-StliKtl -
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INSCOM
GRILL FLAME
PROJECT
SESSION REPORT
CLASSIFIED BY:
Director,
DIA
REVIEW
ON:
31 Jul
EXTENDED BY:
Director,
DIA
REASON:
2-301-C
(3)
(6)
GRILL FLAME
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SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION
C
1.
(S)
This report provides documentation of
a remote view-
ing session conducted for training purposes
to enhance
a remote
viewer's demonstrated ability.
2.
(S)
This session appears
to have
a curious target correlation
factor
in that the viewer's overwhelming impression of
a facade
ma\^^^^fac^^l3^^^P2^tri^\^component of the target wich was
a
The remote viewer was very
an^^^^^^^au^S^rri^sess^i^ana appeared to have difficulty
forming relevant images.
He was undisturbed by ambient room
noise which was quite
loud.
Once
into
the
session
he was
able
to
"move around"
the target well but his descriptions were
analytical in nature.
3.
(S)
The protocol used for this
session
is detailed
in
the document.
Grill Flame Protocol,
AMSAA Applied Remote Viewing
Protocol
(S)
,
undated.
4.
(S)
Following
is
a transcript of the viewer's impressions
during the remote viewing session.
At TAB A are drawings made
by the viewer reference his
impressions of
the target
site.
At
TAB B
is available target data.
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TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION
C
#66:
This will be
a remote viewing session
(edited
for security)
.
PAUSE
Its time now
to focus your attention.
PAUSE
On the point on
the Planet designated by the
geographic coordinate:
SG1B
Let yourself become aware of those coordinates.
Let yourself relax and concentrate.
SG1B
Relax,
concentrate and focus and describe
the
target
to me.
+03
#1:
I
see what looks
like
some kind of
a framing around
someone
.
PAUSE
Like they’re outside but they're sitting inside
something that's
framed.
They're sitting down
inside
this,
this
frame.
PAUSE
Some kind of controls.
Their hands are extended
forward but
I can't see what
it
is that's control-
led.
#66:
Move back away and get
a larger picture of
the
area
.
+04
#1:
I
see funny buildings.
#66:
Describe them to me.
PAUSE
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#1:
They're
.
.
This
.
.
They're made of heavy stone.
PAUSE
#66:
Go on.
#1:
Very,
very angular architecture.
PAUSE
Heavy block type
structure.
For some reason
I
get
a feeling of
a university type atmosphere.
Center of learning or center of study of
some
kind.
PAUSE
+06
I
see
a large courtyard.
Predominant building
has
got.
.
is
red,
its got red stone.
Its
.
.
got kind of
a unique.
.
I
.
.
see
a kind of
a
funny entrance
to
it.
PAUSE
Its
like the kind of entrance you'd expect to
see
on
a cathedral but its not
a cathedral.
Definitely
not
a church,
but its got that,
that,
that great
gateway type entrance
to
it.
Heavy stone,
heavy
doors
.
PAUSE
I
sense
a facade of some sort except its decorated
to be
.
.
to represent something that its not
or
if
its designed for
some other reason and its
not being used
for
that.
I
just sense. ...
a
facade
type
feeling.
PAUSE
#66:
Look through.
.
Look clearly through this facade
and describe
the
true function of this area.
+08
#1:
Tremendous
feeling of oppression.
I
sense.
.
I
sense
a form of grandeur type architecture.
Gild
edge architecture but very misplaced for some
reason.
Its
.
.
misused.
It doesn't belong with
the.
.
It doesn't belong with what I'm feeling.
Its ...
I
get the strong impression that
its
.
.
a very old building that's renovated but done
strictly from the classical
sense.
Its
just.
.
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Its renovated for show and its not
.
.
there's
no appreciation.
#66:
Okay.
#1:
Seems
to be
a
.
.1
got
a tremendous feeling of
oppression when
I went into this building,
just
a very demoting type feeling.
