect seeing any, any windows. PAUSE Okay, make sure your drawing is nice and dark so that we can reproduce it. PAUSE These doors were a dark color. I get the feel- ing they were heavy doors. I don't. . I don't have a feel for whether or not these rooms were Okay, we're moving to Page 2 now. Page 2. Yeah. Close together or not. And I don't have a feeling for whether or not I was seeing the entire room, but the angle that I was at, was like on one end of the room. I believe this is a steel door because there's like an edge around it, its got rivets. f just feel like these are rooms in a police station Like. I don't know how to explain that. PAUSE And its all white. And there's just a straight back. . . steel chair. . . that this person's sitting on. And their arms are just taped to the chair. And there is a very intense white light there. That's all I. . That's all I was seeing in the room. PAUSE 7 Approved For Release 2000/08/07 : ClA- RDP96-00788R000800090001. “5 t coe ne cree
Approved For Release 200 #19.5: ui 107 C1A-RDP96-00788R000800090001-5 I was seeing just a... I was getting glimpses of steps inside that were all. Moving to Page 3 now. Moving to Page 3. If you came in through the front door, the view thatyou would have of the steps were there would be the hallway on the left and the steps appeared to go straight to the second floor with, you know, no turn in the steps. Or any of that sort of thing. I don't know how good this drawing is, but... I got the feeling that the steps went up like this. PAUSE Very good. Just straight to the second floor. #66: #66: #19.5: Approved For Release 20 PAUSE And that was right inside the front. Then on Page 4, the impression I get is is you came out of the front of the building, I get the impression that you would go left on a small road about two blocks, city blocks. To a main road. And this main road would come up here about four city blocks and this would be the Embassy compound. And I. . 1 think. . . what leads me to think that this is the Embassy compound . . in tracing my route, I'm seeing like a. .. right here, I'm seeing like a wall with black iron top. Some kind of black iron. I don't know if that's the Embassy compound or not but I'm. . . I think that's analytic. But I'm doing that because of the wall and the iron. Okay, you're saying that approximately four blocks down this big street, there is a wall with iron on the top. Yeah and there's like an entrancewa And you're assuming that that might be Yeah, I'm assuming. . . I'm analytically making this a compound. I understand that. Its a compound and I just for some reason feel like its the Embassy compound. t . t 8R000800090001-5
Soaps Nb ye MERT Rak Sa cae FEIN MPR Approved For Release 2000/08/07" #66: #66: #19. Approved For Release 2000/08/0 Coad IA-RDP96-00788R000800090001 -5 Okay. But what you saw is a wall with iron on the top. Is that what I understand you to say? Yeah, with a compound pehind it. I think that this is the Embassy compound. Okay. And that's essentially it. I don't I don't like this session. PAUSE What makes you say that? I think I got inside a couple people heads and the raw information that you sense that way, is .... extremely difficult to iron out. And it... .. I think it bothers me a little pit. . . from an emotional standpoint. -_ All right. You know, it just personally bothers me a Little pit. I'm not sure if I'm... I don't know how to explain it. PAUSE From an experiential standpoint, how do you feel about the imagery? Imagery's good. The emotions I think I was able to describe I think are accurate. I... that's that's the problem, I...1H1... Its sort of an overpowering sensation I guess you would say. TI don't feel like I'm sensing my own emotions, I'm sensing somebody elses and its kind of an overpowering thing. Its. . . When you get . When you sense the emotion, the raw emotion, what you're getting, you're getting all the cuastive data for it at the same time. I don't. . . That doesn't explain it very well either. Was it a pleasant experience? No, its not a pleasant experience. That's what I don't like about it. You're. . You're getting accurate in motion. If that's what you want to call it. You're getting accurate input. But you're getting all the reasons for it at the same time. 9 Le ' -
P96-00788R000800090001-5 #19.5: You know, you don't just get a raw feeling of . fear, you get all the reasons for the fear at the same time. Its like getting all the answers too. I don't know how to explain that. #66: Okay. Is there anything else you'd like to add about this session then? PAUSE #19.5: No. #66: That'll do it then. 10 rN a : Approved For Release 2000/08/07 ~CiA-RDP96-00788R000800090001-5
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800090001-5 e RR oe ae aoe a pmiteeninetrmana mia de na adage tres Ear tanh Aen a ee va bya tienne Covad TMS (107 gt) =| is Rat mM ms teeter a ete i Approved For Release 2000/08/07 : CIA-RDP96-00788R000800090001-5