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IA-RDP96-00788R000900730001 -3
TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION XLVI
TIME
#28:
This will be
a remote viewing session.
(Edited
for security.)
We have an on-target time of
1630 hours.
The target in this case will be
# 100
.
PAUSE
-30
#14:
Do you want
to run by that again?
#36:
I guess
an old book.
A very old leather covered
and its hand cut pages.
Tan.
.
age color.
I
opened it
up and it had illuminated manuscript.
#14:
Okay.
Can you identify any of the writing or
make
it out.
#36:
Very fancy lettering.
Blue with all kinds
(not
audible)
.
.
.
Blue.
I had the
feeling.
.
the
first one was
"R".
Big,
great big letters
(not
audible)
.
#14:
Okay.
Why don't you
.
.
step.
.
is
this
in
a
room?
#36:
Oh yeah.
It was
in
a room where
I walked
through
the archway
.
#14:
In other words
it would have been adjacent to
the big vaulted.
.
.
#36:
Yes.
#14:
Okay,
let's ....
- #36:
Actually,
I think
I looked to my right.
I keep seeing books here and there.
Every once
in
a while I'd see one close
up.
#14:
Just see
if you can find
(not audible).
#36:
Read the
target.
I
sure would like
to have
that
one.
The book's about two inches
thick and must
be
at least
10 by
or
13.
Leather,
gold,
gold,
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gold lettering of what's
left of
it.
(Not
audible)
.
.
.
#14:
Okay,
can you make out what the letter is?
PAUSE
-26
#36:
I
saw a
"D"
or
"V"
and
a
"M"
and
"E" but not
necessarily
in that order.
#14:
Okay.
I'm sure we could spend all day
in the
library room, but
.
.
.
why don't we walk back
#36:
I'm not even sure its
a library.
#14:
Okay.
Whatever
it
is,
keep a picture of that
in your mind.
Why don't we walk.
.
. we're
going to cut it short here
in
a little bit.
Why don't we walk back into the central room where
you think you were
first
at.
The offices,
etc.
#36:
I
just saw
a page.
Saw
a page.
#14:
Okay.
-25
#36:
It
.
.
.
the right hand page looked like
a
drawing of
a human skeleton faced to the
left.
Its hard to describe.
#14:
Okay,
ah
.
.
.
#36:
Its copper plate.
#14:
Copper plate.
#36:
It's
copper,
copper engraving.
Etching.
Okay,
we want to go outside.
#14:
Yeah.
Let's
go back
to the large vaulted room.
#36:
Now I'm with you.
Okay.
#14:
With the ornate
floor.
#36:
Hey,
its not.
.
.
This
is not
a church.
#14:
All
right,
look
.
-24
#36:
Looks
like
a great big.
.
.
very old,
oak
cabinets.
.
and they don't go up to the ceiling.
The ceiling went way, way above these.
I don't
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know how to describe
this.
.
its
.
.
#14:
Just describe
it.
#36:
It seemed like cabinets are
in this big room
(not audible)
or wing.
(Not audible)
running
East and West.
They are running the length
of the building or wing.
(Not audible)
PAUSE
#36:
Somebody
is watching
me.
#14:
Does that bother you?
#36:
Someone was watching me.
.
.
who didn't want
me
to
see him.
#14:
It seemed like they were aware of your presence?
#36:
I could only
see one eye past the cabinet.
#14:
Did they appear
to be hiding from you?
#36:
Yes.
The face
(not audible).
#14:
Why don’t.
.
.
Unless you're doing some really
super stuff, why don't we break off.
#36:
(Not audible).
PAUSE
#14:
The following will be
a continuation of the
remote viewing session now taking place.
The
on-target time has been readjusted to
1700 hours.
The time
is now
1656.
PAUSE
#36:
Have you got that thing going?
#14:
Yes.
Go ahead and comment on anything that you
are perceiving or seeing at this
time.
PAUSE
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#36:
No,
I didn't have anything.
I was
just looking
around.
I
saw what
I
thought was
a
.
.
.
looked like an oak display
case,
built like
a table.
Like
a jewelry display
case,
right.
It had
a book inside opened up.
I think
it
was
a rather big book.
PAUSE
I don't know why,
but
I
saw an onion and then
I
saw the skin peel off of it and
I
looked back
at the book and the pages were very
thin.
It
seemed like there was a correlation between
something about the pages and the white onion
skin.
PAUSE
I'm seeing another drawing.
It looks
like rather
an etching.
Trees
are
in
it.
And,
people.
.
.
I
think
I
see
a woman with a bonnet on the
right.
#14:
This
is
all
in the drawing or etching,
I believe,
right?
#36:
Yes.
Its not
a
scene I'm looking
at.
I mean its
not real.
Its
a drawing.
Its
a
.
.
its
a
.
.
an
etching
I believe.
#14:
Okay.
The time
is now 1700.
This
is
the adjusted
target time that we've been given.
And,
go ahead
and wipe all
this other stuff out of your mind,
if you can,
concentrate on
#100
and tell me what
you see
at this
time.
PAUSE
#36:
I have
a feeling that he wears glasses and took
them off.
