Approved For Release 2000/08/ Approved For Release 2000/08/ ; 788R002100320001 -4 SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSTON cp..99 1. (S/NOFORN) This report documents a remote viewing session conducted in compliance with a request from SOD, J2, O3CS, Pentagon, Washington, OC. The purpose of the session was to provide information celevant to Che hostage situation in Lran. 2, (S/NOFORN) The remote viewer's impressions of the target are provided as raw intelligence data, and, as auch, have not been subjected to any intermediate analysis , evaluation or collation. Interpretation and use of the information provided is the responsibility of the requestor » %, (S/NOFORN) The protecel used for this session is detailed in the document Grill Flame Pretocol, AMSAA Applied Remote Viewing Protocal (5), undated, 4, (S/NOFORN) Following is a transcript of the viewer's impressions during the remote viewing session. At TAB A are drawings mace by the remote viewer reference his impressions of the target site. At TAB B is target euing information provided the remote viewer. 5, (S/NGFORN) The remote viewer was asked Lo leeate Charles Jones and deseribe his surroundings. He described Jones as being located in a building neat or in a market place. This area is near the center of a large city. The viewer opined that this city was Teheran, Iran. The viewer felt that there were three other hostage personnel with Jones. AfFlec the sessian he was shown photographs of hostage personnel and identified Duane Gillette, Steve Kirtley and Don Hohman as poss sibly being with Jones. The viewer perceived five quard personnel at this site. NOP RELEAS ABLE TO FOREIGN NATIGNALS 002100320001 -4
Approved For Release 2000/00fedaeferateextor88R002100320001-4 ME #66: 403 #1: #662 405 01s #563 #O1; #OLs 47 Approved For Release 2000/08/0% TRANSCRIPT REMOTE VIEWING (RV) SESSION CD-90 This will be a remote viewing session for 1430 hours, 17 July 1960, PAUSE Relax and concentrate now. Relax and foous your attention an Charles Jones whose picture I have shown you. Locate Charles Jones and deseribe his surroundings to me, PAUSE The walla are round. There's...smail building, and this is one storey, maybe two,..uh..there!s two ahoriess seeses It's got a curved shape to it. An S curve. [t's like a row of, cow of, it looks Like a half-and-half building down on one side. Like shops in the front. The WANCAUS ATEsrs0 are fiigh, high windows. Telk me about Jones! immediate surroundings. Dank, dark room ...with..uh..with thre, I think.....three ather people. It's dark room, like davk, mot wood, but... dark, dark paint. A brown or tan paint. What's going om here? Don't see any activity. He's, he's like laying on his back, and there's....two other people are eating. Looks a lot Like the back room of some kind of a ship or something. Whet makes you say this? Front, front room has stacks of cans. Some kind of silver rans. That's lower. This is like split level room. It's at the end of a alley er something. The road goes up ta the front and it stops, and there’s a raom full of these silver sang, and this roam la like upper from that.» Describe for me the greater building in which this room is located, and the pasition of this reom in the greater building. PAUSE This is either. uh..like...it's either part of, part of a very large building that's got different parts or it's sandwiched between these curve, curved buildings. 4-60788R002100320001-4 ww
Approved For Release 2000/08/08 : H#G6s #OL: +10 #66: #OLs $663 #01 #015 4415 $66 0788R002100320001 -4 Break that out for me. it's like curve, curved wal] an the left... or curved building or something, tall, but it's curved, and there's one Like it an the rignt. Go on. And, in the middle is this, it's just like entrance with cans, Silver cans. This room is in the, in the back, upper aplit level part of it, but you can only, only get there through the room with the catis. PAUSE who ace these people with Jones? Thare'Ssoclitees Pb'S Likte CWO. ooo TWO OL en oe eYOUNG2 aoe GNC of the young ones has a black heard. Neither, neither one loaks familiar to me. 1 just...guy with the beard is fairly tall, and there's one like early, early middle aged, 38..0.+.06 who is, is wearing like a yeshiet with some kind of writing on it, like numbers or something on a Teshirt. Like... OM.eces he's clean cut, shaved....gel a military impression with him. Like.»