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0RC0N/N0T RELEASABLE
TO FOREIGN NATIONALS
GRILL FLAME
PROGRAM
SESSION REPORT
CLASSIFIED BY:
DIRECTOR,
DIA
REVIEW ON:
,3 '
EXTENDED BY:
DIRECTOR,
DIA
REASON:
2-301c
(3 &
6)
T7T
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jb
SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION
C064
1.
(S)
This
report
documents
a Remote Viewing
(RV)
session
conducted
in compliance with
a request
from SOD,
J3,
OJCS,
Pentagon,
Washington,
D.C.
The purpose
of
the session was
to provide
information
relevant
to
the hostage situation
in
the
U. S.
Embassy compound
in Teheran,
Iran.
2.
(S)
The remote viewer's
impressions of
the target
are
provided
as raw intelligence data and
as such have
not been
subjected to
any
intermediate analysis,
evaluation or collation.
Interpretation and use
of the information provided
is
the
responsibility
of
the requestor.
3.
(S)
The protocol
used
for
this session
is detailed
in
the
document,
Grill
Flame Protocol,
AMSAA Applied Remote Viewing
Protocol
(S),
undated.
4.
(S)
Following
is
a transcript
of the viewer's
impressions
during the remote viewing session.
At TAB
A are
drawings made
by
the remote viewer reference his
impressions
of
the
target
site.
At
TAB
B
is
target
cueing information provided the
remote viewer.
v
.
•*
"
,,
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TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION CC64
TIME
+05
+07
#66
This will
be
a remote viewing session
(edited
for security).
PAUSE
It's time now
to
relax and concentrate.
Focus
your attention
on
todays'
target.
A
target area
has been selected
for
you
and this target area
has
a letter designation.
Focus your attention
now
on
that
area.
Relax and concentrate and
describe
the
target
to me.
PAUSE
#7
A
large building,
it's styled.
. .ah. .. it appears
quite
old.
Portions
of
it are taller
than...
,
^
than
the building
is wide,
narrow side.
There's
pavement;
it curves
from the
left
to
the
right
vj
i
'
side,
across
the
front
to— ah... a single walk
way
that
leads away
from
the building.
There's
several walk ways;
grass
in
the... the
thing.
I
know
this sounds 'like .. .a building with
a park
that
I
looked at before.
The building looks
different.
#66
Alright.
Don’t analyze your past thoughts,
just
describe what you see.
#7
This one
looks
older.
It
1 s.
.
. ah.
. .dark
in
tone;
has
a
like.
. .ah.
. .there's portions
of
it taller
than
others.
I
see
old fashioned
iron... fancy
iron. ..iron
fence.
. .ah.
. .cast.
. .ah.
. .cast shapes
rather
than... than wrought.
Ah... masonry columns
and
the
fence .
.
. ah.
.
. it
' a .
. .ah.
.
. they
' re big,
square,
fancy
on
top with.
. .ah.
. .iron inbetwcen.
I
thought
I
saw
snow;
it
look kind
of... just here
and
there
on
the.. .the posts.
Ground did not
appear
to
be covered;
just
a... a little shadow
area
#66
'
Focus your attention
on
the building.
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+14
#7
7/66
#7
#66
#7
#66
#7
It remind me
of. ..when
I
first
it
I
thought
I
was
looking
at
a... a religious
type building.
I
felt
the portions that were
taller
than others
looked
like.
. .ah.
. .ah.
. .cathedral
shape.
. .ah.
. .minaret
shape.
. .ah.
.
. I
see. .. ah.
. .pointed shape portion
of
a
roof with
a spherical
shape
a little ways above
the
roof
on
a shast
like shape;
it's.
. .ah.
. .it's
pretty small.
Focus your attention
on
the grounds outside
the
building.
Move around
the building and search
for
personnel
.
PAUSE
Ah... As standing
in
front
of
the building looking
away,
I
see some
trees and
I
see
a massive squarish,
ah... I
guest
it's masonry,
over
to my right .. .ah ..
.
150
- 200 feet
away.
Ah...
