datamatters24/research-document-archive huggingface dataset:
Approved For Release 2003/09/10
: CIA-RDP96-00787R000200070004-1
Objective Analysis
RV #2
Baylands Nature Preserve
Approved For Release 2003/09/1 0
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320001-8
INSCOM
GRILL FLAME
PROJECT
SESSION REPORT
CLASSIFIED BY:
Director,
DIA
REVIEW
ON:
31 May
EXTENDED BY:
Director,
DIA
REASON:
2-301-C
(3)
(6)
proncf--'
GRILL FLAME
Approved For Release 2000MQCIPAe[lP96-00788R000900320001-8
P96-00788R000900340001 -6
INSCOM
GRILL FLAME
PROJECT
SESSION REPORT
CLASSIFIED BY:
Director,
DIA
REVVEW
ON:
31 May
EXTENDED BY:
Director,
DIA
REASON:
2-301-C
(3)
(6)
Approved For Release 200
?1
96-00788R0009003
Approved  For  Release  2000/08/10  :   CIA-RDP96-00787R000300080001-2 
VJ  VI/ 
g 
g 
Final  Report 
Covering  the  Period  October  1982  to  September  1983 
FREE  WORLD  PSYCHOENERGETICS 
RESEARCH  SURVEY  (U) 
November  1983
Approved For Release 2000/08/10
: CIA-RDR96-00787R000300140001-5
CO-ORDINATE REMOTE VIEWING (CRV) TECHNOLOGY
1981-1983
THREE-YEAR PROJECT
DRAFT REPORT
Progress Report No, 1 Covering the Period 28 January to 1 March 1974 Stanford Research Institute Project 3183 PERCEPTUAL AUGMENTATION TECHNIQUES by Harold E, Puthoff Client Private _. Approved For Release 2000/08/10 : CIA-RDP96-00787R000100010004-1 /¢
Approved For Release 2001/03/07
: CIA-RDP96-00787R000400040021-3
SEC. CL.
DATE OF DOC
DATE^EC’D
date out
so
iNSE DATE
CONTROL NO.
CROSS REFERENCE
POINT OF FILING OR
]
TO
FROM
SUBJ.
COURIER NO.
ROUTING
DATE
SENT
ANSWERED
NO REPLY
Approved For Release 2001/03/07
: CIA-RDP96-00787R000400040021 -3
Approved For Release 2003/09/11
: CIA-RDP96-00788R000900490001-0
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Approved For Release 2003/09/11
: CIA-RDP96-00788R000900490001-0
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Referral Review by NIMA/DoD
The coordinates designating this
target,
38 degrees,
minutes,
seconds.
North
-
degrees,
20 minutes,
seconds.
West,
indicate
the Gateway Arch,
a
630
foot tall
monument known
as
the Gateway
to
the West.
The Gateway
Arch
is
located in
St.
Louis,
Missouri and is adjacent
to
the Mississippi
River.
Approved For Release 2003/09/11
: CIA-RDP96-00788R000900490001-0
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900520001-6 i Approved For Release 2000/08/07 : CIA-RDP96-0078 900520001-6
a denn othe ann edie inns aii na oa AAA ia bn a nt NA ee ENE th Approved For Release 2000/08/07 : CIA-RDP96-00788R000900520001-6 Po Approved For Release 2000/08/07 : CIA-RDP96-00788R000900520001-6
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900520001-6 TAB B Approved For Release 2000/08/07 : CIA-RDP96-00788R000900520001-6
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900520001-6 TAB C Approved For Release 2000/08/07 : CIA-RDP96-00788R000900520001-6
Approved For Release 00D RAR ELE RDP96-00788R000900520001-6 POST-SESSION INTERVIEW REMOTE VIEWING (RV) SESSION XXV 1. (S) Post-session interviews are conducted after the completion of a session to provide the selected remote viewer with the opportunity to express himself concerning his viewing experience. 2. (S) #44 was depressed about this session because he thought it did not measure up to his previous sessions. He was able to determine, during the visit to the target after the session, those aspects of the target which matched his impressions. #44 is anxious to conduct another session and work harder for better target correlation. 3. (S) #66 sensed some hostility on the part of #44 prior to and during the session. The psychological atmosphere of this session was not favorable. Tempers had flared prior to the session and during the session #44 appeared to be uncomfortable and tense. Approved For Release TIM MAYE CIA. RDP96-00788R00090052000" -6
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900520001-6 { ’ | | | | Approved For Release 2000/08/07 : CIA-RDP96-00788R000900520001-6
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i
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Approved For Release
-RDP96-00788R000900520001 -6
SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION XXV
1.
