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SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION
D-8
1.
(S/NOFORN)
This report documents
a remote viewing session conducted
in
compliance with
a request from SOD,
03,
0JCS,
Pentagon,
Washington,
DC.
The purpose
of
the session was to provide information relevant
to the
hostage situation
in
Iran.
2.
(S/N0F0RN)
The remote viewer's impressions of
the target
are provided
as raw intelligence data,
and,
as such,
have not been subjected
to any
intermediate analysis,
evaluation or collation.
Interpretation and use of
the information provided
is the responsibility
of the requestor.
3.
(S/N0F0RN)
The protocol used for this session
is detailed in the document
Grill Flame Protocol,
AMSAA Applied Remote Viewing Protocol
(S),
undated.
4.
(S/N0F0RN)
Following
is
a transcript
of the viewer's impressions during
the remote viewing session.
At
TAB A are drawings made by the
remote viewer
reference his impressions of the target
site.
At TAB
B
is target cuing
information provided the remote viewer.
5.
(S/N0F0RN)
The remote viewer was asked to locate
L.CDR Robert Englemann
and describe his surroundings.
Sessions D~7,
D-8,
and D-9 were all
conducted at the same time with the mission
of locating LCDR Englemann.
6.
(S/N0F0RN)
After the session,
the remote viewer was shown photographs
of hostage personnel and identified Col.
Holland as one of the hostages
in this building.
NOTE :
After the session,
the remote viewer stated that the item he
had been trying to recall,
but couldn't during the session, was the
smell of ether
or alcohol
in the building.
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TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION D-0
TIME
#43.5:
This will be a remote viewing session
for 26
August.,
with an on target time of 1430 hours.
You want
to test?
#19.5:
Test.
+02
#43.5:
Okay,
#19.5,
time for us to start.
I want you to
relax.
Relax and concentrate.
I want you to relax.
Relax and
focus your attention
on LCDR Robert Englemann.
LCDR
Robert Englemann,
and describe his location to me.
Describe
his location
to me.
Relax and focus your attention on him.
#19.5:
Keep... keep getting
a picture.
. .picture
of him laying on
a
.
gray bed...
It's very dark...
There's a... black,
uh,
black
frame with,
uh,
flames
in
it and a cross or something,
it's
a cross.. .it's fastened,
fastened to the wall of the building.
There's a. ..big,
uh,
it's
a big hall like building,
like
a
lot of people go there,
or used to go there,
an
auditorium
or something,
like a church of some kind.
High arched roof
inside. . .where he's at
is in the.
. .corridor of some kind
L UU
I
|
d
’ k
/
basement,
corridor. . .very rough,
rough like stone,
like
rough like stone.
. .arched,
roof of the corridor is arched.
here's lights in some kind of grating
on the ceiling.
Small
room,
six rooms.
. .There' s,
uh,
two people
in each room
There hostages...
I
got,
uh,
Ahern's name came to mind
for some reason... his face and his name... white rooms,
rough
stone,
I think it's just stone painted white
There's other areas
in the
frasement.
but, there's nuards therei
It's a old church
ome kind of a stone staircase,
thing,
old hall or old church...
"L"
shaped,
either an
or a
"T"
shape.
. .people jjpst^ij^_^Mlfl-BSQaISjt-t^,.^
#43.5:
Tell me what makes you say
that,
#19.5.
#19.5:
It's like a... group of people living upstairs.
They moved
down
in there,
sort
of camping
on the inside of this hall.
They're young,
like
20' s,
early
20' s.
There
are some guns
there but not many.
. .People
in the basement are armed,
the
guards.
I
can't tell how many there are.
It's very quiet,
like
I guess they're sleeping.
Every time
I
try to center
on... on Englemann
I
get
a profile,
and he's lay- it's like
a gray picture and he's laying on this cot and there's
a
dim overhead bulb behind the cage.
Just
a gray picture.
#43.5:
Okay.
Now,
relax.
Now
I want you to focus your attention
#19.5,
on those rooms where the people are where there are
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+13
#43.5:
two people
in each room.
Focus your attention
in those
rooms and see
if you
can recognize anybody
in any of those
rooms.
Go from one room to another.
#19.5:
/
Uh,
I
just,
I'm not,
uh,
seeing people,
per
se,
I
just know
they're there.
I
know Ahern is there.
Ahern
is there.
Engleinann
is there... a colonel
is there. . .can' t remember his
name... I
see his... see his face,
but
I
can't remember his
name.
#43.5:
Okay,
just remember his face and we'll try to get
a name
lpter on.
Okay?
#19.5y
This Duilding
is connected to something,
like,
uh,
it's an
/
offshoot from
a larger building.
. .it' s like,
uh,
this is not
/
just
a church,
it's like,
it's more like community hall,
that'
/
used for
a church or something....
