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SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION
C3
1.
(S)
This report provides documentation of
a remote
viewing session conducted for training purposes
to enhance
a remote viewer's demonstrated ability.
2.
(S)
There appears to be
some target
. correlation
in this
session.
This was the remote viewer's first session since
returning from SRI
International.
He was
a bit anxious and
had trouble getting started because he couldn't seem to relax
and concentrate sufficiently to develop adequate
imagery.
After considerable effort,
however,
he was
able
to resolve
images
in which he had some confidence
.
Room noise was minimal
and
it did not disturb the viewer.
The
"beacon"
individual
stood
in the parking lot outside the Montgomery Ward shopping
complex for part of the
"on-target"
(OT)
time and part of
the
OT time he went inside the main store.
The viewer was appar-
ently unable
to track
the
"beacon" once he left the outside
area.
The viewer perceived his perspective
as being outside
and focused on what looks
like the automotive center.
3.
(S)
The protocol used for this session
is detailed in
the document.
Standard Remote-Viewing Protocol
(Local Targets)
by Harold
E.
Puthoff and Russell Targ,
November
1978.
4.
(S)
Following
is
a transcript of
the viewer's
impressions
cluiring the remote viewing session.
At TAB A are drawings made
by the viewer reference his impressions of the target site.
At TAB
B are photographs of the target site.
‘thwi—
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TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION
C
#28:
This will be
a remote viewing session
(edited
for security)
PAUSE
#14
is at the target site now.
He
is observing
the area.
Let yourself relax,
concentrate.
.
focus yourself on
#14.
As
#14
looks
at the target,
looks around the area,
simply look at the area
with him and describe the area to me.
PAUSE
Its going to take
a while.
I should have had
a longer cool down,
I
think.
We've got plenty of
time.
Just take your
time.
Got
lots of time.
Just relax.
Just relax and
concentrate
#10.5
#28:
#10.5:
PAUSE
I don't see
.
.
.
PAUSE
I'm seeing
a
.
.
its
a
(not audible)
and its
long
square and
its open
in under
it.
And the impression
I had
it was up on posts.
Not big round,
big posts,
but little posts
like poles.
PAUSE
I feel
the poles don't just go into
.
.
they sit
on something that's white and oblong.
They re
They
stand on something that's white and
oblong and flat on
top.
PAUSE
Coming in clear.
I'm starting to feel better.
PAUSE
+09
#28:
Focus on
# 14
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#10.5:
Mmmmm.
There are at least two things
in under
it
that.
.
.
One seems
to be
in
the middle of this
flat thing.
.
andunder
it.
Like
it
sits on
a
white oblong thing too.
It seems
to be white on
the bottom half and it seems
to be clear on the
top half and then there's one at the other
end.
The
feeling was
that
it was the same thing.
The
one at the
far end.
But there's not one on this
end.
PAUSE
I'm starting
to feel better now;
I'm starting
to get
it back.
PAUSE
+11
Ah,
there
it
is.
Now I've got my light
show,
stand by.
PAUSE
I tried
to clear.
PAUSE
+12
I
see like
a
.
.
looks
like
a round,
low white
thing that stands
up and its got something linear
and dark and frazzled sticking out of
it.
PAUSE
Vertical.
Its
a vertical object.
PAUSE
#28:
Describe your relative position.
PAUSE
#10.5:
I want
to
say that's on the end of
a vertical
plane.
I have the feeling of red or ocre and
on
the right.
.
That's on the
left and on the
right into
that,
I want
to say that there's.
.
Hmmmm.
.
.
two white boxes,
man
sized,
on the right.
They seem to be three dimensional.
The plane
is
two dimensional.
On the bottom there's
a white stripe.
There seems
like
a white stripe on the
face
to me that is
the
end of
a horizontal plane,
but there's the
_ front
edge of the horizontal plane.
But that white
stripe
is
the
front edge of
it.
I think the top
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edge
of that horizontal plane
is also
red.
PAUSE
+14
#28:
Are you alone at this area?
PAUSE
#10.5:
I'm outside.
PAUSE
Ummm.
.
.
No other.
.
.
No people around,
but
I detect motion.
I
feel motion,
I think.
I
want
to
say
I
feel motion behind me.
But not
human motion.
Its
.
.
I have
a peaked roof over
the
square bay.
I
don't know where
it
is and.
.
its white.
The
front of
the
.
.
the front of
the
.
.
.
and under
the roof
is
a bay.
And its dark inside.
But
I only see one,
one dark
square
in there.
The front face of it
is white
though.
And
I had the feeling that
I
could look
through the dark and into light on the other end
as though there might be open on the side away
from me,
inside.
PAUSE
+16
Something extraordinarily tall
for
the area.
PAUSE
I
feel its super tall.
White.
And cylindrical.
But
it tapers
at the
top.
Tapers down
-
small
at the
top,
big at the bottom.
Bottom
is
not.
.
I
feel
the bottom
is square but the thing that
sticks out of
it
is round and it tapers
up.
