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i9
SUMMARY ANALYSIS
REMOTE VIEWING
(RV) SESSION CC41
1.
(S)
This report documents
a Remote Viewing
(RV) session
conducted
in compliance with
a request from SOD,
J3,
OJCS,
Pentagon,
Washington,
D.C.
The purpose of the session was
to provide information relevant
to the hostage situation
in
the B.S. Embassy compound
in Teheran,
Iran.
2.
(S)
The remote viewer's impressions of the target are
provided as raw intelligence data and as such have not been
subjected to any intermediate analysis,
evaluation or collation.
Interpretation and use of the information provided
is the
responsibility of the requestor.
3.
(S)
The protocol used for this session
is detailed in the
document.
Grill Flame Protocol,
AMSAA Applied Remote Viewing
Protocol
! (S)
,
undated.
4.
(S)
Following is
a transcript of the viewer's impressions
during the remote viewing session.
At TAB A are drawings made
by the remote viewer reference his impressions of
"the- -target
site.
At TAB B
is target cueing information provided the
remote viewer.
it
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TRANSCRIPT
REMOTE VIEWING SESSION CC41
#66
This will be
a remote viewing session
(edited for
security)
.
PAUSE
For the past few minutes now,
you have been studying
a photograph of
an individual.
Relax and concentrate
now.
Relax and concentrate.
Focus your attention
on this individual.
Locate this individual.
Relax
and concentrate
.
Concentrate on the area. Focus your
attention.
Relax and concentrate.
Relax and
concentrate and describe the area to me.
PAUSE
#31
Feeling of
(mumbling)
he' s. .uh. .fair,
gray,
kind of
(mumbling)
room. .uh. .sitting
in a chair slumped forward.
It's a small
room.
Looks like a bed,
something long.,
rectangular across this narrow room.
I wanted to say
something funny
in the corner of the room.
. .uh. .room
is like.. uh.. gray poured concrete,
cold.
There is a
'
k. recessed square hole in the corner.
Reminded of
a
j \ uncurtained shower stall or a French crapper in the
Hcorner
.
The. .uh.
. (mumbling)
I
think. .uh. .vertically .
.
barred window.
. and
a. .uh. .wooden door that has..uh..
a few bars on it.. vertical lines on this.. on the left
side.. I
felt.. the left side of the room.
. .either the
door or the hall is vertical lines... I felt he was
sitting at
a.. a small table on his left.
Let me..uh..
clear and see what else
I
get.
PAUSE
#66
Determine now whether or not he is alone.
#31
Yes.
Don’t perceive anyone else with him in the
cubicle.
®
PAUSE
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#31
#66
#31
#66
#31
#66
#31
#66
#31
#66
#31
#66
Feeling.
. .uh.
. .hall. . .looking at
a. .uh. .through
bars.
Tell me
a bit about the hall.
There are bars all of them down the hall,
and
(mumbling)
on both sides,
I
feel. .uh. openness.
I
don't
feel the usual closed
inness. .uh. .regular structure.
Feel more open.
. .movement of air. . .light. .. I
feel
that,
right outside this place is a upstair case
but it's wood,
I
think
When
I
looked at
it it reminded
me of a ship's hold,
but the staircase is wide.
I
feel
it's darker and damper than other places I've been.
It seems cooler.
His... his table is just
a little wooden
thing and
I
...his door has some.
. .uh.
. .little window
(mumbling)
about.. uh.. two feet by one foot.
Has
a little
shelf on the bottom of
it.
He seems to be
in that
cell
alone.
Are there other personnel in the area?
Yes.
Tell me about them.
I think I'll
go to the cell on the right.
I would
say. ,uh..we have here two people sleeping.
I feel the
place is occupied.
I
feel. .uh. .people under the
covers on two beds.
I have the feeling. .uh. .two beds
on the wall.
