Approved For Release 2003/1
I6-00788R000900490001 -0
SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION
C
1.
(S)
This report provides documentation of
a remote viewing
session conducted for training purposes
to enhance
a remote
viewer's demonstrated ability.
2.
(S)
The viewer's
impressions
do not seem to show any
target correlation in this
session.
This was
the viewer's
first attempt at the geographic coordinate target designation
technique.
The viewer was
able
to relax and concentrate on
the task at hand.
He was undisturbed by ambient room noise
which was minimal.
An explanation
as
to why he was unable
to
"locate"
the designated target
is not readily apparent.
3.
(S)
The protocol used for
this session
is detailed in
the document.
Grill Flame Protocol,
AMSAA Applied Remote
Viewing Protocol
(S)
,
undated.
4.
(S)
Following is
a transcript of
the viewer's impressions
during the remote viewing session.
At TAB A are drawings made
by the viewer reference his impressions of
the target
site.
TAB B
is
the available target data.
5.
(S)
This session was conducted simultaneously with Session
C4 which had the same target.
Approved For Release 2003/0
1 ,
P96-00788R000900490001 -0
_ornnrT
Approved For Release 2003/^P||!^pfWW®788R000900490001-0
TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION
C
#28:
This will be
a remote viewing session
(edited
for security)
.
PAUSE
Its now time
to
let go of all other thoughts;
to let the images
in your mind go completely blank.
See nothing but
a blank
screen;
to be perfectly
in control;
to relax;
to concentrate;
and to
focus on the target.
The target
for today
is
an
area of interest on
the Planet Earth that will be
designated
to you,
to your great consciousness by
the geographic coordinate system.
Simply listen
to the coordinates
as
I read them to you.
Let
them guide your greater consciousness
to
the area
of interest and then bring your
senses
to focus
on that area and describe
it
to me.
Open your
mind and listen as
I read you the coordinates.
38 degrees,
37 minutes,
seconds.
North
90 degrees,
12 minutes.
No seconds. West
Again,
now,
let your greater consciousness come
to bear on
the geographical area designated by
the following grid coordinates.
The geographic
coordinates are:
38 degrees,
37 minutes,
seconds,
North
degrees,
12 minutes,
No
seconds.
West
PAUSE
Simply let yourself
go.
Focus
and
see clearly
this area.
As you look
at this
area,
looking
down upon this area.
Focus.
Lower,
lower and
lower and describe
the area to me.
PAUSE
+05
#31:
Black triangle.
Made on
(not audible).
PAUSE
No,
its
a twisted triangle.
Its like
the triangle
has shade on one
side and the
.
.
and
its
.
.
one
Approved For Release 2003/1
-00788R000900490001-0
+ 10
Approved For Release 2003/
P96-00788R000900490001 -0
end
is
just twisted,
curving from
.
.
.
the
peak and then bending West
as
it goes
down.
And
then
it curves back
to the right slightly.
PAUSE
I
feel I'm over
.
.
terrain of some kind.
From
peak of the triangle,
.
.
.
away from the twisty
curvey edge of
it,
along
a line,
tapers off
into
the distance.
To
the right.
Sloping off.
To
the far right.
#28:
Describe your position relative
to this
triangle.
#31:
I'm above
in distance.
I'm at
a higher
(not
audible)
.
But still
a
(not audible)
but high.
And
I
feel
like I'm looking through water.
Now.
But no,
its just blurry.
Its
all
a brunt.
A
reddish brown
it feels
like.
PAUSE
Looks
all dry and dirty.
I
feel that its high
.
.
Its
a high place,
but.
.
its jagged and craggy.
PAUSE
Now
I have
a dot with three
lines off of
it
radiating.
Or at least three
lines radiating
from a center point.
The two bottom lines
are
short.
But the top right line which
is
a little
off center,
seems
to be
longer.
It
is
.
.
two
and one-half
to three times
longer than the other
two lines on the bottom.
PAUSE
I'm going
to
try from another
side.
I'm going
to try
a low oblique.
PAUSE
I
feel that
.
.
I
feel that inbetween along the
line and the one beneath
it
is that
is the side
of
a high place.
Its very steep on that side.
Its
as
if looking out of
a low oblique
at that
same place
I
think.
Its nearly concealed by
something in
the foreground
.
But
it looks very
gray.
And very dark in that side.
