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SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION #844
1.
(S/NOFORN)
This report provides documentation of
a remote
vieu/ing
session conducted for training purposes only.
2.
(S/NOFORN)
Post analysis on
target viewing indicates the
viewer
had
a considerable amount of correlation
to
the actual target.
The
drawings provided were most accurate
in depicting the primary entrance
to the target guilding,
a bank.
The small set of stairs,
block patterns
and walls next to the doorway
drawn into page two was
very accurate
in
both scale as well
as content.
The viewer was
very excited about the
mental correlation with
that which he provided as perceptions about the
target.
This session represents
a classic remote
viewing success.
3.
(S/N0F0RN)
The protocol used
for
this session is detailed
in
the docu-
ment,
Standard Remote Viewing Protocol
(Local Target)
by Harold
E.
Puthoff,
and Russel Targ, November 1978.
4.
(S/N0F0RN)
Following
is
a transcript
of
the viewer impressions during
the remote viewing session.
At TAB
A are drawings made by
the remote
viewer reference his impressions of
the targeted site.
At TAB
B
is
the
target cuing information.*
Photographs taken normally were not done
on
this target
due
to
the target being
a bank.
Attempting
to take photographs
of this target would have brought undue attention
to the project participants.
NOT
RELEASABLE
TO FOREIGN NATIONALS
0RC0N
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TRANSCRIPT
REMOTE
VIEWING
SESSION
844
#01:
This
will
be
a remote
viewing
session
for
January
1982
with
an
on-target
time
of
0930
hours.
/
Okay
#
63,
it
is
now
time
to
start your
session.
#72
has
now
arrived
at the
target.
I
want
you
to
take your
time
and
relax,
relax,
just
relax
and
give
me your
impressions
of
the
target
where
#72
is
at.
PAUSE
#63:
I
see
a
dark
doorway,
and
it
appears
to
have
a
small
stoop
in
front
of
it.
About
low,
level
steps
going
up
towards
this
porch
like.
Looks
like
it
has
a bannister
on
each
side
of
it
going
up.
This
door
seems
to
be
on
the
left
side
of
a
building
on
the
front. ..to
the
left
side
of
it...
The
corner
of
the
building
is
just
about
times
the
width
of
the
door
away
from
the
end
of
the
building.
The
doorway
is
dark.
#01:
Enter
the
doorway #63
and
describe
what
you
perceive
.
#63:
Get
a feeling
of
openness.
#01:
Describe
that.
What makes
you
say openness?
PAUSE
#63:
I
don't
know.
I
just
feel
like
it's
very
open
inside.
Things
that
are
in
there
are
close
to
the
walls
and
the middle
of
it's
open.
#01:
Describe
the
kinds
of
things
in
this
openness.
Don't
try
to
name
them.
Just
perceive
what
these
things
are
and
describe
what you
are
perceiving.
#63:
I
get
a
feeling
of
an
abandoned
building
or
something.
I
feel
like
I'm
seeing
walls
and
empty
hallways.
I
feel
like
I'm walking
down
this
hallway. ..or
this. ...in
this
room.
Lookin
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9 *
for
something,
and
the
only
thing
that
I
see
that's
of
any
interest
is
just
the
wall
and
the
doorway.
#01:
Describe
any
colors
that
you
sense
at
the
target.
#63:
The
color
that
I
had
...or
the
feeling
of
the
wall
outside
around
the
doorway
was
gray.
Inside
I
get
dark
feeling.
#01:
Are
there
any predominant
smells
that you
can
describe?
#63:
No.
My
strongest
impressions
so
far
has
been
the
openness.
If
the
door
was
overlay
I
may
be
standing
outside
right
now.
#01:
Describe
any
obvious
patterns
that
are
part
of
the
target.
#63:
Everything
I
see
is
right
angles .. .squares
.
#01:
Are
you
saying
that
there's
a
lot
of
squares
there?
#63:
No.
All
the
walls
and
all
the
doorways
and
all
the corners are
degrees
from
one
another.
Nothing
that's
not
degrees.
#01:
Okay.
Just
relax.
Spend
some
time
going
through
the
target ... through
this
openness
that you
described.
Touch
and
feel
things
as
you
come
up
on
them.
Just describe
to
me
anything
of
importance
about
the
target
that
I
should
know.
Just
take your
time
and
relax.
Just
report
what
you
can
describe
that
I
should
know.
