datamatters24/research-document-archive huggingface dataset:
Approved For Release 2000/08/1
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#7
. 5
:
#14
:
#7
. 5
:
#14
:
#7
. 5
:
#14
:
#7
. 5
:
#14
:
#7
. 5
:
#14
:
#7
. 5
:
#14
:
#7
. 5
:
#14
:
It sounded like we had the Third Bucket
Brigade
in there.
Right.
Not only
that,
also the siren kind
of distracted me quite
a bit.
Okay.
Is there anything else you want
to add?
No.
Except
for perhaps
they were
a combination
of indoors and outdoors.
Its just
a vague
feeling.
Which impressions appear
indoors?
Ah.
.
.
the
cube type shapes appear related
indoors.
But
I also had
a;
as
I was getting
a series of cube shapes,
I had
a flash of
like light or there seemed to be
a brillance
all
of
a sudden.
And there.
.
.
let me try
to
go back and picture
it.
.
.
There were three
angles
I
saw that
corner
at.
(PAUSE)
Whatever
they
are,
I
think they are related.
PAUSE
Okay,
which shapes were outside?
Ah,
my biggest
guest imate would be these
two.
You are referring to numbers ....
Four and five.
But
I
didn't
really
get
a
strong impression of being inside
or outside;
its just
.
.
.
like remember the
last session
I
had,
I had
a very strong impression of water
which seemed to
fit.
Um hm.
But
I
really
didn't
come up with anything
that
I
really
felt strong about except
for
the geometric shapes.
Okay.
Is there anything else you would like
to
' add?
No,
I
can't think of
anything.
Approved For Release 2000/08^E@^^^6-00788R000900950001-9
mie |A-RDP96-00788R000900960001-8 Approved For Release 2 es eee ‘ ORCON /NOFORN INSCOM GRILL FLAME PROJECT SESSION REPORT Copy 2g tow: R-ool-77 CLASSIFIED BY: Director DIA DECLASSIFY ON 2 Mar 99 EXTENDED BY: Director DIA REASON: 2-301-C(3)(6) prope CTLL FLAME Approved For Release 2068 BIO aot. RDP96- 00788R000900960001 -8
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TAB B
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TAB C
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POST-SESSION INTERVIEW
REMOTE VIEWING
(RV)
SESSION V
1.
(S)
Post-session interviews are conducted after the
completion
of
a session
to provide the selected Remote
Viewer with the opportunity
to express himself concerning
his viewing experience.
2.
(S)
During the post-session interview the remote
viewer related his feelings concerning this session.
The salient points of the post-session interview are
as
follows
:
a.
The mental
images experienced by #47.5 did not
seem
to
fit
together.
b.
Despite the
low target
correlation
factor,
#47.5
expressed his general
"good"
feeling about the session.
He
felt that
even though he was unable
to adequately
describe
the target,
that
he was more comfortable working
with the interviewer and the session protocol.
c.
#47.5 was eager
to conduct another remote viewing
session and felt he would do even better,
given the chance
to practice.
3.
(S)
The
interviewer and #47.5 appear to be developing
a strong rapport.
As
a more trusting,
mutually supportive
interrelationship
forms,
an atmosphere conducive to reliable
remote viewing should develop.
Approved For Relea
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Approved For Release : &@IA-RDP96-00788R000900960001-8 SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION II 1. (S) This report provides documentation of a remote viewing session conducted for the purpose of orienting a selected Remote Viewer to the protocol which will be used in the remote viewing training program at Stanford Research Institute (SRI), Menlo Park, California. 2. (S) This session was considered very successful by all participants in that the post-viewing on target analysis provided the viewer with positive feedback. The target site contained features which matched the viewer descriptions. The Remote Viewer was anxious to conduct another session and was highly motivated. The Interviewer and Viewer seemed to work well together. 3. (8S) The protocol used for this session and which will be used in later training is detailed in the document, Standard Remote-Viewing Protocol (Local Targets) by Harold E. Puthoff and Russell Targ, November 1978. 4. (S) Following is a transcript of the viewer$S impressions during the remote viewing session. At TAB A are drawings made by the viewer reference his impressions of the target site. At TAB B are photographs of the target site. At TAB C is a post session interview. Approved For Release CIA-RDP96-00788R000900960001-8
Approved For Release 20 #10. #28: #10. #28: #10. #28: #10. #28: #10. #28: #10. #28: #10. #28: #10. #28: #28: P96-00788R000900960001-8 This is really out of perspective. But, in other words, this is the wall. This is the imaginary plain of the wall where this thing protrudes out of it. Right. Okay. So actually, this should be erased. Because that's a corner. And this is the roof on it. And this is where I was telling you on the preceding picture, it continues. Okay. Long perspectives. Okay. And this is when I saw those two things that I added to that last picture. Okay, do you want to put them in this one. I had the feeling that this is where the sign was and this was where something else was. Something big and bulky. Okay. I got the impression it was a typical sign you see along any old street. Okay. PAUSE That really doesn't give justice, I don't think, to the way this thing looks. Then again, I don't know what I was imagining because at that point in time I thought, that looks like a theater arcade. But I'll do one of the front of that just in case. Now, you are looking down into it. I'm looking past the front of it. And down here somewhere (pause). . . . (not audible). Right. What looked like the other thing at the curves. Approved For Release 2000/08/07 : CIA-RDP96-00788R000900960001-8
Approved For Release 2000/08/1
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•F'
rT
ii a u
lLm
#7.5:
Okay
,
f ine
.
