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ORCON/NOFORN
GRILL FLAME
PROJECT
SESSION REPORT
copy z
oj* £
CLASSIFIED BY:
Director,
DIA
DECLASSIFY ON:
30 Nov 99
EXTENDED BY:
Director,
DIA
REASON:
2--301-C
(3)
(6)
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SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION
CC8
(S)
This report
documents
a Remote Viewing
(RV)
session
conducted in compliance with
a request from SOD,
J3,
OJCS,
Pentagon
Washington,
D.C.
The purpose
of
the session was
to provide information relevant
to the hostage situation
in
the U.S.
Embassy compound
in Teheran,
Iran.
fS^
The remote viewer's
impressions
of the target
are
l'
5|L
’“r„
intelligence data and as such have
not been
subjected to any intermediate analysis,
evaluation or collation
Interpretation and use of the information provided
is the
responsibility of the requestor.
o
fS't
The protocol used for this session
is detailed
in the
document,
Grill
Flame Protocol,
AMSAA Applied Remote Viewing
Protocol
" ( S )
,
undated.
(S')
Following is
a transcript
of the viewer’s impressions
during the remote
Eviewing session.
At TAB A are drawings made
bv
the remote viewer reference his impressions of
the target
site.
At TAB B
is target cueing information provided
e
remote viewer.
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TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION CC8
TIME
+02
l66:
This will be
a remote viewing session
(edited
for security).
PAUSE
Its time now
to focus your attention on the
target
for today.
You have
in your possession
a photograph of two individuals
Focus your attention on these individuals.
Focus your attention
on the
area where they
are
located.
Relax and concentrate.
Focus.
Focus.
PAUSE
Relax and concentrate.
PAUSE
#32:
I'm outside of
a white building.
#66:
Describe
it
to me.
PAUSE
#32:
Strong impressions.
Isolated.
PAUSE
Rectangular
PAUSE
#66:
Yes?
PAUSE
#32:
Not yellow,
white.
PAUSE
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#32:
Set of bars.
PAUSE
#66
:
Okay
#32:
There
are no buildings against
it.
#66:
Focus your attention solely on the individuals
now.
Move into their specific area
in with
them and describe the area to me
#32
:
Okay
PAUSE
(Not
audible)
is
a.
.
.
.
PAUSE
I
don
' t know
PAUSE
Dark
room.
Isolated.
PAUSE
(Not
audible)
in
a much narrower space.
PAUSE
That's
crazy,
I
see bars.
PAUSE
Its
as
if he were
in the
cell.
#66
:
Okay
PAUSE
What's going on right now?
What's the activity
right now?
PAUSE
#32:
Its
just
a
few people. ...
in fatigues.
PAUSE
Its
a machine
gun or something.
PAUSE
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#32:
(Not
audible)
.
.
it sure
is.
PAUSE
They've been interrogated.
PAUSE
#66:
Tell me what makes you say that.
#32:
I
don't know.
Its
just
that
they were
recouperating.
PAUSE
One of the sessions of
.
.
being talked to
or
at
#66:
Okay.
PAUSE
#32:
The guy
in the beard's very scared.
PAUSE
#66:
Tell me
about
the perception that
gives you
this
idea.
#32:
He's just sitting there
in the corner.
#66:
Which one
is this now?
#32:
Beard.
#66:
The man with the beard.
All
right.
#32:
Yeah.
He's
.
.
.
hunched over,
thinking.
PAUSE
(Not audible
- mumbling).
PAUSE
#66:
Tell me
about
the room that they're located
in.
#32:
Two different
areas.
#66:
Okay.
Tell me about
these
areas.
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#32
:
#66
:
#32
:
#66
:
#32
:
#66
:
#32
:
#66
:
#32
:
#66
:
#32
:
#66
:
#32
:
#66
:
#32
:
#66
:
#32
:
#66
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Marine's
in the small part.
I
still
see bars.
Okay.
The marine
is
in the small room with bars
Okay
PAUSE
The other guy's more ....
(not
audible
mumbling)
Okay
Dark.
