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: CIA-RDP96-00788R000300370001-9
SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION CCC-56
i
i'q '1
This report documents
a remote viewing session conducted
in
^Le
h
iithT request for information on
a target of interest.
2 .
(S)
The viewer was
^
^!oacatVdio“bf2leT,l noise during this session.
Ll^laTp?o?oc£ ««AppSed
4.
(5)
following is a transcript of the viewers
the remote viewing session.
At TAB
A are drawings
y
reference his impressions
of the target site.
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transcript
REMOTE VIEWING
(RV)
SESSION CCC-56
TIME
#14:
SG1A
This will be
a remote viewing session for
11 April
1980.
Target time
is 0900 hours.
PAUSE
All right #10.5 your target for today
is identified
k„
n0nn«nhin coordinates.
These coordinates ares
I want you now to focus your consciousness of these
coordinates.
Your time window
is 1200 hours local
target time.
Relax now,
relax and focus and
c-l rs o r't r< t ho
"hhn hornet to me.
+06
#10 . 5 s
+08
#14:
PAUSE
Got some kind of
a pattern which is on ^ the ground.
It resembles
a.
. .circle. ..a light circle
surrounded by
a check mark
PAUSE
I don't know.... I was
in
a structure or not.
Let
me try some mere.
PAUSE
T
am
...a double rail.
I think
I
am in
a
courtyard
or
a
beginning to make some sense.
Some rythm.
I
am reminded of
a piazza. ..there ar
...there's
a square pattern that I'm looking down
but the imagery
is very fleeting he*®*
f
B“,i
te
light andtark
SSe
8 “Se^aSS!
The
fee
a
o \£eNaUs appear to have behind the™b oe
like
in the structures ,
and they go around
3 sides
of
hhin circle which
is
I think
3 sides of this
circle,
which
is laying on the ground as though
it was
the open piazza,
but the shape is rectangular
or
square because of these surrounding buildings.. ^oh^
Jesus!. ...let
rae
try
again.
It’s very difficult to
work today.
Does the noise bother you?
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#10.5:
#14:
+15
#10.5:
+18
+23
#14:
#10.5:
#14:
#10.5:
#14:
Yes.
But,
I
am going
in short-spurts
Ok.
Before we lose
it,
let me ask you this specific
question,
that
I want you to answer.
Why
is this
target like this?
PAUSE
This feels good.
Moving
.some kind
of
a cement
I
am somewhere moving down.
down on
a ladder inside a..;.™.
-
-
-------
walls
on each side of me a^ though
I
can see the sun
up above
at the upper end
of the shaft.
PAUSE
It feels now as though
I
am in
a place of finished
concrete which
is much bigger than this shaft feeling.
I
feel structure may be
just baren cement lined pit,
big room,
maybe
50 or more feet
in depth,
and mayb
and maybe,
oh!
more than that,
maybe 75 or 80 feet
in depth,
and inside
is maybe
a 150 feet across,
an
it's very finished with peculiar arrangements of one
wall
of near where
I
came down on the
J
it
is essentially empty.
I cannot see that there
is
anything here.
Some thing when
I first came down
the
ladder which was
a dark rounded object
of
some size
and with knobs
or bump on
it,
but
it means
to me.
I don’t know what
it
is.
It
s, rounded and
laroe...25 feet
or
so,
but,
almost as
though
it was
like
a auxiliary generator or heavy piece f
like that there.
But,... there re some sort of “"^ang
along one side
of this deep basin or pit.
I
m looking
down^this overhang,
which
is
in reality
a carved out
piece S the bottom,
but
I
can see nothing there.
God.
For all
I
know,
I could be
in
a septic tank.
0k.
Ask yourself again,
what
is the function of this
target.
Why does it look like
it does?
0k.
Let me clear.
Give me about
2 minutes and then
ask me again,
ok.
0k.
Let me
just try to get out of this place and just try
to
do
it.
Clean
slate.
Would you like me
to read the coordinates again when
you're ready?
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+30
#10 . 5 :
#14 :
SG1A
Yeah.
You could do that.
Let me give you about
two or three to blank out.
Get my
light show going
again.
I going to start this right from scratch.
It's hard,
but I'm going to try.
PAUSE
All right #10.5,
the coordinates for this target
are:
#10.5:
#14:
#10.5:
You've already given me
a description
of the target.
