Approved For Release 2000/08/07
: CIA-RDP96-00788R000700020001-3
SECRET
GRILL FLAME PROGRAM
SESSION REPORT
CLASSIFIED BY
*
CFO ASSIFYOM
OR
REVIEW ON
ggp £000
EXTENDED BY
|| T
REASON
—
C,^
I
X c^
o r co
grill flame
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WOT RELEASABLE 10 FOREIGN NATIONALS
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SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION 824
1.
(S/NOFORN)
This report documents
a remote
vieu/ing session conducted
in
compliance with a request for
information.
2.
(S/NOFORN)
The remote viewer's impressions
of the target are provided as
raw intelligence data,
and
,
as such,
have not
been subjected to any intermediate
analysis, evaluation or collation.
Interpretation
and use
of the information
provided
is the responsibility of the requestor.
3.
(S/NOFORN)
The protocol used for
this session is detailed
in document
Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol
(S), undated.
4.
(S/NOFORN)
Following
is
a transcript
of the viewer's impressions during the
remote viewing
session.
At
TAB A are drawings made by the remote viewer
reference his impressions
of the target site.
At
TAB
B
is target cuing
information provided the remote viewer.
5.
(S/NOFORN)
Target
cueing
included
a geographic coordinate and
a xeroxed
copy
of
a photograph which was sealed
in an envelope.
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NOT RELEASABLE TO FOREIGN NATIONALS
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TRANSCRIPT
SESSION NUMBER 824
#72:
This will be
a remote viewing session for
November 1981.
.
with
a start time of 1000
hours.
You will be briefed that
this
is
a new
project
and we'll gain access
to
the target
using coordinates
in
a sealed envelope provided
to me.
PAUSE
It
is now 10 o'clock.
Our mission for today
is located
at coordinates:
SG1B
The coordinates
are:
SG1B
I wish you to go
to
that location and tell me
when you arrive.
PAUSE
#19.5:
Okay.
#72:
At this
target,
I would like you now to go back
-
back in time to
1 June
1981.
1 June
1981
at
1230
hours.
1230 hours.
PAUSE
#19.5:
Got
an impression of
a
lot
of commotion.
People
running.
PAUSE
Its
a
.
.
.
PAUSE
Trying
to identify with the
.
.
.
the incident
or whatever would make people run and
I
get
a
.
.
impression of being
in
.
.in air and being
slammed
to the ground.
PAUSE
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#19.5:
There seems
to be
a
.
.
.
.
like
a light
.industrial
area.
Possibly some residencies type buildings
in
mss' area.
PAUSE
Large square building on one side.
Three floors.
PAUSE
Grey
color.
Like
a factory or
.
.
.
No,
its
not
a factory,
its just
a large building.
PAUSE
#72:
I would like you to go
to
the ground floor and
go outside the building.
PAUSE
#19.5:
I got
an impression of
a fire or something.
Standing out
.
.
the front.
.
.
like
a
.
.
approach drive.
Large,
curve drive entry
.
.
like area.
Elat,
open walkway.
PAUSE
#72:
I would like you to now go
to
a perspective of
ab<hut
1,000 feet
in the
air.
Tell me when you
land there.
PAUSE
#19.5:
Okay,
I'm
.
.
.
there.
#72:
In the sealed envelope
is
a zeroxed copy of
a
photograph which describes the general
area.
On
the photograph
is
a smaller circle.
Can you
locate the target?
PAUSE
#19.5:
I get
an impression like
its
a.
.
.
.
from the
entryway
to the
large building,
its
facing out
from the door,
its
.
.
.
about
a
.
.
28 degree
angle off the center,
to the right.
.
about
a
.
.
about
.
.
1500 meters perhaps.
PAUSE
#72:
I want you to
go
to
that
location and describe
what you perceive.
PAUSE
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#19.5:
Just
a minute.
PAUSE
Its
like
a section of ground with bumps
in
it.
And
a
.
.
.
"V"
shape plate
- metal.
PAUSE
There's
a.
.
