Approved For Release 2000/08/07
: CIA-RDP96-00788R000700150001-9
Approved For Release 2000/08/07
: CIA-RDP96-00788R000700150001-9
Approved For Release 2000/08/07
: CIA-RDP96-00788R000700150001-9
TRANSCRIPT
REMOTE VIEWING SESSION 642
(Description
of Drawings)
We will now continue the session with
a descrip-
tion of the drawings starting with the building.
Okay.
Page
is the building that
I
had that
was
in the middle of nowhere.
This was
like
on
a slight
rise of ground up the end of
a
gravel driveway and
it had like
.
.
.
I’ve
depicted here
the double steps entry from both
sides.
You had to
go up these curved steps
to
the
door.
Its
a double door
- wood.
Get
a
lot
of old fashioned windows.
The windows
on
the left side appeared for some reason
to be
boarded up.
It was
red brick.
It was like
brick painted
red.
Or very
red,
red type brick.
And,
a lot
of white trim.
And the roof was
a
dulling gray,
kind of black.
You know,
like
black roof that's weathered somewhat.
A
lot
of
tall
skinny trees
everywhere.
Mostly lining
.
.
.
none up the sides of the driveway but across
the face of the building.
.
where th©
.
.
not
the building across
the face of the fence line
in the front.
It appeared to be a mixture of
stone and wrought
iron.
And all
the country
roads had these tall skinny
trees everywhere.
I
don't
.
.
.
they looked
a
lot
like popular
trees.
I
don't know what kind of tree
it
is;
just
tall,
skinny trees.
The
leanto like garage
is
in the immediate
rear,
right
and actually- abutts this building and that's
where the car was,
the Fiat.
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immmmm
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#72:
Okay,
what's distinctive about
the building?
#06:
The.
.
.
These pointed roof designs on either
end and
I'm not
sure
I'm depicting them properly.
But there appeared to be
like these two capolas
or propulas or whatever they call
them,
with the
pointed roofs.
And
it
also has like
a
.
.
.
.
mansard type roof
to
the
front.
Twin chimneys
-
both sides.
Its.
.
.
I've drawn
in two rows of
windows here but
its three floors.
I
don't know how to explain that.
Also,
I had
an occupied feeling about
it
like
whoever owns
the building
is
as much
a hostage
as this General
is.
Its like they selected and
called this building out
as their base
of operations
and
.
.
.
just moved in and took
it
over.
#72:
So,
its
not
an abandoned.
.
.
#06:
No.
Its not
an abandoned building.
PAUSE
Page
2 -I've depicted the building which
I'll
label building with an arrow and its
immediate
property line.
And then
I put
in
a white building
where
I
saw this white building.
Flat roof white
building.
Idbn’t know what
it
is.
Some sections
of woods.
And mostly
its sectioned off open farm
fields or pastures.
I
think
its pastures.
And,
if you follow the farming road to the right
,
it goes out
into the mountains.
And
if you go
left
it
goes
down
and under
an
oval overpass
for
a super highway that's built up on
a dirt
embankment.
And
if you go North on this super
highway you hit
one modern city
and you go straight
into some like Alpine mountains
.
You go South,
you go into the original
city
I drew
in
the last
session.
If you continue on the farm road
it
sort
of turns
a little bit South and then there's
a little village there.
And that's
it.
I mean
Its just
desolate.
I’ve already said
it.
#72:
Okay.
PAUSE
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I've depicted here
a quick sketch on Page
of^the original city layout which
I'll
label
"A".
And the
industrial areas which are dotted
lines.
And I've drawn
a circle of approximate
30 mile radius around the original
city.
And
I
believe this location
is somewhere to the
Northeast
of
the original city
about
thirty
miles.
Right
at
the foothills of these moun-
tains.
I've depicted the location with
an
"X".
The last page
is
a picture of the tag,
and
I
don't know if
I
said.
.
.
Milan based on
the
MI
letters on
the tag
,
or
if
I
sense that
it
is. a Milan
tag.
But
its almost
a perfect
square,
white; black letters.
Capital
letter
MI
left
side with
a bar on the right
and numbers
top
and bottom and that’s how
I picture this
tag
to be.
Its on the Fiat.
Its
a white Fiat/
3 years
old,
possibly
4 years old.
Black interior,
and
its got
some kind of
damage to
the rear left.
That’s
all
I
have.
#72:
#06:
#72
:
#06:
#72
:
#06
Okay,
how did you know it was
a Fiat?
I
don't know.
Just
a sense that
it was
a Fiat.
Sensed that
it was
a Fiat.
A large.
.
.
The
large Fiat.
The big one.
The biggest one they
make.
You know,
the big four door sedan.
Okay
.
On Page
1 you described the home
-
I
think that you indicated that
the entry was
on
the second floor.
Yeah.
And then the dining
room,
or
a command type
center with radios.
Yes.
Its on the immediate
left.
And
I
got.
.
.
They're not just
radios,
they're
scanners.
And.
.
.
And,
I think that' s very
important because
if they're using
it,
the local
police
or cavanary are using radios to communicate
with,
I
think that
that's.
.
.
I
think they're
being monitored.
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#72:
Okay,
and you indicated that there was
possibly
5 men
.
.
.
#06:
Five male and one female.
And the female appears
to be older.
And
seems
also
to be
a disinterested individual.
So,
it could be
like an old woman that
owns
the place or
a housekeeper
of some kind of
something of that
nature.
#72:
Any feeling of how long they've been here?
#06
:
No
.
#72:
Okay.
PAUSE
I
don't have anything else.
#06:
That's
all
I
have.
#72
:
Okay
.
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TARGET CUING
INFORMATION
REMOTE VIEWING SESSION 842
1.
(S/N0F0RN)
Immediately prior to the session the remote viewer
was shown a photograph of the target,
and two drawings he had com-
pleted in
a previous session.
2.
(S/N0F0RN)
The remote viewer was asked to locate the individual
in the photograph and describe his surroundings.
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Approved For Release 2000/08/07
: CIA-RDP96-00788R000700150001-9
Approved For Release 2000/08/07
: CIA-RDP96-00788R000700150001-9