PAUSE
prnnrT
Approved For Release 2003/0OT£IE|^|W^6-00788R000900490001-0
+15
Approved For Release 2 "SECRETms>6-00788R000900490001 -0
From the
long
line counterclockwise.
.
it seems
not
so
steep.
And its
.
.
but
its
.
.
.more
gentle.
I have terrain but
I haven't seen any-
thing else.
I guess I'm relatively sure of the
image now where
I was
saying it was steep,
it
seems
like
its
cut out almost.
Very steep side
but.
.
now I'm at the upper right long line
looking down at
.
.
from that angle
it looks
like back
in near where
the circle
is,
is very
steep and then the
long
line still on the
left
side now,
on
the clockwise
side,
is
.
.it
gentles out slope
a little bit and becomes
like
a ridge.
But now on my right side,
looking at
it from that angle,
its more gentle and slopes
away more gently.
And then the
left side of
it
is
a little steeper.
But as
it seems
like
it
cuts back in and gets higher,
it gets very steep
like
its carved out.
PAUSE
#28:
Is this terrain feature you are telling me about
the triangle thatyou saw originally?
#31:
Yes.
I'm working around the triangle.
#28:
Okay
#31:
I'm working around
to the other side of my first
triangle.
The triangle
I think was
the dark part.
This
steep part was my first image.
Attracted
to
this darkness
and steepness.
But now I'm fleshing
it out.
It turns out that triangle
is merely one
cliff
in
the overall
feature.
And
I
am working
counterclockwise around
it.
I have static here
but
I think that what
is now at
11 o'clock on
the
more general
side of this
feature,
I'd want to say
there's
some sort of water there.
Contained water
area.
At about
11 o'clock.
It seems
that there's
.
.
but still,
I don't get the feeling of
a lot
of trees or anything like
that.
I get the bareness.
38,
37,
20;
want to give them to me again,
38,
37,
.
#28:
38 degrees
#31:
Yes
#28:
37 minutes
#31:
Right
#28:
seconds.
North
Approved For Release 2003/09/1
SECRETBR000900490001-0
Approved For Release 200
DP96-00788R000900490001 -0
#31:
Right
#28:
90 degrees
#31:
Right
#28:
12 minutes
#31:
Zero
#28:
And
zero seconds.
West.
PAUSE
#31:
Now,
I got
a high vertical
or
I got
a dark vertical
line.
I
think again,
I'm looking at the
side of
a
ridge.
Looking up the
line.
PAUSE
(Not audible
- mumbling)
Still
.
.
I
still
feel
like
I'm not at
11 o'clock quadrant that there's
a small
lake.
Or small water.
Its
like
its
stuck
inbetween the
1 o'clock line and the
7 o'clock
line
PAUSE
There's dark outbound.
On the other side of the
lake
I
see darkness.
Horizontal darkness,
but
which would be radiating from center out
to the
lake
and at
11 and then on
the outbound side of
that lake
then there's darkness and
I want to say
that the edge of the darkness
is curved.
Commen-
surate with the lake or with this thing of water.
#28:
Tell me more about the general terrain.
#31:
Its
.
.
I want to say that this
is something
that
is baren and that
is
just sticking out.
Unusual
land form.
.
.
around
it.
There
is
a more
rolling,
more general smoother land formswith some
foilage on
them.
Now,
I want to say that when
I
was
at.
. when
I was at three.
. when
I was at the
line at one o'clock,
I was traversing there when
I was at three o'clock the view of the dark
triangle at five o'clock was obscured by something
in the way which
I perceived to be gently rolling
and as
I
swung around counterclockwise,
then the
black triangle,
this cliff in
the
side of this
thing became more and more visible
as
I was
swing-
ing around counterclockwise.
I would say that at
least.
.
and somewhere five
to three o'clock
+23
Approved For Release 2003/
P96-00788R000900490001 -0
outbound from the center that there must be
a more rolling feature out there which
is
.
.
I had the impression that that had stuff on
it.
But that wasn't the
same type of thing that
I
was
looking at at the distance.
I had the
feel-
ing
it was more soft and fluffy like it had trees
or foilage or bushes and it was
a rounder type
thing.
#28:
Okay now.
focusing back onto your target now,
focusing back onto your target,
describe the
nature of the
soil at the
target.
PAUSE
#31:
Burnt red,
yellows,
I
get dry.
