Approved For Release 2000/08/07
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SG1A
SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION DCC
(S/NOFORN)
This report documents a remote viewing session conducted
in
nonjQ^iance with a request for .information concerning an individual identified
as
2.
(S/N0F0RN)
The remote viewer's impressions of the target are provided
as raw intelligence data,
and,
as such,
have not been subjected to any
intermediate analysis,
evaluation
or collation.
Interpretation. and use of
the information provided
is the responsibility of the requestor.
(S/N0F0RN)
The protocol used for this session
is detailed^in. the document
Grill Flame Protocol,
AMSAA Applied Remote Viewing Protocol
(S),
undated.
(S/N0F0RN)
Following
is
a transcript
of the viewer's impressions during
the remote viewing session.
At TAB A are drawings made by the remote viewer
reference his impressions of the target site.
At TAB
B
is target cuing
information provided the remote viewer.
NOT RELEASABLE TO FOREIGN NATIONALS
0RC0N
Approved For Release 2000/08/07
: CIA-RDP96-00788R000600340001-9
Approved For Release 2000/08/07
: CIA-RDP96-00788R000600340001-9
TIME
SG1A
TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION DCC
#66:
This will be
a remote viewing session for 0900 hours,
20 March
1981.
This will be a pre-session briefing to the remote
viewer.
At this time
I'll show you
a. picture of an individual
*
...Un
T js
kol
SGI A identified as
to be located
who is believed
#10.5:
# 66 :
#10.5:
# 66 :
#10.5:
# 66 :
#10.5:
#66 :
SG1A
at home
in
the
Okay.
I'm going to ask you to... locate
evening hours,
at home,
and I'll refer
to him as
Mm-hmm.
Once we locate him at home in the evening hours,
this should
be
a. comfortable window for you,
uh,
perhaps yesterday evening,
day before evening,
recent time.
I'll ask you about that time
window when you, when your perceptions start to flow.
Okay.
SG1A
Then,
I will have a.. some questions about
'
_
.
I.-.
i
•
r\
once
#66 :
we're able
to locate and focus on him.
Do you have any
questions
at this
time.
Uh-mm.
(Negative)
All right.
You have about 30 minutes then to prepare yourself
for this session.
PAUSE
Relax now and concentrate.
Relax.
.
. .relax.
.
. .relax.
Focus
SGI A
your attention now on
SGIAl
ou.
Solely and completely now
on
whose picture
I
have shown
QrM A
—
. .move now to
o<jlA
to me.
in the evening hours at home,
and describe the scene
PAUSE
#10.5:
First thing... two men and
a woman
on,
. .outside.
. .bundled
aqainst the cold
in some sort of a... visiting place that
was... some place with. a
lot of steps...
Like they were
on an
outing and had been surprised.
They
looked
to me shocked...
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#10 . 5 :
#10 . 5:
SG1A
#66:
#10 . 5 :
#66 :
#10 . 5 :
SG1A
#66 :
#10 . 5 :
#66 :
#10 . 5 :
SGI A
# 10 . 5 :
#66 :
...as though
I,
ah,
caught
them. ... .out.
PAUSE
Feeling of a... I keep
thinking
of
shou/er stall, bathroom type
flavor. ..steam rising.
. .and
an apartment feeling,
not
a
house,
an apartment.
Tell me more about
here in this apartment.
He's,
ah.. .1
see him two different times.
Describe your experience.
One
is the... shower feeling and everything and... the other
is
the.. .some other time and he's out,
he's sitting on
a
low
sofa...
Maybe dressed
in
a bathrobe or something.
. .in the
living room... the sky's darker outside,
like fading sunlight
and something.
. .big fluffy and classic,
ah.. .TV
show type
bathrobe,
but the furniture
is light and low... not very,
ah.,
ornate,
It's light stuff.
Tell me about
now.
Focus on him.
Tell me about
him.
PAUSE
I
don't believe he's married.
Tell me the experience you have that makes you
say
this.
I don't feel any woman in
the building.
