RDP96-00788R000900930001 -1
SUMMARY ANALYSIS
REMOTE VIEWING
(RV) SESSION
IX
1.
(S)
This
report provides documentation of
a remote
viewing session conducted for the purpose of orienting
a
remote viewer to the protocol which will be used
in the
remote viewing training program at Stanford Research
Institute
(SRI),
Menlo Park,
California.
2.
(S)
The target
impressions related by the remote
viewer showed some target
correlation
in
a few cases.
On
the other hand,
several of
the target
impressions
and viewer
drawings
did not
relate
to the target
at
all.
The remote
viewer appeared to be very relaxed during the session.
Prior to the beginning of the session he stated that his
sister was near death and that he was unsure whether or
not
he would be able to concentrate.
He was provided the
opportunity to cancel the session but he wanted to continue.
3.
(S)
The protocol used for this session and which will
be used
in later training
is detailed
in
the document,
Standard Remote-Viewing Protocol
(Local Targets)
by Harold
E.
Puthoff
and Russell
Targ,
November
1978.
4.
(S)
Following
is
a transcript of the viewer's impres-
sions during the remote viewing session.
At
TAB A are
drawings made by the viewer reference his
impressions of
the target
site.
At TAB B are photographs of
the target
site.
At TAB C
is
a post
session interview.
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TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION IX
TIME
#66:
This will be
a remote viewing session.
(Edited for security.)
PAUSE
#66:
Okay,
#36,
its now time
to relax;
expand your aware-
ness.
#1 and #20.5 have arrived
at
and are observing
the
area.
Look
at
the
target with them and describe
the area to me.
(Edited
for
security.
)
PAUSE
#36:
It doesn't make sense.
I
see
a black or white
ladder
coming straight vertical and curving
at
the
top on
the right
of my
view.
#66
:
All
right
.
#36:
I
see
a cluttering clump and then
to the
left.
It
don't make sense because what appeared to be
a shadow
of the ladder was
also white.
#66:
Don't
try to make sense;
just describe what you
see.
Just
the
raw
images.
PAUSE
#36:
I
see
a portion of
a big circle.
It
appears to
be overhead in front of
me.
I
don't know the
scale.
It appears
to stick down
from;
it appears to stick
down about the same distance
it
is wide.
And,
in which direction
.
.
(not
audible).
.
.
#66
:
Okay
.
#36:
Ah.
This appears to be patterned.
Ah.
.
.
.
Now
its
gone.
PAUSE
+04
#36:
Okay.
Pure garbage.
Ah ...
On the right where
the ladder was,
the
lower right
hand corner of this
thing was
a lily
like
a jack-in-a-pulpit
facing
to
the
left.
PAUSE
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#36:
+05 #36:
#66
:
#36:
+06 #36:
#66
:
#36:
+08
#66
:
#36:
#66
:
Must be one hell
of
a scene.
(not audible)
PAUSE
Okay.
On the
left portion of the scene,
and
I
don't
know the
scale;
I
only see
a portion of
it;
its shiney.
It
looks
like
the handrail
of
an escalater.
Except
it
was coming
at me
in the horizontal plain rounding off
about
two
feet
to my
left.
Are you outside or inside?
Well,
it
could be
inside.
PAUSE
I. ...
I ...
.
again.
I,
above
that,
looking
slightly
to the right,
I ...
I
really don't know
what
it
is.
I
saw something that's shaped like the
crinolins
of
a tannish,
buff,
maybe pink
dress.
Lots
of bell-shaped —
I mean
lots,
like stacked,
like the
stacked crinolins.
That's
gone.
.
.
You are doing very
good.
You are describing shapes
to me.
That's very good.
That's
all
I'm seeing
is garbage
shapes.
Garbage
shapes.
.
.
I
.
.
.
there's something wrong.
Somethings
wrong,
I
just
can't
see
all
of anything.
I
saw some-
thing
I
recognized very,
very.
.
.
however
it
is shown
straight
ahead of me but out
of
scale.
Much
larger than
it should be.
I
saw the portion
of
a galvanized bucket.
The seam was towards
me.
I could see
the bail going
into the side and just
disappearing.
I
could see where
the bail had hooked.
Its garbage.
There's
just
all
kinds of stuff flying around.
Not
flying but
just
coming and going.
It
doesn't make
sense,
but
I
saw
a tined garden rake on my
left;
tines facing to the
right.
And,
about
a foot
an one-half of
the handle.
And,
there was green on the handle.
On the tope of the
handle.
I
can see the ash color
of the handle but
ah ...
.
PAUSE
Just
relax and let
it
come.
Let
it
come.
Hell,
you wouldn't believe half of
it.
Just describe what you
see.
ernnrr
uLUILL I"
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#36:
You don't want
it.
There's
a plastic Santa Claus
mask lying on something on my
left.
Now that
don't
make sense.
I
see
a portion of
a sculptured
- on
my
left
-
its off
the
floor
-
a sculptured,
rust
colored
-
rug,
is what
it
looks
like.
#66:
You don’t have
to tell me what
it
is,
you just
.
.
#36:
I
don't know what
it
is.
PAUSE
+10 #36:
Okay,
it
seems stupid though.
I prefer to talk
in
ah
.
.
.
shapes with picture
frames. ...
we
can talk about
forms.
Ah,
half way up the right
side of
the
frame,
just
inside
the
frame
are pipe
shapes,
tubing shapes,
three of them have
a bend on
them that
ah ...
I
see one that's
(not
audible)
.
.
.
God,
they're sharp;
the pictures
are sharp
.
.
.