..thinking like a Nawl officer ov BOMGLTLTIQs ccvacwes Brown hair. dust a Light flex of gray in brown hair. PAUSE Are these people being quarded? Yeah, There's....twa old, two old Metiee Lt Looks likecaoes and,....three younger men. And, they're sitting at a table seoeeMO, it's a counter or a table or something, by the frant, and there's the younger man, even, maybe teen ager sitting by the door. It's a lot of noise here. Like it's some kind of a shopping area or sometning. You know, Like a lot oF activity. Teli me some of the nolses you hear. Uh.. don't hear any vehicles. [t's like a lot of talking, and argumentative type of talking, like bargaining and the elank of pans, Like barkers, selling things. A lot of cloth fluttering in the front...like, it's like some kind of tents ar overhangs down the wall en the left, Very conjested.... away, away from this building. Tt's,....got a funny door ar seething on the Front, like a Lift-up kind of door, Like a gavage type of doar ceeeeeand then a cegular door. Okay. Move over, an overhead view now, and deseribe hey this building is situated se that me might be able to locate this building. PAUSE Approved For Release 2000/08/08, - =00788R002100320001-4
Approved For Release 2000/08/ #013 #O1Ls HEGs +20 #Ois #66: AOL s R002100320001 -4 Sort of V, V shaped and there’s some kind af large Teshaped warehouse or something behind it that runs to the end, anc there's a tap om it like a ?. There's a alley that runs around it that makes like a T intersection by the arm or the of the building or warehouse. the market area or whatever it is going away curves ta the left, and the both roads come ta @eeodike a main road, Unly you, can't drive, you can'i drive except on the main road. [t's very close ta the canter af town. It's like I get a feeling for.....like it's a special, special place to buy a certain thing. Like housewares oF somethi FH « It's like things you buy for kitchens and stuff. fhis particular building. No. This market plece that this building's buy. Like, you qo there to buy a snap dish or something or a carving knife. ff I wanted te ouy a kitehen utensil I would come to this particular shopping area? if you were a native, yes. And, how about to this particular building. Why would I ga to this particular building? { think this buiiding is...-like a trans-shipment building, like a receiving buiiding ef some sort, i don't think it has a funetion as far as the market area, but it's..«..they are handling goods here. I almost get a....J almost get feel for smuggling of some kind, Whoever these, these peaple are, they're dealing on the side, se to speek. Okay. I'd like you to return your nerceptions now to the original room where Jones is. Your initial comments were something about a round raom. It's like... yealiesiecs Break that out for me. PAUSE Tk's like there's no corners on one wall. It's..the walls are rounded. When 1 go autside ta look at the wall, I see, see a differant section of the wall, Sa that the room may not be behind the cans, but thoy'd be front gad jeft of where the cans are. that's all IT, that's all I can explain. ant Okay. if 1 understand cerrectly, you have Jones in the raom with 3 other people’? Approved For Release etl wy on © nv ine ace
788R002100320001 -4 #564 You feel that this is a group of hosteges? HOLS Aha, they ar aD * #O6% And, as far as guard personnel, you explained toa me that you have. two older Me@ity. > #OL: Two older men, yeah. #O6s Three younger men, plus a teen age Cype. Ape theese other men f pe # F i ’ i armed in same way? #O1: The three young men are. They're, they got theie faces covered, and they're armed with..e.. Some kind of rifle. Thay got..,++ they all gat ‘em at sling arm jike....with the muzzles Gowte.ss> FOS Okay. Now, caising bigh up over this area, tell me more about the location of the building and the market, and the main street. PAUSE #O4% The main road just goes to another main road to make a intersection in the tows. Feel like it's in the extrese gouthweetern corner of the city somewnere. 