800110001-2
Approved For Release 2000/08/6^P@l^$l
GRILL FLAME
PROJECT
SESSION REPORT
CLASSIFIED BY:
Director,
DIA
DECLASSIFY ON:
31 Dec
EXTENDED BY:
Director,
DIA
REASON:
2-301-C
(3)
(6)
Approved For Release 2000/tt
-RDP96-00788R0008001 1 0001-2
'a
J
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
Approved For Release 2000/08/07
: CIA-RDP96-00788R0008D0110001-2
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
Approved For Release 2000/
88R0008001 1 0001-2
TARGET
CUING INFORMATION
REMOTE VIEWING
(RV)
SESSION CC16
source news
had not
viewer knew he
-i
/Q'j
The remote viewer had been exposed to
. open
media^ information prior
to the session.
_
The viewer
seen overhead imagery prior to the sess^;
^
x
would be working against
the hostage situation
in
Iran.
(S)
The following pictures
are the only
rov^k to him at the time
of the session^
The viewer chose
to use the official photo
to
focus on COL Holland.
Approved For Release 2000/08/0^|!®Jr5f^6-00788R0008001 1 0001-2
SGFOIA3 Approved For Release 2000/08/07 : CIA-RDP96-00788R000800110001-2 Next 1 Page(s) In Document Exempt Approved For Release 2000/08/07 : CIA-RDP96-00788R000800110001-2
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION CC16
#66
This will be
a remote viewing
session
(edited
for
secur ity)
.
PAUSE
For
the
last
few minutes now,
you have been studying
a picture of
an
individual.
It's
time now to relax
and concentrate and
focus your attention
on
the area
where
this
individual
is
located.
Direct your
awareness
of this area.
Relax and concentrate.
Relax and focus your attention,
and describe the area
to me.
PAUSE
+ 05
#24.5
Uh... stucco
... feel. .. uh .. .walls ... uh ... let me see
if
I
can. .. (mumbling)
. .everything's.
. .uh.
. .open.
.
.
... feel.
. .uh.
. .small cubicle,
small room. .. something
,..uh...feel almost
like I'm
.
. .dampness.
. .grayness.
.
.
like
I'm
in
.. .uh.
. .basement.
. .room of
some kind,.
I got a... feeling one wall has a... a likeness...
likeness.
. .couple
at
top
in
the corner, of
this ceiling
...but
I don't
...I don't feel that on.
.
. uh.
. .the
other
three walls.
. .uh.
. .ok.
let me hang
in
I
feel as
though.
. .uh.
. .outside
this place,
through
the doors.
. .uh.
. .stairs.
. .some kind of cement stairs,
+08
but that's outside.
Let me clear and get more.
PAUSE
#24.5
I perceive
a person who
is sitting backwards on
a chair
and
I
feel other people sitting on
the floor
leaning
against the wall .
.
. uh .
.
. go all
the way from the door
+10
to the right.... Let me.
. .uh.
. .urn.
. .1
think ... uh .
.
.
(mumbling )... is ... uh ... the guy
is
the one...uh...
sitting
in
the chair,
I
think.
He.
. .uh. .. (mumbling)
dusty
in
here. .. (mumbling)
in
this corner
seems
to be
one piece
of
furniture
in
the corner.
This man
is
sitting
on
it.
Others are
laying around underfoot
in
the corner,
slouched and leaning
back
and bunched,
like
hudled
together.
There's a... I
feel now
is
the room
that has two small rectangular windows with
screen
or grates over
them.
Each one
is near
the corners of
+12
the room and
their
up high.
In each corner
of
the room
Approved For Release 2000/08/07
: ClA-RbP#6-b6788R0008001 1 0001-2
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
+20
I
feel maybe only seven or
eight people
in this
corner .. .uh.
. .boredom and tired and fatigue
. ,.uh...I
see
a man... person
uh... laying
on
left
side unnaturally ... uh ... discomfort ,
bound up some
way.
. .uh.
. .trying
to be comfortable ... head
is...
but the man
in this chair
is unusual.
He alone
is
free.
. .uh.
. .he* s resting his arm on
the back of
the
chair,
boredom,
chin
in hand type
...but the others
are
lying .. .uh ... huddled
up.
