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SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION XLI
1.
(S)
This report provides documentation of
a remote
viewing session conducted for the purpose of orienting
a
remote viewer
to an applied remote viewing protocol.
2.
(S)
The remote viewer's impressions
show no recogniz-
able target correlation.
Although the viewer was disturbed
by ambient room noise,
he appeared to be remote viewing
well.
He was quite sure of his
images and disappointed
that they did not match the selected target
(a barber shop)
.
The remote viewer felt strongly that he had viewed another
target
(a static display of
a Nike Hercules anti-aircraft
missile)
on post.
3.
(S)
The protocol used for this session was modified
from that which will be used in later training.
The
protocol
to be used in later training is detailed in the
document.
Standard Remote-Viewing Protocol
(Local Targets)
by Harold
E.
Puthoff and Russell Targ, November
1978.
This
session's protocol was modified in that
a randomly generated,
preselected target was
not used due
to the unavailability of
the target pool.
In lieu of
a randomly generated,
pre
selected target the
"outbounder"
or
"beacon"
simply chose
a site which,
in his opinion, was unique and identifiable.
4.
(S)
Following
is
a transcript of the viewer's
impres-
sions during the remote viewing session.
At TAB A are
drawings made by the viewer reference his imrpessions of
the target
site.
At TAB B are photographs of the target
site.
At TAB C
is
a post-session interview.
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TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION XLI
TIME
#7.5:
This will be
a remote viewing session.
(Edited for security.)
PAUSE
#7.5:
#6.5
should be out at the target now.
See
if
you can't concentrate,
focus on #6.5 and then
look around the area
#27.5:
I'm seeing like
a.
.
one of these,
like one of
these big power
type trucks with
a launcher
type thing on the back,
the extender piece.
You know,
like
the cherry-picker type
truck.
Okay.
I'm feeling those real
clear.
Very
clear
#7.5:
That's
fine.
#27.5:
Its sort of like half and half.
The bottom
half of the vehicle is
like
a dark brown or
a black color and the upper half is either
a
light white or a light.
.
some kind of
a
lighter color.
Gray maybe.
And.
.
its really
strong.
You know,
I'm.
.
not.
.
I
can't
see
the basket on the end of that thing
so
it might
not be
a cherry-picker.
But its
.
.
its
definitely
a
.
.
lift-up launcher type device
in the back.
And.
.
#7.5:
A truck with something that goes up
in the
back?
#27.5:
Yeah.
.
It.
.
Yeah.
.
It goes up
in the back.
.
I don't know whether
I can say launcher,
but
its
like,
you know,
a launcher would be.
Only
it looks
like
it extends
(not audible)
.
It
either extends out on the end or there's
an
extension on
it that fits
to
it and the exten-
sion's white.
The extension
is white.
#7.5:
Okay.
Now,
as you're
looking at this,
describe
your position
in relationship to this.
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#27.5:
I'm standing to the rear right,
you know,
looking
at it on its right
side.
And I'm standing on the
ground and its
just super clear impression I'm
getting
.
#7.5:
Okay,
now describe what is behind on the other
side of
it.
#27.5:
On the other side of
it.
I'm going to have
to
go over there because
I can't see through
it.
#7.5:
Are you telling me that it
is isolated alone,
there
' s
no
.
.
.
#27.5:
Yeah.
Just.
.
I
see immediately forward of the
rear wheel on the left hand side,
I
see tele-
phone pole.
And there's
trees behind
it.
Look
like oak trees.
Not a bunch of them,
just
a
couple.
Starting to get
a lot of analytic crap
now because that was
so clear.
.
.
that,
you
know,
its kind of hard to believe
it.
PAUSE
It seems
like
I
see
a
.
.
a
.
.
some kind of
a
.
.
brick,
brick wall maybe
a real low silhouette
type building with
a piece of wire.
But,
some
kind of
a piece of angle iron or something stick-
ing out on the corner.
I don't know what it
is,
but its
a lot like something you would hang
a
sign on.
