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SUMMARY ANALYSIS
REMOTE VIEWING
(RV) SESSION
CD-9G
j.
(S/NQFQRN)
This report documents a remote viewing session conducted in
compliance with
a request from SOD,
J3, OJCS, Pentagon, Washington,
DC.
The purpose of the session was to provide information relevant
co
the
hostage situation
in
Iran.
2.
(S/N0F0RN)
The remote viewer's impressions of the target are provided
as raw intelligence data,
and,
as such,
have not been subjected to any
intermediate analysis,
evaluation or collation.
Interpretation and use of
the
information provided is the responsibility
of the requestor.
3.
(S/N0F0RN)
The protocol used for this session
is detailed
in the document
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol
<S>, undated.
4.
(S/N0F0RN)
Following is
a transcript of the viewer’s impressions during
the remote viewing session.
At
TAB
A are drawings made by the remote viewer
reference his impressions of the .target site.
At TAB B
is target cuing
information provided the remote viewer.
V.
(S/N0F0RN)
The remote viewer was asked
to locate Charles Jones and
describe his surroundings.
He described Jones as being located xn a building
near or in a market place.
This area is near
the center
ot
a large city.
The viewer opined that this city was Teheran,
Iran.
I he viewer felt
tfwac
there were three other hostage personnel with Jones.
After the session he
was shown photographs of hostage personnel and identified Duane Gillette,
Steve Kirtley and Don
Hoi-man as possibly being
perceived five guard personnel at this site.
wx :h Jones.
The viewer
NOT
RELEASABLE
TO FOREIGN NATIONALS
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TRANSCRIPT
REMOTE VIEWING
(RV) SESSION CD-90
TIME
#66
s
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#01
:
This will be a remote viewing session for 1430 hours,
17 July
1980,
PAUSE
Relax and concentrate now.
Relax and focus your attention
on Charles Jones whose picture
I have shown you.
Locate
Charles Jones and describe his surroundings to
me,
PAUSE
The walls are round.
There's.
. .small building, and this
is
one storey, maybe two,. .uh. .there's two stories.
Tt'a not
a curved shape to it.
An S curve.
It's like a
row of,
row of,
it looks like a half-and-half building down
on one
side.
Like shops
in the front.
The windows are.....
are high,
high windows.
Teli me about Jones’
immediate surroundings.
Dark
dark room
.
. .with. .uh. .with threes
think. ..
. .three
other people.
It's dark room,
like dark,
not wood,
but...
dark,
dark paint.
A brown or tan paint.
What ' s going on here?
Don’t see any activity.
He’s,
he's like laying on his back,
and there's..** two other people are eating.
Looks a lot
like the back room of some kind of a ship or something.
What makes
you, say this?
Front,
front room has stacks of cans.
Some kind of silver
cans.
That's lower.
This is like split level room.
It's
at the end of a alley or something.
The road goes up to
trie
front and it stops,
and there's a room full of these silver
cans,
and this room is like upper from that...
Describe for me the greater building
in which this room is
located,
and the position of this room in the greater building.
PAUSE
This is either. .uh. .like.
. .it' s either part of, part of
a
very large building that’s got different parts or
s
sandwiched between these curve,
curved buildings.
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Break that out for me,
#01:
It’s like curve
,
#66 :
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#66
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#66 ;
curved wall, on the left,«>« or curved uuilding
but it's curved,
and there's one like
it
or something,
tall,
an the right.
Go on
And.
in the middle
is this,
it's just like entrance with
cans,
silver cans.
This room is in the,
in the hack, upper
split level part of it, but you can only,
only get there
through the room with the cans.
PAUSE
Who are these people with Jones?
There's.
. .uh. ..
It's like two.. ...two
or-
young
one
of the young ones has a black beard.
Neither ,
neither
one
looks familiar to me.
I just,., guy with the beard is fairly
tall,
and there’s one
like early *
early miouxe aged, X * •**«•*<
who Is,
is wearing like a T-shirt with some kind of writing on
it.
like numbers
or* something on a
I -shirt
Like.
. *oh. .. •
*
he's clean cut, shaved
get a military impression with him.
i ike.... thinking like a Naval officer or something.
Brown hair.
Just a light flex of gray
in brown hair.
PAUSE
Are these people being guarded?
Yeah.
There's. .. .two old,
two old men....it looks
like. . ...
and
three younger men .