(S)
This
report provides documentation of
a remote
viewing session conducted for the purpose of orienting
a
remote viewer to the protocol which will be used
in the
remote viewing training program at Stanford Research
Institute
(SRI),
Menlo Park,
California.
2.
(S)
The impressions
of the remote viewer during this
session show only minor target
correlation
from an objec-
tive point of view.
The session,
however,
was very valuable
in that
the remote viewer learned
a great
deal
about
the
dangers of "noise"
or analytical/fantasy clutter
in the
remote viewing process.
Because there
are some very mean-
ingful target correlations
in this session the remote viewer
is sure he "found"
the right
target but became disoriented
by "noise".
3.
(S)
The protocol used for this session was modified
from that which will be used
in later training.
The
protocol
to be used
in later training
is detailed in the
document,
Standard Remote- Viewing Protocol
(Local Targets)
by Harold
E.
Puthoff and Russell Targ,
November
1978.
This session's protocol was modified
in that
a randomly
generated,
preselected target was not
used.
In lieu of
a
randomly generated,
preselected target
the "outbounder”
or
"beacon"
simply chose
a site which,
in his opinion,
was
unique and identifiable.
4.
(S)
Following
is
a transcript
of the viewer's
impres-
sions during the remote viewing session.
At TAB
A are the
drawings made by the viewer reference his impressions
of
the target
site.
At TAB B are photographs
of the target
site.
At
TAB
C
is
a post-session
interview.
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-RDP96-00788R000900520001 -6
TRANSCRIPT
REMOTE VIEWING
(RV) SESSION XXV
TIME
#66:
This will be
a remote session.
(Edited for
security
.
)
PAUSE
#66:
Okay,
#6.5 and #39
are now approaching the
target.
They
are observing the target.
.
.
interactng with the target.
.
.
Look at
the
target with them and describe the area
to
me.
PAUSE
#66:
(not
audible)
PAUSE
#44:
The shape.
.
.
that.
.
.
is like
.
.
the.
.
.
curve
shape of
a
.
.
.
a
.
.
.
caterpillar 955
bucket
loader bucket.
On an
arm.
The shape
is
dark and the background
is
light.
And
it
feels
up and
it
feels heavy.
Call
that Drawing Number
One
.
#66
:
Okay
.
PAUSE
+04
#44:
Hmm.
Number Two:
A shiney aluminum.
.
.
a
shiney aluminum shape that
feels up
as
if
it
might be
a
lamp post,
light post,
or something
that was
.
.
a
.
.
.
Ah.
.
.
the same sort of
a shape
as the bell of
a trumpet.
It
feels
vertical
.
PAUSE
#44:
The shapes
are very hard to describe
today.
Number Three:
a.
.
.
The sort
of
a shape.
.
I
can't describe
it.
Ah.
.
Two half-round
+06
devices that
looks
like
it might be the top of
_
a ladder.
But
a
.
.
a chain ladder
like
in an
escape
ladder.
Ah.
.
they’re dark and they are
Approved For Release 20
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9 Approved For Release 2000/08/07 : CIA-RDP96-00788R000900470001-2 a Approved For Release 2000/08/07 : CIA-RDP96-00788R000900470001-2
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+10
IA-RDP96-00788R000900520001 -6
on
a white.
.
.
edge of something.
About
.
.
.
chest
high.
I
conceive
it
.
.
I
can
see that there
is
a top surface
to
that.
The
white
area.
Now,
I've
lost
it
again.
PAUSE
All
right.
I
get
the feeling that #6.5 has
something
in his hands that he's
looking
at.
Not
the camera.
PAUSE
Urn.
.
.
He seems
to be standing with #39
to
his.
.
.
#39 on his left and he's holding
something
in his hands
and talking to #39 about
it.
That may be analytical but
I wish
to drop
that
one.
I
had the feeling they were
inside.
PAUSE
#66:
You're doing very well.
Go
on.
PAUSE
#66:
Tell me more about the target
#44:
Now,
I
feel
inside.
.
.
It doesn't
feel outside
PAUSE
#44:
They
wall
would be standing
of the
inside of
against the
the place.
left-hand
#66:
Um hm.
