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JUmL I
TRANSCRIPT
REMOTE VIEWING SESSION #930
#66 :
#19.5:
#66 :
#19.5:
#66
#19.5:
#66 :
#19.5:
#66 :
#19.5:
This
vi/ill be a remote viewing session for
0900 hours
9 July
1982.
Following
is
a pre-session briefing to
the remote viewer.
All right,
at this time,
I’m going
to show you
a photograph
of
a target building.
I
showed you this photograph after your
last session.
This
is
to refresh your recollection as to the target
building,
we are going after.
Today,
we will be
exploring the interior of this building.
In the sealed
envelope, which
I now show you,
in the sealed envelope
which
I now show you,
are photographs of the interior
of this building.
'
Okay.
Having not seen the contents
of the sealed envelope,
your task will be to go to the building,
in the photograph
which you're looking at,
move inside the entranceway and
move to the sensitive,
important area within that
building.
Okay
Once,
you have acquired that imagery,
I will have questions
for you comcerning this critical area
in this building.
Oaky
Do you have any questions concerning your mission
requirements for today?
No.
One.
You want
me
to walk you from the entry door
to the critical area or
do you want me to go straight
from the entry door to the critical area?
To the critical and then
I will maneuver around the
interior
of the critical area.
Go
to the critical and
if
I recognize where you are,
then
I will then be able
to position you within that area for the appropriate
description.
Any further questions?
No.
#66 :
#19.5:
#66 :
Go directly, then,
to the critical area.
Okay.
Prepare yourself,
now,
for this morning's session.
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#66:
Relax now,
relax.
Concentrate all your efforts,
your
mind,
your perceptions,
focus now on the target building
in the photograph
I've shown you.
As your imagery clears,
as you perceive yourself at the target.
Relax,
concentrate.
Move into the target building,
directly
to the critical
area and describe your perceptions to me.
#19.5:
Silver
discs,
I have
a metal
door,
hallway covered with
fake wood,
low ceilings.
Offices,
two offices.
#66:
Stop.
^Return to the metal
door.
Is this
door
open or
closedi
#19.5:
Closed,
there's
an automatic closer.
#66
:
(i Now through the
door, describe the area to the immediate
other side of the door.
#19.5:
Narrow,
short hallway,
room,
room to the right,
other
rooms' to the right, then see
a room with curtain on the
-
wall,
built into the wall.
#66:
At the doorway again,
to your
left.
#19.5:
See
a white things,
white boxj safes,
cabinets
or something,
black metal box, see what
looks like white boxes,
long
( ^
>
side.
#66
:
All
right.
#19.5:
Bright lights.
#66
:
Now to the original critical area around,
you
started
with
a metal door,
and found yourself
in
a room,
office
area,
return to that
area.
#19.5:
See table,
small boxes
on
tables
#66:
Stop.
On what floor of the
target building,
is this
room?
#19.5:
Second floor.
#66
:
From this room,
from this room,
very slowly,
carefully,
find your way downstairs,
and describe as you
go.
#19.5:
Just a minute
Come out hallway,
walk down hallway
going toward center of building,
perhaps twenty
feet,
thirty
feet,
right turn and the stairs going
down,
like
a
"U"
turn,
stairs go straight
down.
#66
:
Describe stairway.
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#19.5:
#66
:
#19.5:
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#19.5:
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#19.5:
#66 :
#19.5:
#66 :
#19.5:
#66 :
#19.5:
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#19.5:
#66 :
#19.5:
#66 :
#19.5:
#66 :
Straight endlosed stairs,
open,
like
I
can see through
suspended steps.
As you face down stairs,
walk slowly down stairs and
describe as you
go,
facing forward...
On down the stairs
now,
and at the bottom of
the stairs and describe.
See
a cross center section
like,
hallways,
"T"
or
a cross.
Okay
.
Straight ahead,
long shot
of step up to curve ceiling.
All right.
At the bottom of the stairway,
take two
steps
forward,
turn around. lob:k back at the stairs.
See two stairs.
Is there anything between you and the stairs?
Wall,
no
I'd say ... .something wood,
I
can't
tell,
some
kind
of design that,
looks like wave pattern.
All right.
Take one more step to the rear so that you're
further away ity the staircase.
Iron and
a wave pattern,
gate,
I
can't
tell.
Looks like
some kind of old fashioned elevator type gate,
only
ceiling to floor,
wrought iron
or
metal.
