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TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION DCC-82
TIME
#14:
#01 :
#14:
SG1A
+01
#01 :
This will be
a remote
viewing session for 26 June
1981.
Mission time
is 0900 hours.
T 6S t *
All right #01,
the time
is now 9:00.
Prior
to the session
you were shown
a photograph of
the target area,
the building.
At this
time
I will
give you
a geographic coordinate tor this
target area:
#14:
#01 :
I want you now
to expand your awareness,
focus on
the target
area,
move your awareness
to the
target,
and
very briefly,
very briefly describe
the target building and the immediate
surrounding area.
I
uh,
I
got.. it's one
of.. one building of maybe seven
buildings
in the immediate vicinity.
These all form a...
cluster of formalized work type buildings.
It
s like
a
designated area inside of
a.. inside a.. heavily treed section
evidently.
Least there's
a lot of green.
Get a large resi-
dential area in
the
area.
Exterior
to
the,
uh,
designated
area
of
the building.
It's like
a.. get a feeling like this
might be a.. central control
type building for more than one
building,
possibly
three
other buildings. .’ about three
buildings
tall.
By
the end of the building
I
get a.. get an
impression of
a. .controlled entrance .. .wide foyer possibly
two elevators, have a reception room off
to one side.
All right #01, while you're
in the building I'd like you
to
focus on room 333,
room 333.
Expand your awareness
to that
room, enter the
room,
and describe this
room.
Okay,
just a minute
Impression of
a. .some form of
a
meeting room,
I
like see
a
row
of round back padded chairs.,
curtains. .low ceiling,
soundproofing,
thick carpet.
Very
large dark grain table or something.
See like
this
1 lat
expanse of dark grain wood...
See a black square
of some
kind....
Just
a minute,
let me,
uh,
spend some
time....
See
a glass wall on one side for some reason.
There's
a lot
of glass
in
it.
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All right #01,
I would like you
to leave
that room that
you are describing.
Leave
that room,
go down one floor,
go
down one
level,
and again focus on room 333.
Enter that room
and describe your impressions.
Okay,
just a minute....
Seem to be in
a room with
a lot of
file cabinets,
square cabinets.
See a... many,
uh,
many papers
or files.
Some kind of equipment down at one end.
Describe
this equipment.
Appears
to be
a incomplete,
under construction.
There's a...
many tubular elements
to it.. glass.
Get a... say
like
a fiosh
of
a color spectrum in my head.
See a brilliant pinpoint white
light.
Okay #01, move around this room,
move around the
room, describing
anything else that you
see,
furniture or other equipment.
Okay,
just a minute...
Ah,
there's like
a large grouping of
cabinets,
got electronics in
'em,
digital electronics.
This
is being used
in,
uh,
some conjunction with the
construction of
the other,
uh,
equipment.
There
s,
uh,
looks
like two
long,
flat, white bench type areas,
some kind
of
metallic bracing of some kind on the back. .back edge and,
uh,
pull-down overhead lamps.
Somewhat like
a.. looks
a lot like
a engineering lab
type bench arrangement.
Get a large steel
door somewhere here,
but
I
don't know how it's placed -in
the
room.
May even be an entry door or a hermetically sealed door
of some kind...
Just a minute....
Keep seeing areas that look like jeweler's benches.
Very
tiny
tools,
small tools.
. .cases standing open with tools.
Not many
but some.
Cables on
the floor....
That's all
I
seem to be
getting.
Do you perceive
the presence of any people
in this room at
this time?
Yes.
There's
a... four,
five people wearing. .they
' re wearing
suits without the
coat,
sleeves rolled up,
or short slaves
possibly.
Some kind of blue clip-on badge or
ID on their
nocket.
There's,
uh,
one or two people in some kind of
a
coverall outfit..
Some people are
just. wearing everyday
clothes.
I put total people
in
the room maybe seven.. seven
to
ten.
Are all of these people male?
No.. no.
Get.. two, maybe three female...
Okay
.
Believe,
uh,
like one
of
the,
uh,
second in commands,
one of
the higher-ups is female.
She's got blond hair.
Believe she
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has
a authoritative,
uh,
aura..