Describe
the individual
at
the
front
on
the
building.
Ihe individual
in front
of
the building?
I
didn't
see
any individual
in
front
of
the building.
I've
been focusing
on. ..beyond
the street.
Tell
me where
the individual was you
saw.
I
didn't see any individual.
I
said
I saw
a big...
ah... massive masonry cube
like
thing.
. .ah.
. .off
to
my
right.
I'll
look
for people.
#66
Alright.
ADMIN NOTE:
Interviewer mistakenly thought
he heard
the
viewer mention an individual
in
front of
the
building.
PAUSE
#7
Appears
to be some kind of
ivy.
. .ah.
. .or
low,
ground cover immediately adjacent
to
the
front of
the building
on each side
of
the... the big entry
way
.
#66
Describe
this entry way.
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#66
#7
+18
#66
#7
#66
+22
#7
#66
pause
It projects
sort
of
a building,
and
it’s
cjot... ah..*
a vertical
shape
on each side
of
the entry way
that
appears
to
be sectional
rather
than
a continuous one
piece ... pedestal
like
shape
to either
side extending
tou/ards
the .
.
.
Alright.
Move
into
the building
through
the entrance
way
and describe
as you
go.
PAUSE
I must be confused
or
something,
I
thought
I
saw
this from overhead;
had
one
picture;
I
tried
to
go
through
the
door,
I... I
thought
I
saw greenery which
makes me
think maybe
a courtyard
or something.
I
definitely
feel
that,
after
traveling
a
few
feet
through
the
door,
that
I... I’m looking
down... ah...
look... like
I'm
looking through another opening and
it... oh... it steps down... a big open
area.
Oh,
wait
a minute.
I'm sorry.
There's
a big picture
on
the
wall.
It's.
. .ah.
. .like
a mural.
. .ah.
. .it 's
got
stately buildings
on
it
and... and grassy
park
like
area.
It
' s.
.
. it
' s .
.
. ah .
.
. it
' s more high key... it
appears bright,
like underexposed
,
it
1 s.
. .ah.
. .kind
of washed out
a
little.
I
think
it's
a painting
^
rather
than
a
big,
giant photograph.
Extends almost
to
the
floor.
(Mumble)
my
left;
like under
the
f ront
.
Tell me again about what's
to your
left
as you
come
in
the
front.
I
forgot.
Oh.
The big mural.
There's
a... come
in
the
front appears
a... go
a
few
feet
and appears
to be
a
fancy hallway
to
the right and
the
left and
somewhere kind
to my
left
is
this big mural.
And what's right
in
front
of you?
(Mumble)
for
some
reason
it
steps down;
two
or
three steps.
I
think
there's... I
think
there
s
a
very
high ceiling
in
this area.
. .ah.
. .or
I
go down
the steps.
I
thought maybe .. .maybe
it's domed
or
v/ith
a openings up
there near
the base
of
dome
and
light coming
through.
OK.
Move through
this building now,
move
through
this building searching
for
people.
Move through
/
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#7
#66
#7
+26
the building searching
for people.
PAUSE
Ibis building looks more
like you 'Id expect a museum
to
look
than
a place where you 'Id have people.
OK.
I'm going down
the hall
to
the
left.
It's
very
dark
and.
. .ah.
. .very
fancy .. .ah.
. .shapes
to either
side and
the overhead.
It's quite dusty and
the
projections
up high;
you can see
the dull
gray.
see someones
feet.
. .ah.
. .someone. .. I
see a... I
see
a
person .. .ah .. .women
I
guess.
. .ah. .. light covered
thing over her head.
. .ah.
. .down over
the shoulders...
ah... face covered.
I
think
it's
a
local women,
not
one
of ours.
#66
#7
+29
#66
#7
#66
OK,
move
on through
the building now.
(Mumble)
I'm almost
the end of
the
hall.
It was
someone.
. .ah.
. .someone was
lying
on
a carpet asleep
in
the same
room as
this women was.
OK.
I'm
trying
to
get upstairs;
I went
down
the hall
on
the
left
end of
the building ... side of
the building.