PAUSE
#63:
I
feel
like
the
target
is
a
tall,
very
squarish
type
thing
sitting
in
the middle
of
an
open
area.
Might
have
a
sidewalk
or
something
going
around
it,
and
there
are
trees
in
the
general
area
around
it.
This
might
be
a monument
or
a
park
or
someth i ng ... bui 1 t
around
a monument.
Get
a
block
feeling
about
the
actual
target.
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#01:
Okay.
At
the
target
I
want
you
to
close
your
perceptions
to
the
target.
Don't
leave
the
target.
Stay
there
and
slowly
let
go
of
the
target,
and
drift,
drift
up
into
the
air,
drift
up
into
the
air
to
about
300
feet
and
when
you
get
to
300
feet
tell
me. ..what you
perceive
to
be
300
feet.
#63:
Okay.
#01:
Open your
eyes
at
the
target.
Look
around
you
and
describe
what
you
might
see
adjacent
to
the
target.
PAUSE
#63:
I
see
a
grid
of
squares.
Although
the
squares
might
be. ..where
the
lines
....creating
these
squares
might
be
roads
or
sidewalks
or
something.
Get
an
initial
impression
of
the
block
being
located
in
the
center
of
an
X,
and
the
arms
coming
into
this
X
are
made
up
of
small
squares.
....two
squares
side-by-side,
and
quite
a
few
of
them
in
length
coming
into
this
X.
So,
it
might
be
double
sidewalks
all
the
way
around.
#01:
Okay,
I
have
everything
I
need
about
the
target
#63.
I
want
you
to
take
this
opportunity
to
relax
at
the
target
and
look
around
and
add
anything
else
you
would
like
to
add
concerning
the
target.
Just
take
your
time.
PAUSE
#63:
I'm trying
to
find
something
else,
but
I
think
I've
lost
it.
#01:
Okay.
I'm
going
to
turn
the
tape
recorder
on
hold.
Just
relax.
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REMOTE
VIEWING
SESSION
844
(DRAWING
DISCUSSION)
#01:
Okay.
Now,
you
finished
your
drawings
here.
Explain
them
to
me
starting
with
number
.
#63:
Okay.
Number
was
the
perception
that
I
had
when
I
went
overhead.
The
target
is
located
in
the middle
of
this
X.
The
patterns
coming
into
the
center
of
the
X may
be
sidewalks,
roads.
I
got
the
. impress i on
there
were
double
squares
coming
in.
Drawing
number
was
actually
the
first
impression
that
I
got.
I
was
standing
in
front
of
what
seemed
to
be
a
dark
doorway,
archway
or
something,
that
had
a
small
porch
on
it
and
small
steps
going
up
to
it.
Handrails
on
each
side.
I
think
I
originally
said. that
this
was
off
to
the
left
of
the
building.
Like
there
may
have
been
something
over
here.
But,
after
I
gave
i t some thought
,
I
saw
this
and
I
saw
it
was
close
to
this
end,
and
so
I
said
well,
it's
to
the
left
end
of
a
building,
because
I
didn't
pay much
attention
to
what
was
back
there.
And,
I
think
perhaps
another
sidewalk
goes
off
in
this
direction.
.
There
were
trees
in
the
general
area which
gives
it
the
feeling
of
a
park
or
something
built
around
this
particular
block
object.
Drawing
number
3.
I
got
the perspective
feeling
of
a
road
or
sidewalk
going
down. ....it
was
lined with
trees
on
both
sides
and
there
were
shadows
going
across
the
road.
The
trees
may
have
been
more
arched
over
the
road
than
I
depicted
them.
#01:
What
do you
think
about
the
session?
#63:
Well,
I
think
it's
the
first
session
in
such
a
long
time
that
I'm
not
quite
to
ground
zero
again,
but
I
had
to
fight
off
the
desire
to
look
at
the
back
of
my eyelids
all
the
time
and
there's
a
whole
lot
of
information
that
I
saw
at
the
back
of
my eyelids
that
I
refused
to
report.
Because,
whether
it
was
right
or
wrong
I
don't, want
to
allow myself
to
get
back
to
that
stage
again.
So,
I
reported
the
impressions
that
I
had...
The
strongest
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impression
I
had
was
opennesses.
That
one,
I.think
was
probably
the
most
accurate
of
everything
I
reported.
#01:
Okay.
Very
good.
Well,
why
don't you
darken
those
in
and
we'll
terminate
the
tape
here.
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