And ,
they ' re sitting at a cable
it
* s a counter or
a table or something,
by
cfte
,
land there's the younger man,
even* maybe teen ager
sit....mg
bv’ the door.
It's
a* lot of noise here.
Like it's some
Lind of
a shopping area or something.
You Know.
Like a lot
of activity.
Tell me some of the noises you hear.
Uh... don't hear any vehicles.
It's like a
lot of
talking,
and argumentative type of talking,
like bargaining
and Ine
clank of pans,
like barkers, selling things,
A lot
of
cloln
fluttering
in the front... like,
it’s like some kind
of tents
or overhangs down the wall on the left.
Very conjested. . .
away,
away from this building.
It's
got a funny
dooi.
or something on the front,
like
a lift-up kind
of
door,
Lx k--
a garage type of door
..... .and
then a regular noor
Okay.
Move over, an overhead view now, and descrioe how
^
this building is situated so that me might be able to locate
this building.
PAUSE
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#01*.
Sort of
V,
V shaped and there's some kind of
large T-shaped
warehouse or something behind
it that runs to the end* and
there’s
a top on it like a
I.
There's a alley that runs
around it that makes like a T intersection by the arm or the
I of the building or warehouse,
fhe market area
or whatever
it is going away curves to the
Left,
and the both roads come
to a.. ‘.like a main road.
Only you can't drive, you can't drive
except
on the main road.
It's very close to the center
of
town.
It's like
I get a feeling for
• like it's a special,
special
place to buy a certain thing.
Like housewares or something.
It's like things you buy for kitchens and stuff.
+20
#66:
This particular building.
#01:
No.
This market place that this building's buy.
Like,
you
go there to buy a soap dish or something or a carving knife.
#66:
If
I wanted to buy a kitchen utensil
1 would come to this
particular shopping area?
#01:
If you were a native,
yes.
#66:
And,
how about to this particular building. Why would
I go
to this particular building?
#01:
I think this building is. ...like a trans-shipment building,
like a receiving building of some
sort,.
1 don't think it has
a function as far as the market area,
but it's. . . . .they are
handling goods here.
I almost get a.... I almost get
a feel
for smuggling of some kind.
Whoever these, these people are,
they’re dealing on the side,
so to speak.
#66:
Okay.
I'd like you to return your perceptions now to the
original room where Jones
is.
Your initial comments were
something about a round room.
#01 ;
It's like .
.
. yeah ......
#66:
Break that out for me.
PAUSE
#0.1:
It's like there's no corners on one wall.
It's.. the walls
are rounded.
When
1 go outside to look at the wall,
I
sea,
I see a different section of the wall.
So that the room may
not be behind the cans,
but they'd be front and left of where
the cans are.
(hat's all
I,
that's all
1 can explain.
#66:
Okay.
If
I understand correctly , you have Jones in the room
with 3 other people?
#01 :
Yes,
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#66 s
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You feel that this is a group of hostages?
Aha,
are.
And, as far as guard personnel,
you explained to me that you
have . .two older men , .
. .
«
Two older men,
yeah.
Three younger men, plus a teen age type*
Are these
oths.*.
men
armed in some way?
The three young men are.
They're,
they got their laces covered,
and they're armed with
some kind of rifle.
They got
they all got
'em at sling arm like....with the muzzles down.,...
Okay.
Now,
raising high up over this area,
tell me more about
the location of the building, and the market,
and the main street.
PAUSE
The main road
just goes to another main road to make a intersection
in the town.
Feel like it's
in the extreme southwestern corner
of the city somewhere.
Okay.
Before you said it was in the center
or
the city,
tan you
break out your raw perceptions?
|uh.
. .it's
in the center,
but it's in the southwest extreme edge
/
ft of the center.
Get
a feeling like
a box.
You could say tno
j
jlcenter of the city
is a box;
this vaults be xn
the lower,
left hai.u
*\corner on a main road that kind of leads out of the city,
|
Okay.
Do you recognize this city?
Yeah,
I
think it's,
I really think it's Teheran.
Bui,
I keep
getting this ball park or something that pops in my mind around
here, but
I don't know
if it's overlay or not.
Is
it. positioned in relationship to this area?
No.
It's just a flash picture of a ball park or something.
You know *
A
stad
i
uiki 1ik©
c 1 1iny *
Okay.
I have no further questions;
however ,
I
' d like to give you
the opportunity to comment on anything that you feel is xmparuan..
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#01 j
I don't
see,
but maybe every now and then a place over two-
stories 5
three a maximum.