#14:
I'd
guesstimate we probably had much better
luck the last
time.
Its hard to
say,
I
don't
know.
These
are the
impressions;
but
I
had stronger impressions on
our first
a,
our first
session.
#7.5:
Well,
the noise factor was something this time
to be worried about
.
#14
:
Uh huh
.
#7.5:
You definitely had
a noise
factor,
this
time.
#14:
Yeah,
I
didn't think that
I was going to
let
it bother me but
.
.
.
#7.5:
Well,
it was pretty bad.
#14:
I had
a hard time focusing or trying to focus
my consciousness.
#6.5 and 29 out
there.
It
seemed like
it would be hit
and miss and
a
lot
of things would start jumbling through.
Before
I
could focus,
there would be another noise
factor that would interrupt my concentration.
#7.5:
Okay,
that will
do
it
then.
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TAB A
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A proved For Release 2000/0 107 : CIA-RDP96-00788R000900950001-9 Approved For Release 2000/08/07 : CIA-RDP96-00788R000900950001-9
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TABB
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TAB C
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Approved For Release 2000/08,
6-00788R000900950001 -9
POST-SESSION INTERVIEW
REMOTE VIEWING
(RV)
SESSION IV
1.
(S)
Post-session interviews
are conducted after the
completion of
a session to provide the selected Remote Viewer
with the opportunity
to express himself concerning his view-
ing experience.
2.
(S)
#14 had
a very good session.
There was
a high degree
of target correlation.
#14 was satisfied with his results and
felt
that
he was improving his remote viewing abilities.
#14
was concerned with the ambient noise associated with the remote
viewing room but
for some reason was able
to perform quite well
in spite
of his concern.
Perhaps,
it was his concerted effort
to work regardless of the noise.
3.
(S)
The interviewer noted that
#14 seemed
how to relax and concentrate.
Rapport between
interviewer was
good.
to be learning
#14 and the
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Approved For Release 2000/0827 ; 000600610001-9 INSCOM GRILL FLAME PROGRAM SESSION REPORT CLASSIFIED BY:MSG ,DAMI-ISH DATED: 051630ZJUL78 NOT RELEASABLE TO FOREIGN NATIONALS REVIEW ON: On Approved For Release scone : “SOREL crRiuL FLAME Le py | of 2caere
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#10.5:
I
don't have very much.
But what
I
feel
that
it was
in some sort
of
like an arcade.
#28:
Okay.
See
if you can ....
#10.5:
But
its that
I haven't
got anything like
I
had
before occasionally.
#28:
That's okay.
#10.5:
But now here's
to retirement.
Lock up.
#28:
I've
got nine years
to
retirement.
Got
a
lot
of
time.
#10.5:
Ha
ha.
#10,5:
I
don't know how valid
it
is.
You know
I
didn't
have
all
the feelings that
I
.
.
.
.
What
I
felt
was
that when
I
first
saw was
that
they were
like
standing on
a street
corner or something looking
at
(or
I
saw
it)
it was the edge of
the building.
#28:
Okay.
#10.5:
And that
the buildings went
off.
.
.
in perspective.
When
I
said the overhang;
the overhang of
that
building was like
an arcade overhang.
At
first
what
I
felt
that
it might be
a theater mall.
You
know,
a theater entrance.
Then you put me
in
front
of
it
in the dark and under
this overhang and
its
white and
its
light.
Its just
a street
is
all
I
got
the
impression
of.
Just
a big open shiney.