. .not.
. .uh.
. .comfortable
...faces laying on cement floor.
Some
thing on
other
side ... uh ... some thing on the outsiae.
. .uh.
.
.
wall.
. .uh.
. .other wall.
. .uh.
. .long
rectangular
thing
like shelves
or cabinets, clustered against
that wall.
Man.
. .uh.
. .person.
. .knees bent up and under chin...
back against the wall
in
the corner
PAUSE
# 66
Tell me more about the building where this room
is
located.
#24.5
Let me clear.
PAUSE
At first. ..saw
it was
a
feature displaying
steps
something
...a wall on each end of the steps ... those curve
outwards
as
they come down
to ground level.
I
think
the place
is...uh...on the
right side of
this thing
I'm looking
at,. and under
the corner possibly ... um.
.
.
it was
a funny
image.
. .uh.
. .1 do feel
as though
this stairs will lead to some sort of
a front
inclosure...
but they seem... at first they seemed wide and big
sta irway .
.
. uh .
.
. I
feel whiteness as though there were
large
front windows facing
this porch that had white
drapes behind
them.
It seems
like white. drapes
or
something
like
that.
My... I don't
know.
There appears
to be
a... what
I
first feel
is
a single door, wooden
with glass panes,
top and bottom,
but
it was very
funny .
.
. uh .
.
. oh .
.
. the
.
.
. uh .
.
. the .
.
. uh .
.
. peculiar .
.
.
I
had the... when
I was.
. .uh.
.
. in front
of the door.
I
had
the fleeting
image of white wrought
iron chair.
As
though
it was on
this veranda
or
something which
is
tiled.
I don't
know.
Confusing.
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
#66
#24.5
=+26
#66
#24.5
+29
Stand on
the stairs,
a n<3 look
at
describe the type to me.
the building
and
PAUSE
Uh ... I went
to the corner where
I started and
I was going
up and
I
felt there was triangular
and above the stairs... and
I
felt I...uh...I
felt
as though there were two or
three
.
. .uh.
. .window
levels above
the triangle and that was all
I
...that was all
I
got.
I
keep wanting
to put
a
face on the front of
this thing that puts
it
all together.
The triangle was the first
impression
I
felt... I don't want to put anymore
in there.
Alright.
Now stand once again on the
steps.
Stand
once again on the steps,
and d
e
scabewha^yo^^..
PAUSE
Opoosite
is
a very... I
feel as though there
is an
unusual... urn... one story
...unusual,
like
a modern
office building... like
a little office building...
I
feel... large panes
of glass on each side of a...uh..
entrance place. .. level ground
in
front even
a feeling
shrubbery in
f ront ... something .. .uh. .. like shrubbery
..low and cut and nice trimmed and,
almost as though
it* was,
you
know,
a house.
Fairly modern type structure,
Like
as
little office building
I'm starting
to fade out.
#66
Ok.
Let's draw then.
PAUSE
4194
...I'll draw an overhead.
But,
like these people
sleeping,
this guy had his hands
tied behind his
back!.. I
felt
like. ..one of them anyway
•
and this guy was
leaning against
the wall... like
this
Laying around on
the
floor,
everything,
that
type
of
thing.
And,
that
like right
in the midstent?)
but
near,
ok.
let me erase that,,, right
in
there was
this,
was
the guy that was
like... and
I wanted
to
say
this was
our man .
. .ok
.
.
. who was sitting backwards
on
a chair... like
that... all the wall comes right-down
here.
Here
is where the door would
be,
ok.
I
just draw
the door
in
as though I'm looking
inco
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
a cutaway door
or
something.
This was
...he was
like he was almost like... the guy's
sitting
up...
didn't have his hands
tied,
you
know,
he like had
his arms here
like he might
like his exercise
break
or
something
like
that.
But he was with
these people.
It was not
like he
well I'll
show you.... then there's another guy here,
maybe,
leaning against the wall type
thing
ok.
#66
Uhum..now you said this
is
a room with no furniture
just
that one chair
so tell me what... tell me
a little
bit more about the picture you're drawing.
