Maasai music traditionally consists of rhythms provided by a chorus of vocalists singing harmonies while a song leader, or olaranyani, sings the melody. Unlike most other African tribes, Maasai widely use drone polyphony.

Women chant lullabies, humming songs, and songs praising their sons. Nambas, the call-and-response pattern, repetition of nonsensical phrases, monophonic melodies, repeated phrases following each verse being sung on a descending scale, and singers responding to their verses are characteristic of singing by females. When many Maasai women gather together, they sing and dance among themselves.

Eunoto, the coming-of-age ceremony of the warrior, can involve ten or more days of singing, dancing and ritual. The warriors of the Il-Oodokilani perform a kind of march-past as well as the Adumu, or aigus, sometimes referred to as "the jumping dance" by non-Maasai. (Both adumu and aigus are Maa verbs meaning "to jump" with adumu meaning "To jump up and down in a dance".)
How is the Maasai dance called the Adumu commonly called by other peoples?
The Adumu is known elsewhere as "the jumping dance" as part of it involves jumping high in the air.