#28:
Where
is this
in relationship to
the other.
.
.
#10.5:
I don't know.
I had the feeling that it was
like
overlooking this over whatever the hell
it
is.
This rectangle thing
I
first
started.
That
I
could
see
in behind it as though
I was
looking at it
.
it was on the other side of this
fat rectangle
from me and
I could
.
.
.
and like out from its
far corner but then
I
got
a quick close-up of the
base.
It seemed different.
And
I want to.
.
There's
+18
a.
.1 want to
say there's
a fence somewhere
in
there.
I can't really put
it all together.
I don't
really feel
.
.
sufficiently removed from the target
to try
to do an overhead.
I'm afraid I'll
fill
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in the blanks but somewhere
in there,
there's
a
long.
.
.
there seems
to be
a long fence that
S
•
•
PAUSE
I think its the standard hurricane type,
four foot
.
.
it seems
to be butressing.
.
on the other side
of
it,
it seems
to be butressing against
a rising
green curve.
And,
I wanted to say that its
.
.
a
set
in or low wall of some sort which like maybe
makes
the whole thing six feet high instead of four
feet high.
Let me clear
again.
PAUSE
#28:
Describe
to me again some of the first images
you had.
PAUSE
+22
#10.5:
Black shingle roof.
I have the
feeling of black
tar paper type stuff.
Gummy in the
sun.
I got
a feeling of
a projection on the side of structure.
A roof.
A roof
line continues right straight down
and overhangs
as projection farther down.
.
than
the rest of the structure
is the roof
line.
PAUSE
The
top of the roof,
the roof center line
is
straight.
.
.
all
the way to the other end.
I want to say that there's another projection
on the back or the other side.
The roof
line
also overhangs but this
is open somehow.
The
projection on that other side of the structure
is
inclosed.
This one
is open.
PAUSE
No.
It
is not
a continuous roof line on this
side.
Its
a separate roof
line,
its below,
its
like
a little back porch.
. with
a separate roof
dropped below the roof
line but
the
little roof
of it
is
the
same
stuff.
Its
this black gummy
stuff.
Squares.
And it seems that that back
roof has got two tapering sides on it
so that it
goes
up and then across.
It doesn't seem like
its very big.
It
.
.
just seems
like
it only
projects maybe
two or three
feet.
PAUSE
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#28;
What goes on at this
location?
PAUSE
#10.5;
Grease and oil.
Its kept nice,
but
I
.
.
.
feel that
its hard work.
Its
a place of work.
Mechanical,
Not of any.
.
Not much of anything
else
PAUSE
That's ...
I don't know.
What do we
do in
the building?
PAUSE
I
don
' t know
#28;
What's happening now?
Right now,
what's happening
now?
#10.5:
Umiran.
Its rather quiet.
Not
a
lot of
.
.
.
Not
a
lot of anything.
Its
.
.
Somewhere
I get the
feeling of
a curving window.
Like its curving
away from me.
Inside that curving window,
I
see
.
.
.
I
feel
like there's all sorts of junk against
the wall.
The wall
is not too far away.
The wall
is only
.
.
I want to say
a counter on the
left
with something black on
it.
Black rectangular.
Dark.
Counter or something square on left bottom
and then something on top of that and then the
junk goes
to
the right.
But that
.
.
that's only
about ten feet deep from the window to that
junk.
PAUSE
#28:
Are you ready now to draw some of the things
you've had?
#10.5:
Yeah.
PAUSE
I don't know.
I don't know.
It took me about
darn near seven or eight or nine,
ten minutes
I guess
in order
to get my light show.
PAUSE
By that time,
I may have been too
far
gone.
PAUSE
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#28:
How do you feel about your images?
#10.5:
I
feel good about them,
but it just seems
like
I had to work an awful
lot.
I was working
through.
.
that's why
I
didn't ...
I was
working through.
PAUSE
You know.
That's why
I didn't want to draw or
didn't want to try to get an aerial layout of
the thing because
I was,
you know,
trying to take
what
I
got and not put
it together.
PAUSE
Now,
how do
I draw this
thing.
PAUSE
What did
I have.
I had
.
.
okay.
This should
probably be
a little smaller there because
it
was
in the distance.
Okay.
PAUSE
They are
like islands okay.
(Not audible)
islands.
Nope,
in here,
I've
.
.
this peculiar layout
is
that.
.
layout
I have
is that
in this one and in
this
one.
.
.
is where
I had this funny and this
one
up here
is where
I had this funny thing.
PAUSE
All right.
PAUSE
The bottoms of these are white and this
is white.
And this
is open.
But structured.
Okay.
Struc-
tured open.
That's
the best way
I can do
to
describe these two little things that are in under
this
.
.
that are tucked
in under there
.
That
was
first.
#28:
I
see.
Urn hm.
#10.5:
Feeling.
First.
That's white and
I wasn't
actually looking at it from this perspective,
I was
looking at
it
in under like that but in
order
to get the roof
line
in and everything that'
the way
I have
to draw
it.
PAUSE
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Two was
.