There's
a very
large portrait on the
left hand wall
as you
enter.
Its either
a portrait or I'm getting flashes
of
a person for some reason.
Its almost like
its
an
honorary type
thing.
PAUSE
+10
#66:
What goes on here?
PAUSE
#1:
Strong feelings of functionary type things
in
the building.
I
feel
like
the area
is
a place
of study,
like
a university or something but the
feelings of this building are like its
a
.
.
.
almost like
its
a
.
.
I
.
.
Terrible feelings
about
this building.
Its
like an honorarium of
some
sort,
like
it reflects revered thing for a
person or an object or
a
.
.
but its all
- doesn't
make
sense,
its all
like at stake or hard feeling
to describe.
#66:
Describe your present relative position.
#1:
Standing just inside
the arch doorway of this
red block house type.
That's
a wrong
term.
This
heavy architecture,
this place.
I'm just inside
the doorway on the right hand side and I'm facing
the
left wall and there's
a
.
.
I don't get
a
feeling for perspective,
but
I
feel there's
a
large photograph displayed.
.
or something.
Yeah.
Yeah.
Its
like,
I
guess,
its
like you're supposed
to recognize this honored or revered person or
object upon entering and its
supposed to do some-
thing and
I don't sense
it does anything.
Its
like
falsehood,
a facade of some
sort.
#66:
Okay.
#1:
I don't know
if
its preserved for historical
reasons or what,
but
it doesn't
fit
for
some
reason.
#66:
Okay.
Let's move back outside this building now
and get
a perspective of
the greater schematic
of
the grounds
as
it were or
a greater
look at
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onions with sprouts on
top.
PAUSE
Flocks of birds.
Don't make
any sense because
outside of that one small strip of park like area
there's
.
.
its kind of
.
.
stone and pavement
type area.
PAUSE
I'm trying
to
.
.
see what kind of
a pattern
there
is
to the courtyard,
but
.
.
sort of like
a rectangle with
a circular radius.
Smaller
circular radius.
I get
a very heavy feeling
about this
target.
Sort of
a depressed feeling.
PAUSE
I
see an object that's
sort of
a half-moon shape
with
a center section cut away
in upright loovered
doors.
I don't
.
.
.
PAUSE
Kind of openings.
Tall linear opening.
I don't
know what the function
is of this thing here.
But
I got a feeling
its
the only thing with color.
PAUSE
That's really about
it.
#66:
Okay.
Move up
in space about five miles
above
the target and describe
the terrain in and around
these buildings you've described to me.
+20
#1:
City.
I
sense heavy industry and city around
it.
Some
farms.
There's
some rather
large
farms.
Very large
farms.
There
seems
to be
a
.
.
looking
down,
I
get more feeling than
I
do
.
.
as
.
.
a
strong feeling that this
is
the center of
a culture,
maybe
a capitol or something.
PAUSE
Mostly wide open flat plain area all around.
Just huge
farms.
Incredibly huge.
Rows
of
tractors.
Large flat buildings.
#66:
Okay,
come down closer now.
Come down from that
altitude much closer
so that you can see just the
immediate adjacent things
to this courtyard area.
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Look around the immediate adjacent area from an
altitude of about
1 mile and describe that area.
#1:
Large park.
Almost enveloped
in
3/4 's of the
size of this
square.
.
buildings.
This area of
buildings.
I don't see
a lot of automobiles
for
some reason.
Very
little traffic,
I don't see
any vehicles.
I
just sense
that there's very
little traffic.
#66:
Tell me more about this area that surrounds the
courtyard buildings.
#1:
Lots of manicured trees.
Long straight walkways.
Park benches on both sides.
PAUSE
+23
I
just get the feeling like this stuff's designed
for people but its
a no-man's
land for people.
One of those you can
look but don't touch type
atmosphere.
Almost like
its been built as
a
decorative buffer type.
That's
a good description.
Decorative buffer.
