+19 ¥ . res Approved For Release oosioa/40 |cia-RDP96-00788R00080001 0001-3 a’ #66: #27. #66: #27. #66: #27. #66: #27. #66: #27. #66: #27. Approved For Release 2003/09/106 dia-RDP96 Now I don't want to confuse you, but you had told me before that this was a basement area. Yes. PAUSE There's maps behind the curtains. All right. Some large maps. PAUSE I think the curtains are decorative. PAUSE They are curtains though or something. : something on the wall that looks like curtains. Its a covering or a hanging or All right, fine. Some kind of curtain type thing anyway. Its definitely something hanging there. Tell me about how the room is illuminated? The type of lights that are there. There's flourescent lights. I see. . . four rows of flourescent lights. There's four flourescent tubes to a light and only about half of them are lit. PAUSE And The floor? | fw The floor is carpet. Re 4k Color? se o a I sense that its earth color. . brown and green mix. PAUSE -96788R00080001 0001-3
+21 Approved For Release Yoosio040: f1a-RDP96-00788R000800010001-3 #27. #66: #27. #66: #27. #66: #27. #66: #27. #66: #27. #66: Earthy color. Brown/green. Fine. PAUSE There's heaters .. . in the room. . 4° against the wall. “he r ‘ PAUSE as’ 7S 8 se Py i ee Some kind of space heaters. oO Okay, now, once again, once again, how do you get into this room? Describe the entrance to this room. You go through a. . go through a steel door. And where is the door located? Its located in... in the end of the room. The room's narrow and wide. Its long but its not . . not overly wide. And on the long end there's an opening. That's where the steel door is. PAUSE And... there's a small hallway on the other side. All right. This concludes the questions that I have at this time. PAUSE Is there anything that you would like to add? PAUSE I sense that .. . very quiet in the building. And that... . there's . . . some kind of a switchboard or something. Kind of a telephone that's important. Where is this important telephone? Its sitting on a desk in the big room. All right. 7 d Approved For Release 2003/09/10:: CIA-RDP96-00788R000800010001-3.
Approved For Releage 2003/08/14 “ CIA-RDP96-00788R000800010001-3 #27. #66: #27. #66: #27. #27. rome og boc he And that for some reason its important. Its important to the. . . to the... the guards, the people there with the guns. PAUSE Okay, anything else that you'd like to add at this point? PAUSE No, there's nothing significant happening right now. I sense there's... . there's controlled. . . There's absolute control in in the compound, but that that's not necessarily the case elsewhere. Okay, I'd like you now to draw those things that you've described to me. Okay. PAUSE There's a steel door here and there's a second door here. And this is a small room. PAUSE And there's . . . some kind of equipment or something over here and there's boxes over here. This is empty. PAUSE And then. . . in here there's another small room. And there's 12 or 15 people in here. This is where the marine guards are. And, for some reason, there appears to be four or five civilians with the marine guards in here. And there's thirty or so people in here. And there's some kind of curtain type thing here. PAUSE Hanging on the wall. . that type. . it “looks like curtains. Its white. . or tan and its hanging on the wall. Appears to be some kind of maps or designs behind it. PAUSE 8 Approved For Release 2003/8170 T.CIA-ROP 96 -00788R000800010001-3
a\ ¢ Approved For Release #003/08/1 : A-RDP96- ccraaRooosp opp 3 a “ se oo #27.5: {And over here there's like a room with a furnace or something and next to it there's another room. Looks like a bathroom. And there's a stairs right here. This little hallway. PAUSE #66: Where is this important telephone located? #27.5: Somewhere in this area. Some desks here. I don't. . I don't know what to call it. It looks like a .. it looks like either some kind of a telephone or switchboard type phone, you know, but its .. . its odd to the room. You know, its temporary to the room. Its not supposed to be there. Its there now. #66: Okay. Well, draw a little arrow and some labels so we can see from the drawing. #27.5: Okay. PAUSE Might be some kind of a field radio with a telephone hand set. #66: Okay. #27.5: And this. . aside there's also a door in this small room here but its sealed or barred. PAUSE #66: Okay, where is. . the file cabinets and things like that? #27.5: Well, there's file cabinets in all these rooms. You know, they're just spaced throughout the rooms. These squares signify file cabinets. And there's like desks shoved back in the corner of the room. In both rooms. And there apparently is some kind of a jumble of partitions or something that were pushed out of the way. That's the heavy black lines. Like the room has been rearranged and all these walls are brick. And no windows. And I sense that this is a below ground level room, like a basement.room. PAUSE Approved For Release 2003/09/10 : CIA-RDP96-00788R000800010001-3 g Fe 4
