—flrpnrT
Approved For Release 2^®]®RtplA-RDP96-00788R000900750001-1
SUMMARY ANALYSIS
REMOTE VIEWING
(RV)
SESSION XLVIII
1.
(S)
This report provides documentation of
a remote
viewing session conducted for the purpose of orienting
a
remote viewer to an applied remote viewing protocol.
2.
(S)
This
session shows no meaningful target correlation
The remote viewer had no confidence
in his attempt.
He
felt
he was unable to concentrate
or
focus
on the target.
Ambient
room noise was high and the room temperature was
degrees.
3.
(S)
The protocol used for this session was modified
from that which will be used in later training.
The
protocol
to be used in
later training
is detailed
in the
document.
Standard Remote-Viewing Protocol
(Local
Targets)
by Harold
E.
Puthoff and Russell Targ,
November
1978.
This
session's protocol was modified in that
a randomly generated
preselected target was not used due
to the unavailability
of
the target pool.
In lieu of
a randonly generated,
pre-
selected target the
"outbounder "
or
"beacon"
simply chose
a
site which,
in his opinion,
was
unique and identifiable.
4.
(S)
Following is
a transcript of the viewer's impres-
sions during
the remote viewing session.
At TAB A are
drawings made by the viewer reference his impressions of
the target site.
At TAB
B are photographs of the target
site.
At TAB C
is
a post-session interview.
JJEMTT
uLimL 1
Approved For Release 2000/08/07
: CIA-RDP96-00788R000900750001-1
Approved For Release 20
CIA-RDP96-00788R000900750001 -1
TRANSCRIPT
REMOTE VIEWING
(RV)
SESSION XLVIII
TIME
#66:
This will be
a remote viewing session. (Edited
for security.)
PAUSE
#66:
Okay,
#29,
#43.5
is now arriving at the target.
He
is going to interact with his target site.
He will be doing that which
is appropriate
for
the location which he's
at.
Relax and concentrate.
Let your awareness come away from the environment
in
the
room.
Extend out to the
location,
today's
target.
Relax and concentrate.
And when you're
ready,
describe
the target location to me.
PAUSE
#29:
Gee,
I'm having
a
lot of trouble clearing my mind.
PAUSE
Perception of being under
a
tree.
PAUSE
Don’t
like
it.
Now wait a minute.
PAUSE
+05
#66:
Tell me what you're perceiving.
PAUSE
#29:
There's
a
.
.
almost kaleidoscopic
shifting of
patterns.
Nothing
is staying around for any length
of
time.
Still
feel out of doors.
I
got
a per-
ception that of
a almost egg-shaped structure
low
down.
It seems
to be
like
a toy bridge over some-
thing.
Almost
a cartoon of
a bridge rather than
a
bridge.
Playground kind of
item.
#66:
Urn hm.
Just relax and concentrate.
We're only
five minutes
in.
We have plenty of time.
Just
relax.
.
and let thos eimages develop.
Relax and
(not audible)
.
PAUSE
Approved For Release 20
DP96-00788R000900750001 -1
Approved For Release 20
-RDP96-00788R000900750001 -1
#29:
(Not audible).
.
.
Something shaped like
a bush,
or
a tree or
a shrub.
Not
a tree,
bush or
a
shrub.
Something shaped like an evergreen.
Cedar or
(not audible)
that has that sort of
cylindrical
shape.
It was outward and upward
projecting branches but its
a tight oval
form.
That seems
to be up from where I'm standing.
So
+09
either the ground slopes up to it or I'm in some
kind of
a depression.
No,
that's analytical.
PAUSE
#66:
Where
is
#43.5
in relationship
to this?
PAUSE
+10
#29:
Second,
darn
it!
Okay.
A white area
with
a dark circular object
in
it.
Darn
it!
PAUSE
I don't see any relationship between that.
.
.
