SUMMARY
ANALYSIS
REMOTE
VIEWING
SESSION
856
1.
(S/NOFORN)
This
report
provides
documentation
of
a
remote
viewing
session
conducted
for
training
purposes
only.
2.
(S/NOFORN)
The
protocol
used
for
this
session
is
detailed
in
document
GRILL
FLAME
Protocol,
AMSAA Applied
Remote
Viewing
Protocol
(S),
undated.
3.
(S/NOFORN)
Following
is
a-transcript
of
the
viewer's
impressions
during
the
remote
viewing
session.
At
TAB
A
are
drawings
made
by
the
remote
viewer
reference
his
impressions
of
the
targeted
site.
At
TAB
B
is
the
target
cuing
information.
4.
(S/NOFORN)
Post
analysis
on
target
viewing
indicates
the
viewer
had
a
considerable
amount
of
correlation.
Attention
is
invited
to
Report
857
on
the
same
target.
The
viewer's
attitude
was
positive.
This
was
the
first
session
with
a
new
interviewer
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RELEASABLE
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TRANSCRIPT
REMOTE
VIEWING
SESSION
856
# 66
:
#25:
# 66
:
#2 5:
# 66
:
#25
#66
#25
#66
#25
#66
This
will
be
a
remote
viewing
session
for
0900
February
1982.
Relax,
relax,
relax,
relax,
just
relax,
relax
and
concentrate
solely
and
completely
on
your
target
for
this
morning.
Relax,
relax,
relax
relax.
Focus
solely
and
completely
on:
degrees,
minutes,
seconds
North
115
degrees,
13 minutes,
seconds
West
Concentrate,
concentrate
on
the
target,
and
describe
the
target
to
me.
Road
,
PAUSE
crusting
a
hill,
desert
road.
Yes
.
Keep
wanting
to
make
it
in
ah,
Huachuca,
and
I'm
fighting
that
back.
Don't
talk
to
me.
Keep
thinking
about
the
target.
PAUSE
Mountains
to
the
right.
Good
.
Valley
to
the
left.
Mountains
beyond
the ... .beyond
the
valley
on
the
(mumble)
mountains,
‘It's
just
like
I
sat
down
on
a desert
road.
Nothing
around.
Tell
me
about your
position
of observation.
Standing
on
the
road.
Move
straight
up
500
feet
and
describe
the
scene
below you.
Take your
time,
and
tell
me
only
about
the
target.
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# 25
:
# 66
:
# 25
:
# 66
:
# 25
:
# 66
:
# 25
:
# 66
:
# 25
:
# 66
:
# 25
:
# 66
:
# 25
:
# 66
:
# 25
:
Blue
truck.
(Mumble)
Relax
for
a moment
and
listen
to
the
sound
of
my
voice.
As
you
look
down
on
the. target
now
consider
the
focal
length
of
your
viewing
lens.
You
may
change
the
focal
length
or
change your
altitude
to
better
see
the
target.
Do
so
now,
and
describe
the
target
to
me.
PAUSE
Square.
It's
a
fence,
a
square,
chain
linked
fence.
Trucks
on
the
outside
of
the
fence.
Slab,
slab
of
concrete.
It's
got
doors
in
it,
and
lying
flat
on
the
ground.
Describe
the
terrain
around
the
target
to
me.
PAUSE
It's
a
desert . ^
Describe
the
foilage
around
the
target
to
me.
Sparce.
It's
ah....
I
got
a
pair
of
cactus,
.
(mumble)
cactus.
The
other
bushes,
I
don't
know
V
what
they
are.
I
can't
describe
either,
tried.
Look
at
the
target.
Perceive only
the
target.
As
you
perceive
the
target,
tell
me
of your
position
of
observation.
I'm
getting
two
views.
Describe
them
to
me.
One
is
off
to
the
corner
of
the
square,
and
one
is
directly
above
the
square.
Focus
now
on
the
target,
focus
now
on
the
target,
and
describe
the
color
of
the
square
to
me.
Sandy
color
inside,
red,
coral
like. ..dark
on
the
outside
the
square.
Describe
the
activity
of
the
target
location
to
me
Men
(phonetic)
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#66:
I
have
no
further
questions
concerning
the
target.
I
would
like,
now,
to
give
you
a moment
to
examine
the
target without
question
and
without you
needing
to
report.
Do
so
now.
PAUSE
#25:
I
think
it's
underground ... acti vi ty
' s
underground.
#66:
All
right.
Remembering
the
perspectives
you've
had,
remembering
the
perceptions you've
had
concern-
ing
this
morning's
target.
. .review
the
imagery
in
your mind
and
remember,
remember
clearly,
cleanly
and precisely
all
that
you
have
perceived.
_
And,
prepare
yourself
now
to
draw
those
perceptions
you
have
had.
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REMOTE
VIEWING
SESSION
856
(DRAWING
NARRATIVE)
#25:
Okay.
I'll
describe
the
drawings
now.
Drawing
is
a
scene
that
I
first
saw when
I
heard
the
coordinates
and
sort
of
lit
down
on
the
ground,
and
it
was
right
here,
at
this
road,
ah,
with mountains
to
the
right,
mountains
in
front
of
me
and
a
valley.to
the
left.
