datamatters24/research-document-archive huggingface dataset:
Approved For Release 2002/05A|
|HdjA^£g^0788R000800250001-7
emblems
on
the shirt but
they
don't appear
to be military
type.
They
appear
to be
a
lot
more complex and
that may be
an
Iranian
form of military
emblem,
but
I
don't
associate
.
I
personally
don't
associate ....
#66:
Would
it be
too much
for
me
to
suggest
that
those might be police uniforms?
#1:
I
don't ...
I
don't
.
.
I
don't know.
It
seems
like
I would know
if those were police
uniforms
and
I'm not
getting that.
You know,
I'm not
remote viewing that.
You know,
I'm not
TURN OVER TAPE
I'm not
sure
I want
to say that
sort
of
thing.
Its just strictly
an analytic problem.
Its
probably better
if
I
don't.
#66:
Okay.
#1
:
This.
.
This building.
.
.
Oh,
incidentally,
let
me
draw arrows here.
This
side
faces the street.
#66:
And you called that
the side
door.
#1:
Side
door,
yeah.
And this
side.
.
faces
a
courtyard.
I
called
it
a courtyard but
its not
hemmed
in on four sides.
Its
like
an open end
this way.
I
sense there's
light
that
I
can
get
La whole
lot
of
light
out
of this area and that
that was
.
.
.
that’s
an open
end.
And the
decorative building was this way
.
PAUSE
#66:
And where
is
the front
entrance
to the building?
#1
:
Right
.
.
.
#66:
You perceived
as
the
front?
#1:
That’s.
.
that's
.
.
the
front.
The
front.
And
I
sense
that
there was
an end door here.
Okay
.
^
For some reason,
this .Attached hiuilding,
this
little building,
I
justt
have o© use
for.
You
know,
like
its
not
a fWci>em
of
this overall
Approved For Release 2002/05/17
: CIA-RDP96-00788R000800250001-7
#66
:
# 1
:
Approved For Release 2002/11/18
: CIA-RDP96-00789R002200590001-3
•
a short break before beginning the next trial.
Because the response sheets include carbonless carbon paper* the participants have copies of their
original responses and can compare their individual responses with the target material during the
feedback phase of each trial.
5.
Analysis
Quantitative scoring presents several problems when testing groups of subjects. Because
all subjects have seen the same four targets, a single judge cannot produce an independent rank
ordering for each person.
Therefore, since the goal was to find persons with high-quality natural
talent for additional testing,
a more qualitative assessment was done by the analyst to find any
individuals who had produced striking matches to discrete target elements.
Qualitative assessments of the responses from the
first stage of screening formed the
basis for deciding which persons might be invited for second-stage screening.
The qualitative
judging was based on the seven-point rating scale shown in Table 2. * An analyst was instructed to
start at the top of the scale and find the highest rating that describes the match between each
response and
its intended target, post hoc.
Table 2
Qualitative Rating Scale
|
Scale
Criteria
Excellent correspondence, including good analytical detail
(e.g., nam-
ing the site by name), and with essentially no incorrect information.
Good correspondence with good analytical information
(e.g,, naming
the function), and relatively
little incorrect information.
Good correspondence with unambiguous unique matchable elements,
but some incorrect information.
D
Good correspondence with several matchable elements intermixed with
incorrect information.
D
Mixture of correct and incorrect elements, but enough of the former
to indicate viewer has made contact with the
site.
D
Some correct elements, but not sufficient to suggest results beyond
chance expectation.
i
Little correspondence.
No correspondence.
*
In other work, this seven-point scale was found to correlate with “blind”
analysis
(r=0.56, df=34, p^5x
lO" 5).
Approved For Release 2002/11/18
: CIA-RDP96-00789R002200590001-3
X
-
Approved For Release 2004/09/09
: CIA-RDP96-00788R001 100060002-3
Proposed letter form Congressman Pose
(D-NC)
to Dr.
Ruth Davis
(D/USDRE/AT)
f
Dear Ruth;
X have recently had occasion to become acquainted with
some research
in the area of paranormal phenomena,
specifi-
cally that relating to remote viewing.