# 66
:
# 1 :
+24
#66:
PAUSE
Beyond the park area.
Look now beyond the park
area and describe the surrounding area.
Safe.
Quite
a few modern buildings,
but still
some heavy architecture evident.
PAUSE
Okay,
review the
images
in your mind and prepare
to draw.
#1:
I don't
like this target.
#66:
Explain your feelings.
#1:
I don't know,
its
.
.
I
just had that very strong
feeling that all this
is
.
.
that
the.
. what
I
would consider pleasurable things were designed
for people but its more
to keep people away than
.
.
.
or they're not allowed
to share
in it or
something.
Its
eye wash.
Look,
but don't touch.
Depression
Almost
a pscyhosis about
it.
Very heavy feelings.
I don't think I'd appreciate living there
to tell
you the
truth.
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#66:
Okay,
let's
see what you can draw here.
#1:
Most of
its
going
to be courtyard and
that.
.
There's
a
.
.
I
get this design shape looking
down
.
PAUSE
This courtyard type area and
it only goes about
here on this edge and for some reason that's
a
complete washout.
I don't know why,
but
.
.
I
want to
say,
this
is
like
a courtyard.
PAUSE
I have
a feeling that
I
.
.
I
sense this now,
I
feel
like that the target
is
actually this,
this
structure that's made of huge stone blocks.
#66:
Now
is
that
in the courtyard?
#1:
Its
in the courtyard.
And there's
.
.
back in
this corner somewhere
is
a very
large.
.
like
stone arch entrance almost like you would see
in
a cathedral.
PAUSE
This
is not
a very good drawing.
This
.
.
This
session scares me
a little bit because
I don't
normally get this much detail.
I've had really
good sessions but for some reason
I
just feel
like this
isn't really
a super session.
And
there's
some stone steps that kind of lead up
to this.
But there's very heavy doors.
I didn't
see any appearance of black.
These stones
are
definitely red.
And heavy.
And inside,
if you
were
looking at the
face,
looking down,
inside
these two heavy doors,
like
a staircase.
Very
pleasing architecture but
for some reason
a very
heavy feeling.
There's
a wall here
as you go
in
and on this wall
is
a huge dias or however you say
that,
like
a display type thing and its either
a
picture or
a picture photograph of some person.
#66:
Put an
"X"
in that hallway entrance thing where
you were
standing.
Just indicate by an
"X"
where you stood.
#1:
Right here.
#66:
Okay.
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#1:
And this photograph
.
.
.
#66:
An asterisk
-
is
that what you put in?
#1:
Yeah an asterisk.
Was very imposing.
I would
say.
Probably eight by
five
feet.
And there
was
just
a very stern expression person.
#66:
Did you recognize this
sterned expression person?
#1:
No,
but he was.
.
I didn't see any hair.
He had
a beard.
#66:
Okay.
#1:
He had a beard and a moustache.
Very rugged.
That's beautiful.
Ha ha ha
ha.
(Not audible)
when they see
this picture.
That's
2.
PAUSE
Sort of like Lucifer.
Three,
I saw long walkways here.
Decorative
iron
fences.
Wood
slats.
These were
all
the way down
the walkway on both sides.
Both sides were benches.
And the grass was neat and there was manicured
trees.
And it was completely devoid of people.
Like it was designed for people but nobody there.
I kind of had like
a
.
.
just an empty feeling.
PAUSE
This was kind of
.
.
you know,
I kind of feel
like
maybe this part of the courtyard might have even
opened on to this park but it surrounded
3/4
'
s
of
the area and its kind of hard to tell where
the
courtyard left off and the park started.
Because
I
just kind of drifted down the edge of this court-
yard and saw this
like.
.
its greenery but then when
I
came down from very high,
I
saw park.
You know.
Its kind of hard to differentiate you know,
one
from the other.
Oh,
I did see
a row of actually
it was
two rows
it looked like
a two story building.
