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INSC0M
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY:M5G,DAMI-ISH
DATED:
Q5163QZJUL78
NOT RELEASABLE TO FOREIGN NATIONALS
REVIEW QN^
I
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c3 p-DSi-'r/
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SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION DCC-76
1.
(S/NOFORN)
This report documents
a remote viewing session conducted
in compliance with
a request for information
on
a target of interest.
2.
(S/NOFORN)
The remote viewer’s impressions of the target are provided
as raw intelligence
data,
and as such, have not been subjected to any
intermediate analysis,
evaluation
or collation.
Interpretation and use of
the information provided
is
the responsibility
of the requestor.
3.
(S/NOFORN)
The protocol used for this session
is detailed^in the document
Grill Flame Protocol,
AMSAA Applied Remote Viewing Protocol
(S),
undated.
(S/NOFORN)
Following
is
a transcript
of the viewer's impressions during
the remote viewing session.
At TAB
A are drawings made by the remote viewer
reference his impressions of the ..target site.
At TAB
B
is target cuing
information provided the remote viewer.
NOT
RELE,
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TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION DCC-76
TIME
#66:
This will be
a remote viewing session for 0900 hours,
17 June
1981.
This will be
a pre-session briefing to
the
remote
viewer.
At this
time
I provide you with
a sealed envelope.
Your
mission for
this morning will be
to describe
the target in
the picture in
the sealed envelope
I
have provided you.
Do you have any questions pertaining to your mission
this
morning?
#07:
No.
#66:
All right.
You have 25 minutes
to prepare yourself for this
morning's mission.
0900
Relax.
Relax.
Concentrate.
Relax and concentrate.
Relax and
focus your attention now on the target pictured in the envelope
I have provided you.
Focus now on the target and describe your
perceptions
to me.
PAUSE
+05
#07:
First
I
got the inside
of a building. .disarray ,
like modifi-
cation, .construction,
modification.
Then
I
got the exterior
+06
of
a rather large structure. . .three,
four stories......
Windows,
uh,
window shapes on my
side.
Some reason I'm having
trouble with something that lies between me and that structure.
#66:
Work on
it.
PAUSE
#07:
All
I
could get is
a,
is
a shimmer,
like heat... like heat
+09
rising off of something. .reflection off water.
There's open..
openness my side of
the structure.
Even though it's facing
out towards
the
view.. water.
Seem to be facing south.
I
got
a bit of repetition of shapes like
I was inside of a.. some kind
of long structure
that. .repetition. ....
.
+11
#66:
Describe
the construction of this structure.
#07:
What'd you say?
#66:
Describe
the construction of this structure
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#07:
First one
or second one?
#66:
Do
I understand that you have an outside perception as well
as an inside perception?
#07:
Oh,
yeah,
okay.
I
also described a... I also encountered
a,
some
type of a.. shape
that
I was inside
of that had
a lot of
repetition.
#66:
Okay,
let's start there.
#07:
It's ...it must be structural beams
or something.
I
could see
down
the right side.
It’s
long,
as
I
look down the inside
rather narrow,
side
to side maybe
15,
20 feet.
It's
very
boring and.. biggest thing
I
see
is
a lot of repetition and
I
guess structural members.
#66:
Describe
the activity in this area..
#07:
No activity,
just. ..a
light way back in there.
A feeling there
was tracks
or something in the bottom of this thing...
The
big building over there
I picked up first.. has its
back towards
trees
or a hill or something and southern side open.. facing
openness rather than other buildings.
I have
the distinct
feeling there was modification of some kind or alterations going
inside,
gone inside
this building.
#66:
And
tell me
the raw data which makes you say
this,
the exper-
ience,
the impression you have which makes you come to the
conclusion-
#07:
Oh, bare studs,
uh..bare studs,
construction tools lying around
on the floor,
debris. .structural materials stacked here and
there... fresh,
uh,
fresh wood and. .partition,
wall.
Studs
are bare,
fresh...
#66:
And
I
asked you about the activity
in the building at the present
time and
I understand that you said there is no activity right
now.
#07:
I'm aware of people.. off
to my left somewhere, but-
#66:
Okay,
let's work
on that for awhile.
Work on that without
reporting.......
#07:
I
got some people. .. .30,
40 feet away.
In a room with. .TV
s,
CRT's, something.
It's
a lot of
the- it's black and white.
There's
a lot of blue white light that reflects off of a.,
like TV monitors
or something.
Light in the room flickers
and changes,
the scene changes on various.. CRT
s.
