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SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION
D-9
1.
(S/NOFORN)
This report documents
a remote viewing session conducted
in
compliance with
a request from SOD,
J3,
QJCS,
Pentagon, Washington,
DC.
The purpose of
the session was
to provide information relevant
to the
hostage situation
in
Iran.
2.
(S/N0F0RN)
The remote viewer's impressions
of the target are provided
as raw intelligence data,
and,
as such,
have not been subjected
to any
intermediate analysis,
evaluation or collation.
Interpretation and use
of
the information provided is the responsibility of the
requestor.
3.
(S/N0F0RN)
The protocol used for this session is detailed in the document
Grill Flame Protocol,
AMSAA Applied Remote Viewing Protocol
(S),
undated.
4.
(S/N0F0RN)
Following
is
a transcript
of
the viewer's impressions during
the remote viewing session.
At TAB
A are drawings made by the remote viewer
reference his impressions of the target
site.
At
TAB B
is target cuing
information provided the remote viewer.
5.
(S/N0F0RN)
The remote viewer was
ct&hzJL to locate Robert Englemann and
describe his surroundings.
The viewer felt that at
the time of the session
Englemann was located
in a building familiar
to the remote viewer.
This
building was later identified as building
"H".
Tutl:
NOT REL
NATIONALS
0RC0N
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TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION D-9
TIME
#66:
This will be a remote viewing session for 1430 hours,
26 August
1980.
Relax and concentrate now.
Relax and focus your attention
on Robert Englemann,
whose picture
I
have shown you.
Focus
solely
on Robert Englemann.
Concentrate.
Locate Robert
Englemann and describe his surroundings to me.
PAUSE
#31:
Getting.
. .something on
a.
. .something on
a raised.
. .platform,
something on
a raised platform.
. .raised square. . .something
else,
sitting up
on
it... appears to be a... a large room...
bare floor... low roof
seems to be a... light along the
wall... in the far corner... and
a,
uh...this thing
in the
room is a,... I'm getting some sort of a... large pedestal
thing.
. .seems to
sit
on a.... middle of
a floor covering...
a round pattern... it
is dark and gray,
knobby and gnarled...
over
a gnarl
I
can see... a white streak
in the back....
+07
appears to be
a,
uh. . .something above me... like
I am...
getting up at a... interior balcony,
like a false roof
inside a roof...
#66:
Focus on Englemann now,
and tell me about Englemann.
PAUSE
+09
#31:
In
a,
uh
...in a.
. .place. . .like a... place where there
are.
. .large. ... .boxes,
that are arranged so as to make a...
cubicle.
. .all sit on one side of a room like... you can
walk
by on the right side and... look up to your left
and
see these boxes of
a room in
a room... but
it's open at the
top and they're semicircular,
they're like.
. .almost feel
like I'm on
a raised section of floor,
and the ceiling of
a.
almost like
I
can look
in under the raised section of floor
from the passageway.
. .as
I walk along to the right
I'm trying
to find him
PAUSE
+16.5
#31:
He must be
in here... it's the place where things hang down
from the ceiling.
. .like suction cups,
look like suction cups
on
a string,
like lights.
. .they hang down
in
a pattern,
over top of this raised area,
in which there are these large
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#31:
cabinet units that are arranged
in
a semicircle on
a
raised floor.
I have only feelings of him.
. .sitting splay
legged in
a chair with arms... in a,
somewhere up on
a plat-
form, which
is about three feet
high...
#66:
Is he alone in this room?
#31:
No,
he was with three or four other people up
on the platform,
had
a place of work,
like people go up there and do things...
But he
is sitting there...
There are some other people
around him but they are all awake,
not like they are sleeping,
or
lying around,
it’s like they are awake and talking.....
+20
#66:
What class of people are these?
PAUSE
#31:
Like one other
hostage.
. .this is a place where this...
man and this man would usually be for everything normal...
their normal work place.
. .normally they would be here...
they have been.
. .brought
in with some other people...
some controlling people.,, who like observe and describe...
show and point and talk about what
is here... what is here
is ...I
think. . .technical equipment.
, .these boxes are arranged
for a purpose,
and
I believe that there
is... the stuff
he
knows all about
is
in these.
. .boxes and.
. .general discussion
about these boxes,
there
is also
a strong image... like
a
corn or.
. .wheat. ..brush
like wheat,
I have to draw
it
#66:
Tell me about
the building in which this room is located.
It's a... sort of
a long flattened,
simple rectangle,
pretty
simple rectangle with one side something
a little raised,
like a... porch
layer,
or
a something
a little bit raised on
the middle of one side.
Now the area surrounding the building.
On
a roof there is
a line to my immediate left front,
like a
hole sticking high... I
see a... sort of open area all to my
front,
with trees to my
left front,
going away into the
horizon.