That's all
I
get.
#43.5:
Okay.
Now,
I want you to relax.
Relax
a second.
#19.5:
Something really.
. .really peculiar about,
uh,
Englemann.
I
don't know what
it
is,
it's
just,
uh...it's different for
some reason.
#43.5:
Okay.
I want you
to relax now #19.5.
Clear your mind for
a
second.
I'm gonna let you
relax for a mioute,
then
I'm
gonna ask you
to
do one more thing.
Just relax.
PAUSE
+16
+20
#19,5:
Doesn't uh.
. .uh,
something doesn't look natural.
I
can’t,
can't isolate what
it
is.
#43.5:
#19.5:
Okay,
don't try.
What
I want you to do now,
#19.5,
is
I
want you to change your perspective now.
I want you to go
up above this building,
go above this building to 500 feet,
about 500 feet above,
and look down at this structure,
and
describe the area.
Change your perspective and go above the
building. ——
#43.5:
There's
a... it's
a
"T"
shape,
little left hand now at the
bottom.
» .connected to
a larger building.
. .building has some
kind of fountain or something next to it...uh,
very fancy,
[very fancy entranceway .. .very large decorative column type
arrangements
in the front,
a
lot of glass windows.
. .it
1 s
on,
a side street,
like off of
a main street.
. .there's a
building looks like an
"M"
,
shaped like an
"M"
,
behind
th/
big building,
and trees on the road... like moderate,
moderate traffic,
I feel
like it's late for,
late for
traffic.
Tell me what you feel about the neighborhood that you're
in #19.5.
Tell me about the neighborhood that you're
in,
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t's,
uh...it's uh.
. .largely.
. .like,
uh,
office building
type neighborhood.
. .like
it was a old governmental area
of some kind... old,
uh,
old Iranian government type buildi
And parks... feel there's
a park or something.
#43.5:
Describe the one feature,
#19.5,
describe the one feature
that would help me best
locate where this building
is,
from
your perspective up above.
#19 . 5 :/^Columns ,
by the front of the building.
. .the building
it
I
attached
to has got
large,
these four large column
like
l
appendages,
behind the fountain.
#43.5:
Okay.
Is there anything else you want
to tell me?
:^s\V
#19.5:
There's one other thing that's bothering me,
but
I can't...
it's
a thing
I
know, but
I
can't isolate
it,
it's something
not... not natural or something,
I
don't...
#43.5:
Can you associate
it with anything?
#19.5:
Color gray.
I
don't know anything other than that.
Just
color gray.
I
don't know if
that's important
or not.
#43.5:
Can you tell me why something
is bothering you any more?
#19.5:
No.
Just that
it
is
It's like my head knows what
it
is but it's not telling me.
#43,5:
Okay,
is there anything else you'd like to add?
#19.5:
No.
#43.5:
Okay,
I have no questions at this time then.
Why don't you
relax,
unwind yourself, take
a short break here,
and then
we'll do some drawings,
okay?
Okay, we're back in business here.
Why don't we go ahead
and do some drawings?
#19.5:
Okay,
I get this-
I guess
I
' 11 start with the overall and
work dawn from there.
a,
like a..."T"
shaped building,
or cross shaped
uilding.
. .that makes a... a
left
This main building
is this way
and has like
a semieicular
desiijFf^to the
front,.
There
a road here,
but
it’s noE
like this would
be
a main
these four big columns
building.
ding.
ge,
oad
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#43.5:
And those columns are readily recognizable from the air?
#19.5:
Uh.
. .if,
I suppose
if
I was a PI
I would recognize
'em,
being what
I am,
though,
I
don't think
I would recognize
them from the air.
I would recognize them from the front,
though.
I'll draw a picture of
'em from the front.
There's
like a fountain right here.
Let me ask you this,
did this building look familiar
to
you at all?
it.
#43.5:
I',
sorry, what are you labeling that, #19.5?
#19.5:
"M" shaped building.
#43 . 5 :
Okay
.
#19.5:
And this
is the,
uh... hostage building.
Sort of like you
know,
like an old time chapel that was fastened to this
building.
That kind of effect.
And then,
uh,
I'll draw
a picture of the columns on the front... this one building...
It's like these,
uh,
outside columns are
a little bit shorter,
had some kind of
a design or something
on
'em.
And then
there was,
uh,
two very high columns.
. .this. . .this
is the
round portion of the building.
And these had something
on
jl 'em,
like statuary or something.
There was
a decorative piecef/^
r-that went up both sides like that.
And over here was win-
dows,
just this huge mass of windows.
And underneath the
windows were the big double doors,
you know,
the decorative
double doors,
this kind of thing.
And then there was windows
like this... and,
uh,
the roof to the building...