#28:
Okay.
PAUSE
#28:
Now,
as you make different
drawings,
put numbers
by the drawings
for references.
#10
. 5
:
Right
#28:
Would you like
to have the lights on?
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Approved For Release onstage P-RDP96-00788R000901070001-5 #44; I just crumpled up a drawing because it is not one that I wish to have considered because I drew it from the wrong direction. Where did I, what? #20.5: Where did you perceive that you were seeing this? Where, where were you in relation to that bench? PAUSE #44: Are you asking me if I was inside or outside? Or are you asking me where I was in relation to the bench? Obviously, I was standing here. #20.5: Okay. #44: Like that. #20.5: Okay. #44: Quit! #20.5: All right. #44; #20.5 just asked me a question which I shall endeavor to respond to. He asked me as to whether I had a feeling as to how many people were with #100? The answer is I guess involved with the way I work that is that I target on an individual and while I feel that #100 is .. was by himself, I'm not certain that I would have noticed anybody else. I did not get the sensation that there was anybody else immediately with #100 but I had the feeling that he was there by himself, being quiet and concentrating on the space as an outbound subject usually does. I had the feeling that he was giving it a good concentrated try. I did not get the feeling that there was a period of time where he was interacting with other people around him. Such as if people had been there talking to him, he would have been doing. Stop again, Approved For Release oS SSRIS HeFeroP26-00788R000901070001-5
\ \ A Approved For rate eonner : CIA-RDP96-00788R000900960001 -8 4 Approved For Release 2000/08/07 : CIA-RDP96-00788R000900960001-8 es
(Approved For Release 2000/08/07 : CIA-RDP96-00788R00090096 At z => (? vp = oe dA WO : pind: Bice Macon eden eents ¥ “pu wat aT Sane Seah es ire eiaecas te OER RO aS pact Anca a anc on . He ses anal tennst dashes SP oe oe onerners a RAE a Sot a a ia Bs ae ES Ura Pohl * . z rs insla ees Hs eS ea en eth ama stibsSaie C Approved For Release 2000/08/07 : CIA-RDP96-00788R000900960001-8
Approved For Release 2000/08/07 : CIA-RDP96.10788 ooo900960007-8 — |. i ( i £ i j i ; 4 a & q i Hi § ' x : 8. € 3 t & z a i 4 i a 4 t ¢ } i Approved For Release 2000/08/07 : CIA-RDP96-00788R000900960001-8 | [ Cd |
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900960001-8 TAB B Approved For Release 2000/08/07 : CIA-RDP96-00788R000900960001-8 | |
* : CIA-RDP96-00788R000900960001-8 - Approved. For Release 2000/08/07 CIA-RDP96-00788R000900960001-8 oO my 00 oO my o oO oO N ® ” o ® ® ~ See fe) LL ro} ® > ce) , jor jor a
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#10.5:
Yeah.
No.
No.
Let me stay
like
this.
PAUSE
#10.5:
When
I
said the wedge,
that's
one.
#28:
Wedge,
okay.
#10.5:
A line.
PAUSE
#10.5:
And
I
felt
that
that was just
sidewalk.
#28:
Okay,
you want
to
do
a sidewalk.
PAUSE
#10.5:
And
I
felt
that
it was.
.
.
.It wasn't
dark,
like brick;
it was
light
like sandstone reflecting
the morning light.
#28:
The surface
of the building?
#10.5:
Right.
PAUSE
#10.5:
This being the wall.
This wall,
to the right.
You told me
to look to the right or
go down
the
side of
it.
And,
as
I went
down ....
and
that's when
I
saw this overhang.
This
overhang,
as though,
I was
looking down the side of this
thing.
The perspective
is wrong,
but ....
As
a matter of
fact,
its
farther away
in the
distance
PAUSE
#10.5:
Imagine just this wedge.
No,
I've
got
the per-
spective right because
I was close
to the building.
I was
in,
like on the sidewalk.
So actually the
perspective of that street
is right down like
that.
If
it
is
a street,
in
fact.
But
the perspective's
right.
In here,
is where this ....
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Approved For Release 2000/08/07 : CIA-RDP96-00788R000900960001-8 TAB C _Approved For Release 2000/08/07 : CIA-RDP96-00788RO000900960001-8.