6G s Okay. Sefore you said it was in the center of the city, Can you break cut your raw perceptions? OL: Uheoeitis in the center, but it's in the southwest extreme edge | of the center. Get a feeling like a box. You could say the j center af the city is a box; this would be in the lower, left hand earner on a main coad that kind of leads out af the city. HOG: Okay. De you recognize this city? #OLs Yeah, L think it's, IL really think it's Teheran. But, I keep getting this ball park or gomething that pops in my mind around here, but I don't know if it's overlay or not. HOES Is it positiened in relationship to this area? #01: No. It's just a flash picture of a ball park or something. Vou know. A ste stadium like thing. +29 #GS 5 Okay. I have no further questions; hawever, i'd like to give you the apportunity to comment on anything thet you feel is important. at this time. #Ols Tie neighborhood is predofiinantly a residentiah neighborhood. Small shopg.reseeel AGn't see any industry, and 1 don't see any large modert budidings of any kind. Ar older section. db FRISPRS -0G 7 Approved For Release 2000/08/08 €7A R002100320001-4
Approved For Release 2000/08/08 : CIA-RDP96-00788R002100320001-4 #01: PGS s #OL: #665 #013 oa a #OLs #668 #01. #663 #01: #66 % #01: Approved For Release 2000/08/@ifui { den't see, but maybe every now and then a place over two- stories; three a maximum, That's about it, Okay. Let's prepare to draw the perceptions that you've had, I want to look at this street layout again, just for a minule. All right. Remember it so you can draw it for me. PAUSE Okay « Okay. Let's prepare to draw, Okay. On page 1, I'll see if I can't draw the way T was seeing this place, and then I'll do iike an averhead view, and I'll do whet the interior of the room Llonked Like. ..coes walls wise, Soe, I'm not really sure if this room was actually te the rear of these cans, split level up or split level off to the left. Because of the shape of the wails were kind of changing. I got a feeling that there was Like this wall. on the left that would curves«scesessectike that, and there was also one on the right that did the sawe thing. TF dan’t know if this building is sectioned of f or part of these walls (mumbling) walle. Like thie made a little street Like this, and there's a...-it's like a deor here, and this is your standard house type door. Hereanm the right thore's like a.....like some kind of eargo door, hatch type door, you know, like we would call a garage door in the states. Only it appeared to be a little smaller. Ané, the only windows L saw were like,...right up here towards the adge. It's like these,...four little windows, and they were barred. Feel like this waa some kind of a holding or transfer point or something, and these tin cans were vight inside the cargo door. How large were these cans? One gallen. Okay. We're talkingsecoers Paint evans size thing, out they weren't paint cans, We're talking paint can size versus 50 yallon drum size. Yeah. Paint, paint can size. Now, thege....+.t kept getbing an impression that down this way.....was a market. Tt actually started right here on the corner. You know. Gestalt type canopies. Like this. R002100320001 -4
Approved For Release 2000/0 8R002100320001-4 #EG 5 HOT s #68: #01: #662 Approved For Release 2000/08/0 So, I had to go down this little street here, te get down ta the end to this. Right, and that these were carts loaded with stuff, and windows of shops and, you know, that thease were other buildings or something, and.....geing this way, was & voeeslike a quiet street. This was all activity, and this was real quiet to the right. All activity to the deft, Uh, and in the background yeu could just see this big warehouse - roof, went down Like that. That's what it looked Tike froin the Front. Now, from the top I gat an impression of this weeeelike Flat sided V shape. So, I'm going to draw it hare. L still don't know if, you know, it's actually part of the buildings on beth sides if it's all ane big building; I don't, I den't know, and down this way it was all different shopa. And, sidewalk was only on the one side, and want down here like thie. Now, coming of here was a....like a row of buildings or something that went like this, around that wayse.e.. These wore Like houses and shaps, arc then there was a road that went this way. Likewise, and a1] in here was carts and Little shopping (turned tape over) I'll put an arrow et the top of the page, and this will say