I.
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TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION CCC6
TIME
+12
#14
This will be
a remote viewing session
for
27 February
1980,
with
an on-target
time
of
1400 hours.
PAUSE
All
right #31
the time
is now 1400 hours.
I want you
now to relax,
concentrate and
focus your attention
on
the U.S.
Embassy compound
in Teheran,
Iran.
Project
yourself to
that compound and position yourself
in such
a way
as
to observe
the entire compound.
Describe any
activity taking place.
PAUSE
#31
X' m
first
I...uh..saw
a very peculiar
"Z"
shape
metal frame which
is
a
stand.
It was as though
this
thing was large and was outside
in
a parking area,
and,
as though
on
top
of this stand
is
a large propellor,
propellor
or something.
I'm on
a building
top
looking
down at
it
in
the
long parking
lot
parked against,
in
/
between some vehicles.
I
think that
the building
I
am
on
is possibly
or
3 stories high.
It has
an awning
overlooking
a simple modern door
in
one corner.
I
was
first over that corner,
and now by
looking past
the
funny metal
frame
I was able
to observe
an open
field.
Now
I
am standing
on
a ground level outside
this corner
and
I
see merely
a modern blank wall building.
It has
simple entrance way
at this end
of
it.
/
PAUSE
I'm over
the
trees,
I
think,
into
slightly forward of
a parking
lot.
A
parade field
, Where/to?
Do you
feel
the presence
of
the
compound?
LI 1C
i iua^ayt/C3
»_!
y w
t w
PAUSE
acoro
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#14
I want you now
to
locate
the hostages
and describe
their locations
to
me.
PAUSE
#31
+16
Have
a
light building and seems
to be
"L"
shaped
my
end.
. .several stories.
At
the
far end
there appears
to
be some
low awning work
of some kind around
the
edge
of
the building ... around the corner
or something
Kind
of . .uh. .awning work.
PAUSE
+18
getting
an
idea
of
a funny place
I've never seen
e f ore .
They
seem
to be hovering around outside
it
rjt has
an awning roof with
(phonetic)
these temporary
awnings covers
the sidewalk.
It comes out from its
ront.
The building's several stories high.
It seems
shaped though
and
the awing seems
to be at this
of
it.
Not
end
of
it,
but
in this side
of
the
"L
PAUSE
For some reason
I'm being drawn
to this building.
I
can't. ..don’t
think
I've ever seen this building before,
PAUSE
+21
'm going
in but
(phonetic)
is
a funny curved archway
for
an entrance.
A very
old
style ho... old style
hotel flavor,
almost.
Plenty
of curves,
front
pfl^door.
PAUSE
And
the porch
is
a
"L"
shape... it's
a porch.
It's
L
i
l
n
shaped
off
to
the
left but at
the
T,
at
the elbow of
the
"L"
shaped
thing.
I
get
the feeling
this thing
is
just. .uh. .it' s like somebody carved
the
foyer out
of
a
sand castle.
There's glass windows
at
the
.
. ._hegd^f
t the
"L ir at
the 90 degree angle
to
these. .uh. .windows.
,
«
I
can
(phon etic)
see
li ke
a lobby
or
a,.JLS£9££
aricl
Liny
is
l"iow f^opTe ~c5ome~ in .
There
' s
a counter
of
sorts.
Something
low and wooden but,
it's opened
behind
it.
Around
the windows and
to
the right
there
are seats there
or chairs.
///
PAUSE
Light carpeted
floor.
Have
all guiet
feeling
like
people talk
in whispers here.
It's almost
like.
a
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hotel
lobby.
Like an old hotel.
PAUSE
#31
#14
Leaning with my back
on
the
counter.
There’s
a
pillar
on my
right*
Looking back
at
this
door,
the
whole
face
of
this thing here seems
to be glassed,
but,
it has
a symbol single
door.
Around
on
my
right
then
the
room goes
a little
farther
to
the right and
then goes out away
from me
to
the
front wall.