I
got
to
the
end;
I'm
trying
to
get upstairs and
just...
ah... I
just can't make
it.
there may
be no upstairs;
I
don't
know.
Oh,
OK.
It appears
there
is
a room
with a... near
the center
of
the building upstairs,
but not all
the way... not all
the way
above
the
hallway all
the way
to
the
left.
OK.
Search this
area
for personnel.
PAUSE.
I
see
lights
on
in
the... the
room. 7>gh.
. .up high,
near
the center
of
the building.
RealMancy
v/all-
papey';
there's
a man standing
up.
. .ah. .. there's
three other
people
in
the
room.
They're ditting...
ah., ill
don't know,
I was
trying
to
f>gure
out,
one
of
tt+hKQ's.
. .one of
the seated^p^dis
talking
to
the
guy
s tarftdijjxi
up,
lint
IJm . efctfcr
two could be asleep.
Who arc
these personnel?
'
/
t
I
T
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+34
#7
Resolution
is very
low;
I'm
trying
to
get enough
to... to make
that derision.
The one standing up
is
ah... I
think,
local people.
I
think
the ones
sitting down are
too.
#66
OK.
# 7
The one standing up had
a short haircut,
so
I...
I
thought
he might be one
of
our military
types,
but
he... I
don't think
so.
#66
OK.
Move
on
through
the building now.
PAUSE
#7
I've
got
a heck
of
a headache.
I'm having
trouble
with
the right side
of
the building.
I
know
I
can
see
in
the dark
if
I
want
to,
but
this
is unusually
dark.
I'm going back downstairs and try
that way.
PAUSE
I'm moving down
the hall
to
the... to
the
right,
roughly street level.
I'm aware of rooms on my
left;
the
first one has
a
light
in
it.
It's
very
fancy and it's
clean;
not
dusty.
Someone sitting
at
a
desk.
. .table,
desk.
I
think
this guy's one
of
ours.
For
the
life
of me
I
can't figure out what
he' Id be doing
in there... in
a beautiful place
like
this.
Guy's late 40's
I
guess.
PAUSE
I'm sorry.
I
was trying
to.
. .ah.
. .establish some
kind of communication
here.
PAUSE
OK.
I want
to move
on.
I
just disturbed
(mumble).
He couldn't
figure
it
out.
it 66
OK.
it 7
Something. .. there was something about
a bridge...
ah... curved bridge,
causeway
type shape,
about...
ah... 10
or
feet
off
the ground,
I
couldn't make
out what
it was... I
couldn't
finish
it.
I'm gonna
.
go
on.
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+40
#66
#7
#66
#7
Alright.
We've been
nt
this
for quite
a while now,
so take
a quick
look
at
the
rest
of
the building.
The places
on
the
right. .. (mumble)
right appear
to
be closed.
I
mean,
nothing going
on.
Yea,
I
still
say
as you ... there
' s more
of
the building
as
you
come,
say
in
the entrance
and
you step down
in
this
area.
There's areas over
there
that
I... that
I
haven't
looked
at.
OK.
Well,
we've been
at
this quite
a while;
we
don't have
time right now
to
go
look at
those.
OK.
#66
Is
there anything
that
you would like
to add before
we draw
the perceptions
that you've had?
#7
very carefully looked
for guard
type personnel,
and
I
didn't see anything of
that regimentation.
I
was particular confused
by not seeing anyone near
the front door.
That's about
the only
important
thing.
#66
OK.
#7
I might
add,
it sure
is noisy around
here.
#66
A
lot
a noise
today.
OK,
let's draw
then.
#7
I
guess
the
first
image
I
came
on
to was
a... kind
of
a black
ariel
view.
Ah... had
a
very
ah...
a
fuzzy
view of
curved walkway
in
front
a... this...
ah... big building which had different
portions
at
different heights;
I
couldn't
focus
on
them very
clear but
it
reminded me
of minarets
or something...
ah... maybe
a cathedral;
portions sticking
up,
top
was very irregular.
