Approved For Release 2000/03/08
: CIA-RDP96-00789R001 600860001-0
REMOTE VIEWING SESSION DATA
*** ************************************************************
*
6f
*
*
Remote Viewer
:
*
*
*
*
Interviewer
: £b
*
*
*
*
Observer (s)
:
:
:*
*
*
*
*
*
*
*
Date
: /A/bL/K2
*
*
*
*
Starting
time
:
0$/(p
hours,
local
*
*
*
*
Site
#
07,??
*
*
*
*
Site Acquisit .
:
^RV)
ERV
PRV
ARV
BRV
Other
*
*
*
*
Working Mode
: (gt)
hem
Other
*
*
*
*
Feedback
class:
A
(§)
C
*
*
*
*************************************** * * **********************
***************************************************************
*
*
*
*
*
Ending time
Notes
:
hours,
local
*
*
*
*
*
*
Highest stage
:
S7_fJ
*
*
*
*
Evaluation
•
+•
*
*
*
***************************************************************
***************************************************************
*
*
*
Actual
site
:
M T
*
*
*
*
RV summary
:
*
*
•
*
*
•
*
*
"
*
***************************************************************
Approved For Release 2000/08/08
: CIA-RDP96-00789R001 600860001-0
SG1J Approved For Release 2000/08/08 : CIA-RDP96-D0789RRN1 Sy0860 TL —- PF 1b AF? sq! KJ A. Slogihg Sf tufve 69055 HOVE r / A BokT 24° STV MASS OK. ‘ty 54 ol a Around) OF S4'N — Approved For Release 2000/08/08 : CIA-RDP96-00789R001600860001-0
Approved For Release 2000/08/08
: CIA-RDP96-00789R001 600860001-0
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Approved For Release 2000/08/08
: CIA-RDP96-00789R001 600860001-0
Approved For Release 2000/08/08
: CIA-RDP96-00789R001 600860001-0
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Conf St-
Approved For Release 2000/08/08
: CIA-RDP96-00789R001 600860001-0
Approved For Release 2000/08/08
: CIA-RDP96-00789R001 600860001-0
SESSION COMMENTARY
SGI J
MORNING SESSIONS
Moun t a i n
s i t es
I
c: a n
' t
h e 1 p
t h i n k i n g
t h a t
a c q u i r I n g
t h i s
s i t e
shou 1 d
h ave
b ©e n
mor ©
s t r a
:i. g h t
f or war c:i
,,
I
g ©t
t h ©
f ©© l i n g
t h a t
.1.
am
1 r n
L h ©
‘'taking
a half
step backward before taking two forward
mode',.
My
unconscious
is
g rap pi ing
with ways
to render more complex
i d eog r am s
a n d
m y
c on s c i ous
i s
g r ap p 1 i n g
w i t h
wa ys
t o
t r an s 1 a t e
these complex
ideograms-
Noise,,
which
at the start
of
this week
was on the upswing
is finally starting
to
ebb-
At
firsts
thought
the noise was due
to my
PI
condition
of
the
week,,
which
d i d n
‘ t
s©e m
r i q h t
my
p ©r i o d
d o©s
n o t
a d v (•»? r‘ s© 1 y
a f f © o t
an y
o 1
\ © r
part
of
my
life's activities-
I
believe the noise was due
to
a
sor t
o f
r e b © 1 1 i o n
o n
my
on ©c i ous
'
p a r t
Ulh a t
i s
t h i s
' t h i n g
'
impinging
on
me,
why don't
I
have control
over
it:;
I'm supposed
to have control
over
al 1
i ncomi ng
i nf or mat i on
„
The feel i ng
of
the
si qnal
1 i ne
i s rather
overwhel mi ng
especi al 1 y the constant
c on f us i on
o f
' t h e r e
i s
so
muc h
rnor e
i n f or ma t i on
t h e r e
,
wh y
c an
‘ t
I
un d er is t an d
( t r a n s I at e )
i t
'
»,
Ca
.1. 1 i n g
b r* ea k s
f o r
myse 1 f
h as
I") © 1 p ©d
t o
d i ss i p a t e
t h e
n o i se
,,
B r ea k s
ar ©
a
w a y
of
g i v i n g
\ ©
c on sc i ous
some
sor t
o f
c o n t r o 1
o ver
t h e
p r o c ess
( b u t
n ot
t h e
i nf or mat i on
>
«
I
am
mor ©
on -~s i t e
( b
:S. 1 o c at i n g
)
t h a n
I
used
t o
b e
H
Wa t © r f a 1 1
s i t e s
Th ©
w a t e r f a 1 1
s
:i. t ©
ag a i n
d emon st r a t ed
t h ©
se
.1. f
c:: or r e c: t i n g
features
of
the
ideogram,,
I
still
hate calling
a
B«
or analyzing
the results
at
the
end-
I
hate guessing •
I
want
to either
know
or don't
know what
I'm dealing
with,,
and
stage
I
in
some cases
is
n o t
a 1 1 ow i n g
rne
©n ou g h
i n f o r ma t i o n
t o
ma k e
w h a t
I
f e© 1
i s
a
st r o n g
s t a t eme n t
a f
w h a t
t h ©
s> i t e
i s
.,
A 1 1
g uesses
st i 1
J.
primarily based
on
the fact
that
it
is
a stage
site
and
therefore
limited
to
a small
number
of
options-
If
I
must draw
c o n c 1 us i o n s
ab ou t
a
s i t e
>,
I
wan t
t h e m
b ased
so J. © 1 y
on
t h e
r a w
d a t a ,
w h i c h
c ur r en 1 1 y
i s
st i 1 1
q u i t e
sp ar se -
Now
,
h av i n q
c h i 1 d i sh 1 y ven t ©d
rny
op i n i on
I
w i 1 1
s t a t ©
t h at
I
r ec og n i z ©
t h ©
anal yt i cal
process
i s another
f or m
of
f eedback
and programmi ng
for
the system,
giving
it
a greater vocabulary to work
with.
The most
i nteresti ng feature
of
th i s morni ng
was sketch i ng
t h ©
s i t ©
a t
t h e
en d
an d
h av i n g
t h e
s i g n a 1
1 i n ©
r easse r t
i t s© 1 f
t o
correct
the drawi ng -
The process was much
1 ess
i mpeded
than
my
normal
ideogram generation because since
I
was drawing
I
was
in
r i q h t
b r a i n
mod e „
A I so
,,
s i n c ©
I
wasn
' t
© x p ec t i n g
an
i d ©ag r am
my
h a n d
wa s
n o t
t en s©
«
Ma n
rn a d e
vs
n a t ur a 1
i s
s t i 1 1
© 1 us i ve
tJ
t houq h
t od a y
1 ear n ©d
that the feeling
of
man-made
is not
a feeling pulled
out
of
c ur r en t
on
s i t e
t i me ,
i t
*’ s
a
f ee 1 i n g
t h at
n eed s
t o
p u 1 1 ed
out
f r o rn
a c r oss
t
:i. me ,
f r om
man
' is
r e 1 at i o n
t a
t h e
s i t e
over
t i me -
At
some
p o i n t
a
s t r uc t u r e
w a i;r>
b u i 1 1
b y
rna n
„
Approved For Release 2000/08/08
: CIA-RDP96-00789R001 600860001-0