Approved For Release 2000/08/07 ^£0|^Bg|oO788ROO1 400530001 -9
SUMMARY ANALYSIS
REMOTE VIEWING SESSION #912
1.
(S/NOFORN)
This report provides documentation
of
a remote viewing
session conducted for training purposes
only.
2.
(S/NOFORN)
The protocol
used for this
session
is detailed
in the
document GRILL FLAME
Protocol,
AMSAA Applied Report Viewing Protocol
(S),
undated.
3.
(S/NOFORN)
Post-session analysis on target viewing
indicates the
viewer had no correlation.
The viewer was disappointed.
4.
(S/NOFORN)
Following
is
a transcript of
the viewer's
impressions
during
the remote viewing session.
At TAB A are drawing
and narrative
made by the remote viewer.
At TAB
B
is target cuing
information.
Also
included
is available target
data.
MET
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TRANSCRIPT
REMOTE VIEWING SESSION #912
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This will be
a remote viewing session for
1430 hours
26 May
1982.
It's time now,
right now
to concentrate
solely and completely
on this target, which has been
designated for you
this afternoon.
So let yourself
go
focus
on the designated target.
Relax and concentrate.
Just relax now,
relax.
Relax,
open your mind.
As the
impressions flow,
report them to me.
PAUSE
Star shape.
That
is the target.
Continue
to describe
it to me.
Concrete, man
made,
(mumble),
fly
a plane.
Focus now,
not
on the surroundings area,
but this man made
target,
focus
on
it and describe it to me.
A giant man made structure.
Shape?
Square.
Color?
Beige.
Texture?
Stone or concrete,
concrete,
grass.
Move now,
move now,
over the target,
directly straight
down
Describe
Big buildings.
An analysis of
an airport.
Report
raw
data.
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Big buildings,
like hangers,
mass of man made structures
in large area.
Five square miles.
Focus now,
not
on the visual aspects
of the target,
but the
activity
at the target.
Lots of people. .driving vehicles around.
Describe vehicles.
Trucks.
Listen and report.
High pitched sound that sounded like trucks as big
as semi,
birds,
might be here,
aorund the building.
Locate building.
This building.
Explore interior
of building and report.
Large building and a large area inside.
Explain your perspective.
They need
a new door.
Look straight
down and describe surface
on which you are
standing.
Concrete.
Look
up and describe.
Double rods,
ceiling,
metal sheets.
Stop.
Look straight ahead and describe.
It's
empty,
window
on the other
end,
an opening.
Stop.
Face away from the building,
standing
in the doorway,
Face away from the building and describe.
A person
in another building,
just like this one.
Enter
it and explore.
Have
an image of
a yellow,
see some yellow
drums.
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Describe markings.
Describe markings.
H
-L
960,
this whole block.
To the other side of the
drums,
describe.
Hand pump.
Beyond that.
(mumble)
building.
Turn around and look
out away from the building.
Now
move up
in the air to the oblique,
200 feet above the target
and look back and describe.
f>See
a
(mumble)
big,
gray,
building.
Now,
describe the area around this target.
City,
river.
Now,
looking
at the target
in perspective from its surroundings,
looking back now,
at the target
in perspective from its
surroundings,
describe functional target.
The airport.
Raw data.
(mumble)
of all.. all the airports
I've ever seen,
flashing
all the airfields.
All right.
All the airports,
I
see many military and civilians,
here*-.;
Raw data.
Military impressions, military.
Raw
data.
(mumble)
Nothings else,
just an
impression,
ceiling.
I have no further questiors concerning the
target.
But
I have to go
in the building.
I have
a better impression
of
it.
Bright,
really like
a skating rink or some sort
of
sports arena,
thing.
Is
it accurate to describe the building as being open and wide
on the inside?
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Yes,
open and big,
side,
almost square,
high roof,
there'
supports
in the floor,
tension roof.
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All right.
No further questions.
An unfinished like feeling,
not walls that are the same
as the outside walls,
only the girders are exposed and.
Understand.
Remembering everything that you perceived,
perfectly,
in every detail,
prepare to draw those
perceptions which
you have.
.!
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DRAWING NARRATIVE
REMOTE VIEWING SESSION #912
Okay,
the following
is
a description of the one
drawing we have for this session and that's the
large,
two large building.
One only the corner
of the building,
in the lower left.
And the other
building perspective view then,
with the yellow drums
in there.
Coni&ete structure and this is only like
a
small part
of the what
I
felt
like was the target,
which was really big.
The building
looked like
it
was made out metal,
wide and open,
had
a very strong
impression
of military aircraft type
hange'r,
building,
except that
I
didn't draw the end
of it here because
I couldn't
get
a good
idea of what the end looked like.
Sometimes the door was small,
sometimes
it was huge,
like the whole end would come off. And that's all
I
wanted to draw today.
Okay.
What was the very
first impression you had,
going back to the very beginning,
remember we started
out?
Yes.
Was inside at
first,
I had star shape.
That
might have helped with the military feeling,
I
forgot
about
that,
but like you,
it stand inside of
a hanger
or
a big building
like that with
a whole end that comes
off of
it,
and look out with
a bright,
not really bright,
bright
sky,
like bright
sun,
but bright light at the end
of the whole end of the building.
But it was not there
it was open.
So your first perception,
you found yourself inside
something.
Yes.
Okay.
I
didn't quite understand that.
Okay.
There isn't
anything
you want to add.
Yes,
I
don't think
I
reported that.
I think
I was really
trying
to fight
off the airport and
I suspended it, you know
the first
10 minutes,
struggling with beating everything
back.
Trying to start
over.
Anything
else you have to add.
fjo,
just that
I
had the impression
of all the air bases,
air
fields,
airports that
I have ever seen
in my life.
Did you
feel that this session was laced with airport feeling
from the very beginning?
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Yes.
Can
you resolve
in your
own mind whether you started
this session with
a,
Did you sit down here with
a predetermined
idea that this was an airport?
No,
I
don't think
so.
No.
Okay,
nothing else then.
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