Clearly,
while this
phenomenon might well result
in opportunities
for the collec-
tion of intelligence otherwise denied
us,
we first have the
duty to learn what the USSR is doing
in this area so we may
know how to secure our own classified materials from this
*
very unique source of surveillance.
I recommend therefore,
that the Department of Defense
undertake those efforts deemed necessary and appropriate to
investigate remote viewing and other related phenomena.
As we continue this research
it will be well
to remem-
ber that remote viewing may have
the potential
for the inva-
*s
sion of the public's right
to privacy.
We will want to take
every institutional safeguard to assure that right to
privacy.
Approved For Release 2004/09/09
: CIA-RDP96-00788R001 100060002-3
Approved For Release 2000/08/10
: CIA-RDP96-00789R003700850012-6
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Approved For Release 2000/08/10
: CIA-RDP96-00789R003700850012-6
Approved For Releas 43.5 #27.5 #4365 $27.5 #4325 #27.5 #43.5 #27.5 -RDP96-00788R000800380001-3 0@/08/07,:.CIA a : a) f f- . The guy with the beard. JT want to sketch his cap because it was kind of a funny looking thing and .--uh..1 got the impression it was a block cap. Like the old French Foreign Legion cap. This kind of cap. This guy had a very close crop ..beard. This ' sort of impression.....-that sort of impression...black here. How's that. That's the scale too. What a waste of Government paper (ha). Page three. Outside of this room I got the impression I was standing in this wide hallway but these room doors were on the left. Like this, up to the end. There was nothing down this hallway, except down this wall there were windows. These double windows with the caging on them. Very wide hallway. Almost couldn't call it a hallway it was so wide. Maybe 18 feet. In between these looked like some kind of framed shelves. You know. The old World War II kind of gun racks they used to put in barracks. Only they were empty. Let's just hold on that for a second, ok. I understood you to say you went out into the hallway and if you looked to the left there were X number of rooms. X number of rooms, right. And, if you looked to the right...... x number of rooms. OK. Where is the rooms to the right? All of these rooms are in a row like..uh..all the rooms are down that one side in a row..and..you know.. I'm seeing....I'm coming out af his room and seeing X number to the left and X number to the right and.. uh.-I'm not entirely sure that's an accurate picture of how many rooms there are. Because I could have been standing the one end of the hallway and looking to the left and going to the other end of the hallway and looking to the right. I don'l, you know...they're all down that one side. Page four. We'll do it this way. Very wide hallway and..uh..double windows..then back here is the row of rooms. 1 don't really have a clear impression how many rooms there are. But, for some reason the number 8 seems to be accurate thing ...these doors and double windows. I felt like I] was in this corner room, because I felt like this wall was brick and, you know, I don't ~ Approved For Release 2000/08/07 : CIA-RDP96-00788R000800380001-3
Approved For Releas^00|g|^^CIA-RDP96-00788R000800380001-3
#27.5
The guy with
the beard.
I
want
to sketch his cap
because
it was kind
of
a funny
looking thing and
. .uh..I
got
the impression
it was
a block
cap.
:
Like
the old French Foreign Legion
cap.
This kind of
cap.
This guy had
a very close crop
..beard.
This
sort
of impression
that
sort
of impression .. .black
here.
How's
that.
That's
the scale
too.
#43.5
#27.5
#43.5
#27 .
What
a waste
of Government paper
(ha).
Page
three.
Outside of
this room
I
got
the impression
I
was standing
in this wide hallway but these room
doors were
on the left.
Like
this,
up
to
the end.
There was nothing down
this hallway,
except down this
wall there were windows.
These double windows with
the
caging
on
them.
Very wide hallway.
Almost
couldn't,
call
it
a hallway
it was so wide.
Maybe
feet.
In
between these looked like some kind of framed shelves.
You
know.
The old World War
II
kind
of
gun racks they
used
to put
in barracks.
Only they were empty.
Let's
just hold
on that
for
a second,
ok.
