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INSCOM
GRILL FLAME
PROGRAM
SESSION REPORT
NOT RELEASABLE
CLASSIFIED BY:M5G,DAMI-ISH
DATED: ^0516302JUL78
[feN* NATIONALS
REVIEW ON:
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SUMMARY ANALYSIS
REMOTE VIEWING SESSION 841
1.
(S/NOFORN)
This report documents
a remote viewing session conducted
in compliance with
a request for
information.
2.
(S/NOFORN)
The remote viewer's impression of the target are provided
as raw intelligence data,
and
as such,
have not been subjected to any
intermediate analysis, evaluation
or collation.
Interpretation and use
of the information provided
is the responsibility
of the requestor.
3.
(S/NOFORN)
The protocol used for this session
is detailed
in the
document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol
(S),
undated.
4.
(S/NOFORN)
Following
the session the remote viewer was interviewed
for his
impressions.
At TAB
A are drawings and narratives concerning the
drawings made
by the remote viewer, reference his impression
of the target
site.
At TAB B
is target cuing information provided the remote viewer.
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TRANSCRIPT
REMOTE
VIEWING
SESSION
841
TIME
+ 02
+ 04
#72:
#06
#72:
#06
.
#72:
#06
.
#72
This will
be
a remote
viewing
session
for
21 December
1981 with
a
start
time
of
1000
hours.
PAUSE
It
is
now
10 o'clock.
Our
target
for
today
is
the
person
whose
photo
is
in
the
sealed
envelope.
Concentrate
on
the
person
in
the
envelope.
Locate
the
person
in
the
photo.
Describe
where
he
is.
PAUSE
I
got
an
impression
of
a
basement ... undergr ound
rooms. ..white
stone. ..walls
like.....
I
saw
somebody
in
a
dark
blue
coat
moving
there
walking
around.
Who else
is
with
the
man
in
the photo?
PAUSE
Ah... this
building
is
standing
alone... by
its
se If
.
All
right.
I
now want
you
to go
out
of where
the
person
in
the photo
is.
Go
to
the
street.
Look
at
the
building.
Describe
it.
PAUSE
Gray. ..see
some
giant
doors. ..very
large,
wood
doors.
They,
ah,
cover
a
courtyard.
It's
like
a
road
there .. .heavy
,
iron
bolts,
wood
doors.
White
stone
framing
around
the windows..
Saw wall
of
white
with
windows
on
the
second
f loor
.
.
. g iant
wooden
doors.
It's
like double
layered wood,
and
they're
slanted.
It's
a
whol
row
of
building.
Has
a
medieval flavor
to
it.
All
right.
Go
out
the
main
entrance
to
the
street .. .main
entrance
to
the
street.
Describe
where
the
building
is
on
the
street.
PAUSE
i a
v!
a
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mill
+09
#06
# 72
:
#06
:
# 72
:
#06
'
:
# 72
:
#06
:
# 72
:
Very narrow.
Almost
like
an
alley.
It's,
ah.,
away from
the
main road
on
the
alley. ..near
a
leather
factory,
it
looks
like.
It's
just
an
impressionable
leather
factory. ...a
very
old
section
of
a
town......
Main
street
is
straight,
but
its
alleys
are
all
crooked.
See
.
. ah .
.
. like
ah
light
industry
and wareh ouses . .
. a 1 1 connected.
Very
old.
All
right.
I
want
you
now
to
raise
yourself
up
above
the
ground.
Raise
into
a perspective
that
you
can
look
down
and
see
the
city.
Describe
how
the
city
looks.
PAUSE
Got
a
round,
city
outline
with the
river
again.
Only
the
city
is
shaped
like
an
oblong.
It's
got
an
old
part
and
a
new
part.
There's
a. ......
it 's
like
in
a...«..l ow
valley
bordering
mountains
Find
the
main
road which
leads
into* the
city ..
.
the
main
road which
leads
into the
city.
This
is
a
bridge
road.
The narrow
bridge
road.