view page 1. ‘this is like a market area, and up NELGescenevas ig this....main street, and this goes to heart of cityerss. and then here is like somehow or another this street's blocked here,seseeol don't know if it's @ wali or if it's poles in the ground. But, I got a feeling like it's blocked and you couldn't drive on it. And then, there's a street here comes out to the main street, Like this, and then goes this Wayrecseerseeene And, then there's this warehouse that you cen see the roof of in page i, and it's shaped like a lopsided T. This.eoes T'LL put an X in a circle for the target building. Ckay. On drawing number 2 then, the X in a circle is the target building where you found Jones, andeeeer you kind of drawing the street layout here. This is mote like an alley here. This is a street. I got a feeling like there's residential here...o+. And, again, this ig the main street up here, and these are,......where I label buildings they're all mixed residential and small shops. And, the impression I had of the room igseeseiill deaw the way the interior of the room looks to mae Because, Lim not sure exactly how it lies within this target nuilding, but T had a feeling like.....tih....-there was a door, and through the door was silver cans. Okay. And, then the wall wart like this. Gkay. When we say through the doar, do you mean the conventional door or the garage type door? 002100320001 -4
—_—_—_— Approved For Release soooinsided beta eE Se T28R002100320001-4 #04: BEG: #013 $663 #HOLs #GG62 #01: Approved For Release 2000/08/08,:4 +. eu. When I say through the door, I mean through the reom that the hostages are in. And, you don't Knows «ass+ I den't know where that room is in the building. That's why, that's why I'm doing this. Okay. You're saying remote viewing wise when you go inte the building you find yourself immediately entering the room where the hostages are, and you danmtt  kmow.s.eee NO, MOserereecVouhls yeah, remote viewing wise. IF you physically....cokayssreoif you go in the entrance doar of this building, the first thing that | see ia a room full of silver cans, and that's where the guard types are sitting, and the two ald men, and there's a teen age kid up by the Front door, Now, I dentt see any ways out of that room for same reason, but 1 feel like split level te that is the door to which you ean aecess the hostages. Now, the best I can de fram there is deseribe the hostage room as I see it from inside. Which has gat an 5 curved wall which really throws me aff, because I don't know how that Frts the building. Which is why i have to draw that separate. There's an 3 curved wall that goes back like this to a blank wall, and I get the Feeling Like@.cscso0s Gkay. So the drawing in drawing 3, then, is interior ta the building itself. Yeah. And, this area out here to your left is the room or area that: you would firet enter where the silver cans were, and the room where you'te depicting now is the room where the hostages are, You haven't drawn the rest of the floor plan? Right. No, I can't do that because I don't know how it works. ALL I'm saying is there’s silver cans eight outside the interior of the hostage room, and there's silver cans right when you enter the entrance door ta the target building. Now, there may be sliver cans ail over this building, and that might be what's throwing me of f; ft don't know. But, the walls are 5 curved interior wise; there's na sharp corners. And, there's Lik@secereeethere's Like two gleaping cots of beds back here. 7 think they're cots. IT wasn! gathing the feeling of being very high of f “the yround or being, you know, very nice beds er anything. They're more like cota, and f had the Feeling thesecesgeoere eho wasn't inte ce eafl@ecelills OU YOUNG QUYSens ee were...» til use Y for YOUrIGs see ctw younger hostages were on those msts. IL had a feeling like he waeeignt to the Jere as you enter the pate yd-hecwemr just Layirg WiSecceravconeane © 8R002100320001 -4