I
feel like he
s
...like in a bachelor pad.
I don't feel any female presence
around.
Some sort of spartan type feeling about this apart-
ment.
Although my first impression
I
saw was a woman,
but
I don't believe it's anyone that stays here.
The kitchen
is
like
a
i typical,
clean, dishes have been stacked in the drying
thing for days and he does he... grabs stuff out
o' htbhere
You know it doesn't have this put away feeling.
Doesn
t
have this well cared for feeling of.. if
a woman's lived here.
SGI
Okay,
Turn back
to
now.
Turn back
to
and let's con centrat^o^nS.
Describe his personality
to me.
Seems
to be
some\i/hat of
a likable
...type.
He.. ah.. is
personable.
Tell me the experience you've had that makes you say
these
things.
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#10.5:
I see him. . .associating with people in the light sense and
happy sense,
but
I
see him. . .here. . .he' s
in his bathrobe an
he's serious....
as
though. he's reading something.
. .he
'
s
studying.
. .some sort of study,
study
time so he can be serious.
He's applying himself and not frittering his time away.
He
horseback rides for... sport.
He likes to horseback ride.
I
see him riding in a classic English cross-country stype,
European,
European on
a trail... a wooded trail....
He has that kind of
class, about him.
Person who rides has
a
certain air and "class"
about
’em.
But,
it's a European
type, you
see.
We don't have that "class" .... .in America.
#66:
Okay.
Do
I understand that he....
#10.5:
Somewhat of
a huntsman,
but he's not
a hunter... but he
enjoys that type of.....
#66:
All right.
Focus on him and describe his character
to me.
PAUSE
#10.5:
He seems to smoke and
I
see him with a limp
in his right
leg.
He's
a,
ah,
I'm getting feeling of
a,
ah. ..oh. ..a
light-
hearted gigalo type of character.
A... a flippant and,
ah
it's hard
to describe
not bad,
but very pliable
he
can
I don't want to say mercenary.
#66:
Tell me
#10.5:
His m- his goals are pliant.
He can do things and make them
be right for him.
#66:
Tell me
the experience you have that makes you say these
things.
#10.5:
Just this feeling of his cleaverness.
I never tried
to remote
view someone's character before.
So,
I 'm just giving you
feelings that
I have.
I have no imagery about it.
I
m just
sort of sitting on his shoulder trying
to figure
out what he s~
#66:
Okay.
#10.5:
like and impression
of this......
#66:
The experience. .. .the experience you have is
a feeling?
#10.5:
Yeah.
Just this.. like
this,
ah,
sort of amoral,
but...
a
light-hearted
. amorality,
I
guess
is the way
to describe
.
He's not viciously amoral,
he's sort of cutely amoral. .. like
a fox.
A fox is cleaver and cunning and... I
see him as at ox
in the sense that he's light-heartedly going about his
life.
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#66 :
#10.5:
#66 :
SG1A
#10.5:
#10.5:
#66 :
#10.5:
# 66 :
#10.5:
#66 :
Okay.
But,
that if he has to do something that's.
. .look
a little
bad to someone else it doesn't bother him.
He can fix it m
his own head so that
it
! s okay.
SGI A
now
Maybe it's his damn,
ah, .. .attire.
It's his. ..he reminds me
of a... Jack Lemmon, wearing his bathrobe
in some movie where
he's somewhat of a womanizer and. .ah. .that type
of thing.
He looks.. his attitude
is sort of
a "bon-vivant."
Okay.
Work.
PAUSE
Okay.
Let's continue to focus now on
Db.
Tell me about his
job.
and turn
In response
to "Show me
a picture of where. you work
...De...
designs,
ah, feeling
of
a,
some sort of
a;,pub lie office build-
inq that has
a trunckated pyramid on the roof...
A thicK
roof that's angular and then lopped off on the top
of
it.
In response
to the question, "Show me
a picture of you at
work,"
I
had
a desk
job
type. .him in
a gray
suit,
sitting
at
a desk in a large bay with many
other people,
men with
desks.