Goes,
ah,.... comes
in
from
the
east,
southeast
...see
it's
a
crooked
road.
Goes
across
the
bridge ... it ..
. east
, southeast
and
then
it
turns
southeast,
and
then
goes
east.
Comes
into
the
city
and
then
goes
north.
Saw
some
kind
of
a
a
large
f reeway ... separate
,
separate
freeway.
There
is
another
road
from the
main
road
that
goes. ..west,
southwest.
That's
a
much
older
road,
that
parallels
the
freeway..
The
road
goes
north.
It
goes. through.
. .one
more
town
and
the mountains
It's
like
a
crossroads
town,
but
an
old. ..real
old
crossroads.
All
right.
Come
back to
overlooking
the
city.
Pick
out
the
land
marks
in
the
city.
Saw
like
ah. ..main,
main
road through
the
town...
big
traffic
circle.
There's
a park
in
the
center
and,
ah*. .see
it
faces
a
church
or
a
large
cathedral
and
a
train
station.
That'^s
a train
station.
It's
got
a
lot
of
art
formed- in
the
front
of
it.
It's ah very modern,...
Across
the
street
it's
old
art
forms.
Got
a
stone work
From
the
train
station,
where
is
the
building
with
the
man
in
the photo?
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#06
+ 14
#06
# 72
:
+ 19
#06
# 72
:
#06
# 72
:
Umm....just
a
minute.
PAUSE
Go
left.
. .to.
. .3rd
block,
left
again
and follow
that
street,
and,
ah, ...it's
perhaps,
ah, .six,
six
streets,
and then
on
the
right
is
an
alley.
It's
in
the
alley
on
the
left.
Think
there's
water
there
water
nearby
Little
cars.
Only
little
cars
can
go
: in
the
alley.
Keep
going
straight
there'
a
..very
old
market
place.
Two
more
blocks
down
the
road there's
a
market
place.
You
can
only
walk there.
You
can't
drive
there.
Impression
of
carts,
market
carts.
All right.
On
the
alleyway
street.
What
distinguishes
the
house with
the
man
from
the
other
house,
homes
on
the
street?
PAUSE
Dark
gray,
no windows
on
the ground,
only the
doors,
and
the windows
and
the
door
are
framed
in
white,
white
like. white
stripe.
This
is
an
entry
to
a
courtyard.
Old,
very
old.
That
is
all
I
have
for
you
at
this
time.
Is
there anything
you
wish
to
add?
Ah. ..just
a
minute.
........
No,
that's
all
I
have.
At
this
time
I
want
you
to return
to
this
place.
Return
to
this
room.
Relax,
take
a
deep
breath,
re lax
.
(See
TAB
A
for
description
of
drawings)
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V' 'K
a*
TRANSCRIPT
REMOTE
VIEWING
SESSION
841
Drawings
)
a
large topographic
map
put
a guide
on
the
left
can
translate
it.
The
old
cities
are depicted
by
squares,
and
. the
new
city
boundaries
are
in
dotted
lines.
So,
you
can
see
they're
all
kind
of
running,
beginning
to running
together
these
cities. ». because these
are
like
industry
in
modern
type
areas.
Heavy
black
line
is
the
super
highways
and
the
double
heavy
black
lines
are
the
rivers.
Inverted
Vs
are
mountains.
And,
then,
the
old
road,
I
drew
in
red.
The
old
road
is
important
because
that,
that
is
upon
which
I
do
my
other
drawings.
That
goes
up
in
the
mountains
and
hits
a
series
of
places.
But,
this
city
is
like
a
crossroads,
you
know.
The
main
highway
either
north
or
south
of
this
city
breaks
off
to different
other
main
towns
after
coming
down
out
of
the mountains.
Page
is
the
old
road
in
the
center
of
the
old
city.
Now,
this
page,
the
dotted
line
represents
the
boundaries
of
the
old
city,
and
the
way ..... there
1 s
like
a
double
river
that
comes
together
at
the
base
of
the
old
city.
