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GRILL FLAME
PROGRAM
SESSION REPORT
NOT RELA
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.GRILL FLAME
NATIONALS
101-7
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SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION DC-63
1,
(S/NOFORN)
This report documents
a remote viewing session conducted in
compliance with
a request for information concerning
a target
location known
as LAVIS0N.
2.
(S/NOFORN)
The remote viewer's impressions of the target are provided
as raw intelligence
data,
and as such,
have not been subjected to any
intermediate analysis,
evaluation
or collation.
Interpretation and use
o
the information provided is the responsibility
of
the requestor.
3.
(S/N0F0RN)
The protocol used for this session
is detailed
in
the document
Grill Flame Protocol,
AMSAA Applied Remote Viewing Protocol
(S),
undated.
(S/N0F0RN)
Following
is
a transcript
of
the viewer's impressions during
the remote viewing session.
At TAB A are drawings made by
the remote viewer
reference his impressions of the target site.
At TAB
B
is target cuing
information provided the remote viewer.
5.
(S/N0F0RN)
This remote viewing session was conducted
on
13 January
1981 at
0900 hours, Eastern Standard Time.
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TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION DC-63
TIME
#14:
This will be
a remote viewing session
for
13 January
1980
(sic
Mission
time
is 0900 hours.
This will
be
a pre-mission
brief.
The target that we have
today
is identified
by
a word.
#10.5:
Okay.
#14:
Uh ,
I
will tell
you that
the word represents
a specific
area somewhere
in
the world.
#10.5:
Okay.
#14:
And
I'll
give you the word when we start the session,
and
I
want
you to give me
a description
of the
area.
#10.5:
Okay.
#14:
And
any activity that you
associate with this area
or word.
Any questions?
#10.5:
No.
#14:
All right #10.5.
The time
is now 0900 hours.
Your mission
for today
is to describe the location somewhere
in the
world.
This location
is identified by the word Lavison
,
L-A-V -I-S-0-N,
Lavison.
I want you now to relax,
concentrate,
focus
on Lavison.
PAUSE
=02
+05
#10.5:
I'm getting a bunch
of,
uh.. .mixed pictures,
like
I'm...
looking
at
a large complex....
feeling
of
a large,
uh...
several
large structures
or one large structure,
I
don't
know...
A
large,
smooth face building.
. .with
a,
uh,
tunnel
cut
in
it,
like
a,
uh... subway could run
in
it
or
like
trains ran
into
it.
A train
could run
into the building.
Another shot was
a
fixed,
uh,
looked like
a huge,
uh...
vertical.
. .looked
like
a huge,
uh.... think
it looked like
a
frying pan standing
on
it's edge.
Like
a large radish,
radome
dish,
supersize.
The face
of that was
all.
. .regular
lines,
like scaffolds....
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#10.5:
The last
one
I
had was.
. .really twisted.
It was like
a,
uh...
center pole with,
uh,
layers going up
it.
. .horizontal layers,
like,
uh,
diminishing
in
size as they went
up
the
pole.
Like
a... like
a
s-.
. .surrealistic Christmas tree would be
drawn.
PAUSE
#10.5:
I
got
some feeling I'm looking at the edge
of
this.
. .curved
edge,
this large hangar shaped building,
a loaf
of bread
and it’s shining white
on one side
like... in
the
sun.
PAUSE
#14:
Take
a look around you,
look around you
and describe the,
the area.
Describe the surrounding area
#10.5:
A feeling
of
a.
. .essentially
a
flat.
. .rolling,
a flat
or
rolling
area,
very
small hills
in
the
one direction
anyway.
I backed
off
from the
area and
I
felt
like
I went over
fences.
. .into an
area
of,
uh,
trees and... sort
of isolation,
+10
uh,
in that direction,
in that
one direction,
anyway.
PAUSE
+15
#14:
How would you best describe
the activity at this location?
#10.5:
I
don't see any activity yet.
When
I
looked around,
another
thing
I
felt was
a
large,
uh,
squat, mushroom-like water
tower
Okay,
I'll look for activity.
