boo L Approved For Release 2000/08/07 : : CIA- RDP96- 00788R000800740001-3 ORCON/NOT RELEASABLE TO FOREIGN NATIONALS GRILL FLAME PROGRAM SESSION REPORT ware GRO A IRECTOR, DIA EXTENDED BY: DIRECTOR, REASON: 2-30le (3 & 6) GIT FLAME Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
Approved For a a ey PEE eS SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION CCC6 1. (S) This report documents a Remote Viewing (RV) session conducted in compliance with a request from SOD, J3, OJCS, Pentagon, Washington, D.C. The purpose of the session was to provide informa- tion relevant to the hostage situation in the U.S. Embassy compound in Teheran, Iran. 2. (S) The remote viewer's impressions of the target are provided as raw intelligence data and as such have not been subjected to any intermediate analysis, evaluation or collation. Interpretation and use of the information provided is the responsibility of the requestor. 3, (5) The protocol used for this session is detailed in the document Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (5), undated. 4. (S) Following is a transcript of the viewer's impressions during the remote viewing session. At TAS A are drawings made by the remote viewer reference his impressions of the target site. At TAB B is target cuing information provided the remote viewer. 5. (S) The viewer was targeted against any activity taking place in the U.S. Embassy compound in Teheran, Iran. He did not see or describe any hostage personnel, but did state that there were some on the compound, The remote viewer was also asked to describe activity taking place on the mornings of 5 March and 12 March 1980. eel eo Approved For Release ZOOUGeId7 Em rDP96-00788R000800740001 -3
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3 GEGRET- TRANSCRIPT REMOTE VIEWING (RV) SESSION CCC6 #14 This will be a remote viewing session for 27 February 1980, with an on-target time of 1400 hours. PAUSE All right #31 the time is now 1400 hours. I want you now to relax, concentrate and focus your attention on the U.S. Embassy compound in Teheran, Iran. Project yourself to that compound and position yourself in such a way as to observe the entire compound. Describe any activity taking place. PAUSE #31 I'Meweeceeaee first 1...uh..saw a very peculiar "Z" shape metal frame which is a stand. It was as though this thing was large and was outside in a parking area, and, as though on top of this stand is a large propellor, propellor or something. I'm ona building top looking down at it in the long parking lot parked against, in etween some vehicles. I think that the building I am on is possibly 2 or 3 stories high. It has an awning overlooking a simple modern door in one corner. I was _ first over that corner, and now by looking past the funny metal frame I was able to observe an open Field. Now I am standing on a ground level outside this corner and I see merely a modern blank wall building. It has simple entrance way at this end of it. PAUSE \ +12 I'm over the trees, I think, into 4 parade Field slightly forward of a parking lot. #14 Do you feel the presence of the hostages anywhere on the compound? #3 PAUSE. Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3 : T TT
Approved For Ree ae Oo eeRon09007 40004 -3 #14 I want you now to locate the hostages and describe their Locations to me. PAUSE . #31 Have a light building and seems to be "L" shaped yl " end...several stories. At the far end there appears +16 to be some low awning work of some kind around the edge of the building...around the corner or something. Kind of..uh..awning work. PAUSE I'm getting an idea of a funny place I've never seen efore. They seem to be hovering around outside it. ff - ' has an awning roof with (phonetic) these temporary is f awnings covers the sidewalk. It comes out from its ront. The building's several stories high. It seems +." shaped though and the aving seems to be at this end of it. Not end of it, but in this side of the "L.jJ PAUSE For some reason I'm being drawn to this building. I : can't...don't think I've ever seen this building before. PAUSE 7 'm going in but (phonetic) is a funny curved archway +21 for an entrance. A very old style ho...old style hotel flavor, almost. Plenty of curves» front nondoor Ser ssssimmie oer reper! crear Ser a ‘ And the porch is a "L" shape...it's a porch. It's "L" shaped off to the left but at the T, at the elbow of the "L" shaped thing. I get the feeling this thing is just..uh..it's like somebody carved the foyer out of a , sand castle. There's glass windows at the .. head of ytne rat the 90 degree angle to these..uh..windows. I can (phonetic) see like a lobby or a larger area, VIS ane-this 16 how people come in. hére's a counter of |sorts. Something low and wooden but, it's opened ;behind it. Around the windows and to the right there -t are seats there or chairs. Malt SOR a PAUSE ° Light carpeted floor. Have all quiet feeling like people talk in whispers here. It's almost like.a Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3 7 —— EEE eT
