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SECRET
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
NOT RELEASABLE
TO FOREIGN NATIONALS
CLASSIFIED BY:MSG,DAMI-ISH
DATED:
05I630ZJUL78
REVIEW ON:
GRILL FLAME
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SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION D-87
1.
(S/NOFORN)
This report documents
a remote viewing session conducted
in
SG1A
^^g^^^^d^^^^^^^^^^^formation concerning what
is known as
the
2.
(S/NOFORN)
The remote viewer's impressions of the target are provided as
raw intelligence
data,
and,
as such,
have not been subjected
to any intermediate
analysis,
evaluation
or collation.
Interpretation and use of the information
provided
is the responsibility
of
the requestor.
3.
(S/NOFORN)
The protocol used for this session
is detailed
in the document
Grill Flame Protocol,
AMSAA Applied Remote Viewing Protocol
(S),
undated.
4.
(S/NOFORN)
Following
is
a transcript of
the viewer's impressions
during
the remote viewing session.
At
TAB
A are drawings made by the remote viewer
reference his impressions of the target
site.
At
TAB
B
is target cuing
infor-
mation provided the remote viewer.
At TAB
C are analyist comments.
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; -?F
TRANSCRIPT
REMOTE V IEWINS
(RU)
SESSION D-87
TIME
SG1A
SG1A
+03
+06
#66:
This will be
a remote viewing session
for 0900 hours,
16 October
1980.
Relax and concentrate now.
Focus
your attention once again on
that you know
well
by this time.
Focus your attention once again
on the
Move now
in present time to the target area,
ancH/her^ou^e
ready,
describe the target to me.
PAUSE
#07:
I’m at
the gate
#66:
Describe the condition
of the gate right now.
#07:
I was
lookin'
at the fence... Just
a minute
Last time
I noticed that. . .either this
fence or
one nearby
is,
uh... appears
to be masonry up part way,
and
then,
uh,
right
along top of it... get back to the... gate
It's not the same.
It appears to
be,
uh...some type of
obstruction blocking the gate...
#66:
Tell me about this obstruction...
#07:
First
I thought they were metal sawhorses,
but they're
metal.
. .street sign.
. .not. ...
.
Not meant
to physically
prevent entry,
but more as a... a symbol,
a warning.
Do not
pass beyond this point.
Looked like a ladder,
lantern or
some kind of light
on one of the things.
#66:
On which side of the gate are these?
#07:
I
think they're on the street side.
. .outside.
#66:
And where are you when
you observe
this?
#07:
About the middle of the street.
I was having close-up
problems again,
I was too close so
I backed off....
#66:
Look all around these barriers and describe
in
detail the
scene
in front
of you.
#07:
The damn thing
is... it's not very symmetrical,
so it's hard
to describe,
but
it's... open,
uh...free form geometric shapes
a>
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that don't seem to have any rhyme
or reason
that.
. .almost like
somebody piled junk there.
There's somethin'
about the gate...
Oh,
this
goes,
somewhat of
a distance and to my right and
left.
#66:
Are there personnel
or vehicles associated with these barriers?
#07:
But
I
saw a symbolic weapon,
rifle type,
similar,
near here
a
moment ago.
I was sure there must
be
a person attached some-
where,
but
I
didn't... I
lost
it ''fore
I had time to examine
that.
I was movin'
along lookin'
for that lock and
I
saw
a
gun tube right close to
my
face.
I didn't feel threatened,
I
just thought it was.
. .symbolic,
that there are small arms
here for some reason.
#66:
As you stand
at the gate itself and face the street,
describe
the location
of the barriers
in relationship
to the gate.
As you stand at the gate and face the street.
#07:
Well,
now... it,
ten feet over there to my right
is
a... someone
slouching with weapon.
. .guns,
shoulder strap.
Barrier,
one,
two... four paces from,
from,
from the gate.
About four meters
from the
gate.
#66:
In which direction?
#07:
Away from the
gate.
#66:
To the right?
To the left?