And,
I've
drawn
a
little
arrow
over
here
indicating
the
direction
from
here
that
I
thought
the
target
was.
So,
I
came
down
some
place
and
had
to
move
to
the
target,
because
I
wasn't
right
on
the
target,
I
don't
think.
#66:
What you're
saying
you
found
something
interesting
to
the
right
of
the
road
which
you
eventually
described
.
j
r
4^
#25:
Well,
this
road
I
recognized/I
thought
as
the
road
to
Ft
Huachuca
from
Vincent.
And
then
I
went
over
to
the
target
which
was* over
to
the
right.....
and
I'm pretty surethat
I
overlayed
the
target
in
there,
and
made
it
one
of
those missile
sites
right
along
wi th ........ the
one
that's
closest
to
the
road
to
Ft.
Huachuca
there.
Drawing
is
a
picture
of
what. ..a
drawing
of
the
target
a
fence
I
tried
to
make
a
fence,
I
tried
to
draw
in
the
concrete
pad..
I
tried
to
draw
in
the
doors
that
I
saw
on
the
concrete
pad.
#66:
At
what
time
did
you
perceive
drawing
2.
I
had
asked
you
to
go
up
in
the
air
somewhat.
You
talked
about
a
concrete
pad.
Is
this
before
or
after
you
went
up?
#25:
This
is
ah
...I
can't
draw
a
perspective
on
here,
but
if
I
held
a
finger
right
over
the
top
of
the
page
as
that
indicating
the
top
of
the
drawing
from. ..ah. ..perpendicular
to
the
pen
I
had
...ah...
two
images
when
you
asked
me
to
go
up,
and
that
was
...one
was
up
and
one
was
right
where
I'm
looking
now
.
.
.
. ah
.
.
. sort
of
off
to
the. ..bottom
corner
of
the
target.
And,
they were,
they were,
either
simultaneously
or
happening
one
right
after
the
other.
Really
fast.
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#66:
Am
I
to
understand
then,
that
you
perceived
the
target
from
some
altitude?
#25:
Yes.
Ah...
I
did.
The
horizon
is
drawn
in
the
line
above.
This
was
a
higher
elevation
This
was
lower
down
here.
Okay.
And,
drawing
is
kind
of
a
sketch
of
the
overhead
in
its
relation
to
where
I
felt
like
I
landed,
which
was
probably
one
to
two
miles
from
here.
#66:
Okay.
.So,
you
came
down
on
a
road,
and
then
perceived,
what you
thought
was
the
target,
off
to
the
right.
#25:
Over
there.
Yeah.
#66:
Okay.
#25:
And,
went
there.
#66:
Okay.
At
least
there
was
something
interesting
over
there
to
look
at
as
opposed
to
this
road.
Because,
you
had
first
said
there
was
nothing
out
there.
-
#25*
There’s
af tower
shape
over
here.
''I
should
probably
draw thatY-Mt. JIZ s
: xm t
. wTFTere
* s
nothing
there.
It’s
like. ..long
abandoned.
And
that’s
it.
. ,v, . „,***,•-
':KM
#66:
Okay.
Anything
further
you
want
to
add?
#25:
No.
#66:
Well,
I’m
not
sure
that
it
was
a
good
session.
I
felt
like
I
overlayed
most
of
what
I
saw,
and
right. ..it
was
right
out
of
memory.
#66:
At
what
time
did
you
get
this. ..the
memory
connection
or
this
overlay
feeling?
#25:
As
soon
as
you
read
the
coordinates
and_I
saw
the
image
I
drew,
or
attempted
to
draw
in
drawing
1.
I
realized where
it
was,
and
then,
at
the
same
time
realized
target
was
to
the
right,
and
then
I
just
painted
in
the
target
as
being
one
of
those
Air
Force missile
sites.
#66:
Okay.
Prior
to
that
then,
what would
your
raw perceptions
then
of
the
very
first
things,
before
you
had
some
sort
of
memory
recollection.
What
type
of
terrain
that you
had
landed
on
and
so
forth.
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# 25
:
# 66
:
# 25
:
# 66
:
# 25
:
# 66
:
# 25
:
# 66
:
# 25
:
#66
#25
#66
Okay.
There
sparce
It ms- desert.
It
was
arid
or
dry.
vfas~ not
sparce
vegetation.
. .there
was
vegetation.
What
was
the weather
like
at
this
time?
Clear
day.
I
didn't
notice
any. ..the
sun
shining.
Sunny,
blue
sky.
What
are
those
four
things
you
want
me
to
report?
What
are
they?
Just,
generally
speaking
you
said
you
had
a
land
mass
area.
Yeah.
Desert,
land,
mass.
Okay.
A*"-"
And,
these,
these
things
then,
you
perceived
before
you
had
some
sort
of memory
trace
or
interference
in
analysis
there.
Yeah
.
It's
a
difficult
thing
to
fight
because
you
always
want
to
analyze
it,
and
your
brain. is
more
than
willing
to
compare
it
with
all
available
informa-
tion.
Yeah,
and
that's
just
what
I
painted
it
into.
Oust
quickly.
So
fast
that
I
couldn't
control
it
at
all.
Aha.
Anv
other
comments
you
would
like
to make?
No.
Okay.
That
will
do
it
then.
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