Approved For Release 2000/08/07 Sk Approved For Release 20008 3p 60320001-8 INSCOM GRILL FLAME PROJECT SESSION REPORT CLASSIFIED BY: Director, DIA REVIEW ON: 31 May 99 EXTENDED BY: Director, DIA REASON: 2-301-C (3) (6) GRILL FLAME BIA iP 96-00788R000900320001-8
Approved For Release 2oocrosrefeteer ye fooo78sR000900520001-5 Wo le US SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION XXXVII 1. (S) This report documents a remote viewing session conducted for the purpose of orienting a remote viewer to an applied remote viewing protocol. 2. (S) The remote viewer's impressions show no target correlationat all. It has been one month since this remote viewer has done a session. The session appears to be valid remote viewing as opposed to fantasy. The problem was in locating the designated target. The remote viewer was some- what anxious and was unable to relax adequately during the session. More practice is required. 3. (S) The protocol used for this session was modified from that which will be used in later training. The protocol to be used in later training is detailed in the document, Standard Remote-Viewing Protocol (Local Targets) by Harold E. Puthoff and Russell Targ, November 1978. This session's protocol was modified in that a randomly generated, preselected target was not used due to the unavailability of the target pool. In lieu of a randomly generated, pre- selected target the "outbounder" or "beacon" simply chose a site which, in his opinion, was unique and identifiable. 4. (S) Following is a transcript of the remote viewer's impressions of the target site. At TAB A are drawings made by the remote viewer reference his target impressions. At TAB B is a sketch of the target site (room) provided by the "beacon". At TAB C is a post-session interview. Approved For Release 2000/08/97 ;. 96-00788R000900320001-8
Approved For Release 2000/08/07 CEB hchazass000900520001- TIME +05 +07 +09 +11 +13 #66: #66: #66: #66; #66: #31: #66: #31: #31: #66: TRANSCRIPT REMOTE VIEWING (RV) SESSION XXXVII This will be a remote viewing session. (Edited for security.) PAUSE #20.5 is out at the target location now. . He is looking around the area. . . Relax and concentrate. . . Be with #20.5. Look at the target with him. Look around the target area and describe the target to me. PAUSE Describe the images that you get about the target. PAUSE Describe the target to me. PAUSE Tell me about the target. PAUSE Hmmm. PAUSE Tell me what you see. Hmmm. PAUSE I saw two peaks. . , PAUSE Describe the target. PAUSE Approved For Release 2000/08/07: CIA-RDP96-00788R000900320001-8
Approved For Release 2000/ SST ERR PPP 0728°2000900320001- +15 #66: Tell me about the target. PAUSE #31: (Not audible). .. PAUSE #31: Ah. .. PAUSE #31: Ah. . I keep. . getting. . #66: Go on. #31: I keep getting (not audible). PAUSE #31: Ah, I see #20.5. . . eating. Standing in the open. #66: Eating, standing in the open? PAUSE #31: Ah. . Something in his left hand. . He's on. . squares. He's on squares. PAUSE Paper in his hand. . . Looks as . . Looking like a. . building. #66: Describe the building. PAUSE #31: I. . I. . (not audible). . overhang. #66: Colors? #31: Dark. . Above overhang and dark. . and a little square. . PAUSE +21 #31: Twin peaks. . still there. . . White. PAUSE Approved For Release 2000/08/07 : i68R000900320001-8
Approved For Release 2000/08/07 a fabar s2r000900320001-2 +24 Approved For Release 2000/08/0 #31: #663 #31: #66: #31: #66: #31: #66: #31: #66: #31: #66: #31: #66: #31: The top is slanted. . . . Sloped. PAUSE Describe your location. PAUSE I'm on squares. . . where #20.5 is. PAUSE What color are the squares? Hmm. Sandy. . No. . Um. . Are you alone on the squares? PAUSE #20.5 is. . . I don't think #20.5 is there. Someone else is there though. Sitting. Sitting in the ... right seat. . of a. There doesn't appear to be anybody else. Is this inside or outside? Outside. PAUSE Describe the area where this person is sitting. PAUSE Next to the wall. . . away from the place. . on the far side. He's sitting on the wall. A low wall. Describe the wall. PAUSE Red squares. White top. He's not high. Not high. If you face away from the building, standing on the... You see the wall. 88R000900320001-8
Approved For Release 2000/08/0 +26 #66: #31: #663 #31: #663 #31: #66: #313 #663 #31: #31; #66: #31: #66; #31: #66: #31: B8R000900320001-8 See the wall. And what's on the other side of the wall? PAUSE Grass. How much grass? PAUSE Short. Describe your location. I don't know. . where. . Looking down. . out. The edge. . The edge. . . and dark. Okay. Now, turn around again and face the building. Stand on the wall and face the building. How far is the building from you? Thirty feet. . . thirty feet. Describe the shape of the building. PAUSE Square. PAUSE Right side. . . Black. . . Brown. PAUSE Describe your position. Going away from the corner. . . Right. . Two red things. . on the left. Describe them to me. They're. . . (not audible) in the black. Big things in the black. PAUSE They're on the side of the building and. (not audible). jase 900320001-8