Directly
in front?
#07:
Straight ahead,
to
the front.
I never noticed
it before but
it
feels like the,
where the gate
is it's
kinda.
. .indented.
Like
I
think
I see more pavement
in front of me here than
I
do
to
my right and left.
#66:
Move now
to the barriers.
Move and stand among the barriers...
#07:
Yeah....
What about
'em?
I...
#66:
Describe the function
of the barriers as you perceive
it.
#07:
Uh,
to keep people out,
I
don't know.
I...
don't know
whether
it's locals or foreigners,
but
I
just assume
it
is,
uh..
keep
out locals.
I believe there's maintenance around here
somewhere,
I
don't know,
but
I
saw some kind of lantern
on
some
of the stuff.
#66:
Okay.
Stand among the barriers now and listen
very carefully.
I want you
to focus,
looking straight down,
and move 50 feet
off the ground,
so that you might see clearly...
#07:
Okay.
#66:
Now describe. .. .as you
look straight down from above.
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+20
#07:
Looks like
I
got,
got,
got conglamorate,
of,
uh,
linear shapes,
going all different directions.
I
can't seem
to,
uh...make
them logical.
If something is intentionally designed and
constructed
it has order.
This seems
to have little,
little
repetition,
uh,
little order,
little Iodic,
lo-
lo- logic.
It... more
like
a linear stack of... debris.
#66:
Move
down
to 20 feet above the
ground and look around on the
ground...
#07:
Mm... Looks like... not too clean on either side of this area
either.
It's... not clean streets like you would expect...
like things have been either purposely
or casually tossed
around.
Wait
a minute...
There's
a... there's a hole in the pavement
over there about— oh,
it's big enough to put a car through...
into a... cavity underneath,
like
a storm drain
or something.
#66:
Explore this area.
#07:
Stand
in front
of the gate
it. .. (mumble,
mumble)
there.
#66:
Go to the area now.
Go to the hole
in the ground.
Stand
at
the edge
of the hole
in the ground and look down into
it.
#07:
I
see bits
of rods and... bits of rods and pipes.
. .rust,
uh...
cement.
. .Eight,
ten feet deep....
A hole,
hole looks some kinda
...m-m-main burst or something and just.
. .cement seemed old
and rotten.
Does not look like,
uh,
do- do- dos- doesn't look
like
a crater,
it
looks like... like
a hole fell
in
the street.
Maybe
it was
dug through,
I
don't know.
Edges are
rough,
ragged.
.
.
#66:
Move your position
of observation now from the top
of the hole
to standing
in the hole,
and look around you,
and describe it
to me.
#07:
There's
a big pipe down there... at least eight inches
in
diameter with
a big valve... big,
big handle on the valve looks
new,
rest
of
it looks
dirty,
rusty.
There' s .. .there' s
a big
tube behind me.
Down
in this hole
if
I
face... I
face the
buildin' ...the valve
is
in
front of me
to my
right,
and
behind me across this cavity ... there' s
a big tube,
about
a meter
across,
it's- about. ..a meter above the
floor,
it. ..goes away
from
me,
behind me,
it... seems like it had some kind of grating
on
it.
It doesn't seem to hook to anything in... in
this space.
#66:
Are there personnel associated with this hole?
#07:
Uh,
I'll have to look.
#66:
Are you alone
in
the hole?
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#07:
There's two people
down
there.
#66:
Go over
to those-
#07:
About
15 feet to the
1-,
my
left.
#66:
Go over there and find out what they're
doing.
#07:
Not
a
damn
thing.
#66:
What were they doing?
#07:
They're putting,
uh.
.
. .they
' re plumbers,
so they musta been
workin'
on
this pipe here...
#66:
What
is
it you experience that makes you say that?
#07:
It's been
disturbed,
and they
got plumber's
tools.
. .great big
wrenches lying around.
There were some other people in here
yesterday.
'Bout
five of
'em.
I
don't know what they were
doin'.