Approved For Release 2000/08/08 : CIA-RD #015 #66: #OLs #66: ao Hos #OG63 #OL: PEE 3 wads #663 #1 ae HOG: #O1s Approved For Release 2000/08/Qg -00788R002100320001 -4 What's his name? Charles Jones. Okay. I'll say Charles. Charles vas just laying on his cot, and reading. And, one of the young guys, T think, was reading. You know, It was like they were just kind of leying around not doing much, and there was another cot, right here. That was the, the military...ub..«.Mavy type. YT dant t. know why I say that, but that's what it feels like, and the rest of the area was just chairs and a table. Some boxes ard things. 1 don't know ohat specifically. Just clutter. Clutter aver in this area. There are windows, but I don't know how many, and I don't know what kind, but they were up very high, and there was windows on this side. You know.....-amall. Okay. You say, you Gay that....-let me see if 1 can go through this with you again. Do you enter of f of the street into a room of cans where the guards are? Right Then you have a feeling of aplit level. My question is, do you go up of dewn? You go up. Very definitely go up. You must go up to get to the hostages? Yeah. Andeceseeeerenson why I say split level is I keep ONeseosetty left hand keeps telling me it's one storey and my right hand keeps telling me it's two stories, That's sort of a feeling I get whenever I get split level. You KMOW o Aff-aset rooms where one is higher than the other, and that's the feeling I'm getting here. The gestalt I'm getting. So I just know that's probably split level. Anyway, that's the way that room looks. Do you want a picture of the room veveeowith the guards? Okay. If you can draw it to a smaller scale, maybe you can put it all together. Well, no, I'm not going to be able to do that. Because | ceally don't know how that fits. Into here. Yeah. The hostage reom fits into the target building. 30, L either Find myself in the hostage, okay, working at the hostage reom, or I find myseif in a room with the guards Jooking at that raom. But, f dorntt find myself walking From one ta the other, Sa, I don't know how TP get there. 68R002100320001 -4
#66: #OLs Es #OLs #663 #OL3 #665 @Ols Not know how they fil together? R002100320001 -4 Right. I don't know why that's happening today, but that'’SeerseanGs..seveethig one's Like this......garayge type door. I get a feeling like there's a very large table here, and you got these two oid...-call tem G, sitting there. You got T teenager sitting there. You've got the X in the circle; you've got one young guard there, and you've got two young guards back here. Only CU just know they're there. J can't tell if they're sitting or standing. Qkay. In drawing 4 then, the 3 Xs indicate the quards that are armed. The twe Gs indicate older gentlemen; and the Y indicates a teenager; and the little circles are the cans. Right, right, right. and then there's these cans just piled all in the front here, and fT don't { think they're het. You know, { get a dis know what they are, but tinct smuggler feeling when I see these cans. Like maybe these guys are guards by day and smugglers by night. You knew, That sort of thing. Real shiny silver cans, you know; almost Like this stainless steel that's real...you know....this sterile surgical type steel that you see in a roam somewhere » They're hermetically sealed and they're...f don't know what's in tem. I didn't really Look. Just a very shiny cans. And, then your feelings, again, about this city that this is located in being Teheran, can you elaborate on that feeling at all? “Yes. 1 just felt....yeah.....I just felt likes. okayers. | the main street, this being the area of hostages, KAY i the main road went Like this....ended downtown, and I get the feeling like.....that's not very far.....six blocks, ou know, six city blocks, comes to a big U shaped avenue. and..euhe.ethis is the main city, 's like four Lares, % the bottom right-hand corner, I get in my mind, like I'm looking at one Get this kind ef picture. Qkay. Now, ['1) ask you again, you stadium ig in relationship ta thase No. 1 don't. eam gars wTuhs TE draw. ita this picture thal pops of these giant stadiums. don't know where this a other -bhings. Onety that the picture of the stadium comes to your mind. Veoalecesccevesevvceevelt's round! Tttg nab... «b's MGC. cass it's a more rounded cval than we would have in our....like our football stadium. it's more like a baseball stadium than it is a feotball stadium. You know what I'm talking about.» .the difference....the way out of the field, Approved For Release 2000/08 /OEMEEP RE HNTFER002100320001-4
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