.1
don't know
if
its
a trailer
or
a box shape ....
Its
like elongated
bo'x
•gjmgr connected to another box shape.
.
.
in
the form of
an off-set
"L".
PAUSE
There seems
to be
a
.
.
like
an
op.
.
.
road
goes aggressively further into the ground to
a doorway or an entryway.
That's to the left
of the box
shapes.
PAUSE
There's
an elongated structure over that.
I get
steel girders and lights.
PAUSE
Very tall
structure.
Steel girders and lights.
PAUSE
#72:
Reach out
and touch the building.
#19.5:
That would be those box shapes.
Hard concrete
.
very
thi ck.
"
PAUSE
Its like
a nodual form or something on
it.
PAUSE
There seems to be
a
lot
of pumping equipment
for some reason.
Getting
a dome shape
-
a
lot
of pumping equipment.
PAUSE
Pipes
.
There's
a nodual feel
to this
.
.
.
structure,
like a bump,
bumpy feel.
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#19.5:
The
walls
are
slanted.
No windows.
PAUSE
Get
a
real
messy
feeling
about
this
area.
I'm
trying
to ....
I
had
some
kind
of
feeling
since
the
start
of
the
session
like
it
was
a ...
it
must
be
some
kind
of
a
di saster .
Fire
or
something.
PAUSE
#72:
Do
you
perceive
any
people
in
this
building?
PAUSE
#19.5:
Yes,
but
they're...
they're
not
moving.
They're
like
bodies.
I
don't
know
if
that's
overlay
or
not,
'cause
I
keep
thinking
this
is
a
disaster
type
.
.
.
of
area.
Getting
an
impression
for
enormous
heat
for
some
reason.
PAUSE
I
see.
.
.
things
burned,
but
not
burned.
.
I
don't
know
how.
.
.can't
get
that
out
of
my
head.
I
see
people
on
the
periphial
trying
to
get
to
the
building
but
they
can't.
It's
like
there's
an
invisible
.
.cordoned
off
area.
People
are
wearing
white
suits.
Some
kind
of
jump
suit
type
atraifT
Almost
1 me
a
fire
suit
.
PAUSE
I
can't
seem
to
shake
this
.
.
.
this
disaster
type
feeling
about
the
target.
PAUSE
I
see
heavy metal
doors
in
this
building.
Moving
around
inside
the
building
I
see
catwalks
andheavy
metal
doors.
Looks
like
twin
tanks
of
some
kind.
Like
poured
concrete,
steel
reinforced
tanks
of
water
.
PAUSE
liOT RELEASABLE TO FORE I G3 NATIONALS
Approved For Release 2000/08/01
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R000700020001 -3
#72:
Why
don't
you
go
through
one
of
the
doors
and
tell
me
what
you
perceive.
PAUSE
#19.5:
I
see
.
.
.
see
lab
area.
See
a
dust-free
room.
Its
all
tile.
Things
being moved “around
wl T"h
machines.
Manufacturing
some th ing.
Very
dangerous
•
•
• something
very
dangerous
being
manufactured.
’
PAUSE
#72:
Come
out
of
the
room
and
go
to
the
ground
floor
which
is
above
the
tunnel
leading
down,
#19.5:
Okay.
#72:
And
what
is
the
description
of
that
area.
#19.5:
Its...
PAUSE
This
would
be
a
coordination
point.
Things
are
packaged
here.
It's
like
a
temporary holding
point.
I
see
like
pallets
with,
.metal
objects
stacked.
They have yellow
bands.
Painted
yellow
bands
with
inset
screws
with
red
inserts.
There's
a
special
key
operated
screw
-
it
doesn't
have
the
single
slot,
it's
got
like
the
hexagonal
type
key
that's
gotta
fit.
It's
like
a
holding
.
.
.
.
place
for
whatever
these
are.
#72:
Describe
for
me
what
is
on
the
pallet.
PAUSE
#19.5:
Just
a
second
,
PAUSE
They
.
.
.
They're
rounded
shapes.
They're
like
.