Funny,
I wouldn'ta thought they wore hard hats,
but
these two guys got hard hats
on.
One of
'em has
a. ..a
light
on top
of his helmet,
and
it appears to be white
or light
in
tone.
#66:
What color are the hard hats?
#07:
It
looks,
looks cream,
light,
almost white.
I woulda thought
it'd been yellow,
red
or somethin'.
#66:
Move close
to them and ask them their reason
for being
in
this
hole. ...............
#07:
It's addition
of something,
adding something...
I
feel that
it
...not,
not electronics.
. .see thing you screw together.
It's
something new,
it's not,
not,
not maintenance,
addition,
modification
#66:
Where does this hole lead?
If you go down in
to the hole,
where does the hole lead from here?....
#07:
Well,
if
I'm facing away from the gate it goes to my right and
left,
and there's
a meter size tube straight ahead that
goes...
I
don't
know,
straight ahead,
wherever that
is.
#66:
This meter size tube leads away from the gate and
the building?
#07:
Yeah,
it seems
to be normal
to the
fence... but,
but,
but
I
don't
feel that it's lined up with the gate.
It's
to the right
over there...
By the way,
I'm standing in
front
of the gate
now.
.
.
#66:
What's the status of the gate now?... What is the security
status of the gate at the present time?
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SG1A
#07:
I saw
a weapon
again....
It must be under.
. .some type
of
weapons protection from somewhere.
I
see
a chain but
I
don't
see
a
lock.
I
don't know what's happenin'.
I've had tremendous
trouble focusing
on the gate... other imagery
in vicinity crisp
and clean .
.
.
#66:
Let's move through the gate now and
on
to
which you know well.
Move through the en
gone through before and describe for me just
inside the entrance
#07:
Just inside the entrance
I
feel
the closest wall
is to my
right...
There's
a desk there to my
left.
#66:
Is there anyone at the desk?
#07:
Behind. .. .No,
there isn't.
I
thought there was,
but desk
I'm
seeing is rather more attractive than
I had remembered.
But
there's no one s-s-s-s-seated,
no one seated.
#66:
Okay.
Listen carefully.
Listen
carefully.
Standing there at
the
desk,
standing
at the desk,
very carefully now,
standing
right
at
the
desk,
ask yourself where
is the person that nor-
mally sits here.
Where
is he now?
#07:
I
don't have to ask.
He's standing over there talkin'
to
someone right over
there.
But he's not seated.
#66:
Move
to him and eavesdrop
on the conversation.....
#07:
Ha-ha-ha-ha-ha...
It's not important...
#66:
What
is
it that you sense that makes you
say this?
#66:
Mmm...
I'm trying
to listen
in on affairs
of state and... and
the guy to the right's talkin'
about
a new baby and showin'
pictures.
Dark-haired
kid.
#66:
Describe the dress of these two individuals.
#07:
One to the right
is,
uh...it's not
a western
suit,
it's a...
primarily tans,
but
I'm having trouble getting.
. .shape on
the.,
the way
the clothes hang,
but it's definitely not,
uh,
not
a
western
suit.
The man
that belongs at the desk
is
in... dark
trousers,
and
I think it's
a white shirt affair.
Seem
to have
some kind
of,
uh,
some kind of hat
on.
#66:
Is he armed?....
#07:
I
think
so.
There's
that,
uh,
air about
him.
I'm having
trouble focusing
on his body,
but
I... I
don't see
a weapon but
I
feel that
he is armed.
#66:
Okay.
Now as you-
c* r*
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+42
#66:
Move very,
very close to him and explore his national allegiance
at
a subconscious
level.
As you
do this ask him his name,
PAUSE
#07:
He's
got
a hell of
an ego... I
asked for
a name and all
I
see
is,
uh... Arabic writings
in
the air over his head...
He,
he,
he doesn't have any strong political feelings,
but,
uh....
something,
something about
pride.
#66:
Have you seen the Arabic writings
over his head clearly enough
to reproduce them?
