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TRANSCRIPT
REMOTE VIEWING SESSION #913
#66:
This will be
a remote viewing session for 0900 hours
27 May
1982.
Following
is
a pre-session briefing to
the remote viewer.
At this time,
I show you
a photograph
of the building which we have worked on before.
You have
been asked
to explore a particular area
in the building,
which was of interest to the US Intelligence Service.
I
now show you
a second picture, which
is
a blow-up,
another
photograph,
,
actually,
of a particular section of that
building,
indicating the room in which we are interested.
Now
if you compare to'two pictures there,
you can tell from
the pattern of the curtains,
where the second picture
falls
on the first picture,
it's sightly to the right
of the
center stairwell.
The flower covered curtains there,
show
you which room we're interested
in.
#32:
This
or this?
#66:
Yes.
To the,
I'm sorry,
not to the right, but to the left.
#32:
Okay.
Yes.
#66:
These are the flowered covered curtains right here.
And this
is the room in which
you!i5teeconcerned with.
#32:
This
is the one you want?
#66:
Yes.
Okay.
Now you had mentioned
a man and a woman
in that
area.
#32:
Oh,
yes.
#66:
We're interested in that man and that woman and the activities
in that room
in that area
in the building.
Now that you have
been shown the specific area
in the building,
your task will
be. to return to that area,
as directed by the second photograph,
I've shown
you,
pass right
in through that window,
and tell
me more about that area and the man and the woman
in that
area.
Do you have any questions about your task for today?
#32:
NO.
#66:
All right.
You now have 20 minutes to prepare yourself for
this morning's session.
It's time
now to set aside all your
worries and concerns and focus your attention solely and
completely
on the target for this morning.
Relax now,
relax and concentrate on the target
in the photograph
I've
shown
you.
Focusing your attention perfectly,
clearly,
precisely.
Move now into the target area and describe it to
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#32:
# 66 :
#32:
#66 :
#32:
#66 :
#32:
#66 :
#32:
#66 :
#32:
#66 :
#32:
#66 :
Right next
to the entry
door
is
a. . ..somewhat
of
a large
painting. of
a war scene,
I
know a war scene and underneath
the picture,
a brownish,
and white striped modern couch...
there's something about
a black
...black
or light
pole,
like one of these spring
lamps,
come
in
a
,
extended from the
ceiling
to the floor.
Tell me of your raw impressions.
There's something important about
that fixture. tv
It's come back twice... It has an ulterior purpose.
Describe the activity surrounding this object.
It's too early
to see who,
a monitor. . .messages
or something,
I keep getting
..keep going into the fixture.
There are wires
in
the fixture... .something about being crude but being
effective,
I
don't know.
All
right.
Now this activity that you perceive.
Describe this
activity
in
a step by step fashion.
Describe the raw data
that you perceive
in
this step by step fashion concerning
this activity.
It
s
a monitoring activity.
It's
a,
it's
a,
it's
a listening
activity,
kind of thing that has limitations.
It is intermittent.
It
is,
is. .is used by
the people connected with the activity,
like they are monitoring for themselves.
It is not an outside
monitoring activity,
although
it could very well become one.
"It
s
to monitor
the goings and comings
on,
of
conversations
of... other people that come there,
on certain occasions.
The
individual overseeing this activity,
is
a tall,
light haired
man,
.
. .late
30' s.
This activity that you've been describing to
me,
watch this
activity as the people actually
do
the activity and describe
your raw impressions
to me.
One
or
two people at
a time,
coming into report mainly,
receive
instructions and
then socialize.
And this apparatus?
Huh?
In the apparatus?
What about the apparatus?
Tell me about
it.
How is
it applied to what you have told me?
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#32 :
#66 :
#32:
#66 :
#32:
#66 :
#32:
#66 :
#32:
#66
:
It's
like behind the tall man's back and it's put
on and off
to monitor.
Looks as though those (mumble)
conversations
Orient this apparatus
in the room for me,
you say it's
behind the tall man
.
Yes,
it's
to the right
of the couch,
and next to the painting.
All right and from this perspective that your perceiving right
now,
describe it to me.
Again,
it's
a tall,
light aluminum pole,
painted in black
(mumble),
reaches from the ceiling to the floor,
it's about
an inch and
a half,
inch and a half
in diameter.
It's like
a
light pole,
like
a lamp
pole.
Is
it connected to anything?
Yes.
yes
Describe these connections.
I'm looking for them
..Goes,
I
think
it goes, like through
the floor,
between the floor and the ceiling with
(mumble)
in
it.