#66:
Tell me about the people.
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#07:
Don’t appear
to be military..
#66:
Why is it they don't appear
to be military?..
#07:
Mode of dress.
#66:
All right...
#07:
Some reason people feel,
or seem small. .in comparison
to people
I'm accustomed
to having around
me.
Everyone I've been seeing.,
smaller in stature.
Two standing up over to the
left..
Two
or three sitting down.
#66:
The
two standing up-
#07:
Keyboard...
#66:
The keyboard,
okay.
The
two standing up
to the
left,
describe
their activity
to me.
+20
#07:
They're discussing something very intently.
#66:
Work on it without reporting.
PAUSE
+23
+25
#07:
One
of
'em appears
to be.. doesn't belong in this room.
Came
here for assistance
or
a briefing.
No,
his attitude says he is
doing...
Seems to be telling someone what to do rather than
listening.
Other person has some kind of data board.
Keeps
referring
to it very nervously. ••
Some kinda big piece
of paper
that.. if
it wasn't folded it'd probably be
at least a meter
square.
Keep
on folding and folding it...
The person that...
supervisor type for this room seems very nervous.
Other person
is puttin'
pressure on him......
#66:
What language are they speaking?
#07:
I
knew you'd ask
that,
and
I'm trying
to figure it out.
I
can't actually hear voices at this stage,
I
just keep getting,
a lot of animation.
Outsider seems
taller..
Something about
him that appears military
just... just the way
he. moves.
At
least he's been delegated one hell of
a lot of authority
because he's.. seems
very comfortable with the way he's pushin
this
guy.
He's military....
You want anything else
in here?
#66:
Well,
you've
got these two gentlemen standing up and then you
have some other people sitting down and you mentioned
a console.
I'm interested in determining the... where in
the world we are.
Perhaps that can be done by examining some of the equipment,
by examining the exterior
of the buildings, perhaps vehicles
that may be around.
Perhaps
the names of
the individuals.
PAUSE
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#07:
Oh,
I've seen
two or three things that looks like it's U.S.
which surprised me because
I
thought
I was in South America.
#66:
Okay.
What are
these elements,
these particular elements that
makes you say it's United States?
#07:
Oh,
the fiberglass
top jeep siltin'
over there.
There was
a
red oak leaf laying on
the pavement in front of
the building.
Something about one of
the pieces
of equipment that
I
thought
I recognize
it,
I
tried to read something on
it.
I
had
the
feeling it was
a Japanese name, but that don't mean anything.
I don't understand why
the people appear small
to me
though.
I
get
a very strong impression
that,
uh...U.S.
#66:
Okay.
Now
I
am a bit confused about the association between
the inside perception of this area where there may be some
modifications and
then later
this. room with
the television type
flashing light.
I'm confused about that description area and
your exterior description of another building or perhaps,
I
don't
know,
the same building that is three or four stories high.
#07:
Three or
four story high building,
the only side
I'm seeing
facing south,
the back side has modifications.
Forty
feet away
I
think down a hall
to
the left is
a room with some kind of
consoles.
Tried
to determine what it was that was botherin'
me
between my
vantage point and
the building.
Got
a separate scene
of the inside of a long structure,
had
a lot of repetition.
It seemed
to curl away from me and then cables or tracks or some-
thing
lying on
the floor.
#66 :
Okay
.
#07:
Light at the end.
Two separate images but in
the same
vicinity.
# 66 :
+31
Okay.
Tell me about
the landscaping around the building,
from
your outside perspective,
tell
me about the landscaping around
the building.
#07:
There's something broad and curving in front of,
uh,
this
structure,
this building.
And my resolution is flickering
between
two scenes.
A fuzzy light reflective tone
thing,
like
a beach,
then it would appear
to be broad and neat, black
top,
some kind of pavement,
sidewalk,
uh,
coming from the building
and following the curve of this on
the building side.
Trees
on
the building side.
+32
#66:
All right.
Now tell me about the climate in the area..,.
#07:
People
in shirt sleeves,
mostly white shirts,
short sleeve.
Except the
two people that were standing over there
that were
in
a darker,
darker clothing,
but not like dark blue or black,
but.. grays
or
tans.
I
feel very comfortable.
I
forgot,
am
I
there today?
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#66:
Yes,
right now.
#07:
Looks and feels temperate....
#66:
Okay.
I understand that you
then feel comfortable there in
a
short sleeve shirt
today,
right now?
+34
+36
#07:
Right now,
yes.
#66:
Okay.
I have no further questions about the target area.
