Approved For Release 20UU/UG?@f=a -00788R000800430001-7 ORCON / NOFORN GRILL FLAME PROJECT SESSION REPORT copy 2 sf Z CLASSIFIED BY: Director, DIA DECLASSIFY ON: 31 Dec 99 EXTENDED BY: Director, DIA REASON: 2-301-C (3) (6) GRILL FLAME Approved For Release-2000/08/07 -GIA-RDP96-00788R000800430001-7 eum ae crea ecpeemtet a ~ pesanmeana
ee PEE gy ee Approved For Release 2000/08/07. CIA, DP96- 00788R000800450001W §° SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION 1. (8S) This report documents a Remote Viewing (RV) session conducted in compliance with a request from SOD, J3, OJCS, Pentagon, Washington, D.C. The purpose of the session was to provide information relevant to the hostage Situation in the U.S. Embassy compound in Teheran, Iran. 2. (S) The remote viewer's impressions of the target are provided as raw intelligence data and as such have not been subjected to any intermediate analysis, evaluation or collation. Interpretation and use of the information provided is the responsibility of the requestor. 3. (8S) The protocol used for this session is detailed in the document, Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (5), undated. 4. (8S) Following is a transcript of the viewer's impressions during the remote viewing session. At TAB A are drawings made by the remote viewer reference his impressions of the.target site. At TAB B is target cueing information provided the remote viewer. OR Ps Wy Ee ey Approved For Release 2000/0 aor re IA nie BE’ iDP96- 00788R000800430001 Te ected ee intent a
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800430001-7 TRANSCRIPT REMOTE VIEWING (RV) SESSION CCS1 #6.5 This will be a remote viewing session (edited ; for security). - PAUSE Ok #08, it's time to start the session now. For the last few minutes you have been concentrating on a photograph of an individual. The name of that individual is Malcolm Kalp. I want you to relax and focus your attention on the location of Malcolm Kalp and describe that location to me. _ Relax and concentrate on Malcolm Kalp and describe his location to me. PAUSE #08 There's a great..small wall..on the wall's a +02 (mumbling) fence. It's a...it's a long wall. Part of the wall is about 2 feet of brick and there's a..a..a brass sign on the post..crates...and there's some Arabic writing, or something. It's all curvy. PAUSE #6.5 Tell me what it says. #08 I can't...it's got tails and stuff... #6.5 What? . #08 It's got tails and stuff. . #6.5 Relax, relax and concentrate on Malcolm and describe the area where he's located. +05 #08 ig yard. There's..uh..like a white driveway.. crushed stone driveway. It leads to building wilh arches and posts. #6.9- Is there anybody in this big yard? #08 No. No. (Mumbling)There's a couple 978 Othe porch but that's not him. #6.5  ~ Tell me about the “sopie 6 on the “porch. oo eaten Approved For Release 2000/08/07 : Cla-RDP96-00788R00080042091 7
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800430001-7 +08 +11 +15 #08 #6.5 #08 #6.5 #08 #08 #6.5 #08 #6.5 #08 #6.5 #08 #6.5 #08 #08 Mustache and a dapkest. one is better dressed than the other...opem shirt and other guy's (mumbling) like ..uh..1ljKe only fatiques...trown. There's a corridor infide. There's frange hanging lamps in the coptidor. I..uUberthink I got him. This quy's....quy's at in office. Like some function area, or § ing. Doing well. Now, relax and tell me from what perspective you're seeing things right now. I'm at the door looking in and....very comfortable atmosphere....a..big wooden desk..shinny dark : furniture. Very...very self-satisfied with himself. ; Who is? - Him. There's a big window behind him. Go ahead inside. Move away from the door and tell me what you see. Inside where? - Inside the building. Move away from the door and tell me what you see. Like..uh..a long corridor. Want me to go to the entrance, or what? All right. All right. This guy's in the room I know that, ok. Ok, now. The conference rooms's next to him and..uh..from the door, facing in, there's a hallway big wide ” hallway. Glass..... mirror type on either side : .-big offices there..... ‘ Walk down that hallway you told me about...walk down the corridor and look in the rooms and tell me. if there's anybody in any of the rooms. Yeah. Lots of..about 7 or 8 people (mumbling) common (phonetic) people. Keep on going down the corridor. All right. PAUSE (Mumbling) not that far. Looks like small offices. a % rie i Approved For Release 2000/08/07 : CIA-RDP96-00788R000800430001-7 stone na RPE REP t ed Se ah ee seer ~T