#24.5
They're
looking
through the room as though the front
...as though we're looking on
to
a theater
set,
or
something
like
that,
ok.
The dotted line
in the
foreground
is where the door
is.
It
is near
the left
hand side of this room.
The room... I 'll draw
a better
one,
here,
like an overhead view,
in
a minute,
but
the
room is...uh...it was dusky,
I
felt like
a plaster
or
a stucco on the wall,
I
felt like
a dirty gray,
ok.
The room
is essentially bare,
except
for
some
funny
vertical things against the wall on
the far
side wall
...the
far wall and,
at first
I wanted to say there was
a whole line of
these things,
but later
on when
I was
feeling real good about what
I was getting,
I
felt
that
there were two windows
in the upper part of the wall,
narrow rectangular windows,
like basement windows,
or
something.
Up on the top part of the wall
Uh...
ok.. on either
corner
of
that other wall,
and
it clustered
in
the right foreground corner,
and maybe trickling
off
into the
far corner was
a group of maybe
or
7 or
or
9 people.
Number
of people sitting against this wall.
Right here
in the foreground,
and everything
Once,
during
this
session,
when
I was working,
I was
in
the
corner,
I was... when
I was picking up the feelings of
these.
. .picking
up on the people, what was going on,
I
felt most of them were sleeping
or
something,
I
felt that
across the
room,
on
the other
side,
inside
the door
was
a
table with
a guy sitting behind
it,
ok.
#56
Why don't you draw an arrow to that area.
You didn't
mention
that during
this...
#24.5
No.
I didn't.
It was at the
tail end when
I was
working
at
the people.
Like
that,
ok.
#66
Now,
you had mentioned on these windows
that there was
some grating
on
them.
Approved For Release 2000/08/07
: CIA-RDP$6-00788R000800110001-2
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
#24.5
#66
#24.5
#66
#24.5
Yeah.
There was something
on
'em,
like
.
.
. uh .
.
. it
could of been either panes .. .panes or... I had
a whole
feeling... I had
a feeling
of mesh,
is what
I
had
a
feeling
of,
like... of mesh... of
a net over
the window.
That's the best way to describe
it.
On
the
inside
or
on
the outside?
I don't
know.
I don't know
'cause
I was on
the
inside looking out... the feeling
that
I had of
the
window was
that something caused the dimness
of
the
liqht, what was light
to make
it look
like
it was
passing through
a net,
like
a grate or
a window,
little window frames
or
a... wire,
you
know,
something
like that,
but,
what precisely what
it
is,
I don't know.
Is there anything more you could tell me about the
gentleman sitting at the table or
the person sitting
at the table?
No.
I wasn't concentrating
on him.
I was working on
these people over
here
in the corner,
and,
as
I
said,
fleet sitting alone,
awake,
he was awake,
he was not
like these guys,
and that's all
I can tell you.
Ok.
I'll write here, windows have some kind of grill or
net,
ok.
On
let me draw you
a floor
plan,
an overhead.
Because
I
think
ok, man there,
something there,
I don't know what they are... I want to show this,,,
whoever
is sitting on
the stool sitting up
is right
in amongst these people.
It's almost like their
legs
are
in under
there,,, his chair and everything
else,
you know what
I mean.
Sitting
in
a very tight place.
Ok.
Let's say that’s him there,
sitting backwards on
the chair,
ok.
like
that.
Here's person,
here's person,
here's person.
. .uh.
. .just jumble of people.
. .uh.
. .here'
a
a guy that's
sort of
leaning up as an example.
Here's
a guy who had his
legs flexed,
ok.
And these are
the
windows here up high and
this
is essentially open
. in
here.
If
I
had
to put
a
size dimension
on
the thing.
uh....I’d say
the room was, maybe
at the most,
feet wide,
'is
all.
ok.
Nov; out here
is an
up stair-
case.
I
had
the
feeling
throughout
it that
I was
in
a basement room of
some
kind.
I
had
the feeling throughout,
when
I
first got
there,
I
had
the feeling
that these
y-"V *““*
****awspx,
j
i
H
ft
...
