Approved For Release 2000/08/07 : “SECRET” #07: #07: #66 #O7: #66: #07 SGIA SGIA SGIA #66: #O7: I'm standing at the manhole cover...listening seems to be of ae.e.eesomehow it's between the edge of the manhole cover and the sidewalk side there, as opposed to the street side. It's..-appears to be directional, pointing in the direction of aeeeaway from the street... All right. Now tell me a little bit more about the micro- phone itself. The..ething is black and seem to.eelet me explain. When I saw it, I saw no...nothing to give me scale, no feeling for size, but it seemed like a..-black, modular thing withe.shorn shape, pointed in that direction. I felt there was..»ecables...cables underground somewhere I see lying loose, not stretched out just, just, just, just...not straight stretched, just... just, just lying there, just like somebody dropped them. It runs to the...a lot of tem going on up the street, and looks like about three...back that way towards the tent...about three, about three towards the tent. I don't know where they go, though. Follow the wires the other direction away from the tertere and ask yourself, to what is this microphone attached? Funny thing...there's some brown wires that..sturn to the right. And they got a plug juction thing just lyin' there. Either that or I'm coming up against...coming up against some kind of wall to my right. But I see loose in the white plugs...one, two....two of them. This is notee-this is under the street...street is...it's under- ground. And the two plugs are located about the center of the street across from the building. Are the- to what are the plugs attached? They're not, they just unplugged there. But there's more wires that...go to the left...that would be. ethey split and they go both ways here. They go to the plug to the right and there's four more wires that~ underneath the plug. But there seem to be more wires lazily covering, curving...curving to the left. I still got funny feeling about this area to my left here. I'm...I'm back up be= tween the street and that building again. I approach the_building from a. but..-facing the building from a: feel there ought to be a street -»-goes by this building to my right... As you proceed north on Pe yoo should be able to look to your left and go down a street to the building. It's about 20 foot wide, I thought it was...I thought it was like a big sidewalk...wide sidewalk. SECRET Approved For Release 2000/08/07 : CIA-RDP96-00788R000300840001-7
Approved For Release 2000/08/07 : SECRET #66: #07: SG1A #66: SGIA #OT: +26 SG1A | #06: SG1A #07 SG1A #66: SG1A #O7: SG1A SG1A webs SG1A #07 Okay. The one I'm on runs...seems to run straight to the end of the building. Somethin' curves around to my right, but I feel...1 feel...importance to the...okay, if goes north, then that would be the south side of this building. Let's move in and.explore. The facade of the south side... That's funny..-I...1 blinked into the...into the building...that would be to the...toward MM to the cast. I felt a terrible, big openness, like a..-l expected to step into a foyer, a small room, but I felt like the room was so big it would echo. TI could see through windows to my right. I can't see the windows on my-.el can't see any windows on my left. Tt'seeeit's feeling, I guess...not so much an image, it's a feeling of openness..-like big room. Okay. Before we explore the building further I'd like you to stand with your back to the outside wall, and look back at NM «Stand with your back to the wall of the building and look back | Yeah. Now, describe for me everything that's between you and a between the building and They got some pretty good size trees on the right of the paved way.-.eto the left is some kind of decorative thing. T can't tell if it's a fountain or a statue...roughly roundish, hexagonal shaped thing. Beyond the trees to my right it seems to get darker, and...there was low shrubs or thick shrubs in theree It's funny, but I seen something weelike through something obstructing my view, it feels like...feel like bleachers. That's weird as hell, but it fells like a...bleachers that you sit on to watch somethin'. Something bugging the hell out of me to my right here, but T cantt...can't figure it...way on down there I can see Lacross the street I...feel there's a three or four story...seems big building...buildings. Okay. As you_stand here, if I wanted to drive up to this building from is there anything that prevents me from driving up and driving right up to where you are at the building? There's two steel gates down there, but...I didn't pay any attention to them. There's a gap of about...wait a minute, I think it's a little further to the left, but I see two steel gates slide, with...I think:they slide, SECRET Approved For Release 2000/08/07 : CIA-RDP96-00788R000300840001-7