Feel
as though
the,
uh,
construction
is
the activity.
It's
something
large being
built, here.,. some
large facet
of
a
complex is being constructed here.
It's like across
the
street
from
the. ...... looks like it's a.... between
the water
tower and the,
uh,
I
think
I
have my back
to the large
building,
so it's over
a
little
road,
wide road here.
The
thing that's across the street that's being. .. looks
like
it's
being constructed
is a... maybe
a,
a hundred feet across.
And it's sort
of circular,
bowl shape.
And
it's about,
uh,
40 feet high
at the
rim.
Looks like
a big button.
. .sort
of
like
a bowl shaped button,
concaveness to
it... shallow con-
caveness.
It
seems like the right,
left
of
the,
uh,
this
big mushroom water
tower.
And,
uh...I
don't
really see
an
awful
lot
of activity.
#14:
Okay.
#10.5:
Gut
that stuck...
#14:
Ask... ask this question...
What
is
it that we need
to know
about this
location?
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PAUSE
#10.5:
Got
a feeling
that
it's not ready yet.
A feeling
that,
uh...
in the center
of this bowl
some sort
of,
uh...beam shoots
up into the
sky,
and,
uh,
something
in
the
sky... not
look
like an
airplane,
but
it's coming over... like
a,
uh,
sat-
ellite.
And that... I could not determine
if this was
to...
destroy the satellite
or communicate with
the satellite...
But anyway
this
imagery fell
into a... series
of... funny
geometric shapes
like connected aircraft
tails.
. .opposing
triangles and different things
like that.
I
don't know what
that meant,
#14:
Okay.
I
have no further questions
at this
time.
Is there
anything else you
can add?
#10.5:
Uh-uh.
(negative)
#14:
Okay,
we'll pause
at
this
time.
#10.5:
Okay,
uh.
.
.
. .tryin'
to think of what
I
felt
first.
Um...uh...
first
I
had
a feeling
of... let me
see,
how did
it
go
first?
I
don't even remember what
I
talked about
first.
I
had
a feeling
of being
in
a closed room... a curved
r-
,
a curved
structure
of some kind,
some,
it was curved,
it was round.
Then
I had the feeling
of the water tower,
one of
these squat,
mushroom typo water towers that
I've sketched
in sketch
2.
And
I
sort of thought
that that's where
the curve came from,
that
I was
in this water tower type thing.
. .Okay?
Uh,
then
I
had this curveness,
then
I
had
the water
tower,
and then
I had the thing that
I've sketched last.
I
had this
thing
I
said that
looks
like
a big
radish
or radome.
You
check
the transcript,
that's what's on sketch
5.
That was
right
off the bat at the beginning
of the session.
Okay.
Than
I
had the feeling
of
a large curved roof building,
like
a
large hangar
or warehouse type
of structure
on
a street
intersection...
You asked me what the activity was,
and
when
you asked me what the activity was
is when
I
put myself
on the ground
level,
that
' s sketch
1 ,
on
the road with my
back to the curved roof building,
and
I observed what was
at
sketch
2,
which
is,
appeared to be
the construction
of some
sort of
a button,
large button
type structure that was
in
the
foreground between the mushroom water tower and
the... and
the building,
which
I
had
my back
to.
I
forget what
I
said,
I
said that's about
a hundred feet across
or
somethin'
like
that,
I
forget...
Have
to check the transcript
on
that.
It's sort of
a scaffolding.
And it's not,
it's not nearly
as deep
as this sketch
in
sketch
2 shows.
The inside
is not
so deep
as this sketch
2 would
imply.
Anyway,
there's
this
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#10,5:
big circular button
shape thing about
a hundred feet,
that's
exposed scaffolding.
And it's separated,
it was
like
a
typical construction
site,
'cause there was this plywood wall
along side the road so nobody could
see
in,
you
know,
and
I
almost half expected to see the sidewalk supervisors looking
through the knotholes.
Okay.
An overview
of
that, what
little there
is,
is
in sketch
1....
It's possibly under construction ... .Okay ,
Uh.