eiaieehneatiialeamnmaneinene Approved For Release 2000/08/07 : CIA-RDP96-00788R000800430001-7 #6.5 #08 #6.5 #08 #6.5 #08 #6.5 #08 #G.5 #08 +20 #6.5 #08 #6.5 #08 #6.5 #08 #6.5 Anybody in there? Yeah. Wait a minute. Clerical. There's..uh.. there's an important office there. What makes you say that? Tell me what you see that makes you say that? Very plush. Very, very plush. Uh..maybe..uh.. maybe all those draperies...big desk. Have you (not understandable) Malcolm yet? PAUSE He was in the first office but he's not there. Ok. Tell me how large this building is that you're in. Gosh. God. I'm only looking at half of it...that's about...got to be approx...overall about..uh.. 200, 250 feet. This is all...this is all Arabic. This is all Moslem. How tall is this building? yer nm, Q ‘One, ope stony ds very, very curvy (mumbling) Got the impressjén of curves..uh..domes. when you walked\inside- Tell me how tall it is. Ugh...The corridor is about four times the height of a man...three times, maybe...three times, four times the height of a man's height. I want you to relax now. Relax. I want you to change your perspective. I want you to go up in the air. 1,000 feet up and look down this building and tell me how I could lecate this building. Tell me about area around this building. Let me start lower and then I'll work up. Ok. Go up about 300 feet . All right. (Not audible). Look around. Tell me how I ean find this building. _Approved For Release 2000/08/07 : CIA-RDP96-00788R000800430001-7 _
-seemanaramercmnteninanettaten en Approved For Release 2000/08/07 : CIA-RDP96-00788R000800430001-7 #08 #6.5 #08 #6.5 #08 #08 #6.5 #08 #08 #6.95 #08 #6.5 vot jOk. I'm in the vicinity» went straight across ! OK. It's..uh..that dam thing is distracting me. Stay on.. Try to relax. Try to relax. to the right a it...a man. building...a big dome.}) s leading up to sg it. That's hat I “vanted to say. building. I keep getting the impression that 2 right before a kind of a horseshoe..uh..curve. ou are having alot of trouble wi noise outsidé.wT snotupiow. tet me ask you one last question. From looking up there, can you see the big yard that you talked about earlier? It's similar, but, the yard I saw before was in back. This one's in front. What? The yard I saw before was in back. this one is in front on the street. Do you see that big — “OK. It'S €Goarded. io ae ..big in back an in front. Ther a street street in front. (Mumbs ang. ) Is there anything of interest in any of the yards that you see? PAUSE OK. When I first got there I got the impression I was in front of people, all right. But, they ...they're not excited. They're just there. OK. n the back (pause) I get fleeting impression... ignitaries. I can't tell (mumbling) may be 10.4 may be 15. OK. I think it's time (not audible) Yeah. It keeps coming. Just relax and we'll ..we'll call it quits for now. Relax and we'll sit up and do some drawings here, ok. weet an oo sc eg met os Approved For Release 2000/08/07 : CIA- RDP96- ‘so7esRoc0so04socpt- 7
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800430001-7 #6.5 #08 #6.5 #08 #6.5 #08 #6.5 #08 #6.5 #08 #6.5 #08 Ok. Hopefully, that snowplow will be quiet for awhile out there, and we can see if we can get some of your impressions down on paper. Ok. I don't care if it takes 10 drawings. I'm going to do one at a time because they were very prominent at the beginning. Ok. I had at first... Want to use one of those pens? Oh, yeah. I'll push it down because those are hard to maneuver. Ok. Impression I got went something like this and it was a great....a gate....great and there were twa huge columns; something like this. If you...tape is on.. Yes. Tape is on. And then...what this was....was a small wall....right. Took off to the right and left for quite some distance. That amazed me....and ...had kind of...kind of a wrought iron fence here..-.- all right....this was brick. (Mumbling)...same thing on the other side. I knew you wanted me to go after the personality. The most vivid thing that I had was a sign there. I think it was on both posts and this was....that's why I kept trying to describe to you..tails...no way I could...1 was looking for an English translation or what have you and these..... see one....and I thought it was Arabic. And, beyond this was sort of a Light ad colored driveway. Almost like crushed stone...gravel light...grayish...light white and this head to this house. The front of which I will draw next. When you talked about the crushed stone driveway.... Because it was a bit-unique. It was again in the middle of the yard. Is that where the big yard is? Yeah, yeah. This is all yard here and the building I saw is quite recessed in somehow. Estimate to be 50, 60 feet...there's no way I can tell...but, this _..this was close to the street here....this was a gate of sorts...this was prominent...I don't want to gay Arabic....but that's what it looked like. or & _Approved For Release 2000/08/07 : NST nw
