Approved For Release 2000/08/07
: CIA-RDP96-00788R000200480001-8
dO' 6
'3’
INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
ECRET
CLASSIFIED BY:MSG,DAMI-ISH
DATED:
0^1630ZJUI48
NOT RELEASABLE TO FOREIGN NATIONALS
REVIEW ON;
LjJk.
_ jN
Approved For Release 2000/08/07
: CIA-RDP96-00788R0002004800SfelLLlL®
Approved For Release 2000/08/07
:
690200480001-8
SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION
CD-53
1.
(S/N0F0RN)
This
report
documents
a
remote viewing
session
con-
ducted
in
compliance with
a
request
for
information
on
a
target
of
interest.
The purpose
of
this
session was
to
determine
the
location
of
an
area
in
the
attached photograph.
An
effort was
also
to
be
made
to
determine
the point
of manufacture,
of
the
equipment
depic-
ted
in
the photograph.
2.
(S/N0F0RN)
The
protocol used
for
this
session
is
detailed
in
the document,
Grill Flame Protocol,
AMSAA Applied Remote Viewing
Protocol
(S),
undated.
3.
(S/N0F0RN)
At
TAB
A
is
a transcript
of
the
data present by
the
remote viewer
during
the
session.
At
TAB
B
are
drawings made
by
the
remote viewer reference
his
impressions
of
the
target
site.
At
TAB
C
is
target
cuing information provided
the remote viewer,
At
TAB
D
is
analyst memorandum regarding prior
involvement
of RVer
In related
Project
8003
sessions.
4.
(S/NOFORN)
Interpretation
and
use
of
the information provided
is
the responsibility
of
the
requestor.
CLASSIFIED
BY;
REVIEW' ON
:
MSG,
DAMI-ISH
0 5 j. 6 30 Z
JUL
7 8
GRILL FLAME
N'OT RELEASABLE TO FOREIGN NATIONALS
Approved For Release 2000/08/07
:
ORGON
00020048000^ /
Approved For Release 2000/08/07
: CIA-RDP96-00788R000200480001-8
TRANSCRIPT
REMOTE VIEWING (RV) SESSION CD 53
TIME
#66:
This will be
a remote viewing session for 1400 hours,
17 June I960.
PAUSE
#66:
Relax and concentrate now, relax and focus your attention on
the target for this afternoon.
Focus your attention on the
photograph which I have shown you.
Focus your attention on
the photograph which I have shown you.
Move in space and time
to the area of the photograph, when the photograph was taken,
and describe the area to me.
PAUSE
+04
#07
I’ve been rwinkin' very fast.
It might be logical overlay.
I cannot seem to.
.
.
something that I felt was important.
I think its near a.
.
.
some (mumble).
.
.
something of a gun.
A ball on a tower,
and there's three, three smaller ones
around it.
I thought,
I thought that
(mumble)
PAUSE
+06
#07
I don't know how this comes out where it is if.
.
.
I thought
it was important,
I 'just.
.
.
appears to be
a big long field.
.
very long race track like-
PAUSE
#66 :
+10
#07 :
#66 :
(mumble) not.
.
.
not taken at
a regular track testing gruond.
Explain the raw data.
I saw someone I can identify with.
.
. developing the picture,
and I felt that.
.
.
he felt very comfortable with.
.
.
no
pressure.
.
.
no pressure.
I.
.
. Allright,
I
see a vehicle
running, it does not look like.
.
. does not look like, uh,
the pictures I've seen of test grounds.
Allright.
Focus your attention on the area of the picture,
now.
Focus your attention on the area of the picture,
and
move now, with your attention focused on the area of the
picture.
Move now to a position of observation one hundred
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#66 :
#07 :
#66 :
#07 :
#66 :
+15
#07 :
#66
#07
#66
#07
#66
#07
#66
#07
#66
#07 :
#66 :
#07 :
#66 :
nautical miles above this location,
and describe for me in
terms of geography,
the location of this area.
PAUSE
I got
a.
.
.
a 'winking thing again.
Relax and concentrate.
PAUSE
I can’t
sj-ay up there.
I keep coming back down.
Just a minute.
Then we’ll wait.
I kept seeing a very faint .
.
.
faint picture of what I think
is trees and mountains and, kind of non-de script.
I seem to
be a point just south of.
.
.
south of a very big city.
Describe the distance to this city.
I don't know,
sixty.
.
.
sixty miles,
I guess.
Do you recognize this city?
I had been wantin'
to say something, but I don’t want to.
I
think I.
.
. keeps coming to me.
Just let it go.
I don’t know what's logic and what's not.
That's fine, that's not your responsibility to sift it out.
I
seem to be just south of Moscow.
Allright,
fine.
Now,
lower your altitude and go back through
space and time to the time of the picture.
Lower your altitude
and go back in time to the space/time of the picture.
Move
over next to the tank and put your hand on the tank.
Through
space/time to the time of the picture.
Move to the tank and
place your hand on the tank, tell me when you've done
so.
I got.
.
. after this picture.
I think it was done
at about
30 miles an hour.
You can stop time,
just freeze time.
You can stop time,
just
freeze the time and place your hand on the tank.
I got it.
Okay,
I got it.
Allright, listen very carefully.
Very carefully,
now.
It's
Approved For Release 2000/08/0
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#66:
very important that you keep your hand on the tank.
We're
going to follow the
bank through space/time, therefore for
continuity it’s very important that you keep your hand on this
tank.
Keep your hand on this tank.
Do not let go of this
tank.
Now listen very carefully.
Move backwards through
space/time to the point of final assembly of this tank.
Move
back through space/time to the point of final assembly of this
tank.
Keep your hand on the tank.
Move now.
And describe
for me this location.
#21
#07 :
#66 :
#07 :
#66 :
#07 :
#66 :
#07 :
#66 :
#07 :
#66 :
#07 :
PAUSE
I'm inside
a.
.
. inside a foundry like a building, big pour-
ing ladel, bucket like. I went outside,
I
see
stacks,
but this
is not.
.
.
(mumble) down that way.
I got rid of the tracks.
.
.
somthing peculiar.
.
.
something peculiar about the tracks.
.
.
it'.s cold and grey outside.
.
.
Where is your tank?
It's over there.
.
. without the tracks on.
Allright.
Now,
once again,
focusing your attention solely
on this area right where that tank sets over there move up to
an altitude of 100 nautical miles and describe for me in terras
of geography this location.
PAUSE
It's, uh.
.
.
about 30 miles from where
I was before.
Thirty
miles to the northeast,
and it's near the city.
.
. it's
a.
.
.
a big factory complex.
Describe it's position to me once again.
It's about 30 miles northeast from where
I was about.
.
.
about 30 miles southeast of the big city.
Allright.
Now, move back down to this point of manufacture.
Now,
at this point
I have no further questions about the target,
but I'd like to give you the opportunity to comment on any-
thing you think is important
at this time.
Something funny about the person who took the photograph.
They did not feel tension or pressure
(mumble) they could
take the
photo
again if it wasn't good.
Tell me the raw data which makes you say this.
I looked at the guy.
(mumble)
He was not tense.
It was
routine
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