Now r
I'm
saying
that
for
some reason
looking
out through
that
right corner,
I
can see outside passed
the
blockage
of
the
porch.
It
1 s. .uh. .like
I
can
see out
the
open end
of
a
tunnel
there which
is
the end
of
the porch
and
>i"Tra.n
see
light
outside.
If
it was
day
I
would
see
yrn
opeh packed
like
area.
If
it was open
there would /be
a circular
driveway .. just
on
the
edge
of
my vision and
I
irfould
see
bui'faings
on
the
far
side
of
the
drives.
So now
I
beat
the hell
out
of
this
lobby
and
I
haven
seen
one person
yet.
AH
right.
I want
you now
to
leave
this building.
I
want you
to
go back outside.
I want
you
to s-l-o-w-l-y
drift
up
over
the compound until you
get
a
very
good
view
entire
compound.
Once
you
do
that, I want
you
to
close your
eyes and retain
that
vision.
Retain your
position.
When
I
ask
you
to
open your
eyes again,
you
will have moved
forward
in
time
to ^27^February
1980.
PAUSE
/
|
0k.
It's now 11:00
a. m.
in
the morning,
Iran time
on
/
February
1980.
One week
from today.
Open your
^
^
eyes
.
.
•
#31
'-.Wrong
.
#14
...describe generally
the activity.
PAUSE
#31
Today's
the 27th
#14.
#14
I
thank you.
You still with
it?
#31
Uhmmm...let
me
go back.
Today's
the
27th.
Ahhh...
*
Hummm.
See
now,
what you had
to
do was move me back
and
then move me back.. ha,
ha,
ha.
You should
'o had
me
go back
to the
21st.
Ha,
ha,
ha.
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pause:
#31
Give me about
3 minutes and
I'll
try again.
#14
It's... I'm having
a difficult
time
too,
fighting
to
keep from sneezing and coughing
and blowing my
nose.
PAUSE
#31
#14
#31
+38
#14
+43
0k.
All
right #31.
5 March
1980.
the compound.
It's now 11:00
a.m.,
Iran
time.
It
Describe
the activity taking place
in
PAUSE
Had
a.. uh.. image
of
a routine
type
of activity.
Some
people walking
out
in
front of
this building.
I
think
my
first building
some people who were guards sitting
on haunctrcst phonetic)
scratching head.... have
a -picture
of
a black,
dark
car coming through
a gate... it being/
allowed
to pass through
a gate...alimo
(phonetic)
. ./yP e
of
car.
. .(mumbling)
gate..,,..A-P.iature wof people
in a|
^
erving line”
Like" in
a cafeteria holding" oT plates
PAUSE
Uh..the
limo
(phonetic) p
elderly and Caucasian
man
arriving and getti
He
is all
that
is\ located
area
of all asphal
of cobblestone
everywhere
/ture has
a
...tall,
slender i
hawk/bill,
sharp
features
igh
to have
a conference,
appears
to
be
in an
all /Cobblestone
...my
feeling
Reddish cobblestone.
For
some peculiar
reasonN^ha-'-feeling
I
have
is that
the
red
of
the cobblestone matches that of the basic steps
that he must
go
up.
The steps are not wide.
They
are
not excessively wide.
There are
very
few
of them.
It's
as though he
is
to enter
a side door
to
a building.
Rather than
a front
door.
I
am getting vertical light
lines around
it.
Some look
as
though
there are
a
few
columns here.
I
want you
to
leave
this place now,
and resume your
position over
the compound.
I want you
to again close
your eyes and
relax,
and when
I
ask you
to open your
eyes again,
it will be
11:00 a.m.
,
Iran
time.
The date
will
be
12 March
1980.
I want you
to
relax,
concentrate.
'I'm going
to have
to stop
the tape
and change sides.
I
just want you
to relax and maintain your attitude.
6Eonrp
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#14
#31
#14
#31
#14
All
right #31.