You know,
like when you dangle
a sign
by
a door.
That's sticking out and the building
is
like.
.
the building
is
like close to where
this truck
is but
I
can't.
.
I think the truck
is
like
fored on
the
left side of the building
.
.
from the
front.
If you
.
.
If you stood
looking down that
.
.
like
long lengthwise
section of the brick,
brick wall.
PAUSE
And there's
like some stands.
Metal stands with
a cross piece that goes
up in
a hook on the end.
That are diagonal this way across them and there's
like its
a circular row,
not
a
,
not
a good circle
but they kind of curve out to right.
.
and that
that's near the building.
But
I can't
.
.
.
I
can't
see where in relationship
to the building.
PAUSE
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The thing about.
.
.
That was
so clear when
I
first started.
Then
I was getting,
you know,
it seems
like all of
a sudden,
I'm trying
to.
.
you know,
all my analytic mind's going to work
on
it,
you know,
its trying to figure out what
all
this stuff
is.
PAUSE
#7.5:
Are you getting any other impressions other than
visual of the target?
#27.5:
That's what I'm trying to do now.
I'm trying
to sense
if there's any particular color or
hot or cold or you know your more basic senses.
I
smell dirt.
Definitely outside.
I
smell
dirt.
And steam.
Steam that would come off
pavement.
Or
a moist type
steam.
PAUSE
I keep getting
an analytic side
of my head in the
way here .
I don
' t think much
.
PAUSE
#7.5:
Can you picture
the truck image that you had
before?
#27.5:
Very clearly.
#7.5:
Okay.
Now.
Describe the surface that the
truck
is on.
#27.5:
The truck
is
a
.
.1 keep wanting to say
smooth,
but its not.
It depends on your perspective.
Looking at the truck from where
I
saw it before,
it appears
smooth.
But upon approaching
it,
its
not,
its
.
.
its
like
a
.
.
the
.
.
the
.
.
looks
like the edge of
a
.
.
looks
like the edge of
a
sword.
.
.
you know that's been hacked on some-
thing.
You know,
it looks
like
its
chewed.
Like
there's
an edge there
like an
"L"
shaped edge
and its chewed down the side.
Its part smooth
and part rough and kind of hard to define really.
PAUSE
#7.5:
Are you looking at the truck from the same
place?
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#27.5:
Yeah.
I'm trying to go around to the front
of the truck.
See
if
I can get an emblem or
something on
it.
#7.5:
Are you alone at this area?
#27.5:
Ah.
.
No.
There's
a lot of people there.
Four people.
Wearing white hard hats.
I keep
getting a
lot of analytic crap in here.
Let me
concentrate
on
#6.5
a minute.
See
if
I can
find out where he's
at.
PAUSE
+10
#27.5:
I
just
.
.
I
.
.
I
see
#6.5 reaching out and
touching
a yellow pole.
Its
like
a yellow
painted pole.
Perhaps,
not quite the double
width of your hands.
He could put his hands
around the
thing.
#7.5:
Okay
.
PAUSE
#27.5:
He's
.
.
a.
.
.
PAUSE
I can hear that tape ticking.
#7.5:
Um hm
.
PAUSE
#7.5:
Its
a technical adjustment.
That doesn't
work either.
#27.5:
That's all right.
I'll just have
to cut it
out
I
guess.
PAUSE
I
' m trying to see what
1 s around that pole and
I don't see anything around that pole.
PAUSE
+12
I
feel like one of those.
.
.
one of those.
.
silver wheels.
.
.
silver wheels
that you could
hold
in your hand that has
a collar on
it.
And,
I
see
a pointed.
.
edged conical shape that's
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fairly well defined.
Its
got four edges
but does not appear.
.
.
but it
is appearing
that its equal.
But its.
.
.
its tall
and thin.
PAUSE
#7.5:
Okay.
Tell me more about this.
#27.5:
Its got like shadows.
.
.
Its got four sides.
You know,
four.
.
four flat smooth sides would
not.