All right.
I
don't
know.
Move through this and up the stairs and stand at top of
the stairs.
Multi-colored carpet,
very dark hallways.
Don't move,
simply stand at the top of the stairs.
Okay.
Describe within five feet.
Some piece of old furniture,
table,
got
a table
or stand,
corner
of a wall,
appears to be front
left,
hallway
on
right
.
Is there anything between you and the hallway?
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#19.5:
Feels
like
leather,
soft,
something soft.
#66:
Okay.
Now from the top of the stairs,
from the top of
the stairs,
face the area
in which you
first perceived,
the area identified as the critical
area,
that you first
perceived,
from the top of the stairs,
describe how
I
get to this critical area.
#19.5:
You go
left,
left,
left,
around the stairs.
It's like
a walkway
,
parallel to the stairs and it's to the right
as you're walking that way.
#66:
All right.
#19.5:
Like going back towards the entry
of the building.
#66 :
#19.5:
#66 :
#19.5:
#66
#19.5:
#66 :
That's
fine.
You can draw that for me
if you want.
You
.mow,
focusing
in this critical area,
focusing
in this
critical area,
in
the present
time window,
describe the
present activity to me.
Take
a moment
to identify with
the target area.
See somebody with gray
or
green box of some kind.
Got
a silver rod fastened to
it.
He just seems to be
listening to something.
All right.
We want to move now beyond the confines of
your everyday descriptions of the area.
Want
to
identify
now with the area,
the activity
in the area.
Andjag your
consciousness expands larger and
larger,
belpoging dne
with that which
is the target,
search
in your mind,
search
in your mind,
what
is
it that threatens the target and
the activity?
What is
it that threatens the target and
activity?
Just
a minute
Get an impression
of employee,
not
someone out
of the building,
but somebody
at
Describe
tjib
raw impressions .4*
Feel like
I'm invading
a personality to answer the question.
Feel like IV looking through someone
else 's
eyes.
See
filessomethang.'''-' You ask*xhe question, threat?
Far away
feeling
like I'm somebody
else,
locking at files.
All right.
Relax.
#19.5:
Stealing,
stealing.
#66:
Relax now and gain control
of this ability to perceive,
narrowing your consciousness even more now,
in complete
control,
holding
in the back of your mind,
this
raw
data,
hold your awareness dimensionally,
step away from the
perception and observe, observe from the outside this that
you have understood and describe
it to me.
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JLlmL I
#19.5:
See
a man looking at
files.
#66:
Freeze time,
freeze time.
Stop motion,
describe the
room in which this was happening.
#19.5:
Pale,
pale color wall,
like
light green or light green.
Map
on the wall,
single gray safe
or metal file.
Low
ceilings, some kind of indirect
light built into the wall
to right of table or desk.
Got some kind of glass afixed
to
it.
Bright
light,
flags,
some kind
of flags on
a
pole.
The man
is 48
- 50 years
of age,
short cut hair,
light
color,
like
sand,
sandy hair,
gray mustache.
Looks
like he's rereading
files.
#66:
Ask him,
ask of him,
does he belong
in this office?
#19.5:
Yes.
He doesn't want to do what he's done, ibut he has
to... has to
do
it
trying,
evidently,
he's trying
to select,
select specific information.
#66:
Okay.
That sounds very much to me
like
a conclusive
statement.
Tell me the raw data that,
I know you
spent some time
on the target there,
because you were
gone for
a minute,
Tell me that raw data rather than
the conclusion.
#19.5:
Reading
line by
line by line,
by line
,
all important data
but
just seemed
to be selective,
or notj overlooking
line
by
line,
by
line,
looking for something with different
value.
If he's
judging what he's reading,
I don't
#66:
All right.
Let's let time move forward now and watch
him.
I will not interrupt
you with questions.
Let
time move forward and watch.
PAUSE
#19.5:
See
,
I don't see any variance
in the pattern,
he
just
works there,
I
guess.
#66:
All right.
This room,
that you described to me,
describe
its location
in the building,
so that
I may identify
it.
#19.5:
It's like
in
a controlled hallway area
#66:
Describe
the
ra\i/j\that makes you
say that#
#19.5:
I get
a locked door to the hallway and
a series
of rooms
in this hallway.
This
is first
door to the right,
through
locked
door.
I think it's...
oh.. it's an office
but
it's small.
It's like
in
a wing,
a wing
of the
building
.
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