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#14
#6.5
#14
#6.5
#14
OK.
I
felt as
if
I was occupying the same position
as!.. ah... ah... Mr.
Kalp.
I
felt that
I was... ah...
I was sitting right in the same chair he was when
things started falling into place.
Ah. .. (PAUSE)
in
a room with ah... high ceilings. .high ceilings./
The first thing
I
saw.. would be about here... was
p
long coffee table and this was
a very,
you know,
/very rich wood... I was admiring the wood,
it was
I
much nicer than the one we have here.
It wap solid
might
a,
might of had been carved
a little bit Or
something and over here
to the left
is
a very large
and again,
nice wooden desk.
. .ah.
. .em.
. .aged,
old
desk,
very heavy,
very impressive,
and behind this
desk was... appeared to be a... a very high backed
chair.
I mean really,
you know,
exclusive,
executive type or whatever.
/oK.
I had the feeling it's all relative,
you didn
I think this was an ordinary office.
No... no,
this was. . .ah.
. .it reminded me something
I similar to
ah.
. .ah.
. .general
' s office or the
Jj
/president's office
or,
you know,
something
like^
|
that.
OK
Very.
. .ah.
. .very high level.
Behind this desk...
ah... were
tall,
almost seem to be kind of doors
like,
but... ah... I 'll call them windows,
OK,
and
with many narrow panes of glass;
these aren't bars,
these are windows
(PAUSE)
and in front of these
windows were hung. . .ah.
. .sheer curtains,
see-
through type that allow light through.
It almost,
for some reason they almost kind of remind me like
doors,
like they could open out. . .ah.
. .and as
I
said there appeared
to be some very sheer curtains
and the light was coming through there.
. .ah.
.
.
so
profusely
it was difficult
to see who or what was
sitting
at this chair because
I was looking right
into the light.
Ah... and from my position,
I was
here
in
a high back,
over stuffed chair staring
straight ahead,
not paying
to much attention
to
what's going on over there;
just staring straight
ahead
- like at the coffee table when
I first got
the imagery
I may have been identifying with the
subject and doing exactly what he was doing m
focusing on this table and,
as
I
said,
I looked
to
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aw
£i
the
left,
now there were... I
didn't pay
a whole
lot attention.
. .ah.
. .to the walls over there but
there was
a large carpet on the floor.
. .ah.
.
colors or whatever
I
don't know,
I
had
a feeling
tjehind me there may have been
a cabinet or some-
thing with books and stuff like that and there
toere.
. .there was at least one large picture on
this... this wall here... ah.
/
#6.5
OK.
That's pretty good
(mumble)...
#14
That’s
No.
1.
No.
2,
as
I stepped
out.
. .outside
of the
room.
. .ah.
. .No.
I'll make kind of
a
layout
as... as
to how
I
felt
I was
or where
I was
or how.
PAUSE
OK. ..ah. ..I'm labeling the stuffed chair as
subject and the
desk.
.
. ah.
.
. I was gonna say
I'll
put down person who belongs to the office but
I'm not absolutely sure that
this person
actually belonged
in this office or whatever.
#6.5
OK
#14
Ah... I'll just put down other individual.
This
individual was trying to come across very
congenial.
. .ah.
. .but the subject didn't seem
to
be paying much attention to
it,
as
if he was
rather weary
of the impression.
Ah... as
I
stepped
outside,
ah... it would almost appear to be steps,
now this... this
is inside here somehow,
but this
is
a large.
. .ah.
. .reception area
I
guess you would
.call
it,
rather empty except for decorative type
I things,
whatever,
and immediately after.
. .ah.
.
.
I stepping out of
this.
. .this doorway
,
and there may
have been more space thi^-waVT^out here ,
I Tir-not
sure,
but there seem po' be
a large,
a tall pedestal
type thing and
a vast.
. .ah.
. .would be about chest
high or whatever «/for some reasop7 that.
. .that came
out.
Now this is the main entpdnce,
here.
See,
double doors and they're nojxsolid glass through
the old type
dotfs^ witl>pgrne
.
. panes of glass and
stuff,
andj_.in_Jfa^7^^ad..,-the feeling that there
was^^ouble double set of
doors7~-4il$ethere was
/another set here.
Ah... this should bekind of
( like
a breeze way and out
he££.auere some steps and
\j-hRPR was
a...
Afcwr*-iTaa“ the feeling there was
a
guard positioned here,
OK,
and then.
. .ah.
. .there
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might have been some sidewalk
or something out
here,
and
then,
out here
is the street;
we’ll
even put
a vehicle out here
for whatever reason,
and
I had the feeling that there were two more
guards out here on the street which were kind of
like.
. .acting kind of like doormen or whatever,
and like
I
said,
these were... these were uniformed
type.
. .ah.
. .very spit and polish... ah.
Sidewalk,
I don't know what else
to lable
it,
there's an
area here that's some type of concrete or pavement
or whatever.
