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#1:
And somewhere
in this mess on Page
4,
I'll put
it,
somewhere
in
this mess
is that very large
.
.
some kind of
a thing that looks something like
this.
Like
a
.
.
.
double piece of metal.
#66:
I'm gonna turn the tape over now
'cause we're
getting towards
the end and
I don't really want
to miss anything so I'm going to go ahead and
turn it over now.
#1:
Okay.
TURN OVER TAPE
#1:
Confused about these things that clamp.
But
I get
a very strong impression that this
/
clamp
type thing
is being modified or exchanged
u
or something's being done with that.
#66:
Okay,
there's something going on
(not audible)?
#^ :
Something going on.
Modification wise.
#66:
Okay,
now in talking about size again,
I still
don't have an idea about this building that you're
talking about.
This cement structure.
You say its
big and there's
some water inside of
it or some-
thing.
And I'm not too
sure
I understand how much
water
is inside or.
.
.
or
.
.
how big this thing
really
is.
# 1:
Its
•
•
•
. I get the impression that its
.
.
.
that
its
a deliberately hardened building.
By hardened
I mean that they went to extremes
to make
it very
’
strong.
#66;
Uh huh.
#1:
There's
a lot of concrete
in
it.
That
.
.
you
could easily pull
a ...
a ..
.150
foot ship
/
into
the shallow water bay type thing inside.
*
#66:
Oh,
okay,
now
I have an idea how big it might be.
#1:
Okay.
#66:
Sure.
#1:
That kind of thing.
But that's not the
sole
function of this place.
I'm seeing these clamp
like things and
I don't know exactly how they're
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used or what they're
for,
but
I get the
impression that they're on something
.
.
on something curved.
That's dark black.
That
' s
.
.
.
(Not audible)
turb power of the wheels on that
trash can.
(NOTE:
Reference noise outside viewing
room.
)
PAUSE
I
just don't know what these
are.
#66:
But,
you somehow you seem to be trying to tell
me that's there's something really important
about these clamps,
is that what
I hear you
saying?
#1:
Yeah.
# 66
:
# 1 :
# 66
:
# 1 :
# 66
:
# 1 :
PAUSE
There's something really important about the
.
.
the
.
.
.
the whole function of this
thing.
This
.
.
.
complex or base or
.
.
complex,
I
guess
it'd be safer to call
it complex.
Its
not
a manu ...
At first
I
thought
it was
a
manufacturing thing,
but its
not.
I get the
impression that it
.
.
the word
"upgrade",
the
^
word "modification" becomes very apparent,
or
w
very strong for some reason.
Okay
.
It would be
like ...
if we were going to adapt
all our M60
tanks,
we would design and build
this certain place that we
just drive ou^ tanks
in one end,
modify them and drive out the other
end.
That's
it.
All right.
And that's
the impression
I have with this.
.
only
this isn't tanks.
I don't think.
Well,
all right.
I'd say more,
more
.
.
some kind of
a modification
of the sea going vessels of some
sort.
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# 66
:
# 1
:
# 66 :
# 1 :
# 66
:
# 1
:
# 66
:
All right.
I don't have
a feel
for it
.
.
kind of.
Okay,
we've been at this quite
a while now,
so
we'd like
to take
a break,
is
there anything
that you feel that you want
to add now?
Nope
.
That you haven't told me.
Nope.
Okay,
that'll do it then.
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I
y
a
j
V.
y
)
)
~
V
i,
,r
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transcript
REMOTE VIEWING
(RV)
SESSION
C
TIME
# 66
:
for^ecurity)
3 rem°t6 viewing sessio"
(edited
PAUSE
SG1A
# 1 :
Bring y°ur attention
to focus
building just North of
on the cement
I have
a
.
.
.
PAUSE
# 66
:
# 1
:
# 66 :
# 1
:
I have
a very
.
.
.
strong impression of
a
immense amount of noise.
.
in the building
I
see
some
.
.
.
ohhh.
ng '
Describe your position perspective please.
I'm standing inside
the building.
All right,
thank you,
continue.
PAUSE
.
back to
the
.
.
cne side of the
uildmg that's away from the water.
And,
by
.
there
I'm in,
I'm impressed
—
...
-*-•** f
_x_
_LI
.
.
gargantuan machines,
lifts.
Or,
large
•
•
•
a
.
.
they're cutting tools.
Thev J r^
They^e
meta:U
Like dles -
xney re
.