I understood
you to
say you went
out
into the hallway and
if you
looked
to
the left there were
X number
of
rooms.
X number
of
rooms,
right.
#43.5
And,
if you looked to
the right
#27.5
X number of rooms.
#43.5
OK.
Where
is
the
rooms
to
the right?
#27.5
All
of these
rooms are in
a
row like. .uh. .all the
rooms are down that
one side
in a
row. .and. .you
know..
I'm seeing. ... I
' m
corning out
of his room and seeing
X number
to
the
left and X number to the right
and..
uh..I'm not entirely
sure that's
an accurate picture
of how many rooms there are.
Because
I
could have been
standing
the
one end of
the hallway and looking
to
the
left and going
to
the other end of the hallway and looking
to
the right.
I
don't,
you know. .. they
' re all down
that
one side.
Page
four.
We'll
do
it
this
way.
Very wide hallway
and .. uh .. double windows. .then back here
is
the row of
rooms.
I
don't
really have
a clear impression how many
rooms there are.
But,
for some reason
the number
seems to be accurate
thing
...these doors and double
windows.
I
felt
like
I was
in this corner
room,
because
I
felt
like this wall was brick
and,
you
know,
I
don't
Approved For Release 2000/08/07
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Approved For Release 2000/08/07 : CIA-RDP96-00788R000800650001-3 go left of this wall and there would be a passageway , but, once you are past the wall you are in a cave, tunnel...and...uh...I see at least one hollowed out area that comes up behind this wall. It's very bizarre. +27 Catacombs!!! is the word I was trying to remember. It reminds me when I was in the Rome catacombs!!!. God! That's the word. I've been trying to remember it. Now I can relax and go back. (Sigh) PAUSE I will work next on the outside of the building to get a description of that. #14 Ok. Fine. Very good. PAUSE #31 This is a very narrow winged building with several or more stories in it. It's...appears to haye a +30 dark rivuleted...uh..roof...many tiles, curved tiles. The building is large in length. I'm not g tting it very good, but it's much taller than wife. It's... PAUSE and I keep seeing a...uf...curved Y. “some (mumb ling) with it as though a drive or some fMature of it...or the building itself. Instead of afWit's a Y. #14 Is this building located on the Embassy compound? PAUSE #31 My first thought would Kah I never felt as though I was on the compound. a aad #14 Haye you every felt that you were near the compound? #31 Nog? Nor have I felt it was a place I've been before, Of the compound. It's a strange new feeling in +32 its entirety. I'm pushing too hard. I'm going to relax. #14 Ok. Relax. Relax and let the impressions appear to you. 3 Approved For Release 2000/08/07 : CIA-RDP96-00788R000800650001-3
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: CIA-RDP96-00788R000800650001-3
+15
+17
+25
some main
(phonetic)
the hall and
this place
is
a
.. .uh.
. .appendage
off
the hall.
It's
. .uh. .lighted
here but
I
have
the feeling
that from here down
the
hall
is dark.
It's
as
though this is
a lighted
landing and a... along
a dark tunnel.
PAUSE
Let me get back down
there
a little bit.
PAUSE
There's some kind
of
a
it's very weird.
. .structure
place.
I... urn.. .it
is... I'm
(mumbling)
drawn to this
wall with
this squares
in
it.
PAUSE
Off
of this wall there's. .uh. .another false wall
in front
of me.
Is one
on
the other landing
as well.
Kind
of place
is weird.
It brings
in men's room
landing area.. uh.. it brings
in all
sorts
of associate
of words
I
never had before.
It brings
in morgue.
It brings
in cloister.
...Uh cubicle. .uh. .little
anti-room.
It's
very peculiar and he's
in
the wall!
Or
is hiding
on
the other side
of this wall.
I can't
get
through.
Grotto.
. .uh. .grotto
and all sorts of
things
ugh
# 14
The wall
is no barrier.
Go beyond
the wall and
describe what you
see.
PAUSE
#31
Let me
relax
a minute and then
get back
in
there.
#14
0k.
