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SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION
II
1.
(S)
This report provides documentation of
a remote
viewing session conducted for the purpose of orienting
a
selected Remote Viewer
to
the protocol which will be used
in
the remote viewing training program
at Stanford Research
Institute
(SRI),
Menlo Park,
California.
2.
(S)
This session was considered very successful by
ail participants
in that
the post-viewing on target
analysis provided the viewer with positive
feedback.
The
target
site contained features which matched the viewer^
descriptions.
The Remote Viewer was anxious
to conduct
another session and was highly motivated.
The Interviewer
and Viewer seemed
to work well together.
3.
(S)
The protocol used for this session and which will
be used
in
later training
is detailed
in the document.
Standard Remote-Viewing Protocol
(Local Targets)
by Harold
E.
Puthoff
and Russell Targ,
November 1978.
4.
(S)
Following
is
a transcript
of
the
viewer's impressions
during the remote viewing session.
At TAB A are drawings
made by
the viewer reference his
impressions
of
the target
site.
At TAB B are photographs
of
the target
site.
At TAB
C
is
a post session
interview.
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TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION
II
#28:
This will be
a remote viewing session.
The
Interviewer will be #28 and the Viewer will be
#10.5.
(Edited for security.)
PAUSE
#28:
It
is now time for you to reach out
and tell me
about
the location where #20.5 and #20 are visit-
ing.
When you have
an
impression,
tell me what
you
see.
(Edited for security.)
PAUSE
#10.5:
All
right.
#10.5:
I'm having too much
at one
time.
PAUSE
#10.5:
I'm having too much.
.
I'm having too much like
grass.
But
I
don't
know what
it
is.
(Whispering)
PAUSE
#28:
Let
a picture come
to mind and just
tell me what
you see
.
PAUSE
#28
:
What
do you see
in and around where they
are located?
PAUSE
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#10.5:
Hmmmm
.
PAUSE
#10.5:
I
don't
know.
PAUSE
#10.5:
The only thing
I
see
is
a vertical
line
like toward
the corner of
a building.
#28:
You don't have
to tell me what
it
is.
Just what
you
see.
You see
a vertical
line.
#10.5:
All
right.
Like
a wedge.
#28:
A wedge.
You see
a wedge.
PAUSE
#28:
Move around
to
the other side.
What
do you see?
PAUSE
#10.5:
I
see,
ah,
an overhanging thing.
#28:
Um hm.
#10.5:
And its darkened under
it.
#28:
Um hm
.
PAUSE
#28:
Tell me what
it
looks like from the
top.
PAUSE
#10.5:
Its
far
up.
#28:
Its
far up?
PAUSE
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#28:
Go over to the other side of
it
now and tell me
what you
see.
Go over
to the other side
and tell me what you
see
PAUSE
#10.5:
The top
is
flat.
(Sigh)
PAUSE
#28:
The top
is
flat.
#10.5:
Its
dark.
#28:
Its
dark.
The top
is dark and flat.
(Pause)
You said this was
an overhang.
Go underneath,
go underneath the overhang.
#10.5:
Umm.
#28:
What
do you see?
PAUSE
#28:
What
is on the
left?
PAUSE
#10.5:
Light.
#28:
Light.
What
is on the right?
What’s on
the
right
side?
PAUSE
#10.5:
Light.
#28:
More
light.
Now turn
around,
turn around and look
out
the other
side.
Look out
the other
side.
What
do you see straight
ahead?
PAUSE
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#10.5:
#28:
#10.5:
#28:
#10.5:
#28:
#28:
#10.5:
#28:
#10.5:
#28:
#10.5:
#28:
Dark with light
at
the
end.
Dark first
and then light
at the end?
Yes
.
PAUSE
Now,
go out
to where
its
light
at the
end.
Go
out
to where
its
light,
turn around and look
back where you were.
What
do you see?
Tell me
what you see.
Dark with light
at
the
end.
Dark with light
at the
end.
PAUSE
Tell me ...
.
What
is on top of
the overhang?
No overhang.
I didn't hear you.
What
is on
top.
No overhang.
No overhang.
Other
end.
