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SUMMARY ANALYSIS
REMOTE VIEWING SESSION #905
1.
(S/N0F0RN)
This report documents
a remote viewing session
conducted in compliance with
a request
for information.
2.
(S/N0F0RN)
The remote viewer's impressions
of the target
are provided as raw intelligence
data,
and as such have not
been subjected to any intermediate analysis,
evaluation or
collation.
Interpretation and use of the information provided
is the responsibility
of the requestor.
3.
(S/N0F0RN)
The protocol used for this session is detailed
in the document GRILL FLAME Protocol,
AMSAA Applied Remote
Viewing Protocol
(S),
undated.
4.
(S/N0F0RN)
Following
is
a transcript
of the viewer's
impressions
during the remote viewing session.
At TAB
A are
drawings and narrative provided by the remote viewer.
At
TAB
B
is target
dioiirfcj information furnished the remote viewer.
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TRANSCRIPT
REMOTE VIEWING SESSION #905
#66 s
This will be
a remote viewing session
for 0900 hours
18 May
1982.
At this time,
I show you
a photograph
of a building.
This is
a target area which you worked
before on
a sealed envelope basis.
At this time,
I
show you
a photograph
of the actual target building,
in
which we have interest.
I have masked off areas on the
photograph which may provide distractions to you.
But
the building,
itself,
in which we have an
interest,
is
depicted in the
rear.
Your task will be explore that
building
in present time,
right now and report on those
items
of interest to
US
Intelligence,
be they activities,
people,
objects.
Do you have any questions pertaining
to your task this morning?
#01:
No.
#66:
All right.
You now have 25 minutes
in which to prepare
yourself for this morning's task.
#66:
It's time now to focus
your attention solely and
completely on the building
in the photograph
I've
shown
you.
Relax,
relax and concentrate now on the
building
in the photograph
I've shown you,
in present
time,
right now.
Explore the building.
Free yourself,
allow yourself to be attracted to that portion
of the
target
of imp^&ance to US Intelligence and describe
your perceptions to me.
#01:
Many reflections. .. .parts,
parts
or pieces of something
electronic.
. .set on the table,
many parts,
pieces
of
electronic,
not
used,
just stored.
#66:
Describe this area to me.
#01:
Other room,
second floor,
a window faces front.
See
a table with papers
on
it,
like,
slant,
slant table,
a drafting table. .. .getting dominant interior colors,
beige,
green,
tan,
green.
#66:
Are you alone
in this area?
#01:
No.
I
don't
see people.
They're
just not
in this
room.
This is
a temporary office of some kind
Keep seeing small tan colored boxes,
with,
like
circuit board
inserts,
trying to make something
from the boxes,
but
I
can't.
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#66 :
#01 :
#66 :
#01:
#66 :
#01 :
#66 :
#01 :
#66 :
#01:
#66 :
#01:
#66 :
#01:
#66 :
All right.
Open your time window 24 hours now and
watch. what happens in that
24 hours,
without understanding
it,
just report what happens
in the
24 hour time window.
I will wait.
See one man come and go many times
J' 40-43 years of age ,1/
sandy colored hair,
heavy set,
good dresser.
Get
a
;
foreign accent,
but speaks fjnglish.
Like
a temporary
storage feeling
of some kind,
for this electronic
equipment.
Tell me now about this electronic equipment.
Flat boxes,
narrow.
One has dials
on the front.
Dials
are almost
as large as the box
is high... Don't see
any, idaq't see anything working,
just stacked right
on
table.
One piece
like
a cabled or with
a umbilical
cord,
all different kinds of chip type breadboards,
like
micro-processer
.
All right.
Now before
I ask you to open your time
window and describe the activity of that time window,
24 hours,
you reported
a man coming and going.
He's
just bringing
in
new pieces.
All right.
Narrow your time window nowto one
of those
specific visits,
an important specific visit,
a visit
that we can examine and gain information.
Narrower and
narrower,
Now he
is
just coming
into your
room,
Slow
your time down
to match with him and describe.
Carrying
a briefcase to the wall,
opening,
just putting
new piece on table.
Continue.
Putting papers
in some kind of
file.
Continue.
That's all he's doing.
Speed time
up to the next activity and then report.
Same thing,
different piece,
like
a collector.
The original entry
into the room now,
he comes
in
and he opens his briefcase,
then files something.
Now
he is leaving the room.
Follow him.