And,
there's
now
a
super
highway
that
cuts
right
through this whole
mess.
Ah
the
old
road
comes
in,
goes under
the
super
highway
and
across
the,
the
river.
I
indicated where the
traffic
circle
is
and
all. that
shipped to
the
river.
And,
it
goes
on
out
the
other
side,
and there's
like
a
branch
that
turns
out
to
the
south.
I'm
a
little
confused
here.
I
get
an
impression
like
there's coastline
on
both
sides.
But,
one
or
the
other
might
be
a
lake. or
something.
Oh,
I
indicated
mountains
on
here
too.
There's
mountains
all
on
the north.
Page
is
a
closer
shot
of
the
old
traffic
circle,
and
I
got
a
train
station
with
a
rail-
road
track coming
across
the
parallel
bridge,
a
bridge parallel
to
the
old
road
bridge,
crosses
the
river,
and
....this
is
one
of
these
old
fashioned
old
bridges,
youkkmow.
With the...
(Description
of
#06
:
Okay.
Page
is
type
outline.
I
so that
you
prpMTT
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...it's
built
on
the
little
piles
of
stone
in
the
center.
Very
old
bridge.
I'll
draw
those
in.
And,
traffic
circle
has
got
like
a
nice
park
area
in
the
center,
and
all
that.
And,
a train
station
is
across
on
the
one
side,
and
the
cathedral
is
on
the
other,
and
of
course,
this
is
all
real
old
tou/n,
you
know.
All buildings,
...
all
jammed together
in
here
with
cobblestone
streets
and
everything.
And,
you
pass
the
train
station,
four
roads,
or
the
3rd
city
block,
you
make
a
left,
and
you
go
down
roads
to
the
light
industry
old warehouse district.
Page
4 depicts
those
blocks.
And,
if
you
were
to
keep
going
on
this
road
you
would wind
up
in
a
market
down
on
the
river.
You
know.
Like
the
river
goes
on
down
to
this
market.
I've
indicated
that
this. is
water......
That's
really
the
river,
and
you
go
down,
one,
two,
three,
four,
five,
six
streets
or
the
end
of
the
sixth
block
and
there's
this narrow
alley
like
street
that
jogs
down
through there.
And,
about
the
third
or
fourth
door
down
on
the
left
side
is
the,
the
building with
a
courtyard.
And page
3,
I've
depicted
this narrow alleyway
of
cobblestones
with
the
buildings
all
jammed
together.
These
old warehouse
type
buildings.
I
didn't
get
a
feel
like
it
was
residential,
although there
might
be
some
residences
over
the
warehouses,
but,
it's
like
a
real
old,
old time
stucco type
warehouse
bui ldings
.
.
. al 1
jammed
together
down
there.
And,
this
thing
had
real
heavy
doors
with
slant
wood
that
was
double
laped
and
big,
heavy
iron
bolts
going
through
it,
and
the
big,
you
know,
the
iron
rings.
And,
white
framing
around
the windows
and
the
door
with
a
courtyard
inside.
It
had
the
big
heavy
tile
clay
tile
roof
and
the
wall
was
gray,
dark
gray.
And,
that's
it,
I
guess.
: 72:
Okay.
On number
4,
are these the
only
streets?
#06
:
No.
These
are
the
streets
I
noticed.
There
could
be
a
whole
lot
more
streets
in
there
though.
But,
I
just
got
a
feeling
like
this
was
the
sixth
street
down
on
the
right.
One,
two,
three,
four,
five
six.
I
was
counting
streets
going
to the right.
So,
you
know there could
be
a
whole
lot
of
other
streets
in
there,
but,
that's
the
feel
I
got.
#72:
All right.
session
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TARGET CUING INFORMATION
REMOTE VIEWING SESSION 841
1.
(S/NOFORN)
Immediately prior to
shown
a sealed envelope and told the
photo was
in the envelope.
the session the remote viewer was
target was
an
individual whose
2.
(S/N0F0RN)
The remote viewer was asked to locate the individual
in
the photograph and describe his surroundings.
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