.
.
They're used for
.
.
Thev'rc*
building is^ust**
3* “e VSrY large an^ this
uildmg
is gust
.
.
gust full Of this equipment
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There's ...
a empty section.
It appears
to be
like
a section of raised floorings.
Its polished.
Metal or wood of
some kind.
And there's ...
a some kind of
.
.
I get
the impression of large newspapers or something
spread out on
the
floor.
Large sections
of.
white paper.
Like curtains or something laid
flat on the
floor.
PAUSE
+05
There's
a
.
.
people walking around on
the
papers
.
Doesn't make any
sense.
There's
a large
.
.
.
tunnel type
.
.
exit. at
the
end.
Its
square though,
its
like
.
.
its
like dark there and there's
a
.
.
.
overhead
rails that run through this tunnel.
#66:
Which end of the building?
#1:
From the
.
.
on the
en^/d towards the water.
Its
.
.
This building's connected to another
building.
The other building
is
.
.
a
.
.
covered dry dock facility,
it appears.
PAUSE
That
.
.
.
that
.
.
is definitely what it
is.
There's
.
.
.
these rails
take something into
the other building.
Parts or something.
Pieces.
Large objects.
PAUSE
On the back
side,
.
.
.
there's
concrete build-
ing,
the wall,
looks like its got windows all
in it but,
.
.
.
its kind of
funny
'cause they
.
.
.
the windows are facing inside
the building.
But there.
.
.
they're windows
to another build-
ing.
it- U
rs
Vs Lytf
PAUSE
I
see
.
. windows
looking in.
I don't under-
stand
that.
There's.
.
.
lots of
.
.
.
lots of
+10
.
.
.
lots
of people
in funny hats
in windows.
And funny tables that are crooked.
PAUSE
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# 1 :
And
.
.
.
there’ s maybe three floors of these
windows
.
(Not audible)
.
See this whole building from the windows.
I
.
.
I
.
.
the word,
"prototype" pops
in my
mind and
I
.
.
I get the feeling of ...
•
model or modular or
.
.
or
.
.
prototype or
.
.
PAUSE
I
.
.
.
T'm Hppina what
looses
like
par-fr of
..a
submarine
in this building,
but its not.
.
.
'its not meant to be
a whole submarine.
Its
like
its
a
.
.
a
.
.
almost like
a mock-up.
of some
sort.
And there's only
a part of
it
that's real.
And now.
.
.
appears to be some
kind of
a
.
.
.
a
.
.
.
modification or something.
There's ...
<
,
They're making something here that
s
.
.
•
that
s
an adaptable modification.
#66:
How did this
submarine come to be
in the building?
#]_.
Its
.
.
.
There's not
a whole
submarine there.
Its
like
the
.
.
.
piece cut from a submarine.
Its
like
.
.
like they created part of
a submarine
to ...
to
.
.
fasten this modification to.
I'm getting
a strong,
strong impression of
a huge
coffin type container with the
lid open.
Its
really strange and
its kind of
like
in two sections
like
a
.
.
.
top on
a coffin.
Its
.
.
.
#66:
Where
is
this
in the building?
#1*
Its
the modification.
Its
like round on the
end.
On the edge and the top
' s
up
.
And there '
s
.
.
there's tubes dangling from the underside.
No.
Its not right.
They look like
some kind of.
a
.
.
or
.
.
recessed
.
.
some kind of
a hydraulic
lifter or some
sort.
There's
.
.
.
#66:
What does
this coffin
like object have
to do with
the piece of submarine?
#1:
That's about all there
is
to
it.
PAUSE
Its
like
.
.
.
Its
like
if you were,
if you were
designing watch bands,
you wouldn
' t want the
whole person to try them on,
you'd just need the
wrist so you'd fake
an artificial wrist instead
of
a whole person.
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#66:
All right.
All right.
# 1 :
I
get the feeling that the whole submarine was
never meant to be
.
.
But they mocked
it up.
Just
a modification on
it that's
important.
Its
a huge modification.
That's what
it
is.
Its
a huge ...
hump.
No,
that's not
a good word.
PAUSE
Its
like
a hump coffin.
Ha!
# 66 :
# 1 :
# 66
:
+15
# 1 :
# 66
:
# 1 :
PAUSE
How large
is
the hump coffin in relationship
to the portion of
the submarine?
PAUSE
Two -thirds of
its
length..