But
I would like
to provide you with
this
very important time
now
to expand and comment as you see fit.
I will wait for
your comments.
PAUSE
#07:
This building doesn't appear
to be in the
city,
it appears
to
be
outside somewhere.
And there's
a lot of trees nearby.,
all hardwood.
That's about it.
#66:
All right,
fine.
Move your arms and move your legs,
take a
few deep breaths, and let's prepare now
to draw... to this time.
#07:
Couldn't get
goin'
Okay,
uh,
I
came
on
the scene,
uh,
looked like
the inside of
a room that,
uh,
I
said was being
modified or,
uh.. rebuilt or
something.
I don't know why
I said that as compared
to new
construction.
All
the studs,
uh,
in
the room seem
to be
new.
There was new materials lying on
the
floor.
But
I
had
the
feeling the place was being modified rather than completely new
construction.
#66:
Okay.
#07:
Urn,
I felt this was inside some existing building.
Uh,
as a
matter of fact,
I
felt it was inside
the building I've indicated
in drawing number
two,
which
I
thought was sitting close in to
a lot of hardwood
trees.
I
thought the side we were looking at
was facing south and there was
a lot
of modular shapes,
like
windows.
It's
a fairly modern looking building
I
thought.
Uh,
there was a broad,
sweeping expanse
of something
in front of it
that
I
couldn't make up my mind whether
it was a beach or
a
road.
As I've drawn it it would be absolutely ridiculous
to have
a building like that sitting that close
to
a beach.
Uh,
some
of
the imagery,
I
tried to zoom in bn
it,
uh,
looked more like
this might be
a blacktop,
broad expanse
of blacktop sweeping
in front of
the building with a sidewalk.
From this angle
I
kept feeling there was something between me and that building
that
I oughta become interested
in.
Uh,
in trying
to find that
I
came on-
#66:
You talked about heat rising
or something?
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#07:
There was
a shimmer,
there
was. a shimmer in here between me
and
that building.
It coulda been like heat coming off of
a
pavement,
it coulda been shimmering water.
Uh,
I saw both
examples and
this bugged me some because
I
couldn't lock
in.
It was almost as though
I was guessing and that aggravated me,
Uh,
in trying to shake
that
I
came
up with
a scene of
the inside
of
a long..square tunnel like shape
that was like
I was looking
into.it with,
uh,
supporting timbers or some kinda repetition,
uh,
along the ceiling and
the right wall
I
could see
very well.
Like it might be support ti- structural members.
Linear pattern
in
the floor
that
I
couldn't tell whether it was cables or
tracks.
Uh,
sometimes
I
lost that scene and for some reason
found myself back
in
the building again where
the construction,
modification was
going on.
I never really tied this scene
to-
#66:
In number
three.
#07:
I never tied it into
that building.
I didn't know where
it was.
It was just a scene
that
I felt
I oughta describe.
Maybe it
would
go away
if
I described
it,
or maybe
it would grow into
something better if
I
got involved with
it.
It didn't get better.
#66:
It was then,
I
guess,
that
I asked you
to
tell. me about the
construction
of the building that you'd perceived.
Now
my_
question there was you would come back and say
oh,
it
s built
out of bricks or something.
But that word construction apparently
was
a poor choice of words because you had talked about
construction before,
so we were somewhat confused at that point.
What happened then?
#07:
Uh,
about the only thing next
I
can remember
is something about
describe
the activity.
I
think you
asked it relative
to this
tunnel like structure,
and
I
said
there was none,
and then
I
found myself addressing
activity back where
there was modifica-
tion
or construction
of some kind.
#66:
And
I
think at that time you said there's nothing going on here
but down that way
a little bit there's some people.
#07:
To my left was people,
and
I
think you directed me
to
go look
at that.
And
I wandered around
till
I
found
'em.
It was
an
awareness,
I
don't think
I heard
them.
I wandered into
a room
that,
uh,
is
very crudely
laid out in number four.
Uh,
at the
top left of the page
I've indicated
a rough drawing of what
I
thought the building was shaped
like,
the relative position of
where
the construction was going
on,
and
the consoles.
Uh,
in
the middle of
the page
is
a large drawing of what
I
remember
the
console
room
to be like.
There was at least three people working
consoles,
had keyboards,
and they had paper and materials on
the
tabletop
in front of
them.
And off
to
the left were- ‘indicated
by position A-
is
two people standing and talking
to
eafchoother.
The one on
the
left
I
felt was military.
I
felt,
uh,
the one on
the right,
uh,
was civilian as well
as was
the other three.