. .and trees on my right.
. .front.
. .something
in the
trees far away,
on the left front
#66:
From above
look
down.
PAUSE
#31:
White line splaying out
in
two directions.
. .one on the
right and one on the bottom and... of the building,
and then
a white circle on the left side,
then like a parking area,
or sort
of a hard area... on the left,
rather,
the circle on
the
left,
the hard area on the left... the hard area on the
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#31;
top... and then
#66;
In what area of Iran
is this?
#31;
North,
uh... north central....
It's hot as
a bear in here.
#66;
Okay,
let's go ahead and draw what you have here.
#31:
First thing
I had was
a feeling of standing in
a large r^om.
A large spacious.
. .possibly a
low,
must have been
a low roofed
room with something here blocking my view,
going along lika
that.
And
I don't know what the heck that was.
But the
\
next thing
I
had was here.
As
I began to resolve the thing \
that was
in the middle of the room it began to be
a little
l
more familiar. .. ..and the room on the outside,
a
circular
I
pattern,
and this is like a... a tic-tac-toe crosshatch,
I
which is in
fact, what it is
is it's a raised dais or
I
pedestal,
sitting
in the middle of circular pattern on the
/
floor,
which has the question marked object
in
it.
Okay.
So then what
I ended up with is... some sort
of
a modern
pedestal type of thing inside this circular pattern.
And
these are the crosshatching things that
as you
look down
from above
it looks like that.
This
is above view area.
And,
urn,
I
had the feeling like that this thing was like
solid wood pedestal with this gnarled sculpture
on
it.
Now the
light thing that
I
had was over here in the back-
ground.
This is when the thing began to look familiar
to
me.
Okay.
Here was light emanating into
the room from the
back side?
TJkay?
Like from rear.
That7 sT7l im- 4-ftad^±he
,
ypw^icnow,
this is
it,
it was like
I was
falling right
lftto
'good old familiar territory.
And that here above me looking
C
up was like
a false
floor
or a balcony,
overlooking
tT>is
statuary,
ijkay?
ArTd on the -right side__was mv sm^old
familiar staircase that
I recall from before.
#66;
And where is this area that you feel that you recognize?
#31;
I
don't know where
it
is.
Are you,
you mean,
are you going
to the end of the session?
#66;
Well,
uh,
you said
it looked familiar
to you.
#31:
I
had something,
I
had something stuck
in
a,
some big
rounded thing
in one of my very early sessions,
uh,
in the
middle of
this,
in the middle
of this large like room with
light
in the back and also light
in the front,
like a door-
way,
but
I didn't see that
this time.
But
it was the thing,
the thing that identified where
I was that
I'm familiar
with is this gnarled,
funny looking sculpture and this-
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#66:
And do you recall what building that was in that you
saw it?
#31:
No.
#66 :
Okay
.
#31:
#66 :
#31:
And this
is a balcony.
That's three.
Then this is where,
when you asked me
to focus on him
I had
a feeling of
like these large,
. .things
like arranged.
. .these
consoles or boxes or something.
. .arranged on a semicircular
pattern... on some sort of
a false floor thing,
at the end of
which- this is out of proportion,
it's all screwed up...
There would be
like another one here and that'd be the
top of it.
Okay.
And this is a lower... I 'll have to draw
a different perspective.
. .lower passageway.
And this is a
wall.
And then down here is
a double door.
Is this a
Fferent area?
Yeatarthis is different,
I
don't know where
I was here,
I
tlwik
I was still in the same building.
Chained double
d/or.
Let me draw
a better sketch than' five".
0ka^7~this l5"'tHe false floor.
I
could feel or see false
floor...
2.5 to
3 feet up.
Okay.
That's the idea
I want
to get.
Here's the wall and this is the passageway.
This
is
only maybe
8 feet wide,
this
tiling comes back,
then that goes
back around
the corner like this,
then back here
is the
double doors.
.
.
You like walk around this platform
Okay,
now.
Here to my back are these things arrayed,
okay?
In the semicircle like this.
#66:
All right,
now,
you have the raised platform with these
stacked boxes or consoles which you've now called them.
Am
I
to understand that this is different than the raised
area that describe
in this other larger room?
#31:
Yeah,
it's a different place than
1 and
2 and
3.
It's
somewhere else totally.
#66:
Okay.
#31:
Somewhere else totally.
^And then this comes along,
there's
is no wall there,
that's where
the wall
line
is,
because it's set back,
there's
a passage-
way back here.
And this
is like just
a raised.
. .dais,
okay,
on which these big boxes are sitting,
whatever the heck they
are.
And these boxes have this little ledge... the boxes
are cabinets. .. .and the feeling of them being
in
a semicircle.
#66:
Now I'm to understand then that you had- you were unable to
get
a fine focus on
the,
uh,
individual in question,
Robert
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