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Material?
Glass.. not
all glass,
glass and wood.
Okay.
. k
, i
.nd
° f
walk
across
a
carpet,
diagonally
to
the
right,
there
s
the
beginning
of
a
corridor,
metal
corridorr
ediatelY
t0
the
right
as
you
sta rt
down
the
Okay.
Be
careful
not
to
wink
in
there.
As
you
walk
along,
generally what’s
in
the
areas
around
you
as
you
proceed down
that way?
JnS
rana'A
:I
!lipi:eSSion
1.u f
fancy furniture
and
decorative
rug
and pictures
on
the wall,
low lighting.
Okay
hotll^o^by.
l0bby '
ifc
would
aPP ea r,
but
not,
not
a
Okay
Very decorative.
the
a^fS
t,
T S?nr;^ey °-nd
the
Physical
descriptions
of
tne
area,
I
want
to
give
you
a
moment
to
relax
very
deeply
now
and
describe
the
activity
of
this
area
to
country
<S
&
government
tyPe
activity
in
a
foreign
Raw data?
Ah,
everything
in
the
nationality
that’s
not
located
in.
building
is.. speaks
of
an
native
to
the
country
it’s
Third
floor
focus?
Feeling
of
direction. .a.
subterfuge,
a
a.. even
more
nationalistic
.above,
beyond
politics,
more
to
do
with
collection.
Describe
the personnel
third floor.
Everybody
on third
floor
is
dressed
in
suits,
coats
off,
sleeves
rolled
up.
Some
military
a.. under
form of cover.
^
but
with
,
but
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Nationality
of
third floor personnel?
know,
I
think
I'm getting
a
lot
of
overlay,
I
want
to say American.
Raw data?
Mannerisms,
the way they
look.
Everytime
I
try
to get
keSp getting
that word
"mellakawaysa"
or
mellakaysa"
or something.
y
All
right,
fine.
I
don't know
if that’s
a statement
in
the language or—
Okay.
We
drifted
conversational
now,
let's
refocuq
t
have
just
a couple more questions.
retocus,
I
I'm focussed.
Move now
to communication equipment
area.
Okay.... See
banks
of
black
faced
multi-dialed
equipments
appears
to
be
extreme
high
frequency.
equipment !
a ’“ a
transmission
equipment,
control
Okay.
I'm
not
interested
in
a
description
of
the
equipment
in this
area.
I
see
a.. problem,
getting
an overlay problem here
hnf
not
in
the
sense
of overlay
in
our
arena
i'm
seeing
a shadow to one
side.
seeing
Report
.
Something
to
do with
a piece
of
furniture.
Just
keep
getting
this pulsing
shadow from
a piece
of
furniture
like
a
desk,
edge
of
the
table.
Gun
metal-gray,
it's
an
edge,
just
pulsing.
There's
a... it's
like
a
rubber
n
pa
>
d
> ",eC
it-
.
some
kind... it's
embedded
in
a
Pfd.\
inserted m
the
metal
edge
of
the
desk
or
table
top.
There's
this pulsing.
And
the area surrounding
this desk?
acro^q Ml Printers
fc p
°ne
side
and
communications
across
the
room,
no windows,
file cabinets.
All
right.
Now
I have one other question.
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Something peach colored.
But,
I
don't
know what
it
is
There’s something
in
the
room that's peach colored?
Something
on
the
table.
Ali
right... Now
in
the
schematic
diagram,
by
desian
there
are
many
different
numbered
positions.
Ask
yourself
if
any
one
of
these
positions
is
of
importance
to
us
and what
is
its number?
Okay,
just
a minute
Position
5..
Raw data?
kind?
Wal1 '
position
‘
Get
a
sense
of
layers
of
some
All
right.
Consistency
of
the
layers
change
there
for
t 63S0n •
•
some
J
ha ^ e
no
oth
.er
specific questions.
But
I
would
like
to
give
you
just
a
few
moments
now
to
SonT'J
r
hQ
t?i
S
i are3/
f ocus ing
on
anything
whose purpose
would be
to lessen
or
defeat security
in
this
area.
*
The furniture
is
suspect,
I
think,
Keeo
aett-inn
drawn
back
to
this
table
edge
or
desk
edge,
this
flat
surface
with
a
silver
rim.
I'd
remove
it,
it's
easy
to do... and
tear
apart.. that
and
the
wall,
the
section
<?._^a11
at
f° r
some
reason,
bothers
me.
It's
the
o^n^
r^
Ce
in
,te
Jxt
!Jre ^
layering
or
something.
But
I
.f*n
t
f
^
X
what
xt
is ,
it's
different.
Keep gettinq
the word
soft,
soft.
That's
all
I
get.
that
r
y?“ie
f
hal: ^ ^
y°“
t0 dCaW
the P««Pti°ns
JSpa
r
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DRAWING EXPLANATION
#01:
Okay page
#1
is
the general
layout
of what
I
perceive
to
be
half
of
this
third
floor.
I
didn't
get
the
bottom
half
of
this
layout,
but
the
top
half
is
the
important
part.
The
word
of
course
that
is
kind
of
strange that popped
up
is written down here.
$01:
Page
#2
is my impression of
this
edge
of
desk
or
table
or
edge
of whatever
it
is,
in
the
communications
room
and
I've
drawn
arrows
and
things
to
depict
the
approximate
location
in
the
room
as
you're
standing
next
it,
the
directions
of
all
the
other
objects
in
the
room.
#01:
And
Page
#3
is
an
expanded
view
of
this
bracket
or
edge
or
metalic
thing,
whatever
it
is
and
rubber
pads
and
an
object
that's
in
it.
And
that's
the
summation
of
it.
#66:
Okay.
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