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SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION XVI
1.
(S)
This report provides documentation of
a remote
viewing session conducted for the purpose of orienting
a remote viewer
to
the protocol which will be used
in
the remote viewing training program at Stanford Research
Institute
(SRI),
Menlo Park,
California.
2.
(S)
The impressions of the remote viewer during this
session showed little or no correlation
to the target.
This session was conducted
in the early morning hours
prior
to normal
duty hours
in
an attempt
to find
a working
environment
free from disrupting ambient room noise.
The
remote viewer appeared frustrated throughout
the session.
He was dissatisfied because he
got very little imagery
throughout
the session.
3.
(S)
The protocol used for this session was modified
from that which will be used
in
later training.
The
protocol
to be used
in
later training
is detailed
in the
document,
Standard Remote- Viewing Protocol
(Local Targets)
by Harold
E.
Puthoff and Russell Targ,
November
1978.
This session's protocol was modified
in that
a randomly
generated,
preselected target was
not used due
to the
unavailability
of the target pool
in the early hours of
the morning.
In lieu of
a randomly generated,
preselected
target the "outbounder"
or "beacon"
simply chose
a site
which,
in
his opinion,
was unique and identifiable.
4.
(S)
Following
is
a transcript
of
the viewer's
impressions during the remote viewing session.
At TAB A
are drawings made by the viewer reference his
impressions
of
the
target
site.
At TAB B are photographs of the
target
site.
At TAB
C
is
a post-session
interview.
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TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION XVI
TIME
#28:
This will be
a remote viewing session .( Edited
for security.)
PAUSE
#28:
Okay #47.5,
#43.5
is approaching the target.
.
.
.
He
is observing the
area.
.
.
.
Look around
the
area with
him.
.
.
and describe the area to
me.
(Edited for security.)
PAUSE
+05
#28:
Describe the area to me
.
.
.
PAUSE
+06
#47.5:
The only thing
I've seen so
far
is
an hour-glass
type shape.
#28:
All
right.
#47.5:
Very,
very
vague.
PAUSE
#47.5:
Ah.
.
.
another interesting shape
that.
.
.
kind of
looks
like
a radar disk or something.
.
.
PAUSE
#28:
Go
on.
PAUSE
+08
#28:
Describe your impressions to me.
PAUSE
+10
#28:
Describe your feelings.
PAUSE
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TIME
#47.5:
#28:
#28:
+13
#47.5:
#28:
#28:
+15.25 #47.5:
#28:
#28:
+17
#47.5:
#28:
So
far,
I'm just
drawing
a blank.
Okay
.
PAUSE
Work first now on.
.
.
imaging #43.5.
.
.
in
your mind.
.
.
Let
a picture of
#43.5.
.
.
#43. 5' s
face.
.
.
form
in your mind.
.
.
Work
on
it.
.
.
.
Hold
it
there.
.
.
.
Hold
it.
.
Now
as this picture becomes
clear.
.
.
simply
move back away from the
face
and look around
the target
area.
.
.
and describe the area
to
me.
PAUSE
I
get
a feeling that he's
indoors.
.
.
with his
back to
a large window.
Okay
.
PAUSE
Go on
.
PAUSE
I may be way off base.
.
.
but
I
have
the
feeling he was sitting ...
at
a counter
somewhere.
.
.
It was
like
a restaurant or
something and then there were some tables behind
him and then the big window.
PAUSE
Okay
.
PAUSE
Continue
.
PAUSE
Ahh.
.
.
Seem to be outside now
.
.
.
looking
up
at
a roof
or
an overhang.
Good.
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#47.5:
You know
a peak on top
and going down both
sides
#28:
Okay.
PAUSE
#28:
Move.
.
.up.
.
.
slowly
now.
.
.
only about
100
feet.
.
.
just about
100
feet,
that's
all
.
.
.
Look
down.
.
.
and describe the
area.
PAUSE
#47.5:
The only
image
I
got
trying to
get
an aerial
view
is
a
.
.
.
triangle that was bisected
down the
center.
.
.
#28:
Okay.
Would you like
to draw now?
#47.5:
Yeah.
PAUSE
#28:
Whenever you're
ready.
PAUSE
#47.5:
Let me see
if
I
can ...
go back.
.
.
PAUSE
#47.5:
It didn't seem like
I was
able
to
a
.
.
.to
really relax enough and detach myself.
It
might have been
too quiet.
Ha
ha.
I'm used
to working
in such
a noisy environment.
PAUSE
#47.5:
Number One.
That was the one
that.
.
.
its
a
shape something like
that.
That's when
I
remarked that reminded me or
a radar type
(not
audible)
PAUSE
#47.5:
Two
is
the
.
.
.
hour-glass
shape.
PAUSE
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#47
. 5
:
#47.5
#47.5
#28
:
#47
. 5
#28
:
This
is the one that was.
.
.
.
fairly vivid.
Although that might have been wishful
thinking.
PAUSE
Number Four.
.
.
is when
he appeared to be
outside looking
up.
.
.
at
that
type of
shape.
So
so
.
.
.
PAUSE
And Five
is the aerial perspective.
Okay
.
PAUSE
That
' s
it
.
Okay,
that'll
do
it
then.
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