That's about it.
#66;
Okay.
Let's prepare to draw the perceptions that you've had.
#01:
I want to
look
at this street
layout again,
just for
a minut
#66
;
All right.
Remember it so youi can draw
it
for me.
PAUSE
#01:
Okay
.
#66
:
Okay.
Let's prepare to draw.
#01
:
Okay.
On page
1,
I'll see
if
seeing this place,
and then
I*
I can't draw the way
I was
II do like an overhead view,
and I'll do what the interior of the room looked like.
walls wise.
So,
I'm not really sure
if this room was actually
to the rear of these cans,
split
level up or split level off
to the left.
Because
of the
shape of the walls were kind
of changing,
I got a feeling that there was like this wall
on the left that would curve. ......... .like that,
and there
was also one on the right that did the same thing.
I don't
know if
thp.s building
is sectioned off or part of these
walls
(fMimbling) walls.
Like this made a little street like
this,
and there's a. ...it's like
a door here, and this
is
your standard house type door. Hereon the right there's
like
a.
. . ..like some kind of cargo door, hatch type door,
you know,
like we would call a garage door in the states.
Only
it appeared to be a little smaller.
And,
the only window
I saw were! like. .. .right up here towards the edge.
It's
like these
. . . .four little windows,
and they were barred.
Feel
like this was some kind of
a holding or transfer point or
something , and these tin cans were right inside the cargo door
#66:
How large were these cans?
#01 s
One gallon
,
#66:
Okay .
We're talking
#01;
Paint
cans size thing,
but they weren't paint cans,
#66:
Vie* re talking paint can size versus
50 gallon drum size.
#01:
Yeah.
Paint ,
paint can size.
Now,
these...... I kept getting
an impression that down this way.....was
a market.
It actual!
started right here on the corner.
You know.
Gestalt type
canopies .
Like this.
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#66 s
So,
I had to go down this little street here,
to get down
to the end to this.
#01:
Right,
and that these were carts loaded with stuff, and
windows of shops and,
you know,
that these were other
buildings or something,
and. ... .going this way,
was a
like
a quiet street.
This was ail activity,
and this
was real quiet to the right.
All activity to the left,
Oh,
and in the background you could just see this big warehouse
-
roof,
went, down like that.
That's what it looked Uks
from
the front.
Now,
from the top
I
got an impression of this
.....like flat sided V shape.
So,
I’m going to draw it here.
I still don't know if,
you know,
it’s actually part of
the
buildings on both sides if it’s all one big building;
I
don’t,
I don’t know, and down this way
it was all different
shops.
And,
sidewalk was only on the one side,
and went
down here like this.
Now, coming of here was a.. ..like a row
of buildings
or something that went like this, around that
way .
.
.
.
.
These were
like houses and snaps, and then tneie
viMo
a road that went this way.
Likewise, and all in here was carts
and little shopping (turned tape over)
I’ll put an arrow at the top of the page, and this will say
view page
1.
This is like a market area,
and up
her?
L 6# ««**#»
is this. .
. .main street,
and this goes to heart
of
city.....
and then hsr©
is
like
soniehov/ or another this street *3 blocked
here, ...... I don’t know if it’s a wall or if it’s poles in the
ground.
But,
I
got
a feeling like it’s blocked and you couldn’t
drive on
it.
And then,
there’s a street here comes out
to
toe
main street .
Like this,
and then goes this way
And,
then there’s this warehouse that you can see the roof
of
in page
1,
and it’s shaped like a lopsided
l.
Hus......
I'll put an
X in
a circle for the target
building.
#66:
Okay.
On drawing number
2 then ,
the X in
a circle is the
target building where you found Jones,
and.... .you kind of
drawing the street layout here.
#01:
This
is more like an alley here.
This is a street.
1 got a
feeling like there's residential here
And, again,
this
is
the" main street up here,
and these are
..where
I
label buildings they're all mixed residential and small shops.
And,
the impression
I had of the room is
I'll draw the
way the interior of the room looks to
roe.
Because,
I'm not
sure exactly how it
lies within this target building, but
I
had
a feeling like. ... .uh. ... .there was a door,
and through
the door was silver cans.
Okay.
And,
then the wall went
like this.
#66:
Okay.
When we say through the door,
do you mean the conventional
door or the garage type door?
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When
I say through the door,
I mean through the room
that,
the hostages are
in.
And ,
you don ' t know ......
I don't know where that room
is
in the building.