. .ah. .. I 'm drawing
this without
a
street;
I
was
later ... later
felt
that
ah... when
looking out
the
front
that
it... I
was looking across
the street;
it might have been
this sidewalk
like
shape.
Ah... I
was also aware
of
a... kind
of
a
iron
fence somewhere
in
front
of
the building and
I...
since
I
was seeing
that close
up,
I
don't know where
it was inside
the walkway
or
outsicie
the walkway,
but
it had.
. .ah.
. .vertical
columns about every
-
feet and some kind
of
a shape
on
top
of
it and
felt
there was white stuff
(mumble)
on
one side
in
the
shadow area
like
it might be some snow
on
that...
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I'un
drawn.
. .ah.
.
. something kind
of
like
the
fence
in
the lower
right corner of
No.
1.
And
there was
low ground cover,
something
like
ivy,
on each side
of
the doorway leading
into
this big building.
Looking
at
it,
I
can
see
it's not
to scale.
I'm
going
to
try and
do
a portion
of
the
inside
of
the
building
that
.
. .ah
.
.
. I
can
visualize.
When
I
was
inside
the building,
I
felt
that
there was
a
lower
portion
of
the building extending
further
to
the
left,
down
the hall,
and
yet
that's not reflected
in what
I
thought
I
saw
from overhead.
PAUSE
fhe mural when
I was standing here
in
the entry
way .
.
. the mural was slightly
to my
left
or
in
here;
it might have been
on
the face
of
this wall
here,
and
I
think
that might have been where
I was
getting
the feeling of
a courtyard
or
open
brightness.
later
felt
that over
this
roughly
circular area there might possibly have been
a dome
with some... some
light
reflecting
throughway.
I was
rather confusing
to
me,
I
couldn't get beyond...
never
did
get
into
the place
at
the bottom of
the
steps;
I
stood
at
the
top and looked.
Oh
.
.
. ah
.
.
. the
cube
like shape would have been. ..that could have
been some kind of monument
or small
building,
I
don't know.
I
.
.
. ah
.
.
. think
that's about
it.
# 66
OK.
How do you
feel
about
this viewing?
About...
you commented earlier
that
the resolution was not
too
clear.
How
do
you
feel
in
total
about
the
viewing?
Ah... there's
a couple
times
that
the resolution
just came
in.
. .just.
. .just beautiful,
and... ah...
would start
to work with that and
I' Id
loose
it;
I
don't know
if
it was because
of noise,
I
really...
I
can't remember
if noise was with
that.
When
I
got near
the man
in
the desk .. .ah ... resolution was
just
fantastic.
At
one point when
I was walking
down
the hall
to
the
left,
resolution was out-
standing and when
I was looking
at
the women
it
was quite
good.
The best
resolution was
the man
at
the desk and
it was
very good
and.
. .ahm.
.
.
I
starting
to
go very deep
there and something
happened and
I
lost
it.
#66
OK.
Anything you want
to add
then?
#7
Only
that
.
.
. ah
.
.
. we need
a place
that
has less
noise
#66
Yea,
don't
we.
OK,
eronr
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TARGET CUING
INFORMATION
REMOTE VIEWING
(RV)
SESSION CC64
1.
(S)
The
viewer has been exposed
to open source news media
information,
classified overhead
imagery,
and photographs of many
of
the hostage personnel.
2.
(S)
An area target had been selected
for
this viewer
the day
before
the session.
Target designation information was maintained
by
the Project Manager and
the interviewer and viewer were not
told what
the target was
to be.
At
the time
of
the session,
the
viewer was
told only
that
a target had been selected
for him and
that
the letter designation
for this
target was
in
the possession
of
the Project Manager.
The viewer was asked
to remote view
the
target
that had been selected
for
him.
ADMIN NOTE:
The viewer was unable
to attain his usual state
of
relaxed concentration due
to ambient room noise.
This viewer
is
also experiencing personal
family problems
at this
time
(father-
in-law living at home near death).
The target selected
for
this
viewer was
lettered J«!K
. "
This was
the
first time this
viewer had
attempted
to
descrilie^ Area
"K."
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