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#08:
And,
what
I got
the impression was
.I'm going
to
make this small because there's alot
of
garbage to put
in here..... of an
"L"
shaped type building.
. .came like
this... ..this
is not quite right but,
what the hell.
/
Bredominant features. .
. .there was a huge tree here...../
(something here,
ok
and there was like there were
/*
arches. .. .huge arches which looked like poles because^
they seemed to meet,
and this went all
the way around^
It continued.
.
. .what
I thought were poles turned out to be
arches.
And,
here there seemed to be
a balcony .... it was like there
were two floors.. .and this was all. . .uh.
• .white,
yellowish
cement sort of...... In the front
of the yard,
or
in the
center of this courtyard there is something circular ......
like this was a
a fountain or
a statue of something.
It was dry.
Had like
a white cement or something.
Like
a sculpture.
I.
don't knew what
to.
. .call
it.
And,
then
beyond here was the wall.
I
got the impression
it was
somewhat circular here,
and there was
a.. ..what
I thought
was a red brick wall... and the weird thing about this
is
that
it was capped.
As if... you know... the old European
roof tiles where it's kind of circle
like.
Got the
impression these were more or less at 90 degrees.
The
wall was capped off with something.
This wall extended
here,
and extended here,
but somewhere around here it
stopped,
or it continued this way ..... .and this way here
tAnd there was foliage here,
and beyond the wall was street,
the weird thing about this was street that goes
to
right and to the
left,
but it was definitely
a dead end
here.
And
y^And,
*
hare
Oh yes.
There was
a gate,
but it had an arch on the gate.
But,
that looked like cement of some kind..... and this was
a grated gate.
That's about
the perspective.
Over here
were other buildings along the street,
and down here too.
And,
this entire....*.! should draw my street. ... .parti-
cularly here where this curved. ... .which is little unlike
what.
I
saw in the overview shot, ... .that was separate.
But,
here,
I
got
the impression
the street Was curving
away from the house.
Particularly
on this right
side,
#66:
0k.
And,
you say further down the street there were
also buildings. ...there were also buildings further down
the street.
#08;
Yeah.
It's like there were series of building along this
boulevard type road........
and it just continued as
if
it were
on,
on
a beach or some thing. .. .that was weird
too.
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#08 :
Ok.
Now,
of these
can you tell me something about the styling
continuing buildings?
No.... they seemed.
.
. .well,
they seemed in
a style,
but
they weren't as elaborate as this one.
They were more
rectangular,
.
.
. .more simpler.
No.
Let me see if
I can rephrase my question.
Go ahead.
Are they residential buildings;
are they business
,
buildings;
offices.
Yeah.... no,
no,
residential with small shop^T
I think
most of the small shops were to the right.
0k.
As opposed to office buildings.
Yeah.
No.
They were nothing beyond two stories,
it
seemed.
That's why
I said it looked like suburbia or
suburban setting.
. .not
a very busy setting. .. .or not
a
metropolis.
More residential
than. ......
Very residential.
Uh.
. .maybe
I should jump to the overview.
0k.
I don’t want to lose that.
0k.
Why don't you go ahead and do that now.
I felt..... what
I was trying to figure out is give you
some
type of geographical feature that would help to maybe
pinpoint where this thing was.
I
just felt before going
inside since
I was. . .wherever
I was... I
thought it was
time to go for the overview shot.
And,
what
I
got
/^impression was.
.
.
.jlmo
if was alot of houses aw!
'
square.
They all kind
of spoked into the middle,
ok
In here was the distinctive feature where everything seemed
to lead... like the Champs d’e Lesai
(phonetic)
or somgthing
((There was ,
what
I
think,
was a building.’
' Some kind
of
And ,
what
I
got .... the
it
a square like.. . ..busy area....
streets.
They weren't completely /
i/
A
official or religious building,
and on top of this building^
(Was
a huge 5PTT5 and TT^preSoFSTnated the entire view of the'
city..
And then
I got the distinct impression. ... .no,
this
is much,
much smaller. ... .that this entire thing was
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surrounded by... like you would in the European cities.....
by an exterior boulevard that gave access to the interior
of the city.
Where he was in relation
to this feature,
s
I understood
it,
was around here someplace.
I'll call
it Daugherty building,
ok.
That's the overall impression
that
I
got.
#66 :
#03 ;
#66 :,
£
#08;
#66 ;
#08:
Then
I
got. lost
in directions here.
I wanted to
say there's a vast expanse here
that
it was sort of
desert like...., going towards the ocean. ... .and one
side.
0k.
Towards the bottom of the page, ..then you feel that
it's
a. .....
.
Yeah.
this- would' be' south.
, ..to me
it was south,...
0k.
Towards the bottom of
the page you
seented to thing
there was
a vastness and maybe some water beyond the vastness
Yes.
In here.
Which would be to the right of your page.
Yes. ... .would be
a mountaineous or hilly area.
This thing
about the ocean kept coming back,
but
I
had a hard time
pinpointing it in terms of distance,
but there was
a
nearness of
it.
