Approved For Release 2003/09/09
: CIA-RDP96-00788R0021 00050001 -4
SECRET
SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION CCC-90
1 .
(s)
This report documents a Remote Viewing
(RV)
session conducted
in compliance with
a request from SOD,
03,
QJCS,
Pentagon, Washington,
D.C.
The purpose of the session was to provide information relevant to
the hostage situation in the U.S» Embassy compound in
Teheran,
Iran.
2.
(S)
The remote viewer's impressions of the target are provided as
raw intelligence data and as such have not been subjected
to any
intermediate analysis,
evaluation
or collation.
Interpretation and use
of the information provided is the responsibility of the requestor.
3.
(S)
The protocol used for this session
is detialed in the document,
Grill Flame Protocol,
AMSAA Applied Remote Viewing Protocol
(S),
undated.
4.
(S)
Following
is a transcript of the viewer's impressions during
the remote viewing session.
At
TAB
A are
di*awings made by the remote viewer
reference his impressions of the target site.
At TAB B is target cuing
information provided the remote viewer.
5.
(S)
The remote viewer was asked to locate an individual identified
I as Mr.
Daugherty who is being held hostage in
Iran.
The viewer described/*
I a two-story
"L" shaped building in what he
felt was a rather exclusive
1/1
I suburban area.
The
viewer* felt that there were other hostage personnel
If
I
| kept at this site,
but that at the time of the session they were temporarily
\ elsewhere,
location unknown.
^
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Approved For Release 2003/09/09
: CIA-RDP96-00788R0021 00050001 -4
Approved For Release 20'
'0788R0021 00050001 -4
TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION CCC-90
TIME
#66:
This will be
a remote viewing session for 0830 hours,
1 May
1980.
PAUSE
Relax and concentrate now.
Relax and concentrate.
Focus
your attention,
and your observations solely
on
Mr.
Daugherty whose picture
I have shown you.
Focus your
attention;
locate Mr. Daugherty and describe your per-
ceptions to me.
PAUSE
+02
#08:
He's in an
"L" shaped building.
It's
a two-story building.
Right at the
"L"
is.. .kind of
a tree there.
There's
something circular
in the corner .
Like a... like
a statue.
The round
(phonetic) .. .looks like
(not audible-mumbling)
Small courtyard.
. .in front
of that is
a wall.
Wall is
capped
(phonetic)
like... light tile. ... .this is just something
that caps off
the wall.
#66:
And,
as you look
at this building,
indicate
to me this
specific area
in the building where Daugherty
is located.
PAUSE
#08;
All right.
I ain't done that yet.
#66:
Just, look at the building from the outside and see
if there's
a point
in the building you could see where Daugherty
is
located.
PAUSE
#08
My attention is brought upon. ... .behind the tree
at
the
"L" shaped in “that area.
#66:
|
And,
which floor?
i
I
#08:
I Second.
\
PAUSE
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#08 :
#66 :
#08 :
+08
+09
+11
#66 :
#08 :
#66 :
#08 :
There are thin.
.
. .again they....
There are thin poles
at the bottom of
the arch... boxes that..... in the front
of the building there's sort
of a balcony all
the way
to the road,.... all the way
'cross the front......
0k.
There's another . ...
. .there's
a wall
on the right of the
building,
. .it looks brick.
. .say jsame
continuation of that
same wall on the right side,
and beyond that point there
are other similar structures.
The
"L" shape seems
to be
important,
and on the other side there seems to be a
continuation of
a wall.
but.
.there's
a street there.
It's not
a four-way intersection.
It comes
to....,..,
a dead end so that you have to make
a
right, or
a left
I got the impression of
not
a very big city at all.
a distinct impression of
a suburbia somewhat,
I guess
/^exclusive where you would have better T:Har'i upper middle-
(class people who are there. ... .that's kind of an exclusive
/suburb or something..
The street in front of it... of that
/ building seems to round off and curve so that this entire
/
set-up
.
. .uh. . .very large curve. ... .keep getting
a need
/
to look for the ocean.
ike somehow this entire area faces distant body
of water.
Like this were on the outskirts,
or something,
and beyond
this area
is very deserted land.
Beyond that is a body
o
water
.
0k.
Focus now down,
very narrow focusing your field right
down to Daugherty.
Focus down.....
Can
I
go up for a second?
Certainly
!
PAUSE
This place... this area... this is as
a central building,...
there's something about columns and
a tower that predominates
A
the entire building.
That entire area. ... .there' s
. ..uh.
like an exterior boulevard that goes all the way around
his thing.
That center.
. .building. . .main attraction. . .
.
it's a predominant feature. ... .and south of what
I
see is
where he
is
QQ the outskirts. ......... .and beyond,
to
fthe north are mountains or hills.
Beyond where he
is,
just got an impression
of
a vast expanse.
PAUSE
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#08:
Ok,
I'm waiting.
#66:
Focus now,
narrowly down on this building closer and closer
and closer.
Move inside the building,
and as you approach
the area where he's located describe
as you
go.
PAUSE
+14
#08
:
+13
#66 :
#08:
The first impression
is of a very quiet,
wide, room for
such
a small building.
PAUSE
Extremely weird,
but on one wall seems to be
a place for
a fireplace
to, ....I
don't know. ... .a very. ...in proportion
to the size of the room is alot of
light
in the back of
the room with
a main window.
PAUSE
I don't see any indication of physical abuse.
Tell me what makes you say
that.
I
just
got him in open white shirt and jeans
PAUSE
+16
+17
+18
I
keep
...this is like
a conference
room.
There's no
table there, but there should be one,
PAUSE
There's
a cot in the right corner of the room.
He reads
alot.
Then there's a feeling
of relief.
#66 :
Explain this to me.
#08 /i
s just a raw impression of relief ... .contentment.
He
reads alot and,
I guess,
he's made up his mind,
and.
. .uh.
apprehension. .... .there' s no sense of apprehension
#66:
All
right.
Turn your attention now to determining whether
or not there is anybody with him.
#08:
Nobody
in that room,
except him.
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+20
+22
#66:
Ok.
Look around the area for other personnel,
and
identify them for me.
PAUSE
#08:
Got
a hard time moving
(mumbling).
PAUSE
#08;
*
There's one more guy
in the left part of the wing,
and
next
to that guy there should be somebody there.
But,
he's not physically present.
Then,
there's the guy...
just described,
I
guess.
PAIISF
And,
to the right of that or
the other "L"
there seems
to be two more places where people should be..... they
are,
but,
they're not physically present. .. .just a white
accent
(phonetic).....
PAUSE
Our guy..... ..the weird thing about this thing is that
the second floor is that
I seem to have to go through
the room to get to the other,
I think.
Can't find any
dumb corridors.
I get the impression downstairs
is all
for........ around here.
I'm under the impression of
5 people responsible to oversee
this thing.
I’m having
a hard time with the inside
of this building.
#66:
0k.
I have no further questions about the target area.
Now,
if there
is anything that you think you would
like to
add,
do so now.
#08:
No,
no.
That’s
it.
#66:
0k.
Fine.
Let's draw the impressions that you had.
PAUSE
#08:
0k.
I'm going to indicate in sketch
1 where
I picked
this up here,
at the very beginning.
And,
I'll try
and
give, you
a view of what
I
saw from the front.
In
fact
,
that's where
I was when you said you wanted
a view.
#66 s
0k
.
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