.
okay.
Okay.
And this
is
letting
in like
three dimensional thing and this darker
I called
it,
I
forget what
I called
it,
irregular
or something
like that sticking out of
it.
#28:
Um hm.
PAUSE
#10.5:
Okay.
Three then.
.
but what
I
thing.
think
is that
#28:
The
same
as Number
2?
#10.5:
The same
as Number
2 but put it
plane of ocre was
the
feeling.
along
a horizontal
#28:
Ocre?
#10.5:
Ocre.
.
Brown,
burnt brown,
red brown ,
burnt
red brown type off color.
And
I had the feeling
that on the right end of thatplain were two
white man size boxes.
PAUSE
No.
They weren't boxes necessarily.
They were
just simply two white man sized frames
in the
.
.
in two dimension.
Okay.
That's all
I
got.
I didn't get them in three.
I have to watch
myself.
PAUSE
Then that
.
.
out from it was this white
stripe.
And this was
a horizontal
thing.
Also
.
.
Ocre.
And this was
a vertical plane.
That's three.
PAUSE
And I'll put
a little Figure
in that one on
the
left side.
PAUSE
Then
I had this,
I
forget where
I got the
.
.
.
forget what order
is
.
.
you'll have
to check
against the transcript.
Three,
Four.
.
I
got
this
.
.
PAUSE
And there's
dark.
I called it
a bay.
An oversized
door.
Okay.
But this thing.
.
and
it was dark
inside
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PAUSE
#10.5:
All right.
The thing
is that there was light
peeping through
the right corner or along the
right side.
So I'll
shade
it
like
that.
And
I had the feeling that it was
framed light.
PAUSE
Okay.
And that
I
could go right through that
and there was something on the other
side of
it.
#28:
Okay.
#10.5:
Then,
I had the feeling of
a very tall.
.
I'll
draw
it and then
I'll position
it on that
because
I remember you asked me where
it was
PAUSE
Okay.
PAUSE
I really got to relocate that
so
I
can use
the
full
side of the paper.
PAUSE
I'm just going to
do
the same thing;
I'm going
to put it right over here.
Tapering at the
top.
The
lines.
.
the
lines
are,
you know what I'm
trying to draw.
PAUSE
Okay,
this
is round and this
is
square.
Round
is
the way you spell round,
okay.
I'll relocate
that number over there
so.
.1 wanted to say that
Five was
in the background here.
Okay.
So on
Number
One
I'll put in Five here but it was on
the
far
side from this
.
.
from that view.
Okay.
#28:
Um hm.
PAUSE
#10.5:
Then.
.
um.
.
Six was
as though
I was
just
peeking down the roof.
How do
I describe this
one?
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This here would be
the center peak line.
Okay.
Its fairly
.
.
there that's
the way to draw
it.
That,
see
that.
Okay.
That overhang continued
down like
that.
Okay.
But that along the back
of
it there wasn't really that much.
That was
my impression of
a roof line.
Okay,
as though
this was overhanging something down there.
That's
when
I talked about the other end.
And this
is
the dark,
I wanted to
say,
gummy.
Okay,
but on
the back of
it.
.
there
is this type of
a
thing.
Here
is on the back or the other side of
it.
And
there
is
.
.
How would
I
do that?
This
is tilted,
can't believe
it and flat on
the
top.
So I'd end
up with
a line like
this;
a
line
like
that.
Following
a perspective and
a
line
like
that.
Okay
.
PAUSE
What I'm trying
to get across
is that its not
part of the roof line
like this,
its down below
the roof line
like
its
a
little back porch roof
or something that's separate from it.
But its
also black.
PAUSE
Oh,
okay.
First Seven, what I'll
do
is
I'll
draw.
.
Okay,
that's what
it looks
like say from
looking at it from the
front.
#28:
Okay.
PAUSE
#10.5:
JUNCK.
.
.
junk!
Ha ha ha
Come on
left
brain,
junk.
Ha ha ha ha
PAUSE
Said it was
junk.
It looked
.
.
urn.
.
Then this
was
ten feet
to what
is
a
.
.
in the foreground
a curving window.
I
didn't get any bottom base
plate or any bottom rack or anything like that
I was
.
.
I had the feeling
I was
up maybe eight
feet looking
sort of gazing into this room.
Okay.
Okay.
I'll
just draw the
line
there.
Its
as
though this
is glass
in the foreground.
I'll
say
clear.
.
.
#28:
Okay.
Anything else you want to add?
PAUSE
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#10.5:
No.
#28:
What's your confidence level?
#10.5:
Except my
.
.by this afternoon
I want
to try
a little more cool down.
I
thought
I could just
snap back into it but
I
couldn't.
It took me
a little bit longer.
#28:
Okay.
You want
a little more cool down time?
#10.5:
Just to get me reorganized
I
guess.
#28:
Okay.
#10.5:
Change of environment
I
guess.
#28:
Yeah.
That's
cool.
That'll
do
it then.
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TAB A
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C
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n
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TAB B
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