Approved For Release poosines' 0.:.GH-poP96-00788R000800010001-3 #27.5: There's something peculiar about this area. I don't know what it is. PAUSE I... 1 can't put my finger on it. Something . There's something significantly important about this specific area of the Embassy. I I #66: What is it that gives you that feeling? What is the raw data that gives you that feeling? #27.5: I feel apparations of some sort going on in this place. Like a nerve center so to speak. And I. . I don't . . That's a very rough guesstimate as to what the feeling is. I just feel like there's something significant about this area.of the Embassy. I kept trying to make this steel door a vault door but its not. Its just a heavy blast type door. #66: Okay, now I want to . . I want to kind of add a little something to what you've said. You have stated now that this in fact in the Embassy itself? #27.5: Yes. #66: Okay. That you feel that this room that you described is a component part of the Embassy? #27.5: Um hm. On the West end. #66: All right. #27.5: Of the Embassy. #66: Not just the West end of any building. You have a strong feeling #27.5: I think its in the Embassy building. You know, my terminology for Embassy building is probably anything in the compound and that's my problem. There's a main building that you would go to in the Embassy compound to apply for visas, to talk to, you know, some representative of our Govern- ment or whatever. . If that's what your terminology 10 Approved For Release 2003/09/10 :{CIA-RDP96-80788R000800010001-3
Cg 2 oR, ad ¥ ; Approved For Release 2003/09/14 0..GIA-RDP96-00788R000800010001-3 #66: #27.5: #66: #275: #66: #27.5: #66: #27.5: #66: Approved For Release 2003/09/10 : CIA-RBP96-0078BR000800010001-3 is for the Embassy building than that's what my terminology is for the Embassy building. st) Okay, and you feel this building is a mulfi- story building of some kind. Yes. Two stories, a basement. Or three stories, the bottom story having no windows. I think its two stories and a basement. And its the .. . its the main building at the end of the turn-around main entrance turn-around with parking in front of it. I think its about two-thirds of the way back in the compound. PAUSE There's two other buildings in the compound. That I sense. PAUSE What's the general shape of the building that contains this? Well, I keep wanting to make it in the shape of an "I". But its more of a. . not so pronounced eye, its a very... 1 get this feeling. The ends are just slightly wider than the middle. Yeah. And. . .this would be the West end. This would be the East end. And there's like a .. . a drive entrance, like this. And that there's parking or something here and here. Okay, tell me about when this imagery appeared to you. Is this secondary or? No, just now when I'm sketching this, I'm getting this for some reason. I feel like there's another building over here. Another building over here. And that this is all in the compound and the compound. . . this is like two-thirds of the way back into the compound. PAUSE As I'm sitting here drawing, I'm getting these feelings. Okay, put a number 2 on there.
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Approved For Release 2003/09(10h. bn-RDP96-00788R00080001 0001-3 TARGET CUING INFORMATION REMOTE VIEWING (RV) SESSION CC4 1. (8S) The remote viewer had been exposed to open source news media information prior to this session. He knew he would be working against the hostage situation in Iran. He had not seen any overhead imagery prior to the session. 2. (S) The following page shows the only information provided to him at the time of the session. After the session he was shown an overhead photograph of the Embassy compound and he indicated, after some discussion, that he thought the area he had described was in a building identified as a warehouse. 5, om Approved For Release sGiiberid ssh. nopsc-20788R0008000100013
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