(Long sigh)
PAUSE
Tell me about
its
shape.
PAUSE
#10.5:
My feeling
(Pause)
#28:
Your feeling?
PAUSE
if
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#10,5:
Dark.
.
.
is
inside.
#28:
Dark
is
inside.
#10,5:
The
light
is
at each
end.
#28:
And the
light
is
at each end.
PAUSE
#28:
Tell me what
goes on here.
What
takes place
here
PAUSE
#28:
What
do you
feel
about
this palce?
What happens
here?
PAUSE
#10.5:
Business.
#28:
Business.
#10.5:
Shopping.
#28:
Shopping.
PAUSE
#28:
I want you to take one more look
at
the
area.
V-e-r-y good!
Remember.
Look
at
it carefully
and remember
it.
Its time
that
#20 and #20.5
have
left.
And now
I want you to draw that
-
what you saw.
What you see
now.
Look
at
it
very carefully,
remember
it.
When you feel you
have
it,
sit up and draw.
PAUSE
ADMIN NOTE:
It
is past
the end of the on target
time.
#10.5 now sat up
and began
to
draw.
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(Knock on
the door
-
#28:
We
are still
drawing,
so give us
a few minutes.
)
(#20.5:
All
right.
)
PAUSE
#10.5:
It was
like
a ....
I'm having difficulty with
the perspectives.
(Pause)
That's
the overhang.
Something
like
that.
#28:
But
it was
down?
Down
and away
from
.
.
.
#10
. 5
:
Down
.
#10.5:
And that's the sides.
Now the street
and the
sidewalks
go
like
this.
Or whatever they
are,
you
know.
The angle
of the building goes
farther
down.
Forget
this
line.
This
is like
an overhang.
#28:
Okay.
#10.5:
And the dark was
in
there.
#28:
Dark under the overhang.
#10.5:
Right.
#28:
Or dark back
in this way?
#10.5:
Back
in there.
It was
not
so dark out
here.
When
you told me
to
look that way,
left and that way
right.
Its
light out
here.
#28:
Okay.
#10.5:
But,
behind me was where
the dark was.
#28:
Okay.
And then you told me
it was dark and then
light
down
at
the end.
#10.5:
Right.
I
had the feeling that
it,
.
.
.of this
.
.
#28:
When you looked back ....
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#10.5:
Right.
When you had me turn around.
#28:
Okay.
Okay.
PAUSE
#10.5:
Then you told me
to
go
to the other
end.
The
other end was nothing.
The other end,
when
I
turned around and looked back
in,
.
.
.
#28:
You went down
to this light?
#10.5:
Right,
it was
identical.
It was the same thing
when
I
got
to the other end.
#28:
Okay.
#10.5:
But
the difference was,
there was
no overhang.
It was
like
the end of something.
But
it wasn't
the same
as the other end of the
dark.
#28:
Okay.
But when you turned and looked back?
#10.5:
It
looked identical
to
the original ...
So this
would have been from the overhang end.
#28:
Okay.
#10.5:
And
a repeat
of
that,
would be
from the no-overhang
end.
#28:
When you went
down to the
light
area and turned
around and looked back ....
#10.5:
Looking back.
PAUSE
#10.5:
Was just
this.
But,
this,
was building wall
.
.
.
.or,
right,
in
other words,
I was
looking from outside
in
the
sun-
light,
I was looking
at reflective sunlight,
but
I
was looking down to see
a pin,
a small
dot
of
light
at
the end of
it.
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#28
:
#10
. 5
:
#28
:
#10
. 5
:
#28
:
#10
. 5
:
#28
:
#10
. 5
:
#28
:
#10.5
#28
:
Okay,
Okay,
like
a tunnel.
Well,
okay,
I'll
call
that.
,
(sigh).
.
.
(pause).
When you told me
to
go over
to
the other side,
I
first started
to
go up
top.
Instead of going
down the tunnel.
I
told you
it was high.
But
I
have no
idea.
Its not extremely
high,
but
its
high.
You told me
the
top was
dark.
And
I
told you the
top was dark as though
I was
merely looking
at
a rectangular.
.
.
.
(pause).
Looking
down.