Approved For Release 2000/08/0 #31: #66: #31: #66: #31: #66: #31: #66: ae) 788R000900320001-8 I'm. . . I'm on the right side. Go to the back now. Describe the Right side. . has... black. PAUSE Right side is squares Squares on the right. Squares on the right. Glass on the left. Fine. PAUSE TURN OVER TAPE #31: #66; #31: #66: #31: #66: #66: Approved For Release 2000/08/07 iG The back is .. Could and it feels. .. red PAUSE is square. Yeah. and blacks. be yellow. . and brown. Squares and black. Describe your location. Behind. . in the back ing in the dark. PAUSE Move back around the building. . back around - « back out. . to the the same way you came. wall. Um hm. PAUSE Describe the entrance PAUSE Tell me your location. of the building. to this building. 8FP38R000900320001-8 back to me. Stand-
Approved For Release 2000/08/07 : +35 Approved For Release 2000/08/07 : C #31: #66: #31; #66: #31: #66: #31: #66: #31: #66: #31: #662 #31: #66: #31: $998R000900320001-8 T'm out front. . . left and front. PAUSE Look at the entrance and tell me about it. PAUSE Brick. . . reddish brick. . . Hmmm. . The color. . . glass. .. door. PAUSE Look in through the glass. . . Look inside. Look in through the glass. Now, move inside. Inside the door. . . Door behind you. [In front of you. . . describe the inside to me. They. . were open. . . floor (not audible). square. . counter. . . left to right. Are you alone inside? No. PAUSE What's happening here? PAUSE (Not audible) PAUSE (Not audible) Oh sure. . (not audible). . PAUSE You don't think this is true (not audible)? Ahh. .. Okay. Too much. . aes 007 88R000900320001-8
Approved For Release 2000/08/07 : Ant #66: #31: #31: #66: #31: #66: #31: #66: #31: #66: 88R000900320001-8 Would you like to draw some now? PAUSE Ah. . . Okay. PAUSE I get flash and get one. . (not audible). playing tricks on me. PAUSE The most real image that I had. . I had two of them. One is twin peaks, I said. White. Looked like a big "M". That's what I went back to find. Believe I mentioned that. And the other one was #20.5 standing out front eating a hamburger. . in his left hand and the paper was wrapped down around his hand. You know. You are telling me you don't know? And. . from (not audible) it was McDonalds. Ha ha. Okay. I know. . that's, you know, . . An awful lot of imagination maybe? That's the point. Where am I getting anything new when I am just going over a place that I subconsciously, or consciously, have been to and consciously know to be a target. . in the target pool, because I've done it before. We pull all our targets from the target pool and they are not used again. But that's okay. We can do. . we can validate all that stuff when we go out to look at the target here in a few minutes. What I'd like to have you do is to draw some of the pictures that you have. sometimes the spontaneous act of drawing will bring out some things. PAUSE Approved For Release 2000/08/07 : CIA-RDP96-00788R000900320001-8
Approved For Release 2000/08/07 : Gig j a Dee ee eeae 00320001-8 #31: #66: #31: #662 Approved For Release 2000/08/0 Okay, the first thing I said. Like I said, I had twin peaks. They were like, off in the distance. And that was the first thing I got. And they were outlined, like that. And they were white. At first, I thought that that was like the outline of a building roof or something that I could grab onto. That wasn't it. PAUSE And the next. . thing was a. . #20.5, right. Surprisingly, he had it in his left hand. Now, I remember that his left arm is the one that's bothering him. But, . . and the paper was wrapped back around his hand, like that. PAUSE And these were pink. PAUSE See, I'm afraid that . . Ummm. . Okay. Another experience. . maybe I spent too much time bull- shitting before hand. PAUSE All right. Then the... PAUSE That was the front. That was going. . . Four was when you had me turn around. PAUSE When I looked . . When you said was I alone, there was somebody. . sitting there, okay. Could that have been #20.5 sitting there? It could have been. I didn't think it was. I got the impression that by the time he had left. And these are the reds and pink squares. Okay? Um hm. &8R000900320001-8
Approved For Release 2000/08/07 : #31: #66: #31: #662 #31: #66: #31: Approved For Release 2000/08/07 : CIA-RDR® week 5R000900320001-8 My left brain wants me to say, there's some- thing big and yellow right here. Ha ha. Right? PAUSE Keep on truckin’. PAUSE That's the line I was talking about. Okay. PAUSE The interesting thing was that . . The only interesting that happened is . . you moved me to the right and this would be right side of the building. I had . . (not audible). . of what I had, night? But. .. But that time, I only had windows. . here. You know, on the left hand. . left side. But then over here, was brick. And there's windows. Which is peculiar. When I looked at the back. . I said that. . that's what I had. I said yellow. And then I wanted to say, then, see here I wanted to - . this was dark, shingle. Dark squares is what I called them. PAUSE This is when I wanted to say it was yellow. The back wall. . was on brick. . Like . . no windows. PAUSE I'm trying to find the door. Well, there was something here. I'm trying to remember what. . how I looked at it. Its like a recess, like an elbow. Um hm. I'm not going to say there was a door there. But there's something like that. But see, all this while, I'm sitting there saying, Well shit, why go back and look at it, I know what it looks like; I've been there before, you know, so. #4 900320001-8