Approved For Release 2000/08/07 SECRET #07: opening, rather than popping out like new Locksee. +37 #66: Examine it for writing. #07: Tt's aeesit's aeeeit seems to have a.e--some English, I saw a thin, it ‘looked like a symbol for the word "and", like "and Company" or something. But the thing has Bee Zot a very dark patina of...of a bronze corrosion, but the corro- sion in no way weakens the lock. #66: All right. Listen very carefully. Listen. Hold the lock in your hand- FOOT: I got it-in the left hand. #66: -and listen carefully. Look at the markings. Hold on tight to the lock and move back through time to the point of manufacture and read the writing to me. PAUSE #07: T got conflicting, conflicting...I got conflict here. #66: Report? #07: I've got a conflict here. Earlier I...I saw a. symbol, tiny symbol for the word "tond"... IL tried to hang on to this damn thing and it's been used a lot of places, but I was tryin' to hold it up to my eyes where I could see the very faint..markings on it, but it was shiny new.eeit had squiggles. I couldn't recognize any writing that TI knew, I saw some funny squiggles, and that conflicts with what T..econflicts with what I saw at the gate. I think the squiggles was on the...was on the lock. I was asking my~ self if they were on the lock, or at the place where the ‘lock was made, and I couldn't...I couldn't figure it out. #66 All right. Move your attention now back to the gate in present times... Now as you are in present time at the gate~ OT: Wait a minute... I got it. #66: Is the gate locked at the present time? #07: Yes, it's locked. But I saw it open a while ago...I saw a foot size open, but right now at this instant..ethe lock ig ineeethere's two pieces of chain and the haspeerece It's locked. It's a fun-, it may not be important, but I'm outside, and it seems to be ‘locked to my left, the main body of the gate seems to beinfront of me. #66: All right, fine. Now at this time I want you to relax SECRET Approved For Release 2000/08/07 : CIA-RDP96-00788R000300840001-7
Approved For Release 2000/08/07 : $5 PES Poffo s00840001-7 #66: and concentrate once againe I'm going to have to turn the tape over. As I do T want you to relax;and ‘concentrate and move now, while I'm turning the tape over, to the steps in front of the building where you went up the steps before and wait there for me. Now as you stand on the steps describe the doors to me. Stand on the steps and describe the doors to the building. PAUSE #07: The doors seem to be...inlet, set back...getting faintees awareness of..»decorative pattern with.s..around the outside portion with...seems yellowish, yellow color with band of another color that tends towards the reddish...reddish #66: Of what material is the door made? HOT: The door...I'm getting two things. I gete..a wrought iron gate feeling, with..ea metal feeling anyway dammit. It's @eeea bronze feeling type, you can see through it... think it's heavy, massive wood behind that. But I get a definite feeling of a...fancy metal...mist be seeing it flicker in time, ‘cause it's...portion low and to my left looks black, but from here to the right it looks like it has bronzish colors. I feel behind that there's.» heavy tall wood. #66: Okay, move through the door, and stand with your back to the door and describe what is immediately to your front. #07: I think I lost ites. When you said that, I.-.it was like I was already through the door and suddenly opened my eyese I saw...this is gotta be bull... #66: Report. #07? Well, it looked like...like I was looking down, like, like I couldn't walk straight ahead at this level, like I was up eight or, eight or maybe ten feet above down there. I just got a flicker of- I thought at first the darn thing was a big swimming pool, a indoor swimming pool or some- thing, but the feeling of open spaciousness and. being below me was very, very strong. It sure...sure is not what I expected to see. A moment ago T had a feeling of spaciousness, but it was like walking into a very large room in the dark, and just having a feeling, awareness that there was big space around you. I can see a little light coming through a window to my right. When I looked just now, I...it was very bright, and, and I could see very well, but just so fast. I'm sorry, but that's what I saw. SEGRET Approved For Release 2000/08/07 : CIA-RDP96-00788R000300840001-7