If it were
all
there.
And probably the upper tnird.
Its
like
a giant
coffin type thing.
Is
this modification
to be
.
.
how
is
it gonna
be connected to the submarine?
It appears
.
.
that
its
.
.
Its
like
.
.
the
sub plates that
its connected to or
.
.
are
remolded in some way
.
And the
.
Am
I
to understand that this thing is somehow
on the exterior of
the
submarine?
Yeah.
Its
.
.
.
Its part of the submarine though.
Its
like you would remove
.
.
.
remove
sections
of plating from the submarine, an^ut this
in
its
place.
PAUSE
Its
.
.
.
very
large.
And.
.
I'm seeing something
like grapling hooks or something under
it like that
design that
I
saw earlier.
I think.
.
I think that
there.
.
.
I
think that this
is
like
a prototype.
And
.
.
.
ancl “
the modification isn't important
there other than
its design function.
PAUSE
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# 66 :
# 1 :
# 66
:
# 1 :
# 66
:
# 1
:
# 66
:
# 1 :
# 66
:
The modification's built
in this
section.
Its
built in this building.
And taken to the other
.
.
.
the other building.
That's
.
.
I
.
.1
get the impression that;s not the only modifica-
tion going on
there.
I
see what appears to be
.
.
What about these calmp type device. that you saw
before?
There's
some
.
.
some.
.
I didn't see the
hydraulics before,
but
I
see hydraulics associated
with
it.
Lift type hydraulics.
I don't
.
.
.
They're not
.
.
PAUSE
They're not
.
.
They don't appear
to be air
hydraulics,
they appear
to be
fluid hydraulics.
A lot of overhead lifts
-
rail
lifts.
A lot of
catwalks around this,
this
.
.
this mock
up.
I
don't ...
I don’t ...
I think this
is
just
the
.
.
.
preliminary model of production or
something.
PAUSE
That.
.
.
They have
a
.
.
.
How do they get this
.
.
.
out of here?
The mock up doesn't matter.
They
.
.
They
.
.
.
They
.
.
.
They take
.
.
.
They make the mock up
piece with the machines and
I get the impression
that then they can make
the piece over and over.
And the pieces are taken into the other building.
Okay,
tell me about this other building.
Where
is
it located?
Its
.
.
.
Its on the water side.
Its
.
.
probably
What size building
is
it?
120
feet by maybe
350
feet.
PAUSE
Maybe
a little
smaller.
100 by
300.
It doesn't sound nearly
as big
as
the other
building
.
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#1:
No,
its very small,
but there's
.
.
.
there's
ships
in
it.
Supposed to be ships
in
it,
or
.
.
.
or
.
.
Yeah,
there's
ships
in
it.
PAUSE
The pieces are taken through the tunnel and
they're put on ships
in that building.
Sub-
marines
.
PAUSE
+17
# 66 :
# 1 :
# 66
:
I'm seeing
...
a
lot of that
.
.
more activity
than normal there now.
I
.
.
I
feel like there's
probably not too much activity going on, but
I
see
a lot of
.
.
.
black sails.
Don't know.
.
.
Don't know what that
is.
Fins,
I
see fins.
Like little
fins.
Square.
What's your position of perspective now?
Standing.
.
.
standing
in the corner of the little
building looking
in the ...
in the bays.
PAUSE
I don't
.
.
I
.
.
.
Its very,
for
some reason,
extremely difficult to
see.
.
.
to see the shapes
of
the submarine. Its
like they're there and they
are not there.
Like maybe its because they're
so
temporary or something.
Okay,
I want you to position yourself over,
100
feet,
over
the cement building.
PAUSE
Position yourself
100
feet over the cement
building.
PAUSE
# 1
:
Urn hm
.
#66:
Now to
the
left describe
the open area outside
of the building to the
left.
PAUSE
#1:
Which side am
I facing?
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# 66 :
# 1 :
# 66
:
# 1 :
# 66 :
# 1 :
# 66
:
# 1 :
# 66
:
# 1 :
# 66
:
# 1 :
# 66
:
# 1 :
# 66
:
# 1 :
# 66 :
# 1 :
# 66
:
You tell me whatever you want to describe.
J
I'm facing
.
.I'm facing quays.
Ships
Parked ships.
Okay and to which side of the building are these?
That ; s what I'm facing.
All right now
to
the
left then,
if you're facing
that way,
now what’s
to the left side of the
building?
