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ORCON/NOFORN
GRILL FLAME
PROJECT
SESSION REPORT
Copy
2 0| 2_
CLASSIFIED BY:
Director,
DIA
DECLASSIFY ON:
31 Dec
EXTENDED BY:
Director,
DIA
REASON:
2-301-C
(3)
(6)
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SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION
1.
(S)
This report
documents
a Remote Viewing
(RV)
session
conducted
in compliance with
a request from SOD,
J3,
OJCS,
Pentagon,
Washington,
D.C.
The purpose
of the session was
to provide information relevant
to the hostage situation
in
the U.S.
Embassy compound
in Teheran,
Iran.
2.
(S)
The remote viewer’s impressions of the target are
provided as raw intelligence data and as such have not been
subjected to any
intermediate analysis,
evaluation or collation.
Interpretation and use of the information provided
is the
responsibility of the requestor.
3.
(S)
The protocol used for
this session
is detailed
in the
document,
Grill Flame Protocol,
AMSAA Applied Remote Viewing
Protocol
' (S)
,
undated.
4.
(S)
Following
is
a transcript of the viewer’s impressions
during the remote viewing session.
At TAB A are drawings made
by the remote viewer reference his impressions of
the -target
site.
At TAB B
is target cueing information provided the
remote viewer.
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£J
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TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION CC51
#6.5
+02
#08
#6.5
#08
#6.5
#08
#6.5
+05
#08
#6.5
#08
#6.5
This will
be
a
remote viewing session
(edited
for security).
PAUSE
0k #08,
it's
time
to start
the session now.
For
the
last
few minutes you have been concentrating
on
a photograph of an individual.
The name
of that
individual
is Malcolm Kalp.
I want
you
to relax
and focus your attention
on
the location
of
Malcolm Kalp and describe
that location
to me.
Relax and concentrate
on Malcolm Kalp and describe
his location
to me.
PAUSE
There's
a great.. small wall.. on
the wall's
a
(mumbling)
fence.
It's
a. ..it's
a
long wall.
Part of
the wall
is about
feet of brick and there's
a.. a., a brass sign
on
the
post. .crates.
. .and there's
some Arabic writing,
or something.
It's all curvy.
PAUSE
Tell me what
it
says.
I
can't. ..it's got tails and stuff...
What?
It's got tails and
stuff.
Relax,
relax and concentrate
on Malcolm and
describe
the area where he's located.
A)ig yard.
There' s. .uh. .like
a white driveway../
/crushed stone
driveway.
It
leads
to building
It
u with
arctics and posts.
jjt
*
Is
there anybody
in
this big yard?
Mo.
No.
(Mumbling)There' s
a couple
guys'*9l%^the
porch but
that's not him.
~
’
Tell me about
the people
on
the porch.
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#08
+08
#6.5
#08
#6.5
#08
+11
#08
#6.5
#08
#6.5
#08
#6.5
#08
+15
#6.5
#08
#08
Mustache
and
a dacK". .one
is better dressed
than
the other.
. .opejpf' shirt and other guy's
(mumbling)
like
. .uh.
corridor
ir
in
the
coj
guy's.
.
area,
or
sc
e only
fatiques..,. brown.
There's
a
frange hanging
lamps
[Think
I
got
him.
This
in office.
Like some function
ung
Doing well.
Now,
relax and
tell me from what
perspective you're seeing things right
now.
I'm at
the door looking in and.... very comfortable
atmosphere. .. .a. .big wooden desk.. shinny
dark
furniture.
Very... very self-satisfied with himself.
Who
is?
Him.
There's
a big window behind
him.
Go
atiead
inside.
Move away
from
the door and
tell
me what you
see.
Inside where?
Inside
the building.
Move
away
from the door
and
tell me what you
see.
Like..uh..a
long corridor.
Want me
to
go
to
the
entrance,
or what?
All right.
All right.
This
guy's
in
the room
I
know
that,
ok.
0k,
now.