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800430001-7 #08 Certainly wasn't easy, ok....(mumbling) is very strong, ok. This..... #6.5 That is diagram number one. , #08 Yeah. This..... extended quite fareecese : #6.5 Ok....the valk | #08 Yes. Both ways. Both ways. Like when you asked me the length of the building I was trying to put in 40 feet duplex ...the building...trying to measure it -seand little bit difficult....ok....so0 that extended ta the yard.... Then, the second impression was the front of the building. and it was with arches like this, ok...and, under these arches were posts of sort. Much nicer than I can draw. Ok. And, there were several of those..... a whole bunch...ok...and this... #6.5 In the front of the building? #08 Yeah. This was kind of a porch here, ok...and these two guys ...you asked me to describe...one was at the bottom...kind of a steps...he's the guy with the brown military type apparel...and this was the better dresse sal ~ " individual, ok. #6.5 What do you mean by that? #08 Uh. wees suit. Business suit (mumbling) Now, this, this is a porch and a walkway at the same time, and, in here seems where your windows were, ok, something . like that, whatever. fhis was a door. Qk. : ~ #6.5 Where's the door that you went in? 3 #08 Right here...and then I went to the left. : #6.5 Ok. First you just stood in the doorway, for a while. #08 I wanted to get te -Ehe guy and I made a special effort to get to the guy, and it was just like somebody dropped me right in front of the stupid gate. Right here. That's about the best I can do. Something of this nature. #6.5 Ok. But, even when you got to the door, you mentioned to me, you said you. were at the doorway. #08 Yeah. But, it was the door to the yard right in front of the grate. Later on I was looking from another door. That was the building for this door. I went ar or rr as Ft | ten A proved For-Release 2000/08/07 : ce NS .
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800430001-7 #6.5 #08 #6.5 #08 #6.9 #08 #6.5 #08 corridor to my left. I spotted whom I thought... ..whoever this joker is there...Malcolm...might get...office...ok..then I looked around here... came dawn to the main corridor and went down and I didn't see too much on this side. Here's where I saw the conference room. A couple of small offices and then a huge room. Ok. Why don't you draw that? Ok. I'11 give you an overview of the inside portion that I saw which, as I have described it, was very tall, domed ceilings, and these funny ...these chandelier type things hanging. I had alot of trouble trying to figure what was going on, ok. Yeah. Because I started from the gate. I walked.. ..I went to the building. Then you asked me if I saw any individuals. I saw those two individuals. After I saw those individuals, 1 went inside the building and I went to the left. I am just going to do this very simply. Did you notice the snowplow has stopped now. It's a conspiracy. I had trouble...I wanted to get high. I wanted to get low. When I got lov, you said ok. I went low. As soon as I got low I said I was going to ask you to go high and I said "to hell with it." Ok. Let me draw this...this on a smaller scale. It was pretty wide corridor ok. This is a door. Then, this is a much wider . corridor for some reason. This was kind of whitish ‘ stuff here, ok. Where I saw...th man that you wanted me to see there,..-have me locate rather.. was here. There's a couple offices, here....something like this..all right. Then, when you came here there was...this was very plush. This was big, hug mirrors on the wall..uh..this was kind of somber. This was very light..ok..while grayish Floor..I got Lhe impression something like marble...very sleck and..this is where you started....everything started. Getting completely confused, but. soees You had no indications, no impressions that he was under some kind of restraint-or anything like that? oon ms, No. No. in (te was part of these guys. ‘ ae - tenes 3 ® a Re ta. 4b 7 a ae adi $ &, Approved For Release 2000/08/07 : CIA-RDP96-00788R000800430001-7 se apne ate Pon te to pe smn A . . oon T pone nF