The dark
side
is
I
can say right off hand the dark side
is
a
slate
or granite rock face,
cleft,
but on
the Northwest
and the Southwest shoulder or whatever they're
called that the soil
is more.
.
okay,
I
say small
.
.
I
see
shelves,
shingles.
I
see.
.
.
how do
I describe
it?
Flake,
like massive
flakes with
pebbles and dirt and rocks
in around them but
essentially overlapping.
.
.
.
plates.
I've got
a feeling of dry cakiness.
A heavy,
heavy.
.
I
get the feeling of
.
.
lot of erosion marks,
non-
porious clay and rock,
gulleys.
.
gulleys off of
these ridges.
Lot of erosion.
PAUSE
Off these shoulders off these ridges or shoulders.
All right.
Looking
.
.
Okay,
here's something
that just came
to me.
Looking at what
is
.
.
If
I was over
top of what
I think
is
the
lake area at
one o'clock looking
to seven o'clock,
I'm sorry
eleven o'clock,
looking
to seven o'clock
the
seven
o'clock
is
.
.
I want to say that line comes down,
the horizon comes
down but its
got something on
the end of
it like another outcropping.
Like
I'm
going down a mountain ridge but then there's
a
hill on the end of
it.
Or another hill on
the end
of
it.
You know,
the
line goes down and then its
got
a bump on
it.
And that's
as though
I was just
looking down that side there.
#28:
This
terrain feature that you have focused on,
this
point here
that you focused on,
describe
the altitude.
#31:
Me or
it?
#28:
You and your relative position and
the top of
it.
Approved For Release 2003/09/1
0900490001-0
P96-00788R000900490001 -0
PAUSE
#31:
Humph!
PAUSE
Oh,
you're asking me to put
a number on something.
#28:
Okay
#31:
I
am.
.
It
is
the highest around.
#28:
All right.
#31:
It is the highest around because I'm on it and
I don't see anything else around me that's not
below me.
We're on the highest around but it
is
not extremely high.
Its not
.
.
.
#28:
Describe
the air temperature.
PAUSE
#31:
I'd say warm but breezy.
I'd say comfortable.
Not stifling.
Not wet.
I get
a feeling of dust.
I get the feeling that everything
is still below
me.
When you first asked me
I said twelve.
.
I
said
to myself
12/5.
#28:
Meaning 12,500
feet.
#31:
Yes.
PAUSE
#28:
Place yourself.
.
in this area again and describe
the compass cardinal direction from this object
to the body of water.
Where
is
the body of water
in association with this object?
PAUSE
#31:
Compass degrees?
#28:
Whichever you feel comfortable with.
Which cardinal
direction
is
it?
PAUSE
#31:
I want to
say that the body of water
is
a little
North,
Northwest.
That's where
I had it before.
That's where
I automatically drew my clock.
It
is
at
11 o'clock.
That's
the way I've been referring
to
it.
fTlfUlfiT—
Approved For Release 2003/09/11
: <SfflB|^Rj|^u|8R000900490001-0
_nrnnrT
Approved For Release 20(JgP®jTOOTiRDP96-00788R000900490001-0
#28:
#31:
#28:
#31:
#28:
+ 30
#31:
#28:
#31:
#28:
I'll
go with the
12 o'clock
as North.
And how far away
is
this water?
It
is right up
.
.
it is nestled
in
the gently,
gentle sloping side of
this.
It
is not off in
the distance.
It is
like down the slope and
slightly out on
a plain.
It
is from
.
.
its
a
half mile from the bottom.
.
.
half mile from
the bottom-most edge.
Its
.
.
from peak out to
actually over
top of
it
I'd say
its
like
3h miles.
3 miles
3h miles.
If
I was
to draw a straight
line out from the peak and then drop it down into
this water.
Okay.
In looking over the
top of the water,
looking down at
it,
describe its
shape,
shape
of the body of water and describe
the
size.
PAUSE
I want to say that from the peak looking at
it
it looks
like
a cone.
With the point.
.
Generally,
its shaped like
a smooth cone and the point of it
is pointing at about North.
And its pointing
right along that same
12 o'clock axis.
The big
base of it
is
up here closer
to the
.
.
closer to
the high thing.
And its
size
is
.
.
its not real
big,
its
.
.
Ah,
I'd say
h mile by
long by
a quarter
of a mile wide
or womething like that
at the base.
% mile
long;
\ mile wide and then tapering down
as
it goes
away.
