cihbivaied «OAL Gad Ba lidglenls Gd gS Approved For Release 2000/6 PF RoPs6-00788R001400640001-7 INSCOM GRILL FLAME . PROGRAM oo, SESSION REPORT CLASSIFIED BY: MSG,DAMI-ISH DATED: PS163020UL gS ~— REVIEW ON: lu { a] NOT RELEASABLE TO FOREIGN NATIONALS SECRET GRILL FLAME Approved For Release 2000/08/07 : CIA-RDP96-00788R001400640001-7
Approved For Release 20000 HR Rp ee-207ssRo0s 4006400017 3m 4. SUMMARY ANALYSIS REMOTE VIEWING SESSION #927 1. (S/NOFORN) This report provides documentation of a remote viewing session conducted for training purposes only. 2. .(S/NOFORN) The protocol used for this ‘session is detailed in the document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol (s), undated. 3, (S/NOFORN) Post session analysis on target viewing indicates the viewer had a considerable amount of correlation. The viewer's attitude was positive. 4. (S/NOFORN) Following is a transcript of the viewer's impressions during the remote viewing session. At TAB A are drawings and narrative made by the viewer. At TAB B is target cuing information. Also included is available target data. NOT RELEASABLE TO FOREIGN NATIONALS A Fr — ares} aren | a Approved For Release 2000/08/07 : CIA-RDP96-00788R001400640001-7
Approved For Release soon Ea ese-oovsenootaoossooot1 — TRANSCRIPT REMOTE VIEWING SESSION #927 #66: This will be a remote viewing session for 1400 hours 30 June 1982. It's time now to focus your attention solely and completely on today's target. These are target coordinates. Focus on the target coordinates. Focus.on that area of the earth designated ag the target. Focus on that target designated by the coordinates. Relax now, relax and concentrate, concentrate, and describe the target to me. PAUSE #25 I have a vague impression of-~ #663 Spontaneous, short expressions of the target only. Describe the target to me. 7 #25: water below, a strip of land and water. #66: And narrow down focus now. #25: Flat. ont. ; #66: And now focus on the exact target coordinate. #25: I have a well, country water wellj memory trace, my grandfather's house. #66: Focus on the target coordinate. Focus only on the target and describe it to me. #25: Memory trace of Point Magu ; california, Jpova air station testing. — 66 Describe the raw data. It's not necessary that you tell me what it is, you just describe the taw data to me. er_on the side, very flat, mountains in #25: Approved For Release 2000/08/07 : CIA-RDP96-00788R001400640001-7
Approved For Release 2000/08/0 yf : #66: #25: 663 #251 #66: #25: #663 #25: #66: #25: #66: #25: #66: #253 #66: #253 66: #25: #66: #25: #663 AAD P96-00788R001400640001-7 And the target. SG1A Train, locomotive. SG1A Describe the target to me. Have an impression of being on 4 mountain, the side of a mountain, looking out over the horizon. As you look, describe. Land for some miles, water beyond it. meme TS And right where you are, describe what is at your feet. Railroad track. * Describe the foliage in the area. Green trees, small trees. ? Describe the climate. Warm, dry. New growth plants needed. en Describe the railroad tracks. Two rails, ties going across, rock place cut out the side of a hillside or a mountainside. Face down the tracks, look down the tracks and describe. Tunnel. 7 Face the other direction and describe. Open plain. Down the tracks? Come out on an open plain, wide open. Turn and. face. back the other way...Describe the size of the tunnel. Approved For Release 2000/08/07 : CIA-RDP96-00788R001400640001-7
Approved For Release -000/08107 96 6-00788R001400640001-7 — #25: #66: 253 66: #253 #66: #25: #661 (fiumb le iis ina in the breaking water Goes for a long way, mile long. Describe the raw impressions that make you say 4 mile long. Looked.for the end, couldn't see it from the beginning. Dark, very narrow. Look through the tunnel and look out the other side and describe. Another tunnel. All right. I have. no further questions concerning, It is now time for you to complete the session and comment as you Sé@ i Maves breaking in front of me, falling. g it. All right. Let's draw the imagery that you've had. 3 “RET Approved For Release 2000/08/07 : CIA-RDP96-00788R001400640001-7