The conference
rooms's next
to him and. .uh. .from
the
door,
facing
in,
there's
a hallway big wide
hallway.
Glass
mirror
type
on either
side
....big offices there
Walk down
that hallway
you
told me about... walk
down
the corridor
and look
in
the rooms and tell
me
if there's anybody
in
any of
the rooms.
Yeah.
Lots of.. about
or
8 people
(mumbling)
common
(phonetic)
people.
Keep
on
going down
the corridor.
All
right.
PAUSE
(Mumbling)
not
that
far.
Looks like
small
offices.
•
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#6.5
Anybody
in
there?
#08
Yeah.
Wait
a minute.
Clerical.
There’ s. .uh.
.
there’s
an important office
there.
#6.5
What makes you
say
that?
Tell me what you
see
that makes you
say
that?
#08
Very
plush.
Very,
very plush.
Uh. .maybe
. .uh
.
.
maybe all
those draperies.
. .big desk.
#6.5
Have you
(not understandable) Malcolm yet?
PAUSE
#08
He was
in
the
first office but he's not
there.
#6.5
0k.
Tell me how large
this building
is
that
you’re
in.
#08
Gosh.
God.
I’m only
looking
at half
of
it... that’s
about... got
to be approx.
. .overall about.. uh..
200,
250 feet.
This
is
all... this
is all Arabic.
This
is
all Moslem.
#6.5
How tall
is this building?
o CD
One,
orie story.
M’s very,
very curvy
(mumbling)
Got
thp impress^dn
of curves. .uh. .domes when
you
walked\^nsidip<
#6.5
Tell me how
tall
it
is.
#08
Ugh... The corridor
is about
four times
the height
of
a man... three
times,
maybe. .. three times,
four
times
the height
of
a man’s height.
#6.5
I want you
to relax
now.
Relax.
I
want
you
to
change your perspective.
want you
to go
up
in
the
air.
1,000
feet
up and
look down this
building
and tell me how
I could locate this building
Tell me about area around this building.
#08
Let me start lower and then
I'll work
up.
#6.5
0k.
Go up about
300 feet
.
#08
All
right.
#6.5
(Not audible).
Look around.
Tell me how
I
can
find
this building.
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#08
OK.
It‘s. .uh.
. that dam
tiling
is distracting me.
Stay
on.
.
#6.5
Try
to relax.
Try
to
relax.
#08
#6.5
#08
#6.5
#08
#6.5
#08
#6.5
#08
#6.5
#08
#6.5
to
OK.
I'm
in
the vicinity,
went straight across
i
the
right of
it... a big building... a big
dome.]
-It
1 s "got
.
. .uh.
. it
' B- g&tr-staps
le ading
up
to
it.
That's what
I wanted to
say.
building.
I
keep getting the impression thatTt's
right before
a kind
of
a horseshoe. .uh. .curve.
/ou are having alot of trouble
wit
noise outside
that snowpiowT
Let me ask you
one
last question.
From looking up
there,
can you
see
the big yard that
you talked about earlier?
It's similar,
but,
the yard
I
saw before
was
in
back.
This one's in front.
What?
The yard
I
saw before was in back,
this one is
in front
on
the street.
Do you
see
that big yard?
(MumbCfngT)
OK.
It' s ‘boarded.
two yaV^s...big
in back
an^Jwr^f'Tn front.
Therms
a streerim- baek ---and--g^€i-eet
in
front.
Is
there anything
of interest
in any
of
the yards
that you see?
PAUSE
OK.
When
I
first
got
there
I
got
the impression
I was
in
front
of people,
all
right.
But,
they
...they're not excited.
They're
just there.
OK.
In
the back
(pause)
I
get fleeting impression...
/joignitaries.
I
can't tell
(mumbling)
may
be
10. Jt
p
may be
15.
OK.
I
think
it’s
time
(not audible)
Yeah.
It keeps coming.
Just relax
and we'll
..we'll call
it quits
for
now.
Relax
and we'll
sit up and do some drawings
here,
ok.
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