PAUSE
#31
Behind
the wall
I
have
the feeling
of
a rough
hewned
out
rock
cubicle,
baren,
brown.
(Mumbling)
too
(or
two)
I
want
to
get
to
the right side
of this
wall
and go around behind
the wall
to
a...
a
bare
light primitive hanging ceiling
(mumbling)
bare rock
room.
I
want
to say
I.
see
a man sitting
at
a table
in
there
as though he
is cloistered away.
Alone
in
this gratto
or
this place.
. .uh.
. .isolative,
below ground
stark
light
inside.
Somehow you
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Approved For Release 2000/08/07
: CIA-RDP96-00788R000800650001-3
+27
+30
go left
of
this wall and there would be
a passageway,
but,
once you are past
the wall you
are
in
a cave,
tunnel... and... uh... I
see
at least
one hollowed out
area that comes
up behind this wall.
It's very bizarre
Catacombs!!!
is
the word
I
was trying to remember.
It reminds me when
I
was
in
the Rome catacombs!
!
!
.
God!
That's
the word.
I've been trying to remember
it.
Now
I
can relax
and
go back.
(Sigh)
PAUSE
I
will work next on
the outside
of the building to
get a description
of
that.
#14
0k.
fine.
Very
good.
PAUSE
#31
This is
a very narrow winged building with several
or more stories
in
it.
It' s.
. .appears
to have
a.
dark
rivuleted.
. .uh. .roof .. .many
tiles,
curufed
tiles.
The building
is
large
in
length.
I'm not getting
it very
good,
but
it's much taller than wi^e.
It
s..
PAUSE
and
I
keep seeing
a.
. .u/.
. .curved
Y . ./some
(mumbling)
with
it
as though
a drive
or some feature
of
it... or
the building
itself. Instead
of a/r it's
a
Y.
#14
Is this building located
PAUSE
#31
My
first
I
was
on
thought
vi/ould
bl
the compound.
#14
^JHa\
you
every
felt
that
#31 f
No
»J Nor have
I
felt
it
+32
#14
I
never felt
as though
its entirety.
I'm pushing
too hard.
I'm going
to
relax.
0k.
Relax.
Relax and
let
the impressions appear
to
you
.
Approved For Release 2000/08/07
: CIA-RDP96-00788R000800650001-3
.1,1
Approved For Release4M8ttW«*CIA-RDP96-00788R000800910001-4
!i
#7:
Maybe gone to eat.
PAUSE
# 14:
I have no further questions.
Is there anything
else that
you can add at this time?
PAUSE
#7:
At this moment,
there appears to be
.
.
.
only
two guards,
people.
Concerned about watching Victor.
They are very bored.
PAUSE
I have the feeling that most of the guards inside
are more concerned with keeping people out than
keeping hostages
in. Hostages are afraid to attempt
escape.
Don't require
a lot of security.
.
to prevent
escape.
That's about
it.
PAUSE
#14:
Okay.
PAUSE
TURN OVER TAPE
#14:
Okay,
we're now ready for debrief.
PAUSE
#7:
Need
a desk
in here.
#14:
Or
at least
a drafting table.
#7:
Ha ha.
PAUSE
#7:
Okay, we don't need a picture of him on the couch.
Oh,
somehow associated with him,
or
in the vicinity,
or something,
was something that looked like an
old-fashioned - what do you call
it
-
#14:
Switchboard.
#7:
Switchboard.
.
Telephone switchboard.
It had the
old-fashioned big,
three inch long phone jacks.
We don't need that.
Oh,
and the overhead was
.
.
I had the feeling
it was something that projected
out from the
.
.
out from the wall rather massive.
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T
If
T
T
Approved For Release 20Q0/Q8/Q7
: CIA-RDP96-00788R000800910001-4
#7:
And there was like some kind of a beam or something
overhead.
I couldn't see how many of these there
were,
but ...
I think this was the room that he
normally spent time
in but was not the room that he
was presently
in.
PAUSE
Oh yeah,
I remember,
there was something else that
might have been significant
in identifying where he
was, was
a ...
an onion shaped
.
.
.
light fixture.