Sunlight.
Sun by
a window.
(Not
audible- mumbling).
PAUSE
Look out the window and describe what you see.
PAUSE
Courtyard.
Walls.
Gate.
A gateway.
Okay.
Now,
focusing back on the room itself.
Um hm.
PAUSE
Describe how you get
into this
room.
Through
door.
Dark door.
Ordinary
door.
PAUSE
Describe the walls
to
me.
(Not audible)
Okay
A handle on the
door,
lever type.
PAUSE
Desks.
Desk.
Desks.
Okay.
A desk.
A desk.
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#32:
A desk.
Sit
down.
PAUSE
There's
a chair by the
(not
audible).
PAUSE
#66:
Is he alone
in this room?
#32:
Yeah.
PAUSE
I
get
the impression he's thinking of his
wife and kids.
#66
:
Okay
.
PAUSE
#32:
I
see him
in
a sport
shirt.
PAUSE
Hands
are ....
are loosely
.
.
•
•
tied
together.
Like
(not
audible
- mumbling).
Lee _Way between
(not
audible).
Like
a weed.
PAUSE
Dark
(not
audible
- mumbling).
#66:
Okay.
Tell me about
the room.
The
floor.
What's on the floor?
#32:
Okay
.
A door
.
PAUSE
The wall.
The opposite wall.
There are
two
windows
.
PAUSE
Over with the windows
there,
is
a divider.
Behind him is
outside
of the building.
.
(not
audible)
the wall
to the
PAUSE
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#32:
Doors
-
open.
Two.
PAUSE
I
get variations.
I
got
a
.
.
.
big room,
like
a reception room and then
I
got them
in
a bedroom type.
Its
flicking
on
and off.
#66
:
Okay
.
PAUSE
Okay
.
#32:
I think there's
a guy with him,
but
.
.
he's
not there
all the time.
#66:
Urn hm.
I
have
no further questions
about
these
areas.
I'd like you to add anything that you'd like
to say
at this
time.
PAUSE
#32:
Let me
go back out.
PAUSE
There's stairs to the
in
door.
Like
a porchette.
Small.
.
.
.
Two windows that
lead onto the
porch,
I
think.
The other
guys on the other side of the building
in
a much smaller
inclosure.
There's just wall
there.
Four corners
of the building seem to be
.
.
a protrusion of posts or columns that
go
beyond
a roof by
a
.
foot
and
a half.
There's something
in the middle of
the roof.
PAUSE
#66:
Yes.
#32:
Maybe.
.
.
looks
like just
a
(not
audible)
in height.
This stairway
(not
audible
- mumbling).
PAUSE
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#66
:
#32
:
#66
:
#32
:
#66
:
#32
:
Um hm.
This
is
.
.
.
This kept alternating with
this and here was
a.
.
.
.
This
is the man
with the beard.
PAUSE
And
it was just
a
.
.
.
bedroom.
Not
abnormally small.
A decent size bedroom;
like
a half-room.
It had ...
a window
and there was
a window —
now,
look at
the
darn similarities.
It had
a door.
There
was
a bed here but
I
don't know the position.
I'll
just
put
it here because
- that's not
true either.
It was
deeper,
like the window
was
(not
audible).
Something like this.
There was
a bed here.
He was sitting on
a
chair here someplace.
I’m looking down
a
flat surface.
There was more positioned
.
.
.
like this.
.
.
.
PAUSE
(Not audible
- mumbling)
toward the window.
Okay
.
I'll concentrate on the rooms
first.
Um hm
.
The marine guard was really
in
a small bloody
room.
.
.
from what
I
could
see.
Maybe half
the size
of this thing here.
There's something
here.
I'm not
even
sure that
it
is
a bed.
It
looked more like
a bunk tied
on
to the side
of
the building.
It
looked like
a cell.
A real
jail
cell.
PAUSE
He was kind of
lying down.
And you said there was others there?
Were they
They were guards mainly
.
I
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#66:
Then what
did you
say,
that
they were resting
or something?
#32:
Yeah.
