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SG1A
#27.5:
#72:
Very destructive.
SG1A
Relax, concentrate,
relax,
concentrate
on HHjiH
Today
is
10 December
1981.
I
want
you to qq
f orwar^ember
1981
....Tell me where
will be.
SG1A
#27.5:
dust
a minute.
#27.5:
#72:
#72:
#27.5:
#72:
PAUSE
See
a purple van.. ..some kind
of gold pattern
on the
side.....kind, of
parked under the trees like
in
a
park area. ... .see snow
on the ground. now,
for some
reason..... like some snow and ice slush.
Trying to
find something here.
See what
looks
like
(not
audible).... A lot
of people.
It's night time
as well.
Seen with
a small radio and this black device.....
Two women,
young women sitting
in this van.
right.
I want
you now to wait, wait,
wait.....
(Tape turned
over)
All right.
You were describing two women
in
a van,
with a black box.
Continue.
PAUSE
Seems
like he's just waiting. .... .See. . .it *a
over lay... keep blowing things up
in my head.
I
just
see him waiting.
I
don't......
Relax,
concentrate.
Return to
10 December
1981,
10 December
1981.
You
are back
in the hotel room,
brown
hotel,
third floor.
In the hotel room were some
maps and papers.
Describe for me the maps.
PAUSE
#27.5:
Predominant color is
red. ...red,
blue,
green,
but
the
predominant color
is red.
Streets are indicated as
all
white.
Very
large,
detailed city type map.
Appears
_
to be three
or four, three
or four special like tourist
maps.
Like blow up sections
of
out
of scale type representa-
tions
of
key areas. .
. .impression- of subway schedules,
^
bus schedules. .. one way streets very important.
Pattern
of traffic flow
of constant study. ., .many references to
patterns..' .trafPic'.TiTxmM"'^ wait at different
lights
Past references to observe blockages,
streets,
observe
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III
II
I
#27.5:
notes observed snarles
in traffic.........
concentrations
of peoples for some reason....
#72:
I want
you
to
look at the large scale tourist
interest areas
of the map.
What are the principal
area
of interests
in that tourist blow up?
PAUSE
#27.£:
Just
got
my impression
of three circles in the runway
again.
Keep getting words key, key... Just
like this
is
key
of city.
Getting periphial circles now.
I
don't know if
I'm mentally circling it.... circling
areas
or
if they are circles.
Got an impression
events he initiates wi ll
be concentrated
pretty
much regulated to alijSSro^ity block area.
Get
a
^
eight sided star pattern
ip
,,a square.... when
I
concentrate
on the four square city blocks
I get
a
radiating eight point star pattern for some reason.
See strategic place for trash cans. ... .external
trash cans
like drums.... 55 gallon drums.
This is
quite
out
of
left field probably very. important.
Trash cans!
Green trash cans. . .green.. . .turn
out to
have white tops
or that's ice
or snow
on top
of the
green.
That's all I'm getting.
I'm starting to lose
this.
T£MOS»C.R\PT
covj-niooes
AT
TAb A
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comments
oto omow
#27.5:
Okay.
Page
1.
#72:
Now before
you
do page
1,
let's talk about......
#27,5:
Oh,
let's save him for
last.
#72:
Okay.
#27,5;
Page
is the three-circle combination.
This
is an
impression
of the three-circled runway.
It's
like
three circles superimposed over
a
long, wide, broad
runway type affect.
Coming out from the one side
of
it
in this inner circle
is this
one main road that
intersects the circle with the three sprayed out roads
that
I talked about.
That
is
an
interconnecting triangle
across which the hotel
or apartment .buildingis
located.
I drew
a dotted
line aroundthat
area.
I blow it up
in
a
later page.
The cross hatch pattern represents
a general flow
of actual streets that
overlay these
main roads.
Which means it's probably
a modernization
of
an
older city...injmy mind, that's what.it appears
to
be.
I also got
a mix
of
old and new buildings.
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#27.5:
#72:
#27.5:
The
older buildings appeared. to .be .in really
_
good shape.
They weren't slum areas
or anything.
Page
is
a blowup
of the triangular street area
in
which -I’ve indicated what
I considered to be
a bar
type building. ..long,
low silhouetted bar type building
across from the hotel, which
I'll label A.