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#01 :
#66:
#01 :
#66:
#01
:
#66 :
Get
an impression this
is
a part
office,
part
residence.
He
doesn't
live here.
He lives
in
a different building.
Break that out
for
me.
Not enough furniture,
place is missing furniture.
It's
like partially furnished,
mostly office type furniture.
Okay.
Describe his activity now.
He leaves.
,
,
,
Follow.
#01
:
#66 :
#01:
#66 :
...goes to
a larger building,
like
a many story apartment.
That's his residence.
Just
showers,
changes clothes.
All right.
Stop.
Return to the target building.
Now,
the time window
of
1 week,
this past week.
Describe the
most critical,
significant happening
in the target area,
this last week.
I
have
a short
man,
black hair,
fifties,
comes
in with
a
light leather box.
Takes three,, four electronic pieces and
puts them
in the box with the files and leaves.
It seems
to be
a very important type person.
He has
a large
car.
!
<
Describe the make of the car.
#01 :
#66:
#01
:
#66
:
I
don't
know.
It's
just large,
black,
keep wanting
to say
itiss driven by
a chauffeur,
I
don't
know why.
All right.
Now that you are outside with the car,
look
back at the building and describe
for me,
from here,
how
can
I
best
find this area with the electronic equipment?
Go
in center door to second floor landing.
. It
' s right door
)
to the rear.
Impression of
a large brown door with
like
I
numbers
216,
218
or something.
216,
large brown door type
crown,
heavy metal frame,
some kind of cream colored stone
j
work.
Again,
I'm wanting, to
put,
a
business plaque or
!
something
on the
door,
but not sure
if it's really there.
I
If
it were there,
read
it to me.
#01:
I
don't
know.
#66:
All right.
I have no further questions.
It
is time now
for you to expand beyond the confines
of my questions and
address the target area
in
a manner that only you can achieve.
Do this now and
I will wait.
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#01 :
#66 :
PAUSE
I
keep getting
a feeling like it's
a residence,
not
furnished,
only business furniture,
half empty,
no
one lives there*
they
just visit.
That these processing
electronic parts aren’t whole,
theyi're just pieces.
That's all
I get.
All. right.
Focus now through time and space to the sound of
my voice in the present
time here in the room.
Listen,
touch,
feel and sense all that
is
in the room here,
in
present time.
Move your arms,
move your
legs.
Take
a few deep breaths and let's prepare to draw those perceptions
which you have had.
See drawings At TAB
A
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DRAWING NARRATIVE
REMOTE VIEWING SESSION #905
#01:
#66
#01
#66
#01 :
#66 :
#01 :
# 66 :
#01
:
#66 :
#01 :
Okay.
Now we'll start
to debrief on the pictures here.
Page #1
is
a floor plan of
a section of the building
that
I perceived to be the center entrance,
we'll call
it.
Going up the stairs to the second floor landing,
from outside
in the center entrance,
the second door
to the right,
label #2
is the entrance to the area where
this electronic stuff
is.
As you
come
in there
is two
eirpty rooms with some kind of
divider wall, and
I get
an
impression,
like these two rooms are completely empty,
for some reason,
like; they're not furnished.
But
in the
back room,
there
is small room with two windows
in
which there's
a tilted table,
like an engineer's drafting
table,
with
a chair,
a double filing cabinet and then
a
table over against the wall by the windows.
And on the
table
is the electronic components
or whatnot.
Can
I
ask questions about drawing #1?
Okay.
You spent
a great
deal
of time during the session making
statements about
a residence,
but not really
a residence,
more
of
an office.
And now you
say these rooms are not
furnished,
that they are empty.
Right
.
Am
I correct
in assuming
from your statements that
it
is
your ppinion that,
if they were furnished,
you would
more likely
find them furnished as
a residence or
an
apartment?
I
' m not sure.
If
I walk into the telephone building,
C&P Telephone
downtown,
I
don't
expect to find someone's apartment,
Right.
I mean,
I
don't expect
to find them living there.
I
get
a feeling like this
is
a joint use building.
It
might be partially resident,
partially small office
building or small office type arrangements.
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uLUiLI
#66:
Okay.
#01:
That
it could be either,
depending
on
\ifhat their
function is
at
the time,
sort of like
a suite
of
rooms.
#66:
Okay.
#01:
In this one,
I'm not quite sure,
I
don't
know/,
I get
a mix of residence and business.