I
tried
to
see
if there was
any-
thing detail.
There was something on
top,
but
I
don't know what
it was.
I wanted
to think;
but
I
don't know
if
it was imagination
that there was
a box on
top.
Okay.
How about putting
a number
down.
This
will be number
five.
This
is
a picture of the
top
of
it.
Right,
here
is.
Looking
at
the top of
it,
here
is the overhang.
This
is number one corner.
That's where you first
saw it?
That's where
I
first saw this wedge,
okay.
On
top of ...
.
(pause).
.
.
I
don't
know.
I
wanted to
say
its
a box.
PAUSE
Okay?
This
is
stupid.
.
,
.
That's on
the street
side.
I
had the
impression.
I
had the impression this
thing was on
the street;
and that
.
.
.
(pause).
.
.
.
I'll put
it
in
anyway.
And that,
ah,
see here
would be
a ...
.
sidewalk,
right.
Here was
a
car
•— something
dark.
Good,
that's
a good description.
Dark object.
.
.
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#10
. 5
:
#28
:
#10
. 5
:
#10
. 5
:
#28
:
#10 . 5
:
#28
:
#10 . 5
:
#28
:
#10
. 5
:
#28
:
#10
. 5
:
#28
:
But
this building.
I
have the feeling that
this
building was longer than this thing looks;
from
the
top.
I
had the feeling that
this wall —
I
had the feeling that what
I was like was just
like
on
an average ordinary street
corner.
And,
whereas
this overhang was
in the building
I was
looking
at
it really stretched way
far
down.
But
I was con-
cerned with this overhang and this end of
the build-
ing.
And,
at
first,
I
thought
it was
like
a theater
house but
I
just tried to stay with the dark/light
colorings
.
Yes,
that's
good.
But
it was one
long continuous thing
at
the corner
of which
I
happen to
be.
So,
technically,
the same
structure,
I
think,
see now
I
don't know where this
perspective
is.
Technically,
this building continues.
You know,
its
like
a long block.
But
out
here
is
open.
Open light.
PAUSE
But, ....
(pause).
Let's take
a quick look back through these pictures
again.
Okay,
just kind of talk to me,
say number
one
this,
number two,
etc.
You want me
to,
what?
I want
you to
go through again,
to see
if there's
anything you missed,
or ....
Okay
.
Number one.
(pause)
Just briefly.
.
.
.
No because
I was contem—
No,
that was my description.
It was
a wedge.
When
I
told you to start with this
corner building;
you told me what
it
is,
tell me what
it
looks
like.
And
I
said
it
looks
like
a wedge.
That's
fine.
That's
fine.
And that's
all
I
had and you told me to move and
I
looked down.
I
had
a very hard time.
I
looked down
and there was
this overhang.
Okay
.
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#10.5:
This
is really out
of perspective.
But,
in other
words,
this
is the wall.
This
is the imaginary
plain of
the wall where this thing protrudes out
of
it.
Right.
#28:
Okay.
#10.5:
So actually,
this should be erased.
Because that's
a corner.
And this
is the roof on
it.
And this
is
where
I was telling you on the preceding picture,
it
continues
#28
:
Okay
#10.5:
Long perspectives.
#28:
Okay.
#10.5:
And this
is when
I
saw those
two things
that
I
added
to
that
last picture.
#28:
Okay,
do you want
to put them
in this
one.
#10.5:
I
had the feeling that
this
is where the sign was
and this was where something else was.
Something
big and bulky.
#28:
Okay.
#10.5:
I
got
the impression
it was
a typical sign you see
along any old street.
#28
:
Okay
PAUSE
#10.5:
That
really doesn't
give justice,
I
don't
think,
to
the way
this thing
looks.
Then
again,
I
don't
know what
I was imagining because
at
that point
in
time
I
thought,
that
looks
like
a theater arcade.
But
I'll
do one of the front of
that
just
in
case.
#28:
Now,
you are looking down
into
it.
#10.5:
I'm looking past
the
front of
it.
And down here
somewhere
(pause).
.
.
.
(not audible).
#28:
Right.
#28:
What
looked like the other thing
at
the
curves.
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#10.5:
Right
or whatever.