#44:
Then
I
got
an impression.
.
I
got
a feeling
that there's flourescent
lights.
White ceiling
.
.
.
What number am 1 up
to for drawings?
#66
:
Four
#44:
Four.
Call Four
an angle
like
a bench.
But
not
a bench.
It might be
a display.
It
appears
to be
light colored.
PAUSE
#44:
Just
for
fun,
I'm trying to
go back to the one
described as Number Three.
PAUSE
Approved For Release 20Qfl
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Approved For nelesne AE GH e prmrrenes.007887000900770001-8 TIME #14: #8.5: #14: +05 #8.5: +06 +08 TRANSCRIPT REMOTE VIEWING (RV) SESSION XCIII This will be a remote viewing session (edited for security). PAUSE We are doing a grid coordinate today from the target pool. The target is 3-8 and I'm now opening the outer envelope and I have an inner envelope inside with a set of coordinates. These coordinates are: 48 degrees, 6 minutes, 40 seconds, North 121 degrees, 7 minutes, 0 seconds, West. PAUSE Would you repeat that. 48 degrees, 6 minutes, 40 seconds, North 121 degrees, 7 minutes, West. PAUSE Very high. Its going to sound like a repetition of you, but I've got a coastline. I'm looking North. Water to the left. its very green. The terrain is green and the vegetation. PAUSE Excavation. . At least its bare earth and. . . bare earth. Stone. PAUSE Rough terrain. Highest terrain to the North. PAUSE Green hill in the distance. PAUSE Approved For Release 200 ERPS TIN: s7.000800770001-8 Le
8R000100350002-2 Approved For Release 2000/08/07 : CIA-R DP96-0 YY Ldvd as iH dad Ol freusnacn 5 saraveneag hurd Man Saui9o He Se be Be Pg AIOE. Lil A] Re, oe we Oo Approved For Release 2000/08/07 : CIA-RDP96-00788R000100350002-2
8R000100350002-2 Approved For Release 2000/08/07 : CIA-R DP96-0 ees sprucio! dN = 3 av freusnac 5 Saraveneeg kuld MAN = -~-- Sauron ge = Tj Approved For Release 2000/08/07 : CIA-RDP96-00788R000100350002-2
Approved For Release
1 '^^JEQRC'T U-'
11111
Two.
.
That would be Number Three.
.
This.
.
.
Two.
.
.
This would be Three.
PAUSE
Come on brain,
work!
I guess.
.
.
Hmmm.
.
.
PAUSE
Three,
I
think.
I'm still concerned with the analytical question.
Continuing fight against analytical overlay and
what I'm trying to
do
is
say that there
are times
when
I get pictures that come
in.
.
If you had
a
35MM slide projector,
and you projected on
a screen
andyou had
a TV screen side by side,
the images
on the TV screen would be different than the image
- even
if
I had the
same picture
- but
the quality
of
the image and the sense of
the image would be
different.
.
depending on
the way the image was
created.
That's what I'm trying to
say.
The way
the image was created
in my mind
is different from
one
to the other and I'm trying to see
if
I
can
develop a sense of which one's right and which
one
' s wrong
#66:
Urn hm.
PAUSE
#44:
(Not audible)
And what
I was doing with the plus
and minuses was when
I was trying to do that was
to grade the images
as
to whether
I thought they
were real or not real.
I've given up that because
it doesn't work.
It just does not work.
I don't
think
I had anything else.
#66:
Okay.
Fine.
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TAB A
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Approved For Release 2000103 SRR Foroors37000900620001- #7.53 Okay. Where is this pole in relationship to everything? #27.5: I don't know. I don't know. But I just sense that there's nothing around the pole. #7.53 Okay. #27.5: Nothing at all around it. Wait a minute. There is something. Over. . I sense. . some kind of a pit, water pit, but not a formal water pit. Maybe a big, deep puddle. Near the pole. But, why I say pit, is because the edge's kind of go down into it. That's all. That's all I can see around the pole. #7.53 Okay. That'll do it then. Approved For Release 2000/08/07: 5 -00788R000900690001-8
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n
n
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_~ Approved For Release 2000/08/07 : CIPS R DSS AONB ROR ODN A2 >»
Approved For Releas*
i -m*
tl
IA-RDP96-00788R000900520001 -6
+ 12
+15
#44:
See
if
I
can
find more about
that
one.