Approved For Release 20008810745 CIA-RDP96-00788R000900960001-8 POST SESSION INTERVIEW REMOTE VIEWING (RV) SESSION II 1. (S) Post-session interviews are conducted after the completion of a session (usually the following day) to provide the Remote Viewer with the opportunity to express himself concerning his viewing experience. 2. (S) #10.5 has had previous experiences similar to remote viewing. This experience was different for him in that he did not perceive himself to be at the target location, as he had in his previous experiences and he was able to talk about his impressions and images while he was having them. Previously, he would "visit" target locations on his own and not be able to relate information during the experience. #10.5 wanted very much to try remote viewing again as soon as possible. He felt that there were things that he didn't say that now he knows he should have. #10.5 felt he could have verbalized more during the session. 3. (8S) As to the relation between the viewer and interviewer, it was decided that the interviewer give more time to the viewer to respond. Additionally, the use of "questions" on the part of the interviewer needs to be reduced. #10.5 and the interviewer got along well together and are developing a rapport for future sessions. Approved For Release
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900960001-8 TRANSCRIPT/ INTELLIGENCE CORRELATIONS TRANSCRIPT DATA (ABSTRACT) TARGET CORRELATIONS 1. "The only thing I see is a vertical line like toward the corner of a building---like a wedge.” 2. "I see -- an overhanging thing. --And its darkened under it." "The top is flat." 3. (The viewer has been asked to move under the overhang and what his perceptions are from that point) "Dark with light at the end." (The viewer has been asked to move to the light at the end, turn around and look back) "Dark with light at the end." "Dark is inside--the light is at each end." 1. Sketch correlation. The target location is in fact a building. Two of the photos taken by the outbound team were toward corners of the building. 2. Sketch correlation. There is a drive-through order pick-up service at this restaurant. The overhang is present and is in fact rather dark underneath in daytime. Although it does not appear so, the roof of this building is a facade and the actual roof is indeed flat. 3. Target correlation. From under the overhang it is possible to see through the building to the windows on the opposite wall. The lighting inside is subdued and the day was brightly sunlit giving the impression of dark with light in the distance. Approved For Release 2000/08/07 :! CIA-RDP96-00788R000900960001-8
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INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
NOT RELEASABLE TO FOREIGN NATIONALS
Approved For Release 2000/08
CLASSIFIED BY:MSG,DAMI-ISH
DATED:
051630ZJUL78
REVIEW ON: Mcuj albnl
788R0006'GbRILL flame
C--erf2^
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"3-
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Approved For Release 2003/^jQ||Ep|)P96-00788R000d00990001 ~5
#66:
Okay.
Now in your broad overall view of this
total area here can you give me some one word
descriptions
that would describe
the general
area.
#11:
Water.
Two types of water.
A lake.
Possibly
a river.
And somehow they're connected.
Deep
revene or canyon.
Some unusual outcrossings
in
the middle of nowhere.
There seems
to be
.
.
at the top
fo this revene or canyon,
there
appears
to be
a plateau with some unusual
formations
in
it and then it goes
to.
.
then
it goes
up,
not necessarily into
a mountain
region but there seems
to be
a
step grade into
another plateau.
.
or whatever.
#66:
What type of foilage
is there?
#11:
I had the feeling of sparse,
grass.
.
kind of
like
a
.
.
No,
I don't want to
say it
-
a desert
type foilage.
Something like you'd find in the
southwest or something.
I didn't get
a feeling
for
a
lot of trees.
Mostly grass and brush,
like out on the plans or
something.
#66:
Okay.
. What altitude,
how high
is this area?
Is this down
in
a low valley
-
is this
up
in
the mountains
-
is
it,
you know,
what's
the
general altitude.
How would.
. when you went
to this place?
#11:
Ahhhh,
Whew!
#66:
Have any sense
for that?
PAUSE
#11:
No.
Don't have any sense
for
it.
#66:
Okay.
#11:
My
.
.my most of my relation comes from
this point right here
as
A,
B,
C
- the
label
D.
"X" marks
the
spot.
There appeared to be an
outcropping here and
I appeared to be standing
on that looking this way,
looking across.
.
Not even from where
I took an aerial perspective;
I appeared
to be hovering right over this area
here
.
#66:
Okay.
How do you feel about this session all
together?
How do you feel about your images
and impressions.