It's 11:00
a. in.,
12 March
1900.
Open
your eyes and describe
the activity
on
the
compound.
PA0SE
Le,
mob il>
..lineJf/
/ jy/ere Uj/
I
I. .uh. .have feeling
of' ting,
chanting people,
of people chanting
in unison, .uh, .along
a..,
An
invisible
line.
At
, first -I thought- they ..jy^ere Uj/ l
looking through
a
gate.
Then,
I
felt
they were "lining
eithej^ide of
a street
and that automobileswj
joassing
through
the street
in
f r °nt^o£
I’m not
/* doing
too good here.
All rightTl'Jhy don't you...
I'm going
to take
a
little walk
and
get back
in
the
saddle,
I
guess.
Take your
time.
Come back.
The date
is now
27 February
1980.
PAUSE
#31
I
had
a real... car,
right.
Doesn't
look
like
one,
but,
anyway,
there’s
one.
Well,
maybe
I’ll
darken
it
up
a
bit
.
#14
I
know you prefer pencil,
but
it doesn’t show up
too
well
.
#31
No.
That’s
all
right.
I
forgot.
I’m out
of training.
This was
the
funniest dam thing.
I
can’t... it was
as
though parked with
these automobiles.
. .right
and here
s
another
one.
This was the first
thing
I
saw which was
really peculiar.
It was as though... it was
a open metal
stand parked here.
It was really wild.
...
imagine
a
metal stand
that went back... it was
like crossed
over
like
that. ..ok,
and
it came
up. ..I’ll
draw. ..I’ll have
to draw
a side profile
of
it.
Anyway,
somewhere
on
sticking up
on
this thing,
was as though
it was
a large
fan structure.
This
is
it
on
the
side.
The feeling
was that
it was
like
this with
a
large fan structure
on
the bloody
thing.
I
have
no
idea what
it
is
but,
it was parked.... I
had
the definite feeling that
the
dam thing was parked
in bleeding^parking
lot
and
it’s
got something
up
top.
Can’t
figure
it
out^-but
it’s
li,ke^
.
. -a front
view would be like this with tTt^e
*taper back down
and
then
these
come
out
in
the front
again.
There’s
a cross piece back
there.
This comes
up,
and
there
are
a couple cross pieces here,
couple
cross pieces there,
see.
it’s
like
this thing
is
a
side view and
this
is
a
frojrt^
s
there
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was something
on
it
like
that.
Like
a big
fan.
Ok.
And
that
is
feet,
say,
ok... and
I
had
the
feeling
that where
I
was,
was... this
is
a parking
curb here.. .and
then there was
a... right
in amongst
...that was
stuck
in amongst automobiles.
I
have
no
idea what
the hell
the
dam thing
is.
Ok.
That's this
fan structure,
fan,
like
a
open,
metal,
open metal
fan,
blades.
It's like
a thing... the
structure
of
the
thing.. .the best
way
I
can describe
it
is you
know these,
you
know. .uh. .aircraft
jack stand
to use
to work aircraft maintenance .. .how
it will
expand
up and... could be
long,
it could take
on different
shapes when
you move
it
up
and
down,
and everything.
It's like
that.
It's,
in essence,
like
that
and
then
when
you
look
at
it,
it's open.
You
look
right through
the thing.
. .somebody
standing
on
the other
side... you
can see right
...see
'em,
except where
the pipes come
across... and
it's
like
that.
And,
where
I
was... this
is
the
open field spelled correctly,
ok... which
is the
first
open
field... and
I
was sitting up here
on
the
edge
of
a building.
So the whole
thing turned
out
to
be
like
this.
And
this
building had
just
a raw overhang
over
it.
A cement
overhang over
the
door,
like
that.
Ok.
Off
into
the
distance ... it was maybe several ... let me
say... it was
several
feet,
several
stories,
but,
that's all... had
the feeling that there
was. .uh. .cement
stoop here,
and there was
a
it was gra....a walk came out
a
little ways.