Okay.
And this
is
the
overhang shot
at
the
end.
And this
is
the one
that
I
can
(pause).
.
.
I would like
to say
at
the front
facing of the overhang
is curved as
opposed to
coining out
straight
and going
in.
I'd like
to say
that
its
sort
of curved around.
With windows
in
it.
But
then
I
don't know
if
that's just static from my
first
impression of
what
a theater arcade would look
like,
you know
cause
it has windows around
it.
#28:
Okay.
#10.5:
But,
when
I was standing,
you know,
not
looking
sideways,
that's
all
I
saw.
#28:
Okay.
(Pause)
What's this?
#10.5:
From no overhang end looking back.
#28:
Yeah,
I
told you to
go down where
it was
light,
turn around and look back this way.
#10.5:
Right.
#28:
You said
it
looks the
same.
#10.5:
Urn hm.
But
this
is
light.
I want
to
say
its
light
again.
#28:
Okay.
#28.
And this
is
the
top.
PAUSE
#10.5:
(not
audible) back here.
#28:
Okay.
#10.5:
That's
it.
#28:
Okay.
Good.
You got your clothes
on.
You
feel
like you've talked your way out
of this.
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#10.5:
I
don't know what
to expect.
#28:
Okay.
#10.5:
What
I
do have
to
say,
is that
its obvious
to me
that
it wasn't what
I
thought
it was going
to be
on the other
thing.
#28:
On your other secret note
thing.
#10.5:
Ha Ha,
I
guess that's
a good indication,
I
don't
know.
#28:
We'll
find out.
#28:
Our back-up recording system
in case of emergencies
works just
fine.
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TAB A
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TABB
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TAB C
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POST SESSION INTERVIEW
REMOTE VIEWING
(RV)
SESSION
II
1.
(S)
Post-session interviews
are conducted after the
completion
of
a session
(usually the following day)
to
provide the Remote Viewer with the opportunity
to express
himself concerning his viewing experience.
2.
(S)
#10.5 has had previous experiences similar
to
remote viewing.
This experience was different
for him
in that
he did not perceive himself
to be
at
the
target
location,
as he had
in his previous experiences
and he
was able
to talk about
his
impressions and images while
he was having them.
Previously,
he would "visit"
target
locations on his own and not be able
to relate
information
during the experience.
#10.5 wanted very much to
try
remote viewing again
as soon
as possible.
He
felt
that
there were things that he didn't
say that
now he knows he
should have.
#10.5
felt
he could have verbalized more
during the session.
3.
(S)
As
to the relation between the viewer and
interviewer,
it was decided that
the interviewer give
more
time
to the viewer
to respond.
Additionally,
the
use
of
"questions”
on the part
of
the interviewer needs
to be reduced.
#10.5 and the interviewer
got
along well
together and are developing
a rapport
for future sessions.
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TRANSCRIPT/ INTELLIGENCE CORRELATIONS
1.
"The only thing
I see is
a
vertical line like
toward the corner
of
a building
like
a wedge."
2.
"I
see —
an overhanging
thing.
—And its darkened under it."
"The
top
is
flat."
3.
(The viewer has been asked
to
move under the overhang and what
his perceptions
are from that
point)
"Dark with light
at
the end."
(The viewer has been asked
to move
to
the light
at
the end,
turn around and look back)
"Dark with light
at
the end."
"Dark is
inside— the
light
is
at each end."
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1.
Sketch correlation
.
The target
location
is
in fact
a building.
Two
of
the photos
taken by the outbound
team were
toward corners
of
the
building
.
2.
Sketch correlation
.
There
is
a
drive- through order pick-up service
at
this restaurant.
The overhang
is present and
is
in fact rather
dark underneath
in daytime.
Although
it
does not appear
so,
the roof of
this building
is
a facade and the
actual roof
is
indeed flat.
3.
Target correlation .
From under
the overhang it
is possible
to
see
through
the building
to
the windows
on the opposite wall.
The lighting
inside
is subdued and
the
day was
brightly sunlit giving
the impression
of dark with light
in the distance.
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TARGET CORRELATIONS
TRANSCRIPT DATA
(ABSTRACT)