Okay.
Now,
describe
to me
the feeling or emotion
about this place.
Are you happy at this place?
Are you sad at this place?
How does this place
feel
to you?
The water or mountain?
Or the area?
I don't
follow what you mean,
#28.
Okay.
Do you think that this place
is
a nice place
to be?
Someplace you would go and visit;
someplace
other people go and visit?
Do you think
its
a place
people stay away from?
No.
What's
the atmosphere of this place,
the general
feeling about the place?
Do you have any feelings
about this place?
Approved For Release 2003/09/1
-00788R000900490001 -0
Approved For Release 2003/0^
P96-00788R000900490001 -0
#31:
Well
no,
not really.
I hesitate
to draw any-
thing.
I've been looking at this place
from
four miles high and everything.
I haven't yet
been able
to touch down on this
thing.
Except
one fleeting moment imagining
I was on the peak
of this and that was
it.
So-called peak.
It
wasn't a peak it was
flattened.
But not extra-
ordinarily large either.
Certainly not a landing
pad or anything.
#28:
Then, when you stand on top of this,
you say this
is
the highest point around.
Can you see anything
else looking out?
PAUSE
#31:
Haze.
Rolling.
That one feature that was about
at
two,
three o'clock
is there.
I
get the
feeling
that there
is something now,
to my back which
is
12 o'clock but
I get the feeling that there
is
darn near very little that anywhere else direction
on the compass
as
far as
similar highness.
#28:
All right.
#31:
It seems that it just drops off.
If
I look South.
#28:
Okay
#31:
It seems
like
it drops off rapidly.
#28:
Okay
#31:
I mean
I'm talking horizon.
#28:
Yes.
#31:
The horizon seems
almost flat.
But
if
I
swing
around
to my left which
is almost three o'clock
#28:
Yes.
#31:
Then
it
looks
like that bump there that
I told
you about before.
The rounded knoll which
is not
as high.
As
I
looked down
at
1 o'clock,
2 o'clock,
I have my saddle going out about the one o'clock
direction,
but there's
a gap between
it and this
mountain at three.
PAUSE
_ ftrnnrT
Approved For Release 2003/()Sj|r^|!||^^P9k-00788R000900490001-0
+ 35
Approved For Release 2003/1 flrnnrT
6-00788R000900490001 -0
But looking
to
12 o'clock,
its
like there
are
.
.
there
is rollingness,
there
is
a bumpy horizon
and there's bumps
inbetween me and that horizon.
Where
as that's not the way it is at
6 o'clock.
At
6 o'clock it just sort of becomes
flat.
#28:
And what about the West at nine o'clock?
PAUSE
#31:
To
the West
I
see
.
.
I
see
.
.
looking at
9 o'clock
I can't ...
To the West I'd say that there are
two within my view that are bumps between myself
and the horizon.
But its
like
I'm on
the Southern
edge of
a range or
a line or
.
.
the Southern end
of it and these things protrude down only way on
the other
side of
the
lake.
They come down,
they're
out there on the other side of
the
lake,
they come
down to maybe
o'clock.
I
can see
two of them.
But that's.
.
they don't go any farther South.
#28:
Okay.
I want you to do one thing for me here.
I want you to put yourself.
.
.
#31:
There's water on
.
.
.
#28:
Say?
#31:
There's water on from three to one.
It seems
like
that just
.
. When
I
look at,
now on the
top,
look-
ing at three o'clock down,
its very steep.
There's
water down there.
On the other
side of the water is
this more gentle hill
formality.
With stuff on
it.
And that water curves around right.
.
I'd
say that
curves around right with the one o'clock,
on
the
outside of
the one o'clock saddle or one o'clock
spur rather than disappears off
in
the one o'clock
direction.
But its water with white
in
it.
I want
to say
its
got white
in
it.
But
it looks
like
its
rapids
like.
Steep gorged rapids.
Narrow and
fast.
Okay, what was
the thing you needed?
#28:
Okay now before you draw
I want you to do one more
thing for me.
It may clarify this area.
I want
you to stand at thepeak of the mountain and
I want
you
to
look
in the Easterly direction and
I want you
to float out at the
same altitude that you are but
more out five miles East.
Move out fives miles East.
.
.
and look down and describe what's
there.
PAUSE
Approved For Release 2003/09/mdAKREpl6^00788R000900490001-0
Approved For Release 2003/09!