He was just sitting.
The others lying
down
#66:
You said something about interrogation?
#32:
Yeah,
they had the long
.
.
.
been talked to
-
not
interrogation,
but
they had been talked to
or being questioned.
Right.
I
got
the
impres-
sion that
.
.
.
they were being talked to about
their beliefs of
Islamic or
(not
audible).
Its like they were trying to justify their position
What
these guys seemed to be
(not
audible)
or be
afraid of,
is that
they were going to be tried
but
they had been selected or something.
#66:
Um hm.
#32:
I
just
felt
that
they were more isolated from
a group
I
didn't
see.
Any group of
any other
.
.
.
any group or
any other prisoners.
#66
:
Okay
#32:
The physical
layout was something like this.
It just
(not
audible).
PAUSE
Building.
PAUSE
Something like this.
PAUSE
Its quite
a
.
.
.
more square.
I
don't know
too much about
that side here.
Okay.
Now.
The guy with the beard was
in on this
side here someplace.
I
can't
tell with this
if
its the big room or the small
room because
it kept
flicking on
and off.
But
the marine,
I
got back here someplace
in
a very small
room.
Like
a cell type room here.
Okay.
#66
:
Okay
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#32:
And all around this was
a walled courtyard.
With
a gate.
Something like
that.
I
don
t
know
if this was attached to the building or
not
.
Then there was
a
.
.
•
(not audible)
sort
of
a porch here.
Okay.
Now these
four columns
jutted out above the roof.
And there
s some
thing here.
And
I
don't know what
to call
it
#66
:
#32:
Urn hm.
Okay.
Just something on the roof
a little
higher than the columns.
Like
that.
The porch.
.
to the stairs.
The things was
this entire building was isolated from anything
else
.
#66
:
#32:
#66
:
#32:
#66
:
#32:
Okay
.
I
got
the sense
of
isolation.
No buildings
tied on to
it.
Okay
.
At
any point.
PAUSE
I
don't know
(not
audible)
said
a hell of
a
lot of things
(not
audible).
Is there anything else that you wanted me
to
draw?
No.
I think that will do
it.
Is there any-
thing you feel you want
to add?
No
I
got
the impression because
I became
humanly
interested,
the
guy with the beard
was not holding up toowell.
#66:
Urn hm.
#32-
Extremely
depressed,
extremely dejected.
This
guy
(not
audible)
tough.
#66
:
#32:
Okay
It worries him but
it
doesn't,
no panic or
anything.
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#66
:
#32:
#66
:
#32:
#66
:
#32:
#66
:
#32:
#66
:
#32:
#66
:
#32:
#66
:
#32:
#66
:
Okay
Just
general worry.
PAUSE
Okay.
How
do you feel
about
your imagery?
Ah.
.
.
There was some noise
in the beginning.
Some pretty heavy;
that's the
first
time
I
heard the noise although
I was pretty well
prepared.
The only thing that
I
Didn’t make sense again?
Urn hm.
Was the
.
.
you asked me where
I was
or where he was,
then
I'd look at the room,
and
I
got
the impression of
a big reception
room
Okay
(
' Right.
Then you ask me to describe
it.
As /
j
soon
as
I
start
focusing on description the /
I
damn thing would shrink
into
a bedroom size
J
!
room.
All right
Okay.
And that kept going on and off,
on and
off.
Everytime
that
I wanted to
look around
and start describing
it,
the room would change.
All
right.
/lOkay.
Whereas the small room for the marine^
fir that was stable.
Okay
I
didn't
feel too sure about the bottom but
I
saw
it
twice.
Okay,
fine,
good.
That'll
do
it
then.
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\
X:
>
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l./V
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TAB
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TARGET CUING INFORMATION
REMOTE VIEWING
(RV)
SESSION CC8
1.
(S)
The remote viewer had been exposed to open source
news media information.
He had not
seen
any overhead
imagery
prior to the session.
He knew he would be working against
the
hostage situation
in
Iran.
2.
(S)
The following page shows the only
information provided
to him at the time
of the session.
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