It
wat? gr§ss^jaround
like
this,
ok... and
aJ,.ong - th e edge
of
the building.
tha
t
here was
a
parking area and here was
one
car.
Here w9^4die_other
car.
Here was the other
car.
Ok.
And,
then here was
,f,uPny contraption.
And here was another
car here^.
Ok.
Car.
37^
a
driveway
and this
is
the
curb with grass.
There's grass
here
as well.
This goes along here.
I
don't know
where that goes.
And,
there's some bushes along
here.
Just
some
low bushes.
And this is the open
field.
The
first open field.
That was my
first image.
I have
no idea what
the hell
that thing
is.
Ok.
That was
first.
What did
I
get second.
Second.,
it
looked
like... what
I
thought
I
was doing... was just
hopping and skipping all around
the whole compound
because then
I
had
a
idea
of standing
on
a veranda
just
a fleeting
thought.
I
didn't even
talk about
it
on
the
tape... I
thought .
.
. t
ghtNI
was over
at
the big building that Iv^rked
last,
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—
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te
'Oto’O 5 ^ V^ose 7 out houses on
it and
everybody was
tp]JJrigji,s
, t h
f
, ,.t heyn t ho t ight- the y.
were'-marrtfe''quaFters and that what the other
guy
and
I
came up
u/ith was that
they weren't maids
quarters but like storage sheds,
and stuff
RemefflfrLL 4
bdll).
. .lT'was the one
I
said
the boat
Was
in,
ok.
It was that
one.... it was either that
one or
it was the one up
front at
the other end
of
the
thing.
Anyway,
it was this idea of... it was
this idea here
It was... it was this thing looking
out.
You
< know.
—
Trees _out. haxa—-^
lr
f TflUU
t
Talked about
crrL
.
^ T tX a^-.Xn
n
g . H «as r
aU
d
V
t°f
what dld
.
d shaped bul
!,
ra befoi e *
0k.** s°rt
.
really
efd
d
neve r been there
roof-*
taU and
me that
buUding ^
pot reaULn Q
P over the
feeling °f
.
_kinny, but ?
v’of
an overh:a?9 „ r0und this
of tall and
yith somewha
^
. and that
awning
skinny*
*
n here
l lke
e
sort of
a
fn the
roof,
ok --;be building ^
is "L”
shaped ^
goeS
C
k
r0e
and then this bui d £ here come
And
ok*** an
, vnU see the
w
indows m
x
f
ft the
that.
It’ 8 **
„
h3t
I ** °fce moU be
down HKe
from the top
.
, and her
ok ...and
from the *
• •*
lo0k like
like that.
it at
uru *
«
fiont
here would be
t looked.
first
riinQ f°r
,
it was as
of
thl
... it
ieallY
t .'’"you Kno« bob
Uh •
*
* it filing das a ^ build
a f
U^Cle^el1
though* *•
know when
y
fte sand
a door
when y°u "‘ Y
°
make a door Jov^ ^
^® yoU
just
you
C
got’ V°Ur
into
S
the sand with ^your^^
a real door*
lVSi£ i *s tiyi"9 Wf^end that
cora.ng
the idea
i
g tunnel her
door was
'Ti
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it's
a tunnel shape
tiling.
Ok.
It
goes down
like
that and
then
it goes across like this
and
that's outside,
ok.
See what
I
mean.
That
s
outside
the glass.
I'm looking through
the
glass,
here.
Ok.
What
I
was trying
to
get across is
there's the awning thing sticking
sticking out
into the light
if there was light outside what
I
would
see here
is
what would
I
see again. .. .ok.
.
.
I'd see
a curved
road going
by
as though there's
a
road there
round
a curve and
in
the distance
on
the
other side
of
the road
I'd see buildings,
ok.
So
much
for that garbage.
Ok.
Where was
I?
Nine.