All right #01,
I'd
like you now
to focus,
focus on that heavy
steel door.
Can you describe that
a little bit more to me?
Just a minute
Uh,
it's oval
type,
in
the corners it's
rounded,
has
a
lip,
external lip with about
a three or four
inch insert into its frame.
Has
s single handle, look down,
which has some form of locking bars,
dead bars or bolts,
two on
each side,
and
two top and bottom that insert into
the frame.
The handle
is,
uh,
open horizontal and locked vertical.
Has
a,
uh,
it's like dual dials in the front,
about dead center left
of
the lock handle.
It's
a
very,
very
light green or gray
,
light green for some reason...
Doesn't seem to make any sense...
Looks like it goes
to some kind
of
a larger storage area of
some kind.
Got large items that are stored
there.
Are you looking past the door or though
the door at this time?
Looking through...
Just see like
a brilliantly
lit room °n
other
side.
And it's got something like
a trolley or some kind
parked
in there,
and
there' s. .some kind of piece
of equipment
and there's other things on
the shelves.
Just segments and pieces
of things....
Okay #01,
I'd like you
to enter that room,
the room behind the
steel door and describe as best you
can the equipment you find
in that room.
lot like some kind of commun-
support to communications
on this equipment,
size of
getting
a jumble of pieces,
'm getting.
It's sorta like
See bins,
small container
#14:
#01 :
Lot of it looks the same.
Looks
a
ications equipment or some form of
equipment.
Rather simplistic faces
large amps.
. .insert cards...
Just
cards,
insert cards..
That's all
I
looking into
a junk pile....
bins. .something stored in
'em...
Okay #01,
I have one final
task for you.
At this time
I would
like you
to leave
the vaulted area and leave
the room.
Go down
to the main level,
to
the main entrance of
the building.
would like you
to walk outside
the building,
and walk around
the
building,
describing as you
go.
Walk around the building all
the
way back
to your point of origin.
Okay.
Take your
time,
we'll wait...
Coming out the,
uh..rear door where
the parkin'. lot
Going
left,
I
just
go to the corner.. just hang
a left.
I don
t see
anythinq except blank wall, windows for perhaps.. 60 feet..
Another left.
I
get like a.... get some kind of design
in a
courtyard,
and
a,
uh,
group of steps going up
to the main entrance,
which is all
glass.
I don't know what these designs are,
but
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#01 :
#14:
#01 :
they're
tall and.. look like some form of sculpted
thing.
I don't know.
Okay,
at that- from your perspective,
from your pprspective,
where you are
on that side of the building,
where you
are right
now,
can you see anything written on this building?
Just
a minute
There's something written but
I
can't read
it.
I'm getting
a.. character
or symbol or something.
It looks
like
a triangulated
A,
it's like an A with
the legs cut off and
and opening in
the rear left where
the cross bar meets
the leg.
And there's,
uh,
other letters after
that.
Appear
to be
red,
red letters with white outline or something like
that.
It
s
large black print.
And no sharp edges.
They appear
to be
rounded corners...
#14:
#01
:
#14:
If you were
glass area,
to that?
looking at the entrance you described with large
where
do you perceive these letters
to be in relation
Uh,
even with
the upper edge
of
the
glass,
right side.
Wait a
minute...
I
can't tell
if it's overlay
or not.
start immedi-
ately over
the last doors and
I keep
tryin
to push
the letters
to
the
right,
or I'm being drawn
to the right.
I
m not sure
they're directly over
the door or if
they
re
to
the right
a little
bit.
All right #01,
very well.
I have no further questions
at this
time.
Okay,
at this time we're ready for debriefing.
#01:
Okay,
page one.
This
is
a general layout of
the
room,
perspective
wise.
I'm not sure all the elements
are m exactly
the right
place,
'cause
I was getting bits
and pieces here and there,
but
the engineering area
is basically all these
tahles and little
cubby hole
type cabinets and
tool areas and everything.
AncT there
was some drawing boards.
That's
the
one item that
I
couldn
t
remember what
to call
it.
You know,
I was gettin
these big
white,
white
and dark squares.
And
I perceived these to be
drawina boards.