There was
this fountain
in front.
This kind of effect.
. .from the
front.
But these columns are really big,
like two or three
stories tall.
And then the,
uh...
#43,5:
There's four of them?
#19.5:
There's four of
'em.
Two short ones and two long ones.
#43.5:
Okay.
#19.5:
With windows
in the middle.
I
guess
I should label that.
You know,
these little square glass windows...
And there's
a. . .urn.
. .road. . .
Uh,
I
saw
a,
what looked like
a picture,
either fastened to the wall
or projecting out from a wall,
and,
uh,
it was... three bars... like this... with like red
flames,
and it was superimposed over
a cross.
I don't know
if this
is
a decoration on the building,
or what
it
is.
And
it was
in
a black frame.
And that's connected
to the
"T"
shaped building
in some way.
It's either sitting
on the
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#19.5:
ground next to
it,
or it's painted on the wall,
or something.
#43.5:
That was the very first impression you had,
really.
#19.5^r Yeah.
Red flame.
This may not be an exact cross,
it may be J
/
j
*'* >
uh,
like a Red Cross symbol.
But there was a,
there was ^
a cross.
. .black frame.
I
got one of those eternal light
type things.
It may be some kind of
a graveyard,
or burial
ground,
or something.
But that's a conjee bure,
okay?
I
don't know that for
fact.
And then
in the basement
of this
building there's this,
uh,
real rough hewn from stone corridor
effect. . .like this.
And the stone's painted white.
And
there's,
uh,
tRese~ cage lamps
in the ceiling,
like thisT^-w
/ goes away
in the distance.
And there's doors in the side,
A
/
for six rooms.
And the,
uh,
the rooms are just white room^
l
basement like rooms.
^
V
#43.5:
But you definitely feel you're in the basement?
#19.5:
Yeah.
It's like a basement corridor.
And,
uh,
the layout
of the rooms
is essentially this corridor,
and then just three
rooms on each side.
There's more rooms,
but these are the only
rooms with hostages,
and there's three on each side.
And,
uh,
he's
in this room,
and Ahern
I
know is somewhere else.
And
there's
a colonel that- the face
is very familiar
to me
but
I
can't remember the... the name.
He's going bald and
he's got gray hair.
#43.5:
Okay.
#19.5:
And,
uh-
#43.5:
Well, we'll
look at the photos and come up with that one.
#19.5:
The face is very clear to me...
And there's a...
some
other room somewhere to the front of this
in which
there are guards.
#43.5:
There are no guards out there in the corridor?
#19.5:
No.
None at all
in the corridors,
#43.5:
Okay,
how about upstairs?
#19y0:
Upstairs there are people armed,
but
I
don't get the fedlS^a
f
like they're guards,
I get
a feeling like they're,
uh,
V
well,
this is the place we've been alioted to live in,
you
\
\know,
and,
uh, we're with the revolution and this is where
J
onng
j,ve.
anH we run errands and that sort of thina^^^
#43.5:
Okay...
Where's this stone staircase?
#19.5:
That
' s back towards where the guards are.
And the view
I
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#19.5:
got of that was,
it
u/as
just
a rough stone staircase,
painted
u/hite like everything else.
Everything's white down here
for some reason.
Like white washed stone...
I
do have
a
feeling that it's probably towards this end of the building.
Somewhere back up
in there.
#43.5:
Okay,
where would you say the main street
is,
#19.5?
#19.5:
This
is the main road up
here.
#43.5:
Right up there.
#19.5:
Yeah,
I called it main
road.
#43.5:
Did you call
it that?
Okay,
good.
#19.5:
This
is not too far off on the side road.
There may be
other buildings
in there,
but
I
off the main road...
#43.5:
Tell me why you felt this was an
type neighborhood.
# 19 . 5:1
I
just get an impression of... I get an impression of
a lot
If
of fairly tall
buildings,
three to five stories,
and all
If
offices,
you know,
I don't get any,
I
don't get any residen-
I fl
tial feeling,
although there are residences mixed up in
If V- this area.
I
don't get
a feeling of any kind of big business
if
or small business,
you know,
like stores or anything,
I
get,
™
I
get,
just get
a feeling of offices.
#43.5:
Did you have any feeling about the condition of the hostages?
Anything at all that you can relate to?
#19,5:
No,
I was try in'
to get
a,
I was try in'
to get a feel for
that,
and,
uh,
I
just kept getting this profile,
you
know,
laying out on this gray cot,
you know,
it's just like a
gray snapshot,
and
I wasn't gettin' anything else.
#43.5:
Okay,
I
don't have any other questions.
You got anything
you want to add?
#19.5:
No.
That's
it.
#43.5;
Okay.
Very good.
Thank you.
on't know .
But
it 's just
office neighborhood,
office
O
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