Approved For Release 2000/08/0 #663 #31: #66: #31: #66: #31: #66: #31: $$5-90788R000900320001-8 but I. . But the thng was, when I got back to the back of it, it was all blank. . and this is . . this is black top. . This is a white walk. When I got the yellow flash then that was peculiar. Then I was saying to myself, all you're doing is you're just wishing that it wasn't McDonald's and you're making it something else, you know, the same basic. . same basic structure. But there's an identation here of some kind. PAUSE We'll probably find out he was at the Capitol Building or something. I didn't get around to the other side. I just got the three sides. Yeah. Well, why don't you just go back out front then . . I wanted you to look at the entrance more closely and. . Yes. And draw the inside. Okay. Eight. . was. . I wanted to say looking - - well, I won't do that. What I wanted to say was that the side, this is the entrance view. . . I'll draw it in perspective as the way I was looking at it. Let me see, it should get bigger. This is brick. Corner (not audible) - « corner. PAUSE Okay. Glass door with push bar across it. Um hm. But when I went through, I went through here. I went through this glass. . and then I'll call that. . 10 Approved For Release 2000/08/07 : CIA-RDP96-00788R000900320001-8
Approved For Release 2000/08/07 , #66: #31: #66: #31: #66: #66: #31: #66: #31: #66: #31: Approved For Release 2000/08/07 : sae {feer000900320001-8 (Not audible) Right. Just what I was thinking. View nine. Okay. I'm going to put this thing in. . I'm really sort of disappointed with myself. I thought I was done with this kind of stuff. You know. Could that be imagination? Yes. That is really. .. PAUSE In here, above here is... PAUSE Okay, I wanted to say there were two people in line. Ha ha. PAUSE Okay. PAUSE Okay, is there anything else you want to add then? No. That's. . . that's. . Oh, didn't I say there were two big things? Yeah, I said there were two big things here. But I couldn't see them from the side. I saw them sort of peaking around the edge of the building. Anyway, what I was trying to say was two cars. Without saying two cars, you know. I'm going to draw them the way I saw them which is over here on this one. Okay? To the right hand side of that... To the right hand side, yeah. But they are back. Um hm. Okay? 11 ™00788R000900320001-8
Approved For Release 2000/0 BER EE-sozs2R000200320001-5 #663 #31: #66: #31: Um hm. Did they look like cars to you or did they look like big objects? In your head you called them cars? In my head, I was trying to keep from calling them cars. You're right. Let's just call them what the hell they are -- that's right. Left brain there. This one is actually closer in because in the perspective it protrudes almost. I was just trying to clear up whether you saw them as cars or not. PAUSE Okay, on this one, I wanted to make. . that's the walk there. END OF TAPE 12 SE Approved For Release 2000/08/07 : CIA-RDP96-00788R000900320001-8
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900320001-8 TABA Approved For Release 2000/08/07 : CIA-RDP96-00788R000900320001-8
—Y -00788R000900320004-8 s i i } ! } | t t i | i Approved For Release 2000/08/07 : CIA-RDP96 as aN ty MA Wo f ot UPL ; op \ 7 : CIA-RRP96-00788R000900320001-8 370 ~ a = New d For Release 2000/08 sor
Approved For Release 2000/08/07 : CIA-RDP -00788R000900320001-8 Ne \ F ee \ BAY ‘3 g , eo So NY “i og ®) XQ ~ Approved For Release 2000/08/07 : CIA-RDP96-00788R000900320001-8 1 wALl a ye Fp
va 2a wt Pant 900320001-8 , i j Approved For Release 2000/08/07 : CIARDPIG-00788R000 me nae manag arama s [eer trmmanmee an cope kc foo ; . é 4 Y o A G wat Ba! Approved For Release 2000/08/07 : CIA-RDP96-00788R000900320001-8
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900320001-8 TAB B Approved For Release 2000/08/07 : CIA-RDP96-00788R000900320001-8
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900320001-8 poIisr~ Dkawrne lo +s - oir pd css -_s <P ao w £%, * * aM Approved For Release 2000/08/07 : CIA-RDP96-00788R000900320001-8
Approved For Release 2000/08/07 : CIA-RDP96-00788R000900320001-8 TAB C Approved For Release 2000/08/07 : CIA-RDP96-00788R000900320001-8
Ce OE Torasrooos00320001 -8 Approved For Release 2000/08/07, eal A POST-SESSION INTERVIEW REMOTE VIEWING (RV) SESSION XXXVII 1. (S) Post-session interviews are conducted after the completion of a session to provide the selected remote viewer with the opportunity to express himself concerning his viewing experience. 2. (S) #31 felt that his session had been poor throughout. He wants to do more sessions more frequently. He feels confident that he can do good remote viewing but he needs practice. 3. (S) #66 and #31 continue to get along well during the session. #66 feels that #31 was in fact remote viewing the wrong target. Approved For Release 2000/08/opepeey edwerss'2000900320001-8