SUMMARY ANALYSIS
REMOTE VIEWING
(RV) SESSION CD-82
1.
(S/NOFORN)
This report documents a remote viewing session conducted
in compliance with
a request from SOD,
J3,
OJCS,
Pentagon, Washington,
DC.
The purpose of the session was to provide information relevant to the
hostage situation
in
Iran.
2.
(S/NOFORN)
The remote viewer's impressions of the target are provided
as raw intelligence data,
and,
as such,
have not been subjected to any
intermediate analysis,
evaluation
or collation.
Interpretation and use
of the information provided is the responsibility of the requestor.
3.
(S/NOFORN)
The protocol used for this session is detailed in the
document Grill Flame Protocol,
AMSAA Applied Remote Viewing Protocol
(S),
undated.
4.
(S/NOFORN)
Following
is a transcript of the viewer's impressions
during the remote viewing session.
At TAB A are drawings made by the
remote viewer reference his impressions of the target site.
At TAB B
is target cuing information provided the remote viewer.
5.
(S/NOFORN)
The remote viewer was asked to find John Graves and
describe his surroundings.
The viewer described Graves as being on the
porch of
a building which reminded him of a hospital.
He also described
the area as being more rural than city
like.
He was unable to locate any
other hostages.
He described no security measures,
other than a fence
around the area.
NOT RELEA5 ABLE 10 FOIiJ
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: CIA-RDP96-00788R0021 00300001 -6
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: CI^-RgPO!
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TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION CD-82
TIME
#14:
This will be
a remote viewing session for
10 July
1980.
Mission time
is 1400 hours.
PAUSE
#14:
All right,
#8.5,
the time
is now 1400 hours.
Your mission for
today
is
to find John Graves.
I want you to focus
on John
Graves.
I want you
to identify his location,
any other hostages
at this
location,
and describe physical security.
I want you
now to relax.
Focus your attention
on John Graves.
PAUSE
+07
+10
#8.5:
I found him
a few minutes ago.
He
is sitting.
.
.
on
a cement,
masonary platform,
like
a porch of
a building.
There's two
or
three posts supporting.
,
.
some kind of roof.
It's kind
of
high
on
a hill,
like,
appears
to be some kind of fence below
(
fce,
100-150 feet away.
It smells
like* August.
.
.
smells like
It's time to harvest
grain.
Don't see anyone else.
Way
in
listance,
I
think
I
see
a large body of water.
It's kind
of
jellow haze
at
a distance.
I either see a long,
wide pier that
>
leading
out
into the water,
or
it's
a long,
wide runway,
dis-
;
tppearing into ground haze,
I can't tell.
Got
a yellow haze,
He's
got.
.
.
blue
jeans,
faded,
barefooted.
There's
a pair
of glasses lying beside him.
Assume
his.
Something
funny.
He's.
.
.
he's playing with some kind
of branch
of
a
plant or flower.
He seems very passive.
No anxiety.
No
frustration.
I see no physical security other than
a fence.
#14:
I want you now
to look around this location.
Check
it out
very
carefully and tell me
if you find any other hostages at
this
location.
#8*5:
I
been try in'
to look
in >He building.
I'm
in troublg)
I can't
even see
the building.
There's more
than one
fenca7~^?
PAUSE
+15
#8 15
There's other people here,
but.
.
.
I can't make out
if they’re
the hostages,
I
almost have the feeling this
is some kind
of
hospital.
PAUSE
scoro
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Approved For Release 2000/08/08:
#8,5:
I
just saw
a wheelchair.
Rather primitive.
.
.
I don't have
the feeling
of oppression
that should be present
in
a hostage
situation.
I
feel completely passive.
Don't see any.
.
.
don|t
see
any other hostages.
Don’t see anything that
I
rec-
ognize
as guard
force.
It's as
if he doesn't care anymore
and they know he doesn't care.
At least they're not worried
about him escaping.
And he's not,
not concerned about
it
either.
.
.
I have the distinct feeling that
I'm not
in
a big
city.
Rural,
more
rural
area.
More
open.
Buildings predom-
inately
one or two stories.
PAUSE
I
had some...
but
I'm not getting
it.
Symbols
of' passive be-
havior.
Examining hands,
looking at nails.
Passive boredom.
#14:
Okay.
I
have no further questions.
We're ready for debrief.
#0.5:
Yeah.
PAUSE
#14:
I'm going to stop and change
the
tape
at this time so we can
maintain continuity.
PAUSE
#14.
He was sitting
on something
on some kind of masonary porch.
Had some kind
of overhead
to
it.
I
tried to get
a look at
it
and I
couldn't.
I couldn't tell what
it was he was looking
on-
or sitting
on.
PAUSE
#14.
Barefooted.
I haven't drawn
this,
but down below him there
appeared to be
a fence of some
kind going down the hill,
across
belo\iL±axiL.
And way out here
in the distance
I could
see
sopjerfnlng that looked like^Sr^omething going way
off
in
the
haze
, Ql ike
a
runway ,
or
a big pier j?Jr something going way out
in the Tester:
Arid this
is "air haze,
it's hard to see through,
and it’s great,
great distance out there.
I'm not indicating
that distance very well.
And there's hills.
I had the feeling
that
I was looking
at water as
a yellow haze,
and
it was almost
like
a mirage,
and
I. toyed with
it
for
a long time,
trying to
figure out whether
I was looking at
a pier
or
a runway,
running
out
intb haze.
I
saw
a pair
of glasses lying nearby,
I
thought
they might have been his.
And
I
saw
a wheelchair,
and
I
had
the feeling he was
in
it.
At
one point
I
had
the feeling that
he was
tied
to
the wheelchair
or was maybe hdndcuffed
in
the
wheelchair,
I couldn't make
it
out.
I didn’t want
to,
I didn't
know
if
it was overlay
or what
it was,
it was bothering me.
I really didn't see anything that would identify the building.
I could see
the right side
of the building,
it was some kind
of
masonry,
it looked
like the walls were about
inches to
2 feet
eccnrr
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#8.5:
thick.
One corner
I saw had bits of stone sticking out
of
it,
it was perhaps
a rather
old,
old structure,
and
I thought
it
was some kind of hospital
of something.
There was
a few build-
ings down here
in the nearground,
but this thing way
out there
looked @£$fe^big,
and went way,
way
out,
into the desert,
or
way
out
into water,
I'm not sure
what..
That's about
it.
#14:
Okay.
End
of session.
Approved For Release 2000/08/08
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Approved For Release 2000/08/08
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TARGET CUING INFORMATION
REMOTE VIEWING
(RV)
SESSION CD-82
1.
(S/NOFORN)
The remote viewer has been exposed to open source news
media information as well as classified overhead imagery and numerous
photographs of hostage personnel.
He knew he would be working against
the hostage situation in
Iran.
2.
(S/N0F0RN)
At the time of this session the remote viewer was shown
the attached photograph,
and was aaked to find John Graves.
He was
asked to identify Graves'
location,
identify any other US hostage personnel,
and to describe physical security at this location.
»or releasable to foreign nationals
__
_
.
Of? CO N
Approved For Release 2000/08/08
: CIA-RDP96-00788R0021 00300001 -6
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