PAUSE
Okay,
I
feel
like
I need to back up from
where
I
am.
.
.
and
go
to the right.
PAUSE
#66:
Describe the area to me.
PAUSE
#44:
I
haven't
found
a thing yet.
.
.
Moving around
for me
is.
.
in this
area,
is somehow like
driving
in one of those bumper
cars.
You
don't.
.
you sort of
.
.
its awkward to move.
Its awkward to
drive
around.
PAUSE
#44:
You don't always wind up where you're trying
to go and right now I'm trying to back up and
turn
to the right.
'Cause that's where
I
think the thing was.
PAUSE
Okay.
I
think
its still
inside.
I
think
its
.
.
.
Another piece of that Number Three puzzle.
.
.
seems
to be
.
.
partition.
.
not very wide,
that
runs
ac.
.
.
across the table
top.
If you
call
this thing
a table
top.
When
I
get
to
drawing,
let's
call
that
and 3a because
I'm
not
too certain that
I
have the same object.
PAUSE
Okay.
I
have another shape that
I
don't
understand.
Wonderful.
.
Um.
.
This one
is.
.
darn
it!
I
don't have
any trouble seeing the
images.
I
have trouble describing the shapes.
The geometrical shapes
that
I'm getting are not
curvilinear more than rectangle solids.
PAUSE
Okay.
Let's just
say
a hand held
in that
position.
Whatever.
.
.
remember that
gets
up
to
the.
.
.
But
it
is white.
.
.
and
it
feels hard.
Fairly good sized.
I'm wondering
Approved For Release 20dQ£]
-RDP96-00788R000900520001 -6
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8.
I
n
r
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TAB B
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ornnrT
Approved For Release 2000/08/0QEBwBi6-00788R000900690001-8
ORCON/NOFORN
INSCOM
GRILL FLAME
PROJECT
SESSION REPORT
CLASSIFIED BY:
Director,
DIA
REVIEW
ON:
30 Jun
EXTENDED BY:
Director,
DIA
REASON:
2-301-C
(3)
(6)
Approved For Release 2000/1
GRILL FLAME
96-00788R000900690001 -8
000 , Scale 1:250 20 Statute Miles 30 Kilometers 15 Nautical Miles CONTOUR INTERVAL 100 FEET TRANSVERSE MERCATOR PROJECTION iew by Referral Rev NIM A/INoD
20 Statute Miles
30 Kilometers
15 Nautical Miles
CONTOUR INTERVAL 100 FEET
TRANSVERSE MERCATOR PROJECTION
ii)Q4!l62l6
i :'C A RDf*96^ol788Rl
Referral Review by
NIMA/DoD
00788R0001 00030001 -8
yiiL i
ORCON/NOFORN
INSCOM
GRILL FLAME
PROJECT
SESSION REPORT
CLASSIFIED BY:
Director, DIA
REVIEW
ON:
Sep
EXTENDED BY:
Director,
DIA
REASON:
2-301-C
(3)
(6)
Approved For Release 2000/08^^^ip^l|&6-00788R0001&IULL FLAME
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: CIA-RDP96-00788R000900520001-6
Approved For Release 2000/08/07
: CIA-RDP96-00788R000900520001-6'
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: CIA-RDP96-00788R000900520001-6
c
•^A
c
Approved For Release 2000/08/07
: CIA-RDP96-00788R000900520001 -6
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900520001 -6 / i / Approved For Release 2000/08/07 : CIA-RDP96-0078 900520001-6
nrnni-T
_
Approved For Release 20001ggT!QJ^npKDP96-00788R000900660001-1
SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION XX
1.
(S)
This report provides documentation of
a remote
viewing session conducted for the purpose of orienting
a remote viewer
to
the protocol which will be used
in
the remote viewing training program at Stanford Research
Institute
(SRI),
Menlo Park,
California.
2.
(S)
The remote viewer's
impressions during the session
showed a great deal
of correlation
to
the
target.
The
remote viewer was
less nervous before
the session
than
he
was^on
his previous
session.
He appeared to have no diffi-
focusing his attention during the session and
eX
+
+K ted
- a
<
rontro]4 ed state
of physical relaxation through-
out
the viewing period.