Question now
is, Why?
PAUSE
T
, m
...I had
a feeling of
saw
it lookinq along
a hall.
It was square,
long an
as
I was looking,
a square object that entire
y
fi He'
the hall came rushing at me,
and
I had the
1 eeiing
acceleration.,
and
I had the feeling
o
the hallway,
and
as this thing went by me... zoom
is srasri
a side,
the left side,
there were observing places.
Like heavy thick shielded glass,
or something t
..
.
It seemed transparent
in the sections
of
one wall.
That's it for
me.
0k.
Relax,
stretch out
a little bit.
11 April 0935.
Ready for debrief.
The first viewing
I had was maybe looking down^from
ISe sort of reasonably high oblique....! can't uouch^
thfs ^".SeS numberr of
rSlhurrounds^bra
MT-S^
the circle surrou
y
dimensional at this point,
30 I'Sonif Rawing the 2 dimensional figure and the
SS^JSSIU like that.
And there use
Come back to
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something peculiar about the circle... as though
it had some. .........
#14:
#10.5:
What have you got here?
Sorry about that.
I
didn't realize
I had this
off.
I'll start over
again.
First thing
I was
looking
at. ..was as though
I was looking down from
a high oblique and
a circular object,
2 dimensional,
surrounded on
3 sides by
lines.
Maybe making par
of
a square,
and then that these lines had
light,
black,
light,
black.
There was something peculiar
about the circle as
I was just going to say,
and
that it was like
it had several different flavors
to it.
Several different inner rings or concentric
circles to
it,
but that it was not
a noticeable
concentricity.
They were not white and black like
a
bulls eye or anything like that.
It was just this
feeling that there was more
to the circle than just
one
line.
That's
1.
Then the next vision
or
image that
I had rather
is
that
I was looking. .. .this is what gave me the
3 dimensional feeling. .. .is that
I was looking.....
k
like this.. ...and here
in this thing was this
circle laying flat... 2 dimensional,
ok
..and that
here were the segmentations.
In other words,
it became
a
3 dimensional object to me.
Which made me feel
that
I was looking at some sort of inclosed m area.
Closed in on three sides,
but open on above.
I had
the feeling
it was open above.
I again had the
feeling of this alternating light and darkness.
Essentially
a flat bowl,
I mean a flat plane type
of
feeling.
I didn't get any feeling for surrounding
territory at this stage in the session.
That's
2.
Then,
as
I was sort of cogitating on this creature,
then the feeling
I had was,
that
I was,
in fact,
dealinq with
a
3 dimensional object.
Let me start
up here.
I
was,
in fact,
dealing with a
3 dimensional
object which resembled the sketch
in
3.
I’ll
^
ring
that out farther,
'cause it's squared off on the end.
It had
this circle in
it,
and again. ....... .like
tnat.
I had the feeling that this surrounding square pattern
here was like block houses or bunkers that were an
inteqral part of this.
It was an all interconnected
thinq.
Not bunkers is the wrong word
block houses
is more like
it.
This low squat plain,
very plain,
building structure,
single story,
drab,
almost earthen
in tone.
I didn't get any dazzling hues or colors
or
anything like that.
It was almost as though
it was
a gray or earth tone brown,
or something like that.
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I'd gone maybe
50 feet or something.
It was no small
little
jump downhill.
It was,
maybe
a 50 feet depth,
and when
I
like left the ladder,
and turned around,
the view was much more larger than up on the ladder.
Because,
up on the ladder,
if
I had turned around,
I would have seen
4 walls,
like this.
When
I was at
the bottom of the
ladder,
and
I turned around away
from the ladder,
I
saw
the distance was like...
from here all the way out
to Llewelyn,
or something
like that.
You
know.
And,
then it was way down the
other end of the building and
it was back.
This big
thing down there...
0k.
This is the view from the base
of the ladder
looking away
from the ladder.
Here
in the foreground
is some big thing.
I
had the feeling only that
it was
cylinder shaped,
and it had this funny knob on
it,
and
it was maybe
20 feet black metal,
but essentially,
the rest of this bay or whatever,
I could not perceive
anything,
but,
you know it was
a difficult session,
so
I was trying to be very conservative and just take
what
I
got,
and this is just
what are we talking
about.... 40 feet,
ok,
and this
is,
again,
this blank
concrete,
concrete wall.