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3 #51 #14 #31 #14 #3) #14 #31 hotel lobby. Like an old hotel. PAUSE Leaning with my back on the counter. There's a t pillar on my right. Looking back at this door, the whole face of this thing here seems to be glassed, but, it has a symbol single door. Around on my right then the room goes a little farther to the right and then goes out away from me to the front wall. Now; I'm saying that for some reason looking out through that right corner, I can see outside passed the blockage of the porch. It's..uh..like I can see out the open end of a tunnel there which is the end of the porch and Gan see light outside. If it was day I would see ch open pgrked like area. If it was open there would lar driveusy «Just on the edge ould see bustdings on the far side So now I beat the hell out of this lobby and I haven't seen one person yet. — - . ope mim iyestes sepesane en ARAN EMRE TT deerme me AA te ime et a All right. I want you now to leave this building. I want you to go back outside. I want you to s-l-o-w-l-y drift up over the compound until you get a very good view entire compound. Once you do that,I want you to close your eyes and retain that vision. Retain your position. When I ask you to open your eyes again, you will have moved forward in time to 27 February 1980. PAUSE Ok. It's now 11:00 a.m. in the morning, Iran time on 2Z February 1980. One week from today. Open your BYES eee ‘wrong. ...describe generally the activity. PAUSE Today's the 27th #14. I thank you. You still with it? Uhmmm...let me go back. Today's the 27th. Ahhh... Hummm. See now, what you had to do was move me back and then move me back..ha, ha, ha. You should 'o had me go back to the 2lst. Ha, ha, ha. Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
Approved For Release 2000/08/07 : +38 +43 #31 #14 #31 #14 #31 #14 s=RDP96-00788R000800740001-3 PAUSE Give me about 5 minutes and I'll try again. It's...1'm having a difficult time too, fighting to keep from sneezing and coughing and blowing my nose. r PAUSE Ok. All right #31. It's now 11:00 a.m., Iran time. I[t' 5 March 1980. Describe the activity taking place in the compound. PAUSE Had a..uh..image of a routine type of activity. Some people walking out in front of this building. I think my first building some people who were guards sitting on haunches’(phonétic) scratching head...-have a-picture of a black, dark car coming through a gate...it bein o allowed to pass through a gate...a limo (phonetic).. fype of car...(mumbling) gate... A picture of people ina - ine. Like in a cafeteria holding 6f plates PAUSE Uh..the limo (phongtic) pigture has a ...tall, slender, elderly and caucasjan nan chal bill, sharp features arriving and gettihg out™as thofigh to have a conference. He is all that is\located..u area of all asphaltts. I all of cobblestone evekywhere,” Reddish cobblestone. For some peculiar reason eeling I have is that the red of the cobblestone matches that of the basic steps that he must go up. The steps are not wide. They are not excessively wide. There are very few of them. It's as though he is to enter a side door to a building. Rather than a front door. I am getting vertical light lines around it. Some look as though there are a few columns here. f.appears to be in an obblestone ...my feeling I want you to leave this place now, and resume your position over the compound. I want you to again close your eyes and relax, and when I ask you to open your eyes again, it will be 11:00 a.m., Iran time. The date will be 12 March 1980. I want you to relax, concentrate. “I'm going to have to stop the tape and change sides. I just want you to relax and maintain your attitude. SEGRE- 4 Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
