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SUMMARY
ANALYSIS
REMOTE
VIEWING
SESSION
870
1.
(S/NOFORN)
This
report
documents
a
remote
viewing
session
conducted
in
compliance
with
a
request
for
information.
2.
(S/NOFORN)
The
remote
viewer's
impressions
of
the
target
are
provided
as
raw
intelligence
data,
and
as
such,
have
not
been
subjected
to
any
intermediate
analysis,
evaluation
or
collation.
Interpretation
and
use
of
the
information
provided
is
the
re-
sponsibility
of
the
requestor.
3.
(S/NOFORN)
The
protocol
used
for
this
session
is
detailed
in
the
document
GRILL
FLAME
Protocol,
AMSAA Applied
Remote
Viewing
Protocol
(S),
undated.
4.
(S/NOFORN)
Following
is
a
transcript
of
the
viewer's
impressions
during
the
remote
viewing
session.
At
TAB
A
are
drawings
and
narrative
by
the
remote
viewer.
At
TAB
B
is
target
cuing
information
provided
the
remote
viewer.
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TRANSCRIPT
REMOTE
VIEWING
SESSION
870
#66:
This
will
be
a
remote
viewing
session
for
0900
hours,
March
1982.
Relax,
relax,
relax
and
concentrate
now.
Focus
your
attention
solely
and
completely
on
the
area
in
the
photograph
in
the
sealed
envelope
I
have
given
you.
Focus
solely
and
completely
on
that
place
in
the
photograph
in
the
envelope
I
have
given
you.
Holding
your
focus
now,
move
your
perceptions
through
time
to
September
1981.
Focus
now
on
September
1981,
and
describe
the
area
in
the
photograph
to
me.
PAUSE
#32:
I
think
there
is
a
very warm,
almost
hot
atmosphere
in
terms
of
temperature
in
an
area
that
#66:
Just
relax
now
and
go
slow.
Remember
now
you
don't
have
to
use
full
sentences.
Just
one,
two,
three
word
descriptors
#32:
It's
like
an
old
French
Foreign
Legion
post.
I'm
talking
about
the
corner
of
two
wing
buildings
coming
together
It
has
the
flavor
of
a
very
ol d
.
. .mi
i tary
post
like
an
old
French
Foreign
Legion
post.
Almost
the
building
is
cheaply
constructed.
It wasn't meant
to
be
permanent.
#66:
Okay.
Relax
now,
we
have
a
time
problem.
Just
relax
for
a moment,
relax.
We
need
to
focus
in
time
September
1981,
September
1981,
September
1981.
Focus
on
the
area
in
the
photograph
in
the
envelope.
September
1981.
Stand
on
the
ground
and
describe
the
area
in
the
photograph
to
me,
September
1981.
PAUSE
#32:
I
see
something
like
a
brownish
log
cabin
only
with
a
peaked
roof.
Like
a
oversized
#66:
Okay.
Turn
around
and
describe
what's
behind
you.
#32:
Looks
like
some
kind
of
(mumble)
that
big
pole,
tall
pole
.......in
courtyard
I
see
gate
and
I
see
temporary
type
gate,
and
I
see. ...see
barbed
wire
(mumble)
#66:
And
beyond
the
barbed
wire?
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#32:
Kind
of
dirt
road
that meanders
through.
_
.
. .through
a
very
green
vegetation,
heavier
than
just
short foliage. ... looks
like,
looking
back
it's
almost
a
camp
through
the
gate.
Looks
like
this
is
a
little,
not
so
little,
but
isolated
tough
to
describe
like
a..
like
a. .what
would
be. ..the
principal
admin
building
of
a
summer
camp
type
thing
surrounded
by
barbed
wire
with
the
rare
feature
of
an
absence
of
people
desolation.
#66:
Okay.
Now,
listen
carefully.
When
this
picture
was
taken
it
was
taken
of
a
very
specific
area.
In
the
picture
it
shows
an
exact,
specific
location.
Tell
me
specifically,
exactly
about
that
location.
#32:
I
see
it
isolated
on
a,
sort
of
a,
from
an
overview
I
see
it
isolated
on
the
top
of
a
hill
and
surrounded
by. ..in
an
area
of
hilly
terrain
and
valleys
and
heavy
f ol i age
.
.
.
.
. 1 1
' s
as
if
this
thing
were ... seemed
like
on
top
of
a
volcano.
.
.
#66:
Okay.
Stand
on
the
ground
next
to
this.
Look
at
it,
stand
on
the
ground
looking
right
at
and
describe
it
to
me
A
continuing
impression
that
I
have
is
logs
tied
up
together
in
a. ..almost,
almost
lashed
together...
most
in
a
pine
needle
fashion
and
it
forms
(mumble)
and
it
has
a
tendency
to
rise.
That's
all
I
can
tell
you
#66:
Okay.
I
don't
have
any
further
questions
about
this
area,
but
I
would
like
to
give
you
the
opportunity
to
comment
should
you
feel
it
necessary.
Do
so
now.
#32:
No.
I
don't
have
anything
else.
#66:
Okay.
Remember
clearly,
perfectly everything
that
you
have
seen
so
that
you
may
draw
for
me.
Let's
prepare
now
to
draw
the
perceptions
that you've
had.
Tftft
ft
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#32:
REMOTE
VIEWING
SESSION
870
(DRAWING
NARRATIVE)
Okay.
In
sketch
number
where
I
first
found
myself
I
found
myself
standing
in
front
of where
two
buildings,
I'm
going
to
mark
that
with
an
X,
where
two
buildings
seemed
to
join
together.