#07:
Oh,
gosh,
no,
they... it's
too abstract.
#66 :
Okay
.
#07:
I
can't really.
#66:
Okay.
I want
you
to relax and concentrate now and we will
explore this from another perspective.
Relax and search his
person
for
an
identity
card.
Search his person
for an identity
card,
and
I will turn the tape over now while
you relax and
concentrate and search his person for
an identity card.
#07:
I was
tryin'
to
go through his wallet
Des Moines,
I guess
that's
Iowa,
I
don't know,
Iowa.
I
don't know what the hell
that means.
I
saw
an identity card that,
uh,
looked terribly
western... a business
suit,
uh...a mustache,
shortish hair,
conservative
cut.
. .and.
. .western writing letters.
Down
on
the
lower
right
is
a... either somebody's crazy signature
or... some-
thing
in Arabic.
Card doesn't seem to be standard size.
It
seem to be slightly smaller than... than my identity cards.
#66:
Where
is this on his person?
#07:
It was
a little brown leather wallet
like thing.
It,
uh-
#66:
What's the color
of the card?
#07:
I
thought
it was kind of
a... a blue-green or something.
Tried
to pin
it down,
but
it wasn't
a bright blue.
I have trouble
with blue and green anyway ... .pale.
By the way,
there's some
...background somewhere
is some...
#66:
Describe the-
#07:
Engraved pattern,
you
know.
#66:
Describe the upper left portion
of the identity card
#07:
I
see layers like peeling back the layers
of sheet the pages
of
a book,
like lamination.
I
see green page overlaying.
. .but
there's
a unique number there....
I
gotta back off.
I'm so
T* JGT
\
s
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#07:
damn close
I
can
only see
a small portion
at
one time...
I
can
1 1 back off
.
#66:
Hold
it
in your hand so that you might use your normal vision
to see
it.
#07:
There's somethin'
here that disturbs me...
#66:
What
is
it you're experiencing that disturbs you?
#07:
I backed off to hold this thing
in my hand and... I
looked to
see
if he was aware of what
I was doing... and
I
saw
a big
side with.
. .stalks and grain overlaying
it and it reminded me
of the hammer and side
that*
and
I
saw
that instead
of seeing
him.
I
don't
know,
just thought
I better dump it
'cause
it
disturbed me.
I
don't know where
I saw this,
but
I
looked
to
see him and
I
didn't see him,
I
saw... silhouette,
it was brown
against the light background.
. .came back to
the wallet.
The
photograph appears to be further to the
left.
And more space
at the bottom of the photograph than there
is
at
the top.
But
I'm still seeing some kind
of stamped number,
which does not
have the crisp clarity
of other printing
on the card.
+55
#66:
Read this stamped number.
#07:
Ah,
hell,
I
can't read numbers.
#66:
Simply tell me what
it
is then... or ask him what
it
is
#07:
I
don't
know,
I
sense that this stamp also
overlays the...
overlays the photo somewhat.
. .and the ink appears.
. .purple
lavenderish kinda color.
But
it definitely looked like
a stamp
that had been....
I'm having trouble conversing with
him.
Try again.
#66:
Ask him where he was born....
#07:
Someplace with snow.
. .someplace with snow.
#66:
He's shown you
a picture of where he was born?
#07:
I asked him
a question and
I
saw this
image.
I
don't know
where
I
got
it.
#66:
Tell him that this
is
the image you saw and that
you need
a
further explanation ....
#07:
Okay
Ah,
he was probably born
in
the United States.
Sure to hell don't look
it.
#66:
What
is
it you experience that makes you
say this?
#07:
I,
I got him years ago
in
a school.
. .eight or ten years old
that sure looked American to me.
I first thought that maybe
he was educated
in the United States.
I
keep getting either
Darmouth
or Yale or somethin'
like that...
Good knowledge.
o ct
i"\L-
i
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+65
#07:
The fact
I
saw him
in
a... what looked like American school...
eight
or
ten years old makes me believe that he didn't come to
•
the United States to
get educated.