The
.
.
The
small building.
1/
And what else?
The water.
Okay.
There's
two.
.
two bays
in the small building.
They.
.
.
There's three but ...
I
can't see
the middle one
for some reason.
I don't under-
stand that
.
.
.
Its three bays but there appears
to be two .
I don
' t
.
.
.
Tell me about the construction of this building
that's
to the
left.
Its ...
PAUSE
Its got tall
sides.
Urn hm.
Perhaps.
.
.
four
.
.
.
five sotries or six
^Jiries
tall.
All right.
That's very good.
Flat roof.
Okay and that
is
to
the
left of the cement
building?
Yes.
All right.
Now between the cement building,
face forward again,
tell
.
.
.
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# 1 :
# 66
:
# 1 :
+ 27
# 66 :
# 1 :
# 66
:
# 1 :
# 66
:
# 1 :
# 66
:
Facing the quays
.
Facing the quays,
tell me about just over the
edge of the building between the building and
the quays,
tell me about that area.
Ha ha.
PAUSE
That's.
.
.
That's all crates.
Stacked crates
and stacked with pieces
.
.
Its
sort of like
the puzzle affair,
you know that area with
the pieces
to the puzzle.
All right,
fine.
But is not
.
.
.
the
same,
its
like crated
objects.
I
.
.
machines are crated there
too.
They may.
.
There may even
.
.
.
(not audible)
.
Machines not covered sitting there.
All right
fine,
position yourself over the
building again and tell me when you' re
_ there
.
Position yourself directly over the building.
Okay.
Now look straight down.
Straight down at the
building.
Uh huh
.
And describe what you see.
PAUSE
#1:
I
see
a roof.
#66:
All right.
That's
fine.
Now,
simply disolve
the roof and see right through
so you are
seeing the schematic.
# 1 ;
I
see
.
.
large machines and
.
.
a whole bunch
of railroad tracks suspended in the air.
#66:
All right.
Focus further down now,
further down
focus
.
PAUSE
# 1 :
I
see
•
things
.
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.
looks
like
.
.
huge presses
and
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#66:
Okay.
Tell me about the colors.
PAUSE
#1:
I'm getting
a strong impression of
.
.
.
like
.
.
.
rust browns
and.
.
.
dark grays;
mostly
rust brown color.
#66:
Okay.
#1:
A lot of primer color.
#66:
Now.
#1:
Its
like
.
.
.
#66:
Go ahead.
#1:
Its
like
.
.
.
just
a maze of machines.
#66:
Urn hm.
Now
I want you to focus on this very
clearly looking down at the building now.
You
have
to be very careful when you look down into
the building not to slip down to the areas that
you're looking at.
You have to be very careful
to maintain yourposition,
your perspective when you
look down.
Hold yourself up there at 100
feet
above
the target.
And now,
as you focus down
on that
I want you to concentrate very carefully
on the
.
.
the basic layout of the machines and
the way things
are done in there and the
shematic
of the floors.
.
.
#1:
Jesus!
#66:
(Not audible)
organized.
That's right.
Hold
yourself up there,
100
feet
up.
PAUSE
Its not necessary
to explain all that to me
_
but
I want you to draw it later so look at it
very carefully.
#1:
I
see
(not audible)
tunnel ways coming into the
building.
#66:
All right.
Fine.
PAUSE
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#1:
Okay.
PAUSE
What
a mess.
Jesus!
PAUSE
+32
#66:
All right.
I have no further questions about
the target at this
time.
I would like to
provide you the opportunity to say anything that
you'd
like
to
say about the
target.
PAUSE
#1:
There.
.
.
.
PAUSE
I got
a very strong impression that
its
a
.
.
modifications of the weapon system but
I
.
.
I
don't see any weapons.
.
. which is
.
.
a kind
of
a confusing thing.
#66:
Explain your impression,
the raw impression
that makes you say weapon system.
#1:
Its
.
.
I'm asking myself the question, what
is.
this
.
.'this
coffin like thing.
And the answer
I keep giving myself
is that its
a weapon.
And
,
I don’t know why.
I don't
see any weapon
.
#66:
Tell me about the inside of this coffin object.
PAUSE
#1:
Just
a
majle of bent metal and hydraulics.
And
some
.
.
.
apparently,
pneumatic hoses or some-
thing.
Very,
very complicated.
Circles
upon
circles.