* bat's why,
that's why
I'm doing this.
Okav.
You're saying remote viewing wise when you go into
the building you find yourself immediately entering the room
where the hostages are, and you don't
know......
No ,
no
.yeah,
yeah,
remote viewing wise.
If you
physically*
•
•
. .okay
if you go in the entrance door
of. thx.
buijdinq,
the first thing
that
I
see
is a room *uLL
o\
cans,
and that's where the guard types are sitting,
and
the
two old men, and there's a teen age kid up by the trout doot
Now,
I don't see any ways out of that room for some reason,
K
I feel
like split level to
that
is
the door to whrch you
can access the hostages.
Now,
the best
I can do from thbiu
is describe the hostage room as
I see it from msice.
j/fuoh
has qot an
S curved wall which really throws me off, because
I don't know how that fits the building.
Which is shy
I have
to draw that separate
There's an
S curved wall that goes back like this to
a blank
wall, and
I get the feeling like...... «*«
Okay.
So the drawing in drawing
3, then,
is interior to
the
building itself
And,
this area out hare to your left
is the room or area that
you would first enter where the silver cans were, and che
room where you're depicting now
is the room where the hostages
are.
You haven’t drawn the rest of the floor plan.
Riaht
No.
1 can't do that because
I don't know bow it works.
All I'm saying is there’s silver cans right outside the interior
of the floatage room,
and there's silver cans right when you
enter the entrance door to the target building.
Now,
there
may be silver cans all over this building, ana that might, be
.hat's throwing » off;
X don't know.
But,
the walls
curved interior wise;
there's no sharp comer..
And, t.»rc
-
like. ..... . .there
' a like two ..sleeping cots or beds back
hoi*-,
I think they're .cots,
I wasn't getting the feeling of being
very high off the ground or
heiftg,
you knew, ««V
*iUn
nr anyth irrti.
They’re more like cots*
and
L had tne fwl
n.,
S.
' 7
... ho wasn't
in. ... .he. . »uh» .two young guys.....
wer;::.eU*n use Y for young. ... .two
on those r&is.
I had a feeling like hejaas^ht
to the
lei t
as you enter^rTroocn-f and
laying his.... ..........
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#01 ;
#66 ;
#01 :
#66 :
#01:
#66 :
#01 ;
#66 :
#01 :
#66 ?
#01
:
#66
:
#01:
What's his name?
Charles
.lanes
.
Okay.
I'll say Charles.
Charles was
just, laying on his
cot,
and reading.
And,
one of the young guys,
I
think,
was_
reading.
You know.
It was like they were just kind
of
laying
around" not doing much,
and there was another cot,
right here.
That was the,
the military. . .uh. . .navy
type.
I don't know
why
I
say that,
but that's what
it feels like, and the rest
of the area was just chairs and a table.
Some boxes and
things.
I don't' know what specifically,
dust clutter.
Clutter over
in this area.
There are windows,
but
I
don't know how many,
and
I don't
know what kind,
but they were up very high,
and there was
windows on this
side.
You know. .... .small.
Okay.
You say,
you say that ..... let me see
if
1 can go
through this with you again.
Do you enter off of
the street
into a room of cans where
the guards are?
Right.
Then you have
a feeling of split
level.
My question
is,
do you go up or
down'?
You go up.
Very definitely go up.
You must go up to get to the hostages?
Yeah.
And........ reason why
I say split level
is
I keep
on...... my left hand keeps telling me it's one storey and
my right hand keeps telling me it‘s two stories.
That's
sort of
a feeling
I
get whenever
I
get split level.
You know.
Off-set rooms where one
is higher than the other , and tnat s
the feeling
I’m getting here.
The gestalt I'm getting.
So
just know that’s probably split level.
Anyway,
that’s
the way that room looks.
Do you want a picture of the room
......with the guards?
Okay.
If you can draw it to
a smaller scale, maybe you can
put
it all together.
Well,
no,
I'm not going to be able to do that.
Because
really don't know how that fits.
Into here.
Yeah.
The hostage room fits into the target building,
bo,
I either find myself
in the hostage,
okay,
working at the
hostage room,
or
I find myself in a room with the guards
looking at that
room.
But,
I don't
t ind myself
walking
from one to the other.
So,
I don’t know how
I get there.
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#66:
Not know how they
fit together?
#01 :
#66 :
#01 :
Right.
I don't know why that's happening today,
but
that * s.
»
»
» .and.