And,
it
reminded
me
of
a
very
warm,
hot
climate
area.
I
wanted
to
say
something
like
Latin
America.
It
was
like
an
old
French
Foreign
Legion
Post
with
walkways
which. ..with
a
roof
overhang,
and
columns
and
circular
little
framework
on
the
top
of
the
columns
just
swinging
too
and
fro.
I
pushed
it
to
find
out
what
the
building
was
made
of.
That
changed
later
on,
but
at
that
time
it
appeared
to
be
like yellow,
stucco
building material.
I
just
got
stuck
there
and
just
couldn't
see
anything
else.
Except
that
corner
of
those
two
buildings
coming
together.
Which
is
what
I've
tried
to
draw
in
sketch
1.
The
other
very
predominant.
. .picture
that
intermittently
clashed
with
the
first was
the
notion
of
a
somewhat
crude,
log
cabin
type
building
which
seemed
isolated
in
a
camp
ground
area.
Again,
with
the
same
type
of
hot
and
warm
atmosphere
surrounded
almost
by wilderness,
but
very
greenish
vegetation.
When
you
asked
me
to
turn
my
back
on
the
buildings
or
that
spot
where
I
was,
I
looked
towards
what
seemed
to
be
the
main
entrance
of
a
somewhat
courtyard.
What
caught
my
attention
was
a
very
long
pole
in
the
center
by what might
be
the
equivalent
of
a
camp
ground
and
a
gate.
Three
or
four
feet
from
the
ground
the
wall
would
be
solid
but
what
really
grabbed
my
attention
was
that
the
prop
of
the
surrounding
parameter
fence
seemed
to
have
three
or
four
barbed
wire
strand.
The
gate
was
mainly
solid,
I
think.
But,
there
were
Xs
of
cross
pieces
on
the
gate.
Also
attached
to
the
cross
pieces
were,
I
get
once
again
that
barbed
wore
fence,
and
beyond
the
main
gate,
I
tried
to
follow
a
road
that
seemed
unpaved.
It
was
a
dirt
type
road.
Not
a
bad
road,
but
certainly
not
a
secondary
road
as
we
knew
it.
And,
that
seemed
to meander
through
a wooded,
again
the
emphasis
there
was
a wooded
area with
again heavy
vegetation.
Again,
the
feeling
of,
of
warmness,
heat
and
even
humidity.
.But,
not
that
bad.
Anyway,
when
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you
really
pushed
me
and
asked
me
to
describe what
I
saw
right
at
the
spot,
the predominant
image
there
was
a
structure
of
logs,
with
cross
beams
and
the
cross
beams
seemed
to
be
lashed
with
twine
together
forming
this
structure
that
kept
rising
into
the
air,
#66:
Is
it
in
number
here
that you've
drawn?
#32:
Yeah.
That's
sketch
number
4.
And,
that's
all
I
really
had.
#66:
How
do
you
feel
about
this
session ... how
things
went
for you?
#32:
Perhaps
the
two
most,
the
two
strongest
feelings
I
had
were
that
this
was,
all
of
this,
whatever
it
was,
was
made
or
built
in
a
very
isolated
area.
It
was. an
almost
absolute
sense
of
complete
absence
of
activity
and
personnel
in
the
area.
In
that
the
structures
. or
whatever
they were,
were
supposed
to
be
temporary
in
nature
and
they were
lasting
a
hell
of
a
lot
longer
than
they were
intended
to
last.
#66:
Okay.
What
kind
of
confidence
level
do
you
have?
#32:
It
was
an
ease
I
have
ever
had
in
trying
to
translate
or
trying
to
bring
about
what
I'd
seen
in
terms
of
imagery.
#66:
Okay.
Any
other
comments?
#32:
No.
Geographically
I
was
trying
to
get
up
and
get. an
overview,
and
when
I
did
that
all
I
got
was
a. ..this
particular
pinpoint
was
seen
on
top
of
a
very
high
hill,
almost
a mountain,
surrounded
by
almost
precipitous.
. .not
gullies
because
there
was
a
great
deal
of
vegetation.
It
seemed
very
isolated
in
terms
of
lack
of
civilization
in
the
area,
and
it
gave
me
the
impression
that,
again,
it
wafe
in
a
dense,
foliage
green
area
on
......
a mountain
top
.
Got
the
impression
that
it
was
waiting
for
something.
#66:
Okay.
Anything
else?
#32:
No.
That's
all.
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TAB
I
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TARGET
CUING
REMOTE
VIEWING
INFORMATION
SESSION
870
1.
(S/NOFORN)
sealed
envelope
also
briefed
on
asked
to
focus
on
Sep
.
Prior
to
the
se
containing
the
the
attached
RV
uring
the
sessi
ssion
the
viewer
attached
photogr
Target
Matrflf Ch
on
on
the
place
was
given
a
aph.
He
was
art.
He
was
in
the
photograph
2.
(S/NOFORN)
photograph
in
not
appear
to
The
viewer
was
After
the
session
the
viewer
was
not
sh
the
sealed
envelope.
He
was
told
that
hi
correlate
with
the
picture
in
the
sealed
showing
the
symptons
of
a
cold
or
the
fl
own
the
s
data
did
envelope
.
u
.
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* ^ \<t $
SG1A Approved For Release 2000/08/07 : CIA-RDP96-00788R000600990001-8 Approved For Release 2000/08/07 : CIA-RDP96-00788R000600990001-8