.
produce
such unique shadow pattern.
I'm
also.
.
.
I'm kind of going.
.
going.
.
this
way over to
it.
It
just.
.
.
#7.5:
You first described it
as being conical.
#27.5:
But its got four edges,
like.
.
#7.5:
Conical?
with four edges?
#27.5:
Its more of
a pyramid.
But its not what
I would
look at as
a pyramid,
its
.
.
its very.
.
I get
the feeling like needle.
You know,
I keep think-
ing needle when
I
see
it.
#7.5:
Okay,
+14
#27.5:
And letters.
An L and a number
4.
L and
very distinct.
L and
4.
PAUSE
I
get
a feeling of intense heat.
But this
is
hard to explain.
I
get
a feeling of cold
intense heat.
I
.
.
you know,
that sounds
a
little confusing.
#7.5:
Okay.
Where are you now?
#27.5:
I'm.
.
I'm.
.
standing next to this conical
thing,
this pyramid type thing.
.
this needle.
.
#7.5:
Okay
.
#27.5:
.
.
or whatever it
is.
#7.5:
Okay.
Where, when you're next to this thing,
when you get this
feeling, where do you get
this
feeling?
Does
this.
.
.
does
this cold
intense heat come from this
in
some manner?
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And at what point does
it come from this?
#27.5:
I'm not.
.
I
get the feeling like the intense
heat the
cold,
its part of the
truck.
But its
part of this,
this thing as well.
This pyramid
thing
.
#7.5:
Urn hm
.
#27.5:
But,
its not really part of either one.
Its
just like
its
there.
You know,
its
like
(not
audible)
.
PAUSE
Its
like in that area.
But its
still.
.
.
Its
associated with what
I described,
but its
in.
.
+16
its.
.
I wish
I was
an English major.
It would
probably take one
to figure out what I'm saying.
Its associated to what
I've been talking about
and its part of it but not really.
Best
I
can
do.
Ha ha.
I
see little
cup
like impressions
in metal with
an edge.
Like
if you were
to take
a chisel
and just flack out a piece of wood.
.
just a
little piece of wood.
Scoop out
a piece of
wood.
Where
the chisel went into the wood
would be sharp and defined and where
it came
out would be smooth but
if
it were
to cast
a
shadow it would be
a softer
shadow.
#7.5:
Okay.
#27.5:
I
see maybe six of these.
And there's.
.
.
The pattern's
really
funny.
Its
like I'm
looking.
.
.
.
#7.5:
Okay,
I'm letting you spend a
lot of time and
a lot of words describing the meaningfulness of
the pattern.
That's doing
a
lot of work
for
you to try to do that and
a
lot of left brain
stuff.
#27.5:
I
can't.
.
.
#7.5:
Tell me what the pattern
is
on.
#27.5:
The pattern's on white metal.
#7.5:
Okay.
The pattern's on white metal.
#27.5:
Yeah.
I'm looking through the pattern to the
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other side of the pattern and its too complex
to try to
.
.
Its
like I'm seeing through this
.
.
this.
.
pattern.
#7.5:
What
is
the white metal?
Does
the white metal
make up one of the other shapes or something?
PAUSE
#27.5:
Ah.
.
I don't know.
PAUSE
I keep wanting to say its part of the truck
but its not really part of the truck.
#7.5:
Okay
.
PAUSE
#7.5:
Don't force yourself to call the
.
.
its kind
of an exercise here.
.
.
don't force yourself
to call the thing you call
a truck.
Let's say
that we have
a shape of something.
.
.
#27.5:
Yeah.
Exactly.
Well,
that's what it
is.
#7.5:
Say we have the shape of something and it may
be mobile
in some way and it has some sort of
a boom or vertical thing coming out of
it.
#27.5:
Exactly.
Exactly.
Exactly.
And
I.
.1 am
analytically associating
it to that damn cherry
picker on these power trucks and that's why
I
keep saying truck and its not that.
#7.5:
Okay.
#27.5:
Its
.
.