PAUSE
And this appeared to be brass
or something.
I couldn't
tell what size
it was.
It was from the,
you know,
hanging from the overhead.
PAUSE
Thought this might
in some way help to identify room
or building.
PAUSE
#14:
Okay,
you described some mud-shaped,
putty,
something
that looked like a stick of dynamite and
.
.
.
wires
leading
.
.
.
#7:
Out of
a building,
across the wall, went into the air
and went across the street somewhere into another
building.
It must have been at least a second story.
#14:
Can you describe this other building?
#7:
It was a building that was much higher than two stories
high.
Rather drab, nondescript building.
Could have
been an office type building
or something like that.
The building,
I think was more than four stories high
and
I felt that the room where the wires went to were
.
.
or the scene of the building where they entered
was about the second story.
I
just assumed
.
.No,
I saw inside.
I saw some kind of console.
Some kind
of console
- inside.
I saw the stick of dynamite and
I thought,
Gee
it sure
is primitive,
its old-fashioned.
The mud then appeared and
I found myself asking myself
did the fact that
I recognized this was old-fashioned
create the mud shape stuff which
I think was probably
plastic explosive.
#14:
Urn hm.
#7:
I don't know.
. about that,
but the image of the dynamite
with the fuse coming out of it was very vivid and very
Approved For Re Iease^Q00/08/07 * CIA-RDP96-00788R0QQ80Q91 OQOI^L
Approved For Release 2000 on ‘ 788R000800930001-2 TARGET CUING INFORMATION REMOTE VIEWING (RV) SESSION CCC-68 1. (S) The remote viewer has been exposed to open source news media information as well as classified overhead imagery and photographs of many of the hostages. He knew he would be working against the hostage situation in Iran. 2. (S) At the time of the session the viewer was asked to find Joseph Hall. He was told that Hall is a U.S. Army warrant officer who is being held hostage in Iran. The viewer was asked to identify his location, identify all other hostages at this location and describe security to include guards. Approved For Release seocrent RT arto occcoss000
-2
#01:
And,
the E-6 had blond hair,
and then
I got
a first
name impression of Steve,
and I'm not sure if
it was
the guy E-6 that was with him or one of the other
4.
And,
2 of the other 4 are newcomers to this building.
I've had this overwhelming impression before,
and it's
reinforced in this session that they've been recently
categorized in some fashion.
They are all being put
together in
categorized groups.
I had another
sensation
...I'm trying to think of words to
describe
it
The best that
I can come up with is
...uh...it's probably
a very gestalic impression,
but
I get an impression of a lack of stability,
an irrational-
ization when
I target these
6 people.
I don't know how
else to describe
it.
It's like
... .uh.
. .hysteria
is
too heavy
a word
to call
it that,
but it's like that.
You know.
There's this overwhelming feeling that has
to do with these
6 people.
I
don't know.
Sort of an
irrational feeling.
I don't even know what I'm say
here,
but,
it's just a strong feeling that
I
get.
Maybe somebody can make heads
or tails out of it.
That's
all
I
got.
#14:
Ok.
End of session.