There
s
two sides to this hotel so
I divide
it with
a dotted
line.
The
X indicates the place near the window
on the
third floor.
There's
a building to the rear that
s also
depicted the back
of
trebuilding.
You can't see through
that.
All you can see
is garbage and junk at the bottom.
There appears to be at
B brown stones that interconnect
that go away from the building to
one side.
And
C
is
another building
on the
other side which appears to be
an additional apartment building,
and D across the stree
is the more residential type brownstones.
Incidentally,
the roads,
I've indicated the singular direction
roads
......the one-way roads with arrows and the
label. one-way.
The front road,
of course,
is
a two-way road
four
lanes.
You
label them as brown stones.
Is that indicative
of
their color,
description
or
is that just a generic
term?
No.
Just
a generic term.
They're all different
sizes.
Generally, about the same size.. .three to four stories,
full basements, . .very narrow,
all interconnected.....
walk up type ramp entrances.
A
lot
of
iron
bars.
I
get
an impression
of
a
lot
of iron
bars.
Sleezy neighborhood.
What
I consider sleezy.
Incidentally,
the
long,
low
silhouetted bar type building across the street
is ail
interconnected and the whole string
of shops and things
over there*
Page
is
an actual drawing
of the face
of the building
is
a plain structure.
I mean very little identifying
features.
The
left hand entrance
or section A... there s
a recessed double glass door with some kind
of
a fog
glass pattern engraved
in
it.
Possible two
or three step
walk up. ..no rails.
Everything
in this building
is
in
threes.
I get sets
of three windows
on
both sides
All apartments are identical
...where the stairs go
they're switch back stairs.
They go up half flight
and double back,
half flight and doubleback.
At the
half flight
level there
is
a window facing the rear,
but not the front.
There's trees
in front
of the building
between the sidewalk and the road.
As
in
shown. in the
picture the building shown
in the rear
is possibly
two stories taller.
Much
larger than
a hotel.
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#72:
Would you
say the hotel
is about
8 stories high, roughly?
#27.5:
Roughly seven
or eight.
I can't tell if it's seven and
a full basement
or
eight.
#72:
But
in that neighborhood.
#27.5:
Yes.
And, it's also, when
I say it's
brown,
it's like
a light tan with
a lot
of
dirt.
You
know,
dirt streaks
under the windows... it's
a dingy
look.
#72:
Okay.
How about the front
of the hotel?
Trees
sidewalk.
#27.5:
Oh,
yes.
There's trees between
the sidewalk and the
street.
Like
a' double wide sidewalk.
It goes right
from the wall
of the hotel to the trees which
is
only
two
or three foot
open
space.
Page
4.
is
a artistic rendition
of what
I perceive to be
out
the back window
of the hotel room.
Twelve o'clock
means
looking straight away.
This
is
like
a top view
looking
down the edge
of the window looking straight
the window would
be
o'clock.
At
2 o'clock
I
depicted an example
of the Moorish.......... windows
in the building approximately 4 city blocks away.
At
3 o'clock parallel to the back wall of the building
looking
out the window
is
a school somewhat shaped
like
the drawing
I've done.
Distinctive L, double layered
L pattern to
it.
That's
at
o'clock and that's about
6 blocks distance.
At' about
9:45,
eight blocks distance,
there
is
a
like rise
or bridge with
a road that's either
in
a park
or
on the edge
of
a park.
And,
it's got
old
fashioned
light stanchions all the way over the bridge.
You can't see any
of this from the back window without
looking through the building.
Page
is
a drawing
of the actual van
location.
Incidentally, all the rest
of. this row was packed with
cars all the way down.
Car.... and this van which
is
a
...it
is about
150 meters down the end
of the sidewalk
from the first trash can.
I just have
a ground pattern.
I
don't
know
if this sidewalks
or pathways
or gravel.
But
,
I got an impression that there was this grouping
of trash cans,
and there's like
a
J symbol there as well.
I don't
know
if that's the edge
of the walkway
or
a curb
but, the impression that
I
had was right
out
of
left field
I wasn't expecting
it.
I
just got this information dumped
about trash cans
this clustering
of trash cans.. ..
and the detination
of^ of
ice and everything... I
feel
is
very,
very important.