Approved For Release 2000/08/07 SECRET” #07: #66: #07: #66: #07: #07: #66: #07: #66: #66 #073 ‘cause I see a gap of about a foot...black. But they're so close to the building, seems to...split just where it gets to the building. Okay. You say these gates are steel? They're black, I assume they're steel. Move to the gates...and describe them to me from this perspective. The stuff they're made of is..-is square, not tubular ghape...I can see through it, through the gate, but I'm not sure whether I'm supposed to be able to or not. It's .eeseems kind of...there's a repetitous pattern across the top. You said before there was some sort of a gap? Do you perceive the gates open or closed at this time? I saw a gap of about a foot, 1 assume itts open. There's some round things here somewhere. There's a-..seems important. Near this gate...one or two things that stand up..eif you took a big doorknob...and stand it up from the ground..-like something that..emushroom like thing... stand up from the ground like a doorknob... brownish tany like you put your foot on it, for some reason, I..-L don't know.eedon't know why I said that. Focus your attention on the gates and describe for me the method of securing the gates. There'geseethere's aeeshole in the pavement, about two or three inches in diameter. I think there's a...pin, a pin goes in that. I see, I see a loose chain...f see a chain...and a goddamn old fashioned, uh, bronze, uh, rail- road, uh, lock. Haven't seen one of them in..-haven't seen one of them in a long time. Looks like a big... looks like a real big, old-fashioned lock. What is the condition of the lock? Tt looks like...looks like I could pick it real easy, but I never picked a lock in my life, I don't know. It just SECMS, UNece Hold the lock in your hand and examine it for identi- fication. ; It's about...about a inch thick... with three or four 4nches across. I think...I think...looks like aeeelooks like the hasp could, could hinge rather than pop out. Looks like the hinge might just rock back, like a door p) SECRET Approved For Release 2000/08/07 : CIA-RDP96-00788R000300840001-7
Approved For Release 2000/08/07 : EERE Pont #66: That's fine. Is it dark for you now? #07: Yeah, it's dark nOWee. . #06: Okay. Watch very carefully in front of yous. When I count to three it will be light, and you will be able to see everything that's in the room in front of youe When I' count three it will be light and you will be able to see everything in the room in front of you. Now watch, watch the room. One, two, three. Describe for me what is in the LOOMesveseneesvere #07 I can't shake it... I might be screwed up on this thing, but the image from before just kept with me. I felt I was looking over a rail of some kind, and...gigantic big room. It sloped down...from my right and left, and I..-the word, word "hockey", soccer, hockey.++SOCCELr. + «came in, into my mind, but.e..I fought it, and 1 saw flashes of pool. I'm sorry, I saw a flash of blue, I think I interpret as like the indoor pool thing, not commercial. I thought I saw dang bleachers ggain for people to sit on, or something sloping up to the left and the right. #66: Okay. #07: By the way, the building is longer...looking away from it to the left or right. I'm looking from my door straight down the long side of the building, right down the middle. I can't, I can't...I can't shake this openeeel tried to find hallways, and offices, but I... just don't see ‘em. #66 All right, turn around now and go back out the door that you came in, and describe what's outside to your right. Co back out the door you came in ard describe what's out- side the door to your right. PAUSE SG1A #O7: The whole thing is very stylized...simplified... I'm looking towards a 20 on my right there seems SG1A to beseeover there there seemed to be a hedge or something that goes on towards nd it seems to turn at SG1A 90 degrees and_come towards y.the northy and it turns back towards again, I mean to the west. It's aQeeevery, uh, dim, vanishing thing. I think it's...I think it's a big hedge. #66 Okay. We've been at this quite a while now, so I'd like to ask if you have any closing remarks before we draw. +60 #07: I've got an awful lot of...uneasy feeling about the area, TI couldn't make OuUteceerss 8 SECRET Approved For Release 2000/08/07 : CIA-RDP96-00788R000300840001-7
Approved For Release 2000/08/07 : MEAP (EDR fBo0f 300840001-7 #66: #O7: #66 #07: SGIA OVA heen” #06: Wb: Keo. HO": Okay. Anything else before we draw? I tried to move around the building to the.e.eeto the right and see, that side and the other end to see if I recognize it, but I don't recognize the building. I guess that's about it, except I feel awful sores. tired. ; Okay. Let's draw the perceptions you've had now. Okay, at this time what I would like you to do is draw me “a picture of the gate that you perceived to be associated with this building... I felt some ornateness to it somewhere, but I couldn't make up my mind...kind of loop Tike thingSercsecseceses I felt that the thing had a massiveness to it, and there were smaller square bars, if you wWilleessssess There was some kind of scalloped...curve along the bottom. I don't know what it was. And there was a repeitious thing that, along the top somewhere, I don't know if it was...points or little round objects or what. Ib was just very boring and repetitious..-sbut the feeling of the whole thing was very, very massive, and there was a big, uh, big. chain with a lock, like a great big old railroad lock. And, dammit, I don't know what the other end was around, but it was around somethin'. I was lookin’ at the gate, there must be a big pillar there, or something. T'11 just dot that in "cause I don't know what it looked like. And the chain was draped around more than once..ekind of crude like. I guess you want this in ink, huh? Don't press too hard. PAUSE I felt these, uh, bar like things were square rather than round. Okay. And There was a scallop feeling across there, rather than put all those bars in, which... Why don't you just write the word bars, more bars, or something like that, down here? And I had that feeling that the, uh...well, this is seen You say you were outside the gate at this point? Building is back in that direction. SECRET Approved For Release 2000/08/07 : CIA-RDP96-00788R000300840001-7