Again,
very
heavy architecture,
heavy stone with decorative
colonade
type designs
all
the way down the
side.
Pairs,
in pairs.
This
type of
thing.
With very
tall windows with rounded tops
like.
#66:
Where was that in relationship
to
this.
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#1:
These line
the courtyard.
#66:
Okay.
So this.
.
.
#1:
There
are
two stories
as well.
#66:
Okay.
Now,
give me another sketch of
the courtyard
and kind of show in the courtyard where these
buildings and
this other original building
is
located.
#1:
I might have trouble with that because it seemed
like.
.
I'll do
a real
light outline of
this
courtyard.
#66:
Okay.
PAUSE
#1:
It seemed like
this.
#66:
Put Numlber
4 on this page,
so courtyard on Page
4.
#1:
Okay.
It seemed like
the imposing structure that
I went into
- that's not right.
Was
like
this at
one end of
this
courtyard.
#66:
All right.
#1:
And there might have been
a street entrance on
both sides of some
sort.
But it had steps.
.
.
rather maybe even
a circle type drive
in here,
but
it was all pavement and
stone and these colonade
type things might have been buildings down both
sides
like
this.
#66:
Um hm.
#1:
Like
that.
#66:
And again,
what's your overall feeling
for
this
little.
.
this courtyard square and this
.
.
.
#1:
I get
a feeling,
well,
I
get mixed feelings.
Parts of it are
facade.
They're
.
.
I
get strong
feelings that they're been redone,
refurbished,
populated with people and its all meaningless.
Its trickery or something.
But there's other parts
I
get the feeling
like there's
some,
some
study
or some conscious endeavor at something that's
going on.
A university type atmosphere.
#66:
Okay.
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#1:
And the park,
I
get the feeling like that's
a
buffer
to the whole area but
I don't know why.
Like
it was designed specifically
to be pleasing
to people,
but people don't use
it.
#66:
Okay.
#1:
And that's
literally
it.
Its
fascinating.
I
have no idea what that
is.
Oh,
there was
some
.
.
.
some of these onion shapes
.
They seemed
to be
like
the profusion of them.
Big,
little ones
and small ones.
I don't know.
That's Page
5.
#66:
Does
that have any meaning
to you?
#1:
No.
They just look
like onions with sprouts.
I'm probably seeing onions with sprouts.
Ha ha
ha.
#66:
Now,
I'd like
to have you give me
a sketch of the
areial view.
.
that you.
.
#1:
Put that down here
in the corner of Page
5.
#66:
The courtyard,
then.
.
.
#1:
Well,
there's
a river running like
this.
#66:
Okay
#1:
And there's
like park.
This courtyard's over here
like
this.
That's enclosed in
a city.
The entire
thing
is on
a flat plain type
area.
There might
be some roll to
the ground but very little and just
some periphial industries but mostly
farms.
Just
huge farms with rows and rows of tractors.
#66:
Okay.
Is there anything else that you think you
want
to add?
#1:
Yeah.
I don't like the
target.
#66:
Okay and again,
you don't feel good,
you don't
have
a good emotion about this?
#1:
No,
I don't at
all.
#66:
Is there any other descriptive data that you can
tell me?
What's meaningful about the target that
gives you this
ill feeling?
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#1:
Just like.
.
just almost everything about the
target says
that things
are there that are made
that are.
.
that are developed
is not
a good word.
Things have been done
in the classic sense
for
preservation that are meant for human beings
to
enjoy but aren't enjoying.
Its
like you would
go into an old building completely reconstructed
the way it was
150 years ago just for
the people.
And then,
for nothing.
Either the people don't
enjoy it or they are not allowed to or
.
.
Its
just like
its
all some form of fakery or something.
Some ridiculous
scene done
just for eye wash.
#66:
Um hm
.
#1:
I
guess that's what bothers me
about it
-
the
target.
#66:
Okay,
that'll
do
it then.
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TAB A
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