Approved For He -3 #14 #31 #14 #31 #14 #31 #14 #31 f ! All right #31. It's 11:00 a.m., 12 March 1980. Open your eyes and describe the activity on the compound. PAUSE l..uh..have feeling of ting, chanting people, mob | of people chanting in unison..uh..along a...line. i An invisible line. At_first-I-thought they were Jy 4% looking through-a gate. Then, I felt they were “ini either-site of a street and that automobiles w 288109 through the street in front off ~ I'm not d oing too good here. right. Why don't you... I'm going to take a little walk and get back in the saddle, I guess. Take your time. Come back. The date is now 27 February 1980. PAUSE I had a real...car, right. Doesn't look like one, but, anyway, there's one. Well, maybe ['ll darken it up a ’ bit. I know you prefer pencil, but it doesn't show up too well. No. That's all right. I forgot. I'm out of training. This was the funniest dam thing. I can't...it was as though parked with these automobiles...right and here's r another one. This was the first thing I saw which was really peculiar. It was as though...it was a open metal stand parked here. It was really wild. ... imagine a metal stand that went back...it was like crossed over like that...ok, and it came up...I'll draw...I'll have to draw a side profile of it. Anyway, somewhere on sticking up on this thing, was as though it was a large fan structure. This is it on the side. The feeling was that it was like this with a large fan structure on the bloody thing. I have no idea what it is but, it was parked....I had the definite feeling that the dam thing was parked in bleeding.parking lot and it's got something up top. Can't figure it™out.but it's like~...a front view would be like this with thee _*taper back down and then these come out in the front again. There's a cross piece back there. This comes up, and there are a couple cross pieces here, couple cross pieces there, see. It's like this thing is a . side view and this is a front uiews-andIt"s like there a RA NE A EER Approved For Release sor : = trtpee-co7sen000s00740001-3
Approved For Release,20 DP96-00788R000800740001-3 was something on it like that. Like a big fan. Ok. And that is 8 feet, say, ok...and I had the feeling that where I was, was...this is a parking curb here...and then there was a...right in amongst ...that was stuck in amongst automobiles. I have no idea what the hell the dam thing is. Ok. That's this fan structure, fan, like a open, metal, open metal fan, blades. It's like a thing...the structure of the thing...the best way I can describe it js you know these, you know..uh..aireraft jack stand to use to work aircraft maintenance...how it will expand up and...could be long, it could take on different shapes when you move it up and down, and everything. It's like that. It's, in essence, like that and then when you look at it, it's open. You look right through , the thing...somebody standing on the other side...you can see right ...see 'em, except where the pipes come across...and it's like that. And, where I was...this is the open field spelled correctly, ok...which is the first open field...and I was sitting up here on the edge of a building. So the whole thing turned out to be like this. And this building had just a raw overhang over it. A cement . overhang over the door, like that. Ok. Off into the distance...it was maybe several...let me say...it was several feet, several stories, but, that's all...had the feeling that there was..uh..cement stoop here, and there waS a..-.e«-. it was gra....a walk came out a little ways. It was.grass around like this, ok...and along-the edge of the buildings ~Ard,.that here was a wo parking area and here was one car. Here Was~the other cat Here was the other car. Ok. And, then here was r emis.fupny contraption. And here was another car here... Ok. Car. And; thie "te the-contraptror-and this is a driveway and this is the curb with grass. There's grass here as well. This goes along here. I don't know where that goes. And,....-- there's some bushes along here. Just some low bushes. And this is the open field. The first open field. That was my first image. I have no idea what the hell that thing is. Ok. That was first. What did I get second. Second.. it looked like...what I thought I was doing...was just hopping and skipping all around the whole compound because then I had a idea of standing on a veranda just a fleeting thought. I didn't even talk about it . on the tape...I thought...then was over at the big building that LwOrked last..csseeceeeres id Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3
Approved For |. | Release 2000/08/07 : \ 7 : CIA-RDP96-00788R : 000800740 001-3 e one th at's everybody was Bot Whose ® out house 21109. Ss on it and vere maids quar ti usthat ther. quart 1 : . ers and that what ir anne : 10] her gu y and I cam e up wit Remnem t like stora e sheds. weren't maids was in, ok -1t was S, and stuff "it Sone T sare the b oat It one or it was that was th ONG e+eei : oF the thang ne one up Front oe ees ee is idea here ywvay, it was this a other end idea of a +-eil was eevee an Nothing apes peter aoa OE what di qT talk about + Then } talked abou ee really ird shaped pbuilding: Jt was really odd to me & {'d never ther efore { had the feeling q puilding with a P ake of .. 