.
#7.5:
Its dark on the bottom,
light on the top?
#27.5:
Right.
#7.5:
Okay.
Now we have this
shape.
This
shape and
we have something sticking up out of this
shape
Okay,
is the shape that sticks
up the conical
thing?
You have
to tell me.
PAUSE
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oftmLi
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#27.5:
I don't see any defined difference between the
light and the dark.
#7.5:
Okay.
Where
is
the white metal?
PAUSE
#27.5:
Its associated.
.
.
Its associated to this
bodied thing with
a
.
.
a
.
.
cherry-picker
type extension on
it.
But every time
I
try
to associate
it,
I
just again,
I
see the dark
bottom half and the light upper half.
#7.5:
Okay.
Dark on
the bottom,
light on the
top.
#27.5:
I
see crosses.
Or
I
should say
X's.
They
are not
up and down or vertical,
they're
X's.
And my perspective
is
like
I would be walking
around
it.
#7.5:
Okay.
PAUSE
#27.5:
That's
all.
Its really fascinating.
#7.5:
Okay.
Let's review this
for
a minute now.
We have the dark object.
.
or we have an object
that has
a protrusion sticking out of
it,
you
associate that with being
a truck and the cherry-
picker type
ladder thing but at any rate you have
a dark object with a protrusion sticking out of
it;
you have
a building associated nearby,
you
have also trees maybe behind that;
you have
some
white metal that you saw you said that
is
some-
how associated with this.
.
dark object with the
protrusion sticking out;
you also have something
that is
like
a cone or a pyramid that has four
edges with
a strange shadow pattern
so it can't
be a square with four edges.
You have some
white metal.
How does that fit?
Those are the
things you told me.
How does that fit?
#27.5:
It fits very well.
Except
I
sense something
there.
I'm feeling something and
I don't know
what
it
is.
Its
.
.
.
did you mention the
intense heat?
#7.5:
No,
I didn't.
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#27.5:
Cold.
#7.5:
Okay,
you mentioned that something,
something
to do with heat.
#27.5:
An intense cold heat.
That's the honest.
.
.
only way that
I
can describe
it.
#7.5:
Okay.
Maybe
its
an area that has
the possibility
of being intensely heat.
.
.
hot and that was an
area that would be intensely hot but right now
its
cold.
#27.5:
Its
a
.
.
I'm trying to
.
.
I'm trying to figure
out what the hell the building's got to do with
it.
#7.5:
Okay.
Maybe
its
just nearby.
Maybe that's not
the
target.
Maybe
its
a building nearby.
#27.5:
Maybe the building's
the target.
#7.5:
Maybe.
Do you want to try
to get
a closer
look
at the building?
#27.5:
Yes.
That's what I'm doing now.
I've gone back
to that angular piece of metal.
I'm looking at
that.
I
see
a
.
.
shape like
.
.
a V cut of
wood that's carried out to the edges.
Not wood,
just that shape.
Its supporting something.
This
is on the side of the building on top of
the building.
I'm seeing the crosses.
.
the
X's.
The X's.
The X's
are metal.
Its not
fencing though.
Clearly not fencing.
Its
larger
X's.
PAUSE
That's all
I know.
I keep going back to that.
.
that truck thing.
I wish
I could see detail.
PAUSE
Two.
.
.
half circle yellow,
glass type dome
things.
Two,
like
lights,
like.
.
.
they are
like protruding tail lights on
a motorcycle.
You know,
the turn signals.
I
see
two of those.
They are yellow.
They are not tail
lights.
I
see
a
.
.
I
see
.
.
three white circles
above.
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#7.5:
#27.5
#7.5:
#27.5
Three inches
in diameter.
I
see
a piece
of metal with four sticks of metal like coming
out of
it.
Aluminum coming out of
it.
PAUSE
Where
is this construction?
This
is on the truck-like thing.
PAUSE
And.
.
these circles keep these.
.
they keep
going from two and multiplying.
For some reason
like they're vibrating,
they are not
.