Something like a information processing center,
_ like
a newspaper... or
a public affairs office
or somethin g that
has a lot of input andoutput
in activity.
Like the press,
like the day room in a newspaper looks like
Tell me about what
he does in particular.
What
is his
part
in this?
It's funny,
I feel a linear type organization here and he
seems
to sit at the front
of
a row which he
is
in charge
of.
I don't see any partitions around that would otherwise
set a leader away from his men like we do.
It's a line
°
about four or five desks and he sits in the forward edge of
one.
And, when
I
ask if he.
. .supervised anyone
I
see sort o
like "moved his finger"
along the line showing that he
s
....these people.
And,
he
gets stuff and walks back along
the
line and drops
it
at different people's desks for them to
do or for them to work
on.
He has two large
"in
boxes
on
his desk,
one on the
left and one on the right
He .f*n
charge of some territorial thing.
He has
to cover
a territory.
What is
the experience that makes you say this?
I'm asking what he does,
and
he. ..I
keep
getting. this feeling
of east... something or other .. .like he has to cover
the...
his part is concerned with the east of something.
. .like the
east of an area...
SGI A
Okav
.
I have no further questions about
but
I
would
like
to give you time to explore and comment as you see
fit.
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jmq
5 .
Mmm... the building where he works is sort
of short and squat...
#10,5
‘ S
it's... more stories.
It's like... seven or eight
nine
stories,
something like
that.
It's not
a skyscraper,
but,
it's not
a little building,
and it's just about perfectly
rectangular... light stone... and he works up about the seventh
or eighth floor.
He works up
off the 3rou
"f*
noy/
well,
he’s really sucking down some sort
of
a
dr^
k
, n °M/
in ' back in his " apartment .
I had
a fleeting feeling that he
had some sort of a... he had acquired some sort of a western
taste
in booze.
He's drinking with
ice,
and
it
s some
sort of a... colored... like rum or scotch
or burbon °r something
that's sort
o'
colored.
Brownish drink and he
s really suckin
it. down.
You know, you drinking
it
like
J^id,
you'd drink
a coke... and he,s
...I
don
t think... likelsai
,
I don't think he's married.
He may have been at one
time,
but he's not anymore.
I
ask him like,
you
know,
are you
married and he... the answer
I
got
is,
you
know,
like.,
something like are you kidding me.
. .you know
JUS^
in the way... there's no... they 're no good... they
J
, s
know
..they
just
get. in my way...
So.. .never,
y
?,
sort of
a bravado you'd expect from either somebody that 8
terminally ugly
or
a confirmed bachelor....
That
s about all
I'm getting.
#66 -
Okay.
Return your attention now to the sound of
my voice,
to
the present time here
in the room.
Move your arms,
move
your
legs,
take
a few deep breaths,
and
let s draw some
of
the things that you've had.
All right,
urn,
I asked you
a great many questions about,
uh,
^^^^^personality and his character and
I realize you
HKIHS draw pictures about that.
I had one question
I
did wanna ask though.
You talked about him,
uh, horseback
riding
or being outside*rand then
5 you kind
of inferred tha
that was the type
of person he was.
And I'm a bit confused
as to whether that is one of his hobbies or interests,
or
you just used that as
a tool to describe his personality.
#10
5*
Yeah.
Urn,
he does horseback ride.
And that
is one °f hl®
hobbies.
Okay.
That's where you can find him is
on the local
horseback trail.
I had the feeling he does,
he
9°es ±here
very frequently and that there's some sort
of
an
e:*^ljfhe
park.
What do they call horseback riding trails?
Something
trails.
Equestrian trail.
There
is an established eques-
trian trail somewhere
in and through
a wooded_area near there.
In,
in
that, wherever he
is.
And that he could be pretty
well reqularly thought
of to-be seen on those trails.
You
could pretty regularly- expect to catdihim there with some
frequency.
And he actually does horseback ride.
But,
also
it's hard to describe. .. it also has
an impact and
is descrip-
tive of his personality in
a way..