. .uh.
• .square, geometry
.
. .uh.. .very linear,
ok,
not like
a cave.
You know.
It was very,
very man made.
Blank concrete wall here.
Goes that way and it comes out here
I'm
going to have to draw a series of these,
a couple
or
these here,
down at the bottom
now,
you understand why
I said
I could be in some turkey's septic tank for all
I
know,
because.
With my luck
I would be.
0k.
That's looking. ........
directly.
. .sketch
is looking directly away with
my back to the ladder.
0k.
Now,
for sketch
6,
I'm turning 90 degrees to my
right,
which means the ladder will be off my right shoulder
ok.
In this thing
here is the ladder m
the foreground on the right margin.
Actually,
goes
on up
farther,
It
! s
like
I had my back
in the crack,
0k.
The ladder stand hinge holding
it on... or supports
or whatever.
0k.
Here
in the foreground
is this
big thing.
At first
I thought this big rounded object
was the thing at the bottom of
the hole,
but
I...
it was sort of... the attitude with this thing was that
it was sort
of .
. .ok.
. .that it was positioned there
temporarily.
I didn't think it was out of line... it
was mislined.
. .it was not geometrically set up.
I
didn't get the feeling
it was permanently installed.
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I
had the feeling it had like maybe been dropped
down there,
and hadn't been installed yet.
So,
it
was still down at the bottom of this pit.
You
know.
Just off to
the side,
and they blocked and tackled
it down or something,
and they
set it there,
and
then later
on
it will be moved somewhere
in this
thing,
and
it will be hooked
up.
But,
right now,
it's just sort of sitting there.
That could also
.
.
. .yeah.
.
. .ok.
.
. .all right.
But,
anyway that was
the feeling there,
like that.
There's this black shinny
thing.
Very irregular;
very nongeometric;
very nonspecific,
if you noticed
that.
Anyway,
ok.
0k.
Here's the far corner and
there's that corner.
0k.
All right,
ok.
The
perspective here
in 6..... I
am looking 100 and...
100 plus feet into the distance.
I
am looking in
under
a cement appendage
that sticks out from the
wall,
ok.
I'll draw another perspective.
I didn't
go across the room,
but
I'll draw another perspective
as though
I was looking across the room in sketch
7.
0k.
And,
this is like this overhang here,
where
I
felt that
if
I wanted
to,
I could walk down there.
Or
a person could walk down and under this overhang,
but,
that was very raw and unsupported.
It was
part of the overall concrete structure.
It wasn't
artificial.
It wasn't held up you know by posts
or anything like that.
It was just automatically,
structurally sound,
and was free-standing.
Free-
standing in the sense that it wasn't supportive.
But,
it was
a part of this wall here,
ok.
This is
a cement cube which protrudes from wall,
but
a part
of
it.
0k.
And,
this is still. .. .this whole feeling
is... ok.....
This
is.
. .uh.
. .125 feet,
ok,
down there.
This is still
the same feeling
of,
of farness.
You
know.
This is maybe 125 feet across wide,
like that.
All
right.
That's
6.
7,
I,
is not real imagery.
is imagery
as though
I had moved from 6 across,
ok,
and,
I'll just do it
real quick.
It would look like this,
ok.
Down
there.
That. ..and this will have to be a perspective...
protrudes back into the wall,
like
that.
0k.
All right.
And,
here's the ladder coming down,
and here's
the big black thing in the.... the round black thing
there,
and here's this Underhang here,
ok.
Like
that.
There,
that's what
I'm talking about.
That sketch
is.... in sketch
7,
sketch
6 is viewed from across the
hall
or across the,
the big area.
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#14:
It looks like you're looking
at it from. ..kind of
above.
#10.5:
Yeah.
Slightly above,
but,
only because of the
way
I drew it.
Remember,
I
did not go there.
That is an extrapolated perception.
0k.
Ladder.,
and this is the black object,
0k.
All right.
The last question,
then,
the last thing
I
had was....
I
had to refocus. . .you gave me
the coordinates again,
I
think,
and you asked me
the
"why"
once more.
In
8 is the why once more imagery which was at the
end of the earlier part of the session.
Uh.......