.
like
the
size
of
.
.
.
just
a minute.
Getting
a
lot
of
overlay.
I
keep
wanting
to
turn
these
things
into warheads
but
I'm
not
sure.
I
i
m
They're
.
.
.
They're
not
unlike
that
shape,
they're
about
inches
across
-
diameter
wise
perhaps
feet
long.
Apparently
stacked.
I
see
WffcELEASABLETO
Approved For Release 2000/08/07
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K.*?'
"V"
impression.
.
.
like
a
inverted,
interconnected
"X" which
I
can't
describe,
but
.
.
.
It kind of folds over to one
side.
Its
v seems
to be some kind of artillery round
or something
- artillery shell.
That's possibly
overlay.
-
PAUSE
#72:
Okay,
I want you to leave this
area.
And now,
go up
in the building.
.
.
go up
in the building,
one floor and tell me what you perceive.
PAUSE
#19.5:
Lot of noise.
PAUSE
Must be
a
lot
of talking or yelling.
Many people
with ....
papers moving.
.
here and
there.
Probably some kind of .engineering
area.
Drafting type equipment
Light machines,
refine
machines
i
Where they
do mock-up type work.
Sign type work.
#72:
Are there more than one room on this floor?
#19.5:
Big
bay.
I don't
get
any multiple rooms.
Very
large bay type area.
PAUSE
#72:
Okay,
I'd like you to move to the next
floor
and tell me what you perceive.
PAUSE
#19.5:
This
is split
into
a two part
area.
You know,
like
a front
area that's
.
.
.
administrative,
secretarial
type workers.
.
.
open area,
some
smaller,
cubical
type areas.
I have
a control
.area
-
its got
a guard.
Couple guards
as
a matter
of
fact;
tney're controlling
a door to
a hallway.
#72:
Why don't
you go through that door and tell me
what you see.
PAUSE
#19.5:
Again,
split
into two portions.
I
see ....
lab type areas
left
of hallway.
Right
side
of
hallway appears to be office type
areas.
Stripped
office
areas.
They're not plush
- they're just
functional.
Very ....
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*
r ^
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'
^ few—
I
#19.5:
Its
.
.
.
stern,
like office
areas.
There are
no adornments on the walls or
.
.
.
Maps on
some
walls,
but
.
.
.
Lab area.
Lot
of
test equip-
ment,
electronics.
PAUSE
#72:
Are there people
in the
lab?
PAUSE
#19.5:
Very
few.
'Four maximum.
Maybe five.
PAUSE
#72:
What
language
do you perceive that they speak?
#19.5:
Just
a minute.
PAUSE
I
get
a mix.
I
got
a
PAUSE
Just
a minute
One of the languages is
...
X
get the idea they're all conversing
in
a single common language
that being French.
I
think they're
all
ennveu.gn ng
in
French
.
But the
native language here
is ...
is Slavic origin.
Two of the
five!,
.
.
are not
Slavic though,
they're
from
.
.
.
like, .....
I
don't know
speak a more gutural
language
-
like
a harsher.
.
Possibly
a middle-eastern dialect.
Common
language spoken
is French though.
PAUSE
I
just
get
a strong impression
of French,
I
don't
know why.
Its not native language.
Its what
they're speaking.
Expertise
is French
.
#72:
Are there
any females
in the group?
PAUSE
#19.5:
No impression of females here ....
at
all.
Clearly can say no females
in this
lab.
Had
an impression of
females
in the office area
but not
in the
lab.
#72:
Okay.
I would now like you
to rise
to the next
floor up and tell me what you perceive.
PAUSE
„
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OECRCT
19.5:
Don't perceive
a next
floor.
PAUSE
A flash impression of
a classroom like
area,
but
I
don't think that's
the next
floor.
I
don't think
that
I'm getting
another floor.
#72:
All
right.
I would
like you
to return to
the ground floor
.
.
#19.5:
I
see
a section of floor over
a tunnel.
#72:
Proceed down
the tunnel.
PAUSE
#19.5:
Okay.