;
•\
r 7
f
\
/
%
«
v
Approved For Release 2000/08/07
: CIA-RDP96-0b788R00b8001 1 0001-2
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
windows were
like just
a little above ground
level
windows,
ok.
So on number
one,
I'm going
to do that.
I had the feeling
that this area out here was mostly
blank,
ok
Nov; what.
#66
...Outside
of
the building..
#24.5
Um,
yeah. ..you know
it's
funny,
I had
..uh..when
I
got
a
look at the building,
I got
a look... for
some
reason
I
end up on corners
of buildings all the time,
I don't
know what
it
is.
But when
I got out,
I
had
the distinct
impression that where
I had been was right
inside here,
ok,
I
really felt that.
I really felt
that
I popped out and drifted away from the building
a
little
bit.
And that these windows were down here,
located near
the ground level,
ok.
Ok.
uh..
working on
the building.
I'll make
it
a
little bit
smaller here
(turned
tape over)
goes up higher
than
that... It appeared
to me to
be quite
a step up.
Like this.
And this
is a...
the wall.
. .they' re steps,
I
felt,
and the wall curved
down and out
a little bit,
but
it wasn't massive
it
wasn't huge,
it wasn
' t Smithsonean
Institution size,,,
but the front steps were significant
steps
like...
fifteen
feet wide,
ok and they went up six
feet,
ok,
type high.
I mean you were actually walking, purpose
to get up somewhere.
. .and.
. .uh.
. .they had these... they
got.
. .uh.
. .like winged out,
a little bit,
not
a severe
wing,
not some huge thing
like,
like some Nazi coliseum
or
anything
like
that,
but they sort of curved down and
out acting
like
a funnel
in,
you
know,
that type of thing.
This may
be off-centered on the building,
you
know.
As
a matter
of
fact,
I can tell you
it's off-centered
on
the building.
I've distorted
it.
I
had
a feeling
of
a
single,
single
door,
then
I
had
a feeling
of .
. .uh.
.
. it's
hard
to explain.
I
had,
really,
I
had
the feeling as
though,
I was looking
at windows.
Of course,
there might
be windows
you
know
imaginary windows,
I
don't
know.
That
I was
looking
at
a series of windows
of some
feet
long,
and under
this porch overhang
that
had,
I
..how to describe
it.... just white drapes,
you
know,
just hanging white drapes.
You
know how drapes,
drapes curve
like
that,
well
I
had the
feeling
that
I was
looking at that,
white,
through window panes from out
front.
Approved For Release 2000/08/0.
88R0008001 1 0001-2
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
Ok.
I'll put
in there
.. lines ... and then question
mark, white curtains behind windows.
. .and also,
on
this place,
I perceived.
. .uh.
. .1 had
a very clear
image of
...you know a... wrought
iron chair.
You.
know,
like
a porch chair.
Only
it was white.
White
wrought
iron... you
know the curly with the holes
in
it... dump water on
it,
and the water goes right to
the floor,
type thing.
Ok..
When you
(mumbling)
and here are the stairs...
had the definite feeling
that that was only a single
door
into this place,
ok.
Alright.
When you told me
to find out how high the
place was,
ok,
I had the
feeling
that
I had moved,
I wasn't on
the stairs,
I
came out here,
again,
back where
I
started that
image,
ok,
and
I
started to go up,
and
I got about story and
a half
level,
and
I
had,
I
just,
across the face of
the building,
I had something
that was triangular.
Ok.
An upside down triangle, possibly double lined,
something
like that
in
the shape.
And from there up
to the top of
the building,
I
had the feeling that
there were two
or
three rows of windows.
Size,
I
don't know Height
,
I don't
know,
but
that there were
...as usual, proportion
is all
drawn out.
And,
I'll
draw
in third possible.
Only two or
three levels of
windows above the triangle.
Ok.
Across the street,
all
I got...
#66
Ok.
What did you
say now?
#24.5
I
said,
across the street.
#66
Ok.
There was
a street,
then,
between
#24.5
Yeah,
well,
I
have
to say across
the
street.
I
feel there
was an open space and
I
feel there was something
in
it.
Yeah.
I was looking across
a street or
a drive of
some
kind.