.
.
they
don't stand still,
you know,
they kind of
(not
audible)
.
Like my focus
is
out.
PAUSE
I
see
like
a stack of gears
all interconnected.
Like,
if you took the end off a crank case
you'd see all the gear works.
Okay.
And there's
a thick yellow grease.
A very thick
heavy yellow grease,
you know,
its
like
its
.
.
somebody has never cleaned them,
they just keep
packing the grease on.
PAUSE
And below that grease there's
a round edge
that's covered with thick black greasy residue
that might have,
you know,
might be old grease
that's run down and hardened.
(Not audible)
and
I
feel rough.
Its sitting on something
rough.
This round type thing.
I'm sitting on
something very rough.
Like running your hands
through.
.
through.
.
just very rough.
Like
it would do damage to your hands
if you run
your hands through this
rough.
Its
rough.
PAUSE
That's
all.
That's all the detail
I get on
that.
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#7.5:
Okay.
Let's try
to draw some of the things
you got now.
#27.5:
Okay.
Let me look around one more time.
PAUSE
I'm going to have a lot of trouble with this
truck type thing because there's
just
.
.
just
a.
.
,
you know,
its
like looking in
a box full
of screws.
You know,
you can say,
there's this
box of lines defining how they go
is
just
.
.
.
PAUSE
Its like this cherry-picking thing here.
#7.5:
You say you didn't see the end of
it.
#27.5:
No.
It
.
.
It just like keeps going on into
infinity.
#7.5:
Okay .
Okay
#27.5:
But,
I can see the end of
it,
but the end of
it's really funny.
Its
.
.
Its
like
a
.
.
like
the end of
a cigar only there's
like a
.
.
like
the
.
.
different shadows on
it,
you know,
they
go across each other like this.
Its just hard
to define what it is because the shadows.
.
its
just really weird.
Its not.
.
.
Looking at it
from the end its like
a round tip of a cigar of
just panted a
little off.
Dead center rim.
#7.5:
Um hm
#27.5:
And there's just this mirage of shadow on
it
so
that you can just see
a rounded outline.
But
you know that there's something in
it.
#7.5:
Um hm
#27.5:
But you're really not looking in
it.
You know,
you're.
.
.
#7.5:
Okay
#27.5:
Its
a point of perspective
I
guess.
Okay.
And
I
see
a lot of metal X's with
a dot in the
center.
A bunch of them and they are kind of
.
.
.
they are not in
a pattern now,
but some
are individual stacks
like this.
But their
edges don't touch.
And then others are
like,
like you're seeing through the ones
in the
front.
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you're
seeing the ones
in the back.
#7.5:
Um hm
.
#27.5:
And the
.
.
the cone
is
like.
.
its
like
a
cone with four edges.
#7.5:
Um hm
.
#27.5:
And its got like
a
.
.
its also got strange
shadows
like this.
I don't know how to
.
.
just strange shadows.
And its kind of
.
.
looking at
it from the
side,
it looks.
.
.
Well,
it doesn't
look,
damn
it,
it feels
round.
But
its not,
okay.
#7.5:
Okay.
#27.5:
Its
a pyramid.
#7.5:
Okay
.
TURN OVER TAPE
#27.5:
The long brick wall was
like in perspective
was
like looking down.
.
. with
a definite
roof overhang with a piece of angle iron out
here.
And there were two strips of light back
in the brick.
And there was
a rise.
.
of some
sort.
A dirt mound or
a rise behind that.
PAUSE
The ...
I
can't.
.
.
I'm trying to think of
how
I
can show the difference between
the dark
bottom and light upper half but
I
.
.
.
#7.5:
Well,
don't worry about
it.
#27.5:
I can't do
it.
I can't
.
.
you know,
there's.
.
.
just doesn't appear
to be where one stops and
the other starts.
#7.5:
Okay.
That's
fine.
#27.5:
The
.
.
I got
a very clear impression of the
...
I really tried for detail and
I
got
a
very clear impression of two yellow lights.