#6.5
Any of these guys armed?
#14
Yea.
. .well .
. .yes.
.
. I
.
.
. I had the.
. .the.
. .at least
the two up here
by the doorway .. .ah.
. .but
I
had
the feeling that they were military type.
#6.5
Yea.
I understood that when they can^across
pretty loud and clear,
OK.
#14
Ah.
. .somewhere
in here there may be some columns
in front of the building
to this entrance or
whatever;
I had the feeling of some type of
columns but
I
couldn
' t.
. .at first they looked
huge and then all
of
a sudden they didn't -look so
hugh;
they looked like they might have been,
you
know,
kind of like you 'Id see on
a porch or
something
- not very
sure.
#6.5
OK,
here.
#14
Ah... and what really threw me and... and when
I
tried to wipe everything out and start over
again because immediately moving to this...
outside this office area
I
saw this reception
type area which reminded me
so much of the
session
1 did with... after one of
the female
subjects,
OK,
and then
I went back
in the room
and
the room layout almost reminded me of the
identical type thing,
but
it... it was rearranged
somehow.
#6.5
Was that
the session we had
in the
glass.
#14
I
had. ..I
had.
. .ah.
. .something in
a glass case.
Well
this was... it reminded me so much of this
room but it was different.
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(Mumble)
gonna track that one down.
Ah... because where
I had this subject sitting
there would have been
a couch where the female
subject was... was reclining on here,
but
it was
very much,
very much the same and this out here
was much the same.
OK,
I'll
track down that other
(mumble).
Ah... what else did we have?
That's about
it,
heh?
Ah... I described going down
the.
. .the.
. .going
down
the street and that was really.
. .that was
odd;
this was the first time
it was so clear
to
|
me,
I
felt like
I
was sitting in
a vehicle,
|
j
moving down the street,
I
could see the buildings
j
go by and... and the street... the intersections
h
|
and stuff;
the thing that... the thing that
|
'
surprised me
is that
I
didn
' t.
. .wasn
' t aware of
any other traffic.
_____
And yet you're able to get yourself back here?
Yeh.
. .what.
. .well,
I kept going down the street
and
it was fascinating cause
I never had that
feeling before but
I decided well^I'm not gonna
get any where this way,
in fact,
can't even
draw
a picture of that,
so
I decided to
go back
and that's when
I
saw... now
I went back to this
point... and that's when
I
saw these.
. .these
guards out front,
etc.
I
could draw you
a nice
picture of
a crapper too that
I
saw,
but... ah...
no,
that was odd cause
I had... I had
a perfect
picture of
a crapper. . .ah.
. .and then went into...
to this session.
OK.
How do you
feel about this session?
(Sigh)
It doesn't make sense.
Did you feel
like you were on the compound?
(Sigh)
Boy that's really .. .J^^^didflj^.
I
didn't...
in
fact,
I
felt as if
I were somewhere else...
I
/
felt
like
I
wa s in the city or near
lh p
oi:t:A/
-
but
away
from it but
didn't feel.
. .ah.
.
. as.
.
. in
/
other words
if
I were on
the compound
I was looking
L-,
*.
,
:
•
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#6.5
#14
#6.5
#14
#6.5
/'for these... ah... student type guards and all that/
H stuff;
there was none of
that.
*
That’s interesting because,
you know,
you
mentioned when you were out there looking for the
female,
that.
. .obviously was on the compound
(mumble)...
Yeh.
Well,
this would be a... the type of
a
building,
an office that you ml^t find on the
compound,
but the... the things that don
t fit are
these guards who are... were definitely
spit and
polish and this individual.
. .ah.
. .this other
individual here who was... seemed to have command
’of the situation
in the office appeared more of
a
Fi irnpean tvoe than
a
Iranian
or,
you know,
Hid-
Eastern type of .
. .ah.
. .complextion and... he was
•rather heavy
set,
kind
of balding,
I ’Id say
late,
well,
I 'Id say early
50' s.
. .ah.
. .and dressed very
well
in
a suit
and tie,
very neatly,
as
if he wer
some type of diplomat or something himself
.
OK.
Anything else you want to add?
No,
that's all
1 can think
of.
OK.
Very good.
^
iT>
:
s~9.\ r?
fi
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Ij.v'v*
cl
TARGET CUING INFORMATION
REMOTE VIEWING
(RV)
SESSION CC54
i
fSl
The viewer has been exposed
to open source news media
information
classified overhead imagery and photographs of many
o
the hostages.
He knew he would be working against
the hostage
situation
in
Iran.
would-be lLatin^MalcL^Llpt^The viewer was shown the attached
£d^^
had attempted
to describe the location of Kalp.
ADMIN NOTES:
Sessions CC53 and CC54 were conducted at
tl
?
e
with different viewers
in separate rooms using the same target
c
g
information.
(See also CC51
and CC32.)
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