Approved For Release 20
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ORCON/NOFORN
GRILL FLAME
PROJECT
SESSION REPORT
CLASSIFIED BY:
Director,
DIA
DECLASSIFY ON:
31 Dec 99
EXTENDED BY:
Director,
DIA
REASON:
2-301-C
(3)
(6)
^
rr)
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: CIA-RDP96-00788R000800100001-3
SUMMARY ANALYSIS
REMOTE VIEWING
(RV) SESSION
CC15
1.
(S)
This report documents
a Remote Viewing
(RV) session
conducted
in compliance with
a request from SOD,
J3,
OJCS,
Pentagon,
Washington,
D.C.
The purpose
of the session was
to provide information relevant
to the hostage situation
in
the U.S. Embassy compound in Teheran,
Iran.
2.
(S)
The remote viewer's impressions of
the target are
provided as raw intelligence data and as such have not been
subjected to any intermediate analysis,
evaluation or collation.
Interpretation and use of the information provided
is the
responsibility of the requestor.'
.
3.
(S)
The protocol used for this session is detailed in the
document.
Grill Flame Protocol,
AMSAA Applied Remote Viewing
Protocol
' (S)
,
undated.
4.
(S)
Following
is
a transcript of the viewer's impressions
during the remote viewing session.
At TAB A are drawings made
by the remote viewer reference his impressions of the target
site.
At TAB B
is target cueing information provided the
remote viewer.
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#66:
Tell me about the occupants.
PAUSE
#49
:
I think this one
in
cube
is more uptight than
+07
the other one.
She. ...
I
feel
a
lot
of fear
with her.
Its
the same room,
I
think.
Its that
same black and white
floor.
PAUSE
There doesn't seem to be any activity
in the
room per
se.
#66:
Tell me about
the building that
the room
is
located
in.
#49:
You mean
go outside and look
at
it?
#66:
If that
is the way that you can tell me
about
the building.
PAUSE
+09
#49:
Appears to be
a large black door.
It
looks like
it would be
an
exijit
door,
front door
- from the
inside
its black.
PAUSE
I
can't
seem to get outside
of
it
.
I
see now
somewhere
in this building,
I
think,
a blue,
like
a Persian rug,
but
its very predominantly blue.
With that Persian kind of design
in
a squared off
manner.
#66
:
Okay
.
#49:
And some furniture.
You know,
like
a sitting
room or living room.
#66:
Um hm.
PAUSE
#49:
There's
a stairway.
I think
I'm on the main
floor
and
I
see
a white
door
like
an entrance hall
and
there's
a stairway.
It would be on the left
if
you were coming
in the door.
#66:
All right.
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PAUSE
#49:
Goes along
floor
.
the side and goes up
to the next
#66:
All
right.
The stairway
.
.
.
+12
#49:
Oh,
I
see.
Yeah.
I'm looking
.
.
on the stairs and
I
see
a guy
in
a
.
I’m
white
standing
shirt
walking around.
PAUSE
#66
:
Go
on
.
PAUSE
#49:
The place seems.
.
.
modish.
In
its furnishings
and so forth.
PAUSE
+14
I
think
I’m outside.
Looks
like
a courtyard;
a
bricked in courtyard.
.
or something.
PAUSE
-16
#66:
Describe the height of the building.
PAUSE
#49:
l|Has
a
(not
audible) wood door
as the entrance
door
.
PAUSE
I
get the impression that
its white.
A white
building.
There are trees around
it.
Its
very carefully landscaped.
Manicured.
PAUSE
The trees
are
like right
next
to the building.
PAUSE
+18
I
think that
the brick courtyard area
is red
brick.
Its
a very definite
red,
like the color
of most brick.
PAUSE
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#66:
All
right.
#49:
I’m trying to get
a view of the building overall.
#56:
All
right.
When you feel
that you would like
to
I would like you to refocus on the
individuals
or on
any people that
are located inside this
building.
Perhaps the gentleman you saw when
you were standing on the stairs.
Description of
the people inside the building.
#49:
Okay.
