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SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION XLV
1.
(S)
This report provides documentation of
a remote
viewing session conducted
for training purposes
to enhance
a remote viewer's demonstrated ability.
2.
(S)
The remote viewer's impressions during this
session
showed little correlation
to the target site.
The remote
viewer felt that the
last minute change
in on-target time
had no material affect on his ability
to concentrate.
However,
he was concerned that the interviewer was upset
since
the
last minute change may have impacted on results
obtained earlier
in the day.
The remote viewer
felt that
the results obtained from this session were good and was
very anxious
to
"discover"
the location of
the
"beacon".
3.
(S)
The protocol used for this session
is detailed
in
the document.
Grill Flame Protocol,
AMSAA Applied Remote
Viewing Protocol
(S)
,
undated.
4.
(S)
Following
is
a transcript of the viewer's
impressions during the remote viewing session.
At TAB A
are drawings made by the viewer reference his impressions
of the target site.
At TAB B
is
a post-session
interview.
ornnrT
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TIME
+02
+05
TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION XLV
#28:
This will be
a remote viewing session.
The
target in this
case will be
#100.
(Edited
for
security .
)
PAUSE
#20.5:
Okay,
#44,
you realize that the target change
has taken place
so they moved it
up.
So,
its
time now to focus on the target and
#100
is
at the target location.
He's reviewing the
target and the surrounding area.
Look at the
target with him and describe your images and
what you
see.
(Edited for security.)
PAUSE
#44:
Something like
a dome shape.
I'm looking down
on
it.
Have the feeling of being.
.
up in the
air,
but no
too high and looking down onto
a
dome
shape.
I don't think
its
a round dome.
I
think
its parabolic.
#20.5:
Um hm
.
#44:
And
I
seem to be getting a cross
.
.
.as
if
I am above
in this
area,
then looking down.
I don't see this
as
a hard
line.
But then I'm
looking down into an area that's
like this.
And there
is.
.
this
shape.
It has
a cross.
As
if its
two intersecting arches.
But it seems
to be
a whole dome with the arches intersecting
here.
I
don't.
.
see
a hard base.
.
.
to
it.
#20.5:
Um hm.
#44:
It does not appear to be transparent.
Its
possible
that
it might be
a fountain where this
a source moving down to one
big.
.
.
it might be
a situation where you have
a fountain and then
a fountain and then
a fountain that are
forming
crosses.
I don't get the sensation of motion.
But that
is one possible configuration.
PAUSE
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#20.5:
Yes,
that was good #44.
We're
five minutes
into
the
session.
PAUSE
#44:
The first sensation
felt like
it was out of
doors.
Not inside.
But somehow sheltered.
PAUSE
+07
A bench,
but not
a clear picture of
a bench.
That
is against a low partition.
Not
a long
bench.
Perhaps
like
a banquet in
a restaurant
or food place.
Food service kind of.
Its not
a sharp picture.
#20
. 5
:
Urn hm.
#44:
It doesn't feel necessarily
.
.
.
PAUSE
When
I
said food service,
I tended to do an
analytical thought,
fiberglass,
easy
to clean
kind of bench,
but it doesn't feel
like
that.
It just seems
to be
a softer surface than that.
But not upholstery.
Example:
Wood
is
a more
softer material than fiberglass but still hard
and not upholstery.
PAUSE
I'm going to try and shift again.
#20.5:
Um hm
.
PAUSE
#44:
I keep getting a thought that goes back
to
Number
One.
I wonder
if
it might be plexiglass.
This may be analytical,
but it might,
to go with
the thought in Number Two,
if it were
a
fast- food
kind of restaurant place,
this plexiglass kind
of thing that goes over
a salad bar.
I'm going
to try and dump that thought
so
I
can get
it out
of my head.
#20.5:
Okay
.
PAUSE
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#44:
I have
the sensation of people around and
a
noise
level.
PAUSE
#20.5:
Tell me more about
the people and the noise
level
if you
can.
#44:
No.
PAUSE
#20.5:
Okay.
You're doing pretty good
so
far.