So
.
.
circles.
I don’t know.
PAUSE
That's
all
I
get.
PAUSE
#66:
All right.
When you feel you're ready,
I'd like
you to draw the impression you have of
the layout
of this building.
.
.
and the objects
there.
# 1
:
You could draw a month from this place,
fine target.
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PAUSE
#1:
Urn hm.
Getting all my parts
to working here.
#66:
Okay.
Stretch your
arms,
stretch your
legs,
and sit up when you're ready.
#1:
I don't think
I want to move.
Ha ha ha.
#66:
I'll give you a little light and maybe that will
help you wake
up.
PAUSE
#1:
I
feel
like all my muscles
go to
sleep.
PAUSE
(Not audible)
PAUSE
Well,
Page
1.
Building
-
its
all
like
this.
I
get the impression they're sliding doors on
these
two sides,
there and on this side over here.
Large sliding doors.
And there's
like
a
.
.
these things
like
in layers.
There's
like
a
big section of cleared floor back here.
And its
up
.
.
raised up like.
And there's
a catwalk
going to
it that goes down this way.
And
.
.
.
We'll call
the raised floor
"A"
and the catwalk
"B".
And there's
like papers drawn on this thing.
You know,
like
.
.
and there's people walking around
on
it.
Right here
is
like
a
.
.
right on the end
of that, ...
is
this big thing that looks
like
a
coffin with
a round end and
a cover
like
in
two
pieces that's
up.
And
I get the impression like
there's partial hull plates under
it.
And like,
this
is
a mock up of the back of
a
submarine.
I wonder.
.
.
That's funny
I didn't
see
it
as
a
back of
a submarine before.
That's what it looks
like.
Its on
a big
frame type
stand.
There's
like catwalks that go all
the way around
it.
We'll call this
"C".
And then there's another
clear
section over here that looks
like there's
some ...
I don't know,
its
like an assembly
area,
like they put parts or pieces together here.
That's
in the dotted line,
that's
"D".
And then
I get
the
idea that over all of this,
there's
this
.
.
.
there's
like
this
.
.
this kind of
thing.
Its
a lift type thing that does
this.
Here
a whole building comes back and goes out
a
door into
a tunnel over here and this
is
like
a
railroad track.
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#66:
You said you saw more than one tunnel
(not
audible)
or something?
#1:
Yeah.
I’ll get to those in
a minute.
#66:
Okay.
#1:
This
.
.
.
tunnel or walkway or whatever it is
is very large.
And this track goes through
it
into another building which
is comparatively
smaller right here.
These are the quays over
here
.
#66:
On the top of the page?
#1:
On the
top of the page
are
the quays.
#66:
Would you write that in there?
#1:
Yes.
And,
the parts,
the large parts
of pieces
are motivated down through these,
through this
type of apparatus,
rail
track,
if you will.
#66:
Is that on the
floor,
the tracking?
#1:
No.
No.
Its
in the
air.
Suspended from the
ceiling.
#66:
Oh
I
see,
okay,
like
a crane lift
(not audible)?
#1:
Yeah.
Right.
Only there's
a whole lot of them
and there appears
to be that there are
some
-
of course I'll make dotted lines
to represent
it
-
some going crossways that are under those or over
those some way.
.
.
like switching stations
so
to
speak
.
#66:
Okay.
#1:
And all under this
are
just huge machines.
Just lining these tracks.
Going all the way around.
And the rest of the room is
just huge big machines.
Like
its
some kind of
a
.
.
like
.
.
machinst's
dream to have this place.
PAUSE
#66:
And what do these machines
do?
What
.
.
#1:
They're cutting metal or bending metal,
welding
metal,
shaping metal.
Its
like
a tool and die
works
.
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PAUSE
And these rails go out of the building here at
these doors.
PAUSE
Where
the arrows
are.
Now what's really
interesting,
kind of
a mind blower,
is that
back here
is two more tunnels,
like entrances
exits.
They're
like thoroughfares.
But,
right
immediately over these openings
-
I want to draw
this on Page
2.
Immediately over these two
openings,
like
this was the building.
.
.
these two
tunnels
are,
there's
like three catwalks or four
catwalks.
Four catwalks.
With windows.
Only
they're windows
looking
in.
And there's,
you
know,
up and down stairs
.
.
.
#66:
This
is
a side view of it?
#1:
Yeah,
this
is
a side view.