. .somewhere
in
there,
I think
it was before
I
put down
on the
ground for
sketch
2,
somewhere
in there,
probably associated with my
beginning imagery
is what
I've drawn,
this really weird thing
that
I've drawn
in sketch
3,
which was like some sort
of
an
antenna,
some sort
of
a tower.
Again,
it's
in magnitude,
it's
not some
micro cosmic little
part
of some small apparatus.
It's something that's unusually
large,
tower
type.
And it's
the thing that
I
described
as this surrealistic Christmas
tree
in the transcript.
And these
are
like metal plates through which this bar...uh...
uh,
reminded me of
like the center spike
in
a radar dish
or
something
like that.
You
know,
some
sort
of
a weird lash-up
like that.
And each one of these metal plates through which
the spike passes has bumps,
irregularities on
it,
as though
there are things added
to
it and
glued
to the plates,
like,
uh,
if this thing was tiny
I would say
it was like transistors and
wires and things
like
that.
But
my perception was
that
it
was not
tiny,
but rather that
it was
large.
. .tower
like.
That's sketch
3.
You
asked me what was
of intelligence interest...
I
think
it
was,
I
forget what words you
used.
What
is
it
that we needed
to know..,.
Okay,
the activity was
the construction.
What
is
it we needed to know... I
really don't... I
don't remember.
Did you make any notes there?
See
if
I
talked about anything
else
there,
I
forgotten.
The only
thing
I
have
is sketch
4.
#14 :
Okay,
I asked what we needed to know.
, .and you
had,
you
said
you
had
a feeling it's not
ready
yet.
#10.5:
Yeah... okay,
that's it?
#14:
Then you described
the center
of
the bowl and
a beam shooting
up
into
the sky.
#10.5:
Okay,
haven't drawn that.
I
have to just
talk about
that.
I
had the feeling that
it might be some sort of satellite
communication
thing,
or somethin'
like that...
Okay
Okay.
The,
uh...I think for sketch-
out of sketch
on what
was needed to be known
I
had the feeling that
out
of
the center
eye of the button
some sort
of
a
light beam
or
a transmission
of some kind
sped skyward.
And when
I
sorta looked up skyward
p
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#10.5:
I wanted to know,
I wanted to find out where this thing was
goin'.
And
the,
uh,
had
the feeling that
a satellite was
coming up and that thing like bathed the satellite
or did
something to the
satellite.
They
either communicated with
it
or,
I
don't
know,
I didn't
get
feel-
real
feeling
it offensively
knocked
it
out,
but that
is
a possibility.
I
didn't,
I
just
didn't pay any attention to what the purpose of
it was,
I
was paying attention
to what
the action was.
And
the only other thing about what's
in sketch 4a and 4b...
somewhere associated with the target
That's
it.
#14:
Okay,
you said you
had
a,
uh,
feeling that you had been here
before.
#10.5:
Oh,
not that
I
had been here before,
but when
I got
the feeling
that
sketch,
when
I
saw sketch
5's object
in
the
very be-
ginning
of
the session,
it reminded me
of the project
that
I
worked about
2 or
5 months ago, which was this big,
large
complex somewhere.
We had
to try
to fine another
one that
was like
it that was under construction.
And one aspect
of
the complex was this large radar screen or some sort of micro-
wave screen,
it's like
a humongous piece
of equipment.
It's
12 story building
size,
uh,
and that's sketch
5.
But that was
not
a pre-session assumption
on my part.
That was after
I
started the session
and saw this
thing.
It
sort
of reminded
me of
that...
The one where we had
to qo... Soviet Union and
find out where
a,
where another one was like this other
thing.
Okay?
#14:
Right.
#10.5:
Bye.
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I
TARGET CUING INFORMATION
REMOTE VIEWING
(RV)
SESSION DC-63
1.
(S/NOFORN)
During a pre-mission briefing the viewer
u/as told
that during the session he would be given
a word and this word identifies
a location somewhere
in
the world.
2.
(S/NOFORN)
At
the start of this session the remote viewer was given
the word LAVISON and was asked
to describe this location.
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orton