He
is,
uh,
Americans would,
Americans would have
a hard time understanding the European^
flair
nf the oerson
u/ho is
a horseback rider*
uh,
y
SGI A
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#10.5:
a certain casualness about them,
but
a certain elitism about
them.
Uh,
they feel elite.
They may not even own
a horse,
but if they
go horseback riding then they consider themselves
part of that horsey set which has
a tendency to make them
feel like they're set apart
a little bit.
#66:
Is
it somewhat similar
to
wfiat,
uh,
we Americans feel
in
a
country club environment type thing?
Those who belong to
the country club and those who don't?
#10.5:
Yeah.
It would be
like the person,
maybe the person who
is
a,
uh...oh,
I'm tryin'
to think of a parallel.
It's be like
that.
Somebody that plays golf.
You
know,
the- or associated
with golfing and being
a member
of
a golf country club and
that type
of thing.
#66:
Okay.
#10.5:
Urn.. .But
it smacks
of old depth in the family type feeling,
you
know,
that type thing..
I don't know,
it's hard. to describe.
It's
a certain world outlook,' as the Germans would call
it.
Certain,
you
know.
I'd use the term bon-vivant
in there as
being,
or self-assuredness of some sort.
#66:
Okay.
Uh,
tell me about this
apartment,
a little bit about
the apartment that you perceived,
I wasn't too interested
during the session about the apartment,
maybe you can
just
kinda review what type
of apartment
it was.
#10.5:
Yeah,
it's
a,
a,
I seemed to be up
on
a,
several floors up.
Uh,
a small,
more of
a bachelor of type
of apartment.
I had
the feeling it only had,
you
know,
living room,
kitchenette,
little closed type kitchenette
on the
left side and,
uh...I
guess by maybe European standards having
a kitchenette
is
a
class symbol.
But
it didn't strike me as being overpoweringly
ornate or anything like that,
or outfitted.
And the furniture,
furnishings
in
it were not,
uh,
nice.
They were very spart
and
light.
Light rickety,
not rickety but light non-durable
furniture.
Almost like-
I know the kind of furniture
is
like
when you walk into a model home and they just have this crap
that's been- it looks good,
but
it doesn't have any substance
to
it.
You
know,
if you stood up on the sofa your feet would
go through to the floor.
It's only designed for sitting,
it's
not rugged enough to take any- that's the type
of. furniture
that was
in that place.
Cursory,
it'll do furniture,
instead
of really hard substantive,
I wanna make an investment fur-
niture.
Uh,
it has
a window at the back end
of. the thing that's-
in
looking,
I didn't
look out the wirtdow but
I had the feeling
that he was
on high ground and he was above,
he was above the
ground floor,
like maybe
on
a fourth floor.
Not a super floor,
apartment building.
But that he overlooked the city.
That
he had
a nice view out there.
I didn't get a chance to look
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SG1A
#10.5:
at
it,
but
I. had the feeling that whereas-he didn't necessarily
put much value on that ivew. of this big European city,
and
Americans would put a premium on
it,
because it's the class
thing.
You
know,
to have such
a view would be just great for
an American.
But
he,
you know,
it was
like,
so it's,
so it's
a view,
so what,
you
know,
he really wasn't that interested
in that,
#66:
Okay.
What can you
tell me about the,
uh,
information you
gathered when
I asked about his job?
#10.5:
Okay,
urn
that's also seemed to be
on another hillside or
up again, up high,
higher.
Like above
a valley,
up on
the
side of
a valley or something like that.
In
a city area.
Fairly modern,
uh,
office building that
is short and squat.
Now,
and I've drawn
a sketch and it's sketch
2.
So
I won't go
on -about that.
That's another feeling of height.
The work
environment where he was was
like,
it was
like,
it was remin-
iscent of,
I'm not saying
it was,
but it was reminiscent of
the city
day’ room for a big metropolitan newspaper.
With desks
in
rows.