The remote viewer was somewhat
isappointed that
he did not
"bring back” more information
targ^:
He was
’
however
>
elated with what success
nhi?
ld
h
^Ve \
Thls
. remote viewer
has
an extremely deep-seated
philosophical
cognitive structure which has
as
its very
oundation
the concept
that
he
is somehow more than simple
”iatter
(i
- e
-
flesh and blood).
Because
of
this,
he
teels that remote viewing
is not
a strange,
super-human
or
paranormal
event but
an attribute of his true IdentUy
as
being m reality something more
than his physical body.
The
remote viewing phenomena
is,
therefore,
perceived by him to
be quite natural
and he expects himself
to be able
to remote
Uo
e
r^
tar
f
et
DTraS easily
as watching
a movie or reading
a book.
He
accepts RV sensory data to be
as normal/natural
as
the
five corporal
senses.
The protocd. used for this session and which will
be used
in
later training
is detailed
in the document
Standard Remote-Viewing Protocol
(Local Targets)
by Harold
E.
Puthoff
and Russell
Targ,
November
1978.
4.
(S)
Following is
a transcript
of the viewer's
impressions during the remote viewing session.
At TAB A
are drawings made by the viewer reference his impressions
°,.^ he
d +
^
1 ^ e
'
At
TAB B are Pholographs of the target
site.
At TAB C
is
a post-session interview.
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TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION XX
TIME
#7.5:
This will be
a remote viewing session.
(Edited
for security.
)
PAUSE
Okay,
#15.5,
#6.5
is now approaching the target
location.
He
is
looking
at
the target ...
He
is observing the
target.
.
.
.
Let yourself relax
and concentrate.
.
.
Simply
look
at
the target
with #6.5.
.
.
and describe
it
to me.
PAUSE
+05
#7.5:
Tell me about your impressions of the target
area
.
PAUSE
#7.5:
Its
five minutes past
now.
Just
relax.
.
.
#15.5:
Jumble of
images.
And
I
don't
think
I've got
anything.
#7.5:
That's
fine.
Just
relax.
.
.
and concentrate.
PAUSE
#15.5:
Okay.
.
.
Urn.
.
.
The impression
of
a short
set
of stairs going down.
Fairly wide,
three
high,
four high,
something like
that.
.
.
with
a hand
rail
on the right hand side.
PAUSE
#15.5:
Then
I
get the feeling of
a
hard.
.
.
shiney
,
irregular surface.
.
.
with,
maybe
a low wall
around
it.
Ah.
.
.
on the left ...
if you
went
down the staircase, ...
a flatish area
and then you’d walk ahead ....
PAUSE
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Approved For Release oun AREA Ss corserocosoo720001-4 SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION XLIV 1. (8S) This report provides documentation of a remote viewing session conducted for training purposes to enhance a remote viewer's demonstrated ability. 2. (S) The remote viewer's impressions during this session showed several meaningful correlations to a site contiguous to the designated target. The remote viewer was able to adjust to the change in on-target time with minimal disturb- ances. He was very relaxed and appeared able to concentrate. He had several very clear images which he was able to describe very well. 3. (S) The protocol used for this session is detailed in the document, Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated. 4. (S) Following is a transcript of the viewer's impressions during the remote viewing session. At TAB A are drawings made by the viewer reference his impressions of the target site. Photographs of the target site are on file in GRILL FLAME Session Report Number XLVI. Approved For Release 20000% a " “4 KD? 96-00788R000900720001-4
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#15.5:
A low white thing around
it.
.
.
I
can't
possibly define the
image.
The surface
of the
shiney thing
is irregular.
#7.5:
You're
ten minutes
in now and you're doing
very well.
#15.5:
It.
.
.
PAUSE
#15.5:
A bench.
.
.
I
had the feeling,
early
on,
that
its
inside.
.
.
and not
outside.
.
.
That there
was
a set
of glass
doors.
.
.
#7.5:
Go
on.
PAUSE
#15.5:
Just before
I started the glass doors
I
had the
feeling that there were people around.
.
.
PAUSE
+13
#7.5:
Tell me about
#6.5' s location.
PAUSE
#15.5:
Can't
(not audible)
PAUSE
#7.5:
Describe your images
to me.
PAUSE
+15
#15.5:
Okay,
describe
.
.
(long sigh).
.
.
PAUSE
#7.5:
You're fifteen minutes
in now.
Stick with the
target.
Let
it
come.
PAUSE
#15.5:
I
need more of the
(not
audible)
(DRAWING)
.
.
.
PAUSE
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