0k sort of tal nd skinny ut not really super tall and . skinny + Ok. with gomevnat of an over ng over the roof; down here Like this and round this corner © the pbuilding is s ort of 3 Funny awning then thi wilding “yy ghaped an in the background you Se the pea here come ut and it goes down Like that. tts got yindows 19 st. Oe n erom the- from the p what tL ~ out of it the pbuilding yould 108 this d pere yould be this yaittie awning: Something . wee eand ‘ here wou d be the other gwning q didn't see it 4 first W 1 first {ooked yi de the front Uh. it yas reallys«*t? hough. « nas thin you got your e ther The way Y is you dig into th gand th yo and and y° jus scoop out some doar ; ik hat Tt's not 4 eal door Ss ane pene nn wn Approved F ___Arproved For Release 2000/0817: CIA-ROP “C1A-RDP96-00788RUO | 080074000 1-3
Approved For Release Zang fand{DP96-00788R000800740001-3 #14 #31 #14 #51 woes it's a tunnel shape thing. Ok. It goes down like that and then it goes across like this...... and that's outside, ok. See what I mean. That's outside the glass. I'm looking through the glass, here. Ok. What I was trying to get across is..... there's the awning thing sticking....- sticking out into the light....if there was light outside what I would see here is..... what would I see again.-..ok...- I'd see a curved road going by as though there's a road there round a curve and in the distance on the other side of the road I'd see buildings, ok. So much for that garbage. Ok. Where was I? Nine. Nine sketches for just tripe....ok....uh.... you got me back on the compound....told me to go outside, go up and check out what was happening..... all I had was the feeling of....that I was back at sketch ..uh..back at sketch number 2....somewhere associated out front of sketch number 2 the building side of sketch number 2 here that there were a group of people. I took them to be guard type people that were sitting hunkered down on the curb waiting for something....- loitering around...little bit of feeling people once in awhile....an occasional individual walking through this driveway....but nothing steady, or anything. Uh...ewhat was the other one? ntti ROMEO Om tmds anes eR ey a About that time l.....67 I had people in a line, a mess line...I don't know where it is. } ¢ £ ...to 5 March and you described routine activity, a black car....-- coming through the gate, people“in a ving line..uh..it..... a tall slender, -etderly caucasidr~man. a Yeah. Had a real limo feeling for this thing. How da you draw a long black car. Think an American would know how...s. shit...anyhow, he...1 had this sort of a feeling, you know..... gate posts....gate posts type thing and the gate being open...-.-you know. Swung open like that. And, here being the other one..-the other gate being swung open like that...ok. Guy standing here holding it, right; guy standing here, holding this one and that a big car going through this gate. Going in, ok. That's the idea. Had the feeling it was going in the gate. Oops....in the gate..... and 8 _____ Approved For Release 2000/08/07 : CIA-RDP96-00788R0Q0800740001:3.._...
Approved For Re oe norseRonnano noon -3 it...ok...was...we would know as being like a covered walk for sidewalk, you know. You know the type like a marque of a theater has or of a posh restaurant has this umbrella cover that sticks out to the street. Something like that, ok..... and back in here is just dark. Ok...and the building... this was the "L'' shape of the building, ok. That should actually come down like this, I guess. There that's more like it. Now....so I check the action out there (sigh).....ok....here is the outside. How do I get this straight. The inside of this place is curved and arched. Just like somebody had reached in the sand and just dug out curved and arches and it's dark and it's....ok...curved arches, curved arches, ok...-- and here is the awning. Outside r awning, all right. And this is the walkway. Do you get that...and this is all....this is all dark and shady in there, ok. Standing there and looking this way...I know this is....none of this is what you want to hear....standing this way is..... simple door and here is all the arching affect. And here is sta... window, regular window, goes down a little bit farther. All right. This is glass. Here in the background is this counter I was talking about and here, along the > window are chairs with their backs to me. Ok. I am looking through the glass ok, and somewhat of a lov thing there cutting that off..... carpeted interior..... all right..... inside there's a pillarett there which you would see sort of through the door and this goes back here...-.-. there's the other part of it....that goes up like that as though you were looking through a ..--- through the glass, ok. I'm going to make that bigger. Here-are the chairs, like this. Looking away. “Hérets “pillar and this is a glass door. Had a very hotelish type of feeling to it....and right here....in my fore- ground left is this corner which comes down like that. Fegding—andnw standing insider...beal quick sketch here..... standing inside looking out to my right would be the pillar, ok, blocking my view and there would be a dome there that I could look katty- corner out of, ok. Probably find out this is where Valdheim : (phonetic) stays...-shit I don't know. And i are here, like that. Here's the other dome far in the distance....I mean nol..... it's not a dome 9 - a - ine ‘pesca ad Approved For Release 2000/08/07 : CIA-RDP96-00788R000800740001-3 | | :. |