Under the buttles,
the smaller tubes,
there
are
four
of
them,
they
are tied together with twine string
it
looks
like ...
in bundles of about
twenty.
What's
that
got
to
do with Santa Claus?
#66:
Don't
analyze
now.
Just
tell me what you see.
Don't
analyze
#36:
Ah.
.
.
its
awful hard not
to associate.
In analysis
tell them its garbage.
I
see
a
"Y"
shaped thing
right
in
front
of me.
It
looks like
its two pieces
of tubing together.
Oh,
its
sharp.
Ah.
.
.
imagine two pieces of tubing standing
vertically side by
side.
They
are stuck together.
If you'd take the top of them and peel them apart
far enough down you make the shape of
a "Y"
.
Now
if you leave the same two tubes,
bend the bottom away
from you;
now you've got
a
"Y" with the bottom facing
away
from you with rubber tips on
it.
That
is very
sharp.
.
.
Its garbage.
.
.
There's nothing like
that.
.
.
.
Its
got
a punched hole
in
it
;
I
can see the
dimple.
Its
chrome.
PAUSE
#36:
I wish
I
could stop thinking what
it
is.
There
is
a
big pipe coming
in
from
(not
audible)
end of the frame
pointing up to the
.
.
just
left
of center.
It
is very
large
in
diameter,
roughly
-
I
don't know the scale
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I would guess
1/2 or
feet
in diameter but
at
least
its approximately
1/5 the height
of
frame
in diameter.
The height
of the frame
(not
audible).
Now,
the way
I
see the
frame,
I'm looking through
for what
its worth,
is antique
oak,
there
are carved
oak leaves and acorns
in the upper
left hand corners.
Very
attractive.
But
nice
(not
audible).
#66:
Focus your attention on the target
area.
PAUSE
#66:
Let yourself move outside
the target
area.
Let
yourself
go right outside
the target
area.
Back
away from the target
area,
further
away,
turn and
look back down
at
the target area and describe what
you
see.
PAUSE
#36:
Okay.
There's
a stack.
Like
a giant stack standing
up.
(not audible)
Spokes radiate downward from
it,
maybe
at
a 45 degree
angle and then they disappear.
.
.
I
also cannot
see
the base of the tube or the stack or whatever
it
is.
It
looks like a stack.
.
.
An angle on the top;
bicycle
spokes.
(Not
audible).
.
45 degrees and downward dis-
appearing.
#66:
Is this outside?
#36:
It
looks like smoke around the bottom of
it.
Or
clouds,
or ...
I moved up.
.
.
(whispering)
.
.
I
.
.
.
its hard to determine what portion
to give you and
what portion not
to.
Only give
so much.
I
gotta
go
back up ...
.
PAUSE
#36:
I
keep seeing
large scale
things.
I
recognize.
.
.
I
saw the
a
front wheel of
the
1980's.
I mean
a
.
.
.
1890 's bicycle.
I
saw
a woman dressed
in brown.
Looked like she could be from
a
.
.
.
the
desert area of the world ....
I
can't
see her
face.
PAUSE
I know
I
should find
a building,
but
I
can't
see
one here
.
PAUSE
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#66:
Okay.
.
.
.
Now
its time
that you
.
.
.
think about
drawing some of the things you've told me about.
.
.
talking about
drawing.
#20.5 and #1 have
left
the
target
area now.
So
that when you
feel comfortable
that you review the
images
in your mind,
just
sit
up
and draw some of the things that you
saw.
PAUSE
#36:
Okay.
.
.
PAUSE
#36:
I wish
I
could rest
like
at
night ....
Oh God,
the
images are
still
coming.
#66:
While you draw,
you can review the images and
.
.
.
#36:
(DRAWING).
.
.
First,
I
saw.
.
.
then there was
a
white.
.
.
exactly like
it
going away from
it.
That was
first.
This came up second.
.
.
.
#66:
Good.
#36:
Now that was
a
.
.
.
.
don't even know
if these
are
same
scene,
because when this
came
on,
this disappeared.
.
.
.
I was looking at both from the bottom.
PAUSE
I
kept. ...
I
saw many,
many pipes
in different
configurations.
.
.
.
Some
of them looked like they
were the same way,
this
angle.
.
.
.
And they had
a
cover over them.
Then
I
saw
a bundle of three and
they were bent.
.
.
.
Then they seemed to get corregated.
The stacked up ...
a ...
I
first saw them on this
angle and then they were coming
at me from this way and
then there was
a thing
in the end of the bundle,
they
were going away from
it
that way.
.
.
This big pipe
had
a band around
it.
.
.
.
(not
audible).
.
.
This
thing,
I
couldn't see below,
down
here.
.
.
I missed
the
first
drawing.
.
.
which seemed to be up this way.
I was looking
at
it
from
a
(not
audible).
And
it had
...
I
couldn't
see
inside of
it.
.
.
I
don't know
what
it
is.
.
.
PAUSE
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#36:
Ah
.
.
.
(DRAWING) ...
It
looked like the
.
.
.
ah.
.
.
very high rise bicycle wheel.
.
.
Back over
there,
I
saw
(not
audible).
.
I described
a bucket.
PAUSE
Um.
.
.
there's
a woman with
a maroon and this
was pinkish
.
.
.
No,
.
.
.
that's
it.
#66:
Okay,
that’s
fine.
#36:
It makes
no sense.
#66:
Put
a Number Ten on that
last page there and that
will complete
it.
#36:
Okay.
#66:
Okay,
good.
Well,
I
think we had
a pretty good
session
.
#36:
Gosh,
I
don’t know.
It seemed like
a sheer disaster
to me
.
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TAB A
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