PAUSE
#72:
At
the end of the tunnel what
is between
it
-
between the tunnel
and the area underground?
#19.5:
Cement-
PAUSE
Get
a
feel
like
a zig zag affect
-
heavy.
.
.
granite block zig zag and then
I
get
a elevator.
I
don't
get
a direct connection
of tunnel
to
area.
I
get
an elevator to
area.
#72:
Does the elevator go under the ground across,
or
does
it
go down?
PAUSE
#19.5:
Its down perhaps.
.
.
#72:
Why don't
you
.
.
.
#19.5:
Forty feet.
This elevator
is huge.
Its apparently
got
a capacity for
small vehicles.
PAUSE
#72:
Is
it
longer than wider?
#19.5:
No.
Its wider.
.
.
.The largest widest.
And
then the other two portions
in height
and width
are about
the same.
I'm sorry,
height
and depth
are
equal.
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I \ L.
I
#72:
Go
down
the
elevator
shaft
to
the
bottom
and
tell
me
what
you
perceive.
PAUSE
#19.5:
See ....
a.
.
...
like
a
.
.
.
.
very
thick,
colony
of
roof
sup ports,
All
the
walls
areIaiih-44^-.
Made
of
rock
or
soil.
Ce iTTng
l s
very
high,
23-25 feety
Looks
[TFe
r5Tqe._
. TTT
l TT
dice
a
large
undergro und* Dancing
area
li ke ....
affect.
It's
tTTe
Same
I ee
I ing .
See
one
section
is
some
form
of
assembly
area.
See
a. tremendous
amount
of
storage
to
the
rear
right.
They've
packed
in
all
these
pallets.
I
get
an
impress-
ion
of ...
.
Ah,
just
a minute.
PAUSE
Again,
I'm
getting
this
strange feeling
of
disaster.
.
Its".
.
almost
like
this
is
a
real
severe
hazard
area.
Let
me
work
on
this
just
a minute.
PAUSE
Sort
of
like
if ....
.
you
strolled
through
a
room
with
one-five-five
rounds
stacked
everywhere.
It
doesn't
hold
a
candle
to
the
hazard
of
strolling
through
this
room.
Something
extremely
potent
about
this
storage
area.
I
don't .....
Its
almost
like
this
little
voice
keeps
telling
me
.
.
.
this
is
not
diluted,
this
is
full
strength.
I
don't
know
how
to
explain
that
feeling.
A
gut
feeling.
PAUSE
I'm
starting
to
lose
this
target.
#72:
Okay.
In
this
large
area
.
.
storage
area,
what
do you
perceive
in
this
area.
What
is
stored?
PAUSE
#19.5:
My
first
inclination
was
to
sav
some form
of
t.ar.tiral
. n u c 1 e
r_jLiiH£ weapon
,
but
that
‘
s 'not
true .
it's
more
of
a
cirenn ca
i
type
Wffd'pon.
Have
a
.
.
strong
impression
of
many
tanks
,
sealed
area s ,
yjiult
like
doors.
-
in
this
is
a wnoTe
conglomeration
like
a manufacturing
area
for
some
chemical
or
biological
type
weapon.
?CIA£
0020001-3
#72
:
Okay.
What
I would like you to
do now is go
bafck to the elevator and come up
to the ground
floor.
PAUSE
#19.5:
Okay.
#72;
Go out the door towards where the people were
standing looking
at
the building.
#19.5:
Okay.
#72:
Look back at the building and what
do you
perceive?
PAUSE
#19.5:
I perceive this ....
like an appendage coming
out of the building.
It
looks like pipes going
off
into the ground.
It
looks like legs holding
this appendage up.
Face the building
PAUSE
I'm getting like
a flipping action
in
time.
PAUSE
Its like one second the building's complete
and
the next second its under construction or exposed
on one
side.
I'm getting that
steel
girder and
like that exposed girder feeling again.
#72:
As you
are looking
at
the building,
which side
appears
to be exposed?
#19.5;
Left.
Left
side.
PAUSE
See something white on the ground too.