I get the feeling he's close to some-
thing.
.
rather ornate.
A
.
.
like
a chandelier
type of thing.
Something.
To his
left
(not
audible)
.
PAUSE
#14:
Okay.
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#36:
I'm seeing ...
a shape.
#14:
Was
that
.
.
.
#36:
I was looking up at the inside of
a
.
.
inside
of
a dome.
#14:
Can you describe it?
#36:
Describe
it
.
.
.
#14:
Don't be
.
.
(CANNON BOOM).
.
.
I was
just going
to
say,
don't be shocked at that cannon.
PAUSE
#36:
(Not audible).
.
#14:
How do you feel you're doing
so
far?
Still with
it?
#36:
I'm trying to hang on.
I was
looking
(not
audible)
.
.
#14:
Okay.
Let's
go
for
a different angle.
Put
yourself.
.
picture yourself where you were at
the time you were
looking up at the dome.
Now,
look around you at eye level and describe what
you see.
#36:
I'm seeing back
up.
#14:
Okay.
Well,
go ahead and just keep continuing
with what's
coming.
PAUSE
#36:
For some reason,
I
thought this was
light toned.
(Not audible)
.
.
light was coming through.
And
it looked like
a
.
.
.
this scene looking up was
different than what
I
saw earlier.
If you slice
an egg shell in half,
draw
it from the pointed
end,
it would look
like
that.
Its very light in
tone.
I have the feeling of ornateness.
PAUSE
TfRTT
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#36:
I
saw a hand.
I believe they were clasped
together.
And
I got a flash of
a
face with
radiation.
.
from behind.
A white light was
behind the head and
I
see striations going out
in all directions.
I did not recognize
the
face.
I saw
.
.
(not audible)
.
.
#14:
When you viewed the hands,
I was
just going to
suggest that you look around and tell me,
do
you get
a feeling of many people around?
Or
several people?
Or
is
Dr.
LaBerge alone?
PAUSE
#36:
Oh,
I'm just looking around,
I'm sorry.
#14:
Okay.
No.
#36:
I
saw what looked like fancy
iron.
Wrought
iron perhaps.
Perhaps
for security purposes
its
done
in ornate design.
And
I don't know,
I
.
.
I don't feel comfortable with this.
I was
looking
I
can't
see,
I'm having an awareness.
PAUSE
Its
like
to his
right.
I don't know,
I
think
they might be benches.
.
facing away from him.
PAUSE
The whole scene
is.
.
one of ornateness.
I mean
it would be hard to duplicate now because
of
cost.
PAUSE
For some reason I'm seeing vegetation now.
But
I
don't.
.
Superimposed on the vegetation pattern
(not audible)
.
.
(Not audible)
felt clean.
Shelf
like
I had a while ago
(not audible)
draw.
#14:
Okay.
Why don't you wipe everything clean.
Focus
on
#100 again and just start over and describe at
this
time with your imagery.
Do you feel indoors,
outdoors?
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#36:
Yeah.
I
feel
indoors.
And
I
.
.
It must be
him,
I keep seeing someone from the back.
He
has,
looks
like he has slightly greyish
hair.
And there right now the
floor in front
of him is lower than he
is.
.
.
#14:
Okay.
PAUSE
Can you look around you and tell me what you
see?
PAUSE
#36:
I'm getting
so much
.
.
It doesn't tie
in.
But
I
(not audible)
.
.
.
#14:
Okay.
Go ahead.
+10
#36:
I
see what looks
like red and gold filagree
shape of thick,
rich
fabric.
Yeah.
It looks
like gold on
a predominantly
red.
Very rich
looking.
#14:
Okay.
Is
this perhaps
a wall or
.
.
.
#36:
At
first
I
thought it was
a wall and now
I seem
to be getting a couch or something that
is very
old.
I
see wood around the edges of
it.
It has
a
(not audible).
It could be
furniture.
It
could be on the wall.
#14:
Okay.
#36:
(Not audible).
.
back up and see the whole scene
I
' d know what
it was
.
PAUSE
+12
I was
just getting bits of arches,
I
guess,
columns.
.
going past me.
PAUSE
I'm going to try and find him.
#14:
Okay.
PAUSE
[u« »
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#36:
I keep getting a rounded kind of ceiling;
its high,
rather than low or
flat.
#14:
Can you possibly go up within that high and
take
a look and see what you see below you?
PAUSE
#36:
Yeah.
It comes
and goes.
PAUSE
I've got two different images going and I'm
feeling scales.
One
is the close-up of
a camera
and the other
is
I
can
see through that camera
.
.
.
floor,
way down there.
I'm getting
a
round shape down there ,
somewhere ,
you know
.
#14:
The floor
is round shaped?
#36:
Well,
it seemed like they were patterned or round.
A
(not audible)
portion and its predominant,
pre-
dominant in the scene down there and its oval or
round.
PAUSE
#14:
Do you see any activity taking place down there?
#36:
Oh,
I'm sorry.
I was
looking
.
.
I was
looking
at some books.
Action
(not audible)
.
.
.
#14:
Yeah.
#36:
Well,
the whole
scene
to me seems very quiet
and sedate.
A feeling of dignity.