Approved For Release 2000/08/07
: CIA-RDP96-00788R00080093000
^£1“
f
r\ r-n*
Approved For Release 2000/08/07~!*C
000800930001-2
eer RES CIA-RDP96-00788R0008009300 Approved For Release 2000/08/07 : nnn CEE Approved For Release 2000/08/07 : CIA-RDP96-00788R000800930001-2 eee 8 a anes samedi #
10 11 12 13 14 15 16 17 18 Approved For Release 2000/08/08 : CIA-RDP96-00789R002600040020-8 © CONFIDENT TAT PROPOSED DOWNGRADING OF CLASSIFIED DOCUMENTS FOR COGNITIVE SCIENCES LABORATORY - VOLUME 2 OF 2 (U) SRI An Application Oriented Remote Viewing Experiment SRI An Application Orientated Remote Viewing Experiment (SRI Project 8339) (U) SRI Geophysical Effects Study (SRI_ Project 6600) Dec 84 (U SRI Geophysical Effects Study (SRI_ Project 6600) Jul _ 84) (U) SRI Personnel Identification and Selection (SRI Project 6000) SRI Special Orientation Techniques (SRI Project 6600) (U) SRI Special Orientation Techniques S-IV_ (U SRI Project 5590 SRI Target Search Techniques (U) (SRI Project 6600) SRI Special Orientation Techniques S-V, S-VI (U) (SRI Project 6600) SRI Coordinate Remote Viewing (CRV) Technology SRI Computer-Assisted Search (U) (SRI Project 1291) SRI Feedback and Precognition —- Dependent Remote Viewing Experiments (U) (SRI Project 1291) SRI A Remote Viewing Evaluation Proposal (U) SRI Free World Psychoenergetics Research Surve U SRI NIC Techniques (U SRI Project _ 7560 SRI Possible Photon Production during a Remote Viewing Task: A Replication Experiment _(U) SRI Special Orientation Techniques (U) (SRI Project 8465) SRI A Remote Viewing Evaluation Protocol (U SRI Project 4028) Colaanene=. Approved For Release 2000/08/08 : CIA-RDP96-00789R002600040020-8
Approved For Release^acimPF-RDP96-00788R000900480001 -1
back over my
left shoulder.
Wouldn't be too
disappointed
if it was
some sort of
a shelter but
I don't think
it was.
If
I had to guess,
I'd
guess
a tree.
I have no explanation
for the
drawing done on
7 .
I
just had the sense of
several of these curving shapes
as
if you had
a
metal pipe
that was rolled up
in various places
and various ways.
PAUSE
Is there anything else that
I
can
do
for you?
#66:
No,
I
think that's
fine.
I
think that you've
got an awful
lot of imagery there.
I think that's
really interesting.
Is there anything that you
want to add?
You've given me
a good overall
impression of the
area;
you've done that
a couple
of
times.
I think that's really good.
You give
kind of
a dump of
a good overall impression.
You've done that
a few times.
Is there anything
that you think you want to add?
PAUSE
#44:
Yes.
Get me
a different colored pencil would
you please.
#66:
Okay.
#44:
I don't know how to explain this but
the images
seem to be of
a different quality and
I want
to
try and note.
.
.
I don't know how to explain
this
PAUSE
Some of the images appeared to be
as different
quality than others.
I don't know if
I
can
remember
#66:
Okay.
Once before you went and you put pluses
and minuses on
them.
#44:
Yeah.
That was images about which
I
felt good
and felt bad.
PAUSE
Geez,
I
can't remember.
This
is going to
fail
for lack of
.
.
.
PAUSE
Approved For Release 2000/08/07 ^yitt^-flOV88R000900480001 -1
Approved For Release 2OO<^£0j|£l^£BB96-OO788ROOO9OO48OOO1-1
Two.
.
That would be Number Three.
.
This.
.
.
Two.
.
.
This would be Three.
PAUSE
Come on brain,
work!
I guess.
.
.
Hmmm.
.
.
PAUSE
Three,
I
think.
I'm still concerned with the analytical question.
Continuing fight against analytical overlay and
what I'm trying to
do
is
say that there
are times
when
I get pictures that come
in.
.
If you had
a
35MM slide projector,
and you projected on
a screen
andyou had
a TV screen side by side,
the images
on the TV screen would be different than the image
- even
if
I had the
same picture
- but
the quality
of
the image and the sense of
the image would be
different.
.
depending on
the way the image was
created.
That's what I'm trying to
say.
The way
the image was created
in my mind
is different from
one
to the other and I'm trying to see
if
I
can
develop a sense of which one's right and which
one
' s wrong
#66:
Urn hm.
PAUSE
#44:
(Not audible)
And what
I was doing with the plus
and minuses was when
I was trying to do that was
to grade the images
as
to whether
I thought they
were real or not real.
I've given up that because
it doesn't work.
It just does not work.
I don't
think
I had anything else.
#66:
Okay.
Fine.
Approved For Release 2000/08/07
:
-U0788R000900480001 -1