Not on like the
.
.
.
#7.5:
A bullet light?
Lf|rpi-»rr
Approved For Release 2000/08/07
: CIA-RU|jbLllllllUl0O9OO69OOO1-8
Approved For Release 2000/0""SE-CRCT
* 8R000900690001 -8
#27.5:
Yeah,
its
like
a bullet
light.
You know,
on
the old.
.
.
I can't remember the model of the
car,
but you know that came from the
late
40's.
There's two of these and they were
like
in re-
lationship to each other
- they were like this.
And
.
.
somewhere
in here was
a light circle
and a white circle and there was
a third circle
that kind of kept popping in and popping out.
And then there was
a piece of flat metal with
like sticks coming out of
it.
Four of them.
And they are
in
a neat little
row.
. pattern
row.
This metal was like
a dark,
dark color.
These
to
the yellow.
#7.5:
Urn hm
.
#27.5:
That was white.
Oh,
and behind this was
like
a telephone pole.
Some kind of
a pole.
You
know,
a tall,
narrow skinny object.
And behind
that there was maybe a tree here.
And a tree
here
.
#7.5:
Now,
we have
to write
in there, where you drew
the telephone pole,
that this
is
a pole behind
object,
and because when they
look at the draw-
ings,
later they can't distinguish.
#27.5:
I
can
see.
Ha ha.
I'm not
.
.
definitely not
a very good artist.
Tree.
#7.5:
Well.
#27.5:
Object.
This was
a brick wall.
.
.
overhang.
.
light.
.
Its
like an angle iron.
Hill.
.
End of
.
.
for the
lack of
a better word,
a cherry-
picker.
#7.5:
Okay
.
PAUSE
#7.5:
Okay,
then, you've got a lot of stuff here.
Is there anything that you want to add?
#27.5:
The only.
.
the only time
I
felt
#6.5'
s
presence
is
I
sense that he reached out and took hold of
a yellow pole.
Approved For Release 2000/08/(T^^KVP9MPS9W88R000900690001-8
#7.5:
Okay.
Where
is
this pole
in relationship
to everything?
#27.5:
I don't know.
I don't know.
But
I
just sense
that there's nothing around the pole.
#7.5:
Okay
.
#27.5:
Nothing at all around
it.
Wait
a minute.
There
is something.
Over.
.
I
sense.
.
some
kind of
a pit, water pit,
but not
a formal
water pit.
Maybe
a big,
deep puddle.
Near
the pole.
But, why
I
say pit,
is because
the
edge's kind of go down into
it.
That's
all.
That's
all
I can
see around the
pole
.
#7.5:
Okay.
That'll do it then.
Approved For Release 2000/08/07
: CIA-RDP96-00788R000900690001-8
TAB A
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: CIA-RDP96-00788R000900690001-8
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900690001-8 overt Here 6 gee _— a id 06 Sb Approved For Release 2000/08/07 : CIA-RDP96-00788R000900690001-8 { i 1 | H
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: CIA-RDP96-00788R000900690001-8
TAB B
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: CIA-RDP96-00788R000900690001-8
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: CIA-RDP96-00788R000900690001-8
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: CIA-RDP96-00788R000900690001-8
Approved For Release 2000/08/07
: CIA-RDP96-00788R000900690001-8
TAB C
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: CIA-RDP96-00788R000900690001-8
Anmci
Approved For Release 2000/08WI7^|r^^9f-00788R000900690001 -8
POST-SESSION INTERVIEW
REMOTE VIEWING
(RV)
SESSION XLI
1.
(S)
Post-session interviews
are conducted after the
completion of
a session to provide the selected remote
viewer with
the opportunity
to express himself concerning
his viewing experience.
2.
(S)
#27.5 had no explanation
for his target miss.
He had been very confident of his attempt and was surprised
he did not have any target correlation.
#27.5 remains
enthusiastic and wants
to do more remote viewing,
more
frequently.
Approved For Release 2000/0:
96-00788R000900690001 -8