Approved For Release 2003flJJ>/iQ
88R0021 00340001 -2
TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION CD-96
#66:
This will
be
a remote viewing session for 0900 hours,
July
1980.
PAUSE
Relax and concentrate now.
Relax and concentrate.
Relax and
focus your attention
on
the woman known as Mary in the photographs
I
have shown you.
Focus your attention
on the woman known as
Mary
in the photographs
I
have shown you.
Relax,
relax and
concentrate.
Locate Mary,
locate Mary,
and describe this location
at the present time,
and describe Mary's location at the present
time.
PAUSE
#31:
Feeling
of,
urn.... very
funny wall.
. .massive.
. .massive,
with
a...
curve
in
it... which
is. .. ornamental. ..
.
The curve
is maybe...
head high... like
a huge,
long scroll....
This place
is.
narrow fronted.
. .but very high...
I’ll watch,
I'm feeling...
like
a memorial.
. .place.
.
.
I'm on... red tiles...
There are
pillars on my right,
which support this high roof .. .overhang
on
my
left... it's a solid,
mass
of scrollwork,
carved
in the wall...
There's
a
large,
boulevard type,
with parking out front...
I'm getting a... feeling of
a few steps up... from the boulevard
level
#66:
Go
to Mary now and tell me about her immediate surroundings.
PAUSE
#31:
I have
a picture
of Mary....
She's standing
in
the corner of
a room.
. .behind
a very thin and cheap podium. .. lecturn.
.
.
Around and behind her... are what appear
to be
lines
in the wall,
with opposing lines....
She
is... room is... large wood desks...
double desks
in rows...
She's
lecturing
or talking from this
lecturn...
It
is... on
the arts... on
the arts.
. .music,
I
think...
There are
a number
of people,
possibly.
. .eight to
ten.
On her
right
is
a larger
table... with
a... some middle aged man seated
there...
The exit door
is
on the right,
and there are
ten to
twenty,
I'm sorry,
eight to ten people
in the space are sitting.
I
do not feel
any windows...
#66:
Tell me more,
now,
about
the building
in which this room
is
located. ......
#31:
I'm seeing almost
a classic Grecian style.
. .slight, peak
roof.
Massive side building.
Pillars all across
the front,
but the
Approved For Release 200310^/^9 ^
6-I0788R0021 00340001 -2
Approved For Release 2003/09/09
: CIA-RDP96-00788R0021 00340001 -2
SECRET
#31:
front
is really
a facade which is... high,
and has this
scroll
u/ork
in the facing of
it.
It's not
a building
I
have
seen.
It's academia. .
It' s.
.
.there' s
a single dark entranceway
in the^nTHm^^Ttne
front
#66:
Where
is this room located within
the building?
#31:
I... think
it
is in the second or third floor
in the right side
in the back half.
Because
I
looked there just before
I
found
her.
#66:
Scanning the building
in
total,
what
is the function
of
the
building?
PAUSE
#31:
/it
is...
a
nontechnical,
academic building which houses both j
J
professorial offices and... small seminar room.
I got
a
If
fleeting shot
of
a basement,
glass table topped. .... .1
meaner
table with glasses
on
it,
and such that might be technical^
or chemical laboratory
in the lower left... like
in
a basement,
but.
. .essentially
it is not
a large classroom building.
But,
rather
a large seminar building.
I
see offices,
and adjacent
to the offices are small rooms and library type paraphenalia.
#66:
All
right.
Fine.
Move back to Mary now.
Move back and
focus on Mary,
and tell me
if this
is
a place where Mary
spends
a great deal of time?
Is this
a normal place for her
to be?
#31:
She
is
familiar with this area,
and
it
is normal for her
to be here,
but she does not come here frequently.
I
do not
think she... think she is more
a
...returnee lecturer,
but of
some academic credibility.
Of the familiarity of her
audience,
is as tough... she was at one time
a member of that
group.
But,
the system there
is... I'm getting this flavor
of
a part timer... held in some unknown... by the locals.
#66:
All right.
In this room where Mary
is located,
is there
a telephone?
+25
#31:
I.. urn.. place
a telephone.
. .inside the door on the right or
more of
a table than
a desk.
It is
a common service telephone.
Common access.
#66:
Describe the instrument
to me.
#31:
It
is
a simple
..black base and singlehanded receiver,
dial,
single line.. It
seems more tied to the guy at
the desk than
common service,
but it could still be used by anyone.
They
may have to ask.
#66:
All right.
Place your hand on the phone,
and as you have your
hand on the phone ask yourself,
what number would
I call
to
reach this pfyanry
g,qk
ourself . what number would
I
cal-
Approved For Release 2003/1
8R0021 00340001 -2
Approved For Release 200^/m,: CIA-RDP96-00788R0021 00340001 -2
+27
ary have an interest
in this telephone?
#66
I have
no further questions about this target.
I'd like to pro-
vide you
the opportunity
to comment on anything that you think
is important
at this time......
+29
If you have no further comment,
let's prepare
to draw the images
you have seen.
#31 s
The greatest difficulty
I have with this session
is
the...
trying
in words
to describe
the attitudinal condition
in that
roorn^f--“theT‘.'
. of
the girl and
p^-op 1 q ground her. .
rtt'T slike a... It does not parallel
anyth ing’TTTHs&eJJ^S
,
educa-N
tional system.