And there's more
than one of
'em in
the
room,
they're spread around.
And there's like cabinets and some equip-
ment off
to the right rear.
And then
in
the foreground
is
the
object,
the main object is being worked on or constructed.
Pane
two
is,
uh,
the shut steel door.
And that’s- I'm not sure
about
the banding on
the door.
Now
the banding might be^nsi
e
the door rather than outside
'cause
I was looking through
the
door.
Page three
is the interior of that room.
Arid,
uh,
that essen-
tially describes it as it was.
I don't have a feel for what
the object was on
the
card,
other
than
the fact that it was
large
and was not covered, hut it was- had different element^on it,
different things in
it.
And it was,
uh,
had
a electrical natur
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to it.
Uh,
there were bins and cabinets back off to the left
and some other work area.
And
I got
a feeling like
this was
like an environmentally controlled room,
like
a dust-free room
or some kind of
an environmental
type area.
And,
uh,
the elec-
tronics all down the shelves were cabled together.
They had
cables and things fastened
to
'em.
And,
uh,
I
don't know
if
it's,
you know,
if it was
just,
they were sitting there or they
were being used.
And then
the,
uh,
page four
is
the, what
I perceive
to be like m
the courtyard,
which would be.rear of
the picture that
saw.
The back side of the building from the side
that
I
see
in
the
picture that was
given
to me.
And
I don't know what
the word
is,
but it seemed
to be from my perspective a little off center
to
the riqht.
And it may be that it's on something away from the
door,
and by being left of
the center of
the door it appears
to
be right in the center of
the door.
And there's this big,
large
sculpture type thing in
the front,
or group
of sculptures that
are
tall and narrow in sections.
Uh,
I
get
a distinct feeling
for this being
a courtyard of some form.
Uh,
I also have some
other gut feelings about the building that
I wanna share,
i
have
like a gut feeling that this
is,
uh,
some kind
of a...uh,
for
lack of a better word,
some kind
of an aerospace vehicle
type plant or design,
construction area.
That they're designing
or constructing some form of.. of,
uh,
item for use possibly
wi
like
the space shuttle or with
a rocket or something.
It
s,
you know,
I
just get
a feeling like it's
a space use
type
thing.
And that it's some form of
a targeting device
or something,
aiming device or targeting device.
I
just get that gut feeling
with this entire scenario.
And,
uh,
that
s about it
I
guess.
Okay.
Uh,
does
the analyst have any questions?....
Okay'*
c °u^
you describe
in more detail the female figure you had.
You felt
she was
an authoritative
type figure?
Uh,
yes.
I would put her at about 35
to
37 years of age,
5 foot
at the tallest,
and
I
think that's 5'7" with her short heels
on.
Uh,
she does not wear,
uh,
mod clothes but she doesn
t
wear old fashioned clothes either.
She's
a
good executive
type
dresser,
although not wearing an entire female suit of any
kind.
She's wearing,
uh,
blouses with.. long sleeves.
Her hair
is fairly
long! comes di»n ^bout
7 inches past her shoulder.
She wears it
pulled back sort of,
or combed back or pinned back
to the
side.
And she has moderate
to good looks.
And
does, not use
a lot
of
make-up
.
Arid does not wear glasses,
but
I
think she wears
contact*
That's all I'm gonna say about her...
#14:
#01 :
#14:
Blond.
I
Blond,
definitely blond.
Not a platinum blond,
but a blond,
normal blond,
all over blond.
What shade of blond would you consider her?
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TARGET CUING INFORMATION
REMOTE VIEWING
$RV)
SESSION DCC-82
1.
(S/NOFORN)
Prior
to
the start of this session,
the remote
viewer was
shown
the attached photograph of
the target building.
?
(S/NOFORN)
Durinq the session the
viewer was given the geographic coor-
dina^a°f
FO
th= target gilding and was asked to des^^s bua
ang and
surroundina area.
He was then asked
to focus on ^^^^located inside
tne
target building.
He was asked
to describe
this room
arid any personnel
tha
might be in the room at this
time.
3.
(S/NOFORN)
The project analyst monitored this session and provided
the
interviewer with guidance and feedback throughout.
SG1A
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