Nine sketches
for
just
tripe. .. .ok. .. .uh..
.
.
you
got me back on
the compound
told me
to go
outside,
go
up and check out what was happening. ... .all
I
had was the feeling of.... that
I
was back at sketch
..uh..back at sketch number
2. .. .somewhere associated
out front
of sketch number
the building side
of
sketch number
2 here that there were
a group
of people.
I
took them to be guard
type people that were sitting
hunkered down
on
the curb waiting
for something
loitering around.
. .little bit
of feeling people once
in awhile.... an occasional
individual walking
through
this driveway
but nothing steady,
or anything.
Uh
.
. .what was the other one?
#14
-About that time
I
#31
/
I
had people
in
a
where
it
is.
line,
a mess line... I
don't know‘s
\
)
#14
\
...to
3 March and
/
you described routine activity,
.
.
black
car
coming through the
gate,
people-^ln
aSiej^ving
line.. uh.. it
a tall slen^r^Kerly
c au c a sitrrK.cuan
.
#31
Yeah.
Had
a real
limo feeling
for this thing.
How
do you draw
a long black car.
Think an American would
know how
shit.
. .anyhow,
he... I
had this sort
of
a
feeling,
you
know
gate posts. .. .gate posts type
thing and
the
gate being open
you know.
Swung open
like that.
And,
here being the other
one... the other
gate being swung open
like that... ok.
Guy standing
here holding
it,
right;
guy standing here,
holding
this one and
that
a big car going through this gate.
Going
in,
ok.
That's
the
idea.
Had the feeling
it
was going
in the
gate.
Oops... -in the gate
and
SeORET
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it.
. .ok.
. .u/as.
. .we would know as being like
a
covered walk
for sidewalk,
you
know.
You know
the
type like
a marque
of
a
theater has
or
of
a posh
restaurant has this umbrella cover
that sticks out
to the street.
Something
like
that,
ol<
and
back
in here
is
just dark.
Ok... and
the building...
this was
the
"L"
shape
of
the building,
ok.
That
should actually
come down
like
this,
I
guess.
There
that's more like
it.
Now.... so
I
check
the action
out
there
(sigh)
ok.... here
is
the outside.
How do
I
get this straight.
The inside
of this place
is curved and arched.
Just like
somebody had reached
in
the sand and
just dug
out curved and arches
and
it's dark and it's.... ok— curved
arches,
curved
arches,
ok
and here
is the
awning.
Outside
awning,
all
right.
And this
is
the walkway.
Do you
get that... and this
is all
this
is all dark and
shady
in
there,
ok.
Standing there
and looking this
way... I
know this
is.... none
of this is what you want
to hear
standing this way
is
simple door
and
here
is all
the arching affect.
And here
is sta...
window,
regular window,
goes down
a
little bit farther.
All
right.
This
is
glass.
Here
in
the background
is
this counter
I
was talking about and here,
along the
window are chairs with their backs to
me.
Ok.
I
am
looking through the glass
ok,
and somewhat
of
a low
thing there cutting that off
carpeted interim
all
right ..... inside there's
a pillarett there which
you would see sort
of
through
the door and this goes
back here..... there 's the other part
of
it. ...that goes
up
like that as though you were looking through
a
....
through the
glass,
ok.
I'm going
to make that bigger.
Here are
the chairs,
like
this.
Looking away.
TleTre-ks
pillar and this
is
a glass door.
Had
a very hotelish
(
type
of feeling
to
it
and right here
in my fore-
\.
ground
left
is this corner which comes down like that.
\j 0 £ y wo i
'rd fQQ1! iug.
.
-aod .—......si^and
,
.
mg. .gil51 dfl*
^
quick sketch here
standing inside
looking
out
to
my
right would be
the pillar,
ok,
blocking
my
view and
there would be
a dome there
that
I
could look katty-
Z
corner
out
of,
ok.
Probably find out
this
is where
Valdheim
:
(phonetic)
stays ... .shit
I
don't know.