96-00788R000900490001 -0
# 31 :
# 28 :
# 31 :
+38
# 28
:
# 31 :
# 28 :
# 31
:
# 28
:
# 31
:
# 28 :
# 31 :
Humph
PAUSE
I'd say ...
it looks
like there's
a cluster
of glimmering
white inbetween dark.
Come down from your altitude
then,
down closer.
PAUSE
I'm settling down.
PAUSE
I want to
say
a little town or something that's
spread linearly.
.
.
longer than
it
is wide.
In
a notch between
two trees
or two hilles of
some sort
in the valley
spread long in that valley.
Curving.
Left.
It looks
like that anyway.
All right now while you’re
there, while you're
there,
turn around and look back at the target
area.
Right.
And describe what you see.
PAUSE
I
see
the upper part of
a mountain peak obscured
by this rounded thing still inbetween me and where
I
am.
But the upper part of it is bright,
bright
-
its reflective;
its light but
the thing in the
foreground that's rounded is
dark.
PAUSE
That's about
it.
And what is this rounded thing that obscures you?
That's
the hill
that runs at three o'clock.
So
you had me run East.
You ran me over three o'clock
which
is
the hill.
All right.
So,
you're
.
.
.
So I'm still getting the top part of this mountain.
nrnnrT_
Approved For Release 2003fGWBrTRWW|P36-00788R000900490001-0
Approved For Release 2003/^/Lqjt%LFbP96-00788R000900490001-0
#28:
All
right.
Let me
see
if
I understand you
correctly.
There
is
some
small,
smaller hill
in
your view before you look back to what you perceived
as
the target?
#31:
Right.
#28:
Okay and this thing in the distance that's
the
target now move toward the hilltop that seemed
to be in your way,
move along to the hilltop that
seemed to be in your way and from that point look
at what you thought was
the target and describe
it
to me
.
PAUSE
#31:
Okay,
from that view,
it looks
like well
its damn
near
a
degree triangle.
Stood on
its hypotenuse
bent in the middle of it away from me.
The long
side of the triangle comes
up
the peak.
And then
the short leg of the triangle curves down and then
away and its steeper than the
long side.
That
side curves away from me which
is into the mountain
and then
it curves up like that and then out and
I
think that's where
the water
is,
the white water.
PAUSE
I don't seem
to get
a tree
line or anything like
that on this
sucker.
In fact when
I was over
describing
a gentle slope,
over on the
lake
side,
I wanted
to
say sparse vegetation.
Like scraggly
shit,
like mesky here,
prickly pear cactus
there,
but very sparse.
But looking at this
side
I don't
get
a tree line
and the reason
I don't get
a tree
line
is
'cause
its
the steep side.
You got me
looking at the East side which
is
the steep cliff
side.
Which
is
that grayness
that
I first started
talking about.
That steeply sloping granite or
shale which just very precipitous
almost.
The other
two sides seem to slope out
a little bit differently
and therefore might be able
to support some
sort of
.
.
.
But that's
the thing that kills me about
it
is
that everything around
it seems
to have bushes on
it.
Unless
I'm just all screwed
up.
You know,
all
the other
stuff.
The other hills,
the hill
at three
o'clock seems
to have trees on
it.
But it
is
lower.
There seem to be trees
on the other side of the
lake.
Maybe this
thing is
just
a tree
line and that's why
I'm not getting any trees on
it.
PAUSE
Approved For Release 2003/j
0788R000900490001-0
Approved For Release 20dMV»1l»€lA-RDP96-00788R000900490001-0
I
don't know how to word this;
if
it sounds weird
stay with
it
'cause
its probably right.
#28:
Okay,
is
there anything else you want to
look at
before you try
to draw?
PAUSE
What
is the thing that impresses you most about
this target?
#31:
Its barenness.
Relative barenness.
Gee,
I'd like
to put some sort of
a tower on
it, but
I
just don't
you know,
radio or microwave tower
- anything that
would make it stick out but that's
the uncharacter-
istic barenness of this mountain,
I
guess,
is
strik
ing me
as peculiar.
#28:
And what is
it that makes
it baren?
PAUSE
#31:
I think what makes
it baren
is what its made of.
It doesn't have very good
soil.
One side of it
is
too steep
to have
trees.
Its wind swept.
On
another
side.
There's water around
it,
but
I
just
get the impression that
is
just too.
.
that what.