Like
.
.
.
get
the impression there's people
on the left putting the sand on the ground,
a
layer of something on
the ground.
PAUSE
It went
away.
I
don't know what
that was.
#72:
As you were standing outside
at
the face of the
building,
turn away from the building and tell
me what you perceive.
PAUSE
KOAppmye&F©r
: CJ&-R
00020001-3
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#19.5:
An
impression
of
a
light
industri
intermixed with
residencies,
all
got
a
ghost
town
image.
I
got
an
a
ghost
town.
al
area
.
.
deserted
.
impression
Its
of
PAUSE
I
don't
know
.
.
.
I'm
just
.
.
.
I'm
losing
the
target
now.
#72:
Okay.
One
final
thing.
Rise
up
above
the
building
and
look
behind
the
building
and
what
do you
perceive.
PAUSE
#19,5:
It
looks
like
a
white
half-moon
shape
wit h
radi ans
running
out
from
it.
Tts
a
bfg~~patte rrTon
the
around.
Tt
IrToTg
11kd~th6
Japanese
svmpoi
tor
sTTh.
~^ Ju_s t
thisT
Tial f-moon
sha pe
with
radians
I
^
lilies
or
rods
or
soTTre Lli in y
gffTng
off.
“
PAUSE
#72:
All
right.
I
want
you
now
to
come
back
to
ground
level
away from
the
building.
#19.5:
Yeah.
#72:
I
want you
now
to
turn
to
today,
at
Fort
Meade,
Maryland
at
this
present
time.
#19.5:
Okay.
#72:
I
want
you
to
relax ....
relax.
.
.
.
start
to
move
your
fingers,
start
to
wiggle
your
toes.
Take
a
deep
breath
.
PAUSE
#19.5:
I
think
we
ought
to
put
the
tape
on
hold.
#72:
Okay,
relax.
I'm
going
to
put
the
tape
on
hold
and
turn
it
over.
PAUSE
SECRET
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#19.5’
Okay,
I'm going to describe my drawings
now.
Page
is
an overhead view.
I got
the impression
at
the start of the session that
I had actually
had zeroed in on the target but
then was taken
in the air
as
,
.
just
to make sure
I
got
the
target
X guess.
But
I
got the feeling
I went
back to the same building.
This overhead view
is of
an access
road,
tunnel entrance with
a
label
"A"
next
to
it which corresponds to another
drawing.
Somewhere off
to the right were trailer
like blocks.
The back was an above-ground appendage
standing on
legs
and
it had like two pipes going
off to the side
like going
into the ground.
The
tunnel entrance was faced
in concrete
and was like
an inverted "V"
.
There's
an additional building
there
-
I
don’t know what that
is.
I'm not
even
sure
its
a building.
Its just
a square tall
structure there.
#72:
Tall structure?
#19.5:
Yeah.
Off
to the
left were other buildings.
A
whole bunch of bumps
in the ground.
.
.
going
back.
They were
like knobs formed from dirt.
They were very regular in pattern and they kind
of went off
into the distance.
Get the feeling
all
the rest
of the surrounding area was light
industry.
.
.
or industry of some kind.
Page
is the impression when
I was asked to look
for
.
significant
landmarks
in the rear of the
building.
Its
an impression
of
a half-moon
shape,
a pattern.
And with the radia going out.
The "X’s" signify exposed girders.
Now I'm not
sure
if this
is
a destructive or constructive
pattern.
You know,
it
could be when the building
was under construction or what
not
and the half-
moon could be some form of excavation or something.
#72:
Is the half-moon visible from the
air,
or
is
it
#19.5:
I
.
.
I
sense that
its visible from the
air,
but
its possible that that's
just
a
.
.
an effect
pattern from whatever happened here.
If there
was
a disaster here
this
just might be
the pattern
of effect and how
it radiated out
from the build-
ing.
Sometimes
in remote viewing you get
the
pattern
of effect but
its not visible
to the
naked eye.
#72:
Okay.
#19.5:
That's
just
a perception.
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