Follow and describe.
^32:
Then
it takes off to
a.
. ..I
think,
across the halloas the stairwell,
but
it doesn't close up
in the wall... and
it connected to a
wall outlet,
an electrical wall outlet. .. .Can
I
let this
thing
go now?
#66:
What
is
it you report now?
#32:
I
don't
know.
The wires want me to go back,
because
I'm
outside the room.
#66:
All right.
Let's return
to the target room now,
and
I have
a particular question
I want to address.
You commented that
this was crude
in someway,
but
it was still
effective,
what
is the raw data which makes you
say this?
#32:
Because it can't be left on all the time.
It doesn't have
a continuing
capacity,
a capacity
to keep running on and
turn out too good.
It's got
to be
put on and off at
specific times.
#66:
What
is
it that causes this limitation?
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#32 :
#66 :
#32
:
# 66 :
#32 :
#66 :
#32
:
#66 :
It's lack
of sophistication.
All right.
From your perceptions then,
of this apparatus,
standing
the target room,
perceiving that what
is going
on around you,
I want
you
to expand your awareness now,
open up your receptors an d ask
of your greater self this
question.
How can
this apparatus
be defeated?
As you ask
yourself this question,
describe your impressions
to
me.
^
just
cut
one wire,
if you want
to physically^def eatcit.
What
is needed
is
a
...you can not physically
defeat the
apparatus without disclosing that
the apparatus
is defeated.
Because it requires
a physical intervention,
which would
e quickly noticed.
What you need
is a*,a
u/ireless,
no wire
transmitter to monitor
this same activity,
and you
can neutralise
the results of that activity.
I
have no further questions about
the activity
in the target
area.
However,
it's time now
for you
to explore the target
area beyond the confines of my questions.
Do this now.
Yes,
let me complete the layout.
This
is
in the livingroom
atmosphere.
There
is one bedroom,
one small den
and the
bathroom.
Ther's also
a rug
in the livingroom that's not
long haired or the opposite of shag,
very,
almost
like indoor-
outdoor carpeting type
thing.
And it's quite european
flavor all
in all.
The whole thing
is european and german.
I
don't have anything more.
All right.
I have nothing more.
ri ght.
Remembering everything that you have perceived
a
about the target
in perfect detail,
let's prepare to draw
those perceptions which you've had.
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DRAWING NARRATIVE
REMOTE VIEWING SESSION #913
#32:
#66 :
#32:
# 66
:
Okay,
in sketch #1,
I made
a rough sketch
of the
disposition
of the apartment,
so
u/e could locate the
couch,
which is very next to the,
located immediately
adjacent to the door,
from the stairwell.
And next
to the couch
is this aluminum pole that
I have described.
Then,
in the latter part
of the session,
I
described the
perceived outlay
of the apartment,
to include bedroom and
den,
and bathroom.
Okay,
now where the aluminum pole
is located,
let's simply put
a little circle and redrew.
Then we're moving to page #2?
Page #2,
...a.
.facsimile of that particular area, where
the couch and the painting are located.
And the thing
that caught
my attention
is an
old battle scene painting
that hangs over this modern couch that
I've described.
And
to the immediate right
of the couch
is
a black aluminum
type pole,
maybe an
inch and
a half in diameter,
very light
and
it would seem that
it was used as
a pole lamp,
as we
have known it before, with
a couple of golds,
striped designs
on the pole that is hssicallyblack. And that caught
my attention,
in particularly
in one of these apertures where you would put
the light bulb
in.
My attention kept
going
into those as
though
I were looking
for some type
of mouse
or something, and
ended up
in
the description that
I
gave you,
about the
wires and the monitoring activity of that thing.
Now,
the
strange thing
is,
is that the wires were quite
old,
in
a sense,
crusty,
light brown wires,
that seem to go through the pole,
through the floor,
ran between the floor and ceiling
of the
first
floor apartment,
and then looped back somehow into
the apartment.
I
followed
it
as much
I
could,
and then
it
ended up
in the wall
plug,
as
if the wires had been doubled
in the wall plug somehow,
and that's
as much
as
I could qet
out
of that.
Okay.
If we follow the wires and they come out
of the base
of the pole and go into the floor.
Yes
They would loop and then they would go towards,
towards
the wall.
I'll
just make some kind
of jazzy line here,
then
somehow loops up
into the wall and to the ceiling somehow
and ends up in
a wall socket and
I really can't explain
it.
#66:
Okay.
^2*
I thought
it might cross the hallway
into another room
or
something,
but
I just seem to form a big
"U" and there was
always within
the
enclosure,
either the floor or
the wall,
or another floor,
to end up
in the wall socket.