Do you have an identity
-
do you think you did well;
do you think you
Approved For Release 2003/09/1
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BT Approved For Release sop ter Rorse-oo7ssn000900990001- did poorly? Had a rough time? Had a good time? #11: The noise bothered me out there quite a bit. I found myself fluctuating in and out, trying . having problems locking in on this thing. #66: Based on that and in your past experience, then how do you feel;overall how do you feel this came out? #11: Confidence level wise? #66: Yeah. PAUSE #11: Fair. I'm sure the basic shapes will relate to something even if the overall idea and the theme doesn't. PAUSE I feel very strongly about this canyon or revene. I feel very confident about that because I can still visualize a picture of it. PAUSE #66: Is there anything else you want to add or anything? #11: No. PAUSE Except (not audible). There may be too much analytical (not audible). But I do feel very strongly about this revene and the background. PAUSE That's it. #66: Okay. Approved For Release 2003/09/™'* a 6-00788R000900990001-5
Approved For Release 2003/09/11 : CIA-RDP96-00788R000900990001-5 TABA Approved For Release 2003/09/11 : CIA-RDP96-00788R000900990001-5 cee rteanato ns cnnareninimnntente me site conse a to.
Approved For Release 2003/09/11 : CIA-RDP96-00788R000900990001-5 Approved For Release 2003/09/11 : CIA-RDP96-00788R000900990001-5 __ | abe
Approved For Release 2003/09/11 : CIA-RDP96-00788R000900990001-5 Approved For Release 2003/09/11 : CIA-RDP96-00788R000900990001-5
Approved For Release 2003/09/11 7 CIA-RDP96-00788R000900990001-5 Approved For Release 2003/09/11 : CIA-RDP96-00788R000900990001-5 is ote,
Approved For Release 2003/09/11 : CIA-RDP96-00788R000900990001-5 TAB B Approved For Release 2003/09/11 : CIA-RDP96-00788R000900990001-5
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Approved For Release 2003/09/11 : CIA-RDP96-00788R000900990001-5 TAHOE, LAKE, on the boundary between California and Nevada; about 150 miles NE of San Francisco; 6,225 feet above sea level; area 193 square miles. The lake is drained by the Truckee River and is enclosed by forested ranges of the Sierra Nevada, whose crests rise 2,500 to 4,000 feet above the lake surface. There are numerous summer resorts in the area. Lake Tahoe was known as Lake Bigler until 1862, when the original Indian name, Tahoe, meaning Big Water, was restored. _ Approved For Release 2003/09/11 : CIA-RDP96-00788R000900990001-5 |
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Approved For Release 2000/08/08
: CIA-RDP96-00788R001 7001 90007-8
Approved For Release 200vl
-RDP96-00788R000901 040001 -8
#31:
But its.
.
the angles
are
like
they should
be there
.
#66:
All
right.
#31:
And at the end of this walk, was
.
.
let me
get rid of these,
because that was
later.
.
was
this
fleeting image of this
front part of
a building or something.
Some sort of
a
structure
.
#66:
Okay.
#31:
I want to
say that there are three of these
(STEPS).
Okay,
not two.
Three walks
up,
two
columns, white and
I don't know what kind of
cap
(not audible)
and then this peak part.
Now,
this
isn't the only building.
This
is
merely the pasod or
the front or whatever.
This
is
a part of
a building but
I
can't tell
you what the rest of it looks
like.
That's why
I drew these
lines out here dotted on the sides
because this was
just the center,
like
a main
entrance door.
#66:
Okay.
Okay.
Now,
do you,
did you perceive
at
any time the
.
.
#31:
That's
the whole
shot.
That was one total thing
#66:
Okay,
do you perceive the
"outbounders "
in this
scene at all?
#31:
No.
I don't seem to be able
to perceive
the
"outbounders"
.
#66:
Okay.
That's
fine.
I
just wanted to know.
Okay
Okay.
That was
the one scene that you saw.
#31:
Yeah.
Then what
I tried to do was put myself
on this white strip here and try to get down
to this thing to examine
it more closely,
okay.
#66:
All
right.
#31:
So then
I
just ended up with
a
.
.
okay.
.
those
are round of course.
I didn't get any feeling.
.
I was
looking along
the side here
so
to
see,
you know,
as
I was
trying to go down there
,
but
I didn
' t
see
anything;
it was all just grass.
And my
.
.
.
I
felt that
it was
just open lawn.
That there
Approved For Release 2000/0
DP96-00788R000901 040001 -8
Approved For Release 2000/08/07 : CIA-RDP96-00788R000901040001-8 TAB B Approved For Release 2000/08/07 : CIA-RDP96-00788R000901040001-8
Approved For Release 2000/08/07 : CIA-RDP96-00788R000901040001-8 Approved For Release 2000/08/07 : CIA-RDP96-00788R000901040001-8