PAUSE
+22
I
had
a fleeting glimpse of what looked like
a
lot
of people
in one room.
#66:
Tell me of your glimpse.
#49:
!
\ Now.
.
.
when
I was with those two women,
I
got
the feeling that there was no one else or that
there was hardly anyone
in this huge room.
\
But
now,
I
see
a room with ...
it
just was
a quick look,
like a
lot of people close toget he
A in
a, room.
V’
PAUSE
\
I
still have that
lavish feeling.
Lavish
room.
Furnishings and so
forth.
PAUSE
#66:
All right.
#49:
Its not
just
a
feeling,
I
can
see
it,
but
its
you know,
I
don’t think
I
can
describe
it
PAUSE
#66
:
Okay
PAUSE
#49:
I
think that
that person that
I
saw,
if
in
fact,
if that was
a person
and
I’m seeing through his
eyes,
he’s definitely one
of the students
-
not
one of the hostages.
#66:
Okay.
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#49:
And he was walking ...
He walked
into that
room and saw this group of people
it
seems.
#66:
All
right
He
yeah.
.
.
.
This person
is nervous;
unsure.
But
I
think
its
a captor.
#66:
Okay.
#49
+25
PAUSE
All right, we’ve been
at this quite
a while now.
At this particular moment
I have no further
questions that
I have about
the target,
but
I’d
like to
give, you the opportunity to comment
on
anything that you feel
like you would like to say
about the images that you've been having;
feelings
that you've been having.
#66
:
#49
#66
:
#49
:
Okay,
I think these two women
are isolated from
the majority of the people.
I think that they
are
in
a room which
I
described.
Its more baren
than what
I
seem to be seeing
in the rest.
It
seems like
its
a basement
room.
And
it has this
black tile with white streaks
in
it
of
some kind
and
.
.
it.
.
it appears
to be almost devoid of
furniture of any kind.
And
I
get the feeling that
its ....
Well
,
by looking around
it
,
the impres
sion
I
get
is that
its
a
large,
almost empty
room.
And the one woman,
Kathy Koob,
I think
is still
I
didn't
get
feeling with/
view's f
a
loi
A more
very
fearful;
the other
one
,
Swift
.
that
feeling.
I--got
” almost
a
neirtrr-j
her.
And... as" I
said,
then
I
saw that
of people
in one room.
Another room
furnished room.
^****~*‘J“'**'
Okay
.
I would say on the
first
floor,
because
I
.
.
.
that
.
.
the one that
I
saw walking,
he seemed
to be going
in
a certain direction rather than
upstairs.
And
I
think he’s one of
the students.
How many floors did this building have?
I would
.
.
.
Adding together the various views
I
got,
I
think that
one
is
in
the basement.
It
seems to be
.
.
or
at
least
its
a room apart
from
[the rest of the Embassy or whatever this room
is,
'this building
is.
And,
the main
floor and
at
leasti/1
another
floor.
jfl
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#66:
All
right.
Anything else you'd like
to add?
PAUSE
#49:
My overall
impression
is.
.1
didn't
sense the
fear that
I
thought
I would there.
#66
:
Um hm.
#49:
Almost
a holding pattern feeling
I
got overall.
More
.
.
.
When
I did hit the emotions,
like with
that one fellow,
I think
I
got
into,
it wasn't
overwhelming fear but
it was more of anxiety.
#66:
Okay.
#49:
And
I
described the building pretty well,
I
guess.
#66:
Okay,
if you’ll spend just
a
few minutes now and
see
if you can't sketch some
of the ideas that
you've
had.
It would be very helpful.
PAUSE
(Not audible)
Okay.
As you draw now,
talk about your drawings the best
you
can.
And,
if you try
to make the lines
as dark
as possible so that we can reproduce them.
#49:
(Not
audible)
PAUSE
These drawings may be misleading because
I
never
got
an overall
view.
PAUSE
I
.
.
I
didn't
see the courtyard
in connection
with
a building per
se,
so,
you know,
its hard
to
#66
:
Okay
#49:
.
.
to draw
it.
PAUSE
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