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#66 :
#32:
#66 :
#32:
#66 :
#32:
#66 :
Okay,
this wall socket that you end up at,
okay,
I
11 put the question
to you bluntly.
Where
is that
wall socket?
Yea^jt
I
don't
know.
I think
it
is on the same side or it's
in
a rear room toward
a small room,
it's very close,
it's
very nearby,
okay.
And there's
a feeling of mechanism there,
on
or off mechanism.
But exactly
I
don't know,
I'd like to
say
it's above because
it makes sense,
but
I'm not sure
about that.
I
don't
even know,
I
didn't
even perceive that.
I
just know that
it makes
a big
loop and it follows this
wire between the floor and the wall.
It's always enclosed,
ends up
in
the wall
socket.
But there
I
get completely confused
as
to where that dumb wall socket
is,
but it does loop.
It
is
a
"U",
somehow.
Okay.
Okay.
Do you have any other comments then?
No,
that was
a,
kind of
a lasting impression,
and equally
lasting was the picture of that
tall blond individual
with the frizzy
hair,
39 or
42 year
old,
who seemed to use
this place to entertain people
of the same like conviction,
listen
to what they seem to have to report and very nonsubtle,
not too subtle fashion,
really,
sort
of brief them on what
he wanted to know
for the future and then after this took place,
they seem to socialize somewhat
in the room.
This was
various people,
mainly
in couples
in threes,
pairs
of threes
that would come
in various times.
Okay,
now this activity you preceived here,
who
is monitoring
whom?
'
J
#32:
#66 :
#32:
#66 :
#32:
He
is monitoring himself.
He is monitoring himself.
So,
this gentleman that you told me about,
knows that
he
is being monitoring?
Yes,
he
is responsible for monitoring.
All right.
He puts
it
on when
he wants to,
puts
it
off when he wants to,
like
I
say,
I
don't, think it's continuing
,
just. wants
a
recording of the proceedings,
particularly
the business
proceedings on what he's interested
in.
Not so much the
social aspects of the meetings.
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Noviy
’
as ked one other question.
And you had some difficult
time working on
it.
I'd like you now in our debriefing here
to see
if you
can explain
a little bit better.
#32:
Go ahead.
If.
I
wanted to defeat this monitoring operation,
what method
would
I use?
#32:
Well,
when you said that,
I quickly became quite physical,
in
a sense that the answer was "hell
no,
you
can't,
because
if you
do,
someone will
know that
you have
cut
a wire."
And
that's what
you need to stop the activity and
it
did not seem
to be the solution to what
you really want to know.
And that
is,
sure you
can stop the monitoring activity,
you go
in there
with
a pair
of pliers and just
cut
one of the wires and the
whole damn thing won|t work.
But the guy that
is monitoring
will know that
this is
so.
So,
the suggestion was,
monitor
what
he monitors through another device.
#66 :
Okay
.
#32:
#66
#32
#66
To another means,
but you
can not defeat the line apparatus
of what he's listening
to,
without
it
be known to him.
Okay.
And how am
I to monitor what he's also monitoring?
Bug him.
You had some
Bug him with
a cordless mike of some kind.
Okay.
So,
in your own mind now,
take just
a second to review
all the things that
you perceived this morning.
Is there
anything else you have to add?
No,
no.
there were two main
impressions.
There was the
individual with intermittent meetings and he being the
leader and they reporting from various places and activities,
and he indicating
a future interest on which they were going
to report,
a sharing
of ideology,
a pumping
up
in
a social
intercourse after the business meetings.
And then,
secondly
the
pole,
for what
it's worth.
Okay.
And how
do you feel about this session,
your degree
of resolution
of imagery and information?
~ '
AH
my imagery,
to me,
was
good,
but only saw half the room,
I was quickly brought to the painting and right next
to the
door and the couch and the pole.
And then the imagery after
that was the man standing
in front
of the couch and interviewing
people that were sitting
at tables or on chairs,
long,
big
chairs in front
of the couch,
like coffee tables and
drinking and what have you.
That was very persistent.
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#32:
#66 :
#32
#66 :
#32:
#66 :
Then at theeend of the session,
I simply pushed myself to
find. out
n/hat the dispositon of the room was.
So,
I went
through the apartment to see,
give me an
idea of what
it
was like.
What confidence level
do you have in what's going
on here
?
I
don't
know.
Yea,
that's what happened.
That's what you perceive?
That's right
Okay.
I have nothing else.
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