I had the feeling
I was looking
in
a nearly square
......looking down
a nearly square hall,
ok,
and,
again,
there was sort
of segmentation here
segmentation.
And,
I had the feeling that
on this
side over here somehow,
at about this point........
. .
this is
a transparency
ok. ...like very
thick leadened glass,
ok,
for observing the activity
inside,
ok.
Like that.
And,
there was light......
there were lights
.there were lights along here.
Funny lights.
. .uh.
. .like. ..it was lights and shadows.
How do
I describe
it.
It was like.
. .umm. ... .like each
one of these.. ..I don't know if
I was looking hori-
zontal
or vertical.
I have absolutely no idea.
Absolutely no idea.
My view was horizontal,
but it
could have been looking down this way,
thinking the
thing
is layed right out
in front
of your face.
But,
the lighting was peculiar
in that there was
light and shadow
in regular
bands,
ok.
As though
maybe,
if this was a shaft.
. .looking down
a mine
shaft,
or something
like that,
then,
if these are
levels,
each level would have light on
it.
But,
there would be
a very dark shadow until you got to
the next level which would have
a light on
it.
And,
then there would be
a very dark shadow,
and then
you'd have
a light... very faint lighted area where
the light would come out from that level.
You see
what
I
mean.
So,
it's alternating light and dark
bands emanating light shadow.
0k.
Like that.
And,
then light and then shadow.
And,
it's all the way
around this thing.
But,
in different. ... .you know.
It's not,
it's not boom,
boom,
boom,
boom,
boom,
like
that.
It's like there might be a light here,
and
a shadow,
but then there's
a light here and
a shadow,
and
a light over here... you
know.
It's all jumbled
around.
Irregular lighting,
but the idea of light
and shadow,
light and shadow is the same.
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And,
in
my last sketch. ... .no,
it won't
be
my last sketch.... is the feeling that
I was drifted
over
to
the
left side of
8 ...... .here
' s our friend
back
.and drifted over to the left side
of
........so,
I was like over on the side,
ok
and,
I
had the feeling of this rush going by me
down the hall,
v-r-o-o-m.
Just going vroom,
right
towards me and past my point
of view,
down
the hall,
and,
that this thing was
.....I
don't know.
This
thing was
I had the feeling that it was like
a
rising elevator or
a horizontally moving elevator
box.
Because... I had
a box feeling and
I'll draw it
in as though
it's.
. .uh.
. .oops,
too far...
I'll draw
it
in
in dotted lines so you can see through
the whole thing.
0k.
And,
that this box,
which was
in fact
a hard metal box,
ok,
was rushing down this
hall,
past me.
Metal,
large,
metal cube,
rushing
past me,
ok,
vroom,
anc
this is the metal cube...
large metal cube here,
ok.
All right.
Like that.
And,
the thing fits right into...... ok
right here
on the left.
the icea is like
a concept
like
an elevator car moving in its shaft,
ok.
0k,
and this is the
cub
That's the end of any
have.
The other
2,
I'l
One is that
very
pe
of fancy,
or whatever
0k.
Like
that.
That'd
e.
All
right.
That's it.
Substantive type stuff that
I
1 put on the same sketch.
And,
up here on ground
that thing
is.
And,
the other
thing...)
I had the feeling
around,
but
I
didn't
ge
real mountaineous area,
hills around
in the ba
Hills
in background,
but,
it was somewhere
And,
I had the definite
all brown and grey
...l
0k.
Returning
to sketc
is that.. I
said
in the
rushed by me on the
halj,
or the hall,
I
had the
association accelerate
accelerator.
And the
is that
this. ... .from
8j
on the left side was sq
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one.. .little flight
ground level.
0k.
Like
that,
level was that thing,
whatever
.can
I associate
it with it....
that there were some hills
t the feeling that there was
but that there were some
^kground..
And,
that's
it.
'll throw this in at the end,
ijnterspersed in all
that garbage,
exterior feeling that it was
t was like waste land almost,
h
9,
there's one thing.
That
session that when this cube
1,
or whatever
it
is,
the shaft
definite feeling of the word
n and the next thing was linear
only other thing to add
to 9
sketch
8,
this transparency
rt of like right
in front of
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me.
As though
it was here where these dotted lines
are.
That's
it.
But,
acceleration and linear
accelerator were the things that came to mind.
That's all
I have.
Ok.
End of session.
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