And
ThtTWiyira are here,
like
that.
Here's
the other dome
far
in the distance....! mean not
it's not
a dome
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I
had
the feeling this
tiling was walled.
Ok.
Wall
and not
fence but wall,
not posts or pillars,
but,
solid wall.
Now,
I
don't know where
this
car went.
But,
I
don't have
the
feeling
that
it drove
far.
I
had the feeling that
inside this wall,
of course
everybody,
this
is where we get on
the... thanks
to ABC
and NBC and everybody else,
but,
that
ok... what
was that date
5 March
I'll write
that
on here!
5 March
1980.
Two men opening
gate;
big black limo
entering
ok.
I
had the feeling that
if
I
looked
through
this gate
that
it was
the gate that has
this,
funny little thing inside and
it seems
to be
a building
r-inhf
id., the hank.
OK.
Now,
there's
a capstone for
the
gate.
Th^^
? s^^e'oh
the other side,
ok.
And,
.
that the grand automobile was
in
the process
of driving
that
isn't bad,
is it?
Dam.
Surprise myself
sometimes.
Ha.... was
in the process
of driving
in,
ok.
There's some sort.... this
is
an open plaza.
It's all
over here.
It's just like
a big parking area or something.
Drive-in area,
or something
like that.
On^n plaza.
It's
all
over.
Then
the last
thing
I
had for this cat was
exiting
a car door
and
there, being ... .how am
I
going to
do this
some
few,
very few number
of not very
large
steps,
ok,
that are
the thing
I wanted to get across/'
is they're
red brick.
I
had
the feeling
of
brick
that*'
matched all around,
ok.
Ok,
red brick steps.
That's
the thing
if anything,
it's,
here's the side of the
building,
but this is all
red brick... is
all
over
on
the ground out here.
It's as though there's no grass
....it's
no
as though somebody paved right
up
to
the side
of
the building
and all around
the building
like this.
No cir
I didn't get
any
kind
of feeling
for
any kind
of circular drive
or
any kind
of
an actual
identifiable drive.
It was
just like the yard,
no
grass,
all bricks.
All outside this thing and
it was
a.
.
. not
a big
qr.aQdl,a43^txang.e~but
a smaller
,
more conservative entrance,
you
know.
Not
at
all m
keeping with
the kind of stuff we pulled
out
for
the
front doors
to some
of
these places.
But,
that
there
might
be
one column
or
two on each side as opposed
to
six
or seven
on ea...you
know.
All
right.
And
the
car pulls up
and
I've got
this
tall,
lean
guy with
a
bill
nose,
you
know.
. .uh. .what did
I
call
it?
A hawk
j
nose,
yeah.
Yeah,
a hawk nose,
tall,
lean,
Caucasian
j
elderly
guy,
salt
and pepper,
slim
, ~^_XoaL-^--^t+reT^'
impressive build.
Daperly dressed suit,
3 piece
suit,
j
dressed,
no hat.
Kind
of
reminded me
of Valdheim.
/
. You
know,
the
look Valdheim
, you
know.
He's
very
\
r~
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#14
#31
#14
kj
natty
(phonetic)
all
the
time and he's... ok.
And,
slender;
you could
see his Adam’s apple,
you
know.
...image
I
had... ok.
Then,
the
last
image
I
had was
a series
of
like
3 automobiles traveling down
a street
line with crowds
going,
you
know,
ya-ya-.
Ok.
That was... we moved
then
to
12 March
1980,
ok.
Anything else?
No.
That’s it
for
me.
All
right.
End
of session.
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TAB
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800740001-3
Approved For Release 2000/08/07 : CIA-RDP96-00788R000800240001-3_ a K Pa ~ 2 ™ 2 . . 4 oe c}+ — a s ¢ w y 0 g 3 5s SV e J el <_ 8 e 12) k, Approved For Release. 2000/08/07 : anes a ——