But
it was
a very peculiar
...uh...The
thing
I
remember about that was dark glass windows and
it was
one story .. .modern ... it didn't
look old... it didn't
look
30'ish or
40'ish
or
big blocky concrete
thing.
For
some reason
it
looked modern.
You
knowT like...uh...
what
it reminded me
of,
so distinctly,
is these little
... uh ... sales offices
at place
in building
homes.
You
know,
it'll be modern,
it’ll
be modernish,
it will be
very open and airie and
it won't
look at
all like
the
dam houses they're building
but
it will be
some
little,
some
little
real estate office type of thing
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
Okay.
That's what
it reminded me of
.
.
like some
super
modern but one story
_ business.
Almost
like
a business office
or
something.
And why did you
find this
so strange?
Because of
that.
Because
it was opposite the type
and feeling
of
this big
building
that I’ve been working
on which
is blocky,
concrete,
white,
heavy,
heaviness,
solid.
Like poured concrete
stuff.
A
lot
of white
,
. white
rock
to
it.
#66
:
Okay
.
#24.5:
You
know, very blank and stark
sides.
You
know,
everything was just
.
.
.
but this thing was a little
bit different.,
you
know very blank and stark
sides.
You
know,
everything
just
.
.
.
And
it was
as though
it ... mav have even had
a small.
.
.
I
know
it had
some sort
of
an entrance
foyer.
Be
it small.
Some
sort of
thing
like
that.
Okay.
And
I had the
.
.
.
feeling
of
like vegetation growing around
it.
# 55
;
Okay.
As you stood
then on the steps and you
looked
across
the street,
you saw this building which you say
is
like
some sort of office building?
#24.5:
Yeah,
I’ll write that
in
here.
#66:
Is
there anything else that you noticed about the
the scene when you stood and
looked.
Is
there
anything
else that you can add at this point
in
time?
PAUSE
#24.5:
Well,
no.
I
just want
to make
.
.
.
this building
is
a light
.
.
.
stone or cement feeling
thing.
But
this
thing
feels warmer
and more mellow.
This
little
one across
the
street.
Its
like
its made out of
or
has.
.
.
its got browns
in
it.
Its more mellow.
Its
softer.
PAUSE
£,56;
Okay,
fine.
Is
there anything
else you
feel
like
you'd
like
to add
then
at
this point?
#24.5:
No.
# 55
;
Okay.
How do you
feel
as
far
as quality
of
session goe
Based
on
your
experiences.
Approved For Release 2000/08/07
,
...
: ClA-kDF>96-ib()V^8R0b0800 1 1 0001-2
#24.5:
I would say
I
feel good about
the
first one
two and
three and four
all the way up through the.
.
this
curved thing on the front,
these curved steps that
.
.
.
But the nature of the building,
I
tried to
fill
it
in and
I
.
.
once
I got past those steps
and that curved
thing,
I began
to hesitate because
I began to perceive overlap from the preceding
one
that I've done.
.
.
because that’s when
the porch
and things began tobecome very,
very familiar.
Now,
maybe
they are really all similar.
I don't
know.
Maybe there are actually
in fact two different things.
Maybe that
is
a common structural feature.
But again,
you notice I've
indented the porch off
of the front
face of
the wall.
I've blocked
it off very,
very similar
to the one that
I did the other
day.
I began to feel
unsure of
that because of
that.
Because of similarity.
Okay.
#66:
Okay.
Right.
#24.5:
On Five,
the triangle was spontaneous and the feeling
of
two or
three rows of windows above the triangle
to the roof line
I also feel pretty good about.
Okay.
And Number Six
I
had
a
lot of trouble turning around on
the steps and
I don't know
if
I
just put that sucker
across the street or
if
there's something really over
there that looks
like
that.
Because
I put myself on
the bottom of
the steps because
I was
trying
to get
there.
I was trying
to turn myself around so
I wouldn't
lose any continuity.
#66:
Urn hm.
#24.5:
So
I have
to.
.
I wonder
about
Six.
But then maybe
I wonder about six because
its
so out of character
with the rest of
the mission.
I don’t
know.
With the
rest of
the session
that
I
did.
#66:
Okay.
Now,
back
to the
.
.
the building
that was
large
and white and stone.