Like. .uh. .metal bunks
on the same wall,
as the other place. .uh. .metal
(mumbling)
. .at first
I
thought',
pull down,
but no,
they're rounded metal
frame.
Very plain inside.
Figuration same as other
place.
Not audible.
It is dark.
I
can feel a light comes in,
up high
on the outside wall... keep seeing
a small window with
a vertical bar but the. .uh. .lighting. .. I don't feel
any lighting inside.
Maybe in the hall but not in
the booths.
Not audible.
PAUSE
That's
it.
Not audible
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#31
Ok.
This is number one.
It's as though
I'm
looking.
. .you' re looking down from the ceiling
of
a place... I was... I was just too hyped up for
this one... I don't know.
#66
How do you think you did?
#31
Well,
I think this was OK.
It... just that it
took me
a long time. .. .usually
I
take that time
ahead of time,
you know,
and this time
I was
limited to about 10 or
15 minutes.
This is a table.
Ok.
Upper side of one is a bed.
#66
This is looking down into the room.
#31
Yes.
Right.
I had a gut feeling the guy was
definitely
in
a cell,
cell.
First time
I had
anything out of this turn out to be a cell type
cell.
Bare,
gray,
concrete room, window up high
on the back wall on the right... iron bars on it.,
on the window... and
a bed on
one side of the
window. .. .the room
the opposite side.
That
Ok.
And when
I thought of
a French commode
...French
classic commode. . .like you'd French colonial,
you
know... not French civilizedi French colonial.
When
I
thought
of that,
I
did not see,
but when
I thought of
it to get the thing across,
to get the thing across
I will put the two footsteps
on
it,
ok.
That's the
feeling
I
had.
Like it was either an unclosed. .un-
inclosed shower stall or just
a French crapper in the
corner.
OK.
And
a door off-set here,
ok. Door has
a window on the upper half with some sort of a little
metal shelf in
it.
Now this whole end of the.
. .opposite
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the bottom and the right ends of this sketch is...
I had the feeling of solid concrete,
but,
on the
front face of this thing,
the left side of sketch
number one,
I had the feeling that that faced the
hall and that was barred.
It was essentially open;
there was freeness there.
I could
;... it didn't
seem like other places where I'd been,
you know,
wall was
a wall... there was
a door and
a wall and
that was
it.
This seemed for a change to be much
more open.
With vertical lines there. .. .ok. ..
.
as though it was
bars,
you know,
bars on
Ok.
There's
a hallway out here and here on the
right is the window.
OK.
This is man sitting
on stool or chair,
here.
And,
then when
I
got
him... when
I acquired the imagery of this guy
I
was right... I was like sitting on the table top
and
I
just floated right up
to the ceiling.
I
never did get back down until
I got outside the
cell.
But,
I just went like.. right to the top.
And was looking at
it all from above.
And then
I went outside the cell.
But,
I never got down to
get a good look at him.
All right.
I'll write
down three cement. .. .three concrete walls... and,
then the front
is. ... (mumbling)
did
I have that.
PAUSE
#31
He's sitting there.
This room is much smaller
than that,
dam it.
I'll draw him to perspective.
like that.... ok.
and the back here is
funny something area in the back corner
like
that. ... .that's
it.
.bed on one side. .. .that'
s
the whole dam schmeil(phonetic) ... .and this whole
thing is how
I saw it.
Ok.
I didn't get the idea
necessarily of any
I
just got the idea the guy
couldn't sleep.
It was more that type of
a feeling.
You know.
Not like he was being tortured or was
being forced to stay up so much as he was
just
staying up.
Didn't get any feeling of going anywhere
...waiting for
...you know what
I mean
Sketch one is much more closely perspective
...size
in my
feelirfgs than
two.
Two makes
it look longer
and the bed looks smaller and everything
that
makes it look larger. .. .not very.... all right that's
two.
Three was as though
I had moved to the left of two.
'Cause here are... there is his door,
OK... see
that. . .and.
. .only two or three bars on that side