I assume the kid
I
saw
running around was
him,
#66:
Before,
when
you asked him his name you saw
letters,
Arabic
letters above his head.
Tell him that this
is what you
saw
and you'd like him to spell it
for
you
in English
#07:
He can actually think
in Arabic,
he doesn't
just speak
it.
Can calculate
and.
. .develop logical concepts .. .in Arabic
I'm sorry,
I... I
just can't make his name
important
to me.
#66:
Turn-
#07:
I
felt there was an
"F" somewhere in the first,
maybe the
first letter
of,
I
don't know,
his first or last name,
I'm not
sure.
#66:
Turn now to the man who normally occupies the
desk.
Turn now
and focus your attention
to the man who normally occupies the.
desk.
Move close to him and ask him what
is the normal function
of this building.
What goes
on
in this building?
What
is
this building's normal everyday function?
#07:
Right now it's.... his most important function seemed to be...
some kind of communications...
I feel
it.
. .something
to
do
with interface,
business ventures
of some kind.
Some kind
of
coordination.
.
.
.
#66:
This communications aspect,
ask him for further explanation of
this.
Tell him to explain this
to
you...
#07:
I
feel that. ....... (mumbling)
would be considered routine
business
traffic,
seems to be interlaced with other forms
of
...interlaced with other data...
It is not apparent....
#66:
What form of communication
is this?
#07:
There was radio and wire.
. .primarily radio.
. .no.
. .at least
I
see antenni.
.
.
.
#66:
And what about the most important aspect
of this
phase right
now,
right now?
#07:
This phase of what?
I
don't understand.
#66:
This communications,
this radio,
this wire.
What
is,
what
is
the most important aspect you've said that right now there was
something that was going
on
that was
important.
You examined
the function
on
a normal
basis,
a normal day-to day-
#07:
Oh,
I'm sorry,
I
thought
you were... where was
I...
Oh,
yeah...,
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#07:
I seems
to convey information about the state of affairs.
. .pulse,
attitude
of the peoples of the area,
and information pertaining
to U.S.
interest.
There appears to be attempts to... make
the
information.
to keep the information from being vulnerable
to local intercepts.
I try to... I
can't... some
of this
effort
is formating...
Apparently
ne\i/ equipment.
. .apparently some
kinda new something .. .has been recently installed
to make this...
easier,
more efficient
or something.
I
feel
that,
I don't know
why
I
say this... I had
a very strong feeling that some modifi-
cation,
some small component
or something has been.
. .recently
brought
in and installed.
Have no idea about concept of what
the hell
it
is.
#66:
What
is
it you experience that makes you say this?
#07:
It's almost
like someone standing
in the side lines when
I'm
having
a conversation with someone.
Keep interrupting me with...
information
that... is not part
of our conversation.
It's an
awareness.
It kept interrupting and intruding
on... on my effort
to talk with this
gentleman...
#66:
Move now,
move now from the desk,
and on throughout the wall to
the northeast corner of the building.
Move now from the
desk,
on through the wall
to the northeast corner
of
the building...
Now describe the room you're
in.
#07:
I haven't made
it yet
I saw some kind
of
ring
and.
. .strong,
strong magnetic
field.
I
felt... just
for
a moment that
I....
something about very accurate focusing
or aiming
or something...
Something about reduction
or something about.
. .minimal side
lobes
or.
. .apparently
local intercept would
be extremely diffi-
cult.
Intercept must be some distance away before
it can occur...
I'm getting very tired now and
I'm going to to piss myself.
#66:
Okay.
Well,
let's,
uh,
end the session now.
I want you
to
remember
very clearly what you've seen.
Remembering very clearly
now,
bring your attention,
focus back on me here
in the room.
Move your arms,
move your legs.
Breathe deeply several times.
Admin note:
The control analyst requested two drawings
of
the
viewer.
There will be no narration
for these drawings.
Approved For Release 2000/08/07
: CIA-RDP96-00788R000300910001-9