.
its
just dry.
Its
just too damn dry.
I'd like to
put
a snow cap on
it too,
but I'm not going
to.
I
think I'm starting to play around too much.
Maybe
I ought to draw.
#28:
Okay,
why don't you go ahead and sit up and draw.
PAUSE
TURN OVER TAPE
#31:
If
I had to draw this thing I'd draw it this shape.
From a vertical.
#28:
Looking down on the top?
#31:
Looking down on
the top of
it.
This
is the one that has
the bump on
it though,
yeah,
that's
the one that has
the bump on
it.
It
has
like
a bump on it there okay.
And then out
here away from this thing
is where this
.
.
that's
water.
And then,
on this
side,
was
just
a gentle
hill.
Approved For Release 2003/09/
96-00788R000900490001 -0
Approved For Release 2003,SEBTSCit!DP96-00788R000900490001 -0
#28:
Where
is
the high peak
in there?
#31:
Right there.
#28:
In
the center where you put the
"X"?
#31:
Right.
And this
is water.
#28:
Okay
.
#31:
This
is very steep
in here,
that
"X"
that's very steep.
right.
In and under
Contour lines here.
And then these contour
lines begin to get
.
.
they
begin to
go out
a little bit.
Now this
side you
can see
is much less
steep.
The contour lines
would
be,
you know,
much farther apart.
Here
is
about inbetween them both,
contour interval.
Still
steep but not.
Now over here you can
see
this
is
just
a nice little knoll.
Okay.
PAUSE
#28:
Now when
I asked
you to
look
to and move to the
East
.
.
.
#31:
Okay,
this way,
directly right across the sketch.
#28:
Okay
.
#31:
Okay and
I wanted
.
.
there are
.
.
these you know,
these contour,
these would be interlocking,
you
know.
#28:
Um hm
.
#31:
Okay.
And then.
.
How do
I want to put this one?
Okay.
If that's
the
five miles
there,
okay,
then
we end up with another.
.
In here
is this valley
I was telling you about.
And
I got the impression
that.
.
see
if forks,
turns to the left.
Its not
that
long.
Its
up
in what would be
a valley and
this
is
a
town.
Surprisingly,
I'll write it down
here.
.
Surprisingly enough when you asked me what
it was down here.
.
.
#28:
Um hm
.
#31:
My mind might be playing
a little trick on me.
Ha ha
ha.
But that's what.
.
small hill believe
it or not.
#28:
Because it looked small?
Approved For Release 2003/09/1 1
: CIA-I
1000900490001-0
Approved For Release 2003,—orpnCT
6-00788R000900490001 -0
#31:
I don't know.
I don't know why.
PAUSE
But that
' s
the word that
.
.
.
PAUSE
Okay,
everything East of the mountain has
got.
.
this vegetation,
okay.
And town.
And vegetation.
Its
dark.
Okay.
And up here darkness
like
.
.
.
vegetation.
PAUSE
Ummm!
The rapids.
.
the
.
.
Okay.
That's
where
I was talking about this
rapid,
with white.
Is
in there.
That curves right in and under the
bottom of that what would be the cliff
face,
the
darkness.
The dark triangle
is
in here
see.
And
then it goes off to
the what's Northeast.
#28:
Okay.
Draw me
a picture of what you first saw
your first image about this
up here when you talked
about this dark triangle.
You said you saw that
from an oblique or
something.
#31:
I
saw that from a high oblique from the
South.
Okay.
And here
is what
I
had.
I had
.
.
I
said
the
line came
down
in the foreground.
Okay.
This
is
foreground.
That's
this peak line here and
it
went off longer
in that direction and then over
here was another
line.
Okay.
And the basic dark
triangle was
this
side here.
Which is
the East side.
PAUSE
Then
I got this
shape.
Okay.
Which was
a vertical.
And this
is
a vertical.
And that's when
I realized
that this was still dark in there.
Okay.
And
.
.
okay,
the other thing
I
said was
some sort
of
a
.
.It just doesn't want to cooperate with me
today does it?
Okay,
that's
a dark
line there.
I
said there was dark,
looked like
there was dark
around on the other side of what
I
thought was the
water.
Okay.
I'll put that
in there.
Okay,
that
was with me to begin with.
PAUSE
Do you want me
to give you the four cardinal
directions?
Horizon or whatever?
Approved For Release 2003/09/1 1
:
1000900490001-0