And this particular
case,
I
don't get
a full either,
it sort
like it's
a temporary type thing.
And it's predominently
empty,
and the one furnished room is
a very business
like
type room,
but that
is minimally furnished.
And the
predominent things
in the room are this tilted table,
file cabinets,
and the electronics table. And all
the electronics
on this table,
they are not assembled
in anything,
they are
just parts of pieces of something
or other.
I
don't know what the something
or other
is.
#01:
On Page #2,
I give examples
of what
I'm talking about.
There's
like casings that are light tan, made
of metal,
that have like
IC breacfooards inserted
in them.
And
then,
the only thing that
is identifiable
is an actual
device of any kind,
is a flat case,
that has knobs,
like
tuning type knobs that are about the same size as it is
thick.
And then
it has
a. row. of -toggle^ switches and^o
some holes and an;on/off switch and some wires coming
out the back.
And writing,
instead of being on the front,
is on the
top edge,
and goes down the top edge.
And
this
is probably
an
inch and a half high to six inches
deep by eight
to ten inches wide.
It's also light
tan and made of
metal.
Everything
is
light tan and
made
of metal.
You know,
I
felt
like
it was all like
common origin,
but not put together.
The
carrying case,
I
drew
an; example of the carrying
case.
Is like made
out
of
a real hard leather and the top opens up and there
is compartments
in the
elements
or slip for
carrying.
I
don't think this
is any kind
of an
assembly case,
but
it
is
a carrying case
of some
kind.
#66:
Okay.
Again,
I ask the question that seems to be
somewhat
obvious.
As to the function
of this electronic
equipment,
apparently you have no perception as to what
the function ©f this equipment
is.
#01:
No.
I
don't,
I
don't get
a feeling
for
a wholeness,
I
get
a feeeling for
parts and pieces.
And not related
parts and pieces, unrelated parts and pieces.
I get
a feeling
of
a temporariness
ac£>ut,
aoibut the parts and
pieces,
even.
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#66
:
#01 :
#66 :
#01 :
# 66 :
#01
:
# 66 :
#01 :
#66 :
#01
:
#66 :
#01 :
#66 :
#01 :
# 66 :
Okay
.
I also get
a feeling like there's something not right
to the target.
I don't,
you know you asked me,
what's
of interest to USI
in the building and it's sort
of
like,
I
don't know,
it could be the whole building
is
of
interest.
But that's not precisely
it.
I
don't
know
what
is wrong with the target,
you
know,
it's just
a
gut feeling that there
is something wrong with the
target and
I
don't know what
it
is.
But
I get
a very
clear impression of these two individuals,
who
don't
spend
a lot,
probably don't spend any time at all
together,
that have a commom interest
in these electronic
parts and they're coming and going.
This
is the one who goes to another building, where his
apartment
is and the different
one,
the one with the
car?
Right.
The other guy
is more,
I
don't know
if
you can
say
it that way, more important than the younger guy.
That's an improper way of saying
it.
He has more
authority,
I guess.
Okay.
When you followed the younger guy to his apartment,
are we talking about
a great distance from this area?
No.
We're talking about walking
distance,
four blocks,
'
possibly.
Okay.
So he goes
He doesn't
drive there,
he walks there.
he goes from this area to
a nearby building,
where
he has his apartment?
Right.
Right
Okay.
But the older guy has to
drive there,
and
I
get
a feeling
like,
kept wanting
to say this is
a chauffeur driven
car he was
in,
but perhaps
it didn't have the chauffeur
in
it
at that particular time.
okay.
That's all
I
got.
All right,
fine.
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#01 :
#66:
#01
:
#66
:
#01 :
#66
:
Okay.
The very first thing,
that
I said
in the session,
I want to clarify and make
a part
of this wrap-up.
We'll
call
it page #3.
The first thing
I
said,
was many
reflections and
I had
an impression of what
I've drawn
on
page #3,
with this mass
of multi-color reflections
in the
center.
And
I think that that's really important and
I
don't
know why,
but
I
just
do.
This may be what
all of
these components are part
of
or something.
This
is
an
impression
I had the first
of the session.
This
is
a visual impression,
you have nothing else to add
aobut what this does?
I
don't have anything
else to add.
That's
just
a stark
visualization that
I
have
of this.
At the very beginning
of the session?
Right,
first thing
in the session,
was this claw like
apparatus,
of all kinds of multi-color refections
in the
center
.
Okay,
fine.
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