You
know,
Lou Grant,
you know the opening scenes
of
Lou Grant at the very beginning of their,
of the hourly
show.
.
Where they're panning the room and people are coming and going
and they're talking to each other and the press boys and the
copy boys and everybody's
movin'
around.
Sort of
tfaat type
of
flavor or many desks
in
rows.
And each row belonging
to the
guy
in the lead desk.
And like they being the action officers
behind the lead guy.
But that this lead guy was not walk on
water,
uh,
high,
high,
high ranking.
He was just another nerf
in,
above the three or four nerfs that worked for him with no
real disparity
in rank.
You
know,
he was just like
a... the
most senior.
Not really the better paid,
just^jd^iost senior
or the most experienced,
you
know.
Uh,
and
uh,
is
a leader on one of those rows.
#66:
Okay,
you've drawn
in sketch-
#10.5:
And this
is of sketch one,
yeah.
#66 :
Okay
.
#10.5:
The feeling
is he sits up
in the forward part of one of the
rows,
he receives material and then ho -.portions the material
out to the people behind him who. work for,
they
don't really
work for him,
they work with him.
But he like supervises their,
their
job.
And they pick other stuff up.
And
it
is remini-
scent,
there was
a,
there was a strong flavor,
I
do have to
say,
this whole press room and copy boy and. ..was
a heavy over-
tone
of information processing of some sort.
Like they were
not,
they certainly, wait
a minute
let me
get,
uh,
this
is the
way
to describe
it.
They were dealing with something which
is
of non-substantive
form.
Like information,
as opposed to repairing left-handed
widgets.
They were not technically doing things with their
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# 10 . 5 :
#66 :
#10 . 5 :
#66 :
#10 . 5 :
#66 :
#10 . 5 :
#66 :
hands.
They were
in an environment in which they were read-
ing,
receiving material and reading material and writing
material,
digesting
material..
They were not building com-
puters
or repairing refrigerators.
They were dealing with an
insu-
a non-substantive thing.
Okay.
I think
I understand your explanation.
Okay.
Dm...
Oh,
the only other thing-
I've written
a lot on this
page,
sketch one.
The only other thing
is
in trying to
figure
out what his responsibility was
I had the feeling that he did
have some sort of
a geographic area of responsibility.
Like
his little,
he and his little row were concerned with east
something or other.
And they got information that had
to do
with east something
or other.
I don't know what
is
it.
I
don't know if it's eastern Europe,
I don’t know if it's eastern
United States,
or
I don't know if it's even means anything.
You
know.
But that was the only other thing that came
in was
some,
some sort of
a geographic flavor.
Organization by
a
district
of some
kind,
geographic district.
And that his had
to
do with
east.
Okay.
Anything else you'd like to add?...
Uh,
I don't know.
Do you want me to try to explain any better
what
I
had with his character type?
I
don't even remember
what
I tried to saytthere.
Okay.
I think we have
it all on tape then.
Anything else?
No.
Okay,
fine.
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i
I
TAB
I
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R000600340001 -9
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Approved For Release 2000/08/07
: CIA-RDP96-00788R000600340001-9
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Approved For Release 2000/08/07
: CIA-RDP96-00788R000600340001-9
Approved For Release 2000/08/07
: CIA-RDP96-00788R000600340001-9
TARGET CUING INFORMATION
REMOTE VIEWING
(RV)
SESSION DCC
1.
(S/NOFORN)
Information provided the remote viewer prior to the session
is documented
as
a pre-session briefing and is included in
the transcript.
Photographs shown to the viewer are attached.
During the session the viewer was asked questions pertaining
SGI A to ^^^^^^|personality ,
interest,
character,
family relations and job.
NOT RELEASABLE
TO FOREIGN NATIONALS
0RC0N
Approved For Release 2000/08/07
: CIA-RDP96-00788R000600340001-9
SG1A Approved For Release 2000/08/07 : CIA-RDP96-00788R000600340001-9 Approved For Release 2000/08/07 : CIA-RDP96-00788R000600340001-9