Approved For Release 2008 FAR Fela-R0P26-007e8R000900480001-1 SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION C7 1. (S) This report provides documentation of a remote viewing session conducted for training purposes to enhance a remote viewer's demonstrated ability. 2. (S) The viewer's impressions show little or no target correlation. The only things that may relate to the designated target (a carpet store) are the drawings of cylinders which might represent rolls of carpet. The viewer was so busy analyzing and organizing his drawing, he had no time to relax and concentrate on mental target images or impressions. He was hyperactive throughout the session. He was undisturbed by ambient room noise, which was loud, because he was so involved in processing what he perceived as target data. At times he did not respond to the interviewer for the same reason. This viewer is trying to figure out how to do remote viewing. He will have to become more goal oriented and less means oriented for target correlation factors to increase. 3. (S) The protocol used for this session is detailed in the document; Standard Remote-Viewing Protocol (Local Targets) by Harold E. Puthoff and Russell Targ, November 1978. 4. (S) Following is a transcript of the viewer's impressions during the remote viewing session. At TAB A are drawings made by the viewer reference his impressions of the target site. At TAB B are photographs of the target site. Approved For Release RUDP96-00788R000900480001-1
Approved For Release ootebbtgttiateopsc-007e2R000900480001-1 TRANSCRIPT REMOTE VIEWING (RV) SESSION C7 #66: This will be a remote viewing session (edited for security). PAUSE Its now time to relax and concentrate. Focus your attention solely on today's target. #11 is at the target location now. He is observing the area. PAUSE See the target with him. PAUSE #44: I'm not sure about this one, but I've got an image which . . has the same general curvature as the bow of a ship. It appears to be made out of metal. I'm going to do an "A" and then I'm going to draw a "B" because I'm not sure whether it was doubled or not. PAUSE "co", . . If you have a bow of a ship it would appear to be as I've drawn it at "C". I'm not saying that that is what A and B are, but I'm beginning . . Ah, an example of kind of double curvature that I'm aware of. And then the metallic shape in an "L" over in here someplace is where the anchor would be. I don't see a shape like that but I'm just trying to get a sense of scale or perspective. . to the perceptions I got. PAUSE This is a better image than the first one. PAUSE I want the "B" labeled upside down because I . .- my perception of the thing (not audible). It has the sense of having a railing. It has a Approved For Release 2000/0lp tnbnes-00788R000900480001-1
Approved For Release 2oooryphyPtnnenes.o0722R000900480001-1 +05 #66: #44: plate on it, identification plate. Name sign, name plate, whatever. If you were at a place that had a .. display of some sort. The display might be fenced off and on the fence you might have a flat. . I get the sense of a flat metal plate. It appears, however, to be light in color; on the metal plate you might have a description of what the thing is and I've indicated a sense of words in red because that's an analytical description. . PAUSE That drawing at Number 2 appears to be down left of where #11 is standing and looking. It appears that he is standing next to this fence like. . but for some reason he's looking to the right. I don't know how to draw this one in plan view but I think its important so I'll try to (not audible). PAUSE Okay. Draw a straight overhead view. If the fence was here. . and the plate is here, which I indicate my square here on this long rod. . then #11 was standing and looking obliquely to the right in the direction indicated by the arrow. What I don't understand is why he's not looking over the fence. PAUSE Pay attention to where he is and not where he's looking. See what you get in that idea. PAUSE Okay, I'm having trouble because I'm aware of a fenced off area right out here on .. Oh, I don't know the name of the street. But, its got that missile display in it. . and its a flat area and its got a fence around it and there's probably an identification plate someplace around there. So, I'm having trouble clearing that out of my mind. I don't think that's the target area. But I got an immediate analytical correlation between the two but I'm having trouble dumping it. PAUSE Would youask me a question again please? 2 * Approved For Release 2000/08 0S PERE 00788R000900480001-1
Approved For Release 200 RA ch x orss-00788R000900480001-1 +10 #66: #44: Okay. You said before that #11 was looking out at something. See if you can't ask yourself or pay attention to perhaps right where he's stand- ing rather than what he's looking at. PAUSE I get a flat area. It seems to be outdoors. PAUSE I'm still getting a sense of green grass. PAUSE What the heck? PAUSE I'm having trouble fixing the image that I'm drawing in 3. .. Try to cut again at 4. I'm getting a cylindrical pole which is really bothering me. PAUSE Just keep that one for the time being. PAUSE Okay, I got what appeared to be two cylinders projecting through a metal plate. Immediate analytical impression is field gun where you have the shield and the breech slanted down towards you. I would be standing at the breech end of the field gun and the cylinder. . the recoil cylinder and the gun tube projecting through the shield. Those are all analytical expressions for this very crude drawing that I've done. I'd like to do a better drawing. Because the way I've drawn it is not exactly the way I saw it. I think part of theproblem is because I'm looking through the sheild . .as if the shield is transparent. PAUSE That's no better. The drawing in "A" is the first drawing; the drawing at "B" is an attempt to clean up the drawing and make it appear more accurate. The drawing at "A" is a better drawing. More clearly. . annotates the perception that I got. PAUSE Approved For Release 2000/08/07 ; ' -00788R000900480001-1
Approved For Release 200th febrero P26-00788R000900480001-1 #66: #44: #66: #44; +15 #66: #44: #66: To go back to your question, you asked me to move around the area. . No, would you please ask me that question again #66, I'm sorry. Okay. I was concerned whether or not #11 being at the target might be standing at the designated target and then looking out away from the target at the surroundings. In... Ohhh! And perhaps you might be able to look back behind him and see the target where he's standing. Oh, okay. Yeah. That makes a lot of sense. I don't know. Okay, I want to get a perception down before I lose it. PAUSE I don't know what the heck that means. PAUSE Come back and talk bout it later 'cause I just missed another one. PAUSE I seem to have better luck drawing as I go through the sessions because then I don't forget things. And I don't get disturbed like I am now because I missed one. We have discussed, several times, once out on the West Coast, and a couple of times here, that if you look at the . . and concentrate and focus all your energy on the target it seems to wash it out and the viewer does not get in. Which may serve to explain why I have theperception in 1 that he is standing at a point looking off to the right instead of looking directly at the target. I don't. . Is that an aswer to your guestion #66? Do you perceive. . . Go back to your first concept, your first idea of this railing or fence, is he standing by that fence? Did you perceive him to be standing by the fence? Did I understand you? PAUSE Yeah. Okay. ; Approved For Release 2000/08/07 *"CGiA- 6-00788R000900480001-1
Approved For Release oreo ee derer>o6-007e8R000900480001-1 #44: #66: #44: #66: #44: #66: #44: #66: #44: #663 #44: He's standing next to the fence, next, well in the general area of this plaque like device that I have described. Um hm. He was. Now, I've gone back to the plaque like area but I don't sense him being there; he's moved away or around or ... All right. And you said, if he's standing there by the plaque and he was looking out to the right, okay, I want you to stand in the same place but look around behind the fence. Look across the fence, that's what you asked me to do. And that is in fact what I did at 3 and 4 and 5. I'm looking on the other side of the fence. PAUSE What goes on at this area? PAUSE Well, I have very much painted myself into a corner, haven't I? I think its .. PAUSE #66, I'd like to go back -- is #11 still at the target area? Yes. Okay. I'd like to go back to this arrow and see if I can concentrate on the sense of the target area. Okay. Now #11 will be leaving the target very soon. That's all right. As long as he's still there. PAUSE There's an overhang. PAUSE 5 Approved For Release poo bart ererenp96-007esR000900480001-1
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