In the upper
left hand corner
I'll label
B as
an example
of the trash can.
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#72:
Are these the actual number
of trash cans
or just
a representation?
#27.5:
That's
a representation
of how they're patterned.
There
just seemed to
be an abnormally clustered
or
placed. .... .and
I
just got this impending
danger
about trash cans.
#72:
If you would see
one
of these trash cans
#27.5:
You'd throw your empty soda bottle in
it.
Wouldn't
pay any attention to
it.
#72:
Not unique to any
of the
other trash cans which would
be. ....
.
#27.5:
No.
There are trash cans
like this all
over the
place.
#72:
Okay.
And, they were built
to be trash cans.
Not,
say
a cut
off oil drum which was rolled down and placed
there and people throw trash
in
it.
#27.5:
I'd be speculating
on that.
They look
like
oil drums
painted green to me.
They might have been manufactured
by the same people who make oil drums,
just to be trash
cans where they double the price and the city gets to
pay through the nose.
And page
is
a drawing
of the
T shape
intersecting
concourses for the subway.
That's the only thing
I
can think
of to draw to show generally what the subway
looks
like.
The upper
end empties
into
a Mall area
of some kind.
The downward
legs
of the next intersecting
section
of Ts are escalators, and
I feel
like the bottom
portions
of the
legs
of the
T
are straddling the track
area.
This
is
only
one area.
I
happened to be
in this
one section
of the subway.
So,
it may be different
in all
the
other
locations.
And, there's
a pattern
like the dimples
on
a golf
ball.
I'm fuzzy now whether it was octagontal
or hexagontal
or square
or what the hell
it was.
But, _ it
was
an indentation,
regular type pattern.
It might have
been.
it reminds me
of what they call pan construction.
It's
a way
of
laying
in steel reinforce concrete,
but
lightening the construction.
It takes away
X amount
of
square footage
of concrete.
It's relatively modern
y
.
technique which would indicate the subway's probably
less than
15 years
old.
That's all
I
got.
Oh, there is one thing
I want to add.
Let's talk about
this guy.
I
got some distinct impressions' about the
individual against which
I was targeted.
My first and
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# 27 . 5 :
ini'.
#27 . 5 :
# 72 :
#27 . 5
:
#72 :
....primary instinct about the guy
is that he's
extremely intelligent.
You know,
I
look at this
photo and
1 don't see any intelligence here
at all
but
I was struck during the session with his ability
and his intellect. . .very , very high.
I also get
an
impression that his background
is very poverty type
stricken type background and
I don't mean that
in
a
porocial sense,
but
I mean
like he came
out
of background
where
he had no alternative into an area where he sort
of created his
own
life style.
I
get
an impression that
he's probably psychopathic and he has two distinct
personalities.
His working personality;
his very controlled
and moderate unassuming,
and his hidden personality which
he displays through hsi probable violent acts... very
psychopathic. . .he
is not
a humane person.
He's
ideologically oriented,
but to his
own
ideology.
There's
no. ......just get an impression
like there's no real
governmental body
of human
beings
on earth that he agrees
with.
It's
just that he's for
sale.
That
kind
of
individual.
Would he act
on the spur
of the moment?
Absolutely not.
That would run completely contrary to
his grain,
his intellect.
^He's plotting, methodical,
very capable
of running
a very complicated operation
all from his head.
Which makes him extremely dangerous.
That's just
an impressionl
get.
How about
if
he had
a plan going and something
interrupted
his stage,
could he improvise
on the spot and continue
on with what
he is doing?
Most assuredly,
most assuredly.
Be
a good man to put
away.
That's all the impression
I
have.
That, and
I
ain't going to stroll near any trash cans and brown vans
for about
6 months.
Okay.
We'll turn
off the tape now and darken
in the
drawings and that will be
it.
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TARGET CUING INFORMATION
REMOTE VIEWING SESSION 832
SG1A
1.
(S/NOFORN)
At the start
of the session the remote viewer was shown
the attached photograph and was given targeting
information.
2.
(S/N0F0RN)
The remote viewer was
and describe his activities.
asked to locate
NOT RELEASABLE TO
NATIONALS
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