#44:
Mark time.
I
think he's sitting against.
.
.
+10
Okay,
I
feel
like he's sitting down.
I'm tempted
to say
at
a table,
but I'm afraid that's analytic-
al.
I'll put the table
in parenthesis.
But
I
did have the feeling he's sitting and not stand-
ing .
#20.5:
Okay,
well,
you just report what you
see,
we
can sort that out
later.
As
far as
.
.
.
#44:
Quiet!
#20.5:
.
.
.
your mark time,
its
11 after the hour.
PAUSE
#44:
Now....
PAUSE
+13
I'm trying to get outside.
PAUSE
Damn!
I've got
a very hard analytic overlay
and
I can't get out and get it away.
.
and
see.
PAUSE
+14
Okay.
I'm standing,
looking up at something.
And it appears
to be
a narrow point
(not audible)
triangle.
It comes down
.
.
.
If I'm standing
on the ground looking up at this
thing.
.
.
it
seems
to be doubled.
Why,
I don't understand.
It comes down part way and
it has
a bend in
it.
Okay, we're going to call this Three.
PAUSE
3 frrnnrlL
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That's
too narrow.
The triangle base continues
but.
.
.
and then there's
a doubling of
the
thing.
This
is interesting,
my eyes
are blurry
#20.5:
Urn hm
#44:
So I'm more
or
less gesturing with my hand.
PAUSE
Now,
if I'm standing then I'm standing head
high somewhere around in there.
Looking up
at that shape.
It might be taller than that
yet.
+15
#20.5:
Um hm.
We are fifteen minutes and
seconds
into the session.
PAUSE
#44:
I missed that.
PAUSE
+17
Okay.
A roof shape that
I don't,
can't under-
stand.
I'm not drawing it from the
same
perspective that
I
saw it as.
But it feels.
.
it feels
roof.
I don't know how to explain that.
PAUSE
I guess
it feels
roof because I'm looking up
at
it and the surface
is
dark.
#20.5:
Um hm
#44:
Might be
.
.
Oh,
I
can't.
.
understand how this
does
it.
It goes off
in another direction at
the same time.
.
and curves over here
as well.
Drat.
This
section may be analytical.
But
I
have
to put something to hold up that
side.
I
can
see,
I
can
feel
this
curve.
#20.5:
Um hm.
#44:
So we'll put an
"A"
on that.
We'll put an
?
on
that.
I
feel good about that and
I
feel good
about that.
I
feel good about that and
I
feel
good about that.
And this
is
dark.
And that
this repeats.
PAUSE
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+20
Now for the purposes of
.
.
.
yes,
this would
get to be Four.
Two,
I can give you a plan
view.
.
.
of something.
PAUSE
As
if this
is
an exterior wall.
And
I had the
feeling.
Okay,
of
a bench there and a bench
here and
I had the feeling that I'm backed up
in the corner here.
#20.5:
Urn hm
.
#44:
And
I had the feeling that the target subject
is further out than
I am and I'm going to put
a table there and letter that table
"A"
.
Because I'm not sure that the table was there
but
I had the feeling of a bench along the wall
here.
It may have been
a longer bench and he
may have been further over here.
I'm not sure.
#20.5:
Um hm
.
#44:
I'm labeling the two circles,
possible positions
of the target
as
"T" which strangely enough
stands
for target.
I had the
feeling that there
were people,
not in the immediate area,
now where
were they?
"P",
"P"
.
.
.
back
in that area.
I'm concerned about the possibility of this
being analytical.
#20.5:
Um hm.
#44:
And
I will make
a comment that
.
.
.
unfortunately
a
lot of fast-food restaurants are made out of the
same.
Unfortunately,
if it was
a fast-food
restaurant,
fine
all well and good.
If
it wasn't
then the whole thing got very analytical because
of the position of the benches and the fact that
there were people here and
I had the
feeling that
the drawing at Number
One.
.
.
#20.5:
The dome ?
#44:
Yes.
Is
located in that area.
#20.5:
Um hm.
But you think that you are inside here?
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