Approved For Release 2000/08/07 ! CIA-RDP96-00788R000800430001-7 #6.5 #08 #6.5 #08 #6.5 #08 #6.5 #08 #6.5 #6.5 #08 #6.5 #08 What do you mean by that? Because he was kind of working in this office. All right. .I1 was automatically looking For something of stress. Something of..of..that would indicate that he was under pressure or id Komething. All I got was a very ...feeling tif smugness and self~satisfaction. Were you pretty confident that it was Malcolm? “No. No. No. No. Ok. So then what happened? Then I went around here and I went in this conference room and they had a round table. Something like this. There ..a couple of doors.. make them wide here. Then there were a bunch of people in there, and behind there seemed to be a couple of small offices. Let me just do this separately. This is the conference room, see. The table caught my eye...and behind here..a couple of small offices and huge plush, very , very plush offices. Very huge desk. Very rich draperies, etc, etc. Where's that outline again? That's this whole.. That's this here. Ok. This is the conference room which you labeled on diagram...four which is also on diagram three..- then you have this huge... (Turned tape over) I'll let you begin your drawing, now, ok. I'm SOrry. Right here. I'll just put the words down on... I realize you talk about these things, you know. I'm watching you draw, and I'm nok the guy that reads these reports later on. He might have a problem... Yeah. It was unique...it was a bit unique there. SECRET Approved For Release 2000/08/07 : CIA-RDP96-00788R000800430001-7 aaa
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800430001-7 #6.5 #08 #6.5 #08 #6.5 #08 #6.5 #08 #6.5 Ok. And, then, it was about that time I said..uh..go outside and tell me how big this building is. I don't know how the back end of that looks. I don't know if this is filled in or not. Because it didn't make too much sense. But, it had to be something like this from an overview type thing. And, later on you asked me if there was a yard. Yeah. There was a yard. And the fascinating thing, when 1 was trying to pin-point it, I saw a road in front, ok. , Where was that gate? Right here. IT asked you about the yard, looking down, you didn't see anything unusual about the yard? No one in front, except when I first got there, there were people here, all right. Then, here..! .-l got..re..recurring impressions about 18-20 people here. Well dressed.....uh...functionary...- dignitary type people just.. just discussing things. Something like that. . You said something about at this stage in the game some curves, some domes, Arabic, Moslems... As to the location. Yeah. This will be the building here. I was trying to pin-point it for you. What I thought it might be and..... draw this building this way....and here.... - next to it was a building with a huge dome....ok.... that way....-almost like a..... a church....Mosk... something...then there was a street ...went around © ETC. .eee curved like this...horseshoe....like it was a dead end ..... and you had to go around this was here and shoot out and there was a big building here...-and that looked like an important building. Again....spirals.....and behind all of this was a street, ok. So this is not quite accurate....bigger yard here...there's a yard here....and there's a yard here...and this is the street..... and this is a street...1 should have gone higher. I was...like a stupe I was trying to find water or some....some land mark. That's no water. All I got was this and i i here. I am not too sure ab looked almost like; fleeting. SECRET Approved For Release 2000/08/07 : CIA-RDP96-00788R000800430001-7
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800430001-7 #6.5 Anything else you want to add? I think that's number six. Isn't it? #08 I don't know. Where am 1? So this five...six. #6.5 Is that it then? Ok. I have no other questions. How do you feel about the session? #08 Confused. #6.5 Confused. #08 Utterly. Because I think subconsciously I was looking for an American and I got turned off and I got Arab. #6.5 Well, wlecome to the club as far as being confused. But, you even mentioned’ that: the noise bothered you. #08 Plow. But I wanted to give it a try anyway. #6.5 Ok. I understand. Approved For Release 2000/08/07 : CIA _ cen ae Well, I'll turn this off. -RDP96-00788R000800430001 -f
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