PAUSE
I keep trying and
I
can tell,
begin to tell when
some of the things that I'm pulling in are analyt-
ical overlay.
+12
I keep trying to solve problems
as
to where
#43.5
is
and where.
.
.
how one thing relates
to another
and the solution that I'm forcing.
All
right.
.
And
the solution that I'm forcing
I know
is analytical.
After the dark circular object,
the next object
is
something like
a slide,
a playground slide.
Now,
now,
this doesn't make any darn sense
'cause
its
angled the wrong way and its up in the air and
it
seems
to be on
a dark mass.
I know
I
' ve got other things that
I need to draw
first
so I'm going to skip down
a sheet.
PAUSE
I think
it comes down
like
that.
(Not audible)
.
PAUSE
A star with
a circle
in the middle.
Swell.
Things
are really going lousey today.
PAUSE
U rf*i»l
Approved For Release 2000/08/07
:
788R000900750001 -1
Approved For Release ‘nmpfjjlfr ill it rnnr nn-nnrnnn~nn--nnn
i
i
#29:
That seems
to be
a shadow of something.
PAUSE
I don't think
the sun's out strong enough to
produce
shadows,
but what I'm looking at seems
to be
a dark patch on the ground that looks
like
a shadow cast by something of the size and
shape of
a trash basket.
It might be larger and
it might be smaller, but it seems
to be that
size and shape.
That's
gone.
PAUSE
#66:
Its about
after.
Can you force an aerial
perspective?
PAUSE
#29:
Black angle
looks like the Number
7 in the white
area.
Now,
let's
see.
I don't know whether its
an areial perspective or not.
It looks
like
a
top view.
No,
it doesn't look
like;
it
feels
like
a top view.
PAUSE
It still
feels
like
its outside.
A park or
something like
that.
PAUSE
#66:
Describe
the manmade structures that you had.
PAUSE
#29:
Well,
if its
the kind of park
I think
it
is,
playground kind of thing,
.
.
all
the structures
are manmade.
This
is
.
.
.
PAUSE
#66:
Relax and concentrate.
(Not audible)
flow.
Relax and concentrate
(not audible)
.
Concentrate.
Every outside area has trees
and grass and things.
What is the unique one
(not audible)
thing about
that area?
Is
there
a manmade thing that's
sort
of special
thing
(not audible)
.
Ask yourself
(not audible)
what
is
the unique thing about the
area.
Relax and concentrate and wait for the
answer
.
Approved For Release 2000/08/07
: (SEOEJoO
00788R000900750001 -1
Approved For Release 2000!
RDP96-00788R000900750001 -1
PAUSE
+ 21
#29:
Back on the ground again.
PAUSE
(Not audible)
.
.
back.
.
PAUSE
#66:
Tell me what you perceive.
PAUSE
#29:
Anything but the target area.
PAUSE
My mind seems
to be dancing around like
a rat
in
a trap.
Anything but to go where
I want it
to.
PAUSE
+24
I
get the impression of
steps
down into something.
And,
maybe
the whole area that I've been looking
at is depressed and
I got the feeling that
it was
square and light colored.
The bottom.
Squared
off but large
in size.
With different things
in
it.
#66:
Walk down the
steps and tell me what you see.
#29:
It seems
to be that down the steps there are
those objects
that
I described.
Off to the
left
is that
little kid's bridge over something
or maybe
its
not.
Maybe
its not
a bridge,
maybe
its
just
a little
stand.
And then,
immediately
to my
left is
the large wall with
a notch at the
top.
Now let's
see where
is that circular
thing.
Okay,
the staircase
seems
to
go down
to one
corner.
(DRAWING)
PAUSE
How do you draw a staircase down.
Let's
just say
that that's
a DOWN staircase.
Then over here
is
a dark shape that looks
like the figure
7.
Then
right here and back and over here
is that shape.
That's made out of metal.
This
is block.
I
don't
Approved For Release 200
96-00788R000900750001 -1