I don't know.
That could be overlay.
(Not audible)
I have
a
predominant scene that I'm seeing
.
.
is
a
.
.
quite
formal.
Which perhaps makes me
feel,
makes
me
feel
the dignity.
(Not audible)
quiet.
But
I
feel like
it
is bright.
I
tried
to go watch
#100 once
in
a while and see
if he
.
.
if he's
talking to someone.
#14:
Could he be interacting somewhere
in the target
area?
#36:
Earlier
I
thought he was looking at
a book.
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#14:
Okay.
Put yourself back into the room that
has
the dome over
it.
.
.
There must be
a
doorway there
.
Go beyond the doorway and step
outside of this building,
the structure.
And
once outside,
ljok back
at the building and try
to describe the building itself from the outside.
PAUSE
#36:
That's kind of weird.
I mean before
I
.
.
I
would have sworn that the outside of the build-
ing would have been white.
Marble.
White,
light
(not audible)
.
But, wherever
I am now
looks
like granite.
Darker in
tone.
More ornate
than
I anticipated.
I'm just getting quick
flickers and flashes.
.
.
I can't see the whole
shape.
PAUSE
#14:
Okay,
perhaps
if you turn around and describe
what's on your left and right or behind you
keeping in mind that you are still outside
there.
Even though
#100 may be
inside.
#36:
I don't know where he
is.
#14:
Would you feel more comfortable going back to
him and using him as
a beacon?
#36:
Yes.
#14:
Okay.
Why don't you go back
to
.
.
.
#36:
Do you want me to go on
to
.
.
It looks
like about
eight steps
in front of this
structure.
In the
entrance way I'm seeing what
I
think probably
is,
its color of
(not
audible)
.
.
.
red tone of wood.
(Not audible)
.
.
.
The doorway seemed to be inset
back
in the
structure.
.
eight feet maybe.
TURN OVER TAPE
-
REVERSE SIDE OF TAPE
IS BARELY
AUDIBLE.
#14:
Okay, why don't you go back in and beacon
in
on
.
.
.
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#36:
Oh,
I
just saw something
.
.
(not audible).
Looking around trying to figure out where
I am
just getting
a flimpse of an old abandoned station
(not audible)
on the outside.
#14:
Okay.
#36:
I recognized the name when
I was
looking at
it.
It seemed from where
I'm looking at it from the
direction of the Capitol.
I'm looking west of
it.
#14:
Let's
see.
Would you care
to
take
a guess where
you are
at that
time.
From the outside.
Just by
looking around.
#36:
Well right now
I
seem to be between the Capitol
and the Library of Congress.
There's no structure
there that looks
like the outside of what
I
just
saw a while ago.
The outside of the structure
that
I
saw
(not audible)
church but
I
didn't think
that was where
I was
.
I
felt that
I was
.
. when
I
locked on
to the train station,
I thought
I was
near the
(not audible)
.
.
.
#14:
We'll keep that in mind,
if you would,
and see
if
we
can
' t
.
.
.
#36:
(Not audible)
memory.
#14:
Okay.
.
(not audible).
#36:
I'll
(not audible)
go back and see if
I can find
him.
#14:
Okay.
#36:
I have
the
feeling
(not audible).
.
#14:
Well,
just focus on #100.
.
.
#36:
(Not audible)
where
I am
(not audible)
#14:
(Not audible)
mind and focus on #100.
No problem.
NOT AUDIBLE
#36
I don’t know.
.
.
very dim view.
.
.
NOT AUDIBLE
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#14:
Just wipe your mind clean and focus on
#100
(not audible).
.
Don't
forget.
.
so you can't
get
lost.
#36:
I have
.
.
I have
an awareness of
a very
(not
audible)
,
very
(not audible)
.
.
.
NOT AUDIBLE
+21
#36:
Looking down Pennsylvania Avenue.
+22
#36:
Awareness of an old wooden,
warm,
dark
tones,
to my right,
carved wood,
could be
a chair;
could be wall,
carved floral pattern
-
four
leaves
#36:
I
saw the
.
.
I
saw what looked like
(not audible)
large
(not audible)
.
.
Sitting in
a chair
(not audible)
.
.
.
+24
+26
#36:
#100
sitting
in chair with palms on the arms.
PAUSE
#36:
To the
left,
arch like shape pointed at the
top.
PAUSE
#14:
Would you, would you like
to start drawing now?
Or are you still receiving?
#36:
I
saw
.
.
.
(not audible).
#14:
Do you want to try
a full session,
or
.
.
.
#36:
(Not audible).
.
.
#14:
Okay,
well
I'll have
to
.
.
.
#36:
(Not audible)
.
.
.
NOT AUDIBLE
#14:
Would you like me
to throw some more light?
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#14:
Okay, we'll
go ahead and
start from where you
started
at.
At 1625
(not audible)
.
.
#36:
Oh,
okay.
The
.
.
.
(not audible).
.
.
NOT AUDIBLE
#14:
It was
like columns with
like ornate capitals.
.
NOT AUDIBLE
TAPE RECORDER MALFUNCTION
- BALANCE OF TAPE
NOT AUDIBLE
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