At least they were dressed
that way.
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#66:
The man
on
the left you feel
is military because of dress
or
manner of behavior?
#07:
Uh,
manner of behavior.
He was,
uh,
almost brutal
in his
dealings with this individual.
Uh,
as
though he had but one
objective and he really didn't give
a damn who
got hurt.
Uh,
he
felt
very comfortable in his authority.
It wasn't
a panic sort
of
thing.
He was gonna move
it.
#66:
He was the man
in charge?
#07:
He,
well
he, had,
he belonged outside
this
room,
but he was impact-
ing on it with great authority.
#66:
Okay.
#07:
Like he had just been given authority
to do whatever was nece-
ssary
to achieve whatever
it. was he was tryin'
to achieve.
That
was
very strong.
I
think you asked me
about pprt of
the world,
and,
uh,
looking at,
uh- what was it?
Oh, yeah.
I
got
the
backside of what looked like
a jeep with
a fiberglass
top.. some
trees.
I
examined a leaf
or
two
very
close-up.
It turned out
to be
a red oak,
which made me feel
I was in
the United States.
Uh,
hardwood area,
which,
I don't know,
prob’ably be anywhere
east
of
the Mississippi.
#66:
Okay.
Urn, how do you feel about the session itself,
and your
imagery
that you obtained?
#07:
Not..not very
good.
I
came on
to the scene this morning looking
forward
to
the session,
uh,
feeling that
I was gonna have
a very
good session.
As
I was saying when we reached
the end of
the
tape
there,
uh,
I
came
on,
came
in this morning feeling very
good about,
uh,
looking forward
to doing the session because
I
felt
it was gonna be
a good one.
Uh,
I
tried
to avoid contact
with everyone so there 'd be nothing distracting.
Started
to
cool down
at least half hour
to 45 minutes earlier so everything
would,
uh,
give everything
a chance because
I did feel
good about
it.
I
can't remember anything that,
uh, bugged me or irritated
me,
but into
the thing
I
felt frustrated and hostile,
and for
no reason that
I
can identify.
Uh,
the imagery was not as crisp
and clean
as
I
thought it should be.
I was havin'
conflict
between awareness and
the imagery
I was seeing and
I
recognized
that
I was tryin'
tb analyze them both and then
I would
get angry
with myself for doing that and everything would shut off.
And
there was one case where you asked
a question that normally
would not have bugged me but it did,
and
that was something
relative
to why did
I perceive that these people were civilian.
And,
uh,.I
remember feeling that,
you know,
that's not important,
let's. get on with
it.
Uh,
I've said they're civilian,
I
think
it's
a waste
of
time
to
go on through all
this.
Hey,
wait a
minute,
this
is not gettin'
the
job done
the way you came on
the
scene
this morning.
Cool down.
And
I
tried
to,
and it just
never worked out through
the Whole
thing.
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#66 :
Okay
.
#07:
I
don't know why- you know,
normally when
I
feel like this
I
can
recognize what set me
off.
And
I'm not normally
that sensitive.
And
I don't think it was anything you
said,
I
really don't.
#66:
Okay.
#07:
It's just
I didn't feel good about
the.. didn't feel good about
the target.
I have no idea why
I
said that
I
felt it was
in
America.
That was
the best
I
could do.
But
I
have
no idea
where
it was.
#66:
Okay,
uh,
in previous session here
the last few months you've
been having trouble with your back
arid your hip.
How are they
this morning?
#07:
No pain.
Good night sleep last night.
#66:
Okay,
good.
#07:
Really
lookin'
forward
to this one.
It really aggravates me
that,
uh,
I
didn't feel as good about it in
the session as
I
felt
I
would.
#66:
Okay,
fine.
Do you have anything else
then that you'd like
to
add?
#07:
No,
except
I
think there's somethin'
awfully wrong with
the
target.
I can't recognize anything that made me feel that way,
so
I
feel there is something wrong with
the target.
I
don't
know what.
#66:
What could that be?
#07:
It could be any number
of things.
It could be
the way
it was
set up,
and you know,
I worked
a sealed envelope many
times
before,
no way could that bug me.
I
just feel there's something
wrong.
I
felt,
yes,
there
it is-
I
felt that if
I hit the target
that people would not,
still not be sure that
I
hit the target...
I had
a
very strong feeling of that,
and that was one of
the
things
that was
bdiggin
'
me,
and
I
really
didri' t recognize
it.
#66:
Okay,
fine.
Anything else?
#07:
That's
it.
#66:
Okay.
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