Approved For Relea geR0ee Pore fey ROP 96-00788R000800740001 -3 I had the feeling this thing was walled. Ok. Wall and not fence but wall, not posts or pillars, but, solid wall. Now, I don't know where this car went. But, I don't have the feeling that it drove far. I had the feeling that inside this wall, of course -everybody, this is where we get on the...thanks to ABC and NBC and everybody else, but, that...... ok...what was that date.....5 March.....I'll write that on here 5 March 1980. Two men opening gate; big black limo entering....ok. I had the feeling that if I looked through this gate that it was the gate that has this funny little thing inside and it seems to be a building ri j back, OK. Now, there's a capstone for the gate. There's one on the other side, ok. And, that the grand automobile was in the process of driving - see that isn't bad, is it? Dam. Surprise myself sometimes. Ha....was in the process of driving in, ok. There's some sort....this is an open plaza. It's all over here. It's just like a big parking area or something. Drive-in area, or something like that. Qpen plaza. It's all over. Then the last thing I had for this cat was exiting a car door and there. being...-how am I going to do this..... some few, very few number of not very large _ steps, ok, that are....the thing I wanted to get across , is they're red brick. I had the feeling of brick that matched all around, ok. Ok, red brick steps. That's the thing....- if anything, it's, here's the side of the building, but this is all red brick...is all over on the ground out here. It's as though there's no grass eee eil'S NO...ee as though somebody paved right up to the side of the building..... and all around the building like this. No cir..... I didn't get any kind of feeling for any kind of circular drive or any kind of an actual r identifiable drive. It was just like the yard, no grass, all bricks. All outside this thing and it was a...not a big grandigis.entrance..but rather was a smaller, more conservative entrance, you know. Not™at all in keeping with the kind of stuff we pulled out for the front doors to some of these places. But, that there might be one column or two on each side as opposed to six or seven on ea...you know. All right. And the car pulls up and I've got this tall, lean guy with a bill nose, you know...uh..what did I call it? A hawk nose, yeah. Yeah, a hawk nose, tall, lean, caucasian elderly guy, salt and pepper, slim, ~6 foot 4,-rather-"" | impressive build. Daperly dressed suit, 3 piece suit, dressed, no hat. Kind of reminded me of Valdheim. . You know, the look Valdheim,you know. He's very 10 roo gree Approved For Release 20 107°. "CtA-RDP96-00788R000800740001-3 | | j | I i
pn ne re a Sane aoe Sate ea eens nemebiemeetaeeil WAM SO 5 ARERR 88 RE ORIEN ERIN SA MI Approved For Release 2000/08/07 ; RDP96-00788R000800740001-3 a) natty (phonetic) all the time and he's...ok. And, slender; you could see his Adam's apple, you know. ...image I had...ok. Then, the last image I had was a series of like 3 automobiles traveling down a street line with crowds going, you know, ya-ya-. RARER ETE #14 Ok. That was...we moved then to 12 March 1980, ok. Anything else? #31 No. That's it for me. #14 All right. End of session. r il Approved For Releasé 2 IA-RDP96-00788R000800740001-3 If
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nn ne eaaememinanele a Approved For Release ——_ TARGET CUING INFORMATION REMOTE VIEWING (RV) SESSION CCC6 1. (S) The viewer has been exposed to open source news media information ag well as classified overhead imagery. He knew he would be working against the hostage situation in Iran. 2. (5S) At the time of the session; the viewer was Shown overhead imagery of the U.5. Embagsy~Compound in Teheran, Iran< He was asked to describe any activity taking palce on the compound. The viewer was also moved forward in time and asked to desgribe any activity taking place at 1100 hours, Iran ti “arch and 12 March 1980. Approved For Release 2000/ : CIAFRDP96-00788R000800740001-3