Approved For Release 2000/08/07 : c1a-Ribrfas 607 fap 03 f0840001-7 #66: #07: #66: #66: #07: Okay. Building is on the other side of the gate? Mm—hmm ° Will you number that drawing number one? Okay. Now if on page two you could draw me kind of a blow-up of the lock, you did spend some time examining this lockecsesees It was right along here I thought I saw the "and", but then I saw, you know, kind of crazy squigglesees.e. This LSeaes OT. Mm-hom. Squareas opposed to round?. “...0kayss. And now theee. the doors to the building...you seemed to be having trouble describing them, maybe you could talk about it again as you drawe Well the door-was set back in, I felt. And facade of it had..ethe outside it had a pattern to it, it was meant to be decorative rather than just a straight line. I don't- I couldn't make out what the pattern was, it was just boring and repetitious, and there was a band of colores. On the outside? On the outside of that, and then, then some more decorative banding just outside that. I felt that it was squarish rather than...arched. And, uh, I thought I was getting... okay, let's get the big doors, big doors, tall doors back there. And they had some kind of, you know, massive tin— ber like hooked to them. You thought they were wood then? I thought these were, but I thought they were something in front here, like maybe a gate...shaped like wrought iron that was?..in front of this darn thing. 50 I gee,Vsuperimposed over the decorative wood we have a metal like wrought iron gate in front of the wood. Is that what you had? I had, I had mixed bronze and...iron feeling. Okay. Uh... It was decorative and I can't- and it was, there's a lot of bars. Why don't you just draw me a little arrow and say metal bars in front of wooden doOresseecees That, uhee. Oh, well. SECRET Approved For Release 2000/08/07 : CIA-RDP96-00788R000300840001-7
Approved For Release 2000/08/07 : SECRET #66: #07: #66 #07: #07: #66 #07: #66: #073 #66: #07: Okay, and label that one as number three then. Anything else about the doors? What color was that on the outside of the door there? Oh, this was, Uhee- You said there was a colored stripe between this one here? This colored stripe was a reddish. OKaYeescveveceececes Anything else? No, except, uh...that, uh, listening devices Whatever it was I felt had...and maybe it's. just overlay that gives me direction, but I thought it was directional. And the reason I thought it was directional is because it, had a- do you want a drawing? Yes, if you can remember it... TELE WAS Aevcccvcsccvecceseesseotiis is VEryee-VEry rough, it was roughly a box modular shape with something like this on the darn thing. You felt that it was a microphone rather than a speaker? Yeah, I knew immediately it looked like a speaker, but I felt that it was pickup. Okgy, I want you to write pickup microphone thereeceseses Okay. The wires on the ground I was havin' trouble with. You know, just snaking along, lots of ‘em, you know. In some cases there was bundles of 'em real close together snaking around. PAUSE Just helter skelter, it bothered me, because I thought they should be bundled up and strung on a wall or some-— thing. So you see these- these are the wires underground that you see laying helter skelter on the ground? Yeah. Okay» That was about it. Okay. SECRET. Approved For Release 2000/08/07 : CIA-RDP96-00788R000300840001-7
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H j Approved For Release 2000/08/07 : CIA-RDP96-00788R000300840001-7 ( pick up MICK ¢, APEMAE MCE Of wkES As they were POSE SD Approved For Release 2000/08/07 : CIA-RDP96-00788R000300840001-7
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Approved For Release 2000/08/07 : CIA-RDP96-00788R000300840001-7 TARGET CUING INFORMATION REMOTE VIEWING (RV) SESSION D-30 1. (S/NOFORN) Prior to the session the remote viewer was shown the attached sketch map and told that during the session he would be asked to refocus on a tent and manhole cover which he had described in a previous session. He SG1A was also told that he would be asked to move his perception during the session from the tent area to the building indicated aa Maps 2. (S/NOFORN) This viewer has been tasked previously aceinst building and the tent area. SGIA NOT RELEASABLE TO FOREIGN NATIONALS Approved For Release 2000/08/07 : CIA-RDP96-00788R000300840001-7