Other
than the steps which you
began
to
fear
showing
similarity
to another
session
that
you’ve done.
.
.
#24.5:
No.
Not
the
steps.
#66:
I mean
the
.
.
.
#24.5:
Other
than
the porch area.
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
#66
# 24.5
#66
# 24.5
if 6 6
# 24.5
#66
# 24.5
#66
# 24.5
Other
than
that,
do you have any feeling about
the building at all.
I guess what I'm asking you
is
do you
feel like
it's
the same building
or
a different
building?
With the exception of that feeling about
the
porch
Uh.
.
This
is really
a gut reaction question.
Throughout.
. .once
I got outside,
no lie,
once
I got
outside
I was really wondering
if
I was standing outside of
the same one
I was outside the day before.
Ok.
I really
was.
And because
of
that,
I was trying
to keep
it clean,
because
I didn't
know
if
it was overlayed or not.
But
I,
I
really had
a. ..I
really felt close parallel, close
vibration
to the
layout.
You know my sketches are almost
identical.
Ok.
But
is
there anything
else that you
saw
in particular?
Saw
in particular.
For
example
....in your
last session
No,
Don't give me any
for
examples.
Ok.
Is there something
that you saw that recalled
PAUSE
I
can
' t. .. something
I
saw that recalled... I was
inside
working my way out and when
I
found myself outside of
that place,
I was standing
at the exact... I won't say
that... I won't say
I was standing
at the exact place...
because that would...I'm not... I don't want
to judge
it.
But,
the position relative
to that corner
of
the building
was dam near
the precise positioning
that
I
had relative
to
the corner
of
the building
on
the preceding mission.
Ok.
And
from
there,
looking
left,
I
had
the
feeling
of
the curved
staircase.
Ok.
The curved walls along
side
the
staircase.
And
I
really didn't... I
tried
to accept
the
imagery
to
be
as
fresh as
it was... as
I could make
it and not
try
to get any overlap
in
there.
Ok.
But,
at
that point
in
time
is when
I
had
the feeling
that
I
was... there was
a
slight chance ... there was
a vague
similarity
is what I'm talking
about,
that seemed
to
...that seemed
to not bother me but
I was aware of
a
vague similarity throughout
the session.
Ok.
But
Approved For Release 2000j
8R0008001 1 0001-2
Approved For Release 2000/08/07
: CIA-RDP96 :00788R000800110001-2
*
i sL
having
seen anything
that reminded me of
it...uh...
no.
The texture of
the building
is about
the same,
though.
The
texture.
. .blank ,
white,
you
know,
cement
drab,
light colored cement,
poured concrete stuff.
It's
a similar
structure
to the one that
I was working
the other
time.
#66
Ok.
#24.5
Or
least
light colored cement.
#66
How about your
state of concentration,
relaxation.
How do you
feel about that?
#24.5
I
feel good about that when
I was working
in
the
room.
I
have no doubts about the feeling
inside
the room.
And
I
think
that
it was disturbed
a
little
bit,
because
then
I,
when
I got outside the building... I was aware
of
the similarity.
And because
I
was aware
of
the
similarity,
I was subconsciously,
or more consciously
aware of
the similarity and
I
think that's what started
to get me to fade off.
As
I was trying
to cape new
data objectively and
to take what
I got
that effort
seemed to make me
fade off.
Then finally
I
faded out
when
I was working
on
the building across
the street.
#66
Anything else?
#24.5
Uh... dirty gray .. .musty ... that
is musty... no dusky..
musky dust ... that
' s
in the basement
room.
It's not
like
a:- dungeon,
or anything,
you
know,
but
it's
like
being down
in some office.
You know what
it's
like
when you walk down the basement down here,
it's cooler,
it's musty
.no
there's nothing more
I want
to say.
That's all
can.
Approved For
h
Release 2000/08/0TTcTA-1
0&788R000800110001-2
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
\
Approved For Release 2000/08/07
: CIA-RDP9e-007s88R0008
t001 1 0001-2
\
\\
\
\\\
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
f
X
I
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
/
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2
Approved For Release
Com t\ i?i*TS
8R0008001 1 0001-2
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800110001-2