It
is
a,
like she
is
a graduate
studerTtrp-eooiehov
loosely and prolongingly affiliated with
an educational place,
in... and has like
a freedom
of movement that she can
like Jyp&f
Tike
she knows everybody and can "drop 'by‘Tof~iri7lS±t7"“a?T3eT^
up standing and speaking
in front
of
the group of people...
like
a guest lecturer
of someone
that used
to be
in
the
class.
Urn,
she had
the rapt attention
of everyone,
she was speaking
from behind some cheap little podium,
and she
did not have
any
notes,
or she wasn't giving
a speech
like
a formal presentation,
or anything
like
for
a grade...
It was like,
oh,
look who's
here,
well,
come
in and tell us everything that's been happening.
But
I couldn't figure
out
if
it was
a formal,
come
in and tell
y
us what's happening,
or
if she
just showed
up
at
the
door,
and
pie guy dragged her,
or,
and she came
in...
I didn't
feel any-
thing like
it was grade,
I
didn't feel any stress
on her part,
like,
Oh,
I gotta do
a good
job,
you know,
or anything that
would
impl-,
that would correlate
to
a
U.S.
type
of school
sys-
tem.
Shearjri^^
she did not drive, shetookputy^c
conveyance^~Nowjlha3* this flashing image
of ETTu^Toad of
Pji iuihui lUJITt'^type
of public conveyance,
you
know,
this,
people
bangin'
out the windows,
and off the doors,
and she gets off
this
thing,
and she has to walk some distance
to this building.
And there's some sort of cleared area across this grand boule-
vard parking area.
. .there's some cleared area that
like she
had
to cut across
to get
to the building.
But the most peculiar
condition
in
the building
is this scrolling
on
the front wall...
And
the.
. .the.
. .also an unequatable peculiar condition
of the
building
is
this,
you know,
I'm u\ed
to U.S.
educational systems
where you have
lecture
a**ddT&riumsL
and the professors have
their offices maybe aVl the way acaoss
campus,
and they're lit-
tle booths,
and they 'he all
crampecl in.
Well,
this
isn't the
case.
This
is
like seminar area
irj which
the professors has
a,
an office all lined wVth books and /it's nice and mellow,
and
academic,
and
just oul^a door associated with
it then
is
a
meeting room,
and all tn^se people gather
at the meeting room
and they have
their class+^-ArTO they
1 re not
these,
it's not this
o r7p nrr
Approved For Release 2003/09^fT djAMftyp-0(|788R0021 00340001 -2
Approved For Release 2003/09/09
: CIA-RDP96-0b788Rb021 00340001 -2
#31 :
massive hugeness,
it's
just very small
intirnateness,
of numbers
of people,
like
you would associate
at the graduate
level.
You know,
graduate
school,
graduate
level seminar condition.
Okay,
sketching now...
I have
to draw this small,
because
I
have this feeling
of great massiveness.
PAUSE
#31:
All right.
The... how do
I
describe
the front of this place?.,.
When
I
was.,
when
I was sitting on
the,
standing on
this front
art porch
thing,
it was though
I was standing
on Brandenburger-
Tor.
A place which
I've never
stood,
but
the words Brandenburger-
Tor came
into my mind.
A
large,
ornamental facade,
memorial
in nature.
Something
to do with memorial...
And having this
ornate scroll .work around-inb around words*
this thing was
there
it really wasn't necessary,
and
it was memorial
in nature.
And
this,
the front
of
thei place was masiive.
And this art-
this
this
that
I
keep calling
a scroll
is etched right
into the left
wall,
it's bas relief,
I
guess you'd call
it.
Okay.
But
i
'
'
s
very modern...
And... and it comes all
the way down
from the
ceiling,
which
is
30 feet
up,
alright.
And
it comes around like
this.
And
it
is
in fact
the shape
of
the wall,
because
it's
solid,
it's not something that's hung
on
the wall,
you walk up
to the wall and
if you could reach
the ceiling and move your
hand all
the way down
to the red tile
at
the base,
your hand
would follow this curved,
scrolly contour
of
the
wall.
#66:
Okay.
It... it appears
to me
that you're describing some work of
urn.
. .building front
in here,
number- a... a construction sculpture.
They designed sculpture
in
the wall.
#31:
Yes.
Yes,
that's
the,
that
is
the situation.
The design...
very
good.
Design sculpture
in
the wall...
Okay?
Okay.
Like
that.
And this
is
the actual wall
face,
this dotted
line
that comes down...
Okay?...
This
is a... this entire thing
is like
a.
. .a.
. .light brown... it's
a
light brown
or
a dark sand
type
of... I mean
it's not like
other structures
over
there...
Light brown,
dark sand,
grainy,
okay,
grainy
texture...
Bas...
bas relief.
Now
I
perceive
that
the whole wall was
that way.
Okay?...
And this,
the flatness
of this outer area here....
is red
c lay tile.
Deep red.
Burnt
red,
okay,
you know that...
burnt red clay tile.
Then there
is
a,
somewhere
I presume
this
is like
an arched doorway...
Okay,
I'll
draw that
.in,
and that
dark and shadowy
in
there.
And out here...
#66:
Okay,
this
is
the scene that you saw when you first acquired
imagery
of this?
#31:
Yes...
Okay,
there's the steps down.
Out here... greenish
green,
like
a grass counter,
green like grass,
and then there's this
wide...
wide boulevard.
. .wide boulevard,
yeah,
with
like,
cars
would park along
the side
of it.......
#66:
Okay.
Approved For Release 2003/09/09
: CIA-I
i-06|88R0021 00340001 -2