.this one' s like
this. .... .garage
type door.
I get
a feeling like there's a very large
table here,
and you got these
two old.... call
'em U,
sitting there.
You got
T
teenager sitting there.
You
ve
got the
X
in the circle;
you've got one young guard there
,
and you've got two young guards hack here.
Only
I
just
know they're there.
1 can't tell
if
they're sitting
ox
standing.
Okay.
In drawing 4 then,
the
Xs indicate the guards that
are armed.
The two Gs indicate older gentlemen; and the
T indicates a teenager;
and the little circles are the cans.
Right, right,
right,
and then there's these cans just
- piled
all
in the front here,
and
I don't know what they are,
but
I think they're hot.
You know,
I get
a distinct smuggler
feeling when
I see these cans.
Like maybe these guys are
guards" by day and smugglers by night.
You know.
That sort
of
tiling.
Real shiny silver cans,
you know;
almost like,
this stainless steel that's real. » .you know .... this sterile
surgical type steel that you see in a room somewhere.
They're hermetically sealed and they're... I don't know what's
in
'em.
1 didn't really look.
Just a very shiny cans.
#66 :
#0
.1 :
And,
then your feelings,
located
in being Teheran
at all?
again,
about this city that this
is
,
can you elaborate on that feeling
Yfes.'
I
just felt.... yeah
I
the main street,
this being the
the main road went like this,.,
the feeling
like,
. .
. .that's not
ju know,
six city blocks,
comes
like four lanes,
and. , .uh.
.
TRifS
the^bottom right-hand corner
just felt like
area of hostages,
okay,
ended downtown ,
and
I get
very far..... six block
to a big U shaped avenue
this is the main city
rpfrvilfn x i n, l draw , -it-
1 get
this picture that pops
U
uuvvwiii
. j
*
v
.
,
,
in my mind,
like
I'm looking
at; one of those grant stadiums
Get
this kind of picture
#66 ;
Okay.
Now,
stadium is
I'll ask you again,
you
in relationship to those
don't know where this
other things.
#01 :
#66:
#01 ;
No .
I don
' t
.
Only that the picture of the stadium comes to your mind.
Yeah
...It's round!
It's not,,, it's not....,
it's a more rounded oval than we would have
in our, .. .like
our football stadium.
It's more like a baseball stadium
than
it is a football
stadium.
You know
what.
I'm talking
about. . .the difference. . . .the way out
of
the field.
Approved For Release 2000/08/09^553®
7JSR0021 00320001 -4
Approved For Release 2000/08/08
: CIA-RDP96-00788R0021 00320001 -4
Approved For Release 2000/08/08
: CIA-RDP96-00788R0021 00320001 -4
Approved For Release 2000/08/08 : CIA-RDP96-00788R002100320001-4 ; \.. f Approved For Release 2000/08/08 * CIA-RD
m
*
Approved For Release 2000/08/08
: CIA-RDP96-00788R0021 00320001 -4
Approved For Release 2000/08/08
: CIA-RDP96-00788R0021 00320001 -4
Approved For Release 2000/08/08
: CIA-RDP96-00788R0021 00320001 -4
Approved For Release 2000/08/08
: CIA-RDP96-00788R0021 00320001 -4
Approved For Release 2000/08/08
: CIA-RDP96-00788R0021 00320001 -4
Approved For Release 2000/08/08
: CIA-RDP96-00788R0021 00320001 -4
Approved For Release 2000/08/08
: CIA-RDP96-00788R0021 00320001 -4
Approved For Release 2000/08/08
: CIA-RDP96-00788R0021 00320001 -4
Approved For Release 2000/0$
WWT88R0021 00320001 -4
TARGET CUING INFORMATION
REMOTE VIEWING
(RV) SESSION CD-90
1.
(S/NQFORN)
The remote viewer has been exposed to open source news
media information as well as classified overhead imagery and numerous
photographs of hostage personnel.
He knew he would be working against
the hostage situation
in
Iran,
2.
(S/NQFORN)
At the time of this session the remote viewer was shown the
attached photograph,
and was asked to find Charles Jones.
He was asked
to identify Jones'
location
identify any other U.S.
hostage personnel,
and to describe physical security at this location.
Approved For Release 200
-00788R0021 00320001 -4
SGFOIA3 Approved For Release 2000/08/08 : CIA-RDP96-00788R002100320001-4 Approved For Release 2000/08/08 : CIA-RDP96-00788R002100320001-4