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Approved For Release 2000/08/07 : SEER ET co7ssr001400640001-7 DRAWING NARRATIVE REMOTE VIEWING SESSION #927 #25 Okay, this is a description of the drawings. The first one is the impression of the land, the flat low land, with the water on one side and the sky on the other, very vague, very, very. vague impression. That sort of reminded me of what Point Magu , California looked like there, that's why I had that. memory trace I think. Drawing #2 is the drawing of just well, a water well where you go and get water to drink or use. #66: It looks to me like a very Prue a ee of a well, not like the we at we think of today as an electrically powered. #253 Yeah, it's one of those where you draw the water up with a chain, or a rope witha bucket. #66: Okay. #25: Should have drawn a bucket. Drawing #3 is the railroad tracks, with the high ground to the lower left of the page and the low flat land to the ~~ right, upper right, accupying most of the page, railroad in the lower half, the tunnel entrance in the plane towards the bottom right where the three is on the page and that was a general sort of perspective that I didn't actually see, but 1 thought would be, I think I drew it that way, because it is easier to draw it that way and it just came out that way I drew it. #66: Okay. #253 Actually had most of my perception from that point, I think, which is on the side of the mountain and I've drawn .an "yx" there.circled it, which is on the side of the mountain , ti looking out. And which sould give you, take us to drawing #4, which is the impression that I.had. And I'll put the railroad tracks in now. The tunnel is not in this drawing, but it's in there somewhere. -« #66: Okay. #253 Mountain to the lower left again, loyflat.tand, with the ater above it and the horizon above it. And that's just Great tnese are all very vague impressions. I got the idea towards the end of the session that wv getting was symbology for something e 3 and the Low flat.land and the traip’and the railroad tracks, locomotive and railroad . racks. Itimpade me th it might ikea, canal, .water canal, water €ransportation or sQ) { j Approved For Release 2000/08/07 : CIA-RDP96-00788R001400640001-7
Approved For Release 2000/08/07 : CORP ER EP 7228001 400640001-7 A 8.) #66: Okay. What is there about this that leads you to that conclusion? #25: T don't know. Except that it's all those things could be symbols of something Like that, now I don't know if it's water trg on or not but that's what I think that's analysis. That is certainly analysis, I think. #66: All right. Without analysing then, what you think is analysis, let's look at some of the major components of your thing here. You have water _as_a major component, you have low flat land as 4 major componen you have an if@YCATIOn or a primitive well you want to draw there. You have some railir6é Tacks the -ratTroad tracks themselves are laid over thi® same land impression of a low flat land and water. #25: Yes, good. te" #66: And you.feél that if you put all this together in a bag, you think that it might mean a,--What did you call #253 ealing with water transportation or something that, like an old canal used for barges or something. #66 Do you have any other comments that you would like to make, and how you fell about this session? #253 I don't really feel good about this session now. ; ont #66: Okay. What is it that makes you say that? #25: Because nothing was clear.! Everything was so vague that I naver really got a tood--except for the well-- I never got anything really clear. It was also fuzzy when you asked for impressions é6f it, raw data. There wasn't any raw data at. the time. So I had nothing to grasp. #66: When you. say they were vague, are these visual things you saw, this flat. land and water’ or impressions? #25 s Well, they're impressions, but along. with the--at first they were impressions and then Shey became visual, but they were never clear visual. It just like enough to satisfy some need I had to make it visual and then it was gone. SECRET Approved For Release 2000/08/07 : CIA-RDP96-00788R001400640001-7
mele a a NA CC DE OC Approved For Release 2000/08/07 : CACPUREL ; 7s " #66: So you really never got beyond anything more visual. #25: No, I never got a whole lot of-- #66: Felt like you touched down.and got sensual over the target, you could feel it under your feet, or you could reach out and touch the land or put your feet in the water or whatever? #25: Yes. #66: There was some of that? #253 Yes. As a matter of fact, [--- #66: Okay. how about ability to move around at the target? #25: -~I had everything down diftidel. dead to.o--through “ne = tunnel and I could never find the end of the tunnel and I sert-of<crearted-my-own-imagery to burst out of the end of the tunnel. And as soon as I did that, there was a Jittle bend, a little curve behind it: and then another tunnel right behind it,and the curve like gave me another view of that same thing, I had seen before. ; #66: Did I hear you say that ou think that this is creative il imagery at this point? #25: Well, bursting out of the tunnel.was ceative imagery ¢§ just to help me get out, because I felt like I was not able to get out. But the fact that there was another tunnel there, it was sort of a surprise. #66: A surprise. Okay. Anything else you want to add? #25: No. — 3 SE Approved For Release 2000/08/07 : CIA-RDP96-00788R001400640001-7
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