Its really strange.
And then these windows
is
.
.
.
all these windows
are
lit and there's all people with funny hats
in these windows
.
#66:
On the inside?
#1:
On the inside.
#66:
If
I was
to
look through the windows
from the
outside
I would see people with funny hats inside?
#1:
No.
You are
inside looking out,
you'd see people
with funny hats
in
the windows
.
#66:
Okay.
#1:
If you're outside looking
in,
you would see
machines.
But you wouldn't be able
to be outside
looking
in.
I don't know why.
But there's
light
up here
.
#66:
I don't know
as
I understand
.
.
.
#1:
Bright light.
Band of light here.
#66:
I don't know as
I understand your concept there
of
(not audible)
stand outside and look in?
#1:
its
like
.
.
.
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#66:
windows?
#1:
No.
Its
like
a double wall,
I
guess, with offices
inbetween the walls.
But these tunnels
go some-
where
.
#66:
All
right.
#1:
See two additional tunnels but they don't carry
any equipment.
The otherone,
the big tunnel,
Page
3,
looks
like this conceptually.
PAUSE
#66:
This
is
the tunnel in between buildings?
#1:
Right and coming along is this rail that goes
down this tunnel.
#66
:
An overhead rail?
#1:
An overhead rail goes down this tunnel and then
goes out either direction like this
in
the other
building.
#66:
Um hm
.
#1:
And there's
like
a lift here,
you know,
that ty^e
thing.
Hooked and there's parts or pieces or
whatever gets toted on down through this tunnel.
Only this thing
is very,
very huge
like
a.
.
.
person standing
in
it would be
.
.
.
very
small.
Very dark tunnel.
Just
.
.
things
go down
it.
I
feel
like there’s layers of these for some reason.
These rails.
PAUSE
And,
that's about all
I
got really.
#66:
Okay.
#1:
Oh,
there's that
.
.
that coffin like thing.
.
I get the impression it looked like this.
With
a round end.
Goes something like this.
And
there's like
two sections
to the top just like
a
coffin.
And the really weird thing about it is
I can
see hydraulics here
like this on the ends,
you know,
like hydraulics
in here.
But
I
can
also
see tubes down here with hydraulics
like and
then
.
.
.
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# 66 :
# 1 s
# 66 :
# 1 :
# 66 :
# 1 :
# 66
:
# 1 :
# 66 :
# 1 :
# 66
:
# 1
:
# 66
:
# 1 :
Okay,
which end
is
up or which end was fastened
to the
submarine.
The end that I'm going
to put the arrow to was
fastened
to the submarine.
So that would
.
.
the part that you drew
is
up
.
.
.
(not audible)
.
.
Its actually
.
.
.
Are you drawing
it upside 'down or
is
it fastened
to the top of
the submarine?
It fastens
to
the
top.
All
right.
It fastens
to the top of the submarine.
And this.
.
.
this would be
like replacement
under
the dotted lines,
would be
like replacement
part for actually plating on the
sub.
Urn hm.
Its
like
a mod ...
an integral mod
.
.
its
like
a modification that reuqires
an inter/al change
to the actual construction of this
sub hull.
Okay.
And so they could take pieces of the old
sub hull out and put this insert this
in that
position?
Right.
And
I don't understand the reason for
such
a modification.
I get the feeling like
for somewhere,
the word
"large"
comes
into play
here for
some reason.
And
I
see
.
.
interlocking
concentric circles when
I
look in it like
a tub
full of bubbles.
.
.
or something.
But
.
.
.
they're all interlocking.
And somewhere in that
interlocking mess is
this clamp type device that
I was
seeing earlier.
These aren't tubes.
I
don't.
.
.
These
are
like
.
.
.
The clamp type device,
you said was
a
.
.
TURN OVER TAPE
PAUSE
And
.
.
there's
a
lot of
.
.
its like
a whole
bunch of clamps.
I
don’t know.
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# 66 :
# 1 :
Okay,
what you're saying
is,
is the clamp
device that you saw before did not reappear
in this session
so you're trying
to figure out
where
it might have been?
Yeah.
Its
.
.
Its
.
.
you know,
let's leave it
at interlocking circles.
#66:
Okay.
#1:
I’d better quit,
I'm starting
to
.
.
#66:
Okay,
fine.
#1:
Starting to get
a little punchy here.
#66:
Okay,
we're going to turn it off then.
#1:
Okay.
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