But,
not in terms of
10 miles,
6 miles;
but.
terms of maybe.....! don't know. ... . 300 ,
500
miles:
something like that.
Somewhere in here. .
. .or someplace,
the ocean was there someplace.
neai
in
son*
f hf>
5 ’ ‘V'
#66 :
#08
:
#66
:
can understand from your altitude how simply changing
your focus would bring many things....
Yeah. . . .it ijust, .
.
.was there... and
it came back three times.
But,
it was there,
and
it was from the overview,
view of
the damn thing,
some place in there was the ocean
in some
proximity.
I'm going to draw that spire on
2 here.
It
was just
so,
so blatently high and huge... and had... I
think,
some religious or official significance. It just powered over
the entire area.
And underneath.
. .this is the building
t huge.... huge building.
Maybe
I'd better redraw this
to
try and give you some. .
.
. . . .no,
I'll just draw the overview,
of the
L shaped building.
0k.
So we're moving to page
3 then.
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SECRET
Ok.
This will be
a third attempt
at a sketch.
I
saw him.... and this was the tree..... in here someplace....,
It doesn't make sense,
but this room was much more spacious
than anything
in
there.
I had
a hard time inside.
I
couldn't,
I
couldn't.
. .seemed when
I changed rooms
I was
going from one wall to the next,
to the next,
to the next
and there was no corridor.
You didn't go in and out of doors and down hallways,
but
you
There were no hallways.
I
couldn't see any hallways.
I
just went through the doors.
through the doors.
I got
the impression there's
a bearded man here.
Not Daugherty,
but another.
Not Daugherty.
But,
somebody else,
smaller.
And,
these
other two impressions of whiteness which gave
the impression
that these other guys should have been there,
but they
weren't.
And,
yet they physically should be there,
wherein,
around here.
. . .1
1 11 just put that whiteness. ... .people
should have been..... I don't know how to describe that.
Do you get
a feeling for
I
don't know who they were.
Oh.
How about ... I realize you have told me now you don't
know where they were.
Do have any kind of feeling about
why they weren't there?
Had they been gone
a long time?
It was just a feeling that.
. .something that they were doing
in connection with being held,
but it wasn't
a.
. .you know.
.
.
not
a bad feeljun^
e ing used or abused or....
0k.
1%/ft
a temporary absence or a permanent absence.
Yes.
a temporary.
Very temaojarr'^Ssence
.
The impression
is that of
a temporary absence rather
than
a permanent absence.
And,
I
had two more
of those which
I'll label with
a circle
and an
X.
And,
I think there's somebody else here,
but I'm
not
sure.
That wa 3 very dim and very
dark.
I had these
3 white spaces which
would indicate temporary........
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Am
I correct
in assuming this -is all on
the upper
floors?
All
the upper
floor.
The bo^om floor was all devoted to
..uh.. caretaking andliving quarters for the four or five
people that were responsible for that entire area.
Did you see any
of
tije'^four
or five...^y
Just an impressioi^of 4 or
bQi
Responsible people.
/
Yes.
Uh
dressed
in revolutionary
type
gear.
Khaki or.... what, do you call thosa........... not utility
jackets,
but.....
Fatigues!
Fatigue jacket type
thing.
But,
I didn't dwell
on those
guys
....found them where they were..... and kind
of
left
'em alone.
0k.
To go back to the bearded man down
there,
did you have
a chance to look at him?
I didn't dwell on him.
I thought he might be one that
I worked on before... the
5 foot
7,
5 foot
8 that
I
described
before with the beard and the glasses.
But,
I didn't dwell
too much on him.
Uh.„..the inside of the room... I described
.....do you want
a sketch
of that.
I don't think
the inside of the room is necessary.
It's
kind
of a bare room with fireplace.
Yeah.
But,
the weird thing about this was that he was in
a bigger room than
any
of these other
guys.
And,
there
was.... I don't know
if
it was because
of the location.....
and there was
a huge window to the rear which doesn't make
sense either because it's
a corner.
But,
there was alot
of
light coming over there... and that thing about the
fireplace and stuff.... I,
I got the impression there should
have been a long table. .. .conference type table or huge
dining room type thing. ... .and his cot was on th the right
of the window.
And that's about
it.
Anything else you want to add?
No.
How do you feel about the session?
Uh .
.
. good ,
very
good.
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TARGET CUING INFORMATION
REMOTE VIEWING
(RV)
SESSION CCC-90
1.
(S)
The remote
vieu/er has been exposed to open source news media
information as well as classified overhead imagery and photographs of
many of the hostages.
He was briefed on the current status of the
hostage situation and told that the whereabouts
of the hostages was
not known.
2.
(S)
At the time of the session the viewer was asked to locate
Mr.
Daugherty.
The viewer was asked to describe Daugherty's location t
and
determine
if there were other hostage personnel in the area.
The viewer
was shown the attached photo so that he might be able to "beacon"
on
Mr.
Daugherty.
secret
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